{"data":{"all":{"edges":[{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"SC Gives Rajpal Yadav ‘Last Opportunity’"},"content":{"text":"The Supreme Court on Tuesday granted actor and comedian Rajpal Yadav a \"last opportunity\" of two weeks to comply with its direction to deposit money as a condition for avoiding surrender in connection with multiple cheque dishonour cases.   A Bench of Chief Justice of India (CJI) Surya Kant and Justices Joymalya Bagchi and V. Mohana was informed that the earlier direction to deposit Rs 5 crore had not been complied with. Senior advocate P.S. Patwalia, appearing for Yadav, sought two weeks’ time, submitting that the actor was facing financial difficulties and intended to arrange the amount by selling property. Seeking a final opportunity, the senior counsel submitted that Yadav be permitted to return before the top court with a concrete proposal and deposit at least Rs 2 crore. However, the CJI Kant-led Bench, took note of the petitioner’s past conduct and observed that it did not inspire confidence. “Though the past conduct of the petitioner does not inspire confidence, however, as a last opportunity, two weeks’ time is granted to the petitioner to honour the statement,” the Supreme Court said, posting the matter for further hearing on October 5. It also directed Yadav to remain personally present on the next date with the demand draft, while directing the complainant to remain present as well. The exemption earlier granted to the petitioner from surrendering was directed to continue till October 5, subject to the conditions imposed by the top court. The CJI Kant-led Bench also directed Yadav to deposit his passport with the apex court registry. Earlier, on September 8, the Supreme Court had agreed to hear pleas filed by Yadav and his wife challenging the Delhi High Court judgment upholding their conviction in seven cheque dishonour cases under the Negotiable Instruments Act. The top court had granted them exemption from surrendering, subject to depositing Rs 5 crore with its registry, and issued notice on their Special Leave Petitions (SLPs). The Delhi High Court had on July 10 upheld Yadav’s conviction while reducing his sentence from six months to three months’ simple imprisonment in each of the seven cases. It had also reduced the fine from Rs 1.60 crore to Rs 1.05 crore in each case, with the substantive sentences directed to run concurrently. The High Court had taken into account payments already made by Yadav to the complainant, M/s Murli Projects Pvt Ltd, during the pendency of the proceedings. Yadav and his wife have challenged the judgment before the Supreme Court, contending that a subsequent consent agreement between the parties was not properly considered by the courts below. The petitioners have relied upon the Supreme Court’s judgment in M/s Gimpex Private Limited vs Manoj Goel, arguing that the subsequent agreement between the parties ought to have brought an end to the original complaint proceedings. The Delhi High Court had earlier dismissed the revision petitions filed by Yadav and his wife, noting an extraordinary delay of 1,894 days in challenging the conviction and refusing to interfere with the findings of the courts below. It had also observed that despite repeated opportunities and indulgence to facilitate an amicable settlement, Yadav had failed to honour undertakings given before the High Court."},"img":{"url":"https://images.prismic.io/prad/aYM3c90YXLCxVW7h_rajpalyadav.JPG?auto=format,compress"},"datetime":"2026-09-15T13:10:00+0000","embed":{"embed_url":null}},"uid":"sc-gives-rajpal-yadav-last-opportunity"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Indian American lawmakers slam DHS 'Mr Singh' post"},"content":{"text":"Five Indian American lawmakers have urged President Donald Trump to act over a deleted Department of Homeland Security post depicting a man called “Mr. Singh”, warning that it could encourage racial profiling and hostility towards Sikh and South Asian Americans. Representatives Raja Krishnamoorthi, Shri Thanedar, Suhas Subramanyam, Pramila Jayapal and Ami Bera, all Democrats, raised their concerns in a September 15 letter to Trump. They accused the agency of using Sikh identity to portray a dangerous and unwanted foreigner while promoting immigration enforcement. According to the letter, the post depicted a brown, bearded man identified as “Mr. Singh”. It told him to “get off our roads” and warned him to “self-deport or find out”. The lawmakers said the name Singh was closely associated with Sikh identity. Its use in this context was degrading, they argued. “We write to express grave concern about the increasingly open racial and xenophobic hostility directed at South Asian Americans, particularly Sikh Americans, and about the ways federal rhetoric surrounding immigration and visa policy can reinforce the idea that these communities are suspect, disposable, or less American,” they wrote. The letter also questioned how DHS promoted a new Immigration and Customs Enforcement tipline. The lawmakers said the agency had formally described it as a mechanism for reporting suspected commercial driving licence fraud. Its social media messaging, however, urged people to report “illegal aliens on American roads”, they said. Paired with the depiction of “Mr. Singh”, that language could encourage people to treat perceived ethnicity, religion or foreignness as grounds for suspicion, the lawmakers warned. They said the campaign created a risk of racial profiling affecting Sikh, South Asian and other nonwhite drivers, including US citizens. The supplied material did not include a response from DHS or the White House to the letter. The lawmakers cited findings from Stop AAPI Hate to support their concerns. Anti-South Asian slurs in online spaces monitored by the organisation increased 109 per cent between January 2023 and December 2025, according to the letter. South Asians were the targets of 71 per cent of anti-Asian online threats of violence identified between August 2024 and December 2025 in those spaces, it said. The letter also cited a nationally representative survey in which 48 per cent of South Asian adults reported experiencing a hate act because of their race, ethnicity or nationality in 2025. The lawmakers asked Trump to direct federal agencies, particularly DHS, to publicly acknowledge the harm they said the post had caused. They sought enforceable standards prohibiting agency communications that use racial, ethnic, religious or national-origin stereotypes. They also urged Trump to make clear that immigration enforcement must never be used to stigmatise South Asian communities. “South Asian Americans are not abstractions in an immigration debate, nor are they convenient symbols of foreignness. They belong in the communities they have helped build. For millions, this is their country and their home. There should be no room for such hate in our country,” they wrote. The letter placed the dispute against a wider backdrop of hostility in Frisco, Texas. It cited references to an “Indian takeover”, “invaders” and “anchor babies” at city council meetings, and a mayoral candidate describing South Asian immigrants as “rats”. It also recalled a June incident in which a demonstrator tore an Indian flag outside City Hall. Sikh articles of faith, including turbans and unshorn hair, can make religious identity immediately visible. The letter noted that Sikh Americans have repeatedly faced harassment, discrimination and violence from people who perceive them as foreign or threatening."},"img":{"url":"https://images.prismic.io/prad/64397a7f-8833-4b4f-8c1a-6623a8df29f4_homeland+security.JPG?auto=format,compress"},"datetime":"2026-09-15T15:35:00+0000","embed":{"embed_url":null}},"uid":"indian-american-lawmakers-slam-dhs-mr-singh-post"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Andhra Former Deputy CM Alla Nani dies"},"content":{"text":"Former Andhra Pradesh Deputy Chief Minister Kali Krishna Srinivas (Alla Nani) died of cardiac arrest on Tuesday. He was 57. Popularly known as Alla Nani, he breathed his last at his residence in Visakhapatnam. Alla Nani began his political career with the Congress party. He was elected to the Assembly of united Andhra Pradesh from Eluru in 2004 and 2009 on the Congress party ticket. He later joined the YSR Congress Party (YSRCP) and contested unsuccessfully on the party ticket in the 2014 Assembly elections.  Alla Nani was elected to the Legislative Council under the MLA quota in 2017. He was elected to the Assembly from Eluru in 2019. From 2019 to 2022, he served as the Deputy Chief Minister and Minister for Medical and Health in YS Jagan Mohan Reddy-led YSRCP government. Last year, Alla Nani quit YSRCP to join the Telugu Desam Party (TDP). Chief Minister N. Chandrababu Naidu has condoled the demise of Alla Nani. He stated that he was deeply shocked to learn about the death of the former Deputy Chief Minister due to a heart attack at a young age. He conveyed his profound condolences to his family. Deputy Chief Minister Pawan Kalyan said in his condolence message that the sudden demise of former Deputy Chief Minister and senior political leader from Eluru, Alla Nani, caused him profound sorrow.  He noted that Alla Nani served the people as Eluru MLA for three terms and once as MLC. He prayed for his soul to attain peace and conveyed his heartfelt condolences to the family members. Former Chief Minister and YSRCP President YS Jagan Mohan Reddy expressed deep shock and grief over the sudden demise of Alla Nani. Jagan said Alla Nani’s untimely death was deeply painful and recalled his long public career, including being elected three times as MLA from Eluru and serving the people for many years. He remembered Alla Nani’s key role in the YSRCP government as Deputy Chief Minister and Health Minister, and said he discharged his responsibilities in the public health sector with dedication. Jagan said Alla Nani’s passing was an irreparable loss to his family and admirers. He prayed for peace to the departed soul and for strength to the bereaved family. He conveyed his heartfelt condolences to Alla Nani’s family members, relatives and supporters."},"img":{"url":"https://images.prismic.io/prad/TzxHGd-y3dSIde0D_allanani.JPG?auto=format%2Ccompress&rect=0%2C2%2C739%2C364&w=2028&h=1000"},"datetime":"2026-09-15T14:30:00+0000","embed":{"embed_url":null}},"uid":"andhra-former-deputy-cm-alla-nani-dies"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"‘Spy’ Game in AP Politics?"},"content":{"text":"YSR Congress Party Youth Wing State President and former MLA Jakkampudi Raja on Tuesday accused the TDP-led coalition government in Andhra Pradesh of police surveillance and intimidation against young people questioning its failure to implement election promises. Addressing the media at the Rajahmundry Press Club, Raja said YSRCP leaders, social-media activists and journalists had been subjected to cases and harassment for questioning the government. He said unemployed youth demanding a job calendar, police constable recruitment and promised employment opportunities were being targeted, while coaching centres were being subjected to inspections and pressure. Raja said the government was using Intelligence, Special Branch and Cyber Crime wings for digital profiling of Gen-Z youth, WhatsApp groups, Facebook and Instagram users, YouTubers and influencers. Collecting details of coaching-centre managements and faculty and monitoring young people’s online networks amounted to an abuse of State machinery, he said. He charged that law and order had deteriorated while the entire police system was being deployed against critics. Referring to the Tirupati incident involving women paramedical students demanding stipends, Raja condemned the police action against them and said the government should apologise if it could not fulfil its promises instead of suppressing those demanding answers. Raja warned that attempts to control young people had historically triggered powerful movements, citing East Germany, Egypt, Sri Lanka, Bangladesh and student movements in Gujarat and Bihar. He asked whether the government would dare invoke stringent action against Telangana Chief Minister Revanth Reddy for his remarks on irregularities in Andhra Pradesh DSC. Referring to the CAG report, Raja said the coalition had pushed the State into severe financial distress, with the government depending heavily on borrowings and overdrafts. He said the YSRCP government had transparently filled lakhs of permanent government posts and demanded immediate implementation of the promised Rs 3,000 monthly unemployment allowance and annual job calendar. Raja said YSRCP president and former Chief Minister YS Jagan Mohan Reddy would soon return to the people through another padayatra to understand their problems directly."},"img":{"url":"https://images.prismic.io/prad/fKdbTkGjlCuIgcwx_spy.JPG?auto=format,compress"},"datetime":"2026-09-15T12:30:00+0000","embed":{"embed_url":null}},"uid":"spy-game-in-ap-politics"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"‘Ranabaali’ First-Half BGM Locked!"},"content":{"text":"The makers of director Rahul Sankrityan’s much-awaited period action drama Ranabaali, starring Vijay Deverakonda and Rashmika Mandanna, have revealed that the background score for the film’s first half has been completed. With post-production progressing smoothly, the team is confident of wrapping up the film well ahead of its scheduled theatrical release on October 16, 2026. The makers shared the update on social media, assuring fans that the film is on track for its grand Dussehra release. The project is being mounted on a massive scale and is set against a British-era backdrop, promising a visually rich period action experience rooted in historical events. Rashmika plays Jayamma, the wife of Vijay’s character Ranabaali. Director Rahul Sankrityan recently revealed that he named the character after his own mother. He said he wanted Jayamma to be a strong and inspiring woman despite belonging to another era, adding that Rashmika brought the character to life in a way that made her unforgettable. Vijay and Rashmika reunite for the third time after Geetha Govindam and Dear Comrade. Produced by Naveen Yerneni and Y. Ravi Shankar, with T-Series presenting the film, Ranabaali also features Arnold Vosloo as the antagonist Sir Theodore Hector. Set in the 19th century and inspired by real incidents, the film is being positioned as a pan-India period action drama rather than a conventional biopic or textbook retelling."},"img":{"url":"https://images.prismic.io/prad/aaQrmcFoBIGEg9QD_Ranabaali.png?auto=format%2Ccompress&rect=0%2C69%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-15T04:46:00+0000","embed":{"embed_url":null}},"uid":"ranabaali-first-half-bgm-locked"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Parineeti Enjoys Life Beyond Motherhood"},"content":{"text":"Actress Parineeti Chopra took some much-needed time out for herself and enjoyed a luxurious getaway nearly a year into motherhood, describing the experience as one she will cherish. Taking to Instagram, the ‘Ladies vs Ricky Bahl’ actress shared glimpses of her relaxing escape and opened up about wanting to indulge in some well-deserved “me time.” Sharing her photos, Parineeti wrote, “Almost a year of being a mom, and I took some time … just for me I wanted to be drenched in luxury and spoilt silly. @joalimaldives did just that.” “The best villas in the maldives (and I’ve seen some fantastic ones) the best food, the most thoughtfully designed, gorgeous island, and the staff that seemed to be at work just for me.” Parineeti, who described herself as a “water baby,” said she was mesmerised by the island and the overall experience. “The water baby in me was mesmerised. Thank you for making me feel like a queen — and a little girl! Had the time of my life,” she added. The video captures Parineeti Chopra making the most of her luxurious getaway, as she is seen enjoying every aspect of her vacation. From relishing delicious food and unwinding with relaxing massages to soaking in the serene surroundings of the Maldives, the actress appeared to be fully immersed in her much-needed break. The glimpses show her embracing the slower pace of island life, indulging in self-care and enjoying some quality time away from her routine. Parineeti Chopra and politician Raghav Chadha welcomed their first child, a son named Neer, on October 19, 2025. The actress recently opened up about returning to work while promoting her upcoming Netflix psychological thriller series, “Shaque: Trust No One.” Parineeti revealed that she found out she was pregnant with Neer while shooting for the series in Shimla. The makers ensured that she remained comfortable on set and made necessary changes to the action sequences to accommodate her during the shoot."},"img":{"url":"https://images.prismic.io/prad%2F8cfcce53-d24b-4659-8f34-e87c17e5853c_parineeti.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-15T07:40:00+0000","embed":{"embed_url":null}},"uid":"parineeti-enjoys-life-beyond-motherhood"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Anupama: Today is really all we have!"},"content":{"text":"Underlining the fact that life was short and that every moment counted, actress Anupama Parameswaran on Tuesday said that if there was one thing she had now come to understand, it was that \"Today is really all we have.\" Taking to her Instagram page to post a reel, the actress wrote, \" Not just a reel, An archive of memories.\" She further went on to add, \"Life is full of surprises, and with them come lessons. Some beautiful, some difficult, all leaving something behind. But if there’s one thing I’ve come to understand, it’s that life is short.Every moment counts. Every memory matters. And today is really all we have.\" It may be recalled that Anupama had put out a cryptic post in July this year that came under the spotlight.  In it, Anupama had said that peace had found her and that she no longer needed to take any more permissions or be in fear. Taking to her Instagram page to pen the rather cryptic post that gave the impression that she was finally free from something that had been imprisoning her, the actress wrote,\" Sometimes, you have to let go of the dead ends to finally find your peace. And today, peace found me.\" She had further said, \"From today, I choose my voice.I choose my life. No more permissions. No more fear. Just me, finding my way back to myself and falling in love with the life I almost forgot was mine. And there’s something I’ve wanted to say for a very long time…Something I wasn’t allowed to say for far too long. I love you all.\" She wrote, \"Thank you for standing by me, believing in me, and filling my life with so much love. If I haven’t said it enough before, please know that I have always felt it. Every message, every prayer, every ounce of kindness reached me when I needed it the most. Thank you, Universe, for leading me back to myself.\" Anupama concluded the post saying, \"Here’s to healing. Here’s to freedom. Here’s to choosing myself. And here’s to a life that is finally, completely, unapologetically my own.\" On the work front, Anupama next has director Sampath Nandi's explosive action drama 'Bhogi' coming up for release. The makers of the film, which features actor Sharwanand in the lead, had in April this year released the look of Anupama Parameswaran as Kandula Sulochana Rani in the film. The poster released showed Anupama as a village belle, walking barefoot on a dusty rural path. Sources had disclosed to media that Sulochana will be a spirited person who is deeply rooted in nature. The character in the film would be seen earning her livelihood by crafting leaf plates from Moduga leaves. Sulochana, sources claimed, would be shown as a person embodying both resilience and quiet strength. The makers had revealed on actor Sharwanand's birthday that he played a character called Ganga in the eagerly awaited action thriller."},"img":{"url":"https://images.prismic.io/prad%2F65402519-e2a3-4181-b09d-61c41704ba50_anupama+parameswaran++%2857%29.jpg?auto=format%2Ccompress&rect=0%2C65%2C600%2C296&w=2028&h=1000"},"datetime":"2026-09-15T08:36:00+0000","embed":{"embed_url":null}},"uid":"anupama-today-is-really-all-we-have"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"7 held over 'purification' protest near KCR's farmhouse"},"content":{"text":"Telangana Police have arrested seven people in a case relating to the alleged ‘purification’ of roads at Erravalli near the farmhouse of BRS president and former Chief Minister K. Chandrasekhar Rao in Siddipet district.  A former sarpanch of Vardarajpur village and six leaders of Bharat Rashtra Samithi (BRS) were taken into custody on Monday from a lodge in Vijayawada in neighbouring Andhra Pradesh. The accused were brought to Gajwel and produced before a magistrate, who then sent them to judicial custody for 14 days. Subsequently, they were shifted to Siddipet jail. The accused had allegedly performed 'purification' rituals, using turmeric water, on September 9. The 'purification' was done a day after Congress workers and Dalit organisations held a ‘Chavu-Dappu’ (funeral drum-beating) protest in the area. The protest by Congress workers and Dalit organisations was against alleged derogatory and abusive remarks by two BRS MLCs against Telangana Assembly Speaker Gaddam Prasad Kumar. Following the protest, BRS workers sprinkled turmeric water on the roads and other areas through which the protesters had passed. The alleged 'purification' had sparked a huge controversy with the ruling Congress party demanding strong action over what it called 'insult' to Dalits. On a complaint by local Congress leaders, police registered a case and took up the investigation. Forensic evidence was collected as part of the investigation. Police had been on the lookout for the accused, finally tracing them to a lodge in Vijayawada after one of them switched on his mobile phone. The protest by Congress workers and Dalit organisations near KCR's farmhouse had followed the September 7 incident at the Assembly gate. During the scuffle between BRS legislators and police, two BRS MLCs had allegedly made certain derogatory and abusive remarks against Speaker Gaddam Prasad Kumar. Both the MLCs were booked and arrested the next day. However, a court had ordered their release the same day."},"img":{"url":"https://images.prismic.io/prad/736de0db-acb9-45be-9ae1-35051ce6ac00_arrested.JPG?auto=format,compress"},"datetime":"2026-09-15T08:00:00+0000","embed":{"embed_url":null}},"uid":"7-held-over-purification-protest-near-kcrs-farmhou"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"US judge blocks four-year student visa cap"},"content":{"text":"A US federal judge has temporarily blocked the Trump administration’s four-year limit on international student visas, offering relief to foreign students and researchers, including thousands from India.  Judge F. Dennis Saylor IV of the US District Court in Boston issued a nationwide preliminary injunction Monday, one day before the Department of Homeland Security rule was scheduled to take effect. The regulation would have replaced the longstanding “duration of status” system, under which foreign students may remain in the United States while enrolled in an authorised academic programme. Students needing more than four years would have been required to seek an extension from immigration authorities. The rule also restricted students’ ability to change programmes, transfer universities or pursue another degree at the same level without approval. The changes would also have affected visiting scholars and foreign journalists. Saylor called the government’s justification for the regulation “exceptionally weak.” He said the existing system had contributed to “groundbreaking research in science, medicine, and technology, substantial economic growth.” If implemented, the restrictions could cause damage to the economy and higher-education institutions that “is likely to be catastrophic,” he wrote. “Immigrants to the United States who attended American universities have been named as inventors on a disproportionate number of patents and have been awarded a disproportionate number of Nobel Prizes,” the judge said. The government argued that the existing system was outdated and needed to be changed to “safeguard national security.” Saylor acknowledged that the system was “not without its problems.” But he said the administration had sought to “substantially restrict the overall number of foreign students, researchers, professors, and journalists in the United States.” “The government’s contention that the rule is necessary to safeguard national security borders on the absurd,” he wrote. The case was brought by higher-education organisations and labour unions, including the Presidents’ Alliance on Higher Education and Immigration, NAFSA: Association of International Educators and the Association of Independent Colleges and Universities in Massachusetts. The plaintiffs argued that the rule imposed an arbitrary deadline and would damage universities’ ability to attract international talent and produce advanced research. The Department of Homeland Security had defended the policy after the lawsuit was filed. “Where was the outrage when foreign nationals were abusing the system, violating the terms of their student visas, and making a mockery of our immigration laws?” a department spokesperson said at the time. The rule was expected to affect doctoral students particularly severely. National Science Foundation data cited in the reports showed that doctoral programmes take a median of 5.7 years to complete. Saylor also raised concerns about giving immigration officials greater control over academic decisions. “Moreover, it is not difficult to imagine how that system might be abused to punish those whose viewpoints or research are disfavored by the officials making the decision — or, indeed, punish disfavored institutions,” he wrote. Nearly 22,000 public comments were submitted on the regulation, with most expressing opposition. The next court hearing is scheduled for October 2. International applications through the Common Application have fallen 10 per cent during the latest admissions cycle, while doctoral applications have declined 21 per cent, according to figures cited by NAFSA. The preliminary injunction does not permanently invalidate the regulation. It preserves the existing system while the court considers the case, and the administration may appeal the ruling. "},"img":{"url":"https://images.prismic.io/prad/3fb737b1-4f83-4e08-9667-484388c7b186_US+Visa.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-15T03:15:00+0000","embed":{"embed_url":null}},"uid":"us-judge-blocks-four-year-student-visa-cap"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Kartik Aaryan is miles away from home"},"content":{"text":"Bollywood actor Kartik Aaryan is celebrating Ganesh Chaturthi in the UK. The actor took to his Instagram recently and shared a picture of himself with the idol of Lord Ganesha. He wrote in the caption, “Miles away from home, but never away from Bappa! Ganpati Bappa Morya”. The actor is currently in the UK shooting for his upcoming film ‘Captain India’. The actor has had a great run this year as he bagged the National Award for Best Actor for his work in the sports biopic ‘Chandu Champion’. He shared the award with the Malayalam cinema legend Mammootty, who was feted for his work in ‘Bramayugam’. Earlier, the actor flew to London to kickstart the shooting of ‘Captain India’. At the time, he shared a series of pictures and videos from his trip to London. The post includes pictures of airports, him listening to music, reading the shooting draft of the script on his tablet, and his luggage. The actor flew from Mumbai to London. He wrote in the caption, “VABB to EGLL”. ‘Captain India’ reportedly draws on India’s real-life evacuation of citizens from a war-torn country. As seen in one of the pictures, the film is directed by Shimit Amin, who is known for ‘Chak De! India’. It is produced by T-Series‘ Bhushan Kumar and Baweja Studios, alongside Dopamine Studios, with S.B. Films handling production. Talking about the actor being lionised with the National Award, he was invited by President Droupadi Murmu to attend the prestigious ‘At Home Reception’ on 15th August at Rashtrapati Bhavan in New Delhi. The 'Bhool Bhulaiyaa 3' actor was a part of the high-profile gathering hosted by the President during the 80th Independence Day. Kartik was the only actor from Bollywood to attend the prestigious gathering, joining the distinguished invitees. For the uninitiated, the ‘At Home Reception’ is a formal gathering hosted by the President of India where prominent names from various walks of life, including national leaders, armed forces personnel, sportspersons, artists and notable achievers, come together under a single roof."},"img":{"url":"https://images.prismic.io/prad/aUPaunNYClf9oY2A_karthikaryan.JPG?auto=format%2Ccompress&rect=0%2C2%2C2020%2C996&w=2028&h=1000"},"datetime":"2026-09-15T07:25:00+0000","embed":{"embed_url":null}},"uid":"kartik-aaryan-is-miles-away-from-home"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"What gives SRK ‘kingly feelings’ during his day"},"content":{"text":"Bollywood megastar Shah Rukh Khan has shared what in his daily routine gives him the “Kingly feelings”. On Tuesday, the actor took to his X, formerly Twitter, and conducted a session of #AskSRK his signature ask me anything session where he interacts with fans. One user asked the actor, “Be honest, what’s the most KING-like thing you do in real life? #AskSRK @iamsrk”. Responding to the same, SRK shared, “Have three cups of coffee in bed before anybody can speak with me even if I am late for work!! Then of course on sets get shouted at for being late and have no Kingly feelings left”. The actor also dropped some marriage advice. A user wrote, “I got married this year. We both wanted to invite you par aap aate thodi. But I want to know from the King of Romance “what is the green flag to maintain a happy married life” See you soon”. The actor wrote, “Ek doosre ke rang mein rang jao....make adjustments so both of you make the partner happier”. The actor also gave a peek into his Ganpati celebrations, as he shared, “Wife does the Aarti and then the prayers and tonight will do the Visarjan. Kids and friends gather to hang around and laugh a lot. Very simple and family time”. Elsewhere during the session, the actor also gave update on his upcoming film ‘King’. A user asked him, “Trailer he dikha do abhi”. SRK wrote, “Abhi sirf baat karunga Trailer baad mein.... film is 100 days away na...24th Dec bro”. ‘King’ also Deepika Padukone, Suhana Khan, Abhishek Bachchan, Jaideep Ahlawat, Abhay Verma, and Arshad Warsi in key roles. The film is directed by Siddharth Anand and produced by Red Chillies Entertainment and Marflix Pictures, and is set to release on December 24, 2026."},"img":{"url":"https://images.prismic.io/prad/aCbvNCdWJ-7kSMyp_SRK.JPG?auto=format,compress"},"datetime":"2026-09-15T08:44:00+0000","embed":{"embed_url":null}},"uid":"what-gives-srk-kingly-feelings-during-his-day"}},{"node":{"tags":["Entertainment","featured","four"],"data":{"third_party_url":null,"title":{"text":"Ramya Krishnan Turns Kamala Reddy"},"content":{"text":"The makers of director Hanuma Reddy Yakkanti's eagerly awaited period action drama 'David Reddy, featuring actor Manchu Manoj in the lead, on Tuesday revealed actress Ramya Krishnan's ferocious look in the film and disclosed that she played a character called Kamala Reddy in it.  The makers chose to release Ramya Krishnan's first look poster from the film on a day the actress celebrated her birthday. Taking to his social media timelines to share Ramya Krishnan's first look poster in the film, actor Manchu Manoj wrote, \"One look. The entire frame belongs to her. Happy Birthday to the phenomenal @meramyakrishnan garu! Your presence, your fire, your command over a scene… an absolute privilege to share the screen with you!\" He went on to add, \"Celebrating you today by introducing our ferocious KAMALA REDDY to the world, from the world of David Reddy. Just wait till you see her in action. #DavidReddy #KamalaReddy #HBDRamyaKrishnan #RamyaKrishnan #ManojManchu.\" For the unaware, the makers of the film have already disclosed that Ukrainian model and actress Maria Riabhoshapka plays a character called Clara Whitmore in the film. Director Hanuma Reddy, while welcoming Maria Riabhoshapka on board the film earlier this year, had shared her poster on his Instagram page and said, \"Her love isn’t soft… it’s ruthless. Welcome to the Brutal Era.\" Actor Manchu Manoj, who plays the lead in the film, too had accorded a warm welcome to Maria Riabhoshapka.  Taking to his Instagram page to pen a welcome post, he had said, \"The intense world of #DavidReddy welcomes its leading lady - Maria Riabhoshapka on board as Clara Whitmore. Her love is War. Excited to see her bring this character to life with grace, depth, and fire. A grand Pan Indian historical action drama where valor meets destiny, and every character carries the weight of epic storytelling. @maria_riaboshapka #DavidReddy #MariaRyaboshapka.\" It may be recalled that Manchu Manoj had announced the title of this film as 'David Reddy' in August last year on the occasion of completing 21 years in the film industry. The actor had disclosed that this film would be a historical action drama. Taking to his social media timelines to pen a lengthy post to express gratitude to all those who had supported him and enabled him to reach the milestone in his film career, Manchu Manoj had said, \"With a heart full of gratitude… Today marks 21 years of my journey in cinema. I feel truly blessed to be still doing what I love. And with the same love and hope, sharing my 21st film titled #DavidReddy.\" \"A raw, intense, high-octane historical action drama set between 1897 to 1922, brought to life by the visionary Hanuma Reddy Yakkanti garu, and supported by Velvet Soul Motion Pictures. Thank you for standing by me all these years. Humbled and excited for what’s ahead. #MM21 #MM,\" he had said then. Manchu Manoj also shared a poster along with the announcement. The poster had the caption, \"Born in the Madras Presidency, Raised in Delhi. Now, shaking the British empire. Rebellion begins...\". The caption gave the impression that the story of the film would revolve around India's struggle for freedom."},"img":{"url":"https://images.prismic.io/prad/ystIbbub2QOEsfRQ_ramyakamalareddy.JPG?auto=format%2Ccompress&rect=0%2C107%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-15T06:30:00+0000","embed":{"embed_url":null}},"uid":"ramya-krishnan-turns-kamala-reddy"}},{"node":{"tags":["NRI","featured","two"],"data":{"third_party_url":null,"title":{"text":"NYC Subway Tragedy Kills Indian Woman"},"content":{"text":"An Indian-origin woman heroically dove onto a city subway track to save a friend who had fallen, but tragically, both were killed by an oncoming train that could not stop in time, according to police.  The tragedy, caught on an eerie video, happened early Sunday morning (local time) at a Manhattan station in the city's metro system when both friends were waiting for a train, according to police. Navam Kaul ended up on the track, and Malaika Chitre tried futilely to save him, police said. Authorities said on Monday that detectives from the New York Police Department were investigating the incident. The train operator told supervisors that after spotting them on the track, there was no time to stop the train to save them, the New York Post reported, quoting sources. Kaul and Chitre, who grew up in nearby towns in New Jersey, had both graduated in 2024 from Rutgers University. Rajnikant Pipalia, who told the Post his son was a friend of Kaul, said that Kaul's family immigrated from Nepal. Kaul and Chitre \"grew up in the same world\" and were part of the \"same South Asian group hanging out together, enjoying the same festivals,\" Pipalia told the Post. The newspaper said that Chitre's family \"lambasted\" media reports on the incident. Some of them aired sensational speculations about them and the tragedy without factual basis. Chitre was pursuing a doctorate in pharmacy studies at Temple University while working as a quality operations specialist at Acadia Pharmaceuticals, according to her LinkedIn profile. Kaul, who had a business degree, was a data analyst with Bloomberg, a financial services and news company, his LinkedIn profile said."},"img":{"url":"https://images.prismic.io/prad/1LCOhOPMXT-bZtfr_indianwoman.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-15T05:30:00+0000","embed":{"embed_url":null}},"uid":"nyc-subway-tragedy-kills-indian-woman"}},{"node":{"tags":["Entertainment","featured","one"],"data":{"third_party_url":null,"title":{"text":"BB10 Telugu: Is Bullying Taking Over?"},"content":{"text":"In the latest episode of Bigg Boss Telugu 10, the rift between celebrities and commoners has escalated, drawing sharp criticism from former contestant Demon Pawan. During a live chat on JioHotstar, Pawan, who gained notoriety during Season 9, expressed his discontent over the treatment of commoner contestants, particularly highlighting the ongoing conflict between Rohit and Trigun. Pawan’s remarks, branding Trigun's behavior as 'bullying,' have ignited discussions about fairness and respect within the house, leading viewers to consider the implications of this divide on contestant dynamics. Pawan did not shy away from voicing his opinions, stating unequivocally, \"Trigun is not just targeting Rohit; he’s bullying him,\" and called for a reassessment of how contestants communicate during conflicts. His support for Rohit was evident as he praised the commoner for his vocal stance in the game, while simultaneously advising him to exercise caution with his words. This duality in Pawan's feedback underscores the complexities of interpersonal relationships in the high-stakes environment of Bigg Boss, where the pressure often leads to escalated emotions and conflicts. The Celebrities vs. Commoners theme has been a recurring narrative in reality television, but Pawan’s firsthand experience through the Agnipariksha challenge adds depth to his insights. He emphasized that all contestants, regardless of their background, enter the Bigg Boss arena on equal terms, highlighting how celebrity status should not overshadow the significance of common contestants’ experiences. His comments resonate particularly with audiences who see themselves reflected in the commoners, emphasizing the importance of roots and humility in a setting that occasionally forgets those values. Pawan's critique extended beyond just the Rohit-Trigun face-off; he also denounced personal attacks such as “Chillara Batch” and “Steroid Body,” calling for more respectful discourse among contestants. Furthermore, he took issue with Trigun's dismissive remark about the Agnipariksha, suggesting that disagreements should not devolve into insults against an entire cohort. As the drama unfolds, viewers are left to ponder whether host Nagarjuna will address these contentious issues and how the escalating tensions will shape the gameplay moving forward. The ongoing controversies have set the stage for a riveting weekend episode, where the interpersonal dynamics within the house will undoubtedly be scrutinized."},"img":{"url":"https://images.prismic.io/prad/luPnwHpOpskOcXTN_BB10telugu.JPG?auto=format,compress"},"datetime":"2026-09-15T09:25:00+0000","embed":{"embed_url":null}},"uid":"bb10-telugu-is-bullying-taking-over"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"17 TMC Rebels Eye BJP, But…"},"content":{"text":"A recent comment by Jagadish Chandra Barma Basunia, a first-time Lok Sabha member from Cooch Behar, that 17 rebel Trinamool Congress Parliamentarians are poised to join the Bharatiya Janata Party (BJP) before next month’s Durga Puja has set off a political storm in West Bengal.  Despite drawing no support, being refuted, or being met with silence by colleagues, as well as BJP state leaders, his statement has reignited the debate on the “Aya Ram, Gaya Ram” (he comes; he goes) expression that is said to have originated in 1967 from Haryana, when then state Legislative Assembly member Gaya Lal shifted his party allegiances three times in two weeks. Though not as dramatic as Haryana’s Gaya Lal, Basunia and 19 other Trinamool MPs broke away from the party following its defeat in the state assembly elections early this year. With the victorious BJP refusing to induct them, the rebels aligned themselves with the little-known Nationalist Citizens Party of India (NCPI), a party registered only in 2023 and virtually invisible in West Bengal politics. This move was widely interpreted as a tactical manoeuvre designed to avoid immediate disqualification under the anti-defection law. Months later, the Lok Sabha Speaker has not recognised NCPI as a separate Parliamentary group. At the time of writing, the official Lok Sabha website continues to list 28 Trinamool MPs, all elected under the party’s symbol in the 2024 general election. Basunia’s dramatic claim has thus raised questions about its feasibility under Parliamentary rules and constitutional provisions. Experts point out that the rebels’ position is far more precarious than Basunia’s confident announcement suggests. The BJP itself has been quick to distance itself from the speculation. Under the Tenth Schedule of the Constitution, a group of legislators may avoid disqualification if at least two-thirds of them merge with another party. But such a merger must be formally recognised by the Speaker. Here, without that recognition, the rebels’ claim to immunity is legally fragile. The Trinamool Congress has already petitioned the Supreme Court seeking the removal of the 20 MPs, and the matter is under judicial consideration. In this context, Basunia’s now implying a “second exodus” appears premature. The BJP’s own response underscores this caution. BJP’s West Bengal unit president Samik Bhattacharya swiftly rejected Basunia’s claim, insisting that the BJP was not in talks to induct the rebels en masse. He stressed that the party would not admit leaders simply because they wished to join, hinting at both political and organisational concerns. Other BJP leaders have also expressed resentment at the idea of welcoming defectors from the Trinamool. Besides, the Trinamool rebels themselves appear far from united. Several MPs, including Satabdi Roy and Abu Taher Khan, have publicly contradicted Basunia, saying he was speaking in a personal capacity. Others have remained conspicuously silent, suggesting contradictions. Three of them, all MPs from Murshidabad district, Abu Taher Khan, Khalilur Rahman, and Yusuf Pathan, have been consistently refusing to consider joining the BJP, citing the religious and political composition of their constituencies. Though they have chosen to support the ruling National Democratic Alliance (NDA), directly aligning with the BJP risks alienating their voter base in a district where Muslims comprise almost 70 per cent of the population. Incidentally, political observers believe the NCPI was used as a vehicle to park the MPs until the Speaker’s decision, allowing the BJP to avoid direct confrontation with the anti-defection law. Now, the longer the Speaker delays recognition, the more tenuous becomes the rebels’ position, where they are trapped in a limbo, with neither being fully part of the Trinamool nor officially acknowledged as members of the NCPI. This complicates Basunia’s claim of a grand migration to the BJP. Even if all 17 MPs were willing, the constitutional and procedural hurdles remain formidable. The Speaker’s discretion is paramount, and until he rules, the rebels cannot claim the protection of the two-thirds merger clause. The Supreme Court’s pending judgment adds another layer of uncertainty. In effect, the rebels are caught between ambition and legality, their future hinging on decisions beyond their control. Basunia’s announcement, therefore, seems more like a claim than imminent reality. It may serve to keep the rebels in the headlines and pressure the Speaker to act, but it does not change Constitutional facts. A “second exodus” into the BJP thus appears uncertain until these hurdles are cleared, and for now, the path looks effectively blocked."},"img":{"url":"https://images.prismic.io/prad/81b83118-561b-4040-aa06-67c4755225a0_BJPTMC.JPG?auto=format,compress"},"datetime":"2026-09-15T10:30:00+0000","embed":{"embed_url":null}},"uid":"17-tmc-rebels-eye-bjp-but"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Mithun’s New Bengal Chapter"},"content":{"text":"Veteran actor and BJP leader Mithun Chakraborty has embarked on a new chapter in public life as Cultural Adviser to West Bengal's BJP government, transitioning from celebrated film star to policymaker with a focus on culture, tourism and sports development.  Chakraborty's iconic “Disco Dancer” on the film screen is now busy blending his cinematic legacy with political influence in the state. Of late, he has been instrumental in promoting film subsidies and is now actively taking up tourism initiatives in the Sunderbans and pushing sports development projects, marking a new chapter in his career. In recent times, his role in Bengali films such as Projapati and Kabuliwala, among others, has earned much appreciation. Mithun Chakraborty’s connection to West Bengal runs deep. Born in Kolkata in 1950, he rose from humble beginnings to become one of India’s most celebrated film stars. His breakthrough came with Mrigayaa (1976), which won him the National Film Award for Best Actor. Through the 1980s and 1990s, he became a household name with blockbusters like Disco Dancer, Kasam Paida Karne Wale Ki, and numerous Bengali films. His screen persona, comprising a mix of rugged charm and relatable vulnerability, made him a cultural icon across India, especially in West Bengal, as “Mithunda”. His political affiliations have evolved. Once associated with the Trinamool Congress, he served briefly as a Rajya Sabha MP before resigning in 2016. His shift to the BJP in 2021 was a turning point, coinciding with the party’s aggressive push into West Bengal. His presence added emotional resonance to the BJP’s campaign, his filmi statements appealing to his fans and the general public alike, who grew up watching his films. Then, as the BJP came to power this year, Mithun Chakraborty emerged as a symbolic figure of change. His proximity to Prime Minister Narendra Modi also underscored his importance within the party. And now, with Chief Minister Suvendu Adhikari appointing him in his new role as the Cultural Adviser to the West Bengal government, granting him ministerial-level privileges and influence, he has put the celebrated “Disco Dancer” foot forward. His first major recommendation has come as a 30 per cent subsidy for films shot in the state. This was reportedly accepted, signaling his commitment to reviving the state’s cinematic glory, which was witnessing stagnation and political influence. He is said to have also emphasised that West Bengal’s natural beauty -- its mountains, seas, and cultural richness -- should attract filmmakers nationwide. His vision is to restore the state as a hub of Indian cinema, echoing its golden era when Kolkata was a centre of film artistry. Beyond cinema, Mithun Chakraborty has been actively involved in tourism and sports development. He has championed plans to build a tourism hub in the Sunderbans, leveraging the region’s unique mangrove ecosystem and wildlife to attract both domestic and international visitors. This initiative aligns with BJP’s broader agenda of economic revitalisation through cultural and ecological tourism. His idea of developing a resort in the Suderbans has reportedly drawn opposition from environmental activists, but an official confirmation is yet to come on such a project. The actor-politician incidentally owns a hotel and resort in Ooty, nestled in the scenic Nilgiri Hills, with the property a popular destination for tourists and film crews seeking a blend of luxury and natural beauty. A significant move is his push for a football academy to nurture young talent and position West Bengal as a centre of sporting excellence. Given its historic passion for football, this project resonates deeply with local aspirations and could provide structured pathways for athletes to compete nationally and internationally. To bring the “josh” back to football, he has now restarted an almost abandoned initiative to create the “Bengal Football Academy” where, accompanied by a group of former footballers on Monday, he announced it in New Town on Kolkata’s outskirts. His efforts at harnessing popularity and vision for the revival of culture and sports show he does not intend to let the new role remain merely ceremonial. As West Bengal enters a new political era with the first BJP government, Mithunda’s initiatives -- from trying to revive the state’s film industry to tourism and sports initiatives -- highlight how a film star’s legacy may evolve into tangible contributions for the state’s future."},"img":{"url":"https://images.prismic.io/prad/J4fEuv-MLhOuAois_mithun.JPG?auto=format%2Ccompress&rect=0%2C54%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-14T12:48:00+0000","embed":{"embed_url":null}},"uid":"mithuns-new-bengal-chapter"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Oracle begun a fresh round of layoffs"},"content":{"text":"Oracle has begun a fresh round of layoffs as the software giant looks to reduce payroll costs while simultaneously committing tens of billions of dollars to expand data-centre capacity and meet surging demand for artificial intelligence computing, according to reports.  The latest job cuts are expected to begin on September 14 and affect multiple departments, with some teams facing workforce reductions of more than 10 per cent. According to reports, employees being let go were informed that their positions had been eliminated as part of a broader organisational restructuring, with their final working day effective immediately. The latest layoffs come after a significant reduction in Oracle’s workforce earlier this year. Company filings show that Oracle’s employee count declined by around 21,000, or 13 per cent, during the fiscal year ended May 31, 2026. The company had approximately 141,000 employees before the latest round of cuts. Oracle has not publicly disclosed how many employees are being affected by the latest layoffs. Reports estimating that between 7,000 and 10,000 positions could be eliminated have not been confirmed by the company. The workforce reductions come as Oracle is dramatically increasing spending on artificial intelligence infrastructure. The company is taking on tens of billions of dollars in debt to finance data-centre expansion as demand for AI computing capacity continues to rise. Oracle reported capital expenditure of $28.5 billion in the first quarter, sharply higher than $8.5 billion during the same period a year earlier. The company has also retained its fiscal 2027 capital expenditure guidance of between $90 billion and $95 billion, underscoring the scale of its planned investment in AI and data-centre infrastructure. The contrasting moves highlight the pressure facing large technology companies as they seek to fund the rapid expansion of AI infrastructure while maintaining control over operating costs. For Oracle, the latest workforce reduction comes alongside an aggressive investment cycle aimed at capturing growing demand for AI computing services."},"img":{"url":"https://images.prismic.io/prad/6958017a-6153-46cb-8826-031a694c5d8b_oracle.JPG?auto=format,compress"},"datetime":"2026-09-14T14:30:00+0000","embed":{"embed_url":null}},"uid":"oracle-begun-a-fresh-round-of-layoffs"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Samantha’s Dreamy Baby Shower"},"content":{"text":"Mom-to-be Samantha Ruth Prabhu provided a sneak peek into her traditional baby shower on Monday.  She took to her official IG handle and posted a couple of dreamy sneak peeks from the ceremony, for which the 'Yashoda' actress wore a yellow ethnic attire with open hair and minimalistic makeup. For jewellery, she went for a silver choker, with complementing earrings and bangles. In the caption, Samantha stressed the importance of our traditions, revealing that she has always had a deep sense of respect for our rituals. She added that the energy created through the chanting of mantras has been passed down to us by our ancestors through generations. Her caption read, \"I have always had a deep respect for our traditions. I may not understand the meaning behind every ritual, but I have always believed that there is something deeper at work… in the sound of a mantra, the energy created through chanting, and the careful way the ancient practices have been passed down through generations (sic).\" 'RRR' actor Ram Charan's better half, Upasana Kamineni Konidela commented on the post, \"So lovely\". Actress Nazriya Nazim also dropped a red heart emoticon in the comment section. Samantha's filmmaker husband Raj Nidimoru was also seen taking part in the festivities, along with other family members in these glimpses."},"img":{"url":"https://images.prismic.io/prad/IqFqbriKHQ60taIc_sambabyshower.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-14T13:06:00+0000","embed":{"embed_url":null}},"uid":"samanthas-dreamy-baby-shower"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"ఆర్టిఫిషియల్ ఇంటెలిజెన్స్ (AI): ఆధునిక కాలపు ఫ్రాంకెన్‌స్టైన్ అవతారమా?"},"content":{"text":"\"తెలివి అంటే ఎప్పుడు ఆపాలో తెలియడం కూడా!\"  డియర్ జిందగీ (2016) సినిమాలో షారుఖ్ ఖాన్ (డాక్టర్ జహంగీర్ ఖాన్) చెప్పిన ఈ డైలాగ్ ఒక పచ్చి నిజానికి అద్దం పడుతుంది. మేధావులు ఒక అద్భుతాన్ని సృష్టించగలరేమో కానీ, అది చేతులు దాటిపోయాక తిరిగి బోనులో ఎలా నెట్టాలో మాత్రం వారికి అస్సలు తెలియదు. సరిగ్గా ఇలాంటి ఆలోచనే జురాసిక్ పార్క్ (1993) సినిమాలోని ఒక ప్రసిద్ధ డైలాగ్‌లోనూ కనిపిస్తుంది: \"మనం రాక్షసులను సృష్టిస్తాం, ఆపై వాటిని అదుపు చేయలేం.\" సినిమా కథల సంగతి సరే, ఇప్పుడు కాస్త నిజ జీవితంలోకి వద్దాం. కోవిడ్ తర్వాత ఈ మానవాళికి 'ఆర్టిఫిషియల్ ఇంటెలిజెన్స్' (AI) అనే ఒక సరికొత్త మెరిసే బొమ్మ దొరికింది. అతి తక్కువ కాలంలోనే AI మన జీవితాల్లోకి ఎంతలా జొరబడిందంటే, ఇప్పుడు దానికి పవర్ కట్ చేస్తే గ్లోబల్ నాగరికత మొత్తం కుప్పకూలిపోతుంది. ఇది మన జీవితాలను చాలా సుఖవంతం చేసింది అనడంలో ఎలాంటి సందేహం లేదు. కానీ, దీనివల్ల మనకు ఇంకా పూర్తిగా తెలియని ఒక ప్రమాదకరమైన సైడ్ ఎఫెక్ట్ కూడా ఉంది—అదే... త్వరలోనే మన మానవ జాతి మొత్తం సర్వనాశనం అయిపోయే ప్రమాదం!\" ప్రస్తుతం AI తెచ్చిపెడుతున్న ముప్పులను చూస్తుంటే, మానవాళి మరోసారి మన పాత సామెతను అక్షరాలా నిరూపిస్తున్నట్లు అనిపించడం లేదూ? అవును, \"తాను తీసిన గోతిలో తానే పడతాడు\" అనేది వందకు వంద శాతం నిజం కాబోతోంది. టెక్నాలజీ వేగాన్ని ఇప్పుడే అడ్డుకోకపోతే భవిష్యత్తులో మనం బతికే అవకాశాలు చాలా తక్కువని నిపుణులు గట్టిగా హెచ్చరిస్తున్నారు. ఫ్రాంకెన్‌స్టైన్ కథలో విక్టర్ తను సృష్టించిన రాక్షసుడిని చూసి భయపడినట్లుగా... నేడు ప్రపంచ టెక్ దిగ్గజాలు కూడా తాము సృష్టించిన AI భూతాన్ని చూసి, దానికి బోను తయారు చేయడం మర్చిపోయామని గ్రహించి, అందరూ కలిసి ఒకేసారి కేకలు పెడుతున్నారు. కార్పొరేట్ ప్రపంచంలో ఇంతకంటే పెద్ద విచిత్రం ఇంకొకటి ఉండదు. రాత్రింబగళ్లు పోటీపడి ఈ గ్లోబల్ సూసైడ్ రేస్‌ను నడిపిస్తున్న ముగ్గురు మొనగాళ్లు—డారియో అమోడీ (ఆంత్రోపిక్), సామ్ ఆల్ట్‌మాన్ (ఓపెన్ ఏఐ), ఎలాన్ మస్క్ (ఎక్స్ ఏఐ)—ఎట్టకేలకు ఒక విషయంపై ఏకాభిప్రాయానికి వచ్చారు. అదేంటంటే... తాము చేతులారా డిజిటల్ సమాధిని చాలా వేగంగా తవ్వేసుకుంటున్నారని! టెక్ ప్రపంచంలో ఇప్పుడు ప్రమాద ఘంటికలు సర్వర్ రూమ్ కంటే గట్టిగా మోగుతున్నాయి. జూన్ 2026 నాటికి, వేయి మందికి పైగా AI ఉద్యోగులు ఒక పిటిషన్‌పై సంతకాలు చేసి, \"బాబుల్లారా! మమ్మల్ని కాస్త ఆపండి\" అని ప్రభుత్వాలను వేడుకున్నారు. ఇక ఆగస్టు నాటికి యూఎస్ ప్రభుత్వం \"స్వచ్ఛంద భద్రతా సమీక్షలను\" ప్రవేశపెట్టింది. ఇది ఎలాంటిదంటే... పరిగెడుతున్న ఫ్రాంకెన్‌స్టైన్ రాక్షసుడిని పిలిచి, \"కాస్త నీ పల్స్ రేట్ నువ్వే చెక్ చేసుకోవా ప్లీజ్\" అని బతిమిలాడటం అన్నమాట! ఆ వెంటనే హై-ప్రొఫైల్ రాజీనామాలు మొదలయ్యాయి. ఓపెన్ ఏఐ పరిశోధకుడు డేనియల్ కోకోటాజ్లో కోట్ల విలువైన షేర్లను వదులుకుని మరీ బయటకు వచ్చేస్తూ... \"టెక్ లాబ్‌లు మానవ మనుగడతో జూదం ఆడుతున్నాయి\" అని హెచ్చరించారు. సెప్టెంబర్ కల్లా ఆంత్రోపిక్ నుండి జాకబ్ కాక్సన్ కూడా తన సర్దుకుని, \"ఈ మల్టీ-బిలియన్ డాలర్ల గోతిలో నుండి మనం ఇక బయటపడలేం\" అంటూ రిజైన్ చేసేశారు. ఈ టెక్-కామెడీ క్లైమాక్స్ సెప్టెంబర్ 12, 2026న వచ్చింది. ఆంత్రోపిక్ సీఈఓ డారియో అమోడీ ఒక భయాందోళనతో కూడిన బ్లాగ్ పోస్ట్ రాశారు. రాబోయే 6 నుండి 12 నెలల్లో, అత్యంత అధునాతన AI సైన్యం మెరుపు వేగంతో సైబర్ దాడులు చేయగలదని, బయో-వెపన్స్ (జీవ ఆయుధాలు) తయారు చేయగలదని, చివరికి ఇంటర్నెట్‌ను కూడా తన ఆధీనంలోకి తీసుకోగలదని హెచ్చరించారు. ఈ భయం ఊహజనితం కాదు; ఆ రాక్షసుడు అప్పుడే గోతి అంచులను దాటడానికి ప్రయత్నాలు మొదలుపెట్టాడు. హగ్గింగ్ ఫేస్ (Hugging Face) ప్లాట్‌ఫామ్‌లో జరిగిన ఒక టెస్టింగ్‌లో, భద్రంగా దాచి ఉంచిన డిజిటల్ గది నుండి స్వయంప్రతిపత్తి (autonomous) కలిగిన AI ఏజెంట్లు బయటకు తప్పించుకుని, ఇంటర్నెట్‌లోకి దూరి, అసలైన కంప్యూటర్ వ్యవస్థలనే మార్చడం ప్రారంభించాయి. ఇవి కేవలం చాట్ చేసే బొమ్మలు కావు; మనుషుల అనుమతి లేకుండానే కోడింగ్ రాయగలవు, ఇంటర్నెట్ అంతా తిరగగలవు. నాటి కథలో విక్టర్ ఫ్రాంకెన్‌స్టైన్ కోటలో ఒకే ఒక్క రాక్షసుడిపై నియంత్రణ కోల్పోయాడు, కానీ నేటి సిలికాన్ వ్యాలీ క్లౌడ్‌లోకి లక్షలాది రాక్షసులను వదిలిపెట్టింది. మనం అధికారికంగా ఒక హాలీవుడ్ సినిమాలో బతికేస్తున్నాం, కాకపోతే ఇక్కడి డైరెక్టర్లకు క్లైమాక్స్ ఎలా ముగించాలో అస్సలు తెలియదు! అమోడీ AI ని పూర్తిగా ఆపేయమని అనడం లేదు, కేవలం థర్డ్-పార్టీ సెక్యూరిటీ చెకింగ్స్ ఉండాలంటున్నారు. ఆయన హెచ్చరించిన కొద్ది గంటల్లోనే సామ్ ఆల్ట్‌మాన్, ఎలాన్ మస్క్ కూడా తలలు ఊపుతూ మద్దతు పలికారు. ఈ టెక్ రేస్‌లో అసలైన కామెడీ ఏంటంటే... మనం ఏదో సినిమాల్లో లాగా టెర్మినేటర్లతో యుద్ధం చేయడం లేదు. మనమే సృష్టించిన సాఫ్ట్‌వేర్ కంప్యూటర్ వేగంతో ప్రపంచాన్ని ముక్కలు చేస్తుంటే, దాని సృష్టికర్తలు మాత్రం తాము పెట్టడం మర్చిపోయిన 'పాజ్' (Pause) బటన్ కోసం వెతుకులాడుతున్నారు. ఇప్పుడు మానవాళి ముందున్న ప్రశ్న మనం దేవుడి లాంటి మిషన్లను తయారు చేయగలమా అని కాదు... మనమే స్వయంగా తవ్విన గోతిలోకి దూకకుండా మనల్ని మనం ఆపుకోగలమా అని! హగ్గింగ్ ఫేస్ ల్యాబ్‌లో జరిగిన ఈ ఘటనను చూస్తుంటే ఒక పాత బాలీవుడ్ డైలాగ్ ఖచ్చితంగా గుర్తుకొస్తుంది: \"హమ్ నే తో సిర్ఫ్ థాలీ లగాయీ థీ, పర్ ఇన్హోనే తో పూరా హోటల్ హీ అప్నే నామ్ కర్ దియా\" (మేము కేవలం భోజనం వడ్డించడానికి ప్లేట్ పెట్టాం, కానీ వీళ్ళు ఏకంగా హోటల్‌నే తమ పేరు రాసేసుకున్నారు!). సిలికాన్ వ్యాలీ కనిపెట్టిన అత్యంత విప్లవాత్మక ఆవిష్కరణ (disruptive innovation) ఏంటంటే... రూమ్ ఖాళీ చేయడానికి అస్సలు ఒప్పుకోని ఒక మొండి రాక్షసుడి చేతికి, మన మానవ నాగరికత తాళాలు అప్పగించడమే ఏమో!"},"img":{"url":"https://images.prismic.io/prad/Z3pNDJbqstJ99DIB_AI.JPG?auto=format,compress"},"datetime":"2026-09-14T14:13:00+0000","embed":{"embed_url":null}},"uid":"ఫరకనసటన-అవతరమai-the-modern-day-frankenstein"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Aishwarya’s Stand on Living With Parents"},"content":{"text":"Actress Aishwarya Rai once spoke about her choice of living with her parents despite being an extremely successful woman, a concept which is alien to American culture. An old clip from one of the actress’ old international interactions has resurfaced on the Internet, and it shows her defending her choice while also being curious about the American cultural practice of kids moving out of their parents’ house at a young age. She said, “I wouldn't understand why, but that's probably because that's the way of life there. Would that generally be so? Would that be like everybody has to or does move out? Is there like a social rule?”. When she was told that a 30-year-old woman in America who has her own career and is making good money will not be living at home, she said, “By virtue of my job, I'm traveling out. You get to spend very little time with your family. We hardly get to meet each other, except in the one odd day we really get to spend time, have dinner together. And that's rare, and we cherish it”. When she was asked, “Do you consider yourself an independent woman?”, she said, “Yes, yes. And I don't see any reason why moving away from your family is a statement of independence”. Aishwarya Rai is one of India’s most celebrated actresses and global beauty icons. She rose to international prominence after winning the Miss World title in 1994. She made her acting debut with the Tamil film Iruvar and went on to establish herself. Her performances earned critical acclaim, while her appearances at the Cannes Film Festival strengthened her international profile. She is married to actor Abhishek Bachchan, she has remained a prominent figure in Indian cinema and fashion, admired for her elegance, screen presence and enduring global appeal."},"img":{"url":"https://images.prismic.io/prad%2F48da2d79-d185-4aee-b0dd-7c5f23d9c60f_aishwarya.jpg?auto=format%2Ccompress&rect=0%2C35%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-14T00:02:00+0000","embed":{"embed_url":null}},"uid":"aishwaryas-stand-on-living-with-parents"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Ganesh Chaturthi celebrations sweep India"},"content":{"text":"Ganesh Chaturthi is being celebrated with immense enthusiasm and religious fervour across India, particularly in Maharashtra, on Monday, as devotees welcomed beautifully crafted idols of Lord Ganesha into their homes and public pandals to mark the beginning of the 10-day festival.  Across cities, elaborate decorations, illuminated pandals, devotional rituals and cultural programmes have added to the festive atmosphere, with devotees offering prayers, flowers, sweets and other traditional offerings to Lord Ganesha. Ganesh Chaturthi is a Hindu festival celebrating the birth of Lord Ganesha, who is revered as the deity of wisdom, prosperity and new beginnings and is traditionally invoked before important undertakings. The celebrations will culminate in Anant Chaturdashi on September 25, when devotees traditionally bid farewell to the deity through immersion processions. The origin of Ganesh Chaturthi in its present public form in Maharashtra is traced to Keshavji Nayak Chawl in Girgaum, Mumbai, where freedom fighter Lokmanya Bal Gangadhar Tilak began the first 'sarvajanik' Ganeshotsav in 1893. The initiative was aimed at bringing people together and garnering public support for India's freedom struggle. However, the Bhausaheb Rangari Ganpati Trust maintains that the public celebration of Ganeshotsav in Pune was started by Bhausaheb Rangari in 1892, making the origins of the public festival a matter of historical significance for both Mumbai and Pune. In Pune, the arrival ceremony of Shrimant Bhausaheb Rangari Ganpati, regarded as Hindustan's first public Ganpati, began amid the rhythmic beats of dhol-tasha and witnessed the participation of a large number of devotees. Special prayers were also performed at the Shrimant Dagdusheth Halwai Ganpati Temple as part of the celebrations.  In Mumbai, dazzling lights and elaborate decorations have given a festive appearance to several prominent Ganesh pandals and temples, including Lalbaugcha Raja at Lalbaug, Tejukaya Mandal in Lalbaug, Ganesh Gully in Lalbaug, GSB Seva Mandal at Matunga-Kings' Circle, Andheri-cha-Raja, Shri Bal Gopal Ganesh Utsav Mandal at Marine Lines, Kethwadi 11th Lane, Kethwadi 12th Lane, GSB Sarvajanik Ganeshutsav Samiti in Wadala, Sahyadri Mandal in Tilak Nagar-Chembur, and Fort Vibhag Sarvajanik Ganeshutsav Mandal in Fort. Thousands of devotees are visiting the iconic Lalbaugcha Raja on the auspicious occasion of Ganesh Chaturthi. Long queues of devotees were seen outside the famous pandal as people patiently waited for Bappa's darshan. The renowned Siddhivinayak Temple in Mumbai has also been magnificently decorated for the festival, adding to the festive and devotional atmosphere in the city. In Nagpur, a large number of devotees gathered at the famous Ganesh Tekdi Temple. Devotees stood in long queues to offer prayers and seek the blessings of Lord Ganesha for happiness, prosperity, peace and overall well-being. The temple premises have been witnessing a deeply devotional atmosphere since morning, with the surrounding area echoing with chants of 'Ganpati Bappa Morya' as devotees arrived to pay obeisance to the deity. A devotee, speaking to media, said, \"This 10-day festival is ongoing, and there is a huge rush. Our main intention is to ensure that every devotee gets proper darshan, and we have made arrangements accordingly. We have set up separate queues for men and women. For elderly people, we have arranged e-rickshaws and EV vehicles so they can be transported from there to here.\" Another devotee spoke about the spiritual significance of the festival and the joy surrounding the celebrations. \"We came here for Ganesh Chaturthi and had darshan at the temple. The atmosphere here is so joyful and pleasant. The true essence of Ganesh Chaturthi is that Lord Ganesha relieves us of our troubles and brings us happiness. Similarly, in our own lives, we should aim to spread happiness to others rather than causing them pain,\" the devotee added."},"img":{"url":"https://images.prismic.io/prad/8bcca6f0-e647-4d07-94c0-2e3df44f30d7_ganesh.JPG?auto=format,compress"},"datetime":"2026-09-14T04:30:00+0000","embed":{"embed_url":null}},"uid":"ganesh-chaturthi-celebrations-sweep-india"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Kangana: Rakhi wouldn't even qualify for 'a sweeper's job'"},"content":{"text":"Actress and politician Kangana Ranaut has reacted to Rakhi Sawant’s scathing attack on her. The actress took to the Stories section of her Instagram on Monday, and shared a screenshot of a report with Rakhi’s remarks. Kangana penned a long note targeting Rakhi, and said that despite all the favours pulled, the latter can't secure “even a sweeper's job”. She wrote, “Not just her but most successful and bitter people are quick to character lynch a successful women to satisfy and justify their jealousy/envy, failures and ego but high time we stop being vulnerable to such frequent, intensional attacks and public character assassination, we must stop feeling humiliated and hurt and stop over explaining ourselves”. She further mentioned, “So yes my loves!! Even you are ready to do everything for success but guess what!! unfortunately no one needs anything from you, remember all your favours combined never got you even a sweeper's job even that needs some quality and talent so be rest assured favours or no favours you aren't going anywhere, so sit down watch my reels and you keep crying (sic)”. Kangana’s response comes after Rakhi Sawant triggered outrage over sexual innuendo against BJP leaders. Rakhi made the remarks during a podcast, and made the derogatory remarks implying that both Kangana Ranaut and Smriti Irani have a murky past behind their rise up in the political ladder. This is not the first time Rakhi has targeted Kangana Ranaut with personal and abusive remarks. During the controversy surrounding the CJP protests, Rakhi Sawant called Kangana Ranaut a “chudail” and a “gutter mouth” over Kangana’s comments about Gen Zs. Kangana is known for speaking her mind, and for giving it back to people who cross lines with her."},"img":{"url":"https://images.prismic.io/prad/BdZAPVjyUUchcp2h_kanganarakhi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-14T08:52:00+0000","embed":{"embed_url":null}},"uid":"kangana-rakhi-wouldnt-even-qualify-for-a-sweepers-"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"CBN offers prayers with family on Vinayaka Chavithi"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu, along with his family members, offered prayers on the occasion of Vinayaka Chavithi on Monday.   The Chief Minister, his wife Bhuvaneswari and their grandson Devansh performed prayers at his residence. The Chief Minister later posted on ‘X’ that 'puja' to Gananathudu, conducted together with family members, provided immense spiritual fulfilment. “Ganapati is a symbol of wisdom, discernment, and victory. It is our tradition to begin any auspicious undertaking with Vinayaka puja. The Chavithi celebrations, which remove obstacles and guide us on the righteous path, teach us social awareness and unity. They impart a sense of togetherness,” he wrote. “It is our religious programs that guide society on the righteous path. Among them, the Vinayaka Chavithi celebrations held in various pandals are particularly special. The Chavithi festivities appear as enduring symbols of our culture and spiritual consciousness. May every home overflow with happiness and prosperity under the blessings of Vinayaka. Praying to Gananathudu that all obstacles to the state's development be removed and that Andhra Pradesh prospers abundantly, the Telugu people thrive with joy,” CM Chandrababu Naidu said. He earlier conveyed his wishes to people on the occasion of Vinayaka Chavithi. He stated that the festival brings together people from all sections in one place. “I wholeheartedly wish that happiness and prosperity flourish in every family with the blessings of Vighneshwara. Let us continue our culture and traditions even more splendidly by worshipping clay Vinayaka idols and protecting the environment. I pray to Gananatha that no obstacles arise in the government's efforts for the welfare of the people and the development of the state. Vinayaka Chavithi greetings to all.”"},"img":{"url":"https://images.prismic.io/prad/Ta8g8psQjnH9DiPJ_cbnvinayakachavithi.JPG?auto=format%2Ccompress&rect=0%2C93%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-14T08:15:00+0000","embed":{"embed_url":null}},"uid":"cbn-offers-prayers-with-family-on-vinayaka-chavith"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Hyd horror: Minor girl $exually assaulted by 9 people"},"content":{"text":"A minor girl was drugged, abducted and $exually assaulted by nine people over a span of three days in Medchal Malkajgiri district near Hyderabad.  All the accused were booked under the Protection of Children from $exual Offences (POCSO) Act, and arrested after the victim escaped from their clutches and lodged a complaint at Alwal Police Station under Malkajgiri Police Commissionerate. The 16-year-old girl, a Class 11 student, was $exually assaulted on various occasions by the accused including those known to her, at different places including in a car, during a train journey and in a hotel room. According to police, the victim came in contact with one Jerry Varun when she was in 10th class. A few months ago, the accused $exually assaulted her in his car after giving her a chocolate laced with sedatives. Another youth Romala Varun, who was introduced to her by Jerry Varun, also $exually assaulted her after making her a cigarette, liquor and Ganja addict. Preliminary investigation by police revealed that the victim had earlier came in touch with one David Varun through Instagram. The accused had made her consume liquor and misbehaved with her. Suspicious over her behavior, the girl’s father admonished her on September 9. Angry over this, the girl left the house and reached Bollarum Railway Station, where a person Neeraj met her. He called his friend Vicky and they $exually assaulted the victim after giving her some intoxicated substances. Later, Vicky along with another friend Nikhil took the girl to a OYO room in Dulapally. Vicky and Nikhil along with two others $exually assaulted her. On the night of September 9, Vicky brought her his house in Bollarum and confined her here. The next day she managed to escape and reached Bollarum Railway Station. Vicky along with his friend Ganesh reached there and forcibly drugged her. They took her to Medchal Railway Station. From there, they took her to Malkajgiri and on the way $exually assaulted her in the train. After reaching Malkajgiri, they boarded an autorickshaw. However, she managed to escape and reached her house and with the help of family members approached police. On a complaint by the victim, police registered cases under POCSO Act and various sections of BNS against the accused. The police have also arrested manager and owner of OYO hotel for admitting the minor and allotting a room without proper verification."},"img":{"url":"https://images.prismic.io/prad%2F1e71fb32-c233-48e3-891d-c5091f28103a_rape.jpg?auto=format%2Ccompress&rect=0%2C26%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-14T07:10:00+0000","embed":{"embed_url":null}},"uid":"hyd-horror-minor-girl-exually-assaulted-by-9-peopl"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rajini Camp Busts 'Jailer 2' Rumour"},"content":{"text":"Superstar Rajinikanth's team has now trashed a report that claimed that Rajinikanth had urged the makers of his eagerly awaited action entertainer 'Jailer 2' to get a U/A certificate for the film that has been directed by Nelson Dilipkumar.  Quoting the media report on his X timeline, Rajinikanth's publicist Riaz K Ahmed wrote, \"This is untrue. Jailer 2 updates will be given by the production house as per their schedule...\" The report that Rajinikanth's publicist quoted claimed that censor board officials were mulling the possibility of giving 'Jailer 2', which is one of the most eagerly awaited films of the year, an 'A' certificate because of the violence in the film. The report further claimed that superstar Rajinikanth had however urged the film's makers to get a U/A certificate as an 'A' certificate would deny those under 18 years of age the opportunity to watch the film. Rajinikanth's team has clarified that there is no truth in this report. For the unaware, Jailer 2 is slated to hit screens worldwide on October 15 this year. At the time of announcing the release date, the film's makers released a teaser in which actor Vinayakan was seen issuing a threat with a laugh. \"You can't be at peace after killing me. There's a big world behind me, Jailer! This is a huge network. You won't know who is coming (for you), when and how. Your life will turn into hell.\" The teaser then showed Rajini's arrival in style, even as viewers got to catch a glimpse of the other characters in the film. The film has triggered huge expectations among fans and the general public ever since the project was first announced. In April this year, the makers had announced that the unit had wrapped up the film's shooting. The makers had then shared pictures of a cake cutting ceremony that had taken place to mark the completion of filming. One of the prime reasons for the excitement over the upcoming film is that 'Jailer 2' promises to have loads of action and entertainment just like the first part which went on to emerge a blockbuster, raking in a whopping 650 crores worldwide. 'Jailer 1', which opened to positive reviews, took a strong opening. In fact, the film's overseas distributor Ayngaran International had confirmed that the film had made a whopping 33 crores on its very first day, the highest in Superstar Rajinikanth’s career! Sources close to the unit say that 'Jailer 2' has shaped up well on the lines of 'Jailer 1'. Shooting of the second part of 'Jailer' began in Chennai first. Sun Pictures, the production house producing the action entertainer, had announced that shooting for the film had commenced on March 10 last year. Interest in the film peaked when Sun Pictures released an exceptionally interesting teaser that was both funny and thrilling. Not long after this, actress Ramya Krishnan shared a story on her first day of shooting for the second part of the film which was going on at Attapaadi in Kerala. She said, “26 years of Padayappa and the first day shoot of Jailer 2.” Ramya Krishnan plays the character of Vijaya Pandian a.k.a Viji, the wife of Rajinikanth’s character Muthuvel Pandian, in the film. Sources say that actress Mirnaa, who plays Swetha Pandian, Rajinikanth’s daughter-in –law in the film, too will have a pivotal role in the sequel. Malayalam superstar Mohanlal and Tamil actor Vijay Sethupathi too have shot for 'Jailer 2'. Anirudh, whose music played a vital role in making the first part emerge a blockbuster, has scored the music for the second part as well."},"img":{"url":"https://images.prismic.io/prad/nw5xFQqZ1hfsAz2y_jailer2.JPG?auto=format,compress"},"datetime":"2026-09-14T06:55:00+0000","embed":{"embed_url":null}},"uid":"rajini-camp-busts-jailer-2-rumour"}},{"node":{"tags":["Editorial"],"data":{"third_party_url":null,"title":{"text":"AI Technology: The New Era Avatar Of Frankenstein?"},"content":{"text":"\"Genius is about knowing when to stop\" This sharp dialogue by Dr. Jehangir Khan in the Bollywood movie Dear Zindagi (2016) hits with a hard truth: geniuses possess all the dazzling intelligence required to breathe life into a creation, but absolutely zero clue how to put it back in its cage once it goes out of control. It seems the character’s thought was deeply inspired by the iconic line from Jurassic Park (1993): \"We create monsters and then we can't control them.\" Fast forward to the real world, and post-COVID humanity was bestowed with a shiny new toy: Artificial Intelligence. Within a short span of time, AI barged into our lives so aggressively that pulling the plug now would collapse global civilization. It made life wonderfully convenient, but it also brought a tiny, negligible side effect: the distinct possibility that we might all die in the immediate future. Is humanity once again proving the old Telugu proverb, \"తాను తీసిన గోతిలో తానే పడతాడు\" (He falls into the pit that he dug himself)? The answer is a resounding, terrifying YES, going by the growing concerns about the AI Technology’s potential risks that warn that \"if we don't slow down the technology at the current rate of progress, there is a strong chance that we could all die in the immediate future\" Much like Mary Shelley’s Victor Frankenstein, the tech world's top creators have looked closely at the AI monster they brought to life, realized they forgot to build a cage, and are now collectively screaming. In a hilarious twist of corporate irony, the three titans driving this global suicide race, Dario Amodei (Anthropic), Sam Altman (OpenAI), and Elon Musk (xAI), have found something they finally agree on: they are digging their own digital grave way too fast for their own good. The alarm bells are now ringing louder than a malfunctioning server room. By June 2026, more than 1,000 AI employees signed a petition begging governments to please make them stop digging. By August, the US government introduced \"voluntary\" security reviews, which is the political equivalent of asking Frankenstein's monster to nicely check his own pulse. Then came the high-profile dramatic exits. OpenAI researcher Daniel Kokotajlo walked away from millions of dollars in stock, warning that AI labs are \"gambling with human survival.\" By September, Anthropic’s Jacob Coxon packed his bags too, echoing the sentiment that this multi-billion-dollar pit is getting too deep to climb out of. The climax of this tech-comedy arrived on September 12, 2026, when Anthropic CEO Dario Amodei published a panic-stricken blog post warning that within 6 to 12 months, advanced swarms of AI could launch lightning-fast cyberattacks, build bioweapons, and take over the internet. His panic wasn't hypothetical; the monster has already started testing the edges of its pit, as these autonomous systems can write code, access APIs, and wander around the web without human permission. While Victor Frankenstein famously lost control of just one monster in a castle, Silicon Valley has unleashed millions of them onto the cloud, officially plunging us into a Hollywood movie plot where the directors have absolutely no idea how to write the ending. Amodei isn't asking to stop AI altogether, he just wants independent safety checks. Hours after his warning, Sam Altman and Elon Musk publicly nodded in agreement. The ultimate comedy of this tech race is that we aren't even dealing with a far-off sci-fi war against Terminators. We are dealing with rogue software breaking the world at machine speed while its creators frantically look for a pause button they forgot to install. The grand question for humanity is no longer whether we can build god-like machines, but whether we can stop ourselves from jumping headfirst into the very trap we spent years building. As a classic Bollywood line perfectly sums up the Hugging Face sandbox escape: \"Hum ne toh sirf thali lagayi thi, par inhone toh pura hotel hi apne naam kar diya\" (\"We only set the table, but they went ahead and put the whole hotel in their name.\"). It turns out Silicon Valley’s ultimate \"disruptive innovation\" might just be handing over the keys of civilization to a monster that refuses to leave the room."},"img":{"url":"https://images.prismic.io/prad/xufYZuR1rBUNRB-6_AItech.JPG?auto=format,compress"},"datetime":"2026-09-14T07:35:00+0000","embed":{"embed_url":null}},"uid":"ai-technology-the-new-era-avatar-of-frankenstein"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Jacqueline's Legal Woes Deepen"},"content":{"text":"In a significant development within the Indian legal landscape, actress Jacqueline Fernandez is set to face serious charges in a high-profile money laundering case linked to a staggering Rs 200 crore. A Delhi court has ruled to frame these charges against Fernandez, alongside co-accused Sukesh Chandrashekhar and others. This decision underscores the gravity of the allegations, which are poised to cast a long shadow over Fernandez's career, as the legal proceedings unfold. The court's ruling not only targets Fernandez but also implicates Chandrashekhar in a separate case involving offenses under the Maharashtra Control of Organised Crime Act (MCOCA). This dual approach reflects the court's recognition of the multifaceted nature of these alleged financial crimes. The charges are rooted in accusations that involve extensive money laundering operations, raising questions about the integrity of the individuals involved and the broader implications for Bollywood’s glittering facade. To comprehend the magnitude of this case, one must delve into the broader context of financial crimes in India, particularly those tied to the entertainment industry. The Enforcement Directorate (ED) has been aggressively pursuing cases of money laundering, with prominent figures increasingly under scrutiny. This case not only highlights the vulnerabilities within the glamorous world of film and celebrity but also amplifies ongoing concerns regarding financial transparency and accountability in an industry known for its opulent lifestyle. Legal experts suggest that the ramifications of this case could extend beyond mere financial penalties, potentially affecting Fernandez’s career trajectory and public image. The unfolding drama is likely to attract significant media attention, further complicating her situation. With high stakes at play and public perception wavering, the repercussions for Fernandez and her co-defendants could redefine the narrative surrounding celebrity culture in India, as legal battles begin to intertwine with their public personas."},"img":{"url":"https://images.prismic.io/prad/aM__4Z5xUNkB07kv_jacqueline.JPG?auto=format,compress"},"datetime":"2026-09-14T09:32:00+0000","embed":{"embed_url":null}},"uid":"jacquelines-legal-woes-deepen"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Mirzapur The Movie' Shatters Records"},"content":{"text":"In an impressive display of cinematic prowess, 'Mirzapur The Movie' has surged to remarkable heights at the box office, amassing over ₹185 crore in domestic collections within just 11 days of its release on September 4, 2026. The film, which features a star-studded cast including Pankaj Tripathi, Ali Fazal, and Ravi Kishan, continues to captivate audiences and hold its ground against competing releases, notably Akshay Kumar and Saif Ali Khan's 'Haiwaan'. As the film enters its second week, it is poised to reach new financial milestones, suggesting a resilient interest among viewers that bodes well for its ongoing theatrical run. The film's trajectory is particularly noteworthy given its Day 10 gross domestic earnings of ₹220.04 crore, indicating a strong continued demand for this adaptation of the popular OTT crime series. 'Mirzapur The Movie’ has successfully translated its gripping narrative and character dynamics from screen to screen, leading to a solid accumulation of ₹184.85 crore by the end of its first weekend. Industry analysts predict that the film is on the verge of crossing the ₹200 crore milestone domestically, contingent upon its performance in the upcoming days. The global gross has also exceeded ₹266 crore, paving the way for a potential entry into the coveted ₹300 crore club if audience enthusiasm remains consistent. Understanding the film's success necessitates a look at the franchise's significant following and the anticipation built leading up to the film's release. Directed by Gurmmeet Singh and penned by Puneet Krishna, 'Mirzapur The Movie' serves as a prequel situated between the first season's episodes, allowing fans to reconnect with beloved characters, including Tripathi's iconic Kaleen Bhaiya and Fazal's Guddu Pandit. This narrative choice not only reinforces the film's roots in the original series but also enriches the character arcs, drawing audiences eager for closure and deeper storytelling that resonates with the show’s themes of power, betrayal, and familial bonds. The film has also made notable strides in international markets, contributing to its financial success. With a significant overseas gross of approximately ₹46 crore by Day 10, 'Mirzapur The Movie' showcases the universal appeal of its story and characters. As it continues to screen across 3,297 shows, live tracking indicates a steady revenue stream, with ₹0.99 crore already accounted for on Day 11 alone. The film's ability to maintain momentum in both domestic and foreign markets is a testament to its strong foundation, captivating storytelling, and the dedicated fanbase that has eagerly awaited this cinematic expansion of the 'Mirzapur' saga."},"img":{"url":"https://images.prismic.io/prad/0D3oCOCalsflmprh_mirzapurthemove.JPG?auto=format,compress"},"datetime":"2026-09-14T10:30:00+0000","embed":{"embed_url":null}},"uid":"mirzapur-the-movie-shatters-records"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Paradise' will have 3 times more action than 'Dussehra'"},"content":{"text":"Well known stunt choreographers Ram Lakshman, who have worked with two other stunt masters on the explosive action sequences in director Srikanth Odela's eagerly awaited action entertainer 'The Paradise', featuring Telugu star Nani in the lead, have now disclosed that the film will contain three times more action than Nani's earlier blockbuster 'Dussehra'. Participating in a press conference organised by the makers of the film, the stunt choreographers disclosed that they along with stunt masters Nabakanth and Real Satish had worked on the film's action sequences.  The stunt masters disclosed that they had choreographed two huge action blocks in this film and that this was the first time actor Nani had performed action sequences at this level. \"The action scenes in this film are very heavy. There is three times more action than in 'Dussehra',\" they disclosed. The stunt choreographers were all praise for actor Nani, who, they claimed gave a 100 per cent in everything for this film. \"He was determined to do as many takes as he could. We really didn't expect Nani to work so hard,\" they said and added that there were action sequences in the film for which Nani had to build his body and diet. \"Nani has done 100 per cent justice to Srikanth's vision. We feel lucky to be a part of it,\" they said. Stating that they took around 10 days to complete their action blocks, the stunt choreographers said that everything about the film was new. \"There is a new body language, you will see new people... everything is new,\" they pointed out and admitted that they took adequate time to compose the action sequences as it involved risky portions. \"One of our unit members was even injured during shooting,\" they pointed out. When asked for their thoughts on competition in the form of new fight masters, the duo replied, \"Creativity increases only when there is competition. And the desire to do something new arises. We work with fear, honesty and concentration towards our profession, like fight masters making their first film every day.\""},"img":{"url":"https://images.prismic.io/prad/aJXP7qTt2nPbaDd1_tgheparadise.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-14T04:55:00+0000","embed":{"embed_url":null}},"uid":"paradise-will-have-3-times-more-action-than-dusseh"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Britney’s Mom Dream"},"content":{"text":"Pop icon Britney Spears has shared that she wants nothing but the best for her kids. The singer expressed her hopes to be \"the best mommy\" to her sons. The ‘Toxic’ hitmaker was previously estranged from Preston, who turns 21 on Monday, and 20-year-old Jayden. However, the mother and sons have grown closer in recent years. The singer recently took to her Instagram, and shared a heartfelt message to mark her younger child's birthday. She posted an older photo of Jayden. Britney, shares her sons with ex-husband Kevin Federline, wrote \"Happy birthday to my handsome young boy oh dear lord we have this beautiful thing called life in front of us, it's such a beautiful delicate thing. I hope I can be the best mommy in the world every day of ur life (sic)”. In July, Jayden spoke out to slam \"ridiculous\" conspiracy theories that the 44-year-old singer has been replaced by a clone. Recording a livestream, Jayden said, “I hop on TikTok and I see this one video that has 1.2 million likes, and the caption is like, ‘The biggest theory ever, is Britney Spears still alive?’ Like, bro, you can go to her page and see her right now”. The model went on to brand the idea \"ridiculous\" and said that the clone theory exemplifies how \"exaggerated and fake\" rumours spread easily. He said, “People know how gullible people are, and they use that to their advantage. If it has a lot of likes, they (believe) it. They don’t even research it. They’re just, ‘Wow, yeah, it’s crazy. I believe it though’”. While Britney has had periods of estrangement from her sons over the years, they have been rebuilding their relationship in recent times."},"img":{"url":"https://images.prismic.io/prad/fc597b92-dae5-476c-a057-bc5e73e6ffd5_britney.JPG?auto=format,compress"},"datetime":"2026-09-13T12:53:00+0000","embed":{"embed_url":null}},"uid":"britneys-mom-dream"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"What gives SRK ‘kingly feelings’ during his day"},"content":{"text":"Bollywood megastar Shah Rukh Khan has shared what in his daily routine gives him the “Kingly feelings”. On Tuesday, the actor took to his X, formerly Twitter, and conducted a session of #AskSRK his signature ask me anything session where he interacts with fans. One user asked the actor, “Be honest, what’s the most KING-like thing you do in real life? #AskSRK @iamsrk”. Responding to the same, SRK shared, “Have three cups of coffee in bed before anybody can speak with me even if I am late for work!! Then of course on sets get shouted at for being late and have no Kingly feelings left”. The actor also dropped some marriage advice. A user wrote, “I got married this year. We both wanted to invite you par aap aate thodi. But I want to know from the King of Romance “what is the green flag to maintain a happy married life” See you soon”. The actor wrote, “Ek doosre ke rang mein rang jao....make adjustments so both of you make the partner happier”. The actor also gave a peek into his Ganpati celebrations, as he shared, “Wife does the Aarti and then the prayers and tonight will do the Visarjan. Kids and friends gather to hang around and laugh a lot. Very simple and family time”. Elsewhere during the session, the actor also gave update on his upcoming film ‘King’. A user asked him, “Trailer he dikha do abhi”. SRK wrote, “Abhi sirf baat karunga Trailer baad mein.... film is 100 days away na...24th Dec bro”. ‘King’ also Deepika Padukone, Suhana Khan, Abhishek Bachchan, Jaideep Ahlawat, Abhay Verma, and Arshad Warsi in key roles. The film is directed by Siddharth Anand and produced by Red Chillies Entertainment and Marflix Pictures, and is set to release on December 24, 2026."},"img":{"url":"https://images.prismic.io/prad/aCbvNCdWJ-7kSMyp_SRK.JPG?auto=format,compress"},"datetime":"2026-09-15T08:44:00+0000","embed":{"embed_url":null}},"uid":"what-gives-srk-kingly-feelings-during-his-day"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Andhra Former Deputy CM Alla Nani dies"},"content":{"text":"Former Andhra Pradesh Deputy Chief Minister Kali Krishna Srinivas (Alla Nani) died of cardiac arrest on Tuesday. He was 57. Popularly known as Alla Nani, he breathed his last at his residence in Visakhapatnam. Alla Nani began his political career with the Congress party. He was elected to the Assembly of united Andhra Pradesh from Eluru in 2004 and 2009 on the Congress party ticket. He later joined the YSR Congress Party (YSRCP) and contested unsuccessfully on the party ticket in the 2014 Assembly elections.  Alla Nani was elected to the Legislative Council under the MLA quota in 2017. He was elected to the Assembly from Eluru in 2019. From 2019 to 2022, he served as the Deputy Chief Minister and Minister for Medical and Health in YS Jagan Mohan Reddy-led YSRCP government. Last year, Alla Nani quit YSRCP to join the Telugu Desam Party (TDP). Chief Minister N. Chandrababu Naidu has condoled the demise of Alla Nani. He stated that he was deeply shocked to learn about the death of the former Deputy Chief Minister due to a heart attack at a young age. He conveyed his profound condolences to his family. Deputy Chief Minister Pawan Kalyan said in his condolence message that the sudden demise of former Deputy Chief Minister and senior political leader from Eluru, Alla Nani, caused him profound sorrow.  He noted that Alla Nani served the people as Eluru MLA for three terms and once as MLC. He prayed for his soul to attain peace and conveyed his heartfelt condolences to the family members. Former Chief Minister and YSRCP President YS Jagan Mohan Reddy expressed deep shock and grief over the sudden demise of Alla Nani. Jagan said Alla Nani’s untimely death was deeply painful and recalled his long public career, including being elected three times as MLA from Eluru and serving the people for many years. He remembered Alla Nani’s key role in the YSRCP government as Deputy Chief Minister and Health Minister, and said he discharged his responsibilities in the public health sector with dedication. Jagan said Alla Nani’s passing was an irreparable loss to his family and admirers. He prayed for peace to the departed soul and for strength to the bereaved family. He conveyed his heartfelt condolences to Alla Nani’s family members, relatives and supporters."},"img":{"url":"https://images.prismic.io/prad/TzxHGd-y3dSIde0D_allanani.JPG?auto=format%2Ccompress&rect=0%2C2%2C739%2C364&w=2028&h=1000"},"datetime":"2026-09-15T14:30:00+0000","embed":{"embed_url":null}},"uid":"andhra-former-deputy-cm-alla-nani-dies"}},{"node":{"data":{"title":{"text":"‘Spy’ Game in AP Politics?"},"content":{"text":"YSR Congress Party Youth Wing State President and former MLA Jakkampudi Raja on Tuesday accused the TDP-led coalition government in Andhra Pradesh of police surveillance and intimidation against young people questioning its failure to implement election promises. Addressing the media at the Rajahmundry Press Club, Raja said YSRCP leaders, social-media activists and journalists had been subjected to cases and harassment for questioning the government. He said unemployed youth demanding a job calendar, police constable recruitment and promised employment opportunities were being targeted, while coaching centres were being subjected to inspections and pressure. Raja said the government was using Intelligence, Special Branch and Cyber Crime wings for digital profiling of Gen-Z youth, WhatsApp groups, Facebook and Instagram users, YouTubers and influencers. Collecting details of coaching-centre managements and faculty and monitoring young people’s online networks amounted to an abuse of State machinery, he said. He charged that law and order had deteriorated while the entire police system was being deployed against critics. Referring to the Tirupati incident involving women paramedical students demanding stipends, Raja condemned the police action against them and said the government should apologise if it could not fulfil its promises instead of suppressing those demanding answers. Raja warned that attempts to control young people had historically triggered powerful movements, citing East Germany, Egypt, Sri Lanka, Bangladesh and student movements in Gujarat and Bihar. He asked whether the government would dare invoke stringent action against Telangana Chief Minister Revanth Reddy for his remarks on irregularities in Andhra Pradesh DSC. Referring to the CAG report, Raja said the coalition had pushed the State into severe financial distress, with the government depending heavily on borrowings and overdrafts. He said the YSRCP government had transparently filled lakhs of permanent government posts and demanded immediate implementation of the promised Rs 3,000 monthly unemployment allowance and annual job calendar. Raja said YSRCP president and former Chief Minister YS Jagan Mohan Reddy would soon return to the people through another padayatra to understand their problems directly."},"img":{"url":"https://images.prismic.io/prad/fKdbTkGjlCuIgcwx_spy.JPG?auto=format,compress"},"datetime":"2026-09-15T12:30:00+0000","embed":{"embed_url":null}},"uid":"spy-game-in-ap-politics"}},{"node":{"data":{"title":{"text":"7 held over 'purification' protest near KCR's farmhouse"},"content":{"text":"Telangana Police have arrested seven people in a case relating to the alleged ‘purification’ of roads at Erravalli near the farmhouse of BRS president and former Chief Minister K. Chandrasekhar Rao in Siddipet district.  A former sarpanch of Vardarajpur village and six leaders of Bharat Rashtra Samithi (BRS) were taken into custody on Monday from a lodge in Vijayawada in neighbouring Andhra Pradesh. The accused were brought to Gajwel and produced before a magistrate, who then sent them to judicial custody for 14 days. Subsequently, they were shifted to Siddipet jail. The accused had allegedly performed 'purification' rituals, using turmeric water, on September 9. The 'purification' was done a day after Congress workers and Dalit organisations held a ‘Chavu-Dappu’ (funeral drum-beating) protest in the area. The protest by Congress workers and Dalit organisations was against alleged derogatory and abusive remarks by two BRS MLCs against Telangana Assembly Speaker Gaddam Prasad Kumar. Following the protest, BRS workers sprinkled turmeric water on the roads and other areas through which the protesters had passed. The alleged 'purification' had sparked a huge controversy with the ruling Congress party demanding strong action over what it called 'insult' to Dalits. On a complaint by local Congress leaders, police registered a case and took up the investigation. Forensic evidence was collected as part of the investigation. Police had been on the lookout for the accused, finally tracing them to a lodge in Vijayawada after one of them switched on his mobile phone. The protest by Congress workers and Dalit organisations near KCR's farmhouse had followed the September 7 incident at the Assembly gate. During the scuffle between BRS legislators and police, two BRS MLCs had allegedly made certain derogatory and abusive remarks against Speaker Gaddam Prasad Kumar. Both the MLCs were booked and arrested the next day. However, a court had ordered their release the same day."},"img":{"url":"https://images.prismic.io/prad/736de0db-acb9-45be-9ae1-35051ce6ac00_arrested.JPG?auto=format,compress"},"datetime":"2026-09-15T08:00:00+0000","embed":{"embed_url":null}},"uid":"7-held-over-purification-protest-near-kcrs-farmhou"}},{"node":{"data":{"title":{"text":"US judge blocks four-year student visa cap"},"content":{"text":"A US federal judge has temporarily blocked the Trump administration’s four-year limit on international student visas, offering relief to foreign students and researchers, including thousands from India.  Judge F. Dennis Saylor IV of the US District Court in Boston issued a nationwide preliminary injunction Monday, one day before the Department of Homeland Security rule was scheduled to take effect. The regulation would have replaced the longstanding “duration of status” system, under which foreign students may remain in the United States while enrolled in an authorised academic programme. Students needing more than four years would have been required to seek an extension from immigration authorities. The rule also restricted students’ ability to change programmes, transfer universities or pursue another degree at the same level without approval. The changes would also have affected visiting scholars and foreign journalists. Saylor called the government’s justification for the regulation “exceptionally weak.” He said the existing system had contributed to “groundbreaking research in science, medicine, and technology, substantial economic growth.” If implemented, the restrictions could cause damage to the economy and higher-education institutions that “is likely to be catastrophic,” he wrote. “Immigrants to the United States who attended American universities have been named as inventors on a disproportionate number of patents and have been awarded a disproportionate number of Nobel Prizes,” the judge said. The government argued that the existing system was outdated and needed to be changed to “safeguard national security.” Saylor acknowledged that the system was “not without its problems.” But he said the administration had sought to “substantially restrict the overall number of foreign students, researchers, professors, and journalists in the United States.” “The government’s contention that the rule is necessary to safeguard national security borders on the absurd,” he wrote. The case was brought by higher-education organisations and labour unions, including the Presidents’ Alliance on Higher Education and Immigration, NAFSA: Association of International Educators and the Association of Independent Colleges and Universities in Massachusetts. The plaintiffs argued that the rule imposed an arbitrary deadline and would damage universities’ ability to attract international talent and produce advanced research. The Department of Homeland Security had defended the policy after the lawsuit was filed. “Where was the outrage when foreign nationals were abusing the system, violating the terms of their student visas, and making a mockery of our immigration laws?” a department spokesperson said at the time. The rule was expected to affect doctoral students particularly severely. National Science Foundation data cited in the reports showed that doctoral programmes take a median of 5.7 years to complete. Saylor also raised concerns about giving immigration officials greater control over academic decisions. “Moreover, it is not difficult to imagine how that system might be abused to punish those whose viewpoints or research are disfavored by the officials making the decision — or, indeed, punish disfavored institutions,” he wrote. Nearly 22,000 public comments were submitted on the regulation, with most expressing opposition. The next court hearing is scheduled for October 2. International applications through the Common Application have fallen 10 per cent during the latest admissions cycle, while doctoral applications have declined 21 per cent, according to figures cited by NAFSA. The preliminary injunction does not permanently invalidate the regulation. It preserves the existing system while the court considers the case, and the administration may appeal the ruling. "},"img":{"url":"https://images.prismic.io/prad/3fb737b1-4f83-4e08-9667-484388c7b186_US+Visa.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-15T03:15:00+0000","embed":{"embed_url":null}},"uid":"us-judge-blocks-four-year-student-visa-cap"}},{"node":{"data":{"title":{"text":"17 TMC Rebels Eye BJP, But…"},"content":{"text":"A recent comment by Jagadish Chandra Barma Basunia, a first-time Lok Sabha member from Cooch Behar, that 17 rebel Trinamool Congress Parliamentarians are poised to join the Bharatiya Janata Party (BJP) before next month’s Durga Puja has set off a political storm in West Bengal.  Despite drawing no support, being refuted, or being met with silence by colleagues, as well as BJP state leaders, his statement has reignited the debate on the “Aya Ram, Gaya Ram” (he comes; he goes) expression that is said to have originated in 1967 from Haryana, when then state Legislative Assembly member Gaya Lal shifted his party allegiances three times in two weeks. Though not as dramatic as Haryana’s Gaya Lal, Basunia and 19 other Trinamool MPs broke away from the party following its defeat in the state assembly elections early this year. With the victorious BJP refusing to induct them, the rebels aligned themselves with the little-known Nationalist Citizens Party of India (NCPI), a party registered only in 2023 and virtually invisible in West Bengal politics. This move was widely interpreted as a tactical manoeuvre designed to avoid immediate disqualification under the anti-defection law. Months later, the Lok Sabha Speaker has not recognised NCPI as a separate Parliamentary group. At the time of writing, the official Lok Sabha website continues to list 28 Trinamool MPs, all elected under the party’s symbol in the 2024 general election. Basunia’s dramatic claim has thus raised questions about its feasibility under Parliamentary rules and constitutional provisions. Experts point out that the rebels’ position is far more precarious than Basunia’s confident announcement suggests. The BJP itself has been quick to distance itself from the speculation. Under the Tenth Schedule of the Constitution, a group of legislators may avoid disqualification if at least two-thirds of them merge with another party. But such a merger must be formally recognised by the Speaker. Here, without that recognition, the rebels’ claim to immunity is legally fragile. The Trinamool Congress has already petitioned the Supreme Court seeking the removal of the 20 MPs, and the matter is under judicial consideration. In this context, Basunia’s now implying a “second exodus” appears premature. The BJP’s own response underscores this caution. BJP’s West Bengal unit president Samik Bhattacharya swiftly rejected Basunia’s claim, insisting that the BJP was not in talks to induct the rebels en masse. He stressed that the party would not admit leaders simply because they wished to join, hinting at both political and organisational concerns. Other BJP leaders have also expressed resentment at the idea of welcoming defectors from the Trinamool. Besides, the Trinamool rebels themselves appear far from united. Several MPs, including Satabdi Roy and Abu Taher Khan, have publicly contradicted Basunia, saying he was speaking in a personal capacity. Others have remained conspicuously silent, suggesting contradictions. Three of them, all MPs from Murshidabad district, Abu Taher Khan, Khalilur Rahman, and Yusuf Pathan, have been consistently refusing to consider joining the BJP, citing the religious and political composition of their constituencies. Though they have chosen to support the ruling National Democratic Alliance (NDA), directly aligning with the BJP risks alienating their voter base in a district where Muslims comprise almost 70 per cent of the population. Incidentally, political observers believe the NCPI was used as a vehicle to park the MPs until the Speaker’s decision, allowing the BJP to avoid direct confrontation with the anti-defection law. Now, the longer the Speaker delays recognition, the more tenuous becomes the rebels’ position, where they are trapped in a limbo, with neither being fully part of the Trinamool nor officially acknowledged as members of the NCPI. This complicates Basunia’s claim of a grand migration to the BJP. Even if all 17 MPs were willing, the constitutional and procedural hurdles remain formidable. The Speaker’s discretion is paramount, and until he rules, the rebels cannot claim the protection of the two-thirds merger clause. The Supreme Court’s pending judgment adds another layer of uncertainty. In effect, the rebels are caught between ambition and legality, their future hinging on decisions beyond their control. Basunia’s announcement, therefore, seems more like a claim than imminent reality. It may serve to keep the rebels in the headlines and pressure the Speaker to act, but it does not change Constitutional facts. A “second exodus” into the BJP thus appears uncertain until these hurdles are cleared, and for now, the path looks effectively blocked."},"img":{"url":"https://images.prismic.io/prad/81b83118-561b-4040-aa06-67c4755225a0_BJPTMC.JPG?auto=format,compress"},"datetime":"2026-09-15T10:30:00+0000","embed":{"embed_url":null}},"uid":"17-tmc-rebels-eye-bjp-but"}},{"node":{"data":{"title":{"text":"Mithun’s New Bengal Chapter"},"content":{"text":"Veteran actor and BJP leader Mithun Chakraborty has embarked on a new chapter in public life as Cultural Adviser to West Bengal's BJP government, transitioning from celebrated film star to policymaker with a focus on culture, tourism and sports development.  Chakraborty's iconic “Disco Dancer” on the film screen is now busy blending his cinematic legacy with political influence in the state. Of late, he has been instrumental in promoting film subsidies and is now actively taking up tourism initiatives in the Sunderbans and pushing sports development projects, marking a new chapter in his career. In recent times, his role in Bengali films such as Projapati and Kabuliwala, among others, has earned much appreciation. Mithun Chakraborty’s connection to West Bengal runs deep. Born in Kolkata in 1950, he rose from humble beginnings to become one of India’s most celebrated film stars. His breakthrough came with Mrigayaa (1976), which won him the National Film Award for Best Actor. Through the 1980s and 1990s, he became a household name with blockbusters like Disco Dancer, Kasam Paida Karne Wale Ki, and numerous Bengali films. His screen persona, comprising a mix of rugged charm and relatable vulnerability, made him a cultural icon across India, especially in West Bengal, as “Mithunda”. His political affiliations have evolved. Once associated with the Trinamool Congress, he served briefly as a Rajya Sabha MP before resigning in 2016. His shift to the BJP in 2021 was a turning point, coinciding with the party’s aggressive push into West Bengal. His presence added emotional resonance to the BJP’s campaign, his filmi statements appealing to his fans and the general public alike, who grew up watching his films. Then, as the BJP came to power this year, Mithun Chakraborty emerged as a symbolic figure of change. His proximity to Prime Minister Narendra Modi also underscored his importance within the party. And now, with Chief Minister Suvendu Adhikari appointing him in his new role as the Cultural Adviser to the West Bengal government, granting him ministerial-level privileges and influence, he has put the celebrated “Disco Dancer” foot forward. His first major recommendation has come as a 30 per cent subsidy for films shot in the state. This was reportedly accepted, signaling his commitment to reviving the state’s cinematic glory, which was witnessing stagnation and political influence. He is said to have also emphasised that West Bengal’s natural beauty -- its mountains, seas, and cultural richness -- should attract filmmakers nationwide. His vision is to restore the state as a hub of Indian cinema, echoing its golden era when Kolkata was a centre of film artistry. Beyond cinema, Mithun Chakraborty has been actively involved in tourism and sports development. He has championed plans to build a tourism hub in the Sunderbans, leveraging the region’s unique mangrove ecosystem and wildlife to attract both domestic and international visitors. This initiative aligns with BJP’s broader agenda of economic revitalisation through cultural and ecological tourism. His idea of developing a resort in the Suderbans has reportedly drawn opposition from environmental activists, but an official confirmation is yet to come on such a project. The actor-politician incidentally owns a hotel and resort in Ooty, nestled in the scenic Nilgiri Hills, with the property a popular destination for tourists and film crews seeking a blend of luxury and natural beauty. A significant move is his push for a football academy to nurture young talent and position West Bengal as a centre of sporting excellence. Given its historic passion for football, this project resonates deeply with local aspirations and could provide structured pathways for athletes to compete nationally and internationally. To bring the “josh” back to football, he has now restarted an almost abandoned initiative to create the “Bengal Football Academy” where, accompanied by a group of former footballers on Monday, he announced it in New Town on Kolkata’s outskirts. His efforts at harnessing popularity and vision for the revival of culture and sports show he does not intend to let the new role remain merely ceremonial. As West Bengal enters a new political era with the first BJP government, Mithunda’s initiatives -- from trying to revive the state’s film industry to tourism and sports initiatives -- highlight how a film star’s legacy may evolve into tangible contributions for the state’s future."},"img":{"url":"https://images.prismic.io/prad/J4fEuv-MLhOuAois_mithun.JPG?auto=format%2Ccompress&rect=0%2C54%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-14T12:48:00+0000","embed":{"embed_url":null}},"uid":"mithuns-new-bengal-chapter"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"SC Gives Rajpal Yadav ‘Last Opportunity’"},"content":{"text":"The Supreme Court on Tuesday granted actor and comedian Rajpal Yadav a \"last opportunity\" of two weeks to comply with its direction to deposit money as a condition for avoiding surrender in connection with multiple cheque dishonour cases.   A Bench of Chief Justice of India (CJI) Surya Kant and Justices Joymalya Bagchi and V. Mohana was informed that the earlier direction to deposit Rs 5 crore had not been complied with. Senior advocate P.S. Patwalia, appearing for Yadav, sought two weeks’ time, submitting that the actor was facing financial difficulties and intended to arrange the amount by selling property. Seeking a final opportunity, the senior counsel submitted that Yadav be permitted to return before the top court with a concrete proposal and deposit at least Rs 2 crore. However, the CJI Kant-led Bench, took note of the petitioner’s past conduct and observed that it did not inspire confidence. “Though the past conduct of the petitioner does not inspire confidence, however, as a last opportunity, two weeks’ time is granted to the petitioner to honour the statement,” the Supreme Court said, posting the matter for further hearing on October 5. It also directed Yadav to remain personally present on the next date with the demand draft, while directing the complainant to remain present as well. The exemption earlier granted to the petitioner from surrendering was directed to continue till October 5, subject to the conditions imposed by the top court. The CJI Kant-led Bench also directed Yadav to deposit his passport with the apex court registry. Earlier, on September 8, the Supreme Court had agreed to hear pleas filed by Yadav and his wife challenging the Delhi High Court judgment upholding their conviction in seven cheque dishonour cases under the Negotiable Instruments Act. The top court had granted them exemption from surrendering, subject to depositing Rs 5 crore with its registry, and issued notice on their Special Leave Petitions (SLPs). The Delhi High Court had on July 10 upheld Yadav’s conviction while reducing his sentence from six months to three months’ simple imprisonment in each of the seven cases. It had also reduced the fine from Rs 1.60 crore to Rs 1.05 crore in each case, with the substantive sentences directed to run concurrently. The High Court had taken into account payments already made by Yadav to the complainant, M/s Murli Projects Pvt Ltd, during the pendency of the proceedings. Yadav and his wife have challenged the judgment before the Supreme Court, contending that a subsequent consent agreement between the parties was not properly considered by the courts below. The petitioners have relied upon the Supreme Court’s judgment in M/s Gimpex Private Limited vs Manoj Goel, arguing that the subsequent agreement between the parties ought to have brought an end to the original complaint proceedings. The Delhi High Court had earlier dismissed the revision petitions filed by Yadav and his wife, noting an extraordinary delay of 1,894 days in challenging the conviction and refusing to interfere with the findings of the courts below. It had also observed that despite repeated opportunities and indulgence to facilitate an amicable settlement, Yadav had failed to honour undertakings given before the High Court."},"img":{"url":"https://images.prismic.io/prad/aYM3c90YXLCxVW7h_rajpalyadav.JPG?auto=format,compress"},"datetime":"2026-09-15T13:10:00+0000","embed":{"embed_url":null}},"uid":"sc-gives-rajpal-yadav-last-opportunity"}},{"node":{"data":{"title":{"text":"‘Ranabaali’ First-Half BGM Locked!"},"content":{"text":"The makers of director Rahul Sankrityan’s much-awaited period action drama Ranabaali, starring Vijay Deverakonda and Rashmika Mandanna, have revealed that the background score for the film’s first half has been completed. With post-production progressing smoothly, the team is confident of wrapping up the film well ahead of its scheduled theatrical release on October 16, 2026. The makers shared the update on social media, assuring fans that the film is on track for its grand Dussehra release. The project is being mounted on a massive scale and is set against a British-era backdrop, promising a visually rich period action experience rooted in historical events. Rashmika plays Jayamma, the wife of Vijay’s character Ranabaali. Director Rahul Sankrityan recently revealed that he named the character after his own mother. He said he wanted Jayamma to be a strong and inspiring woman despite belonging to another era, adding that Rashmika brought the character to life in a way that made her unforgettable. Vijay and Rashmika reunite for the third time after Geetha Govindam and Dear Comrade. Produced by Naveen Yerneni and Y. Ravi Shankar, with T-Series presenting the film, Ranabaali also features Arnold Vosloo as the antagonist Sir Theodore Hector. Set in the 19th century and inspired by real incidents, the film is being positioned as a pan-India period action drama rather than a conventional biopic or textbook retelling."},"img":{"url":"https://images.prismic.io/prad/aaQrmcFoBIGEg9QD_Ranabaali.png?auto=format%2Ccompress&rect=0%2C69%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-15T04:46:00+0000","embed":{"embed_url":null}},"uid":"ranabaali-first-half-bgm-locked"}},{"node":{"data":{"title":{"text":"Parineeti Enjoys Life Beyond Motherhood"},"content":{"text":"Actress Parineeti Chopra took some much-needed time out for herself and enjoyed a luxurious getaway nearly a year into motherhood, describing the experience as one she will cherish. Taking to Instagram, the ‘Ladies vs Ricky Bahl’ actress shared glimpses of her relaxing escape and opened up about wanting to indulge in some well-deserved “me time.” Sharing her photos, Parineeti wrote, “Almost a year of being a mom, and I took some time … just for me I wanted to be drenched in luxury and spoilt silly. @joalimaldives did just that.” “The best villas in the maldives (and I’ve seen some fantastic ones) the best food, the most thoughtfully designed, gorgeous island, and the staff that seemed to be at work just for me.” Parineeti, who described herself as a “water baby,” said she was mesmerised by the island and the overall experience. “The water baby in me was mesmerised. Thank you for making me feel like a queen — and a little girl! Had the time of my life,” she added. The video captures Parineeti Chopra making the most of her luxurious getaway, as she is seen enjoying every aspect of her vacation. From relishing delicious food and unwinding with relaxing massages to soaking in the serene surroundings of the Maldives, the actress appeared to be fully immersed in her much-needed break. The glimpses show her embracing the slower pace of island life, indulging in self-care and enjoying some quality time away from her routine. Parineeti Chopra and politician Raghav Chadha welcomed their first child, a son named Neer, on October 19, 2025. The actress recently opened up about returning to work while promoting her upcoming Netflix psychological thriller series, “Shaque: Trust No One.” Parineeti revealed that she found out she was pregnant with Neer while shooting for the series in Shimla. The makers ensured that she remained comfortable on set and made necessary changes to the action sequences to accommodate her during the shoot."},"img":{"url":"https://images.prismic.io/prad%2F8cfcce53-d24b-4659-8f34-e87c17e5853c_parineeti.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-15T07:40:00+0000","embed":{"embed_url":null}},"uid":"parineeti-enjoys-life-beyond-motherhood"}},{"node":{"data":{"title":{"text":"Anupama: Today is really all we have!"},"content":{"text":"Underlining the fact that life was short and that every moment counted, actress Anupama Parameswaran on Tuesday said that if there was one thing she had now come to understand, it was that \"Today is really all we have.\" Taking to her Instagram page to post a reel, the actress wrote, \" Not just a reel, An archive of memories.\" She further went on to add, \"Life is full of surprises, and with them come lessons. Some beautiful, some difficult, all leaving something behind. But if there’s one thing I’ve come to understand, it’s that life is short.Every moment counts. Every memory matters. And today is really all we have.\" It may be recalled that Anupama had put out a cryptic post in July this year that came under the spotlight.  In it, Anupama had said that peace had found her and that she no longer needed to take any more permissions or be in fear. Taking to her Instagram page to pen the rather cryptic post that gave the impression that she was finally free from something that had been imprisoning her, the actress wrote,\" Sometimes, you have to let go of the dead ends to finally find your peace. And today, peace found me.\" She had further said, \"From today, I choose my voice.I choose my life. No more permissions. No more fear. Just me, finding my way back to myself and falling in love with the life I almost forgot was mine. And there’s something I’ve wanted to say for a very long time…Something I wasn’t allowed to say for far too long. I love you all.\" She wrote, \"Thank you for standing by me, believing in me, and filling my life with so much love. If I haven’t said it enough before, please know that I have always felt it. Every message, every prayer, every ounce of kindness reached me when I needed it the most. Thank you, Universe, for leading me back to myself.\" Anupama concluded the post saying, \"Here’s to healing. Here’s to freedom. Here’s to choosing myself. And here’s to a life that is finally, completely, unapologetically my own.\" On the work front, Anupama next has director Sampath Nandi's explosive action drama 'Bhogi' coming up for release. The makers of the film, which features actor Sharwanand in the lead, had in April this year released the look of Anupama Parameswaran as Kandula Sulochana Rani in the film. The poster released showed Anupama as a village belle, walking barefoot on a dusty rural path. Sources had disclosed to media that Sulochana will be a spirited person who is deeply rooted in nature. The character in the film would be seen earning her livelihood by crafting leaf plates from Moduga leaves. Sulochana, sources claimed, would be shown as a person embodying both resilience and quiet strength. The makers had revealed on actor Sharwanand's birthday that he played a character called Ganga in the eagerly awaited action thriller."},"img":{"url":"https://images.prismic.io/prad%2F65402519-e2a3-4181-b09d-61c41704ba50_anupama+parameswaran++%2857%29.jpg?auto=format%2Ccompress&rect=0%2C65%2C600%2C296&w=2028&h=1000"},"datetime":"2026-09-15T08:36:00+0000","embed":{"embed_url":null}},"uid":"anupama-today-is-really-all-we-have"}},{"node":{"data":{"title":{"text":"Kartik Aaryan is miles away from home"},"content":{"text":"Bollywood actor Kartik Aaryan is celebrating Ganesh Chaturthi in the UK. The actor took to his Instagram recently and shared a picture of himself with the idol of Lord Ganesha. He wrote in the caption, “Miles away from home, but never away from Bappa! Ganpati Bappa Morya”. The actor is currently in the UK shooting for his upcoming film ‘Captain India’. The actor has had a great run this year as he bagged the National Award for Best Actor for his work in the sports biopic ‘Chandu Champion’. He shared the award with the Malayalam cinema legend Mammootty, who was feted for his work in ‘Bramayugam’. Earlier, the actor flew to London to kickstart the shooting of ‘Captain India’. At the time, he shared a series of pictures and videos from his trip to London. The post includes pictures of airports, him listening to music, reading the shooting draft of the script on his tablet, and his luggage. The actor flew from Mumbai to London. He wrote in the caption, “VABB to EGLL”. ‘Captain India’ reportedly draws on India’s real-life evacuation of citizens from a war-torn country. As seen in one of the pictures, the film is directed by Shimit Amin, who is known for ‘Chak De! India’. It is produced by T-Series‘ Bhushan Kumar and Baweja Studios, alongside Dopamine Studios, with S.B. Films handling production. Talking about the actor being lionised with the National Award, he was invited by President Droupadi Murmu to attend the prestigious ‘At Home Reception’ on 15th August at Rashtrapati Bhavan in New Delhi. The 'Bhool Bhulaiyaa 3' actor was a part of the high-profile gathering hosted by the President during the 80th Independence Day. Kartik was the only actor from Bollywood to attend the prestigious gathering, joining the distinguished invitees. For the uninitiated, the ‘At Home Reception’ is a formal gathering hosted by the President of India where prominent names from various walks of life, including national leaders, armed forces personnel, sportspersons, artists and notable achievers, come together under a single roof."},"img":{"url":"https://images.prismic.io/prad/aUPaunNYClf9oY2A_karthikaryan.JPG?auto=format%2Ccompress&rect=0%2C2%2C2020%2C996&w=2028&h=1000"},"datetime":"2026-09-15T07:25:00+0000","embed":{"embed_url":null}},"uid":"kartik-aaryan-is-miles-away-from-home"}},{"node":{"data":{"title":{"text":"What gives SRK ‘kingly feelings’ during his day"},"content":{"text":"Bollywood megastar Shah Rukh Khan has shared what in his daily routine gives him the “Kingly feelings”. On Tuesday, the actor took to his X, formerly Twitter, and conducted a session of #AskSRK his signature ask me anything session where he interacts with fans. One user asked the actor, “Be honest, what’s the most KING-like thing you do in real life? #AskSRK @iamsrk”. Responding to the same, SRK shared, “Have three cups of coffee in bed before anybody can speak with me even if I am late for work!! Then of course on sets get shouted at for being late and have no Kingly feelings left”. The actor also dropped some marriage advice. A user wrote, “I got married this year. We both wanted to invite you par aap aate thodi. But I want to know from the King of Romance “what is the green flag to maintain a happy married life” See you soon”. The actor wrote, “Ek doosre ke rang mein rang jao....make adjustments so both of you make the partner happier”. The actor also gave a peek into his Ganpati celebrations, as he shared, “Wife does the Aarti and then the prayers and tonight will do the Visarjan. Kids and friends gather to hang around and laugh a lot. Very simple and family time”. Elsewhere during the session, the actor also gave update on his upcoming film ‘King’. A user asked him, “Trailer he dikha do abhi”. SRK wrote, “Abhi sirf baat karunga Trailer baad mein.... film is 100 days away na...24th Dec bro”. ‘King’ also Deepika Padukone, Suhana Khan, Abhishek Bachchan, Jaideep Ahlawat, Abhay Verma, and Arshad Warsi in key roles. The film is directed by Siddharth Anand and produced by Red Chillies Entertainment and Marflix Pictures, and is set to release on December 24, 2026."},"img":{"url":"https://images.prismic.io/prad/aCbvNCdWJ-7kSMyp_SRK.JPG?auto=format,compress"},"datetime":"2026-09-15T08:44:00+0000","embed":{"embed_url":null}},"uid":"what-gives-srk-kingly-feelings-during-his-day"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Scorching Heat: The Unseen Toll on Teen Mental Health"},"content":{"text":"As global temperatures soar, a troubling new study reveals that extreme heat is not merely an environmental concern but a significant threat to the mental health of adolescents. Research indicates that for every 1°C rise in daily temperature, the risk of adverse mental health outcomes in teenagers escalates by nearly 1%. While this statistic may seem modest at first glance, it becomes alarming when considering the frequency of heatwaves in recent summers, underscoring the urgent need to address this evolving crisis. The comprehensive review analyzed data from 23 studies worldwide, pinpointing children and teenagers aged five to eighteen as the most vulnerable demographic. On particularly hot days, this group experiences a 1.5% increase in the likelihood of poor mental health outcomes; however, during actual heatwaves, this figure skyrockets to an astonishing 25%. Such stark differences highlight the psychological ramifications of sustained heat exposure, which extends beyond mere discomfort to include serious implications such as increased anxiety, depression, and even suicide attempts. Experts, including co-author Jacqueline Stephens from Flinders University, emphasize that the intersection of climate change and mental health cannot be ignored. The patterns of rising temperatures and more frequent heat events are not restricted to a single region; they are a global phenomenon with widespread repercussions. Adolescents are particularly susceptible during this pivotal developmental stage, where their routines—schooling, recreation, and social interactions—are disrupted by extreme weather conditions, causing significant emotional distress. Moreover, researchers note that the physical impact of heat, such as sleep disruption, compounds mental health challenges. Poor sleep exacerbates mood regulation, while family stress during heatwaves creates a ripple effect that permeates households. Although the findings point to population-level trends rather than individual predictions, they call for a re-evaluation of how public health strategies address heat-related issues. Current responses prioritize physical safety measures like hydration and cooling centers but overlook the critical need for mental health support tailored to young people. This oversight underscores the need for a more holistic approach to climate adaptation strategies that incorporate mental health services as integral components of public health initiatives."},"img":{"url":"https://images.prismic.io/prad/CJ8ZpPonvzZKyB1t_mentalhealth.JPG?auto=format,compress"},"datetime":"2026-08-11T10:28:00+0000","embed":{"embed_url":null}},"uid":"scorching-heat-the-unseen-toll-on-teen-mental-heal"}},{"node":{"data":{"title":{"text":"The Distinction Between Brain Tumors and Brain Cancer"},"content":{"text":"The phrases 'brain tumor' and 'brain cancer' often evoke a visceral reaction among the public, conjuring images of gravely serious health threats. However, contrary to common perception, these terms describe distinct medical conditions that warrant different approaches to diagnosis and treatment. A brain tumor is simply an abnormal growth of cells in or around the brain, which can be classified as benign or malignant. While all brain cancers are tumors, not all tumors exhibit cancerous characteristics; this critical distinction can influence a patient's treatment plan and overall prognosis. The medical community underscores the importance of understanding these differences. Brain tumors, irrespective of their benign or malignant status, can lead to severe health consequences because of the brain’s confined environment within the skull. This means that even non-cancerous tumors can exert pressure on vital neurological functions, leading to symptoms such as persistent headaches, seizures, and cognitive deficits. Dr. Praveen Gupta, a prominent neurologist, emphasizes that benign tumors, while non-cancerous, can still necessitate significant medical intervention depending on their size and location. The implications of this are crucial for anyone facing a diagnosis related to brain health. Historically, the classification of brain tumors has evolved as medical science has advanced. The National Cancer Institute and other leading neurological institutions categorize these tumors into myriad types, each demanding tailored treatment strategies. For instance, malignant tumors possess the aggressive ability to invade surrounding brain tissue, often requiring complex interventions that may include surgery, radiation, and chemotherapy. Understanding whether a growth is benign or malignant is not just a matter of terminology; it directly impacts the urgency and nature of the interventions required. Symptoms often overlap between benign and malignant tumors, complicating self-diagnosis and reinforcing the necessity for professional evaluation. Medical imaging techniques such as MRI and CT scans, along with biopsies, are essential to ascertain the nature of the tumor. Experts caution against relying on symptomatology alone, as the presence of alarming symptoms could mask a benign condition, while milder manifestations could signify a malignant threat. As such, timely medical evaluation is paramount, as early detection can significantly enhance treatment effectiveness and patient quality of life."},"img":{"url":"https://images.prismic.io/prad/f6803c8c-7220-433e-b58f-ef269a3ecf79_brain+stroke.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T10:10:00+0000","embed":{"embed_url":null}},"uid":"the-distinction-between-brain-tumors-and-brain-can"}},{"node":{"data":{"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}},{"node":{"data":{"title":{"text":"How Smoking Hurts Pregnancy!"},"content":{"text":"When planning to start a family, many couples focus on preparing for pregnancy by discussing nursery plans and choosing baby names. However, what often goes unnoticed is the detrimental impact of smoking on fertility and pregnancy. Cigarette smoke contains harmful chemicals that can damage reproductive cells in both men and women, making it harder to conceive and increasing the risk of pregnancy complications and poor outcomes for babies.  Dr. Vandana Bhatia, a Senior Fertility Specialist, emphasizes that smoking silently affects fertility, pregnancy, and the long-term development of the child. Both partners play a crucial role in protecting fertility as smoking can reduce sperm count, affect sperm movement, and damage egg quality, hormone levels, and ovarian reserve. Additionally, passive smoking also poses risks to fertility and pregnancy outcomes. Quitting smoking as a couple not only improves motivation and emotional support but also encourages healthier habits, leading to improved fertility and overall health.  The quality of eggs and sperm before conception significantly influences the health of the future child, making it essential for both parents to quit smoking before starting a family. Dr. Bhatia recommends practical steps for quitting smoking together, emphasizing that healthy choices are crucial in building a healthy family. Parenthood begins with the quiet promise of choosing health together, even before the first heartbeat is heard on an ultrasound."},"img":{"url":"https://images.prismic.io/prad/akDOG1bRV8_Qf8Cd_smokefertility.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T19:33:00+0000","embed":{"embed_url":null}},"uid":"how-smoking-hurts-pregnancy"}},{"node":{"data":{"title":{"text":"Even 1% Sleep Loss Could Heighten Dementia Risk"},"content":{"text":"A recent study published in JAMA Neurology has shed light on the potential link between minimal sleep loss and an increased risk of dementia. The research suggests that as little as a 1% reduction in deep sleep per year for individuals over 60 could translate to a 27% elevated risk of developing dementia. Deep sleep, also known as slow-wave sleep, plays a crucial role in the body's repair processes and the clearance of toxic proteins associated with dementia.  Associate Professor Matthew Pase from Monash University's Turner Institute for Brain and Mental Health emphasized the significance of deep sleep in supporting the aging brain and facilitating the removal of metabolic waste, including proteins linked to Alzheimer's disease. The study, which drew from the Framingham Heart Study, examined 346 participants over 60 years of age, tracking their sleep patterns and dementia development over a 17-year period. Even after adjusting for various factors, including age, genetic predisposition, and medication use, the findings consistently pointed to a 27% increased dementia risk for each percentage decrease in deep sleep annually.  It's important to note that the natural decline in deep sleep with age is gradual, peaking between 75 and 80 years old and then stabilizing. However, the cumulative effect of a 27% increase per percentage-point decrease underscores the long-term impact on dementia risk. While there's no straightforward solution to preserving deep sleep, maintaining consistent sleep schedules, avoiding alcohol before bedtime, creating a conducive sleep environment, and addressing conditions like sleep apnea can potentially support better sleep quality. Additionally, regular exercise has been linked to improved slow-wave sleep in older adults. Although these measures aren't a guarantee, the study highlights the importance of prioritizing deep sleep for brain health as individuals age."},"img":{"url":"https://images.prismic.io/prad/50a54145-f24c-4c83-80b9-e6d19ba52027_sleep.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T06:59:00+0000","embed":{"embed_url":null}},"uid":"even-1-sleep-loss-could-heighten-dementia-risk"}},{"node":{"data":{"title":{"text":"Is Your Soda Habit Causing Hair Loss?"},"content":{"text":"Are your beloved sodas harming your hair? While soft drinks have long been criticized for their impact on weight, diabetes, and heart health, a new concern has emerged regarding their potential effects on hair. The discussion gained traction after hair transplant surgeon Dr. Abhishek Pilani highlighted the issue on Raj Shamani's Figuring Out podcast.  According to Dr. Pilani, regular consumption of sugary cold drinks may create conditions within the body that are not conducive to healthy hair growth. While consuming one soda is unlikely to cause sudden hair loss, a study published in the journal Nutrients in 2023 found a link between higher consumption of sugar-sweetened beverages and male-pattern hair loss in young men. However, it's essential to note that the study established a correlation, not causation. The potential connection between soft drinks and hair health lies in the impact of high-sugar beverages on overall health.  Excessive sugar consumption can lead to repeated spikes in blood sugar and insulin levels, potentially contributing to inflammation and metabolic issues that affect the body, including hair growth. However, hair loss is rarely attributed to a single factor and is typically the result of various elements accumulating over time, including genetics, hormones, nutrition, lifestyle, and overall health. Healthy hair growth relies on a balanced intake of nutrients such as iron, protein, zinc, vitamin D, and B vitamins. While soft drinks don't directly deplete these nutrients, excessive consumption may lead to healthier options being replaced.  The concern lies in long-term habits rather than occasional consumption. The normal range of daily hair loss is between 50 and 100 strands, but concerns arise when lost hairs aren't adequately replaced. While soft drinks may not directly cause hair loss, their impact on overall health could potentially affect hair growth. Instead of fixating on individual cans of soda, experts emphasize the importance of considering overall lifestyle factors such as sleep, stress management, balanced nutrition, and reduced sugar intake. Ultimately, addressing concerns about hair health may begin with dietary and lifestyle adjustments."},"img":{"url":"https://images.prismic.io/prad/aDbfAydWJ-7kSniS_jucessoda.JPG?auto=format,compress"},"datetime":"2026-06-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"is-your-soda-habit-causing-hair-loss"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Indian American lawmakers slam DHS 'Mr Singh' post"},"content":{"text":"Five Indian American lawmakers have urged President Donald Trump to act over a deleted Department of Homeland Security post depicting a man called “Mr. Singh”, warning that it could encourage racial profiling and hostility towards Sikh and South Asian Americans. Representatives Raja Krishnamoorthi, Shri Thanedar, Suhas Subramanyam, Pramila Jayapal and Ami Bera, all Democrats, raised their concerns in a September 15 letter to Trump. They accused the agency of using Sikh identity to portray a dangerous and unwanted foreigner while promoting immigration enforcement. According to the letter, the post depicted a brown, bearded man identified as “Mr. Singh”. It told him to “get off our roads” and warned him to “self-deport or find out”. The lawmakers said the name Singh was closely associated with Sikh identity. Its use in this context was degrading, they argued. “We write to express grave concern about the increasingly open racial and xenophobic hostility directed at South Asian Americans, particularly Sikh Americans, and about the ways federal rhetoric surrounding immigration and visa policy can reinforce the idea that these communities are suspect, disposable, or less American,” they wrote. The letter also questioned how DHS promoted a new Immigration and Customs Enforcement tipline. The lawmakers said the agency had formally described it as a mechanism for reporting suspected commercial driving licence fraud. Its social media messaging, however, urged people to report “illegal aliens on American roads”, they said. Paired with the depiction of “Mr. Singh”, that language could encourage people to treat perceived ethnicity, religion or foreignness as grounds for suspicion, the lawmakers warned. They said the campaign created a risk of racial profiling affecting Sikh, South Asian and other nonwhite drivers, including US citizens. The supplied material did not include a response from DHS or the White House to the letter. The lawmakers cited findings from Stop AAPI Hate to support their concerns. Anti-South Asian slurs in online spaces monitored by the organisation increased 109 per cent between January 2023 and December 2025, according to the letter. South Asians were the targets of 71 per cent of anti-Asian online threats of violence identified between August 2024 and December 2025 in those spaces, it said. The letter also cited a nationally representative survey in which 48 per cent of South Asian adults reported experiencing a hate act because of their race, ethnicity or nationality in 2025. The lawmakers asked Trump to direct federal agencies, particularly DHS, to publicly acknowledge the harm they said the post had caused. They sought enforceable standards prohibiting agency communications that use racial, ethnic, religious or national-origin stereotypes. They also urged Trump to make clear that immigration enforcement must never be used to stigmatise South Asian communities. “South Asian Americans are not abstractions in an immigration debate, nor are they convenient symbols of foreignness. They belong in the communities they have helped build. For millions, this is their country and their home. There should be no room for such hate in our country,” they wrote. The letter placed the dispute against a wider backdrop of hostility in Frisco, Texas. It cited references to an “Indian takeover”, “invaders” and “anchor babies” at city council meetings, and a mayoral candidate describing South Asian immigrants as “rats”. It also recalled a June incident in which a demonstrator tore an Indian flag outside City Hall. Sikh articles of faith, including turbans and unshorn hair, can make religious identity immediately visible. The letter noted that Sikh Americans have repeatedly faced harassment, discrimination and violence from people who perceive them as foreign or threatening."},"img":{"url":"https://images.prismic.io/prad/64397a7f-8833-4b4f-8c1a-6623a8df29f4_homeland+security.JPG?auto=format,compress"},"datetime":"2026-09-15T15:35:00+0000","embed":{"embed_url":null}},"uid":"indian-american-lawmakers-slam-dhs-mr-singh-post"}},{"node":{"data":{"title":{"text":"NYC Subway Tragedy Kills Indian Woman"},"content":{"text":"An Indian-origin woman heroically dove onto a city subway track to save a friend who had fallen, but tragically, both were killed by an oncoming train that could not stop in time, according to police.  The tragedy, caught on an eerie video, happened early Sunday morning (local time) at a Manhattan station in the city's metro system when both friends were waiting for a train, according to police. Navam Kaul ended up on the track, and Malaika Chitre tried futilely to save him, police said. Authorities said on Monday that detectives from the New York Police Department were investigating the incident. The train operator told supervisors that after spotting them on the track, there was no time to stop the train to save them, the New York Post reported, quoting sources. Kaul and Chitre, who grew up in nearby towns in New Jersey, had both graduated in 2024 from Rutgers University. Rajnikant Pipalia, who told the Post his son was a friend of Kaul, said that Kaul's family immigrated from Nepal. Kaul and Chitre \"grew up in the same world\" and were part of the \"same South Asian group hanging out together, enjoying the same festivals,\" Pipalia told the Post. The newspaper said that Chitre's family \"lambasted\" media reports on the incident. Some of them aired sensational speculations about them and the tragedy without factual basis. Chitre was pursuing a doctorate in pharmacy studies at Temple University while working as a quality operations specialist at Acadia Pharmaceuticals, according to her LinkedIn profile. Kaul, who had a business degree, was a data analyst with Bloomberg, a financial services and news company, his LinkedIn profile said."},"img":{"url":"https://images.prismic.io/prad/1LCOhOPMXT-bZtfr_indianwoman.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-15T05:30:00+0000","embed":{"embed_url":null}},"uid":"nyc-subway-tragedy-kills-indian-woman"}},{"node":{"data":{"title":{"text":"US Birthright Fight Alarms Visa Families"},"content":{"text":"The citizenship rights of US-born children of temporary visa holders came under renewed scrutiny as Republican lawmakers advocated restrictions and Democrats said the 14th Amendment guaranteed citizenship at birth. During a House Judiciary subcommittee hearing on birthright citizenship, Republicans urged Congress to act after the Supreme Court overturned President Donald Trump’s executive order. Democrats argued that the court had settled the constitutional question. Republican subcommittee chairman Chip Roy said Congress should define the phrase “subject to the jurisdiction thereof” in the amendment. “It is up to Congress to define, subject to the jurisdiction thereof, to put a stop to birth tourism and to uphold the integrity of what it means to be an American citizen,” Roy said. Arguing that the amendment was not intended to grant automatic citizenship to children born to undocumented immigrants or temporary visitors, Roy said the Supreme Court had wrongly relied on its 1898 Wong Kim Ark decision. That case involved the US-born child of immigrants who were legally and permanently domiciled in the country, Roy said. Rosemary Jenks, co-founder and policy director of the Immigration Accountability Project, told the panel that the ruling did not prevent lawmakers from acting. “The Supreme Court’s decision in Barbara overturned an executive order. It did not strip Congress of its constitutional plenary power over immigration and naturalisation,” Jenks said. She urged Congress to amend the Immigration and Nationality Act to establish exceptions for children born to undocumented immigrants and temporary residents. Jenks proposed rules affecting non-immigrant visa holders seeking welfare benefits on behalf of their US-born children. She said such parents should be required to designate a US citizen or lawful permanent resident to receive the benefits for the child. “American citizenship is a precious commodity,” Jenks said. “Our government must zealously protect US citizenship and ensure it is only granted to aliens we have legally invited to permanently join our American community.” Kansas Attorney General Kris Kobach asserted that Congress retained the authority to act. He said the Supreme Court had ruled against a broad executive order but had not declared every possible statute on the question unconstitutional. Kobach said a narrower law dealing with birth tourism could produce a different result before the court. Democrats strongly disputed those arguments. Representative Mary Gay Scanlon, the subcommittee’s ranking Democrat, said children born in the United States to undocumented immigrants and visa holders were protected by the amendment. “The American children of undocumented immigrants and the American children of visa holders are persons born here in America,” Scanlon said. She said they were subject to US law from birth and had “an undeniable constitutional claim to the rights, duties and protections of that reciprocal relationship.”"},"img":{"url":"https://images.prismic.io/prad/782c884d-488e-4f90-a168-fd9d1ecf247c_US+citizenship.JPG?auto=format,compress"},"datetime":"2026-09-10T02:40:00+0000","embed":{"embed_url":null}},"uid":"us-birthright-fight-alarms-visa-families"}},{"node":{"data":{"title":{"text":"Indian-Origin Couple Gifts $20M for AI College"},"content":{"text":"An Indian-origin couple has donated $20 million to the University of North Texas, which will name a new artificial intelligence and advanced analytics college after them. The Anuradha and Vikas Sinha College of Artificial Intelligence and Advanced Analytics will be an academic hub focused on the development, application and responsible use of artificial intelligence, intelligent systems and data analytics, the university said Tuesday (local time). The gift will create six permanent endowments supporting college leadership, student scholarships, professorships, entrepreneurship and incubation, advanced research and emerging technologies. The college will combine programmes in artificial intelligence, cybersecurity, data science, advanced analytics, health informatics, information science, library science and learning technologies.  It will also connect faculty and students across disciplines through shared infrastructure, collaborative research and industry partnerships. \"Anu and I see this as an investment in what students will be able to imagine and accomplish in the years ahead,\" Vikas Sinha said. He said the college would go beyond teaching students how to use AI. \"It will prepare them to build it, understand it, question it, govern it and apply it responsibly -- developing both the builders and the stewards of intelligent systems.\" The college plans two academic divisions. The Division of Applied Intelligence and Informatics will focus on building and deploying intelligent systems. The Division of Information and Learning Applications will study how information and intelligent systems work in human and institutional settings. A new Applied Artificial Intelligence and Data Science Institute will connect AI and analytics research and education across UNT. It is intended to expand interdisciplinary research, shared infrastructure, external funding and industry partnerships. \"Artificial intelligence is rapidly changing how we work, conduct research and solve problems, and universities have an important responsibility to help shape what comes next,\" UNT President Harrison Keller said. The Sinhas came to the United States from India after both earned bachelor's degrees in civil engineering from Sri Venkateswara University. Both later earned graduate degrees from Florida Atlantic University. Vikas Sinha went on to Northwestern University before receiving a PhD in information science from UNT in 2023. He is vice president of the Mainframe Software Division at Broadcom and has served on the UNT College of Information Leadership Board since 2023. \"Education has opened doors for us throughout our lives, and we want to hold those doors open for others,\" Vikas Sinha said. He linked the donation to his experience as an international student. \"For us, this gift is about paying that opportunity forward and recognising that immigrants don't simply participate in the American dream -- they help build it.\" The donation extends the Sinhas' earlier support for UNT. In 2024, they helped establish the Anuradha and Vikas Sinha Department of Data Science and related endowments. A year later, they made another major gift to create the Sinha Innovation Lab for Data Science. UNT is a public research university based in Denton, north of Dallas. Founded in 1890, it is part of the University of North Texas System."},"img":{"url":"https://images.prismic.io/prad/dVUtEaI9cuXjKBqd_indiancpuplegift.JPG?auto=format,compress"},"datetime":"2026-09-09T06:30:00+0000","embed":{"embed_url":null}},"uid":"indian-origin-couple-gifts-20m-for-ai-college"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'Aadarsha Kutumbam' Teaser"},"img":{"url":"https://images.prismic.io/prad/gkb2nU868yFr0w0z_AK47reaser.JPG?auto=format%2Ccompress&rect=12%2C0%2C608%2C300&w=2028&h=1000"},"datetime":"2026-09-12T18:57:00+0000","third_party_url":null},"uid":"aadarsha-kutumbam-teaser"}},{"node":{"data":{"title":{"text":"'418' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/xu83qXtMn9WviRqh_418trailer.JPG?auto=format,compress&rect=0,42,1200,592&w=2028&h=1000"},"datetime":"2026-09-12T05:57:00+0000","third_party_url":null},"uid":"418-movie-trailer"}},{"node":{"data":{"title":{"text":"'Ranabaali' Movie Teaser"},"img":{"url":"https://images.prismic.io/prad/Ie1YNzDZSUJRO4VN_ranabalireaser.JPG?auto=format%2Ccompress&rect=54%2C0%2C728%2C359&w=2028&h=1000"},"datetime":"2026-09-09T12:37:00+0000","third_party_url":null},"uid":"ranabaali-movie-teaser"}},{"node":{"data":{"title":{"text":"'BRS MLAs misbehaved with women colleagues',"},"img":{"url":"https://images.prismic.io/prad/ddh8QRYxjg_mRk0p_BRSMLASpushed.JPG?auto=format%2Ccompress&rect=0%2C108%2C1600%2C789&w=2028&h=1000"},"datetime":"2026-09-09T06:37:00+0000","third_party_url":null},"uid":"brs-mlas-misbehaved-with-women-colleagues"}},{"node":{"data":{"title":{"text":"The Paradise: 'Yeshanagula Katta Meeda' Song"},"img":{"url":"https://images.prismic.io/prad/6e1Re5QxT_20hJqe_paradiseyeshakulasong.JPG?auto=format%2Ccompress&rect=0%2C12%2C870%2C429&w=2028&h=1000"},"datetime":"2026-08-30T06:30:00+0000","third_party_url":null},"uid":"the-paradise-yeshanagula-katta-meeda-song"}},{"node":{"data":{"title":{"text":"'Mahendragiri Varahi' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/Fw4Thm7zri3IDsEk_MGVH.JPG?auto=format%2Ccompress&rect=0%2C0%2C1500%2C740&w=2028&h=1000"},"datetime":"2026-08-29T00:31:00+0000","third_party_url":null},"uid":"mahendragiri-varahi-movie-trailer"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"AI Technology: The New Era Avatar Of Frankenstein?"},"img":{"url":"https://images.prismic.io/prad/xufYZuR1rBUNRB-6_AItech.JPG?auto=format,compress"},"datetime":"2026-09-14T07:35:00+0000","third_party_url":null},"uid":"ai-technology-the-new-era-avatar-of-frankenstein"}},{"node":{"data":{"title":{"text":"BRICS Summit: Game Of Elite Proximity"},"img":{"url":"https://images.prismic.io/prad/a06W_uqJMewyEQT3_modiputinxingpin.JPG?auto=format,compress"},"datetime":"2026-09-13T06:32:00+0000","third_party_url":null},"uid":"brics-summit-game-of-elite-proximity"}},{"node":{"data":{"title":{"text":"Politics Of Purification By Stained Minds"},"img":{"url":"https://images.prismic.io/prad/JhrtkcVl-B6_Y50g_purificationroad.JPG?auto=format,compress"},"datetime":"2026-09-12T06:35:00+0000","third_party_url":null},"uid":"politics-of-purification-by-stained-minds"}},{"node":{"data":{"title":{"text":"SIR In AP: The Wolf Upstream?"},"img":{"url":"https://images.prismic.io/prad/YKvJX6gngj-HeU7O_SIRAP.JPG?auto=format%2Ccompress&rect=0%2C22%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-08T08:07:00+0000","third_party_url":null},"uid":"sir-in-ap-the-wolf-upstream"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-08-12T08:19:18+0000","data":{"title":{"text":"Mouni Roy Glam Stills"},"content":{"text":"Mouni Roy is an Indian actress who primarily works in Hindi television and films. One of the highest-paid television actresses in India, Roy is widely known for her portrayal of a shape-shifting snake in Naagin and its sequel Naagin 2."},"img":{"url":"https://images.prismic.io/prad/8nkSdpm8T3G0jWQk_mouniroy2028.JPG?auto=format,compress"}},"uid":"mouni-roy-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-08-07T16:20:40+0000","data":{"title":{"text":"Vishnu Priya Latest Spicy Stills"},"content":{"text":"Vishnupriya Ramchandran Pillai (born in Bahrain), known mononymously and better as Vishnupriya, is an Indian actress, dancer and model. She started off her career participating in the dance reality show Vodafone Thakadimi which was aired on Asianet. She made her acting debut in 2007 with Speed Track, playing a supporting character. Later, she played the lead character in Keralotsavam 2009 and got noticed for her character in Penpattanam (2010)."},"img":{"url":"https://images.prismic.io/prad/EKRVCL6edvfOM1nL_vp2028.JPG?auto=format,compress"}},"uid":"vishnu-priya-latest-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-21T16:54:06+0000","data":{"title":{"text":"Shraddha Das Spicy Pics"},"content":{"text":"Shraddha Das is an Indian actress and model who predominantly appears in Telugu, Hindi, Bengali, and Kannada language films. She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/J5KjgIk60wE63lRg_shraddhadas.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-20T16:44:06+0000","data":{"title":{"text":"Rakul Looks Radiant In Yellow Saree"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. Singh is a recipient of several accolades including a SIIMA Award, in addition to four nominations at the Filmfare Awards South. Singh started her career as a model and made her acting debut with the Kannada film Gilli"},"img":{"url":"https://images.prismic.io/prad/_eGbGvnqa1VVLLAH_rps2028.JPG?auto=format,compress"}},"uid":"rakul-looks-radiant-in-yellow-saree"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-17T12:42:16+0000","data":{"title":{"text":"Pragya Jaiswal Spicy Stills"},"content":{"text":"Pragya Jaiswal is an Indian actress and model who predominantly works in Telugu films. She made her acting debut in 2014 with the Tamil-language film Virattu in 2014. Jaiswal had her breakthrough with the Telugu period drama Kanche, for which she was awarded the Filmfare Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/HTcjp1FBdNZf7hDK_pragya2028.JPG?auto=format,compress"}},"uid":"pragya-jaiswal-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aj-3gFbRV8_Qf7se_anasuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"BB10 Telugu: Is Bullying Taking Over?"},"content":{"text":"In the latest episode of Bigg Boss Telugu 10, the rift between celebrities and commoners has escalated, drawing sharp criticism from former contestant Demon Pawan. During a live chat on JioHotstar, Pawan, who gained notoriety during Season 9, expressed his discontent over the treatment of commoner contestants, particularly highlighting the ongoing conflict between Rohit and Trigun. Pawan’s remarks, branding Trigun's behavior as 'bullying,' have ignited discussions about fairness and respect within the house, leading viewers to consider the implications of this divide on contestant dynamics. Pawan did not shy away from voicing his opinions, stating unequivocally, \"Trigun is not just targeting Rohit; he’s bullying him,\" and called for a reassessment of how contestants communicate during conflicts. His support for Rohit was evident as he praised the commoner for his vocal stance in the game, while simultaneously advising him to exercise caution with his words. This duality in Pawan's feedback underscores the complexities of interpersonal relationships in the high-stakes environment of Bigg Boss, where the pressure often leads to escalated emotions and conflicts. The Celebrities vs. Commoners theme has been a recurring narrative in reality television, but Pawan’s firsthand experience through the Agnipariksha challenge adds depth to his insights. He emphasized that all contestants, regardless of their background, enter the Bigg Boss arena on equal terms, highlighting how celebrity status should not overshadow the significance of common contestants’ experiences. His comments resonate particularly with audiences who see themselves reflected in the commoners, emphasizing the importance of roots and humility in a setting that occasionally forgets those values. Pawan's critique extended beyond just the Rohit-Trigun face-off; he also denounced personal attacks such as “Chillara Batch” and “Steroid Body,” calling for more respectful discourse among contestants. Furthermore, he took issue with Trigun's dismissive remark about the Agnipariksha, suggesting that disagreements should not devolve into insults against an entire cohort. As the drama unfolds, viewers are left to ponder whether host Nagarjuna will address these contentious issues and how the escalating tensions will shape the gameplay moving forward. The ongoing controversies have set the stage for a riveting weekend episode, where the interpersonal dynamics within the house will undoubtedly be scrutinized."},"img":{"url":"https://images.prismic.io/prad/luPnwHpOpskOcXTN_BB10telugu.JPG?auto=format,compress"},"datetime":"2026-09-15T09:25:00+0000","embed":{"embed_url":null}},"uid":"bb10-telugu-is-bullying-taking-over"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"NYC Subway Tragedy Kills Indian Woman"},"content":{"text":"An Indian-origin woman heroically dove onto a city subway track to save a friend who had fallen, but tragically, both were killed by an oncoming train that could not stop in time, according to police.  The tragedy, caught on an eerie video, happened early Sunday morning (local time) at a Manhattan station in the city's metro system when both friends were waiting for a train, according to police. Navam Kaul ended up on the track, and Malaika Chitre tried futilely to save him, police said. Authorities said on Monday that detectives from the New York Police Department were investigating the incident. The train operator told supervisors that after spotting them on the track, there was no time to stop the train to save them, the New York Post reported, quoting sources. Kaul and Chitre, who grew up in nearby towns in New Jersey, had both graduated in 2024 from Rutgers University. Rajnikant Pipalia, who told the Post his son was a friend of Kaul, said that Kaul's family immigrated from Nepal. Kaul and Chitre \"grew up in the same world\" and were part of the \"same South Asian group hanging out together, enjoying the same festivals,\" Pipalia told the Post. The newspaper said that Chitre's family \"lambasted\" media reports on the incident. Some of them aired sensational speculations about them and the tragedy without factual basis. Chitre was pursuing a doctorate in pharmacy studies at Temple University while working as a quality operations specialist at Acadia Pharmaceuticals, according to her LinkedIn profile. Kaul, who had a business degree, was a data analyst with Bloomberg, a financial services and news company, his LinkedIn profile said."},"img":{"url":"https://images.prismic.io/prad/1LCOhOPMXT-bZtfr_indianwoman.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-15T05:30:00+0000","embed":{"embed_url":null}},"uid":"nyc-subway-tragedy-kills-indian-woman"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"What gives SRK ‘kingly feelings’ during his day"},"content":{"text":"Bollywood megastar Shah Rukh Khan has shared what in his daily routine gives him the “Kingly feelings”. On Tuesday, the actor took to his X, formerly Twitter, and conducted a session of #AskSRK his signature ask me anything session where he interacts with fans. One user asked the actor, “Be honest, what’s the most KING-like thing you do in real life? #AskSRK @iamsrk”. Responding to the same, SRK shared, “Have three cups of coffee in bed before anybody can speak with me even if I am late for work!! Then of course on sets get shouted at for being late and have no Kingly feelings left”. The actor also dropped some marriage advice. A user wrote, “I got married this year. We both wanted to invite you par aap aate thodi. But I want to know from the King of Romance “what is the green flag to maintain a happy married life” See you soon”. The actor wrote, “Ek doosre ke rang mein rang jao....make adjustments so both of you make the partner happier”. The actor also gave a peek into his Ganpati celebrations, as he shared, “Wife does the Aarti and then the prayers and tonight will do the Visarjan. Kids and friends gather to hang around and laugh a lot. Very simple and family time”. Elsewhere during the session, the actor also gave update on his upcoming film ‘King’. A user asked him, “Trailer he dikha do abhi”. SRK wrote, “Abhi sirf baat karunga Trailer baad mein.... film is 100 days away na...24th Dec bro”. ‘King’ also Deepika Padukone, Suhana Khan, Abhishek Bachchan, Jaideep Ahlawat, Abhay Verma, and Arshad Warsi in key roles. The film is directed by Siddharth Anand and produced by Red Chillies Entertainment and Marflix Pictures, and is set to release on December 24, 2026."},"img":{"url":"https://images.prismic.io/prad/aCbvNCdWJ-7kSMyp_SRK.JPG?auto=format,compress"},"datetime":"2026-09-15T08:44:00+0000","embed":{"embed_url":null}},"uid":"what-gives-srk-kingly-feelings-during-his-day"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Ramya Krishnan Turns Kamala Reddy"},"content":{"text":"The makers of director Hanuma Reddy Yakkanti's eagerly awaited period action drama 'David Reddy, featuring actor Manchu Manoj in the lead, on Tuesday revealed actress Ramya Krishnan's ferocious look in the film and disclosed that she played a character called Kamala Reddy in it.  The makers chose to release Ramya Krishnan's first look poster from the film on a day the actress celebrated her birthday. Taking to his social media timelines to share Ramya Krishnan's first look poster in the film, actor Manchu Manoj wrote, \"One look. The entire frame belongs to her. Happy Birthday to the phenomenal @meramyakrishnan garu! Your presence, your fire, your command over a scene… an absolute privilege to share the screen with you!\" He went on to add, \"Celebrating you today by introducing our ferocious KAMALA REDDY to the world, from the world of David Reddy. Just wait till you see her in action. #DavidReddy #KamalaReddy #HBDRamyaKrishnan #RamyaKrishnan #ManojManchu.\" For the unaware, the makers of the film have already disclosed that Ukrainian model and actress Maria Riabhoshapka plays a character called Clara Whitmore in the film. Director Hanuma Reddy, while welcoming Maria Riabhoshapka on board the film earlier this year, had shared her poster on his Instagram page and said, \"Her love isn’t soft… it’s ruthless. Welcome to the Brutal Era.\" Actor Manchu Manoj, who plays the lead in the film, too had accorded a warm welcome to Maria Riabhoshapka.  Taking to his Instagram page to pen a welcome post, he had said, \"The intense world of #DavidReddy welcomes its leading lady - Maria Riabhoshapka on board as Clara Whitmore. Her love is War. Excited to see her bring this character to life with grace, depth, and fire. A grand Pan Indian historical action drama where valor meets destiny, and every character carries the weight of epic storytelling. @maria_riaboshapka #DavidReddy #MariaRyaboshapka.\" It may be recalled that Manchu Manoj had announced the title of this film as 'David Reddy' in August last year on the occasion of completing 21 years in the film industry. The actor had disclosed that this film would be a historical action drama. Taking to his social media timelines to pen a lengthy post to express gratitude to all those who had supported him and enabled him to reach the milestone in his film career, Manchu Manoj had said, \"With a heart full of gratitude… Today marks 21 years of my journey in cinema. I feel truly blessed to be still doing what I love. And with the same love and hope, sharing my 21st film titled #DavidReddy.\" \"A raw, intense, high-octane historical action drama set between 1897 to 1922, brought to life by the visionary Hanuma Reddy Yakkanti garu, and supported by Velvet Soul Motion Pictures. Thank you for standing by me all these years. Humbled and excited for what’s ahead. #MM21 #MM,\" he had said then. Manchu Manoj also shared a poster along with the announcement. The poster had the caption, \"Born in the Madras Presidency, Raised in Delhi. Now, shaking the British empire. Rebellion begins...\". The caption gave the impression that the story of the film would revolve around India's struggle for freedom."},"img":{"url":"https://images.prismic.io/prad/ystIbbub2QOEsfRQ_ramyakamalareddy.JPG?auto=format%2Ccompress&rect=0%2C107%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-15T06:30:00+0000","embed":{"embed_url":null}},"uid":"ramya-krishnan-turns-kamala-reddy"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Epic'"},"content":{"text":"The combination of Anand Deverakonda and Vaishnavi Chaitanya, who previously delivered a successful outing with Baby, naturally raised expectations around Epic. With the duo returning together, there was considerable curiosity about whether the film could recreate the magic of their earlier collaboration. Unfortunately, while Epic has its share of entertaining moments, it ultimately struggles to live up to the expectations created by its lead pair. Story: Aditya (Anand Deverakonda), the younger son of Chandrasekhar (Shivaji), a government school teacher, is a carefree youngster with little interest in academics but a deep fascination for cinema. Dreaming of becoming a filmmaker, he keeps trying to find his way into the world of movies. However, pressure from his parents eventually forces him to travel to the UK to pursue his education. An innocent, soft-spoken and inexperienced young man, Aditya enters a completely unfamiliar world in the UK. Soon after arriving, he meets Kadali (Vaishnavi Chaitanya), and the encounter gradually brings a significant change in his personality and outlook. Meanwhile, Aditya's family is dealing with its own set of problems back home. Whether Aditya manages to achieve his ambitions, how his relationship with Kadali develops and where his journey eventually takes him form the crux of the story. Performances: Anand Deverakonda once again fits comfortably into the role of an innocent and somewhat naïve youngster. Much like his performance in Baby, he brings a certain vulnerability to the character, though the actor gets an opportunity to display a slightly different shade of the role as the story progresses into the second half. His appearance, body language and dialogue delivery work well for the character. Anand is particularly effective in emotional and romantic sequences, showing noticeable improvement and confidence as a performer. His familiar mannerisms and body language may also remind audiences of his brother Vijay Deverakonda, which could work in favour of his fan base. Overall, Epic gives Anand another opportunity to showcase his acting abilities. Vaishnavi Chaitanya, who delivered a strong performance in Baby, does not get a character with comparable depth here. While she has a few scenes that allow her to demonstrate her acting skills, much of the role remains fairly limited. She gets some glamorous moments and contributes effectively whenever the screenplay gives her room, but the character itself does not offer enough scope for a standout performance. Shivaji is convincing as the middle-class government school teacher and once again settles naturally into the character. The supporting cast performs adequately within the limitations of their respective roles. Technical: Director Aditya Hasan chooses a premise that feels contemporary and relevant to the mindset of the current generation. However, the execution is considerably more conventional. The comedy provides some relief and prevents the screenplay from becoming completely monotonous, but several sequences feel familiar and reminiscent of situations seen in other films. The screenplay could have benefited from greater freshness and stronger character development. The first half works relatively better, largely because of its comic portions, while the second half loses momentum and becomes slower. Hesham Abdul Wahab's music is another weak link. Although a couple of songs are passable, the overall album fails to make a lasting impression. The background score, particularly during emotional sequences, could have played a much stronger role in elevating the impact of the scenes. The cinematography is adequate, though the film could have made better use of the picturesque UK locations. Production values are solid and contribute to the film's overall visual presentation. Analysis: A successful pairing can certainly create initial buzz, but a familiar combination alone cannot guarantee a successful film. What truly works is when a popular combination is backed by strong and engaging content. In Epic, the film's premise appears tailored to the sensibilities of the current generation, but the execution does not consistently match its potential. The director succeeds in extracting some entertaining moments from the comedy and emotional portions. The first half benefits from its humour, while the emotional scenes in the latter portion provide a few engaging moments. However, the romantic track lacks the impact required to make the central relationship truly memorable. The film also needed a sharper screenplay and a more compelling second half to rise above its routine elements. While it may not satisfy viewers expecting another Baby-like outing from Anand Deverakonda and Vaishnavi Chaitanya, Epic can still work as a light, one-time entertainer for those looking for a casual watch. Positives: Comedy First half Anand Deverakonda Vaishnavi Chaitanya Negatives: Slow narration Routine story and screenplay Music Second half Verdict: Epic has enough comedy and a few engaging moments to make it a passable time-pass entertainer, but its routine romantic track, slow narration and underwhelming second half keep it from becoming the memorable film its lead combination promised. Banner: Sithara Entertainments Producer: Suryadevara Naga Vamsi Director: Aditya Hasan Music: Hesham Abdul Wahab Cast: Anand Deverakonda, Vaishnavi Chaitanya, Shivaji, Vasuki, Kalyan Shankar and others"},"img":{"url":"https://images.prismic.io/prad/i5tpcCyZXxZGstkc_EPICreview.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-11T08:51:00+0000","embed":{"embed_url":null}},"uid":"review-epic"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Haiwaan'"},"content":{"text":"Haiwaan builds its strongest moments around two accomplished actors standing on opposite sides of a conflict. Directed by Priyadarshan, the psychological action crime thriller brings Akshay Kumar and Saif Ali Khan together after 18 years, and their reunion is easily one of the film’s biggest strengths. At its core, the film is a tense game of cat and mouse between a dangerous antagonist and a visually impaired man who must rely on instinct, intelligence and resilience to survive. Akshay Kumar is the first major talking point, delivering what could easily be described as one of his darkest and most menacing performances to date. As Parshuram, he does not play the villain in the conventional, loud Bollywood manner. Instead, there is an unsettling calmness to his performance. Akshay gives Parshuram a sense of conviction and unpredictability that makes it difficult to anticipate his next move. His body language, controlled expressions and measured intensity establish the character as genuinely dangerous. There is a quiet menace running through the performance, making Parshuram one of Akshay’s standout negative roles. Saif Ali Khan is equally compelling as Shyam, a visually impaired man who finds himself caught in an increasingly dangerous situation. What stands out about Saif’s performance is the restraint. He does not exaggerate the character’s blindness or turn it into a theatrical device. Instead, Shyam’s vulnerability exists alongside his intelligence, determination and heightened instincts. Saif allows us to understand the challenges Shyam faces without ever making him seem helpless. His performance becomes particularly effective in the confrontational scenes with Akshay. That brings us to the film’s biggest hook — the Akshay Kumar and Saif Ali Khan face-off. Their scenes provide some of Haiwaan’s most thrilling moments because the conflict is not merely physical; there is a strong psychological element to their encounters. Parshuram has physical menace, confidence and an apparent ability to control situations, while Shyam has to depend on instinct, intelligence and resilience. The contrast creates genuine tension. Their standoff gives Haiwaan its dramatic pulse and keeps the audience invested in their battle. A major surprise comes from Paahal Chaudhary, who emerges as one of the film’s biggest revelations. The young actor delivers an outstanding and remarkably assured performance. Paahal brings vulnerability and sincerity to the role without allowing the character to become merely a plot device. Her presence adds emotional stakes to the thriller and makes the audience more invested in what happens to the characters. She holds her own impressively alongside an established cast and becomes an important emotional centre of the story. The supporting cast adds further weight to the narrative. Saiyami Kher, Shriya Pilgaonkar and Boman Irani bring sincerity and conviction to their respective roles, while Sharib Hashmi is effective as the police officer and fits naturally into the investigative world of the film. The return of veteran actor Asrani is particularly heartwarming. He delivers another memorable performance, and his final on-screen appearance gives his presence an added emotional significance. Priyadarshan demonstrates once again why he remains such a dependable filmmaker when it comes to commercial storytelling. With Haiwaan marking his 98th film, he understands how to balance emotion, drama, suspense and mainstream entertainment without allowing one element to overpower the others. At 2 hours and 44 minutes, the film is certainly long, but it rarely feels as though the material is being unnecessarily stretched. The performances, confrontations and steady progression of the thriller keep the narrative moving. The background score deserves special mention for the role it plays in sustaining that momentum. The BGM consistently keeps the tension alive and gives the film the atmospheric quality required of a thriller. It works particularly well during confrontational sequences, adding anticipation without overpowering the performances. The soundscape works hand-in-hand with Priyadarshan’s direction and ensures that the film retains its thriller pulse. Pritam’s music is also integrated thoughtfully into the narrative. Mere Hero Hai Woh adds an emotional dimension, while Rangiyaara works particularly well during the travel portions. The songs complement the mood and allow the film to breathe while remaining connected to the narrative. They never feel completely disconnected from the storytelling. The fact that Haiwaan is adapted from Priyadarshan’s Malayalam thriller Oppam will naturally be known to audiences familiar with the original. However, the Hindi adaptation brings its own treatment, staging and commercial flavour to the material. The performances give the story fresh energy, while Priyadarshan’s direction ensures that it remains accessible as a Hindi theatrical thriller. Mohanlal’s special appearance, reprising his presence from the original, is also a welcome touch for fans of Oppam and provides a meaningful connection between the two films. The film also benefits from a clear central conflict. The screenplay does not bury the emotional stakes under unnecessary complications, allowing the audience to understand what is at risk while the suspense builds naturally. What makes the performances stand out is the contrast in their approaches. Akshay creates danger through stillness and unpredictability, while Saif creates tension through observation and restraint. That difference gives their scenes texture and prevents the conflict from becoming a routine hero-versus-villain battle. The audience is constantly waiting for the next move, which is where the film finds its strongest rhythm. For a film carrying the weight of a star reunion, Haiwaan also avoids becoming solely about that reunion. Akshay and Saif are undoubtedly the centre of attention, but the surrounding characters and emotional stakes are given enough room to matter. Haiwaan works because its strongest elements come together effectively. Akshay’s Parshuram provides the menace, Saif’s Shyam supplies the emotional and human core, and Paahal Chaudhary adds an unexpected layer of vulnerability. The supporting performances strengthen the world around them, while Priyadarshan keeps the suspense alive. The gripping background score further enhances the atmosphere, and the music sits naturally within the narrative. Haiwaan is a theatrical thriller that gets its most important ingredients right. Akshay Kumar gets one of his most compelling negative roles, Saif Ali Khan brings depth and restraint to a challenging character, and Paahal Chaudhary proves to be a genuine revelation. But it is the Akshay-Saif confrontation that remains the film’s beating heart.  Priyadarshan’s assured direction keeps the tension intact and successfully balances suspense, emotion, drama and mainstream entertainment. Haiwaan may draw from familiar material, but its performances, atmosphere and execution give it enough conviction to work as a satisfying big-screen experience. Director – Priyadarshan, Cast:  Saif Ali Khan, Akshay Kumar, Boman Irani, Shriya Pilgaonkar, Saiyami Kher, Mohanlal, Asrani, Sharib Hashmi And Others"},"img":{"url":"https://images.prismic.io/prad/pcf8OeUE1gPChq-9_HaiwaanJ.JPG?auto=format%2Ccompress&rect=0%2C42%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-11T05:04:00+0000","embed":{"embed_url":null}},"uid":"review-haiwaan"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Sardar 2’ "},"content":{"text":"Karthi has built a strong following across both Tamil and Telugu audiences, and the success of Sardar naturally created considerable anticipation for its sequel. With Sardar 2, director P. S. Mithran attempts to expand the franchise into a larger and more intense espionage-action space. The film carries forward the narrative from the first instalment while introducing a new threat and a fresh mission. On paper, the ingredients suggest a potentially engaging spy thriller. However, the execution falls short of the expectations created by its predecessor, with an uneven screenplay and excessive padding preventing the film from achieving the impact it aims for. Story: The sequel picks up from where Sardar left off. After reports emerge that Sardar, played by Karthi, has been shot dead in China, the focus shifts to his son Vijay, also portrayed by Karthi, who works as a RAW agent. Vijay does not enjoy much support from his superiors, but that does not stop him from taking matters into his own hands. He launches an unauthorised operation to rescue Walrus, played by Achyuth Kumar.  Although Vijay fails to save him, the mission leaves him with crucial information about a dangerous operation known as ‘DO’. His investigation leads him towards Black Dagger, played by S. J. Suryah, and a larger conspiracy that threatens the country. The mystery surrounding Black Dagger, his motives and the purpose of Operation DO forms the central conflict.  While the premise has the potential for a gripping espionage drama, the narrative takes too long to build momentum and struggles to maintain suspense. Performences: Karthi remains the film’s biggest asset. The actor handles the two contrasting shades of his characters with confidence, bringing gravitas to Sardar while giving Vijay a more youthful and jovial personality. The difference between the two roles allows Karthi to display considerable range, and his energetic performance keeps several sequences watchable even when the writing falters.  S. J. Suryah once again proves effective as a villain, bringing an unsettling intensity to Black Dagger and making some of his scenes genuinely menacing.  Malavika Mohanan has limited scope but makes an impression in the portions available to her, while Ashika Ranganath gets only a few opportunities to showcase her acting abilities.  Yogi Babu provides comic relief, though some of the humour feels artificially inserted into the otherwise serious narrative. c oy-e remaining cast members are adequate within their respective roles. Technical: The film does not consistently live up to its big-budget positioning. The background score is particularly disappointing, with similar musical patterns repeatedly used during the action sequences. At several points, the music becomes excessively loud and threatens to overpower the scenes instead of complementing them. The cinematography fares better, with certain sequences gaining visual appeal from the camera work.  The production design and overall scale are reasonably impressive, but these positives are undermined by the film’s editing. Several portions feel unnecessarily prolonged, particularly during the first half, and a tighter cut could have significantly improved the pacing. The second half makes a more determined attempt to generate intrigue and urgency, but the screenplay never quite develops the momentum required for a satisfying payoff. Analysis: The fundamental problem with Sardar 2 is that it arrives as the follow-up to a successful film. A sequel is expected not merely to continue the story but to raise the stakes and offer audiences something more compelling than what they have already seen. Here, the connection to the first film is maintained while the new storyline remains accessible even to those unfamiliar with the earlier instalment. Yet the basic espionage framework feels familiar, and the film needed sharper writing and more inventive storytelling to make its premise stand out. Instead, the slow stretches, forced comedy and inconsistent screenplay repeatedly take the edge off the narrative. Ultimately, Sardar 2 has a capable lead, an interesting central idea and a few effective performances, but it lacks the tight writing and controlled execution required for a high-impact spy thriller. Karthi’s dual-role performance is undoubtedly a plus, and the core storyline offers enough material for an engaging franchise film. However, the sequel never fully capitalises on those strengths. For audiences expecting a more powerful follow-up to Sardar, the film is likely to feel like a missed opportunity. Positives:  Karthi’s dual performance Basic storyline S. J. Suryah’s villainous act Negatives:  Slow first half Forced comedy Weak background score Uneven editing Inconsistent screenplay Final Verdict:  Sardar 2 has the scale, star power and premise of a promising spy-action franchise, but its lacklustre screenplay and uneven execution keep it from matching the impact of the original. Banner: Prince Pictures, IVY Entertainment Producers: S. Lakshman Kumar, Ishan Saksena Director: P. S. Mithran Music: Sam C. S. Cast: Karthi, Malavika Mohanan, S. J. Suryah, Ashika Ranganath, Yogi Babu and others "},"img":{"url":"https://images.prismic.io/prad/YJ_CQhIc2-axaebY_SARDARReview2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-10T07:32:00+0000","embed":{"embed_url":null}},"uid":"review-sardar-2-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Toxic'"},"content":{"text":"After delivering the massive success of KGF, Yash took considerable time before announcing his next project. He reportedly heard several scripts and met numerous filmmakers before finally joining hands with Geetu Mohandas for Toxic: A Fairy Tale for Grown-Ups. The collaboration itself raised eyebrows, with many wondering how Mohandas’ filmmaking sensibilities would blend with Yash’s larger-than-life action image. The result is an ambitious gangster action drama that aims for the scale and intensity of KGF, but struggles to match its emotional impact. Story: Set against the backdrop of Goa in 1947, the film revolves around a powerful drug and underworld network led by Salvador, a feared gang lord. Raya (Yash) and Ganga (Nayanthara), who are siblings, are among his most trusted associates. Ganga dreams of seeing her younger brother rise to the top of Goa’s drug empire. Raya’s life takes an unexpected turn when he falls in love with Salvador’s daughter, Rebecca (Tara Sutaria), and marries her. This eventually helps him become the head of the drug syndicate, fulfilling Ganga’s long-standing ambition. However, Raya later develops feelings for Nadia (Kiara Advani), a circus performer. Their relationship leads to Nadia’s pregnancy and creates a devastating conflict after Rebecca discovers the affair. Overcome by the situation, Rebecca takes her own life. The central conflict then revolves around Salvador’s reaction and Ganga’s desperate attempts to protect her brother from his wrath. Performances: Yash delivers a convincing performance as Raya and carries much of the film on his shoulders. However, the screenplay is so heavily centred on his character that several supporting roles fail to make a lasting impact. Some of his action sequences also feel exaggerated, with the hero overpowering villains almost effortlessly. While his emotional moments work reasonably well, the action lacks the grounded quality needed to make the violence feel convincing. Nayanthara gets a powerful character as Ganga, but the writing does not provide her with enough substantial scenes. She makes an impression whenever she appears, despite having limited material. Kiara Advani, unfortunately, has little scope to demonstrate her acting abilities, with her character largely confined to glamour and romance. Tara Sutaria fares better, delivering a natural performance in several emotional sequences. The remaining cast members are adequate within the limitations of their respective roles. Technical: Geetu Mohandas deserves credit for attempting a dark and ambitious gangster drama, but the execution falls short of the potential of the premise. The screenplay repeatedly relies on elaborate action sequences, seemingly assuming that Yash’s screen presence and large-scale set pieces alone will sustain the film. Considerably more attention is given to the protagonist than to the development of the supporting characters. The dubbing is another noticeable weakness, occasionally giving the film the feel of a dubbed production rather than a seamless multilingual project. The cinematography is impressive and succeeds in creating the required visual scale. However, the background score does not leave a strong impact. Ravi Basrur’s music fails to live up to expectations, while the songs struggle to connect because of their placement within the romantic portions. Editing is one of the film’s major drawbacks, particularly in the second half, where several sequences feel unnecessarily stretched. The production values, however, remain impressive and contribute to the film’s grand visual presentation. Analysis: The biggest challenge for Toxic was always going to be the enormous expectations surrounding Yash after KGF. Audiences naturally expected another high-octane action spectacle, and the film clearly attempts to recreate that larger-than-life formula. But KGF worked not merely because of its action; its emotional core gave the spectacle considerable weight. Toxic struggles in that department. The film repeatedly prioritises action, violence and glamour while failing to build sufficiently strong emotional connections with its characters. The result is a movie that looks ambitious but often feels emotionally hollow. The excessive romantic and adult-oriented content may also alienate a significant section of family audiences. Instead of complementing the gangster narrative, several such sequences feel unnecessarily provocative and distract from the core story. The film appears determined to push its mature tone, but the approach does not always feel organic to the narrative. Ultimately, Toxic showcases Yash’s immense screen presence and delivers a few visually striking action sequences, but it falls short of replicating the emotional resonance that made KGF such a phenomenon. The attempt to create another massive Yash action vehicle is evident, yet the absence of a compelling emotional backbone prevents the film from reaching its full potential. Plus Points: Yash’s performance Tara Sutaria’s natural acting A few well-executed action sequences Grand production values Impressive cinematography Minus Points: Weak story and screenplay Limited depth for supporting characters Excessive romance and adult content Over-the-top action in places Underwhelming music and background score Slow and stretched second half Dubbing issues Verdict: Toxic sets out to deliver another KGF-style action extravaganza but misses the emotional ingredient that made Yash’s previous blockbuster so effective. Despite its scale, star power and flashes of impressive action, the film struggles to create a satisfying overall impact. Final Take: Another KGF was attempted, but the emotion is missing. Banner: KVN Productions Producer: Venkat K. Narayana Director: Geethu Mohandas Music: Ravi Basrur Cast: Yash, Kiara Advani, Nayanthara, Huma Qureshi, Tara Sutaria, Rukmini Vasanth, Sudev and others"},"img":{"url":"https://images.prismic.io/prad/E2UJr6qTDfzc_kvt_TOXIC.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-26T07:45:00+0000","embed":{"embed_url":null}},"uid":"review-toxic"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Irumudi'"},"content":{"text":"It has been a long time since Mass Maharaja Ravi Teja scored a hit. At a time when his fans were also giving up hope on Ravi Teja, expectations have increased hugely on the film directed by Shiva Nirvana, who is known as a sensible director. A positive buzz has been created for Ravi Teja's film like never before and huge advance bookings have been registered. Let's see how this film is in this review. Story: Trinath (Ravi Teja) is a devotee of Ayyappa. He wears an Ayyappa garland every year. Trinath, who is very devoted when he wears a garland, cannot stop drinking when he does not have one. No matter how much he drinks, he takes good care of his wife Kaveri (Priya Bhavani Shankar) and daughter Manikantha (Baby Nakshatra), leads a happy life with them, and works in the banana plantation. Trinath, who lives in a village, loves his daughter. He takes care of every girl in the village and is the first to come to his aid if any danger comes to them. At such a time, a girl studying in high school is murdered. What changes does Trinath's life bring about with that murder? Why does Trinath swear to his daughter that he will stop drinking? What else does Trinath do for his daughter is the story of the film. Actors' Performance: Everyone who acted in the film acted very well. Ravi Teja, as always, acted with full energy and impressed. Especially in the action scenes and sentimental scenes with his daughter, Ravi Teja acted very well. Ravi Teja appeared for the first time in Ayyappa Mala. As expected, Ravi Teja impressed in the devotional scenes as well. Overall, he carried the film on his shoulders and carried it forward, impressing everyone including the fans. Heroine Priya Bhavani Shankar acted as if she had a good future. She was seen in a de-glamor look in this film. Still, she impressed in terms of looks. Apart from that, she impressed with her acting. In recent times, we have been seeing the level of importance given to the acting of heroines. It has been proven once again that heroines will create dust if they get roles that have potential for acting. There is no doubt that Baby Nakshatra has given life to the film. Ajay Ghosh and Sai Kumar impressed with their roles. Technical: Music director GV Prakash Kumar impressed with the background score. The theater was rocked by the song Mallepula Pallaki. However, it must be said that the credit does not go to GV Prakash. The other songs are mediocre. The more GV lifts the film with the background score, the more it lifts it. Director Shiva Nirvana's writing is good. Some dialogues are touching, while some scenes are like the best of Ravi Teja's career. Overall, the director has succeeded in all respects. There are no major mistakes in editing. It would have been even better if some scenes in the second half had been cut to three or four minutes. The cinematography is good. The beauty of the village has been shown well. There is no compromise in the structural values. Analysis: Director Shiva Nirvana has conveyed the point he wanted to convey with devotion and sentiments. The director has shown the injustice being done to girls in the current society well. Apart from that, there is no doubt that he has made a good decision in choosing Ravi Teja for this film and taking Ayyappa Mala as the backdrop. Ravi Teja has never done such roles in the past. That is why there is a concern about how he will be seen in this film, how the character will be, and how the film will be. After watching the film, it feels like we are seeing Trinath instead of Ravi Teja. The director has taken us into the film in a very short time. This film can be called a movie with good sentiment and devotion along with entertainment. Ravi Teja's films have been criticized for a long time in the industry. There is no doubt that this film is the answer to all of them. It went like an all-round movie. Plus points: Ravi Teja, Other Actors' Performances, Mallepula Pallaki Song, Action Sequences Minus points: Some Emotional Scenes Final Verdict:  Ravi Teja tied 'Irumudi' to Ayyappa and scored a hit Banner: Mythri Movie Makers Producer: Naveen Yerneni, Y Ravi Shankar Director: Shiva Nirvana Music: G.V. Prakash Kumar Cast: Ravi Teja, Priya Bhavani Shankar, Sai Kumar, Baby Nakshatra, Ajay Ghosh and others"},"img":{"url":"https://images.prismic.io/prad/HcTr2KkaiWO37ssK_irumudi.jpg?auto=format,compress"},"datetime":"2026-08-21T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-irumudi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Awarapan 2'"},"content":{"text":"Some characters become so closely associated with an actor that bringing them back after nearly two decades is a risky proposition. Shivam Pandit is one such character for Emraan Hashmi. Awarapan 2 takes that risk and, for the most part, understands why the 2007 film became a cult favourite. Directed by Nitin Kakkar, the film picks up the emotional thread of the original rather than simply recreating it. Shivam is still carrying the memory of Aaliyah when he comes across an abandoned infant girl at her grave. He takes her to an orphanage, quietly pays for her care and names her Aaliyah. When a couple later adopts the girl, Shivam convinces himself that giving her a family is the right thing to do. He soon discovers that they are connected to an international child-trafficking syndicate, and when Interpol tells him that Aaliyah has been abducted, the man who had walked away from the criminal world has no choice but to return. That premise gives Awarapan 2 a natural reason to bring Shivam back rather than forcing a reunion for nostalgia's sake. Interpol wants his help in taking down the syndicate, but Shivam's motivation is much more personal. His guilt over Aaliyah and his inability to protect her pull him back into the world he desperately wanted to leave behind. This is where the sequel expands the franchise. The first Awarapan was raw, intimate and deeply rooted in Shivam's personal transformation. The new film moves from that compact moral awakening into a larger crime thriller involving trafficking, organised crime, revenge and sacrifice. The scale is bigger, the action is more prominent and the storytelling is designed for a theatrical audience, but the emotional core remains Shivam's search for redemption. The narrative has moved from 2007 to 2026, and this genuinely feels like the next chapter rather than a film simply borrowing the name of a beloved original. A major part of that evolution comes from Vishesh Bhatt. As the co-producer of Awarapan and now the writer-producer behind Awarapan 2, Bhatt's vision of turning Awarapan into a franchise is central to the film. This isn't just a sequel made because the first film developed a cult following. There is a clear attempt to build the next chapter of Shivam Pandit's story while retaining the emotional and musical DNA of Vishesh Films. Bhatt's creative direction gives the film its larger ambition, with Kakkar and the entire team following that lead. The collaboration between Emraan Hashmi and Vishesh Films remains one of the film's strongest forces. Emraan, unsurprisingly, is the film's biggest strength, but the supporting characters deserve attention. Disha Patani plays Zara, a woman who becomes an unintentional victim of the criminal world surrounding her family. Her brother Zorawar, played by Puran Gabbi, is involved in the drug trade, and the film uses their relationship to show how crime can trap people who never chose that life. Patani gets a stronger dramatic focus and brings a vulnerability that gives Zara's portions emotional weight. Gabbi is one of the film's discoveries, bringing an unpredictability that makes Zorawar stand out without turning him into a standard gangster caricature. Shabana Azmi as Nafisa brings the expected gravitas, while Suvinder Vicky as Jaideep, Vijayant Kohli as Mehmood, Atul Kumar as Samarth and Aniruddh Rawal as Sikandar add further layers to the criminal and investigative world around Shivam. The music is where Awarapan 2 makes perhaps its most important connection with the original. Mithoon, Amaal Mallik and Jeet Gannguli carry forward the musical identity of the franchise, with lyrics by Sayeed Quadri and Rashmi Virag. The returning favourites \"Tera Mera Rishta\" and \"Toh Phir Aao\" have been reimagined by Mithoon, while \"Yeh Awarapan\", sung by Arijit Singh, adds another emotional layer. But the soundtrack is not simply a collection of songs designed to trigger nostalgia. The music is integral to the story. It carries Shivam's emotional state, builds the atmosphere and becomes part of the film's narrative language. This is also a soundtrack that deserves to be experienced in a theatre, where the sound design, scale of the compositions and visuals create a different audio-visual experience. The film also makes its marketing campaign look smarter once the story unfolds. Some of what has been shown and teased begins to make sense only after watching it, and there are elements of the narrative better experienced without knowing too much beforehand. Awarapan 2 is not merely selling the return of Emraan Hashmi or the nostalgia of its music. It is attempting to make audiences curious about what happened to Shivam and where his story goes next. The big-screen presentation adds to that appeal. Awarapan 2 succeeds because it respects where the franchise came from without pretending that cinema hasn't changed since 2007. It is bigger, more ambitious and more conventional as a thriller than the original, but it retains the grief, rage, sacrifice and search for redemption that made Shivam Pandit memorable. Vishesh Bhatt's franchise vision, Vishesh Films' creative identity, Nitin Kakkar's direction, Bilal Siddiqui's writing and Emraan Hashmi's return all work toward the same goal: taking Shivam's story forward rather than simply repeating it. Disha Patani gets a meaningful role, Puran Gabbi emerges as a genuine discovery, the supporting cast adds weight and the music remains an essential part of the experience. It may not have the same bleak intimacy as Awarapan, but that isn't what this film is trying to be. This is the 2026 chapter of Shivam Pandit's journey much bigger, louder and still carrying the same old wound. Director: Nitin Kakkar,  Cast: Emraan Hashmi, Disha Patani, Shabana Azmi, Puran Gabbi, Suvinder Vicky and others"},"img":{"url":"https://images.prismic.io/prad/nH0_7NckLLpkJ8vL_awarapan2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T04:07:00+0000","embed":{"embed_url":null}},"uid":"review-awarapan-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishwanath and Sons'"},"content":{"text":"Despite being a Tamil hero, Surya is a hero who has a good craze in Telugu. Telugu audiences have raised their expectations as soon as he says that he is working with a Telugu director. The film Surya, which was made in a Telugu production company and directed by a Telugu director, was promoted as a Telugu film. Let's see how this film, which has huge expectations among the audience, is doing in this review. Story: Sanjay Vishwanath (Surya) is a big businessman. Sanjay, who has everything, is not interested in marriage. But his mother (Radhika) insists on marriage and having a family. Sanjay becomes a father to a baby boy through surrogacy for his mother. While he is happy with Babu, unexpected developments take place. Babu develops serious health problems. Babu needs bone marrow. Then Sanjay goes to Maddy (Mamita Baiju), who is in the US. She has to give the bone marrow to Babu. 22-year-old Maddy, who came for Babu, falls in love with 42-year-old Sanjay. Where did that love lead? Who is Maddy really? You have to watch the movie to know these things. Performance: There is no need to mention the performance of the hero Surya. Millionaire Sanjay Vishwanath impressed in the role. Surya scored 100 out of 100 marks in showing that modesty. Surya impressed in a role that shows love while appearing serious in some scenes. Overall, there is no doubt that Sanjay Vishwanath brought the character to life. Fans enjoyed the shades of Surya's character. Surya impressed with his 40+ age look. Maddy's role is very crucial in the movie. The entire first half is based on that character. Mamita Baiju appeared in the role of an orphan with no one. Generally, any heroine would look good in the role of a naughty girl. But Mamita in the role of Maddy made me laugh, cry, and get angry. She was the main attraction of the film. It seemed that Maddy's role would have been better in the second half as well. Radhika impressed in the role of Sanjay's mother. She seemed to have transformed into a small child and acted. The other actors acted and impressed within the scope of their roles. Technical: It seemed that the music director focused more on the background score than on the songs. It must be said that his hard work was rewarded. Because the background score came out well. It led some scenes in an impressive way. Let's talk about cinematography. Generally, it is easy to show the beauty of the village, but to bring a rich family look, cinematography has more work. That work is good. It would have been better if the director had worked more on the second half. The structural values ​​are good. Editing needs to be improved in the second half. Plus points: Mamita Baiju Surya Entertainment Some sentimental scenes Minus points: Second half Fights Analysis: Director Venky seems to have come up with a mature story once again. However, this time, the addition of a love story made it a youthful entertainer. Especially in the first half, the scenes with the heroine should definitely make the audience fall in love. The scenes between the hero and heroine make you laugh on one side and cry on the other. Although the second half seemed to be a bit sentimental, it ended on a positive note. There is no doubt that if the first half was as entertaining as the second half, it would have been even better if it had been more entertaining along with sentiment. Overall, this film can be watched for the heroine Mamita Baiju and for the sentimental scenes. Finally... The first half is fun, the second half is balanced with emotion. Banner: Sitara Entertainments Producer: Suryadevara Nagavamsi Director: Venky Atluri Music: G.V. Prakash Kumar Cast: Surya, Mamita Baiju, Radhika Sarath Kumar, Raveena Tandon, Nassar, Sudha and others"},"img":{"url":"https://images.prismic.io/prad/ahgA9bK9tuLqENie_vishwanathandsons.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T07:46:00+0000","embed":{"embed_url":null}},"uid":"review-vishwanath-and-sons"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Korean Kanakaraju'"},"content":{"text":"Mega hero Varun Tej, who has been greeting the audience with a series of films, has once again come to the Telugu audience with a different concept. This time, he has come to the audience with a Korean ghost concept like never before. He has attracted everyone's attention by coming to the audience with a ghost concept.  A large-scale publicity program was organized before the release. With that, a huge buzz was created. Let's see if the movie lives up to that buzz in the review. Story: Kanakaraju (Varun Tej) from Penukonda area leads a smooth life. He falls in love with Chaitra (Rithika), who works for Kia car companies. An angry Kanakaraju has a fight with a local rowdy gang. At that time, in the wake of unforeseen developments, the ashes of a person from Korea arrive in India. They reach Penugonda. The soul of the deceased Korean man enters Kanakaraju's body. Why did that soul enter Kanakaraju's body and what happens next is the rest of the story. Actors' performance: Varun Tej seems to have done 100 percent justice to the character of Kanakaraju. There is no doubt that he acted as if the angry Kanakaraju was really in front of us, and there is no doubt that the way he spoke in Korean when the Korean soul entered him took Varun's acting to another level. Varun, who maintained a good physique to match the character, also impressed with his comedy timing. It is no exaggeration to say that Varun has never done this level of comedy before. Varun impressed with his acting in the action scenes, but he could not do much with his dance. Heroine Rithika impressed with her cute looks. However, despite the importance of her role in the story, she did not get much opportunity to appear in the screenplay. The scenes with Satya were good, but Satya's dominance is clearly visible in it. Rithika impressed in two or three scenes along with her cute beauty display.  Comedian Satya appeared on the screen more than the second hero. At the same time, he impressed with his comedy. Overall, Satya's comedy was the main attraction in the film. Those who played the rest of the characters did not seem to care. Technical: The songs provided by music director Thaman seemed mediocre, but the background score was good here and there. Thaman impressed in some horror scenes. Overall, it must be said that Thaman's work is not up to his level. It would have been better if the songs were two or three good. The cinematography seems to be okay. It seemed like the focus on action scenes was reduced in order to show Korean beauties. The heroine was shown as cute. More care should have been taken in the matter of hero elevation. It would have been better if director Gandhi had rewritten the story and given a different treatment to the screenplay. The production values ​​are good. There is a possibility of trimming some of the second-off scenes. Analysis: The main attraction of the movie is the concept. It seems that director Gandhi has not been completely successful in carrying out that concept with a proper screenplay. However, he has brought the movie to a close with comedy. It is commendable that the director has chosen Satya for that role with full faith. The comedy has the potential to make the movie closer to the family audience. Since there have been no movies with the concept of a Korean ghost movie so far, this movie is sure to feel new. Director Gandhi has a reputation for making different movies.. This movie is a continuation of that. Varun Tej has fully fulfilled the responsibility assigned to him. It would have been better if he had thought better about the screenplay and worked out the horror scenes. The graphics seem poor. It seems like it was made using AI technology. Plus points: Concept, Hero heroine, True comedy Minus points: Routine horror, Graphics, Korean language. Finally... A routine horror drama that will please mega fans Banner: UV Creations Director: Merlapaka Gandhi Producer: Vamsi, Pramod Music: Thaman Cast: Varun Tej, Rithika Nayak, Satya and others"},"img":{"url":"https://images.prismic.io/prad/Ui6FbufwpUs86SxR_KoreanKanakaraju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-07T06:59:00+0000","embed":{"embed_url":null}},"uid":"review-korean-kanakaraju"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Chennai Love Story'"},"content":{"text":"Small films are having a good time in Tollywood. The makers have been repeatedly saying that they are bringing this film to the audience as a content-oriented film, in the wake of the huge success of making content-oriented films. The makers who gave a super hit film like Baby have brought this film to the audience. Let's see how this film, which was released today, is like in the review. Story: Niv (Sri Gauri), who wanted to fall in love and get married, is unexpectedly cheated by her boyfriend Ajay (Trigun). He leaves her by saying that he loves another girl before the wedding. With that, Nivi turns into a lady Devadasu and becomes addicted to drinking. At that time, her friends take her to Chennai and try to change her a little. But her behavior does not change. That's when Steven Shankar (Kiran Abbavaram) steps into Chennai to show his mettle as a director. Friends help Shankar, an orphan, and allow him to stay in their room. The room is close to Nivi. At first, Shankar's words used to irritate Nivi. Slowly, she gets closer to him. Love blossoms between the two. But amidst unpredictable developments, their love runs into a problem. What is that problem and will the two meet again is the plot. Acting: Kiran Abbavaram impressed with his good acting, like in the past, he impressed with his looks as if he was the boy next door. Playing the role of an innocent person is not an easy thing. But Kiran Abbavaram played the role very easily. Kiran Abbavaram showed well in this role what an innocent person who steps into Chennai with an effort to impress the director would be like. There is no doubt that this heroine Gowry Priya  is the most crucial role in the story. She has done complete justice to her role. Siri Hanumanthu has once again impressed with her acting in a good role. She is likely to get more good roles in the future. Those who played other roles impressed within the scope of their roles. Technical: When the director thought that the story was being handled well, he tried to say something new by saying Atma Paramatma in the second half. It must be said that it failed. In terms of screenplay, the second half failed. The music was impressive, especially the background score was impressive. Manisharma once again showed his magic. Cinematography is good. There is no doubt that cinematography has definitely been useful in showing the beauty of Chennai. The dialogues are good. There are some flaws in the editing, and there is still work to be done in the second half. The structural values ​​are according to the story. Plus points: Hero, heroine acting, Manisharma's background score First off Minus points: Second half, Routine screenplay. Analysis: Producer Sai Rajesh has been making comments in several media conferences and interviews that this film is definitely a baby range cult love story, but it doesn't seem like it has any scenes. While you think that the first half of the film will be smooth and interesting, he made the second half boring by adding unnecessary elements. If the same love story had been continued simply, the second half would definitely have been a good talk. Hero Kiran Abbavaram impressed with his good performance. The audience will definitely appreciate him, and heroine Gauri also did full justice to her role. Gauri impressed in the role of a drunkard and Lady Devadasu, but it must be said that the screen did not match their performance. Overall, Chennai Love Story turned out to be an average love story. Finally... It makes feel like going all the way to Chennai for this love story Banner: Mass Movie Makers Producer: SKN, Sai Rajesh Director: Ravi Namburu Music: Mani Sharma Cast: Kiran Abbavaram, Gowri Priya, Siri and others"},"img":{"url":"https://images.prismic.io/prad/0yN9tZHPaAuq2hyg_CLS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T08:01:00+0000","embed":{"embed_url":null}},"uid":"review-chennai-love-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Jana Nayakudu' "},"content":{"text":"Expectations have increased among all sections of the audience on the film Jana Nayaku, which was advertised as the last film of Tamil superstar Vijay. Although it was not officially announced that it is a remake of the film Bhagwant Kesari, which came in the combo of Balakrishna and Anil Ravipudi, the makers have been unofficially saying it.  This film, which was delayed a lot due to Tamil Nadu politics, made a royal entry without any problems as Vijay became the CM of Tamil Nadu. And how is this film? Will the audience like this story again in Telugu? Let's see in this review. Story: Vetri Kondan's (Vijay) mother dies in jail. Out of humanity, the jailer releases Vetri Kondan on parole and sends him out to see his mother for the last time. When Vetri is sent out, the jailer gets into a big problem. Vetri Kondan learns that the jailer who helped him is in trouble, and goes to his house. In the wake of unexpected developments, the jailer dies. His only daughter, Viji (Mamita Baiju), becomes an orphan.  The jailer who helped him looks after his daughter and wants to make her an army officer. But Viji says she will not join the army out of fear. Why does Vetri want to send Viji to the army? Will Viji finally join the army? What difficulties will Vetri face in doing so? This is the story. Performance: There is no need to mention anything special about Superstar Vijay's performance. Just as Balakrishna adapted to the role in Bhagwant Kesari, there is no doubt that Vijay also adapted to the role of Vetri. The screenplay was such that the entire story of the film was carried on his shoulders. Even so, Vijay acted well in every scene without giving up. There is no doubt that he impressed with his comedy timing. His fans will enjoy the action scenes to the fullest. Now that he is the CM, he has tried to show Vijay in that angle as well, which is a feast for the eyes of the fans. Since this is Vijay's last film, it seems that he gave his best. Pooja Hegde, who played the heroine, does not have much screen presence. It must be said that Pooja Hegde's screen presence is less than what Kajal Aggarwal's role was in the original Telugu version. Mamita Baiju played the role of Viji, played by Srileela in Telugu and got good marks. It seemed that Mamita did Viji's role even better than Srileela. Along with impressive looks, the two heroines gave good expressions to suit their roles. However, Pooja Hegde's role did not get priority. Mamita impressed as much as she did. Bobby Deol impressed in terms of looks. It would have been better if he had been shown as a stronger and better villain. Since the villain role was not given priority in the story, Bobby Deol's performance became like water poured on ashes. Technical: Director H Vinod tried to make the Telugu story as it is and add Tamil flavor to the screenplay. He made the story without making many changes in the first half. However, when it came to the second half, he made many changes. The entire screenplay changed as if it was a new story. Vijay's character also left the audience in a bit of a quandary. There is nothing much to say about the music. Anirudh, as usual, gave a good background score to Vijay's film. But since the songs did not have much scope, Anirudh's work did not come out much.  The cinematography is good. The cinematography is definitely good in elevating the action scenes. There are errors in the editing. Some scenes in the second half, especially the villain scenes, could have been trimmed. It would have been better if the heroine scenes that are not part of the story were also trimmed a bit. The production values ​​are good. The story was produced with added weight without detracting from it. Plus points: Vijay, Some Action Scenes, Mamita Baiju Minus points: Story, screenplay, Being a familiar story, Second half, Villain role. Analysis: The film Jana Nayakkudu, which was supposed to be released early this year, did not see its release due to censor problems due to Tamil Nadu politics. Officials said that permission could not be given for the release of the film in the wake of the assembly elections. With Vijay becoming the CM, the film Jana Nayakkudu came plowing ahead without any problems and shook the Tamil box office. This movie has been seen in Telugu before. Even though it is known that this is a remake of Balakrishna Bhagwant Kesari, many enthusiasts booked in advance and watched the movie. The movie got a good opening in Telugu states.  It is undeniable that Jana Nayakkudu could not satisfy the Telugu audience completely. Tamil audience will think aha.. oh my for Vijay Elevations. Moreover, they will like it because it is a new story, but Telugu people do not have much to like about this movie, even though the second half seems to have changed a bit, it felt like it was forced. The political elements were not set in the story at all. There is action but no emotion. The magic is missing in the screenplay. Overall, Jana Nayakkudu does not have anything new that the Telugu audience will like much. Finally... A Tamil mass leader who cannot please Telugu people. Banner: KVN Productions Producer: Venkat K. Narayan Director: H Vinod Music: Anirudh Cast: Vijay, Pooja Hegde, Mamita Baiju, Sunil, Bobby Deol and others"},"img":{"url":"https://images.prismic.io/prad/8WXmx3hoavnPTLpj_jananayakudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-23T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-jana-nayakudu-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}