{"data":{"all":{"edges":[{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Deadly Explosion Rocks Vizag Steel"},"content":{"text":"Eight workers died, and six others were injured after a ladle carrying molten steel exploded at the Visakhapatnam Steel Plant on Monday. The accident occurred when a large quantity of molten steel leaked following the explosion of the ladle, which was carrying steel at a very high temperature. The disaster occurred when molten steel was being lifted at the SMS-2 and STC-3 heat facility of the steel plant around 4.15 p.m. According to officials, molten iron was extremely hot at about 1,500 degrees Celsius. The explosion triggered panic in the plant, forcing workers and employees to scramble for safety. Steel plant personnel, police and fire-fighting personnel began efforts to bring the fire under control. The deceased included six employees of the plant and two contract workers. Five of the deceased were identified as Appa Rao, Prabhakar Rao, Krishna, Ramana and Trinath. Visakhapatnam district Collector M. Abhishek Kishor said six workers were injured. Three were admitted to KIMS Hospital, and three others were shifted to Seven Hills Hospital. Andhra Pradesh Chief Minister N Chandrababu Naidu expressed shock over the accident. The Chief Minister spoke to officials regarding the incident and conveyed deep sorrow over the deaths of the workers. Officials briefed Chandrababu Naidu on the current situation and the relief measures being undertaken. The Chief Minister directed officials to take supportive measures in coordination with all departments to assist those affected by the accident. “The accident at the Visakha Steel Plant has left me deeply shocked. I am distressed to learn that several workers have lost their lives in this accident. I have spoken to the concerned officials and directed them to undertake relief measures in coordination with all government departments,” the Chief Minister posted on X. Union Minister of State for Heavy Industries & Steel, Bhupathiraju Srinivasa Varma, said the cause of the accident would be known only after a thorough investigation. “Deeply saddened and shocked by the tragic ladle blast accident at the Visakhapatnam Steel Plant (RINL) this evening. My heart goes out to the families of the brave workers who lost their lives in this accident. I have spoken to the plant management and local authorities; we are closely monitoring the situation on the ground. Every possible medical assistance is being extended to those affected. Praying for the speedy recovery of the injured. Industrial safety remains our utmost priority, and we stand firmly with the workforce and their families in this hour of grief,” he said in a social media post."},"img":{"url":"https://images.prismic.io/prad/aibcfQeQX7-eW-KA_vizagsteelfirej.JPG?auto=format%2Ccompress&rect=0%2C275%2C450%2C222&w=2028&h=1000"},"datetime":"2026-06-08T14:40:00+0000","embed":{"embed_url":null}},"uid":"deadly-explosion-rocks-vizag-steel"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Virginia Seeks Indian Footfall"},"content":{"text":"Virginia Tourism Corporation is stepping up engagement with India’s travel trade to boost overnight stays and visitor spending after India became the US state’s second‑largest international source market and its largest overseas market, a new report has said.  Preliminary estimates showed that Virginia welcomed just over 65,000 Indian visitors in 2025, generating about $112 million in visitor spending. In 2024, the state recorded over 69,000 Indian arrivals and roughly $124 million in spending. Heidi Johannesen, Managing Director — Global Markets, Virginia Tourism Corporation told Indian travel partners during a visit that the slight moderation in arrivals is due to broader geopolitical developments and visa-related challenges. The tourism officials said their priority is to broaden awareness among Indian tour operators and travel advisors of Virginia’s attractions beyond the popular Luray Caverns caves, which many Indian visitors currently visit as a day trip from the Washington, DC, area without overnight stays. Christi Braginton, Director – Global Markets, Virginia Tourism Corporation, said that the state’s wider offerings include Mount Vernon, Monticello, Virginia Beach, Williamsburg and Fairfax County but visitors are mostly unaware of them. The officials said Virginia’s tourism proposition extends from mountains and beaches to vineyards, culinary experiences, theme parks and some of the most significant historical landmarks in the United States, according to the report. To improve awareness, VTC runs co-operative marketing campaigns, trade and consumer media outreach, social media initiatives and direct engagements with Indian travel partners. The officials also said that visitors should come to Virginia if they \"want to experience that true depth of independence\" in the ongoing celebrations marking 250 years of American independence. \"Major commemorative activities are planned around Colonial Williamsburg, including fireworks displays, historical presentations and re-enactments,\" the report noted."},"img":{"url":"https://images.prismic.io/prad/b3cd8a19-96bc-4e35-8774-eed6dddc15ad_travel.JPG?auto=format,compress"},"datetime":"2026-06-08T10:42:00+0000","embed":{"embed_url":null}},"uid":"virginia-seeks-indian-footfall"}},{"node":{"tags":["politics","featured","four"],"data":{"third_party_url":null,"title":{"text":"TMC crumbles like a house built on sand"},"content":{"text":"The Trinamool Congress, once the formidable force that ended three decades of Left Front rule in West Bengal, today resembles the Biblical parable of a house built on sand that collapses when storms arrive.  Following the state election defeat, its organisational base -- weakened by corruption, factionalism and overreliance on professional consultants -- is being battered by storms of scandal and dissent. About five days after a breakaway faction comprising 58 of the Trinamool’s 80 elected MLAs laid claim to recognition as the “original party” in the West Bengal Assembly, 20 of its 28 Lok Sabha MPs have reportedly made a similar request to the office of the Lok Sabha Speaker. One of West Bengal’s 42 Lok Sabha seats, Basirhat, remains vacant following the death of the sitting Trinamool MP. Among the party’s 13 Rajya Sabha MPs, Sukhendu Sekhar Roy on Monday announced his resignation from both the Upper House and the party’s primary membership. Roy’s current tenure in the Rajya Sabha was scheduled to end in 2029. The 77-year-old MP was already in trouble within the party following his open support for protesters seeking justice after the rape-murder of an intern at Kolkata’s RG Kar Medical College and Hospital in August 2024, even as the then Mamata Banerjee-led government faced criticism over its response to the incident. Since the Trinamool’s Assembly poll defeat, he has publicly criticised the party over corruption-related issues. Mamata Banerjee, once the fiery street-fighter who toppled the state’s communist regime in 2011, now appears increasingly detached from the party’s grassroots. Her nephew, Abhishek Banerjee, entrusted with organisational control, leans heavily on professional consultants whose strategies allegedly often lack resonance with West Bengal’s political culture. Discontent had been simmering within the party, with many leaders feeling sidelined or coerced. The current rebellion has drawn comparisons with Maharashtra, where splits in the Shiv Sena and Nationalist Congress Party led to breakaway factions being recognised as the “real” parties. In West Bengal, meanwhile, from the Sandeshkhali episode to the RG Kar incident, widespread reports of corruption, and now the signature scandal, each controversy has chipped away at the party’s moral authority. While Ritabrata Banerjee, a former Communist Party of India (Marxist) parliamentarian, led the rebel MLAs out of the fold in Kolkata, about 1,300 km away in New Delhi, Kakoli Ghosh Dastidar reportedly organised dissident MPs. The 66-year-old physician was upset with the party leadership after being removed unceremoniously as party Whip and had earlier resigned from all organisational positions. She has reportedly forwarded a list of the rebel MPs to the Speaker’s office, seeking recognition as a separate bloc aligned with the ruling National Democratic Alliance. Sources said she believes that the party’s latest intimation regarding her removal as Chief Whip has not yet reached the Speaker’s office and that she therefore continues to hold the position officially. In a similar development recently, disgruntled Aam Aadmi Party Rajya Sabha MPs, led by Raghav Chadha, left the party and merged with the Bharatiya Janata Party without attracting anti-defection provisions. While the final decision will rest with the Election Commission and the respective presiding officers of the Assembly and Parliament, the party founded by Mamata Banerjee 28 years ago appears to be under severe strain. Just as a sandy foundation struggles to withstand a storm, the Trinamool is facing an internal crisis within about a month of its defeat in the state election. The fragility of the Trinamool’s foundations becomes clearer when viewed against Bengal’s political history. The Left Front fell after 34 years of uninterrupted rule in the state amid allegations of corruption, arrogance and detachment from grassroots realities. The political storm gathered momentum in the form of Singur and Nandigram, where land acquisition controversies exposed what critics described as the party’s disconnect from people’s struggles. Critics argue that Mamata Banerjee later watched her party follow a similar path. Her rise was built on her image as “Didi” -- the benevolent leader who almost single-handedly spearheaded the movement against what was portrayed as the Left’s arrogance. Today, critics allege that her party is increasingly associated with corruption, unable to rein in controversial leaders, and embroiled in controversies over signatures and internal functioning. Authenticity, they argue, is eroding, and the house built on sand has begun to crumble."},"img":{"url":"https://images.prismic.io/prad/e4149b3a-126b-4729-83d3-4e3cf964377c_mamata+benarjee.JPG?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-06-08T13:06:00+0000","embed":{"embed_url":null}},"uid":"tmc-crumbles-like-a-house-built-on-sand"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"HYDRAA Reclaims ₹1.1 Lakh Cr Assets"},"content":{"text":"Hyderabad Disaster Management and Asset Protection Agency (HYDRAA) has successfully reclaimed and protected public assets worth over Rs 1.10 lakh crore in less than two years. With continued public support and determined action, HYDRAA is confident of moving towards the Rs 2 lakh crore protection milestone within the next year. The agency said on Monday that it reclaimed and protected lakes, nalas, parks, government lands, and blue-green resources. These priceless public assets, once under threat from encroachments and land-grabbing activities, have been safeguarded for future generations, it said. HYDRAA thanked responsible citizens, public-spirited individuals, media organisations, government departments, and every stakeholder committed to protecting public resources. It said: “Thank you to all the right and public-spirited people, and the media for supporting this great project for reclaiming, protecting and restoring blue-green resources that would have been otherwise knocked away by the unscrupulous land mafia.” The agency stated that its mission is to reclaim, protect, and restore. It added that together, Hyderabad’s lakes, waterways, parks, and government lands are being preserved, ensuring a sustainable and resilient future for generations to come. HYDRAA’s statement on its “landmark achievement” and “bigger milestone” comes amid a raging debate on the agency in the wake of Telangana Chief Minister A. Revanth Reddy’s recent comments. He triggered a row with the remark that he took inspiration from Nazi dictator Adolf Hitler to create HYDRAA. “HYDRAA is Hitler’s favourite word. His core team, called HYDRAA, can assassinate anyone. So, I have taken inspiration from Hitler and named it HYDRAA,” he said during a conversation with The Hindu Group Director N. Ram at an event in Bengaluru on Saturday. The Congress government in the state established HYDRAA in 2024 to protect public assets, manage disasters, and reclaim encroached lands across Hyderabad. It has so far reclaimed over 2,000 acres of government land by removing encroachments on open lands, lakes, nalas, and parks. The agency headed by IPS officer A.V. Ranganath has come under sharp criticism from opposition parties for the demolitions carried out at various places. They accused HYDRAA of targeting the houses of the poor. BRS president and former Chief Minister K. Chandrasekhar Rao recently announced that once BRS returns to power, the first file it will sign will be to scrap HYDRAA."},"img":{"url":"https://images.prismic.io/prad/aM-p155xUNkB07fV_hydraa.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T12:32:00+0000","embed":{"embed_url":null}},"uid":"hydraa-reclaims-1.1-lakh-cr-assets"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"10 Indian-Australians Receive King's Recognition"},"content":{"text":"As many as 10 Indian-origin Australians have featured in the 2026 King's Birthday Honours List, with the recipients recognised for their distinguished service and contribution to Australian society, local media reported.  The 2026 King's Honours List recognises 948 Australians for outstanding service and achievement in community service, medicine, science, education, public administration, defence, sport and the arts. The list features several prominent Indian-Australians awarded the 'Medal of the Order of Australia' (OAM) and higher honours, demonstrating the growing contribution of Indian community to the Australian society. Indian-origin Australians who feature in the 2026 King’s Birthday Honours List include Professor Valsamma Eapen (AO), Dr Abhishek Kumar Verma (OAM), Dr Dilipkumar Gahankari (OAM), Professor Balasubramaniam Venkatesh (AM), Noshir Irani (OAM), Chethicad Oommen Thomas (OAM), Usha Kiran Chandra (OAM), Dr Atul Kumar Garg (OAM), Saurabh Mishra (OAM), and Bijinder Dugal (OAM), honoured for their outstanding service in medicine, psychiatry, community leadership, business, aged care and multicultural engagement, 'The Australia Today' reported. The Indian High Commission in Australia on Monday congratulated the 10 Australians of Indian origin who featured in the 2026 King's Birthday Honours List \"The King’s Birthday Honours are among Australia’s highest civilian honours, recognising distinguished service and outstanding contribution to the nation. Heartiest congratulations to the 10 Australians of Indian origin recognised in the 2026 King’s Birthday Honours List,\" the Indian High Commission in Australia posted on X. Melbourne-based community leader Chethicad Oommen Thomas received the OAM for service to the Indian community of Victoria, recognising his over 50 years of leadership and institution-building. He came to Australia in 1969 and dedicated his life to supporting new migrants and strengthening community connections. He founded the Malayalee Association of Victoria in 1976, served as a leader of the Australia India Society of Victoria, set up the Victorian Indian Community Charitable Trust, and played a key role in making the Indian Orthodox Church network in Victoria. His work helped build cultural, charitable and faith-based institutions that continue to serve Indian Australians. Leading child and adolescent psychiatrist Professor Valsamma Eapen has been appointed an Officer of the Order of Australia (AO) for her service to psychiatry, neurodevelopmental research, child and adolescent mental health, and tertiary education. She is known across the world for her work in Attention-Deficit/Hyperactivity Disorder (ADHD), Tourette syndrome, autism spectrum disorder and early childhood mental health. Intensive care specialist Professor Balasubramaniam Venkatesh has been appointed as Member of the Order of Australia (AM) for his work in critical care medicine, infection control and tertiary education. Melbourne-based general practitioner Dr Abhishek Kumar Verma has been honoured with OAM for his service to medicine and medical administration. Dr Verma has been recognised for his leadership in clinical governance, medical education and healthcare regulation and service in migrant and refugee health, The Australia Today reported. Gold Coast-based plastic and reconstructive surgeon Dr Dilipkumar Gahankari has been honoured with the OAM for his work in plastic and reconstructive surgery. Melbourne-based entrepreneur and community leader Saurabh Mishra received the OAM for service to the community. Apart from being an entrepreneur, he has been involved with volunteer work in palliative care, cultural preservation and mentoring through organisations like TiE Melbourne. In addition, he has supported Hindustani classical music and healthcare innovation initiatives in Victoria, 'The Australia Today' reported. Sydney-based community volunteer Noshir Irani has been awarded the OAM for his service to the community. He has been recognised for his leadership in multicultural organisations, volunteer services and civic engagement in New South Wales, including his involvement in cultural associations and neighbourhood initiatives. Community leader Dr Atul Kumar Garg has been honoured with OAM for service to the community through neighbourhood safety initiatives, multicultural engagement and charitable work, including leadership roles in Neighbourhood Watch and Indian community organisations. Queensland-based community leader Usha Kiran Chandra has been honoured for her service to the Indian community through cultural festivals, Global Organization of People of Indian Origin (GOPIO) Queensland and initiatives promoting multicultural participation and civic engagement. Sydney-based community advocate Bijinder Dugal has received the OAM for her service to aged welfare. She is the co-founder of the AASHA Australia Foundation and has worked for improving the wellbeing of elderly Australians through programs focused on active ageing, dementia awareness, elder rights education and social inclusion."},"img":{"url":"https://images.prismic.io/prad/aiatiQeQX7-eW9fW_indianaustralians.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T10:55:00+0000","embed":{"embed_url":null}},"uid":"10-indian-australians-receive-kings-recognition"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Chiru's Daughter Reveals Her Inner Battle"},"content":{"text":"Tollywood star Ram Charan’s younger sister and Megastar Chiranjeevi’s daughter, Sreeja Konidela, got candid about her mental health struggle during a recent post on social media. In a video uploaded on her official Instagram account, Sreeja revealed that for a long time, she allowed her identity to be defined by everything she had been through in the past. However, she recently chose to heal and come out of ‘victimhood’. Sreeja further admitted that she would often think about why she was going through all this. She was heard saying in the clip posted on social media, “I was stuck in a space asking, why is this happening to me, and why am I going through so much pain? Why is there a struggle after struggle, and what did I do to deserve this? And in this journey, I moved from that space of victimhood and to understanding that life just doesn’t happen to me, but I have the power to create it.” Sreeja added that for a large part of her life, her identity was shaped by her painful past.  “For most of my life, I identified myself with my pain, my past, my struggles. To me, my identity was shaped by everything that went wrong in my life. But through this program, I started to see beyond that. Yes, my pain is still a part of me, but that’s not all that I am, and there is so much more to a person, and discovering those layers has been one of the most beautiful parts of this journey for me,\" she went on to add. For the unversed, at the tender age of 19, Sreeja eloped with her 22-year-old boyfriend, Shirish Bharadwaj, in 2007. Following an Arya Samaj wedding in Hyderabad, they even sought media and police protection, citing opposition from her family. The couple welcomed their daughter, Nivrithi Bharadwaj, in 2008.  However, in 2011, Sreeja filed a dowry and harassment case against Shirish and his family, and their divorce was finalised in 2014."},"img":{"url":"https://images.prismic.io/prad/aia7tweQX7-eW9oW_sreeja.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T11:56:00+0000","embed":{"embed_url":null}},"uid":"chirus-daughter-reveals-her-inner-battle"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Why Kangana took back control of SM accounts?"},"content":{"text":"Kangana Ranaut has opened up about why she “snatched” control of her social media accounts back from her team. In an exclusive interview with media, the ‘Queen’ actress said she prefers a more direct and personal way of communicating with her audience. When asked how much time she takes to reply on social media and whether it seems like she personally responds to messages, Kangana shared that she replies herself and is actively involved in her social media interactions. The actress shared, “I asked my social media team, 'What is this?' Are you writing a letter to the headmaster with so much respect? What kind of captions are these? It feels like you are apologizing to stay alive. So, I said, no, this is not going to go like that. Simple right things. I am eating this, so simply write this. It feels like you are apologetic for everything. That's not how it's going to work.” “So obviously, I don't like to live like that. And I think it's not easy to be in public space. It's not like we don't say anything that we are not ashamed of. Or we don't feel bad. Or somehow, even if it's a small thing, it becomes an angle of a photo. Or how we have ever styled something or said something. We feel, \"Oh, that was a wrong decision; that was a wrong call.\" I could have done better. We feel like that. Now you don't have to tell anyone,” Kangana added. The actress went on to state, “Reading the comments is a different thing. But you feel it yourself. So, you have days like that. Now it is published all over the place. Neither its response nor its anything—that one line did this. Or I could have done better with my photo from that angle; the same photo is being put everywhere. So, such embarrassment happens to celebrities. That your mistakes are published all over the nation. But as far as comments are concerned, comments are irrelevant to me.”"},"img":{"url":"https://images.prismic.io/prad/ZmGXeZm069VX1goA_kangana.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T07:35:00+0000","embed":{"embed_url":null}},"uid":"why-kangana-took-back-control-of-sm-accounts"}},{"node":{"tags":["politics","featured","three"],"data":{"third_party_url":null,"title":{"text":"India crush Afghanistan by innings and 300 runs"},"content":{"text":"Debutant left-arm spinner Manav Suthar capped a dream Test debut as India completed their biggest-ever victory in the format, thrashing Afghanistan by an innings and 300 runs on the third day of the one-off Test at the New PCA Stadium on Monday. After piling up a commanding 564/8 declared in their first innings, India dismissed Afghanistan for 152 before Lunch on Day 3 and enforced the follow-on. The hosts then bowled the visitors out for 112 in just 35.5 overs to seal an emphatic win inside three days. India had laid the foundation for the crushing victory through dominant batting performances over the first two days. KL Rahul struck 100, captain Shubman Gill led from the front with 126, while Sai Sudharsan (81), Rishabh Pant (81) and Washington Sundar (52 not out) ensured the hosts posted a mammoth total after opting to bat first. Afghanistan never recovered from that scoreboard pressure. Resuming Day 3 at 113/5 in their first innings, they were bowled out for 152 despite Rahmat Shah's fighting 60. Suthar was the chief destroyer, returning outstanding figures of 6/33 to register the second-best bowling figures by an Indian on Test debut. Faced with a deficit of 412 runs, Afghanistan were asked to bat again and initially showed far greater resolve. Openers Abdul Malik and Sediqullah Atal put on 42 runs, their best opening stand against India in Tests, while Atal counterattacked the spinners and looked determined to extend the contest. However, Mohammed Siraj provided the breakthrough by trapping Malik lbw, opening the door for India's spinners. Rahmanullah Gurbaz struck a brisk 24, but Kuldeep Yadav dismissed him before Washington Sundar triggered a dramatic collapse. The off-spinner removed Rahmat Shah and Hashmatullah Shahidi in the second session before dismissing the well-set Atal for 42 on the stroke of tea. Afghanistan slipped from a 74/1 to 98/5 and never recovered. The final session lasted barely six overs. Suthar struck again when he trapped Afsar Zazai lbw, while Sundar removed Azmatullah Omarzai to claim his fourth wicket of the innings. Kuldeep then wrapped up the tail, dismissing Nangeyalia Kharote and Mohammad Saleem Safi in successive deliveries. Afghanistan's innings ended at 112, with injured Sharafuddin Ashraf unable to bat, bringing the match to a conclusion. While India's batting stars dominated the opening two days, the match ultimately belonged to Suthar. The left-arm spinner claimed seven wickets in the match, including a six-wicket haul in Afghanistan's first innings, announcing himself on the international stage in memorable fashion as India recorded a historic victory. Brief Scores: India 564/8 dec in 127 overs (Shubman Gill 126, KL Rahul 100, Sai Sudharsan 81, Rishabh Pant 81, Washington Sundar 52*; Mohammad Saleem Safi 6-140) beat Afghanistan 152 in 58.4 overs (Rahmat Shah 60; Manav Suthar 6-33, Prasidh Krishna 3-37) and 112 in 35.5 overs (Sediqullah Atal 42, Rahmanullah Gurbaz 24; Washington Sundar 4-36, Kuldeep Yadav 3-30, Manav Suthar 1-29) by an innings and 300 runs."},"img":{"url":"https://images.prismic.io/prad/aiaeageQX7-eW9XA_indwinsafg.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T09:50:00+0000","embed":{"embed_url":null}},"uid":"india-crush-afghanistan-by-innings-and-300-runs"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Toxic' Movie BTS Video"},"content":{"text":"'Toxic' Movie BTS Video"},"img":{"url":"https://images.prismic.io/prad/aiaXXweQX7-eW9Tg_toxicbts.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T05:20:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=bQvuGRMWWVQ"}},"uid":"toxic-movie-bts-video"}},{"node":{"tags":["Editorial","featured","one"],"data":{"third_party_url":null,"title":{"text":"A Bizarre State Of Dual Economic Reality"},"content":{"text":"“A mere increase in real national income does not lead to economic development if the distribution makes the rich richer and the poor poorer. GDP does not care about your grocery bill” This prudent axiom, adopted from fundamental Development Economics literature on income distribution distortions, suggests that the experts on the Indian economy live in a completely different economic universe than the masses dealing with the realities of fuel inflation. This disconnect was on full display in their recent jubilation over the reported numbers around the growth of GDP. Recently one of my friends, an economics expert, lit up my WhatsApp with a breathless proclamation: India’s Q4 and full-year 2026 GDP growth figures have crowned it \"the\" fastest-growing large economy on the planet. Hailing a \"Blockbuster Friday\" fueled by supposedly massive capital market reforms from the RBI and the government, he painted a picture of unbridled financial triumph. Well, he is the expert and there should be no reason to comment on why he wasn’t correct in his perception about the GDP, for, a novice like me who hardly ever understood what exactly the GDP stands for and how fundamentally its growth reflects the real face of the nation’s economy. For an average citizen like me, the GDP has less to do with “Gross Domestic Product” and far more to do with the soaring costs of “Gas, Dollars, and Petrol”. While the financial elites like him toast to abstract percentages, everyday \"cockroaches\" like me are trying to decode the actual reforms trickling down to the masses. So far, the most visible reforms include the Supreme Leader’s stirring call for citizen austerity, specifically, begging the public to stop buying gold and other attempts including efforts to stem further weakening of the Rupee by the RBI to preserve the foreign reserves. Meanwhile, in a move that screams peak economic stability, reports emerged that the government has been selling off its own gold reserves to foreign banks to conserve precious foreign currency. The RBI was quick to deny such reports, but the panic is palpable. This scramble comes as the Indian Rupee nosedives from 85–86 per US dollar in mid-2025 to a staggering 95 per dollar by mid-2026, marking a brutal 10% year-on-year depreciation. This brings us to the million-dollar question, valued in dollars, of course, because the rupee is currently too weak to lean on. Can a nation simply chest-thump its way out of economic fragility using hyped-up GDP data? The arithmetic of modern economic miracles around the supposed GDP growth is truly a sight to behold. Financial pundits are popping champagne over India’s spectacular \"Blockbuster Friday\" GDP growth, seemingly unbothered by a few minor real-world details. For instance, the Indian Rupee has consistently broken records by tumbling to historic lows against the US dollar. Simultaneously, global crude oil prices have skyrocketed by more than 50%, sending shockwaves through every supply chain. Yet, somehow, on paper, the economy and more importantly the GDP is supposedly having the time of its life. To the average citizen, this mathematical wizardry feels less like a blockbuster and more like a horror film. Basic logic suggests that when your currency loses its power, your energy bills jump by half, and inflation eats your savings, you are getting poorer. But the beauty of abstract data is that it does not care about your grocery bill. While everyday citizens watch prices soar for everything from food to fuel, the official charts show a beautiful, soaring line of economic growth. It is a masterclass in theatrical misdirection: please focus on the roaring GDP percentage, and ignore the smoke coming out of your own wallet. Well, I may not be accurate in my observations, for, according to experts, GDP can easily coexist with a weakening currency, soaring inflation, and cooling investments. It measures the total monetary value of goods and services produced within a country over a specific period, meaning it can expand on paper even while the underlying economic fundamentals of ordinary households deteriorate. If an economy experiences high inflation (rising prices), the total value of transactions increases simply because things cost more. Even though \"Real GDP\" is adjusted for inflation, rapid price hikes in essential goods like fuel and food disproportionately squeeze disposable income, depressing consumer welfare while the aggregate production numbers still look large. Thus, aggregate GDP growth can be highly misleading if it is driven entirely by government infrastructure spending (capital expenditure) and luxury consumption by the wealthy elite. If mass domestic consumption falls because ordinary citizens are cutting back on basic goods to survive inflation, the growth is unsustainable. Private domestic corporations hesitate to build new factories or expand businesses when they see that the general public lacks purchasing power. Consequently, private capital expenditure stalls, leaving the state to artificially prop up the GDP numbers through debt-funded public projects. This leaves the nation in a bizarre state of dual reality. In the world of press releases, India is a global economic powerhouse crushing its competition. In the world of the supermarket aisle, the public is left wondering how an economy can be so incredibly healthy while its currency and household budgets are on life support. Ultimately, chest-thumping over a \"blockbuster\" GDP while fundamentals crumble proves one thing: you can always manufacture a celebration if you choose to ignore the bills piling up at the door."},"img":{"url":"https://images.prismic.io/prad/aiaZhAeQX7-eW9Ua_GDP.JPG?auto=format,compress"},"datetime":"2026-06-08T06:25:00+0000","embed":{"embed_url":null}},"uid":"a-bizarre-state-of-dual-economic-reality"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Why Sonakshi does not feel ‘safe anywhere’ with hubby"},"content":{"text":"Actress Sonakshi Sinha has shared a playful video from her vacation featuring her husband Zaheer Iqbal. Taking to Instagram, she gave a fun glimpse of their light-hearted moments together during the getaway. The ‘Dabangg’ actress shared a fun video from her vacation, where she is seen sitting by the pool before her Zaheer playfully pushes her into the water. The couple then bursts into laughter, enjoying the light-hearted and playful moment together. Sharing this fun video, she wrote, “Not safe anywhere.” Notably, Sonakshi and Zaheer often share amusing and playful videos on social media, giving glimpses of their fun-loving bond. Recently, the ‘Akira’ actress had celebrated her 38th birthday with Zaheer and their close friends in UK. Sharing pictures from the trip, Sonakshi wrote, “Thank you everyone for ALLLL the love on my birthday i enjoyed it in realtime off the gram and it was the bessssst!!! 02.06.2026.” Zaheer Iqbal also took to his social media to wish his wife Sonakshi Sinha on her birthday. He shared several pictures and videos from her special day celebrations. The photos showed Sonakshi in a cheerful mood, enjoying her time with Zaheer and their close circle of friends. Zaheer captioned the post, “I love you my BIRTHDAY GIRL.”In one of the pictures, Sonakshi was seen posing while wearing a face mask. In another, she was captured hugging Zaheer from behind as they posed for the camera. One of the images showed intimate birthday celebrations at a restaurant, where she appeared extremely happy and embraced him warmly. For the unversed, Sonakshi Sinha married Zaheer Iqbal on 23 June 2024. The couple chose a private registered wedding ceremony at Sonakshi’s Mumbai residence, and it was attended only by close friends and family members. Later, they hosted a grand reception that was graced by several prominent names from the Bollywood industry."},"img":{"url":"https://images.prismic.io/prad/aiafhQeQX7-eW9Xi_soanakshizaheer.JPG?auto=format%2Ccompress&rect=0%2C78%2C426%2C210&w=2028&h=1000"},"datetime":"2026-06-08T10:55:00+0000","embed":{"embed_url":null}},"uid":"why-sonakshi-does-not-feel-safe-anywhere-with-hubb"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"Bigg Boss Telugu 10 Promo"},"content":{"text":"Bigg Boss Telugu 10 Promo"},"img":{"url":"https://images.prismic.io/prad/aiV9TQeQX7-eW8eA_BB10.JPG?auto=format,compress"},"datetime":"2026-06-07T12:16:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=ioObElfXAoE"}},"uid":"bigg-boss-telugu-10-promo"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"What’s Behind RR’s 'Hitler' Reference?"},"content":{"text":"Telangana Chief Minister A. Revanth Reddy triggered a row with the remark that he took inspiration from Nazi dictator Adolf Hitler to create Hyderabad Disaster Response and Asset Protection Agency (HYDRAA), which has been carrying out demolitions in and around Hyderabad to remove encroachments on water bodies, parks and other government property. Opposition Bharat Rashtra Samithi (BRS) and Bharatiya Janata Party (BJP) on Sunday came down heavily on the Chief Minister for his remark and said that Congress' dangerous Hitler mindset has come out in the open. \"HYDRAA is Hitler's favourite word. His core team called HYDRAA who can assassin anyone. So, I have taken inspiration from Hitler and name it as HYDRAA,\" he said during a conversation with 'The Hindu' Group Director N. Ram at an event in Bengaluru on Saturday. The Congress government in the state established HYDRAA in 2024 to protect public assets, manage disasters and reclaim encroached lands across Hyderabad. It has so far reclaimed 2,182 acres of government land worth Rs 80,000 crore by removing encroachments on open lands, lakes, nalas and parks. The agency led by IPS officer A.V. Ranganath has come under sharp criticism from opposition parties for the demolitions carried out at various places. They accused HYDRAA of targeting houses of the poor. BRS President and former Chief Minister K. Chandrasekhar Rao recently announced that once the BRS returns to power, the first file to be signed by it will be to scrap HYDRAA. Chief Minister Revanth Reddy's remarks made at Bengaluru event have drawn the ire of the main opposition BRS. BRS Working President K.T. Rama Rao (KTR) posted on social media platform X that people of Telangana knew it and thanked CM Revanth Reddy for clarifying it to the entire nation. \"Your inspiration is Hitler! Your assassination agency is HYDRAA! You worship dictators and brag about demolitions. Of course, people of Telangana knew. Thanks for clarifying it to the entire nation,\" KTR wrote. \"We were not as intelligent as you, Revanth! So, we modeled our governance on B.R. Ambedkar's Constitution, Mahatma Gandhi's vision, and Professor Jayashankar's dream,\" the BRS leader added. Union Minister for Coal and Mines G. Kishan Reddy said that Congress' dangerous \"Hitler and Emergency\" mindset has come out in the open yet again. \"Revanth Reddy, now openly boasting that Hitler inspired him to create HYDRAA and is comparing his demolitions in Hyderabad to those in war-torn countries like Iran and Israel, echoing his leader Rahul Gandhi's language. From Emergency to Hitler -- Congress has always muzzled people. Revanth Reddy needs to hang his head in shame and tender an unconditional apology to the people of Telangana,\" the Union Minister wrote on X. Meanwhile, State BJP President N. Ramchander Rao has remarked that those who follow Hitler will meet with the same fate as his. On Chief Minister Revanth Reddy questioning what the Central government has given to Telangana, Ramchander Rao said they are ready for an open discussion on the issue of what the Central government has given to Telangana and what the state government has given to the districts. \"If you decide on a date and time, we are prepared to come and discuss it even at the Secretariat gate,\" he added. The BJP leaders also condemned the remarks made by the Chief Minister against Union Ministers Kishan Reddy and Bandi Sanjay Kumar at the meeting held on Saturday in Mahabubnagar district. The State BJP President said that these remarks by Chief Minister Revanth Reddy are full of arrogance. \"Using language like 'do not let them cross the border' is in no way befitting of the Chief Minister's stature. If the BJP workers decide, a situation will arise where Congress MLAs, MPs, and Ministers will not be able to move around in the villages,\" Ramchander Rao added."},"img":{"url":"https://images.prismic.io/prad/aUwm0XNYClf9oooO_rr.jpg?auto=format,compress"},"datetime":"2026-06-07T12:30:00+0000","embed":{"embed_url":null}},"uid":"whats-behind-rrs-hitler-reference"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"What Rani Mukerji wanted to be when she grew up"},"content":{"text":"Rani Mukerji, one of the most talented actresses in Bollywood, once revealed what she wanted to become as a kid when she grew up. Speaking to host Simi Garewal during her appearance on an episode of \"Rendezvous with Simi Garewal\", Rani shared that she really wanted to become someone big as a kid, because she wished to make her parents really happy. When Simi asked Rani, \"What did you want to be when you grew up?\", the 'Maardani' actress shared, \"I always wanted to become somebody big. I had this thing in me that I wanted to make my parents really happy. I wanted to give them the best in the world. And like if I would go to a shop, I would want to buy everything and not have a problem buying anything that I want.\" Rani shared that as a kid, she would never ask her mother for something if she felt her mother would not be able to buy it for her. \"I would never want to hurt her by asking for something which I knew she wouldn't give me. So I used to tell myself that when I grew up, I wanted to do something in life so that I keep my parents happy, give them the best.\" The 'Kuch Kuch Hota Hai' actress added that she had been quite mature since her childhood. Up next, Rani will be seen in Shah Rukh Khan's highly discussed drama \"King\". Made under the direction of Siddharth Anand and jointly backed by Gauri Khan, Siddharth Anand, and Mamta Anand under the banners of Red Chillies Entertainment and Marflix Pictures, \"King\" will mark the primary on screen collaboration between Shah Rukh Khan and his daughter Suhana Khan. The core cast of the drama further includes Abhishek Bachchan, Deepika Padukone, Anil Kapoor, Jackie Shroff, and Arshad Warsi."},"img":{"url":"https://images.prismic.io/prad/67454cb3-6b37-4079-9743-cd4cb57ab5ec_rani+mukherji.JPG?auto=format,compress"},"datetime":"2026-06-07T11:55:00+0000","embed":{"embed_url":null}},"uid":"what-rani-mukerji-wanted-to-be-when-she-grew-up"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Rahul Faces a Trust Test?!"},"content":{"text":"When historian Ramachandra Guha remarked that he did not believe Congress leader Rahul Gandhi was equipped to handle major national challenges such as an energy crisis or a war, he gave voice to a question that has lingered in Indian politics for years. The significance of the observation lay less in the remark itself and more in who made it. Guha is hardly known for being sympathetic to Prime Minister Narendra Modi or the BJP. His criticism of the government has been consistent and often unsparing. Therefore, when someone from outside the BJP's political ecosystem raises doubts about the Opposition's leadership credentials, the comment inevitably carries greater weight. The debate is about Rahul Gandhi and the larger condition of India's Opposition and its ability to present itself as a credible alternative government. Over the past decade, the Modi government has faced a succession of challenges, from the Covid-19 pandemic and border tensions to economic disruptions and global geopolitical shocks. Supporters of the government argue that despite criticism and setbacks, it has managed to retain public confidence. Critics may disagree with many of its decisions, but there is little doubt that PM Modi continues to enjoy a level of political trust that no other contemporary leader can match. That reality poses a difficult question for the Opposition. If large sections of the electorate continue to back the ruling leadership despite economic pressures and periodic crises, where exactly is the Opposition falling short? Many voters may be dissatisfied with specific policies, rising prices, or local governance issues, but they do not necessarily see a convincing national alternative waiting in the wings. Elections are not decided merely by dissatisfaction with incumbents; they are also determined by confidence in those seeking to replace them. This is where the Rahul-led Opposition appears to struggle. Too often, its politics seems driven by opposition for its own sake rather than by a clearly articulated vision of governance. Personal attacks on PM Modi frequently generate headlines, but headlines alone do not build public confidence. Voters eventually look beyond slogans and ask a simpler question: if not the present government, then who, and with what plan? Recent political developments illustrate this challenge. Across different states, voters have displayed a remarkable willingness to make independent choices based on local realities rather than broad national narratives. State-specific factors, anti-incumbency sentiments, and regional dynamics often shape electoral outcomes. Despite these fluctuations, the Opposition has found it difficult to translate episodic discontent into a sustained national political movement. The problem is not a shortage of issues. Inflation, unemployment, agrarian distress, and social tensions provide ample political ammunition. The challenge is converting criticism into credibility. That is why many of the movements and campaigns that were projected as major turning points against the BJP have ultimately failed to produce the political consequences their supporters anticipated. The protests against the Citizenship Amendment Act, the agitation over farm laws, the wrestlers' protest and several social media-driven campaigns generated enormous attention and, in some cases, forced the government to respond. But they did not fundamentally alter the BJP's electoral dominance. There is criticism of the government, but there is no corresponding confidence in the Opposition. The space for a strong national challenger exists, but no political force has been able to occupy it convincingly. The emergence of groups seeking to fill this vacuum is therefore not surprising. Some gain visibility on social media; others capture public attention for a brief period, and a few even generate excitement among anti-establishment voters. Indian politics has repeatedly demonstrated that public attention and electoral success are not the same thing. Even the Aam Aadmi Party, once seen as the most serious challenger to the traditional political order, has found the transition from movement politics to long-term national expansion far more difficult than expected. The lesson is simple: discontent alone cannot sustain a political alternative. Leadership, organisation, credibility, and a coherent vision matter just as much. Seen in that context, Guha's remarks acquire significance. They revive an uncomfortable question for the Congress leadership: has it done enough to convince voters that it is prepared to govern during moments of national difficulty? The issue is not whether Rahul Gandhi has the right to criticise the Prime Minister. In a democracy, criticism of those in power is both legitimate and necessary. The real issue is whether that criticism is accompanied by an alternative vision. Oppositions do not earn public trust merely by highlighting the government's failures; they earn it by demonstrating their own readiness to govern. The irony is that the constitutional book that Rahul Gandhi frequently flashes places enormous importance on the role of the Opposition. Dr B.R. Ambedkar regarded a vigilant Opposition as essential for democratic accountability. Similarly, former Prime Minister Atal Bihari Vajpayee believed that criticism was most effective when it was rooted in policy, principle, and national interest rather than personal hostility. But today, is the Rahul Gandhi-led Opposition doing so?  The real challenge before the Rahul Gandhi-led Opposition, therefore, is not finding a sharper slogan against PM Modi or a more effective political attack. It is building the kind of responsible, persuasive, and credible Opposition that can convince voters it is ready for power. Until that happens, observations such as Guha's will continue to resonate because many voters see them as reflecting a political reality."},"img":{"url":"https://images.prismic.io/prad/ba936157-4140-4c11-8601-5a87190013bf_RaGa.JPG?auto=format,compress"},"datetime":"2026-06-07T11:15:00+0000","embed":{"embed_url":null}},"uid":"rahul-faces-a-trust-test"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Janhvi's Silk Saree Tribute to Tradition"},"content":{"text":"In a poignant blend of personal reflection and cultural homage, Bollywood actress Janhvi Kapoor chose to don a stunning lavender silk saree during her recent visit to the revered Tirumala temple. This pilgrimage, steeped in significance for Kapoor, marks not merely a routine visit but a heartfelt ritual, often intertwined with moments of remembrance and celebration. As she stepped into the temple grounds, her choice of attire resonated with an understated grace that captivated both fans and fashion enthusiasts alike. Accompanied by the release of her latest film, 'Peddi,' Janhvi's presence at Tirumala was watched closely by her audience, who have increasingly noted the actress's connection to this sacred site. The serene setting served as a backdrop for her serene appearance, where she initially arrived in a modest pink kurta and salwar, embodying the essence of a devoted pilgrim rather than a celebrity. However, it was her subsequent transformation into the exquisite silk saree that sparked a wave of admiration across social media, prompting discussions about her sartorial choices amid the film's premiere. Historically, the Tirumala temple has attracted devotees from all walks of life, serving as a spiritual sanctuary that inspires a spectrum of emotions and traditions. For Janhvi, this location holds a deeper significance, often being a place of solace, particularly in remembrance of her late mother, the iconic Sridevi. Each visit encapsulates a blend of personal milestones and cultural rituals, reinforcing the notion that fashion in such a context transcends mere aesthetics, becoming a vessel for familial and cultural legacies. Janhvi's sartorial choices continue to reflect a conscious effort to honor her heritage while navigating the demands of modern celebrity. Her lavender saree, adorned with delicate floral motifs and accented by traditional jewellery—including a gold vaddanam and a striking choker—exemplified this delicate balance. The modesty of her makeup and the simplicity of her hairstyle further underscored a refreshing authenticity in a landscape often dominated by ostentation. In a moment where celebrity culture frequently prioritizes spectacle, Kapoor's unpretentious display of devotion and tradition echoes a yearning for genuine connection with one's roots."},"img":{"url":"https://images.prismic.io/prad/aiWwUgeQX7-eW8ih_jahnvi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-07T14:30:00+0000","embed":{"embed_url":null}},"uid":"janhvis-silk-saree-tribute-to-tradition"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Over 700 caught for drunk driving in Hyd"},"content":{"text":"Over 700 people were caught driving vehicles under the influence of alcohol during the week-end special drunk driving enforcement drive in Hyderabad and Cyberabad Police Commissionerates.   Hyderabad Traffic Police conducted a two-day special drive on June 5 and 6 against drunken driving to ensure road safety. During the special drive, total of 422 drivers were caught driving vehicles under the influence of alcohol.  Similarly, Cyberabad Traffic Police (CTP) conducted a special drunk driving enforcement drive over the weekend, resulting in the apprehension of 284 offenders. According to Hyderabad Traffic Police, the apprehended offenders include 347 two-wheeler riders. Police said 33 were driving three-wheelers while 42 were driving four-wheeler. Offenders were categorized based on their Blood Alcohol Concentration (BAC) levels. As many as 91 has BAC level ranging between 30 and 50. Police said 176 offenders were found with BAC level of 51-100 mg/100 ml, 73 with 101-150/100 ml , 40 with 151-200 /100 ml . Nineteen of the apprehended persons had BAC level of 201-250/100 ml while 10 offenders had BAC level of 251-300/100 ml . Remaining 13 persons were found driving vehicles with BAC level of above 300/100 ml. Joint Commissioner of Police, Traffic, made it clear There will be zero tolerance on drunk & drive violations and this special drive will continue. He requested commuters to cooperate with Hyderabad Traffic Police.  During the drive conducted by Cyberabad Traffic Police, 247 offenders were found riding two wheelers, three (3) three- wheelers and 34 four-wheelers. According to police, 223 offenders had BAC levels ranging from 36 mg/100 ml to 200 mg/100 ml, 33 offenders had BAC levels ranging from 201 mg/100 ml to 300 mg/100 ml, 28 offenders had BAC levels ranging from 301 mg/100 ml to 550 mg/100 ml All the offenders will be produced before the Court. Cyberabad Police reiterated that driving under the influence of alcohol is a serious offence. If anyone is found to be driving in an inebriated condition and causes a fatal accident, such individuals will be booked under Section 105 of the Bharatiya Nyaya Sanhita, 2023 (Culpable Homicide Not Amounting to Murder). The maximum punishment under this section is 10 years of imprisonment along with a fine. In the last Week (June 1 to June 6), a total 164 drunk driving cases were disposed in the courts, in which two persons were jailed and fined. The Court imposed fine on 16 persons and also directed them to do social service. Remaining 146 persons were only fined."},"img":{"url":"https://images.prismic.io/prad/d4057e26-ba32-4797-9485-eba5e0231eb3_drunkendriving.JPG?auto=format,compress"},"datetime":"2026-06-07T14:30:00+0000","embed":{"embed_url":null}},"uid":"over-700-caught-for-drunk-driving-in-hyd"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Mahesh’s Journey Beyond the Screen"},"content":{"text":"In an industry often overshadowed by drama and sensationalism, Mahesh Babu emerges as a figure of steadfastness and grace, exemplifying what it means to be a true superstar. His career, stretching over four decades, is not only marked by celebrated films but also by a persona that resonates with authenticity and humility. From his early days as a child artist in 1979 to becoming a household name in Telugu cinema, Babu's success is a testament to his grounded nature and professionalism, making him a beloved figure not just for his roles, but for his character off-screen. Babu's public demeanor is a striking aspect of his stardom that deserves attention. Unlike many contemporaries who often succumb to the pressures of fame, he maintains an admirable composure in public settings. Whether addressing a challenging question during interviews or navigating the expectations of box office success, he projects a calmness that feels genuine and unscripted. This tranquil presence not only endears him to fans but also sets a standard for the industry, where emotional resilience is often overshadowed by the pursuit of attention. A hallmark of Mahesh Babu's character is his unwavering commitment to family. In an era where personal relationships are frequently thrust into the limelight, Babu’s approach stands out as refreshingly private and sincere. He cherishes his bond with his wife, Namrata Shirodkar, and their children, Gautham and Sitara, openly discussing how they serve as his anchor through the highs and lows of his career. This familial dedication not only fosters a supportive home environment but also resonates with audiences, who appreciate his prioritization of personal over professional chaos in an often tumultuous industry. His disciplined work ethic further cements Babu's status as a megastar. The rigor he applies to his physical transformation for various roles highlights a commitment that transcends mere appearances; it reveals an artist dedicated to his craft. Over the years, he has consistently evolved as an actor, deftly navigating a spectrum of emotional genres while shunning fleeting trends. This level of discipline not only reflects in his performances but also serves as an inspiration to aspiring actors, demonstrating that enduring success is built on hard work and authenticity rather than mere spectacle."},"img":{"url":"https://images.prismic.io/prad/dc831547-b31b-4681-9979-e9f8fa6913cc_Mahesh+Babu.JPG?auto=format,compress"},"datetime":"2026-06-07T16:00:00+0000","embed":{"embed_url":null}},"uid":"maheshs-journey-beyond-the-screen"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"AI becomes top cause of US job cuts!"},"content":{"text":"Artificial intelligence has emerged as the leading reason behind job cuts in the United States this year, with AI-driven layoffs in the first five months of 2026 already surpassing the combined total recorded over the previous two years, according to a report by outplacement firm Challenger, Gray & Christmas.  The report showed that US employers announced more than 97,000 job cuts in May 2026, making it the highest May layoff total since the onset of the Covid-19 pandemic in 2020. Workforce reductions have increased steadily for three consecutive months, rising from 48,307 in February to 60,620 in March, 83,387 in April and over 97,000 in May. According to the report, artificial intelligence accounted for nearly 40 per cent of all announced layoffs in May -- highlighting the growing impact of automation on employment. The share of AI-related job cuts has risen sharply throughout the year, climbing from 7 per cent in January to 10 per cent in February, 25 per cent in March and 26 per cent in April before surging further in May. In May alone, companies attributed 38,579 job cuts to automation and AI adoption, the highest monthly figure since Challenger, Gray & Christmas began tracking AI-related layoffs in 2023. The latest numbers pushed the total count of AI-linked job cuts in 2026 to 87,714. The report noted that this figure has already exceeded the combined AI-related layoffs recorded in the previous two years, which stood at 54,836 in 2025 and 12,742 in 2024. “AI is now the leading reason companies give for cutting jobs,” said Andy Challenger, chief revenue officer of Challenger, Gray & Christmas, underscoring the accelerating role of automation in workforce restructuring. The technology sector emerged as the worst affected industry. US-based technology companies announced 38,242 job cuts in May, marking the highest monthly total since August 2024. On a year-to-date basis, layoffs in the technology sector have jumped 66 per cent to 1.23 lakh, making it the hardest-hit industry in the US job market. According to the report, the sector has recorded nearly three times as many job cuts as the next most affected industry."},"img":{"url":"https://images.prismic.io/prad/Z3pNDJbqstJ99DIB_AI.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-07T10:43:00+0000","embed":{"embed_url":null}},"uid":"ai-becomes-top-cause-of-us-job-cuts"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"T'gana youth shot dead in US"},"content":{"text":"A youth from Telangana was shot dead in the United States while he was delivering pizza after receiving what is suspected to be a fake order.  Anshul Kuncha (28) was shot multiple times, resulting in his death in the north-eastern city of Philadelphia, Pennsylvania. According to information received by his family in Gundlapochampally of Medchal Malkajgiri district in Telangana, the youth was killed on the intervening night of Friday and Saturday. Anshul, who was employed in a multinational company, was also working part-time as a pizza delivery executive on weekends to earn extra money. He was shot at point-blank range when he went to a location to deliver pizza -- in what is alleged to be a fake order. According to information reaching his family, he received a 'fake' delivery order to a deserted location past midnight. When he reached the location, two unidentified men opened fire and shot Anshul multiple times in the head before fleeing the scene. He died on the spot. Nothing was stolen from the victim, raising questions about the motive behind the killing. Reports cited by the family indicate that two masked gunmen carrying backpacks were seen in the area around the time of the attack. Anshul's family alleged that the pizza delivery was a trap to kill him. \"He was told to deliver pizza in an abandoned area, but we later learned it was a decoy. There was no one there; it was a trap, meant solely to kill him. We do not know what they gained or what their intentions were. They took my brother and killed him,\" Anshul’s sister Tanvi said. They also said that Anshul had previously been the victim of a robbery in the US, during which his chain, phone, and cash were stolen. Anshul had gone to the US in 2023 to pursue a Master's in Business Administration. His family has appealed to the Central and State governments to help in bringing the body to India.  The US authorities are likely to hand over the body on Monday. The family has requested that the process be expedited so that the body could be brought home without delay.  The Consulate General of India in New York stated that it is in touch with local authorities and the bereaved family, while extending all possible assistance. \"We are deeply saddened by the untimely demise of Mr. Anshul Kuncha, an Indian national in Philadelphia, PA. Our thoughts and heartfelt condolences to his family during this difficult time. The Consulate is in touch with Anshul's family and is extending all possible assistance,\" it said in a post on X."},"img":{"url":"https://images.prismic.io/prad/aiUYYAeQX7-eW8UV_AnshulKuncha.JPG?auto=format,compress"},"datetime":"2026-06-07T05:06:00+0000","embed":{"embed_url":null}},"uid":"tgana-youth-shot-dead-in-us"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Indian AI adviser Sriram Krishnan to leave WH"},"content":{"text":"Sriram Krishnan, one of the highest-profile Indian-American technology advisers in the Trump administration, announced that he will leave his role at the White House at the end of this month after helping shape the administration's artificial intelligence strategy over the past 18 months.  In a statement posted on social media, Krishnan said he would take a break before returning to work on major AI-related challenges facing the United States. \"I'll be leaving my role at the White House at the end of this month. After a break I'll be working on helping tackle some of the large challenges facing America on AI,\" he wrote. Krishnan described his government service as \"the privilege of a lifetime\" and said it was \"an honor to serve under President Donald Trump\". \"Without his leadership, we would not be leading in the AI race,\" he said. He also thanked White House AI and crypto adviser David Sacks, saying: \"His continuing advocacy for America winning on AI has been and continues to be crucial.\" Krishnan highlighted several initiatives he said he helped develop during his tenure. These included architecting and publishing the administration's American AI Action Plan, helping advance AI acceleration partnerships designed to strengthen the American AI ecosystem globally, and contributing to the National AI Policy Framework executive order. He also pointed to his role in promoting American AI interests internationally through AI summits and diplomatic engagements. \"Advocating for the American AI stack with our allies globally (the AI summits in France and India, state visits to the UK, the Middle East and more),\" he wrote. Looking ahead, Krishnan said the rapid evolution of artificial intelligence presents major policy and infrastructure challenges. \"The past 18 months have given me a front row seat to this critical moment on AI facing America and our allies,\" he said. \"Whether it is energy, data centers or a clear path for Americans to experience the benefits of AI, there are many tough issues we all need to navigate together.\" He added that he plans to focus on \"building institutions that help tackle some of those challenges for America and its allies.\" Responding to the announcement, David Sacks praised Krishnan's contributions to the administration's AI agenda and indicated that the Indian-American technology leader would continue to advise from outside government. \"It has been one of the great privileges of my time in the Administration to work so closely with you over the past 18 months,\" Sacks wrote. \"Your skills are genuinely unique: a rare combination of deep technical fluency in AI, sharp policy instincts, exceptional strategic thinking, and true diplomatic talent.\" Sacks said Krishnan had co-authored the administration's AI Action Plan, helped advance AI acceleration partnerships, contributed to the National AI Policy Framework and represented American interests at international AI summits and state visits. \"It will be a huge loss for the administration, but I'm glad we'll continue working together with you as an outside adviser,\" Sacks said. The departure marks the end of a significant chapter for Krishnan, who emerged as one of the most influential voices on AI policy inside the Trump White House and became a prominent link between Silicon Valley and Washington's technology agenda. An Indian-American entrepreneur and technology executive, Krishnan previously held senior product and leadership roles at major technology companies, including Microsoft, X (formerly Twitter), Meta and Snap. He has also been a well-known investor and commentator on emerging technologies. Artificial intelligence has become a central pillar of the Trump administration's technology and economic strategy, with officials arguing that maintaining U.S. leadership in AI is critical to national security, economic competitiveness and technological innovation. Krishnan's work placed him at the centre of those efforts as Washington increasingly sought to shape global AI policy and infrastructure development. "},"img":{"url":"https://images.prismic.io/prad/aiUeCQeQX7-eW8U3_SriramKrishnan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-07T01:00:00+0000","embed":{"embed_url":null}},"uid":"indian-ai-adviser-sriram-krishnan-to-leave-wh"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Salim Kumar: End of an Era"},"content":{"text":"The house named 'Laughing Villa' in North Paravoor, a reflection of actor Salim Kumar's infectious humour and larger-than-life personality, has fallen silent. The laughter and smiles that once filled the home of the celebrated actor have given way to grief as Malayalam cinema mourns the passing of one of its most beloved performers around 10:45 p.m. at a private hospital here on Saturday. National Award-winning actor Salim Kumar, who entertained generations with his unmatched comic timing and later proved his brilliance in serious roles, passed away after a prolonged battle with health issues. The 56-year-old actor had been undergoing treatment at Amrita Hospital in Kochi, where he was placed on ventilator support after doctors assessed his condition as critical. A team of specialist doctors had been closely monitoring his condition and continuing treatment. However, his health had been a concern for several years due to liver-related ailments. Salim Kumar had earlier revealed that he was suffering from liver cirrhosis and clarified that it was not caused by alcohol consumption but was a hereditary condition. He had also spoken about a family member suffering from a similar illness despite having no history of alcohol intake. The actor had openly shared the emotional struggles that accompanied his health challenges, including periods of isolation and personal battles while coping with a long-term illness. Salim Kumar's journey in Malayalam cinema was nothing short of remarkable. Beginning his career through mimicry and comedy, he became one of the most popular comedians of his generation before successfully transforming himself into a versatile character actor. Over a career spanning nearly three decades, he acted in around 120 films and directed three movies, leaving an indelible mark on Malayalam cinema. From unforgettable comic characters in films such as Thenkaasipattanam, Ee Parakkum Thalika, Meesa Madhavan, C.I.D. Moosa, Kalyanaraman and Pulival Kalyanam to emotionally powerful performances in films like Achanurangatha Veedu and Adaminte Makan Abu, Salim Kumar displayed a rare ability to move seamlessly between humour and human drama. His performance in 'Adaminte Makan Abu' earned him the National Film Award for Best Actor, a landmark achievement for an artiste who rose from the world of mimicry. He also won Kerala State Film Awards and later ventured into direction, with his film 'Karutha Joothan' winning the Kerala State Film Award for Best Story. Salim Kumar's demise has triggered an outpouring of grief from colleagues, fans and well-wishers across the state. His close association with North Paravoor, the same hometown as Chief Minister V.D. Satheesan, made his loss even more personal for the people of the region. The actor's mortal remains will be kept at the Paravoor Town Hall on Sunday morning till noon for the public to pay their last respects. Following this, the body will be taken to his residence, 'Laughing Villa', where the final farewell will be held. Malayalam cinema has lost not just a comedian, but an artist who showed that laughter could carry emotion, truth and humanity. The voice that made millions smile has fallen silent, but Salim Kumar's characters will continue to live on in the hearts of audiences."},"img":{"url":"https://images.prismic.io/prad/aiUkVweQX7-eW8VL_sallim.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-06T18:30:00+0000","embed":{"embed_url":null}},"uid":"salim-kumar-end-of-an-era"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Will Lawrence Enter the Bypoll Fray?"},"content":{"text":"Actor, director and choreographer Raghava Lawrence has announced that he will make an important decision about his future public life on June 11, triggering intense speculation in Tamil Nadu’s political circles over a possible electoral debut.   The announcement comes against the backdrop of growing reports that Lawrence could be fielded by the Tamilaga Vettri Kazhagam (TVK) in the upcoming Trichy East Assembly by-election. The by-election became necessary after TVK founder and Tamil Nadu Chief Minister C. Joseph Vijay resigned from the Trichy East Assembly seat following his historic victory in the 2026 Tamil Nadu Assembly elections. Vijay had contested and won from both Trichy East and Perambur constituencies, but later chose to retain Perambur, vacating the Trichy East seat and paving the way for a bypoll. In recent weeks, political observers and sections of the media have speculated that Lawrence, a popular film personality with a strong fan following and a long record of charitable activities, could emerge as TVK’s candidate for the prestigious constituency. The rumours gained momentum as TVK continues to expand its political footprint across the state under Vijay’s leadership. Responding to the reports, Lawrence issued a statement on his X account, acknowledging that widespread speculation was circulating regarding his possible candidature in the Trichy East by-election. He said several journalists and media organisations had contacted him seeking clarification and requesting interviews on the matter. “As the speculation continues to grow, I felt it was necessary to provide some clarity,” Lawrence said. The actor revealed that he is currently busy completing the shooting of his upcoming film 'Benz', a project he expects to finish by June 10. He added that he would make a significant announcement about his life the following day. “With my mother’s blessings, I will announce an important decision concerning my life at 9.30 a.m. on June 11,” Lawrence stated. While he stopped short of confirming any political plans, his carefully worded message has only intensified curiosity about whether he is preparing to enter active politics through TVK. Political analysts believe the Trichy East by-election will be closely watched, not only because it was previously represented by Chief Minister Vijay, but also because it could offer the first indication of how TVK intends to build its next generation of political leadership."},"img":{"url":"https://images.prismic.io/prad/aMw_PmGNHVfTPYF1_lawrence.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-07T06:30:00+0000","embed":{"embed_url":null}},"uid":"will-lawrence-enter-the-bypoll-fray"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"‘Peddi’ Row Brings Back Anu’s Memories"},"content":{"text":"Former actress Anu Aggarwal has reacted to the ongoing conversations around the film “Peddi,” which have sparked discussions on the portrayal of women in cinema. Reflecting on her own journey in the industry, the actress emphasized the importance of dignity in storytelling and said that responsibility lies not only with filmmakers and audiences, but also with actors when choosing scripts. Sharing her photos on Instagram, Anu Aggarwal wrote, “The recent conversations around Peddi reminded me of a choice I made long ago. I applaud today’s audience for speaking up and asking for more dignity in the portrayal of women. But responsibility does not rest only with the audience. Nor does it rest only with filmmakers.” “It rests with us actors too. More than 30 years ago, after Aashiqui, I made it a point to hear the story before signing a film. Objectification of women was the norm. I chose to act against that norm. The films I did stand testimony to that choice. In many ways, that is one of the reasons I eventually walked away from films. Today, I encourage young actors and actresses to hear the story first. Ask questions. And if something compromises human dignity, have the courage to say no. Stories will change when audiences demand better. But they will also change when we actors refuse to participate in what we no longer believe in. #CoverGirl #BelieveInYourself #SelfCare #SocialConsciousness #AnuFunYoga,” she added. Anu Aggarwal’s post comes after the controversy surrounding Ram Charan’s movie, \"Peddi,\" intensified online, following the circulation of alleged screenshots of conversations between Janhvi Kapoor and a member of the film’s crew. The makers of the film “Peddi” starring Ram Charan and Janhvi Kapoor faced controversy after some viewers criticized the portrayal of Janhvi’s character, Achiyyamma, calling it objectifying and problematic. After the online backlash grew, director Buchi Babu Sana responded publicly and apologized on social media. He confirmed that the disputed scenes in the film will be edited. An excerpt from his statement read, “As a filmmaker, I believe cinema should entertain, inspire, and connect with audiences. It should never make anyone feel uncomfortable or disrespected. We have heard the feedback regarding certain scenes in Peddi and have taken it seriously. I have always had immense respect for women, both on and off screen, and it was never our intention to objectify or disrespect any female character. If any part of the film has been perceived that way, we respect those sentiments, understand the concerns being raised, and sincerely apologize.”"},"img":{"url":"https://images.prismic.io/prad/ZsdsZ0aF0TcGJRay_anuaggarwal.JPG?auto=format,compress"},"datetime":"2026-06-07T05:38:00+0000","embed":{"embed_url":null}},"uid":"peddi-row-brings-back-anus-memories"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Forbes: Gautam Adani is richest in Asia"},"content":{"text":"Adani Group Chairman Gautam Adani’s net worth rose to $89.2 billion, ranking him ahead of Reliance Industries' Mukesh Ambani ($88 billion) and SoftBank's Masayoshi Son ($87 billion), who held the title of Asia’s richest before shares of the Japanese investment firm fell on Thursday, according to Forbes' Real-Time Billionaires list.  Gautam Adani, on the other hand, registered an increase in net worth after a broader stock surge across companies under the umbrella of his Adani Group, including Adani Power (up 1.1 per cent), Adani Ports (1.9 per cent), Adani Enterprises (2.3 per cent), Adani Green Energy (6.9 per cent), and Adani Energy Solutions (3.8 per cent). The combined market value across six Adani Group companies as of Friday stood at about $191 billion. The break-up includes Adani Power at $47.2 billion, followed by Adani Ports ($44.2 billion), Adani Enterprises ($44 billion), Adani Green Energy ($26.4 billion), Adani Energy Solutions ($19.9 billion) and Adani Total Gas ($8.8 billion). Gautam Adani's fortune has increased by nearly $10 billion since the Justice Department dismissed fraud charges against the Adani Group last month, following allegations the conglomerate participated in a $250 million bribery scheme over solar energy supply contracts (Adani and his co-executives denied the claims), the Forbes report observes. His return as the wealthiest person in Asia follows a decline in value in recent years across his companies amid various allegations. US short-seller Hindenburg Research accused Adani of stock manipulation and widespread fraud in 2023. However, the claims were rejected by Indian regulators last year, who said the allegations were \"not established\". He had also faced allegations in the US, which have now been settled. The billionaire industrialist, in his annual letter to shareholders last month, said that the Adani Group has moved beyond its US legal challenges and is accelerating investments across energy, transport, logistics and digital infrastructure, positioning itself to benefit from rising demand for artificial intelligence-led growth. He described the group's recent Rs 24,930 crore rights issue in flagship firm, Adani Enterprises, as a vote of confidence from investors at a time when the conglomerate faced questions over governance and regulatory issues. The Adani Group has faced scrutiny from US authorities over bribery allegations linked to its renewable energy business, charges the conglomerate has denied. While the US Securities and Exchange Commission has reached a settlement with the Adani Group on the issue, the US Department of Justice has moved to drop all charges against the founder and others."},"img":{"url":"https://images.prismic.io/prad/b892e33f-db10-40c2-8a0c-e2ced23d4fde_gautam+adani.JPG?auto=format,compress"},"datetime":"2026-06-07T08:03:00+0000","embed":{"embed_url":null}},"uid":"forbes-gautam-adani-is-richest-in-asia"}},{"node":{"tags":["Editorial"],"data":{"third_party_url":null,"title":{"text":"Some Cockroaches Ask Questions!"},"content":{"text":"\"When we stop asking hard questions to powerful people, education stops being a search for truth. It just becomes a way to teach people how to obey.\" These words by teacher Paulo Freire warn us about what happens when we stay silent. They perfectly describe what just happened at the University of London, where the Chief Justice of India (CJI) gave a speech. Unfortunately for the organizers, things did not go as planned. A group of people broke the rules and ruined the speech by doing something shocking: they asked questions. Worried government supporters quickly claimed that these people were paid by a secret, global group that hates India.  These critics mistakenly thought a college hall in a free country was a place for open talk. Back home in India, the rule is simple: just nod your head and agree.  But this London crowd did not do that. Instead, they brought up uncomfortable topics like human rights, freedom to disagree, and whether the courts are truly fair. The real trouble started when the audience reminded the Chief Justice of his own past words. He had once compared certain groups of people to \"cockroaches.\" Instead of accepting this as a deep legal thought, the crowd wanted to know how comparing people to bugs fits with being a fair judge. The Chief Justice should have answered these questions directly, the manner, in which, he clarified his \"cockroach philosophy\" back home. That would have calmed people's fears about the crackdown on protests in India.  Instead, he stayed silent. Then, Indian government officials stepped in and made the situation even more chaotic.  It is unclear if he even realizes that people outside of India see the country's claims of being a free democracy very differently. The Indian High Commission immediately came out with a harsh statement. Their message was clear: letting a visiting VIP face real, unscripted questions is a threat to relations between countries. This London event is even more embarrassing because it happened just days after India’s top leader showed how to avoid these risks in Norway. The Norwegian media are famous for asking tough questions that are not approved in advance.  To avoid this scary situation, the Indian team simply skipped the local press entirely. They proved that the best way to handle a hard question is to never be in the same room as the reporter. Yet, even with this great example of how to travel the world without actually talking to it, the Chief Justice walked right into the trap of British colleges.  Legal experts are now wondering why India's smartest leaders fly thousands of miles across oceans just to face the exact same tough questions they easily avoid at home Moving forward, experts suggest that Indian officials speaking abroad need to pick safer places. To avoid the shock of unexpected questions, future world tours should only happen in highly controlled rooms. For now, the lesson is clear for any traveling VIP: if you want to share your thoughts with the world, make sure the world is legally banned from talking back."},"img":{"url":"https://images.prismic.io/prad/aiVJ-weQX7-eW8X5_CJI.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-06T18:37:00+0000","embed":{"embed_url":null}},"uid":"some-cockroaches-ask-questions"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Aamir Khan’s Love Story: A New Chapter"},"content":{"text":"In a significant personal revelation, Bollywood icon Aamir Khan has announced his impending marriage to Gauri Spratt, set for July 5. This confirmation, delivered directly by Khan, has reverberated well beyond the typical confines of celebrity gossip columns, drawing the public's attention for its unexpected yet heartfelt nature. The ceremony is anticipated to be a private affair, reflecting Khan's longstanding preference for a low-key approach to his personal life amidst the relentless glare of media scrutiny. Aamir Khan's life has consistently transcended mere entertainment, embodying a cultural phenomenon that invites deep reflection. For over three decades, he has distinguished himself as not just a leading man in Hindi cinema but as a serious artist known for his meticulous craft and thoughtful contributions to socially relevant narratives. His relationship with Spratt has unfolded cautiously, eschewing the spotlight normally associated with celebrity romances. Introduced to the public around the time of his 60th birthday, their bond has blossomed quietly, resonating with those weary of the often sensationalized narratives that characterize Hollywood's star-studded romances. Culturally, the narrative surrounding Khan's marriage signifies a broader societal evolution concerning love and relationships, particularly in the wake of personal upheaval. In a landscape that once harshly judged public figures for their romantic decisions post-separation or in their later years, there is now a growing acceptance of the idea that personal fulfillment can manifest in various forms and at different life stages. This shift enables audiences to perceive Khan's decision not merely as a headline, but as a poignant reminder of the universal quest for companionship and emotional renewal. Khan's on-screen persona has frequently mirrored his off-screen journey, showcasing a diverse array of characters that delve into the complexities of human relationships. From idealists to flawed mentors, his roles have navigated the spectrum of human experience, adding layers to his personal narrative. The impending union with Gauri Spratt appears to align with this trajectory of reinvention, suggesting that, even at this juncture, Khan is not confined to a singular identity. Love, as he now embraces it, seems to eschew the extravagance of youth in favor of a quieter, more profound understanding, revealing that even for a man of his stature, life continually offers new beginnings."},"img":{"url":"https://images.prismic.io/prad/870833f1-6b09-4a46-9d5a-cb201afe8d2a_aamir+khan.JPG?auto=format,compress"},"datetime":"2026-06-06T12:34:33+0000","embed":{"embed_url":null}},"uid":"aamir-khans-love-story-a-new-chapter-in-the-life-of-bollywoods-most-thoughtful-s-mq2c50y5"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Legends Come Alive in ‘Varanasi’"},"content":{"text":"In a revealing session that has set the film community abuzz, acclaimed writer Vijayendra Prasad has dropped tantalizing hints about a pivotal sequence in SS Rajamouli's highly anticipated film, 'Varanasi'. During a recent interaction, Prasad confirmed that a significant 30-minute segment of the film will depict the legendary clash between Lord Rama and the formidable Kumbhakarna, a scene that promises to blend the grandeur of mythology with the cinematic prowess of Rajamouli. The film, featuring stars such as Mahesh Babu, Priyanka Chopra, and Prithviraj Sukumaran, has already generated considerable interest, especially after the release of its trailer, which hinted at these epic narrative elements. Prasad's comments came during an open house session organized by Filmy Focus, where he hinted that many of the visuals seen in the trailer, including glimpses of Rama, Kumbhakarna, and the iconic Lord Hanuman, might be laying the groundwork for this climactic encounter. The writer's cryptic remarks about the clues embedded in the promotional material have only intensified speculation among fans and critics alike. This strategic revelation not only amplifies excitement for the film but also underscores the deep-rooted connections between contemporary cinema and ancient narratives that continue to resonate with audiences. The film's narrative ambition is underscored by its ensemble cast, with Mahesh Babu taking on the role of Rudhra, Priyanka Chopra as Mandakini, and Prithviraj Sukumaran portraying the role of Kumbha. Directed by the visionary SS Rajamouli, known for his adept storytelling and visual mastery, 'Varanasi' is currently in production, with a theatrical release planned for Sankranti 2027. The film’s exploration of mythology through a modern lens is not only a bold artistic choice but also an homage to India's rich cultural heritage, promising to captivate a diverse audience. Prithviraj Sukumaran has provided intriguing insights into the character of Kumbha, describing the role as a transformative experience that challenges traditional acting methodologies. He revealed that the complexity of the character has forced him to rely heavily on facial expressions to convey emotions, as much of the physicality required for the role is not visible. This shift in performance dynamics has invigorated his craft, emphasizing the depth of storytelling that Rajamouli seeks to achieve in 'Varanasi'. As production progresses, the film stands as a testament to the evolving landscape of Indian cinema, where mythological tales are reimagined for a modern audience with both grandeur and nuance."},"img":{"url":"https://images.prismic.io/prad/aXyUQwIvOtkhCHTT_varanasi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-06T09:08:00+0000","embed":{"embed_url":null}},"uid":"epic-mythology-meets-cinematic-ambition-a-glimpse-into-varanasi-mq2b6xcl"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Iyer replaces SKY as India’s new T20I captain"},"content":{"text":"The chatter over the last few days on the future of India men’s T20I captaincy has been finally made clear at the BCCI headquarters in Mumbai on Saturday. In a decisive shift at the top, Shreyas Iyer has replaced Suryakumar Yadav as India's T20I captain, with his first assignment being the tours of Ireland and England.  India will play two T20Is in Dublin on June 26 and 28, followed by a five‑match series in England from July 1 to 11. With Shreyas, the ODI vice-captain, at the helm of the T20I side, it marks the start of a new chapter for India in the shortest format, especially with the Los Angeles Olympics and the next Men’s T20 World Cup in Australia and New Zealand happening in 2028. The spotlight ahead of Saturday’s selection meeting and announcement was firmly on the Men’s T20I captaincy question, with Suryakumar Yadav’s prolonged lean patch forcing the selectors and team management’s hand to look towards the future and finalise Shreyas as the new leader of the side in the shortest format. It is understood that possibilities of keeping Suryakumar as captain till England tour were explored, while Hardik Pandya was also believed to be in the fray for the leadership role. But Shreyas demonstrating astute leadership skills, and him earning the unanimous respect of all people in the dressing room in either IPL or domestic cricket, combined with Suryakumar’s extended woeful run and him turning 36 in September helped him get the nod of forward looking decision makers as India’s next leader in T20Is. Suryakumar, who led India to a historic defence of the Men’s T20 World Cup title on home soil in March, managed only 270 runs in 13 innings for Mumbai Indians in IPL 2026 at an average of 20.76. His T20 World Cup returns – 242 runs at a strike rate of 136.72 – were also modest. On the other hand, Iyer’s elevation to the T20I captaincy is a remarkable turnaround. He was out of India’s T20I plans after December 2023, and has now forced his way back through consistent IPL performances and strong leadership credentials. He led Kolkata Knight Riders to clinching the 2024 IPL title, and guided Delhi Capitals and Punjab Kings to IPL finals in 2020 and 2025, apart from leading Mumbai to the Syed Mushtaq Ali Trophy win in 2024/25. Iyer was picked for the home T20I series against New Zealand ahead of the T20 World Cup as a replacement for injured Tilak Varma, but didn’t get a chance to play. At 31, Iyer returns to the T20I fold not only as a batter but as India’s 15th captain in the shortest format, entrusted with steering the side into the next phase of its dominating journey. It is also the second successive instance of an Indian captain being replaced soon after lifting an ICC trophy. In 2025, Rohit Sharma led India to the Champions Trophy triumph in March, but was replaced by Shubman Gill as the ODI captain before India toured Australia in October. For now, June 6 will be remembered as the day India signalled its intent for moving into the future by making Shreyas the T20I captain."},"img":{"url":"https://images.prismic.io/prad/aiPa4QeQX7-eW772_itersky.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-06T07:31:00+0000","embed":{"embed_url":null}},"uid":"iyer-replaces-sky-as-indias-new-t20i-captain"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"When Sunil Dutt urged people not to divide the nation"},"content":{"text":"In an old interview of legendary actor, politician and humanitarian Sunil Dutt, the legendary actor was see urging Indians to not divided the country for mere selfish reasons.  June 6 marks Sunil Dutt’s 97th birth anniversary. In the archival interaction with Prasar Bharati, the late actor was seen talking passionately about national unity, harmony and the importance of preserving the emotional bonds that hold India together. In the video, Sunil Dutt was seen reflecting on how the country remains connected through shared emotions despite its diversity. “Even today, if our country is tied to each other, then it is through the thread of our emotions. In that thread, we have fought many battles. Sometimes there are people who try to provoke those emotions. I would say such people take our emotions in the wrong direction for their own selfish interests. My only request to them is that they stay away from doing so. Our innocent brothers and sisters die, and at least keeping them and the country in mind, people should not be misled,” said Sunil Dutt. The veteran actor further highlights India's unique cultural fabric, noting that the nation is home to numerous religions, languages, customs, traditions and folk cultures. He called this diversity as the country's greatest treasure. “The world says that our country has different religions, different languages, different clothes, different customs and different folk traditions. I believe this diversity is the greatest treasure of our country,” Sunil Dutt said in the archival Prasar Bharati interview. The legendary star was also seen cautioning against those who, for selfish interests, attempt to mislead people and exploit their sentiments. Known not only as a celebrated actor and politician but also as a committed humanitarian, Sunil Dutt consistently highlighted the cause of humanity above religious. Born on June 6, 1929, Sunil Dutt began his journey as a radio announcer before entering the world of cinema. He made his acting debut with the 1955 film 'Railway Platform' and rose to prominence with the iconic 'Mother India' in 1957. Over the decades, he delivered memorable performances in films such as 'Sujata', 'Mujhe Jeene Do', 'Waqt', 'Khandan', 'Padosan', 'Hamraaz', 'Reshma Aur Shera', 'Heera', 'Jaani Dushman', 'Rocky' and 'Munna Bhai M.B.B.S.'. Sunil Dutt's love story with actress Nargis remains one of Bollywood's most cherished romances. The two reportedly grew close during the making of 'Mother India', where Dutt played the role of Nargis' son. The couple married in 1958 and remained devoted to each other until Nargis' death in 1981. Together, they had three children, actor Sanjay Dutt, former Member of Parliament Priya Dutt and Namrata Dutt. The veteran actor later entered politics and served as a Member of Parliament and Union Minister. Sunil Dutt passed away on May 25, 2005, following a heart attack, at the age of 75."},"img":{"url":"https://images.prismic.io/prad/aiQA2AeQX7-eW8Bu_sunildutt.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-06T06:25:00+0000","embed":{"embed_url":null}},"uid":"when-sunil-dutt-urged-people-not-to-divide-the-nat"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"A Bizarre State Of Dual Economic Reality"},"content":{"text":"“A mere increase in real national income does not lead to economic development if the distribution makes the rich richer and the poor poorer. GDP does not care about your grocery bill” This prudent axiom, adopted from fundamental Development Economics literature on income distribution distortions, suggests that the experts on the Indian economy live in a completely different economic universe than the masses dealing with the realities of fuel inflation. This disconnect was on full display in their recent jubilation over the reported numbers around the growth of GDP. Recently one of my friends, an economics expert, lit up my WhatsApp with a breathless proclamation: India’s Q4 and full-year 2026 GDP growth figures have crowned it \"the\" fastest-growing large economy on the planet. Hailing a \"Blockbuster Friday\" fueled by supposedly massive capital market reforms from the RBI and the government, he painted a picture of unbridled financial triumph. Well, he is the expert and there should be no reason to comment on why he wasn’t correct in his perception about the GDP, for, a novice like me who hardly ever understood what exactly the GDP stands for and how fundamentally its growth reflects the real face of the nation’s economy. For an average citizen like me, the GDP has less to do with “Gross Domestic Product” and far more to do with the soaring costs of “Gas, Dollars, and Petrol”. While the financial elites like him toast to abstract percentages, everyday \"cockroaches\" like me are trying to decode the actual reforms trickling down to the masses. So far, the most visible reforms include the Supreme Leader’s stirring call for citizen austerity, specifically, begging the public to stop buying gold and other attempts including efforts to stem further weakening of the Rupee by the RBI to preserve the foreign reserves. Meanwhile, in a move that screams peak economic stability, reports emerged that the government has been selling off its own gold reserves to foreign banks to conserve precious foreign currency. The RBI was quick to deny such reports, but the panic is palpable. This scramble comes as the Indian Rupee nosedives from 85–86 per US dollar in mid-2025 to a staggering 95 per dollar by mid-2026, marking a brutal 10% year-on-year depreciation. This brings us to the million-dollar question, valued in dollars, of course, because the rupee is currently too weak to lean on. Can a nation simply chest-thump its way out of economic fragility using hyped-up GDP data? The arithmetic of modern economic miracles around the supposed GDP growth is truly a sight to behold. Financial pundits are popping champagne over India’s spectacular \"Blockbuster Friday\" GDP growth, seemingly unbothered by a few minor real-world details. For instance, the Indian Rupee has consistently broken records by tumbling to historic lows against the US dollar. Simultaneously, global crude oil prices have skyrocketed by more than 50%, sending shockwaves through every supply chain. Yet, somehow, on paper, the economy and more importantly the GDP is supposedly having the time of its life. To the average citizen, this mathematical wizardry feels less like a blockbuster and more like a horror film. Basic logic suggests that when your currency loses its power, your energy bills jump by half, and inflation eats your savings, you are getting poorer. But the beauty of abstract data is that it does not care about your grocery bill. While everyday citizens watch prices soar for everything from food to fuel, the official charts show a beautiful, soaring line of economic growth. It is a masterclass in theatrical misdirection: please focus on the roaring GDP percentage, and ignore the smoke coming out of your own wallet. Well, I may not be accurate in my observations, for, according to experts, GDP can easily coexist with a weakening currency, soaring inflation, and cooling investments. It measures the total monetary value of goods and services produced within a country over a specific period, meaning it can expand on paper even while the underlying economic fundamentals of ordinary households deteriorate. If an economy experiences high inflation (rising prices), the total value of transactions increases simply because things cost more. Even though \"Real GDP\" is adjusted for inflation, rapid price hikes in essential goods like fuel and food disproportionately squeeze disposable income, depressing consumer welfare while the aggregate production numbers still look large. Thus, aggregate GDP growth can be highly misleading if it is driven entirely by government infrastructure spending (capital expenditure) and luxury consumption by the wealthy elite. If mass domestic consumption falls because ordinary citizens are cutting back on basic goods to survive inflation, the growth is unsustainable. Private domestic corporations hesitate to build new factories or expand businesses when they see that the general public lacks purchasing power. Consequently, private capital expenditure stalls, leaving the state to artificially prop up the GDP numbers through debt-funded public projects. This leaves the nation in a bizarre state of dual reality. In the world of press releases, India is a global economic powerhouse crushing its competition. In the world of the supermarket aisle, the public is left wondering how an economy can be so incredibly healthy while its currency and household budgets are on life support. Ultimately, chest-thumping over a \"blockbuster\" GDP while fundamentals crumble proves one thing: you can always manufacture a celebration if you choose to ignore the bills piling up at the door."},"img":{"url":"https://images.prismic.io/prad/aiaZhAeQX7-eW9Ua_GDP.JPG?auto=format,compress"},"datetime":"2026-06-08T06:25:00+0000","embed":{"embed_url":null}},"uid":"a-bizarre-state-of-dual-economic-reality"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Deadly Explosion Rocks Vizag Steel"},"content":{"text":"Eight workers died, and six others were injured after a ladle carrying molten steel exploded at the Visakhapatnam Steel Plant on Monday. The accident occurred when a large quantity of molten steel leaked following the explosion of the ladle, which was carrying steel at a very high temperature. The disaster occurred when molten steel was being lifted at the SMS-2 and STC-3 heat facility of the steel plant around 4.15 p.m. According to officials, molten iron was extremely hot at about 1,500 degrees Celsius. The explosion triggered panic in the plant, forcing workers and employees to scramble for safety. Steel plant personnel, police and fire-fighting personnel began efforts to bring the fire under control. The deceased included six employees of the plant and two contract workers. Five of the deceased were identified as Appa Rao, Prabhakar Rao, Krishna, Ramana and Trinath. Visakhapatnam district Collector M. Abhishek Kishor said six workers were injured. Three were admitted to KIMS Hospital, and three others were shifted to Seven Hills Hospital. Andhra Pradesh Chief Minister N Chandrababu Naidu expressed shock over the accident. The Chief Minister spoke to officials regarding the incident and conveyed deep sorrow over the deaths of the workers. Officials briefed Chandrababu Naidu on the current situation and the relief measures being undertaken. The Chief Minister directed officials to take supportive measures in coordination with all departments to assist those affected by the accident. “The accident at the Visakha Steel Plant has left me deeply shocked. I am distressed to learn that several workers have lost their lives in this accident. I have spoken to the concerned officials and directed them to undertake relief measures in coordination with all government departments,” the Chief Minister posted on X. Union Minister of State for Heavy Industries & Steel, Bhupathiraju Srinivasa Varma, said the cause of the accident would be known only after a thorough investigation. “Deeply saddened and shocked by the tragic ladle blast accident at the Visakhapatnam Steel Plant (RINL) this evening. My heart goes out to the families of the brave workers who lost their lives in this accident. I have spoken to the plant management and local authorities; we are closely monitoring the situation on the ground. Every possible medical assistance is being extended to those affected. Praying for the speedy recovery of the injured. Industrial safety remains our utmost priority, and we stand firmly with the workforce and their families in this hour of grief,” he said in a social media post."},"img":{"url":"https://images.prismic.io/prad/aibcfQeQX7-eW-KA_vizagsteelfirej.JPG?auto=format%2Ccompress&rect=0%2C275%2C450%2C222&w=2028&h=1000"},"datetime":"2026-06-08T14:40:00+0000","embed":{"embed_url":null}},"uid":"deadly-explosion-rocks-vizag-steel"}},{"node":{"data":{"title":{"text":"TMC crumbles like a house built on sand"},"content":{"text":"The Trinamool Congress, once the formidable force that ended three decades of Left Front rule in West Bengal, today resembles the Biblical parable of a house built on sand that collapses when storms arrive.  Following the state election defeat, its organisational base -- weakened by corruption, factionalism and overreliance on professional consultants -- is being battered by storms of scandal and dissent. About five days after a breakaway faction comprising 58 of the Trinamool’s 80 elected MLAs laid claim to recognition as the “original party” in the West Bengal Assembly, 20 of its 28 Lok Sabha MPs have reportedly made a similar request to the office of the Lok Sabha Speaker. One of West Bengal’s 42 Lok Sabha seats, Basirhat, remains vacant following the death of the sitting Trinamool MP. Among the party’s 13 Rajya Sabha MPs, Sukhendu Sekhar Roy on Monday announced his resignation from both the Upper House and the party’s primary membership. Roy’s current tenure in the Rajya Sabha was scheduled to end in 2029. The 77-year-old MP was already in trouble within the party following his open support for protesters seeking justice after the rape-murder of an intern at Kolkata’s RG Kar Medical College and Hospital in August 2024, even as the then Mamata Banerjee-led government faced criticism over its response to the incident. Since the Trinamool’s Assembly poll defeat, he has publicly criticised the party over corruption-related issues. Mamata Banerjee, once the fiery street-fighter who toppled the state’s communist regime in 2011, now appears increasingly detached from the party’s grassroots. Her nephew, Abhishek Banerjee, entrusted with organisational control, leans heavily on professional consultants whose strategies allegedly often lack resonance with West Bengal’s political culture. Discontent had been simmering within the party, with many leaders feeling sidelined or coerced. The current rebellion has drawn comparisons with Maharashtra, where splits in the Shiv Sena and Nationalist Congress Party led to breakaway factions being recognised as the “real” parties. In West Bengal, meanwhile, from the Sandeshkhali episode to the RG Kar incident, widespread reports of corruption, and now the signature scandal, each controversy has chipped away at the party’s moral authority. While Ritabrata Banerjee, a former Communist Party of India (Marxist) parliamentarian, led the rebel MLAs out of the fold in Kolkata, about 1,300 km away in New Delhi, Kakoli Ghosh Dastidar reportedly organised dissident MPs. The 66-year-old physician was upset with the party leadership after being removed unceremoniously as party Whip and had earlier resigned from all organisational positions. She has reportedly forwarded a list of the rebel MPs to the Speaker’s office, seeking recognition as a separate bloc aligned with the ruling National Democratic Alliance. Sources said she believes that the party’s latest intimation regarding her removal as Chief Whip has not yet reached the Speaker’s office and that she therefore continues to hold the position officially. In a similar development recently, disgruntled Aam Aadmi Party Rajya Sabha MPs, led by Raghav Chadha, left the party and merged with the Bharatiya Janata Party without attracting anti-defection provisions. While the final decision will rest with the Election Commission and the respective presiding officers of the Assembly and Parliament, the party founded by Mamata Banerjee 28 years ago appears to be under severe strain. Just as a sandy foundation struggles to withstand a storm, the Trinamool is facing an internal crisis within about a month of its defeat in the state election. The fragility of the Trinamool’s foundations becomes clearer when viewed against Bengal’s political history. The Left Front fell after 34 years of uninterrupted rule in the state amid allegations of corruption, arrogance and detachment from grassroots realities. The political storm gathered momentum in the form of Singur and Nandigram, where land acquisition controversies exposed what critics described as the party’s disconnect from people’s struggles. Critics argue that Mamata Banerjee later watched her party follow a similar path. Her rise was built on her image as “Didi” -- the benevolent leader who almost single-handedly spearheaded the movement against what was portrayed as the Left’s arrogance. Today, critics allege that her party is increasingly associated with corruption, unable to rein in controversial leaders, and embroiled in controversies over signatures and internal functioning. Authenticity, they argue, is eroding, and the house built on sand has begun to crumble."},"img":{"url":"https://images.prismic.io/prad/e4149b3a-126b-4729-83d3-4e3cf964377c_mamata+benarjee.JPG?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-06-08T13:06:00+0000","embed":{"embed_url":null}},"uid":"tmc-crumbles-like-a-house-built-on-sand"}},{"node":{"data":{"title":{"text":"HYDRAA Reclaims ₹1.1 Lakh Cr Assets"},"content":{"text":"Hyderabad Disaster Management and Asset Protection Agency (HYDRAA) has successfully reclaimed and protected public assets worth over Rs 1.10 lakh crore in less than two years. With continued public support and determined action, HYDRAA is confident of moving towards the Rs 2 lakh crore protection milestone within the next year. The agency said on Monday that it reclaimed and protected lakes, nalas, parks, government lands, and blue-green resources. These priceless public assets, once under threat from encroachments and land-grabbing activities, have been safeguarded for future generations, it said. HYDRAA thanked responsible citizens, public-spirited individuals, media organisations, government departments, and every stakeholder committed to protecting public resources. It said: “Thank you to all the right and public-spirited people, and the media for supporting this great project for reclaiming, protecting and restoring blue-green resources that would have been otherwise knocked away by the unscrupulous land mafia.” The agency stated that its mission is to reclaim, protect, and restore. It added that together, Hyderabad’s lakes, waterways, parks, and government lands are being preserved, ensuring a sustainable and resilient future for generations to come. HYDRAA’s statement on its “landmark achievement” and “bigger milestone” comes amid a raging debate on the agency in the wake of Telangana Chief Minister A. Revanth Reddy’s recent comments. He triggered a row with the remark that he took inspiration from Nazi dictator Adolf Hitler to create HYDRAA. “HYDRAA is Hitler’s favourite word. His core team, called HYDRAA, can assassinate anyone. So, I have taken inspiration from Hitler and named it HYDRAA,” he said during a conversation with The Hindu Group Director N. Ram at an event in Bengaluru on Saturday. The Congress government in the state established HYDRAA in 2024 to protect public assets, manage disasters, and reclaim encroached lands across Hyderabad. It has so far reclaimed over 2,000 acres of government land by removing encroachments on open lands, lakes, nalas, and parks. The agency headed by IPS officer A.V. Ranganath has come under sharp criticism from opposition parties for the demolitions carried out at various places. They accused HYDRAA of targeting the houses of the poor. BRS president and former Chief Minister K. Chandrasekhar Rao recently announced that once BRS returns to power, the first file it will sign will be to scrap HYDRAA."},"img":{"url":"https://images.prismic.io/prad/aM-p155xUNkB07fV_hydraa.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T12:32:00+0000","embed":{"embed_url":null}},"uid":"hydraa-reclaims-1.1-lakh-cr-assets"}},{"node":{"data":{"title":{"text":"India crush Afghanistan by innings and 300 runs"},"content":{"text":"Debutant left-arm spinner Manav Suthar capped a dream Test debut as India completed their biggest-ever victory in the format, thrashing Afghanistan by an innings and 300 runs on the third day of the one-off Test at the New PCA Stadium on Monday. After piling up a commanding 564/8 declared in their first innings, India dismissed Afghanistan for 152 before Lunch on Day 3 and enforced the follow-on. The hosts then bowled the visitors out for 112 in just 35.5 overs to seal an emphatic win inside three days. India had laid the foundation for the crushing victory through dominant batting performances over the first two days. KL Rahul struck 100, captain Shubman Gill led from the front with 126, while Sai Sudharsan (81), Rishabh Pant (81) and Washington Sundar (52 not out) ensured the hosts posted a mammoth total after opting to bat first. Afghanistan never recovered from that scoreboard pressure. Resuming Day 3 at 113/5 in their first innings, they were bowled out for 152 despite Rahmat Shah's fighting 60. Suthar was the chief destroyer, returning outstanding figures of 6/33 to register the second-best bowling figures by an Indian on Test debut. Faced with a deficit of 412 runs, Afghanistan were asked to bat again and initially showed far greater resolve. Openers Abdul Malik and Sediqullah Atal put on 42 runs, their best opening stand against India in Tests, while Atal counterattacked the spinners and looked determined to extend the contest. However, Mohammed Siraj provided the breakthrough by trapping Malik lbw, opening the door for India's spinners. Rahmanullah Gurbaz struck a brisk 24, but Kuldeep Yadav dismissed him before Washington Sundar triggered a dramatic collapse. The off-spinner removed Rahmat Shah and Hashmatullah Shahidi in the second session before dismissing the well-set Atal for 42 on the stroke of tea. Afghanistan slipped from a 74/1 to 98/5 and never recovered. The final session lasted barely six overs. Suthar struck again when he trapped Afsar Zazai lbw, while Sundar removed Azmatullah Omarzai to claim his fourth wicket of the innings. Kuldeep then wrapped up the tail, dismissing Nangeyalia Kharote and Mohammad Saleem Safi in successive deliveries. Afghanistan's innings ended at 112, with injured Sharafuddin Ashraf unable to bat, bringing the match to a conclusion. While India's batting stars dominated the opening two days, the match ultimately belonged to Suthar. The left-arm spinner claimed seven wickets in the match, including a six-wicket haul in Afghanistan's first innings, announcing himself on the international stage in memorable fashion as India recorded a historic victory. Brief Scores: India 564/8 dec in 127 overs (Shubman Gill 126, KL Rahul 100, Sai Sudharsan 81, Rishabh Pant 81, Washington Sundar 52*; Mohammad Saleem Safi 6-140) beat Afghanistan 152 in 58.4 overs (Rahmat Shah 60; Manav Suthar 6-33, Prasidh Krishna 3-37) and 112 in 35.5 overs (Sediqullah Atal 42, Rahmanullah Gurbaz 24; Washington Sundar 4-36, Kuldeep Yadav 3-30, Manav Suthar 1-29) by an innings and 300 runs."},"img":{"url":"https://images.prismic.io/prad/aiaeageQX7-eW9XA_indwinsafg.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T09:50:00+0000","embed":{"embed_url":null}},"uid":"india-crush-afghanistan-by-innings-and-300-runs"}},{"node":{"data":{"title":{"text":"What’s Behind RR’s 'Hitler' Reference?"},"content":{"text":"Telangana Chief Minister A. Revanth Reddy triggered a row with the remark that he took inspiration from Nazi dictator Adolf Hitler to create Hyderabad Disaster Response and Asset Protection Agency (HYDRAA), which has been carrying out demolitions in and around Hyderabad to remove encroachments on water bodies, parks and other government property. Opposition Bharat Rashtra Samithi (BRS) and Bharatiya Janata Party (BJP) on Sunday came down heavily on the Chief Minister for his remark and said that Congress' dangerous Hitler mindset has come out in the open. \"HYDRAA is Hitler's favourite word. His core team called HYDRAA who can assassin anyone. So, I have taken inspiration from Hitler and name it as HYDRAA,\" he said during a conversation with 'The Hindu' Group Director N. Ram at an event in Bengaluru on Saturday. The Congress government in the state established HYDRAA in 2024 to protect public assets, manage disasters and reclaim encroached lands across Hyderabad. It has so far reclaimed 2,182 acres of government land worth Rs 80,000 crore by removing encroachments on open lands, lakes, nalas and parks. The agency led by IPS officer A.V. Ranganath has come under sharp criticism from opposition parties for the demolitions carried out at various places. They accused HYDRAA of targeting houses of the poor. BRS President and former Chief Minister K. Chandrasekhar Rao recently announced that once the BRS returns to power, the first file to be signed by it will be to scrap HYDRAA. Chief Minister Revanth Reddy's remarks made at Bengaluru event have drawn the ire of the main opposition BRS. BRS Working President K.T. Rama Rao (KTR) posted on social media platform X that people of Telangana knew it and thanked CM Revanth Reddy for clarifying it to the entire nation. \"Your inspiration is Hitler! Your assassination agency is HYDRAA! You worship dictators and brag about demolitions. Of course, people of Telangana knew. Thanks for clarifying it to the entire nation,\" KTR wrote. \"We were not as intelligent as you, Revanth! So, we modeled our governance on B.R. Ambedkar's Constitution, Mahatma Gandhi's vision, and Professor Jayashankar's dream,\" the BRS leader added. Union Minister for Coal and Mines G. Kishan Reddy said that Congress' dangerous \"Hitler and Emergency\" mindset has come out in the open yet again. \"Revanth Reddy, now openly boasting that Hitler inspired him to create HYDRAA and is comparing his demolitions in Hyderabad to those in war-torn countries like Iran and Israel, echoing his leader Rahul Gandhi's language. From Emergency to Hitler -- Congress has always muzzled people. Revanth Reddy needs to hang his head in shame and tender an unconditional apology to the people of Telangana,\" the Union Minister wrote on X. Meanwhile, State BJP President N. Ramchander Rao has remarked that those who follow Hitler will meet with the same fate as his. On Chief Minister Revanth Reddy questioning what the Central government has given to Telangana, Ramchander Rao said they are ready for an open discussion on the issue of what the Central government has given to Telangana and what the state government has given to the districts. \"If you decide on a date and time, we are prepared to come and discuss it even at the Secretariat gate,\" he added. The BJP leaders also condemned the remarks made by the Chief Minister against Union Ministers Kishan Reddy and Bandi Sanjay Kumar at the meeting held on Saturday in Mahabubnagar district. The State BJP President said that these remarks by Chief Minister Revanth Reddy are full of arrogance. \"Using language like 'do not let them cross the border' is in no way befitting of the Chief Minister's stature. If the BJP workers decide, a situation will arise where Congress MLAs, MPs, and Ministers will not be able to move around in the villages,\" Ramchander Rao added."},"img":{"url":"https://images.prismic.io/prad/aUwm0XNYClf9oooO_rr.jpg?auto=format,compress"},"datetime":"2026-06-07T12:30:00+0000","embed":{"embed_url":null}},"uid":"whats-behind-rrs-hitler-reference"}},{"node":{"data":{"title":{"text":"Rahul Faces a Trust Test?!"},"content":{"text":"When historian Ramachandra Guha remarked that he did not believe Congress leader Rahul Gandhi was equipped to handle major national challenges such as an energy crisis or a war, he gave voice to a question that has lingered in Indian politics for years. The significance of the observation lay less in the remark itself and more in who made it. Guha is hardly known for being sympathetic to Prime Minister Narendra Modi or the BJP. His criticism of the government has been consistent and often unsparing. Therefore, when someone from outside the BJP's political ecosystem raises doubts about the Opposition's leadership credentials, the comment inevitably carries greater weight. The debate is about Rahul Gandhi and the larger condition of India's Opposition and its ability to present itself as a credible alternative government. Over the past decade, the Modi government has faced a succession of challenges, from the Covid-19 pandemic and border tensions to economic disruptions and global geopolitical shocks. Supporters of the government argue that despite criticism and setbacks, it has managed to retain public confidence. Critics may disagree with many of its decisions, but there is little doubt that PM Modi continues to enjoy a level of political trust that no other contemporary leader can match. That reality poses a difficult question for the Opposition. If large sections of the electorate continue to back the ruling leadership despite economic pressures and periodic crises, where exactly is the Opposition falling short? Many voters may be dissatisfied with specific policies, rising prices, or local governance issues, but they do not necessarily see a convincing national alternative waiting in the wings. Elections are not decided merely by dissatisfaction with incumbents; they are also determined by confidence in those seeking to replace them. This is where the Rahul-led Opposition appears to struggle. Too often, its politics seems driven by opposition for its own sake rather than by a clearly articulated vision of governance. Personal attacks on PM Modi frequently generate headlines, but headlines alone do not build public confidence. Voters eventually look beyond slogans and ask a simpler question: if not the present government, then who, and with what plan? Recent political developments illustrate this challenge. Across different states, voters have displayed a remarkable willingness to make independent choices based on local realities rather than broad national narratives. State-specific factors, anti-incumbency sentiments, and regional dynamics often shape electoral outcomes. Despite these fluctuations, the Opposition has found it difficult to translate episodic discontent into a sustained national political movement. The problem is not a shortage of issues. Inflation, unemployment, agrarian distress, and social tensions provide ample political ammunition. The challenge is converting criticism into credibility. That is why many of the movements and campaigns that were projected as major turning points against the BJP have ultimately failed to produce the political consequences their supporters anticipated. The protests against the Citizenship Amendment Act, the agitation over farm laws, the wrestlers' protest and several social media-driven campaigns generated enormous attention and, in some cases, forced the government to respond. But they did not fundamentally alter the BJP's electoral dominance. There is criticism of the government, but there is no corresponding confidence in the Opposition. The space for a strong national challenger exists, but no political force has been able to occupy it convincingly. The emergence of groups seeking to fill this vacuum is therefore not surprising. Some gain visibility on social media; others capture public attention for a brief period, and a few even generate excitement among anti-establishment voters. Indian politics has repeatedly demonstrated that public attention and electoral success are not the same thing. Even the Aam Aadmi Party, once seen as the most serious challenger to the traditional political order, has found the transition from movement politics to long-term national expansion far more difficult than expected. The lesson is simple: discontent alone cannot sustain a political alternative. Leadership, organisation, credibility, and a coherent vision matter just as much. Seen in that context, Guha's remarks acquire significance. They revive an uncomfortable question for the Congress leadership: has it done enough to convince voters that it is prepared to govern during moments of national difficulty? The issue is not whether Rahul Gandhi has the right to criticise the Prime Minister. In a democracy, criticism of those in power is both legitimate and necessary. The real issue is whether that criticism is accompanied by an alternative vision. Oppositions do not earn public trust merely by highlighting the government's failures; they earn it by demonstrating their own readiness to govern. The irony is that the constitutional book that Rahul Gandhi frequently flashes places enormous importance on the role of the Opposition. Dr B.R. Ambedkar regarded a vigilant Opposition as essential for democratic accountability. Similarly, former Prime Minister Atal Bihari Vajpayee believed that criticism was most effective when it was rooted in policy, principle, and national interest rather than personal hostility. But today, is the Rahul Gandhi-led Opposition doing so?  The real challenge before the Rahul Gandhi-led Opposition, therefore, is not finding a sharper slogan against PM Modi or a more effective political attack. It is building the kind of responsible, persuasive, and credible Opposition that can convince voters it is ready for power. Until that happens, observations such as Guha's will continue to resonate because many voters see them as reflecting a political reality."},"img":{"url":"https://images.prismic.io/prad/ba936157-4140-4c11-8601-5a87190013bf_RaGa.JPG?auto=format,compress"},"datetime":"2026-06-07T11:15:00+0000","embed":{"embed_url":null}},"uid":"rahul-faces-a-trust-test"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Chiru's Daughter Reveals Her Inner Battle"},"content":{"text":"Tollywood star Ram Charan’s younger sister and Megastar Chiranjeevi’s daughter, Sreeja Konidela, got candid about her mental health struggle during a recent post on social media. In a video uploaded on her official Instagram account, Sreeja revealed that for a long time, she allowed her identity to be defined by everything she had been through in the past. However, she recently chose to heal and come out of ‘victimhood’. Sreeja further admitted that she would often think about why she was going through all this. She was heard saying in the clip posted on social media, “I was stuck in a space asking, why is this happening to me, and why am I going through so much pain? Why is there a struggle after struggle, and what did I do to deserve this? And in this journey, I moved from that space of victimhood and to understanding that life just doesn’t happen to me, but I have the power to create it.” Sreeja added that for a large part of her life, her identity was shaped by her painful past.  “For most of my life, I identified myself with my pain, my past, my struggles. To me, my identity was shaped by everything that went wrong in my life. But through this program, I started to see beyond that. Yes, my pain is still a part of me, but that’s not all that I am, and there is so much more to a person, and discovering those layers has been one of the most beautiful parts of this journey for me,\" she went on to add. For the unversed, at the tender age of 19, Sreeja eloped with her 22-year-old boyfriend, Shirish Bharadwaj, in 2007. Following an Arya Samaj wedding in Hyderabad, they even sought media and police protection, citing opposition from her family. The couple welcomed their daughter, Nivrithi Bharadwaj, in 2008.  However, in 2011, Sreeja filed a dowry and harassment case against Shirish and his family, and their divorce was finalised in 2014."},"img":{"url":"https://images.prismic.io/prad/aia7tweQX7-eW9oW_sreeja.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T11:56:00+0000","embed":{"embed_url":null}},"uid":"chirus-daughter-reveals-her-inner-battle"}},{"node":{"data":{"title":{"text":"Why Kangana took back control of SM accounts?"},"content":{"text":"Kangana Ranaut has opened up about why she “snatched” control of her social media accounts back from her team. In an exclusive interview with media, the ‘Queen’ actress said she prefers a more direct and personal way of communicating with her audience. When asked how much time she takes to reply on social media and whether it seems like she personally responds to messages, Kangana shared that she replies herself and is actively involved in her social media interactions. The actress shared, “I asked my social media team, 'What is this?' Are you writing a letter to the headmaster with so much respect? What kind of captions are these? It feels like you are apologizing to stay alive. So, I said, no, this is not going to go like that. Simple right things. I am eating this, so simply write this. It feels like you are apologetic for everything. That's not how it's going to work.” “So obviously, I don't like to live like that. And I think it's not easy to be in public space. It's not like we don't say anything that we are not ashamed of. Or we don't feel bad. Or somehow, even if it's a small thing, it becomes an angle of a photo. Or how we have ever styled something or said something. We feel, \"Oh, that was a wrong decision; that was a wrong call.\" I could have done better. We feel like that. Now you don't have to tell anyone,” Kangana added. The actress went on to state, “Reading the comments is a different thing. But you feel it yourself. So, you have days like that. Now it is published all over the place. Neither its response nor its anything—that one line did this. Or I could have done better with my photo from that angle; the same photo is being put everywhere. So, such embarrassment happens to celebrities. That your mistakes are published all over the nation. But as far as comments are concerned, comments are irrelevant to me.”"},"img":{"url":"https://images.prismic.io/prad/ZmGXeZm069VX1goA_kangana.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T07:35:00+0000","embed":{"embed_url":null}},"uid":"why-kangana-took-back-control-of-sm-accounts"}},{"node":{"data":{"title":{"text":"Why Sonakshi does not feel ‘safe anywhere’ with hubby"},"content":{"text":"Actress Sonakshi Sinha has shared a playful video from her vacation featuring her husband Zaheer Iqbal. Taking to Instagram, she gave a fun glimpse of their light-hearted moments together during the getaway. The ‘Dabangg’ actress shared a fun video from her vacation, where she is seen sitting by the pool before her Zaheer playfully pushes her into the water. The couple then bursts into laughter, enjoying the light-hearted and playful moment together. Sharing this fun video, she wrote, “Not safe anywhere.” Notably, Sonakshi and Zaheer often share amusing and playful videos on social media, giving glimpses of their fun-loving bond. Recently, the ‘Akira’ actress had celebrated her 38th birthday with Zaheer and their close friends in UK. Sharing pictures from the trip, Sonakshi wrote, “Thank you everyone for ALLLL the love on my birthday i enjoyed it in realtime off the gram and it was the bessssst!!! 02.06.2026.” Zaheer Iqbal also took to his social media to wish his wife Sonakshi Sinha on her birthday. He shared several pictures and videos from her special day celebrations. The photos showed Sonakshi in a cheerful mood, enjoying her time with Zaheer and their close circle of friends. Zaheer captioned the post, “I love you my BIRTHDAY GIRL.”In one of the pictures, Sonakshi was seen posing while wearing a face mask. In another, she was captured hugging Zaheer from behind as they posed for the camera. One of the images showed intimate birthday celebrations at a restaurant, where she appeared extremely happy and embraced him warmly. For the unversed, Sonakshi Sinha married Zaheer Iqbal on 23 June 2024. The couple chose a private registered wedding ceremony at Sonakshi’s Mumbai residence, and it was attended only by close friends and family members. Later, they hosted a grand reception that was graced by several prominent names from the Bollywood industry."},"img":{"url":"https://images.prismic.io/prad/aiafhQeQX7-eW9Xi_soanakshizaheer.JPG?auto=format%2Ccompress&rect=0%2C78%2C426%2C210&w=2028&h=1000"},"datetime":"2026-06-08T10:55:00+0000","embed":{"embed_url":null}},"uid":"why-sonakshi-does-not-feel-safe-anywhere-with-hubb"}},{"node":{"data":{"title":{"text":"What Rani Mukerji wanted to be when she grew up"},"content":{"text":"Rani Mukerji, one of the most talented actresses in Bollywood, once revealed what she wanted to become as a kid when she grew up. Speaking to host Simi Garewal during her appearance on an episode of \"Rendezvous with Simi Garewal\", Rani shared that she really wanted to become someone big as a kid, because she wished to make her parents really happy. When Simi asked Rani, \"What did you want to be when you grew up?\", the 'Maardani' actress shared, \"I always wanted to become somebody big. I had this thing in me that I wanted to make my parents really happy. I wanted to give them the best in the world. And like if I would go to a shop, I would want to buy everything and not have a problem buying anything that I want.\" Rani shared that as a kid, she would never ask her mother for something if she felt her mother would not be able to buy it for her. \"I would never want to hurt her by asking for something which I knew she wouldn't give me. So I used to tell myself that when I grew up, I wanted to do something in life so that I keep my parents happy, give them the best.\" The 'Kuch Kuch Hota Hai' actress added that she had been quite mature since her childhood. Up next, Rani will be seen in Shah Rukh Khan's highly discussed drama \"King\". Made under the direction of Siddharth Anand and jointly backed by Gauri Khan, Siddharth Anand, and Mamta Anand under the banners of Red Chillies Entertainment and Marflix Pictures, \"King\" will mark the primary on screen collaboration between Shah Rukh Khan and his daughter Suhana Khan. The core cast of the drama further includes Abhishek Bachchan, Deepika Padukone, Anil Kapoor, Jackie Shroff, and Arshad Warsi."},"img":{"url":"https://images.prismic.io/prad/67454cb3-6b37-4079-9743-cd4cb57ab5ec_rani+mukherji.JPG?auto=format,compress"},"datetime":"2026-06-07T11:55:00+0000","embed":{"embed_url":null}},"uid":"what-rani-mukerji-wanted-to-be-when-she-grew-up"}},{"node":{"data":{"title":{"text":"Janhvi's Silk Saree Tribute to Tradition"},"content":{"text":"In a poignant blend of personal reflection and cultural homage, Bollywood actress Janhvi Kapoor chose to don a stunning lavender silk saree during her recent visit to the revered Tirumala temple. This pilgrimage, steeped in significance for Kapoor, marks not merely a routine visit but a heartfelt ritual, often intertwined with moments of remembrance and celebration. As she stepped into the temple grounds, her choice of attire resonated with an understated grace that captivated both fans and fashion enthusiasts alike. Accompanied by the release of her latest film, 'Peddi,' Janhvi's presence at Tirumala was watched closely by her audience, who have increasingly noted the actress's connection to this sacred site. The serene setting served as a backdrop for her serene appearance, where she initially arrived in a modest pink kurta and salwar, embodying the essence of a devoted pilgrim rather than a celebrity. However, it was her subsequent transformation into the exquisite silk saree that sparked a wave of admiration across social media, prompting discussions about her sartorial choices amid the film's premiere. Historically, the Tirumala temple has attracted devotees from all walks of life, serving as a spiritual sanctuary that inspires a spectrum of emotions and traditions. For Janhvi, this location holds a deeper significance, often being a place of solace, particularly in remembrance of her late mother, the iconic Sridevi. Each visit encapsulates a blend of personal milestones and cultural rituals, reinforcing the notion that fashion in such a context transcends mere aesthetics, becoming a vessel for familial and cultural legacies. Janhvi's sartorial choices continue to reflect a conscious effort to honor her heritage while navigating the demands of modern celebrity. Her lavender saree, adorned with delicate floral motifs and accented by traditional jewellery—including a gold vaddanam and a striking choker—exemplified this delicate balance. The modesty of her makeup and the simplicity of her hairstyle further underscored a refreshing authenticity in a landscape often dominated by ostentation. In a moment where celebrity culture frequently prioritizes spectacle, Kapoor's unpretentious display of devotion and tradition echoes a yearning for genuine connection with one's roots."},"img":{"url":"https://images.prismic.io/prad/aiWwUgeQX7-eW8ih_jahnvi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-07T14:30:00+0000","embed":{"embed_url":null}},"uid":"janhvis-silk-saree-tribute-to-tradition"}},{"node":{"data":{"title":{"text":"Mahesh’s Journey Beyond the Screen"},"content":{"text":"In an industry often overshadowed by drama and sensationalism, Mahesh Babu emerges as a figure of steadfastness and grace, exemplifying what it means to be a true superstar. His career, stretching over four decades, is not only marked by celebrated films but also by a persona that resonates with authenticity and humility. From his early days as a child artist in 1979 to becoming a household name in Telugu cinema, Babu's success is a testament to his grounded nature and professionalism, making him a beloved figure not just for his roles, but for his character off-screen. Babu's public demeanor is a striking aspect of his stardom that deserves attention. Unlike many contemporaries who often succumb to the pressures of fame, he maintains an admirable composure in public settings. Whether addressing a challenging question during interviews or navigating the expectations of box office success, he projects a calmness that feels genuine and unscripted. This tranquil presence not only endears him to fans but also sets a standard for the industry, where emotional resilience is often overshadowed by the pursuit of attention. A hallmark of Mahesh Babu's character is his unwavering commitment to family. In an era where personal relationships are frequently thrust into the limelight, Babu’s approach stands out as refreshingly private and sincere. He cherishes his bond with his wife, Namrata Shirodkar, and their children, Gautham and Sitara, openly discussing how they serve as his anchor through the highs and lows of his career. This familial dedication not only fosters a supportive home environment but also resonates with audiences, who appreciate his prioritization of personal over professional chaos in an often tumultuous industry. His disciplined work ethic further cements Babu's status as a megastar. The rigor he applies to his physical transformation for various roles highlights a commitment that transcends mere appearances; it reveals an artist dedicated to his craft. Over the years, he has consistently evolved as an actor, deftly navigating a spectrum of emotional genres while shunning fleeting trends. This level of discipline not only reflects in his performances but also serves as an inspiration to aspiring actors, demonstrating that enduring success is built on hard work and authenticity rather than mere spectacle."},"img":{"url":"https://images.prismic.io/prad/dc831547-b31b-4681-9979-e9f8fa6913cc_Mahesh+Babu.JPG?auto=format,compress"},"datetime":"2026-06-07T16:00:00+0000","embed":{"embed_url":null}},"uid":"maheshs-journey-beyond-the-screen"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"How Thyroid Health Affects Fertility"},"content":{"text":"For women trying to conceive, the road to pregnancy can be fraught with challenges. While the reasons for delayed conception may not always be obvious, thyroid health could be a significant factor. As the world marks World Thyroid Day on May 25, experts emphasize the often overlooked influence of hypothyroidism on reproductive health. Dr. Alimileti Jhansi Rani, a Fertility Specialist at Birla Fertility & IVF Hyderabad, stresses the critical role of the thyroid in reproductive health.  Research has shown that hypothyroidism can disrupt ovulation, menstruation, and hormonal regulation, leading to fertility struggles and potential complications during pregnancy. It's important to note that even 'normal' thyroid levels may not be ideal for conception, with specialists recommending optimized levels for fertility. Treatment and lifestyle changes, including medication, proper nutrition, stress management, and monitoring menstrual and ovulation patterns, can significantly improve the chances of conception.  Additionally, testing for thyroid antibodies can provide valuable insights, especially for women facing recurrent miscarriages or fertility challenges. Understanding the impact of thyroid health on fertility and seeking timely medical guidance can save valuable time for women struggling to conceive."},"img":{"url":"https://images.prismic.io/prad/1c687669-969a-426e-b643-acc2ccc20607_thyroid.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","embed":{"embed_url":null}},"uid":"how-thyroid-health-affects-fertility"}},{"node":{"data":{"title":{"text":"Shortness of Breath? Take It Seriously"},"content":{"text":"Feeling winded when doing everyday tasks like climbing stairs may seem normal, but according to Dr. Rajesh Rajani, Consultant Interventional Cardiologist, it can be a red flag for an underlying heart problem. Many people dismiss breathlessness as a sign of aging or lack of fitness, but this could be dangerous thinking. The gradual decline in your ability to perform tasks without getting breathless may go unnoticed, leading to delayed diagnosis of potential heart issues.  Dr. Rajani warns that breathlessness should not be normalized, as it could indicate serious heart conditions such as blocked arteries, heart valve disease, irregular heart rhythms, or weakening of the heart muscles. Recognizing and evaluating these symptoms early can help identify underlying health risks and prevent more serious complications later. It's crucial not to make excuses for these symptoms and to seek medical advice if you experience increasing shortness of breath.  This article provides insights from Dr. Rajesh Rajani, shedding light on why breathlessness should not be ignored and how it can signify an underlying heart condition."},"img":{"url":"https://images.prismic.io/prad/agwbIKYofJOwHWqT_breath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T18:56:00+0000","embed":{"embed_url":null}},"uid":"dont-ignore-it-when-shortness-of-breath-signals-a-serious-health-concern-mpcc9z9u"}},{"node":{"data":{"title":{"text":"Hantavirus Panic Hits US Passengers"},"content":{"text":"In a troubling development, two American passengers from the MV Hondius have raised alarm as they are transported back to the United States with potential hantavirus infections. The Department of Health and Human Services confirmed on Sunday evening that among the 17 evacuees, one individual is exhibiting mild symptoms, while another has tested 'mildly PCR positive' for the Andes strain of the virus. This evacuation comes amidst a backdrop of heightened awareness surrounding hantavirus, which can lead to severe respiratory complications. The cruise ship, which embarked from Argentina in April and traversed the South Atlantic, has been linked to a disturbing cluster of hantavirus cases, including three fatalities. The initial case involved a Dutch passenger who fell ill shortly after boarding, leading to a tragic sequence of events that resulted in both his and his wife’s deaths, as well as that of a German traveler. The virus's unusual capability for human-to-human transmission—particularly the Andes strain—underscores the urgency of the situation, as it typically spreads through contact with infected rodent excreta. Health experts are particularly concerned about this outbreak due to its rarity, with hantaviruses generally transmitting through animal vectors rather than person-to-person contact. The Andes virus, however, poses a unique threat, necessitating close interactions for transmission to occur. A Swiss tour guide who disembarked in Saint Helena and later tested positive suggests that the virus may have circulated among passengers during the voyage. Such developments have prompted increased scrutiny and rigorous monitoring protocols for those who interacted with affected individuals. The 17 American passengers are currently en route to the University of Nebraska Medical Center, which is equipped to handle potential hantavirus cases. The facility will conduct thorough clinical assessments, with asymptomatic individuals expected to monitor their health at home for a full 42 days—the incubation period for the virus. While health officials have classified most passengers as low-risk, the careful tracking and oversight reflect a cautious approach in the face of a potentially serious health crisis, emphasizing both preparedness and the importance of public health vigilance in mitigating outbreaks."},"img":{"url":"https://images.prismic.io/prad/agHlCKYofJOwHFHL_hantavirus.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T05:02:00+0000","embed":{"embed_url":null}},"uid":"hantavirus-alert-us-passengers-evacuated-amid-growing-health-concerns-mp19tz46"}},{"node":{"data":{"title":{"text":"Summer Chill or Skin Kill: The Hidden Perils of AC"},"content":{"text":"As temperatures soar, air conditioning becomes a refuge from the sweltering heat, yet it carries an unsuspected consequence for our skin. The very mechanism that cools our living spaces—lowering humidity levels—has a detrimental effect on skin health. Prolonged exposure to air-conditioned environments can lead to significant dehydration, disrupting the skin's natural barrier and causing a range of issues including heightened sensitivity, flakiness, and even unexpected breakouts. This paradox highlights a critical need for awareness in our skincare routines during the sweltering summer months. The science behind air conditioning reveals a stark reality: the cooling process strips moisture from the air, which in turn accelerates water loss from the skin. This dehydration can affect all skin types, whether oily, dry, or combination. A common misconception is that hydrated skin will always appear visibly dry; in many cases, a lack of moisture can trigger the skin to produce excess oil in a compensatory manner, resulting in clogged pores and acne. This cycle underscores the importance of recognizing air conditioning as a double-edged sword, necessary for comfort yet detrimental to skin vitality. The skin barrier serves as the body’s frontline defense against external aggressors. When faced with the relentless assault of dry air, this barrier struggles to maintain its integrity, leading to issues like increased sensitivity and irritation. Individuals may notice fine lines becoming more pronounced, and persistent redness developing as their skin reacts to the new environment. The long-term implications are unsettling; a compromised skin barrier not only invites dryness but also exposes the skin to pollution and UV damage once individuals venture outside. Understanding this connection is crucial for anyone reliant on air conditioning for comfort. To counteract these adverse effects, skincare strategies must adapt to this summer challenge. Prioritizing deep hydration is essential—switching to lightweight moisturizers infused with hydrating ingredients like hyaluronic acid can help replenish lost moisture without clogging pores. Layering products, such as applying a hydrating serum followed by a moisturizer, creates an additional shield against dry air. Moreover, maintaining internal hydration through adequate water intake and using a humidifier can enhance skin resilience. As the demand for comfort clashes with the need for skin health, it is imperative to strike a balance that ensures both can coexist harmoniously during the hottest months of the year."},"img":{"url":"https://images.prismic.io/prad/afhRDcBOoF08xkN5_skin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-03T02:53:00+0000","embed":{"embed_url":null}},"uid":"summer-chill-or-skin-kill-the-hidden-perils-of-air-conditioning-moq2k7ge"}},{"node":{"data":{"title":{"text":"Sun to Acquire US-Based Organon in $11.75 B"},"content":{"text":"India’s major drugmaker Sun Pharmaceutical Industries on Monday announced that it will acquire New York-listed Organon & Co in an all-cash deal valued at $11.75 billion, its biggest overseas acquisition to date.  Under the agreement, the pharmaceutical firm will acquire 100 per cent of Organon’s outstanding shares at $14 per share, translating into an enterprise valuation of $11.75 billion and an equity value of around $3.99 billion, the company said in an exchange filing. The company said the acquisition is aligned with its strategy to scale up its innovative medicines business while strengthening its presence in established brands and branded generics. The deal will also enable Sun Pharma to enter the biosimilars segment as a top global player. Following the acquisition, the combined entity is expected to be among the top 25 global pharmaceutical companies, with revenues of around $12.4 billion, while strengthening its position in women’s health and biosimilars. New Jersey-based Organon operates across women’s health, biosimilars, and established medicines, with a portfolio of over 70 products and a presence in more than 140 countries. The transaction, approved by the boards of both companies, expected to close in early 2027, subject to regulatory approvals and Organon shareholders’ approval. Sun Pharma plans to fund the deal through a mix of internal accruals and debt financing. For the year ended December 2025, Organon reported revenue of $6.2 billion and adjusted EBITDA of $1.9 billion. Commenting on the deal, Sun Pharma Executive Chairman Dilip Shanghvi said the acquisition would help build a stronger and more diversified platform, while Managing Director Kirti Ganorkar highlighted synergy and growth opportunities from the integration. Shares of Sun Pharma rose as much as 6.71 per cent to hit an intraday high of Rs 1,728.65 on the BSE in early trade on Monday."},"img":{"url":"https://images.prismic.io/prad/0559bc76-f082-4aef-b625-6c012ae1d136_sun+pharma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:34:00+0000","embed":{"embed_url":null}},"uid":"sun-pharma-to-acquire-us-based-organon-in-11.75-b"}},{"node":{"data":{"title":{"text":"Late-Night Eating May Harm Gut, Study Suggests"},"content":{"text":"Chronic stress can disrupt bowel functions and now, a new report on Thursday suggested that eating late at night amplifies these effects, with implications for both digestive health and the gut microbiome.  Researchers analysed data from more than 11,000 participants in the National Health and Nutrition Examination Survey in the US to examine links between chronic stress, late-night eating, and bowel dysfunction. Individuals with a high allostatic load score — the cumulative physiological stress as reflected in body mass index (BMI), cholesterol level, and blood pressure — who also reported eating more than 25 per cent of daily calories after 9 p.m. were 1.7 times more likely to experience constipation and diarrhoea than those with lower scores who did not eat late at night. \"It’s not just what you eat, but when you eat it,\" said Harika Dadigiri, resident physician at New York Medical College at Saint Mary’s and Saint Clare’s Hospital said the study’s lead author. \"And when we’re already under stress, that timing may deliver a ‘double hit’ to gut health,\" she added. Similarly, data from more than 4,000 participants in the American Gut Project found that people with both high stress levels and late-night eating habits were 2.5 times more likely to report bowel problems. These individuals had significantly lower gut microbiome diversity, suggesting that meal timing might magnify the impact of stress on the microbiome via the gut-brain axis — the two-way communication system involving nerves, hormones and gut bacteria. The findings highlight associations rather than cause-and-effect. Further research is needed to better understand how stress, eating patterns and gut health are connected, said the study. Dr Dadigiri is sympathetic to those who reach for late-night snacks after long, demanding days, and as a medical resident, she counts herself among them. \"Small, consistent habits, like maintaining a structured meal routine, may help promote more regular eating patterns and support digestive function over time,\" she said."},"img":{"url":"https://images.prismic.io/prad/49dee6c7-3424-4e38-92ca-36f8dd4d4197_stomach+cancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-23T00:50:00+0000","embed":{"embed_url":null}},"uid":"late-night-eating-may-harm-gut-study-suggests"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Virginia Seeks Indian Footfall"},"content":{"text":"Virginia Tourism Corporation is stepping up engagement with India’s travel trade to boost overnight stays and visitor spending after India became the US state’s second‑largest international source market and its largest overseas market, a new report has said.  Preliminary estimates showed that Virginia welcomed just over 65,000 Indian visitors in 2025, generating about $112 million in visitor spending. In 2024, the state recorded over 69,000 Indian arrivals and roughly $124 million in spending. Heidi Johannesen, Managing Director — Global Markets, Virginia Tourism Corporation told Indian travel partners during a visit that the slight moderation in arrivals is due to broader geopolitical developments and visa-related challenges. The tourism officials said their priority is to broaden awareness among Indian tour operators and travel advisors of Virginia’s attractions beyond the popular Luray Caverns caves, which many Indian visitors currently visit as a day trip from the Washington, DC, area without overnight stays. Christi Braginton, Director – Global Markets, Virginia Tourism Corporation, said that the state’s wider offerings include Mount Vernon, Monticello, Virginia Beach, Williamsburg and Fairfax County but visitors are mostly unaware of them. The officials said Virginia’s tourism proposition extends from mountains and beaches to vineyards, culinary experiences, theme parks and some of the most significant historical landmarks in the United States, according to the report. To improve awareness, VTC runs co-operative marketing campaigns, trade and consumer media outreach, social media initiatives and direct engagements with Indian travel partners. The officials also said that visitors should come to Virginia if they \"want to experience that true depth of independence\" in the ongoing celebrations marking 250 years of American independence. \"Major commemorative activities are planned around Colonial Williamsburg, including fireworks displays, historical presentations and re-enactments,\" the report noted."},"img":{"url":"https://images.prismic.io/prad/b3cd8a19-96bc-4e35-8774-eed6dddc15ad_travel.JPG?auto=format,compress"},"datetime":"2026-06-08T10:42:00+0000","embed":{"embed_url":null}},"uid":"virginia-seeks-indian-footfall"}},{"node":{"data":{"title":{"text":"10 Indian-Australians Receive King's Recognition"},"content":{"text":"As many as 10 Indian-origin Australians have featured in the 2026 King's Birthday Honours List, with the recipients recognised for their distinguished service and contribution to Australian society, local media reported.  The 2026 King's Honours List recognises 948 Australians for outstanding service and achievement in community service, medicine, science, education, public administration, defence, sport and the arts. The list features several prominent Indian-Australians awarded the 'Medal of the Order of Australia' (OAM) and higher honours, demonstrating the growing contribution of Indian community to the Australian society. Indian-origin Australians who feature in the 2026 King’s Birthday Honours List include Professor Valsamma Eapen (AO), Dr Abhishek Kumar Verma (OAM), Dr Dilipkumar Gahankari (OAM), Professor Balasubramaniam Venkatesh (AM), Noshir Irani (OAM), Chethicad Oommen Thomas (OAM), Usha Kiran Chandra (OAM), Dr Atul Kumar Garg (OAM), Saurabh Mishra (OAM), and Bijinder Dugal (OAM), honoured for their outstanding service in medicine, psychiatry, community leadership, business, aged care and multicultural engagement, 'The Australia Today' reported. The Indian High Commission in Australia on Monday congratulated the 10 Australians of Indian origin who featured in the 2026 King's Birthday Honours List \"The King’s Birthday Honours are among Australia’s highest civilian honours, recognising distinguished service and outstanding contribution to the nation. Heartiest congratulations to the 10 Australians of Indian origin recognised in the 2026 King’s Birthday Honours List,\" the Indian High Commission in Australia posted on X. Melbourne-based community leader Chethicad Oommen Thomas received the OAM for service to the Indian community of Victoria, recognising his over 50 years of leadership and institution-building. He came to Australia in 1969 and dedicated his life to supporting new migrants and strengthening community connections. He founded the Malayalee Association of Victoria in 1976, served as a leader of the Australia India Society of Victoria, set up the Victorian Indian Community Charitable Trust, and played a key role in making the Indian Orthodox Church network in Victoria. His work helped build cultural, charitable and faith-based institutions that continue to serve Indian Australians. Leading child and adolescent psychiatrist Professor Valsamma Eapen has been appointed an Officer of the Order of Australia (AO) for her service to psychiatry, neurodevelopmental research, child and adolescent mental health, and tertiary education. She is known across the world for her work in Attention-Deficit/Hyperactivity Disorder (ADHD), Tourette syndrome, autism spectrum disorder and early childhood mental health. Intensive care specialist Professor Balasubramaniam Venkatesh has been appointed as Member of the Order of Australia (AM) for his work in critical care medicine, infection control and tertiary education. Melbourne-based general practitioner Dr Abhishek Kumar Verma has been honoured with OAM for his service to medicine and medical administration. Dr Verma has been recognised for his leadership in clinical governance, medical education and healthcare regulation and service in migrant and refugee health, The Australia Today reported. Gold Coast-based plastic and reconstructive surgeon Dr Dilipkumar Gahankari has been honoured with the OAM for his work in plastic and reconstructive surgery. Melbourne-based entrepreneur and community leader Saurabh Mishra received the OAM for service to the community. Apart from being an entrepreneur, he has been involved with volunteer work in palliative care, cultural preservation and mentoring through organisations like TiE Melbourne. In addition, he has supported Hindustani classical music and healthcare innovation initiatives in Victoria, 'The Australia Today' reported. Sydney-based community volunteer Noshir Irani has been awarded the OAM for his service to the community. He has been recognised for his leadership in multicultural organisations, volunteer services and civic engagement in New South Wales, including his involvement in cultural associations and neighbourhood initiatives. Community leader Dr Atul Kumar Garg has been honoured with OAM for service to the community through neighbourhood safety initiatives, multicultural engagement and charitable work, including leadership roles in Neighbourhood Watch and Indian community organisations. Queensland-based community leader Usha Kiran Chandra has been honoured for her service to the Indian community through cultural festivals, Global Organization of People of Indian Origin (GOPIO) Queensland and initiatives promoting multicultural participation and civic engagement. Sydney-based community advocate Bijinder Dugal has received the OAM for her service to aged welfare. She is the co-founder of the AASHA Australia Foundation and has worked for improving the wellbeing of elderly Australians through programs focused on active ageing, dementia awareness, elder rights education and social inclusion."},"img":{"url":"https://images.prismic.io/prad/aiatiQeQX7-eW9fW_indianaustralians.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T10:55:00+0000","embed":{"embed_url":null}},"uid":"10-indian-australians-receive-kings-recognition"}},{"node":{"data":{"title":{"text":"T'gana youth shot dead in US"},"content":{"text":"A youth from Telangana was shot dead in the United States while he was delivering pizza after receiving what is suspected to be a fake order.  Anshul Kuncha (28) was shot multiple times, resulting in his death in the north-eastern city of Philadelphia, Pennsylvania. According to information received by his family in Gundlapochampally of Medchal Malkajgiri district in Telangana, the youth was killed on the intervening night of Friday and Saturday. Anshul, who was employed in a multinational company, was also working part-time as a pizza delivery executive on weekends to earn extra money. He was shot at point-blank range when he went to a location to deliver pizza -- in what is alleged to be a fake order. According to information reaching his family, he received a 'fake' delivery order to a deserted location past midnight. When he reached the location, two unidentified men opened fire and shot Anshul multiple times in the head before fleeing the scene. He died on the spot. Nothing was stolen from the victim, raising questions about the motive behind the killing. Reports cited by the family indicate that two masked gunmen carrying backpacks were seen in the area around the time of the attack. Anshul's family alleged that the pizza delivery was a trap to kill him. \"He was told to deliver pizza in an abandoned area, but we later learned it was a decoy. There was no one there; it was a trap, meant solely to kill him. We do not know what they gained or what their intentions were. They took my brother and killed him,\" Anshul’s sister Tanvi said. They also said that Anshul had previously been the victim of a robbery in the US, during which his chain, phone, and cash were stolen. Anshul had gone to the US in 2023 to pursue a Master's in Business Administration. His family has appealed to the Central and State governments to help in bringing the body to India.  The US authorities are likely to hand over the body on Monday. The family has requested that the process be expedited so that the body could be brought home without delay.  The Consulate General of India in New York stated that it is in touch with local authorities and the bereaved family, while extending all possible assistance. \"We are deeply saddened by the untimely demise of Mr. Anshul Kuncha, an Indian national in Philadelphia, PA. Our thoughts and heartfelt condolences to his family during this difficult time. The Consulate is in touch with Anshul's family and is extending all possible assistance,\" it said in a post on X."},"img":{"url":"https://images.prismic.io/prad/aiUYYAeQX7-eW8UV_AnshulKuncha.JPG?auto=format,compress"},"datetime":"2026-06-07T05:06:00+0000","embed":{"embed_url":null}},"uid":"tgana-youth-shot-dead-in-us"}},{"node":{"data":{"title":{"text":"Indian AI adviser Sriram Krishnan to leave WH"},"content":{"text":"Sriram Krishnan, one of the highest-profile Indian-American technology advisers in the Trump administration, announced that he will leave his role at the White House at the end of this month after helping shape the administration's artificial intelligence strategy over the past 18 months.  In a statement posted on social media, Krishnan said he would take a break before returning to work on major AI-related challenges facing the United States. \"I'll be leaving my role at the White House at the end of this month. After a break I'll be working on helping tackle some of the large challenges facing America on AI,\" he wrote. Krishnan described his government service as \"the privilege of a lifetime\" and said it was \"an honor to serve under President Donald Trump\". \"Without his leadership, we would not be leading in the AI race,\" he said. He also thanked White House AI and crypto adviser David Sacks, saying: \"His continuing advocacy for America winning on AI has been and continues to be crucial.\" Krishnan highlighted several initiatives he said he helped develop during his tenure. These included architecting and publishing the administration's American AI Action Plan, helping advance AI acceleration partnerships designed to strengthen the American AI ecosystem globally, and contributing to the National AI Policy Framework executive order. He also pointed to his role in promoting American AI interests internationally through AI summits and diplomatic engagements. \"Advocating for the American AI stack with our allies globally (the AI summits in France and India, state visits to the UK, the Middle East and more),\" he wrote. Looking ahead, Krishnan said the rapid evolution of artificial intelligence presents major policy and infrastructure challenges. \"The past 18 months have given me a front row seat to this critical moment on AI facing America and our allies,\" he said. \"Whether it is energy, data centers or a clear path for Americans to experience the benefits of AI, there are many tough issues we all need to navigate together.\" He added that he plans to focus on \"building institutions that help tackle some of those challenges for America and its allies.\" Responding to the announcement, David Sacks praised Krishnan's contributions to the administration's AI agenda and indicated that the Indian-American technology leader would continue to advise from outside government. \"It has been one of the great privileges of my time in the Administration to work so closely with you over the past 18 months,\" Sacks wrote. \"Your skills are genuinely unique: a rare combination of deep technical fluency in AI, sharp policy instincts, exceptional strategic thinking, and true diplomatic talent.\" Sacks said Krishnan had co-authored the administration's AI Action Plan, helped advance AI acceleration partnerships, contributed to the National AI Policy Framework and represented American interests at international AI summits and state visits. \"It will be a huge loss for the administration, but I'm glad we'll continue working together with you as an outside adviser,\" Sacks said. The departure marks the end of a significant chapter for Krishnan, who emerged as one of the most influential voices on AI policy inside the Trump White House and became a prominent link between Silicon Valley and Washington's technology agenda. An Indian-American entrepreneur and technology executive, Krishnan previously held senior product and leadership roles at major technology companies, including Microsoft, X (formerly Twitter), Meta and Snap. He has also been a well-known investor and commentator on emerging technologies. Artificial intelligence has become a central pillar of the Trump administration's technology and economic strategy, with officials arguing that maintaining U.S. leadership in AI is critical to national security, economic competitiveness and technological innovation. Krishnan's work placed him at the centre of those efforts as Washington increasingly sought to shape global AI policy and infrastructure development. "},"img":{"url":"https://images.prismic.io/prad/aiUeCQeQX7-eW8U3_SriramKrishnan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-07T01:00:00+0000","embed":{"embed_url":null}},"uid":"indian-ai-adviser-sriram-krishnan-to-leave-wh"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'Toxic' Movie BTS Video"},"img":{"url":"https://images.prismic.io/prad/aiaXXweQX7-eW9Tg_toxicbts.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T05:20:00+0000","third_party_url":null},"uid":"toxic-movie-bts-video"}},{"node":{"data":{"title":{"text":"Bigg Boss Telugu 10 Promo"},"img":{"url":"https://images.prismic.io/prad/aiV9TQeQX7-eW8eA_BB10.JPG?auto=format,compress"},"datetime":"2026-06-07T12:16:00+0000","third_party_url":null},"uid":"bigg-boss-telugu-10-promo"}},{"node":{"data":{"title":{"text":"Massa Massa Lyrical Video"},"img":{"url":"https://images.prismic.io/prad/ah_G4weQX7-eWo33_massamassasong.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-02T19:17:00+0000","third_party_url":null},"uid":"massa-massa-lyrical-video"}},{"node":{"data":{"title":{"text":"'Cocktail 2' Trailer"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-02T10:19:00+0000","third_party_url":null},"uid":"cocktail-2-trailer"}},{"node":{"data":{"title":{"text":"#MEGA158 - Title Teaser"},"img":{"url":"https://images.prismic.io/prad/ahU7ZLK9tuLqEIUX_Mega158title.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T18:30:00+0000","third_party_url":null},"uid":"mega158---title-teaser"}},{"node":{"data":{"title":{"text":"Maa Inti Bangaaram - Trailer"},"img":{"url":"https://images.prismic.io/prad/ahU8eLK9tuLqEIUj_maaintibangaram.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T20:23:00+0000","third_party_url":null},"uid":"maa-inti-bangaaram---trailer"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"A Bizarre State Of Dual Economic Reality"},"img":{"url":"https://images.prismic.io/prad/aiaZhAeQX7-eW9Ua_GDP.JPG?auto=format,compress"},"datetime":"2026-06-08T06:25:00+0000","third_party_url":null},"uid":"a-bizarre-state-of-dual-economic-reality"}},{"node":{"data":{"title":{"text":"Some Cockroaches Ask Questions!"},"img":{"url":"https://images.prismic.io/prad/aiVJ-weQX7-eW8X5_CJI.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-06T18:37:00+0000","third_party_url":null},"uid":"some-cockroaches-ask-questions"}},{"node":{"data":{"title":{"text":"Trump-Modi Trade Tango: A New Era of Economic Cooperation?"},"img":{"url":"https://images.prismic.io/prad%2F40ec273a-3b10-44da-9fec-f3295ab1cb29_trumpmodi.jpg?auto=format%2Ccompress&rect=0%2C9%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-06-05T09:33:00+0000","third_party_url":null},"uid":"trump-modi-trade-tango-a-new-era-of-economic-coope"}},{"node":{"data":{"title":{"text":"PK: Bracing Up To Do An Annamalai In Telangana?"},"img":{"url":"https://images.prismic.io/prad/aiEalweQX7-eWt3z_PK.JPG?auto=format,compress"},"datetime":"2026-06-04T06:30:00+0000","third_party_url":null},"uid":"pk-bracing-up-to-do-an-annamalai-in-telangana"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"A Bizarre State Of Dual Economic Reality"},"content":{"text":"“A mere increase in real national income does not lead to economic development if the distribution makes the rich richer and the poor poorer. GDP does not care about your grocery bill” This prudent axiom, adopted from fundamental Development Economics literature on income distribution distortions, suggests that the experts on the Indian economy live in a completely different economic universe than the masses dealing with the realities of fuel inflation. This disconnect was on full display in their recent jubilation over the reported numbers around the growth of GDP. Recently one of my friends, an economics expert, lit up my WhatsApp with a breathless proclamation: India’s Q4 and full-year 2026 GDP growth figures have crowned it \"the\" fastest-growing large economy on the planet. Hailing a \"Blockbuster Friday\" fueled by supposedly massive capital market reforms from the RBI and the government, he painted a picture of unbridled financial triumph. Well, he is the expert and there should be no reason to comment on why he wasn’t correct in his perception about the GDP, for, a novice like me who hardly ever understood what exactly the GDP stands for and how fundamentally its growth reflects the real face of the nation’s economy. For an average citizen like me, the GDP has less to do with “Gross Domestic Product” and far more to do with the soaring costs of “Gas, Dollars, and Petrol”. While the financial elites like him toast to abstract percentages, everyday \"cockroaches\" like me are trying to decode the actual reforms trickling down to the masses. So far, the most visible reforms include the Supreme Leader’s stirring call for citizen austerity, specifically, begging the public to stop buying gold and other attempts including efforts to stem further weakening of the Rupee by the RBI to preserve the foreign reserves. Meanwhile, in a move that screams peak economic stability, reports emerged that the government has been selling off its own gold reserves to foreign banks to conserve precious foreign currency. The RBI was quick to deny such reports, but the panic is palpable. This scramble comes as the Indian Rupee nosedives from 85–86 per US dollar in mid-2025 to a staggering 95 per dollar by mid-2026, marking a brutal 10% year-on-year depreciation. This brings us to the million-dollar question, valued in dollars, of course, because the rupee is currently too weak to lean on. Can a nation simply chest-thump its way out of economic fragility using hyped-up GDP data? The arithmetic of modern economic miracles around the supposed GDP growth is truly a sight to behold. Financial pundits are popping champagne over India’s spectacular \"Blockbuster Friday\" GDP growth, seemingly unbothered by a few minor real-world details. For instance, the Indian Rupee has consistently broken records by tumbling to historic lows against the US dollar. Simultaneously, global crude oil prices have skyrocketed by more than 50%, sending shockwaves through every supply chain. Yet, somehow, on paper, the economy and more importantly the GDP is supposedly having the time of its life. To the average citizen, this mathematical wizardry feels less like a blockbuster and more like a horror film. Basic logic suggests that when your currency loses its power, your energy bills jump by half, and inflation eats your savings, you are getting poorer. But the beauty of abstract data is that it does not care about your grocery bill. While everyday citizens watch prices soar for everything from food to fuel, the official charts show a beautiful, soaring line of economic growth. It is a masterclass in theatrical misdirection: please focus on the roaring GDP percentage, and ignore the smoke coming out of your own wallet. Well, I may not be accurate in my observations, for, according to experts, GDP can easily coexist with a weakening currency, soaring inflation, and cooling investments. It measures the total monetary value of goods and services produced within a country over a specific period, meaning it can expand on paper even while the underlying economic fundamentals of ordinary households deteriorate. If an economy experiences high inflation (rising prices), the total value of transactions increases simply because things cost more. Even though \"Real GDP\" is adjusted for inflation, rapid price hikes in essential goods like fuel and food disproportionately squeeze disposable income, depressing consumer welfare while the aggregate production numbers still look large. Thus, aggregate GDP growth can be highly misleading if it is driven entirely by government infrastructure spending (capital expenditure) and luxury consumption by the wealthy elite. If mass domestic consumption falls because ordinary citizens are cutting back on basic goods to survive inflation, the growth is unsustainable. Private domestic corporations hesitate to build new factories or expand businesses when they see that the general public lacks purchasing power. Consequently, private capital expenditure stalls, leaving the state to artificially prop up the GDP numbers through debt-funded public projects. This leaves the nation in a bizarre state of dual reality. In the world of press releases, India is a global economic powerhouse crushing its competition. In the world of the supermarket aisle, the public is left wondering how an economy can be so incredibly healthy while its currency and household budgets are on life support. Ultimately, chest-thumping over a \"blockbuster\" GDP while fundamentals crumble proves one thing: you can always manufacture a celebration if you choose to ignore the bills piling up at the door."},"img":{"url":"https://images.prismic.io/prad/aiaZhAeQX7-eW9Ua_GDP.JPG?auto=format,compress"},"datetime":"2026-06-08T06:25:00+0000","embed":{"embed_url":null}},"uid":"a-bizarre-state-of-dual-economic-reality"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Chiru's Daughter Reveals Her Inner Battle"},"content":{"text":"Tollywood star Ram Charan’s younger sister and Megastar Chiranjeevi’s daughter, Sreeja Konidela, got candid about her mental health struggle during a recent post on social media. In a video uploaded on her official Instagram account, Sreeja revealed that for a long time, she allowed her identity to be defined by everything she had been through in the past. However, she recently chose to heal and come out of ‘victimhood’. Sreeja further admitted that she would often think about why she was going through all this. She was heard saying in the clip posted on social media, “I was stuck in a space asking, why is this happening to me, and why am I going through so much pain? Why is there a struggle after struggle, and what did I do to deserve this? And in this journey, I moved from that space of victimhood and to understanding that life just doesn’t happen to me, but I have the power to create it.” Sreeja added that for a large part of her life, her identity was shaped by her painful past.  “For most of my life, I identified myself with my pain, my past, my struggles. To me, my identity was shaped by everything that went wrong in my life. But through this program, I started to see beyond that. Yes, my pain is still a part of me, but that’s not all that I am, and there is so much more to a person, and discovering those layers has been one of the most beautiful parts of this journey for me,\" she went on to add. For the unversed, at the tender age of 19, Sreeja eloped with her 22-year-old boyfriend, Shirish Bharadwaj, in 2007. Following an Arya Samaj wedding in Hyderabad, they even sought media and police protection, citing opposition from her family. The couple welcomed their daughter, Nivrithi Bharadwaj, in 2008.  However, in 2011, Sreeja filed a dowry and harassment case against Shirish and his family, and their divorce was finalised in 2014."},"img":{"url":"https://images.prismic.io/prad/aia7tweQX7-eW9oW_sreeja.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T11:56:00+0000","embed":{"embed_url":null}},"uid":"chirus-daughter-reveals-her-inner-battle"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"India crush Afghanistan by innings and 300 runs"},"content":{"text":"Debutant left-arm spinner Manav Suthar capped a dream Test debut as India completed their biggest-ever victory in the format, thrashing Afghanistan by an innings and 300 runs on the third day of the one-off Test at the New PCA Stadium on Monday. After piling up a commanding 564/8 declared in their first innings, India dismissed Afghanistan for 152 before Lunch on Day 3 and enforced the follow-on. The hosts then bowled the visitors out for 112 in just 35.5 overs to seal an emphatic win inside three days. India had laid the foundation for the crushing victory through dominant batting performances over the first two days. KL Rahul struck 100, captain Shubman Gill led from the front with 126, while Sai Sudharsan (81), Rishabh Pant (81) and Washington Sundar (52 not out) ensured the hosts posted a mammoth total after opting to bat first. Afghanistan never recovered from that scoreboard pressure. Resuming Day 3 at 113/5 in their first innings, they were bowled out for 152 despite Rahmat Shah's fighting 60. Suthar was the chief destroyer, returning outstanding figures of 6/33 to register the second-best bowling figures by an Indian on Test debut. Faced with a deficit of 412 runs, Afghanistan were asked to bat again and initially showed far greater resolve. Openers Abdul Malik and Sediqullah Atal put on 42 runs, their best opening stand against India in Tests, while Atal counterattacked the spinners and looked determined to extend the contest. However, Mohammed Siraj provided the breakthrough by trapping Malik lbw, opening the door for India's spinners. Rahmanullah Gurbaz struck a brisk 24, but Kuldeep Yadav dismissed him before Washington Sundar triggered a dramatic collapse. The off-spinner removed Rahmat Shah and Hashmatullah Shahidi in the second session before dismissing the well-set Atal for 42 on the stroke of tea. Afghanistan slipped from a 74/1 to 98/5 and never recovered. The final session lasted barely six overs. Suthar struck again when he trapped Afsar Zazai lbw, while Sundar removed Azmatullah Omarzai to claim his fourth wicket of the innings. Kuldeep then wrapped up the tail, dismissing Nangeyalia Kharote and Mohammad Saleem Safi in successive deliveries. Afghanistan's innings ended at 112, with injured Sharafuddin Ashraf unable to bat, bringing the match to a conclusion. While India's batting stars dominated the opening two days, the match ultimately belonged to Suthar. The left-arm spinner claimed seven wickets in the match, including a six-wicket haul in Afghanistan's first innings, announcing himself on the international stage in memorable fashion as India recorded a historic victory. Brief Scores: India 564/8 dec in 127 overs (Shubman Gill 126, KL Rahul 100, Sai Sudharsan 81, Rishabh Pant 81, Washington Sundar 52*; Mohammad Saleem Safi 6-140) beat Afghanistan 152 in 58.4 overs (Rahmat Shah 60; Manav Suthar 6-33, Prasidh Krishna 3-37) and 112 in 35.5 overs (Sediqullah Atal 42, Rahmanullah Gurbaz 24; Washington Sundar 4-36, Kuldeep Yadav 3-30, Manav Suthar 1-29) by an innings and 300 runs."},"img":{"url":"https://images.prismic.io/prad/aiaeageQX7-eW9XA_indwinsafg.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T09:50:00+0000","embed":{"embed_url":null}},"uid":"india-crush-afghanistan-by-innings-and-300-runs"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"TMC crumbles like a house built on sand"},"content":{"text":"The Trinamool Congress, once the formidable force that ended three decades of Left Front rule in West Bengal, today resembles the Biblical parable of a house built on sand that collapses when storms arrive.  Following the state election defeat, its organisational base -- weakened by corruption, factionalism and overreliance on professional consultants -- is being battered by storms of scandal and dissent. About five days after a breakaway faction comprising 58 of the Trinamool’s 80 elected MLAs laid claim to recognition as the “original party” in the West Bengal Assembly, 20 of its 28 Lok Sabha MPs have reportedly made a similar request to the office of the Lok Sabha Speaker. One of West Bengal’s 42 Lok Sabha seats, Basirhat, remains vacant following the death of the sitting Trinamool MP. Among the party’s 13 Rajya Sabha MPs, Sukhendu Sekhar Roy on Monday announced his resignation from both the Upper House and the party’s primary membership. Roy’s current tenure in the Rajya Sabha was scheduled to end in 2029. The 77-year-old MP was already in trouble within the party following his open support for protesters seeking justice after the rape-murder of an intern at Kolkata’s RG Kar Medical College and Hospital in August 2024, even as the then Mamata Banerjee-led government faced criticism over its response to the incident. Since the Trinamool’s Assembly poll defeat, he has publicly criticised the party over corruption-related issues. Mamata Banerjee, once the fiery street-fighter who toppled the state’s communist regime in 2011, now appears increasingly detached from the party’s grassroots. Her nephew, Abhishek Banerjee, entrusted with organisational control, leans heavily on professional consultants whose strategies allegedly often lack resonance with West Bengal’s political culture. Discontent had been simmering within the party, with many leaders feeling sidelined or coerced. The current rebellion has drawn comparisons with Maharashtra, where splits in the Shiv Sena and Nationalist Congress Party led to breakaway factions being recognised as the “real” parties. In West Bengal, meanwhile, from the Sandeshkhali episode to the RG Kar incident, widespread reports of corruption, and now the signature scandal, each controversy has chipped away at the party’s moral authority. While Ritabrata Banerjee, a former Communist Party of India (Marxist) parliamentarian, led the rebel MLAs out of the fold in Kolkata, about 1,300 km away in New Delhi, Kakoli Ghosh Dastidar reportedly organised dissident MPs. The 66-year-old physician was upset with the party leadership after being removed unceremoniously as party Whip and had earlier resigned from all organisational positions. She has reportedly forwarded a list of the rebel MPs to the Speaker’s office, seeking recognition as a separate bloc aligned with the ruling National Democratic Alliance. Sources said she believes that the party’s latest intimation regarding her removal as Chief Whip has not yet reached the Speaker’s office and that she therefore continues to hold the position officially. In a similar development recently, disgruntled Aam Aadmi Party Rajya Sabha MPs, led by Raghav Chadha, left the party and merged with the Bharatiya Janata Party without attracting anti-defection provisions. While the final decision will rest with the Election Commission and the respective presiding officers of the Assembly and Parliament, the party founded by Mamata Banerjee 28 years ago appears to be under severe strain. Just as a sandy foundation struggles to withstand a storm, the Trinamool is facing an internal crisis within about a month of its defeat in the state election. The fragility of the Trinamool’s foundations becomes clearer when viewed against Bengal’s political history. The Left Front fell after 34 years of uninterrupted rule in the state amid allegations of corruption, arrogance and detachment from grassroots realities. The political storm gathered momentum in the form of Singur and Nandigram, where land acquisition controversies exposed what critics described as the party’s disconnect from people’s struggles. Critics argue that Mamata Banerjee later watched her party follow a similar path. Her rise was built on her image as “Didi” -- the benevolent leader who almost single-handedly spearheaded the movement against what was portrayed as the Left’s arrogance. Today, critics allege that her party is increasingly associated with corruption, unable to rein in controversial leaders, and embroiled in controversies over signatures and internal functioning. Authenticity, they argue, is eroding, and the house built on sand has begun to crumble."},"img":{"url":"https://images.prismic.io/prad/e4149b3a-126b-4729-83d3-4e3cf964377c_mamata+benarjee.JPG?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-06-08T13:06:00+0000","embed":{"embed_url":null}},"uid":"tmc-crumbles-like-a-house-built-on-sand"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Dhurandhar‍‌‍‍‌‍‌‍‍‌'"},"content":{"text":"Dhurandhar hits the audience like a cyclone—untamed, persistent, and spectacularly dhamakedaar. Aditya Dhar's latest triumph is far from just a movie; it is a once-in-a-lifetime experience, a cinematic event of the year that completely breaks the clutter of Indian espionage thrillers. With Indian heart and international standard, Dhar weaves a story full of human touch, intricacy, and spark, reaffirming that he belongs among the very few directors capable of conceiving on a grand scale while still keeping the story deeply character-driven.  Drawing inspiration from the IC-814 hijacking and the 2001 Parliament attack, the film sets the stage on a historic backdrop without wasting a moment. Dhar then skillfully expands the narrative to show the political tremors that pushed the Indian intelligence system beyond its limits. Madhavan as IB Chief Ajay Sanyal is the rock on which the story stands. His portrayal, full of precision and gravitas, earns seeti maar reactions in every scene. The dialogues are crisp, the energy is infectious, and the immersion into this high-stakes world is so real that it grips from the first frame.  One of the most striking elements is the use of archival footage, including 9/11 and other terror attacks, interspersed with chilling audio of attackers plotting against India. These sequences evoke patriotism without jingoism, reminding the audience of the stakes while highlighting India’s strategic resilience. It’s a cinematic call to awareness and courage that makes the story even more gripping.  Ranveer Singh delivers arguably his career-best performance—raw, gritty, massy, and explosively powerful. Hamza is hurt, angry, unpredictable, yet inexplicably charming. The transformation from a rage-driven youth to a cold, calculated underworld operative is executed with staggering emotional finesse. Ranveer doesn’t just perform; he literally “blows up” the screen, particularly in the latter half, becoming almost synonymous with the storyline—a 10/10 hardcore action avatar.  The supporting cast matches this energy brilliantly. Akshaye Khanna, as Rehman Dakait, is eerie, sparkling, and dreadful—a mind-is-the-weapon villain whose expressions and timing make him unforgettable. Sanjay Dutt is pure cannon fire as SP Chaudhary Aslam, “The Jinn,” bringing raw toughness to every frame. Arjun Rampal’s Major Iqbal commands attention with his silent menace, while Sara Arjun impresses in her star-studded debut. Every actor is fully into their character, creating a dangerously immersive atmosphere.  The film’s pace is relentless, thanks to Aditya Dhar’s mastery over tempo. And crucially, despite its 214-minute runtime, the length never feels distracting. Every scene is deliberate, every beat perfect, making the infiltration plan genuinely nerve-wracking. The background music is another major highlight—the BGM keeps the energy flowing continuously, never letting the audience feel a dull moment. The soundtrack is one of the strongest pillars of the film, arguably the album of the year or even the decade, turning tension, discovery, and climax into cinematic thunder.  Violence is used sparingly—just three sequences are truly explicit, each dramatically justified. The real intensity comes from the emotional stakes, character development, and political intrigue. The first half showcases masterful world-building, with the interval delivering pure goosebumps and doubling audience excitement. Post-interval, conspiracies intertwine, political power shifts, and Hamza consolidates the mafia core through strategy, betrayal, and even a calculated marriage, setting up a perfect stage for the explosive Part Two coming Eid 2026.  Jyoti Deshpande, Lokesh Dhar, and Aditya Dhar, backed by B62 Studios and Jio Studios, leave no stone unturned in creating a universe that is vast, real, and cinematically rich. Their unwavering support for large sets, hard action, bold storytelling, and a stellar ensemble cast shines in every frame, elevating Indian genre cinema to new heights.  Dhurandhar is a genre-defining spectacle that combines ferocious execution, meticulous craft, and unforgettable impact. With Aditya Dhar’s finest direction and Ranveer Singh’s career-best performance, it makes a solid case for being one of the boldest, most compelling thrillers of the year. The game is set, the pieces are moving, and the wait for Part Two is fervent—completely justified by the high stakes, breathtaking performances, and mind-blowing storytelling.  Cast: Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others  Director/Writer: Aditya Dhar"},"img":{"url":"https://images.prismic.io/prad/aTK2Z3NYClf9n2ee_dhurandar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-12-05T08:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=BKOVzHcjEIo"}},"uid":"review-dhurandhar"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఆంధ్రాకింగ్‌ తాలూకా' రివ్యూ... ఫ్యాన్స్‌ మూవీ"},"content":{"text":"రామ్‌ వరుస విజయాలతో ఎనర్జిటిక్ స్టార్‌ ఇమేజ్‌ని సొంతం చేసుకుని కెరీర్‌ ఆరంభంలో అందరి దృష్టిని ఆకర్షించాడు. కానీ గత కొంత కాలంగా ఆయన పూర్తిగా గాడి తప్పినట్లుగా కనిపిస్తున్నాడు. ఏమాత్రం ఆకట్టుకోని కథ, కథనాలను, దర్శకులను ఎంపిక చేసుకోవడంతో ఆయనకు వరుస ఫ్లాప్‌లు తప్పలేదు. ఇస్మార్ట్‌ శంకర్ తర్వాత రామ్‌ ఒక మంచి హిట్‌ కోసం ఎదురు చూస్తున్నాడు. ఆ హిట్‌ ఈ సినిమాతో వచ్చిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ :  సూర్య(ఉపేంద్ర) తెలుగు సినిమా ఇండస్ట్రీలో స్టార్‌ హీరో. అభిమానులు ఆయన్ను ఆంధ్రా కింగ్‌ అనే బిరుదుతో పిలుచుకుంటూ ఉంటారు. వరుస విజయాలు దక్కించుకుంటూ వచ్చిన సూర్యకు వందవ సినిమాకు ముందు కెరీర్‌ పరంగా ఒడిదొడుకులు ఎదుర్కోవాల్సి వస్తుంది. వరుస ఫ్లాప్స్‌ పడటంతో సూర్య ను విమర్శించే వారు, తిట్టేవారు ఎక్కువ అవుతారు. ఆయన పనైపోయిందని విమర్శిస్తూ ఉంటారు. ఆ సమయంలో సూర్య 100వ సినిమాను మొదలు పెడతాడు.  సినిమాపై అంచనాలు లేకపోవడం, అసలు సూర్య సినిమాను ఎవరు చూస్తారు అని జనాలు అనుకుంటూ ఉండటంతో ఆ సినిమా ఆర్థిక సమస్యలు ఎదుర్కొంటుంది. సినిమా పూర్తి చేయడానికి రూ.3 కోట్లు అవసరం అవుతుంది. ఆ సమయంలో సూర్యను అమితంగా అభిమానించే సాగర్‌ (రామ్‌) ముందుకు వస్తాడు. తాను ఎంతో కష్టపడి సంపాదించిన ఆస్తిని అమ్మి, ఆ డబ్బును తన అభిమాన హీరో, ఆంధ్రాకింగ్‌ సూర్యకి చేరేలా చేస్తాడు.  తీవ్ర ఆర్థిక ఇబ్బందుల్లో ఉన్న సూర్య తన అకౌంట్‌లో పడ్డ రూ.3 కోట్లు చూసి షాక్‌ అవుతాడు. ఆ డబ్బును తన అభిమాని అయిన సాగర్‌ పంపించినట్లు తెలిసి షాక్‌ అవుతాడు. తన అభిమానిని కలుసుకునేందుకు సూర్య బయలుజేరుతాడు. ఆ క్రమంలో సాగర్‌ గురించి పలు విషయాలను సూర్య తెలుసుకుంటాడు. ఒక అభిమానిని స్టార్‌ హీరో ఎలా కలుసుకున్నాడు? ఆ తర్వాత ఏం జరిగింది? అనేది కథ. నటీనటుల నటన :  రామ్‌ మొత్తం బాధ్యత తన భుజాలపై వేసుకున్నాడు. ఎప్పటిలాగే ఈ సినిమాతో మరోసారి తన ఎనర్జిటిక్ పెర్ఫార్మెన్స్‌ను చూపించాడు. సాగర్‌ పాత్రకి రామ్‌ ఎంత వరకు చేయాలో అంతకు మించి చేసినట్లుగా అనిపించింది. ఒక పాత్రను చాలా నమ్మడం వల్లే రామ్‌ ఈ స్థాయిలో కష్టపడి ఉంటాడు అనిపించింది. అతడి లుక్‌, డైలాగ్‌ డెలివరీ, యాక్షన్‌ సీన్స్ లో ఆయన ప్రజెన్స్ ఇలా ప్రతి ఒక్క ఎలిమెంట్‌లోనూ రామ్‌ ఆకట్టుకున్నాడు. అందుకే అతడు ఒక ఫ్యాన్  గా సరిగ్గా సెట్‌ అయ్యి, సినిమాను మోశాడు. సూపర్‌ స్టార్‌గా నటించిన ఉపేంద్ర తన పాత్రకు న్యాయం చేశాడు. ఒక అభిమాని కోసం వెతుక్కుంటూ వెళ్తున్న సీన్స్ లో అతడి భావోద్వేగం కనిపించింది. సినిమా కోసం అతడు పడే తపన, అతడు పడే కష్టం తాలూక డిటైల్స్ ను ఉపేంద్ర చక్కగా చూపడం జరిగింది. హీరోయిన్‌గా నటించిన భాగ్యశ్రీ బోర్సేకి తన ప్రతిభ మొత్తం చూపించే అవకాశం దక్కలేదు. అయితే ఆమె ఉన్నంతలో అందంగా కనిపించడంతో పాటు, నటనతో ఆకట్టుకుంది. ఇతర నటీనటులు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ :  పాటల గురించి ప్రత్యేకంగా చర్చ జరిగింది. కొత్త సంగీత దర్శకులు కుమ్మేశారు అంటూ అంతా తెగ మాట్లాడారు. కానీ వారి నుంచి వచ్చిన సంగీతం కొత్తగా ఉంది కానీ ఆకట్టుకునే విధంగా మాత్రం లేదు. ఇలాంటి సినిమాలకు పాత సంగీత దర్శకులు అయితే న్యాయం చేసేవారు అనిపిస్తుంది. కాని రామ్‌ కి మాత్రం ఎందుకో వీరు నచ్చారు. ఆయన నిర్ణయం తప్పు అని తేలింది.  ఇక దర్శకుడు మహేష్‌ ఎంపిక చేసుకున్న కథ విషయంలో ఎలాంటి తప్పు లేదు. ముఖ్యంగా స్టోరీ లైన్ మంచి పాయింట్‌. కానీ దాన్ని మలచిన తీరు బాగాలేదు. ముఖ్యంగా స్క్రీన్‌ ప్లే విషయంలో సాగతీసినట్లుగా అనిపించింది. ఎడిటింగ్‌ కి ఇంకా చాలా స్కోప్ ఉంది. ఎందుకో చాలా సీన్స్‌ను అలాగే వదిలేశాడు. నిర్మాణాత్మక విలువలు బాగానే ఉన్నాయి. సినిమాటోగ్రాఫీ అప్పటి నేటివిటీకి దగ్గరగా ప్రేక్షకులను తీసుకు వెళ్లడంలో సక్సెస్ అయిందని చెప్పాలి.  విశ్లేషణ :  రామ్‌ దాదాపు ఏడాది  గ్యాప్ తీసుకుని, వందల కొద్ది కథలు విని, పదుల కొద్ది కథలు పక్కన పెట్టుకుని, చివరకు ఈ కథను ఎంపిక చేసుకున్నాడు అని ఆయన సన్నిహితులు అంటున్నారు. అయితే ఇలాంటి కథను ఆయన ఎలా ఒప్పుకున్నాడు అంటూ చాలా మంది ఆశ్చర్యం వ్యక్తం చేస్తున్నారు. స్టోరీ లైన్‌ బాగుంటే సరిపోతుందా, కథ, కథనం విషయంలో దీన్ని ఎంత వరకు ప్రేక్షకులకు ఆకట్టుకునే విధంగా తీసుకు రాగలరు అనే విషయంను ఆయన చూసుకోలేదు అనిపిస్తుంది.  రామ్‌ సాధారణంగానే ఎనర్జిటిక్‌ పెర్ఫార్మెన్స్‌ తో ఆకట్టుకుంటాడు. ఈ సినిమాలోనూ మరోసారి తన సత్తా చాటాడు. కానీ సినిమాలోని ఆయన పాత్ర ఉన్నంత పవర్‌ ఫుల్‌గా స్క్రీన్‌ ప్లే లేదు. గ్రామీన ప్రాంతంలో ఉండే ప్రేమ కథను చూపించే ప్రయత్నం చేశారు. ఆ కథను ఇంకాస్త ఎక్కువ చూపించినా బాగుండేది. హీరో, అభిమాని మధ్య ఉండే సీన్స్ చాలా తక్కువగా ఉన్నాయి. ప్రేక్షకులు ఆశించిన ఎలిమెంట్స్ ఈ సినిమాలో చాలా తక్కువగా ఉన్నాయి. అందుకే సినిమా రెగ్యులర్‌ ప్రేక్షకులను ఆకట్టుకోవడంలో విఫలం అవుతుంది. కానీ తమను తాము ఒక హీరోకు అభిమాని అని చెప్పుకునే వారికి మాత్రం తప్పకుండా ఈ సినిమా నచ్చుతుంది.  ప్లస్ పాయింట్స్ :  రామ్‌ నటన, స్టోరీలైన్‌, కొన్ని ఎమోషనల్‌ సీన్స్‌ మైనస్ పాయింట్స్ :  ఫస్ట్‌ హాఫ్‌ చాలా స్లోగా సాగింది స్క్రీన్‌ ప్లే, ప్రేమ కథ ఇంకాస్త ఉండాల్సింది. చివరగా... ఫ్యాన్‌గా ఆంధ్రాకింగ్‌ను ఆకట్టుకున్న సాగర్‌, ప్రేక్షకులను ఆకట్టుకోవడం కష్టమే. బ్యానర్ : మైత్రి మూవీ మేకర్స్‌ నిర్మాత : నవీన్‌ యెర్నేని, వై రవి శంకర్‌ దర్శకత్వం : మహేష్‌ బాబు పి సంగీతం : వివేక్‌-మెర్విన్‌ తారాగణం : రామ్‌ పోతినేని, భాగ్యశ్రీ బోర్సే, ఉపేంద్ర తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aSgr23NYClf9nheC_AKT1.JPG?auto=format,compress"},"datetime":"2025-11-27T08:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=oeY828c-AXo"}},"uid":"review-andhra-king-talooka---fans-movie"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}