{"data":{"all":{"edges":[{"node":{"tags":["Health"],"data":{"third_party_url":null,"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Cricket legend Sir Garry Sobers dies"},"content":{"text":"Cricket legend Sir Garfield Sobers (Garry), widely regarded as the greatest all-rounder the game has ever produced, has died at the age of 89, bringing to an end the remarkable life of one of the sport's most celebrated figures.  Former West Indies captain Sobers leaves behind an unmatched legacy built on remarkable achievements with both bat and ball. The West Indies icon will always be remembered as the first player to hit six sixes in a single over in first-class cricket. He accomplished this feat in 1968 at St Helen's Ground in Swansea while playing for Nottinghamshire against Glamorgan. Born in Barbados, Sobers made his first-class debut at just 16 in 1953. The following year, he earned a West Indies Test cap. His rise to greatness was quick. In 1958, against Pakistan, he scored an unbeaten 365, setting a new world record for the highest individual Test score. This record stood until his fellow countryman Brian Lara broke it in 1994. Sobers retired from international cricket in 1974 at the age of 38. His ability to contribute in all aspects of the game meant he was always in demand worldwide. Throughout his impressive international career, Sobers played 93 Tests for the West Indies. He scored 8,032 runs at an impressive average of 57.78 and took 235 wickets at 34.03. He still holds the fourth-highest batting average among players with over 5,000 Test runs. His first-class record was also remarkable. Over 383 matches, Sobers scored more than 28,000 runs and took over 1,000 wickets, representing Barbados, Nottinghamshire, and South Australia during his distinguished career. In recognition of his significant contribution to cricket, Sobers was knighted in 1975. His impact on the game went beyond generations. He will be remembered not only as one of cricket's greatest players but as the standard against which all all-rounders are measured."},"img":{"url":"https://images.prismic.io/prad/C9jCwuKBwbXRHV-9_sigarrysoberse.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-17T15:45:00+0000","embed":{"embed_url":null}},"uid":"cricket-legend-sir-garry-sobers-dies"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Jagan launches ‘2.0 super app’"},"content":{"text":"Former Chief Minister and YSR Congress Party President Y.S. Jagan Mohan Reddy on Thursday launched “Jagan 2.0 Super App”, describing it as a dedicated digital platform that will connect every YSRCP worker directly with the party leadership and enable them to express their views without fear. Speaking at the launch of the app at the party’s central office in Tadepalli, Jagan said the party has introduced the app at a time when content posted by YSRCP supporters on social media is being arbitrarily deleted, and attempts are being made to suppress their voice. To counter such efforts, the party has created its own platform where every activist can freely express opinions and remain connected with the organisation. Since this is the party’s own app and will be used by its own cadre, no outside force will have the right to arbitrarily delete their content, he said. Jagan said the app will connect every worker and leader, from the smallest grassroots activist to the party central office, and from the constituency level to the state level. Through the app, workers will be able to directly share public issues from the field, problems faced by party activists due to police harassment, and other party‑related matters, ensuring constant communication within the organisation. He said all party meetings, press meets, important programmes and official announcements will be made available to every activist through live feeds on the app. The platform will be further developed so that whenever any party worker faces difficulty, they can post the issue on the app and the party can respond. Leaders and workers from the village level to the state level will then be able to stand by the affected cadre. Jagan said the digital diary currently being used to record details of police harassment and political victimisation of party workers will also be integrated with the Super App. This will allow activists facing harassment or other issues to file their complaints and record details directly through the app. He said the party will continue to challenge objectionable criticism, videos and comments against YSRCP on other social media platforms and seek their removal wherever necessary. At the same time, the party has built its own Super App in a manner that cannot be stopped by anyone."},"img":{"url":"https://images.prismic.io/prad/j4AkTkAdpRNPvZYB_jagan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-16T18:57:00+0000","embed":{"embed_url":null}},"uid":"jagan-launches-2.0-super-app"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Actor Krishna Manineni Accused in Multi-Million Fraud"},"content":{"text":"In a startling development that has sent shockwaves through the Telugu film industry and beyond, actor Manineni Murali Krishna, popularly known as Krishna Manineni, has been formally accused of defrauding a city-based doctor out of a staggering ₹80 lakh. The allegations stem from a purported scheme involving fake railway contracts, prompting the Cyberabad Economic Offences Wing (EOW) to initiate a criminal investigation into the matter. The complainant, 33-year-old Ch S Naidu, operates a clinic in Manikonda and claims he was lured into the investment under the false pretense of lucrative returns linked to railway projects. Naidu's entanglement with Manineni began in 2022, when he was introduced to the actor through a mutual patient who described him as a prominent figure in the film industry and the head of a non-governmental organization. In June 2024, Manineni presented Naidu with an investment opportunity, asserting that he managed a company engaged in executing railway contracts in Hubballi, Karnataka. With promises of an enticing 8% monthly return, Naidu invested his savings across multiple transactions from October 2024 to September 2025, only to find the promised returns halted by June 2025. The unfolding scandal raises troubling questions regarding the integrity of public figures and the vulnerabilities of private investors. According to Naidu's accusations, the actor initially offered flimsy explanations for the payment delays, which later evolved into outright admissions that he was not involved in any railway contracts as claimed. In a shocking twist, when the doctor pressed for repayment, he reportedly received threats from Manineni, who then evaded further contact by switching off his phone and abandoning his residence. Notably, Naidu also alleges that the actor has defrauded at least five other investors, amassing losses exceeding ₹6.43 crore through similar deceptive practices involving counterfeit railway procurement documents. As the EOW delves deeper into the allegations, they have registered a case against Manineni and his associates under various sections of the Bharatiya Nyaya Sanhita, including cheating and forgery. An EOW official confirmed that the department is currently scrutinizing financial transactions and related documentation to substantiate the claims made by Naidu. The investigation not only highlights the potential for systemic exploitation within the investment landscape but also underscores the imperative for transparency and accountability among high-profile individuals who wield significant influence in society."},"img":{"url":"https://images.prismic.io/prad/uS8QmIOUvVnpGZoT_krishnamaineni.JPG?auto=format,compress"},"datetime":"2026-07-17T10:30:00+0000","embed":{"embed_url":null}},"uid":"actor-krishna-manineni-accused-in-multi-million-fr"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Aditya Pancholi a ‘self-sabotaging personality’"},"content":{"text":"Former actress Somy Ali described Aditya Pancholi as a “self-sabotaging personality” while reflecting on her experience of working on the film “Mafia.” Recalling her time on the sets, Somy also fondly remembered working with veteran actor Dharmendra. She praised his professionalism and warm nature throughout the filming process. Sharing her throwback clip from the movie, Somy wrote, “This #tbt is extremely significant because of this movie. Majority of my work playing a cop, learning how to ride a motorcycle, was because and was with Dharam ji. My Hindi Film Industry’s papa.” “Mafia’ was a Pranlal Mehta Production with the nicest people like Jay Mehta, Pranlal ji’s son, of course, Dharam ji, and while an extremely talented and handsome actor, yet unfortunately a self-sabotaging personality named Aditya Pancholi. My experience with him was extraordinarily good and respectful without a speck of what he depicts off camera. Nonetheless, this is a tribute to someone I miss every single day and my mind will not register Dharam ji’s lack of presence. She also added hashtags “#missingdharamji #mumbaitruths #mafia #somyali.” (sic) Somy Ali shared a throwback video from the song “Kis Ladki Ne Dil Mera Chhina” from Mafia, which featured her alongside Aditya Pancholi. “Mafia,” the 1996 action crime film directed by Aziz Sejawal, featured Dharmendra, Aditya Pancholi, Jay Mehta, Somy Ali, Gulshan Grover, Mohan Joshi, and Raza Murad. Last year, Somy made a series of allegations against Pancholi through social media. In her Instagram post, Ali described Aditya Pancholi as a \"disgusting human being\" and accused him of infidelity and physically abusing women. She also alleged that his son, actor Sooraj Pancholi, was responsible for actress Jiah Khan's death in 2013."},"img":{"url":"https://images.prismic.io/prad%2F7f1cd714-a6fd-496c-8cca-7a9bec2b3a14_aditya+pancholi.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T09:42:00+0000","embed":{"embed_url":null}},"uid":"aditya-pancholi-a-self-sabotaging-personality"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Aamir Khan: Sonam Wangchuk Didn't Inspire '3 Idiots'"},"content":{"text":"Bollywood superstar Aamir Khan has revealed that his character Phunsukh Wangdu from the 2009 blockbuster “3 Idiots” is not based on educationist and climate activist Sonam Wangchuk. Aamir was speaking at the ongoing London Indian Film Festival when an audience member asked him about Sonam Wanchuk being the inspiration behind 3 Idiots. Aamir replied: “No, that's not true actually. That is a misconception.” Aamir said he didn't know about Sonam when we were making the film. The superstar said: “I know that I saw a video of Chatur (Omi Vaidya), just recently, he said that, no, he's wrong. Maybe that's what Chatur was thinking, but I want to tell you that neither Raju (Rajkumar Hirani) nor Abhijat (Abhijat Joshi) were the two writers, nor I, we didn't know about Sonam.” He added what Sonam is doing is good work in any case. “He doesn't have to be based on the character of 3 Idiots for us to respect him and it won't get me down. Just from a factual point of view, I wanted to say that neither Raju nor Abhijat… It's never been clarified before this. He also has said that the character is not based on him. He's also clarified.” “3 Idiots” is directed by Rajkumar Hirani. The film stars Aamir Khan, R. Madhavan and Sharman Joshi in the title roles, while Kareena Kapoor, Boman Irani, Mona Singh and Omi Vaidya play supporting roles. Narrated through two parallel timelines, one in the present and the other set ten years earlier, the story follows the friendship of three students at an Indian engineering college and is a satire about the intrinsic paternalism under the Indian education system. Asked what he has to say about Sonam’s hunger strike? He added: “Well, I think all of us are very concerned for his health and his life and we hope that it ends well and all of us are hoping that he ends his fast and looks after his health.”"},"img":{"url":"https://images.prismic.io/prad/-qT_kuDXcRQGGmCA_3idiots.JPG?auto=format,compress"},"datetime":"2026-07-17T09:32:00+0000","embed":{"embed_url":null}},"uid":"aamir-khan-sonam-wangchuk-didnt-inspire-3-idiots"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"FIFA WC 2026 Winners Get Rings"},"content":{"text":"When the FIFA World Cup 2026 champions are crowned at Jersey Stadium, in addition to the iconic trophy and prestigious gold medals, the first-ever championship rings will be presented to the winners. The tournament winners will receive bespoke championship rings, bringing one of the most recognisable American sporting traditions to the global game, FIFA said in a release. One side of the ring features the FIFA World Cup trophy, while the other will be customised to reflect the identity of the winning team. Each ring will be individually numbered, custom-fitted and delivered with its own certificate of authenticity. Immediately after the final, the captain and head coach of the winning team will receive temporary rings to commemorate the occasion.  Each of the 30 rings for the winners will then be customised before being officially presented at a later date, ensuring the perfect lifelong fit for an achievement that will echo through eternity. Each ring will be part of a strictly limited edition of just 2,026 individually numbered pieces, a direct tribute to the tournament itself. Of these, 30 will be presented to the victorious team, while 1,996 will be made available to fans worldwide as an Official Licensed Product, allowing supporters to own a unique piece of FIFA World Cup 2026 history. The 104th match at the FIFA World Cup 2026 pits European champions Spain against defending world and South American champions Argentina. Spain reached the final after outclassing favourites France in the semi-finals.   Argentina, meanwhile, have taken a hard, albeit thrilling, road to their second World Cup final in succession and seventh overall. The defending champions opened their campaign with three successive group stage victories, led by the extraordinary Lionel Messi, who now has eight goals in this tournament and 21 across his long World Cup career."},"img":{"url":"https://images.prismic.io/prad/kVwGeEfDQX3rjzz__ring.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-17T02:32:00+0000","embed":{"embed_url":null}},"uid":"fifa-wc-2026-winners-get-rings"}},{"node":{"tags":["Entertainment","featured","one"],"data":{"third_party_url":null,"title":{"text":"Is 2030 The New Target For 'Pushpa 3'?"},"content":{"text":"Allu Arjun has emerged as one of India's busiest and most sought-after pan-India stars following the phenomenal success of the Pushpa franchise. With multiple big-ticket projects lined up, the actor's schedule is packed for the next several years. While fans are thrilled to see him collaborating with some of the country's most celebrated filmmakers, many are also beginning to wonder what this means for the much-awaited Pushpa 3. The actor is currently busy shooting for Raka, a high-budget sci-fi action entertainer directed by Tamil filmmaker Atlee. Given its extensive VFX work and massive scale, industry insiders believe the film is unlikely to hit theatres before late 2027 or even 2028. After wrapping up Raka, Allu Arjun is expected to join hands with another acclaimed Tamil director, Lokesh Kanagaraj, for an action-packed entertainer. Adding to the excitement, reports also suggest that Malayalam filmmaker Basil Joseph is set to direct the actor in another ambitious project. Speculation intensified after Basil recently shared a social media post featuring a cap with the word \"Icon,\" which many fans interpreted as a subtle hint towards his collaboration with the Icon Star. Although there has been no official announcement, industry circles believe discussions between the two have reached an advanced stage. While this impressive lineup highlights Allu Arjun's growing appeal across industries, it has also sparked a debate among fans. Many are questioning when the actor will reunite with Telugu directors, especially Sukumar, the filmmaker who played a pivotal role in transforming him into a pan-India sensation with Pushpa. The franchise not only became a box-office phenomenon but also earned Allu Arjun the National Award for Best Actor, making expectations for Pushpa 3 even higher. However, looking at the actor's current commitments, Pushpa 3 appears to be moving further down the timeline. If the Atlee, Lokesh Kanagaraj, and Basil Joseph projects proceed as expected, Sukumar's sequel may not go on floors for quite some time. Trade analysts believe this could push the film's release well beyond 2030, although there has been no official confirmation from the makers. Until an announcement is made, the fate of Pushpa 3 remains one of the biggest talking points among fans eagerly waiting for the next chapter of the blockbuster franchise."},"img":{"url":"https://images.prismic.io/prad/ZxKu74F3NbkBXulH_pushpa2.JPG?auto=format,compress"},"datetime":"2026-07-17T05:59:00+0000","embed":{"embed_url":null}},"uid":"is-2030-the-new-target-for-pushpa-3"}},{"node":{"tags":["politics","featured","four"],"data":{"third_party_url":null,"title":{"text":"Electoral Reform or Democratic Erosion?"},"content":{"text":"“Modern democratic erosion does not announce itself with a military coup; it arrives quietly in the middle of the night, disguised as an update to the voter registration software” This timeless argument by Steven Levitsky and Daniel Ziblatt in How Democracies Die appears to be finding its echo in what seems to be the uncannily similar efforts of Donald Trump’s election policies and the ongoing SIR process in India. Gerrymandering is old news; the modern autocrat’s weapon of choice is the bureaucratic purge. Whether it is Trump executing high-decibel voter suppression tactics—fueled by his legendary, un-hacked 2020 election denial tantrums—or the Election Commission of India deploying its clinical Special Intensive Revision (SIR), the core mechanism remains identical. The operational goal is simple: weaponize electoral roll hygiene to manufacture an artificial incumbency advantage, shifting the entire burden of proof away from the state and squarely onto the individual citizen. This is a classic example of democratic erosion, which is just a fancy term for a slow-motion breakdown. Instead of destroying a democracy overnight with tanks, politicians use ordinary laws, complicated paperwork, and endless red tape to slowly hollow out your rights from the inside until the system only works for them. While the geopolitical theater changes, the partisan manipulation tools are practically copy-pasted. The targeted demographics under both regimes remain remarkably consistent, focusing heavily on voter disenfranchisement for maximum impact. Trump’s domestic strategy relies on aggressive voter ID restrictions and signature-matching loops that require a forensic law degree to navigate. Across the globe, the Indian SIR blueprint opts for tech-driven algorithmic exclusion, utilizing opaque backend data models to flag millions of minority voters for immediate deletion. This alignment thrives on asymmetric polarization, a political condition where one dominant political party pushes things way past normal boundaries while the other side is left scrambling to defend basic rights. Because one faction has broken the unwritten rules of fair play, the system operates under a paranoid assumption of widespread electoral fraud. By turning voter registration into an extreme bureaucratic endurance sport, the system subtly flips a core legal norm: citizens are now treated as illegal anomalies until they can produce decades-old paperwork to prove their legitimate enfranchisement. The human cost of these administrative overhauls is a textbook exercise in structural marginalization, selectively carving out vulnerable populations while acting as a targeted political scalpel. In the United States, targeted polling place closures and strict signature laws surgically lower voter turnout in working-class urban centers and Black and brown neighborhoods. As independent election analysts observe, this partisan cleansing has taken a hyper-localized turn in India. In several states opposition groups have actively protested, alleging that the SIR process has been weaponized as an active vote-theft operation designed to systematically scrub out pro-opposition voting blocs. They allege that rather than serving as an objective census, the database-cleansing apparatus operates like an asymmetric political weapon. It allows ruling coalitions to use proprietary data tracking to erase unfavorable demographics under the clinical guise of eliminating \"double entries.\" The supreme irony of this modern democratic backsliding lies in its sophisticated PR framing. These sweeping purges are always introduced under the noble banner of \"protecting democratic integrity\" and \"securing the ballot box.\" Yet, when the system requires an ordinary citizen to deploy a team of legal experts and genealogy researchers just to defend their basic political franchise, the institutional consensus has fundamentally collapsed. The state apparatus effectively ceases to function as a vehicle for civic empowerment, morphing instead into a highly efficient, gatekeeping machine engineered to restrict, manage, and ultimately minimize public participation in the democratic process. Welcome to the future of governance, where you no longer choose your politicians—your politicians choose you."},"img":{"url":"https://images.prismic.io/prad/6nWpO0pZlCoOL-vQ_SIR.JPG?auto=format,compress"},"datetime":"2026-07-17T06:37:00+0000","embed":{"embed_url":null}},"uid":"electoral-reform-or-democratic-erosion"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Arjun Kapoor ready for marriage!"},"content":{"text":"Arjun Kapoor’s comments on marriage left “Lock Upp: Sach Ya Sazaa” contestant Pamala Serena all blushing as the actor said he is ready for marriage. Arjun entered as a guest for the Judgmental Day episode for the Netflix reality show. During their chat, Arjun confessed he was a fan of Pamala’s ‘Kaleshi Korner’ segment, now one of the most entertaining features of the show. During the chat, he even made a joking proposal to Pamala, saying: “I’m still young and ready for marriage”. Pamela was taken by surprise by his comment and blushed. Arjun added another fun twist to the conversation by turning to fellow contestant Akanksha Chamola and quipped, “Our taste is the same.” The Netflix show currently has popular names such as Akanksha Chaudhary, Yogesh Rawat, Sunita Ahuja, Ram Kapoor, Shreya Kalra, Shivangi Joshi, Harshad Chopra, Sufi Motiwala, Dheeraj Dhoopar, and Varun Yadav aka Laila. Farah Khan and Riteish Deshmukh host the show. The first edition of “Lock Upp” was hosted by Kangana in 2022. Karan Kundrra was introduced as Jailor for the entire season. Munawar Faruqui was named as the winner. The second installment will have 14 inmates, 2 jailers, and 1 lock-up for 6 weeks. As per the rules, inmates must complete tasks to earn in-game currency required for even the necessities such as food, supplies, and privileges. The 41-year-old actor, who made his acting debut in 2012 with romantic action film Ishaqzaade, was last seen in “Mere Husband Ki Biwi,” a romantic comedy film written and directed by Mudassar Aziz. The film also stars Bhumi Pednekar and Rakul Preet Singh in lead roles. The film follows Ankur, a divorced man, who gets a second chance at love when his college crush, Antara, re-enters his life. However, things get complicated when his amnesiac former wife also returns, confusing."},"img":{"url":"https://images.prismic.io/prad/Z2JnGJbqstJ98n8S_arjunkapoor.JPG?auto=format,compress"},"datetime":"2026-07-17T06:35:00+0000","embed":{"embed_url":null}},"uid":"arjun-kapoor-ready-for-marriage"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Jeevitha Challenges 'Men Will Be Men'"},"content":{"text":"Jeevitha Rajasekhar's recent remarks on men's affairs have reignited a conversation that extends far beyond the lives of celebrities. Whether made in the context of personal experience or as a broader observation, the comments touch upon an uncomfortable reality that exists across society. For decades, male infidelity has often been dismissed as a \"mistake,\" a \"phase,\" or simply \"a man's nature,\" while women in similar situations have faced far harsher judgment. Such contrasting attitudes reveal how deeply rooted double standards continue to shape public perceptions of relationships, loyalty, and accountability. The film industry is no stranger to stories of broken marriages, affairs, and public controversies. However, these issues are not exclusive to cinema—they reflect wider societal attitudes. What changes is the level of scrutiny. Celebrities live under a microscope, where every personal revelation becomes a headline and every family dispute becomes public discussion. Yet the underlying lesson remains universal: relationships thrive on trust, honesty, and mutual respect. When that trust is broken, the emotional consequences affect not only spouses but also children, families, and professional lives. Excusing infidelity simply because it involves a successful or influential man sends the wrong message and normalizes behavior that damages relationships. Perhaps the most important takeaway from Jeevitha's remarks is the need to move beyond stereotypes and place equal responsibility on both partners in a relationship. Loyalty cannot be a one-sided expectation, nor should society celebrate or excuse betrayal based on gender. Healthy marriages are built on commitment, communication, and accountability—not on outdated notions that grant one gender greater freedom than the other. Public conversations on this subject should encourage respect and responsibility rather than sensationalism, because the issue is not about celebrities alone; it is about the values that shape relationships in every home."},"img":{"url":"https://images.prismic.io/prad%2Fabf4020a-5141-48d9-86e1-5b1f94a5fc0d_jeevitha+rajashekhar.jpg?auto=format%2Ccompress&rect=0%2C28%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T06:45:00+0000","embed":{"embed_url":null}},"uid":"jeevitha-challenges-men-will-be-men"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Nick's Age? PC Doesn't Care"},"content":{"text":"Global icon Priyanka Chopra Jonas has spoken about how for her love transcended age as she candidly addressed her 10-year age gap with husband Nick Jonas during an appearance on the Jonas Brothers' latest podcast.  Responding to a caller seeking advice about dating a younger man, the actress shared why the age difference never became an issue in her own relationship. During the podcast, a caller said, \"I have a boyfriend right now and he is six years younger than me, which is not a big difference. But for me it kind of is because I have always been known to go for the older guy. Do you have any tips on how to be more reassured in my relationship with a younger man?\" Nick Jonas responded by saying, \"We have an age difference, as you know, of 10 years, which was not a thing for me at all.\" Priyanka reacted to the question and our firth her personal experience, saying, \"When you find a person who you feel like checks all the boxes that you had in your head, no, it wasn't a challenge for me. But I understand her question. I understand, you know, going to do life with someone and are you going to be a partner in the big things?\" For the uninitiated, Priyanka Chopra and Nick Jonas have an age gap of 10 years. The couple first met at the Oscars after-party after initially connecting through social media. Their romance blossomed quickly, and following a courtship, the couple got engaged in July 2018. They tied the knot in December the same year in Jodhpur in lavish Christian and Hindu ceremonies, celebrating both their cultures. In January 2022, the couple welcomed their daughter, Malti Marie Chopra Jonas, via surrogacy. Professionally, Priyanka is busy as a bee with the shooting of her upcoming movie, Varanasi helmed by filmmaker SS Rajamouli."},"img":{"url":"https://images.prismic.io/prad/65c7be08-9803-4cbc-aa32-76af02e78f0e_pcnick.JPG?auto=format,compress"},"datetime":"2026-07-17T07:30:00+0000","embed":{"embed_url":null}},"uid":"nicks-age-pc-doesnt-care"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Jacqueline gets AI-powered digital avatar"},"content":{"text":"Bollywood actress Jacqueline Fernandez now has an AI-powered digital avatar inspired by her. The actress said that the digital avatar enhances the way she connects with people through stories, ideas, and experiences. The avatar is designed as a digital extension of Jacqueline's personality, offering audiences access to her thoughts, reflections, favourite books, and personal anecdotes through an interactive format. Talking about the same, the actress said, “I've always loved sharing the things that inspire me, whether that's a book, a conversation, a lesson I've learned, or simply a thought that's stayed with me. This avatar creates a completely new way to do that. It allows me to connect with people through stories, ideas, and experiences that might not always find a place on social media”. A key feature of the platform will be Jacqueline's Book Club, where the avatar will regularly share books that have shaped her thinking, inspired her creativity, and left a lasting impression on her. Through discussions, recommendations, and personal reflections, audiences will gain insight into the stories and ideas that have influenced her journey. The avatar has been built to capture a more intimate side of Jacqueline. From her \"2 AM thoughts\" and moments of self-reflection to stories from different chapters of her life. It has been developed by Galleri5, the AI studio under Collective Artists Network. The avatar is designed as a digital extension of Jacqueline's personality, offering audiences access to her thoughts, reflections, favourite books, and personal anecdotes through an interactive format. The avatar will be available across digital platforms, with new content, conversations, and Book Club recommendations added regularly."},"img":{"url":"https://images.prismic.io/prad/PpMS-PlJiNCw4aLt_jacq.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-17T08:28:00+0000","embed":{"embed_url":null}},"uid":"jacqueline-gets-ai-powered-digital-avatar"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Jagan's Parliament Game Plan"},"content":{"text":" Former Chief Minister and YSR Congress Party President Y.S. Jagan Mohan Reddy said governance in Andhra Pradesh has completely collapsed under Chandrababu Naidu and directed YSRCP MPs to strongly raise people's issues, corruption, illegal cases, farmer distress, employee problems, rising debt and scams in both Houses of Parliament during the Monsoon Session beginning July 20. Jagan chaired the YSR Congress Parliamentary Party meeting at the party's central office in Tadepalli to discuss the strategy to be adopted in Parliament. The meeting was attended by YSRCP Parliamentary Party leader and Rajya Sabha MP V.Y. Subba Reddy, Rajya Sabha MPs Meda Raghunath Reddy and Golla Baburao, YSRCP floor leader in Lok Sabha Peddireddy Mithun Reddy, Lok Sabha MPs M. Gurumoorthy, Y.S. Avinash Reddy and Gumma Tanuja Rani. Former MPs Pilli Subhash Chandra Bose and Alla Ayodhya Rami Reddy attended as special invitees. Addressing the MPs, Jagan said that the interests of the people of Andhra Pradesh must remain the party's foremost priority and urged them to raise their voices forcefully in Parliament. He reiterated YSRCP's support for the Women's Reservation Bill and said the party stands by its earlier position. He said governance in the State has been thrown to the winds, and scams are visible everywhere, with DSC 2025 emerging as a major recruitment scandal. Jagan said serious irregularities had occurred in the filling of DSC posts, including appointments made before candidates even wrote the competitive examination. He said several issues had also emerged regarding DSC question paper leaks and serious irregularities in sports quota appointments. Government Orders were issued only to benefit favoured persons and were cancelled once their purpose was served, he said. He pointed out that the sports associations that issued certificates were also in the hands of ruling party leaders, citing the Softball Association, headed by TDP MLA Kuna Ravi Kumar, and the Judo Association, where Visakhapatnam MP and Lokesh's brother-in-law, Bharath, is Honorary President. He said land allotments across the State had become arbitrary and corrupt. Nearly Rs 5,000 crore worth of government lands were handed over to Minister Lokesh's brother-in-law for a pittance, he said, calling it a grave act of corruption. He said massive loot was taking place in Amaravati construction, with costs exceeding Rs 20,000 per square foot, a rate unheard of anywhere in the country. He said roads, too, had become a source of loot, while farmers who refused to give up their land under pooling were being harassed and their land forcibly taken. Farmers are questioning why more land is being acquired when even the thousands of acres already taken remain undeveloped, he said. Jagan said those exposing government failures or questioning the ruling party were being harassed with false cases and arrests. In the name of social media, Chandrababu is unleashing severe repression and arresting people at will, he said. He asked MPs to raise these attacks on democratic rights in Parliament. He also directed MPs to take up the problems faced by teachers due to the mandatory TET requirement. He said it is unfair to force teachers who entered service before TET was introduced to write the examination now, especially when they had already cleared competitive examinations at the time of recruitment. Teachers who have been teaching one subject for many years should not be compelled to write a TET covering all subjects, he said, asking MPs to meet the Union Minister concerned and present the issue. Jagan said public assets in the State are being distributed like freebies to private parties. He strongly criticised the privatisation of ports, harbours, and other institutions, especially since many of these projects were initiated under the YSRCP government and are either completed or nearing completion. He questioned how the nearly completed Ramayapatnam Port, worth around Rs 5,000 crore, could be handed over for just Rs 1,500 crore, asking whether this was not a major scam. If such revenue-generating assets are handed over to private parties, how will the State earn revenue, he asked. He said the coalition government is setting debt records while corruption continues everywhere. Land is being allotted arbitrarily, while the sand, liquor, and mining sectors have become centres of organised loot. Mafias are operating in every sector, he said. In just two years, the government has borrowed nearly Rs 3.6 lakh crore, violating the FRBM Act and borrowing without limits, yet nothing has been done for the people, he said. Jagan said aqua farmers are suffering heavily due to syndicates, while farmers across the State are facing losses due to the absence of remunerative prices for any crop. The anger of aqua farmers was evident at the Bhimavaram meeting, where they openly expressed that they were being deceived, he said. He also said government employees are facing severe problems, with no implementation of manifesto promises, no PRC, no IR, five DAs pending, surrender leaves pending, and every issue unresolved."},"img":{"url":"https://images.prismic.io/prad/810d1863-6597-42fe-a381-561dedc41fcd_Jagan+Padayatra.JPG?auto=format,compress"},"datetime":"2026-07-16T12:39:00+0000","embed":{"embed_url":null}},"uid":"jagans-parliament-game-plan"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"BRS MLC’s son allegedly caught consuming drugs"},"content":{"text":"Son of a Member of Telangana Legislative Council and two other youth were caught for allegedly consuming drugs but the MLC denied that his son consumed drugs or he was arrested.  Bharat Raj Reddy, Abhishek and Yunith were reportedly caught during a police raid in Mangalhat area on Wednesday night. The raid was reportedly conducted following a tip-off that a group was allegedly involved in purchase and consumption of marijuana and hash oil. While three persons were apprehended during the raid, four others managed to escape. Police have seized 24 grams of hash oil and 22 grams of marijuana. The trio were taken to Mangalhat Police Station, where their blood samples were collected. They were subsequently shifted to Osmania General Hospital for medical examination. Police registered a case and launched further investigation. A search was on for four absconding accused – Soni, Vamsi, Manoj and Tulija. Meanwhile, Bharat Rashtra Samithi (BRS) MLC, P. Venkatram Reddy, denied that his son consumed drugs. He said in a statement that the reports about his arrest are baseless. The MLC stated that there is no truth in the reports circulating that his son, Bharat Reddy, consumed drugs or that he was arrested by the Mangalhat police. \"The news appearing in the media is baseless and untrue. This morning, the Mangalhat police visited our residence, stating they were investigating a drug-related case and requested cooperation with the enquiry,” he said. Venkatram Reddy said the police conducted an enquiry, which revealed his son had not consumed drugs. “The investigation was conducted based on information linked to a phone number found in the contact list of a mutual acquaintance. Bharat was not arrested. He did not consume drugs,” the MLC said. Mangalhat area is notorious for illicit liquor and drugs. The EAGLE Force (Telangana Anti-Narcotics Bureau), Hyderabad Narcotics Enforcement Wing (H-NEW), Law and Order Police and Prohibition & Excise Department have been regularly conducting raids in the area."},"img":{"url":"https://images.prismic.io/prad/abaY9bbci2UF6Ba0_drugs.JPG?auto=format,compress"},"datetime":"2026-07-16T11:20:00+0000","embed":{"embed_url":null}},"uid":"brs-mlcs-son-allegedly-caught-consuming-drugs"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Hyd man stabbed multiple times in US mall"},"content":{"text":"In an alleged hate crime, a man from Hyderabad was stabbed multiple times in a shopping mall in the United States.  According to information reaching the family of Syed Sohailuddin, he is in critical condition after being stabbed by a man in Valley Fair Mall in West Valley City, Utah. The assailant reportedly asked the victim if he was a Muslim before stabbing him more than 15 times.  Sohailuddin, 37, was running a kiosk in the shopping mall for the last two-and-a-half years.   Some bystanders overpowered the assailant and took his knife before police arrived. He was identified as Peter Michael Larsen, 48. He allegedly told police he targeted the Muslim victim and intended to kill him.  The incident occurred on July 13. Disturbing visuals of the attack were widely circulated on social media.  The victim has been admitted to a hospital in West Valley City and is reported to be in a critical condition. The family of Sohailuddin, a resident of the Toli Chowki area here, has appealed to the government to immediately intervene in the matter. They have requested Minister for External Affairs S. Jaishankar to take up the issue with the US authorities and arrange visas for them to travel to the US.  Sohailuddin’s wife, Amreen Firdouse, fainted on learning about the attack. The couple has two children, aged five and three years. His sister-in-law, Asma Firdouse, requested the External Affairs Minister to take up the issue with US authorities and issue an emergency visa to at least two family members. Majlis Bachao Tehreek (MBT) spokesman Amjed Ullah Khan called on the family members of Sohailuddin. He wrote to EAM Jaishankar to direct the Indian embassy in Washington, D.C., to immediately reach out to Syed Sohailuddin, coordinate with the concerned authorities and extend all necessary consular assistance and support to the injured Indian national and his family. Khan has also requested the minister to take up the matter with the Embassy of the United States in New Delhi and the US Consulate in Hyderabad for the issuance of emergency humanitarian visas to the close family members of the victim."},"img":{"url":"https://images.prismic.io/prad/wPHBStc_L1UQSWwk_syedsohaluddin.JPG?auto=format,compress"},"datetime":"2026-07-16T09:05:00+0000","embed":{"embed_url":null}},"uid":"hyd-man-stabbed-multiple-times-in-us-mall"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Can Tollywood Afford These Battles?"},"content":{"text":"The ongoing public rift between choreographers Sekhar Master and Johnny Master has once again exposed the growing cracks within the Telugu film industry. What should have remained a professional disagreement has gradually turned into a battle fought through public statements, social media posts, and industry camps. While individual reputations are at stake, the bigger concern is the image of an industry that has earned global recognition through discipline, collaboration, and creativity. Every controversy that dominates headlines shifts the focus away from cinema and toward conflict, leaving fans disappointed and professionals divided. The biggest losers in such disputes are often the producers. Film production is a tightly scheduled business where delays translate directly into financial losses. Choreographers play a crucial role in completing songs and promotional content on time. When professional relationships become strained, schedules are disrupted, artists are forced to take sides, and uncertainty creeps into productions. Producers, who invest hundreds of crores and shoulder enormous financial risks, are left dealing with postponed shoots, increased budgets, and unnecessary distractions. In an era where competition from OTT platforms and pan-Indian cinema is at its peak, the industry can hardly afford internal conflicts that derail carefully planned projects. The Telugu film industry has always thrived because of teamwork rather than individual battles. From directors and actors to technicians and choreographers, every successful film is the result of collective effort. Personal differences are inevitable, but allowing them to escalate into public spectacles only weakens the industry's credibility. It is time for senior filmmakers and industry bodies to encourage dialogue, professionalism, and mutual respect before such disputes become the norm. Cinema should be remembered for unforgettable performances, chartbuster songs, and blockbuster successes—not for headlines dominated by internal feuds. If these clashes continue unchecked, the real casualty will not be any one individual, but the industry's reputation and the producers who keep it moving."},"img":{"url":"https://images.prismic.io/prad/AiV0zM3zqnJwd1wO_johnnusekhar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-16T11:08:00+0000","embed":{"embed_url":null}},"uid":"can-tollywood-afford-these-battles"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Tamannaah kickstarts 'Ragini 3' in London"},"content":{"text":"Actress Tamannaah has commenced the shooting of her upcoming date night horror entertainer Ragini 3.  The film, helmed by Balaji Motion Pictures, has gone on floors in London, and the film is scheduled for a theatrical release in 2027. Tamannaah Bhatia has begun filming the first schedule in London, and on Wednesday the actress had shared a picture from the sets, with a clapboard in her hand that had Ragini 3 written on it. Directed by Shashanka Ghosh, Ragini 3 takes the popular Indian horror franchise into a thrilling new chapter. Produced by Ekta Kapoor's Balaji Motion Pictures, a division of Balaji Telefilms Ltd., Ragini 3 is currently being filmed across London, with more details about the cast and story set to be unveiled in the coming months. For the uninitiated, The Ragini MMS franchise began with Ragini MMS in 2012. Inspired by alleged real-life events, the found-footage horror film starred Rajkummar Rao and Kainaz Motivala and became a surprise box-office success. It was followed by Ragini MMS 2 in 2014, starring Sunny Leone, which blended horror with glamour. Talking about Tamannaah Bhatia, the actress has established herself as one of the leading actresses across Hindi, Tamil and Telugu cinema. She made her acting debut with the Hindi film 'Chand Sa Roshan Chehra' in 2005 before rising to fame in the South with hits such as 'Happy Days', 'Kalloori', 'Ayan', 'Paiyaa' and '100% Love'. She achieved nationwide recognition with S.S. Rajamouli's 'Baahubali' franchise, where she played Avantika. Tamannaah has also delivered many chartbuster songs, including 'Kaavaalaa' from 'Jailer', 'Aaj Ki Raat' from 'Stree 2' and 'Nasha' from 'Raid 2', all of which became massive hits. On the dancing front, she was last seen in the song, Gafoor from the OTT series The Ba***ds of Bollywood."},"img":{"url":"https://images.prismic.io/prad/YmBiHhtB7p27A-4T_ragini3started.JPG?auto=format%2Ccompress&rect=0%2C122%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-16T08:50:00+0000","embed":{"embed_url":null}},"uid":"tamannaah-kickstarts-ragini-3-in-london"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"‘Mahaprabhu Jagannath’ Film Ban Reaches SC"},"content":{"text":"The makers of the upcoming film ‘Mahaprabhu Jagannath’ have approached the Supreme Court, and challenged the Odisha High Court’s verdict with regards to the release of the film. The Odisha High Court had earlier imposed a ban on the film stating that it did not conform to the Skanda Purana. The makers of the film have filed a petition in the Supreme Court challenging the verdict of the Odisha High Court. Senior advocate Devadatt Kamath presented the matter before a bench headed by the Chief Justice of India. He argued that the film is an animated feature made for children and that the ban has caused crores of rupees in losses to the producers. The makers also shared an official statement with regards to the film, and its content. They said, “‘Mahaprabhu Jagannath’ is an extension of our animated series Jay Jagannath, created with the utmost honesty, sincerity and devotion for Lord Jagannath and His devotees”. They further mentioned that they hope the audience gets to watch the film, and decide for themselves. They went on, “The film is a heartfelt depiction of a devotee's bhav (devotion) towards Mahaprabhu Jagannath, and we make no claim otherwise. We deeply respect the sentiments of every devotee and everyone who follows the path of Lord Jagannath. We simply hope audiences get the opportunity to watch the film and decide for themselves. This Rath Yatra, our wish is for the film to reach children and families and bring them closer to learning more about Lord Jagannath and imbibe the culture and values. We have made this film giving our heart, soul and with pure intentions to celebrate faith, culture and devotion”. “The film has received U certification from the CBFC in Hindi, Odia and Telugu and we have filed a review petition before the Hon'ble Supreme Court. As the matter is currently sub judice, we will refrain from commenting further and place our faith in the judicial process”, they added."},"img":{"url":"https://images.prismic.io/prad/KD5DgHoEt3SdUmXP_mhabharathjaganath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-16T12:25:00+0000","embed":{"embed_url":null}},"uid":"mahaprabhu-jagannath-film-ban-reaches-sc"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ranveer, Arjun Kapoor do a chest bump"},"content":{"text":"Actress Elnaaz Norouzi on Wednesday treated fans to a fun throwback video from Anshula Kapoor's wedding festivities, which featured Ranveer Singh and Arjun Kapoor recreating the magic of their iconic song ‘Tune Maari Entriyaan’. The energetic clip, originally shared by Elnaaz, was later reposted by Arjun Kapoor on his social media account. In the video, Ranveer Singh and Arjun Kapoor were seen running towards each other from opposite sides of the dance floor before pulling off a perfectly-timed chest bump on the iconic song. The actors then are seen dramatically dropping to the floor and continuing to dance together, recreating their signature moves from ‘Tune Maari Entriyaan'. Sharing the clip, Elnaaz Norouzi wrote, \"The things I find in my phone when I am looking for a picture... \" while tagging both Ranveer Singh and Arjun Kapoor. Arjun Kapoor later reshared the same video on his social media account and captioned it as, \"Credit for ur cinematography is due...\". Talking about ‘Tune Maari Entriyaan’, the song remains one of the most-loved Bollywood dance tracks. It is from the 2014 film ‘Gunday’, which starred Ranveer Singh and Arjun Kapoor in lead roles alongside Priyanka Chopra and Irrfan Khan. Talking about the video, it is from Arjun Kapoor's sister and social media influencer Anshula Kapoor's wedding celebrations. Singer Himesh Reshammiya has set the stage on fire with his iconic songs, and had the guests were seen grooving to his chartbuster songs during the cocktail celebration. Anshula Kapoor's wedding saw the creme dela creme of Bollywood. From Jackie Shroff, Rekha, Bobby Deol to many other celebrities attended the wedding reception of filmmaker Boney Kapoor's daughter. The wedding reception took place in July 7 in Mumbai, a day after Anshula nad Rohan Thakkar\"a wedding on July 6."},"img":{"url":"https://images.prismic.io/prad/oYyB2nXRYipJmKkj_rsakchest.JPG?auto=format,compress"},"datetime":"2026-07-16T02:11:00+0000","embed":{"embed_url":null}},"uid":"ranveer-arjun-kapoor-do-a-chest-bump"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Adah: One Film, Every Language"},"content":{"text":"Adah Sharma, who is all set to make her debut in Marathi cinema with Gajra, revealed that when she told her father she wanted to become an actor, he said that she should do “one film in every language in India”.  Talking about why she thought it was the right time to make a debut in Marathi cinema, Adah, who stepped into the glitzy world of acting in 2008 with the horror flick 1920, told: “I've always wanted to work across languages. Good stories don't come with subtitles—they come with great characters.” Recalling her father’s advice, she said: “When I told my father that I wanted to become an actress, he said, ' You should do one film in every language in India’. Each state has its own culture, each language has its own intricacies.” “So that will be a great challenge for you, to be a different person in each language and each film that you do,” said the actress, who has also showcased her prowess in language films such as Tamil, Telugu and Kannada. Adah is all set to step into the world of Marathi cinema with the upcoming film titled Gajra, which is based on true events. The upcoming film is directed by Shreyas Jadhav will hit the screens next year in 2027. Asked if ‘Gajra’ succeeds, would she actively pursue more Marathi films, or would she still see Bollywood as her primary space? Adah said: “I've always seen myself as a pan Indian actress.” “‘The Kerala Story’ was a Bollywood Hindi film with 60 percent in Malayalam, 10 percent in English, and 30 percent in broken Hindi. In ‘Commando’, a Hindi film, I play a Telugu girl. In my debut I played an anglo-Indian Liza.” Adah said that she is open to playing anything “human, non-human also, and the language doesn't matter.” “I would ideally like to take up space in all languages,” concluded the actress."},"img":{"url":"https://images.prismic.io/prad/11d63b78-d97b-4be1-8ff0-f1170e741f5a_adah+sharma.JPG?auto=format,compress"},"datetime":"2026-07-16T05:18:00+0000","embed":{"embed_url":null}},"uid":"adah-one-film-every-language"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"19-year-old gangraped in moving car!"},"content":{"text":"In a shocking incident of betrayal and sexual assault reported from Uttar Pradesh's Lalitpur district, a 19-year-old woman was abducted by a man who she was allegedly in a relationship for the last four years and gangraped by him and his friends in a moving car, police said on Thursday.  Speaking on the case, Additional Superintendent of Police (ASP) Kalu Singh said: \"The victim had been in a relationship with the accused, Badal Raja, for the past four years and preliminary investigation suggests she had accompanied him voluntarily.\" According to officials, the victim's mother lodged a complaint with the police, alleging that her daughter was forcibly taken away in a car by a local resident, Badal Raja, along with two of his associates. The complainant stated that the distraught victim managed to call her sister during the horrific incident and sought help from her family. Following the call, her family launched a desperate search for her and found her in a distressed condition near the railway station and took her to the police station. Based on the complaint, the police registered an FIR and formed a special team to investigate the case. During the course of investigation, police arrested two of the accused. A third unidentified accused was later apprehended during a police encounter, in which he sustained a bullet injury to his leg. He is currently undergoing treatment at a hospital. Investigators said to have recovered a .315 bore country-made pistol, one empty cartridge, one live cartridge, a mobile phone, a bottle of liquor, and a car from the accused during the encounter. The police said the accused will be produced before the court based on the available evidence. Further investigation in the case is underway. In yet another crime against girls and women in UP, a seven-year-old girl was found dead in the basement of an under-construction mall in Ghaziabad's Raj Nagar Extension.  She had been befriended by one of the accused, who often played with her and her brothers and gave them chocolates, chips and toffees to gain their trust. The child’s body was recovered during the early hours of Saturday from the basement of the building. A post-mortem examination confirmed that she was raped before her death and died due to a head injury. Police have registered an FIR based on a complaint filed by the family."},"img":{"url":"https://images.prismic.io/prad/0ff7b792-4bed-4ff7-a224-a113b9458a11_rape+in+car.JPG?auto=format,compress"},"datetime":"2026-07-16T05:30:00+0000","embed":{"embed_url":null}},"uid":"19-year-old-gangraped-in-moving-car"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Fauzi' Locks Release Date!"},"content":{"text":"The makers of director Hanu Raghavapudi's eagerly awaited action entertainer 'Fauzi', featuring Pan Indian star Prabhas in the lead, on Thursday announced that the film would hit screens worldwide on December 3 this year, much to the delight of fans and film buffs.   Taking to his social media timelines, the film's director Hanu Raghavapudi wrote, \"On 3rd DECEMBER 2026, the #Fauzi march begins. Come witness a story that won’t just unfold on the big screen, it will live on in the hearts of everyone who believes in courage, honor, and freedom. #FauziOnDec3.\" The film has triggered huge interest in fans and film buffs ever since the makers first announced the project last year. Fauzi hit the limelight earlier this year in April, when director Hanu Raghavapudi made an emotional appeal to people, asking them not to circulate leaked images of the film on social media. Taking to his social media timelines, he had then said, \"We’ve poured our hearts into #Fauzi to give you something truly special. Humbly requesting everyone, please don’t spoil the magic with leaks. Let’s experience it the way it’s meant to be… together in theatres.\" At that point, the makers of the film, using the official handle of the film on the social media platform X, issued a stern warning to those accounts that were circulating the leaked images of the film. The makers had then said, \"It has come to our attention that certain accounts are circulating leaked images from the sets of #Fauzi. Please treat this as a strict warning - any such content will be reported, and necessary action will be taken against those involved.\" The makers had further said, \"These leaks compromise the experience we are carefully building. What’s coming on the big screen will be far bigger and worth the wait. We urge everyone to refrain from sharing or engaging with leaked content.\" For the unaware, director Hanu Raghavapudi's upcoming historical action film, featuring actor Prabhas in the lead, was titled 'Fauzi'. While announcing the title of the film, the makers had used Sanskrit Shlokas. Opening up on why they had used the Shlokas, director Hanu Raghavapudi had said, “We intentionally used Sanskrit Shlokas because they add gravity and meaning to our warrior tale. However, this is not a mythological film. We've only drawn philosophical inspiration from the Bhagavad Gita. 'Fauzi' is a powerful patriotic drama that explores human emotions and socio-political tensions during the British era, many of which still resonate globally today.” The director, known for his visually rich storytelling in films like 'Sita Ramam', is said to be crafting 'Fauzi' as a large-scale cinematic experience that highlights the courage and inner conflicts of its protagonist. Prabhas, who has been experimenting with diverse roles, reportedly plays a complex character torn between duty, emotion, and ideology. 'Fauzi' marks Prabhas’s return to a grand period drama epic after 'Baahubali', promising an emotional and visually breathtaking cinematic experience. The film is expected to be released in theatres in multiple languages this year. The film, which is set in the 1940s and which was tentatively being referred to as #PrabhasHanu before being titled 'Fauzi', will be a fictional historical and will feature actress Imanvi as the female lead. Apart from Prabhas and Imanvi, the film also will feature veteran actors Anupam Kher, Mithun Chakraborty, Bhanu Chander and Jayapradha in pivotal roles. The film has music by Vishal Chandrasekhar, who is one of director Hanu Raghavapudi's favourite music directors. Interestingly, it was Vishal Chandrasekhar who had scored the music for the director's earlier blockbuster 'Sita Ramam', featuring Dulquer Salmaan and Mrunal Thakur in the lead. Cinematography for the film is by Sudeep Chatterjee and lyrics for the songs in the film are by Krishna Kanth. Sheetal Sharma is the costume designer for this historical film, which has triggered huge expectations among fans and film buffs."},"img":{"url":"https://images.prismic.io/prad/4xWhh4g_W3yf1xcG_fauzi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-16T06:24:00+0000","embed":{"embed_url":null}},"uid":"fauzi-locks-release-date"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Ambati booked for pushing cops"},"content":{"text":"Police in Kakinada district of Andhra Pradesh filed a case against former minister and YSR Congress Party leader Ambati Rambabu for allegedly preventing police personnel from discharging their duties.  The case has been registered at Kirlampudi Police Station in connection with the incident that occurred during the last rites of former minister and Kapu leader Mudragada Padmanabham in Kirlampudi village on Wednesday. Rambabu and his supporters allegedly pushed policemen when they were presenting a guard of honour. As the family of the late leader declined the State honours, YSRCP leaders raised objections to the presence of police personnel for giving the guard of honour. Rambabu had an argument with the police officers and allegedly pushed them. On a complaint by Armed Reserve Sub-Inspector V. Appalaraju and a few constables, a case was registered against Rambabu and others. The policemen alleged that the YSRCP leader and his supporters tried to deter them from discharging their duties and deliberately pushed them. Padmanabham (73) died of illness at a private hospital in Hyderabad on Tuesday. He is survived by two sons and a daughter. He was buried under a mango tree at his residence in Kirlampudi village, in keeping with his last wish that he not be cremated.  According to his family members, he was buried in his regular attire, with his belongings. Former Chief Minister and YSRCP president Y.S. Jagan Mohan Reddy guided the rites and was one of the pallbearers. Though Chief Minister N. Chandrababu Naidu and Deputy Chief Minister Pawan Kalyan had decided that the last rites of Padmanabham be performed with state honours, the family declined to accept it. YSRCP leaders said the family had declined the State honours citing the “harassment” they faced during N. Chandrababu Naidu’s government between 2014 and 2019.  When police personnel arrived at the late leader’s residence to present a guard of honour, the YSRCP leaders raised objections. Rambabu and others entered into an argument with a police officer and allegedly pushed them. Several cases have been booked against Rambabu during the last two years. In most cases, he was charged with behaving rudely with police and preventing them from discharging their duties."},"img":{"url":"https://images.prismic.io/prad/qRuFEiDbJVubW1tS_protest.JPG?auto=format,compress&rect=0,42,1200,592&w=2028&h=1000"},"datetime":"2026-07-16T06:05:00+0000","embed":{"embed_url":null}},"uid":"ambati-booked-for-pushing-cops"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Why Is Varalaxmi Backing Vijay?"},"content":{"text":"Actress Varalaxmi Sarathkumar, who is also the daughter of well-known actor and politician Sarathkumar, on Thursday pointed out that people could say a hundred different things but at the end of the day, C Joseph Vijay was \"our chief minister\" and that he was here to stay.   Posting a picture of her meeting Tamil Nadu Chief Minister C Joseph Vijay on her Instagram page, actress Varalaxmi Sarathkumar wrote, \"Thalapathy..!! I pondered over what to say about this post but then I realised so much has been said already. So, just wanted to say one thing. People may say a 100 different things. But at the end of the day, C Joseph Vijay is our Chief Minister and he’s here to stay!!\" The actress went on explain,\"Criticism is easy, but being elected as Chief Minister in the first attempt requires immense courage, determination, and an overwhelming love from the people of TN!!. Let’s honour this position of power.\" Stating that actions indeed spoke louder than words, the actress, who is a self-confessed fan of the Tamil Nadu Chief Minister, said, \"To those who constantly find faults, time will reveal the truth. Until then, let’s exercise a bit of patience, respect, and encouragement to see what he truly accomplishes.\" The actress then went on to address the next part of her post to TN CM Vijay. She wrote, \"I love you saar. Always have, always will be a “Vijay Veriyan”.\" Going on to thank Vijay for meeting her, she said, \"Thank you for meeting with us and spending so much time.!!\" She went on to disclose some details of their meeting. She said, \"Laughing about what I told him on the sets of 'Sarkar'. I knew then that this was his journey. Always warm and humble. We even got to discuss a few women welfare-related issues and I’m looking forward to see the amazing changes unfold for the people of Tamil Nadu.!! God bless you sir and may the people of TN flourish under your leadership!!. @cmotamilnadu @actorvijay @jagadish_palanisamy #thalapathy #vijay.\""},"img":{"url":"https://images.prismic.io/prad/VM326TefeZcyVtMW_varalakshmivijay.JPG?auto=format%2Ccompress&rect=0%2C53%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-16T05:15:00+0000","embed":{"embed_url":null}},"uid":"why-is-varalaxmi-backing-vijay"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Hindu student of Hyd school asked to read ‘Kalma’"},"content":{"text":"A controversy erupted at a private school in Hyderabad following an allegation that a Hindu student of Class 2 was assigned Islamic religious verses as homework.  The student was asked to recite ‘Kalima’ and ‘Sura Fatiha’. The incident occurred at a school in the Saidabad area.  The parents of the student confronted the school management, questioning the appropriateness of such an act within an academic environment.  The parents lodged their protest with the management of ‘Success’ school and demanded action against the teacher involved.  Following the protest, the school management sacked the teacher. She has been permanently disqualified from applying for employment in future in the ‘Success’ group of educational institutions. According to the parents, the teacher had given the homework on July 15. “Read Sura Fatiha”, mentioned in the school diary under the subject ‘Deeniyath’. Earlier on July 11, the teacher had written ‘Read Kalima’, but the same was struck off by the teacher, apparently after realising that the subject did not apply to the non-Muslim student. According to the school management, almost all the students in the school are Muslims, and they have the subject of ‘Deeniyath’ or Islamic teaching. However, the subject is not taught to non-Muslim students.  ‘Kalima’ is the Islamic declaration of faith and testimony, while ‘Surah Fatiha’ is the first chapter of the Holy Quran. The management clarified that it was an inadvertent mistake, but they still took the action of terminating the services of the teacher. Meanwhile, independent MLA T. Raja Singh Lodh condemned the incident. He said it was deeply shameful that a Class 2 student was allegedly pressured by the school management to recite the Kalma.  “This is not the first such case in Telangana; there have been several similar incidents in the past. Yesterday, when the parents of the child went to the school and questioned the management about how they could pressure their Hindu child to recite the Kalma, the school authorities had no answer,” he said He demanded that Chief Minister Revanth Reddy take action against schools which are forcing Hindu children to recite ‘Kalma’. The former BJP MLA questioned the silence of AIMIM chief and Hyderabad MP Asaduddin Owaisi on the issue."},"img":{"url":"https://images.prismic.io/prad/NdwjrZdbqXzMnDzj_kalmaread.JPG?auto=format%2Ccompress&rect=0%2C56%2C1600%2C789&w=2028&h=1000"},"datetime":"2026-07-16T06:49:00+0000","embed":{"embed_url":null}},"uid":"hindu-student-of-hyd-school-asked-to-read-kalma"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"H-1B visa holders create jobs for Americans"},"content":{"text":"Indian-American Congressman Suhas Subramanyam has rejected claims that H-1B visa holders take jobs from Americans, arguing that many immigrants establish companies and create employment in the United States.  \"This is not a zero-sum game,\" Subramanyam, who represents Virginia's 10th Congressional District, told in an interview. \"In fact, a lot of folks that come in on, let's say, H-1B visas, they actually end up starting companies, creating jobs for Americans,\" he said. The Democratic lawmaker acknowledged concerns about the visa programme and backed reforms to protect American workers. But he said the programme had helped the United States address critical workforce shortages and attract people who later became citizens. \"There are some issues with the program that we need to fix. We do wanna make sure that Americans have a shot at jobs,\" Subramanyam said. \"But in the end, the H1B program has been successful in plugging in workforce gaps as well as, you know, having some of those folks become future Americans and contributing greatly to our society,\" he said. Subramanyam said many people in his Virginia constituency had entered the United States on H-1B visas before becoming citizens and contributing to their communities. \"There's so many in my community who started off as H-1B visa holders who are now citizens and who are giving back so much to the community,\" he said. \"So we wanna make sure we preserve the program, can reform it, make it better, and also protect American workers in the process,\" he added. The Congressman also criticised attempts to blame immigrants for wider economic problems. Such arguments, he said, diverted attention from systemic issues affecting workers and the economy. \"There are other systemic problems that are preventing that, that we need to address, but, you know, an age-old tactic is to blame immigrants for the economy or for anything that's going wrong,\" Subramanyam said. \"And so, you know, instead of blaming, why don't we work together and why don't we make sure that this world, this community, is great for everyone,\" he said. Subramanyam described Indian Americans as an integral part of Virginia and the wider US economy. \"We're Indian American, but we are American,\" he said. \"And, you know, we're proud of this country, and we want the next 250 years to be just as strong as the first 250.\" Subramanyam has represented Virginia's 10th Congressional District since 2025. The district includes communities in Northern Virginia, part of the Washington metropolitan region and home to a sizeable population of immigrants and technology professionals. The H-1B programme allows US employers to hire foreign professionals for specialised occupations. Indian nationals have long accounted for a major share of its beneficiaries, particularly in technology, engineering and other highly skilled sectors."},"img":{"url":"https://images.prismic.io/prad%2Fc26fc6a1-82dc-4c92-80f9-5c61d5776d0a_h1b.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-16T03:10:00+0000","embed":{"embed_url":null}},"uid":"h-1b-visa-holders-create-jobs-for-americans"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Indian MP Wants Merit-Based GC"},"content":{"text":"Indian-American Congressman Shri Thanedar has called for faster visa processing and an end to country-based green card quotas, saying the United States needs skilled immigrants to strengthen its economy and create more American jobs.  In an exclusive interview with media, the Democratic lawmaker from Michigan said immigrants had played a central role in America’s growth across medicine, research, innovation, science and technology. “We need to process visas quicker. We need to get rid of country quotas so we can get the skilled workforce our businesses need,” Thanedar said. Indian professionals face some of the longest employment-based green card waits because of per-country limits. Thanedar said US companies continued to report difficulty finding workers with specialised skills. “Every time I go meet Silicon Valley entrepreneurs, CEOs, they all tell me about how difficult it is to get a skilled workforce,” he said. Thanedar said the United States must train more Americans for these jobs. Until enough domestic workers acquire the required skills, he said, immigration would remain necessary. “The only way we can get those skilled workforce businesses need is to train Americans for these skills, and until such thing happens where there are enough Americans, we need to continue to encourage immigrants to come and contribute to our economy and contribute to our GDP and help create more American jobs,” he said. The Congressman spoke as the United States prepares to mark the 250th anniversary of its independence. He said Indian-American entrepreneurs exemplified the role immigrants had played in building businesses across the country. “These are people who have worked hard to build businesses all across America, and they symbolise what immigrants have done for this country,” he said. Thanedar also voiced concern about what he described as growing hostility towards immigrants. He said he was working in Congress to restore respect for their contributions. “Currently there is such a wave of anti-immigrant attitude all across America,” he said. “And what I’m doing is in fighting, I’m in Congress, I’m fighting to restore the respect for immigrants.” He highlighted the importance of Indian professionals to the US technology industry. “Silicon Valley could not survive without immigrants, especially Indian, Indian Americans,” Thanedar said. “So it is time for us to realise and respect and honour the contribution of immigrants for the success of America.” The employment-based US immigration system places annual limits on the number of permanent residency visas issued to nationals of any single country. The system has produced particularly long waits for applicants from India, who constitute a large share of highly skilled foreign professionals working in the United States. "},"img":{"url":"https://images.prismic.io/prad%2Fce2cb4d7-53bb-49bd-9c90-090e6a53dd72_us+green+card.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-16T04:03:00+0000","embed":{"embed_url":null}},"uid":"indian-mp-wants-merit-based-gc"}},{"node":{"tags":["Trending"],"data":{"third_party_url":null,"title":{"text":"From Office Desk to Dream Life"},"content":{"text":"As the landscape of work continues to evolve, an increasing number of professionals are re-evaluating the traditional 9-to-5 paradigm. Amid rising discussions about remote work, freelancing, and entrepreneurship, personal narratives of those who have successfully ventured into self-employment are resonating widely. A compelling Reddit post from a marketing executive who made the leap from corporate life to entrepreneurship has captured the attention of many, revealing not only the financial implications of such a transition but also practical insights for aspiring business owners navigating this daunting path. The 33-year-old entrepreneur, who stepped away from a stable corporate position in mid-2024, described the decision as a “life flex.” Initially starting with just two clients, the transition was fraught with challenges, yet the individual managed to cultivate a more structured operation over time, ultimately welcoming a third client recently. Sharing their journey on social media, they wrote, \"Been actively working with 2 clients since last year and just closed another one last month. Now I'm working on closing a few more deals before the end of this year.” This progression emphasizes not only resilience but also the gradual building of a more sustainable business model in a competitive environment. The shift away from a conventional work schedule has brought about both challenges and freedoms that the entrepreneur is eager to embrace. Long hours and client meetings remain a staple, yet the absence of a rigid office schedule has afforded them unprecedented flexibility. They expressed a newfound ability to manage personal errands and family time without the constraints of a daily commute, stating, “If I want to take my daughter to the beach on a working day, I can.” This newfound autonomy highlights a growing trend among professionals seeking more fulfilling work-life balances amidst shifting cultural expectations around employment. In their post, the marketing executive offered three crucial pieces of advice for those contemplating a similar leap into entrepreneurship. They emphasized the importance of financial preparedness, advising against leaving a job without adequate savings and a contingency plan. Additionally, they cautioned against the common trap of pursuing only high-paying clients, advocating instead for a focus on learning from all clients, regardless of their budget. Lastly, they stressed the significance of tracking results and linking the work done to tangible value delivered to clients, ensuring that success metrics align with client expectations. Such insights not only illuminate the complexities of entrepreneurial ventures but also resonate with a growing audience eager to redefine their professional identities."},"img":{"url":"https://images.prismic.io/prad/1ymOzMsZHEjtjRjL_enterprenuer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-15T18:43:00+0000","embed":{"embed_url":null}},"uid":"from-office-desk-to-dream-life"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Samantha's Thai Wellness Journey"},"content":{"text":"Mom-to-be Samantha Ruth Prabhu has offered fans a glimpse into her peaceful wellness retreat with husband and filmmaker Raj Nidimoru.  The actress took to her social media account to share a carousel of pictures and videos from the vacation, accompanied by the caption, 'Wellness has always been my favourite kind of travel.' The post captures Samantha soaking in the beautiful and peaceful surroundings of the luxury retreat. In one picture, the actress is seen sitting by a dining table, gazing at a bird perched just outside the glass window. Another picture features a wholesome breakfast spread, while in another picture, Samantha is seen posing in a breezy white co-ord outfit against a lush green backdrop. The carousel also includes candid moments with her filmmaker husband Raj Nidimoru. Another glimpse shows the actress unwinding during a yoga and stretching session. She is also seen enjoying the resort's peaceful ambience. For the uninitiated, a few weeks ago, the actress sparked speculation after she was spotted in a fitted white bodycon outfit that many fans believed highlighted her baby bump. While Samantha has not directly addressed the pregnancy rumours, at a recent press conference, she spoke about taking a maternity break soon. Samantha married filmmaker Raj Nidimoru, one half of the acclaimed director duo Raj & DK, in an intimate ceremony last year in December. The couple reportedly grew close while working together in projects directed by Raj featuring the actress, including The Family Man 2 and Citadel: Honey Bunny. The actress is currently basking in the glory of her recent successful movie, 'Maa Inti Bangaram' which has become the first female-led Telugu film to gross a whopping Rs 100 crores worldwide. The action enterainer, which hit screens on June 19, featured Samantha Ruth Prabhu in the lead and was directed by Nandini Reddy. Samantha, just before the release of the film, had disclosed how she had taken quite a few blows while performing the action sequences in the film and how she had even bled while performing the stunts in the film."},"img":{"url":"https://images.prismic.io/prad/EL5BhfmhvzOAa4fW_sam.JPG?auto=format,compress"},"datetime":"2026-07-15T10:42:00+0000","embed":{"embed_url":null}},"uid":"samanthas-thai-wellness-journey"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Jeevitha Challenges 'Men Will Be Men'"},"content":{"text":"Jeevitha Rajasekhar's recent remarks on men's affairs have reignited a conversation that extends far beyond the lives of celebrities. Whether made in the context of personal experience or as a broader observation, the comments touch upon an uncomfortable reality that exists across society. For decades, male infidelity has often been dismissed as a \"mistake,\" a \"phase,\" or simply \"a man's nature,\" while women in similar situations have faced far harsher judgment. Such contrasting attitudes reveal how deeply rooted double standards continue to shape public perceptions of relationships, loyalty, and accountability. The film industry is no stranger to stories of broken marriages, affairs, and public controversies. However, these issues are not exclusive to cinema—they reflect wider societal attitudes. What changes is the level of scrutiny. Celebrities live under a microscope, where every personal revelation becomes a headline and every family dispute becomes public discussion. Yet the underlying lesson remains universal: relationships thrive on trust, honesty, and mutual respect. When that trust is broken, the emotional consequences affect not only spouses but also children, families, and professional lives. Excusing infidelity simply because it involves a successful or influential man sends the wrong message and normalizes behavior that damages relationships. Perhaps the most important takeaway from Jeevitha's remarks is the need to move beyond stereotypes and place equal responsibility on both partners in a relationship. Loyalty cannot be a one-sided expectation, nor should society celebrate or excuse betrayal based on gender. Healthy marriages are built on commitment, communication, and accountability—not on outdated notions that grant one gender greater freedom than the other. Public conversations on this subject should encourage respect and responsibility rather than sensationalism, because the issue is not about celebrities alone; it is about the values that shape relationships in every home."},"img":{"url":"https://images.prismic.io/prad%2Fabf4020a-5141-48d9-86e1-5b1f94a5fc0d_jeevitha+rajashekhar.jpg?auto=format%2Ccompress&rect=0%2C28%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T06:45:00+0000","embed":{"embed_url":null}},"uid":"jeevitha-challenges-men-will-be-men"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Cricket legend Sir Garry Sobers dies"},"content":{"text":"Cricket legend Sir Garfield Sobers (Garry), widely regarded as the greatest all-rounder the game has ever produced, has died at the age of 89, bringing to an end the remarkable life of one of the sport's most celebrated figures.  Former West Indies captain Sobers leaves behind an unmatched legacy built on remarkable achievements with both bat and ball. The West Indies icon will always be remembered as the first player to hit six sixes in a single over in first-class cricket. He accomplished this feat in 1968 at St Helen's Ground in Swansea while playing for Nottinghamshire against Glamorgan. Born in Barbados, Sobers made his first-class debut at just 16 in 1953. The following year, he earned a West Indies Test cap. His rise to greatness was quick. In 1958, against Pakistan, he scored an unbeaten 365, setting a new world record for the highest individual Test score. This record stood until his fellow countryman Brian Lara broke it in 1994. Sobers retired from international cricket in 1974 at the age of 38. His ability to contribute in all aspects of the game meant he was always in demand worldwide. Throughout his impressive international career, Sobers played 93 Tests for the West Indies. He scored 8,032 runs at an impressive average of 57.78 and took 235 wickets at 34.03. He still holds the fourth-highest batting average among players with over 5,000 Test runs. His first-class record was also remarkable. Over 383 matches, Sobers scored more than 28,000 runs and took over 1,000 wickets, representing Barbados, Nottinghamshire, and South Australia during his distinguished career. In recognition of his significant contribution to cricket, Sobers was knighted in 1975. His impact on the game went beyond generations. He will be remembered not only as one of cricket's greatest players but as the standard against which all all-rounders are measured."},"img":{"url":"https://images.prismic.io/prad/C9jCwuKBwbXRHV-9_sigarrysoberse.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-17T15:45:00+0000","embed":{"embed_url":null}},"uid":"cricket-legend-sir-garry-sobers-dies"}},{"node":{"data":{"title":{"text":"Jagan launches ‘2.0 super app’"},"content":{"text":"Former Chief Minister and YSR Congress Party President Y.S. Jagan Mohan Reddy on Thursday launched “Jagan 2.0 Super App”, describing it as a dedicated digital platform that will connect every YSRCP worker directly with the party leadership and enable them to express their views without fear. Speaking at the launch of the app at the party’s central office in Tadepalli, Jagan said the party has introduced the app at a time when content posted by YSRCP supporters on social media is being arbitrarily deleted, and attempts are being made to suppress their voice. To counter such efforts, the party has created its own platform where every activist can freely express opinions and remain connected with the organisation. Since this is the party’s own app and will be used by its own cadre, no outside force will have the right to arbitrarily delete their content, he said. Jagan said the app will connect every worker and leader, from the smallest grassroots activist to the party central office, and from the constituency level to the state level. Through the app, workers will be able to directly share public issues from the field, problems faced by party activists due to police harassment, and other party‑related matters, ensuring constant communication within the organisation. He said all party meetings, press meets, important programmes and official announcements will be made available to every activist through live feeds on the app. The platform will be further developed so that whenever any party worker faces difficulty, they can post the issue on the app and the party can respond. Leaders and workers from the village level to the state level will then be able to stand by the affected cadre. Jagan said the digital diary currently being used to record details of police harassment and political victimisation of party workers will also be integrated with the Super App. This will allow activists facing harassment or other issues to file their complaints and record details directly through the app. He said the party will continue to challenge objectionable criticism, videos and comments against YSRCP on other social media platforms and seek their removal wherever necessary. At the same time, the party has built its own Super App in a manner that cannot be stopped by anyone."},"img":{"url":"https://images.prismic.io/prad/j4AkTkAdpRNPvZYB_jagan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-16T18:57:00+0000","embed":{"embed_url":null}},"uid":"jagan-launches-2.0-super-app"}},{"node":{"data":{"title":{"text":"FIFA WC 2026 Winners Get Rings"},"content":{"text":"When the FIFA World Cup 2026 champions are crowned at Jersey Stadium, in addition to the iconic trophy and prestigious gold medals, the first-ever championship rings will be presented to the winners. The tournament winners will receive bespoke championship rings, bringing one of the most recognisable American sporting traditions to the global game, FIFA said in a release. One side of the ring features the FIFA World Cup trophy, while the other will be customised to reflect the identity of the winning team. Each ring will be individually numbered, custom-fitted and delivered with its own certificate of authenticity. Immediately after the final, the captain and head coach of the winning team will receive temporary rings to commemorate the occasion.  Each of the 30 rings for the winners will then be customised before being officially presented at a later date, ensuring the perfect lifelong fit for an achievement that will echo through eternity. Each ring will be part of a strictly limited edition of just 2,026 individually numbered pieces, a direct tribute to the tournament itself. Of these, 30 will be presented to the victorious team, while 1,996 will be made available to fans worldwide as an Official Licensed Product, allowing supporters to own a unique piece of FIFA World Cup 2026 history. The 104th match at the FIFA World Cup 2026 pits European champions Spain against defending world and South American champions Argentina. Spain reached the final after outclassing favourites France in the semi-finals.   Argentina, meanwhile, have taken a hard, albeit thrilling, road to their second World Cup final in succession and seventh overall. The defending champions opened their campaign with three successive group stage victories, led by the extraordinary Lionel Messi, who now has eight goals in this tournament and 21 across his long World Cup career."},"img":{"url":"https://images.prismic.io/prad/kVwGeEfDQX3rjzz__ring.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-17T02:32:00+0000","embed":{"embed_url":null}},"uid":"fifa-wc-2026-winners-get-rings"}},{"node":{"data":{"title":{"text":"Electoral Reform or Democratic Erosion?"},"content":{"text":"“Modern democratic erosion does not announce itself with a military coup; it arrives quietly in the middle of the night, disguised as an update to the voter registration software” This timeless argument by Steven Levitsky and Daniel Ziblatt in How Democracies Die appears to be finding its echo in what seems to be the uncannily similar efforts of Donald Trump’s election policies and the ongoing SIR process in India. Gerrymandering is old news; the modern autocrat’s weapon of choice is the bureaucratic purge. Whether it is Trump executing high-decibel voter suppression tactics—fueled by his legendary, un-hacked 2020 election denial tantrums—or the Election Commission of India deploying its clinical Special Intensive Revision (SIR), the core mechanism remains identical. The operational goal is simple: weaponize electoral roll hygiene to manufacture an artificial incumbency advantage, shifting the entire burden of proof away from the state and squarely onto the individual citizen. This is a classic example of democratic erosion, which is just a fancy term for a slow-motion breakdown. Instead of destroying a democracy overnight with tanks, politicians use ordinary laws, complicated paperwork, and endless red tape to slowly hollow out your rights from the inside until the system only works for them. While the geopolitical theater changes, the partisan manipulation tools are practically copy-pasted. The targeted demographics under both regimes remain remarkably consistent, focusing heavily on voter disenfranchisement for maximum impact. Trump’s domestic strategy relies on aggressive voter ID restrictions and signature-matching loops that require a forensic law degree to navigate. Across the globe, the Indian SIR blueprint opts for tech-driven algorithmic exclusion, utilizing opaque backend data models to flag millions of minority voters for immediate deletion. This alignment thrives on asymmetric polarization, a political condition where one dominant political party pushes things way past normal boundaries while the other side is left scrambling to defend basic rights. Because one faction has broken the unwritten rules of fair play, the system operates under a paranoid assumption of widespread electoral fraud. By turning voter registration into an extreme bureaucratic endurance sport, the system subtly flips a core legal norm: citizens are now treated as illegal anomalies until they can produce decades-old paperwork to prove their legitimate enfranchisement. The human cost of these administrative overhauls is a textbook exercise in structural marginalization, selectively carving out vulnerable populations while acting as a targeted political scalpel. In the United States, targeted polling place closures and strict signature laws surgically lower voter turnout in working-class urban centers and Black and brown neighborhoods. As independent election analysts observe, this partisan cleansing has taken a hyper-localized turn in India. In several states opposition groups have actively protested, alleging that the SIR process has been weaponized as an active vote-theft operation designed to systematically scrub out pro-opposition voting blocs. They allege that rather than serving as an objective census, the database-cleansing apparatus operates like an asymmetric political weapon. It allows ruling coalitions to use proprietary data tracking to erase unfavorable demographics under the clinical guise of eliminating \"double entries.\" The supreme irony of this modern democratic backsliding lies in its sophisticated PR framing. These sweeping purges are always introduced under the noble banner of \"protecting democratic integrity\" and \"securing the ballot box.\" Yet, when the system requires an ordinary citizen to deploy a team of legal experts and genealogy researchers just to defend their basic political franchise, the institutional consensus has fundamentally collapsed. The state apparatus effectively ceases to function as a vehicle for civic empowerment, morphing instead into a highly efficient, gatekeeping machine engineered to restrict, manage, and ultimately minimize public participation in the democratic process. Welcome to the future of governance, where you no longer choose your politicians—your politicians choose you."},"img":{"url":"https://images.prismic.io/prad/6nWpO0pZlCoOL-vQ_SIR.JPG?auto=format,compress"},"datetime":"2026-07-17T06:37:00+0000","embed":{"embed_url":null}},"uid":"electoral-reform-or-democratic-erosion"}},{"node":{"data":{"title":{"text":"Jagan's Parliament Game Plan"},"content":{"text":" Former Chief Minister and YSR Congress Party President Y.S. Jagan Mohan Reddy said governance in Andhra Pradesh has completely collapsed under Chandrababu Naidu and directed YSRCP MPs to strongly raise people's issues, corruption, illegal cases, farmer distress, employee problems, rising debt and scams in both Houses of Parliament during the Monsoon Session beginning July 20. Jagan chaired the YSR Congress Parliamentary Party meeting at the party's central office in Tadepalli to discuss the strategy to be adopted in Parliament. The meeting was attended by YSRCP Parliamentary Party leader and Rajya Sabha MP V.Y. Subba Reddy, Rajya Sabha MPs Meda Raghunath Reddy and Golla Baburao, YSRCP floor leader in Lok Sabha Peddireddy Mithun Reddy, Lok Sabha MPs M. Gurumoorthy, Y.S. Avinash Reddy and Gumma Tanuja Rani. Former MPs Pilli Subhash Chandra Bose and Alla Ayodhya Rami Reddy attended as special invitees. Addressing the MPs, Jagan said that the interests of the people of Andhra Pradesh must remain the party's foremost priority and urged them to raise their voices forcefully in Parliament. He reiterated YSRCP's support for the Women's Reservation Bill and said the party stands by its earlier position. He said governance in the State has been thrown to the winds, and scams are visible everywhere, with DSC 2025 emerging as a major recruitment scandal. Jagan said serious irregularities had occurred in the filling of DSC posts, including appointments made before candidates even wrote the competitive examination. He said several issues had also emerged regarding DSC question paper leaks and serious irregularities in sports quota appointments. Government Orders were issued only to benefit favoured persons and were cancelled once their purpose was served, he said. He pointed out that the sports associations that issued certificates were also in the hands of ruling party leaders, citing the Softball Association, headed by TDP MLA Kuna Ravi Kumar, and the Judo Association, where Visakhapatnam MP and Lokesh's brother-in-law, Bharath, is Honorary President. He said land allotments across the State had become arbitrary and corrupt. Nearly Rs 5,000 crore worth of government lands were handed over to Minister Lokesh's brother-in-law for a pittance, he said, calling it a grave act of corruption. He said massive loot was taking place in Amaravati construction, with costs exceeding Rs 20,000 per square foot, a rate unheard of anywhere in the country. He said roads, too, had become a source of loot, while farmers who refused to give up their land under pooling were being harassed and their land forcibly taken. Farmers are questioning why more land is being acquired when even the thousands of acres already taken remain undeveloped, he said. Jagan said those exposing government failures or questioning the ruling party were being harassed with false cases and arrests. In the name of social media, Chandrababu is unleashing severe repression and arresting people at will, he said. He asked MPs to raise these attacks on democratic rights in Parliament. He also directed MPs to take up the problems faced by teachers due to the mandatory TET requirement. He said it is unfair to force teachers who entered service before TET was introduced to write the examination now, especially when they had already cleared competitive examinations at the time of recruitment. Teachers who have been teaching one subject for many years should not be compelled to write a TET covering all subjects, he said, asking MPs to meet the Union Minister concerned and present the issue. Jagan said public assets in the State are being distributed like freebies to private parties. He strongly criticised the privatisation of ports, harbours, and other institutions, especially since many of these projects were initiated under the YSRCP government and are either completed or nearing completion. He questioned how the nearly completed Ramayapatnam Port, worth around Rs 5,000 crore, could be handed over for just Rs 1,500 crore, asking whether this was not a major scam. If such revenue-generating assets are handed over to private parties, how will the State earn revenue, he asked. He said the coalition government is setting debt records while corruption continues everywhere. Land is being allotted arbitrarily, while the sand, liquor, and mining sectors have become centres of organised loot. Mafias are operating in every sector, he said. In just two years, the government has borrowed nearly Rs 3.6 lakh crore, violating the FRBM Act and borrowing without limits, yet nothing has been done for the people, he said. Jagan said aqua farmers are suffering heavily due to syndicates, while farmers across the State are facing losses due to the absence of remunerative prices for any crop. The anger of aqua farmers was evident at the Bhimavaram meeting, where they openly expressed that they were being deceived, he said. He also said government employees are facing severe problems, with no implementation of manifesto promises, no PRC, no IR, five DAs pending, surrender leaves pending, and every issue unresolved."},"img":{"url":"https://images.prismic.io/prad/810d1863-6597-42fe-a381-561dedc41fcd_Jagan+Padayatra.JPG?auto=format,compress"},"datetime":"2026-07-16T12:39:00+0000","embed":{"embed_url":null}},"uid":"jagans-parliament-game-plan"}},{"node":{"data":{"title":{"text":"BRS MLC’s son allegedly caught consuming drugs"},"content":{"text":"Son of a Member of Telangana Legislative Council and two other youth were caught for allegedly consuming drugs but the MLC denied that his son consumed drugs or he was arrested.  Bharat Raj Reddy, Abhishek and Yunith were reportedly caught during a police raid in Mangalhat area on Wednesday night. The raid was reportedly conducted following a tip-off that a group was allegedly involved in purchase and consumption of marijuana and hash oil. While three persons were apprehended during the raid, four others managed to escape. Police have seized 24 grams of hash oil and 22 grams of marijuana. The trio were taken to Mangalhat Police Station, where their blood samples were collected. They were subsequently shifted to Osmania General Hospital for medical examination. Police registered a case and launched further investigation. A search was on for four absconding accused – Soni, Vamsi, Manoj and Tulija. Meanwhile, Bharat Rashtra Samithi (BRS) MLC, P. Venkatram Reddy, denied that his son consumed drugs. He said in a statement that the reports about his arrest are baseless. The MLC stated that there is no truth in the reports circulating that his son, Bharat Reddy, consumed drugs or that he was arrested by the Mangalhat police. \"The news appearing in the media is baseless and untrue. This morning, the Mangalhat police visited our residence, stating they were investigating a drug-related case and requested cooperation with the enquiry,” he said. Venkatram Reddy said the police conducted an enquiry, which revealed his son had not consumed drugs. “The investigation was conducted based on information linked to a phone number found in the contact list of a mutual acquaintance. Bharat was not arrested. He did not consume drugs,” the MLC said. Mangalhat area is notorious for illicit liquor and drugs. The EAGLE Force (Telangana Anti-Narcotics Bureau), Hyderabad Narcotics Enforcement Wing (H-NEW), Law and Order Police and Prohibition & Excise Department have been regularly conducting raids in the area."},"img":{"url":"https://images.prismic.io/prad/abaY9bbci2UF6Ba0_drugs.JPG?auto=format,compress"},"datetime":"2026-07-16T11:20:00+0000","embed":{"embed_url":null}},"uid":"brs-mlcs-son-allegedly-caught-consuming-drugs"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Actor Krishna Manineni Accused in Multi-Million Fraud"},"content":{"text":"In a startling development that has sent shockwaves through the Telugu film industry and beyond, actor Manineni Murali Krishna, popularly known as Krishna Manineni, has been formally accused of defrauding a city-based doctor out of a staggering ₹80 lakh. The allegations stem from a purported scheme involving fake railway contracts, prompting the Cyberabad Economic Offences Wing (EOW) to initiate a criminal investigation into the matter. The complainant, 33-year-old Ch S Naidu, operates a clinic in Manikonda and claims he was lured into the investment under the false pretense of lucrative returns linked to railway projects. Naidu's entanglement with Manineni began in 2022, when he was introduced to the actor through a mutual patient who described him as a prominent figure in the film industry and the head of a non-governmental organization. In June 2024, Manineni presented Naidu with an investment opportunity, asserting that he managed a company engaged in executing railway contracts in Hubballi, Karnataka. With promises of an enticing 8% monthly return, Naidu invested his savings across multiple transactions from October 2024 to September 2025, only to find the promised returns halted by June 2025. The unfolding scandal raises troubling questions regarding the integrity of public figures and the vulnerabilities of private investors. According to Naidu's accusations, the actor initially offered flimsy explanations for the payment delays, which later evolved into outright admissions that he was not involved in any railway contracts as claimed. In a shocking twist, when the doctor pressed for repayment, he reportedly received threats from Manineni, who then evaded further contact by switching off his phone and abandoning his residence. Notably, Naidu also alleges that the actor has defrauded at least five other investors, amassing losses exceeding ₹6.43 crore through similar deceptive practices involving counterfeit railway procurement documents. As the EOW delves deeper into the allegations, they have registered a case against Manineni and his associates under various sections of the Bharatiya Nyaya Sanhita, including cheating and forgery. An EOW official confirmed that the department is currently scrutinizing financial transactions and related documentation to substantiate the claims made by Naidu. The investigation not only highlights the potential for systemic exploitation within the investment landscape but also underscores the imperative for transparency and accountability among high-profile individuals who wield significant influence in society."},"img":{"url":"https://images.prismic.io/prad/uS8QmIOUvVnpGZoT_krishnamaineni.JPG?auto=format,compress"},"datetime":"2026-07-17T10:30:00+0000","embed":{"embed_url":null}},"uid":"actor-krishna-manineni-accused-in-multi-million-fr"}},{"node":{"data":{"title":{"text":"Aditya Pancholi a ‘self-sabotaging personality’"},"content":{"text":"Former actress Somy Ali described Aditya Pancholi as a “self-sabotaging personality” while reflecting on her experience of working on the film “Mafia.” Recalling her time on the sets, Somy also fondly remembered working with veteran actor Dharmendra. She praised his professionalism and warm nature throughout the filming process. Sharing her throwback clip from the movie, Somy wrote, “This #tbt is extremely significant because of this movie. Majority of my work playing a cop, learning how to ride a motorcycle, was because and was with Dharam ji. My Hindi Film Industry’s papa.” “Mafia’ was a Pranlal Mehta Production with the nicest people like Jay Mehta, Pranlal ji’s son, of course, Dharam ji, and while an extremely talented and handsome actor, yet unfortunately a self-sabotaging personality named Aditya Pancholi. My experience with him was extraordinarily good and respectful without a speck of what he depicts off camera. Nonetheless, this is a tribute to someone I miss every single day and my mind will not register Dharam ji’s lack of presence. She also added hashtags “#missingdharamji #mumbaitruths #mafia #somyali.” (sic) Somy Ali shared a throwback video from the song “Kis Ladki Ne Dil Mera Chhina” from Mafia, which featured her alongside Aditya Pancholi. “Mafia,” the 1996 action crime film directed by Aziz Sejawal, featured Dharmendra, Aditya Pancholi, Jay Mehta, Somy Ali, Gulshan Grover, Mohan Joshi, and Raza Murad. Last year, Somy made a series of allegations against Pancholi through social media. In her Instagram post, Ali described Aditya Pancholi as a \"disgusting human being\" and accused him of infidelity and physically abusing women. She also alleged that his son, actor Sooraj Pancholi, was responsible for actress Jiah Khan's death in 2013."},"img":{"url":"https://images.prismic.io/prad%2F7f1cd714-a6fd-496c-8cca-7a9bec2b3a14_aditya+pancholi.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T09:42:00+0000","embed":{"embed_url":null}},"uid":"aditya-pancholi-a-self-sabotaging-personality"}},{"node":{"data":{"title":{"text":"Aamir Khan: Sonam Wangchuk Didn't Inspire '3 Idiots'"},"content":{"text":"Bollywood superstar Aamir Khan has revealed that his character Phunsukh Wangdu from the 2009 blockbuster “3 Idiots” is not based on educationist and climate activist Sonam Wangchuk. Aamir was speaking at the ongoing London Indian Film Festival when an audience member asked him about Sonam Wanchuk being the inspiration behind 3 Idiots. Aamir replied: “No, that's not true actually. That is a misconception.” Aamir said he didn't know about Sonam when we were making the film. The superstar said: “I know that I saw a video of Chatur (Omi Vaidya), just recently, he said that, no, he's wrong. Maybe that's what Chatur was thinking, but I want to tell you that neither Raju (Rajkumar Hirani) nor Abhijat (Abhijat Joshi) were the two writers, nor I, we didn't know about Sonam.” He added what Sonam is doing is good work in any case. “He doesn't have to be based on the character of 3 Idiots for us to respect him and it won't get me down. Just from a factual point of view, I wanted to say that neither Raju nor Abhijat… It's never been clarified before this. He also has said that the character is not based on him. He's also clarified.” “3 Idiots” is directed by Rajkumar Hirani. The film stars Aamir Khan, R. Madhavan and Sharman Joshi in the title roles, while Kareena Kapoor, Boman Irani, Mona Singh and Omi Vaidya play supporting roles. Narrated through two parallel timelines, one in the present and the other set ten years earlier, the story follows the friendship of three students at an Indian engineering college and is a satire about the intrinsic paternalism under the Indian education system. Asked what he has to say about Sonam’s hunger strike? He added: “Well, I think all of us are very concerned for his health and his life and we hope that it ends well and all of us are hoping that he ends his fast and looks after his health.”"},"img":{"url":"https://images.prismic.io/prad/-qT_kuDXcRQGGmCA_3idiots.JPG?auto=format,compress"},"datetime":"2026-07-17T09:32:00+0000","embed":{"embed_url":null}},"uid":"aamir-khan-sonam-wangchuk-didnt-inspire-3-idiots"}},{"node":{"data":{"title":{"text":"Is 2030 The New Target For 'Pushpa 3'?"},"content":{"text":"Allu Arjun has emerged as one of India's busiest and most sought-after pan-India stars following the phenomenal success of the Pushpa franchise. With multiple big-ticket projects lined up, the actor's schedule is packed for the next several years. While fans are thrilled to see him collaborating with some of the country's most celebrated filmmakers, many are also beginning to wonder what this means for the much-awaited Pushpa 3. The actor is currently busy shooting for Raka, a high-budget sci-fi action entertainer directed by Tamil filmmaker Atlee. Given its extensive VFX work and massive scale, industry insiders believe the film is unlikely to hit theatres before late 2027 or even 2028. After wrapping up Raka, Allu Arjun is expected to join hands with another acclaimed Tamil director, Lokesh Kanagaraj, for an action-packed entertainer. Adding to the excitement, reports also suggest that Malayalam filmmaker Basil Joseph is set to direct the actor in another ambitious project. Speculation intensified after Basil recently shared a social media post featuring a cap with the word \"Icon,\" which many fans interpreted as a subtle hint towards his collaboration with the Icon Star. Although there has been no official announcement, industry circles believe discussions between the two have reached an advanced stage. While this impressive lineup highlights Allu Arjun's growing appeal across industries, it has also sparked a debate among fans. Many are questioning when the actor will reunite with Telugu directors, especially Sukumar, the filmmaker who played a pivotal role in transforming him into a pan-India sensation with Pushpa. The franchise not only became a box-office phenomenon but also earned Allu Arjun the National Award for Best Actor, making expectations for Pushpa 3 even higher. However, looking at the actor's current commitments, Pushpa 3 appears to be moving further down the timeline. If the Atlee, Lokesh Kanagaraj, and Basil Joseph projects proceed as expected, Sukumar's sequel may not go on floors for quite some time. Trade analysts believe this could push the film's release well beyond 2030, although there has been no official confirmation from the makers. Until an announcement is made, the fate of Pushpa 3 remains one of the biggest talking points among fans eagerly waiting for the next chapter of the blockbuster franchise."},"img":{"url":"https://images.prismic.io/prad/ZxKu74F3NbkBXulH_pushpa2.JPG?auto=format,compress"},"datetime":"2026-07-17T05:59:00+0000","embed":{"embed_url":null}},"uid":"is-2030-the-new-target-for-pushpa-3"}},{"node":{"data":{"title":{"text":"Arjun Kapoor ready for marriage!"},"content":{"text":"Arjun Kapoor’s comments on marriage left “Lock Upp: Sach Ya Sazaa” contestant Pamala Serena all blushing as the actor said he is ready for marriage. Arjun entered as a guest for the Judgmental Day episode for the Netflix reality show. During their chat, Arjun confessed he was a fan of Pamala’s ‘Kaleshi Korner’ segment, now one of the most entertaining features of the show. During the chat, he even made a joking proposal to Pamala, saying: “I’m still young and ready for marriage”. Pamela was taken by surprise by his comment and blushed. Arjun added another fun twist to the conversation by turning to fellow contestant Akanksha Chamola and quipped, “Our taste is the same.” The Netflix show currently has popular names such as Akanksha Chaudhary, Yogesh Rawat, Sunita Ahuja, Ram Kapoor, Shreya Kalra, Shivangi Joshi, Harshad Chopra, Sufi Motiwala, Dheeraj Dhoopar, and Varun Yadav aka Laila. Farah Khan and Riteish Deshmukh host the show. The first edition of “Lock Upp” was hosted by Kangana in 2022. Karan Kundrra was introduced as Jailor for the entire season. Munawar Faruqui was named as the winner. The second installment will have 14 inmates, 2 jailers, and 1 lock-up for 6 weeks. As per the rules, inmates must complete tasks to earn in-game currency required for even the necessities such as food, supplies, and privileges. The 41-year-old actor, who made his acting debut in 2012 with romantic action film Ishaqzaade, was last seen in “Mere Husband Ki Biwi,” a romantic comedy film written and directed by Mudassar Aziz. The film also stars Bhumi Pednekar and Rakul Preet Singh in lead roles. The film follows Ankur, a divorced man, who gets a second chance at love when his college crush, Antara, re-enters his life. However, things get complicated when his amnesiac former wife also returns, confusing."},"img":{"url":"https://images.prismic.io/prad/Z2JnGJbqstJ98n8S_arjunkapoor.JPG?auto=format,compress"},"datetime":"2026-07-17T06:35:00+0000","embed":{"embed_url":null}},"uid":"arjun-kapoor-ready-for-marriage"}},{"node":{"data":{"title":{"text":"Jeevitha Challenges 'Men Will Be Men'"},"content":{"text":"Jeevitha Rajasekhar's recent remarks on men's affairs have reignited a conversation that extends far beyond the lives of celebrities. Whether made in the context of personal experience or as a broader observation, the comments touch upon an uncomfortable reality that exists across society. For decades, male infidelity has often been dismissed as a \"mistake,\" a \"phase,\" or simply \"a man's nature,\" while women in similar situations have faced far harsher judgment. Such contrasting attitudes reveal how deeply rooted double standards continue to shape public perceptions of relationships, loyalty, and accountability. The film industry is no stranger to stories of broken marriages, affairs, and public controversies. However, these issues are not exclusive to cinema—they reflect wider societal attitudes. What changes is the level of scrutiny. Celebrities live under a microscope, where every personal revelation becomes a headline and every family dispute becomes public discussion. Yet the underlying lesson remains universal: relationships thrive on trust, honesty, and mutual respect. When that trust is broken, the emotional consequences affect not only spouses but also children, families, and professional lives. Excusing infidelity simply because it involves a successful or influential man sends the wrong message and normalizes behavior that damages relationships. Perhaps the most important takeaway from Jeevitha's remarks is the need to move beyond stereotypes and place equal responsibility on both partners in a relationship. Loyalty cannot be a one-sided expectation, nor should society celebrate or excuse betrayal based on gender. Healthy marriages are built on commitment, communication, and accountability—not on outdated notions that grant one gender greater freedom than the other. Public conversations on this subject should encourage respect and responsibility rather than sensationalism, because the issue is not about celebrities alone; it is about the values that shape relationships in every home."},"img":{"url":"https://images.prismic.io/prad%2Fabf4020a-5141-48d9-86e1-5b1f94a5fc0d_jeevitha+rajashekhar.jpg?auto=format%2Ccompress&rect=0%2C28%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T06:45:00+0000","embed":{"embed_url":null}},"uid":"jeevitha-challenges-men-will-be-men"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}},{"node":{"data":{"title":{"text":"How Smoking Hurts Pregnancy!"},"content":{"text":"When planning to start a family, many couples focus on preparing for pregnancy by discussing nursery plans and choosing baby names. However, what often goes unnoticed is the detrimental impact of smoking on fertility and pregnancy. Cigarette smoke contains harmful chemicals that can damage reproductive cells in both men and women, making it harder to conceive and increasing the risk of pregnancy complications and poor outcomes for babies.  Dr. Vandana Bhatia, a Senior Fertility Specialist, emphasizes that smoking silently affects fertility, pregnancy, and the long-term development of the child. Both partners play a crucial role in protecting fertility as smoking can reduce sperm count, affect sperm movement, and damage egg quality, hormone levels, and ovarian reserve. Additionally, passive smoking also poses risks to fertility and pregnancy outcomes. Quitting smoking as a couple not only improves motivation and emotional support but also encourages healthier habits, leading to improved fertility and overall health.  The quality of eggs and sperm before conception significantly influences the health of the future child, making it essential for both parents to quit smoking before starting a family. Dr. Bhatia recommends practical steps for quitting smoking together, emphasizing that healthy choices are crucial in building a healthy family. Parenthood begins with the quiet promise of choosing health together, even before the first heartbeat is heard on an ultrasound."},"img":{"url":"https://images.prismic.io/prad/akDOG1bRV8_Qf8Cd_smokefertility.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T19:33:00+0000","embed":{"embed_url":null}},"uid":"how-smoking-hurts-pregnancy"}},{"node":{"data":{"title":{"text":"Even 1% Sleep Loss Could Heighten Dementia Risk"},"content":{"text":"A recent study published in JAMA Neurology has shed light on the potential link between minimal sleep loss and an increased risk of dementia. The research suggests that as little as a 1% reduction in deep sleep per year for individuals over 60 could translate to a 27% elevated risk of developing dementia. Deep sleep, also known as slow-wave sleep, plays a crucial role in the body's repair processes and the clearance of toxic proteins associated with dementia.  Associate Professor Matthew Pase from Monash University's Turner Institute for Brain and Mental Health emphasized the significance of deep sleep in supporting the aging brain and facilitating the removal of metabolic waste, including proteins linked to Alzheimer's disease. The study, which drew from the Framingham Heart Study, examined 346 participants over 60 years of age, tracking their sleep patterns and dementia development over a 17-year period. Even after adjusting for various factors, including age, genetic predisposition, and medication use, the findings consistently pointed to a 27% increased dementia risk for each percentage decrease in deep sleep annually.  It's important to note that the natural decline in deep sleep with age is gradual, peaking between 75 and 80 years old and then stabilizing. However, the cumulative effect of a 27% increase per percentage-point decrease underscores the long-term impact on dementia risk. While there's no straightforward solution to preserving deep sleep, maintaining consistent sleep schedules, avoiding alcohol before bedtime, creating a conducive sleep environment, and addressing conditions like sleep apnea can potentially support better sleep quality. Additionally, regular exercise has been linked to improved slow-wave sleep in older adults. Although these measures aren't a guarantee, the study highlights the importance of prioritizing deep sleep for brain health as individuals age."},"img":{"url":"https://images.prismic.io/prad/50a54145-f24c-4c83-80b9-e6d19ba52027_sleep.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T06:59:00+0000","embed":{"embed_url":null}},"uid":"even-1-sleep-loss-could-heighten-dementia-risk"}},{"node":{"data":{"title":{"text":"Is Your Soda Habit Causing Hair Loss?"},"content":{"text":"Are your beloved sodas harming your hair? While soft drinks have long been criticized for their impact on weight, diabetes, and heart health, a new concern has emerged regarding their potential effects on hair. The discussion gained traction after hair transplant surgeon Dr. Abhishek Pilani highlighted the issue on Raj Shamani's Figuring Out podcast.  According to Dr. Pilani, regular consumption of sugary cold drinks may create conditions within the body that are not conducive to healthy hair growth. While consuming one soda is unlikely to cause sudden hair loss, a study published in the journal Nutrients in 2023 found a link between higher consumption of sugar-sweetened beverages and male-pattern hair loss in young men. However, it's essential to note that the study established a correlation, not causation. The potential connection between soft drinks and hair health lies in the impact of high-sugar beverages on overall health.  Excessive sugar consumption can lead to repeated spikes in blood sugar and insulin levels, potentially contributing to inflammation and metabolic issues that affect the body, including hair growth. However, hair loss is rarely attributed to a single factor and is typically the result of various elements accumulating over time, including genetics, hormones, nutrition, lifestyle, and overall health. Healthy hair growth relies on a balanced intake of nutrients such as iron, protein, zinc, vitamin D, and B vitamins. While soft drinks don't directly deplete these nutrients, excessive consumption may lead to healthier options being replaced.  The concern lies in long-term habits rather than occasional consumption. The normal range of daily hair loss is between 50 and 100 strands, but concerns arise when lost hairs aren't adequately replaced. While soft drinks may not directly cause hair loss, their impact on overall health could potentially affect hair growth. Instead of fixating on individual cans of soda, experts emphasize the importance of considering overall lifestyle factors such as sleep, stress management, balanced nutrition, and reduced sugar intake. Ultimately, addressing concerns about hair health may begin with dietary and lifestyle adjustments."},"img":{"url":"https://images.prismic.io/prad/aDbfAydWJ-7kSniS_jucessoda.JPG?auto=format,compress"},"datetime":"2026-06-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"is-your-soda-habit-causing-hair-loss"}},{"node":{"data":{"title":{"text":"Recognizing the Early Signs of Ovarian Cancer"},"content":{"text":"Ovarian cancer is a significant concern for women in India, being the third most common cancer among them. However, many women with ovarian cancer often experience symptoms for several months before receiving a proper diagnosis. In India, a staggering 70 to 80 percent of ovarian cancer patients are diagnosed at advanced stages, mainly because the early signs are easily mistaken for other health issues. Oncologists have dubbed ovarian cancer as a 'silent disease' due to its subtle progression without clear, alarming symptoms.  Dr. Sampada Desai, a Consultant Gynaecological Cancer and Robotic Surgeon, emphasizes that ovarian cancer does not remain silent but instead 'whispers' through nonspecific symptoms such as upper abdominal discomfort, bloating, feeling full too early, and digestive problems, which are often mistaken for other conditions. Persistent bloating and extreme fullness even after consuming small portions of food, coupled with lower abdominal or pelvic pain, should prompt a visit to the doctor. Changes in menstrual patterns, irregular bleeding, or any bleeding post-menopause also warrant attention.  It is crucial for individuals experiencing these symptoms to keep a record for a month and consult a gynecologic oncologist if any symptoms persist for more than two weeks or occur frequently. Women with a family history of ovarian, breast, or colon cancer should be particularly vigilant, as they have a higher genetic predisposition to cancer. Early detection is key, as there are no routine screening tests for ovarian cancer. Clinical examination, ultrasonography, and blood tests may be part of the evaluation for potential ovarian cancer. Recognizing the subtle signs and listening to the 'whisper' of ovarian cancer may significantly aid in early detection and improved survival rates."},"img":{"url":"https://images.prismic.io/prad/aigpQAeQX7-eXEpI_overaincancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T18:42:00+0000","embed":{"embed_url":null}},"uid":"recognizing-the-early-signs-of-ovarian-cancer"}},{"node":{"data":{"title":{"text":"How Thyroid Health Affects Fertility"},"content":{"text":"For women trying to conceive, the road to pregnancy can be fraught with challenges. While the reasons for delayed conception may not always be obvious, thyroid health could be a significant factor. As the world marks World Thyroid Day on May 25, experts emphasize the often overlooked influence of hypothyroidism on reproductive health. Dr. Alimileti Jhansi Rani, a Fertility Specialist at Birla Fertility & IVF Hyderabad, stresses the critical role of the thyroid in reproductive health.  Research has shown that hypothyroidism can disrupt ovulation, menstruation, and hormonal regulation, leading to fertility struggles and potential complications during pregnancy. It's important to note that even 'normal' thyroid levels may not be ideal for conception, with specialists recommending optimized levels for fertility. Treatment and lifestyle changes, including medication, proper nutrition, stress management, and monitoring menstrual and ovulation patterns, can significantly improve the chances of conception.  Additionally, testing for thyroid antibodies can provide valuable insights, especially for women facing recurrent miscarriages or fertility challenges. Understanding the impact of thyroid health on fertility and seeking timely medical guidance can save valuable time for women struggling to conceive."},"img":{"url":"https://images.prismic.io/prad/1c687669-969a-426e-b643-acc2ccc20607_thyroid.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","embed":{"embed_url":null}},"uid":"how-thyroid-health-affects-fertility"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Hyd man stabbed multiple times in US mall"},"content":{"text":"In an alleged hate crime, a man from Hyderabad was stabbed multiple times in a shopping mall in the United States.  According to information reaching the family of Syed Sohailuddin, he is in critical condition after being stabbed by a man in Valley Fair Mall in West Valley City, Utah. The assailant reportedly asked the victim if he was a Muslim before stabbing him more than 15 times.  Sohailuddin, 37, was running a kiosk in the shopping mall for the last two-and-a-half years.   Some bystanders overpowered the assailant and took his knife before police arrived. He was identified as Peter Michael Larsen, 48. He allegedly told police he targeted the Muslim victim and intended to kill him.  The incident occurred on July 13. Disturbing visuals of the attack were widely circulated on social media.  The victim has been admitted to a hospital in West Valley City and is reported to be in a critical condition. The family of Sohailuddin, a resident of the Toli Chowki area here, has appealed to the government to immediately intervene in the matter. They have requested Minister for External Affairs S. Jaishankar to take up the issue with the US authorities and arrange visas for them to travel to the US.  Sohailuddin’s wife, Amreen Firdouse, fainted on learning about the attack. The couple has two children, aged five and three years. His sister-in-law, Asma Firdouse, requested the External Affairs Minister to take up the issue with US authorities and issue an emergency visa to at least two family members. Majlis Bachao Tehreek (MBT) spokesman Amjed Ullah Khan called on the family members of Sohailuddin. He wrote to EAM Jaishankar to direct the Indian embassy in Washington, D.C., to immediately reach out to Syed Sohailuddin, coordinate with the concerned authorities and extend all necessary consular assistance and support to the injured Indian national and his family. Khan has also requested the minister to take up the matter with the Embassy of the United States in New Delhi and the US Consulate in Hyderabad for the issuance of emergency humanitarian visas to the close family members of the victim."},"img":{"url":"https://images.prismic.io/prad/wPHBStc_L1UQSWwk_syedsohaluddin.JPG?auto=format,compress"},"datetime":"2026-07-16T09:05:00+0000","embed":{"embed_url":null}},"uid":"hyd-man-stabbed-multiple-times-in-us-mall"}},{"node":{"data":{"title":{"text":"H-1B visa holders create jobs for Americans"},"content":{"text":"Indian-American Congressman Suhas Subramanyam has rejected claims that H-1B visa holders take jobs from Americans, arguing that many immigrants establish companies and create employment in the United States.  \"This is not a zero-sum game,\" Subramanyam, who represents Virginia's 10th Congressional District, told in an interview. \"In fact, a lot of folks that come in on, let's say, H-1B visas, they actually end up starting companies, creating jobs for Americans,\" he said. The Democratic lawmaker acknowledged concerns about the visa programme and backed reforms to protect American workers. But he said the programme had helped the United States address critical workforce shortages and attract people who later became citizens. \"There are some issues with the program that we need to fix. We do wanna make sure that Americans have a shot at jobs,\" Subramanyam said. \"But in the end, the H1B program has been successful in plugging in workforce gaps as well as, you know, having some of those folks become future Americans and contributing greatly to our society,\" he said. Subramanyam said many people in his Virginia constituency had entered the United States on H-1B visas before becoming citizens and contributing to their communities. \"There's so many in my community who started off as H-1B visa holders who are now citizens and who are giving back so much to the community,\" he said. \"So we wanna make sure we preserve the program, can reform it, make it better, and also protect American workers in the process,\" he added. The Congressman also criticised attempts to blame immigrants for wider economic problems. Such arguments, he said, diverted attention from systemic issues affecting workers and the economy. \"There are other systemic problems that are preventing that, that we need to address, but, you know, an age-old tactic is to blame immigrants for the economy or for anything that's going wrong,\" Subramanyam said. \"And so, you know, instead of blaming, why don't we work together and why don't we make sure that this world, this community, is great for everyone,\" he said. Subramanyam described Indian Americans as an integral part of Virginia and the wider US economy. \"We're Indian American, but we are American,\" he said. \"And, you know, we're proud of this country, and we want the next 250 years to be just as strong as the first 250.\" Subramanyam has represented Virginia's 10th Congressional District since 2025. The district includes communities in Northern Virginia, part of the Washington metropolitan region and home to a sizeable population of immigrants and technology professionals. The H-1B programme allows US employers to hire foreign professionals for specialised occupations. Indian nationals have long accounted for a major share of its beneficiaries, particularly in technology, engineering and other highly skilled sectors."},"img":{"url":"https://images.prismic.io/prad%2Fc26fc6a1-82dc-4c92-80f9-5c61d5776d0a_h1b.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-16T03:10:00+0000","embed":{"embed_url":null}},"uid":"h-1b-visa-holders-create-jobs-for-americans"}},{"node":{"data":{"title":{"text":"Indian MP Wants Merit-Based GC"},"content":{"text":"Indian-American Congressman Shri Thanedar has called for faster visa processing and an end to country-based green card quotas, saying the United States needs skilled immigrants to strengthen its economy and create more American jobs.  In an exclusive interview with media, the Democratic lawmaker from Michigan said immigrants had played a central role in America’s growth across medicine, research, innovation, science and technology. “We need to process visas quicker. We need to get rid of country quotas so we can get the skilled workforce our businesses need,” Thanedar said. Indian professionals face some of the longest employment-based green card waits because of per-country limits. Thanedar said US companies continued to report difficulty finding workers with specialised skills. “Every time I go meet Silicon Valley entrepreneurs, CEOs, they all tell me about how difficult it is to get a skilled workforce,” he said. Thanedar said the United States must train more Americans for these jobs. Until enough domestic workers acquire the required skills, he said, immigration would remain necessary. “The only way we can get those skilled workforce businesses need is to train Americans for these skills, and until such thing happens where there are enough Americans, we need to continue to encourage immigrants to come and contribute to our economy and contribute to our GDP and help create more American jobs,” he said. The Congressman spoke as the United States prepares to mark the 250th anniversary of its independence. He said Indian-American entrepreneurs exemplified the role immigrants had played in building businesses across the country. “These are people who have worked hard to build businesses all across America, and they symbolise what immigrants have done for this country,” he said. Thanedar also voiced concern about what he described as growing hostility towards immigrants. He said he was working in Congress to restore respect for their contributions. “Currently there is such a wave of anti-immigrant attitude all across America,” he said. “And what I’m doing is in fighting, I’m in Congress, I’m fighting to restore the respect for immigrants.” He highlighted the importance of Indian professionals to the US technology industry. “Silicon Valley could not survive without immigrants, especially Indian, Indian Americans,” Thanedar said. “So it is time for us to realise and respect and honour the contribution of immigrants for the success of America.” The employment-based US immigration system places annual limits on the number of permanent residency visas issued to nationals of any single country. The system has produced particularly long waits for applicants from India, who constitute a large share of highly skilled foreign professionals working in the United States. "},"img":{"url":"https://images.prismic.io/prad%2Fce2cb4d7-53bb-49bd-9c90-090e6a53dd72_us+green+card.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-16T04:03:00+0000","embed":{"embed_url":null}},"uid":"indian-mp-wants-merit-based-gc"}},{"node":{"data":{"title":{"text":"Indian Consulate in Boston issues scam alert"},"content":{"text":"The Consulate General of India in Boston has issued a public advisory warning members of the Indian diaspora and other residents about a rise in fraudulent calls from scammers impersonating officials of Indian diplomatic missions and law enforcement agencies.  Sharing the advisory on X, the Consulate said: “Scam Alert! India in Boston has seen reports of fraudsters impersonating Indian Embassy/Consulate officials/ spoofing official telephone numbers! Please see the advisory below. ” The advisory cautioned that fraudsters are using fear and intimidation to deceive victims into sharing sensitive information or making payments. According to the Consulate, scammers may falsely claim that a person’s SIM card has been used for illegal activities in India, allege problems with passport, visa or immigration documents, or accuse individuals of involvement in hawala or money laundering cases while threatening arrest or legal action. The advisory further warned that fraudsters often “use fear tactics by demanding immediate action, insisting you remain isolated, or asking you to join video calls.” Victims may also be asked to share personal, financial or identity information, including copies of official identity documents, which can later be misused for fraud, identity theft or blackmail. The Consulate stressed that its officials never seek payments or sensitive personal information over the phone. It stated: “The Consulate General Of India, Boston Will Never: Demand payment or financial information over the phone. Threaten arrest, legal action, deportation, or other adverse consequences. Ask you to join a video call or share identity documents for verification. Ask you to visit the Consulate to resolve an alleged legal matter in India.” The advisory also clarified that “All official communications from the Consulate are made through official email only.” Highlighting the modus operandi of fraudsters, the Consulate noted that genuine Indian law enforcement agencies do not conduct investigations through phone or video calls. It emphasised: “Indian Law Enforcement Officials [CBI/ED/Police/Customs] Do NOT: Make a telephone/Video call for purported crimes in India. Conduct a digital arrest. Seek a money transfer via Digital or Crypto means.” The mission urged anyone receiving such calls not to panic or comply with the callers’ demands. Instead, recipients were advised not to share any personal, financial or identity information, not to join video calls, and not to make any payment. The Consulate advised the public to “Hang up immediately” if they receive a suspected fraudulent call and report the incident to local law enforcement as well as the Consulate at cons.boston@mea.gov.in. The advisory comes amid increasing reports of sophisticated impersonation scams targeting members of the Indian community overseas, with fraudsters using spoofed official telephone numbers and fabricated legal threats to coerce victims into revealing confidential information or transferring money. The Consulate urged the public to remain vigilant and rely only on official channels for any communication concerning consular or legal matters."},"img":{"url":"https://images.prismic.io/prad/2ac57fd6-9ff8-4c05-b658-df0a510e76d2_cyber+attacks.JPG?auto=format,compress"},"datetime":"2026-07-15T03:50:00+0000","embed":{"embed_url":null}},"uid":"indian-consulate-in-boston-issues-scam-alert"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"Korean Kanakaraju Teaser"},"img":{"url":"https://images.prismic.io/prad/aW4Y_AIvOtkhBtEC_koreankanakaraju.JPG?auto=format,compress"},"datetime":"2026-07-13T14:15:00+0000","third_party_url":null},"uid":"korean-kanakaraju-teaser"}},{"node":{"data":{"title":{"text":"'Oh Sukumari' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/ai5rjY1P9HI4UdQP_ohsukumari.JPG?auto=format,compress"},"datetime":"2026-07-10T12:45:00+0000","third_party_url":null},"uid":"oh-sukumari-movie-trailer"}},{"node":{"data":{"title":{"text":"'Vadala' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/6ui925_N6cbCnzOH_vadala.JPG?auto=format,compress"},"datetime":"2026-07-09T07:25:00+0000","third_party_url":null},"uid":"vadala-movie-trailer"}},{"node":{"data":{"title":{"text":"GDN's first single 'The Rise of GDN'"},"img":{"url":"https://images.prismic.io/prad/AEjUZPKBSqUxpWvj_GDN.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-08T13:20:00+0000","third_party_url":null},"uid":"gdns-first-single-the-rise-of-gdn"}},{"node":{"data":{"title":{"text":"Toxic Movie: Tabaahi Song"},"img":{"url":"https://images.prismic.io/prad/-rJBIT1SVp9-szmD_tabaahi.JPG?auto=format,compress"},"datetime":"2026-07-08T06:30:00+0000","third_party_url":null},"uid":"toxic-movie-tabaahi-song"}},{"node":{"data":{"title":{"text":"Nag Speech at Lenin Grand Pre-Release"},"img":{"url":"https://images.prismic.io/prad/XvBh3TK3w8IcgRgr_nagspeech.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-05T18:30:00+0000","third_party_url":null},"uid":"nag-speech-at-lenin-grand-pre-release"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Global Sheriff or Modern Hafta Boss?"},"img":{"url":"https://images.prismic.io/prad/qCgNGTmF9KQ3pxms_harmuz.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-15T08:11:00+0000","third_party_url":null},"uid":"global-sheriff-or-modern-hafta-boss"}},{"node":{"data":{"title":{"text":"Powering Your Vehicle With Patriotic Vibes?"},"img":{"url":"https://images.prismic.io/prad/VfE50-k7E8bTVoWZ_e20english.JPG?auto=format,compress"},"datetime":"2026-07-14T06:52:00+0000","third_party_url":null},"uid":"powering-your-vehicle-with-patriotic-vibes"}},{"node":{"data":{"title":{"text":"\"The Silencing Of Online Dissent?\""},"img":{"url":"https://images.prismic.io/prad/FDF3p8Nhf11ftFKW_APcabinet.JPG?auto=format,compress"},"datetime":"2026-07-11T06:45:00+0000","third_party_url":null},"uid":"the-silencing-of-online-dissent"}},{"node":{"data":{"title":{"text":"AP: Will CBN's Deputy Become His Liability?"},"img":{"url":"https://images.prismic.io/prad/GDqJuG6kix8wMYYd_cbnpk.JPG?auto=format,compress"},"datetime":"2026-07-09T06:45:00+0000","third_party_url":null},"uid":"ap-will-cbns-deputy-become-his-liability"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-07-17T12:42:16+0000","data":{"title":{"text":"Pragya Jaiswal Spicy Stills"},"content":{"text":"Pragya Jaiswal is an Indian actress and model who predominantly works in Telugu films. She made her acting debut in 2014 with the Tamil-language film Virattu in 2014. Jaiswal had her breakthrough with the Telugu period drama Kanche, for which she was awarded the Filmfare Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/HTcjp1FBdNZf7hDK_pragya2028.JPG?auto=format,compress"}},"uid":"pragya-jaiswal-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aj-3gFbRV8_Qf7se_anasuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Is 2030 The New Target For 'Pushpa 3'?"},"content":{"text":"Allu Arjun has emerged as one of India's busiest and most sought-after pan-India stars following the phenomenal success of the Pushpa franchise. With multiple big-ticket projects lined up, the actor's schedule is packed for the next several years. While fans are thrilled to see him collaborating with some of the country's most celebrated filmmakers, many are also beginning to wonder what this means for the much-awaited Pushpa 3. The actor is currently busy shooting for Raka, a high-budget sci-fi action entertainer directed by Tamil filmmaker Atlee. Given its extensive VFX work and massive scale, industry insiders believe the film is unlikely to hit theatres before late 2027 or even 2028. After wrapping up Raka, Allu Arjun is expected to join hands with another acclaimed Tamil director, Lokesh Kanagaraj, for an action-packed entertainer. Adding to the excitement, reports also suggest that Malayalam filmmaker Basil Joseph is set to direct the actor in another ambitious project. Speculation intensified after Basil recently shared a social media post featuring a cap with the word \"Icon,\" which many fans interpreted as a subtle hint towards his collaboration with the Icon Star. Although there has been no official announcement, industry circles believe discussions between the two have reached an advanced stage. While this impressive lineup highlights Allu Arjun's growing appeal across industries, it has also sparked a debate among fans. Many are questioning when the actor will reunite with Telugu directors, especially Sukumar, the filmmaker who played a pivotal role in transforming him into a pan-India sensation with Pushpa. The franchise not only became a box-office phenomenon but also earned Allu Arjun the National Award for Best Actor, making expectations for Pushpa 3 even higher. However, looking at the actor's current commitments, Pushpa 3 appears to be moving further down the timeline. If the Atlee, Lokesh Kanagaraj, and Basil Joseph projects proceed as expected, Sukumar's sequel may not go on floors for quite some time. Trade analysts believe this could push the film's release well beyond 2030, although there has been no official confirmation from the makers. Until an announcement is made, the fate of Pushpa 3 remains one of the biggest talking points among fans eagerly waiting for the next chapter of the blockbuster franchise."},"img":{"url":"https://images.prismic.io/prad/ZxKu74F3NbkBXulH_pushpa2.JPG?auto=format,compress"},"datetime":"2026-07-17T05:59:00+0000","embed":{"embed_url":null}},"uid":"is-2030-the-new-target-for-pushpa-3"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Jeevitha Challenges 'Men Will Be Men'"},"content":{"text":"Jeevitha Rajasekhar's recent remarks on men's affairs have reignited a conversation that extends far beyond the lives of celebrities. Whether made in the context of personal experience or as a broader observation, the comments touch upon an uncomfortable reality that exists across society. For decades, male infidelity has often been dismissed as a \"mistake,\" a \"phase,\" or simply \"a man's nature,\" while women in similar situations have faced far harsher judgment. Such contrasting attitudes reveal how deeply rooted double standards continue to shape public perceptions of relationships, loyalty, and accountability. The film industry is no stranger to stories of broken marriages, affairs, and public controversies. However, these issues are not exclusive to cinema—they reflect wider societal attitudes. What changes is the level of scrutiny. Celebrities live under a microscope, where every personal revelation becomes a headline and every family dispute becomes public discussion. Yet the underlying lesson remains universal: relationships thrive on trust, honesty, and mutual respect. When that trust is broken, the emotional consequences affect not only spouses but also children, families, and professional lives. Excusing infidelity simply because it involves a successful or influential man sends the wrong message and normalizes behavior that damages relationships. Perhaps the most important takeaway from Jeevitha's remarks is the need to move beyond stereotypes and place equal responsibility on both partners in a relationship. Loyalty cannot be a one-sided expectation, nor should society celebrate or excuse betrayal based on gender. Healthy marriages are built on commitment, communication, and accountability—not on outdated notions that grant one gender greater freedom than the other. Public conversations on this subject should encourage respect and responsibility rather than sensationalism, because the issue is not about celebrities alone; it is about the values that shape relationships in every home."},"img":{"url":"https://images.prismic.io/prad%2Fabf4020a-5141-48d9-86e1-5b1f94a5fc0d_jeevitha+rajashekhar.jpg?auto=format%2Ccompress&rect=0%2C28%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T06:45:00+0000","embed":{"embed_url":null}},"uid":"jeevitha-challenges-men-will-be-men"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Nick's Age? PC Doesn't Care"},"content":{"text":"Global icon Priyanka Chopra Jonas has spoken about how for her love transcended age as she candidly addressed her 10-year age gap with husband Nick Jonas during an appearance on the Jonas Brothers' latest podcast.  Responding to a caller seeking advice about dating a younger man, the actress shared why the age difference never became an issue in her own relationship. During the podcast, a caller said, \"I have a boyfriend right now and he is six years younger than me, which is not a big difference. But for me it kind of is because I have always been known to go for the older guy. Do you have any tips on how to be more reassured in my relationship with a younger man?\" Nick Jonas responded by saying, \"We have an age difference, as you know, of 10 years, which was not a thing for me at all.\" Priyanka reacted to the question and our firth her personal experience, saying, \"When you find a person who you feel like checks all the boxes that you had in your head, no, it wasn't a challenge for me. But I understand her question. I understand, you know, going to do life with someone and are you going to be a partner in the big things?\" For the uninitiated, Priyanka Chopra and Nick Jonas have an age gap of 10 years. The couple first met at the Oscars after-party after initially connecting through social media. Their romance blossomed quickly, and following a courtship, the couple got engaged in July 2018. They tied the knot in December the same year in Jodhpur in lavish Christian and Hindu ceremonies, celebrating both their cultures. In January 2022, the couple welcomed their daughter, Malti Marie Chopra Jonas, via surrogacy. Professionally, Priyanka is busy as a bee with the shooting of her upcoming movie, Varanasi helmed by filmmaker SS Rajamouli."},"img":{"url":"https://images.prismic.io/prad/65c7be08-9803-4cbc-aa32-76af02e78f0e_pcnick.JPG?auto=format,compress"},"datetime":"2026-07-17T07:30:00+0000","embed":{"embed_url":null}},"uid":"nicks-age-pc-doesnt-care"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Electoral Reform or Democratic Erosion?"},"content":{"text":"“Modern democratic erosion does not announce itself with a military coup; it arrives quietly in the middle of the night, disguised as an update to the voter registration software” This timeless argument by Steven Levitsky and Daniel Ziblatt in How Democracies Die appears to be finding its echo in what seems to be the uncannily similar efforts of Donald Trump’s election policies and the ongoing SIR process in India. Gerrymandering is old news; the modern autocrat’s weapon of choice is the bureaucratic purge. Whether it is Trump executing high-decibel voter suppression tactics—fueled by his legendary, un-hacked 2020 election denial tantrums—or the Election Commission of India deploying its clinical Special Intensive Revision (SIR), the core mechanism remains identical. The operational goal is simple: weaponize electoral roll hygiene to manufacture an artificial incumbency advantage, shifting the entire burden of proof away from the state and squarely onto the individual citizen. This is a classic example of democratic erosion, which is just a fancy term for a slow-motion breakdown. Instead of destroying a democracy overnight with tanks, politicians use ordinary laws, complicated paperwork, and endless red tape to slowly hollow out your rights from the inside until the system only works for them. While the geopolitical theater changes, the partisan manipulation tools are practically copy-pasted. The targeted demographics under both regimes remain remarkably consistent, focusing heavily on voter disenfranchisement for maximum impact. Trump’s domestic strategy relies on aggressive voter ID restrictions and signature-matching loops that require a forensic law degree to navigate. Across the globe, the Indian SIR blueprint opts for tech-driven algorithmic exclusion, utilizing opaque backend data models to flag millions of minority voters for immediate deletion. This alignment thrives on asymmetric polarization, a political condition where one dominant political party pushes things way past normal boundaries while the other side is left scrambling to defend basic rights. Because one faction has broken the unwritten rules of fair play, the system operates under a paranoid assumption of widespread electoral fraud. By turning voter registration into an extreme bureaucratic endurance sport, the system subtly flips a core legal norm: citizens are now treated as illegal anomalies until they can produce decades-old paperwork to prove their legitimate enfranchisement. The human cost of these administrative overhauls is a textbook exercise in structural marginalization, selectively carving out vulnerable populations while acting as a targeted political scalpel. In the United States, targeted polling place closures and strict signature laws surgically lower voter turnout in working-class urban centers and Black and brown neighborhoods. As independent election analysts observe, this partisan cleansing has taken a hyper-localized turn in India. In several states opposition groups have actively protested, alleging that the SIR process has been weaponized as an active vote-theft operation designed to systematically scrub out pro-opposition voting blocs. They allege that rather than serving as an objective census, the database-cleansing apparatus operates like an asymmetric political weapon. It allows ruling coalitions to use proprietary data tracking to erase unfavorable demographics under the clinical guise of eliminating \"double entries.\" The supreme irony of this modern democratic backsliding lies in its sophisticated PR framing. These sweeping purges are always introduced under the noble banner of \"protecting democratic integrity\" and \"securing the ballot box.\" Yet, when the system requires an ordinary citizen to deploy a team of legal experts and genealogy researchers just to defend their basic political franchise, the institutional consensus has fundamentally collapsed. The state apparatus effectively ceases to function as a vehicle for civic empowerment, morphing instead into a highly efficient, gatekeeping machine engineered to restrict, manage, and ultimately minimize public participation in the democratic process. Welcome to the future of governance, where you no longer choose your politicians—your politicians choose you."},"img":{"url":"https://images.prismic.io/prad/6nWpO0pZlCoOL-vQ_SIR.JPG?auto=format,compress"},"datetime":"2026-07-17T06:37:00+0000","embed":{"embed_url":null}},"uid":"electoral-reform-or-democratic-erosion"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}