{"data":{"all":{"edges":[{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Celina Breaks Silence on Defamation Suit"},"content":{"text":"Actress Celina Jaitly, who has filed for divorce from Peter Haag on grounds of domestic violence and cruelty, has now responded to the defamation threats from her estranged husband, and father‑in‑law. On Friday, the actress took to her Instagram, and shared a carousel post responding to the defamation. The actress made it clear that she won’t bow down to the pressure. She shared that 2 legal notices have recently been sent to her by her estranged husband Peter & his father Wolfgang Haag, threatening to sue her for defamation. The actress said that she has submitted her response through her legal representatives. She wrote, “For years, publicity involving our family was actively embraced, including Peter's participation in magazine covers, interviews, articles featuring our children & me until it suited his own interests. It is therefore ironic that when I began speaking about my own experiences, legal battles, concerns as a mother & pursuit of justice, I was met with legal notices instead of answers. Let me be clear, these are my children too. I am their mother & they are the reason I continue this fight”. She further mentioned that she has consistently supported joint custody & amicable divorce. However, despite court orders, the actress has remained without contact with her children. She alleged that consistent efforts are being made to remove her from her role as her children's mother. She went on, “My public appeals arose from concerns about my children's removal from the marital residence & the possibility of them being moved outside the jurisdiction of the Austrian & Indian courts without my knowledge or consent. As a mother with joint custody, I believe it is both my right & responsibility to raise those concerns. I have long felt subjected to pressure, intimidation & attacks on my rights living in a remote Austrian village, specifically as a woman who lost both her parents. All evidence has been placed in front Of competent authorities And honourable courts across jurisdictions”. Earlier, Peter Haag and his father her Dr. Wolfgang J. Haag served two legal notices to the actress alleging defamation. The notices said that despite the ongoing judicial process regarding the matrimonial and child custody-related proceedings between the couple in the courts in Austria, recently, various public statements, interviews, social media narratives, and media publications contain unverified and defamatory allegations against Peter Haag and members of the Haag family. The notices express concern over the impact of the ongoing publicity on the three minor children. She continued, “What appears to trouble some is not that I have spoken, but that I have refused to remain silent. I had the courage to leave, stand up for myself, seek the return of what I believe is rightfully mine, protect my relationship with my children & pursue justice through lawful means”. The actress is of the strong belief that efforts are now being made to discredit, intimidate & silence her. “The image of a 50-year-old man & his 75-year-old father (recently on his new third marriage) Joining forces to issue legal threats against a woman without anyone to turn to after she gathered courage To contend years of abuse & the forced transfer of her premarital assets, Just at the moment she sought relief before competent courts, speaks for itself. I will not be intimidated into silence for speaking about my experiences or seeking the legal remedies available to me. I am fighting with evidence & have full faith in the judicial systems of India & Austria”, she added."},"img":{"url":"https://images.prismic.io/prad/aSWJDGGnmrmGqQRM_celinajaitely.jpg?auto=format,compress"},"datetime":"2026-06-05T08:02:00+0000","embed":{"embed_url":null}},"uid":"celina-breaks-silence-on-defamation-suit"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Simbu: My circadian rhythm is officially confused!"},"content":{"text":"Disclosing that he has been shooting continuously for over two months at night for director Vetrimaran's eagerly awaited action entertainer 'Arasan', actor Silambarasan, better known as Simbu, has now remarked in a lighthearted manner that the gruelling schedule has left his circadian rhythm \"officially confused\".  Taking to his Instagram stories section, Simbu wrote, \"More than 2 + months of continuous night shoots. My circadian rhythm is officially confused.\" For the unaware, Simbu had resumed shooting for 'Arasan' in April this year. Prior to that, shooting had come to a grinding halt as a result of a stand off between well known film producer Ishari K Ganesh and Simbu over the advance paid to him for a film that never took off. When shooting for Arasan resumed, sources close to the actor had told that shooting would currently happen in Chennai and that this would be a long schedule. Yogi Babu and actress Priyanka Arul Mohan too were expected to shoot for the film during this schedule. The unit of the film had wrapped up its first schedule, which was going on at Kovilpatti, on December 21 last year. The film has triggered huge expectations for a number of reasons. Firstly, it is the first time that Simbu and ace director Vetri Maran are working together. Next, the film is being produced by one of Tamil cinema's top producers Kalaipuli S Thanu. What has added to the excitement is that the makers recently announced that actor Vijay Sethupathi had been roped in for the project. A promo for the film that was released by the makers last year begins on a light note with director Nelson making an appearance as himself in it. Simbu tells director Nelson that what he is about to tell him is all true. The killers, the victims, the names and places are all real. But then, he urges Nelson not to show it as it is and asks him to put a disclaimer in his film. \"I'm saying this only because most of the cases about which I am going to tell you are still under trial,\" he says and adds that if what he says comes out, not only \"innocents\" like him but several lawyers, politicians, police officers and even judges will be in trouble. Even as Simbu says this, the makers of 'Arasan' put out a disclaimer. \"If you put out a disclaimer, even if the incidents shown in the film are true, no one can question you,\" he tells a now nervous Nelson. He then says it is his case that is coming up for hearing next and that he will return and explain in detail. He goes into court and on his way to the courtroom, is coached by his lawyer. Once he takes the stand, the judge tells him that the police have charged him with committing three murders in one night and asks him if he pleads guilty. To this, Simbu replies that he has nothing to do with the murders. However, the scenes shown next show that he is the one who has hacked the victims to death... The promo makes it clear that this will be an untold story from the world of 'Vada Chennai'. It may be recalled that it was only recently that the makers announced the title of the film as 'Arasan'. Vetrimaran's film with Simbu will also feature Samuthirakani, Andrea Jeremiah and Kishore in key roles. Music for the film is being scored by Anirudh."},"img":{"url":"https://images.prismic.io/prad/aGUXJHfc4bHWi9Lp_simbu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T04:58:00+0000","embed":{"embed_url":null}},"uid":"simbu-my-circadian-rhythm-is-officially-confused"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"PK: Never backed politics to destabilise T'gana"},"content":{"text":"Continuing his string of clarifications amid a row in Telangana over some of his recent comments, Andhra Pradesh Deputy Chief Minister Pawan Kalyan said on Thursday that he never supported politics that seeks to destabilise Telangana. He claimed that his stand on Telangana and its people's interests has always been consistent. The Jana Sena leader posted on X that, following the bifurcation of Andhra Pradesh, while certain law-and-order concerns were raised, he clearly opposed the implementation of Section 8, as he believed it would undermine the self-respect and right to self-governance of the people of Telangana. He said he had always maintained that respecting the aspirations and rights of the people of Telangana was as important as addressing the security concerns of the people of Andhra Pradesh. Instead of invoking provisions such as Section 8, he believed that special coordination mechanisms, parliamentary oversight, and measures to build mutual trust between the two states would provide a more constructive and lasting solution. “I have never supported politics that seek to destabilise Telangana. My belief has always been in protecting the interests of the people of both Telugu states through mutual respect, peace, cooperation, and a spirit of brotherhood,” said Pawan Kalyan, who also posted an old video clip voicing his views on the subject. Some of the remarks he made at a press conference in Hyderabad on Telangana Formation Day on June 2 drew strong condemnation from leaders of various parties. The Jana Sena leader addressed the press conference after police denied permission for a public meeting in Hyderabad, citing apprehensions of breach of peace. Meanwhile, Pawan Kalyan, in another post, said that in 2008 he had planned a robust youth wing structure for Yuva Rajyam, the youth wing of the Praja Rajyam Party (PRP). He wrote that after 12 years of launching the Jana Sena Party, despite many hardships and struggles, the cadre is now well-experienced and mature, ready to take on organisational responsibilities, handle politics, address public issues, and work towards nation-building. He expressed wholehearted thanks to the Telangana Yuva Rajyam youth wing, and special thanks to the youngsters who believed in him and have stood by him from 2005 till now. He committed to building young, dynamic leaders of integrity, commitment, and patriotism. “Naya Bharat will witness the rise of amazing leaders from Gen Z. This Gen Z is tired of appeasement politics, dynasty politics, caste politics, divisive politics, and regional politics. This entire generation is looking for leaders who take responsibility and restore the politics of accountability, not those who weaken Bharat on global platforms. They look forward to a strong and robust Bharat,” he added."},"img":{"url":"https://images.prismic.io/prad/ahadBrK9tuLqELCz_PK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-04T19:15:00+0000","embed":{"embed_url":null}},"uid":"pk-never-backed-politics-to-destabilise-tgana"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"CBN rides bicycle"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu rode a bicycle here on Friday on the occasion of World Environment Day.  The Chief Minister enthusiastically participated in the bicycle ride along with several other participants from the Andhra University (AU) campus to Novotel Hotel, covering a distance of 5.5 km. The 76-year-old led the bicycle rally aimed at creating awareness about greenery and pollution control. The Chief Minister, who rode a bicycle for about 22 minutes, made an appeal to everyone to use bicycles to reduce carbon emissions and at least plant one sapling to protect nature. Stating that cycling should become a way of life, the Chief Minister said a dedicated cycling track is being laid in Visakhapatnam. He said the government is taking measures to increase greenery in Visakhapatnam by 50 per cent. “We will implement measures across all sectors, starting from the port, to reduce pollution in Visakhapatnam,” he said. He earlier planted a sapling at Andhra University Engineering College grounds. The officials briefed him on the plantation. Emphasising the need to protect the environment, the Chief Minister stated that green coverage in Tirumala has reached almost 90 per cent. He noted that green coverage at Andhra University stands at only 25 per cent. He asked the Vice-Chancellor to take measures to increase greenery. The Chief Minister said the AU campus should become a model for greenery and environmental sustainability. He directed that AU be transformed into a 'Net Zero' campus. The CM voiced concern over the increasing temperature and the ecological balance getting disrupted. “We are facing extremes -- either intense heat or cyclones,” he said. Stating that the AU campus has 450 acres of land, he called for generating solar energy to meet all its energy needs. He said trees should be planted in open spaces, and solar panels installed on buildings. The Chief Minister said that the AU campus should be transformed into a biodiversity park. “Solid waste management measures must be implemented. Arrangements should be made to produce biogas from waste. Waste should be sent for recycling under the 'Swachh Patham' initiative. Wastewater management systems must be implemented. Waste-to-energy plants should be utilised,” he said, adding PNG and electric stoves should be used for cooking. The Chief Minister suggested a team of professors should be constituted to implement the Net Zero policy. He said AU should be developed to guide other educational institutions in implementing the Net Zero policy. “We are preparing a blueprint for the university's development. Students should be active partners in the university's development,” he said. Legislative Assembly Speaker Ayyanna Patrudu, district public representatives, and officials participated in the programme."},"img":{"url":"https://images.prismic.io/prad/aiKFXQeQX7-eW0yj_cbnride.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T07:14:00+0000","embed":{"embed_url":null}},"uid":"cbn-rides-bicycle"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Annamalai quits BJP, Nitin Nabin accepts resignation "},"content":{"text":"BJP National President Nitin Nabin on Friday accepted the resignation submitted by former Tamil Nadu BJP state president K. Annamalai from the primary membership of the party. This was confirmed by Arun Singh, National General Secretary and Headquarters In-charge of the party in a press release. \"The National President of the Bharatiya Janata Party, Hon'ble Shri Nitin Nabin, has accepted the resignation submitted by the Tamil Nadu Ex. State President, Shri K. Annamalai from the primary membership of the Party,\" the Press release added. Amid intense speculation over his political future and reports suggesting that he may launch a people’s movement that could eventually evolve into a political party, Annamalai has announced he will address his supporters through social media on Friday afternoon. In a post on X on Thursday, Annamalai said, “Tomorrow at around 12 noon, I look forward to meeting all of you through social media, sharing my thoughts, and having an open-hearted conversation.” His announcement has further fuelled expectations that the former IPS officer may finally reveal his next political move after several days of speculation about a possible departure from the BJP. A former Karnataka cadre IPS officer, Annamalai resigned from the Indian Police Service in 2019 before entering politics. Inspired by Prime Minister Narendra Modi, he joined the Bharatiya Janata Party (BJP) in 2020 and quickly rose through the ranks. Within a year, he was appointed Tamil Nadu BJP president, becoming one of the youngest state chiefs in the party and a prominent face of its expansion efforts in the state. Sources close to Annamalai told NDTV that he is working on plans to launch a people’s movement aimed at identifying, training, and grooming young leaders across Tamil Nadu. According to these sources, the initiative could eventually be transformed into a political party. He already runs a non-profit organisation called “We the Leaders”, which is expected to serve as the base for this proposed movement. The speculation comes amid reports of growing differences over the BJP’s political strategy in Tamil Nadu. Sources indicate that tensions began after the BJP renewed its alliance with the AIADMK and replaced Annamalai as state president. Annamalai was reportedly in favour of an independent political strategy for the BJP in the state rather than rejoining the AIADMK-led alliance. Sources further claim that he felt increasingly sidelined ahead of the recent Assembly elections and was disappointed at not being assigned a national role, despite expectations of elevation within the party. It is also reported that he declined an offer of a Rajya Sabha seat from the party."},"img":{"url":"https://images.prismic.io/prad/aiKeIweQX7-eW2Al_annamala.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T05:35:00+0000","embed":{"embed_url":null}},"uid":"annamalai-quits-bjp-nitin-nabin-accepts-resignatio"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"RBI hikes equity investment limits for NRIs, OCIs"},"content":{"text":"The Reserve Bank of India (RBI) Governor Sanjay Malhotra on Friday announced that the limits for investment by NRIs and OCIs in equity instruments traded on the stock market without SEBI registration are being increased.  Further, the same facility is being extended to all individual Persons Resident Outside India (PROIs) at par with NRIs and OCIs, he remarked during his speech after the Monetary Policy Committee (MPC) meeting. “Third, a facility of concessional forex swap will be provided till 30th September 2026 to incentivise ECBs by PSUs. Fourth, a similar facility for bearing the full hedging cost shall be provided till 30th September 2026 to AD banks for raising fresh 3–5-year FCNR (B) deposits,” the Governor informed. To attract foreign capital, for government securities under the Fully Accessible Route (FAR), “we are expanding the universe of ‘specified securities’ by including all new issuances of 15-, 30- and 40-year tenor G-secs”.  “In addition, limits pertaining to short-term investment, concentration and individual securities on FPI investment under the General Route are being removed. These measures along with the tax benefits provided by the government this morning should help attract foreign capital for government borrowing,” said Malhotra. Also, it is proposed to restore the time for realisation of export proceeds to nine months, he added. “While these measures are expected to strengthen our balance of payments, we will continue to make the right policy adjustments to further promote exports and attract and incentivise capital inflows,” hem mentioned. India’s exchange rate policy remains unchanged and “We do not target any specific level or band; instead, we allow the exchange rate to be determined by market forces”, he said.  “Our experience, however, suggests that it may sometimes witness movements, often caused by speculative pressures, especially in the wake of heightened uncertainty, that are not in sync with fundamentals and are disruptive of economic activity. While our objective is not to resist market-driven adjustments, we will curb excessive volatility and prevent disorderly market movements,” he stressed. "},"img":{"url":"https://images.prismic.io/prad/4be61ec9-f6ac-4099-89de-bc5c8966ca7e_investments.JPG?auto=format,compress"},"datetime":"2026-06-05T05:25:00+0000","embed":{"embed_url":null}},"uid":"rbi-hikes-equity-investment-limits-for-nris-ocis"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"K'taka Minister Ramalinga Reddy resigns"},"content":{"text":"Minister for Water Resources Ramalinga Reddy on Friday announced his decision to resign from the Karnataka Cabinet, alleging that Chief Minister D.K. Shivakumar had gone back on his promise regarding the allocation of the Bengaluru Urban portfolio.   The development is perceived as a setback for Chief Minister D.K. Shivakumar, who has newly assumed the role. The development also comes a day after the allocation of portfolios. Speaking from his Koramangala office in Bengaluru, Reddy said he would submit his resignation and leave it to the leadership to decide whether to accept it or not. He said that in 2023, he was initially informed about the Bengaluru Development portfolio, but was later allotted the Transport portfolio instead. Reddy alleged that after he expressed dissatisfaction, senior leaders, including then Chief Minister Siddaramaiah and others, were involved in discussions regarding the issue. He further claimed that during the current government formation process, he was promised the Bengaluru Urban portfolio after 2.5 years and was persuaded to accept the arrangement. He alleged that Chief Minister D.K. Shivakumar and his brother D.K. Suresh had personally assured him at his residence that the promise would be honoured. He said that despite repeated assurances, he was later allocated the Water Resources portfolio instead of Bengaluru Urban. Stating that he could not continue “against his conscience”, Reddy announced his resignation from the ministerial post, while clarifying that he would continue as an MLA and remain in the Congress party. Reddy, a veteran Congress leader, traced his political journey since 1973, saying he entered politics as a student leader through the NSUI and has since served the party for over five decades. He noted that he has contested the Assembly elections nine times and has been elected multiple times from Bengaluru constituencies, including Jayanagar and BTM Layout. Recalling his ministerial career, Reddy said he had served in the cabinets of Veerappa Moily, S.M. Krishna, Dharam Singh, and Siddaramaiah, and had never demanded a specific portfolio from any Chief Minister. He signed the resignation papers in the presence of party workers at his office. During the interaction, when party workers urged him to reconsider and said KPCC President B.K. Hariprasad was speaking to him over the matter, Reddy reportedly reacted sharply, asking them not to interfere and proceeded with the resignation process."},"img":{"url":"https://images.prismic.io/prad/aiKggQeQX7-eW2HH_ramalingareddy.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T04:45:00+0000","embed":{"embed_url":null}},"uid":"ktaka-minister-ramalinga-reddy-resigns"}},{"node":{"tags":["Editorial","featured","one"],"data":{"third_party_url":null,"title":{"text":"Trump-Modi Trade Tango: A New Era of Economic Cooperation?"},"content":{"text":"In a recent show of confidence, President Donald Trump expressed optimism regarding a burgeoning trade agreement with India, praising Prime Minister Narendra Modi as a personal ally. Speaking to reporters in the Oval Office, Trump remarked, \"We will get to a deal because I like your prime minister a lot. He is a good friend of mine. We get along great, and we are gonna make a deal.\" This statement highlights the personal rapport between the two leaders as a significant factor in the ongoing negotiations, which have been characterized by a spirit of cooperation as both countries seek to bolster their economic ties. The negotiations, ongoing for several days with a U.S. delegation in India, reflect a broader effort to rectify perceived imbalances in trade practices. Trump pointed to India's historically high tariffs on American goods, particularly criticizing the 200% tariff that hindered Harley-Davidson's market entry. \"They charged tremendous amounts of tariffs to our companies, and we didn't charge them anything,\" Trump said, underscoring his administration’s commitment to leveling the playing field for U.S. manufacturers and fostering a more equitable trade relationship. Contextually, these trade talks come on the heels of a joint statement issued by the leaders following their phone conversation on February 7, in which the framework for a Bilateral Trade Agreement was established. This preliminary agreement outlines significant tariff reductions, including a decrease from 50% to 18% on select Indian goods. However, the landscape shifted dramatically on February 20 when the U.S. Supreme Court struck down Trump's broad reciprocal tariffs, necessitating a reevaluation of the trade arrangement and a recalibration of tariff strategies under the ongoing negotiations. As both nations navigate this complex trade landscape, the stakes are high for multiple industries, including the automotive sector. Trump's remarks not only spotlight the disparities in tariff policies but also reflect a broader narrative of American economic resilience. The contrasting treatment between U.S. and Indian motorcycle brands serves as a case study of the challenges faced by U.S. companies seeking to penetrate foreign markets, emphasizing the need for a bilateral agreement that truly benefits both parties involved."},"img":{"url":"https://images.prismic.io/prad%2F40ec273a-3b10-44da-9fec-f3295ab1cb29_trumpmodi.jpg?auto=format%2Ccompress&rect=0%2C9%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-06-05T09:33:00+0000","embed":{"embed_url":null}},"uid":"trump-modi-trade-tango-a-new-era-of-economic-coope"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Ex YCP MLA arrested in Hyderabad"},"content":{"text":"Cyberabad Police have arrested former MLA from Andhra Pradesh, Bolla Brahma Naidu, in a case relating to the alleged conspiracy to grab prime government land worth about Rs 1,000 crore. The YSR Congress Party (YSRCP) leader, the main accused in the case who was allegedly absconding, has been arrested in Kancheepuram in Tamil Nadu. It came a day after the Telangana High Court rejected Naidu’s petition seeking anticipatory bail. According to police, the case concerns an alleged attempt to encroach upon 10-acre government land in Survey No. 18 of Gandipet and to regularise it by creating and using forged Government Orders (G.O.s), fake revenue records and other fabricated documents. The case was registered on May 23 at Narsingi Police Station on a complaint lodged by Gandipet tahsildar N. Srinivas Reddy. Narsinghi Police and Cyberabad Police Economic Offences Wing have so far arrested some accused as part of the investigation into the case. Among them were Nimmal family members, Radhakrishna and his driver Prabheen Kumar. According to the evidence collected during the investigation, Bolla Brahma Naidu, Bolla Ramesh, Radhakrishna and Nimmal family members conspired to create fake government orders, falsified official documents and forged records to illegally acquire government land. According to the details that came to light during the investigation, it was found that Brahma Naidu had made financial transactions of about Rs 12 crore as part of this conspiracy. The investigation revealed that Rs 4 crore was paid to Nimmal's family members, Rs 4 crore to Radhakrishna and another Rs 4 crore to other related persons. These funds were found to have been used to create illegal land rights through fake government permits and false documents. According to police, Telangana High Court rejected Brahma Naidu’s bail plea, considering the seriousness of the case, the stage of investigation and prima facie evidence. Subsequently, the absconding main accused, Bolla Brahma Naidu, was identified and arrested on Friday in the Kancheepuram area of Tamil Nadu as part of joint operations by Narsinghi Police and Cyberabad EoW Police, the police said in a release on Friday. Brahma Naidu is currently in police custody and will be produced before the Hon'ble Court as per legal procedure, it said. Investigations are continuing into financial transactions related to the case, fabrication of forged documents, misappropriation of names and signatures of government officials, as well as the roles of other persons involved in the conspiracy."},"img":{"url":"https://images.prismic.io/prad/aiKpKQeQX7-eW2cK_BollaBrahmaNaidu.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T10:47:00+0000","embed":{"embed_url":null}},"uid":"ex-ycp-mla-arrested-in-hyderabad"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Naga Chaitanya turns producer with 'Dhootha 2'"},"content":{"text":"Actor Naga Chaitanya, who plays the lead along with actors Parvathy Thiruvothu and Priya Bhavani Shankar in director Vikram Kumar's eagerly awaited thriller series 'Dhootha 2', on Friday announced that he had also turned producer for the series.  On Friday, the second chapter of the popular web series 'Dhootha' was launched with a grand pooja ceremony at the Annapurna studios in Hyderabad.  Sharing pictures shot at the launch event on his social media timelines, actor Naga Chaitanya wrote, \"Auspicious beginnings as I step into the second chapter of Dhootha and my first step as a producer. Onwards and upwards. Here’s to the magic ahead. #dhootha2\" Actress Priya Bhavani Shankar too shared pictures of the launch event on her social media timelines and wrote, \"Back with the people. The Gods have been informed (smiley face). And thank you, Nagarjuna garu for gracing the occasion and adding that extra bit of warmth to the day. @chayakkineni @par_vathy @thisisvikramkumar @srinidhi4488 @annapurnastudios @primevideoin @northstarentertainmentofficial #Dhootha2.\" Telugu star Nagarjuna, who graced the occasion, clapped the clapboard for the first shot of the series and wished the team a huge success. For the unaware, the first chapter of the series, which was streamed on Prime Video, was a huge success. It was directed by Vikram Kumar and featured Naga Chaitanya, Prachi Desai, Parvathy Thiruvothu and Priya Bhavani Shankar in the lead.  The story of the series revolves around a journalist called Sagar (Played by Naga Chaitanya), whose life turns thrilling after he unravels dark secrets behind newspapers predicting tragedies. He becomes a murder suspect and has to race against time to clear his name and solve the enigma, facing dangerous twists. The series was hailed as a roller-coaster ride filled with suspense and thrills. While the first chapter was produced by Sharrath Marar, this time around, Naga Chaitanya too has joined as one of the producers."},"img":{"url":"https://images.prismic.io/prad/aiKc5weQX7-eW19U_dhooth2.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T09:55:00+0000","embed":{"embed_url":null}},"uid":"naga-chaitanya-turns-producer-with-dhootha-2"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"How Ego Lifting Hurt Rakul"},"content":{"text":"In a striking revelation, Bollywood actress Rakul Preet Singh has labeled the deadlift as the \"worst exercise\" following a harrowing experience with a slip disc that left her incapacitated for weeks. During an appearance on the talk show \"Double Date,\" hosted by Neha Dhupia and Angad Bedi, she opened up about the severe physical and emotional toll the injury took on her life, emphasizing how a single lapse in safety protocols can lead to devastating consequences. This candid moment underscores the often-overlooked risks associated with high-intensity weightlifting, especially in a fitness culture that frequently prioritizes personal records over safety. Rakul's ordeal began when she attempted to lift 80 kilograms without the customary safety belt, a decision she now describes as a costly mistake. Her admission that \"deadlift is the worst exercise to do\" serves as a stark warning to fitness enthusiasts who may be tempted to push their limits without proper precautions. The slip disc incident necessitated 40 days of bed rest, showcasing not only the physical pain of such injuries but also the mental strain that accompanies sudden limitations on one's mobility. The actress poignantly articulated the emotional turmoil she faced, revealing how the injury triggered feelings of helplessness and frustration that seeped into her everyday life. This incident is not merely a personal story for Rakul Preet Singh; it echoes a broader concern within the fitness community regarding the obsession with pushing physical limits. Her experience raises critical questions about the culture of ego lifting, where individuals may prioritize external validation over their well-being. The actress's reflections on her injury provide a vital reminder that even seasoned athletes can fall victim to carelessness, especially when motivated by competitive spirit or self-image. This dialogue emphasizes the need for greater awareness and education around safe exercise practices to prevent similar occurrences. Moreover, Rakul's journey through recovery highlights the importance of a supportive partner during challenging times. She credited her husband, Jackky Bhagnani, for his unwavering support throughout her rehabilitation process, noting how crucial it is to have someone by your side during such difficult phases. These insights further emphasize the intertwining of physical health and emotional well-being, illustrating that personal relationships can significantly influence recovery. The upcoming episode of \"Double Date\" promises to delve deeper into their shared experiences, shedding light on resilience in both love and health as they navigate this journey together."},"img":{"url":"https://images.prismic.io/prad/Zn6lXB5LeNNTwn_I_RPS.JPG?auto=format,compress"},"datetime":"2026-06-04T10:30:00+0000","embed":{"embed_url":null}},"uid":"how-ego-lifting-hurt-rakul"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"CBN on His Relentless Mission"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu on Thursday recalled the massive public mandate received by the NDA two years ago and said the coalition government in the state is working to fulfil the people’s hopes and aspirations.  He stated that with welfare, development, and good governance as its goals, the government is striving for the welfare of every section, including farmers, women, youth, employees, and labourers. The Chief Minister shared his thoughts on ‘X’ on Thursday to mark two years of the people’s verdict. It was on June 4, 2024, that votes polled in simultaneous elections to the state Assembly and Parliament were counted. The Telugu Desam Party (TDP) president said that the day will forever shine in the history of Andhra Pradesh.  “Today marks two years since that historic day when the people delivered an unprecedented verdict to steer the state from destruction toward development. That victory was not power for us. It was the great responsibility entrusted by the people for the state's reconstruction. Honoring that responsibility, we are working every moment to fulfill the people's hopes and aspirations,” he said. “With welfare, development, and good governance as our goals, we are striving for the welfare of every section, including farmers, women, youth, employees, and laborers. An egalitarian society without disparities and the development of all regions is our aim. Upholding the people's trust, our resolve is to make the state healthy, wealthy, and happy. With humble assertion that we are governing in a manner that respects that verdict and makes the people proud, we thank each and every one who stood in support,” CM Naidu added. Meanwhile, Agriculture Minister K. Atchannaidu said in his social media post that under the exemplary leadership of Chief Minister Chandrababu Naidu, the reconstruction of the state is progressing at a rapid pace in accordance with the historic mandate given by the people. He praised Chandrababu Naidu for his leadership. “From the path of destruction to development, your vision and hard work in Andhra Pradesh's steps are invaluable. Upholding the trust placed in us by the people, with the welfare and development of all sections as the goal, we are all committed to transforming the state into a 'Healthy, Wealthy, Happy Andhra Pradesh' by following into your footsteps,” posted Atchannaidu. “Winning 164 out of 175 assembly constituencies isn't just words. It's a historic record. This is a testament to the people's trust in Chandrababu garu's leadership. For the past two years, the coalition government has been steadfastly working for the people's welfare and development to uphold that trust,” reads a post from the official ‘X’ handle of the TDP. The coalition comprising TDP, Jana Sena and BJP bagged 164 seats in a 175-member Assembly. The NDA also won 21 out of 25 Lok Sabha seats in the state."},"img":{"url":"https://images.prismic.io/prad/Z49DbZbqstJ99qgZ_cbndavos.JPG?auto=format,compress"},"datetime":"2026-06-04T09:40:00+0000","embed":{"embed_url":null}},"uid":"cbn-on-his-relentless-mission"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"70% Indian AI users save a full workday weekly"},"content":{"text":"India emerged among the world’s leading markets for workplace AI adoption, with 70 per cent of frontline AI users saving at least one full workday every week, a report said on Thursday.  70 per cent of Indian frontline AI users save at least a full workday per week and 96 per cent of respondents reported AI has already changed skills expectations, both marking the highest figures of any market surveyed, the report from Boston Consulting Group (BCG) said. In addition, the country recorded the highest level of AI-driven job satisfaction globally, with 88 per cent of frontline employees reporting increased enjoyment and satisfaction at work after adopting AI. Most organisations globally are yet to convert AI-led gains into measurable business value, with 66 per cent of regular AI users receiving limited or no guidance on how to redirect time saved into strategic work. Globally, AI adoption by frontline employees has surged over 20 per cent in two years to 74 per cent, with India and the Middle East leading and the US, France, and Italy trailing behind. Around 47 per cent of respondents now spend more time managing and directing AI than doing the work itself, and 72 per cent globally feel skills expectations in their roles have considerably changed with AI adoption. Moreover, 86 per cent of frontline employees believe agents could perform at least half their job within three years in India, against a global average of 52 per cent. Yet governance, oversight, and accountability still lag far behind the pace of adoption across markets. \"India's leadership in AI adoption reflects a workforce that has embraced new ways of working with remarkable speed and openness. As Indian organisations move from adoption to deliberate transformation, redesigning how entire functions operate, India is positioned to set the global standard for what AI-powered enterprises look like,\" said Nipun Kalra, India Leader, BCG X. The survey highlighted the continued emergence of AI agents globally, with 30 per cent of respondents saying agents are already integrated into workflows, a two-fold increase from the previous year."},"img":{"url":"https://images.prismic.io/prad/302b2cd8-2946-4fde-961c-edd4a5358e08_AI.JPG?auto=format,compress"},"datetime":"2026-06-04T09:26:00+0000","embed":{"embed_url":null}},"uid":"70-indian-ai-users-save-a-full-workday-weekly"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"SPB Was Music’s Mind Reader"},"content":{"text":"Paying glowing tributes to legendary singer S P Balasubrahmanyam on the occasion of his birth anniversary, one of India's greatest music composers, Ilaiyaraaja, on Thursday said that no one understood a composer's vision faster, and no one poured more focus into a song than SPB. Taking to his X timeline to post an audio clip that contained his thoughts on his close friend S P Balasubrahmanyam, Maestro Ilaiyaraaja wrote, \"No one understood a composer's vision faster, and no one poured more focus into a song than SPB. Celebrating the life, friendship, and the unmatched achievement of 50,000 songs. Happy Birthday, SPB.\" In the clip that he posted, Ilaiyaraaja said, \"Balu's absence has created a vacuum in my heart. That is because there is no other voice equal to his. Even those voices that attempt to copy his voice aren't singing correctly. His voice cannot be copied. How can his involvement be copied?\" Stating that Balasubrahmanyam's involvement in the song, his ability to create and his talent to reproduce the song were separate, Ilaiyaraaja said, \"It cannot be explained by words.\" Pointing out that so far, most of the male songs in his music had been sung by SPB, Ilaiyaraaja said that it was not because of SPB's fame, but because of his talent, his ability to understand the music composition very fast and his knowledge of knowing what emotion had to come from the song.  \"He will sing the song in a very focussed manner and he will put more effort in to the song. Whatever expectations I had, he fulfilled. He is wonderful. More than that, he is my best friend. Apart from that he was an outstanding talent among the playback singers so far,\" Ilaiyaraaja said, and added, \"Singing more than 50,000 songs is no ordinary thing. It is a very great achievement in the world of music. Nobody has achieved that achievement.\" Stating that matters that happen beyond words and imagination were wonderful, Ilaiyaraaja said nobody had been able to even come close to SPB, despite so many singers arriving on the scene and added that they hadn't been able to even deliver one hundredth of what he delivered. \"Long live the fame of SPB,\" he said and concluded the clip."},"img":{"url":"https://images.prismic.io/prad/effca631-6891-4700-9d85-dd9c1f36c1f5_SPB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-04T09:30:00+0000","embed":{"embed_url":null}},"uid":"spb-was-musics-mind-reader"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"NTR Cheers Neel, Dragon Roars"},"content":{"text":"In a delightful gesture that has ignited fervor among fans, Jr NTR extended heartfelt birthday wishes to director Prashanth Neel via social media, amplifying the anticipation surrounding their upcoming venture, 'Dragon'. The actor's message, which went viral almost instantaneously, read, \"Happy birthday Director avare… May this year for you be as grand as the stories you tell… Can’t wait to see what lies ahead for us, Prashanth \". This exchange not only showcases the camaraderie between the two but also serves as a reminder of the monumental collaboration set to unfold on screens. 'Dragon' signifies a monumental chapter in both Jr NTR's and Prashanth Neel's careers, marking their first collaboration. However, the groundwork for this ambitious project has been laid over an extensive three-and-a-half-year period, filled with discussions and creative brainstorming. In a revealing conversation with Galatta Plus, Neel shared insights into their collaborative journey, highlighting Jr NTR's active involvement from the film's conceptual stages. This protracted development phase underscores the dedication and meticulous planning that defines this action-packed narrative, promising audiences a rich cinematic experience. The buzz surrounding 'Dragon' received a significant boost on Jr NTR's birthday, coinciding with the release of the film's title teaser. The teaser, unveiling the character Luger—a ruthless assassin—has left audiences in a state of heightened anticipation. With visually arresting sequences and a palpable intensity, the teaser provides a tantalizing glimpse into a world replete with high-octane action. Fans have responded with enthusiasm, eager for further updates as the film's production progresses. As production gears up, music composer Ravi Basrur has announced that 'Dragon' is set for a theatrical release in 2027, with filming moving ahead at a brisk pace. Though Basrur has remained elusive about specific plot details, his statements have only intensified the excitement among fans. Alongside Jr NTR, the film boasts a formidable ensemble cast that includes Anil Kapoor, Ashutosh Rana, and Rukmini Vasanth, promising a narrative brimming with depth and complexity. With Prashanth Neel’s distinctive storytelling prowess and Jr NTR's magnetic screen presence, 'Dragon' is being crafted as a monumental pan-Indian spectacle, poised to capture the imaginations of audiences worldwide."},"img":{"url":"https://images.prismic.io/prad/aiFmEQeQX7-eWuto_neelntr.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-04T09:48:00+0000","embed":{"embed_url":null}},"uid":"ntr-cheers-neel-dragon-roars"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"RaGa Predicts Modi's Departure as PM Within a Year"},"content":{"text":"In a bold statement, Rahul Gandhi of the Congress party declared that he foresees Narendra Modi's tenure as prime minister coming to an end within the next year. He attributed this prediction to the crumbling of the system that Modi once controlled, stating that it is now internally shaken and collapsing.  The assertion was made during an event organized by the Adivasi Congress, where tribal leaders from across the country were in attendance. In other news, Venezuela's Acting President Delcy Rodriguez arrived in India for a five-day visit, focusing on expanding energy cooperation and exploring ways to diversify crude oil procurement. Additionally, contaminated water in nine societies in Ahmedabad led to 50 residents falling ill with symptoms of diarrhoea and vomiting.  Meanwhile, a heartwarming display of community spirit was witnessed in Malviya Nagar, where Muslim residents joined authorities in firefighting efforts and administered CPR to individuals rescued from a fatal hotel fire. In a separate development, nearly 150 individuals with criminal records in Ghaziabad sought forgiveness from Chief Minister Yogi Adityanath, vowing to leave behind a life of crime as part of a police rehabilitation initiative.  The Delhi Police issued a lookout circular against the owner of the hotel building where a tragic fire claimed 21 lives, ensuring that the accused do not flee abroad. Moreover, the Congress appointed B K Hariprasad as the new president of its Karnataka unit, succeeding D K Shivakumar. Finally, the rupee depreciated by 40 paise to close at 95.76 against the US dollar, attributed to the US Trade Representative proposing additional duties on Indian imports and other economic factors."},"img":{"url":"https://images.prismic.io/prad/0b3741da-2ab5-4d62-9878-e118df3d8a2c_MODIRAHUL.JPG?auto=format,compress"},"datetime":"2026-06-03T19:45:00+0000","embed":{"embed_url":null}},"uid":"raga-predicts-modis-departure-as-pm-within-a-year"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"US House Curbs Trump’s Iran Powers"},"content":{"text":"The US House of Representatives has passed a bipartisan War Powers Resolution seeking to end American hostilities against Iran, delivering a political setback to President Donald Trump as criticism grows over a conflict that has stretched into its fourth month.  The resolution, introduced by House Foreign Affairs Committee Ranking Member Gregory Meeks and backed by senior Democrats including Adam Smith and Jim Himes on Wednesday (local time), passed by a narrow 215-208 vote. Calling the outcome a major turning point, Meeks said, “The passage of my War Powers Resolution is a significant bipartisan rebuke of President Trump’s illegal and costly war in Iran, and the first step toward ending it once and for all.” The vote reflects mounting congressional opposition to a conflict that critics say has failed to achieve its stated objectives while imposing high economic and human costs. “The message from today’s bipartisan Iran War Powers Resolution vote was crystal clear: Trump must immediately end his catastrophic war of choice against Iran,” House Armed Services Committee Ranking Member Adam Smith said. Smith argued that the administration had failed to accomplish its goals, saying Trump had not succeeded in “ending Iran’s nuclear ambitions, removing its highly enriched uranium, or regime change.” Instead, he said, “Iran has gained greater leverage, continues to destabilise the region, has a younger and more hardline Ayatollah, and we’re looking at having to pay Iran to reopen the Strait of Hormuz, which was open before Trump launched his war.” Meeks also contended that the conflict had weakened prospects for diplomacy. “Trump’s war has failed to accomplish the Trump administration’s stated goals with respect to Iran. If anything, it has pushed a diplomatic resolution of Iran’s nuclear programme further away,” he said. He added that the war had “allowed Iran to demonstrate its leverage over the Strait of Hormuz” while increasing costs for Americans. “Americans are paying 50 per cent more at the gas pump since the war began and footing the bill for billions per week in costs for a war they overwhelmingly oppose,” Meeks said. Representative Pramila Jayapal, who was unable to vote because she was in India attending to what she described as an unforeseen health emergency involving her mother, said she would have supported the measure. “Had I been in Washington, D.C., I would have voted YES on the War Powers Resolution to end Trump’s illegal war in Iran,” Jayapal said. She argued that Congress alone possesses the constitutional authority to declare war and described the conflict as a “war of choice”. “This war has had disastrous effects for the American people and for the world,” she said, citing the deaths of US service members, civilian casualties in Iran and Lebanon, displacement of civilians, and rising economic costs. “The simple truth is that the American people are paying the price for Trump’s lawlessness,” Jayapal said. She added: “Every day that this war continues is a violation of our Constitution.” Both Smith and Meeks said the House vote reflected growing public dissatisfaction with the conflict. “Today’s vote was also a reflection of the American public’s overwhelming rejection of Trump’s staggeringly unpopular and abject failure of a war,” Smith said. Meeks said the measure demonstrated that “more and more Republicans are listening to their constituents who do not want another open-ended war in the Middle East.” “Now the Senate must take up this measure and make clear to the President that enough is enough,” he said. The House vote comes amid a broader debate in Washington over presidential war powers and congressional oversight of military action."},"img":{"url":"https://images.prismic.io/prad/5c621715-157f-4e62-bc8e-45c975366267_US+Senate.JPG?auto=format,compress"},"datetime":"2026-06-04T03:30:00+0000","embed":{"embed_url":null}},"uid":"us-house-curbs-trumps-iran-powers"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Madhuri: No Slaps, No Shouting "},"content":{"text":"Veteran actress Madhuri Dixit Nene has spoken about her parenting approach and shared that she has never physically disciplined her children Arin and Ryan. Talking about the concept of parenting back in the days to now, Madhuri emphasized the importance of communication over punishment. Madhuri told: “No, I have never, I have never hit my kids. I have never hit them. The only thing is, I don't believe in it. I think a lot of things can happen with communication. You don't have to hit the kids. I have never, never, never raised my hands on them.” The actress had also spoken about how she doesn’t actively try to keep up with Gen Z slang, crediting her sons for naturally introducing her to the latest lingo. Asked how she manages to keep up with the younger generation’s lingo, which is so vast, Madhuri told: “What is there to keep up? You don't have to keep up. My kids teach me like this.” “While coming and going… Mom, it's so rad. Mom, it's so cool. LOL and all that. I don't know half of them. I pretend to know them. they just, I mean, they are just around. And I just feel like young when they are around,” she added. “Maa Behen” revolves around Rekha, a mother who’s already juggling enough until life throws her the ultimate curveball, a dead body in her kitchen. With her two daughters, Jaya, the responsible one, and Sushma, the wild card, this trio must think fast, lie faster, and somehow keep their nosy neighbors from sniffing out the truth. The film is streaming on Netflix. On the web front, the 59-year-old actress was last seen in Mrs. Deshpande,a crime thriller series directed by Nagesh Kukunoor. The actress played a serial killer. The series also stars with Siddharth Chandekar, Priyanshu Chatterjee and Diksha Juneja."},"img":{"url":"https://images.prismic.io/prad/aQSWVrpReVYa33_O_madhuri.JPG?auto=format,compress"},"datetime":"2026-06-04T06:20:00+0000","embed":{"embed_url":null}},"uid":"madhuri-no-slaps-no-shouting-"}},{"node":{"tags":["politics","featured","four"],"data":{"third_party_url":null,"title":{"text":"PK: Bracing Up To Do An Annamalai In Telangana?"},"content":{"text":"\"No matter what politicians claim they stand for, actual politics is always about systematically organizing groups of people against each other” This cynical truth perfectly sums up Pawan Kalyan’s (PK) proxy-driven, flip-flopping approach to Telangana. Consistency has never been a tenet of Pawan Kalyan’s politics, especially regarding Telangana. Observers are well aware of his shifting stances, which range from a dramatic 11-day fast mourning the state's creation to later claiming Telangana was casting \"evil eyes\" on Konaseema. For him, these frequent flip-flops are standard practice. He was at it again in Hyderabad on June 2, Telangana’s Formation Day, delivering a fresh round of theatrical performance. During the event, he took cheap shots at hardcore statehood activists and loudly declared his freedom to fight elections anywhere in the country, including Telangana. His main alliance partner in Andhra Pradesh, Chandrababu Naidu, backed up the drama by stating that democracy allows absolutely anyone to engage in politics from anywhere. While both leaders are technically correct to invoke their democratic rights, they are blissfully ignoring a harsher reality: both are completely irrelevant in Telangana politics. Their organizations are widely labeled as \"Andhra parties\" and exist as mere non-entities in Telangana's cramped political space. Furthermore, a man who has a panache for routinely naming and shaming statehood protagonists can hardly expect a red-carpet welcome when he decides to campaign there. What exactly drove Kalyan, a leader who constantly brags that he is not in politics for power, caste representation, or the Chief Minister's chair, to suddenly declare himself a serious challenger in Telangana? Even back in Andhra, his \"hobbyist\" approach to governance is glaringly obvious after two years of sharing power with the TDP. Jana Sena leaders and MLAs are left crying in the wilderness, noting that their leader has put absolutely zero effort into actually building the party organization. To top off this masterclass in leadership, his own elected MLAs stand a better chance of getting an audience with the Pope than scheduling a brief conversation with their notoriously unavailable boss. Analysts opine that his sudden interest in Telangana politics closely mirrors a tactical shift currently being executed by the BJP in Tamil Nadu. In Tamil Nadu, the BJP is pivoting away from its core Hindutva narrative to counter actor-turned-politician Vijay's new party, TVK. The BJP believes Vijay's entry has completely disrupted the traditional DMK-AIADMK duopoly, opening up political space for a distinct arena of caste-driven mobilization. In response, after the limits of their standard Hindutva strategy witnessed a crushing defeat in the recent elections, effectively pushing the party back by nearly two decades, the BJP is reportedly transforming former state chief K. Annamalai into an independent \"offshoot\" entity. By backing him to spearhead a new, localized platform focused heavily on Other Backward Classes (OBC) politics, they aim to capture this newly vulnerable political space by projecting Annamalai as the definitive face of the state's OBC demographic. A similar calculated, proxy-driven expansion strategy by national players could very well be the hidden trigger behind Kalyan’s sudden plunge into Telangana. With the upcoming GHMC elections looming, the powers that be have apparently concluded that their local Telangana leaders are an absolute disaster, utterly incapable of challenging the ruling Congress or even pretending to be an alternate to the BRS. Thus, they have designed a script to prepare PK to \"do an Annamalai.\" The grand strategy is to transform him into the ultimate political poster boy, specifically engineered to woo the settler vote bank in Telangana. The real question is whether he can actually adapt to Telangana politics while simultaneously challenging the very identity of the state with half-baked punch dialogues like, “Who can stop me from doing politics in Telangana?” By all accounts, he possesses neither the stamina nor the basic discipline required to survive serious politics in Telangana, a fact made glaringly obvious by his stellar track record of absenteeism in Andhra Pradesh. That said, in their grand quest to invoke the democratic right to practice politics anywhere, both PK and his political masters in the BJP seem entirely oblivious to the fierce power of Telangana identity. They are completely blind to the lingering, deep-seated hostility toward any political entity stamped with an Andhra label, a cultural reality that won't be easily erased by smooth talking or lofty declarations. In fact, if these \"Andhra Annamalais\" keep pushing their luck with these serious campaigns, they might inadvertently wake a sleeping giant. Instead of capturing the state, their intrusion could easily trigger a massive, retaliatory cultural movement, one that tightly bonds the fierce Telangana identity with the heavy armor of social justice, equity, and secularism.  With this beautiful disaster on the horizon, KCR, the self-styled Father of Telangana, now relegated to farmhouse politics, must be absolutely grinning inside his farmhouse, eagerly hoping that these \"Andhra Annamalais\" keep playing with matches. He is practically hoping that they will continue underestimating the raw power of Telangana identity, blissfully counting down the days until they inevitably burn their own fingers on the very fire they are trying to stoke."},"img":{"url":"https://images.prismic.io/prad/aiEalweQX7-eWt3z_PK.JPG?auto=format,compress"},"datetime":"2026-06-04T06:30:00+0000","embed":{"embed_url":null}},"uid":"pk-bracing-up-to-do-an-annamalai-in-telangana"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Janhvi Kapoor: I’m quite a nostalgic "},"content":{"text":"Bollywood actress Janhvi Kapoor, whose latest Telugu release is Peddi with Ram Charan, has revealed what she loves the most about the 1980s era and revealed that she absolutely loves the films from a bygone era.  Calling herself “quite nostalgic,” Janhvi, who is the daughter of late superstar Sridevi and producer Boney Kapoor, said she is inclined towards the grand, larger-than-life storytelling and romance that defined many classic movies. Since her film “Peddi” is based in the 1980’s, what does she like about that era? Janhvi told: “I think it's the films. I'm quite a nostalgic. I love the films from that era. I think they were so maximalist and romantic. And yeah, I'm a sucker for those films.” Directed by Buchi Babu Sana, Peddi, also features names such as Boman Irani, Shiva Rajkumar, Janhvi Kapoor, Jagapathi Babu and Divyenndu. It features Ram Charan as a \"crossover athlete\" excelling in cricket, wrestling, and sprinting. The actress plays his love interest Achiyamma in the Telugu film. On the day of the release of “Peddi,” the actress offered her prayers at the revered Srivari Temple in Andhra Pradesh. She was spotted walking barefoot from her car to the temple dressed in a shimmering aubergine hued silk saree with floral motifs. As Janhvi exited the temple, she bowed before the shrine, and touched her forehead to the ground as a mark of respect. Talking about Hindi cinema, Janhvi was last seen in Shashank Khaitan’s Sunny Sanskari Ki Tulsi Kumari starring Varun Dhawan, Sanya Malhotra, Rohit Saraf, Maniesh Paul and Akshay Oberoi. Janhvi made her acting debut in 2018 with the romantic drama Dhadak. She was then seen in films such as Gunjan Saxena: The Kargil Girl, Mili, Roohi, Ulajh, Mr. & Mrs. Mahi, Good Luck Jerry and Devara: Part 1. She has since earned praise for her role as a woman of a lower caste navigating social discrimination in Homebound, directed by National Award-winning filmmaker Neeraj Ghaywan."},"img":{"url":"https://images.prismic.io/prad/aiEPTweQX7-eWt02_janh.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-04T03:55:00+0000","embed":{"embed_url":null}},"uid":"janhvi-kapoor-im-quite-a-nostalgic"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Malaika embraces ‘soft life’ vibes "},"content":{"text":"Malaika Arora has shared glimpses from her relaxing day off. Taking to her Instagram handle, the fitness enthusiast gave a sneak peek into her serene and laid-back “soft life” moments. The actress showcased her peaceful downtime, reflecting calm, elegance, and effortless style in her latest set of pictures. For the caption, Malaika simply wrote, “Life maxxxxxingggggg#SoftLifeStyle #PeacefulMoments #ElegantLiving #DayOffDiaries #mood.” (sic) The pictures feature Malaika striking candid poses for the camera. She also posted other solo images from her vacation.  Last week, the ‘Chaiyya Chaiyya' girl shared images from her Maldives vacation. She offered a glimpse into her serene getaway. Malaika described slow mornings in the villas, wellness rituals, soulful dining, and even creating her own perfume. She added that everything felt deeply personal, calming, and thoughtfully curated, making it the kind of place that allows one to truly switch off and recharge. In April, Malaika Arora Khan opened up about embracing her age, saying she wears it like a badge, as it is just a number. The actress spoke candidly about aging during an appearance on Famously Fit with Sophie, hosted by Sophie Choudry on Amazon MX. In the episode, Malaika discussed her balanced approach to fitness, emphasizing consistency, self-awareness, and the importance of listening to her body and taking breaks when needed. She stated, “Just wear it as a badge, age gracefully, and don’t get caught up in it. It’s just a number. No matter what age you are, whether 20 or 60, you are amazing.” Work-wise, the 52-year-old actress has appeared in films such as “Kaante” and “EMI.” She has also featured in several popular music videos, including “Chaiyya Chaiyya,” “Gur Naalo Ishq Mitha,\" “Maahi Ve,” “Kaal Dhamaal,” and “Munni Badnaam Hui.” Malaika Arora was last seen performing item number ‘Poison Baby’ in the 2025 film “Thamma.”"},"img":{"url":"https://images.prismic.io/prad/aiEVyQeQX7-eWt2A_malaiak.JPG?auto=format%2Ccompress&rect=0%2C3%2C449%2C221&w=2028&h=1000"},"datetime":"2026-06-04T05:07:00+0000","embed":{"embed_url":null}},"uid":"malaika-embraces-soft-life-vibes-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Actress Shuba Poonja Files Divorce"},"content":{"text":"Kannada film actress Shubha Poonja has filed for divorce four years after her marriage. The actress has approached the family court in this regard, and the couple has reportedly applied for a mutual divorce.  Sumanth Mahabala, an industrialist originally from Udupi, married Shubha Poonja in January 2022. The couple were initially happy and the husband was often seen accompanying her in public. Shubha Poonja had earlier maintained that her husband was supportive of her acting career. The couple has now stated that they will clarify the matter before the media at a later date. Shuba Poonja, who rose to popularity through films including 'Moggina Manasu' and several other Kannada movies, married businessman Sumanth Mahabala in January 2022 after reportedly being in a relationship with him. According to sources, a petition has now been filed in connection with the matter, and both Shuba Poonja and her husband are likely to appear before the court during the next hearing. Meanwhile, Shuba Poonja has reportedly deleted photographs with her husband from her social media accounts, sparking further speculation. The hearing on the couple’s petition has not yet been scheduled, and both are expected to appear before the court. After their marriage, Shuba Poonja and Sumanth Mahabala had also participated as contestants in the Zee Kannada reality show 'Jodi No. 1 Season 1'. Their bonding and chemistry on the show had won the hearts of viewers. Shuba Poonja, who also participated in the Kannada reality show 'Bigg Boss Season 8', had gained significant attention for her simple and lively personality during her stint on the show. Further legal developments in the case are awaited. She has acted in films such as 'Slum Bala', 'Jai Maruti', 'Parari', 'Ambuja', and '3Devi'. She has also appeared in Tamil films including 'Thirudiya Idhayathai', 'Machi', and 'Oru Ponnu Oru Paiyan'. Her on-screen pairing with Duniya Vijay in films like 'Chanda', 'Slum Bala', 'Thaakath', and 'Kanteerava' was a major hit."},"img":{"url":"https://images.prismic.io/prad/aiE3vgeQX7-eWuG2_shubangi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-04T08:20:00+0000","embed":{"embed_url":null}},"uid":"actress-shuba-poonja-files-divorce"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"'Islam-friendly gym' in Kerala"},"content":{"text":"A fitness centre at Puthunagaram in Kerala's Palakkad has triggered a public debate after announcing that it would be converted into an 'Islam-friendly gym' functioning in accordance with Sharia-based guidelines.  The announcement (now deleted), initially shared through the Instagram profile of 'Nawaz Muthu T', said the gym, which has been operating for the past 15 years, would undergo certain changes to introduce a new set of rules for its members. According to the announcement, the proposed changes include a complete ban on music inside the gym, separate workout timings for men and women, and a dress code requiring members to ensure that their 'awrah' (parts of the body that are required to be covered according to Islamic guidelines) remains covered while exercising. The gym management said men and women would not be allowed to work out together and separate schedules would be arranged to maintain the guidelines. Women members would be required to wear clothing, including hijab, that covers the body as per the stated religious requirements. The move is being described by the management as Kerala’s first 'Islam-friendly gym'. The announcement has attracted widespread attention and intense discussions on social media, following which the original video posted on Instagram was removed. The development has triggered reactions from different sections, with supporters viewing it as a fitness space aligned with religious preferences, while others have raised questions over the nature and scope of such separate facilities. The background of the gym owner and further details about the proposed changes are not immediately clear. Concerns have also been raised by some sections over whether the centre will remain limited to fitness activities or whether it would introduce any other forms of training. The controversy has brought renewed attention to the emergence of specialised fitness spaces based on religious or cultural preferences and the debate over their role in public life."},"img":{"url":"https://images.prismic.io/prad/aiEpTgeQX7-eWuAA_islamgym.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-04T07:15:00+0000","embed":{"embed_url":null}},"uid":"islam-friendly-gym-in-kerala"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Pawan Remarks Reignite Telangana Sentiment"},"content":{"text":"Telangana sentiment is suddenly back at the centre stage of the state's politics with Andhra Pradesh Deputy Chief Minister Pawan Kalyan's comments stirring a row, drawing widespread condemnation from political parties and Telangana activists. The Jana Sena Party (JSP) leader's press conference in Hyderabad on Wednesday was intended to clear the air after his party was denied permission to hold a public meeting earlier in the day to mark Telangana Formation Day and the demand by a Telangana Minister to apologise for his previous comments allegedly insulting Telangana. However, some of the remarks made the actor-politician appear to have added fuel to the fire. Pawan Kalyan drew the ire of many with his reported remark that 'regionalism is worse than terrorism' and that \"if the issue is not addressed, tomorrow they may refuse to sing 'Vande Mataram' and 'Jana Gana Mana'\". The actor-politician is also facing the backlash for his angry retort to his critics in Telangana that Telangana is not 'jagir (fiefdom) of their father'. Barring BJP, an ally of Jana Sena, all the parties hit out at the Deputy CM of Andhra Pradesh for his comments. Certain comments made by a few leaders in the past about Telangana had evoked strong reactions but this time the bitter war of words has generated more political heat. It all started last month when Professor K. Nageshwar, a leading political analyst from Telangana, made certain remarks during a television debate while reacting to Pawan Kalyan's meeting with Union Home Minister Amit Shah. The analyst, also a former MLC, reportedly claimed that Pawan Kalyan during the meeting demanded arrest of YSR Congress Party leader and former Andhra Pradesh Chief Minister Y.S. Jagan Mohan Reddy and that Union Minister Shah described the BJP-TDP-JSP alliance in Andhra Pradesh as temporary while referring to Jagan Mohan Reddy as a \"long-term friend\". After Jana Sena dismissed those claims and threatened legal action, Nageshwar withdrew his remarks. However, on complaints by Jana Sena functionaries, Andhra Pradesh Police registered multiple FIRs against Nageshwar and others for allegedly promoting enmity, intentional insult, spreading false information likely to disturb public order, and criminal conspiracy. Telangana leaders cutting across party lines, various organisations and journalists came out in support of Nageshwar amid reports that Andhra Pradesh Police may arrest him. They demanded that Andhra Pradesh Police withdraw the cases. On Nageshwar's request, Telangana Police provided him security at his residence. At a meeting of Telangana activists, civil rights activists, journalists and others held in Hyderabad to show solidarity, Nageshwar declared that he was not afraid of arrest. Some of the speakers at the meeting bitterly criticised Pawan Kalyan and warned him that he would not be allowed to move around in Telangana. The war of words escalated as Pawan Kalyan, while addressing a meeting of Jana Sena workers in Andhra Pradesh, declared that there is a limit to patience. He also said that his silence should not be mistaken as his weakness. The actor-politician warned that attempts to spread misleading narratives would not be ignored anymore. It was in this context that Jana Sena planned to organise a meeting in Hyderabad on June 2 (Telangana Formation Day). It was to be addressed by Pawan Kalyan. Jana Sena Party approached Cyberabad police for permission to hold the meeting at a convention centre in Gachibowli. The party informed police that 2,000 people will attend the meeting titled 'Telangana Nava Nirmana Sankalpa Sabha'. The police rejected the request for permission, citing 'substantial threat' it poses to the law-and-order situation. The police communicated to the Jana Sena following recent alleged remarks by K. Nageshwar on Andhra Pradesh Deputy Chief Minister's meeting with Union Home Minister and subsequent registration of criminal cases against Nageshwar in Andhra Pradesh led to escalating tensions and animosities generated across Telangana. The recent public utterances made by certain political leaders from Andhra Pradesh, including Jana Sena, with respect to the matter involving Nageshwar, have deeply hurt the sentiments of the people of Telangana, triggering widespread backlash, counter-protests, and strong opposition from various student bodies and activist groups in the state. Though Jana Sena approached Telangana High Court by filing House Motion petition, it did not get any relief. A few hours before police denied permission for the meeting, Telangana's Minister for Transport and Backward Classes Welfare Ponnam Prabhakar demanded Pawan Kalyan to apologise to people of Telangana for his 'evil eye' remark before organising a public meeting here. The Minister said that the actor-politician should first apologise for what he called hurting Telangana's self-respect. The Congress leader also accused him of trying to push BJP's agenda in Telangana. Ponnam Prabhakar recalled the reported remark of Pawan Kalyan that if the people of Telangana cast an eye, the coconut trees of Konaseema will wither away. He also claimed that Pawan Kalyan had once stated that if Telangana state is formed, he would stop eating for 11 days. In December last year, Telangana's Cinematography Minister Komatireddy Venkat Reddy had warned that Pawan Kalyan's movies will not be allowed to be released in theatres in Telangana if he fails to apologise over his \"insulting\" remarks about Telangana. Pawan Kalyan had reportedly blamed the \"evil eye\" for \"dying\" coconut trees in the development of the Konaseema region of Andhra Pradesh, known for lush green fields. After the police denied permission for the meeting, Pawan Kalyan, through a post on X on the morning of June 2, announced that he will hold a press conference at his Jubilee Hills residence in Hyderabad. As large number of Jana Sena workers and supporters had gathered outside his house to hear their leader and police tried to erect barricades and impose traffic restriction, this triggered a tense situation. However, some of the comments made by Pawan Kalyan have further angered his critics in Telangana. Bharat Rashtra Samithi (BRS) Working President K.T. Rama Rao said that Telangana need no lessons of patriotism from Pawan Kalyan. \"We respect him as the Deputy Chief Minister of Andhra Pradesh. We admire him as an artist and as an actor. If he visits us as a brother, we will treat him with a Hyderabadi biryani but if he attempts to assert his dominance in our politics, we will not stand for it. After all, we went through such immense struggle for 60 years to separate just recently in 2014,\" he added. On Pawan Kalyan's remark that 'Telangana is not your father's jagir', he said that Telangana is definitely jagir of the sons of soil of Telangana. On Pawan Kalyan's announcement that Jana Sena will contest elections in Telangana, KTR said under the Indian Constitution any citizen can establish a political party and contest elections from any state. However, he said a leader contesting from a state should respect the aspirations of the people of that state, their struggles and sacrifices."},"img":{"url":"https://images.prismic.io/prad/aiB-ugeQX7-eWrBK_PK.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T18:52:00+0000","embed":{"embed_url":null}},"uid":"pawan-remarks-reignite-telangana-sentiment"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"India-origin app Guitar Wiz wins Apple Design Award"},"content":{"text":"US-headquartered technology giant Apple has named India-origin app Guitar Wiz as a winner in the inclusivity category at the 2026 Apple Design Awards, recognising the app for creating an accessible music experience for users across different abilities.  Apple announced the winners of this year’s Apple Design Awards, which honour apps and games across categories including inclusivity, innovation, interaction, social impact, delight and fun, and visuals and graphics. Developed by Indian developer Bijoy Thangaraj, Guitar Wiz is an all-in-one toolkit designed for both new and experienced guitarists, offering spoken guidance on everything from pitch and chords to finger placement. According to Apple, the app was recognised in the inclusivity category for delivering an experience that reflects diverse backgrounds, abilities and languages while helping musicians play with greater independence. The company said Guitar Wiz makes use of multiple accessibility features and Apple technologies, including Dynamic Type, Increased Contrast and Differentiate Without Color, enabling users with varying needs to navigate and use the platform more effectively. Apple described Guitar Wiz as an impactful application that supports musicians of all abilities through accessibility-focused design and intuitive interactions. This year’s Apple Design Award winners are a remarkable reflection of how developers are creating exceptional experiences, said Susan Prescott, Apple’s vice president of Worldwide Developer Relations. The Apple Design Awards annually recognise developers for innovation, technical achievement and exceptional user experiences across Apple platforms, including iPhone, iPad, Mac, Apple Watch, Apple TV and Apple Vision Pro. The recognition adds to the growing list of India-origin apps receiving global visibility at the Apple Design Awards. Earlier, several India-linked apps, including Lumy, Denim, EVOLVE and Meditate had featured among finalists and winners across categories. Additionally, in the previous month, the company introduced new health-focused features for users in India, enabling sleep apnea notifications on Apple Watch and a clinically validated hearing test feature on AirPods Pro."},"img":{"url":"https://images.prismic.io/prad/1949949e-3ba5-408f-9254-79baf9485f07_apple.JPG?auto=format%2Ccompress&rect=0%2C7%2C2000%2C986&w=2028&h=1000"},"datetime":"2026-06-03T04:33:00+0000","embed":{"embed_url":null}},"uid":"india-origin-app-guitar-wiz-wins-apple-design-awar"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"CBN Steps In for Pawan Kalyan"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu has come to the defence of Deputy Chief Minister Pawan Kalyan, who is facing a backlash in Telangana over certain comments he made after being denied permission to hold a public meeting in Hyderabad.  Chandrababu Naidu found fault with the denial of permission to the Jana Sena leader for the public meeting in Telangana. He said that in a democracy, anybody can hold a meeting anywhere. Speaking to media persons on Wednesday, the Chief Minister reacted to criticism levelled against Pawan Kalyan by leaders of political parties in Telangana. The Telugu Desam Party (TDP) national president stated that the comments made against Pawan Kalyan in Telangana do not reflect a sound approach. He said one should not create unnecessary problems by making such remarks. “It has been 12 years since the bifurcation took place; we have separated into two distinct states. Certain leaders in Telangana cannot simply speak up now and incite animosity. The public is well aware of who has done what for which region. Some leaders in Telangana are raising irrelevant issues,” he said. The TDP chief stated that a leader can hold a public meeting anywhere. He said he campaigned in Tamil Nadu during the recent elections there. “Leaders from all regions, including those from Karnataka and national-level figures, visited Tamil Nadu to campaign. D.K. Shivakumar from Karnataka was also among them,” he said. CM Naidu asserted that in Telangana, both the Congress party and the Bharat Rashtra Samithi (BRS) are active. “The BRS declared itself a national party and even established a presence in Andhra Pradesh, stating that it intended to expand its operations. Given this, I simply cannot understand why they are speaking in this manner now. This is not appropriate,” he said. The Chief Minister stated that Telugu people currently hold constitutional positions in the United States, Australia and the United Kingdom. “Our people are assuming public offices in countries across the globe, and they perform their duties in accordance with the respective constitutions of those nations. Ultimately, those who provide the best service to the public emerge as leaders in their respective regions,” he said. “The competition should be in the realms of development and public service. The competition should not be in creating division among people. The focus should be on delivering better services to the people.”"},"img":{"url":"https://images.prismic.io/prad/65db19193a605798c18c36eb_PKCBN.JPG?auto=format,compress"},"datetime":"2026-06-03T11:49:00+0000","embed":{"embed_url":null}},"uid":"cbn-steps-in-for-pawan-kalyan"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ravi Teja plays a doting dad in 'Irumudi'"},"content":{"text":"The makers of director Shiva Nirvana's upcoming film, 'Irumudi', featuring actor Ravi Teja in the lead, on Wednesday, released a glimpse video from the film, much to the delight of fans and film buffs. Taking to his X timeline to share the link to the glimpse video, Ravi Teja wrote, \"Swamiye Saranam Ayyappa. Presenting you all THE HEART OF IRUMUDI. #Irumudi Glimpse . In cinemas from August 2026.\" The glimpse video released shows Ravi Teja lovingly taking care of his daughter in the film. The child, it is evident, is in a very happy space with her father. However, the glimpse video hints at something tragic happening. As a result, we see Ravi Teja turn violent. He also takes to drinking. When his daughter urges him to quit alcohol, we see him become an Ayyappa devotee and wear the sacred mala to take back control of his life and kick the dreaded habit.   The film, which happens to be Ravi Teja's 77th film and was therefore being tentatively referred to as #RT77 until it was titled 'Irumudi', is being produced by leading production house Mythri Movie Makers. The title 'Irumudi' carries deep spiritual significance, as it symbolizes a devotee’s sacred offering and surrender to Lord Ayyappa.  Ravi Teja, at the time of the film's first look being launched, had said, “Some stories choose you at the right moment in life. Feeling blessed to be part of one such story again, letting belief lead the way. Excited to begin this new journey called #Irumudi with @ShivaNirvana & @MythriOfficial Swamiye Saranam Ayyappa.” Sources say director Shiva Nirvana has crafted a powerful script that fuses devotional depth, emotional weight, and mass appeal in equal measure. They further disclose that at the film's core will lie a strong father–daughter bond, that will offer Ravi Teja a character arc unlike anything that he's portrayed before. Besides playing a first-of-its-kind role, Ravi Teja, they say, has also undergone a transformation. Sources also claim that the film promises well-defined roles for every character, adding richness to the narrative. Priya Bhavani Shankar plays the female lead, with Baby Nakshathra portraying Ravi Teja’s daughter in the film. The cast also includes Sai Kumar, Ajay Ghosh, Ramesh Indira, and Swasika in key roles. Backed by producers Naveen Yerneni and Y Ravi Shankar, 'Irumudi' boasts a solid technical crew, with GV Prakash Kumar scoring the music, Vishnu Sarma handling cinematography, Sahi Suresh leading production design, and Prawin Pudi on the editing table. Shiva Nirvana has penned the story, screenplay, and dialogues, with Naresh Babu P serving as script coordinator."},"img":{"url":"https://images.prismic.io/prad/ah_5YAeQX7-eWphq_irumudi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T09:52:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=TaBNA7bv0K8"}},"uid":"ravi-teja-plays-a-doting-dad-in-irumudi"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Madhavan Thrilled: ‘Maza Aa Gaya Bhai!’"},"content":{"text":"Actor R. Madhavan recently was seen expressing his delight after experiencing a very quick commute to Mumbai's international airport, from the town area of the city.  In a video shared on social media R. Madhavan, the actor was seen seated inside a car while travelling to the airport when he expressed his surprise at the reduced travel time. Reacting to the smooth journey, Madhavan said, “Wow, from town to the airport in Mumbai in about 25 minutes, that's fantastic. Maza aa gaya bhai, yeh hona chahiye Mumbai mein.” (This should always happen in Mumbai) For the uninitiated, the Mumbai international airport and town area of the city are quote far from each, with an approximate distance of around 20 kilometres. Considering the city's traffic condition, it takes around more than an hour of travel. Talking about R. Madhavan on the professional front, remains one of India's most versatile and celebrated actors. He made his film debut as a lead actor in Mani Ratnam's acclaimed Tamil film 'Alaipayuthey' in 2000 and soon went on to become a household name. His Bollywood breakthrough came with films such as 'Rehnaa Hai Terre Dil Mein'. Over the years, Madhavan has delivered acclaimed performances in films including 'Rang De Basanti', '3 Idiots', 'Tanu Weds Manu', 'Tanu Weds Manu Returns', 'Saala Khadoos', 'Vikram Vedha', 'Rocketry: The Nambi Effect', 'Shaitaan'. Apart from acting, Madhavan has also earned praise as a filmmaker. His directorial venture 'Rocketry: The Nambi Effect', based on the life of scientist Nambi Narayanan, won widespread appreciation from critics and audiences alike."},"img":{"url":"https://images.prismic.io/prad/ad241073-395f-45ce-ad7d-f839f141ee1d_rmadhavan.jpg?auto=format,compress"},"datetime":"2026-06-03T09:52:00+0000","embed":{"embed_url":null}},"uid":"madhavan-thrilled-maza-aa-gaya-bhai"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Noose Tightens Around Dawood Empire"},"content":{"text":"Indian agencies have intensified efforts to dismantle the Dawood Ibrahim empire. Investigations and search operations have indicated that he continues to be regarded as one of the most valuable assets of Pakistan's Inter-Services Intelligence (ISI), particularly in channelling terror funds against India.  Despite advancing age and reported health concerns, Dawood continues to wield considerable influence through a sprawling criminal network with deep roots across India. Investigators say the Dawood syndicate remains heavily involved in the narcotics trade, while also operating fake currency rackets and maintaining a vast network of contract killers. India’s national security establishment has directed all agencies concerned to pursue a sustained and coordinated campaign against the Dawood network. The police forces, the Enforcement Directorate (ED), the National Investigation Agency (NIA) and the Central Bureau of Investigation (CBI) are working in close coordination to dismantle the syndicate’s operations and financial infrastructure. “The objective is to systematically choke the network’s activities and ensure that its operational presence on Indian soil is brought to an end,” an official said. Another official said that there are back-to-back operations that are taking place against the Dawood syndicate, adding that the primary aim is to dismantle the drug network. This is said to be the backbone of the syndicate, and the money earned from this trade is being used to fund terror activities against India. According to officials, Dawood's network is required to hand over nearly 40 per cent of its profits in return for protection and the unhindered movement of narcotics through Pakistan. “The syndicate's annual earnings are estimated to be between Rs 15,000 crore and Rs 25,000 crore,” the officials claimed. A substantial portion (40 per cent) of this revenue, officials allege, is diverted towards financing anti-India terror activities, underlining the scale of the security challenge posed by the network. An Intelligence Bureau official said that the current focus is mainly on the drug empire. Once this is knocked down, the syndicate would begin to crumble. These crackdowns on Dawood’s drug syndicate align perfectly with Prime Minister Narendra Modi’s vision of a Nasha Mukt Bharat or a drug-free India. The programme was initially launched in 272 highly vulnerable districts across the country in August 2020. The official said that Indian agencies have been steadily tightening the noose around the drug syndicate through a series of coordinated operations. A breakthrough came with the extradition of Salim Dola, a close aide of Dawood, who allegedly managed a significant part of the syndicate's narcotics network. Investigators say information gathered during his interrogation has provided crucial leads, helping agencies identify and dismantle drug trafficking networks operating across the country. The Enforcement Directorate (ED) on Tuesday conducted searches at multiple locations in Maharashtra and Gujarat as part of a money laundering probe linked to Dola. The ED raided 20 locations in Mumbai besides Surat, Rajkot and Ankleshwar in Gujarat. In addition to targeting the narcotics syndicate, the agencies are also keeping a watch on Dawood’s henchmen and sharpshooters. Officials say that these persons are not only being used for extortion rackets. Over the last couple of months, they have been diverted from their main activity and are being tasked with executing terror attacks. They have become part of the ISI’s larger strategy of blending the underworld with terror groups. The recent arrest of eight associates linked to Dawood revealed that they were being tasked from Karachi to execute terror attacks in Mumbai and Delhi. The NIA, on the other hand, is chasing the fake currency syndicate and is probing multiple cases. The fake currency racket in India is also under the control of the Dawood network, and funds raised from this trade, too, are being diverted to fund the ISI’s terror, officials say. This is also a racket that generates hundreds of crores of rupees. When it comes to fake currency, Dawood has his men across the country. The arrangement is a 50:50 sharing between Dawood and the men running the trade in various parts of India. Officials say there are clear directives to maintain sustained pressure on the Dawood Ibrahim syndicate and continue targeting its financial and operational networks. If the current momentum is maintained, the organisation could face a serious decline in its ability to function, an official said. The official added that such a crackdown would also deal a significant blow to ISI, which would find it increasingly difficult to generate funds for terror proxies that have long been used to target India's interests."},"img":{"url":"https://images.prismic.io/prad%2Fa61936f8-cfbf-45a9-b181-49a094a769ec_dawood.jpg?auto=format%2Ccompress&rect=0%2C18%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-06-03T06:15:00+0000","embed":{"embed_url":null}},"uid":"noose-tightens-around-dawood-empire"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"No Patriotism Lectures, KTR Tells PK"},"content":{"text":"Bharat Rashtra Samithi (BRS) working president K. T. Rama Rao said on Wednesday that Telangana does not need to learn any lessons of patriotism from Andhra Pradesh Deputy Chief Minister Pawan Kalyan. Rama Rao reacted strongly to the comments made by the Jana Sena leader at a press conference in Hyderabad on Tuesday. “We need no lessons on patriotism from Pawan Kalyan. Struggles and sacrifices are not new to us,” he said. KTR reminded Pawan Kalya that Telangana is less than three per cent of India but contributes five per cent of India’s GDP. “We don’t need any kind of moral lectures or moral policing. We respect him as the Deputy Chief Minister of Andhra Pradesh. We admire him as an artist and as an actor. If he visits us as a brother, we will treat him with a Hyderabadi biryani, but if he attempts to assert his dominance in our politics, we will not stand for it. After all, we went through such immense struggle for 60 years to separate just recently in 2014,” he said. The BRS leader was replying to queries during a meeting at Hyderabad Press Club. Stating that no one is stopping Pawan Kalyan in Telangana, KTR reminded him that he and his family stay here, and they have their business here. He said no one stopped them during the last 12 years. On Pawan Kalyan’s remark that ‘Telangana is not your father’s jagir (property)’, he said that Telangana is definitely the jagir of the sons of the soil of Telangana. “No one needs to have doubt about it,” said KTR. On Pawan Kalyan’s remark that regionalism is more dangerous than terrorism, KTR asked what he would say about Potti Sriramulu, who laid down his life by fasting for 58 days to demand a Telugu state. The BRS leader also asked Pawan Kalyan what he would say about Prime Minister Narendra Modi acting like the Prime Minister of Gujarat by taking away industries coming to Telangana. On Pawan Kalyan’s announcement that Jana Sena will contest elections in Telangana, KTR said under the Indian Constitution, any citizen can establish a political party and contest elections from any state. However, he said a leader contesting from a state should respect the aspirations of the people of that state, their struggles and sacrifices. KTR said that there is nothing new in Jana Sena contesting elections in Telangana. “Didn’t you contest the 2023 Assembly elections. You also contested recent municipal elections,” he said. The BRS leader said no one was stopping Pawan Kalyan from contesting elections. “This is not a state which has come into existence just like that. It was formed after the sacrifice of thousands of people. That’s why when you come here you should think before you speak.” KTR took strong exception to Pawan Kalyan’s remark that he did not like the manner in which Telangana was formed. “You say you did not like the way Telangana was created. Another one says the mother was killed to save the child. Why beat around the bush? Say clearly that you did not like the formation of the Telangana state,” he said."},"img":{"url":"https://images.prismic.io/prad/aNpxP55xUNkB1N3P_ktr.JPG?auto=format,compress"},"datetime":"2026-06-03T08:18:00+0000","embed":{"embed_url":null}},"uid":"no-patriotism-lectures-ktr-tells-pawan"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Trump-Modi Trade Tango: A New Era of Economic Cooperation?"},"content":{"text":"In a recent show of confidence, President Donald Trump expressed optimism regarding a burgeoning trade agreement with India, praising Prime Minister Narendra Modi as a personal ally. Speaking to reporters in the Oval Office, Trump remarked, \"We will get to a deal because I like your prime minister a lot. He is a good friend of mine. We get along great, and we are gonna make a deal.\" This statement highlights the personal rapport between the two leaders as a significant factor in the ongoing negotiations, which have been characterized by a spirit of cooperation as both countries seek to bolster their economic ties. The negotiations, ongoing for several days with a U.S. delegation in India, reflect a broader effort to rectify perceived imbalances in trade practices. Trump pointed to India's historically high tariffs on American goods, particularly criticizing the 200% tariff that hindered Harley-Davidson's market entry. \"They charged tremendous amounts of tariffs to our companies, and we didn't charge them anything,\" Trump said, underscoring his administration’s commitment to leveling the playing field for U.S. manufacturers and fostering a more equitable trade relationship. Contextually, these trade talks come on the heels of a joint statement issued by the leaders following their phone conversation on February 7, in which the framework for a Bilateral Trade Agreement was established. This preliminary agreement outlines significant tariff reductions, including a decrease from 50% to 18% on select Indian goods. However, the landscape shifted dramatically on February 20 when the U.S. Supreme Court struck down Trump's broad reciprocal tariffs, necessitating a reevaluation of the trade arrangement and a recalibration of tariff strategies under the ongoing negotiations. As both nations navigate this complex trade landscape, the stakes are high for multiple industries, including the automotive sector. Trump's remarks not only spotlight the disparities in tariff policies but also reflect a broader narrative of American economic resilience. The contrasting treatment between U.S. and Indian motorcycle brands serves as a case study of the challenges faced by U.S. companies seeking to penetrate foreign markets, emphasizing the need for a bilateral agreement that truly benefits both parties involved."},"img":{"url":"https://images.prismic.io/prad%2F40ec273a-3b10-44da-9fec-f3295ab1cb29_trumpmodi.jpg?auto=format%2Ccompress&rect=0%2C9%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-06-05T09:33:00+0000","embed":{"embed_url":null}},"uid":"trump-modi-trade-tango-a-new-era-of-economic-coope"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"PK: Never backed politics to destabilise T'gana"},"content":{"text":"Continuing his string of clarifications amid a row in Telangana over some of his recent comments, Andhra Pradesh Deputy Chief Minister Pawan Kalyan said on Thursday that he never supported politics that seeks to destabilise Telangana. He claimed that his stand on Telangana and its people's interests has always been consistent. The Jana Sena leader posted on X that, following the bifurcation of Andhra Pradesh, while certain law-and-order concerns were raised, he clearly opposed the implementation of Section 8, as he believed it would undermine the self-respect and right to self-governance of the people of Telangana. He said he had always maintained that respecting the aspirations and rights of the people of Telangana was as important as addressing the security concerns of the people of Andhra Pradesh. Instead of invoking provisions such as Section 8, he believed that special coordination mechanisms, parliamentary oversight, and measures to build mutual trust between the two states would provide a more constructive and lasting solution. “I have never supported politics that seek to destabilise Telangana. My belief has always been in protecting the interests of the people of both Telugu states through mutual respect, peace, cooperation, and a spirit of brotherhood,” said Pawan Kalyan, who also posted an old video clip voicing his views on the subject. Some of the remarks he made at a press conference in Hyderabad on Telangana Formation Day on June 2 drew strong condemnation from leaders of various parties. The Jana Sena leader addressed the press conference after police denied permission for a public meeting in Hyderabad, citing apprehensions of breach of peace. Meanwhile, Pawan Kalyan, in another post, said that in 2008 he had planned a robust youth wing structure for Yuva Rajyam, the youth wing of the Praja Rajyam Party (PRP). He wrote that after 12 years of launching the Jana Sena Party, despite many hardships and struggles, the cadre is now well-experienced and mature, ready to take on organisational responsibilities, handle politics, address public issues, and work towards nation-building. He expressed wholehearted thanks to the Telangana Yuva Rajyam youth wing, and special thanks to the youngsters who believed in him and have stood by him from 2005 till now. He committed to building young, dynamic leaders of integrity, commitment, and patriotism. “Naya Bharat will witness the rise of amazing leaders from Gen Z. This Gen Z is tired of appeasement politics, dynasty politics, caste politics, divisive politics, and regional politics. This entire generation is looking for leaders who take responsibility and restore the politics of accountability, not those who weaken Bharat on global platforms. They look forward to a strong and robust Bharat,” he added."},"img":{"url":"https://images.prismic.io/prad/ahadBrK9tuLqELCz_PK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-04T19:15:00+0000","embed":{"embed_url":null}},"uid":"pk-never-backed-politics-to-destabilise-tgana"}},{"node":{"data":{"title":{"text":"CBN rides bicycle"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu rode a bicycle here on Friday on the occasion of World Environment Day.  The Chief Minister enthusiastically participated in the bicycle ride along with several other participants from the Andhra University (AU) campus to Novotel Hotel, covering a distance of 5.5 km. The 76-year-old led the bicycle rally aimed at creating awareness about greenery and pollution control. The Chief Minister, who rode a bicycle for about 22 minutes, made an appeal to everyone to use bicycles to reduce carbon emissions and at least plant one sapling to protect nature. Stating that cycling should become a way of life, the Chief Minister said a dedicated cycling track is being laid in Visakhapatnam. He said the government is taking measures to increase greenery in Visakhapatnam by 50 per cent. “We will implement measures across all sectors, starting from the port, to reduce pollution in Visakhapatnam,” he said. He earlier planted a sapling at Andhra University Engineering College grounds. The officials briefed him on the plantation. Emphasising the need to protect the environment, the Chief Minister stated that green coverage in Tirumala has reached almost 90 per cent. He noted that green coverage at Andhra University stands at only 25 per cent. He asked the Vice-Chancellor to take measures to increase greenery. The Chief Minister said the AU campus should become a model for greenery and environmental sustainability. He directed that AU be transformed into a 'Net Zero' campus. The CM voiced concern over the increasing temperature and the ecological balance getting disrupted. “We are facing extremes -- either intense heat or cyclones,” he said. Stating that the AU campus has 450 acres of land, he called for generating solar energy to meet all its energy needs. He said trees should be planted in open spaces, and solar panels installed on buildings. The Chief Minister said that the AU campus should be transformed into a biodiversity park. “Solid waste management measures must be implemented. Arrangements should be made to produce biogas from waste. Waste should be sent for recycling under the 'Swachh Patham' initiative. Wastewater management systems must be implemented. Waste-to-energy plants should be utilised,” he said, adding PNG and electric stoves should be used for cooking. The Chief Minister suggested a team of professors should be constituted to implement the Net Zero policy. He said AU should be developed to guide other educational institutions in implementing the Net Zero policy. “We are preparing a blueprint for the university's development. Students should be active partners in the university's development,” he said. Legislative Assembly Speaker Ayyanna Patrudu, district public representatives, and officials participated in the programme."},"img":{"url":"https://images.prismic.io/prad/aiKFXQeQX7-eW0yj_cbnride.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T07:14:00+0000","embed":{"embed_url":null}},"uid":"cbn-rides-bicycle"}},{"node":{"data":{"title":{"text":"Annamalai quits BJP, Nitin Nabin accepts resignation "},"content":{"text":"BJP National President Nitin Nabin on Friday accepted the resignation submitted by former Tamil Nadu BJP state president K. Annamalai from the primary membership of the party. This was confirmed by Arun Singh, National General Secretary and Headquarters In-charge of the party in a press release. \"The National President of the Bharatiya Janata Party, Hon'ble Shri Nitin Nabin, has accepted the resignation submitted by the Tamil Nadu Ex. State President, Shri K. Annamalai from the primary membership of the Party,\" the Press release added. Amid intense speculation over his political future and reports suggesting that he may launch a people’s movement that could eventually evolve into a political party, Annamalai has announced he will address his supporters through social media on Friday afternoon. In a post on X on Thursday, Annamalai said, “Tomorrow at around 12 noon, I look forward to meeting all of you through social media, sharing my thoughts, and having an open-hearted conversation.” His announcement has further fuelled expectations that the former IPS officer may finally reveal his next political move after several days of speculation about a possible departure from the BJP. A former Karnataka cadre IPS officer, Annamalai resigned from the Indian Police Service in 2019 before entering politics. Inspired by Prime Minister Narendra Modi, he joined the Bharatiya Janata Party (BJP) in 2020 and quickly rose through the ranks. Within a year, he was appointed Tamil Nadu BJP president, becoming one of the youngest state chiefs in the party and a prominent face of its expansion efforts in the state. Sources close to Annamalai told NDTV that he is working on plans to launch a people’s movement aimed at identifying, training, and grooming young leaders across Tamil Nadu. According to these sources, the initiative could eventually be transformed into a political party. He already runs a non-profit organisation called “We the Leaders”, which is expected to serve as the base for this proposed movement. The speculation comes amid reports of growing differences over the BJP’s political strategy in Tamil Nadu. Sources indicate that tensions began after the BJP renewed its alliance with the AIADMK and replaced Annamalai as state president. Annamalai was reportedly in favour of an independent political strategy for the BJP in the state rather than rejoining the AIADMK-led alliance. Sources further claim that he felt increasingly sidelined ahead of the recent Assembly elections and was disappointed at not being assigned a national role, despite expectations of elevation within the party. It is also reported that he declined an offer of a Rajya Sabha seat from the party."},"img":{"url":"https://images.prismic.io/prad/aiKeIweQX7-eW2Al_annamala.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T05:35:00+0000","embed":{"embed_url":null}},"uid":"annamalai-quits-bjp-nitin-nabin-accepts-resignatio"}},{"node":{"data":{"title":{"text":"K'taka Minister Ramalinga Reddy resigns"},"content":{"text":"Minister for Water Resources Ramalinga Reddy on Friday announced his decision to resign from the Karnataka Cabinet, alleging that Chief Minister D.K. Shivakumar had gone back on his promise regarding the allocation of the Bengaluru Urban portfolio.   The development is perceived as a setback for Chief Minister D.K. Shivakumar, who has newly assumed the role. The development also comes a day after the allocation of portfolios. Speaking from his Koramangala office in Bengaluru, Reddy said he would submit his resignation and leave it to the leadership to decide whether to accept it or not. He said that in 2023, he was initially informed about the Bengaluru Development portfolio, but was later allotted the Transport portfolio instead. Reddy alleged that after he expressed dissatisfaction, senior leaders, including then Chief Minister Siddaramaiah and others, were involved in discussions regarding the issue. He further claimed that during the current government formation process, he was promised the Bengaluru Urban portfolio after 2.5 years and was persuaded to accept the arrangement. He alleged that Chief Minister D.K. Shivakumar and his brother D.K. Suresh had personally assured him at his residence that the promise would be honoured. He said that despite repeated assurances, he was later allocated the Water Resources portfolio instead of Bengaluru Urban. Stating that he could not continue “against his conscience”, Reddy announced his resignation from the ministerial post, while clarifying that he would continue as an MLA and remain in the Congress party. Reddy, a veteran Congress leader, traced his political journey since 1973, saying he entered politics as a student leader through the NSUI and has since served the party for over five decades. He noted that he has contested the Assembly elections nine times and has been elected multiple times from Bengaluru constituencies, including Jayanagar and BTM Layout. Recalling his ministerial career, Reddy said he had served in the cabinets of Veerappa Moily, S.M. Krishna, Dharam Singh, and Siddaramaiah, and had never demanded a specific portfolio from any Chief Minister. He signed the resignation papers in the presence of party workers at his office. During the interaction, when party workers urged him to reconsider and said KPCC President B.K. Hariprasad was speaking to him over the matter, Reddy reportedly reacted sharply, asking them not to interfere and proceeded with the resignation process."},"img":{"url":"https://images.prismic.io/prad/aiKggQeQX7-eW2HH_ramalingareddy.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T04:45:00+0000","embed":{"embed_url":null}},"uid":"ktaka-minister-ramalinga-reddy-resigns"}},{"node":{"data":{"title":{"text":"Ex YCP MLA arrested in Hyderabad"},"content":{"text":"Cyberabad Police have arrested former MLA from Andhra Pradesh, Bolla Brahma Naidu, in a case relating to the alleged conspiracy to grab prime government land worth about Rs 1,000 crore. The YSR Congress Party (YSRCP) leader, the main accused in the case who was allegedly absconding, has been arrested in Kancheepuram in Tamil Nadu. It came a day after the Telangana High Court rejected Naidu’s petition seeking anticipatory bail. According to police, the case concerns an alleged attempt to encroach upon 10-acre government land in Survey No. 18 of Gandipet and to regularise it by creating and using forged Government Orders (G.O.s), fake revenue records and other fabricated documents. The case was registered on May 23 at Narsingi Police Station on a complaint lodged by Gandipet tahsildar N. Srinivas Reddy. Narsinghi Police and Cyberabad Police Economic Offences Wing have so far arrested some accused as part of the investigation into the case. Among them were Nimmal family members, Radhakrishna and his driver Prabheen Kumar. According to the evidence collected during the investigation, Bolla Brahma Naidu, Bolla Ramesh, Radhakrishna and Nimmal family members conspired to create fake government orders, falsified official documents and forged records to illegally acquire government land. According to the details that came to light during the investigation, it was found that Brahma Naidu had made financial transactions of about Rs 12 crore as part of this conspiracy. The investigation revealed that Rs 4 crore was paid to Nimmal's family members, Rs 4 crore to Radhakrishna and another Rs 4 crore to other related persons. These funds were found to have been used to create illegal land rights through fake government permits and false documents. According to police, Telangana High Court rejected Brahma Naidu’s bail plea, considering the seriousness of the case, the stage of investigation and prima facie evidence. Subsequently, the absconding main accused, Bolla Brahma Naidu, was identified and arrested on Friday in the Kancheepuram area of Tamil Nadu as part of joint operations by Narsinghi Police and Cyberabad EoW Police, the police said in a release on Friday. Brahma Naidu is currently in police custody and will be produced before the Hon'ble Court as per legal procedure, it said. Investigations are continuing into financial transactions related to the case, fabrication of forged documents, misappropriation of names and signatures of government officials, as well as the roles of other persons involved in the conspiracy."},"img":{"url":"https://images.prismic.io/prad/aiKpKQeQX7-eW2cK_BollaBrahmaNaidu.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T10:47:00+0000","embed":{"embed_url":null}},"uid":"ex-ycp-mla-arrested-in-hyderabad"}},{"node":{"data":{"title":{"text":"CBN on His Relentless Mission"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu on Thursday recalled the massive public mandate received by the NDA two years ago and said the coalition government in the state is working to fulfil the people’s hopes and aspirations.  He stated that with welfare, development, and good governance as its goals, the government is striving for the welfare of every section, including farmers, women, youth, employees, and labourers. The Chief Minister shared his thoughts on ‘X’ on Thursday to mark two years of the people’s verdict. It was on June 4, 2024, that votes polled in simultaneous elections to the state Assembly and Parliament were counted. The Telugu Desam Party (TDP) president said that the day will forever shine in the history of Andhra Pradesh.  “Today marks two years since that historic day when the people delivered an unprecedented verdict to steer the state from destruction toward development. That victory was not power for us. It was the great responsibility entrusted by the people for the state's reconstruction. Honoring that responsibility, we are working every moment to fulfill the people's hopes and aspirations,” he said. “With welfare, development, and good governance as our goals, we are striving for the welfare of every section, including farmers, women, youth, employees, and laborers. An egalitarian society without disparities and the development of all regions is our aim. Upholding the people's trust, our resolve is to make the state healthy, wealthy, and happy. With humble assertion that we are governing in a manner that respects that verdict and makes the people proud, we thank each and every one who stood in support,” CM Naidu added. Meanwhile, Agriculture Minister K. Atchannaidu said in his social media post that under the exemplary leadership of Chief Minister Chandrababu Naidu, the reconstruction of the state is progressing at a rapid pace in accordance with the historic mandate given by the people. He praised Chandrababu Naidu for his leadership. “From the path of destruction to development, your vision and hard work in Andhra Pradesh's steps are invaluable. Upholding the trust placed in us by the people, with the welfare and development of all sections as the goal, we are all committed to transforming the state into a 'Healthy, Wealthy, Happy Andhra Pradesh' by following into your footsteps,” posted Atchannaidu. “Winning 164 out of 175 assembly constituencies isn't just words. It's a historic record. This is a testament to the people's trust in Chandrababu garu's leadership. For the past two years, the coalition government has been steadfastly working for the people's welfare and development to uphold that trust,” reads a post from the official ‘X’ handle of the TDP. The coalition comprising TDP, Jana Sena and BJP bagged 164 seats in a 175-member Assembly. The NDA also won 21 out of 25 Lok Sabha seats in the state."},"img":{"url":"https://images.prismic.io/prad/Z49DbZbqstJ99qgZ_cbndavos.JPG?auto=format,compress"},"datetime":"2026-06-04T09:40:00+0000","embed":{"embed_url":null}},"uid":"cbn-on-his-relentless-mission"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Celina Breaks Silence on Defamation Suit"},"content":{"text":"Actress Celina Jaitly, who has filed for divorce from Peter Haag on grounds of domestic violence and cruelty, has now responded to the defamation threats from her estranged husband, and father‑in‑law. On Friday, the actress took to her Instagram, and shared a carousel post responding to the defamation. The actress made it clear that she won’t bow down to the pressure. She shared that 2 legal notices have recently been sent to her by her estranged husband Peter & his father Wolfgang Haag, threatening to sue her for defamation. The actress said that she has submitted her response through her legal representatives. She wrote, “For years, publicity involving our family was actively embraced, including Peter's participation in magazine covers, interviews, articles featuring our children & me until it suited his own interests. It is therefore ironic that when I began speaking about my own experiences, legal battles, concerns as a mother & pursuit of justice, I was met with legal notices instead of answers. Let me be clear, these are my children too. I am their mother & they are the reason I continue this fight”. She further mentioned that she has consistently supported joint custody & amicable divorce. However, despite court orders, the actress has remained without contact with her children. She alleged that consistent efforts are being made to remove her from her role as her children's mother. She went on, “My public appeals arose from concerns about my children's removal from the marital residence & the possibility of them being moved outside the jurisdiction of the Austrian & Indian courts without my knowledge or consent. As a mother with joint custody, I believe it is both my right & responsibility to raise those concerns. I have long felt subjected to pressure, intimidation & attacks on my rights living in a remote Austrian village, specifically as a woman who lost both her parents. All evidence has been placed in front Of competent authorities And honourable courts across jurisdictions”. Earlier, Peter Haag and his father her Dr. Wolfgang J. Haag served two legal notices to the actress alleging defamation. The notices said that despite the ongoing judicial process regarding the matrimonial and child custody-related proceedings between the couple in the courts in Austria, recently, various public statements, interviews, social media narratives, and media publications contain unverified and defamatory allegations against Peter Haag and members of the Haag family. The notices express concern over the impact of the ongoing publicity on the three minor children. She continued, “What appears to trouble some is not that I have spoken, but that I have refused to remain silent. I had the courage to leave, stand up for myself, seek the return of what I believe is rightfully mine, protect my relationship with my children & pursue justice through lawful means”. The actress is of the strong belief that efforts are now being made to discredit, intimidate & silence her. “The image of a 50-year-old man & his 75-year-old father (recently on his new third marriage) Joining forces to issue legal threats against a woman without anyone to turn to after she gathered courage To contend years of abuse & the forced transfer of her premarital assets, Just at the moment she sought relief before competent courts, speaks for itself. I will not be intimidated into silence for speaking about my experiences or seeking the legal remedies available to me. I am fighting with evidence & have full faith in the judicial systems of India & Austria”, she added."},"img":{"url":"https://images.prismic.io/prad/aSWJDGGnmrmGqQRM_celinajaitely.jpg?auto=format,compress"},"datetime":"2026-06-05T08:02:00+0000","embed":{"embed_url":null}},"uid":"celina-breaks-silence-on-defamation-suit"}},{"node":{"data":{"title":{"text":"Simbu: My circadian rhythm is officially confused!"},"content":{"text":"Disclosing that he has been shooting continuously for over two months at night for director Vetrimaran's eagerly awaited action entertainer 'Arasan', actor Silambarasan, better known as Simbu, has now remarked in a lighthearted manner that the gruelling schedule has left his circadian rhythm \"officially confused\".  Taking to his Instagram stories section, Simbu wrote, \"More than 2 + months of continuous night shoots. My circadian rhythm is officially confused.\" For the unaware, Simbu had resumed shooting for 'Arasan' in April this year. Prior to that, shooting had come to a grinding halt as a result of a stand off between well known film producer Ishari K Ganesh and Simbu over the advance paid to him for a film that never took off. When shooting for Arasan resumed, sources close to the actor had told that shooting would currently happen in Chennai and that this would be a long schedule. Yogi Babu and actress Priyanka Arul Mohan too were expected to shoot for the film during this schedule. The unit of the film had wrapped up its first schedule, which was going on at Kovilpatti, on December 21 last year. The film has triggered huge expectations for a number of reasons. Firstly, it is the first time that Simbu and ace director Vetri Maran are working together. Next, the film is being produced by one of Tamil cinema's top producers Kalaipuli S Thanu. What has added to the excitement is that the makers recently announced that actor Vijay Sethupathi had been roped in for the project. A promo for the film that was released by the makers last year begins on a light note with director Nelson making an appearance as himself in it. Simbu tells director Nelson that what he is about to tell him is all true. The killers, the victims, the names and places are all real. But then, he urges Nelson not to show it as it is and asks him to put a disclaimer in his film. \"I'm saying this only because most of the cases about which I am going to tell you are still under trial,\" he says and adds that if what he says comes out, not only \"innocents\" like him but several lawyers, politicians, police officers and even judges will be in trouble. Even as Simbu says this, the makers of 'Arasan' put out a disclaimer. \"If you put out a disclaimer, even if the incidents shown in the film are true, no one can question you,\" he tells a now nervous Nelson. He then says it is his case that is coming up for hearing next and that he will return and explain in detail. He goes into court and on his way to the courtroom, is coached by his lawyer. Once he takes the stand, the judge tells him that the police have charged him with committing three murders in one night and asks him if he pleads guilty. To this, Simbu replies that he has nothing to do with the murders. However, the scenes shown next show that he is the one who has hacked the victims to death... The promo makes it clear that this will be an untold story from the world of 'Vada Chennai'. It may be recalled that it was only recently that the makers announced the title of the film as 'Arasan'. Vetrimaran's film with Simbu will also feature Samuthirakani, Andrea Jeremiah and Kishore in key roles. Music for the film is being scored by Anirudh."},"img":{"url":"https://images.prismic.io/prad/aGUXJHfc4bHWi9Lp_simbu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T04:58:00+0000","embed":{"embed_url":null}},"uid":"simbu-my-circadian-rhythm-is-officially-confused"}},{"node":{"data":{"title":{"text":"Naga Chaitanya turns producer with 'Dhootha 2'"},"content":{"text":"Actor Naga Chaitanya, who plays the lead along with actors Parvathy Thiruvothu and Priya Bhavani Shankar in director Vikram Kumar's eagerly awaited thriller series 'Dhootha 2', on Friday announced that he had also turned producer for the series.  On Friday, the second chapter of the popular web series 'Dhootha' was launched with a grand pooja ceremony at the Annapurna studios in Hyderabad.  Sharing pictures shot at the launch event on his social media timelines, actor Naga Chaitanya wrote, \"Auspicious beginnings as I step into the second chapter of Dhootha and my first step as a producer. Onwards and upwards. Here’s to the magic ahead. #dhootha2\" Actress Priya Bhavani Shankar too shared pictures of the launch event on her social media timelines and wrote, \"Back with the people. The Gods have been informed (smiley face). And thank you, Nagarjuna garu for gracing the occasion and adding that extra bit of warmth to the day. @chayakkineni @par_vathy @thisisvikramkumar @srinidhi4488 @annapurnastudios @primevideoin @northstarentertainmentofficial #Dhootha2.\" Telugu star Nagarjuna, who graced the occasion, clapped the clapboard for the first shot of the series and wished the team a huge success. For the unaware, the first chapter of the series, which was streamed on Prime Video, was a huge success. It was directed by Vikram Kumar and featured Naga Chaitanya, Prachi Desai, Parvathy Thiruvothu and Priya Bhavani Shankar in the lead.  The story of the series revolves around a journalist called Sagar (Played by Naga Chaitanya), whose life turns thrilling after he unravels dark secrets behind newspapers predicting tragedies. He becomes a murder suspect and has to race against time to clear his name and solve the enigma, facing dangerous twists. The series was hailed as a roller-coaster ride filled with suspense and thrills. While the first chapter was produced by Sharrath Marar, this time around, Naga Chaitanya too has joined as one of the producers."},"img":{"url":"https://images.prismic.io/prad/aiKc5weQX7-eW19U_dhooth2.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T09:55:00+0000","embed":{"embed_url":null}},"uid":"naga-chaitanya-turns-producer-with-dhootha-2"}},{"node":{"data":{"title":{"text":"How Ego Lifting Hurt Rakul"},"content":{"text":"In a striking revelation, Bollywood actress Rakul Preet Singh has labeled the deadlift as the \"worst exercise\" following a harrowing experience with a slip disc that left her incapacitated for weeks. During an appearance on the talk show \"Double Date,\" hosted by Neha Dhupia and Angad Bedi, she opened up about the severe physical and emotional toll the injury took on her life, emphasizing how a single lapse in safety protocols can lead to devastating consequences. This candid moment underscores the often-overlooked risks associated with high-intensity weightlifting, especially in a fitness culture that frequently prioritizes personal records over safety. Rakul's ordeal began when she attempted to lift 80 kilograms without the customary safety belt, a decision she now describes as a costly mistake. Her admission that \"deadlift is the worst exercise to do\" serves as a stark warning to fitness enthusiasts who may be tempted to push their limits without proper precautions. The slip disc incident necessitated 40 days of bed rest, showcasing not only the physical pain of such injuries but also the mental strain that accompanies sudden limitations on one's mobility. The actress poignantly articulated the emotional turmoil she faced, revealing how the injury triggered feelings of helplessness and frustration that seeped into her everyday life. This incident is not merely a personal story for Rakul Preet Singh; it echoes a broader concern within the fitness community regarding the obsession with pushing physical limits. Her experience raises critical questions about the culture of ego lifting, where individuals may prioritize external validation over their well-being. The actress's reflections on her injury provide a vital reminder that even seasoned athletes can fall victim to carelessness, especially when motivated by competitive spirit or self-image. This dialogue emphasizes the need for greater awareness and education around safe exercise practices to prevent similar occurrences. Moreover, Rakul's journey through recovery highlights the importance of a supportive partner during challenging times. She credited her husband, Jackky Bhagnani, for his unwavering support throughout her rehabilitation process, noting how crucial it is to have someone by your side during such difficult phases. These insights further emphasize the intertwining of physical health and emotional well-being, illustrating that personal relationships can significantly influence recovery. The upcoming episode of \"Double Date\" promises to delve deeper into their shared experiences, shedding light on resilience in both love and health as they navigate this journey together."},"img":{"url":"https://images.prismic.io/prad/Zn6lXB5LeNNTwn_I_RPS.JPG?auto=format,compress"},"datetime":"2026-06-04T10:30:00+0000","embed":{"embed_url":null}},"uid":"how-ego-lifting-hurt-rakul"}},{"node":{"data":{"title":{"text":"SPB Was Music’s Mind Reader"},"content":{"text":"Paying glowing tributes to legendary singer S P Balasubrahmanyam on the occasion of his birth anniversary, one of India's greatest music composers, Ilaiyaraaja, on Thursday said that no one understood a composer's vision faster, and no one poured more focus into a song than SPB. Taking to his X timeline to post an audio clip that contained his thoughts on his close friend S P Balasubrahmanyam, Maestro Ilaiyaraaja wrote, \"No one understood a composer's vision faster, and no one poured more focus into a song than SPB. Celebrating the life, friendship, and the unmatched achievement of 50,000 songs. Happy Birthday, SPB.\" In the clip that he posted, Ilaiyaraaja said, \"Balu's absence has created a vacuum in my heart. That is because there is no other voice equal to his. Even those voices that attempt to copy his voice aren't singing correctly. His voice cannot be copied. How can his involvement be copied?\" Stating that Balasubrahmanyam's involvement in the song, his ability to create and his talent to reproduce the song were separate, Ilaiyaraaja said, \"It cannot be explained by words.\" Pointing out that so far, most of the male songs in his music had been sung by SPB, Ilaiyaraaja said that it was not because of SPB's fame, but because of his talent, his ability to understand the music composition very fast and his knowledge of knowing what emotion had to come from the song.  \"He will sing the song in a very focussed manner and he will put more effort in to the song. Whatever expectations I had, he fulfilled. He is wonderful. More than that, he is my best friend. Apart from that he was an outstanding talent among the playback singers so far,\" Ilaiyaraaja said, and added, \"Singing more than 50,000 songs is no ordinary thing. It is a very great achievement in the world of music. Nobody has achieved that achievement.\" Stating that matters that happen beyond words and imagination were wonderful, Ilaiyaraaja said nobody had been able to even come close to SPB, despite so many singers arriving on the scene and added that they hadn't been able to even deliver one hundredth of what he delivered. \"Long live the fame of SPB,\" he said and concluded the clip."},"img":{"url":"https://images.prismic.io/prad/effca631-6891-4700-9d85-dd9c1f36c1f5_SPB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-04T09:30:00+0000","embed":{"embed_url":null}},"uid":"spb-was-musics-mind-reader"}},{"node":{"data":{"title":{"text":"NTR Cheers Neel, Dragon Roars"},"content":{"text":"In a delightful gesture that has ignited fervor among fans, Jr NTR extended heartfelt birthday wishes to director Prashanth Neel via social media, amplifying the anticipation surrounding their upcoming venture, 'Dragon'. The actor's message, which went viral almost instantaneously, read, \"Happy birthday Director avare… May this year for you be as grand as the stories you tell… Can’t wait to see what lies ahead for us, Prashanth \". This exchange not only showcases the camaraderie between the two but also serves as a reminder of the monumental collaboration set to unfold on screens. 'Dragon' signifies a monumental chapter in both Jr NTR's and Prashanth Neel's careers, marking their first collaboration. However, the groundwork for this ambitious project has been laid over an extensive three-and-a-half-year period, filled with discussions and creative brainstorming. In a revealing conversation with Galatta Plus, Neel shared insights into their collaborative journey, highlighting Jr NTR's active involvement from the film's conceptual stages. This protracted development phase underscores the dedication and meticulous planning that defines this action-packed narrative, promising audiences a rich cinematic experience. The buzz surrounding 'Dragon' received a significant boost on Jr NTR's birthday, coinciding with the release of the film's title teaser. The teaser, unveiling the character Luger—a ruthless assassin—has left audiences in a state of heightened anticipation. With visually arresting sequences and a palpable intensity, the teaser provides a tantalizing glimpse into a world replete with high-octane action. Fans have responded with enthusiasm, eager for further updates as the film's production progresses. As production gears up, music composer Ravi Basrur has announced that 'Dragon' is set for a theatrical release in 2027, with filming moving ahead at a brisk pace. Though Basrur has remained elusive about specific plot details, his statements have only intensified the excitement among fans. Alongside Jr NTR, the film boasts a formidable ensemble cast that includes Anil Kapoor, Ashutosh Rana, and Rukmini Vasanth, promising a narrative brimming with depth and complexity. With Prashanth Neel’s distinctive storytelling prowess and Jr NTR's magnetic screen presence, 'Dragon' is being crafted as a monumental pan-Indian spectacle, poised to capture the imaginations of audiences worldwide."},"img":{"url":"https://images.prismic.io/prad/aiFmEQeQX7-eWuto_neelntr.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-04T09:48:00+0000","embed":{"embed_url":null}},"uid":"ntr-cheers-neel-dragon-roars"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"How Thyroid Health Affects Fertility"},"content":{"text":"For women trying to conceive, the road to pregnancy can be fraught with challenges. While the reasons for delayed conception may not always be obvious, thyroid health could be a significant factor. As the world marks World Thyroid Day on May 25, experts emphasize the often overlooked influence of hypothyroidism on reproductive health. Dr. Alimileti Jhansi Rani, a Fertility Specialist at Birla Fertility & IVF Hyderabad, stresses the critical role of the thyroid in reproductive health.  Research has shown that hypothyroidism can disrupt ovulation, menstruation, and hormonal regulation, leading to fertility struggles and potential complications during pregnancy. It's important to note that even 'normal' thyroid levels may not be ideal for conception, with specialists recommending optimized levels for fertility. Treatment and lifestyle changes, including medication, proper nutrition, stress management, and monitoring menstrual and ovulation patterns, can significantly improve the chances of conception.  Additionally, testing for thyroid antibodies can provide valuable insights, especially for women facing recurrent miscarriages or fertility challenges. Understanding the impact of thyroid health on fertility and seeking timely medical guidance can save valuable time for women struggling to conceive."},"img":{"url":"https://images.prismic.io/prad/1c687669-969a-426e-b643-acc2ccc20607_thyroid.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","embed":{"embed_url":null}},"uid":"how-thyroid-health-affects-fertility"}},{"node":{"data":{"title":{"text":"Shortness of Breath? Take It Seriously"},"content":{"text":"Feeling winded when doing everyday tasks like climbing stairs may seem normal, but according to Dr. Rajesh Rajani, Consultant Interventional Cardiologist, it can be a red flag for an underlying heart problem. Many people dismiss breathlessness as a sign of aging or lack of fitness, but this could be dangerous thinking. The gradual decline in your ability to perform tasks without getting breathless may go unnoticed, leading to delayed diagnosis of potential heart issues.  Dr. Rajani warns that breathlessness should not be normalized, as it could indicate serious heart conditions such as blocked arteries, heart valve disease, irregular heart rhythms, or weakening of the heart muscles. Recognizing and evaluating these symptoms early can help identify underlying health risks and prevent more serious complications later. It's crucial not to make excuses for these symptoms and to seek medical advice if you experience increasing shortness of breath.  This article provides insights from Dr. Rajesh Rajani, shedding light on why breathlessness should not be ignored and how it can signify an underlying heart condition."},"img":{"url":"https://images.prismic.io/prad/agwbIKYofJOwHWqT_breath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T18:56:00+0000","embed":{"embed_url":null}},"uid":"dont-ignore-it-when-shortness-of-breath-signals-a-serious-health-concern-mpcc9z9u"}},{"node":{"data":{"title":{"text":"Hantavirus Panic Hits US Passengers"},"content":{"text":"In a troubling development, two American passengers from the MV Hondius have raised alarm as they are transported back to the United States with potential hantavirus infections. The Department of Health and Human Services confirmed on Sunday evening that among the 17 evacuees, one individual is exhibiting mild symptoms, while another has tested 'mildly PCR positive' for the Andes strain of the virus. This evacuation comes amidst a backdrop of heightened awareness surrounding hantavirus, which can lead to severe respiratory complications. The cruise ship, which embarked from Argentina in April and traversed the South Atlantic, has been linked to a disturbing cluster of hantavirus cases, including three fatalities. The initial case involved a Dutch passenger who fell ill shortly after boarding, leading to a tragic sequence of events that resulted in both his and his wife’s deaths, as well as that of a German traveler. The virus's unusual capability for human-to-human transmission—particularly the Andes strain—underscores the urgency of the situation, as it typically spreads through contact with infected rodent excreta. Health experts are particularly concerned about this outbreak due to its rarity, with hantaviruses generally transmitting through animal vectors rather than person-to-person contact. The Andes virus, however, poses a unique threat, necessitating close interactions for transmission to occur. A Swiss tour guide who disembarked in Saint Helena and later tested positive suggests that the virus may have circulated among passengers during the voyage. Such developments have prompted increased scrutiny and rigorous monitoring protocols for those who interacted with affected individuals. The 17 American passengers are currently en route to the University of Nebraska Medical Center, which is equipped to handle potential hantavirus cases. The facility will conduct thorough clinical assessments, with asymptomatic individuals expected to monitor their health at home for a full 42 days—the incubation period for the virus. While health officials have classified most passengers as low-risk, the careful tracking and oversight reflect a cautious approach in the face of a potentially serious health crisis, emphasizing both preparedness and the importance of public health vigilance in mitigating outbreaks."},"img":{"url":"https://images.prismic.io/prad/agHlCKYofJOwHFHL_hantavirus.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T05:02:00+0000","embed":{"embed_url":null}},"uid":"hantavirus-alert-us-passengers-evacuated-amid-growing-health-concerns-mp19tz46"}},{"node":{"data":{"title":{"text":"Summer Chill or Skin Kill: The Hidden Perils of AC"},"content":{"text":"As temperatures soar, air conditioning becomes a refuge from the sweltering heat, yet it carries an unsuspected consequence for our skin. The very mechanism that cools our living spaces—lowering humidity levels—has a detrimental effect on skin health. Prolonged exposure to air-conditioned environments can lead to significant dehydration, disrupting the skin's natural barrier and causing a range of issues including heightened sensitivity, flakiness, and even unexpected breakouts. This paradox highlights a critical need for awareness in our skincare routines during the sweltering summer months. The science behind air conditioning reveals a stark reality: the cooling process strips moisture from the air, which in turn accelerates water loss from the skin. This dehydration can affect all skin types, whether oily, dry, or combination. A common misconception is that hydrated skin will always appear visibly dry; in many cases, a lack of moisture can trigger the skin to produce excess oil in a compensatory manner, resulting in clogged pores and acne. This cycle underscores the importance of recognizing air conditioning as a double-edged sword, necessary for comfort yet detrimental to skin vitality. The skin barrier serves as the body’s frontline defense against external aggressors. When faced with the relentless assault of dry air, this barrier struggles to maintain its integrity, leading to issues like increased sensitivity and irritation. Individuals may notice fine lines becoming more pronounced, and persistent redness developing as their skin reacts to the new environment. The long-term implications are unsettling; a compromised skin barrier not only invites dryness but also exposes the skin to pollution and UV damage once individuals venture outside. Understanding this connection is crucial for anyone reliant on air conditioning for comfort. To counteract these adverse effects, skincare strategies must adapt to this summer challenge. Prioritizing deep hydration is essential—switching to lightweight moisturizers infused with hydrating ingredients like hyaluronic acid can help replenish lost moisture without clogging pores. Layering products, such as applying a hydrating serum followed by a moisturizer, creates an additional shield against dry air. Moreover, maintaining internal hydration through adequate water intake and using a humidifier can enhance skin resilience. As the demand for comfort clashes with the need for skin health, it is imperative to strike a balance that ensures both can coexist harmoniously during the hottest months of the year."},"img":{"url":"https://images.prismic.io/prad/afhRDcBOoF08xkN5_skin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-03T02:53:00+0000","embed":{"embed_url":null}},"uid":"summer-chill-or-skin-kill-the-hidden-perils-of-air-conditioning-moq2k7ge"}},{"node":{"data":{"title":{"text":"Sun to Acquire US-Based Organon in $11.75 B"},"content":{"text":"India’s major drugmaker Sun Pharmaceutical Industries on Monday announced that it will acquire New York-listed Organon & Co in an all-cash deal valued at $11.75 billion, its biggest overseas acquisition to date.  Under the agreement, the pharmaceutical firm will acquire 100 per cent of Organon’s outstanding shares at $14 per share, translating into an enterprise valuation of $11.75 billion and an equity value of around $3.99 billion, the company said in an exchange filing. The company said the acquisition is aligned with its strategy to scale up its innovative medicines business while strengthening its presence in established brands and branded generics. The deal will also enable Sun Pharma to enter the biosimilars segment as a top global player. Following the acquisition, the combined entity is expected to be among the top 25 global pharmaceutical companies, with revenues of around $12.4 billion, while strengthening its position in women’s health and biosimilars. New Jersey-based Organon operates across women’s health, biosimilars, and established medicines, with a portfolio of over 70 products and a presence in more than 140 countries. The transaction, approved by the boards of both companies, expected to close in early 2027, subject to regulatory approvals and Organon shareholders’ approval. Sun Pharma plans to fund the deal through a mix of internal accruals and debt financing. For the year ended December 2025, Organon reported revenue of $6.2 billion and adjusted EBITDA of $1.9 billion. Commenting on the deal, Sun Pharma Executive Chairman Dilip Shanghvi said the acquisition would help build a stronger and more diversified platform, while Managing Director Kirti Ganorkar highlighted synergy and growth opportunities from the integration. Shares of Sun Pharma rose as much as 6.71 per cent to hit an intraday high of Rs 1,728.65 on the BSE in early trade on Monday."},"img":{"url":"https://images.prismic.io/prad/0559bc76-f082-4aef-b625-6c012ae1d136_sun+pharma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:34:00+0000","embed":{"embed_url":null}},"uid":"sun-pharma-to-acquire-us-based-organon-in-11.75-b"}},{"node":{"data":{"title":{"text":"Late-Night Eating May Harm Gut, Study Suggests"},"content":{"text":"Chronic stress can disrupt bowel functions and now, a new report on Thursday suggested that eating late at night amplifies these effects, with implications for both digestive health and the gut microbiome.  Researchers analysed data from more than 11,000 participants in the National Health and Nutrition Examination Survey in the US to examine links between chronic stress, late-night eating, and bowel dysfunction. Individuals with a high allostatic load score — the cumulative physiological stress as reflected in body mass index (BMI), cholesterol level, and blood pressure — who also reported eating more than 25 per cent of daily calories after 9 p.m. were 1.7 times more likely to experience constipation and diarrhoea than those with lower scores who did not eat late at night. \"It’s not just what you eat, but when you eat it,\" said Harika Dadigiri, resident physician at New York Medical College at Saint Mary’s and Saint Clare’s Hospital said the study’s lead author. \"And when we’re already under stress, that timing may deliver a ‘double hit’ to gut health,\" she added. Similarly, data from more than 4,000 participants in the American Gut Project found that people with both high stress levels and late-night eating habits were 2.5 times more likely to report bowel problems. These individuals had significantly lower gut microbiome diversity, suggesting that meal timing might magnify the impact of stress on the microbiome via the gut-brain axis — the two-way communication system involving nerves, hormones and gut bacteria. The findings highlight associations rather than cause-and-effect. Further research is needed to better understand how stress, eating patterns and gut health are connected, said the study. Dr Dadigiri is sympathetic to those who reach for late-night snacks after long, demanding days, and as a medical resident, she counts herself among them. \"Small, consistent habits, like maintaining a structured meal routine, may help promote more regular eating patterns and support digestive function over time,\" she said."},"img":{"url":"https://images.prismic.io/prad/49dee6c7-3424-4e38-92ca-36f8dd4d4197_stomach+cancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-23T00:50:00+0000","embed":{"embed_url":null}},"uid":"late-night-eating-may-harm-gut-study-suggests"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"RBI hikes equity investment limits for NRIs, OCIs"},"content":{"text":"The Reserve Bank of India (RBI) Governor Sanjay Malhotra on Friday announced that the limits for investment by NRIs and OCIs in equity instruments traded on the stock market without SEBI registration are being increased.  Further, the same facility is being extended to all individual Persons Resident Outside India (PROIs) at par with NRIs and OCIs, he remarked during his speech after the Monetary Policy Committee (MPC) meeting. “Third, a facility of concessional forex swap will be provided till 30th September 2026 to incentivise ECBs by PSUs. Fourth, a similar facility for bearing the full hedging cost shall be provided till 30th September 2026 to AD banks for raising fresh 3–5-year FCNR (B) deposits,” the Governor informed. To attract foreign capital, for government securities under the Fully Accessible Route (FAR), “we are expanding the universe of ‘specified securities’ by including all new issuances of 15-, 30- and 40-year tenor G-secs”.  “In addition, limits pertaining to short-term investment, concentration and individual securities on FPI investment under the General Route are being removed. These measures along with the tax benefits provided by the government this morning should help attract foreign capital for government borrowing,” said Malhotra. Also, it is proposed to restore the time for realisation of export proceeds to nine months, he added. “While these measures are expected to strengthen our balance of payments, we will continue to make the right policy adjustments to further promote exports and attract and incentivise capital inflows,” hem mentioned. India’s exchange rate policy remains unchanged and “We do not target any specific level or band; instead, we allow the exchange rate to be determined by market forces”, he said.  “Our experience, however, suggests that it may sometimes witness movements, often caused by speculative pressures, especially in the wake of heightened uncertainty, that are not in sync with fundamentals and are disruptive of economic activity. While our objective is not to resist market-driven adjustments, we will curb excessive volatility and prevent disorderly market movements,” he stressed. "},"img":{"url":"https://images.prismic.io/prad/4be61ec9-f6ac-4099-89de-bc5c8966ca7e_investments.JPG?auto=format,compress"},"datetime":"2026-06-05T05:25:00+0000","embed":{"embed_url":null}},"uid":"rbi-hikes-equity-investment-limits-for-nris-ocis"}},{"node":{"data":{"title":{"text":"India-origin app Guitar Wiz wins Apple Design Award"},"content":{"text":"US-headquartered technology giant Apple has named India-origin app Guitar Wiz as a winner in the inclusivity category at the 2026 Apple Design Awards, recognising the app for creating an accessible music experience for users across different abilities.  Apple announced the winners of this year’s Apple Design Awards, which honour apps and games across categories including inclusivity, innovation, interaction, social impact, delight and fun, and visuals and graphics. Developed by Indian developer Bijoy Thangaraj, Guitar Wiz is an all-in-one toolkit designed for both new and experienced guitarists, offering spoken guidance on everything from pitch and chords to finger placement. According to Apple, the app was recognised in the inclusivity category for delivering an experience that reflects diverse backgrounds, abilities and languages while helping musicians play with greater independence. The company said Guitar Wiz makes use of multiple accessibility features and Apple technologies, including Dynamic Type, Increased Contrast and Differentiate Without Color, enabling users with varying needs to navigate and use the platform more effectively. Apple described Guitar Wiz as an impactful application that supports musicians of all abilities through accessibility-focused design and intuitive interactions. This year’s Apple Design Award winners are a remarkable reflection of how developers are creating exceptional experiences, said Susan Prescott, Apple’s vice president of Worldwide Developer Relations. The Apple Design Awards annually recognise developers for innovation, technical achievement and exceptional user experiences across Apple platforms, including iPhone, iPad, Mac, Apple Watch, Apple TV and Apple Vision Pro. The recognition adds to the growing list of India-origin apps receiving global visibility at the Apple Design Awards. Earlier, several India-linked apps, including Lumy, Denim, EVOLVE and Meditate had featured among finalists and winners across categories. Additionally, in the previous month, the company introduced new health-focused features for users in India, enabling sleep apnea notifications on Apple Watch and a clinically validated hearing test feature on AirPods Pro."},"img":{"url":"https://images.prismic.io/prad/1949949e-3ba5-408f-9254-79baf9485f07_apple.JPG?auto=format%2Ccompress&rect=0%2C7%2C2000%2C986&w=2028&h=1000"},"datetime":"2026-06-03T04:33:00+0000","embed":{"embed_url":null}},"uid":"india-origin-app-guitar-wiz-wins-apple-design-awar"}},{"node":{"data":{"title":{"text":"Germany announces visa free transit for Indian travellers"},"content":{"text":"The German Embassy in New Delhi on Tuesday announced that Indian nationals will no longer require a transit visa when travelling to another country with a layover at a German airport.  “The lifting of the so-called airport transit visa requirement for Indian citizens was announced in the Federal Law Gazette (Bundesgesetzblatt) on June 2, 2026, and takes effect on June 3, 2026,” the German Embassy in New Delhi stated. “This implements a result of Federal Chancellor Friedrich Merz's trip to India in January of this year. It underlines the Federal Government's commitment to deepening German Indian relations, facilitating the movement of people, and further strengthening economic ties,” it added. During the visit, Prime Minister Narendra Modi and Federal Chancellor Merz welcomed the sustained growth in bilateral trade and investment and noted that bilateral trade reached a record high in 2024, with the positive trend continuing through 2025. India and Germany had signed a slew of agreements across sectors such as trade, technology, health and renewable energy. According to the Ministry of External Affairs (MEA), the two sides concluded 19 agreements and made several policy announcements aimed at deepening cooperation across strategic, economic and people-to-people domains. The two leaders had reaffirmed their strong support for the India–Middle East–Europe Economic Corridor (IMEC) and emphasised its transformational potential in reshaping and promoting global commerce, connectivity and prosperity. The two leaders also looked forward to the first IMEC ministerial meeting to take concrete steps for advancing this initiative. \"The Leaders welcomed the signing of a Joint Declaration of Intent to develop a Defence Industrial Cooperation Roadmap to promote long-term industry-level collaboration, including technology partnerships, co-development and co-production of defence platforms and equipment. India welcomed Germany’s efforts to facilitate expeditious export clearances of defence equipment,” a joint statement released by the leaders detailed."},"img":{"url":"https://images.prismic.io/prad/b9537926-a294-4e77-8599-9a5350700c8d_germany+visa.JPG?auto=format,compress"},"datetime":"2026-06-02T11:28:00+0000","embed":{"embed_url":null}},"uid":"germany-announces-visa-free-transit-for-indian-tra"}},{"node":{"data":{"title":{"text":"The American Dream Just Got Harder"},"content":{"text":"For decades, the United States has marketed itself as the land of opportunity, attracting the world's brightest students, skilled professionals, entrepreneurs, and dreamers. However, under President Donald Trump's second term, the immigration landscape is rapidly evolving, creating fresh uncertainty for those hoping to study, work, or settle in America legally. The administration's renewed focus on immigration is no longer limited to illegal border crossings. The spotlight has now shifted to legal immigration channels as well, with stricter scrutiny, enhanced background checks, and tougher compliance requirements becoming the new normal. While the White House argues that these measures are necessary to protect national security and American jobs, critics believe they risk discouraging global talent from choosing the United States. A recent policy memo issued by the US Citizenship and Immigration Services (USCIS) on May 22 has intensified these concerns. The proposal could require many temporary visa holders seeking permanent residency to complete the final stages of their green card process outside the United States through consular processing. For thousands of H-1B professionals, L-1 executives, international students, and their dependent family members, this could mean additional travel, longer waiting periods, higher costs, and greater uncertainty about their future. The timing is particularly significant for the Indian diaspora, which constitutes one of the largest groups of skilled immigrants in the United States. Indian technology professionals, healthcare workers, researchers, and students have traditionally relied on a predictable pathway from temporary visas to permanent residency. Any disruption to that pathway could affect not only individual careers but also long-term family plans and financial stability. Beyond green cards, the administration is also expanding visa vetting procedures. H-1B applications are expected to face increased scrutiny, while international students applying for F, J, and M visas may encounter more detailed reviews of their backgrounds, academic plans, and online activities. Universities and research institutions fear that prolonged visa processing times could reduce international enrollment and weaken America's competitive advantage in higher education and innovation. Business leaders are equally concerned. Many sectors of the U.S. economy continue to face talent shortages, particularly in technology, engineering, healthcare, and advanced manufacturing. Industry groups argue that making legal immigration more difficult could ultimately hurt economic growth by pushing skilled workers toward competing destinations such as Canada, Australia, the United Kingdom, and parts of Europe. Supporters of the administration's approach maintain that stronger enforcement is necessary to ensure that immigration laws are followed and that pathways to residency are not misused. They argue that tighter screening improves accountability and reinforces public confidence in the immigration system. Yet for many aspiring immigrants, the message is becoming increasingly clear: legal immigration to America is no longer simply about meeting eligibility requirements. It now demands greater patience, deeper financial commitment, and a willingness to navigate a system that is becoming more complex and unpredictable. As America recalibrates its immigration priorities, the coming years may determine whether the country continues to attract the world's best talent—or whether those ambitions increasingly find a home elsewhere."},"img":{"url":"https://images.prismic.io/prad%2F00f6f085-b7fe-4580-b067-333a482f0698_us+immigration.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-06-01T10:43:00+0000","embed":{"embed_url":null}},"uid":"the-american-dream-just-got-harder"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"Massa Massa Lyrical Video"},"img":{"url":"https://images.prismic.io/prad/ah_G4weQX7-eWo33_massamassasong.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-02T19:17:00+0000","third_party_url":null},"uid":"massa-massa-lyrical-video"}},{"node":{"data":{"title":{"text":"'Cocktail 2' Trailer"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-02T10:19:00+0000","third_party_url":null},"uid":"cocktail-2-trailer"}},{"node":{"data":{"title":{"text":"#MEGA158 - Title Teaser"},"img":{"url":"https://images.prismic.io/prad/ahU7ZLK9tuLqEIUX_Mega158title.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T18:30:00+0000","third_party_url":null},"uid":"mega158---title-teaser"}},{"node":{"data":{"title":{"text":"Maa Inti Bangaaram - Trailer"},"img":{"url":"https://images.prismic.io/prad/ahU8eLK9tuLqEIUj_maaintibangaram.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T20:23:00+0000","third_party_url":null},"uid":"maa-inti-bangaaram---trailer"}},{"node":{"data":{"title":{"text":"Peddi: Hellallallo Song"},"img":{"url":"https://images.prismic.io/prad/ahBmxLK9tuLqEFI-_hellaaro.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-22T13:23:00+0000","third_party_url":null},"uid":"peddi-hellallallo-song"}},{"node":{"data":{"title":{"text":"#MEGA158 Opening Ceremony"},"img":{"url":"https://images.prismic.io/prad/ag7FE6YofJOwHeX1_mega158open.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T05:41:00+0000","third_party_url":null},"uid":"mega158-opening-ceremony"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Trump-Modi Trade Tango: A New Era of Economic Cooperation?"},"img":{"url":"https://images.prismic.io/prad%2F40ec273a-3b10-44da-9fec-f3295ab1cb29_trumpmodi.jpg?auto=format%2Ccompress&rect=0%2C9%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-06-05T09:33:00+0000","third_party_url":null},"uid":"trump-modi-trade-tango-a-new-era-of-economic-coope"}},{"node":{"data":{"title":{"text":"Mahanadu: A Non-Stop Spectacle Of Vainglory And Vilification"},"img":{"url":"https://images.prismic.io/prad/ahlkEQeQX7-eWbI9_mahanadu2026.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T06:30:00+0000","third_party_url":null},"uid":"mahanadu-a-non-stop-spectacle-of-vainglory-and-vil"}},{"node":{"data":{"title":{"text":"Pawan Kalyan: Mishandling Caste Dynamics?"},"img":{"url":"https://images.prismic.io/prad/ahadBrK9tuLqELCz_PK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T06:28:00+0000","third_party_url":null},"uid":"pawan-kalyan-mishandling-caste-dynamics"}},{"node":{"data":{"title":{"text":"America First Visa Tool: An Economic Trap"},"img":{"url":"https://images.prismic.io/prad/ahP5UrK9tuLqEHIy_indus.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","third_party_url":null},"uid":"america-first-visa-tool-an-economic-trap"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Trump-Modi Trade Tango: A New Era of Economic Cooperation?"},"content":{"text":"In a recent show of confidence, President Donald Trump expressed optimism regarding a burgeoning trade agreement with India, praising Prime Minister Narendra Modi as a personal ally. Speaking to reporters in the Oval Office, Trump remarked, \"We will get to a deal because I like your prime minister a lot. He is a good friend of mine. We get along great, and we are gonna make a deal.\" This statement highlights the personal rapport between the two leaders as a significant factor in the ongoing negotiations, which have been characterized by a spirit of cooperation as both countries seek to bolster their economic ties. The negotiations, ongoing for several days with a U.S. delegation in India, reflect a broader effort to rectify perceived imbalances in trade practices. Trump pointed to India's historically high tariffs on American goods, particularly criticizing the 200% tariff that hindered Harley-Davidson's market entry. \"They charged tremendous amounts of tariffs to our companies, and we didn't charge them anything,\" Trump said, underscoring his administration’s commitment to leveling the playing field for U.S. manufacturers and fostering a more equitable trade relationship. Contextually, these trade talks come on the heels of a joint statement issued by the leaders following their phone conversation on February 7, in which the framework for a Bilateral Trade Agreement was established. This preliminary agreement outlines significant tariff reductions, including a decrease from 50% to 18% on select Indian goods. However, the landscape shifted dramatically on February 20 when the U.S. Supreme Court struck down Trump's broad reciprocal tariffs, necessitating a reevaluation of the trade arrangement and a recalibration of tariff strategies under the ongoing negotiations. As both nations navigate this complex trade landscape, the stakes are high for multiple industries, including the automotive sector. Trump's remarks not only spotlight the disparities in tariff policies but also reflect a broader narrative of American economic resilience. The contrasting treatment between U.S. and Indian motorcycle brands serves as a case study of the challenges faced by U.S. companies seeking to penetrate foreign markets, emphasizing the need for a bilateral agreement that truly benefits both parties involved."},"img":{"url":"https://images.prismic.io/prad%2F40ec273a-3b10-44da-9fec-f3295ab1cb29_trumpmodi.jpg?auto=format%2Ccompress&rect=0%2C9%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-06-05T09:33:00+0000","embed":{"embed_url":null}},"uid":"trump-modi-trade-tango-a-new-era-of-economic-coope"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Naga Chaitanya turns producer with 'Dhootha 2'"},"content":{"text":"Actor Naga Chaitanya, who plays the lead along with actors Parvathy Thiruvothu and Priya Bhavani Shankar in director Vikram Kumar's eagerly awaited thriller series 'Dhootha 2', on Friday announced that he had also turned producer for the series.  On Friday, the second chapter of the popular web series 'Dhootha' was launched with a grand pooja ceremony at the Annapurna studios in Hyderabad.  Sharing pictures shot at the launch event on his social media timelines, actor Naga Chaitanya wrote, \"Auspicious beginnings as I step into the second chapter of Dhootha and my first step as a producer. Onwards and upwards. Here’s to the magic ahead. #dhootha2\" Actress Priya Bhavani Shankar too shared pictures of the launch event on her social media timelines and wrote, \"Back with the people. The Gods have been informed (smiley face). And thank you, Nagarjuna garu for gracing the occasion and adding that extra bit of warmth to the day. @chayakkineni @par_vathy @thisisvikramkumar @srinidhi4488 @annapurnastudios @primevideoin @northstarentertainmentofficial #Dhootha2.\" Telugu star Nagarjuna, who graced the occasion, clapped the clapboard for the first shot of the series and wished the team a huge success. For the unaware, the first chapter of the series, which was streamed on Prime Video, was a huge success. It was directed by Vikram Kumar and featured Naga Chaitanya, Prachi Desai, Parvathy Thiruvothu and Priya Bhavani Shankar in the lead.  The story of the series revolves around a journalist called Sagar (Played by Naga Chaitanya), whose life turns thrilling after he unravels dark secrets behind newspapers predicting tragedies. He becomes a murder suspect and has to race against time to clear his name and solve the enigma, facing dangerous twists. The series was hailed as a roller-coaster ride filled with suspense and thrills. While the first chapter was produced by Sharrath Marar, this time around, Naga Chaitanya too has joined as one of the producers."},"img":{"url":"https://images.prismic.io/prad/aiKc5weQX7-eW19U_dhooth2.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-05T09:55:00+0000","embed":{"embed_url":null}},"uid":"naga-chaitanya-turns-producer-with-dhootha-2"}}]},"three":{"edges":[]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"PK: Bracing Up To Do An Annamalai In Telangana?"},"content":{"text":"\"No matter what politicians claim they stand for, actual politics is always about systematically organizing groups of people against each other” This cynical truth perfectly sums up Pawan Kalyan’s (PK) proxy-driven, flip-flopping approach to Telangana. Consistency has never been a tenet of Pawan Kalyan’s politics, especially regarding Telangana. Observers are well aware of his shifting stances, which range from a dramatic 11-day fast mourning the state's creation to later claiming Telangana was casting \"evil eyes\" on Konaseema. For him, these frequent flip-flops are standard practice. He was at it again in Hyderabad on June 2, Telangana’s Formation Day, delivering a fresh round of theatrical performance. During the event, he took cheap shots at hardcore statehood activists and loudly declared his freedom to fight elections anywhere in the country, including Telangana. His main alliance partner in Andhra Pradesh, Chandrababu Naidu, backed up the drama by stating that democracy allows absolutely anyone to engage in politics from anywhere. While both leaders are technically correct to invoke their democratic rights, they are blissfully ignoring a harsher reality: both are completely irrelevant in Telangana politics. Their organizations are widely labeled as \"Andhra parties\" and exist as mere non-entities in Telangana's cramped political space. Furthermore, a man who has a panache for routinely naming and shaming statehood protagonists can hardly expect a red-carpet welcome when he decides to campaign there. What exactly drove Kalyan, a leader who constantly brags that he is not in politics for power, caste representation, or the Chief Minister's chair, to suddenly declare himself a serious challenger in Telangana? Even back in Andhra, his \"hobbyist\" approach to governance is glaringly obvious after two years of sharing power with the TDP. Jana Sena leaders and MLAs are left crying in the wilderness, noting that their leader has put absolutely zero effort into actually building the party organization. To top off this masterclass in leadership, his own elected MLAs stand a better chance of getting an audience with the Pope than scheduling a brief conversation with their notoriously unavailable boss. Analysts opine that his sudden interest in Telangana politics closely mirrors a tactical shift currently being executed by the BJP in Tamil Nadu. In Tamil Nadu, the BJP is pivoting away from its core Hindutva narrative to counter actor-turned-politician Vijay's new party, TVK. The BJP believes Vijay's entry has completely disrupted the traditional DMK-AIADMK duopoly, opening up political space for a distinct arena of caste-driven mobilization. In response, after the limits of their standard Hindutva strategy witnessed a crushing defeat in the recent elections, effectively pushing the party back by nearly two decades, the BJP is reportedly transforming former state chief K. Annamalai into an independent \"offshoot\" entity. By backing him to spearhead a new, localized platform focused heavily on Other Backward Classes (OBC) politics, they aim to capture this newly vulnerable political space by projecting Annamalai as the definitive face of the state's OBC demographic. A similar calculated, proxy-driven expansion strategy by national players could very well be the hidden trigger behind Kalyan’s sudden plunge into Telangana. With the upcoming GHMC elections looming, the powers that be have apparently concluded that their local Telangana leaders are an absolute disaster, utterly incapable of challenging the ruling Congress or even pretending to be an alternate to the BRS. Thus, they have designed a script to prepare PK to \"do an Annamalai.\" The grand strategy is to transform him into the ultimate political poster boy, specifically engineered to woo the settler vote bank in Telangana. The real question is whether he can actually adapt to Telangana politics while simultaneously challenging the very identity of the state with half-baked punch dialogues like, “Who can stop me from doing politics in Telangana?” By all accounts, he possesses neither the stamina nor the basic discipline required to survive serious politics in Telangana, a fact made glaringly obvious by his stellar track record of absenteeism in Andhra Pradesh. That said, in their grand quest to invoke the democratic right to practice politics anywhere, both PK and his political masters in the BJP seem entirely oblivious to the fierce power of Telangana identity. They are completely blind to the lingering, deep-seated hostility toward any political entity stamped with an Andhra label, a cultural reality that won't be easily erased by smooth talking or lofty declarations. In fact, if these \"Andhra Annamalais\" keep pushing their luck with these serious campaigns, they might inadvertently wake a sleeping giant. Instead of capturing the state, their intrusion could easily trigger a massive, retaliatory cultural movement, one that tightly bonds the fierce Telangana identity with the heavy armor of social justice, equity, and secularism.  With this beautiful disaster on the horizon, KCR, the self-styled Father of Telangana, now relegated to farmhouse politics, must be absolutely grinning inside his farmhouse, eagerly hoping that these \"Andhra Annamalais\" keep playing with matches. He is practically hoping that they will continue underestimating the raw power of Telangana identity, blissfully counting down the days until they inevitably burn their own fingers on the very fire they are trying to stoke."},"img":{"url":"https://images.prismic.io/prad/aiEalweQX7-eWt3z_PK.JPG?auto=format,compress"},"datetime":"2026-06-04T06:30:00+0000","embed":{"embed_url":null}},"uid":"pk-bracing-up-to-do-an-annamalai-in-telangana"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment","featured","three"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Dhurandhar‍‌‍‍‌‍‌‍‍‌'"},"content":{"text":"Dhurandhar hits the audience like a cyclone—untamed, persistent, and spectacularly dhamakedaar. Aditya Dhar's latest triumph is far from just a movie; it is a once-in-a-lifetime experience, a cinematic event of the year that completely breaks the clutter of Indian espionage thrillers. With Indian heart and international standard, Dhar weaves a story full of human touch, intricacy, and spark, reaffirming that he belongs among the very few directors capable of conceiving on a grand scale while still keeping the story deeply character-driven.  Drawing inspiration from the IC-814 hijacking and the 2001 Parliament attack, the film sets the stage on a historic backdrop without wasting a moment. Dhar then skillfully expands the narrative to show the political tremors that pushed the Indian intelligence system beyond its limits. Madhavan as IB Chief Ajay Sanyal is the rock on which the story stands. His portrayal, full of precision and gravitas, earns seeti maar reactions in every scene. The dialogues are crisp, the energy is infectious, and the immersion into this high-stakes world is so real that it grips from the first frame.  One of the most striking elements is the use of archival footage, including 9/11 and other terror attacks, interspersed with chilling audio of attackers plotting against India. These sequences evoke patriotism without jingoism, reminding the audience of the stakes while highlighting India’s strategic resilience. It’s a cinematic call to awareness and courage that makes the story even more gripping.  Ranveer Singh delivers arguably his career-best performance—raw, gritty, massy, and explosively powerful. Hamza is hurt, angry, unpredictable, yet inexplicably charming. The transformation from a rage-driven youth to a cold, calculated underworld operative is executed with staggering emotional finesse. Ranveer doesn’t just perform; he literally “blows up” the screen, particularly in the latter half, becoming almost synonymous with the storyline—a 10/10 hardcore action avatar.  The supporting cast matches this energy brilliantly. Akshaye Khanna, as Rehman Dakait, is eerie, sparkling, and dreadful—a mind-is-the-weapon villain whose expressions and timing make him unforgettable. Sanjay Dutt is pure cannon fire as SP Chaudhary Aslam, “The Jinn,” bringing raw toughness to every frame. Arjun Rampal’s Major Iqbal commands attention with his silent menace, while Sara Arjun impresses in her star-studded debut. Every actor is fully into their character, creating a dangerously immersive atmosphere.  The film’s pace is relentless, thanks to Aditya Dhar’s mastery over tempo. And crucially, despite its 214-minute runtime, the length never feels distracting. Every scene is deliberate, every beat perfect, making the infiltration plan genuinely nerve-wracking. The background music is another major highlight—the BGM keeps the energy flowing continuously, never letting the audience feel a dull moment. The soundtrack is one of the strongest pillars of the film, arguably the album of the year or even the decade, turning tension, discovery, and climax into cinematic thunder.  Violence is used sparingly—just three sequences are truly explicit, each dramatically justified. The real intensity comes from the emotional stakes, character development, and political intrigue. The first half showcases masterful world-building, with the interval delivering pure goosebumps and doubling audience excitement. Post-interval, conspiracies intertwine, political power shifts, and Hamza consolidates the mafia core through strategy, betrayal, and even a calculated marriage, setting up a perfect stage for the explosive Part Two coming Eid 2026.  Jyoti Deshpande, Lokesh Dhar, and Aditya Dhar, backed by B62 Studios and Jio Studios, leave no stone unturned in creating a universe that is vast, real, and cinematically rich. Their unwavering support for large sets, hard action, bold storytelling, and a stellar ensemble cast shines in every frame, elevating Indian genre cinema to new heights.  Dhurandhar is a genre-defining spectacle that combines ferocious execution, meticulous craft, and unforgettable impact. With Aditya Dhar’s finest direction and Ranveer Singh’s career-best performance, it makes a solid case for being one of the boldest, most compelling thrillers of the year. The game is set, the pieces are moving, and the wait for Part Two is fervent—completely justified by the high stakes, breathtaking performances, and mind-blowing storytelling.  Cast: Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others  Director/Writer: Aditya Dhar"},"img":{"url":"https://images.prismic.io/prad/aTK2Z3NYClf9n2ee_dhurandar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-12-05T08:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=BKOVzHcjEIo"}},"uid":"review-dhurandhar"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఆంధ్రాకింగ్‌ తాలూకా' రివ్యూ... ఫ్యాన్స్‌ మూవీ"},"content":{"text":"రామ్‌ వరుస విజయాలతో ఎనర్జిటిక్ స్టార్‌ ఇమేజ్‌ని సొంతం చేసుకుని కెరీర్‌ ఆరంభంలో అందరి దృష్టిని ఆకర్షించాడు. కానీ గత కొంత కాలంగా ఆయన పూర్తిగా గాడి తప్పినట్లుగా కనిపిస్తున్నాడు. ఏమాత్రం ఆకట్టుకోని కథ, కథనాలను, దర్శకులను ఎంపిక చేసుకోవడంతో ఆయనకు వరుస ఫ్లాప్‌లు తప్పలేదు. ఇస్మార్ట్‌ శంకర్ తర్వాత రామ్‌ ఒక మంచి హిట్‌ కోసం ఎదురు చూస్తున్నాడు. ఆ హిట్‌ ఈ సినిమాతో వచ్చిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ :  సూర్య(ఉపేంద్ర) తెలుగు సినిమా ఇండస్ట్రీలో స్టార్‌ హీరో. అభిమానులు ఆయన్ను ఆంధ్రా కింగ్‌ అనే బిరుదుతో పిలుచుకుంటూ ఉంటారు. వరుస విజయాలు దక్కించుకుంటూ వచ్చిన సూర్యకు వందవ సినిమాకు ముందు కెరీర్‌ పరంగా ఒడిదొడుకులు ఎదుర్కోవాల్సి వస్తుంది. వరుస ఫ్లాప్స్‌ పడటంతో సూర్య ను విమర్శించే వారు, తిట్టేవారు ఎక్కువ అవుతారు. ఆయన పనైపోయిందని విమర్శిస్తూ ఉంటారు. ఆ సమయంలో సూర్య 100వ సినిమాను మొదలు పెడతాడు.  సినిమాపై అంచనాలు లేకపోవడం, అసలు సూర్య సినిమాను ఎవరు చూస్తారు అని జనాలు అనుకుంటూ ఉండటంతో ఆ సినిమా ఆర్థిక సమస్యలు ఎదుర్కొంటుంది. సినిమా పూర్తి చేయడానికి రూ.3 కోట్లు అవసరం అవుతుంది. ఆ సమయంలో సూర్యను అమితంగా అభిమానించే సాగర్‌ (రామ్‌) ముందుకు వస్తాడు. తాను ఎంతో కష్టపడి సంపాదించిన ఆస్తిని అమ్మి, ఆ డబ్బును తన అభిమాన హీరో, ఆంధ్రాకింగ్‌ సూర్యకి చేరేలా చేస్తాడు.  తీవ్ర ఆర్థిక ఇబ్బందుల్లో ఉన్న సూర్య తన అకౌంట్‌లో పడ్డ రూ.3 కోట్లు చూసి షాక్‌ అవుతాడు. ఆ డబ్బును తన అభిమాని అయిన సాగర్‌ పంపించినట్లు తెలిసి షాక్‌ అవుతాడు. తన అభిమానిని కలుసుకునేందుకు సూర్య బయలుజేరుతాడు. ఆ క్రమంలో సాగర్‌ గురించి పలు విషయాలను సూర్య తెలుసుకుంటాడు. ఒక అభిమానిని స్టార్‌ హీరో ఎలా కలుసుకున్నాడు? ఆ తర్వాత ఏం జరిగింది? అనేది కథ. నటీనటుల నటన :  రామ్‌ మొత్తం బాధ్యత తన భుజాలపై వేసుకున్నాడు. ఎప్పటిలాగే ఈ సినిమాతో మరోసారి తన ఎనర్జిటిక్ పెర్ఫార్మెన్స్‌ను చూపించాడు. సాగర్‌ పాత్రకి రామ్‌ ఎంత వరకు చేయాలో అంతకు మించి చేసినట్లుగా అనిపించింది. ఒక పాత్రను చాలా నమ్మడం వల్లే రామ్‌ ఈ స్థాయిలో కష్టపడి ఉంటాడు అనిపించింది. అతడి లుక్‌, డైలాగ్‌ డెలివరీ, యాక్షన్‌ సీన్స్ లో ఆయన ప్రజెన్స్ ఇలా ప్రతి ఒక్క ఎలిమెంట్‌లోనూ రామ్‌ ఆకట్టుకున్నాడు. అందుకే అతడు ఒక ఫ్యాన్  గా సరిగ్గా సెట్‌ అయ్యి, సినిమాను మోశాడు. సూపర్‌ స్టార్‌గా నటించిన ఉపేంద్ర తన పాత్రకు న్యాయం చేశాడు. ఒక అభిమాని కోసం వెతుక్కుంటూ వెళ్తున్న సీన్స్ లో అతడి భావోద్వేగం కనిపించింది. సినిమా కోసం అతడు పడే తపన, అతడు పడే కష్టం తాలూక డిటైల్స్ ను ఉపేంద్ర చక్కగా చూపడం జరిగింది. హీరోయిన్‌గా నటించిన భాగ్యశ్రీ బోర్సేకి తన ప్రతిభ మొత్తం చూపించే అవకాశం దక్కలేదు. అయితే ఆమె ఉన్నంతలో అందంగా కనిపించడంతో పాటు, నటనతో ఆకట్టుకుంది. ఇతర నటీనటులు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ :  పాటల గురించి ప్రత్యేకంగా చర్చ జరిగింది. కొత్త సంగీత దర్శకులు కుమ్మేశారు అంటూ అంతా తెగ మాట్లాడారు. కానీ వారి నుంచి వచ్చిన సంగీతం కొత్తగా ఉంది కానీ ఆకట్టుకునే విధంగా మాత్రం లేదు. ఇలాంటి సినిమాలకు పాత సంగీత దర్శకులు అయితే న్యాయం చేసేవారు అనిపిస్తుంది. కాని రామ్‌ కి మాత్రం ఎందుకో వీరు నచ్చారు. ఆయన నిర్ణయం తప్పు అని తేలింది.  ఇక దర్శకుడు మహేష్‌ ఎంపిక చేసుకున్న కథ విషయంలో ఎలాంటి తప్పు లేదు. ముఖ్యంగా స్టోరీ లైన్ మంచి పాయింట్‌. కానీ దాన్ని మలచిన తీరు బాగాలేదు. ముఖ్యంగా స్క్రీన్‌ ప్లే విషయంలో సాగతీసినట్లుగా అనిపించింది. ఎడిటింగ్‌ కి ఇంకా చాలా స్కోప్ ఉంది. ఎందుకో చాలా సీన్స్‌ను అలాగే వదిలేశాడు. నిర్మాణాత్మక విలువలు బాగానే ఉన్నాయి. సినిమాటోగ్రాఫీ అప్పటి నేటివిటీకి దగ్గరగా ప్రేక్షకులను తీసుకు వెళ్లడంలో సక్సెస్ అయిందని చెప్పాలి.  విశ్లేషణ :  రామ్‌ దాదాపు ఏడాది  గ్యాప్ తీసుకుని, వందల కొద్ది కథలు విని, పదుల కొద్ది కథలు పక్కన పెట్టుకుని, చివరకు ఈ కథను ఎంపిక చేసుకున్నాడు అని ఆయన సన్నిహితులు అంటున్నారు. అయితే ఇలాంటి కథను ఆయన ఎలా ఒప్పుకున్నాడు అంటూ చాలా మంది ఆశ్చర్యం వ్యక్తం చేస్తున్నారు. స్టోరీ లైన్‌ బాగుంటే సరిపోతుందా, కథ, కథనం విషయంలో దీన్ని ఎంత వరకు ప్రేక్షకులకు ఆకట్టుకునే విధంగా తీసుకు రాగలరు అనే విషయంను ఆయన చూసుకోలేదు అనిపిస్తుంది.  రామ్‌ సాధారణంగానే ఎనర్జిటిక్‌ పెర్ఫార్మెన్స్‌ తో ఆకట్టుకుంటాడు. ఈ సినిమాలోనూ మరోసారి తన సత్తా చాటాడు. కానీ సినిమాలోని ఆయన పాత్ర ఉన్నంత పవర్‌ ఫుల్‌గా స్క్రీన్‌ ప్లే లేదు. గ్రామీన ప్రాంతంలో ఉండే ప్రేమ కథను చూపించే ప్రయత్నం చేశారు. ఆ కథను ఇంకాస్త ఎక్కువ చూపించినా బాగుండేది. హీరో, అభిమాని మధ్య ఉండే సీన్స్ చాలా తక్కువగా ఉన్నాయి. ప్రేక్షకులు ఆశించిన ఎలిమెంట్స్ ఈ సినిమాలో చాలా తక్కువగా ఉన్నాయి. అందుకే సినిమా రెగ్యులర్‌ ప్రేక్షకులను ఆకట్టుకోవడంలో విఫలం అవుతుంది. కానీ తమను తాము ఒక హీరోకు అభిమాని అని చెప్పుకునే వారికి మాత్రం తప్పకుండా ఈ సినిమా నచ్చుతుంది.  ప్లస్ పాయింట్స్ :  రామ్‌ నటన, స్టోరీలైన్‌, కొన్ని ఎమోషనల్‌ సీన్స్‌ మైనస్ పాయింట్స్ :  ఫస్ట్‌ హాఫ్‌ చాలా స్లోగా సాగింది స్క్రీన్‌ ప్లే, ప్రేమ కథ ఇంకాస్త ఉండాల్సింది. చివరగా... ఫ్యాన్‌గా ఆంధ్రాకింగ్‌ను ఆకట్టుకున్న సాగర్‌, ప్రేక్షకులను ఆకట్టుకోవడం కష్టమే. బ్యానర్ : మైత్రి మూవీ మేకర్స్‌ నిర్మాత : నవీన్‌ యెర్నేని, వై రవి శంకర్‌ దర్శకత్వం : మహేష్‌ బాబు పి సంగీతం : వివేక్‌-మెర్విన్‌ తారాగణం : రామ్‌ పోతినేని, భాగ్యశ్రీ బోర్సే, ఉపేంద్ర తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aSgr23NYClf9nheC_AKT1.JPG?auto=format,compress"},"datetime":"2025-11-27T08:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=oeY828c-AXo"}},"uid":"review-andhra-king-talooka---fans-movie"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}