{"data":{"all":{"edges":[{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Sneha Cheers Lifelong Togetherness"},"content":{"text":"Popular Tamil actress Sneha, who has also made her mark in Telugu cinema, has now penned an adorable post to her husband, actor Prasanna, on the occasion of their 14th wedding anniversary.  Taking to her Instagram page, Sneha, who posted pictures of herself with her husband Prasanna, wrote, \"Happy Anniversary Dadda (Heart image). Fourteen years of holding hands through every joy, challenge, laughter, and tear… and still choosing each other every single day. Through every phase of life, we stood beside each other — growing together, holding on through the hard days, celebrating the beautiful ones, and making countless memories along the way.\" The actress, who has worked on several hits, superhits and blockbusters, wrote, \"And honestly, after 14 years together, the biggest love story is still surviving each other’s moods, habits, and fights over silly things. Jokes apart, what we share is truly beautiful — a bond built with love, patience, understanding, and togetherness.\" She concluded the note saying, \"Here’s to many more years of love, laughter, memories, and annoying each other forever. Love you.\" It may be recalled that actor Prasanna, who is known for having delivered several commendable performances, had disclosed to media that he was looking to realise two of his long pending dreams-- that of becoming a commercial pilot and an AI expert, thanks to the inspiration he had received from actor Ajith Kumar. In an exclusive interview to media earlier, Prasanna, who had acted with Ajith Kumar in 'Good, Bad, Ugly', had said, \"This year is going to be very different for me. I have dug out two of the wishes that have been on my bucket list for a long time and am realising them.\" \"It was my dream to become a pilot when I was in school. Then, after pursuing acting as a serious career, somehow I put it on the backburner. Now, I have got another opportunity to realise that dream. So, I am working on that as well,\" the actor said. \"Probably, this time, next year, I would have finished my flight school lessons and would have got my commercial pilot licence also. I would like to thank Ajith sir because he might be an actor and he might be pursuing a serious career but he made me realise that you can make time to pursue your passion as well,\" he hoped. Prasanna further said, \"When I was working on 'Good Bad Ugly' with Ajith sir, there was one thing that stood out about him for me. The kind of time, effort and passion that he has put into motor racing was very inspiring. I took that inspiration from him and realised that I needn't stick to just acting and that I could also simultaneously also pursue my other dreams.\" Talking about his decision to also simultaneously pursue his dream of becoming an AI expert, Prasanna said, \"Since Covid, I wanted to study something that would equip me as more than just an actor. So, I had been studying up about AI at a periphery level and that created an interest in me to study AI at a deeper level.\""},"img":{"url":"https://images.prismic.io/prad/agLqt6YofJOwHHE1_snehaprasanna.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T03:30:00+0000","embed":{"embed_url":null}},"uid":"sneha-cheers-lifelong-togetherness"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Dimple Hayathi as Mandaram"},"content":{"text":"The makers of director Sampath Nandi's explosive action drama, 'Bhogi', featuring actor Sharwanand in the lead, have now released the first look of actress Dimple Hayathi as Mandaram in the film, much to the delight of fans and film buffs.  Taking to their social media timelines to release the look of Dimple Hayathi as Mandaram, the makers said, \"Introducing M A N D A R A M. Beauty the world desired... A soul it never understood.\"  The poster features Dimple in a bold and stunning avatar, draped in a fiery red saree. She is seen seated gracefully yet intensely, holding a traditional palm-leaf hand fan. Her styling, along with the rustic background featuring an antique brass box and traditional elements, perfectly captures the authentic 1960s period setting. Her expression is sharp and unapologetic, hinting at a very strong personality. Sources close to the unit say that Mandaram will be a bold and powerful character who simply does not care for the world. She carries a highly flammable attitude that matches the intense, red-hot vibe of her poster. She brings a unique fire to the film, standing strong in the storm of Bhogi. Sources inform that the unit shot several high intensity action sequences recently. Shooting for the film is progressing at a brisk pace in an extensively built set in Hyderabad that resembles a Telangana village from the 1960's.  For the unaware, the makers had only recently disclosed that actress Anupama Parameswaran played the role of Kandula Sulochana Rani in the film. The first look poster of Anupama's character showed Anupama in a village belle avatar walking barefoot on a dusty rural path. She is seen carrying a large woven basket filled with green leaves on her head while holding more leaves in one hand and a tiffin box in the other. Her attire is rustic, an earthy half saree with a faded blouse, styled in a traditional manner. Her expression is intense and determined, hinting at a strong, hardworking character.  Sources had said that Sulochana will be a spirited person who is deeply rooted in nature. Earning her livelihood by crafting leaf plates from Moduga leaves, the “Flame of the Forest” Sulochana would embody both resilience and quiet strength in the film. The makers had revealed on actor Sharwanand's birthday that he played a character called Ganga in the eagerly awaited action thriller. Set in the early 1960s, 'Bhogi' is a pulsating period action drama unfolding in a fictional village along the borders of Telangana and Maharashtra. On the technical front, the project boasts an accomplished crew. Production design is by Kiran Kumar Manne, cinematography is by Kishore Kumar Arokia, and music is by Bheems Ceciroleo. Planned as a pan-India release, the movie will hit the big screens in Telugu, Tamil, Kannada, Malayalam, and Hindi on August 28, coinciding with the festive occasion of Raksha Bandhan."},"img":{"url":"https://images.prismic.io/prad/agLQwqYofJOwHG0w_DimpleHayathi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T03:04:00+0000","embed":{"embed_url":null}},"uid":"dimple-hayathi-as-mandaram"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Draivd named owner of ETPL franchise Dublin Guardians "},"content":{"text":"Former India captain and head coach Rahul Dravid was on Monday announced as the owner of the European T20 Premier League (ETPL) franchise Dublin Guardians, completing the league’s six-team structure ahead of its highly anticipated 2026 launch.  ETPL completed its six-team franchise line-up at a landmark event in Dublin, where Rahul Dravid was officially unveiled as owner of the Dublin franchise ahead of the league’s 2026 launch. The event brought together franchise owners from across the league, including Vipul Aggarwal of Glasgow Franchise, and Jonty Rhodes and Madhukar Shree of Rotterdam Franchise, alongside ETPL co-founders Abhishek Bachchan, Saurav Banerjee, Priyanka Kaul, and Dhiraj Malhotra.  Also, in attendance were senior leaders from European cricket, including Brian MacNeice, Chair of Cricket Ireland; Sarah Keane, CEO of Cricket Ireland; Roland Lefebvre, Director of High Performance of Cricket Netherlands; and Trudy Lindblade, CEO of Cricket Scotland, underlining the strong institutional backing and growing momentum behind Europe’s first ICC-sanctioned multi-country franchise T20 league. Launched in partnership with Cricket Ireland, Cricket Scotland, and the Royal Dutch Cricket Association, ETPL introduces a first-of-its-kind cross-border franchise model featuring teams from Dublin, Belfast, Edinburgh, Glasgow, Rotterdam, and Amsterdam.  The league is expected to feature international stars, including Mitchell Marsh, Tim David, Mitchell Santner, Liam Livingstone, Glenn Maxwell, Faf du Plessis, Heinrich Klaasen, among others, creating a unique opportunity for emerging players from Europe and other Associate Nations to compete and share the dressing room with some of the biggest names in world cricket.  Speaking at the launch, Abhishek Bachchan, Co-Founder of ETPL, said, “For ETPL, having legends like Rahul associated with this journey is incredibly special because our vision goes beyond building a league; it is about creating a platform that can inspire and nurture the next generation of talent emerging from Irish and broader European Cricket ecosystem.  \"The response from the global cricketing community has been extremely encouraging. The coming together of icons like Steve Waugh, Glenn Maxwell, Jonty Rhodes, Chris Gayle, Faf du Plessis, Heinrich Klaasen, alongside Rahul Dravid reflects the belief in ETPL’s vision and reinforces Europe’s immense potential as cricket’s next major growth frontier,” he said. Rahul Dravid said, “What attracted me to ETPL was the larger vision behind it, the opportunity to help grow cricket in Europe by strengthening grassroots development and creating pathways for emerging talent across Ireland and Europe. Dublin already has a passionate cricketing community and enormous potential for growth. Nurturing the next generation has always been important to me, and I believe ETPL can play a meaningful role in that journey.\"  ETPL’s franchise ownership structure brings together an extraordinary mix of cricket legends, entrepreneurs, and international investors: Dublin franchise – Rahul Dravid Belfast franchise – Glenn Maxwell and Rohan Lund Edinburgh franchise – Kyle Mills, Nathan McCullum & Rachel Wiseman  Glasgow franchise –Vipul Aggarwal and Chris Gayle Amsterdam franchise – Steve Waugh, Jamie Dwyer, and Tim Thomas Rotterdam franchise – Jonty Rhodes, Faf du Plessis, Glashin and Samir Shah, with Madhukar Shree as Managing Partner"},"img":{"url":"https://images.prismic.io/prad/agLAZ6YofJOwHGvn_dravidETL.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T05:53:00+0000","embed":{"embed_url":null}},"uid":"draivd-named-owner-of-etpl-franchise-dublin-guardians"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Satya, Yogi Babu's film goes on floors "},"content":{"text":"Director Pawan Basamsetti's eagerly awaited film, featuring Tamil comedian Yogi Babu along with Telugu comedian Satya in the lead, has now officially gone on floors. The film has triggered huge interest as this is the first time that Yogi Babu, a well known comedian in Tamil, is joining hands with well known Telugu comedian Satya. Sources say that the upcoming film will be a complete entertainer. Pawan Basamsetti, who is best known for his hit entertainer 'Rangabali', is also producing this film, apart from directing it. He is producing the film along with Nagarjuna Reddy. The film is being produced under the banners of Nayavayu Films and Dream Movie Makers. The film was official launched at a grand ceremony held at the Ramoji Film City in the presence of the movie team and special guests. Director Kishore Tirumala delivered the clap for the muhurta scene while director Mahesh Babu P switched on the camera. Directors Yadhu Vamsi and Sandeep Raj gave the script to the makers. The regular shooting of the film has also begun. Sources say the makers are filming key scenes featuring Satya and Yogi Babu. Sources close to the unit say that Pawan Basamsetty, who received praise for his entertaining work in his debut film 'Rangabali', will look to repeat the feat in this film too. They point out that that both Satya and Yogi Babu have been given suitable roles that will enable them to make use of their excellent comedy timing. Sources also point out that the film is backed by a really strong technical team. Cinematography for the film is to be by cameraman Bablu Aju, who has worked on a number of Malayalam hit films. Music for the film is to be scored by the immensely talented Pawan CH while the responsibility of handling the art direction department has been entrusted to Kamesh. The makers have announced that other details pertaining to the film will be announced soon."},"img":{"url":"https://images.prismic.io/prad/agLOPqYofJOwHGzo_satyayogibabumovie.JPG?auto=format,compress"},"datetime":"2026-05-11T18:53:00+0000","embed":{"embed_url":null}},"uid":"satya-yogi-babus-film-goes-on-floors"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Urvashi Values Meaning, Not Validation"},"content":{"text":"Former beauty queen and actress Urvashi Rautela says that to her “meaning” matters more to her than either visibility or validation at this stage of her career in Bollywood.  The 32-year-old actress, who made her acting debut in 2013 with the Sunny Deol-starrer Singh Saab the Great, after which she was seen in Sanam Re. The actress was later seen in a slew of duds, including Great Grand Masti, Hate Story 4, Virgin Bhanupriya, Jahangir National University, Pagal Panti and Ghuspaithiya. Asked what matters to her the most at this stage of her career: visibility or validation? Urvashi, who will be seen in the second installment of the series “Inspector Avinash”, told IANS: “At this stage of my career, I think meaning matters more to me than either visibility or validation.” She added: “Visibility can introduce you to the world, and validation can be emotionally reassuring, but neither of them is truly lasting if your work doesn’t have personal meaning or emotional truth behind it.” The actress said that she’s more interested in longevity. “Of course, appreciation always feels beautiful as an artist, because every performer wants their work to connect with people. But I’ve reached a point where I’m more interested in longevity, growth, and choosing projects that challenge me creatively rather than simply being seen everywhere,” said Urvashi. She concluded: “I think real fulfillment comes when you evolve beyond chasing attention and start focusing on creating something authentic, something that stays with the audience emotionally. That shift changes your relationship with success completely.” “Inspector Avinash” will start streaming from May 15. Headlined by Randeep Hooda, the show returns with a darker, more intense storyline set in 1990s UP. The first installment was released in 2023. It also had names such as Amit Sial, Shalin Bhanot, Rahul Mittra, Zakir Hussain, Ayeesha S. Aiman, Zohaeb Farooqui, Bidita Bag, Pravin Sisodia, Rajneesh Duggal, Ajay Chaudhary. The show was based on true events and the life of UP super-cop Avinash Mishra. The series revolves around the life of Avinash Mishra, who was brought in to stop the crimes in the state. The actress was last seen on the big screen in the film “Daaku Maharaaj” starring Nandamuri Balakrishna and Bobbu Deol."},"img":{"url":"https://images.prismic.io/prad/8975fb60-b90f-4742-bd4d-ac83f5af1aa9_urvashi.JPG?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-05-12T06:35:00+0000","embed":{"embed_url":null}},"uid":"urvashi-values-meaning-not-validation"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Six decades of armed struggle, what lies ahead?"},"content":{"text":"In the Independent India, armed struggle has a history of nearly 60 years. Beginning with the peasant armed uprising in Naxalbari on May 25, 1967, and followed by the formation of the Communist Party of India (Marxist-Leninist) on April 22, 1969, these dates marked a significant chapter in the history of armed revolutionary movements in the country.  This movement went through many turns, splits, and internal conflicts, moving from blood-soaked plains into forest regions. In recent times, two major streams of armed struggle merged, leading to the formation of the Communist Party of India (Maoist) on September 21, 2004. The armed forces under their leadership were reorganized into the People’s Liberation Guerrilla Army (PLGA). With this, various revolutionary groups and organizations dedicated to armed struggle merged into this party, opening a new chapter in India’s revolutionary history. Observing these developments, the central government in 2005 declared “Left-Wing Extremism” as the single biggest internal security threat to the country. Since then, there has been an ongoing armed confrontation between revolutionary forces and the central and state governments, each trying to establish dominance in conflict regions. Forest areas have witnessed continuous bloodshed as a result. Over the past two decades, revolutionary forces have gradually weakened in these regions, while the government, backed by security forces, has strengthened its control. Revolutionary organizations have distanced themselves from the people, whereas government institutions have successfully re-established their presence among them. It would be incorrect to assume that this success came only through military operations. The government also introduced various political, social, and cultural schemes to attract people. This approach was described as a dual strategy: “suppression and development.” In summary, over the last 25 years, revolutionary forces have weakened while the state has grown stronger. This process has cost thousands of crores of rupees and, more importantly, thousands of lives — including security personnel, Maoists, and civilians. These are invaluable human lives. In this context, as part of long-term plans initiated since 2009, the central government launched an unprecedented military strategy from 2024 with a timeline of two years and three months. Several supporting measures were also implemented. On the other hand, Maoists failed to recognize their weaknesses. Despite being confined to limited forest areas and a very small population—primarily tribal communities—they continued to believe they could establish alternative political power structures. They introduced “Janatana Sarkars” (people’s governments), failing to realize the tightening encirclement around them, which ultimately led them toward self-destruction. Heavy losses in recent operations have severely affected the morale of revolutionary forces. Anxiety has increased among tribal populations, especially in Dandakaranya. While some civilians initially lost their lives in police actions, later there were no significant civilian casualties reported. The death of Maoist General Secretary Nambala Keshava Rao in an encounter, along with his security personnel, marked a turning point in the history of the movement. Even before his death, discussions about peace talks had emerged. However, the central government and states like Chhattisgarh consistently maintained that no talks would be held unless Maoists laid down arms. Joint operations involving central and state forces intensified, causing heavy losses to Maoists. This created a situation where surrender became almost unavoidable. Maoist leaders themselves hinted at this reality in their media interactions. As conditions became unfavourable, the stage was set for a temporary suspension of armed struggle. The Union Home Minister, state Chief Ministers, and senior police officials repeatedly invited Maoists to surrender, offering them a way out of the encirclement. This led to a split within Maoists: One group supported suspension of armed struggle Another opposed it, labelling the former as traitors Ironically, even the PLGA chief who initially condemned surrender eventually chose the same path. Large-scale surrenders continued until March 31. On March 30, for perhaps the first time in parliamentary history, a special session was held on the Maoist movement, with intense debates between ruling and opposition members. The Home Minister stated that the government was very close to achieving its goal, with only a small number of armed Maoists remaining. Efforts to negotiate their surrender were ongoing. After the announcement of suspension, security forces prioritized surrenders. Even when Maoists were located, attempts were first made to secure their surrender; only when those failed were armed encounters carried out. After March 31, several states were declared Maoist-free. However, in Jharkhand, surrenders did not take place, and top leadership was killed in encounters. Despite appeals from senior imprisoned leaders urging timely decisions, the remaining cadres did not respond. An 88-year-old former Politburo member, Jagdish Master, alias Bhupesh Ji, gave a media interview disconnected from reality, reflecting instability. With security forces now concentrated in Jharkhand, intense search operations and encounters are ongoing, suggesting an imminent conclusion there as well. Given these developments, it appears that armed Maoist cadres may no longer remain in forest regions. Even if a few remain, survival seems unlikely. As declared by the government, the six-decade-long armed struggle appears to be nearing its end. Those who have renounced armed struggle are now indicating that they will work within the framework of the Indian Constitution through legal means among the broader population. This marks a historic transition. The government is now focusing on identifying so-called “urban Maoist” networks. This is a sensitive issue. If dissenting voices raising public concerns are labelled as urban Maoists and suppressed, the situation could worsen. There is already a growing environment of such tendencies across the country. There is no immediate danger in dealing with such individuals more liberally. Most of them are active only on social media and are unlikely to abandon their livelihoods for revolutionary activities. More importantly, the government must ensure that the conditions faced by tribal populations in the 1980s do not recur. At a time when calls for unity among various left-wing parties are emerging, it is crucial for governments to sincerely address public issues. Otherwise, people’s movements may re-emerge in new forms — and who will lead them will be determined by time."},"img":{"url":"https://images.prismic.io/prad/c77f9e68-3b76-4ec1-9162-938e05ca8d39_maos.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"six-decades-of-armed-struggle-what-lies-ahead"}},{"node":{"tags":["Entertainment","featured","four"],"data":{"third_party_url":null,"title":{"text":"Mandira Bedi’s Fit at 53 Secret"},"content":{"text":"Actress and fitness icon Mandira Bedi seems to be inspiring her fans with her disciplined lifestyle.  The actress who is 53 years old, took to her social media account to share the fitness routine that keeps her physically and mentally strong, proving that age is just a number. According to Mandira, there are a few habits she follows dedicatedly every day and every week that help her stay on top of her health game. Sharing a glimpse of her workout session, Mandira wrote, “There are a few things I do every day or every week that work for me. The workout, every morning. The 15,000 steps a day. The one-minute plank daily, at any time of the day. And a massage whenever I can fit one in. It works for me.” She further engaged with her followers by asking about their own healthy habits. “Tell me, what are your non-negotiables? What are the things that make you happy or keep you going? I’d love to know and add some more healthy habits into the mix,” she added. The actress is known for being one of the fittest actresses in the entertainment industry, and has consistently promoted wellness, discipline, and self-care through her social media posts. In many of her videos on social media, the actress is seen indulging in intense workout sessions, yoga, strength training, and clean eating. For the uninitiated, Mandira rose to fame with the iconic television show Shanti and later became a household name through acting, hosting, and sports presenting."},"img":{"url":"https://images.prismic.io/prad%2F854b53d5-9032-473e-9aef-d144c338f3aa_mandira+bedi+4.jpg?auto=format%2Ccompress&rect=0%2C29%2C777%2C383&w=2028&h=1000"},"datetime":"2026-05-12T04:44:00+0000","embed":{"embed_url":null}},"uid":"mandira-bedis-fit-at-53-secret"}},{"node":{"tags":["Editorial","featured","one"],"data":{"third_party_url":null,"title":{"text":"The 'Austerity' Show: Rules For Thee, But Not For Me"},"content":{"text":"“Eduti Varriki Cheppetanduke Neethulu Unnayi” “Sermons are for others”- A Telugu saying” Above Telugu saying, a popular idiomatic equivalent to “\"Rules for thee, but not for me” is usually used to call out hypocrisy of the people who don't practice what they preach. The New India’s leadership has turned above wisdom into a national sport. Napoleon once said the stress of worrying about a problem is often worse than the problem itself, and nothing proves that like the India’s supreme leader’s lecture on 'frugality' that left his subjects more anxious than the actual crisis. Fresh off the high of election season, Indian Supreme Leader has emerged with a seven-point plan for his common subjects to practice \"austerity\" because of the West Asia crisis. He had nonchalantly asked his gullible subjects to stay home and save fuel, which is a hilarious request coming from a guy who just spent weeks burning through jet fuel and endless convoys for election parades. And, of course, he’s already packing his bags for his next grand world tour. It’s a bold move, for, one day his subjects were told they are the world's fourth-largest economic superpower, and the next, they are told to dim the lights and stop driving. Apparently, being a superpower means having the strength to watch its leaders campaign in luxury, while its people are told to embrace the \"minimalist\" lifestyle. Ever since the Supreme Leader stepped in to \"save\" the nation, he’s turned \"National Sacrifice\" into a mandatory hobby for the masses. It started with guilt-tripping people out of their LPG subsidies and peaked with the classic line: \"If a soldier can stand at the border, why can’t you stand in a bank line for a few days?\" He even had them out on their balconies clanging steel plates like a symphony of the absurd, while millions of migrant workers were left to walk home in the heat. It’s a masterclass in leadership: he provides the script, and the people are asked to bear the suffering..Err…National Sacrifice. Asking ordinary Indians to work from home, ditch their travel plans, and skip the gold, all to \"save the nation\", is a tough sell while the ruling elite continues their high-flying tours and energy-guzzling spectacles on the public dime.  It’s a bold move to ask citizens to pinch pennies when the government’s own wallet seems to have a bottomless leak. This sudden pivot to \"emergency mode\" signals that the economy is about to hit a wall, a heads-up that would have been far more useful months ago, before the election posters were even printed.  But of course, the alarm only rang after the 2026 assembly polls in West Bengal and Tamil Nadu were safely in the bag. Is this another way asking the people to brace up for huge “fuel price hike”? Critics argue this is the ultimate \"pump and dump\" scheme of governance: the ruling elite burns through state resources to throw a massive election party, and only after they’ve secured the guest list for the next five years do they hand the cleanup bill and the \"austerity\" chores to the public. It’s a classic bait-and-switch: they get the lavish campaign, and people get the bill for their mismanagement. Naturally, the opposition is having a field day, pointing at this \"sermon\" as the total breakdown and the proof of the failure. It’s the ultimate comedy of errors: citizens of the world’s \"fourth economic superpower\" are now being treated like toddlers and told what they can buy or where they’re allowed to walk under the pretext of “National Sacrifice”. It’s a brilliant tactical manoeuvre, wherein, if you make the people responsible for \"saving\" the economy, you never have to take the blame for breaking it in the first place."},"img":{"url":"https://images.prismic.io/prad/agLbaKYofJOwHG5X_modishow.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T06:49:00+0000","embed":{"embed_url":null}},"uid":"the-austerity-show-rules-for-thee-but-not-for-me"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"CM Vijay First Speech In Assembly"},"content":{"text":"CM Vijay First Speech In Assembly"},"img":{"url":"https://images.prismic.io/prad/agLjPKYofJOwHG-w_vijayspeechinassemb%3By.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T06:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=T04HvjUaWgM"}},"uid":"cm-vijay-first-speech-in-assembly"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'VeeraBhadrudu' Trailer"},"content":{"text":"'VeeraBhadrudu' Trailer"},"img":{"url":"https://images.prismic.io/prad/agLhqaYofJOwHG9a_veerabhadrudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T19:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=vH0Q5t_JUng"}},"uid":"veerabhadrudu-trailer"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Love Turns Deadly: Girl’s Father, Relatives Kill Boy"},"content":{"text":"Hyderabad: Hyderabad police have arrested 10 persons for the brutal murder of a 21-year-old engineering student over a love affair.​ Police announced the arrests and produced the accused before the media on Monday, three days after the murder of Bomman Yavan alias Akhil within the limits of Chilkalguda Police Station.​ The accused include the girl’s father, her uncles, and other relatives.​ Deputy Commissioner of Police Rakshitha Krishna Murthy told the media that the crime was committed on the night of May 7 at Indira Nagar Colony, Medibavi.​ A case of murder, unlawful assembly, and carrying deadly weapons was registered against the accused.​ According to the police, the family was against their daughter’s relationship with the victim.​ They had warned the boy to stay away from the girl.​ The investigation revealed that the accused had hatched the plan to kill him four days earlier and also kept him under surveillance.​ On the night of May 7, when the victim was at a friend’s house, the accused went there and started an argument.​ The accused took out a knife, stabbed him 10 to 15 times, and fled the scene.​ The Deputy Commissioner of Police said six accused were involved in the crime scene, while four others, including the girl’s father, her uncles, and other relatives, were also named as accused.​ Most of the accused in the case are aged 17 to 23.​ One of the accused is a minor.​ On the complaint of the victim’s father, Srinivas, a case under Sections 103(1), 189(1)(4), 191(3) read with 3(5) of the Bharatiya Nyaya Sanhita was registered.​ The main accused, Allaboina Sai Kiran alias Sai, is a rowdy-sheeter.​ Previously, he was involved in an attempted murder case.​ The other accused are Rajam Paramesh Kumar Yadav alias Don, Rajam Vamshi Krishna alias Rakhi, Rajam Manish alias Bichu, Srigiri Rahul, Kuchula Shiva Nandan Yadav, Rajam Narsimha Yadav, Rajam Srisailam Yadav, and Rajam Mallesh Yadav alias Mallanna.​ The investigation also revealed that the main accused, Sai Kiran, intended to marry Chandrika, with whom Yavan had a long-term love affair.​ Four to five days before the murder, the accused held a meeting at Medibavi to hatch a plan to eliminate the victim.​ They maintained constant surveillance on the movements of deceased Yavan.​ Police recovered one sharp-edged knife, one electric scooter, and multiple mobile phones used in the commission of the offence.​ Police issued a strict, final warning to any individuals or groups contemplating violence, revenge, or public order disruption.​ The Deputy Commissioner of Police made it clear that there will be zero tolerance for vigilantism.​ Any attempt by youth groups, relatives, or associates of the deceased to take the law into their own hands — including revenge attacks, property damage, or intimidating the families of the accused — will invite the strictest legal consequences, she said.​"},"img":{"url":"https://images.prismic.io/prad/736de0db-acb9-45be-9ae1-35051ce6ac00_arrested.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T15:44:00+0000","embed":{"embed_url":null}},"uid":"10-arrested-for-students-murder-over-love-affair-in-hyd"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Reluctant Yes to ‘Mahanati’ Changed Everything for her"},"content":{"text":"Eight years have elapsed since Keerthy Suresh's transformative portrayal of the legendary actress Savitri in the acclaimed biopic 'Mahanati,' directed by Nag Ashwin. Released on May 9, 2018, the film struck a powerful chord with audiences, earning rave reviews and accolades alike. It not only secured Suresh her first National Award at the 66th National Film Awards but also solidified her status as a formidable talent in the South Indian film industry. The Tamil-dubbed version, known as 'Nadigaiyar Thilagam,' premiered shortly thereafter, further expanding its reach and impact. In the years since its release, 'Mahanati' has remained a cultural touchstone, with Suresh's interpretation of Savitri becoming synonymous with her identity as an actress. However, few are aware that her journey toward this landmark role was initially fraught with hesitation. In a candid interview with Cinema Express in 2020, Suresh disclosed that she initially turned down Ashwin's offer, expressing her fears about capturing the essence of such a beloved figure. \"I told him, 'I love it, but I'm not doing it.' I was very scared,\" she recounted, reflecting on the weight of the responsibility that came with portraying the iconic star. The crux of Suresh's trepidation lay in her respect for Savitri's legacy and the daunting challenge of embodying a persona revered by many. \"I didn’t know if I had the capacity to bring that persona onscreen and do justice to the actor she was,\" she explained. Yet, it was Ashwin's unwavering confidence in her abilities that ultimately swayed her decision. Suresh recognized that the opportunity to delve into a multifaceted character and showcase her range as an actress was too significant to pass up, marking a pivotal moment in her career that opened doors to more women-centric narratives. 'Mahanati' traces the tumultuous life of Savitri, charting her rise as a prominent figure in South Indian cinema against the backdrop of personal and professional upheaval. The film intricately weaves a narrative that explores her celebrated career, her complex relationship with actor Gemini Ganesan, and her struggles with addiction and financial instability. Co-starring prominent actors such as Dulquer Salmaan and Samantha, 'Mahanati' not only captivated audiences but also highlighted the broader societal issues surrounding fame and the often-hidden challenges faced by women in the industry."},"img":{"url":"https://images.prismic.io/prad/5ddfbfcc-918b-4ab8-b87e-52b000172c68_keerthy+suresh.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T19:23:29+0000","embed":{"embed_url":null}},"uid":"the-untold-journey-keerthy-sureshs-reluctant-embrace-of-mahanati-mp1laseg"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Dollar Shock: US Trip Burns a Hole in Indian Wallets"},"content":{"text":"For many Indians, an overseas trip is no longer just about sightseeing and food—it’s a serious financial calculation. Influencer Akriti Pandey recently went viral after sharing her real experience of traveling in the US while earning in Indian rupees. Her breakdown of everyday expenses left many stunned—an Uber ride costing $67 (around ₹6,300) and three dosas priced at $57 (₹5,300) highlighted just how expensive things can get. Her honest take struck a chord with middle-class Indian millennials, many of whom echoed similar struggles in the comments. The constant mental conversion from dollars to rupees, she pointed out, turns even simple spending into stress. What might feel normal for someone earning in dollars quickly becomes overwhelming for those earning in India. Pandey suggested that company-sponsored trips or brand collaborations could ease the burden, but her larger message was deeper—global travel is increasingly becoming a luxury. The conversation has now shifted beyond travel to a bigger reality check on income gaps, rising costs, and the growing pressure to earn more just to maintain a global lifestyle."},"img":{"url":"https://images.prismic.io/prad/b3cd8a19-96bc-4e35-8774-eed6dddc15ad_travel.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T19:17:00+0000","embed":{"embed_url":null}},"uid":"dollar-shock-us-trip-burns-a-hole-in-indian-wallets"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"A New Political Culture or Smart Optics? "},"content":{"text":"Chennai: The early days of Vijay’s tenure as Chief Minister have begun with symbolism that Tamil Nadu has not witnessed in recent years. His decision to personally meet leaders across the political spectrum—praised by the Communist Party of India as the beginning of a “new political culture”—signals an attempt to reset the tone of governance in a state long defined by sharp political binaries. For decades, Tamil Nadu politics has largely revolved around entrenched rivalries, where engagement between ruling and opposition leaders was often minimal and transactional. By reaching out to figures like M. K. Stalin and Vaiko, Vijay appears to be consciously projecting inclusiveness and dialogue. In a fractured mandate scenario—where his government’s stability hinges on continued external support—this outreach is not just idealism, but also strategic necessity. However, the real question is whether this “new culture” will go beyond optics. Political courtesy is easy in the honeymoon phase; sustaining it through policy disagreements, legislative battles, and electoral pressures is far more challenging. If Vijay can institutionalise consultation and reduce adversarial politics, Tamil Nadu could indeed witness a meaningful shift. If not, this moment may remain just that—a moment, rather than a movement."},"img":{"url":"https://images.prismic.io/prad/agIRmKYofJOwHGC5_Vijay.png?auto=format%2Ccompress&rect=0%2C0%2C449%2C221&w=2028&h=1000"},"datetime":"2026-05-11T17:28:00+0000","embed":{"embed_url":null}},"uid":"a-new-political-culture-or-smart-optics"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"POCSO Probe Ordered Against Bandi Son"},"content":{"text":"Telangana Chief Minister, A. Revanth Reddy, on Monday directed Director General of Police C.V. Anand to immediately initiate an investigation into the Protection Of Children from Sexual Offences (POCSO) Act case registered against Union Minister of State for Home Affairs Bandi Sanjay’s son, Bandi Bhagirath.  The Chief Minister instructed the DGP to constitute special teams for a comprehensive investigation into the case of the alleged sexual assault on a minor girl by Bandi Bhagirath. The Chief Minister questioned the DGP over the delay in taking action despite the complaint having been lodged on May 8 at Pet Basheerabad Police Station. Following the Chief Minister’s direction, the police chief reportedly constituted a Special Investigation Team (SIT) to probe the case. According to the Chief Minister’s Office, DGP Anand briefed the Chief Minister on the details of the case. The DGP informed the Chief Minister that the entire police force had been engaged in security arrangements in view of Prime Minister Narendra Modi’s visit to Hyderabad. Meanwhile, the Telangana State Commission for Protection of Child Rights (TSCPCR) has formed a special Bench to hear the case. TGSCPCR Chairperson, Kothakota Seetha Dayakar Reddy, obtained details from the City Police Commissioner and constituted a special Bench to conduct an enquiry into the matter. The action by TSCPCR and the Chief Minister’s direction to the DGP came amid the continuing protest by the Opposition Bharath Rashtra Samithi (BRS) demanding action against Bandi Sanjay’s son. A case was registered against Bandi Bhagirath under POCSO Act for alleged sexual assault on a 17-year-old girl. The girl’s mother alleged that Bhagirath had been harassing their daughter for over six months. He also allegedly misbehaved with her at a farmhouse in Moinabad. On her complaint, the police registered a case under Section 11 of the POCSO Act and relevant sections of BNS. Bhagirath, 25, had earlier lodged a complaint in Karimnagar II Town Police Station against the girl and her parents. He alleged that they attempted to honey trap him and demanded Rs. 5 crore to not file a police complaint against him. On his complaint, a case was booked against the girl and her parents under various Sections of the BNS for extortion, criminal intimidation, criminal conspiracy and common intention. Bandi Sanjay has denied the allegation against his son. He claimed that political rivals were trying to tarnish his image by making false allegations."},"img":{"url":"https://images.prismic.io/prad/agHhXKYofJOwHFDe_bandison.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T09:32:00+0000","embed":{"embed_url":null}},"uid":"pocso-probe-ordered-against-bandi-son"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Arjun Kapoor marks 14 years in Bollywood"},"content":{"text":"Actor Arjun Kapoor celebrated 14 years in Bollywood as his debut drama \"Ishaqzaade\" completed one more year of being released on Monday.  Dropping a few sketches of his popular scenes from the drama, Arjun claimed that his character Parma still feels like the beginning of his cinematic journey, which he intends to take forward with exciting projects ahead. Arjun penned on his official Instagram handle, \"14 years later, Parma still feels like the beginning of everything. #Ishaqzaade was the start of my journey as an actor, in cinema and with all of you…And it continues (red heart emoji) (sic).\" Helmed and directed by Habib Faisal, \"Ishaqzaade\" has been backed by Aditya Chopra under the banner of Yash Raj Films.  With Parineeti Chopra as the female lead, the romantic actioner further starred Gauahar Khan, Natasha Rastogi, Anil Rastogi, and Shashank Khaitan in ancillary roles, along with others. \"Ishaqzaade\" is an official remake of the 2009 Bengali drama \"Dujone\". Set against the backdrop of a fictional town of Almor in Uttar Pradesh, the drama shares the journey of Parma Chauhan (Played by Arjun) and Zoya Qureshi (Played by Parineeti), who belong to rival political families. Their passionate romance ends up shaking the deeply rooted religious divides in the society. While the film marked Arjun’s primary appearance on the big screen, it was Parineeti's second project after her debut with \"Ladies vs Ricky Bahl\" in 2011. Shifting our focus to Arjun's recent projects, he last appeared in the romantic comedy \"Mere Husband Ki Biwi\", co-starring Rakul Preet Singh and Bhumi Pednekar. The movie failed to perform well at the box office.  Arjun has yet to announce his next project. Additionally, he was also recently seen as the primary antagonist in Rohit Shetty's \"Singham Again\". He ended up receiving a lot of acclaim for his performance in the cop drama."},"img":{"url":"https://images.prismic.io/prad%2Fff1c064e-c048-4f85-b385-e9cfff301353_arjun+kapoor.jpg?auto=format%2Ccompress&rect=0%2C7%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-05-11T10:10:00+0000","embed":{"embed_url":null}},"uid":"arjun-kapoor-marks-14-years-in-bollywood"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Mohanlal-Asha Reunion In US After 40 Years"},"content":{"text":"Malayalam cinema fans in the United States had a nostalgic and heartwarming experience as legendary actor Mohanlal reunited with actress Asha Jayaram after almost four decades. The special reunion took place during the Kilukkam 25 stage show in Detroit, where a large gathering of Malayalis celebrated the memorable moment. For fans of the iconic 1986 Malayalam classic Onnu Muthal Poojyam Vare, this reunion held immense emotional significance.  The film, known for its poignant storytelling, marked Asha's debut in acting. In the movie, she portrayed the character of Aleena, while Mohanlal appeared in the unforgettable role of 'Telephone Uncle' in the climax. Prior to their on-stage reunion, a video of Asha expressing her emotions went viral on social media where she mentioned her disbelief at meeting Mohanlal again after forty years. As Mohanlal stepped onto the stage, the audience erupted in cheers, turning the venue into a celebration of the superstar.  Mohanlal, visibly moved by the warm reception, shared his nostalgic feelings with the crowd. Asha later shared a post on Instagram, expressing her joy and gratitude for the reunion, thanking the Detroit Malayalee community for bringing Mohanlal to their city. She also praised Mohanlal as a remarkable talent and a wonderful human being, emphasizing his respect for colleagues from decades ago.  Directed by Raghunath Paleri, Onnu Muthal Poojyam Vare continues to hold a special place in the hearts of Malayalam film enthusiasts for its touching portrayal of the unique bond between a mother, daughter, and a stranger through telephone conversations. After her role in Onnu Muthal Poojyam Vare, Asha went on to appear in several films before settling in the United States, where she currently works as a Digital Marketing Manager and is involved in teaching Bharatanatyam and Mohiniyattam in Southeast Michigan."},"img":{"url":"https://images.prismic.io/prad/agHlzKYofJOwHFHt_mohanlalashajairam.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T11:14:00+0000","embed":{"embed_url":null}},"uid":"mohanlal-and-asha-jayaram-reunite-in-the-us-after-40-years-sparking-onnu-muthal--mp1a938s"}},{"node":{"tags":["Health"],"data":{"third_party_url":null,"title":{"text":"Hantavirus Panic Hits US Passengers"},"content":{"text":"In a troubling development, two American passengers from the MV Hondius have raised alarm as they are transported back to the United States with potential hantavirus infections. The Department of Health and Human Services confirmed on Sunday evening that among the 17 evacuees, one individual is exhibiting mild symptoms, while another has tested 'mildly PCR positive' for the Andes strain of the virus. This evacuation comes amidst a backdrop of heightened awareness surrounding hantavirus, which can lead to severe respiratory complications. The cruise ship, which embarked from Argentina in April and traversed the South Atlantic, has been linked to a disturbing cluster of hantavirus cases, including three fatalities. The initial case involved a Dutch passenger who fell ill shortly after boarding, leading to a tragic sequence of events that resulted in both his and his wife’s deaths, as well as that of a German traveler. The virus's unusual capability for human-to-human transmission—particularly the Andes strain—underscores the urgency of the situation, as it typically spreads through contact with infected rodent excreta. Health experts are particularly concerned about this outbreak due to its rarity, with hantaviruses generally transmitting through animal vectors rather than person-to-person contact. The Andes virus, however, poses a unique threat, necessitating close interactions for transmission to occur. A Swiss tour guide who disembarked in Saint Helena and later tested positive suggests that the virus may have circulated among passengers during the voyage. Such developments have prompted increased scrutiny and rigorous monitoring protocols for those who interacted with affected individuals. The 17 American passengers are currently en route to the University of Nebraska Medical Center, which is equipped to handle potential hantavirus cases. The facility will conduct thorough clinical assessments, with asymptomatic individuals expected to monitor their health at home for a full 42 days—the incubation period for the virus. While health officials have classified most passengers as low-risk, the careful tracking and oversight reflect a cautious approach in the face of a potentially serious health crisis, emphasizing both preparedness and the importance of public health vigilance in mitigating outbreaks."},"img":{"url":"https://images.prismic.io/prad/agHlCKYofJOwHFHL_hantavirus.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T05:02:00+0000","embed":{"embed_url":null}},"uid":"hantavirus-alert-us-passengers-evacuated-amid-growing-health-concerns-mp19tz46"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Kiara Unveils the Raw Truth of Motherhood"},"content":{"text":"In a revealing conversation on a recent podcast with Raj Shamani, actress Kiara Advani delved into the emotional intricacies of her postpartum experience following the birth of her daughter, Saraayah. The actress, married to fellow Bollywood star Sidharth Malhotra, shared candid insights into the challenges many new mothers face, emphasizing that the transition into motherhood is fraught with unexpected emotional triggers that can leave one feeling overwhelmed. \"Everything was triggering me,\" she confessed, shedding light on the often unspoken struggles of new parenthood. Advani articulated the duality of joy and anxiety that accompanied her early days with her infant, noting that while attention naturally gravitates towards the newborn, the mental health of the mother frequently goes unnoticed. She pointed out the societal tendency to prioritize the needs of the child — from sleep schedules to diaper changes — often at the expense of acknowledging the mother's emotional landscape. Kiara’s reflections underscore a crucial gap in postpartum care, where the discourse around maternal well-being is overshadowed by the focus on infant needs. This honest discussion comes in the wake of changing norms around motherhood, particularly within the Indian context, where maternal mental health has traditionally been stigmatized. Kiara's openness about her struggles connects deeply with a growing movement urging society to recognize and support new mothers during this pivotal transition. The couple, who tied the knot on February 7, 2023, in a lavish ceremony in Rajasthan, have since become a relatable beacon for many navigating the complexities of modern parenthood. Kiara's experiences resonate with many new parents who may feel isolated in their struggles. As she navigates this nuanced journey, her narrative not only humanizes the celebrity experience but also serves as a vital reminder of the importance of dialogue surrounding mental health in motherhood. By sharing her vulnerabilities, Advani not only fosters empathy but also encourages others to seek help and understanding during one of life’s most transformative phases."},"img":{"url":"https://images.prismic.io/prad/ZkXKqCol0Zci9MWi_kairalooking.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T06:02:00+0000","embed":{"embed_url":null}},"uid":"kiara-advani-unveils-the-raw-truth-of-motherhood-navigating-postpartum-turmoil-mp19u4bl"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ileana spends some alone time with her husband"},"content":{"text":"Actress Ileana D'Cruz gave a glimpse into an endearing moment in her personal life, further expressing gratitude towards her in-laws for stepping in and taking care of her children. She stated that as her babies were being taken care by their grandparents, she could spend some quality time with her husband. Taking to her social media account, the actress shared a series of moments from her romantic day, highlighting how she felt “incredibly loved” and grateful for her family’s support system. Opening up about the same, Ileana wrote, “Had a beautiful day and felt incredibly loved thanks to my darling husband and our 2 little boys.” In another heartfelt note, she acknowledged her in-laws’ role in giving her a breather, writing, “Saw some cute little dudes and got to spend time with my main man thanks to my lovely mama and papa in law babysitting our little munchkins.” The pictures shared by Ileana on her social media account beautifully captured the essence of her special day. One picture showed a serene, ivy-covered home exterior and another picture features two adorable sheep standing behind a wire fence under leafy branches. On the occasion of Mother’s Day on the 10th of May, Ileana had also penned a heartfelt note for her mother. Sharing a note for her, she wrote, “To my amazing mama, no words could ever describe how much you mean to me. How you manage to do so much every single day for us is something I will never know. I’m so thankful for you my mamadoo @samiradcruz.” For the uninitiated, Ileana married her beau, Michael Dolan, in 2023. They welcomed their first child, a son named Koa Phoenix Dolan, in the same year. In 2025, she gave birth to her second son, whom they named Keanu Rafe Dolan. On the professional front, the 39-year-old actress, who made her screen debut in 2006 with the Telugu-language romantic-drama film Devadasu, has worked in films including Pokiri, Jalsa, Kick, and Julayi. She also starred in the Tamil film Nanban. In Bollywood, the actress known for films like Barfi!, Rustom, Main Tera Hero and Raid, has actively been using social media to share personal moments from her journey beyond the screen."},"img":{"url":"https://images.prismic.io/prad/Zrzwh0aF0TcGI78-_ileana.JPG?auto=format,compress"},"datetime":"2026-05-11T04:42:00+0000","embed":{"embed_url":null}},"uid":"ileana-spends-some-alone-time-with-her-husband"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Cop killed by unidentified men in Kakinada"},"content":{"text":"A constable was murdered by unidentified men in Kakinada town of Andhra Pradesh, police said on Monday.  The incident occurred in the Gandhi Nagar area of Kakinada late on Sunday night. According to police, unidentified men attacked Andhra Pradesh Special Police (APSP) constable Nageswara Rao with a knife. They slit his throat, resulting in his death. Locals told police that some youth who were under the influence of alcohol attacked a man who was walking on the road. Police rushed to the spot and identified the deceased as an APSP constable. The body was shifted to the Government General Hospital for post-mortem examination.  The police team visited the crime scene and collected clues. Senior police officials also visited the scene. Police registered a case and took up an investigation. The investigating officials were scanning the CCTV footage in the area.  A police officer said they were working on some clues to identify and arrest the assailants. More details are awaited. Meanwhile, a person drowned, and another went missing in Palnadu district when a boat overturned. The incident occurred in Kakani village in Narsaraopet mandal when a boat drowned in the tank. The body of one of them was recovered by the locals while the search was on for the other missing person. The deceased was identified as Pitlabanda Hussain. Rescue workers continued the search for Argraharam Hussain. According to police, the incident occurred when the two men were putting fish feed into the tank. Meanwhile, three people were injured in a road accident in neighbouring Telangana. The accident occurred in Nalgonda district when a car rammed into an oil tanker. According to police, the collision occurred near Veliminedu in Chiryal mandal in Nalgonda district.  Three people travelling in the car were injured, and they were shifted to a nearby hospital. The oil tanker overturned on the highway, disrupting the movement of vehicles between Vijayawada and Hyderabad."},"img":{"url":"https://images.prismic.io/prad/fd763926-69be-4f13-9116-492a3728f314_suicide.JPG?auto=format,compress"},"datetime":"2026-05-11T06:30:00+0000","embed":{"embed_url":null}},"uid":"cop-killed-by-unidentified-men-in-kakinada"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"CM Vijay takes oath as MLA in Assembly"},"content":{"text":"A day after taking oath as the Chief Minister of Tamil Nadu, Tamilaga Vettri Kazhagam (TVK) leader C. Joseph Vijay on Monday took oath as a Member of the Legislative Assembly (MLA) during the first session of the newly constituted 17th Tamil Nadu Assembly.  The oath-taking ceremony for newly elected legislators was held at the Assembly Hall under the supervision of Pro-tem Speaker Karuppiah, who administered the oath to the members. The proceedings marked the formal commencement of the new Assembly following the recently concluded Tamil Nadu Assembly elections. Chief Minister Vijay, who had taken oath as Chief Minister on Sunday, invoking “Andavan Meedhu Aanaiyaga” (in the name of God), adopted a different constitutional affirmation while taking oath as an MLA on Monday, stating, “Ulamara Urudhi Koorugiren” (I solemnly affirm with sincerity). Vijay was sworn in as the MLA from the Perambur Assembly constituency, which he retained after winning from both Perambur and Trichy East in the elections. Following his decision to continue as the representative from Perambur, he resigned from the Trichy East seat, paving the way for a by-election there. Soon after Vijay’s oath-taking, senior TVK leader N. Anand took oath as the MLA from T Nagar constituency, while Aadhav Arjuna was sworn in as the legislator from Villivakkam constituency. The Assembly witnessed enthusiastic scenes as newly elected members entered the House for the first time after the dramatic electoral verdict that brought TVK to power in its maiden Assembly election. The party emerged as the single largest party in the 234-member House and later formed the government with the support of alliance partners. Addressing the House during the proceedings, Pro-tem Speaker Karuppiah congratulated the newly elected members and called upon them to work with dedication for the welfare of the people. He said that despite several hardships and obstacles, the new leadership had overcome challenges and earned the trust of the people. “The public has elected us to serve them. Every member must understand this responsibility and work sincerely for the people,” he said. Karuppiah further stated that the new government should function by following the ideals and principles of leaders such as Periyar, Kamarajar, Velu Nachiyar and Anjalai Ammal, while also upholding rationalist and social justice values in governance."},"img":{"url":"https://images.prismic.io/prad/agGgbaYofJOwHDlT_cmvijay.JPG?auto=format,compress"},"datetime":"2026-05-11T04:30:00+0000","embed":{"embed_url":null}},"uid":"cm-vijay-takes-oath-as-mla-in-assembly"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Cong set to enter TN govt after nearly 6 decades"},"content":{"text":"The Congress party is set to return to the Tamil Nadu government after over 55 years, following the formation of the Tamilaga Vettri Kazhagam (TVK)-led government headed by Chief Minister C. Joseph Vijay.  The development comes after TVK decided to allot two ministerial berths to Congress as part of the post-poll power-sharing arrangement forged after the Tamil Nadu Assembly elections produced a hung verdict.  The new government was sworn in during a grand ceremony held at the Jawaharlal Nehru Indoor Stadium in Chennai, where Vijay took oath as the 13th Chief Minister of Tamil Nadu.  Along with him, nine ministers were also administered the oath of office and secrecy by Governor Rajendra Vishwanath Arlekar. TVK, contesting its maiden Assembly election under Vijay's leadership, emerged as the single largest party by winning 108 seats in the 234-member Assembly.  However, the party fell short of the majority mark of 118 seats, prompting Vijay to seek the support of Congress and other like-minded parties to form the government.  The Congress, which contested 28 seats as part of the DMK-led Secular Progressive Alliance (SPA), managed to win only five seats. Despite the reduced tally, the party's central leadership decided to extend support to TVK after a series of consultations held by the All India Congress Committee (AICC) leadership in New Delhi.  The TVK government also secured support from the CPI, CPI(M), IUML and VCK, enabling Vijay to comfortably cross the majority mark and stake a claim to form the government.  Congress' entry into the Cabinet marks a politically significant moment in Tamil Nadu, where the party had remained without ministerial representation for decades despite being a long-time ally of the DMK in several governments.  Congress cadres had often expressed disappointment over the party being denied Cabinet positions even during successful alliance governments.  In 2006, when the DMK formed the government with outside support from Congress and PMK, the Congress -- despite winning 34 seats -- was not given representation in the State Cabinet.  AICC national observer for Tamil Nadu Girish Chodankar confirmed that discussions regarding the Congress nominees were still underway. \"We are not insisting that Congress ministers should take the oath immediately. Discussions are continuing regarding which MLAs will be inducted into the Cabinet. The final decision will be taken by the leadership in Delhi,\" he said.  According to the Congress sources, Melur MLA P. Viswanathan and Killiyoor MLA S. Rajeshkumar are among the frontrunners for the ministerial posts.  Rajeshkumar currently serves as the Congress Legislature Party leader, while Viswanathan drew attention during the elections after winning from a general constituency as an SC candidate. "},"img":{"url":"https://images.prismic.io/prad/agGiXaYofJOwHDmY_tvkcong.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T02:33:00+0000","embed":{"embed_url":null}},"uid":"cong-set-to-enter-tn-govt-after-nearly-6-decades"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Hrithik’s France Trip With Saba"},"content":{"text":"Actress Saba Azad was seen joining her boyfriend Hrithik Roshan on his family trip with parents Rakesh Roshan and Pinkie Roshan to France.  Hrithik Roshan, on Monday afternoon, gave his fans a glimpse into his ongoing family vacation where as he marked Mother’s Day with a heartfelt post featuring his loved ones. The actor shared a cheerful family picture that also featured his father Rakesh Roshan, mother Pinkie Roshan, sister Sunaina Roshan, and girlfriend Saba Azad. In the picture, the entire Roshan family along with Saba srs seen posing under a large tree amid a scenic outdoor setting in France. Hrithik captioned the post as, “Found this tree in France called ‘ombre de maman’ Roughly translates to ‘Maa Ki Chaaya’! Waah! Happy Mother’s Day. To the shade, strength and love behind us all. P.S.: before the French people come after me… yes, I’m joking. We are just a tree loving crazy family.” For the uninitiated, Hrithik and Saba’s relationship first grabbed attention in early 2022 when the two were spotted together at dinner outings. The couple gradually made their relationship public through social media public appearances. Since then, Saba has often been seen attending Roshan family celebrations and vacations. She was also present at several family gatherings, including Hrithik’s nephew’s wedding celebrations a few months ago. Hrithik, meanwhile, has been extremely supportive with Saba’s career and choice of projects. Before finding love again, Hrithik was married to interior designer Sussanne Khan. The former couple tied the knot in 2000 and announced their separation in 2013. Despite parting ways legally, the two continue to share a warm friendship and co-parent their sons, Hrehaan Roshan and Hridhaan Roshan."},"img":{"url":"https://images.prismic.io/prad/agGjoqYofJOwHDnN_sabahrrr.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T08:40:00+0000","embed":{"embed_url":null}},"uid":"hrithiks-france-trip-with-saba"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Vijayan at crossroads!"},"content":{"text":"For nearly three decades, Pinarayi Vijayan stood as the undisputed centre of power in Kerala politics, a leader who survived rebellions, crushed dissent, outlasted rivals and eventually became the unquestioned face of the CPI(M).  But, after the Left’s devastating electoral collapse, the man who once appeared politically invincible now finds himself at perhaps the most uncertain crossroads of his long public life. As the CPI(M) Politburo continues crucial deliberations in Delhi over who should lead the Opposition in Kerala, the debate has increasingly turned into something larger than a mere leadership question. It is now, in many ways, a reckoning over the political legacy of Pinarayi Vijayan himself. From the moment he entered the E.K. Nayanar Cabinet as Electricity Minister in 1996, Pinarayi’s rise within the party was swift and relentless. By 1998, he had taken over as Kerala CPI(M) state secretary, tightening his grip over the organisation with remarkable authority. For nearly two decades thereafter, few major decisions in the party were taken without his approval. Even internal critics often found themselves sidelined. Then came 2016. Pinarayi became Chief Minister and soon transformed himself from a powerful organisational strategist into the single-most dominant political figure in Kerala. Over the next ten years, extending into his historic second term, he became the final word in both government and party affairs. Ministers, bureaucrats and even senior party leaders functioned within a tightly centralised system where Pinarayi’s authority remained absolute. However, the stunning defeat suffered by the Left this election has shaken that aura of invincibility. Inside the Politburo, difficult questions are now being raised. Should the very leader under whose watch the Left suffered one of its worst setbacks continue as the face of the Opposition? Or is this the moment to finally open the door for a new generation? The dilemma has sharply divided the party. A strong section within the Kerala unit still believes that no one in the Assembly can match Pinarayi’s experience, aggression and command over legislative politics. But others fear that retaining him at the forefront would only reinforce public anger against what many critics described as excessive centralisation of power and an increasingly inaccessible style of governance. Adding to the uncertainty is Pinarayi’s own silence. Sources indicate that the veteran leader has neither sought the Opposition Leader’s post nor rejected it outright. Instead, he has conveyed that he would accept any responsibility only if the entire leadership insists. The carefully calibrated position allows him to avoid appearing power hungry while also ensuring that the party alone bears the responsibility for any final decision. At 81 later this month, and with concerns over his health also becoming part of quiet political conversations, Pinarayi Vijayan’s future suddenly no longer appears as certain as it once did. For a leader who dominated Kerala politics uninterrupted for nearly 30 years, the coming days and the crucial meetings of both the central and state leadership could determine not just who leads the Opposition, but how the Pinarayi era itself will ultimately be remembered."},"img":{"url":"https://images.prismic.io/prad/88730e3e-b4eb-4385-adfc-e718234ed0f7_vijayan.JPG?auto=format,compress"},"datetime":"2026-05-11T07:57:00+0000","embed":{"embed_url":null}},"uid":"vijayan-at-crossroads"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Trisha: ‘The Love is always louder’ "},"content":{"text":"A day after her rumoured beau Vijay was sworn in as the 13th Chief Minister of Tamil Nadu, actress Trisha Krishnan shared a cryptic caption about “love is always louder”.  Trisha, on Monday, shared a picture of herself looking every inch gorgeous in an aqua-blue silk saree, which seems to be made of a silk blend. The saree has gold zari border running along the edges and pallu. For the caption, she wrote: “The love is always louder (sic).” The 43-year-old actress attended the swearing-in ceremony of Vijay on May 10 in Chennai and was accompanied by her mother Uma Krishna. For the occasion, the actress opted for a teal and gold saree paired with a cream blouse as she headed to Jawaharlal Nehru Indoor Stadium in Chennai for the swearing-in ceremony. Finally, Vijay is forming the government in Tamil Nadu with the support of several smaller parties after Tamilaga Vettri Kazhagam emerged as the single largest party in the Assembly elections. The supporting allies include the Indian National Congress, Viduthalai Chiruthaigal Katchi, Communist Party of India, Communist Party of India (Marxist), Indian Union Muslim League, and Amma Makkal Munnettra Kazagam. Together, these parties helped TVK cross the majority mark in the 234-member Assembly. Vijay’s party emerged as the single largest party after it secured 108 seats in the recently conducted Tamil Nadu assembly elections. With its victory, TVK has ended the alternating rule of the State’s two dominant Dravidian parties, DMK and AIADMK. The Governor has also directed Mr. Vijay to seek a vote of confidence in the Assembly on or before May 13, 2026. Talking about the actress, she made her debut in 1999 with a minor role in the Tamil film Jodi. She was seen as a lead actress for the first time in the 2002 film Mounam Pesiyadhe. She rose to fame with films such as Saamy, Ghilli, Aaru, and Unakkum Enakkum, Varsham, Nuvvostanante Nenoddantana, Athadu, Aadavari Matalaku Ardhalu Verule, and Krishna. Trisha made her Hindi cinema debut with the film Khatta Meetha starring Akshay Kumar. She was last seen on screen in Thug Life directed by Mani Ratnam."},"img":{"url":"https://images.prismic.io/prad%2F4a2b2abe-6e25-474c-b825-adcfde3864b7_trish2.jpg?auto=format%2Ccompress&rect=0%2C4%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-05-11T05:55:00+0000","embed":{"embed_url":null}},"uid":"trisha-the-love-is-always-louder"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Jacqueline Fernandez Under ED Fire"},"content":{"text":"The Enforcement Directorate (ED) on Monday opposed Bollywood actor Jacqueline Fernandez’s plea seeking to turn approver in the Rs 200 crore money laundering case linked to alleged conman Sukesh Chandrashekhar, telling a Delhi court that her conduct during the investigation was “not satisfactory” and that she failed to fully cooperate with the probe.  Appearing before the Patiala House Court, the federal anti-money laundering agency contended that Jacqueline did not make a “full and true disclosure” in her statements recorded under Section 50 of the Prevention of Money Laundering Act (PMLA). The ED said that during the course of the investigation, Jacqueline’s conduct was not cooperative as she “consistently failed to make full and truthful disclosures” in connection with the proceeds of crime allegedly generated by Chandrashekhar. Opposing her plea to become a prosecution witness, the ED further alleged that Jacqueline continued to remain in regular contact with Chandrashekhar even after becoming aware of his criminal antecedents. According to the probe agency, Chandrashekhar had arranged “all benefits, gifts and valuables” for Jacqueline out of the proceeds of crime generated through the alleged money laundering activities. After hearing the submissions, the Patiala House Court granted time to Jacqueline Fernandez’s counsel to file a rejoinder to the ED’s reply and posted the matter for further hearing on May 12. The ED has accused Jacqueline of allegedly receiving luxury gifts worth around Rs 7 crore from Chandrashekhar. However, the actor has consistently maintained that she had no knowledge about his alleged criminal activities or the source of the money used for those gifts. In September last year, the Supreme Court had declined to entertain Jacqueline Fernandez’s plea seeking the quashing of the money laundering proceedings initiated against her by the ED. Senior advocate Mukul Rohatgi, appearing for Jacqueline before the apex court, had argued that she could not be prosecuted under Sections 3 and 4 of the PMLA as she had no knowledge that the gifts received from Chandrashekhar were proceeds of crime. The Justice Datta-led Bench, however, referred to the Supreme Court’s judgment in the Vijay Madanlal Choudhary case, upholding the ED’s powers under the PMLA and observed that allegations at the stage of framing of charges must be accepted as they stand. The ED has filed multiple charge sheets in the case and named Jacqueline Fernandez as an accused in a supplementary prosecution complaint, while another Bollywood actor, Nora Fatehi, was examined as a witness. The probe agency has alleged that Chandrashekhar’s aide Pinky Irani facilitated the delivery of luxury gifts and expensive items to Jacqueline on his behalf. The money laundering case stems from allegations that Chandrashekhar cheated the wives of former Ranbaxy promoters Shivinder Singh and Malvinder Singh of nearly Rs 200 crore. However, Fernandez maintained that she had no role in laundering Chandrashekhar’s alleged illegal wealth. The 40-year-old Sri Lankan actress, who entered Bollywood after winning the Miss Universe Sri Lanka crown in 2006, has been a prominent figure in Hindi cinema for over a decade, also featuring in music videos and reality shows."},"img":{"url":"https://images.prismic.io/prad/aM__4Z5xUNkB07kv_jacqueline.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T07:01:00+0000","embed":{"embed_url":null}},"uid":"jacqueline-fernandez-under-ed-fire"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"PM Modi’s Triple Call: Fuel, WFH, Gold"},"content":{"text":"Prime Minister Narendra Modi on Sunday appealed to citizens to conserve fuel, use public transport, revive work from home, avoid non-essential goods purchase and overseas vacations to save foreign exchange to combat the global crisis triggered by the ongoing war in West Asia. Addressing a public meeting organised by the BJP at Parade Grounds, Secunderabad, the Prime Minister called for collective participation to help India face global economic disruptions, supply chain challenges, and rising prices caused by international conflicts. Suggesting a slew of measures to citizens to help the country overcome the challenges, he emphasised that patriotism is not only about sacrificing one’s life for the nation, but also about living responsibly and fulfilling duties towards the country during difficult times. PM Modi stated that in the current situation, the nation must also place great emphasis on saving foreign exchange. “Since petrol and diesel have become extremely expensive across the world, it is our responsibility to save fuel and thereby save the foreign exchange spent on purchasing petrol and diesel,” he said. He urged citizens to reduce petrol and diesel consumption by using Metro rail and public transport wherever available, opting for car-pooling when private vehicles are necessary, preferring railway transport for the movement of goods and increasing the use of electric vehicles wherever possible. The Prime Minister also called for the revival of Covid-era efficiency measures in the national interest, including work-from-home arrangements, online conferences and virtual meetings. “During the Corona period, we adopted work from home, online meetings, video conferences, and developed many such systems. We had also become accustomed to them. Today, the need of the hour is that we restart those practices, as it would be in the national interest, and we must once again give them priority,” he said. The PM also appealed to citizens to help conserve foreign exchange reserves by avoiding unnecessary foreign travel, overseas vacations and foreign weddings and choosing domestic tourism and celebrations within India. He also advised people to avoid non-essential gold purchases for one year in order to reduce pressure on foreign exchange outflows. PM Modi encouraged citizens to prioritise Made-in-India and locally manufactured products, including daily-use items such as shoes, bags, and accessories. He urged families to reduce edible oil consumption, stressing that it would benefit both national economic health and personal health. The PM urged farmers to reduce chemical fertiliser usage by 50 per cent, move towards natural farming practices, help protect soil health and reduce import dependence. He also encouraged farmers to go for wider adoption of solar-powered irrigation pumps instead of diesel pumps. PM Modi noted that the world was going through a major supply chain crisis due to Covid. The Ukraine war has further increased global difficulties. Over the last 5–6 years, the government has continuously worked to tackle this crisis. He pointed out that across the world, one bag of fertiliser is being sold for around Rs 3,000, but the same bag of fertiliser is being provided to India’s farmers for less than Rs 300. The PM stated that a big war in the neighbourhood was having an impact on the entire world. He said the impact is severe on India. “We don’t have big oil wells. We have to import petrol, diesel and gas. The prices of petrol, diesel, gas and fertilisers have skyrocketed. For the last two months, the government has been making continuous efforts to save people from the impact by shouldering the burden.” “When the supply chain continues to be in crisis, no matter what measures we take, the difficulties only increase. Therefore, now we must fight unitedly, keeping the country and Mother India first,” he added."},"img":{"url":"https://images.prismic.io/prad/agC04aYofJOwHCyu_modi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-10T14:40:00+0000","embed":{"embed_url":null}},"uid":"pm-modis-triple-call-fuel-wfh-gold"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"PM Modi visits residence of CBN, PK in Hyd"},"content":{"text":"Prime Minister Narendra Modi visited the residences of Andhra Pradesh Chief Minister N. Chandrababu Naidu and Deputy Chief Minister Pawan Kalyan in Hyderabad on Sunday. After launching various development projects at Hyderabad International Convention Centre (HICC) and inaugurating Sindhu Hospital in Cyberabad, the Prime Minister went to the house of Pawan Kalyan to call on the actor-politician who underwent a surgery last month. Amid tight security, Prime Minister Modi visited the house of the Jana Sena Party (JSP) leader in Jubilee Hills and enquired about his health. Pawan Kalyan underwent surgery at a hospital in Hyderabad on April 18. The Prime Minister had earlier spoken to the JSP Chief over the phone and wished him speedy recovery. After the meeting with Pawan Kalyan, Prime Minister Modi drove to the house of Telugu Desam Party (TDP) President Chandrababu Naidu in Jubilee Hills. Chandrababu Naidu and his son and state Minister Nara Lokesh accorded a warm welcome to the Prime Minister. The meeting lasted for an hour. Prime Minister Modi and Chief Minister Chandrababu Naidu understood to have discussed various issues. Both Chandrababu Naidu and Pawan Kalyan are allies of the Bharatiya Janata Party (BJP)-led National Democratic Alliance (NDA). Earlier, Chief Minister Chandrababu Naidu on social media platform X said that he would be honoured to welcome Prime Minister Modi at his residence. \"We are deeply honoured and delighted to welcome Prime Minister Narendra Modi Ji to our residence today. This is a truly special and memorable moment for our family,\" the CM added. Prime Minister Modi is also scheduled to address a public rally organised by the BJP at Parade Grounds in Secunderbad on Sunday evening. This is his first visit to Telangana after assuming office as the Prime Minister for a third term. Before visiting the houses of Pawan Kalyan and Chandrababu Naidu, Prime Minister Modi inaugurated the Sindhu Hospital. \"I inaugurated Sindhu Hospital in Hyderabad. This is a commendable effort to improve basic facilities in the health sector in the city and surrounding areas. It is highly praiseworthy that the hospital team is paying special attention to integrating cutting-edge technology and innovative discoveries,\" Prime Minister Modi said on X."},"img":{"url":"https://images.prismic.io/prad/agC6eqYofJOwHCzD_cbnpkmodi.JPG?auto=format,compress"},"datetime":"2026-05-10T14:04:00+0000","embed":{"embed_url":null}},"uid":"pm-modi-visits-residence-of-cbn-pk-in-hyd"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"PC Stuns in 20-Year-Old Saree"},"content":{"text":"Priyanka Chopra Jonas made a stunning appearance at the Gold House Gala in New York City, wearing a reimagined saree that celebrated her 25-year entertainment career. Designed by Amit Aggarwal, the ensemble seamlessly blended traditional Indian Chikankari embroidery with futuristic sculptural design, showcasing the skill of women artisans. The outfit, crafted from a nearly 20-year-old saree, resonated for its emotional depth and celebration of Indian craftsmanship. Styled by Ami Patel, the look aimed to make traditional Indian craft feel fresh on the global red carpet without losing its essence. The use of Lucknow’s iconic Chikankari embroidery added a personal touch, merging softness, delicacy, and understated elegance with a more modern, dramatic fashion space. What made the ensemble even more special was the fact that it wasn’t created entirely from scratch.  The couture piece was reportedly built using a saree that was almost 20 years old, transformed into something modern and powerful while still holding onto its history. Over several weeks, women artisans added generations of craftsmanship into the red carpet look, blending traditional artistry with modern elements. The outfit played with contrasts, featuring sculpted shapes, corset-style structures, beadwork, textured materials, and architectural details layered over the delicate Chikankari base. The soft ivory color palette kept everything looking elegant without feeling heavy.  The inspiration reportedly came from Mughal jali patterns, geometry, and DNA-inspired spiral forms, translating into something artistic and fluid on the red carpet. Amit Aggarwal aimed to reflect Priyanka’s journey, balancing different worlds and capturing layers instead of conforming to a predictable fashion box. The outfit represented softness and resilience existing together, visible throughout the design itself. This look celebrated Indian textiles and artisanship, while quietly highlighting the women artisans whose handwork continues to keep traditional Indian embroidery alive generation after generation. Priyanka Chopra Jonas wore not just couture, but memory, craftsmanship, history, and modern fashion, all woven into one look."},"img":{"url":"https://images.prismic.io/prad/agC996YofJOwHCzZ_pc.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-10T12:10:00+0000","embed":{"embed_url":null}},"uid":"priyanka-chopra-jonas-stuns-in-20-year-old-saree-reimagined-for-gold-house-gala-mp014ikm"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Dimple Hayathi as Mandaram"},"content":{"text":"The makers of director Sampath Nandi's explosive action drama, 'Bhogi', featuring actor Sharwanand in the lead, have now released the first look of actress Dimple Hayathi as Mandaram in the film, much to the delight of fans and film buffs.  Taking to their social media timelines to release the look of Dimple Hayathi as Mandaram, the makers said, \"Introducing M A N D A R A M. Beauty the world desired... A soul it never understood.\"  The poster features Dimple in a bold and stunning avatar, draped in a fiery red saree. She is seen seated gracefully yet intensely, holding a traditional palm-leaf hand fan. Her styling, along with the rustic background featuring an antique brass box and traditional elements, perfectly captures the authentic 1960s period setting. Her expression is sharp and unapologetic, hinting at a very strong personality. Sources close to the unit say that Mandaram will be a bold and powerful character who simply does not care for the world. She carries a highly flammable attitude that matches the intense, red-hot vibe of her poster. She brings a unique fire to the film, standing strong in the storm of Bhogi. Sources inform that the unit shot several high intensity action sequences recently. Shooting for the film is progressing at a brisk pace in an extensively built set in Hyderabad that resembles a Telangana village from the 1960's.  For the unaware, the makers had only recently disclosed that actress Anupama Parameswaran played the role of Kandula Sulochana Rani in the film. The first look poster of Anupama's character showed Anupama in a village belle avatar walking barefoot on a dusty rural path. She is seen carrying a large woven basket filled with green leaves on her head while holding more leaves in one hand and a tiffin box in the other. Her attire is rustic, an earthy half saree with a faded blouse, styled in a traditional manner. Her expression is intense and determined, hinting at a strong, hardworking character.  Sources had said that Sulochana will be a spirited person who is deeply rooted in nature. Earning her livelihood by crafting leaf plates from Moduga leaves, the “Flame of the Forest” Sulochana would embody both resilience and quiet strength in the film. The makers had revealed on actor Sharwanand's birthday that he played a character called Ganga in the eagerly awaited action thriller. Set in the early 1960s, 'Bhogi' is a pulsating period action drama unfolding in a fictional village along the borders of Telangana and Maharashtra. On the technical front, the project boasts an accomplished crew. Production design is by Kiran Kumar Manne, cinematography is by Kishore Kumar Arokia, and music is by Bheems Ceciroleo. Planned as a pan-India release, the movie will hit the big screens in Telugu, Tamil, Kannada, Malayalam, and Hindi on August 28, coinciding with the festive occasion of Raksha Bandhan."},"img":{"url":"https://images.prismic.io/prad/agLQwqYofJOwHG0w_DimpleHayathi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T03:04:00+0000","embed":{"embed_url":null}},"uid":"dimple-hayathi-as-mandaram"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Draivd named owner of ETPL franchise Dublin Guardians "},"content":{"text":"Former India captain and head coach Rahul Dravid was on Monday announced as the owner of the European T20 Premier League (ETPL) franchise Dublin Guardians, completing the league’s six-team structure ahead of its highly anticipated 2026 launch.  ETPL completed its six-team franchise line-up at a landmark event in Dublin, where Rahul Dravid was officially unveiled as owner of the Dublin franchise ahead of the league’s 2026 launch. The event brought together franchise owners from across the league, including Vipul Aggarwal of Glasgow Franchise, and Jonty Rhodes and Madhukar Shree of Rotterdam Franchise, alongside ETPL co-founders Abhishek Bachchan, Saurav Banerjee, Priyanka Kaul, and Dhiraj Malhotra.  Also, in attendance were senior leaders from European cricket, including Brian MacNeice, Chair of Cricket Ireland; Sarah Keane, CEO of Cricket Ireland; Roland Lefebvre, Director of High Performance of Cricket Netherlands; and Trudy Lindblade, CEO of Cricket Scotland, underlining the strong institutional backing and growing momentum behind Europe’s first ICC-sanctioned multi-country franchise T20 league. Launched in partnership with Cricket Ireland, Cricket Scotland, and the Royal Dutch Cricket Association, ETPL introduces a first-of-its-kind cross-border franchise model featuring teams from Dublin, Belfast, Edinburgh, Glasgow, Rotterdam, and Amsterdam.  The league is expected to feature international stars, including Mitchell Marsh, Tim David, Mitchell Santner, Liam Livingstone, Glenn Maxwell, Faf du Plessis, Heinrich Klaasen, among others, creating a unique opportunity for emerging players from Europe and other Associate Nations to compete and share the dressing room with some of the biggest names in world cricket.  Speaking at the launch, Abhishek Bachchan, Co-Founder of ETPL, said, “For ETPL, having legends like Rahul associated with this journey is incredibly special because our vision goes beyond building a league; it is about creating a platform that can inspire and nurture the next generation of talent emerging from Irish and broader European Cricket ecosystem.  \"The response from the global cricketing community has been extremely encouraging. The coming together of icons like Steve Waugh, Glenn Maxwell, Jonty Rhodes, Chris Gayle, Faf du Plessis, Heinrich Klaasen, alongside Rahul Dravid reflects the belief in ETPL’s vision and reinforces Europe’s immense potential as cricket’s next major growth frontier,” he said. Rahul Dravid said, “What attracted me to ETPL was the larger vision behind it, the opportunity to help grow cricket in Europe by strengthening grassroots development and creating pathways for emerging talent across Ireland and Europe. Dublin already has a passionate cricketing community and enormous potential for growth. Nurturing the next generation has always been important to me, and I believe ETPL can play a meaningful role in that journey.\"  ETPL’s franchise ownership structure brings together an extraordinary mix of cricket legends, entrepreneurs, and international investors: Dublin franchise – Rahul Dravid Belfast franchise – Glenn Maxwell and Rohan Lund Edinburgh franchise – Kyle Mills, Nathan McCullum & Rachel Wiseman  Glasgow franchise –Vipul Aggarwal and Chris Gayle Amsterdam franchise – Steve Waugh, Jamie Dwyer, and Tim Thomas Rotterdam franchise – Jonty Rhodes, Faf du Plessis, Glashin and Samir Shah, with Madhukar Shree as Managing Partner"},"img":{"url":"https://images.prismic.io/prad/agLAZ6YofJOwHGvn_dravidETL.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T05:53:00+0000","embed":{"embed_url":null}},"uid":"draivd-named-owner-of-etpl-franchise-dublin-guardians"}},{"node":{"data":{"title":{"text":"Six decades of armed struggle, what lies ahead?"},"content":{"text":"In the Independent India, armed struggle has a history of nearly 60 years. Beginning with the peasant armed uprising in Naxalbari on May 25, 1967, and followed by the formation of the Communist Party of India (Marxist-Leninist) on April 22, 1969, these dates marked a significant chapter in the history of armed revolutionary movements in the country.  This movement went through many turns, splits, and internal conflicts, moving from blood-soaked plains into forest regions. In recent times, two major streams of armed struggle merged, leading to the formation of the Communist Party of India (Maoist) on September 21, 2004. The armed forces under their leadership were reorganized into the People’s Liberation Guerrilla Army (PLGA). With this, various revolutionary groups and organizations dedicated to armed struggle merged into this party, opening a new chapter in India’s revolutionary history. Observing these developments, the central government in 2005 declared “Left-Wing Extremism” as the single biggest internal security threat to the country. Since then, there has been an ongoing armed confrontation between revolutionary forces and the central and state governments, each trying to establish dominance in conflict regions. Forest areas have witnessed continuous bloodshed as a result. Over the past two decades, revolutionary forces have gradually weakened in these regions, while the government, backed by security forces, has strengthened its control. Revolutionary organizations have distanced themselves from the people, whereas government institutions have successfully re-established their presence among them. It would be incorrect to assume that this success came only through military operations. The government also introduced various political, social, and cultural schemes to attract people. This approach was described as a dual strategy: “suppression and development.” In summary, over the last 25 years, revolutionary forces have weakened while the state has grown stronger. This process has cost thousands of crores of rupees and, more importantly, thousands of lives — including security personnel, Maoists, and civilians. These are invaluable human lives. In this context, as part of long-term plans initiated since 2009, the central government launched an unprecedented military strategy from 2024 with a timeline of two years and three months. Several supporting measures were also implemented. On the other hand, Maoists failed to recognize their weaknesses. Despite being confined to limited forest areas and a very small population—primarily tribal communities—they continued to believe they could establish alternative political power structures. They introduced “Janatana Sarkars” (people’s governments), failing to realize the tightening encirclement around them, which ultimately led them toward self-destruction. Heavy losses in recent operations have severely affected the morale of revolutionary forces. Anxiety has increased among tribal populations, especially in Dandakaranya. While some civilians initially lost their lives in police actions, later there were no significant civilian casualties reported. The death of Maoist General Secretary Nambala Keshava Rao in an encounter, along with his security personnel, marked a turning point in the history of the movement. Even before his death, discussions about peace talks had emerged. However, the central government and states like Chhattisgarh consistently maintained that no talks would be held unless Maoists laid down arms. Joint operations involving central and state forces intensified, causing heavy losses to Maoists. This created a situation where surrender became almost unavoidable. Maoist leaders themselves hinted at this reality in their media interactions. As conditions became unfavourable, the stage was set for a temporary suspension of armed struggle. The Union Home Minister, state Chief Ministers, and senior police officials repeatedly invited Maoists to surrender, offering them a way out of the encirclement. This led to a split within Maoists: One group supported suspension of armed struggle Another opposed it, labelling the former as traitors Ironically, even the PLGA chief who initially condemned surrender eventually chose the same path. Large-scale surrenders continued until March 31. On March 30, for perhaps the first time in parliamentary history, a special session was held on the Maoist movement, with intense debates between ruling and opposition members. The Home Minister stated that the government was very close to achieving its goal, with only a small number of armed Maoists remaining. Efforts to negotiate their surrender were ongoing. After the announcement of suspension, security forces prioritized surrenders. Even when Maoists were located, attempts were first made to secure their surrender; only when those failed were armed encounters carried out. After March 31, several states were declared Maoist-free. However, in Jharkhand, surrenders did not take place, and top leadership was killed in encounters. Despite appeals from senior imprisoned leaders urging timely decisions, the remaining cadres did not respond. An 88-year-old former Politburo member, Jagdish Master, alias Bhupesh Ji, gave a media interview disconnected from reality, reflecting instability. With security forces now concentrated in Jharkhand, intense search operations and encounters are ongoing, suggesting an imminent conclusion there as well. Given these developments, it appears that armed Maoist cadres may no longer remain in forest regions. Even if a few remain, survival seems unlikely. As declared by the government, the six-decade-long armed struggle appears to be nearing its end. Those who have renounced armed struggle are now indicating that they will work within the framework of the Indian Constitution through legal means among the broader population. This marks a historic transition. The government is now focusing on identifying so-called “urban Maoist” networks. This is a sensitive issue. If dissenting voices raising public concerns are labelled as urban Maoists and suppressed, the situation could worsen. There is already a growing environment of such tendencies across the country. There is no immediate danger in dealing with such individuals more liberally. Most of them are active only on social media and are unlikely to abandon their livelihoods for revolutionary activities. More importantly, the government must ensure that the conditions faced by tribal populations in the 1980s do not recur. At a time when calls for unity among various left-wing parties are emerging, it is crucial for governments to sincerely address public issues. Otherwise, people’s movements may re-emerge in new forms — and who will lead them will be determined by time."},"img":{"url":"https://images.prismic.io/prad/c77f9e68-3b76-4ec1-9162-938e05ca8d39_maos.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"six-decades-of-armed-struggle-what-lies-ahead"}},{"node":{"data":{"title":{"text":"Love Turns Deadly: Girl’s Father, Relatives Kill Boy"},"content":{"text":"Hyderabad: Hyderabad police have arrested 10 persons for the brutal murder of a 21-year-old engineering student over a love affair.​ Police announced the arrests and produced the accused before the media on Monday, three days after the murder of Bomman Yavan alias Akhil within the limits of Chilkalguda Police Station.​ The accused include the girl’s father, her uncles, and other relatives.​ Deputy Commissioner of Police Rakshitha Krishna Murthy told the media that the crime was committed on the night of May 7 at Indira Nagar Colony, Medibavi.​ A case of murder, unlawful assembly, and carrying deadly weapons was registered against the accused.​ According to the police, the family was against their daughter’s relationship with the victim.​ They had warned the boy to stay away from the girl.​ The investigation revealed that the accused had hatched the plan to kill him four days earlier and also kept him under surveillance.​ On the night of May 7, when the victim was at a friend’s house, the accused went there and started an argument.​ The accused took out a knife, stabbed him 10 to 15 times, and fled the scene.​ The Deputy Commissioner of Police said six accused were involved in the crime scene, while four others, including the girl’s father, her uncles, and other relatives, were also named as accused.​ Most of the accused in the case are aged 17 to 23.​ One of the accused is a minor.​ On the complaint of the victim’s father, Srinivas, a case under Sections 103(1), 189(1)(4), 191(3) read with 3(5) of the Bharatiya Nyaya Sanhita was registered.​ The main accused, Allaboina Sai Kiran alias Sai, is a rowdy-sheeter.​ Previously, he was involved in an attempted murder case.​ The other accused are Rajam Paramesh Kumar Yadav alias Don, Rajam Vamshi Krishna alias Rakhi, Rajam Manish alias Bichu, Srigiri Rahul, Kuchula Shiva Nandan Yadav, Rajam Narsimha Yadav, Rajam Srisailam Yadav, and Rajam Mallesh Yadav alias Mallanna.​ The investigation also revealed that the main accused, Sai Kiran, intended to marry Chandrika, with whom Yavan had a long-term love affair.​ Four to five days before the murder, the accused held a meeting at Medibavi to hatch a plan to eliminate the victim.​ They maintained constant surveillance on the movements of deceased Yavan.​ Police recovered one sharp-edged knife, one electric scooter, and multiple mobile phones used in the commission of the offence.​ Police issued a strict, final warning to any individuals or groups contemplating violence, revenge, or public order disruption.​ The Deputy Commissioner of Police made it clear that there will be zero tolerance for vigilantism.​ Any attempt by youth groups, relatives, or associates of the deceased to take the law into their own hands — including revenge attacks, property damage, or intimidating the families of the accused — will invite the strictest legal consequences, she said.​"},"img":{"url":"https://images.prismic.io/prad/736de0db-acb9-45be-9ae1-35051ce6ac00_arrested.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T15:44:00+0000","embed":{"embed_url":null}},"uid":"10-arrested-for-students-murder-over-love-affair-in-hyd"}},{"node":{"data":{"title":{"text":"A New Political Culture or Smart Optics? "},"content":{"text":"Chennai: The early days of Vijay’s tenure as Chief Minister have begun with symbolism that Tamil Nadu has not witnessed in recent years. His decision to personally meet leaders across the political spectrum—praised by the Communist Party of India as the beginning of a “new political culture”—signals an attempt to reset the tone of governance in a state long defined by sharp political binaries. For decades, Tamil Nadu politics has largely revolved around entrenched rivalries, where engagement between ruling and opposition leaders was often minimal and transactional. By reaching out to figures like M. K. Stalin and Vaiko, Vijay appears to be consciously projecting inclusiveness and dialogue. In a fractured mandate scenario—where his government’s stability hinges on continued external support—this outreach is not just idealism, but also strategic necessity. However, the real question is whether this “new culture” will go beyond optics. Political courtesy is easy in the honeymoon phase; sustaining it through policy disagreements, legislative battles, and electoral pressures is far more challenging. If Vijay can institutionalise consultation and reduce adversarial politics, Tamil Nadu could indeed witness a meaningful shift. If not, this moment may remain just that—a moment, rather than a movement."},"img":{"url":"https://images.prismic.io/prad/agIRmKYofJOwHGC5_Vijay.png?auto=format%2Ccompress&rect=0%2C0%2C449%2C221&w=2028&h=1000"},"datetime":"2026-05-11T17:28:00+0000","embed":{"embed_url":null}},"uid":"a-new-political-culture-or-smart-optics"}},{"node":{"data":{"title":{"text":"POCSO Probe Ordered Against Bandi Son"},"content":{"text":"Telangana Chief Minister, A. Revanth Reddy, on Monday directed Director General of Police C.V. Anand to immediately initiate an investigation into the Protection Of Children from Sexual Offences (POCSO) Act case registered against Union Minister of State for Home Affairs Bandi Sanjay’s son, Bandi Bhagirath.  The Chief Minister instructed the DGP to constitute special teams for a comprehensive investigation into the case of the alleged sexual assault on a minor girl by Bandi Bhagirath. The Chief Minister questioned the DGP over the delay in taking action despite the complaint having been lodged on May 8 at Pet Basheerabad Police Station. Following the Chief Minister’s direction, the police chief reportedly constituted a Special Investigation Team (SIT) to probe the case. According to the Chief Minister’s Office, DGP Anand briefed the Chief Minister on the details of the case. The DGP informed the Chief Minister that the entire police force had been engaged in security arrangements in view of Prime Minister Narendra Modi’s visit to Hyderabad. Meanwhile, the Telangana State Commission for Protection of Child Rights (TSCPCR) has formed a special Bench to hear the case. TGSCPCR Chairperson, Kothakota Seetha Dayakar Reddy, obtained details from the City Police Commissioner and constituted a special Bench to conduct an enquiry into the matter. The action by TSCPCR and the Chief Minister’s direction to the DGP came amid the continuing protest by the Opposition Bharath Rashtra Samithi (BRS) demanding action against Bandi Sanjay’s son. A case was registered against Bandi Bhagirath under POCSO Act for alleged sexual assault on a 17-year-old girl. The girl’s mother alleged that Bhagirath had been harassing their daughter for over six months. He also allegedly misbehaved with her at a farmhouse in Moinabad. On her complaint, the police registered a case under Section 11 of the POCSO Act and relevant sections of BNS. Bhagirath, 25, had earlier lodged a complaint in Karimnagar II Town Police Station against the girl and her parents. He alleged that they attempted to honey trap him and demanded Rs. 5 crore to not file a police complaint against him. On his complaint, a case was booked against the girl and her parents under various Sections of the BNS for extortion, criminal intimidation, criminal conspiracy and common intention. Bandi Sanjay has denied the allegation against his son. He claimed that political rivals were trying to tarnish his image by making false allegations."},"img":{"url":"https://images.prismic.io/prad/agHhXKYofJOwHFDe_bandison.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T09:32:00+0000","embed":{"embed_url":null}},"uid":"pocso-probe-ordered-against-bandi-son"}},{"node":{"data":{"title":{"text":"Cop killed by unidentified men in Kakinada"},"content":{"text":"A constable was murdered by unidentified men in Kakinada town of Andhra Pradesh, police said on Monday.  The incident occurred in the Gandhi Nagar area of Kakinada late on Sunday night. According to police, unidentified men attacked Andhra Pradesh Special Police (APSP) constable Nageswara Rao with a knife. They slit his throat, resulting in his death. Locals told police that some youth who were under the influence of alcohol attacked a man who was walking on the road. Police rushed to the spot and identified the deceased as an APSP constable. The body was shifted to the Government General Hospital for post-mortem examination.  The police team visited the crime scene and collected clues. Senior police officials also visited the scene. Police registered a case and took up an investigation. The investigating officials were scanning the CCTV footage in the area.  A police officer said they were working on some clues to identify and arrest the assailants. More details are awaited. Meanwhile, a person drowned, and another went missing in Palnadu district when a boat overturned. The incident occurred in Kakani village in Narsaraopet mandal when a boat drowned in the tank. The body of one of them was recovered by the locals while the search was on for the other missing person. The deceased was identified as Pitlabanda Hussain. Rescue workers continued the search for Argraharam Hussain. According to police, the incident occurred when the two men were putting fish feed into the tank. Meanwhile, three people were injured in a road accident in neighbouring Telangana. The accident occurred in Nalgonda district when a car rammed into an oil tanker. According to police, the collision occurred near Veliminedu in Chiryal mandal in Nalgonda district.  Three people travelling in the car were injured, and they were shifted to a nearby hospital. The oil tanker overturned on the highway, disrupting the movement of vehicles between Vijayawada and Hyderabad."},"img":{"url":"https://images.prismic.io/prad/fd763926-69be-4f13-9116-492a3728f314_suicide.JPG?auto=format,compress"},"datetime":"2026-05-11T06:30:00+0000","embed":{"embed_url":null}},"uid":"cop-killed-by-unidentified-men-in-kakinada"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Sneha Cheers Lifelong Togetherness"},"content":{"text":"Popular Tamil actress Sneha, who has also made her mark in Telugu cinema, has now penned an adorable post to her husband, actor Prasanna, on the occasion of their 14th wedding anniversary.  Taking to her Instagram page, Sneha, who posted pictures of herself with her husband Prasanna, wrote, \"Happy Anniversary Dadda (Heart image). Fourteen years of holding hands through every joy, challenge, laughter, and tear… and still choosing each other every single day. Through every phase of life, we stood beside each other — growing together, holding on through the hard days, celebrating the beautiful ones, and making countless memories along the way.\" The actress, who has worked on several hits, superhits and blockbusters, wrote, \"And honestly, after 14 years together, the biggest love story is still surviving each other’s moods, habits, and fights over silly things. Jokes apart, what we share is truly beautiful — a bond built with love, patience, understanding, and togetherness.\" She concluded the note saying, \"Here’s to many more years of love, laughter, memories, and annoying each other forever. Love you.\" It may be recalled that actor Prasanna, who is known for having delivered several commendable performances, had disclosed to media that he was looking to realise two of his long pending dreams-- that of becoming a commercial pilot and an AI expert, thanks to the inspiration he had received from actor Ajith Kumar. In an exclusive interview to media earlier, Prasanna, who had acted with Ajith Kumar in 'Good, Bad, Ugly', had said, \"This year is going to be very different for me. I have dug out two of the wishes that have been on my bucket list for a long time and am realising them.\" \"It was my dream to become a pilot when I was in school. Then, after pursuing acting as a serious career, somehow I put it on the backburner. Now, I have got another opportunity to realise that dream. So, I am working on that as well,\" the actor said. \"Probably, this time, next year, I would have finished my flight school lessons and would have got my commercial pilot licence also. I would like to thank Ajith sir because he might be an actor and he might be pursuing a serious career but he made me realise that you can make time to pursue your passion as well,\" he hoped. Prasanna further said, \"When I was working on 'Good Bad Ugly' with Ajith sir, there was one thing that stood out about him for me. The kind of time, effort and passion that he has put into motor racing was very inspiring. I took that inspiration from him and realised that I needn't stick to just acting and that I could also simultaneously also pursue my other dreams.\" Talking about his decision to also simultaneously pursue his dream of becoming an AI expert, Prasanna said, \"Since Covid, I wanted to study something that would equip me as more than just an actor. So, I had been studying up about AI at a periphery level and that created an interest in me to study AI at a deeper level.\""},"img":{"url":"https://images.prismic.io/prad/agLqt6YofJOwHHE1_snehaprasanna.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T03:30:00+0000","embed":{"embed_url":null}},"uid":"sneha-cheers-lifelong-togetherness"}},{"node":{"data":{"title":{"text":"Dimple Hayathi as Mandaram"},"content":{"text":"The makers of director Sampath Nandi's explosive action drama, 'Bhogi', featuring actor Sharwanand in the lead, have now released the first look of actress Dimple Hayathi as Mandaram in the film, much to the delight of fans and film buffs.  Taking to their social media timelines to release the look of Dimple Hayathi as Mandaram, the makers said, \"Introducing M A N D A R A M. Beauty the world desired... A soul it never understood.\"  The poster features Dimple in a bold and stunning avatar, draped in a fiery red saree. She is seen seated gracefully yet intensely, holding a traditional palm-leaf hand fan. Her styling, along with the rustic background featuring an antique brass box and traditional elements, perfectly captures the authentic 1960s period setting. Her expression is sharp and unapologetic, hinting at a very strong personality. Sources close to the unit say that Mandaram will be a bold and powerful character who simply does not care for the world. She carries a highly flammable attitude that matches the intense, red-hot vibe of her poster. She brings a unique fire to the film, standing strong in the storm of Bhogi. Sources inform that the unit shot several high intensity action sequences recently. Shooting for the film is progressing at a brisk pace in an extensively built set in Hyderabad that resembles a Telangana village from the 1960's.  For the unaware, the makers had only recently disclosed that actress Anupama Parameswaran played the role of Kandula Sulochana Rani in the film. The first look poster of Anupama's character showed Anupama in a village belle avatar walking barefoot on a dusty rural path. She is seen carrying a large woven basket filled with green leaves on her head while holding more leaves in one hand and a tiffin box in the other. Her attire is rustic, an earthy half saree with a faded blouse, styled in a traditional manner. Her expression is intense and determined, hinting at a strong, hardworking character.  Sources had said that Sulochana will be a spirited person who is deeply rooted in nature. Earning her livelihood by crafting leaf plates from Moduga leaves, the “Flame of the Forest” Sulochana would embody both resilience and quiet strength in the film. The makers had revealed on actor Sharwanand's birthday that he played a character called Ganga in the eagerly awaited action thriller. Set in the early 1960s, 'Bhogi' is a pulsating period action drama unfolding in a fictional village along the borders of Telangana and Maharashtra. On the technical front, the project boasts an accomplished crew. Production design is by Kiran Kumar Manne, cinematography is by Kishore Kumar Arokia, and music is by Bheems Ceciroleo. Planned as a pan-India release, the movie will hit the big screens in Telugu, Tamil, Kannada, Malayalam, and Hindi on August 28, coinciding with the festive occasion of Raksha Bandhan."},"img":{"url":"https://images.prismic.io/prad/agLQwqYofJOwHG0w_DimpleHayathi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T03:04:00+0000","embed":{"embed_url":null}},"uid":"dimple-hayathi-as-mandaram"}},{"node":{"data":{"title":{"text":"Satya, Yogi Babu's film goes on floors "},"content":{"text":"Director Pawan Basamsetti's eagerly awaited film, featuring Tamil comedian Yogi Babu along with Telugu comedian Satya in the lead, has now officially gone on floors. The film has triggered huge interest as this is the first time that Yogi Babu, a well known comedian in Tamil, is joining hands with well known Telugu comedian Satya. Sources say that the upcoming film will be a complete entertainer. Pawan Basamsetti, who is best known for his hit entertainer 'Rangabali', is also producing this film, apart from directing it. He is producing the film along with Nagarjuna Reddy. The film is being produced under the banners of Nayavayu Films and Dream Movie Makers. The film was official launched at a grand ceremony held at the Ramoji Film City in the presence of the movie team and special guests. Director Kishore Tirumala delivered the clap for the muhurta scene while director Mahesh Babu P switched on the camera. Directors Yadhu Vamsi and Sandeep Raj gave the script to the makers. The regular shooting of the film has also begun. Sources say the makers are filming key scenes featuring Satya and Yogi Babu. Sources close to the unit say that Pawan Basamsetty, who received praise for his entertaining work in his debut film 'Rangabali', will look to repeat the feat in this film too. They point out that that both Satya and Yogi Babu have been given suitable roles that will enable them to make use of their excellent comedy timing. Sources also point out that the film is backed by a really strong technical team. Cinematography for the film is to be by cameraman Bablu Aju, who has worked on a number of Malayalam hit films. Music for the film is to be scored by the immensely talented Pawan CH while the responsibility of handling the art direction department has been entrusted to Kamesh. The makers have announced that other details pertaining to the film will be announced soon."},"img":{"url":"https://images.prismic.io/prad/agLOPqYofJOwHGzo_satyayogibabumovie.JPG?auto=format,compress"},"datetime":"2026-05-11T18:53:00+0000","embed":{"embed_url":null}},"uid":"satya-yogi-babus-film-goes-on-floors"}},{"node":{"data":{"title":{"text":"Urvashi Values Meaning, Not Validation"},"content":{"text":"Former beauty queen and actress Urvashi Rautela says that to her “meaning” matters more to her than either visibility or validation at this stage of her career in Bollywood.  The 32-year-old actress, who made her acting debut in 2013 with the Sunny Deol-starrer Singh Saab the Great, after which she was seen in Sanam Re. The actress was later seen in a slew of duds, including Great Grand Masti, Hate Story 4, Virgin Bhanupriya, Jahangir National University, Pagal Panti and Ghuspaithiya. Asked what matters to her the most at this stage of her career: visibility or validation? Urvashi, who will be seen in the second installment of the series “Inspector Avinash”, told IANS: “At this stage of my career, I think meaning matters more to me than either visibility or validation.” She added: “Visibility can introduce you to the world, and validation can be emotionally reassuring, but neither of them is truly lasting if your work doesn’t have personal meaning or emotional truth behind it.” The actress said that she’s more interested in longevity. “Of course, appreciation always feels beautiful as an artist, because every performer wants their work to connect with people. But I’ve reached a point where I’m more interested in longevity, growth, and choosing projects that challenge me creatively rather than simply being seen everywhere,” said Urvashi. She concluded: “I think real fulfillment comes when you evolve beyond chasing attention and start focusing on creating something authentic, something that stays with the audience emotionally. That shift changes your relationship with success completely.” “Inspector Avinash” will start streaming from May 15. Headlined by Randeep Hooda, the show returns with a darker, more intense storyline set in 1990s UP. The first installment was released in 2023. It also had names such as Amit Sial, Shalin Bhanot, Rahul Mittra, Zakir Hussain, Ayeesha S. Aiman, Zohaeb Farooqui, Bidita Bag, Pravin Sisodia, Rajneesh Duggal, Ajay Chaudhary. The show was based on true events and the life of UP super-cop Avinash Mishra. The series revolves around the life of Avinash Mishra, who was brought in to stop the crimes in the state. The actress was last seen on the big screen in the film “Daaku Maharaaj” starring Nandamuri Balakrishna and Bobbu Deol."},"img":{"url":"https://images.prismic.io/prad/8975fb60-b90f-4742-bd4d-ac83f5af1aa9_urvashi.JPG?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-05-12T06:35:00+0000","embed":{"embed_url":null}},"uid":"urvashi-values-meaning-not-validation"}},{"node":{"data":{"title":{"text":"Mandira Bedi’s Fit at 53 Secret"},"content":{"text":"Actress and fitness icon Mandira Bedi seems to be inspiring her fans with her disciplined lifestyle.  The actress who is 53 years old, took to her social media account to share the fitness routine that keeps her physically and mentally strong, proving that age is just a number. According to Mandira, there are a few habits she follows dedicatedly every day and every week that help her stay on top of her health game. Sharing a glimpse of her workout session, Mandira wrote, “There are a few things I do every day or every week that work for me. The workout, every morning. The 15,000 steps a day. The one-minute plank daily, at any time of the day. And a massage whenever I can fit one in. It works for me.” She further engaged with her followers by asking about their own healthy habits. “Tell me, what are your non-negotiables? What are the things that make you happy or keep you going? I’d love to know and add some more healthy habits into the mix,” she added. The actress is known for being one of the fittest actresses in the entertainment industry, and has consistently promoted wellness, discipline, and self-care through her social media posts. In many of her videos on social media, the actress is seen indulging in intense workout sessions, yoga, strength training, and clean eating. For the uninitiated, Mandira rose to fame with the iconic television show Shanti and later became a household name through acting, hosting, and sports presenting."},"img":{"url":"https://images.prismic.io/prad%2F854b53d5-9032-473e-9aef-d144c338f3aa_mandira+bedi+4.jpg?auto=format%2Ccompress&rect=0%2C29%2C777%2C383&w=2028&h=1000"},"datetime":"2026-05-12T04:44:00+0000","embed":{"embed_url":null}},"uid":"mandira-bedis-fit-at-53-secret"}},{"node":{"data":{"title":{"text":"Reluctant Yes to ‘Mahanati’ Changed Everything for her"},"content":{"text":"Eight years have elapsed since Keerthy Suresh's transformative portrayal of the legendary actress Savitri in the acclaimed biopic 'Mahanati,' directed by Nag Ashwin. Released on May 9, 2018, the film struck a powerful chord with audiences, earning rave reviews and accolades alike. It not only secured Suresh her first National Award at the 66th National Film Awards but also solidified her status as a formidable talent in the South Indian film industry. The Tamil-dubbed version, known as 'Nadigaiyar Thilagam,' premiered shortly thereafter, further expanding its reach and impact. In the years since its release, 'Mahanati' has remained a cultural touchstone, with Suresh's interpretation of Savitri becoming synonymous with her identity as an actress. However, few are aware that her journey toward this landmark role was initially fraught with hesitation. In a candid interview with Cinema Express in 2020, Suresh disclosed that she initially turned down Ashwin's offer, expressing her fears about capturing the essence of such a beloved figure. \"I told him, 'I love it, but I'm not doing it.' I was very scared,\" she recounted, reflecting on the weight of the responsibility that came with portraying the iconic star. The crux of Suresh's trepidation lay in her respect for Savitri's legacy and the daunting challenge of embodying a persona revered by many. \"I didn’t know if I had the capacity to bring that persona onscreen and do justice to the actor she was,\" she explained. Yet, it was Ashwin's unwavering confidence in her abilities that ultimately swayed her decision. Suresh recognized that the opportunity to delve into a multifaceted character and showcase her range as an actress was too significant to pass up, marking a pivotal moment in her career that opened doors to more women-centric narratives. 'Mahanati' traces the tumultuous life of Savitri, charting her rise as a prominent figure in South Indian cinema against the backdrop of personal and professional upheaval. The film intricately weaves a narrative that explores her celebrated career, her complex relationship with actor Gemini Ganesan, and her struggles with addiction and financial instability. Co-starring prominent actors such as Dulquer Salmaan and Samantha, 'Mahanati' not only captivated audiences but also highlighted the broader societal issues surrounding fame and the often-hidden challenges faced by women in the industry."},"img":{"url":"https://images.prismic.io/prad/5ddfbfcc-918b-4ab8-b87e-52b000172c68_keerthy+suresh.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T19:23:29+0000","embed":{"embed_url":null}},"uid":"the-untold-journey-keerthy-sureshs-reluctant-embrace-of-mahanati-mp1laseg"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Hantavirus Panic Hits US Passengers"},"content":{"text":"In a troubling development, two American passengers from the MV Hondius have raised alarm as they are transported back to the United States with potential hantavirus infections. The Department of Health and Human Services confirmed on Sunday evening that among the 17 evacuees, one individual is exhibiting mild symptoms, while another has tested 'mildly PCR positive' for the Andes strain of the virus. This evacuation comes amidst a backdrop of heightened awareness surrounding hantavirus, which can lead to severe respiratory complications. The cruise ship, which embarked from Argentina in April and traversed the South Atlantic, has been linked to a disturbing cluster of hantavirus cases, including three fatalities. The initial case involved a Dutch passenger who fell ill shortly after boarding, leading to a tragic sequence of events that resulted in both his and his wife’s deaths, as well as that of a German traveler. The virus's unusual capability for human-to-human transmission—particularly the Andes strain—underscores the urgency of the situation, as it typically spreads through contact with infected rodent excreta. Health experts are particularly concerned about this outbreak due to its rarity, with hantaviruses generally transmitting through animal vectors rather than person-to-person contact. The Andes virus, however, poses a unique threat, necessitating close interactions for transmission to occur. A Swiss tour guide who disembarked in Saint Helena and later tested positive suggests that the virus may have circulated among passengers during the voyage. Such developments have prompted increased scrutiny and rigorous monitoring protocols for those who interacted with affected individuals. The 17 American passengers are currently en route to the University of Nebraska Medical Center, which is equipped to handle potential hantavirus cases. The facility will conduct thorough clinical assessments, with asymptomatic individuals expected to monitor their health at home for a full 42 days—the incubation period for the virus. While health officials have classified most passengers as low-risk, the careful tracking and oversight reflect a cautious approach in the face of a potentially serious health crisis, emphasizing both preparedness and the importance of public health vigilance in mitigating outbreaks."},"img":{"url":"https://images.prismic.io/prad/agHlCKYofJOwHFHL_hantavirus.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T05:02:00+0000","embed":{"embed_url":null}},"uid":"hantavirus-alert-us-passengers-evacuated-amid-growing-health-concerns-mp19tz46"}},{"node":{"data":{"title":{"text":"Summer Chill or Skin Kill: The Hidden Perils of AC"},"content":{"text":"As temperatures soar, air conditioning becomes a refuge from the sweltering heat, yet it carries an unsuspected consequence for our skin. The very mechanism that cools our living spaces—lowering humidity levels—has a detrimental effect on skin health. Prolonged exposure to air-conditioned environments can lead to significant dehydration, disrupting the skin's natural barrier and causing a range of issues including heightened sensitivity, flakiness, and even unexpected breakouts. This paradox highlights a critical need for awareness in our skincare routines during the sweltering summer months. The science behind air conditioning reveals a stark reality: the cooling process strips moisture from the air, which in turn accelerates water loss from the skin. This dehydration can affect all skin types, whether oily, dry, or combination. A common misconception is that hydrated skin will always appear visibly dry; in many cases, a lack of moisture can trigger the skin to produce excess oil in a compensatory manner, resulting in clogged pores and acne. This cycle underscores the importance of recognizing air conditioning as a double-edged sword, necessary for comfort yet detrimental to skin vitality. The skin barrier serves as the body’s frontline defense against external aggressors. When faced with the relentless assault of dry air, this barrier struggles to maintain its integrity, leading to issues like increased sensitivity and irritation. Individuals may notice fine lines becoming more pronounced, and persistent redness developing as their skin reacts to the new environment. The long-term implications are unsettling; a compromised skin barrier not only invites dryness but also exposes the skin to pollution and UV damage once individuals venture outside. Understanding this connection is crucial for anyone reliant on air conditioning for comfort. To counteract these adverse effects, skincare strategies must adapt to this summer challenge. Prioritizing deep hydration is essential—switching to lightweight moisturizers infused with hydrating ingredients like hyaluronic acid can help replenish lost moisture without clogging pores. Layering products, such as applying a hydrating serum followed by a moisturizer, creates an additional shield against dry air. Moreover, maintaining internal hydration through adequate water intake and using a humidifier can enhance skin resilience. As the demand for comfort clashes with the need for skin health, it is imperative to strike a balance that ensures both can coexist harmoniously during the hottest months of the year."},"img":{"url":"https://images.prismic.io/prad/afhRDcBOoF08xkN5_skin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-03T02:53:00+0000","embed":{"embed_url":null}},"uid":"summer-chill-or-skin-kill-the-hidden-perils-of-air-conditioning-moq2k7ge"}},{"node":{"data":{"title":{"text":"Sun to Acquire US-Based Organon in $11.75 B"},"content":{"text":"India’s major drugmaker Sun Pharmaceutical Industries on Monday announced that it will acquire New York-listed Organon & Co in an all-cash deal valued at $11.75 billion, its biggest overseas acquisition to date.  Under the agreement, the pharmaceutical firm will acquire 100 per cent of Organon’s outstanding shares at $14 per share, translating into an enterprise valuation of $11.75 billion and an equity value of around $3.99 billion, the company said in an exchange filing. The company said the acquisition is aligned with its strategy to scale up its innovative medicines business while strengthening its presence in established brands and branded generics. The deal will also enable Sun Pharma to enter the biosimilars segment as a top global player. Following the acquisition, the combined entity is expected to be among the top 25 global pharmaceutical companies, with revenues of around $12.4 billion, while strengthening its position in women’s health and biosimilars. New Jersey-based Organon operates across women’s health, biosimilars, and established medicines, with a portfolio of over 70 products and a presence in more than 140 countries. The transaction, approved by the boards of both companies, expected to close in early 2027, subject to regulatory approvals and Organon shareholders’ approval. Sun Pharma plans to fund the deal through a mix of internal accruals and debt financing. For the year ended December 2025, Organon reported revenue of $6.2 billion and adjusted EBITDA of $1.9 billion. Commenting on the deal, Sun Pharma Executive Chairman Dilip Shanghvi said the acquisition would help build a stronger and more diversified platform, while Managing Director Kirti Ganorkar highlighted synergy and growth opportunities from the integration. Shares of Sun Pharma rose as much as 6.71 per cent to hit an intraday high of Rs 1,728.65 on the BSE in early trade on Monday."},"img":{"url":"https://images.prismic.io/prad/0559bc76-f082-4aef-b625-6c012ae1d136_sun+pharma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:34:00+0000","embed":{"embed_url":null}},"uid":"sun-pharma-to-acquire-us-based-organon-in-11.75-b"}},{"node":{"data":{"title":{"text":"Late-Night Eating May Harm Gut, Study Suggests"},"content":{"text":"Chronic stress can disrupt bowel functions and now, a new report on Thursday suggested that eating late at night amplifies these effects, with implications for both digestive health and the gut microbiome.  Researchers analysed data from more than 11,000 participants in the National Health and Nutrition Examination Survey in the US to examine links between chronic stress, late-night eating, and bowel dysfunction. Individuals with a high allostatic load score — the cumulative physiological stress as reflected in body mass index (BMI), cholesterol level, and blood pressure — who also reported eating more than 25 per cent of daily calories after 9 p.m. were 1.7 times more likely to experience constipation and diarrhoea than those with lower scores who did not eat late at night. \"It’s not just what you eat, but when you eat it,\" said Harika Dadigiri, resident physician at New York Medical College at Saint Mary’s and Saint Clare’s Hospital said the study’s lead author. \"And when we’re already under stress, that timing may deliver a ‘double hit’ to gut health,\" she added. Similarly, data from more than 4,000 participants in the American Gut Project found that people with both high stress levels and late-night eating habits were 2.5 times more likely to report bowel problems. These individuals had significantly lower gut microbiome diversity, suggesting that meal timing might magnify the impact of stress on the microbiome via the gut-brain axis — the two-way communication system involving nerves, hormones and gut bacteria. The findings highlight associations rather than cause-and-effect. Further research is needed to better understand how stress, eating patterns and gut health are connected, said the study. Dr Dadigiri is sympathetic to those who reach for late-night snacks after long, demanding days, and as a medical resident, she counts herself among them. \"Small, consistent habits, like maintaining a structured meal routine, may help promote more regular eating patterns and support digestive function over time,\" she said."},"img":{"url":"https://images.prismic.io/prad/49dee6c7-3424-4e38-92ca-36f8dd4d4197_stomach+cancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-23T00:50:00+0000","embed":{"embed_url":null}},"uid":"late-night-eating-may-harm-gut-study-suggests"}},{"node":{"data":{"title":{"text":"Plastic particles may trigger liver disease risk"},"content":{"text":"There is clear evidence that exposure to micro and nanoplastics can trigger oxidative stress, fibrogenesis and inflammation in animals, features that resemble those of advanced liver disease in humans, researchers said on Thursday.  With the liver acting as the body’s first major firewall, processing and detoxifying everything humans consume, there is a clear potential for these particles to enable the transporting of microbial pathogens, antimicrobial resistance determinants, endocrine-disrupting chemicals, and carcinogenic additives into the human system, they emphasised in the Nature Reviews Gastroenterology & Hepatology journal. The article’s lead author, Shilpa Chokshi, Professor of Experimental Hepatology and Director of Centre of Environmental Hepatology, said that liver disease is rising globally and is now responsible for 1 in 25 deaths worldwide. “While established risk factors such as obesity and harmful alcohol use remain central, they do not fully explain the scale or pace of this increase. This has led us to consider additional environmental factors, including micro- and nanoplastics, which may interact with existing disease processes and amplify liver injury,” said Chokshi. There is already strong evidence that plastics can accumulate and cause harm in the livers of animals, raising an important question – why should humans be any different? In the review, the researchers highlighted critical methodological bottlenecks, key knowledge gaps and unmet research priorities, as well as a number of technical challenges that are presently hindering the search for further evidence of plastic-induced liver injury. Professor Chokshi that we now have a growing body of evidence that plastics can accumulate in human tissues and have been implicated in a range of medical conditions. “From my perspective, having spent over two decades developing therapeutics for liver disease, the liver acts as the body’s gatekeeper – processing and detoxifying what we are exposed to. In an increasingly plastic-laden world, where plastics are closely associated with our food, water and air, these exposures may not only reach the liver but also interact with existing disease processes and amplify harm,” Chokshi explained. If this is the case, it is something we need to investigate in much greater detail, said researchers. Professor Richard Thompson OBE FRS, Professor of Marine Biology at the University of Plymouth, said this is further evidence that plastic pollution is, without question, a global environmental and health challenge."},"img":{"url":"https://images.prismic.io/prad/aeng5cBOoF08xPTe_liver.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-23T08:45:00+0000","embed":{"embed_url":null}},"uid":"plastic-particles-may-trigger-liver-disease-risk"}},{"node":{"data":{"title":{"text":"An Alarming Surge in Kidney Stones Among Children"},"content":{"text":"In a troubling trend that has emerged over recent years, pediatric urologists are increasingly diagnosing kidney stones in children, including infants, a condition once predominantly associated with adults. This shift represents a significant departure from earlier decades when bladder stones, primarily linked to malnutrition, were the principal concern in pediatric medicine. Experts in Hyderabad are sounding the alarm, attributing this rise to a combination of factors such as inadequate hydration, high-sodium diets, and a growing prevalence of genetic and metabolic disorders that predispose children to this painful condition. Dr. Mallikarjuna C, a leading consultant urologist at the Asian Institute of Nephrology and Urology, underscores the urgency of addressing this alarming trend. He notes that the demographic of patients has dramatically shifted, with cases of kidney stones now being diagnosed in children as young as one year old. This emerging health crisis calls for specialized treatment approaches, as the standard procedures may not suffice in younger patients. Extracorporeal Shock Wave Lithotripsy (ESWL), a non-invasive technique, is now considered a primary treatment option for small stones, highlighting the need for tailored medical interventions in a vulnerable population. Historically, pediatric kidney stones were a rarity, with medical literature focusing on bladder stones resulting from poor nutritional practices. As nutrition in Telangana has improved, the profile of related health issues has evolved, leading to an increased understanding of the multifaceted factors contributing to kidney stone formation. Dr. Kartheek Ganapathri, a consultant urologist at Aster Prime Hospital, points out that the increased visibility of kidney stones in children correlates with lifestyle changes, particularly concerning hydration and dietary habits that have shifted towards more processed foods high in sodium. This dietary evolution is compounded by environmental factors such as heat, which exacerbate dehydration. Further compounding this issue is the advancement in diagnostic techniques, which have made it easier for healthcare professionals to identify kidney stones in children early on. Dr. Sree Bhushan Raju, head of nephrology at Nizam's Institute of Medical Sciences, remarks on the growing number of cases reported in their rare diseases registry, with even parents from neighboring states seeking advice. This rise in diagnoses is not merely a reflection of increased incidence; rather, it highlights an urgent need for awareness about lifestyle risks and hydration among children, emphasizing the critical role of parents and caregivers in safeguarding their children's health against this painful ailment."},"img":{"url":"https://images.prismic.io/prad/aejbKMBOoF08xNo7_kidneystones.JPG?auto=format,compress"},"datetime":"2026-04-22T10:33:41+0000","embed":{"embed_url":null}},"uid":"a-rising-tide-an-alarming-surge-in-kidney-stones-among-children-mo9x09j2"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Dollar Shock: US Trip Burns a Hole in Indian Wallets"},"content":{"text":"For many Indians, an overseas trip is no longer just about sightseeing and food—it’s a serious financial calculation. Influencer Akriti Pandey recently went viral after sharing her real experience of traveling in the US while earning in Indian rupees. Her breakdown of everyday expenses left many stunned—an Uber ride costing $67 (around ₹6,300) and three dosas priced at $57 (₹5,300) highlighted just how expensive things can get. Her honest take struck a chord with middle-class Indian millennials, many of whom echoed similar struggles in the comments. The constant mental conversion from dollars to rupees, she pointed out, turns even simple spending into stress. What might feel normal for someone earning in dollars quickly becomes overwhelming for those earning in India. Pandey suggested that company-sponsored trips or brand collaborations could ease the burden, but her larger message was deeper—global travel is increasingly becoming a luxury. The conversation has now shifted beyond travel to a bigger reality check on income gaps, rising costs, and the growing pressure to earn more just to maintain a global lifestyle."},"img":{"url":"https://images.prismic.io/prad/b3cd8a19-96bc-4e35-8774-eed6dddc15ad_travel.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T19:17:00+0000","embed":{"embed_url":null}},"uid":"dollar-shock-us-trip-burns-a-hole-in-indian-wallets"}},{"node":{"data":{"title":{"text":"Big Pay Boost Proposed for H-1B Workers"},"content":{"text":"The US government has put forth a proposal to raise the minimum wages for hiring employees under the H1B visa program. The goal is to increase the wages by 30% from the previously set limits, with the aim of preventing foreign workers from undercutting the salaries of US nationals. The proposed rule, introduced by the US Department of Labor on March 27, seeks to elevate the minimum wages for four categories, spanning from entry-level to experienced positions. The rationale behind this move is that the current wage levels, which were established 20 years ago, are insufficient in safeguarding the interests of US workers.  As per the proposed rule titled 'Improving Wage Protections for the Temporary and Permanent Employment of Certain Foreign Nationals in the United States', the current prevailing wage for entry-level foreign workers stands at USD 73,279 per annum, with subsequent levels at USD 98,987 (Level II), USD 121,979 (Level III), and USD 144,202 (Level IV). The new rule, currently open for public comments until May 26, aims to increase the prevailing wages for entry-level workers to USD 97,746, marking a substantial 33.39% increase over the previous rates.  The proposed wages for Level II, III, and IV are USD 123,212 (24.47% increase), USD 147,333 (20.79% increase), and USD 175,464 (21.68% increase) respectively. It's important to note that prevailing wages vary from city to city. The Department of Labor has highlighted that the current methodology allows employers to hire foreign workers at wage levels significantly lower than those paid to similarly employed US workers. If implemented, these changes will have a significant impact on the prevailing wage levels used in the H1B, H1B1, E-3, and PERM labor certification programs. The proposed rules have sparked diverse responses, with overwhelming support from some quarters and opposition from others. Critics argue that smaller companies may face challenges in hiring entry-level workers due to the higher prevailing wages. The public comment period will conclude on May 26, after which the Department of Labor will review the feedback and proceed to finalize the rule."},"img":{"url":"https://images.prismic.io/prad%2Fcf9b726b-0761-4f6a-bef9-41aa90a09c27_h1b+visa.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-05-09T18:53:00+0000","embed":{"embed_url":null}},"uid":"us-government-proposes-significant-increase-in-minimum-wages-for-h1b-workers-mozcxqj8"}},{"node":{"data":{"title":{"text":"Young NRI’s Post on Missing India Strikes a Chord"},"content":{"text":"A 26-year-old Indian living in the UK has sparked a wave of emotion online after opening up about the hidden struggles behind his seemingly successful life abroad. Despite a stable career and strong financial footing, he admitted to feeling deeply unfulfilled, missing the warmth of India—childhood friends, everyday conversations, and the comfort of belonging. His post reflects a dilemma many NRIs silently face: choosing between financial security overseas and emotional satisfaction back home. While he stays connected with friends in India and often feels tempted to return, concerns about career risks and a changing India hold him back. This internal tug-of-war between heart and practicality has resonated widely across the diaspora. The story has triggered conversations around burnout, loneliness, and identity crises among young Indians abroad. It highlights a reality often overlooked—success in numbers doesn’t always translate to happiness, and for many NRIs, the biggest battle isn’t professional, but emotional."},"img":{"url":"https://images.prismic.io/prad/dc939c02-d178-43b7-a357-51483d7e80ca_stress.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-08T07:30:00+0000","embed":{"embed_url":null}},"uid":"young-nris-post-on-missing-india-strikes-a-chord"}},{"node":{"data":{"title":{"text":"Republican Lawmakers seek H-1B fraud probe "},"content":{"text":"Republican lawmakers from Texas have urged the Trump administration to launch a coordinated federal investigation into alleged H-1B visa fraud in North Texas, arguing that abuse of the programme is harming American workers and undermining confidence in the US immigration system. In a letter sent to Vice President J.D. Vance, Secretary of State Marco Rubio, Acting Secretary Keith Sonderling, and Secretary Mullin, four Texas Members of Congress called for an interagency probe into what they described as “reported H-1B fraud activities in North Texas”. The letter was led by Representative Beth Van Duyne of Texas and signed by Representatives Pat Fallon, Ronny Jackson and Brandon Gill. The lawmakers said the alleged activities were concentrated in the Dallas-Fort Worth region, including Collin, Dallas, Denton and Tarrant counties. “The concentration of these activities in North Texas -- a major economic hub for our nation -- raises additional concerns about localised exploitation of the system,” the lawmakers wrote. “When bad actors are able to manipulate visa pathways at scale, it distorts local labour markets, suppresses wages, and erodes trust in lawful immigration processes,” they said. Van Duyne said recent investigative reporting by independent journalists had exposed what she called “flagrant abuse” of the H-1B visa programme in North Texas. “I’m thankful for my fellow North Texas Members in joining me to urge the Administration to take immediate action to investigate and prosecute these egregious violations of our immigration laws,” she said in a statement released Monday. Van Duyne compared the alleged abuses to other fraud investigations previously uncovered in different parts of the country. “Much like we saw with the Nick Shirley investigative journalism, which exposed Somali welfare fraud in Minnesota and rampant hospice fraud in Los Angeles, California, North Texas independent journalists have repeatedly uncovered flagrant abuse of the H-1B visa programme concentrated in the Dallas-Fort Worth area,” she said. “H-1B visa abuse is an affront to our country, it harms American workers, depresses wages, leaves graduating university students without job prospects in their area of study, and it must be stamped out for economic and national security reasons,” Van Duyne added. The lawmakers also pointed to earlier actions by Texas Governor Greg Abbott and Texas Attorney General Ken Paxton, who launched separate investigations this year into alleged H-1B abuse and labour displacement practices. According to the press release, state officials cited instances in which companies allegedly dismissed qualified Texas workers and replaced them with lower-wage H-1B employees. The release also referred to accusations involving sham companies allegedly operating from residential addresses or unfinished buildings. The Members of Congress asked federal agencies to conduct a “coordinated, interagency investigation” into employers, third-party agents and associated entities linked to the alleged fraud. They also urged the administration to review current H-1B adjudication and verification procedures to identify weaknesses that may allow fraudulent job offers, wage misrepresentation or improper labour condition applications. The lawmakers further called for stronger enforcement measures, including increased audits of H-1B sponsors and harsher penalties for entities found engaging in fraudulent or deceptive practices. Their recommendations also included better coordination between the Departments of Homeland Security, Labour and State to enable real-time verification of employment legitimacy and visa compliance"},"img":{"url":"https://images.prismic.io/prad/aU5WZXNYClf9opPw_H1B.jpg?auto=format,compress&rect=0,30,449,221&w=2028&h=1000"},"datetime":"2026-05-07T04:10:00+0000","embed":{"embed_url":null}},"uid":"republican-lawmakers-seek-h-1b-fraud-probe"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"CM Vijay First Speech In Assembly"},"img":{"url":"https://images.prismic.io/prad/agLjPKYofJOwHG-w_vijayspeechinassemb%3By.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T06:30:00+0000","third_party_url":null},"uid":"cm-vijay-first-speech-in-assembly"}},{"node":{"data":{"title":{"text":"'VeeraBhadrudu' Trailer"},"img":{"url":"https://images.prismic.io/prad/agLhqaYofJOwHG9a_veerabhadrudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T19:15:00+0000","third_party_url":null},"uid":"veerabhadrudu-trailer"}},{"node":{"data":{"title":{"text":"Armed robbers storm jewellery showroom"},"img":{"url":"https://images.prismic.io/prad/afctLMBOoF08xjko_armedrobbery.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-03T11:15:00+0000","third_party_url":null},"uid":"armed-robbers-storm-jewellery-showroom"}},{"node":{"data":{"title":{"text":"Ashu Reddy's Father Reaction On Controversy"},"img":{"url":"https://images.prismic.io/prad/65db209f3a605798c18c3733_AshuReddy-2-.jpeg?auto=format%2Ccompress&rect=0%2C73%2C1024%2C505&w=2028&h=1000"},"datetime":"2026-05-03T08:44:00+0000","third_party_url":null},"uid":"ashu-reddys-father-reaction-on-controversy"}},{"node":{"data":{"title":{"text":"JETLEE Release Trailer"},"img":{"url":"https://images.prismic.io/prad/afOPGsBOoF08xg_8_jetlee.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-30T13:19:00+0000","third_party_url":null},"uid":"jetlee-release-trailer"}},{"node":{"data":{"title":{"text":"'Drishyam 3' teaser"},"img":{"url":"https://images.prismic.io/prad/aS8L8HNYClf9ntXj_drishyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-29T13:37:00+0000","third_party_url":null},"uid":"drishyam-3-teaser"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"The 'Austerity' Show: Rules For Thee, But Not For Me"},"img":{"url":"https://images.prismic.io/prad/agLbaKYofJOwHG5X_modishow.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T06:49:00+0000","third_party_url":null},"uid":"the-austerity-show-rules-for-thee-but-not-for-me"}},{"node":{"data":{"title":{"text":"Vijay's New Script - Pawan's Faulty Review"},"img":{"url":"https://images.prismic.io/prad/af7RgKYofJOwHB-m_pkvijay.JPG?auto=format,compress"},"datetime":"2026-05-09T06:18:00+0000","third_party_url":null},"uid":"vijays-new-script---pawans-faulty-review"}},{"node":{"data":{"title":{"text":"The Ideological Pivot: The Duplicity Of Poriborton"},"img":{"url":"https://images.prismic.io/prad/af7S4qYofJOwHB-n_shahadhikari.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-08T20:25:00+0000","third_party_url":null},"uid":"the-ideological-pivot-the-duplicity-of-poriborton"}},{"node":{"data":{"title":{"text":"How Narrative Warfare Won The East And South"},"img":{"url":"https://images.prismic.io/prad/af7f9KYofJOwHCB0_mammodvij.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-08T18:30:00+0000","third_party_url":null},"uid":"how-narrative-warfare-won-the-east-and-south"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"The 'Austerity' Show: Rules For Thee, But Not For Me"},"content":{"text":"“Eduti Varriki Cheppetanduke Neethulu Unnayi” “Sermons are for others”- A Telugu saying” Above Telugu saying, a popular idiomatic equivalent to “\"Rules for thee, but not for me” is usually used to call out hypocrisy of the people who don't practice what they preach. The New India’s leadership has turned above wisdom into a national sport. Napoleon once said the stress of worrying about a problem is often worse than the problem itself, and nothing proves that like the India’s supreme leader’s lecture on 'frugality' that left his subjects more anxious than the actual crisis. Fresh off the high of election season, Indian Supreme Leader has emerged with a seven-point plan for his common subjects to practice \"austerity\" because of the West Asia crisis. He had nonchalantly asked his gullible subjects to stay home and save fuel, which is a hilarious request coming from a guy who just spent weeks burning through jet fuel and endless convoys for election parades. And, of course, he’s already packing his bags for his next grand world tour. It’s a bold move, for, one day his subjects were told they are the world's fourth-largest economic superpower, and the next, they are told to dim the lights and stop driving. Apparently, being a superpower means having the strength to watch its leaders campaign in luxury, while its people are told to embrace the \"minimalist\" lifestyle. Ever since the Supreme Leader stepped in to \"save\" the nation, he’s turned \"National Sacrifice\" into a mandatory hobby for the masses. It started with guilt-tripping people out of their LPG subsidies and peaked with the classic line: \"If a soldier can stand at the border, why can’t you stand in a bank line for a few days?\" He even had them out on their balconies clanging steel plates like a symphony of the absurd, while millions of migrant workers were left to walk home in the heat. It’s a masterclass in leadership: he provides the script, and the people are asked to bear the suffering..Err…National Sacrifice. Asking ordinary Indians to work from home, ditch their travel plans, and skip the gold, all to \"save the nation\", is a tough sell while the ruling elite continues their high-flying tours and energy-guzzling spectacles on the public dime.  It’s a bold move to ask citizens to pinch pennies when the government’s own wallet seems to have a bottomless leak. This sudden pivot to \"emergency mode\" signals that the economy is about to hit a wall, a heads-up that would have been far more useful months ago, before the election posters were even printed.  But of course, the alarm only rang after the 2026 assembly polls in West Bengal and Tamil Nadu were safely in the bag. Is this another way asking the people to brace up for huge “fuel price hike”? Critics argue this is the ultimate \"pump and dump\" scheme of governance: the ruling elite burns through state resources to throw a massive election party, and only after they’ve secured the guest list for the next five years do they hand the cleanup bill and the \"austerity\" chores to the public. It’s a classic bait-and-switch: they get the lavish campaign, and people get the bill for their mismanagement. Naturally, the opposition is having a field day, pointing at this \"sermon\" as the total breakdown and the proof of the failure. It’s the ultimate comedy of errors: citizens of the world’s \"fourth economic superpower\" are now being treated like toddlers and told what they can buy or where they’re allowed to walk under the pretext of “National Sacrifice”. It’s a brilliant tactical manoeuvre, wherein, if you make the people responsible for \"saving\" the economy, you never have to take the blame for breaking it in the first place."},"img":{"url":"https://images.prismic.io/prad/agLbaKYofJOwHG5X_modishow.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T06:49:00+0000","embed":{"embed_url":null}},"uid":"the-austerity-show-rules-for-thee-but-not-for-me"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Sneha Cheers Lifelong Togetherness"},"content":{"text":"Popular Tamil actress Sneha, who has also made her mark in Telugu cinema, has now penned an adorable post to her husband, actor Prasanna, on the occasion of their 14th wedding anniversary.  Taking to her Instagram page, Sneha, who posted pictures of herself with her husband Prasanna, wrote, \"Happy Anniversary Dadda (Heart image). Fourteen years of holding hands through every joy, challenge, laughter, and tear… and still choosing each other every single day. Through every phase of life, we stood beside each other — growing together, holding on through the hard days, celebrating the beautiful ones, and making countless memories along the way.\" The actress, who has worked on several hits, superhits and blockbusters, wrote, \"And honestly, after 14 years together, the biggest love story is still surviving each other’s moods, habits, and fights over silly things. Jokes apart, what we share is truly beautiful — a bond built with love, patience, understanding, and togetherness.\" She concluded the note saying, \"Here’s to many more years of love, laughter, memories, and annoying each other forever. Love you.\" It may be recalled that actor Prasanna, who is known for having delivered several commendable performances, had disclosed to media that he was looking to realise two of his long pending dreams-- that of becoming a commercial pilot and an AI expert, thanks to the inspiration he had received from actor Ajith Kumar. In an exclusive interview to media earlier, Prasanna, who had acted with Ajith Kumar in 'Good, Bad, Ugly', had said, \"This year is going to be very different for me. I have dug out two of the wishes that have been on my bucket list for a long time and am realising them.\" \"It was my dream to become a pilot when I was in school. Then, after pursuing acting as a serious career, somehow I put it on the backburner. Now, I have got another opportunity to realise that dream. So, I am working on that as well,\" the actor said. \"Probably, this time, next year, I would have finished my flight school lessons and would have got my commercial pilot licence also. I would like to thank Ajith sir because he might be an actor and he might be pursuing a serious career but he made me realise that you can make time to pursue your passion as well,\" he hoped. Prasanna further said, \"When I was working on 'Good Bad Ugly' with Ajith sir, there was one thing that stood out about him for me. The kind of time, effort and passion that he has put into motor racing was very inspiring. I took that inspiration from him and realised that I needn't stick to just acting and that I could also simultaneously also pursue my other dreams.\" Talking about his decision to also simultaneously pursue his dream of becoming an AI expert, Prasanna said, \"Since Covid, I wanted to study something that would equip me as more than just an actor. So, I had been studying up about AI at a periphery level and that created an interest in me to study AI at a deeper level.\""},"img":{"url":"https://images.prismic.io/prad/agLqt6YofJOwHHE1_snehaprasanna.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T03:30:00+0000","embed":{"embed_url":null}},"uid":"sneha-cheers-lifelong-togetherness"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Dimple Hayathi as Mandaram"},"content":{"text":"The makers of director Sampath Nandi's explosive action drama, 'Bhogi', featuring actor Sharwanand in the lead, have now released the first look of actress Dimple Hayathi as Mandaram in the film, much to the delight of fans and film buffs.  Taking to their social media timelines to release the look of Dimple Hayathi as Mandaram, the makers said, \"Introducing M A N D A R A M. Beauty the world desired... A soul it never understood.\"  The poster features Dimple in a bold and stunning avatar, draped in a fiery red saree. She is seen seated gracefully yet intensely, holding a traditional palm-leaf hand fan. Her styling, along with the rustic background featuring an antique brass box and traditional elements, perfectly captures the authentic 1960s period setting. Her expression is sharp and unapologetic, hinting at a very strong personality. Sources close to the unit say that Mandaram will be a bold and powerful character who simply does not care for the world. She carries a highly flammable attitude that matches the intense, red-hot vibe of her poster. She brings a unique fire to the film, standing strong in the storm of Bhogi. Sources inform that the unit shot several high intensity action sequences recently. Shooting for the film is progressing at a brisk pace in an extensively built set in Hyderabad that resembles a Telangana village from the 1960's.  For the unaware, the makers had only recently disclosed that actress Anupama Parameswaran played the role of Kandula Sulochana Rani in the film. The first look poster of Anupama's character showed Anupama in a village belle avatar walking barefoot on a dusty rural path. She is seen carrying a large woven basket filled with green leaves on her head while holding more leaves in one hand and a tiffin box in the other. Her attire is rustic, an earthy half saree with a faded blouse, styled in a traditional manner. Her expression is intense and determined, hinting at a strong, hardworking character.  Sources had said that Sulochana will be a spirited person who is deeply rooted in nature. Earning her livelihood by crafting leaf plates from Moduga leaves, the “Flame of the Forest” Sulochana would embody both resilience and quiet strength in the film. The makers had revealed on actor Sharwanand's birthday that he played a character called Ganga in the eagerly awaited action thriller. Set in the early 1960s, 'Bhogi' is a pulsating period action drama unfolding in a fictional village along the borders of Telangana and Maharashtra. On the technical front, the project boasts an accomplished crew. Production design is by Kiran Kumar Manne, cinematography is by Kishore Kumar Arokia, and music is by Bheems Ceciroleo. Planned as a pan-India release, the movie will hit the big screens in Telugu, Tamil, Kannada, Malayalam, and Hindi on August 28, coinciding with the festive occasion of Raksha Bandhan."},"img":{"url":"https://images.prismic.io/prad/agLQwqYofJOwHG0w_DimpleHayathi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T03:04:00+0000","embed":{"embed_url":null}},"uid":"dimple-hayathi-as-mandaram"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Mandira Bedi’s Fit at 53 Secret"},"content":{"text":"Actress and fitness icon Mandira Bedi seems to be inspiring her fans with her disciplined lifestyle.  The actress who is 53 years old, took to her social media account to share the fitness routine that keeps her physically and mentally strong, proving that age is just a number. According to Mandira, there are a few habits she follows dedicatedly every day and every week that help her stay on top of her health game. Sharing a glimpse of her workout session, Mandira wrote, “There are a few things I do every day or every week that work for me. The workout, every morning. The 15,000 steps a day. The one-minute plank daily, at any time of the day. And a massage whenever I can fit one in. It works for me.” She further engaged with her followers by asking about their own healthy habits. “Tell me, what are your non-negotiables? What are the things that make you happy or keep you going? I’d love to know and add some more healthy habits into the mix,” she added. The actress is known for being one of the fittest actresses in the entertainment industry, and has consistently promoted wellness, discipline, and self-care through her social media posts. In many of her videos on social media, the actress is seen indulging in intense workout sessions, yoga, strength training, and clean eating. For the uninitiated, Mandira rose to fame with the iconic television show Shanti and later became a household name through acting, hosting, and sports presenting."},"img":{"url":"https://images.prismic.io/prad%2F854b53d5-9032-473e-9aef-d144c338f3aa_mandira+bedi+4.jpg?auto=format%2Ccompress&rect=0%2C29%2C777%2C383&w=2028&h=1000"},"datetime":"2026-05-12T04:44:00+0000","embed":{"embed_url":null}},"uid":"mandira-bedis-fit-at-53-secret"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Dhurandhar‍‌‍‍‌‍‌‍‍‌'"},"content":{"text":"Dhurandhar hits the audience like a cyclone—untamed, persistent, and spectacularly dhamakedaar. Aditya Dhar's latest triumph is far from just a movie; it is a once-in-a-lifetime experience, a cinematic event of the year that completely breaks the clutter of Indian espionage thrillers. With Indian heart and international standard, Dhar weaves a story full of human touch, intricacy, and spark, reaffirming that he belongs among the very few directors capable of conceiving on a grand scale while still keeping the story deeply character-driven.  Drawing inspiration from the IC-814 hijacking and the 2001 Parliament attack, the film sets the stage on a historic backdrop without wasting a moment. Dhar then skillfully expands the narrative to show the political tremors that pushed the Indian intelligence system beyond its limits. Madhavan as IB Chief Ajay Sanyal is the rock on which the story stands. His portrayal, full of precision and gravitas, earns seeti maar reactions in every scene. The dialogues are crisp, the energy is infectious, and the immersion into this high-stakes world is so real that it grips from the first frame.  One of the most striking elements is the use of archival footage, including 9/11 and other terror attacks, interspersed with chilling audio of attackers plotting against India. These sequences evoke patriotism without jingoism, reminding the audience of the stakes while highlighting India’s strategic resilience. It’s a cinematic call to awareness and courage that makes the story even more gripping.  Ranveer Singh delivers arguably his career-best performance—raw, gritty, massy, and explosively powerful. Hamza is hurt, angry, unpredictable, yet inexplicably charming. The transformation from a rage-driven youth to a cold, calculated underworld operative is executed with staggering emotional finesse. Ranveer doesn’t just perform; he literally “blows up” the screen, particularly in the latter half, becoming almost synonymous with the storyline—a 10/10 hardcore action avatar.  The supporting cast matches this energy brilliantly. Akshaye Khanna, as Rehman Dakait, is eerie, sparkling, and dreadful—a mind-is-the-weapon villain whose expressions and timing make him unforgettable. Sanjay Dutt is pure cannon fire as SP Chaudhary Aslam, “The Jinn,” bringing raw toughness to every frame. Arjun Rampal’s Major Iqbal commands attention with his silent menace, while Sara Arjun impresses in her star-studded debut. Every actor is fully into their character, creating a dangerously immersive atmosphere.  The film’s pace is relentless, thanks to Aditya Dhar’s mastery over tempo. And crucially, despite its 214-minute runtime, the length never feels distracting. Every scene is deliberate, every beat perfect, making the infiltration plan genuinely nerve-wracking. The background music is another major highlight—the BGM keeps the energy flowing continuously, never letting the audience feel a dull moment. The soundtrack is one of the strongest pillars of the film, arguably the album of the year or even the decade, turning tension, discovery, and climax into cinematic thunder.  Violence is used sparingly—just three sequences are truly explicit, each dramatically justified. The real intensity comes from the emotional stakes, character development, and political intrigue. The first half showcases masterful world-building, with the interval delivering pure goosebumps and doubling audience excitement. Post-interval, conspiracies intertwine, political power shifts, and Hamza consolidates the mafia core through strategy, betrayal, and even a calculated marriage, setting up a perfect stage for the explosive Part Two coming Eid 2026.  Jyoti Deshpande, Lokesh Dhar, and Aditya Dhar, backed by B62 Studios and Jio Studios, leave no stone unturned in creating a universe that is vast, real, and cinematically rich. Their unwavering support for large sets, hard action, bold storytelling, and a stellar ensemble cast shines in every frame, elevating Indian genre cinema to new heights.  Dhurandhar is a genre-defining spectacle that combines ferocious execution, meticulous craft, and unforgettable impact. With Aditya Dhar’s finest direction and Ranveer Singh’s career-best performance, it makes a solid case for being one of the boldest, most compelling thrillers of the year. The game is set, the pieces are moving, and the wait for Part Two is fervent—completely justified by the high stakes, breathtaking performances, and mind-blowing storytelling.  Cast: Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others  Director/Writer: Aditya Dhar"},"img":{"url":"https://images.prismic.io/prad/aTK2Z3NYClf9n2ee_dhurandar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-12-05T08:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=BKOVzHcjEIo"}},"uid":"review-dhurandhar"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఆంధ్రాకింగ్‌ తాలూకా' రివ్యూ... ఫ్యాన్స్‌ మూవీ"},"content":{"text":"రామ్‌ వరుస విజయాలతో ఎనర్జిటిక్ స్టార్‌ ఇమేజ్‌ని సొంతం చేసుకుని కెరీర్‌ ఆరంభంలో అందరి దృష్టిని ఆకర్షించాడు. కానీ గత కొంత కాలంగా ఆయన పూర్తిగా గాడి తప్పినట్లుగా కనిపిస్తున్నాడు. ఏమాత్రం ఆకట్టుకోని కథ, కథనాలను, దర్శకులను ఎంపిక చేసుకోవడంతో ఆయనకు వరుస ఫ్లాప్‌లు తప్పలేదు. ఇస్మార్ట్‌ శంకర్ తర్వాత రామ్‌ ఒక మంచి హిట్‌ కోసం ఎదురు చూస్తున్నాడు. ఆ హిట్‌ ఈ సినిమాతో వచ్చిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ :  సూర్య(ఉపేంద్ర) తెలుగు సినిమా ఇండస్ట్రీలో స్టార్‌ హీరో. అభిమానులు ఆయన్ను ఆంధ్రా కింగ్‌ అనే బిరుదుతో పిలుచుకుంటూ ఉంటారు. వరుస విజయాలు దక్కించుకుంటూ వచ్చిన సూర్యకు వందవ సినిమాకు ముందు కెరీర్‌ పరంగా ఒడిదొడుకులు ఎదుర్కోవాల్సి వస్తుంది. వరుస ఫ్లాప్స్‌ పడటంతో సూర్య ను విమర్శించే వారు, తిట్టేవారు ఎక్కువ అవుతారు. ఆయన పనైపోయిందని విమర్శిస్తూ ఉంటారు. ఆ సమయంలో సూర్య 100వ సినిమాను మొదలు పెడతాడు.  సినిమాపై అంచనాలు లేకపోవడం, అసలు సూర్య సినిమాను ఎవరు చూస్తారు అని జనాలు అనుకుంటూ ఉండటంతో ఆ సినిమా ఆర్థిక సమస్యలు ఎదుర్కొంటుంది. సినిమా పూర్తి చేయడానికి రూ.3 కోట్లు అవసరం అవుతుంది. ఆ సమయంలో సూర్యను అమితంగా అభిమానించే సాగర్‌ (రామ్‌) ముందుకు వస్తాడు. తాను ఎంతో కష్టపడి సంపాదించిన ఆస్తిని అమ్మి, ఆ డబ్బును తన అభిమాన హీరో, ఆంధ్రాకింగ్‌ సూర్యకి చేరేలా చేస్తాడు.  తీవ్ర ఆర్థిక ఇబ్బందుల్లో ఉన్న సూర్య తన అకౌంట్‌లో పడ్డ రూ.3 కోట్లు చూసి షాక్‌ అవుతాడు. ఆ డబ్బును తన అభిమాని అయిన సాగర్‌ పంపించినట్లు తెలిసి షాక్‌ అవుతాడు. తన అభిమానిని కలుసుకునేందుకు సూర్య బయలుజేరుతాడు. ఆ క్రమంలో సాగర్‌ గురించి పలు విషయాలను సూర్య తెలుసుకుంటాడు. ఒక అభిమానిని స్టార్‌ హీరో ఎలా కలుసుకున్నాడు? ఆ తర్వాత ఏం జరిగింది? అనేది కథ. నటీనటుల నటన :  రామ్‌ మొత్తం బాధ్యత తన భుజాలపై వేసుకున్నాడు. ఎప్పటిలాగే ఈ సినిమాతో మరోసారి తన ఎనర్జిటిక్ పెర్ఫార్మెన్స్‌ను చూపించాడు. సాగర్‌ పాత్రకి రామ్‌ ఎంత వరకు చేయాలో అంతకు మించి చేసినట్లుగా అనిపించింది. ఒక పాత్రను చాలా నమ్మడం వల్లే రామ్‌ ఈ స్థాయిలో కష్టపడి ఉంటాడు అనిపించింది. అతడి లుక్‌, డైలాగ్‌ డెలివరీ, యాక్షన్‌ సీన్స్ లో ఆయన ప్రజెన్స్ ఇలా ప్రతి ఒక్క ఎలిమెంట్‌లోనూ రామ్‌ ఆకట్టుకున్నాడు. అందుకే అతడు ఒక ఫ్యాన్  గా సరిగ్గా సెట్‌ అయ్యి, సినిమాను మోశాడు. సూపర్‌ స్టార్‌గా నటించిన ఉపేంద్ర తన పాత్రకు న్యాయం చేశాడు. ఒక అభిమాని కోసం వెతుక్కుంటూ వెళ్తున్న సీన్స్ లో అతడి భావోద్వేగం కనిపించింది. సినిమా కోసం అతడు పడే తపన, అతడు పడే కష్టం తాలూక డిటైల్స్ ను ఉపేంద్ర చక్కగా చూపడం జరిగింది. హీరోయిన్‌గా నటించిన భాగ్యశ్రీ బోర్సేకి తన ప్రతిభ మొత్తం చూపించే అవకాశం దక్కలేదు. అయితే ఆమె ఉన్నంతలో అందంగా కనిపించడంతో పాటు, నటనతో ఆకట్టుకుంది. ఇతర నటీనటులు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ :  పాటల గురించి ప్రత్యేకంగా చర్చ జరిగింది. కొత్త సంగీత దర్శకులు కుమ్మేశారు అంటూ అంతా తెగ మాట్లాడారు. కానీ వారి నుంచి వచ్చిన సంగీతం కొత్తగా ఉంది కానీ ఆకట్టుకునే విధంగా మాత్రం లేదు. ఇలాంటి సినిమాలకు పాత సంగీత దర్శకులు అయితే న్యాయం చేసేవారు అనిపిస్తుంది. కాని రామ్‌ కి మాత్రం ఎందుకో వీరు నచ్చారు. ఆయన నిర్ణయం తప్పు అని తేలింది.  ఇక దర్శకుడు మహేష్‌ ఎంపిక చేసుకున్న కథ విషయంలో ఎలాంటి తప్పు లేదు. ముఖ్యంగా స్టోరీ లైన్ మంచి పాయింట్‌. కానీ దాన్ని మలచిన తీరు బాగాలేదు. ముఖ్యంగా స్క్రీన్‌ ప్లే విషయంలో సాగతీసినట్లుగా అనిపించింది. ఎడిటింగ్‌ కి ఇంకా చాలా స్కోప్ ఉంది. ఎందుకో చాలా సీన్స్‌ను అలాగే వదిలేశాడు. నిర్మాణాత్మక విలువలు బాగానే ఉన్నాయి. సినిమాటోగ్రాఫీ అప్పటి నేటివిటీకి దగ్గరగా ప్రేక్షకులను తీసుకు వెళ్లడంలో సక్సెస్ అయిందని చెప్పాలి.  విశ్లేషణ :  రామ్‌ దాదాపు ఏడాది  గ్యాప్ తీసుకుని, వందల కొద్ది కథలు విని, పదుల కొద్ది కథలు పక్కన పెట్టుకుని, చివరకు ఈ కథను ఎంపిక చేసుకున్నాడు అని ఆయన సన్నిహితులు అంటున్నారు. అయితే ఇలాంటి కథను ఆయన ఎలా ఒప్పుకున్నాడు అంటూ చాలా మంది ఆశ్చర్యం వ్యక్తం చేస్తున్నారు. స్టోరీ లైన్‌ బాగుంటే సరిపోతుందా, కథ, కథనం విషయంలో దీన్ని ఎంత వరకు ప్రేక్షకులకు ఆకట్టుకునే విధంగా తీసుకు రాగలరు అనే విషయంను ఆయన చూసుకోలేదు అనిపిస్తుంది.  రామ్‌ సాధారణంగానే ఎనర్జిటిక్‌ పెర్ఫార్మెన్స్‌ తో ఆకట్టుకుంటాడు. ఈ సినిమాలోనూ మరోసారి తన సత్తా చాటాడు. కానీ సినిమాలోని ఆయన పాత్ర ఉన్నంత పవర్‌ ఫుల్‌గా స్క్రీన్‌ ప్లే లేదు. గ్రామీన ప్రాంతంలో ఉండే ప్రేమ కథను చూపించే ప్రయత్నం చేశారు. ఆ కథను ఇంకాస్త ఎక్కువ చూపించినా బాగుండేది. హీరో, అభిమాని మధ్య ఉండే సీన్స్ చాలా తక్కువగా ఉన్నాయి. ప్రేక్షకులు ఆశించిన ఎలిమెంట్స్ ఈ సినిమాలో చాలా తక్కువగా ఉన్నాయి. అందుకే సినిమా రెగ్యులర్‌ ప్రేక్షకులను ఆకట్టుకోవడంలో విఫలం అవుతుంది. కానీ తమను తాము ఒక హీరోకు అభిమాని అని చెప్పుకునే వారికి మాత్రం తప్పకుండా ఈ సినిమా నచ్చుతుంది.  ప్లస్ పాయింట్స్ :  రామ్‌ నటన, స్టోరీలైన్‌, కొన్ని ఎమోషనల్‌ సీన్స్‌ మైనస్ పాయింట్స్ :  ఫస్ట్‌ హాఫ్‌ చాలా స్లోగా సాగింది స్క్రీన్‌ ప్లే, ప్రేమ కథ ఇంకాస్త ఉండాల్సింది. చివరగా... ఫ్యాన్‌గా ఆంధ్రాకింగ్‌ను ఆకట్టుకున్న సాగర్‌, ప్రేక్షకులను ఆకట్టుకోవడం కష్టమే. బ్యానర్ : మైత్రి మూవీ మేకర్స్‌ నిర్మాత : నవీన్‌ యెర్నేని, వై రవి శంకర్‌ దర్శకత్వం : మహేష్‌ బాబు పి సంగీతం : వివేక్‌-మెర్విన్‌ తారాగణం : రామ్‌ పోతినేని, భాగ్యశ్రీ బోర్సే, ఉపేంద్ర తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aSgr23NYClf9nheC_AKT1.JPG?auto=format,compress"},"datetime":"2025-11-27T08:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=oeY828c-AXo"}},"uid":"review-andhra-king-talooka---fans-movie"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'De De Pyaar De 2'"},"content":{"text":"It’s rare to find a film that makes you laugh, cry, and smile, all within the same heartbeat. De De Pyaar De 2 is that rare gem. The sequel not only lives up to the 2019 blockbuster but builds on it with heart, humour, and a story that feels deeply personal yet universally relatable. In a year full of thrillers and high-octane spectacles, De De Pyaar De 2 stands tall as the only true family entertainer of 2025. It’s a film about family — and one meant to be watched with family. Whether you’re a parent, a young adult, or a daughter who shares a special bond with her father, this one will speak to you in more ways than one. The film beautifully balances clap-and-whistle-worthy comedy with tear-jerking emotion, and even leaves you with a subtle but strong message about love, relationships, and what truly makes a man ‘man enough’ in today’s world. The protagonist Ajay Devgn is a delight, effortlessly switching between subtle humour and emotional restraint. His references to his own iconic films are a treat for fans and timed to perfection. It’s refreshing to see him return to a romantic-comedy space after a string of action-heavy roles. R. Madhavan, on the other hand, brings soul to the story. As a father navigating complex emotions, he’s a powerhouse of warmth and vulnerability. His scenes, especially with Ajay, are pure paisa vasool, seamlessly blending humour with heartfelt depth. Leading lady Rakul Preet Singh delivers her best performance yet, charming, confident, and absolutely radiant on screen. While Jaaved Jaffery leaves you rolling on the floor laughing everytime he comes on the screen, Meezaan’s entry in the second half is impactful; he looks effortlessly dashing and leaves a strong impression in a limited screen time. The supporting ensemble — Gautami, Ishita, and Suhasini Mulay, bring natural warmth and depth, rounding out the film’s emotional universe beautifully. Director Anshul Sharma infuses De De Pyaar De 2 with heart, humor, and a sense of effortless storytelling. His vision shines through every frame bringing together a powerhouse cast and allowing each performer to leave a lasting mark. Sharma orchestrates the film’s emotional beats and comic timing with remarkable finesse, blending warmth and wit in equal measure. With this film, he not only celebrates relationships and generations but also cements his place as a filmmaker who knows how to entertain while keeping the emotions genuine and grounded. Unlike many sequels that exist just to cash in on a franchise name, De De Pyaar De 2 feels like an organic continuation of the first. The callbacks are smart, not forced, and the story flows with sincerity and purpose. And just when you think you’ve seen it all, the last 20–30 minutes hit you with one of the most emotionally satisfying climaxes seen in recent times, an absolute rollercoaster of emotions that will leave you walking out with a full heart and a huge smile. De De Pyaar De 2 is the ultimate big-screen entertainer, funny, emotional, meaningful, and refreshingly vulnerable. It proves that films about family, love, and connection can still move audiences when told with honesty and heart. Director: Anshul Sharma,  Cast: Ajay Devgn, R. Madhavan, Rakul Preet Singh, Jaaved Jaaferi, Meezaan, Gautami Kapoor, Ishita Dutta and others "},"img":{"url":"https://images.prismic.io/prad/aRb8GLpReVYa4eVc_dedepyaarde2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-11-14T04:53:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=59aIp7SfIIk"}},"uid":"review-de-de-pyaar-de-2"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: ‘Jatadhara’ - A spiritual thriller unfolds"},"content":{"text":"Zee Studios and Prerna Arora produced Jatadhara represents an ambitious and compelling effort by directors Venkat Kalyan and Abhishek Jaiswal as they create a supernatural mythological thriller, one that dares bridge the gap between science, faith, and mysticism of old. Against the mysterious backdrop of the Anantha Padmanabha Swamy Temple and its treasures hidden within, the film is imbued with original Tantric rituals and chants enacted during filming-a rare thing in mainstream Indian cinema. The sense of dread and divinity pervades right from the first frame. The haunting visuals, the rhythmic chants, and symbolic imagery set off into a world where reality blends with the surreal. Credit goes to the two directors for knowing how to handle such a dense mythological theme with reverence and cinematic flair. Sudheer Babu plays Shiva, a skeptical ghost hunter whose journey from disbelief to spiritual awakening forms the emotional core of the story. His rugged screen presence, restrained intensity, and emotional range make this one of his most nuanced performances to date. The sequences where he confronts unseen forces — armed with both scientific logic and ritualistic tools — are genuinely gripping. Sonakshi Sinha, all set to mesmerize the Telugu audience for the first time, is just outstanding as Dhana Pisaachi, a vengeful spirit bound by greed and sorrow. With her commanding expressions, piercing gaze, and haunting poise, Sonakshi brings terror and tragedy on the screen. Her transformation into the demonic goddess is one of the talking points of the film and quite rightly so-she owns each frame. Divya Khossla carries grace throughout her role as Sitara, while Shilpa Shirodkar and Indira Krishna add depth and dignity to their key roles. The ensemble cast — Rajeev Kanakala, Ravi Prakash, and Subhalekha Sudhakar included — come together to add value to the narrative with realistic, down-to-earth performances. Written by Venkat Kalyan, the screenplay of Jatadhara weaves ancient lore with modern skepticism. The premise of the story-a forbidden ritual called Pisacha Bandhanam that ties spirits to guard lost treasures-is both fascinating and frightening. Kalyan ensures that every plot twist is rooted in belief systems familiar to Indian audiences, yet he approaches them with a contemporary lens. The dialogues by Sai Krishna Karne and Shyam Babu Meriga are sharp, spiritual, and thought-provoking. Lines like \"Faith is not what you see -- it's what you dare to feel\" stay with one long after the credits roll. They strike an even balance between philosophical weight and emotional immediacy to give the film a scriptural and cinematic hue at once. The biggest strength of Jatadhara is Sameer Kalyani's cinematography. The chiaroscuro lighting, the intricate interior of the temple, and aerial sweeps of the Kerala landscape infuse an otherworldly beauty upon this dark narrative. Every sequence of this ritual is framed like a painting-flickering lamps, swirling smoke, chanting shadows-pulling you into a hypnotic trance. The special effects should be applauded for delivering realistic supernatural imagery without excess. The scenes of Dhanapisachini’s manifestation are at once terrifying and beautiful, enhanced by practical effects that feel real and organic. The sound design amplifies the eeriness: low rumbles, faraway chants, and sudden silences are used to great effect to raise the tension. Composer Rajiv Raj manages an evocative score that fuses classical ragas with electronic undercurrents. His background music, particularly during the climactic confrontation, keeps the pulse racing. Despite the film's dark theme, music, and movement have been found in Jatadhara. “Shiva Stotram” and “Pallo Latke Again stand apart for their energy and depth. As the choreographer, Sandeep melds ritualistic movements with cinematic choreography, especially in the temple dance sequence featuring Divya Khossla, which radiates both devotion and intensity. The stunt choreography seamlessly integrates physical combat with supernatural powers, creating a dynamic action language that feels fresh. Sudheer Babu's ghost-hunting sequence, weapon combat scenes, and the final blood-drinking transformation sequence are all done with precision and conviction. The mix of martial arts and mystical symbolism makes these moments unforgettable. Jatadhara is a bold visual experiment in the form of a supernatural mythological thriller that refuses to play safe. It sincerely pursues faith versus reason, science versus ritual, and human will versus divine wrath with amazing scale. The outstanding visual brilliance of the film matches the strong performances and authentic spiritual texture. Co-directed by Venkat Kalyan and Abhishek Jaiswal, Jatadhara manages a fine balance between commercial spectacle and artistic expression. The result is that Jatadhara does what few films attempt; it turns mythology into a breathing, living cinematic experience, with its entrancing images, haunting music, and soulful performances that both thrill and leave one thoughtful. Director: Venkat Kalyan And Abhishek Jaiswal Starring : Sudheer Babu, Sonakshi Sinha, Divya Khossla, Shilpa Shirodkar, Indira Krishna, Rajeev Kanakala, Ravi Prakash, Rohit Pathak, Jhansi, Subhalekha Sudhakar"},"img":{"url":"https://images.prismic.io/prad/aQx6sbpReVYa4H3__jathadara.JPG?auto=format,compress"},"datetime":"2025-11-06T09:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=NcZNCaE4qEM"}},"uid":"review-jatadhara---a-spiritual-thriller-unfolds"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మాస్‌ జాతర' రివ్యూ... రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైనర్‌"},"content":{"text":"రవితేజ ఏదైనా సినిమా ప్రారంభిస్తే ఆరు నెలల్లోనే పూర్తి చేసి ప్రేక్షకుల ముందుకు తీసుకు రావడం మనం చూస్తూ ఉంటాం. కానీ ఈ సినిమా అనేక కారణాల వల్ల చాలా ఆలస్యం అయింది. ఈ ఏడాది సంక్రాంతికి రావాల్సిన సినిమా ఏడాది చివర్లో దీపావళి అయిన తర్వాత ప్రేక్షకుల ముందుకు వచ్చింది. సితార ఎంటర్‌టైన్‌మెంట్స్ బ్యానర్‌లో రూపొందిన సినిమా కావడంతో పాజిటివ్‌ బజ్ క్రియేట్‌ అయింది, అంతే కాకుండా రవితేజ ఈ సినిమాపై చాలా అంచనాలు పెంచే విధంగా ప్రచారం చేశాడు. మరి ఈ సినిమా ఎలా ఉంది అనేది ఈ రివ్యూలో చూద్దాం.  కథ : రైల్వే ఎస్‌ఐ అయిన లక్ష్మణ్‌(రవితేజ) ఎక్కడ ఉంటే అక్కడ రైల్వే విధులు మాత్రమే కాకుండా అన్ని రకాల కేసులను పరిస్కరిస్తూ ఉంటాడు. అలాంటి లక్ష్మణ్‌కి డ్రగ్స్‌ ఇష్టానుసారంగా పండిస్తూ, అదే జీవనాధారంగా జనాలు జీవిస్తున్న ఒక ప్రాంతంకు ట్రాన్స్‌ఫర్‌ అవుతుంది. అక్కడ శివుడు(నవీన్ చంద్ర) బలవంతంగా రైతులతో గంజాయి సాగు చేయిస్తూ దాన్ని కోల్‌కత్తాకు ట్రాన్స్‌పోర్ట్‌ చేస్తూ ఉంటాడు. శివుడు గంజాయి వ్యాపారంను నాశనం చేసేందుకు లక్ష్మణ్‌ సిద్దం అవుతాడు. శివుడు పెద్ద మొత్తంలో గంజాయిని కోల్‌కత్తా తరలించేందుకు సిద్ధం అయిన సమయంలో లక్ష్మణ్‌ దాన్ని దాచేస్తాడు. ఆ సరుకు కోసం శివుడు పిచ్చెక్కి పోతాడు. ఇద్దరి మధ్య పెద్ద యుద్దమే జరుగుతుంది. చివరకు ఏం జరిగింది అనేది సినిమా కథ.  నటీనటులు : రవితేజ ఎనర్జీ ఏమాత్రం తగ్గలేదు. అయితే ఆయన లుక్‌ విషయంలో మాత్రం కాస్త వయసు ఎక్కువ అయినట్లుగా అనిపించింది. వింటేజ్ రవితేజను చూస్తారు అంటూ పబ్లిసిటీ సమయంలో మేకర్స్ చెప్పారు. కానీ వింటేజ్ సీన్స్ పెద్దగా ఏమీ లేవు. ఒకటి రెండు నిమిషాలకే పరిమితం చేశారు. యాక్షన్‌ సీన్స్‌లో రవితేజ ఎనర్జీ కనిపించింది. అయితే డాన్స్‌ ల్లో శ్రీలీల ముందు రవితేజ ఆశించిన స్థాయిలో మెప్పించలేక పోయాడు అని చెప్పుకోక తప్పదు. ఓవరాల్‌గా మాస్‌ మహారాజా రవితేజ మాస్‌ జాతర తన భుజాలపై వేసుకుని నడిపించే ప్రయత్నం చేశాడు.  శ్రీలీల పాత్రకు పెద్దగా ప్రాధాన్యత లేదు. ఫస్ట్‌ హాఫ్‌ లో కొంత సమయం కనిపించినా, సెకండ్‌ హాఫ్‌ లో కొన్ని నిమిషాలు మాత్రమే ఆమె కనిపించింది. పాటలకు మాత్రమే పరిమితం అయిన పాత్ర అనిపించింది. ఉన్నంతలో మెప్పించింది. డాన్స్‌ల్లో తన ప్రతిభతో ఆకట్టుకుంది. రాజేంద్ర ప్రసాద్‌ తన పాత్రకు పూర్తి న్యాయం చేశాడు. హైపర్ ఆది తన రొటీన్‌ పంచ్‌ డైలాగ్స్ తో పర్వాలేదు అనిపించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి వారి పాత్రల్లో పర్వాలేదు అనిపించారు.  టెక్నికల్‌: దర్శకుడు భాను కథ విషయంలో ఇంకాస్త వర్కౌట్‌ చేస్తే బాగుండేది. రైల్వే పోలీస్‌ అనే లైన్‌ బాగానే ఉంది, కానీ గంజాయి చుట్టూ సాగే కథలు చాలానే ఉన్నాయి. ఇంకాస్త విభిన్నంగా కథను రాసుకుని ఉంటే బాగుండేది. కనీసం స్క్రీన్‌ప్లేతో అయినా మ్యాజిక్ చేసి ఉంటే బాగుండేది. డైలాగ్స్ కొన్ని యాప్ట్‌ కాలేదు. భీమ్స్ అందించిన పాటలు ఒకటి రెండు వింటూ ఉంటే బాగానే ఉన్నాయి. కానీ స్క్రీన్‌ ప్లే కు బ్రేక్‌లు వేసినట్లుగా అనిపించాయి.  ముఖ్యంగా సెకండ్‌ హాఫ్‌ లో వచ్చే పాటల ప్లేస్‌మెంట్‌ ఏమాత్రం సెట్‌ కాలేదు. అయితే బ్యాక్ గ్రౌండ్‌ స్కోర్‌ తో రవితేజ ఫ్యాన్స్‌కి, ఆయన ఎలివేషన్ సీన్స్‌ కి మంచి హైప్‌ వచ్చే విధంగా భీమ్స్ చేశాడు. సినిమాటోగ్రఫీ బాగుంది. ముఖ్యంగా యాక్షన్‌ సీన్స్ లో సినిమాటోగ్రఫీకి మంచి మార్కులు పడుతాయి. యాక్షన్ సీన్స్ నేచురాలిటీకి దగ్గరగా ఉండే విధంగా ప్లాన్‌ చేశారు. నిర్మాణాత్మక విలువలు బాగున్నాయి. ఎడిటింగ్‌లో జర్క్‌ లు ఉన్నాయి. కాస్త క్రిస్పీగా ఉండాల్సింది.  విశ్లేషణ : రవితేజ సినిమా అనగానే మాస్ ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకులు ఆసక్తిగా అప్పట్లో ఎదురు చూసేవారు. కానీ ఇప్పుడు రవితేజ గత చిత్రాల ఫలితాల నేపథ్యంలో ఈసారి అయినా రవితేజ హిట్‌ కొట్టేనా అని నీరసంగా, నిరుత్సాహంగా ఎదురు చూస్తున్న వారు ఉన్నారు. అయినా కూడా రవితేజలో ఎనర్జీ మాత్రం తగ్గలేదు. తన సినిమాల ఫలితంతో సబంధం లేదు అన్నట్లుగా వరుస సినిమాలు చేసుకుంటూ వెళ్తున్నాడు.  సితార వారి బ్యానర్ నుంచి సినిమా వస్తుంది అంటే మినిమం గ్యారెంటీ అనే నమ్మకం ఉండేది. అది కూడా ఈ మధ్య కాలంలో మెల్ల మెల్లగా పోతుంది. ఇలాంటి సమయంలో వచ్చిన మాస్‌ జాతర రవితేజ స్టార్‌డంను నిలబెట్టేనా, సితార వారి పరువు నిలుపుతుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. కానీ ఈ సినిమా పూర్తి స్థాయిలో ఆ పని చేయలేదు అని చెప్పక తప్పదు. రవితేజ మార్క్‌ ఎంటర్‌టైన్‌మెంట్‌తో ఫస్ట్‌ హాఫ్‌ సాఫీగా సాగింది. కానీ సెకండ్‌ హాఫ్‌ విషయంలో తీవ్రంగా నిరాశ పరిచాడు. ఒకటి రెండు యాక్షన్ సీన్స్‌ తప్ప సెకండ్‌ హాఫ్‌ లో చెప్పుకోవడానికి ఏమీ లేవు.  కథలో ట్విస్ట్‌లు లేవు, స్క్రీన్‌ ప్లే మొత్తం ముందే ఊహించేదిగా ఉంది. ఎక్కడా ఆసక్తికరంగా స్క్రీన్‌ ప్లే సాగిందే లేదు. ఆది కామెడీతో నవ్వించే ప్రయత్నం చేశారు. కానీ అది వర్కౌట్‌ కాలేదు. మొత్తంగా మాస్ జాతర ఆకట్టుకోలేక పోయిన యాక్షన్‌ జాతర.  ప్లస్‌ పాయింట్స్‌ : రవితేజ, ఫస్ట్‌ హాఫ్‌ కొన్ని సీన్స్‌.  మైనస్ పాయింట్స్ : కథ, కథనం, రొటీన్‌ కామెడీ, యాక్షన్‌, పాటల ప్లేస్‌మెంట్‌, రొటీన్‌ క్లైమాక్స్‌.  చివరగా... వింటేజ్‌ రవితేజను చూపిస్తారనుకుంటే రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైన్మెంట్‌ను చూపించాడు.  బ్యానర్ : సితార ఎంటర్‌టైన్‌మెంట్స్‌  నిర్మాత : నాగవంశీ  దర్శకత్వం : భాను భోగవరపు  సంగీతం : భీమ్స్‌ సిసిరోలియో  తారాగణం : రవితేజ, శ్రీలీల, నవీన్‌ చంద్ర, రాజేంద్ర ప్రసాద్‌, నరేష్‌, హైపర్‌ ఆది తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aQThSLpReVYa35Yx_massjathara.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-31T19:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Qm-wNxOcEL4"}},"uid":"mass-jathara-review-routine-action-entertainer"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: Thamma - A fiery blockbuster ride!"},"content":{"text":"Thamma is big-screen fun at its purest — a daring mix of folklore, family, fantasy, and fanfare of a full-blown franchise. With this new movie in the Maddock horror-verse, director Aditya Sarpotdar is taking Indian genre cinema to a whole new level. It’s all sorts of strange, clever, and wildly creative — yet, very relatable. While Stree was scary and subversive and Bhediya went into the wilds, Thamma conquers the territory by merging horror with love and, thus, leaving a cinematic experience that is totally different.  The story revolves around the forest of myths where the past is still alive and the ancient guardians are awakening. Not Thamma by any means, but it still manages to conjure up a bizarre fantasy universe complete with its own laws, curses, and consequences. Compared to other supernatural thrillers, this one is basically an emotional comedy with a dose of humor and the human instinct to save those whom we love even if it costs our lives. It doesn’t become scary but rather keeps its faith. The movie is funny but not farcical. It is also emotional without being overly dramatic.  One of the main characters is journalist protagonist Khurrana from a small town. His incidental supernatural experience leads to a series of events that is not in his capacity to grasp the enormity of it. In the first half, he is simply lovable and relatable but later on he becomes quite intense. Mandanna delivers an emotional performance that is also very down-to-earth. She has the fire as well as the delicate side of her nature and does not go for the usual stereotypical trope of horror comedy being over-the-top.  The continuing part is just an explosive work of art — it features fight, change of characters, and a breathtaking fight between Alok and Bhediya (Varun Dhawan). Special effects are of great quality and the confrontation between these two forces is signaling their underlying relationship which will definitely influence this cinematic universe storyline in the future. Such a moment of grandeur is the kind of moment in which you wish to applaud in a jam-packed hall, and subsequently, you are left with more questions than answers. How are these two characters related? I promise; the answer will be beyond your imagination.  On the subject of universe-building, the movie is full of Easter eggs and a few character recalls, but one highlights: the comeback of Sar Kata, the frightening character from Stree, who ominously appears, signaling the massive danger that lies ahead for the Maddock horror-verse. To be honest, the connection between Stree 2 and Thamma is quite strong, and by the time you get to the end, it’s only evident that it’s something huge that is on its way. The seeds of a mega-crossover have been dropped.  The acting, in general, is great. Paresh Rawal offers a great comic relief performance as the sarcastic and sharp-witted father while Nawazuddin Siddiqui dominates the movie with his intense and dark presence. The upward movement of his character feels like the dawn of something bigger and maybe a major factor in the future war of good vs. evil in this ever-expanding universe.  Following that is the comeback of Sathyaraj as Elvis, the idiosyncratic paranormal expert who got the nickname Hand of God. However, this time, he is not only here for the laughs — his arrival subtly changes the bigger picture. In a significant moment, Elvis points to a vital connection between Alok’s freshly changed Betaal and Bhediya, the one who was last seen grappling with Sar Kata in Stree 2. It’s a clever, low-key link that signals the coming events and the Maddock universe fans will instantly get the excitement of the bigger plot unfolding.  Moreover, the talked-about Nora Fatehi cameo is not only a glam reel but also an addition to the lore. Her unveiling provides a wonderful emotional connection to Stree and is a massive high point for long-time fans of the universe. Being a kind of fan service, it rewards attention and gives a totally different perspective to everything that we thought we knew about this world. Is she the one who opens the door to its secrets or something else?  Before the release, the buzz was mostly about item numbers and flashy visuals. However, Thamma, turn, defies the expectation. In the typical Maddock manner, every song in this movie has its function-character revelation, story advancement, or myth deepening. There are no unnecessary diversions, no hollow spectacles, only the narrative-driven songs that keep the emotional part of the story going. It is a very important revamp of the Bollywood horror formula and the result is great.  Director: Aditya Sarpotdar,  Cast: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Paresh Rawal, Sathyaraj, Fasial Malik, Geeta Aggarwal, Rachit Singh and others"},"img":{"url":"https://images.prismic.io/prad/aPddOLpReVYa3gmP_thamma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-21T05:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Mod_oXpftJA"}},"uid":"review-thamma---a-fiery-blockbuster-ride"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'తెలుసు కదా' రివ్యూ... ఎమోషనల్‌ ఎంటర్‌టైన్‌మెంట్‌"},"content":{"text":"డీజే టిల్లు సినిమా తర్వాత స్టార్‌ బాయ్‌గా ఒక్కసారిగా లైమ్‌ లైట్‌లోకి వచ్చిన సిద్దు జొన్నలగడ్డ ఆ తర్వాత బ్యాక్ టు బ్యాక్‌ సినిమాలతో ప్రేక్షకుల ముందుకు వచ్చాడు. టిల్లు స్క్వేర్‌ ఆకట్టుకుంది, కానీ ఇటీవల వచ్చిన జాక్ సినిమా మాత్రం నిరాశ పరిచింది. దాంతో సిద్దు తదుపరి సినిమా విషయంలో ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకుల్లో అంచనాలు ఉన్నాయి. విభిన్నమైన కాన్సెప్ట్‌తో తెలుసు కదా రూపొందినట్లు టీజర్‌, ట్రైలర్‌, ప్రమోషనల్‌ స్టఫ్‌ ను చూస్తే అర్థం అవుతుంది. ముఖ్యంగా ట్రైలర్‌ చూసిన తర్వాత కాస్త బోల్డ్‌ కంటెంట్‌ అనే అభిప్రాయం ఏర్పడింది. మరి సినిమా ఎలా ఉంది? సిద్దుకి మరో విజయం దక్కిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : అనాథ అయిన వరుణ్‌ (సిద్దు జొన్నలగడ్డ) తనకంటూ ఒక ఫ్యామిలీ ఉండాలి, పిల్లలు ఉండాలని కలలు కంటూ ఉంటాడు. చాలా నిజాయితీగా ఉంటూ రాగ కుమార్‌(శ్రీనిధి శెట్టి)ని ప్రాణంగా ప్రేమిస్తాడు. కానీ ఆమె బ్రేకప్‌ చేసి వెళ్లి పోవడంతో పెళ్లి చేసుకుని ఫ్యామిలీ ఏర్పాటు చేసుకోవాలి నిర్ణయించుకుంటాడు. మ్యాట్రిమోనీ ద్వారా అంజలి శర్మ(రాశి ఖన్నా) తో వరుణ్‌ కి పరిచయం అవుతుంది. ఆ పరిచయం ప్రేమగా మారి, పెళ్లి చేసుకుంటారు.  వరుణ్‌, అంజలి పెళ్లి చేసుకున్న తర్వాత చాలా పెద్ద షాకింగ్‌ విషయం తెలుస్తుంది, ఆ వెంటనే బ్రేకప్‌ చెప్పి వెళ్లి పోయిన రాగ సైతం వరుణ్‌ జీవితంలోకి వచ్చేందుకు రెడీ అవుతుంది.  అప్పుడు వరుణ్‌ ఏం చేశాడు? ఇంతకు పెళ్లి తర్వాత వరుణ్‌, అంజలికి తెలిసిన షాకింగ్‌ విషయం ఏంటి? ఈ ట్రయాంగిల్‌ స్టోరీ చివరకు ఏమైంది? అనేది సినిమా చూసి తెలుసుకోండి.  నటీనటుల నటన : ఎప్పటిలాగే సిద్దు జొన్నలగడ్డ మొత్తం బాధ్యత తన భుజాల మీద వేసుకుని సినిమాను మోసుకు వెళ్లాడు. ఆయన డైలాగ్‌ డెలివరి, ఎమోషనల్‌ సీన్స్‌, సెంటిమెంట్‌ సీన్స్‌, రొమాంటిక్ సీన్స్ ఇలా ప్రతి ఒక్కదాంట్లోనూ ఆకట్టుకున్నాడు. హీరోయిన్స్‌తో ఆయన చేసిన సన్నివేశాల్లో హీరోయిన్స్‌ ను కంటే ఆయన్ను చూడాలి అనిపించే విధంగా ఉంది. మొత్తంగా సిద్దు జొన్నలగడ్డ తెలుసు కదా బాధ్యత మొత్తం తీసుకుని సక్సెస్‌ అయ్యాడు. ఆయన డైలాగ్‌ డెలివరీ గతంతో పోల్చితే కాస్త మాస్‌ ఎలిమెంట్స్ తగ్గిందని చెప్పాలి. అయినా కూడా బాగుంది. సిద్దు లుక్ పరంగానూ ఆకట్టుకున్నాడు.  హీరోయిన్‌ శ్రీనిధి శెట్టి లుక్స్‌ పరంగా ఆకట్టుకుంది. యాక్టింగ్‌తోనూ మెప్పించింది. లవ్‌ సీన్స్‌తో పాటు, కొన్ని సెంటిమెంట్‌ సీన్స్‌లో శ్రీనిధి ఆకట్టుకుంది. సిద్దుకు సరైన జోడీ అన్నట్లుగా నటించింది. రొమాంటిక్ సీన్స్ విషయంలో కాస్త ఇబ్బంది పడ్డట్లుగా అనిపించినా ఓవరాల్‌గా తన పాత్రకు న్యాయం చేసింది. హీరోయిన్‌ రాశి ఖన్నా సైతం తన పాత్రకు న్యాయం చేసింది. సిద్దు ను వివాహం చేసుకున్న తర్వాత కొన్ని షాకింగ్ సంఘటనలు ఎదుర్కోవాల్సి వస్తుంది. ఆ సమయంలో ఆమె నటన బాగుంది. చాలా సహజంగా ఆ సీన్స్‌లో ఎమోషన్‌ పండించింది. ఓవరాల్‌గా రాశి ఖన్నా సైతం అంజలి పాత్రకు ప్రాణం పోసినట్లుగా నటించి మెప్పించింది. ఇక వైవా హర్ష కామెడీ ఇంకాస్త మెరుగ్గా ఉండాల్సింది. తనకు వచ్చిన అవకాశంను సద్వినియోగం చేసుకున్నాడు.  టెక్నికల్‌ : ఈ సినిమాకి సంగీతాన్ని అందించిన తమన్‌ పూర్తి స్థాయిలో సంతృప్తి పరిచాడు. రెండు పాటలు చాలా బాగున్నాయి. సినిమా విడుదలకు ముందే అవి మంచి విజయాన్ని సొంతం చేసుకున్న విషయం తెల్సిందే. సినిమాలో ఆ పాటలు చాలా బాగున్నాయి. ఇక బ్యాక్‌ గ్రౌండ్‌ స్కోర్‌తోనూ సినిమా స్థాయిని పెంచాడు. ఓవరాల్‌గా తమన్‌ అందించిన సంగీతం తెలుసు కదా కి ప్రధాన ఆకర్షణగా నిలిచింది అనడంలో సందేహం లేదు.  సినిమాటోగ్రఫీ బాగుంది. సినిమాను గ్రాండ్‌ గా చూపించడంలో సినిమాటోగ్రఫీ పని చేసింది. దర్శకురాలు నీరజ కోన స్క్రీన్‌ ప్లే విషయంలో ఇంకాస్త వినోదాన్ని జోడించి ఉంటే బాగుండేది. సినిమా సీరియస్ నోడ్‌ లో సాగినట్లు అనిపిస్తుంది. ఎడిటింగ్‌లో చిన్న చిన్న లోపాలు మినహా అంతా బాగానే ఉంది. ఆకట్టుకునే విధంగా డైలాగ్స్ ఉన్నాయి. నిర్మాణాత్మక విలువలు బాగున్నాయి. సినిమాలో ఉన్న ప్రతి నటీనటుడు ఔట్‌ ఫిట్‌ పాత్రకు తగ్గట్లుగా బాగున్నాయి.  విశ్లేషణ : స్టార్‌ బాయ్‌ సిద్దు జొన్నలగడ్డ మరోసారి తన నటనతో మెప్పించాడు. కేవలం తాను మాత్రమే చేయగలను అన్నట్లుగా వరుణ్ పాత్రలో నటించి మెప్పించాడు. సినిమా ప్రారంభం అయినప్పటి నుంచి చివరి వరకు పాత్ర నుంచి బయటకు రాకుండా ఆకట్టుకున్నాడు. ట్రైలర్‌ చూసిన సమయంలో వరుణ్‌ పాత్ర అంటే సిద్దు జొన్నలగడ్డను నెగటివ్‌ షేడ్స్‌ లో చూస్తామా అనిపించింది.  కానీ సినిమాలో ఆయన పాత్ర ప్రతి కుర్రాడికి కనెక్ట్‌ అయ్యే విధంగా ఉంది. మంచి ఎమోషనల్‌ సీన్స్ ఉన్నాయి, అయితే ఎంటర్‌టైన్‌మెంట్‌, రెగ్యులర్‌ మాస్‌ ఎలిమెంట్స్‌, యాక్షన్‌ సీన్స్ కోరుకున్న వారు మాత్రం కాస్త నిరుత్సాహం వ్యక్తం చేస్తారు. పక్కా కమర్షియల్‌ మూవీ అన్నట్లుగా లేదు. ఎమోషనల్‌ లవ్‌ కమ్‌ రొమాంటిక్ సీన్స్‌ లో సినిమా సాగింది. అందుకే సినిమా స్లోగా సాగింది అనిపిస్తుంది. ఓవరాల్‌గా సినిమా చూడదగ్గట్లుగా ఉంది.  ప్లస్ పాయింట్స్ : సిద్దు జొన్నలగడ్డ, తమన్ సంగీతం, కొన్ని లవ్‌, రొమాంటిక్ సీన్స్‌  మైనస్ పాయింట్స్ : సెకండ్‌ హాఫ్‌ లో స్లో కథనం, రెగ్యులర్‌ కమర్షియల్‌ ఎలిమెంట్స్ లేకపోవడం, మెయిన్‌ లీడ్‌ కాకుండా ఇతర నటీనటులకు ప్రాధాన్యత లేదు  చివరగా.. ఈతరం యూత్‌ ఇష్టపడే రోమ్‌కామ్‌ మూవీ ఇది. జస్ట్‌ టైం పాస్‌కి చూడాలి అనుకుంటే తప్పకుండా వెళ్లవచ్చు.  బ్యానర్ : పీపుల్స్ మీడియా ఫ్యాక్టరీ  నిర్మాత : టీజీ విశ్వప్రసాద్‌, కృతి ప్రసాద్‌  దర్శకత్వం : నీరజ కోన  సంగీతం : తమన్‌  తారాగణం : సిద్దు జొన్నలగడ్డ, రాశి ఖన్నా, శ్రీనిధి శెట్టి, వైవా హర్ష తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aPIUlZ5xUNkB2FbH_TK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-17T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=clB21Xnu_SU"}},"uid":"review-telusu-kada---emotional-entertainment"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}