{"data":{"all":{"edges":[{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Couple thanks Jagan for daughter’s treatment"},"content":{"text":"A couple met former Andhra Pradesh Chief Minister and YSR Congress Party President, Y.S. Jagan Mohan Reddy, at Gannavaram Airport and thanked him for their daughter’s treatment under YSR Aarogyasri scheme when the YSRCP was in power.  Mahesh and Vineela from Korlagunta in the Nuzvid constituency met Y.S. Jagan Mohan Reddy at the airport. They came with their daughter, Dhansika, to thank him for the medical care she received under YSR Aarogyasri. The parents said Dhansika became seriously ill in 2019, when she was just two months old. Soon after Y.S. Jagan took office as Chief Minister, she underwent a critical brain neurosurgery free of cost under the YSR Aarogyasri at Ashram Hospital in Eluru. She recovered after the treatment and has been growing up healthy, they said. Mahesh and Vineela told YS Jagan that they would never forget the help their family received. They had come to the airport specifically to express their gratitude. Y.S. Jagan warmly greeted Dhansika and asked her parents about her health. He encouraged her to study well and gave her his blessings. At the family’s request, he also took a selfie with them. The family said they would always remember the medical support that helped their daughter recover. Meanwhile, YSRCP spokesperson and former MP, Gorantla Madhav, accused the TDP-led coalition government of betraying the unemployed. He criticised the Chief Minister Chandrababu Naidu government for issuing a notification for only 1,600 Police Constable posts. Speaking at the party’s central office at Tadepalli, he said Home Minister Vangalapudi Anitha had earlier told the Assembly that 20,000 Constable posts were vacant as of December 2023. The government must explain the gap, he said. Madhav said the previous government headed by the Y.S. Jagan Mohan Reddy government began recruitment for 6,511 police posts, including 6,100 Constables and 411 Sub-Inspectors. It issued the notification and conducted preliminary examinations. Those recruits are now undergoing training, he said, accusing the coalition government of claiming credit through passing-out parades. He also questioned what had happened to its election promise of 20 lakh jobs. Madhav recalled that Nara Lokesh had demanded a five-year age relaxation for police applicants while in Opposition. He asked why the government had not granted it now, when the latest Constable notification sets the general age limit at 18 to 23 years. He noted that the YSRCP government had granted a two-year relaxation. He condemned cases against unemployed youth and YSRCP leaders who protested over recruitment. \"The government must protect peaceful protest, fill police vacancies, keep the police free from political pressure and create opportunities for young people in Andhra Pradesh,\" he said."},"img":{"url":"https://images.prismic.io/prad/JLwEKSiWcwZSAk0B_jaganthanked.JPG?auto=format%2Ccompress&rect=0%2C40%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-25T11:30:00+0000","embed":{"embed_url":null}},"uid":"couple-thanks-jagan-for-daughters-treatment"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Can Kayadu Lohar Finally Break Through?"},"content":{"text":"Beauty, screen presence and acting ability may open doors in the film industry, but sustaining a career often depends on the right scripts, memorable characters and box-office success. For young actress Kayadu Lohar, the journey in Telugu cinema has so far been a challenging one, with her early outings failing to deliver the breakthrough many had anticipated. After making her acting debut with the Kannada film Mugilpete in 2021, the Assam-born actress went on to explore opportunities in Malayalam and Telugu cinema. Her Tollywood debut came with Sree Vishnu’s Alluri, but the film failed to make the desired impact at the box office. Despite drawing attention with her appearance and performance, Kayadu did not immediately land a major career-defining project. She later returned to Telugu screens with Funky, starring Vishwak Sen and directed by K. V. Anudeep. The film offered her a character with an interesting cinematic background, yet it too fell short of audience expectations. With two consecutive films unable to establish her as a promising commercial heroine in Tollywood, the actress was still waiting for a project that could change the course of her career. Hopes were subsequently pinned on The Paradise, the Nani-starrer directed by Srikanth Odela, which appeared to offer Kayadu an opportunity to make a stronger impression. However, the response to her character, Subbu, has sparked a fresh debate about the roles coming her way. In the film, Subbu dreams of becoming an actress and travels to Madras in pursuit of that ambition, only to encounter disappointment and difficult family circumstances. Burdened by her father’s debts, she is pushed into making choices that take her life in an unexpected direction. While the character has a dramatic backstory, its portrayal has also attracted criticism, leaving questions about whether the film will provide the career boost Kayadu needs. With three Telugu releases now failing to deliver the kind of breakthrough that could firmly establish her, the focus is shifting to her next choices. A strong script, a substantial role and a film that connects with audiences could still give the young actress the opportunity to showcase her abilities. For Kayadu, the challenge now is not simply about securing more screen time, but finding a character that allows her talent to translate into lasting recognition."},"img":{"url":"https://images.prismic.io/prad/DUH0681P_xeDH1Mp_kayadhulohar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-25T14:05:00+0000","embed":{"embed_url":null}},"uid":"can-kayadu-lohar-finally-break-through"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"Jailer 2: 'One Sun One Moon' Song"},"content":{"text":"Jailer 2: 'One Sun One Moon' Song"},"img":{"url":"https://images.prismic.io/prad/E4OibyLkghHPq2_K_onesunonemoon.JPG?auto=format,compress"},"datetime":"2026-09-25T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=HKBgAWIyYYU"}},"uid":"jailer-2-one-sun-one-moon-song"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Hyd 'Bada Ganesh' Immersion Ends Smoothly"},"content":{"text":"Hyderabad's famous Khairatabad Ganesh was immersed in Hussain Sagar lake on Friday amid gaiety as thousands of devotees bid adieu to the 'Bada Ganesh'. The 69-foot tall 'Panchamukha Sankatahara Maha Ganapati' was carried on a special Tusker vehicle to the lake, which is the focal point of the annual immersion procession. The much-anticipated event passed off in smooth manner at NTR Marg as the idol was immersed with the help of a huge crane. Thousands of devotees lined up around the lake in the heart of the city watched the immersion, a highlight of the annual festivities. The eco-friendly idol was placed on the specially designed vehicle with the help of a huge crane in the morning.  A large number of devotees participated in the Shobayatra amid a festive atmosphere. The Khairatabad Ganesh Utsav Committee in coordination with the police and other departments made elaborate arrangements for smooth shifting of the idol for immersion. Hyderabad Police Commissioner V.C. Sajjanar personally visited Khairatabad Ganesh mandap to supervise the arrangements. Transport and immersion of Khairatabad Ganesh is a huge task for all -- the police, Greater Hyderabad Municipal Corporation (GHMC) and other departments that make special efforts. It took more than five hours for the procession to cover a distance of about two km to reach NTR Marg via Telephone Bhavan and Secretariat. Thousands of devotees performed puja at the Khairatabad Ganesh for 12 days. Khairatabad Ganesh has a history of nearly 70 years.  The organisers had installed a one-foot idol for the first time in 1954 and since then, the height has been increasing by one foot every year. Due to Covid-19 pandemic in 2020, the organisers had installed a one-foot idol though they were planning a 66-foot idol. Khairatabad Ganesh is a major attraction of annual celebrations in the city.  Telangana Governor Shiv Pratap Shukla, Chief Minister A. Revanth Reddy, Ministers and other VIPs perform puja at this idol. Every year the organisers install the statue with a new theme and new avatar. This year the theme was selected as 'Panchamukha Sankatahara Maha Ganapati'. Governor Shiv Pratap Shukla offered first prayers at Khairatabad Ganesh on September 14.  State Minister Ponnam Prabhakar had offered 'silk robes' on behalf of the state government. Former Khairatabad MLA D. Nagender participated in the immersion procession. He was seen joyfully dancing with some women police officers to the tune of 'Aya Sher' song from the recently released movie 'The Paradise'. Nagender was recently disqualified by the Telangana High Court for defection. Only a day ago, the Supreme Court dismissed his petition, challenging the High Court order."},"img":{"url":"https://images.prismic.io/prad/tqr9F5Xfp6tEpc_z_badaganesh.JPG?auto=format%2Ccompress&rect=0%2C288%2C1600%2C789&w=2028&h=1000"},"datetime":"2026-09-25T12:50:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Orm1_ytgvYo"}},"uid":"hyd-bada-ganesh-immersion-ends-smoothly"}},{"node":{"tags":["politics","featured","one"],"data":{"third_party_url":null,"title":{"text":"Balapur Laddu Breaks Auction Record"},"content":{"text":"Hyderabad's famous Balapur Ganesh laddu was auctioned for a record Rs 39 lakh on Friday.  City-based entrepreneur S. Praneet Reddy bought the 21-kg laddu this year in an open auction held before the traditional Ganesh immersion procession from Balapur on the southern fringes of Hyderabad. Last year, the Balapur 'laddu' was auctioned for Rs 35 lakh. Eight people participated in the open auction bid for the laddu, which they believe brings good luck. The annual auction of the 'laddu' in Balapur village marks the beginning of the Ganesh immersion procession, which passes through various parts of the city to reach Hussain Sagar Lake. Balapur ‘laddu’ has its own significance in the festivities. The organisers say Balapur Ganesh has 45-years-long history, but the tradition of auctioning the ‘laddu’ began in 1994. According to auction organiser Balapur Ganesh Utsav Samithi, the 'laddu' was sold for Rs 450 in 1994. Kolanu Mohan Reddy bought the 'laddu' in the first auction in 1994 and was the successful bidder for five consecutive years. As he claimed prosperity by winning the bid, the 'laddu' became more popular. Since then, this sweet has grown in popularity and price. As it is believed to bring prosperity to the winner, businessmen and politicians vie with each other to bid every year. The winners not only distribute pieces of laddu among their family and friends but also sprinkle the remnants in their agricultural fields, business houses, and at home. The organisers had limited the auction to locals for 15 years. Later, people from other areas were also allowed to participate. Balapur Ganesh Utsav Samithi has so far conducted the auction 31 times. The auction was not conducted in 2020 due to Covid-19 situation. The organisers had presented the sweet to then Chief Minister K. Chandrasekhar Rao. In 2024, Kolanu Shankar Reddy bought the Balapur ‘laddu’ for Rs 30.01 lakh, while last year, Lingala Dasarath Goud was the successful bidder."},"img":{"url":"https://images.prismic.io/prad/l3iS50WIsENSSF18_balapurladdu2026.JPG?auto=format%2Ccompress&rect=0%2C42%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-25T12:25:00+0000","embed":{"embed_url":null}},"uid":"balapur-laddu-breaks-auction-record"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Green Card Changes Could Hit Indians"},"content":{"text":"A Republican senator has introduced legislation that could upend the employment-based green card system and have far-reaching consequences for Indian professionals waiting for permanent residency in the United States.  Senator Tommy Tuberville of Alabama introduced the Americans First Immigration Act, which would replace existing employment-based green card categories with a points-based system. The bill would also invalidate many pending employment-based petitions when the new system takes effect, according to its full text. Applications for adjustment of status or immigrant visas based on those petitions would be “rejected, denied, or invalidated,” the legislation says. Beneficiaries whose petitions were approved before the effective date could continue receiving visas only until the annual allocation for their existing category in the fiscal year of enactment is exhausted. No further visas would then be issued under that category. That provision could be particularly consequential for Indian applicants who have approved employment-based petitions but remain in lengthy green card queues. “Our current immigration system does little to evaluate the type of people we let in — it’s a free-for-all,” Tuberville said. “Coming to the United States is a privilege, and we need to ensure that anyone immigrating to our country is willing to go by our laws and contribute to our society.” The legislation would establish an annual worldwide allocation of 192,000 points-based immigrant visas. That number would be reduced by the number of certain migrants who were not detained or were released from mandatory detention during the previous fiscal year. Applicants would need a genuine US job offer and at least 16 points. They would also have to be between 18 and 51 and score in the fifth decile or higher on an English-language proficiency test. Points would be awarded for salary, education, English proficiency, military service and extraordinary achievement. The system would favour applicants with the highest scores. Applicants without a qualifying US degree would generally need a job offering at least 200 per cent of the median wage in the state where they would work. Those with a qualifying US degree would need an offer worth at least 150 per cent of the state median wage. Employers would have to recruit US workers first and offer the position to an American worker who was equally or better qualified. They would also be barred from laying off workers in equivalent jobs beginning 90 days before filing the required attestation. Green cards issued through the points system would initially be conditional for two years. The status of the principal applicant, spouse and children could be terminated if the principal applicant received a means-tested public benefit, was convicted of specified offences or failed to remain in qualifying employment. The bill would also eliminate the Diversity Visa Lottery and limit family-sponsored immigration to spouses and minor children. It would end green card routes for parents, siblings and adult children of US citizens. It would require immigrants who are not permanent residents to pay at least the tuition and fees charged to out-of-state students at US colleges. Institutions violating that requirement could lose approval to enrol international students for five years."},"img":{"url":"https://images.prismic.io/prad/eb4d3096-b9dc-4e0c-8677-83b93a6c2021_GC.JPG?auto=format,compress"},"datetime":"2026-09-25T02:28:00+0000","embed":{"embed_url":null}},"uid":"green-card-changes-could-hit-indians"}},{"node":{"tags":["politics","featured","four"],"data":{"third_party_url":null,"title":{"text":"KCR Eyes Khairatabad Revival!"},"content":{"text":"The political battle for Khairatabad is gathering momentum, with the Bharat Rashtra Samithi (BRS) beginning its preparations for a possible by-election. Party supremo K. Chandrashekar Rao (KCR) has reportedly started working on an electoral strategy to reclaim the constituency, bringing the focus back to the pink party’s organisational strength and candidate selection. On Thursday, KCR held discussions with BRS working president K. T. Rama Rao at his Erravalli residence. The meeting is understood to have focused on the political implications of the Supreme Court’s decision upholding the Telangana High Court’s verdict in the defection case involving sitting MLA Danam Nagender. With Nagender’s legal challenge failing to secure relief, the prospect of a by-election has prompted the BRS leadership to accelerate its preparations. For the BRS leadership, Khairatabad represents an important political contest, and the selection of a strong candidate is expected to be central to its strategy. KCR and KTR are understood to have reviewed the constituency’s political equations, the party’s grassroots network and the relative strengths of potential candidates. The leadership is reportedly assessing aspirants based on their local influence, public support and ability to take on Nagender in the electoral arena. Rather than rushing into a decision, the party appears focused on identifying a candidate who can capitalise on local political dynamics and translate organisational support into votes. The BRS is also expected to highlight its record on Hyderabad’s development during its tenure in government, while bringing issues such as civic infrastructure, local concerns and the Congress government’s promises into the campaign. Party leaders believe these themes could help them reconnect with voters, although the eventual outcome will depend on public sentiment and the strength of rival candidates. Alongside candidate selection, the BRS is reportedly planning to strengthen its booth-level machinery and mobilise its cadre across the constituency well before the election notification is issued. Division-wise reviews, coordination among local leaders, door-to-door outreach and programmes centred on public grievances are likely to form key components of its campaign. KTR is also understood to have briefed KCR on the prevailing political situation, recent meetings with party leaders and the protests being organised against the Congress government. The discussions reportedly extended beyond Khairatabad to include the upcoming graduate MLC elections and the ongoing SIR process. With several political challenges on the horizon, the BRS leadership is looking to use the coming weeks to consolidate its organisation and sharpen its campaign narrative. The Khairatabad contest is shaping up as a significant test of the party’s ground-level strength, its candidate-selection strategy and its ability to turn its claims about governance and development into electoral support."},"img":{"url":"https://images.prismic.io/prad/C2WyW5Lc0YkCsfHo_KCRbypoll%3B.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-25T05:01:00+0000","embed":{"embed_url":null}},"uid":"kcr-eyes-khairatabad-revival"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"ISI Switches to Dawood Protection"},"content":{"text":"Pakistan’s Inter-Services Intelligence (ISI) has reportedly changed its approach towards fugitive underworld figure Dawood Ibrahim, with greater emphasis now being placed on keeping him secure and moving him to a location near Karachi port.  Intelligence officials said the move is aimed at protecting the narcotics network linked to him while reducing the risk of international scrutiny falling on Islamabad. He is considered a key figure in the syndicate that has been operating a narcotics smuggling network in India for several years. For the Pakistani spy agency, which has supported Dawood Ibrahim over the years, the current situation is proving increasingly difficult. The agency needs funds to sustain terror groups such as the Lashkar-e-Taiba (LeT) and Jaish-e-Mohammed (JeM). Intelligence inputs suggest that this has increased the pressure on the network to expand the narcotics trade substantially. An official said the ISI would have wanted Dawood Ibrahim to use his network to significantly expand narcotics smuggling operations. “However, the focus now is more on creating escape routes, taking care of his health and also ensuring his safety,” the official said. While Dawood is reportedly suffering from several health problems, he is alive and continues to remain in Karachi. Following Operation Sindoor in May last year, the ISI is believed to have stepped up his security and moved him between different locations to avoid detection. “He is currently living near a port in Karachi, and this location was chosen so that he could make a quick escape in case of an Indian operation that would look to target him,” the official added. An Intelligence Bureau official said that the reason he is being kept at a location from where he could make a quick escape is that if he is killed in an operation, then it would become amply clear that Pakistan has been housing him. Islamabad has over the years vehemently denied his presence in Pakistan. While Operation Sindoor inflicted significant damage on Pakistan’s terror infrastructure, it also altered the operating environment for the Dawood syndicate. Dawood, who had largely remained in the security of his Karachi residence, was forced to change his movements and operating pattern following the operation. “Today when it comes to Dawood, the ISI is focusing more on ensuring his protection rather than using him for operations,” the IB official added. The Narendra Modi government’s intensified crackdown on drugs has also disrupted the ISI’s plans to a considerable extent. The arrest of Dawood’s close aide, Salim Dola, has unsettled the syndicate’s international operations and disrupted established supply chains. In India, enforcement agencies are continuing their relentless pursuit of narcotics networks and cartels. Another official said that in such a situation, Dawood becomes extremely handy for the ISI. There are the likes of Anees Ibrahim, Chhota Shakeel and Haji Salim to run the show. But Dawood is a cult figure for the syndicate, and with him not to be seen, many of the operatives have developed low morale, the official said. The ISI would look for ways to ramp up narcotics smuggling in India. There is a major push that is being made through Punjab. However, the ISI would want the trade to thrive in all parts of the country, as raising funds from only Punjab operations is not sufficient to nurture the various terror groups in Pakistan, officials say. In addition to Dawood’s poor health and security issues, there is also a succession battle within the syndicate. Shakeel feels he is far more useful and has contributed much more than the rest for the syndicate. However, the family members are rooting for Dawood’s brother Anees Ibrahim to take charge, officials also point out. Another official said that the ISI has multiple problems when it comes to the Dawood syndicate. It cannot afford so many problems, especially with this syndicate at a time when it wants to raise funds in a big way through narcotics smuggling. On the other hand, concealing his location and not letting the world know that he is in Pakistan is also important for the ISI. The country is also under close scrutiny by the Financial Action Task Force (FATF), and hence it becomes important to secure and cover Dawood Ibrahim, who is a key figure in terror funding, counterfeiting, and money laundering. A weakened D-Company is good news for the Indian security agencies. Such issues would help the investigating agencies crack cases better and further weaken the Dawood network within India. If the agencies manage to do this, a considerable amount of the narcotics smuggling problem in the country would be solved, an official said."},"img":{"url":"https://images.prismic.io/prad/5e1e7812-954c-461e-9f93-fd36c403bd18_dawood.JPG?auto=format,compress"},"datetime":"2026-09-25T05:30:00+0000","embed":{"embed_url":null}},"uid":"isi-switches-to-dawood-protection"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Khairatabad Braces for Three-Way Fight"},"content":{"text":"In the ever-evolving landscape of Hyderabad's political sphere, Khairatabad has transformed from a longstanding Congress stronghold into a dynamic battleground where the Congress, BJP, and BRS vie for dominance. The shift is starkly highlighted by the results of the recent 2023 assembly elections, which saw the BRS, led by Danam Nagender, secure the seat once again with a vote share of 43.8%. Meanwhile, Congress has emerged as a formidable challenger, with P Vijaya Reddy capturing 29.3% of the votes, relegating the BJP's Chintala Ramachandra Reddy to a distant third with 24.8%. This trend underscores a significant political recalibration in the region, with none of the parties managing to breach the crucial 50% threshold in the past three elections since the formation of Telangana. Khairatabad's electoral history stretches far back, establishing a rich tapestry of political allegiance that reflects broader shifts in the region's governance. Initially won by Congress's BV Gurumurthy in 1967, the constituency became synonymous with P Janardhan Reddy, who achieved remarkable success throughout the late 20th century. The Congress party's dominance was momentarily disrupted in 1983 by independent candidate M Ramchander Rao, yet Reddy's resilience allowed him to reclaim the seat in 1985. The tumultuous winds of change began to blow in 1999 when the Telugu Desam Party seized control, marking the beginning of a multi-party contest that would alter the dynamics in Khairatabad. The ongoing political transition in Khairatabad illustrates the broader narrative surrounding urban electoral politics in Telangana, which has been shaped by the post-statehood power dynamics. The 2014 elections marked the BJP's first breakthrough as Chintala Ramachandra Reddy won with 37.3% of the vote, signaling a shift that would see the region diverging from its Congress roots. This trend continued with Danam Nagender's switch to the TRS in 2018, allowing him to regain the seat with nearly 45% of the vote share. The subsequent victory of the BRS in 2023 further illustrates the constituency's fluid political identity, now characterized by a competitive triad rather than a single-party dominance. As the political landscape continues to evolve, the ongoing contest in Khairatabad offers a microcosm of the challenges and opportunities faced by the major political parties in Telangana. Each party must navigate a complex web of voter sentiment and evolving demographics to establish a foothold in this increasingly contested arena. Candidates from all three factions are gearing up for future elections, with aspirants from the BRS, BJP, and Congress emerging as key players. As this three-cornered political battle unfolds, it will undoubtedly capture the attention of both local and national observers, keen to witness how the narrative of Khairatabad continues to develop amid the shifting tides of urban politics."},"img":{"url":"https://images.prismic.io/prad/1f2048e5-5c84-4919-bc1d-2cc5f4c863dc_poll.JPG?auto=format,compress"},"datetime":"2026-09-25T10:21:00+0000","embed":{"embed_url":null}},"uid":"khairatabad-braces-for-three-way-fight"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Faria plays a Radio Jockey in 'Sigma'!"},"content":{"text":"Actress Faria Abdullah, who plays the female lead opposite Sundeep Kishan in director Jason Sanjay's eagerly awaited action entertainer 'Sigma', has now disclosed that she plays a Radio Jockey in the film.   In an interaction with the media, the actress said, \"Sigma is my first Tamil film. It is a good action-adventure heist comedy entertainer. My character in this film is that of a radio jockey.\" On her chemistry with Sundeep Kishan in the film, the actress said, \"I have always known Sandeep. We both always wanted to do a film together. Finally, we agreed to do it with Sigma. There is a lot of novelty in our characters in this film.\" Stating that Jason Sanjay told the story of Sigma to her through a Zoom call, Faria said, \"After listening to the whole story, I asked him how old he was. He said he was 24. I found it very inspiring. He is very humble and gets along with everyone in a friendly manner. He has a good command over direction. Even though it is his first film, he has made it with a very clear vision. The way he handles his set is very cool.\" For the unaware, the action-adventure and heist comedy 'Sigma' is to hit screens worldwide on October 2 this year. Directed by Jason Sanjay, who is also the son of Tamil Nadu Chief Minister C Joseph Vijay, 'Sigma' has been produced by Subaskaran under the prestigious Lyca Productions banner. A trailer released by the makers recently has only added to the excitement of fans and film buffs. The trailer gives away the fact that the protagonist (played by Sundeep Kishan) suffers a betrayal in the film. However, he refuses to forget what happened to him and instead chooses to fight back and reclaim what he has lost. At the centre of the story is a massive 500-crore racket involving drugs and gambling, drawing the protagonist into a high-stakes world of crime and deception. Apart from Sundeep Kishan and Faria Abdullah, the film also features Raju Sundaram, Sampath Raj Shiv Pandit, Anbu Thasan, and Yog Japee in prominent roles. Mythri Movie Distributors LTD is handling the film’s release in Coastal Andhra and Telangana, while NVR Cinema will distribute it in the Ceded area. On the technical front, the film has cinematography by Krishnan Vasant whose visuals in the film's trailer appear stylish and contemporary. The film has music by one of the best in the business, S Thaman. Editing for the film is by National Award winning editor K L Praveen."},"img":{"url":"https://images.prismic.io/prad/afEZFS0SVXVjdix4_faira.JPG?auto=format%2Ccompress&rect=0%2C38%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-25T07:52:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=X0ASrHeMuVE"}},"uid":"faria-plays-a-radio-jockey-in-sigma"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Alia Turns Cabaret Queen in 'Love & War'"},"content":{"text":"After unveiling Ranbir Kapoor’s intense first look, filmmaker Sanjay Leela Bhansali has now introduced Alia Bhatt’s character from Love & War, by dropping an official poster of the actress revealing her look from the movie for the first time.  The actress appears to be stepping into a glamorous cabaret avatar for the much-awaited period drama. Bhansali Productions shared the new poster featuring Alia in a dramatic, stage-ready look. Dressed in a wine red sequinned outfit donning a cropped blouse and flowing skirt along with a bunch of feathers, giving it a quintessential cabaret dancer look, Alia can be seen seated against an elaborate backdrop of red curtains and sparkling lights. With Alia's styling and theatrical presentation, it evokes memories of the iconic cabaret numbers associated with legendary performer Helen from the 70s era of Bollywood. Alongside the poster, the production house wrote: “Aag bhi, dilon ki jaan bhi! Sanjay Leela Bhansali’s Love & War on 21st January 2027 See you at the movies!” The reveal comes a day after the makers unveiled Ranbir Kapoor's first look from the film. Ranbir was seen in a retro avatar, seated behind the wheel of a vintage car, sporting slicked-back hair, sunglasses and a moustache. His composed appearance was contrasted by a bloodied arm and a bullet mark on his shirt, hinting at the film's war backdrop. Ranbir's poster carried the caption, “Woh rutba, woh raub, woh junoon!” and confirmed that Love & War will arrive in theatres on January 21, 2027. Alia had also shared Ranbir's first look on her social media account with the caption, “Hey Handsome.. Love & War in cinemas, January 21,2027.” Love & War brings together Ranbir, Alia and Vicky Kaushal in the lead, with Sanjay Leela Bhansali directing and producing the project."},"img":{"url":"https://images.prismic.io/prad/MkJxEUhuc766E9kh_aliabhatt.JPG?auto=format%2Ccompress&rect=0%2C83%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-25T06:15:00+0000","embed":{"embed_url":null}},"uid":"alia-turns-cabaret-queen-in-love--war"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Samantha’s Workout With a Twist"},"content":{"text":"Mom-to-be Samantha Ruth Prabhu is showing that her pregnancy fitness routine is all about listening to her changing body.  The actor, who is in her third trimester and is expected to welcome her first child with husband and filmmaker Raj Nidimoru in December, shared a glimpse of her latest workout session on social media on Friday. In the video, Samantha can be seen performing a seated cable row, a strength-training exercise that primarily works the upper back and arms. For the uninitiated, seated cable rows involve pulling a resistance handle towards the torso while maintaining a stable seated position. Samantha is seen using the cable machine while maintaining controlled movements, with her growing baby bump visible. Sharing the video, she wrote, “Equal parts ‘strong till the very end’ and ‘please don’t make me get up.’” The post comes as Samantha continues to remain active during her pregnancy. Earlier, she had shared glimpses of her prenatal strength-training routine and explained how her approach to fitness has changed during this phase. In one of her earlier workout posts, she performed a seated cable row and wrote, “Training looks a little different these days. Less about pushing harder. More about listening better.” Reports currently place Samantha in her third trimester, with her baby due in December 2026. Recently, Samantha and Raj also celebrated a traditional baby shower, or Seemantham, at Sadhguru’s Isha Foundation in Coimbatore. The intimate ceremony included rituals from the Srividya tradition, including Kalaa Aavarana (Sri Kalpam), which Samantha explained in detail while sharing pictures from the occasion. For the uninitiated, Samantha and Raj tied the knot in December 2025 at the Linga Bhairavi Temple within the Isha Yoga Centre in Coimbatore."},"img":{"url":"https://images.prismic.io/prad/fXWNPLu0Id2fi4dw_sam.JPG?auto=format%2Ccompress&rect=0%2C75%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-25T06:35:00+0000","embed":{"embed_url":null}},"uid":"samanthas-workout-with-a-twist"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"RR Bags Prestigious Public Servant Award"},"content":{"text":"In a significant recognition of his contributions to governance and social welfare, Telangana Chief Minister A. Revanth Reddy has been awarded the esteemed 'Aryadan Mohammed–2026 Best Public Servant Award'. This honor, commemorating the legacy of the late Kerala Congress leader Aryadan Mohammed, will be formally presented during a ceremony in Nilambur, Kerala, on Friday, coinciding with the fourth anniversary of Mohammed's passing. The award is a testament to Reddy’s commitment to uplifting marginalized communities and promoting democratic values within the state. The Aryadan Mohammed Foundation, led by working chairman Aryadan Shoukath, has highlighted Reddy’s notable initiatives aimed at supporting farmers, backward classes, and the broader populace of Telangana. The selection of Reddy for this accolade reflects not just individual merit but also a broader recognition of the importance of nurturing welfare-oriented governance in Indian politics. The award includes a cash prize of Rs 1 lakh alongside a citation and memento, further solidifying its prestige. Aryadan Mohammed, who served as an MLA for eight terms and held various ministerial positions across four Kerala governments, is remembered for his unwavering dedication to integrity, secularism, and public welfare. The jury responsible for selecting the award recipient included prominent figures such as MP Benny Behanan and Kerala's Revenue Minister AP Anil Kumar, along with the esteemed intellectual Kalpetta Narayanan. Their endorsement underlines the significance of Reddy's achievements within the context of contemporary governance challenges in India. At the award ceremony, AICC General Secretary K.C. Venugopal is slated to deliver a memorial lecture honoring Aryadan Mohammed's legacy. This event not only celebrates Reddy’s contributions but also serves as a platform for discussing the enduring values of public service that Mohammed embodied. As such, it marks a critical juncture for reflecting on the role of leaders in shaping policies that prioritize the welfare of the citizenry over politics, a theme that resonates strongly in the current political landscape."},"img":{"url":"https://images.prismic.io/prad/cY9u2qGitSLfo92d_rr.JPG?auto=format%2Ccompress&rect=0%2C25%2C628%2C310&w=2028&h=1000"},"datetime":"2026-09-25T09:25:00+0000","embed":{"embed_url":null}},"uid":"rr-bags-prestigious-public-servant-award"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Modi’s Hyderabad Power Play"},"content":{"text":"In a significant step for the Bharatiya Janata Party's (BJP) expansion into southern India, Prime Minister Narendra Modi is poised to visit Hyderabad today, where he will virtually inaugurate development projects valued at an impressive Rs 9,400 crore. This visit comes on the heels of Modi's participation in the historic swearing-in ceremony of the BJP's first chief minister in West Bengal, marking a pivotal moment for the party as it seeks to strengthen its foothold in Telangana. The prime minister’s itinerary includes a public rally at the Parade Ground in Secunderabad, aiming to galvanize support and showcase the party’s commitment to regional development. The projects set for inauguration during Modi's visit encompass a myriad of initiatives aimed at fostering economic growth and infrastructure development across Telangana. Notable among these is the PM Mitra Park in Warangal, designed to bolster the textile sector, alongside the foundation-laying for the Zaheerabad Industrial Area in Sangareddy and a cancer-focused multi-super specialty hospital in Hitec City. This ambitious lineup not only underscores the BJP's focus on healthcare and industrial growth but also signifies an effort to connect with the electorate by delivering on key promises that resonate with public needs. Modi's visit is also a strategic maneuver in the backdrop of a changing political landscape in Telangana, where the BJP aims to capitalize on perceived discontent with the incumbent Bharat Rashtra Samithi (BRS) and the Congress party. State BJP president N. Ramchander Rao articulated the party's stance, criticizing both parties for their unmet promises during their tenures. The BJP's ambitions reflect a broader national strategy to challenge regional strongholds, with Telangana being viewed as a crucial battleground, especially following recent electoral successes in neighboring states. In anticipation of Modi's public meeting, the state BJP has mobilized extensive grassroots efforts, including a wall writing campaign and targeted outreach aimed at drawing a crowd of nearly two lakh attendees. Mobilization efforts are particularly concentrated in Greater Hyderabad, Malkajgiri, and Cyberabad, with a keen eye on upcoming civic body elections. The party's focus on engaging women voters is indicative of a nuanced understanding of the electorate, as the BJP seeks to forge deeper connections within the community and transform its political narrative in a traditionally challenging landscape."},"img":{"url":"https://images.prismic.io/prad/ZfSR83YkiKrtlJ5Y_modiroadshow.JPG?auto=format,compress"},"datetime":"2026-09-24T18:49:00+0000","embed":{"embed_url":null}},"uid":"modis-hyderabad-power-play"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"CJP Sets 48-Hour Deadline for CEC"},"content":{"text":"The Cockroach Janata Party (CJP) on Thursday demanded the resignation of Chief Election Commissioner Gyanesh Kumar within 48 hours and warned of a nationwide agitation if he does not step down.  Addressing a press conference, CJP founder Abhijeet Dipke said, “If within 48 hours Gyanesh Kumar doesn’t resign, the Cockroach Janata Party will start a nationwide agitation. We won’t step back till the time Gyanesh Kumar resigns.” Dipke launched a sharp attack on the CEC following reports about differences within the Election Commission of India (ECI) over decisions related to the Special Intensive Revision (SIR) of electoral rolls. Abhijeet Dipke said, \"Yesterday, a report came out regarding the Election Commission, which shows that Gyanesh Kumar, the Chief Election Commissioner, is the biggest traitor of this country. He is the biggest anti-national. Gyanesh Kumar is the biggest anti-national of this country, and he should resign immediately. Now, why is he anti-national? Because he is undermining India’s democracy.\" He alleged that the functioning of the Election Commission under Kumar had undermined democracy. \"What did democracy mean in our country? Democracy meant that the people would choose the government; the people would decide whom they want to vote for. But ever since Gyanesh Kumar became the Chief Election Commissioner, the government has been deciding who will vote and who will not. \"Is this democracy? What kind of definition of democracy is this? You have completely turned democracy upside down. This is not democracy; this is autocracy. And the biggest criminal in this, the biggest anti-national, is Gyanesh Kumar,\" he said. Dipke further referred to the 2024 Lok Sabha elections and alleged that the results and subsequent developments involving several political leaders showed a pattern. “To understand this, we will have to go back to 2024. In the 2024 elections, the BJP could not achieve a majority. The panic button was pressed when they failed to secure a majority. They had come down to 240 seats when they were raising the slogan of ‘400 paar’. After that, they realised that the mood of the country was changing,” he said. He alleged that several Chief Ministers and political leaders who had campaigned together in 2024 were subsequently defeated. “This cannot simply be a coincidence. You can see a pattern. All the Chief Ministers who had come together in 2024 and campaigned together how were they eliminated one by one?” he said. Dipke further alleged that voter deletions had affected constituencies associated with several political leaders. He claimed that 50,000 votes were deleted from former West Bengal Chief Minister Mamata Banerjee’s constituency, while she lost by around 15,000 votes. He also claimed that one lakh votes were deleted from former Tamil Nadu Chief Minister M.K. Stalin’s constituency and that he lost by around 45,000 votes. In Delhi, he alleged that 40,000 votes were deleted from former Chief Minister Arvind Kejriwal’s constituency, where he claimed Kejriwal lost by around 4,000-5,000 votes. He also alleged that the Election Commission had played a role in the split of Shiv Sena (UBT) chief Uddhav Thackeray’s party and the allocation of its election symbol. “Uddhav Thackeray’s party was split, and its election symbol was taken away by the Election Commission. The Election Commission very cleverly and proactively took away that election symbol and gave it to a proxy party, which you could call a shell company,” he alleged. Dipke further alleged that similar developments had taken place involving other political parties and accused the ECI of favouring the BJP. “So, who is the person most responsible for this? The real culprit, the real criminal behind all this, is Gyanesh Kumar. He has not only rigged elections across the country, but has also proactively ensured that the BJP remains in power,” he alleged. CJP co-convenor Saurav Das also criticised the functioning of the electoral system. “They have turned the country into a huge joke under the current system. This system is corrupt; this system is broken. The youth of the country is demanding change. They are saying, ‘Change is required; fundamental change is required',” Das said. He said that the right to vote was an important instrument available to citizens to bring about change. “But how will the system change? If your right to vote, which is the only tool you have to bring about change in your life, is taken away from you or stolen from you, then how will change come?” he asked."},"img":{"url":"https://images.prismic.io/prad/ahLICrK9tuLqEGaZ_CockroackJantaParty.png?auto=format%2Ccompress&rect=0%2C33%2C756%2C373&w=2028&h=1000"},"datetime":"2026-09-24T11:05:00+0000","embed":{"embed_url":null}},"uid":"cjp-sets-48-hour-deadline-for-cec"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"SDT Celebrates His 'Rebirth Day'"},"content":{"text":"Actor Sai Dharam Tej, who suffered a terrible accident five years ago, on Thursday penned a note of gratitude on the occasion of his 'Rebirth Day' in which he urged all his fans to wear a helmet while riding, saying that one small decision was the reason why he was here today.  Taking to his social media timelines to share the statement titled 'Rebirth-Day', Sai Dharam Tej wrote, \"To my family, friends, fans and every movie lover, Five years ago today, I was given a second chance at life, carried through by your prayers, love and unconditional support. I needed every single one of them. I've recovered 90% from my injuries. There are still a few things I'm working through, my speech and a few other challenges, but I'm getting there. One day at a time.\" He went on to say, \"What I want you to know is this: your love never left my side. It gave me the strength to push through every difficult day, every setback and every moment when giving up would have been easier. And here I am. Five years later. Still standing. Still fighting. Still living. Thank you for every prayer, every good wish, every message and every bit of love. I wouldn't be here without you.\" He ended the statement with a request to all his fans and followers. \"And if there is just one thing I want you to take away from my story: PLEASE WEAR A HELMET. That one small decision is the reason I'm here today.\" For the unaware, Sai Dharam Tej suffered serious injuries in a road accident that occurred in September 2021. The actor was rushed to the hospital, where he was accorded timely treatment and saved.  On the work front, the actor will next be seen in director Rohith KP's eagerly awaited pan Indian film, 'Sambarala Yeti Gattu'. The film is to hit screens on January 12 next year."},"img":{"url":"https://images.prismic.io/prad/ZxzlOYF3NbkBYDgK_saidurgatej.jpg?auto=format,compress"},"datetime":"2026-09-24T08:55:00+0000","embed":{"embed_url":null}},"uid":"sdt-celebrates-his-rebirth-day"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Sooraj Pancholi received death threats?"},"content":{"text":"Actor Sooraj Pancholi has revealed that he received online abuse and death threats. He also clarified that he has never met Disha Salian or Shiv Sena (UBT) leader Aditya Thackeray. Taking to Instagram, Sooraj said there was “so much more to say” about what has happened and what has been said about him. He added that he would speak openly when the “right time” comes and when he gets a platform with a journalist or interviewer willing to ask him difficult and uncomfortable questions directly. The ‘Hero’ actor wrote, “This is something I wanted to post before my Instagram got blocked for reasons I still don’t understand. But honestly, I have so much more to say. So much has happened, so much has been said about me, and there is so much sitting inside me that I want to speak about openly and from my heart.” “And I will. I will speak when the right time comes, and when someone gives me the right platform to do it. And when I say the right platform, I mean a proper, educated journalist or interviewer who is willing to sit across from me, look me in the eye, and ask me every single question directly, difficult questions, uncomfortable questions, all of them. I have no problem answering them.” Sooraj added, “All I ask is that it is done with composure, with facts, and with some basic understanding of journalism and humanity. Not someone hiding behind a camera, shouting questions, looking for a reaction or trying to turn someone’s life into a spectacle. There is a lot I want to say. There are things I have stayed quiet about for years. There are things people have assumed, things that have been reported, and things that have never been asked of me directly. When I finally get the right opportunity, I will answer them. Every question. Directly. Honestly. Without fear. Because there is so much more to this story than what people have seen or been told. And when I speak, I want to speak properly with nothing held back and with the truth being given the space it deserves.” Sooraj Pancholi also penned lengthy notes in which he said his name had been repeatedly dragged into matters he claimed he had nothing to do with, adding that he had already “lost years” of his life. The actor said he was now trying to rebuild his life, career and future and did not want to remain silent. Sooraj further said he had no personal issues with anyone and maintained that he had “no political alliances” or agenda. He urged the investigating agencies to conduct a thorough and complete investigation into the matter without further delay. His note read, “I am saying this one more time, and I have to repeat myself because clearly people still don't understand when I say this. I I have never met late Disha Salian or Aditya Thackeray in my life. Not once. Not directly. Not indirectly! And yet, the online abuse hasn't stopped. I have been called every possible name and have even received death threats, with people assuming that I must be scared. I am not scared. I have spent years watching my name being dragged into things I had absolutely nothing to do with. I have already lost years of my life, years I can never get back! And now, when I am finally trying to rebuild my life, my career and my future, I refuse to stay silent and watch it happen all over again. If I was scared, I would have stayed quiet like many others. But I am doing the exact opposite! Because I have clearly nothing to hide or run away from! I am standing up for myself because I know that my heart is clean. At the end of the day, it is my name, my life and my future that I have to live with.” “And I am doing this for myself. I also cannot ignore what I have been seeing. It is clear to me that a lot of the hatred and attempts to drag my name into this are because of issues certain people have with members of my family. Whatever those issues may be, please do not make me pay for them. I have no personal issues with anybody. I have no political alliances, no political agenda and no interest in protecting or attacking anyone. So I PLEASE request the investigating agencies for just one thing Please investigate this matter thoroughly, completely and without any further delay.” Disha Salian, who had briefly worked as the manager of late actor Sushant Singh Rajput, died in 2020. The Central Bureau of Investigation (CBI) recently registered an FIR to begin a fresh probe into her death following a Bombay High Court order. The FIR mentioned several names, including Sooraj Pancholi, Shiv Sena (UBT) leader Aaditya Thackeray, Rohan Roy, Rhea Chakraborty and others, whose roles are to be investigated."},"img":{"url":"https://images.prismic.io/prad/ZiOW3SucMgpL_GBC_sooraj.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-24T07:48:00+0000","embed":{"embed_url":null}},"uid":"sooraj-pancholi-received-death-threats"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Nick’s Birthday Kiss With Priyanka"},"content":{"text":"Singer-actor Nick Jonas has given fans a glimpse into his “perfect birthday week”, and shared a series of pictures from his celebrations with wife and actor Priyanka Chopra Jonas and their daughter Malti Marie.  The Jonas Brothers star, who turned 34 on September 17, credited Priyanka for making the celebrations special. Taking to his social media account on Wednesday, Nick shared a carousel of pictures and videos from his birthday week and captioned it, “A perfect birthday week thanks to my @priyankachopra.”  The first picture features Nick and Priyanka enjoying some time together on a golf course, with Priyanka leaning in for a kiss. Another picture shows the couple on the golf course with family enjoying a relaxed day of golfing. The carousel also includes a glimpse of Nick's birthday cake. The elaborate chocolate cake features a wooden-style “Happy Birthday 34 Nick” topper and is decorated with chocolate bars, cookies and marshmallows. Nick also shared a picture of daughter Malti Marie dressed in a colourful outfit and seated in a chair. Lastly, he shared a picture of him and Priyanka sharing a kiss. The birthday celebrations come days after Priyanka shared a birthday wish for Nick on his birthday. Her carousel included a picture of herself kissing Nick on the cheek. Priyanka had captioned the post as, “Happy birthday to the man that makes all our dreams come true.. everyday. We love you Gaga.”  Nick and Priyanka's relationship has often been in the spotlight since they began dating in 2018. The couple got married in December that very year in a multi-day wedding celebration in Jodhpur, Rajasthan, which included both Hindu and Christian ceremonies.  The couple embraced parenthood in 2022 with the arrival of their daughter, Malti Marie Chopra Jonas, who was born via surrogacy.  On the work front, Priyanka is set to return to Indian cinema with SS Rajamouli's ‘Varanasi’, alongside Mahesh Babu and Prithviraj Sukumaran. "},"img":{"url":"https://images.prismic.io/prad/cMW-vO61gjpnbDFR_pcnick.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-24T02:15:00+0000","embed":{"embed_url":null}},"uid":"nicks-birthday-kiss-with-priyanka"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Manasa Varanasi Lands ‘George Krish’"},"content":{"text":"The makers of director Sreenu Vaitla's upcoming Telugu film, 'George Krish', featuring actor Sharwanand in the lead, have now announced that actress Manasa Varanasi will play the female lead in the film.  For the unaware, Manasa Varanasi's most recent film 'Couple Friendly' had gone on to emerge a huge hit and the actress had come in for praise for her work in the film. Sources say that Manasa’s role in 'George Krish' will have great significance.   The film has generated excitement among fans ever since it was first announced as Sharwanand, who is riding high on the successes of his recent films -- 'Nari Nari Naduma Murari' and 'Biker' -- is teaming up with director Sreenu Vaitla for the first time. Presented by ATV, the film is being produced by Ramabrahmam Sunkara under Anil Sunkara’s AK Entertainments banner, with Ajay Sunkara opting in as co-producer. It may be recalled that the makers had unveiled the title and release date through a colourful and eye-catching poster in August this year. The Sankranti sentiment is particularly special for Sharwanand as films of the actor that have released for the festival have gone on to emerge as huge successes. Films such as 'Shatamanam Bhavati', 'Express Raja' and 'Nari Nari Naduma Murari' all released for Sankranti and emerged winners. Now, 'George Krish' too is to be relea 'George Krish' was launched in a grand fashion with a traditional pooja ceremony. For the muhurtham shot, producer Suresh Babu switched on the camera, with MLA Talasani Srinivas Yadav sounding the clapboard. Sreenu Vaitla himself directed the first shot. The film boasts a strong technical crew. KV Guhan will be the cinematographer for this film, which will have Anup Rubens scoring its music. Avinash Kolla is to serve as the production designer and Amar Reddy Kudumula will be taking care of editing. Nandu Savirigana and Gopi Mohan have written this script and Kishore Garikipati will serve as its executive producer. For the first time ever, the worldwide theatrical distributors list of a film were announced on the day of its launch. Asian Suresh Entertainments is to distribute the film in Nizam, Vaasudeva Movie Creations in Vizag, Vintage Creations in East, Adithya Films in West, Vyom Cinemas in Krishna, RK Entertainments in Guntur and Abhi Cinemas in Nellore. Overseas distribution is to be handled by VYOM Cinemas and Cinema Paradiso."},"img":{"url":"https://images.prismic.io/prad/-xk_ZNUaoa-6aHRo_manasa.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-24T02:32:00+0000","embed":{"embed_url":null}},"uid":"manasa-varanasi-lands-george-krish"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Amitabh Reveals Wedding Twist"},"content":{"text":"Bollywood megastar Amitabh Bachchan recently opened up about his marriage to actress-politician Jaya Bachchan during an episode of Kaun Banega Crorepati 18.  He revealed that the couple's decision to tie the knot was made rather spontaneously, without either of them going through an elaborate process of seeking approval from their families. The conversation began when contestant Aheli Roy from Kolkata asked how he had managed to convince his mother-in-law and win over Jaya's family before their marriage. Responding to her question, Amitabh recalled that he and Jaya simply decided one day that they should get married. “Humne unko kuch nahi kaha. Humne bas Jaya ji ko ek din bola ki shaadi kar leni chahiye. Toh unhone kaha, haan kar leni chahiye aur bas tay ho gaya. Humne kisi se bhi baat nahi ki. Shaadi tay hone ke baad Jaya ji gayi, apne mata-pita ko bataya hoga. Humein yeh bhi maloom nahi unhone kya bola hoga, lekin woh log maan gaye aur aa gaye. Phir thodi baatein hui aur agle din shaadi kar li,” he said. (We didn't tell them anything. One day, I simply told Jaya ji that we should get married. She said yes, we should get married, and that was it. It was decided. We didn't speak to anyone. After the marriage was decided, Jaya ji must have gone and told her parents. We don't even know what she told them, but they agreed and came over. Then there was a little conversation, and we got married the next day) Amitabh went on to joke about how weddings today often involve extensive planning and preparations, saying he preferred the simplicity with which he and Jaya approached their marriage. “Sach bolun toh aisa hi hona chahiye, hai na? Kaun uss jhamela mein jaaye ki yeh taarikh hogi, yeh kapde pehnenge, idhar jaayenge, udhar jaayenge, yeh sab karenge, band-vand bajega. Iska kuch faayda nahi. Humne maan liya ki woh humari patni hain. Isse bada mann kuch nahi,” he said. (Honestly, this is how it should be, isn't it? Who wants to get into all that hassle of deciding a date, choosing clothes, going here and there, making all these arrangements, having the band play and everything? What is the point of all that? We simply accepted that she was my wife. There was nothing greater than that for me) For the uninitiated, Amitabh and Jaya got married on June 3, 1973. Their relationship had blossomed after working together in films. Their decision to marry came soon after the success of Zanjeer, with the couple having planned a trip to London with friends. Amitabh later recalled that his father, poet Harivansh Rai Bachchan, told him that if he wanted to travel with Jaya, they should get married first. Jaya later revealed that the couple had originally planned to marry in October but moved the wedding forward. The wedding took place just days before their planned London trip. The two have also worked together in films including Zanjeer, Abhimaan, Chupke Chupke, Mili and Sholay. Their marriage followed the success of Zanjeer, which marked an important phase in both their professional and personal lives. The couple went on to build a family together and are parents to daughter Shweta Bachchan Nanda and son Abhishek Bachchan."},"img":{"url":"https://images.prismic.io/prad/ZhUPdRrFxhpPBY7X_amithabjaya.JPG?auto=format,compress"},"datetime":"2026-09-24T04:50:00+0000","embed":{"embed_url":null}},"uid":"amitabh-reveals-wedding-twist"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Ronaldo Opens Up on Portugal Future"},"content":{"text":"Cristiano Ronaldo has made it clear that he will continue to represent Portugal as long as the national team wants him, saying he would be the 'first one to go' if he feels he is no longer wanted or able to contribute to the side.  Ronaldo, 41, had refused to confirm his international future after Portugal were knocked out of the FIFA World Cup 2026 by eventual champions Spain in the round of 16 in July.  His inclusion in new head coach Jorge Jesus’ first Portugal squad has now confirmed that the veteran forward remains available for national team duty. “Whenever they say they don’t want me in the national team, I will be the first one to go. When I think I am not adding anything to the team, or that I create an atmosphere, I will be the first to go. I will take my suitcase and leave,” Ronaldo told reporters ahead of Wales clash. “The Portuguese count on me. That’s why I’m still here. Just look at the numbers; I’m sure you can make some calculations. I’m still doing well. The day they don’t count on me, no problemo, I will leave. I will always be the No. 1 fan of this federation,” he added. Ronaldo admitted that he had considered stepping away from international football after the World Cup but decided to continue following discussions with Portugal president Pedro Proença and Jesus. “Yes, I did. Of course, I’m always thinking about my decisions, my future, and the present also. I’m a thinker; you have to think. This is why you see me here now; it means I will continue,” he said. The five-time Ballon d’Or winner said he still believes he can help Portugal, not only with his goals but also by supporting a younger generation coming through. “I still believe that I’m able to help the national team to reach what they want. I think I can give the national team my support, not only through the goals, but also outside of football,” Ronaldo said. Ronaldo has made 233 appearances for Portugal and remains a key part of the side as Jesus begins his tenure following Roberto Martinez’s departure. Jesus, who previously coached Ronaldo at Al-Nassr, has confirmed that the forward will start Portugal’s Nations League clash against Wales on Thursday. “Cristiano is a symbol of Portugal and the national team,” Jesus said. Ronaldo is also closing in on another major milestone, with 979 goals for club and country, leaving him 21 short of 1,000. The forward said he wants to reach the landmark but does not want to become obsessed with the target. “It would be the cherry on the top of the cake to score my 1,000th goal with the national team. It would be the culmination of a beautiful story. I said I wanted to reach that target and I will reach that target. But I don’t have an obsession,” he said. Ronaldo will return to José Alvalade Stadium on Friday, the ground where his professional career with Sporting began, for Portugal’s meeting with Wales. “It’s a special feeling because it was there that my beautiful history started. I’m very proud of that, to play for the national team after so many years,” he said."},"img":{"url":"https://images.prismic.io/prad/VZXFqK_dmYnD6VGQ_ronaldo.JPG?auto=format%2Ccompress&rect=0%2C21%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-23T18:33:00+0000","embed":{"embed_url":null}},"uid":"ronaldo-opens-up-on-portugal-future"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"US targets birth tourism with new visa curbs"},"content":{"text":"The United States has announced visa restrictions targeting people who knowingly engage in or facilitate birth tourism, alongside a new public portal to report suspected visa fraud, including fabricated job offers and sham marriages. Secretary of State Marco Rubio said the restrictions would cover participants and commercial networks that arrange travel to the United States for the purpose of securing American citizenship through childbirth. Certain family members could also be covered. “Foreign commercial birth tourism networks have exploited the US immigration system to sell US citizenship for profit,” Rubio said in a statement. He accused such networks of coaching foreign nationals to lie on visa applications and charging tens of thousands of dollars to arrange births on American soil solely to obtain US citizenship. Rubio said the new policy was being introduced under Section 212(a)(3)(C) of the Immigration and Nationality Act. Those targeted include owners, operators and managers of commercial birth tourism networks, as well as intermediaries who coach applicants to commit visa fraud. The policy also covers foreign medical providers who knowingly facilitate such travel and fraudulent use of Medicaid, according to the statement. Others who support or enable commercial birth tourism could face restrictions. Rubio said the policy applied to people who knowingly engage in, have previously engaged in or facilitate birth tourism. His statement did not give details of individual cases. “Certain family members may also be covered by these restrictions,” the department said, without specifying which relatives or the circumstances in which the provision would apply. Rubio described the move as an effort to protect citizenship, public benefits and taxpayers, as well as national security. Separately, the State Department announced an online portal for members of the public to submit information about suspected visa fraud and misuse. The department listed falsified documents and travel plans, brokers arranging sham marriages, shell companies and fabricated job offers among the schemes it seeks to detect. Its list also included participation in or facilitation of birth tourism. The portal announcement said the Bureau of Consular Affairs was conducting fraud detection and prevention activities to stop attempts to travel to the United States through fraudulent means or for illegal purposes. Possible enforcement measures include visa revocations and referrals for further law enforcement investigation, the department said. It said many of the tens of thousands of people it had identified and held accountable for visa fraud during President Donald Trump’s second term were discovered through public tips. The announcement did not provide a breakdown of those cases or the action taken. “This new online tool provides a convenient and reliable way for the public to submit crucial information for prompt review and action,” the department said. It directed people with information about suspected fraud to travel.state.gov/reportvisafraud. Birth tourism refers to travel undertaken to give birth in another country with the aim of securing citizenship for the child. Commercial operators have marketed packages combining travel, accommodation and childbirth arrangements. The US debate over birth tourism is linked to the country’s longstanding tradition of citizenship by birth. The citizenship clause of the 14th Amendment, ratified in 1868, states that people born or naturalised in the United States, and subject to its jurisdiction, are citizens."},"img":{"url":"https://images.prismic.io/prad/Nt8LdJm8RER5An6I_USBirth.JPG?auto=format%2Ccompress&rect=45%2C0%2C365%2C180&w=2028&h=1000"},"datetime":"2026-09-24T01:15:00+0000","embed":{"embed_url":null}},"uid":"us-targets-birth-tourism-with-new-visa-curbs"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Raveena’s 90s Six-Set Sprint"},"content":{"text":"Actress Raveena Tandon has opened up about the demanding work schedules of actresses in the 1990s. She recalled how she and Karisma Kapoor would juggle multiple film projects and shooting locations in a single day. Reflecting on the hectic pace of work during that era, Raveena said that she and Karisma were among the actresses who would often work for what felt like more than 24 hours a day. During her appearance on the semi-finale episode of India’s Best Dancer Season 5, the ‘Mohra’ actress admitted that the hectic routine could become so overwhelming that they sometimes lost track of the characters they were portraying. Reflecting on the hustle of that era, Raveena shared, “90s mein I think do hi heroines thi jo literally 24 ghante mein 36 ghante kaam karte the. Ek Lolo ji hain aur ek main hoon. Aur 6 different productions ke 6 sets pe alag alag ek din mein hum shooting karte the. Do ghante idhar, dedh ghante udhar, teen ghante idhar toh chaar ghante udhar. Hume pata bhi nahi ki hum kaunse character mein hain. Beyond a point, hum bhool jaate the ki joh bhi bola gaya hai woh karo. Uss samay humko kahan rich spoiled brat', ek hi role tha 6 sets pe.” (“In the 90s, I think there were only two actresses who literally worked 36 hours in a 24-hour day. One was Lolo ji and the other was me. We would shoot for six different productions on six different sets in a single day. Two hours here, one and a half hours there, three hours at another set and then four hours somewhere else. At times, we didn’t even know which character we were playing. After a point, we would forget everything and simply do whatever we were told. Back then, there was no such thing as a ‘rich spoiled brat’—it was the same role across all six sets.”) Adding to the nostalgic story, Karisma chimed in with a hilarious secret about their shared filming routines. She recalled, “Aur ek secret main bata deti hoon. Shooting hoti thi Film City mein aur hum log subah 7 baje se shooting karte the and then we are crossing each other, yeh ek set se woh dusre set hum jaa rahe hain, kapda badal ke aa rahe hain, phir doosre set pe hum jaa rahe hain.” (And let me tell you a little secret. We used to shoot at Film City, starting as early as 7 in the morning. We would constantly cross paths with each other, rushing from one set to another, changing our clothes and then heading straight to the next set.) The latest semi-finale episode of Sony Entertainment Television’s “India’s Best Dancer Season 5” welcomed Raveena Tandon as the special guest. The episode was filled with nostalgia, laughter, and memories as Raveena reunited with judge Karisma Kapoor and spoke about the hectic work schedules and demanding routine of leading actresses in the 1990s."},"img":{"url":"https://images.prismic.io/prad/DkhDXTpxeB5mhMud_raveena.JPG?auto=format%2Ccompress&rect=0%2C41%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-23T18:30:00+0000","embed":{"embed_url":null}},"uid":"raveenas-90s-six-set-sprint"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Manisha’s Spiritual Escape"},"content":{"text":"Actress Manisha Koirala, who was last seen in the streaming series ‘Heeramandi:The Diamond Bazaar’, has shared glimpses from her recent journey, which opened a new gateway for her. The actress took to her Instagram, and shared an array of pictures and videos from her special spiritual visit. Some days feel less like a journey and more like a blessing. Today was one of those days. Baba had asked us to join him on a journey to Lumbini and Kapilvastu, and what began as a day of travel became something far more meaningful. At Maya Devi Temple in Lumbini, at a school in Kapilvastu near the palace associated with Siddhartha Gautama, and at an orphanage, Baba distributed educational materials, food and gifts”. She also spent time with the Buddhist monks, and said that there was something deeply moving about witnessing kindness being given so simply, without noise, without expectation. She further mentioned, “What I will carry with me most are the conversations during the journey. The kind of deep, thoughtful conversations that make you pause, look within and see life a little differently. Being in the company of Baba, and having Dr. Jyoti R Jyoti accompany us, made the journey even more special. I also visited Sushila Ama’s Maiti Ghar, a place that holds its own memories and emotions for me. Returning there added another layer of meaning to an already beautiful day. Lumbini and Kapilvastu carry the silence of centuries”. “To walk through these places, to remember the life of Siddhartha Gautama, and at the same time witness small acts of compassion happening in the present, felt profoundly grounding. I came back feeling grateful, for the people, the conversations, the blessings, the memories, and simply for having had the opportunity to experience such a wholesome day. Some journeys fill your camera roll. Some fill your heart. Today, my heart feels very full”, she added."},"img":{"url":"https://images.prismic.io/prad/C72HCF_37qtm6reL_manisha.JPG?auto=format%2Ccompress&rect=0%2C16%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-23T18:31:00+0000","embed":{"embed_url":null}},"uid":"manishas-spiritual-escape"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Danam’s SC Relief Bid Fails"},"content":{"text":"Danam Nagender, the Khairatabad MLA, has suffered a setback in the Supreme Court in the defection case surrounding his political future. After the Telangana High Court ruled against him in the party-switching matter, Nagender approached the apex court with a Special Leave Petition, seeking a stay on the High Court order. The Supreme Court took up the plea for hearing on Thursday, drawing considerable attention as the outcome was expected to have implications for the next political steps in Khairatabad. The Supreme Court, however, did not provide Nagender the relief he had sought. The latest development has effectively cleared the way for the disqualification proceedings against the MLA and has brought the focus back to the possibility of a fresh electoral contest in the constituency. Nagender’s move to the apex court had been viewed as an attempt to prevent the immediate consequences of the High Court verdict, but the proceedings have now left little room for such a reprieve. With the legal challenge failing to secure the desired relief, a Khairatabad by-election now appears inevitable, subject to the formal electoral process. The ruling has also added a fresh political dimension to the ongoing debate over defections and the consequences faced by elected representatives who switch parties. For Khairatabad, the focus now shifts from the courtroom to the electoral arena, with the prospect of voters returning to the polls to choose their next representative."},"img":{"url":"https://images.prismic.io/prad/5D9QaXkArmFG7f_v_danam.JPG?auto=format,compress"},"datetime":"2026-09-24T07:19:00+0000","embed":{"embed_url":null}},"uid":"danams-sc-relief-bid-fails"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"51 YSRCP Leaders Face Rowdy Sheets"},"content":{"text":"Andhra Pradesh Police have ordered rowdy sheets against 51 people, including some key leaders of the YSR Congress Party in connection with the October 19, 2021 attack on the central office of the Telugu Desam Party (TDP) at Mangalagiri in Guntur district. YSR Congress Party (YSRCP) MLCs Talasila Raghuram, Lella Appireddy, and YSRCP NTR district president Devineni Avinash are among the leaders included in the rowdy sheet.  NTR Police Commissioner Rajasekhar Babu issued orders that rowdy sheets be opened against 51 people in the police stations under the limits of the Commissionerate.  Orders have been issued to Station House Officers (SHOs) of nine police stations to open the rowdy sheets. Assistant Commissioners of Police have been directed to personally monitor the opening of rowdy sheets. The TDP office was attacked when YSRCP was in power. After coming into power in 2024, Chandrababu Naidu-led government ordered a CID probe into the attack. A large number of supporters of YSRCP attacked the TDP office on October 19, 2021, after TDP spokesperson Kommareddy Pattabhi Ram had made some objectionable comments against the then Chief Minister Y.S. Jagan Mohan Reddy. The YSRCP supporters had barged into the TDP office and ransacked the premises, damaging furniture and breaking window panes. The TDP leaders had alleged that the attackers, seen armed with sticks and even hammers, damaged the cars parked outside the office. Police had booked a case against 110 people, including Raghuram, Avinash, Lella Appireddy and YSRCP general secretary Sajjala Ramakrishna Reddy. A case was registered at Mangalagiri Rural Police Station under IPC sections 147, 148, 323,324, 326, 307, 380, 427, 459, 452, 506 r/w 109, 120-B and 149. After the TDP-led National Democratic Alliance (NDA) came to power in June, 2024, police launched a fresh investigation. In October, 2024, the government handed over to the Crime Investigation Department (CID) the case relating to the attack on the TDP office and the residence of N. Chandrababu Naidu.  In September 2021, some YSRCP leaders also allegedly attacked the residence of the TDP president and then leader of the opposition Chandrababu Naidu."},"img":{"url":"https://images.prismic.io/prad/agtIe6YofJOwHV2v_rowdysheeters.JPG?auto=format,compress"},"datetime":"2026-09-23T12:50:00+0000","embed":{"embed_url":null}},"uid":"51-ysrcp-leaders-face-rowdy-sheets"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"EC in Turmoil: Gyanesh Kumar Faces Internal Revolt"},"content":{"text":"In a dramatic escalation within India’s electoral governance, Chief Election Commissioner Gyanesh Kumar finds himself embroiled in a storm of dissent from within his own ranks. Following a series of contentious decisions concerning the Special Intensive Revision (SIR) of voter lists, Kumar is facing significant pushback from fellow election commissioners, particularly Sukhbir Singh Sandhu and Vivek Joshi. These internal objections, which have reportedly been raised on at least 14 occasions over the past ten months, highlight deep fractures within the Election Commission (EC) and raise serious questions about transparency and governance in a crucial electoral process. The dissent revolves primarily around accusations that vital decisions regarding the electoral roll were made without proper consensus. Objections have been specifically directed at changes involving statutory voter registration Form 6 and the centralised management of the electoral roll database. While the Election Commission contends that differing opinions are commonplace and that their decisions were ultimately unanimous, the silence from Sandhu and Joshi regarding their objections has added a layer of intrigue to this unfolding drama. An investigation by the Indian Express further underscores the gravity of the situation, revealing that dissent is not merely a procedural issue but a significant challenge to Kumar's leadership. Kumar’s appointment as the Chief Election Commissioner in February 2025 was met with controversy, stemming from a 2023 legislative overhaul that altered the selection process, replacing the chief justice of India with a Union Cabinet minister on the selection panel. This legislative shift raised alarms among opposition factions, who accused the government of orchestrating a politicized electoral framework. The recent Supreme Court split decision on whether to refer challenges to this law to a larger bench casts a further shadow over Kumar's tenure, as the EC grapples with allegations of exclusion and bias amid an increasingly polarized electoral landscape. As a seasoned bureaucrat with a robust background in administration, Gyanesh Kumar previously held key positions in various ministries, including significant roles in the aftermath of the abrogation of Article 370. His experience and credentials, including academic pursuits at prestigious institutions, had positioned him as a capable leader for the EC. However, the current discord raises critical questions about his ability to maintain the integrity and independence of the electoral process. With both Sandhu and Joshi’s futures within the commission uncertain, the ramifications of this internal strife could reverberate far beyond the walls of the Election Commission, impacting the very fabric of Indian democracy."},"img":{"url":"https://images.prismic.io/prad/lw8JbZCiMN90kUNe_CECGyanesh.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-23T15:30:00+0000","embed":{"embed_url":null}},"uid":"ec-in-turmoil-gyanesh-kumar-faces-internal-revolt"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Rupee Tumbles as Dollar Strengthens"},"content":{"text":"The Indian rupee experienced a setback on Wednesday, slipping 11 paise to settle at 95.73 against the US dollar. This decline comes as the American currency demonstrates notable strength, buoyed by comments from US Federal Reserve officials that have heightened expectations for a potential rate hike in 2026. Additionally, a modest rebound in crude oil prices from recent lows has contributed to the rupee's struggle, indicating the complex interplay between global commodities and currency valuation. Forex traders noted that while the dollar's momentum was largely attributed to hawkish indicators from the US central bank, the Indian currency did receive some support from positive trends in domestic markets. At the start of the trading day, the rupee opened at 95.58 but briefly gained ground, reaching an intraday high of 95.57. However, this upward trajectory was short-lived as the rupee faced pressure, ultimately closing lower than its previous level. The rupee's performance cannot be viewed in isolation; it reflects broader economic trends and investor sentiment both locally and internationally. The currency has been on a roller coaster ride recently, reflecting not only fluctuations in oil prices but also geopolitical tensions and shifts in global economic policies. As the US Federal Reserve signals a more aggressive stance on monetary policy, emerging market currencies like the rupee may find themselves under increasing pressure as investors recalibrate their portfolios in response to changing interest rates. Market analysts are closely monitoring these developments, as the interplay between the dollar and domestic economic factors will be crucial in determining the rupee's trajectory in the coming weeks. The Indian government's fiscal policies, trade balances, and foreign investment flows are all set to play significant roles in shaping the currency's future. With market dynamics shifting rapidly, stakeholders are advised to remain vigilant as this financial narrative unfolds."},"img":{"url":"https://images.prismic.io/prad/aIM20FGsbswqTPd1_rupeedollar.JPG?auto=format,compress"},"datetime":"2026-09-23T12:30:00+0000","embed":{"embed_url":null}},"uid":"rupee-tumbles-as-dollar-strengthens"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Dhanush Gives Way to Rajinikanth"},"content":{"text":"Actor Dhanush, who predominantly works in Tamil cinema, has pushed the release date of his upcoming film ‘Om’. On Wednesday, the actor took to his X, formerly Twitter, and shared the update with his followers. He said that he has pushed the release of the film in order to avoid the clash with ‘Jailer 2’, which features Tamil cinema legend Rajinikanth. He wrote, “In times like these, shifting the release of a film comes with its own set of challenges. Our superstar, Rajinikanth sir, the man whom we have all admired and worshipped over the years has his film arriving on October 15, just a day before ours. Out of immense respect for him, we have decided to postpone the release of our film, OM, to a later date. At the same time, we will not be arriving for Diwali this year either, as Suriya sir's film has already been announced for the same date”. He further mentioned, “In all fairness, they announced their date first, and we strongly believe that big films should have a mutual understanding and respect each other's decisions, keeping the larger welfare of cinema and the industry in mind. We will announce our new release date very soon”. Dhanush was earlier married to Aishwarya Rajinikanth, the daughter of the Tamil cinema legend. So, shifting the release date of his film is not just a unidimensional professional decision. Meanwhile, ‘Jailer 2’ is the sequel to the 2024 release ‘Jailer’ which starred Rajinikanth in the titular role of a retired jailer, who fights the organised syndicate of artifact smugglers. Rajini’s character activates his own criminal network across India which he built on his goodwill and absolutely watertight morals as a jailer."},"img":{"url":"https://images.prismic.io/prad/knnoOy_djfU1_Er9_dhanushrajini.JPG?auto=format%2Ccompress&rect=0%2C47%2C885%2C436&w=2028&h=1000"},"datetime":"2026-09-23T13:53:00+0000","embed":{"embed_url":null}},"uid":"dhanush-gives-way-to-rajinikanth"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"#Rapo23 Wraps Action-Packed Schedule!"},"content":{"text":"The unit of #Rapo23, which will mark the directorial debut of Telugu star Ram Pothineni, has now wrapped up the second schedule of the film with a massive night action sequence, which the makers claim will be a never-before-seen visual spectacle. Sources close to the unit claimed that the latest schedule featured a high-intensity night action sequence mounted across a massive one-kilometre stretch. The entire stretch was illuminated with lights, creating a visually striking canvas that perfectly complemented the film’s distinctive neo-noir world.  Action choreographer Kevin Master designed the intense sequence, while National Award-winning cinematographer Thirunavukarasu (Tirru) captured the visuals, the sources added.  It may be recalled that the makers of the film had only recently welcomed actress Samyuktha on board the unit of their film. Taking to its social media timelines to welcome the actress onboard the unit on the occasion of her birthday on Friday, production house Rapo Cinematics had said, \"The world of #RAPO23 welcomes its newest addition. Happy Birthday, @iamsamyuktha_ and Welcome on board! Written & Directed by #RAPO. Produced by Krishna Pothineni.A @rapocinematics Production. Energetic Star @ram_pothineni. @samcsmusic @dop_tirru #ASPrakash @peterheinoffl.\" For the unaware, the unit had begun its Pondicherry schedule last month. Sources close to the unit had then informed that Ram Pothineni's ambitious project, tentatively being referred to as #RAPO23, was progressing at a brisk pace. Sources had disclosed that the unit had plans to shoot a visually appealing song choreographed by popular dance master Brinda in the scenic locations of Pondicherry. Sources had also added that the unit was looking to shoot several high-voltage action episodes. Telugu star Ram Pothineni had shot for 24 hours at a stretch on the outskirts of Pondicherry for the film, sources had claimed and pointed out that what made the effort commendable was that he was not just directing the film but was also playing the lead in it. A massive setup was mounted in Pondicherry for the schedule, which continued for nearly nine days. Sources had said that Ram had been pushing himself vigorously as an actor while simultaneously overseeing every aspect of the film as its director.  The film is being produced by Krishna Pothineni under the Rapo Cinematics banner on a lavish scale. Conceived by Ram himself, #RAPO23 is touted to be a unique psychological action thriller set in a gripping neo-noir world. The film, which was formally announced on the occasion of the actor's birthday, will have Ram Pothineni playing a character called Veera in it. National-Award winning cinematographer Thirunavukarasu (Thirru) is the cameraman for this film, which will have music by Sam C S. A S Prakash is creating impressive sets that will enhance the film's scale and visual appeal."},"img":{"url":"https://images.prismic.io/prad/KAFLPTLVOAiEzgRV_rapo23.JPG?auto=format%2Ccompress&rect=0%2C26%2C1600%2C789&w=2028&h=1000"},"datetime":"2026-09-23T01:10:00+0000","embed":{"embed_url":null}},"uid":"rapo23-wraps-action-packed-schedule"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Samantha’s Workout With a Twist"},"content":{"text":"Mom-to-be Samantha Ruth Prabhu is showing that her pregnancy fitness routine is all about listening to her changing body.  The actor, who is in her third trimester and is expected to welcome her first child with husband and filmmaker Raj Nidimoru in December, shared a glimpse of her latest workout session on social media on Friday. In the video, Samantha can be seen performing a seated cable row, a strength-training exercise that primarily works the upper back and arms. For the uninitiated, seated cable rows involve pulling a resistance handle towards the torso while maintaining a stable seated position. Samantha is seen using the cable machine while maintaining controlled movements, with her growing baby bump visible. Sharing the video, she wrote, “Equal parts ‘strong till the very end’ and ‘please don’t make me get up.’” The post comes as Samantha continues to remain active during her pregnancy. Earlier, she had shared glimpses of her prenatal strength-training routine and explained how her approach to fitness has changed during this phase. In one of her earlier workout posts, she performed a seated cable row and wrote, “Training looks a little different these days. Less about pushing harder. More about listening better.” Reports currently place Samantha in her third trimester, with her baby due in December 2026. Recently, Samantha and Raj also celebrated a traditional baby shower, or Seemantham, at Sadhguru’s Isha Foundation in Coimbatore. The intimate ceremony included rituals from the Srividya tradition, including Kalaa Aavarana (Sri Kalpam), which Samantha explained in detail while sharing pictures from the occasion. For the uninitiated, Samantha and Raj tied the knot in December 2025 at the Linga Bhairavi Temple within the Isha Yoga Centre in Coimbatore."},"img":{"url":"https://images.prismic.io/prad/fXWNPLu0Id2fi4dw_sam.JPG?auto=format%2Ccompress&rect=0%2C75%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-25T06:35:00+0000","embed":{"embed_url":null}},"uid":"samanthas-workout-with-a-twist"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Couple thanks Jagan for daughter’s treatment"},"content":{"text":"A couple met former Andhra Pradesh Chief Minister and YSR Congress Party President, Y.S. Jagan Mohan Reddy, at Gannavaram Airport and thanked him for their daughter’s treatment under YSR Aarogyasri scheme when the YSRCP was in power.  Mahesh and Vineela from Korlagunta in the Nuzvid constituency met Y.S. Jagan Mohan Reddy at the airport. They came with their daughter, Dhansika, to thank him for the medical care she received under YSR Aarogyasri. The parents said Dhansika became seriously ill in 2019, when she was just two months old. Soon after Y.S. Jagan took office as Chief Minister, she underwent a critical brain neurosurgery free of cost under the YSR Aarogyasri at Ashram Hospital in Eluru. She recovered after the treatment and has been growing up healthy, they said. Mahesh and Vineela told YS Jagan that they would never forget the help their family received. They had come to the airport specifically to express their gratitude. Y.S. Jagan warmly greeted Dhansika and asked her parents about her health. He encouraged her to study well and gave her his blessings. At the family’s request, he also took a selfie with them. The family said they would always remember the medical support that helped their daughter recover. Meanwhile, YSRCP spokesperson and former MP, Gorantla Madhav, accused the TDP-led coalition government of betraying the unemployed. He criticised the Chief Minister Chandrababu Naidu government for issuing a notification for only 1,600 Police Constable posts. Speaking at the party’s central office at Tadepalli, he said Home Minister Vangalapudi Anitha had earlier told the Assembly that 20,000 Constable posts were vacant as of December 2023. The government must explain the gap, he said. Madhav said the previous government headed by the Y.S. Jagan Mohan Reddy government began recruitment for 6,511 police posts, including 6,100 Constables and 411 Sub-Inspectors. It issued the notification and conducted preliminary examinations. Those recruits are now undergoing training, he said, accusing the coalition government of claiming credit through passing-out parades. He also questioned what had happened to its election promise of 20 lakh jobs. Madhav recalled that Nara Lokesh had demanded a five-year age relaxation for police applicants while in Opposition. He asked why the government had not granted it now, when the latest Constable notification sets the general age limit at 18 to 23 years. He noted that the YSRCP government had granted a two-year relaxation. He condemned cases against unemployed youth and YSRCP leaders who protested over recruitment. \"The government must protect peaceful protest, fill police vacancies, keep the police free from political pressure and create opportunities for young people in Andhra Pradesh,\" he said."},"img":{"url":"https://images.prismic.io/prad/JLwEKSiWcwZSAk0B_jaganthanked.JPG?auto=format%2Ccompress&rect=0%2C40%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-25T11:30:00+0000","embed":{"embed_url":null}},"uid":"couple-thanks-jagan-for-daughters-treatment"}},{"node":{"data":{"title":{"text":"Hyd 'Bada Ganesh' Immersion Ends Smoothly"},"content":{"text":"Hyderabad's famous Khairatabad Ganesh was immersed in Hussain Sagar lake on Friday amid gaiety as thousands of devotees bid adieu to the 'Bada Ganesh'. The 69-foot tall 'Panchamukha Sankatahara Maha Ganapati' was carried on a special Tusker vehicle to the lake, which is the focal point of the annual immersion procession. The much-anticipated event passed off in smooth manner at NTR Marg as the idol was immersed with the help of a huge crane. Thousands of devotees lined up around the lake in the heart of the city watched the immersion, a highlight of the annual festivities. The eco-friendly idol was placed on the specially designed vehicle with the help of a huge crane in the morning.  A large number of devotees participated in the Shobayatra amid a festive atmosphere. The Khairatabad Ganesh Utsav Committee in coordination with the police and other departments made elaborate arrangements for smooth shifting of the idol for immersion. Hyderabad Police Commissioner V.C. Sajjanar personally visited Khairatabad Ganesh mandap to supervise the arrangements. Transport and immersion of Khairatabad Ganesh is a huge task for all -- the police, Greater Hyderabad Municipal Corporation (GHMC) and other departments that make special efforts. It took more than five hours for the procession to cover a distance of about two km to reach NTR Marg via Telephone Bhavan and Secretariat. Thousands of devotees performed puja at the Khairatabad Ganesh for 12 days. Khairatabad Ganesh has a history of nearly 70 years.  The organisers had installed a one-foot idol for the first time in 1954 and since then, the height has been increasing by one foot every year. Due to Covid-19 pandemic in 2020, the organisers had installed a one-foot idol though they were planning a 66-foot idol. Khairatabad Ganesh is a major attraction of annual celebrations in the city.  Telangana Governor Shiv Pratap Shukla, Chief Minister A. Revanth Reddy, Ministers and other VIPs perform puja at this idol. Every year the organisers install the statue with a new theme and new avatar. This year the theme was selected as 'Panchamukha Sankatahara Maha Ganapati'. Governor Shiv Pratap Shukla offered first prayers at Khairatabad Ganesh on September 14.  State Minister Ponnam Prabhakar had offered 'silk robes' on behalf of the state government. Former Khairatabad MLA D. Nagender participated in the immersion procession. He was seen joyfully dancing with some women police officers to the tune of 'Aya Sher' song from the recently released movie 'The Paradise'. Nagender was recently disqualified by the Telangana High Court for defection. Only a day ago, the Supreme Court dismissed his petition, challenging the High Court order."},"img":{"url":"https://images.prismic.io/prad/tqr9F5Xfp6tEpc_z_badaganesh.JPG?auto=format%2Ccompress&rect=0%2C288%2C1600%2C789&w=2028&h=1000"},"datetime":"2026-09-25T12:50:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Orm1_ytgvYo"}},"uid":"hyd-bada-ganesh-immersion-ends-smoothly"}},{"node":{"data":{"title":{"text":"Balapur Laddu Breaks Auction Record"},"content":{"text":"Hyderabad's famous Balapur Ganesh laddu was auctioned for a record Rs 39 lakh on Friday.  City-based entrepreneur S. Praneet Reddy bought the 21-kg laddu this year in an open auction held before the traditional Ganesh immersion procession from Balapur on the southern fringes of Hyderabad. Last year, the Balapur 'laddu' was auctioned for Rs 35 lakh. Eight people participated in the open auction bid for the laddu, which they believe brings good luck. The annual auction of the 'laddu' in Balapur village marks the beginning of the Ganesh immersion procession, which passes through various parts of the city to reach Hussain Sagar Lake. Balapur ‘laddu’ has its own significance in the festivities. The organisers say Balapur Ganesh has 45-years-long history, but the tradition of auctioning the ‘laddu’ began in 1994. According to auction organiser Balapur Ganesh Utsav Samithi, the 'laddu' was sold for Rs 450 in 1994. Kolanu Mohan Reddy bought the 'laddu' in the first auction in 1994 and was the successful bidder for five consecutive years. As he claimed prosperity by winning the bid, the 'laddu' became more popular. Since then, this sweet has grown in popularity and price. As it is believed to bring prosperity to the winner, businessmen and politicians vie with each other to bid every year. The winners not only distribute pieces of laddu among their family and friends but also sprinkle the remnants in their agricultural fields, business houses, and at home. The organisers had limited the auction to locals for 15 years. Later, people from other areas were also allowed to participate. Balapur Ganesh Utsav Samithi has so far conducted the auction 31 times. The auction was not conducted in 2020 due to Covid-19 situation. The organisers had presented the sweet to then Chief Minister K. Chandrasekhar Rao. In 2024, Kolanu Shankar Reddy bought the Balapur ‘laddu’ for Rs 30.01 lakh, while last year, Lingala Dasarath Goud was the successful bidder."},"img":{"url":"https://images.prismic.io/prad/l3iS50WIsENSSF18_balapurladdu2026.JPG?auto=format%2Ccompress&rect=0%2C42%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-25T12:25:00+0000","embed":{"embed_url":null}},"uid":"balapur-laddu-breaks-auction-record"}},{"node":{"data":{"title":{"text":"KCR Eyes Khairatabad Revival!"},"content":{"text":"The political battle for Khairatabad is gathering momentum, with the Bharat Rashtra Samithi (BRS) beginning its preparations for a possible by-election. Party supremo K. Chandrashekar Rao (KCR) has reportedly started working on an electoral strategy to reclaim the constituency, bringing the focus back to the pink party’s organisational strength and candidate selection. On Thursday, KCR held discussions with BRS working president K. T. Rama Rao at his Erravalli residence. The meeting is understood to have focused on the political implications of the Supreme Court’s decision upholding the Telangana High Court’s verdict in the defection case involving sitting MLA Danam Nagender. With Nagender’s legal challenge failing to secure relief, the prospect of a by-election has prompted the BRS leadership to accelerate its preparations. For the BRS leadership, Khairatabad represents an important political contest, and the selection of a strong candidate is expected to be central to its strategy. KCR and KTR are understood to have reviewed the constituency’s political equations, the party’s grassroots network and the relative strengths of potential candidates. The leadership is reportedly assessing aspirants based on their local influence, public support and ability to take on Nagender in the electoral arena. Rather than rushing into a decision, the party appears focused on identifying a candidate who can capitalise on local political dynamics and translate organisational support into votes. The BRS is also expected to highlight its record on Hyderabad’s development during its tenure in government, while bringing issues such as civic infrastructure, local concerns and the Congress government’s promises into the campaign. Party leaders believe these themes could help them reconnect with voters, although the eventual outcome will depend on public sentiment and the strength of rival candidates. Alongside candidate selection, the BRS is reportedly planning to strengthen its booth-level machinery and mobilise its cadre across the constituency well before the election notification is issued. Division-wise reviews, coordination among local leaders, door-to-door outreach and programmes centred on public grievances are likely to form key components of its campaign. KTR is also understood to have briefed KCR on the prevailing political situation, recent meetings with party leaders and the protests being organised against the Congress government. The discussions reportedly extended beyond Khairatabad to include the upcoming graduate MLC elections and the ongoing SIR process. With several political challenges on the horizon, the BRS leadership is looking to use the coming weeks to consolidate its organisation and sharpen its campaign narrative. The Khairatabad contest is shaping up as a significant test of the party’s ground-level strength, its candidate-selection strategy and its ability to turn its claims about governance and development into electoral support."},"img":{"url":"https://images.prismic.io/prad/C2WyW5Lc0YkCsfHo_KCRbypoll%3B.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-25T05:01:00+0000","embed":{"embed_url":null}},"uid":"kcr-eyes-khairatabad-revival"}},{"node":{"data":{"title":{"text":"ISI Switches to Dawood Protection"},"content":{"text":"Pakistan’s Inter-Services Intelligence (ISI) has reportedly changed its approach towards fugitive underworld figure Dawood Ibrahim, with greater emphasis now being placed on keeping him secure and moving him to a location near Karachi port.  Intelligence officials said the move is aimed at protecting the narcotics network linked to him while reducing the risk of international scrutiny falling on Islamabad. He is considered a key figure in the syndicate that has been operating a narcotics smuggling network in India for several years. For the Pakistani spy agency, which has supported Dawood Ibrahim over the years, the current situation is proving increasingly difficult. The agency needs funds to sustain terror groups such as the Lashkar-e-Taiba (LeT) and Jaish-e-Mohammed (JeM). Intelligence inputs suggest that this has increased the pressure on the network to expand the narcotics trade substantially. An official said the ISI would have wanted Dawood Ibrahim to use his network to significantly expand narcotics smuggling operations. “However, the focus now is more on creating escape routes, taking care of his health and also ensuring his safety,” the official said. While Dawood is reportedly suffering from several health problems, he is alive and continues to remain in Karachi. Following Operation Sindoor in May last year, the ISI is believed to have stepped up his security and moved him between different locations to avoid detection. “He is currently living near a port in Karachi, and this location was chosen so that he could make a quick escape in case of an Indian operation that would look to target him,” the official added. An Intelligence Bureau official said that the reason he is being kept at a location from where he could make a quick escape is that if he is killed in an operation, then it would become amply clear that Pakistan has been housing him. Islamabad has over the years vehemently denied his presence in Pakistan. While Operation Sindoor inflicted significant damage on Pakistan’s terror infrastructure, it also altered the operating environment for the Dawood syndicate. Dawood, who had largely remained in the security of his Karachi residence, was forced to change his movements and operating pattern following the operation. “Today when it comes to Dawood, the ISI is focusing more on ensuring his protection rather than using him for operations,” the IB official added. The Narendra Modi government’s intensified crackdown on drugs has also disrupted the ISI’s plans to a considerable extent. The arrest of Dawood’s close aide, Salim Dola, has unsettled the syndicate’s international operations and disrupted established supply chains. In India, enforcement agencies are continuing their relentless pursuit of narcotics networks and cartels. Another official said that in such a situation, Dawood becomes extremely handy for the ISI. There are the likes of Anees Ibrahim, Chhota Shakeel and Haji Salim to run the show. But Dawood is a cult figure for the syndicate, and with him not to be seen, many of the operatives have developed low morale, the official said. The ISI would look for ways to ramp up narcotics smuggling in India. There is a major push that is being made through Punjab. However, the ISI would want the trade to thrive in all parts of the country, as raising funds from only Punjab operations is not sufficient to nurture the various terror groups in Pakistan, officials say. In addition to Dawood’s poor health and security issues, there is also a succession battle within the syndicate. Shakeel feels he is far more useful and has contributed much more than the rest for the syndicate. However, the family members are rooting for Dawood’s brother Anees Ibrahim to take charge, officials also point out. Another official said that the ISI has multiple problems when it comes to the Dawood syndicate. It cannot afford so many problems, especially with this syndicate at a time when it wants to raise funds in a big way through narcotics smuggling. On the other hand, concealing his location and not letting the world know that he is in Pakistan is also important for the ISI. The country is also under close scrutiny by the Financial Action Task Force (FATF), and hence it becomes important to secure and cover Dawood Ibrahim, who is a key figure in terror funding, counterfeiting, and money laundering. A weakened D-Company is good news for the Indian security agencies. Such issues would help the investigating agencies crack cases better and further weaken the Dawood network within India. If the agencies manage to do this, a considerable amount of the narcotics smuggling problem in the country would be solved, an official said."},"img":{"url":"https://images.prismic.io/prad/5e1e7812-954c-461e-9f93-fd36c403bd18_dawood.JPG?auto=format,compress"},"datetime":"2026-09-25T05:30:00+0000","embed":{"embed_url":null}},"uid":"isi-switches-to-dawood-protection"}},{"node":{"data":{"title":{"text":"Khairatabad Braces for Three-Way Fight"},"content":{"text":"In the ever-evolving landscape of Hyderabad's political sphere, Khairatabad has transformed from a longstanding Congress stronghold into a dynamic battleground where the Congress, BJP, and BRS vie for dominance. The shift is starkly highlighted by the results of the recent 2023 assembly elections, which saw the BRS, led by Danam Nagender, secure the seat once again with a vote share of 43.8%. Meanwhile, Congress has emerged as a formidable challenger, with P Vijaya Reddy capturing 29.3% of the votes, relegating the BJP's Chintala Ramachandra Reddy to a distant third with 24.8%. This trend underscores a significant political recalibration in the region, with none of the parties managing to breach the crucial 50% threshold in the past three elections since the formation of Telangana. Khairatabad's electoral history stretches far back, establishing a rich tapestry of political allegiance that reflects broader shifts in the region's governance. Initially won by Congress's BV Gurumurthy in 1967, the constituency became synonymous with P Janardhan Reddy, who achieved remarkable success throughout the late 20th century. The Congress party's dominance was momentarily disrupted in 1983 by independent candidate M Ramchander Rao, yet Reddy's resilience allowed him to reclaim the seat in 1985. The tumultuous winds of change began to blow in 1999 when the Telugu Desam Party seized control, marking the beginning of a multi-party contest that would alter the dynamics in Khairatabad. The ongoing political transition in Khairatabad illustrates the broader narrative surrounding urban electoral politics in Telangana, which has been shaped by the post-statehood power dynamics. The 2014 elections marked the BJP's first breakthrough as Chintala Ramachandra Reddy won with 37.3% of the vote, signaling a shift that would see the region diverging from its Congress roots. This trend continued with Danam Nagender's switch to the TRS in 2018, allowing him to regain the seat with nearly 45% of the vote share. The subsequent victory of the BRS in 2023 further illustrates the constituency's fluid political identity, now characterized by a competitive triad rather than a single-party dominance. As the political landscape continues to evolve, the ongoing contest in Khairatabad offers a microcosm of the challenges and opportunities faced by the major political parties in Telangana. Each party must navigate a complex web of voter sentiment and evolving demographics to establish a foothold in this increasingly contested arena. Candidates from all three factions are gearing up for future elections, with aspirants from the BRS, BJP, and Congress emerging as key players. As this three-cornered political battle unfolds, it will undoubtedly capture the attention of both local and national observers, keen to witness how the narrative of Khairatabad continues to develop amid the shifting tides of urban politics."},"img":{"url":"https://images.prismic.io/prad/1f2048e5-5c84-4919-bc1d-2cc5f4c863dc_poll.JPG?auto=format,compress"},"datetime":"2026-09-25T10:21:00+0000","embed":{"embed_url":null}},"uid":"khairatabad-braces-for-three-way-fight"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Can Kayadu Lohar Finally Break Through?"},"content":{"text":"Beauty, screen presence and acting ability may open doors in the film industry, but sustaining a career often depends on the right scripts, memorable characters and box-office success. For young actress Kayadu Lohar, the journey in Telugu cinema has so far been a challenging one, with her early outings failing to deliver the breakthrough many had anticipated. After making her acting debut with the Kannada film Mugilpete in 2021, the Assam-born actress went on to explore opportunities in Malayalam and Telugu cinema. Her Tollywood debut came with Sree Vishnu’s Alluri, but the film failed to make the desired impact at the box office. Despite drawing attention with her appearance and performance, Kayadu did not immediately land a major career-defining project. She later returned to Telugu screens with Funky, starring Vishwak Sen and directed by K. V. Anudeep. The film offered her a character with an interesting cinematic background, yet it too fell short of audience expectations. With two consecutive films unable to establish her as a promising commercial heroine in Tollywood, the actress was still waiting for a project that could change the course of her career. Hopes were subsequently pinned on The Paradise, the Nani-starrer directed by Srikanth Odela, which appeared to offer Kayadu an opportunity to make a stronger impression. However, the response to her character, Subbu, has sparked a fresh debate about the roles coming her way. In the film, Subbu dreams of becoming an actress and travels to Madras in pursuit of that ambition, only to encounter disappointment and difficult family circumstances. Burdened by her father’s debts, she is pushed into making choices that take her life in an unexpected direction. While the character has a dramatic backstory, its portrayal has also attracted criticism, leaving questions about whether the film will provide the career boost Kayadu needs. With three Telugu releases now failing to deliver the kind of breakthrough that could firmly establish her, the focus is shifting to her next choices. A strong script, a substantial role and a film that connects with audiences could still give the young actress the opportunity to showcase her abilities. For Kayadu, the challenge now is not simply about securing more screen time, but finding a character that allows her talent to translate into lasting recognition."},"img":{"url":"https://images.prismic.io/prad/DUH0681P_xeDH1Mp_kayadhulohar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-25T14:05:00+0000","embed":{"embed_url":null}},"uid":"can-kayadu-lohar-finally-break-through"}},{"node":{"data":{"title":{"text":"Faria plays a Radio Jockey in 'Sigma'!"},"content":{"text":"Actress Faria Abdullah, who plays the female lead opposite Sundeep Kishan in director Jason Sanjay's eagerly awaited action entertainer 'Sigma', has now disclosed that she plays a Radio Jockey in the film.   In an interaction with the media, the actress said, \"Sigma is my first Tamil film. It is a good action-adventure heist comedy entertainer. My character in this film is that of a radio jockey.\" On her chemistry with Sundeep Kishan in the film, the actress said, \"I have always known Sandeep. We both always wanted to do a film together. Finally, we agreed to do it with Sigma. There is a lot of novelty in our characters in this film.\" Stating that Jason Sanjay told the story of Sigma to her through a Zoom call, Faria said, \"After listening to the whole story, I asked him how old he was. He said he was 24. I found it very inspiring. He is very humble and gets along with everyone in a friendly manner. He has a good command over direction. Even though it is his first film, he has made it with a very clear vision. The way he handles his set is very cool.\" For the unaware, the action-adventure and heist comedy 'Sigma' is to hit screens worldwide on October 2 this year. Directed by Jason Sanjay, who is also the son of Tamil Nadu Chief Minister C Joseph Vijay, 'Sigma' has been produced by Subaskaran under the prestigious Lyca Productions banner. A trailer released by the makers recently has only added to the excitement of fans and film buffs. The trailer gives away the fact that the protagonist (played by Sundeep Kishan) suffers a betrayal in the film. However, he refuses to forget what happened to him and instead chooses to fight back and reclaim what he has lost. At the centre of the story is a massive 500-crore racket involving drugs and gambling, drawing the protagonist into a high-stakes world of crime and deception. Apart from Sundeep Kishan and Faria Abdullah, the film also features Raju Sundaram, Sampath Raj Shiv Pandit, Anbu Thasan, and Yog Japee in prominent roles. Mythri Movie Distributors LTD is handling the film’s release in Coastal Andhra and Telangana, while NVR Cinema will distribute it in the Ceded area. On the technical front, the film has cinematography by Krishnan Vasant whose visuals in the film's trailer appear stylish and contemporary. The film has music by one of the best in the business, S Thaman. Editing for the film is by National Award winning editor K L Praveen."},"img":{"url":"https://images.prismic.io/prad/afEZFS0SVXVjdix4_faira.JPG?auto=format%2Ccompress&rect=0%2C38%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-25T07:52:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=X0ASrHeMuVE"}},"uid":"faria-plays-a-radio-jockey-in-sigma"}},{"node":{"data":{"title":{"text":"Alia Turns Cabaret Queen in 'Love & War'"},"content":{"text":"After unveiling Ranbir Kapoor’s intense first look, filmmaker Sanjay Leela Bhansali has now introduced Alia Bhatt’s character from Love & War, by dropping an official poster of the actress revealing her look from the movie for the first time.  The actress appears to be stepping into a glamorous cabaret avatar for the much-awaited period drama. Bhansali Productions shared the new poster featuring Alia in a dramatic, stage-ready look. Dressed in a wine red sequinned outfit donning a cropped blouse and flowing skirt along with a bunch of feathers, giving it a quintessential cabaret dancer look, Alia can be seen seated against an elaborate backdrop of red curtains and sparkling lights. With Alia's styling and theatrical presentation, it evokes memories of the iconic cabaret numbers associated with legendary performer Helen from the 70s era of Bollywood. Alongside the poster, the production house wrote: “Aag bhi, dilon ki jaan bhi! Sanjay Leela Bhansali’s Love & War on 21st January 2027 See you at the movies!” The reveal comes a day after the makers unveiled Ranbir Kapoor's first look from the film. Ranbir was seen in a retro avatar, seated behind the wheel of a vintage car, sporting slicked-back hair, sunglasses and a moustache. His composed appearance was contrasted by a bloodied arm and a bullet mark on his shirt, hinting at the film's war backdrop. Ranbir's poster carried the caption, “Woh rutba, woh raub, woh junoon!” and confirmed that Love & War will arrive in theatres on January 21, 2027. Alia had also shared Ranbir's first look on her social media account with the caption, “Hey Handsome.. Love & War in cinemas, January 21,2027.” Love & War brings together Ranbir, Alia and Vicky Kaushal in the lead, with Sanjay Leela Bhansali directing and producing the project."},"img":{"url":"https://images.prismic.io/prad/MkJxEUhuc766E9kh_aliabhatt.JPG?auto=format%2Ccompress&rect=0%2C83%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-25T06:15:00+0000","embed":{"embed_url":null}},"uid":"alia-turns-cabaret-queen-in-love--war"}},{"node":{"data":{"title":{"text":"Samantha’s Workout With a Twist"},"content":{"text":"Mom-to-be Samantha Ruth Prabhu is showing that her pregnancy fitness routine is all about listening to her changing body.  The actor, who is in her third trimester and is expected to welcome her first child with husband and filmmaker Raj Nidimoru in December, shared a glimpse of her latest workout session on social media on Friday. In the video, Samantha can be seen performing a seated cable row, a strength-training exercise that primarily works the upper back and arms. For the uninitiated, seated cable rows involve pulling a resistance handle towards the torso while maintaining a stable seated position. Samantha is seen using the cable machine while maintaining controlled movements, with her growing baby bump visible. Sharing the video, she wrote, “Equal parts ‘strong till the very end’ and ‘please don’t make me get up.’” The post comes as Samantha continues to remain active during her pregnancy. Earlier, she had shared glimpses of her prenatal strength-training routine and explained how her approach to fitness has changed during this phase. In one of her earlier workout posts, she performed a seated cable row and wrote, “Training looks a little different these days. Less about pushing harder. More about listening better.” Reports currently place Samantha in her third trimester, with her baby due in December 2026. Recently, Samantha and Raj also celebrated a traditional baby shower, or Seemantham, at Sadhguru’s Isha Foundation in Coimbatore. The intimate ceremony included rituals from the Srividya tradition, including Kalaa Aavarana (Sri Kalpam), which Samantha explained in detail while sharing pictures from the occasion. For the uninitiated, Samantha and Raj tied the knot in December 2025 at the Linga Bhairavi Temple within the Isha Yoga Centre in Coimbatore."},"img":{"url":"https://images.prismic.io/prad/fXWNPLu0Id2fi4dw_sam.JPG?auto=format%2Ccompress&rect=0%2C75%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-25T06:35:00+0000","embed":{"embed_url":null}},"uid":"samanthas-workout-with-a-twist"}},{"node":{"data":{"title":{"text":"SDT Celebrates His 'Rebirth Day'"},"content":{"text":"Actor Sai Dharam Tej, who suffered a terrible accident five years ago, on Thursday penned a note of gratitude on the occasion of his 'Rebirth Day' in which he urged all his fans to wear a helmet while riding, saying that one small decision was the reason why he was here today.  Taking to his social media timelines to share the statement titled 'Rebirth-Day', Sai Dharam Tej wrote, \"To my family, friends, fans and every movie lover, Five years ago today, I was given a second chance at life, carried through by your prayers, love and unconditional support. I needed every single one of them. I've recovered 90% from my injuries. There are still a few things I'm working through, my speech and a few other challenges, but I'm getting there. One day at a time.\" He went on to say, \"What I want you to know is this: your love never left my side. It gave me the strength to push through every difficult day, every setback and every moment when giving up would have been easier. And here I am. Five years later. Still standing. Still fighting. Still living. Thank you for every prayer, every good wish, every message and every bit of love. I wouldn't be here without you.\" He ended the statement with a request to all his fans and followers. \"And if there is just one thing I want you to take away from my story: PLEASE WEAR A HELMET. That one small decision is the reason I'm here today.\" For the unaware, Sai Dharam Tej suffered serious injuries in a road accident that occurred in September 2021. The actor was rushed to the hospital, where he was accorded timely treatment and saved.  On the work front, the actor will next be seen in director Rohith KP's eagerly awaited pan Indian film, 'Sambarala Yeti Gattu'. The film is to hit screens on January 12 next year."},"img":{"url":"https://images.prismic.io/prad/ZxzlOYF3NbkBYDgK_saidurgatej.jpg?auto=format,compress"},"datetime":"2026-09-24T08:55:00+0000","embed":{"embed_url":null}},"uid":"sdt-celebrates-his-rebirth-day"}},{"node":{"data":{"title":{"text":"Sooraj Pancholi received death threats?"},"content":{"text":"Actor Sooraj Pancholi has revealed that he received online abuse and death threats. He also clarified that he has never met Disha Salian or Shiv Sena (UBT) leader Aditya Thackeray. Taking to Instagram, Sooraj said there was “so much more to say” about what has happened and what has been said about him. He added that he would speak openly when the “right time” comes and when he gets a platform with a journalist or interviewer willing to ask him difficult and uncomfortable questions directly. The ‘Hero’ actor wrote, “This is something I wanted to post before my Instagram got blocked for reasons I still don’t understand. But honestly, I have so much more to say. So much has happened, so much has been said about me, and there is so much sitting inside me that I want to speak about openly and from my heart.” “And I will. I will speak when the right time comes, and when someone gives me the right platform to do it. And when I say the right platform, I mean a proper, educated journalist or interviewer who is willing to sit across from me, look me in the eye, and ask me every single question directly, difficult questions, uncomfortable questions, all of them. I have no problem answering them.” Sooraj added, “All I ask is that it is done with composure, with facts, and with some basic understanding of journalism and humanity. Not someone hiding behind a camera, shouting questions, looking for a reaction or trying to turn someone’s life into a spectacle. There is a lot I want to say. There are things I have stayed quiet about for years. There are things people have assumed, things that have been reported, and things that have never been asked of me directly. When I finally get the right opportunity, I will answer them. Every question. Directly. Honestly. Without fear. Because there is so much more to this story than what people have seen or been told. And when I speak, I want to speak properly with nothing held back and with the truth being given the space it deserves.” Sooraj Pancholi also penned lengthy notes in which he said his name had been repeatedly dragged into matters he claimed he had nothing to do with, adding that he had already “lost years” of his life. The actor said he was now trying to rebuild his life, career and future and did not want to remain silent. Sooraj further said he had no personal issues with anyone and maintained that he had “no political alliances” or agenda. He urged the investigating agencies to conduct a thorough and complete investigation into the matter without further delay. His note read, “I am saying this one more time, and I have to repeat myself because clearly people still don't understand when I say this. I I have never met late Disha Salian or Aditya Thackeray in my life. Not once. Not directly. Not indirectly! And yet, the online abuse hasn't stopped. I have been called every possible name and have even received death threats, with people assuming that I must be scared. I am not scared. I have spent years watching my name being dragged into things I had absolutely nothing to do with. I have already lost years of my life, years I can never get back! And now, when I am finally trying to rebuild my life, my career and my future, I refuse to stay silent and watch it happen all over again. If I was scared, I would have stayed quiet like many others. But I am doing the exact opposite! Because I have clearly nothing to hide or run away from! I am standing up for myself because I know that my heart is clean. At the end of the day, it is my name, my life and my future that I have to live with.” “And I am doing this for myself. I also cannot ignore what I have been seeing. It is clear to me that a lot of the hatred and attempts to drag my name into this are because of issues certain people have with members of my family. Whatever those issues may be, please do not make me pay for them. I have no personal issues with anybody. I have no political alliances, no political agenda and no interest in protecting or attacking anyone. So I PLEASE request the investigating agencies for just one thing Please investigate this matter thoroughly, completely and without any further delay.” Disha Salian, who had briefly worked as the manager of late actor Sushant Singh Rajput, died in 2020. The Central Bureau of Investigation (CBI) recently registered an FIR to begin a fresh probe into her death following a Bombay High Court order. The FIR mentioned several names, including Sooraj Pancholi, Shiv Sena (UBT) leader Aaditya Thackeray, Rohan Roy, Rhea Chakraborty and others, whose roles are to be investigated."},"img":{"url":"https://images.prismic.io/prad/ZiOW3SucMgpL_GBC_sooraj.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-24T07:48:00+0000","embed":{"embed_url":null}},"uid":"sooraj-pancholi-received-death-threats"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"The Hidden Danger Behind Chest Pain"},"content":{"text":"Chest pain is frequently associated with heart attacks, yet a lesser-known condition, aortic dissection, can present equally alarming symptoms. Dr. N. Murali Krishna, a cardiology consultant at Manipal Hospital in Vijayawada, warns that this condition arises from a tear in the aorta's inner layer, the vital blood vessel that transports blood from the heart throughout the body. The rarity of aortic dissection does not diminish its urgency—every moment counts, as delayed diagnosis could precipitate life-threatening complications such as organ rupture, stroke, or kidney failure. The nature of pain caused by aortic dissection sets it apart from typical heart attack discomfort. Patients typically describe the sensation as sharp, ripping, or tearing, often radiating from the chest to the back or abdomen as the dissection progresses. Dr. Krishna emphasizes that this pain typically escalates to its peak within seconds to minutes, necessitating immediate medical attention. Accompanying symptoms may include breathlessness, sweating, and weakness, but in some cases, patients experience few signs, complicating timely diagnosis and treatment. Understanding the risk factors for aortic dissection is crucial for prevention. Hypertension emerges as a significant contributor, alongside hereditary connective tissue disorders, pre-existing aortic aneurysms, and certain congenital heart conditions like a bicuspid aortic valve. While older individuals are more commonly affected, younger adults are not exempt from this serious cardiovascular threat. A thorough examination, including blood pressure readings in both arms, ECG, and blood tests, can aid in assessing the risk, while CT angiography is employed to visualize the aorta and assess any tears. Dr. Krishna urges vigilance when experiencing sudden chest or upper back pain. He advises against self-diagnosis and stresses the importance of seeking emergency care, particularly if the pain escalates quickly or is coupled with faintness, weakness, or breathlessness. Patients should provide medical personnel with detailed accounts of their symptoms, including the onset and intensity of pain, to facilitate accurate diagnosis. This proactive approach can be lifesaving, as the subtleties of aortic dissection's presentation often challenge even the most seasoned healthcare providers."},"img":{"url":"https://images.prismic.io/prad/8822f77d-8219-4cf7-ad6d-2c029df74875_heart+attack.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-21T10:09:00+0000","embed":{"embed_url":null}},"uid":"the-hidden-danger-behind-chest-pain"}},{"node":{"data":{"title":{"text":"Heart Crisis Grips Young India"},"content":{"text":"A disturbing trend is emerging in India, where cardiovascular disease is no longer an affliction of the elderly but a growing concern among younger populations. Recent statistics indicate that cardiovascular diseases accounted for nearly 29% of all recorded deaths in India between 2017 and 2019. This alarming statistic highlights a shifting paradigm, with the National Health Profile revealing that non-communicable diseases, including heart disease, diabetes, and chronic respiratory illnesses, collectively account for a staggering 63% of the nation's mortality rates. As the nation grapples with this health crisis, the underlying risk factors that contribute to heart disease are becoming increasingly prevalent among young adults, often unnoticed until it is too late. The escalating incidence of heart disease in India’s youth can be traced to a confluence of modern lifestyle choices, including prolonged sedentary behavior, poor dietary habits, irregular sleep patterns, and chronic stress. Dr. Deepak Krishnamurthy, a leading cardiologist, articulates that the traditional risk factors such as hypertension and high cholesterol are now manifesting in younger demographics, exacerbated by genetic predispositions and environmental stressors. Moreover, the omnipresence of technology has led to an increase in screen time, which not only promotes a sedentary lifestyle but also disrupts sleep cycles. The result is a perfect storm wherein young Indians find themselves at greater risk for developing heart-related ailments much earlier in life. Historically, heart disease was often associated with the aging population, attributed to years of cumulative risk factors. However, the current landscape paints a different picture, one where the interplay of lifestyle choices has catalyzed a shift towards earlier onset of cardiovascular issues. The National Programme for Prevention and Control of Non-Communicable Diseases reports an alarming 9.36 crore people receiving treatment for hypertension and diabetes—critical precursors to heart disease. As the healthcare system grapples with these numbers, the need for comprehensive awareness and early intervention becomes paramount. Dr. Krishnamurthy emphasizes that conditions leading to heart problems develop insidiously and often go unnoticed until significant damage has occurred, particularly among the young. As for actionable steps, Dr. Krishnamurthy advocates for a proactive approach among young adults in their 20s and 30s. He suggests that individuals should eliminate tobacco use, incorporate regular physical activity into their routines, and adopt heart-healthy dietary practices while keeping an eye on their waistlines. Moreover, he underscores the importance of regular monitoring of vital health indicators such as blood pressure and cholesterol levels. This holistic understanding of cardiovascular health is crucial for young Indians, who must learn to recognize the silent threats posed by modern lifestyles and take charge of their health before it spirals out of control."},"img":{"url":"https://images.prismic.io/prad/pJ-dW9a56Zc9ur7D_heartdiseas.JPG?auto=format%2Ccompress&rect=0%2C0%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-16T11:05:00+0000","embed":{"embed_url":null}},"uid":"heart-crisis-grips-young-india"}},{"node":{"data":{"title":{"text":"A Fight for Life at 85"},"content":{"text":"At 85 years old, Mrs. Lakshmi (name changed) faced what many in her age group would consider insurmountable challenges: two tumors and a life-threatening blockage in her colon. Rather than embracing the tranquility that often accompanies advanced age, she found herself in the emergency room, grappling with severe abdominal pain and a severe inability to pass stool. The diagnosis revealed a critical blockage in the sigmoid colon due to a tumor, a condition that posed immediate threats to her life. The medical team, acutely aware of her complex health history—including hypertension, diabetes, and a previous stroke—understood the urgency of the situation, necessitating careful decision-making regarding her treatment options. The initial intervention involved a minimally invasive procedure where doctors placed a colonic stent to alleviate her discomfort. While this temporary solution offered some relief to Mrs. Lakshmi and her anxious family, it soon became clear that a more comprehensive approach was required. Further examinations unveiled a second tumor in her esophagus, complicating an already dire diagnosis. Dr. K Hemanth Kumar, a leading Consultant in Surgical Gastroenterology at Manipal Hospital, emphasized the urgency of the case. The existence of two malignancies in a patient of advanced age, coupled with multiple underlying health conditions, demanded a meticulous and strategic response from her medical team. The critical nature of Mrs. Lakshmi's situation highlighted broader issues in geriatric care, particularly concerning complex cancer diagnoses. As the medical community increasingly confronts aging populations, the intersection of age and multi-morbidity raises significant ethical and logistical challenges. In Mrs. Lakshmi's case, the stent was a temporary fix, with the potential for serious complications looming should a definitive treatment not be pursued. The family was faced with a heart-wrenching decision: proceed with high-risk surgery or risk further deterioration of her health. Ultimately, they chose the path of hope, opting for a pioneering robotic surgical approach that addressed both tumors in one procedure. Utilizing the advanced Da Vinci Xi robotic system, Dr. Hemanth and his team executed a complex operation that not only targeted the colon cancer but also the esophageal tumor, representing a significant advancement in addressing dual malignancies. Remarkably, Mrs. Lakshmi recovered without needing an intensive care unit stay, a testament to both her resilience and the proficiency of her healthcare providers. Just one week post-operation, she was discharged, marking a poignant moment for both her and her family. Three months later, Mrs. Lakshmi continues to thrive, undergoing further treatment as part of her recovery journey, signaling not just survival but a remarkable testament to the human spirit in the face of daunting medical challenges."},"img":{"url":"https://images.prismic.io/prad/W5S8nG7lRQSGgKv2_mediclelife.JPG?auto=format%2Ccompress&rect=0%2C44%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-15T23:40:00+0000","embed":{"embed_url":null}},"uid":"a-fight-for-life-at-85"}},{"node":{"data":{"title":{"text":"Scorching Heat: The Unseen Toll on Teen Mental Health"},"content":{"text":"As global temperatures soar, a troubling new study reveals that extreme heat is not merely an environmental concern but a significant threat to the mental health of adolescents. Research indicates that for every 1°C rise in daily temperature, the risk of adverse mental health outcomes in teenagers escalates by nearly 1%. While this statistic may seem modest at first glance, it becomes alarming when considering the frequency of heatwaves in recent summers, underscoring the urgent need to address this evolving crisis. The comprehensive review analyzed data from 23 studies worldwide, pinpointing children and teenagers aged five to eighteen as the most vulnerable demographic. On particularly hot days, this group experiences a 1.5% increase in the likelihood of poor mental health outcomes; however, during actual heatwaves, this figure skyrockets to an astonishing 25%. Such stark differences highlight the psychological ramifications of sustained heat exposure, which extends beyond mere discomfort to include serious implications such as increased anxiety, depression, and even suicide attempts. Experts, including co-author Jacqueline Stephens from Flinders University, emphasize that the intersection of climate change and mental health cannot be ignored. The patterns of rising temperatures and more frequent heat events are not restricted to a single region; they are a global phenomenon with widespread repercussions. Adolescents are particularly susceptible during this pivotal developmental stage, where their routines—schooling, recreation, and social interactions—are disrupted by extreme weather conditions, causing significant emotional distress. Moreover, researchers note that the physical impact of heat, such as sleep disruption, compounds mental health challenges. Poor sleep exacerbates mood regulation, while family stress during heatwaves creates a ripple effect that permeates households. Although the findings point to population-level trends rather than individual predictions, they call for a re-evaluation of how public health strategies address heat-related issues. Current responses prioritize physical safety measures like hydration and cooling centers but overlook the critical need for mental health support tailored to young people. This oversight underscores the need for a more holistic approach to climate adaptation strategies that incorporate mental health services as integral components of public health initiatives."},"img":{"url":"https://images.prismic.io/prad/CJ8ZpPonvzZKyB1t_mentalhealth.JPG?auto=format,compress"},"datetime":"2026-08-11T10:28:00+0000","embed":{"embed_url":null}},"uid":"scorching-heat-the-unseen-toll-on-teen-mental-heal"}},{"node":{"data":{"title":{"text":"The Distinction Between Brain Tumors and Brain Cancer"},"content":{"text":"The phrases 'brain tumor' and 'brain cancer' often evoke a visceral reaction among the public, conjuring images of gravely serious health threats. However, contrary to common perception, these terms describe distinct medical conditions that warrant different approaches to diagnosis and treatment. A brain tumor is simply an abnormal growth of cells in or around the brain, which can be classified as benign or malignant. While all brain cancers are tumors, not all tumors exhibit cancerous characteristics; this critical distinction can influence a patient's treatment plan and overall prognosis. The medical community underscores the importance of understanding these differences. Brain tumors, irrespective of their benign or malignant status, can lead to severe health consequences because of the brain’s confined environment within the skull. This means that even non-cancerous tumors can exert pressure on vital neurological functions, leading to symptoms such as persistent headaches, seizures, and cognitive deficits. Dr. Praveen Gupta, a prominent neurologist, emphasizes that benign tumors, while non-cancerous, can still necessitate significant medical intervention depending on their size and location. The implications of this are crucial for anyone facing a diagnosis related to brain health. Historically, the classification of brain tumors has evolved as medical science has advanced. The National Cancer Institute and other leading neurological institutions categorize these tumors into myriad types, each demanding tailored treatment strategies. For instance, malignant tumors possess the aggressive ability to invade surrounding brain tissue, often requiring complex interventions that may include surgery, radiation, and chemotherapy. Understanding whether a growth is benign or malignant is not just a matter of terminology; it directly impacts the urgency and nature of the interventions required. Symptoms often overlap between benign and malignant tumors, complicating self-diagnosis and reinforcing the necessity for professional evaluation. Medical imaging techniques such as MRI and CT scans, along with biopsies, are essential to ascertain the nature of the tumor. Experts caution against relying on symptomatology alone, as the presence of alarming symptoms could mask a benign condition, while milder manifestations could signify a malignant threat. As such, timely medical evaluation is paramount, as early detection can significantly enhance treatment effectiveness and patient quality of life."},"img":{"url":"https://images.prismic.io/prad/f6803c8c-7220-433e-b58f-ef269a3ecf79_brain+stroke.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T10:10:00+0000","embed":{"embed_url":null}},"uid":"the-distinction-between-brain-tumors-and-brain-can"}},{"node":{"data":{"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Green Card Changes Could Hit Indians"},"content":{"text":"A Republican senator has introduced legislation that could upend the employment-based green card system and have far-reaching consequences for Indian professionals waiting for permanent residency in the United States.  Senator Tommy Tuberville of Alabama introduced the Americans First Immigration Act, which would replace existing employment-based green card categories with a points-based system. The bill would also invalidate many pending employment-based petitions when the new system takes effect, according to its full text. Applications for adjustment of status or immigrant visas based on those petitions would be “rejected, denied, or invalidated,” the legislation says. Beneficiaries whose petitions were approved before the effective date could continue receiving visas only until the annual allocation for their existing category in the fiscal year of enactment is exhausted. No further visas would then be issued under that category. That provision could be particularly consequential for Indian applicants who have approved employment-based petitions but remain in lengthy green card queues. “Our current immigration system does little to evaluate the type of people we let in — it’s a free-for-all,” Tuberville said. “Coming to the United States is a privilege, and we need to ensure that anyone immigrating to our country is willing to go by our laws and contribute to our society.” The legislation would establish an annual worldwide allocation of 192,000 points-based immigrant visas. That number would be reduced by the number of certain migrants who were not detained or were released from mandatory detention during the previous fiscal year. Applicants would need a genuine US job offer and at least 16 points. They would also have to be between 18 and 51 and score in the fifth decile or higher on an English-language proficiency test. Points would be awarded for salary, education, English proficiency, military service and extraordinary achievement. The system would favour applicants with the highest scores. Applicants without a qualifying US degree would generally need a job offering at least 200 per cent of the median wage in the state where they would work. Those with a qualifying US degree would need an offer worth at least 150 per cent of the state median wage. Employers would have to recruit US workers first and offer the position to an American worker who was equally or better qualified. They would also be barred from laying off workers in equivalent jobs beginning 90 days before filing the required attestation. Green cards issued through the points system would initially be conditional for two years. The status of the principal applicant, spouse and children could be terminated if the principal applicant received a means-tested public benefit, was convicted of specified offences or failed to remain in qualifying employment. The bill would also eliminate the Diversity Visa Lottery and limit family-sponsored immigration to spouses and minor children. It would end green card routes for parents, siblings and adult children of US citizens. It would require immigrants who are not permanent residents to pay at least the tuition and fees charged to out-of-state students at US colleges. Institutions violating that requirement could lose approval to enrol international students for five years."},"img":{"url":"https://images.prismic.io/prad/eb4d3096-b9dc-4e0c-8677-83b93a6c2021_GC.JPG?auto=format,compress"},"datetime":"2026-09-25T02:28:00+0000","embed":{"embed_url":null}},"uid":"green-card-changes-could-hit-indians"}},{"node":{"data":{"title":{"text":"US targets birth tourism with new visa curbs"},"content":{"text":"The United States has announced visa restrictions targeting people who knowingly engage in or facilitate birth tourism, alongside a new public portal to report suspected visa fraud, including fabricated job offers and sham marriages. Secretary of State Marco Rubio said the restrictions would cover participants and commercial networks that arrange travel to the United States for the purpose of securing American citizenship through childbirth. Certain family members could also be covered. “Foreign commercial birth tourism networks have exploited the US immigration system to sell US citizenship for profit,” Rubio said in a statement. He accused such networks of coaching foreign nationals to lie on visa applications and charging tens of thousands of dollars to arrange births on American soil solely to obtain US citizenship. Rubio said the new policy was being introduced under Section 212(a)(3)(C) of the Immigration and Nationality Act. Those targeted include owners, operators and managers of commercial birth tourism networks, as well as intermediaries who coach applicants to commit visa fraud. The policy also covers foreign medical providers who knowingly facilitate such travel and fraudulent use of Medicaid, according to the statement. Others who support or enable commercial birth tourism could face restrictions. Rubio said the policy applied to people who knowingly engage in, have previously engaged in or facilitate birth tourism. His statement did not give details of individual cases. “Certain family members may also be covered by these restrictions,” the department said, without specifying which relatives or the circumstances in which the provision would apply. Rubio described the move as an effort to protect citizenship, public benefits and taxpayers, as well as national security. Separately, the State Department announced an online portal for members of the public to submit information about suspected visa fraud and misuse. The department listed falsified documents and travel plans, brokers arranging sham marriages, shell companies and fabricated job offers among the schemes it seeks to detect. Its list also included participation in or facilitation of birth tourism. The portal announcement said the Bureau of Consular Affairs was conducting fraud detection and prevention activities to stop attempts to travel to the United States through fraudulent means or for illegal purposes. Possible enforcement measures include visa revocations and referrals for further law enforcement investigation, the department said. It said many of the tens of thousands of people it had identified and held accountable for visa fraud during President Donald Trump’s second term were discovered through public tips. The announcement did not provide a breakdown of those cases or the action taken. “This new online tool provides a convenient and reliable way for the public to submit crucial information for prompt review and action,” the department said. It directed people with information about suspected fraud to travel.state.gov/reportvisafraud. Birth tourism refers to travel undertaken to give birth in another country with the aim of securing citizenship for the child. Commercial operators have marketed packages combining travel, accommodation and childbirth arrangements. The US debate over birth tourism is linked to the country’s longstanding tradition of citizenship by birth. The citizenship clause of the 14th Amendment, ratified in 1868, states that people born or naturalised in the United States, and subject to its jurisdiction, are citizens."},"img":{"url":"https://images.prismic.io/prad/Nt8LdJm8RER5An6I_USBirth.JPG?auto=format%2Ccompress&rect=45%2C0%2C365%2C180&w=2028&h=1000"},"datetime":"2026-09-24T01:15:00+0000","embed":{"embed_url":null}},"uid":"us-targets-birth-tourism-with-new-visa-curbs"}},{"node":{"data":{"title":{"text":"Indian Americans raise immigration concerns"},"content":{"text":"Indian American community leaders have raised concerns about immigration challenges affecting students, families and healthcare professionals during a meeting with Congressman Jim McGovern in Massachusetts.  The meeting was held at the India Worcester Center in Shrewsbury on September 19. It brought together professionals, entrepreneurs, physicians and civic advocates from the Indian American community. Participants discussed immigration, healthcare, economic opportunity, civic participation and relations between the United States and India. The meeting also focused on the community’s growing political involvement and the need to maintain direct dialogue with elected representatives from both major parties. Community members did not identify specific immigration proposals in the statement announcing the meeting. They highlighted difficulties faced by students, families, medical professionals and other immigrants trying to navigate the US system. The participants said Indian Americans from different religions, generations and political viewpoints should have a meaningful voice in civic affairs. McGovern, a Democrat, represents Massachusetts’ second congressional district in the US House of Representatives. The discussion also examined the role played by Indian Americans in building bipartisan support for the India-US Civil Nuclear Agreement. Ramesh Vishwanath Kapur, founder and president of the US India Security Council, said the agreement showed the results that could be achieved through cooperation across party lines. “The Civil Nuclear Agreement showed what is possible when Republicans and Democrats come together around a shared strategic vision,” Kapur said. He said the campaign surrounding the agreement demonstrated how civic engagement by Indian Americans could contribute to stronger relations between Washington and New Delhi. Satya Mitra, a community leader and Worcester city councillor-at-large, spoke about McGovern’s relationship with his constituents. “What has always stood out to me is his accessibility and commitment to public service,” Mitra said. He encouraged Indian Americans to participate actively in civic life and speak publicly about issues affecting their communities. Sahdev Passey also praised McGovern’s work with constituents and his efforts to remain accessible and responsive, according to the statement. Participants called for sustained engagement between Indian American organisations and elected officials at the federal, state and local levels. They said the diaspora could serve as a bridge between the world’s two largest democracies because of its familiarity with the cultures, economies and institutions of both countries. The meeting identified technology, trade, energy, healthcare, education, defence and innovation as areas in which the community could help strengthen bilateral cooperation. Participants also called for greater collaboration among Indian American organisations, business leaders, elected officials, civic advocates, students and younger generations. They said the objective should extend beyond increasing voter participation. The community should build a durable civic structure capable of engaging policymakers from both parties and advocating on issues important to Indian Americans and the wider country."},"img":{"url":"https://images.prismic.io/prad%2F1d7f99e8-0c4a-48ad-9128-ee394fcfc3fc_indi+us.png?auto=format%2Ccompress&rect=0%2C31%2C1478%2C729&w=2028&h=1000"},"datetime":"2026-09-23T03:15:00+0000","embed":{"embed_url":null}},"uid":"indian-americans-raise-immigration-concerns"}},{"node":{"data":{"title":{"text":"India Warns Nationals Over Malaysia Jobs"},"content":{"text":"The High Commission of India in Kuala Lumpur has issued an advisory cautioning Indian nationals against misusing Malaysia’s 30-day visa-free entry facility to travel to the country in search of employment, warning that such attempts could lead to overstay, illegal immigration status, exploitation, detention and legal action.  In its advisory issued on Tuesday, the High Commission said there had been “a noticeable increase in Indian nationals arriving in Malaysia using the 30-day visa-free facility, to seek employment.” It urged Indians travelling to Malaysia on tourist entry to strictly comply with the conditions of their stay and “alerts Indian nationals travelling to Malaysia on tourist visas against taking up employment.” The mission also warned travellers about unscrupulous agents offering fraudulent employment opportunities. According to the advisory, “Many Indian nationals are misled by unscrupulous agents with false job promises, leading to overstay, illegal status, exploitation, detention and legal action.” The High Commission stressed that seeking employment through the visa-free facility violates Malaysian immigration rules. It clarified that the facility, which allows Indian passport holders to stay in Malaysia for up to 30 days, is intended “for tourism and social visits only.” Indian nationals travelling to Malaysia for tourism have also been advised to carry valid and verifiable travel documents to avoid immigration-related problems upon arrival. These include a confirmed return ticket, hotel booking, and proof of online submission of the Malaysia Digital Arrival Card (MDAC) three days before the date of arrival. Travellers have further been advised to ensure that their passports have a minimum validity of six months. Reiterating its warning, the High Commission said, “Once again, Indian nationals are strictly advised not to travel to Malaysia for work / employment purpose without work permit or visa with reference (VDR).” The advisory comes amid concerns over Indian nationals being lured by false job offers and subsequently finding themselves in violation of Malaysian immigration regulations. The mission urged prospective workers to obtain the appropriate authorisation before travelling to Malaysia for employment."},"img":{"url":"https://images.prismic.io/prad/cqauxmn2R69KfcGU_indmalasia.JPG?auto=format%2Ccompress&rect=0%2C13%2C400%2C197&w=2028&h=1000"},"datetime":"2026-09-22T05:42:00+0000","embed":{"embed_url":null}},"uid":"india-warns-nationals-over-malaysia-jobs"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"Jailer 2: 'One Sun One Moon' Song"},"img":{"url":"https://images.prismic.io/prad/E4OibyLkghHPq2_K_onesunonemoon.JPG?auto=format,compress"},"datetime":"2026-09-25T08:33:00+0000","third_party_url":null},"uid":"jailer-2-one-sun-one-moon-song"}},{"node":{"data":{"title":{"text":"MYSAA Teaser"},"img":{"url":"https://images.prismic.io/prad/xClkscuToqQOL0WK_Mysaa.png?auto=format%2Ccompress&rect=0%2C5%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-20T13:11:00+0000","third_party_url":null},"uid":"mysaa-teaser"}},{"node":{"data":{"title":{"text":"Salman Takes Off His T-Shirt on Bigg Boss"},"img":{"url":"https://images.prismic.io/prad/g9cJNG71ecJFxwXR_Salman.png?auto=format,compress&rect=0,26,532,262&w=2028&h=1000"},"datetime":"2026-09-20T11:59:00+0000","third_party_url":null},"uid":"salman-khan-takes-off-his-t-shirt-on-bigg-boss-var"}},{"node":{"data":{"title":{"text":"'Aadarsha Kutumbam' Teaser"},"img":{"url":"https://images.prismic.io/prad/gkb2nU868yFr0w0z_AK47reaser.JPG?auto=format%2Ccompress&rect=12%2C0%2C608%2C300&w=2028&h=1000"},"datetime":"2026-09-12T18:57:00+0000","third_party_url":null},"uid":"aadarsha-kutumbam-teaser"}},{"node":{"data":{"title":{"text":"'418' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/xu83qXtMn9WviRqh_418trailer.JPG?auto=format,compress&rect=0,42,1200,592&w=2028&h=1000"},"datetime":"2026-09-12T05:57:00+0000","third_party_url":null},"uid":"418-movie-trailer"}},{"node":{"data":{"title":{"text":"'Ranabaali' Movie Teaser"},"img":{"url":"https://images.prismic.io/prad/Ie1YNzDZSUJRO4VN_ranabalireaser.JPG?auto=format%2Ccompress&rect=54%2C0%2C728%2C359&w=2028&h=1000"},"datetime":"2026-09-09T12:37:00+0000","third_party_url":null},"uid":"ranabaali-movie-teaser"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"UPI Transactions: There Is Nothing Called 'Free Lunch'"},"img":{"url":"https://images.prismic.io/prad/IWNC-LYO9T7IQfVm_scan.JPG?auto=format%2Ccompress&rect=0%2C7%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-16T07:30:00+0000","third_party_url":null},"uid":"upi-transactions-there-is-nothing-called-free-lunc"}},{"node":{"data":{"title":{"text":"AI Technology: The New Era Avatar Of Frankenstein?"},"img":{"url":"https://images.prismic.io/prad/xufYZuR1rBUNRB-6_AItech.JPG?auto=format,compress"},"datetime":"2026-09-14T07:35:00+0000","third_party_url":null},"uid":"ai-technology-the-new-era-avatar-of-frankenstein"}},{"node":{"data":{"title":{"text":"BRICS Summit: Game Of Elite Proximity"},"img":{"url":"https://images.prismic.io/prad/a06W_uqJMewyEQT3_modiputinxingpin.JPG?auto=format,compress"},"datetime":"2026-09-13T06:32:00+0000","third_party_url":null},"uid":"brics-summit-game-of-elite-proximity"}},{"node":{"data":{"title":{"text":"Politics Of Purification By Stained Minds"},"img":{"url":"https://images.prismic.io/prad/JhrtkcVl-B6_Y50g_purificationroad.JPG?auto=format,compress"},"datetime":"2026-09-12T06:35:00+0000","third_party_url":null},"uid":"politics-of-purification-by-stained-minds"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-09-25T11:18:08+0000","data":{"title":{"text":"Sreeleela Stylish New Stills"},"content":{"text":"Sreeleela is an American actress of Indian origin who primarily works in Telugu cinema. She began her career as a child artist before making her lead debut in the 2019 Kannada film Kiss."},"img":{"url":"https://images.prismic.io/prad/7O8vuvW-nRobKyp8_sreeleela2028.JPG?auto=format,compress"}},"uid":"sreeleela-stylish-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-09-22T09:21:16+0000","data":{"title":{"text":"Anupama Parameswaran New Pics"},"content":{"text":"అనుపమ పరమేశ్వరన్ ఒక భారతీయ నటి. ఈమె తెలుగు, మలయాళ, తమిళ సినిమాలలో నటించింది.ఆమె భర్త పేరు రాజేష్ గోరువ. ఆమె నటించిన తొలి మలయాళ చిత్రం ప్రేమమ్‌లోని మేరీ జార్జ్, తెలుగు సినిమా శతమానం భవతిలో నిత్య ప్రాత్రలు ఈమెకు మంచి పేరు తెచ్చిపెట్టాయి."},"img":{"url":"https://images.prismic.io/prad/PGeINEpPe90fiQfG_anupama2028.JPG?auto=format,compress"}},"uid":"anupama-parameswaran-new-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-09-18T12:13:50+0000","data":{"title":{"text":"Ashu Reddy Black Spicy Pics"},"content":{"text":"This is Ashu Reddy, Telugu actress worked in movies and prominently known for BiggBoss3 and also social media influencer and beauty content activist. My videos also include entertainment, knowledge and information in many ways to many people."},"img":{"url":"https://images.prismic.io/prad/314HzBkvs5lFnVwg_ashureddy2028.JPG?auto=format,compress"}},"uid":"ashu-reddy-black-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-09-18T10:47:25+0000","data":{"title":{"text":"Anasuya Bharadwaj New Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/ZDW3Te-AlkGuINBe_anasuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-new-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-09-17T17:41:36+0000","data":{"title":{"text":"Payal Rajput Glam Stills"},"content":{"text":"Payal Rajput is an Indian actress who primarily works in Telugu and Punjabi films. She made her film debut with the Punjabi film Channa Mereya, for which she won the Filmfare Award Punjabi for Best Debut Actress. Rajput then made her Hindi film debut with Veerey Ki Wedding."},"img":{"url":"https://images.prismic.io/prad/6rmeRJW-0U0Yxkno_payal2028.JPG?auto=format,compress"}},"uid":"payal-rajput-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-08-12T08:19:18+0000","data":{"title":{"text":"Mouni Roy Glam Stills"},"content":{"text":"Mouni Roy is an Indian actress who primarily works in Hindi television and films. One of the highest-paid television actresses in India, Roy is widely known for her portrayal of a shape-shifting snake in Naagin and its sequel Naagin 2."},"img":{"url":"https://images.prismic.io/prad/8nkSdpm8T3G0jWQk_mouniroy2028.JPG?auto=format,compress"}},"uid":"mouni-roy-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-08-07T16:20:40+0000","data":{"title":{"text":"Vishnu Priya Latest Spicy Stills"},"content":{"text":"Vishnupriya Ramchandran Pillai (born in Bahrain), known mononymously and better as Vishnupriya, is an Indian actress, dancer and model. She started off her career participating in the dance reality show Vodafone Thakadimi which was aired on Asianet. She made her acting debut in 2007 with Speed Track, playing a supporting character. Later, she played the lead character in Keralotsavam 2009 and got noticed for her character in Penpattanam (2010)."},"img":{"url":"https://images.prismic.io/prad/EKRVCL6edvfOM1nL_vp2028.JPG?auto=format,compress"}},"uid":"vishnu-priya-latest-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-21T16:54:06+0000","data":{"title":{"text":"Shraddha Das Spicy Pics"},"content":{"text":"Shraddha Das is an Indian actress and model who predominantly appears in Telugu, Hindi, Bengali, and Kannada language films. She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/J5KjgIk60wE63lRg_shraddhadas.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-20T16:44:06+0000","data":{"title":{"text":"Rakul Looks Radiant In Yellow Saree"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. Singh is a recipient of several accolades including a SIIMA Award, in addition to four nominations at the Filmfare Awards South. Singh started her career as a model and made her acting debut with the Kannada film Gilli"},"img":{"url":"https://images.prismic.io/prad/_eGbGvnqa1VVLLAH_rps2028.JPG?auto=format,compress"}},"uid":"rakul-looks-radiant-in-yellow-saree"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-17T12:42:16+0000","data":{"title":{"text":"Pragya Jaiswal Spicy Stills"},"content":{"text":"Pragya Jaiswal is an Indian actress and model who predominantly works in Telugu films. She made her acting debut in 2014 with the Tamil-language film Virattu in 2014. Jaiswal had her breakthrough with the Telugu period drama Kanche, for which she was awarded the Filmfare Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/HTcjp1FBdNZf7hDK_pragya2028.JPG?auto=format,compress"}},"uid":"pragya-jaiswal-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Balapur Laddu Breaks Auction Record"},"content":{"text":"Hyderabad's famous Balapur Ganesh laddu was auctioned for a record Rs 39 lakh on Friday.  City-based entrepreneur S. Praneet Reddy bought the 21-kg laddu this year in an open auction held before the traditional Ganesh immersion procession from Balapur on the southern fringes of Hyderabad. Last year, the Balapur 'laddu' was auctioned for Rs 35 lakh. Eight people participated in the open auction bid for the laddu, which they believe brings good luck. The annual auction of the 'laddu' in Balapur village marks the beginning of the Ganesh immersion procession, which passes through various parts of the city to reach Hussain Sagar Lake. Balapur ‘laddu’ has its own significance in the festivities. The organisers say Balapur Ganesh has 45-years-long history, but the tradition of auctioning the ‘laddu’ began in 1994. According to auction organiser Balapur Ganesh Utsav Samithi, the 'laddu' was sold for Rs 450 in 1994. Kolanu Mohan Reddy bought the 'laddu' in the first auction in 1994 and was the successful bidder for five consecutive years. As he claimed prosperity by winning the bid, the 'laddu' became more popular. Since then, this sweet has grown in popularity and price. As it is believed to bring prosperity to the winner, businessmen and politicians vie with each other to bid every year. The winners not only distribute pieces of laddu among their family and friends but also sprinkle the remnants in their agricultural fields, business houses, and at home. The organisers had limited the auction to locals for 15 years. Later, people from other areas were also allowed to participate. Balapur Ganesh Utsav Samithi has so far conducted the auction 31 times. The auction was not conducted in 2020 due to Covid-19 situation. The organisers had presented the sweet to then Chief Minister K. Chandrasekhar Rao. In 2024, Kolanu Shankar Reddy bought the Balapur ‘laddu’ for Rs 30.01 lakh, while last year, Lingala Dasarath Goud was the successful bidder."},"img":{"url":"https://images.prismic.io/prad/l3iS50WIsENSSF18_balapurladdu2026.JPG?auto=format%2Ccompress&rect=0%2C42%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-25T12:25:00+0000","embed":{"embed_url":null}},"uid":"balapur-laddu-breaks-auction-record"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Can Kayadu Lohar Finally Break Through?"},"content":{"text":"Beauty, screen presence and acting ability may open doors in the film industry, but sustaining a career often depends on the right scripts, memorable characters and box-office success. For young actress Kayadu Lohar, the journey in Telugu cinema has so far been a challenging one, with her early outings failing to deliver the breakthrough many had anticipated. After making her acting debut with the Kannada film Mugilpete in 2021, the Assam-born actress went on to explore opportunities in Malayalam and Telugu cinema. Her Tollywood debut came with Sree Vishnu’s Alluri, but the film failed to make the desired impact at the box office. Despite drawing attention with her appearance and performance, Kayadu did not immediately land a major career-defining project. She later returned to Telugu screens with Funky, starring Vishwak Sen and directed by K. V. Anudeep. The film offered her a character with an interesting cinematic background, yet it too fell short of audience expectations. With two consecutive films unable to establish her as a promising commercial heroine in Tollywood, the actress was still waiting for a project that could change the course of her career. Hopes were subsequently pinned on The Paradise, the Nani-starrer directed by Srikanth Odela, which appeared to offer Kayadu an opportunity to make a stronger impression. However, the response to her character, Subbu, has sparked a fresh debate about the roles coming her way. In the film, Subbu dreams of becoming an actress and travels to Madras in pursuit of that ambition, only to encounter disappointment and difficult family circumstances. Burdened by her father’s debts, she is pushed into making choices that take her life in an unexpected direction. While the character has a dramatic backstory, its portrayal has also attracted criticism, leaving questions about whether the film will provide the career boost Kayadu needs. With three Telugu releases now failing to deliver the kind of breakthrough that could firmly establish her, the focus is shifting to her next choices. A strong script, a substantial role and a film that connects with audiences could still give the young actress the opportunity to showcase her abilities. For Kayadu, the challenge now is not simply about securing more screen time, but finding a character that allows her talent to translate into lasting recognition."},"img":{"url":"https://images.prismic.io/prad/DUH0681P_xeDH1Mp_kayadhulohar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-25T14:05:00+0000","embed":{"embed_url":null}},"uid":"can-kayadu-lohar-finally-break-through"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Samantha’s Workout With a Twist"},"content":{"text":"Mom-to-be Samantha Ruth Prabhu is showing that her pregnancy fitness routine is all about listening to her changing body.  The actor, who is in her third trimester and is expected to welcome her first child with husband and filmmaker Raj Nidimoru in December, shared a glimpse of her latest workout session on social media on Friday. In the video, Samantha can be seen performing a seated cable row, a strength-training exercise that primarily works the upper back and arms. For the uninitiated, seated cable rows involve pulling a resistance handle towards the torso while maintaining a stable seated position. Samantha is seen using the cable machine while maintaining controlled movements, with her growing baby bump visible. Sharing the video, she wrote, “Equal parts ‘strong till the very end’ and ‘please don’t make me get up.’” The post comes as Samantha continues to remain active during her pregnancy. Earlier, she had shared glimpses of her prenatal strength-training routine and explained how her approach to fitness has changed during this phase. In one of her earlier workout posts, she performed a seated cable row and wrote, “Training looks a little different these days. Less about pushing harder. More about listening better.” Reports currently place Samantha in her third trimester, with her baby due in December 2026. Recently, Samantha and Raj also celebrated a traditional baby shower, or Seemantham, at Sadhguru’s Isha Foundation in Coimbatore. The intimate ceremony included rituals from the Srividya tradition, including Kalaa Aavarana (Sri Kalpam), which Samantha explained in detail while sharing pictures from the occasion. For the uninitiated, Samantha and Raj tied the knot in December 2025 at the Linga Bhairavi Temple within the Isha Yoga Centre in Coimbatore."},"img":{"url":"https://images.prismic.io/prad/fXWNPLu0Id2fi4dw_sam.JPG?auto=format%2Ccompress&rect=0%2C75%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-25T06:35:00+0000","embed":{"embed_url":null}},"uid":"samanthas-workout-with-a-twist"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"KCR Eyes Khairatabad Revival!"},"content":{"text":"The political battle for Khairatabad is gathering momentum, with the Bharat Rashtra Samithi (BRS) beginning its preparations for a possible by-election. Party supremo K. Chandrashekar Rao (KCR) has reportedly started working on an electoral strategy to reclaim the constituency, bringing the focus back to the pink party’s organisational strength and candidate selection. On Thursday, KCR held discussions with BRS working president K. T. Rama Rao at his Erravalli residence. The meeting is understood to have focused on the political implications of the Supreme Court’s decision upholding the Telangana High Court’s verdict in the defection case involving sitting MLA Danam Nagender. With Nagender’s legal challenge failing to secure relief, the prospect of a by-election has prompted the BRS leadership to accelerate its preparations. For the BRS leadership, Khairatabad represents an important political contest, and the selection of a strong candidate is expected to be central to its strategy. KCR and KTR are understood to have reviewed the constituency’s political equations, the party’s grassroots network and the relative strengths of potential candidates. The leadership is reportedly assessing aspirants based on their local influence, public support and ability to take on Nagender in the electoral arena. Rather than rushing into a decision, the party appears focused on identifying a candidate who can capitalise on local political dynamics and translate organisational support into votes. The BRS is also expected to highlight its record on Hyderabad’s development during its tenure in government, while bringing issues such as civic infrastructure, local concerns and the Congress government’s promises into the campaign. Party leaders believe these themes could help them reconnect with voters, although the eventual outcome will depend on public sentiment and the strength of rival candidates. Alongside candidate selection, the BRS is reportedly planning to strengthen its booth-level machinery and mobilise its cadre across the constituency well before the election notification is issued. Division-wise reviews, coordination among local leaders, door-to-door outreach and programmes centred on public grievances are likely to form key components of its campaign. KTR is also understood to have briefed KCR on the prevailing political situation, recent meetings with party leaders and the protests being organised against the Congress government. The discussions reportedly extended beyond Khairatabad to include the upcoming graduate MLC elections and the ongoing SIR process. With several political challenges on the horizon, the BRS leadership is looking to use the coming weeks to consolidate its organisation and sharpen its campaign narrative. The Khairatabad contest is shaping up as a significant test of the party’s ground-level strength, its candidate-selection strategy and its ability to turn its claims about governance and development into electoral support."},"img":{"url":"https://images.prismic.io/prad/C2WyW5Lc0YkCsfHo_KCRbypoll%3B.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-25T05:01:00+0000","embed":{"embed_url":null}},"uid":"kcr-eyes-khairatabad-revival"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'The Paradise'"},"content":{"text":"After delivering a major success with Dasara, director Srikanth Odela reunited with Nani for The Paradise, a film that arrived with enormous expectations. The project generated considerable buzz from the beginning, not only because of the successful director-actor combination but also because it reportedly became the first Nani film to cross the ₹100-crore mark in theatrical business.  With a period backdrop, a socially rooted storyline and an intense transformation in Nani’s appearance, the film promised something much bigger than a conventional action drama. Unfortunately, the final product struggles to translate that ambition into compelling cinema. Story: Set against a historical backdrop, The Paradise revolves around a community that continues to remain trapped in oppression even after Hyderabad and Telangana move beyond the era of Nizam rule. The fictional Paradise settlement is controlled for generations by the Malik family, who treat the local population as little more than slaves while denying them even the basic dignity of identity and recognition. Sammakka, played by Sonali Kulkarni, becomes one of the voices challenging this system. Her son Jadal, portrayed by Nani, is forced into a difficult life at a very young age and eventually lands in prison. When he returns, his personal journey becomes intertwined with the larger fight of his community. The central question is whether Jadal can break the cycle of oppression and secure the identity his people have been denied for generations. The premise has considerable potential, but the screenplay fails to extract the emotional and dramatic weight from it. Performances: Nani once again attempts to step outside his familiar image. His distinctive appearance, particularly the long-haired look designed for Jadal, immediately catches attention. Following his striking transformation in Dasara, expectations were naturally high for another unconventional portrayal. Nani carries the rugged appearance convincingly and performs the physically demanding action sequences with commitment. However, the character is written largely around aggression and action, leaving limited room for the actor to explore emotional depth. The film occasionally introduces sentimental moments, but they are not developed strongly enough to create a lasting impact. Mohan Babu plays Malik, a character that was heavily discussed before the film's release. Despite being positioned as a crucial figure in the narrative, the character receives surprisingly limited dramatic weight. Raghav Juyal also makes an impression in the space given to him, but his character is brought to an abrupt end instead of being developed into a stronger force within the story. Sonali Kulkarni's character is central to the film's larger theme, yet the screenplay doesn't provide her enough material to make the emotional struggle truly resonate. Kayadu Lohar's role is largely confined to the romantic and glamour elements. Sampoornesh Babu appears in a supporting part with barely enough dialogue to make an impression. Even the numerous experienced actors in the cast are unable to leave a strong mark because the writing does not give their characters sufficient substance. Technical: Anirudh Ravichander's involvement naturally raised expectations, particularly for the background score. While the music works in isolated stretches, the background score often becomes excessively loud rather than enhancing the emotional intensity of the scenes. A couple of songs stand out, but the soundtrack as a whole does not deliver the impact one might expect from a project of this scale. The cinematography does reasonably well in recreating the period atmosphere. The production design and visual detailing help establish the harsh world in which the characters live. The film carries considerable production value, and the scale is visible on screen. The biggest problem, however, lies in the writing and execution. Srikanth Odela appears to have had a strong central idea but struggles to turn it into a cohesive screenplay. The dialogue, scene construction, pacing and transitions frequently lack the required sharpness. Editing issues further affect the flow, making the lengthy narrative feel more exhausting than immersive. Plus Points: Nani's rugged transformation and performance Kayadu Lohar's presence The pre-interval sequence Production design and period atmosphere A few effective action moments Minus Points: Weak screenplay Underdeveloped characters Uneven pacing Excessive action Limited emotional impact Editing issues Underutilisation of senior actors Analysis: At its core, The Paradise is built around a potentially powerful idea: the fight of an oppressed community for recognition and dignity. The problem is that the film rarely develops this idea with the depth it deserves. Instead of building the characters and their conflicts gradually, the narrative repeatedly falls back on large-scale action and heightened moments. The influence of films such as KGF and Salaar can be felt in the treatment, particularly in the attempt to create a larger-than-life world populated by powerful factions and brutal action. But where those films built their worlds around stronger character motivations and narrative momentum, The Paradise struggles to establish the same emotional connection. The action sequences are undeniably aggressive, but intensity alone cannot compensate for weak storytelling. Several sequences appear designed primarily to shock rather than organically emerge from the story. The violence frequently moves away from realism, while the emotional scenes fail to generate the intended response. The film also introduces powerful-looking antagonists, only to gradually reduce their importance. This weakens the central conflict because the protagonist never gets a consistently formidable opposition. Even the effort to add political and historical references appears more like an attempt to generate additional buzz than something organically integrated into the screenplay. Nani gives the role everything he can, but the performance ultimately depends heavily on the material provided to him. The film clearly wants to present Jadal as an iconic figure, yet the writing does not sufficiently establish the emotional journey necessary to make that transformation convincing. Final Verdict: The Paradise begins with an interesting idea and a promising world, but struggles to turn that foundation into a satisfying cinematic experience. The gap between the film's promotional build-up and the actual content becomes difficult to ignore as the story progresses. Nani's commitment and the film's scale are evident, but they cannot fully compensate for an underdeveloped screenplay and inconsistent execution. What could have been a hard-hitting story about identity, dignity and resistance instead ends up feeling like an action-heavy film searching for an emotional core."},"img":{"url":"https://images.prismic.io/prad/gykUOtmdxL0XVM2y_TheParadise.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-23T20:38:00+0000","embed":{"embed_url":null}},"uid":"review-the-paradise"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Epic'"},"content":{"text":"The combination of Anand Deverakonda and Vaishnavi Chaitanya, who previously delivered a successful outing with Baby, naturally raised expectations around Epic. With the duo returning together, there was considerable curiosity about whether the film could recreate the magic of their earlier collaboration. Unfortunately, while Epic has its share of entertaining moments, it ultimately struggles to live up to the expectations created by its lead pair. Story: Aditya (Anand Deverakonda), the younger son of Chandrasekhar (Shivaji), a government school teacher, is a carefree youngster with little interest in academics but a deep fascination for cinema. Dreaming of becoming a filmmaker, he keeps trying to find his way into the world of movies. However, pressure from his parents eventually forces him to travel to the UK to pursue his education. An innocent, soft-spoken and inexperienced young man, Aditya enters a completely unfamiliar world in the UK. Soon after arriving, he meets Kadali (Vaishnavi Chaitanya), and the encounter gradually brings a significant change in his personality and outlook. Meanwhile, Aditya's family is dealing with its own set of problems back home. Whether Aditya manages to achieve his ambitions, how his relationship with Kadali develops and where his journey eventually takes him form the crux of the story. Performances: Anand Deverakonda once again fits comfortably into the role of an innocent and somewhat naïve youngster. Much like his performance in Baby, he brings a certain vulnerability to the character, though the actor gets an opportunity to display a slightly different shade of the role as the story progresses into the second half. His appearance, body language and dialogue delivery work well for the character. Anand is particularly effective in emotional and romantic sequences, showing noticeable improvement and confidence as a performer. His familiar mannerisms and body language may also remind audiences of his brother Vijay Deverakonda, which could work in favour of his fan base. Overall, Epic gives Anand another opportunity to showcase his acting abilities. Vaishnavi Chaitanya, who delivered a strong performance in Baby, does not get a character with comparable depth here. While she has a few scenes that allow her to demonstrate her acting skills, much of the role remains fairly limited. She gets some glamorous moments and contributes effectively whenever the screenplay gives her room, but the character itself does not offer enough scope for a standout performance. Shivaji is convincing as the middle-class government school teacher and once again settles naturally into the character. The supporting cast performs adequately within the limitations of their respective roles. Technical: Director Aditya Hasan chooses a premise that feels contemporary and relevant to the mindset of the current generation. However, the execution is considerably more conventional. The comedy provides some relief and prevents the screenplay from becoming completely monotonous, but several sequences feel familiar and reminiscent of situations seen in other films. The screenplay could have benefited from greater freshness and stronger character development. The first half works relatively better, largely because of its comic portions, while the second half loses momentum and becomes slower. Hesham Abdul Wahab's music is another weak link. Although a couple of songs are passable, the overall album fails to make a lasting impression. The background score, particularly during emotional sequences, could have played a much stronger role in elevating the impact of the scenes. The cinematography is adequate, though the film could have made better use of the picturesque UK locations. Production values are solid and contribute to the film's overall visual presentation. Analysis: A successful pairing can certainly create initial buzz, but a familiar combination alone cannot guarantee a successful film. What truly works is when a popular combination is backed by strong and engaging content. In Epic, the film's premise appears tailored to the sensibilities of the current generation, but the execution does not consistently match its potential. The director succeeds in extracting some entertaining moments from the comedy and emotional portions. The first half benefits from its humour, while the emotional scenes in the latter portion provide a few engaging moments. However, the romantic track lacks the impact required to make the central relationship truly memorable. The film also needed a sharper screenplay and a more compelling second half to rise above its routine elements. While it may not satisfy viewers expecting another Baby-like outing from Anand Deverakonda and Vaishnavi Chaitanya, Epic can still work as a light, one-time entertainer for those looking for a casual watch. Positives: Comedy First half Anand Deverakonda Vaishnavi Chaitanya Negatives: Slow narration Routine story and screenplay Music Second half Verdict: Epic has enough comedy and a few engaging moments to make it a passable time-pass entertainer, but its routine romantic track, slow narration and underwhelming second half keep it from becoming the memorable film its lead combination promised. Banner: Sithara Entertainments Producer: Suryadevara Naga Vamsi Director: Aditya Hasan Music: Hesham Abdul Wahab Cast: Anand Deverakonda, Vaishnavi Chaitanya, Shivaji, Vasuki, Kalyan Shankar and others"},"img":{"url":"https://images.prismic.io/prad/i5tpcCyZXxZGstkc_EPICreview.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-11T08:51:00+0000","embed":{"embed_url":null}},"uid":"review-epic"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Haiwaan'"},"content":{"text":"Haiwaan builds its strongest moments around two accomplished actors standing on opposite sides of a conflict. Directed by Priyadarshan, the psychological action crime thriller brings Akshay Kumar and Saif Ali Khan together after 18 years, and their reunion is easily one of the film’s biggest strengths. At its core, the film is a tense game of cat and mouse between a dangerous antagonist and a visually impaired man who must rely on instinct, intelligence and resilience to survive. Akshay Kumar is the first major talking point, delivering what could easily be described as one of his darkest and most menacing performances to date. As Parshuram, he does not play the villain in the conventional, loud Bollywood manner. Instead, there is an unsettling calmness to his performance. Akshay gives Parshuram a sense of conviction and unpredictability that makes it difficult to anticipate his next move. His body language, controlled expressions and measured intensity establish the character as genuinely dangerous. There is a quiet menace running through the performance, making Parshuram one of Akshay’s standout negative roles. Saif Ali Khan is equally compelling as Shyam, a visually impaired man who finds himself caught in an increasingly dangerous situation. What stands out about Saif’s performance is the restraint. He does not exaggerate the character’s blindness or turn it into a theatrical device. Instead, Shyam’s vulnerability exists alongside his intelligence, determination and heightened instincts. Saif allows us to understand the challenges Shyam faces without ever making him seem helpless. His performance becomes particularly effective in the confrontational scenes with Akshay. That brings us to the film’s biggest hook — the Akshay Kumar and Saif Ali Khan face-off. Their scenes provide some of Haiwaan’s most thrilling moments because the conflict is not merely physical; there is a strong psychological element to their encounters. Parshuram has physical menace, confidence and an apparent ability to control situations, while Shyam has to depend on instinct, intelligence and resilience. The contrast creates genuine tension. Their standoff gives Haiwaan its dramatic pulse and keeps the audience invested in their battle. A major surprise comes from Paahal Chaudhary, who emerges as one of the film’s biggest revelations. The young actor delivers an outstanding and remarkably assured performance. Paahal brings vulnerability and sincerity to the role without allowing the character to become merely a plot device. Her presence adds emotional stakes to the thriller and makes the audience more invested in what happens to the characters. She holds her own impressively alongside an established cast and becomes an important emotional centre of the story. The supporting cast adds further weight to the narrative. Saiyami Kher, Shriya Pilgaonkar and Boman Irani bring sincerity and conviction to their respective roles, while Sharib Hashmi is effective as the police officer and fits naturally into the investigative world of the film. The return of veteran actor Asrani is particularly heartwarming. He delivers another memorable performance, and his final on-screen appearance gives his presence an added emotional significance. Priyadarshan demonstrates once again why he remains such a dependable filmmaker when it comes to commercial storytelling. With Haiwaan marking his 98th film, he understands how to balance emotion, drama, suspense and mainstream entertainment without allowing one element to overpower the others. At 2 hours and 44 minutes, the film is certainly long, but it rarely feels as though the material is being unnecessarily stretched. The performances, confrontations and steady progression of the thriller keep the narrative moving. The background score deserves special mention for the role it plays in sustaining that momentum. The BGM consistently keeps the tension alive and gives the film the atmospheric quality required of a thriller. It works particularly well during confrontational sequences, adding anticipation without overpowering the performances. The soundscape works hand-in-hand with Priyadarshan’s direction and ensures that the film retains its thriller pulse. Pritam’s music is also integrated thoughtfully into the narrative. Mere Hero Hai Woh adds an emotional dimension, while Rangiyaara works particularly well during the travel portions. The songs complement the mood and allow the film to breathe while remaining connected to the narrative. They never feel completely disconnected from the storytelling. The fact that Haiwaan is adapted from Priyadarshan’s Malayalam thriller Oppam will naturally be known to audiences familiar with the original. However, the Hindi adaptation brings its own treatment, staging and commercial flavour to the material. The performances give the story fresh energy, while Priyadarshan’s direction ensures that it remains accessible as a Hindi theatrical thriller. Mohanlal’s special appearance, reprising his presence from the original, is also a welcome touch for fans of Oppam and provides a meaningful connection between the two films. The film also benefits from a clear central conflict. The screenplay does not bury the emotional stakes under unnecessary complications, allowing the audience to understand what is at risk while the suspense builds naturally. What makes the performances stand out is the contrast in their approaches. Akshay creates danger through stillness and unpredictability, while Saif creates tension through observation and restraint. That difference gives their scenes texture and prevents the conflict from becoming a routine hero-versus-villain battle. The audience is constantly waiting for the next move, which is where the film finds its strongest rhythm. For a film carrying the weight of a star reunion, Haiwaan also avoids becoming solely about that reunion. Akshay and Saif are undoubtedly the centre of attention, but the surrounding characters and emotional stakes are given enough room to matter. Haiwaan works because its strongest elements come together effectively. Akshay’s Parshuram provides the menace, Saif’s Shyam supplies the emotional and human core, and Paahal Chaudhary adds an unexpected layer of vulnerability. The supporting performances strengthen the world around them, while Priyadarshan keeps the suspense alive. The gripping background score further enhances the atmosphere, and the music sits naturally within the narrative. Haiwaan is a theatrical thriller that gets its most important ingredients right. Akshay Kumar gets one of his most compelling negative roles, Saif Ali Khan brings depth and restraint to a challenging character, and Paahal Chaudhary proves to be a genuine revelation. But it is the Akshay-Saif confrontation that remains the film’s beating heart.  Priyadarshan’s assured direction keeps the tension intact and successfully balances suspense, emotion, drama and mainstream entertainment. Haiwaan may draw from familiar material, but its performances, atmosphere and execution give it enough conviction to work as a satisfying big-screen experience. Director – Priyadarshan, Cast:  Saif Ali Khan, Akshay Kumar, Boman Irani, Shriya Pilgaonkar, Saiyami Kher, Mohanlal, Asrani, Sharib Hashmi And Others"},"img":{"url":"https://images.prismic.io/prad/pcf8OeUE1gPChq-9_HaiwaanJ.JPG?auto=format%2Ccompress&rect=0%2C42%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-11T05:04:00+0000","embed":{"embed_url":null}},"uid":"review-haiwaan"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Sardar 2’ "},"content":{"text":"Karthi has built a strong following across both Tamil and Telugu audiences, and the success of Sardar naturally created considerable anticipation for its sequel. With Sardar 2, director P. S. Mithran attempts to expand the franchise into a larger and more intense espionage-action space. The film carries forward the narrative from the first instalment while introducing a new threat and a fresh mission. On paper, the ingredients suggest a potentially engaging spy thriller. However, the execution falls short of the expectations created by its predecessor, with an uneven screenplay and excessive padding preventing the film from achieving the impact it aims for. Story: The sequel picks up from where Sardar left off. After reports emerge that Sardar, played by Karthi, has been shot dead in China, the focus shifts to his son Vijay, also portrayed by Karthi, who works as a RAW agent. Vijay does not enjoy much support from his superiors, but that does not stop him from taking matters into his own hands. He launches an unauthorised operation to rescue Walrus, played by Achyuth Kumar.  Although Vijay fails to save him, the mission leaves him with crucial information about a dangerous operation known as ‘DO’. His investigation leads him towards Black Dagger, played by S. J. Suryah, and a larger conspiracy that threatens the country. The mystery surrounding Black Dagger, his motives and the purpose of Operation DO forms the central conflict.  While the premise has the potential for a gripping espionage drama, the narrative takes too long to build momentum and struggles to maintain suspense. Performences: Karthi remains the film’s biggest asset. The actor handles the two contrasting shades of his characters with confidence, bringing gravitas to Sardar while giving Vijay a more youthful and jovial personality. The difference between the two roles allows Karthi to display considerable range, and his energetic performance keeps several sequences watchable even when the writing falters.  S. J. Suryah once again proves effective as a villain, bringing an unsettling intensity to Black Dagger and making some of his scenes genuinely menacing.  Malavika Mohanan has limited scope but makes an impression in the portions available to her, while Ashika Ranganath gets only a few opportunities to showcase her acting abilities.  Yogi Babu provides comic relief, though some of the humour feels artificially inserted into the otherwise serious narrative. c oy-e remaining cast members are adequate within their respective roles. Technical: The film does not consistently live up to its big-budget positioning. The background score is particularly disappointing, with similar musical patterns repeatedly used during the action sequences. At several points, the music becomes excessively loud and threatens to overpower the scenes instead of complementing them. The cinematography fares better, with certain sequences gaining visual appeal from the camera work.  The production design and overall scale are reasonably impressive, but these positives are undermined by the film’s editing. Several portions feel unnecessarily prolonged, particularly during the first half, and a tighter cut could have significantly improved the pacing. The second half makes a more determined attempt to generate intrigue and urgency, but the screenplay never quite develops the momentum required for a satisfying payoff. Analysis: The fundamental problem with Sardar 2 is that it arrives as the follow-up to a successful film. A sequel is expected not merely to continue the story but to raise the stakes and offer audiences something more compelling than what they have already seen. Here, the connection to the first film is maintained while the new storyline remains accessible even to those unfamiliar with the earlier instalment. Yet the basic espionage framework feels familiar, and the film needed sharper writing and more inventive storytelling to make its premise stand out. Instead, the slow stretches, forced comedy and inconsistent screenplay repeatedly take the edge off the narrative. Ultimately, Sardar 2 has a capable lead, an interesting central idea and a few effective performances, but it lacks the tight writing and controlled execution required for a high-impact spy thriller. Karthi’s dual-role performance is undoubtedly a plus, and the core storyline offers enough material for an engaging franchise film. However, the sequel never fully capitalises on those strengths. For audiences expecting a more powerful follow-up to Sardar, the film is likely to feel like a missed opportunity. Positives:  Karthi’s dual performance Basic storyline S. J. Suryah’s villainous act Negatives:  Slow first half Forced comedy Weak background score Uneven editing Inconsistent screenplay Final Verdict:  Sardar 2 has the scale, star power and premise of a promising spy-action franchise, but its lacklustre screenplay and uneven execution keep it from matching the impact of the original. Banner: Prince Pictures, IVY Entertainment Producers: S. Lakshman Kumar, Ishan Saksena Director: P. S. Mithran Music: Sam C. S. Cast: Karthi, Malavika Mohanan, S. J. Suryah, Ashika Ranganath, Yogi Babu and others "},"img":{"url":"https://images.prismic.io/prad/YJ_CQhIc2-axaebY_SARDARReview2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-10T07:32:00+0000","embed":{"embed_url":null}},"uid":"review-sardar-2-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Toxic'"},"content":{"text":"After delivering the massive success of KGF, Yash took considerable time before announcing his next project. He reportedly heard several scripts and met numerous filmmakers before finally joining hands with Geetu Mohandas for Toxic: A Fairy Tale for Grown-Ups. The collaboration itself raised eyebrows, with many wondering how Mohandas’ filmmaking sensibilities would blend with Yash’s larger-than-life action image. The result is an ambitious gangster action drama that aims for the scale and intensity of KGF, but struggles to match its emotional impact. Story: Set against the backdrop of Goa in 1947, the film revolves around a powerful drug and underworld network led by Salvador, a feared gang lord. Raya (Yash) and Ganga (Nayanthara), who are siblings, are among his most trusted associates. Ganga dreams of seeing her younger brother rise to the top of Goa’s drug empire. Raya’s life takes an unexpected turn when he falls in love with Salvador’s daughter, Rebecca (Tara Sutaria), and marries her. This eventually helps him become the head of the drug syndicate, fulfilling Ganga’s long-standing ambition. However, Raya later develops feelings for Nadia (Kiara Advani), a circus performer. Their relationship leads to Nadia’s pregnancy and creates a devastating conflict after Rebecca discovers the affair. Overcome by the situation, Rebecca takes her own life. The central conflict then revolves around Salvador’s reaction and Ganga’s desperate attempts to protect her brother from his wrath. Performances: Yash delivers a convincing performance as Raya and carries much of the film on his shoulders. However, the screenplay is so heavily centred on his character that several supporting roles fail to make a lasting impact. Some of his action sequences also feel exaggerated, with the hero overpowering villains almost effortlessly. While his emotional moments work reasonably well, the action lacks the grounded quality needed to make the violence feel convincing. Nayanthara gets a powerful character as Ganga, but the writing does not provide her with enough substantial scenes. She makes an impression whenever she appears, despite having limited material. Kiara Advani, unfortunately, has little scope to demonstrate her acting abilities, with her character largely confined to glamour and romance. Tara Sutaria fares better, delivering a natural performance in several emotional sequences. The remaining cast members are adequate within the limitations of their respective roles. Technical: Geetu Mohandas deserves credit for attempting a dark and ambitious gangster drama, but the execution falls short of the potential of the premise. The screenplay repeatedly relies on elaborate action sequences, seemingly assuming that Yash’s screen presence and large-scale set pieces alone will sustain the film. Considerably more attention is given to the protagonist than to the development of the supporting characters. The dubbing is another noticeable weakness, occasionally giving the film the feel of a dubbed production rather than a seamless multilingual project. The cinematography is impressive and succeeds in creating the required visual scale. However, the background score does not leave a strong impact. Ravi Basrur’s music fails to live up to expectations, while the songs struggle to connect because of their placement within the romantic portions. Editing is one of the film’s major drawbacks, particularly in the second half, where several sequences feel unnecessarily stretched. The production values, however, remain impressive and contribute to the film’s grand visual presentation. Analysis: The biggest challenge for Toxic was always going to be the enormous expectations surrounding Yash after KGF. Audiences naturally expected another high-octane action spectacle, and the film clearly attempts to recreate that larger-than-life formula. But KGF worked not merely because of its action; its emotional core gave the spectacle considerable weight. Toxic struggles in that department. The film repeatedly prioritises action, violence and glamour while failing to build sufficiently strong emotional connections with its characters. The result is a movie that looks ambitious but often feels emotionally hollow. The excessive romantic and adult-oriented content may also alienate a significant section of family audiences. Instead of complementing the gangster narrative, several such sequences feel unnecessarily provocative and distract from the core story. The film appears determined to push its mature tone, but the approach does not always feel organic to the narrative. Ultimately, Toxic showcases Yash’s immense screen presence and delivers a few visually striking action sequences, but it falls short of replicating the emotional resonance that made KGF such a phenomenon. The attempt to create another massive Yash action vehicle is evident, yet the absence of a compelling emotional backbone prevents the film from reaching its full potential. Plus Points: Yash’s performance Tara Sutaria’s natural acting A few well-executed action sequences Grand production values Impressive cinematography Minus Points: Weak story and screenplay Limited depth for supporting characters Excessive romance and adult content Over-the-top action in places Underwhelming music and background score Slow and stretched second half Dubbing issues Verdict: Toxic sets out to deliver another KGF-style action extravaganza but misses the emotional ingredient that made Yash’s previous blockbuster so effective. Despite its scale, star power and flashes of impressive action, the film struggles to create a satisfying overall impact. Final Take: Another KGF was attempted, but the emotion is missing. Banner: KVN Productions Producer: Venkat K. Narayana Director: Geethu Mohandas Music: Ravi Basrur Cast: Yash, Kiara Advani, Nayanthara, Huma Qureshi, Tara Sutaria, Rukmini Vasanth, Sudev and others"},"img":{"url":"https://images.prismic.io/prad/E2UJr6qTDfzc_kvt_TOXIC.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-26T07:45:00+0000","embed":{"embed_url":null}},"uid":"review-toxic"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Irumudi'"},"content":{"text":"It has been a long time since Mass Maharaja Ravi Teja scored a hit. At a time when his fans were also giving up hope on Ravi Teja, expectations have increased hugely on the film directed by Shiva Nirvana, who is known as a sensible director. A positive buzz has been created for Ravi Teja's film like never before and huge advance bookings have been registered. Let's see how this film is in this review. Story: Trinath (Ravi Teja) is a devotee of Ayyappa. He wears an Ayyappa garland every year. Trinath, who is very devoted when he wears a garland, cannot stop drinking when he does not have one. No matter how much he drinks, he takes good care of his wife Kaveri (Priya Bhavani Shankar) and daughter Manikantha (Baby Nakshatra), leads a happy life with them, and works in the banana plantation. Trinath, who lives in a village, loves his daughter. He takes care of every girl in the village and is the first to come to his aid if any danger comes to them. At such a time, a girl studying in high school is murdered. What changes does Trinath's life bring about with that murder? Why does Trinath swear to his daughter that he will stop drinking? What else does Trinath do for his daughter is the story of the film. Actors' Performance: Everyone who acted in the film acted very well. Ravi Teja, as always, acted with full energy and impressed. Especially in the action scenes and sentimental scenes with his daughter, Ravi Teja acted very well. Ravi Teja appeared for the first time in Ayyappa Mala. As expected, Ravi Teja impressed in the devotional scenes as well. Overall, he carried the film on his shoulders and carried it forward, impressing everyone including the fans. Heroine Priya Bhavani Shankar acted as if she had a good future. She was seen in a de-glamor look in this film. Still, she impressed in terms of looks. Apart from that, she impressed with her acting. In recent times, we have been seeing the level of importance given to the acting of heroines. It has been proven once again that heroines will create dust if they get roles that have potential for acting. There is no doubt that Baby Nakshatra has given life to the film. Ajay Ghosh and Sai Kumar impressed with their roles. Technical: Music director GV Prakash Kumar impressed with the background score. The theater was rocked by the song Mallepula Pallaki. However, it must be said that the credit does not go to GV Prakash. The other songs are mediocre. The more GV lifts the film with the background score, the more it lifts it. Director Shiva Nirvana's writing is good. Some dialogues are touching, while some scenes are like the best of Ravi Teja's career. Overall, the director has succeeded in all respects. There are no major mistakes in editing. It would have been even better if some scenes in the second half had been cut to three or four minutes. The cinematography is good. The beauty of the village has been shown well. There is no compromise in the structural values. Analysis: Director Shiva Nirvana has conveyed the point he wanted to convey with devotion and sentiments. The director has shown the injustice being done to girls in the current society well. Apart from that, there is no doubt that he has made a good decision in choosing Ravi Teja for this film and taking Ayyappa Mala as the backdrop. Ravi Teja has never done such roles in the past. That is why there is a concern about how he will be seen in this film, how the character will be, and how the film will be. After watching the film, it feels like we are seeing Trinath instead of Ravi Teja. The director has taken us into the film in a very short time. This film can be called a movie with good sentiment and devotion along with entertainment. Ravi Teja's films have been criticized for a long time in the industry. There is no doubt that this film is the answer to all of them. It went like an all-round movie. Plus points: Ravi Teja, Other Actors' Performances, Mallepula Pallaki Song, Action Sequences Minus points: Some Emotional Scenes Final Verdict:  Ravi Teja tied 'Irumudi' to Ayyappa and scored a hit Banner: Mythri Movie Makers Producer: Naveen Yerneni, Y Ravi Shankar Director: Shiva Nirvana Music: G.V. Prakash Kumar Cast: Ravi Teja, Priya Bhavani Shankar, Sai Kumar, Baby Nakshatra, Ajay Ghosh and others"},"img":{"url":"https://images.prismic.io/prad/HcTr2KkaiWO37ssK_irumudi.jpg?auto=format,compress"},"datetime":"2026-08-21T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-irumudi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Awarapan 2'"},"content":{"text":"Some characters become so closely associated with an actor that bringing them back after nearly two decades is a risky proposition. Shivam Pandit is one such character for Emraan Hashmi. Awarapan 2 takes that risk and, for the most part, understands why the 2007 film became a cult favourite. Directed by Nitin Kakkar, the film picks up the emotional thread of the original rather than simply recreating it. Shivam is still carrying the memory of Aaliyah when he comes across an abandoned infant girl at her grave. He takes her to an orphanage, quietly pays for her care and names her Aaliyah. When a couple later adopts the girl, Shivam convinces himself that giving her a family is the right thing to do. He soon discovers that they are connected to an international child-trafficking syndicate, and when Interpol tells him that Aaliyah has been abducted, the man who had walked away from the criminal world has no choice but to return. That premise gives Awarapan 2 a natural reason to bring Shivam back rather than forcing a reunion for nostalgia's sake. Interpol wants his help in taking down the syndicate, but Shivam's motivation is much more personal. His guilt over Aaliyah and his inability to protect her pull him back into the world he desperately wanted to leave behind. This is where the sequel expands the franchise. The first Awarapan was raw, intimate and deeply rooted in Shivam's personal transformation. The new film moves from that compact moral awakening into a larger crime thriller involving trafficking, organised crime, revenge and sacrifice. The scale is bigger, the action is more prominent and the storytelling is designed for a theatrical audience, but the emotional core remains Shivam's search for redemption. The narrative has moved from 2007 to 2026, and this genuinely feels like the next chapter rather than a film simply borrowing the name of a beloved original. A major part of that evolution comes from Vishesh Bhatt. As the co-producer of Awarapan and now the writer-producer behind Awarapan 2, Bhatt's vision of turning Awarapan into a franchise is central to the film. This isn't just a sequel made because the first film developed a cult following. There is a clear attempt to build the next chapter of Shivam Pandit's story while retaining the emotional and musical DNA of Vishesh Films. Bhatt's creative direction gives the film its larger ambition, with Kakkar and the entire team following that lead. The collaboration between Emraan Hashmi and Vishesh Films remains one of the film's strongest forces. Emraan, unsurprisingly, is the film's biggest strength, but the supporting characters deserve attention. Disha Patani plays Zara, a woman who becomes an unintentional victim of the criminal world surrounding her family. Her brother Zorawar, played by Puran Gabbi, is involved in the drug trade, and the film uses their relationship to show how crime can trap people who never chose that life. Patani gets a stronger dramatic focus and brings a vulnerability that gives Zara's portions emotional weight. Gabbi is one of the film's discoveries, bringing an unpredictability that makes Zorawar stand out without turning him into a standard gangster caricature. Shabana Azmi as Nafisa brings the expected gravitas, while Suvinder Vicky as Jaideep, Vijayant Kohli as Mehmood, Atul Kumar as Samarth and Aniruddh Rawal as Sikandar add further layers to the criminal and investigative world around Shivam. The music is where Awarapan 2 makes perhaps its most important connection with the original. Mithoon, Amaal Mallik and Jeet Gannguli carry forward the musical identity of the franchise, with lyrics by Sayeed Quadri and Rashmi Virag. The returning favourites \"Tera Mera Rishta\" and \"Toh Phir Aao\" have been reimagined by Mithoon, while \"Yeh Awarapan\", sung by Arijit Singh, adds another emotional layer. But the soundtrack is not simply a collection of songs designed to trigger nostalgia. The music is integral to the story. It carries Shivam's emotional state, builds the atmosphere and becomes part of the film's narrative language. This is also a soundtrack that deserves to be experienced in a theatre, where the sound design, scale of the compositions and visuals create a different audio-visual experience. The film also makes its marketing campaign look smarter once the story unfolds. Some of what has been shown and teased begins to make sense only after watching it, and there are elements of the narrative better experienced without knowing too much beforehand. Awarapan 2 is not merely selling the return of Emraan Hashmi or the nostalgia of its music. It is attempting to make audiences curious about what happened to Shivam and where his story goes next. The big-screen presentation adds to that appeal. Awarapan 2 succeeds because it respects where the franchise came from without pretending that cinema hasn't changed since 2007. It is bigger, more ambitious and more conventional as a thriller than the original, but it retains the grief, rage, sacrifice and search for redemption that made Shivam Pandit memorable. Vishesh Bhatt's franchise vision, Vishesh Films' creative identity, Nitin Kakkar's direction, Bilal Siddiqui's writing and Emraan Hashmi's return all work toward the same goal: taking Shivam's story forward rather than simply repeating it. Disha Patani gets a meaningful role, Puran Gabbi emerges as a genuine discovery, the supporting cast adds weight and the music remains an essential part of the experience. It may not have the same bleak intimacy as Awarapan, but that isn't what this film is trying to be. This is the 2026 chapter of Shivam Pandit's journey much bigger, louder and still carrying the same old wound. Director: Nitin Kakkar,  Cast: Emraan Hashmi, Disha Patani, Shabana Azmi, Puran Gabbi, Suvinder Vicky and others"},"img":{"url":"https://images.prismic.io/prad/nH0_7NckLLpkJ8vL_awarapan2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T04:07:00+0000","embed":{"embed_url":null}},"uid":"review-awarapan-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishwanath and Sons'"},"content":{"text":"Despite being a Tamil hero, Surya is a hero who has a good craze in Telugu. Telugu audiences have raised their expectations as soon as he says that he is working with a Telugu director. The film Surya, which was made in a Telugu production company and directed by a Telugu director, was promoted as a Telugu film. Let's see how this film, which has huge expectations among the audience, is doing in this review. Story: Sanjay Vishwanath (Surya) is a big businessman. Sanjay, who has everything, is not interested in marriage. But his mother (Radhika) insists on marriage and having a family. Sanjay becomes a father to a baby boy through surrogacy for his mother. While he is happy with Babu, unexpected developments take place. Babu develops serious health problems. Babu needs bone marrow. Then Sanjay goes to Maddy (Mamita Baiju), who is in the US. She has to give the bone marrow to Babu. 22-year-old Maddy, who came for Babu, falls in love with 42-year-old Sanjay. Where did that love lead? Who is Maddy really? You have to watch the movie to know these things. Performance: There is no need to mention the performance of the hero Surya. Millionaire Sanjay Vishwanath impressed in the role. Surya scored 100 out of 100 marks in showing that modesty. Surya impressed in a role that shows love while appearing serious in some scenes. Overall, there is no doubt that Sanjay Vishwanath brought the character to life. Fans enjoyed the shades of Surya's character. Surya impressed with his 40+ age look. Maddy's role is very crucial in the movie. The entire first half is based on that character. Mamita Baiju appeared in the role of an orphan with no one. Generally, any heroine would look good in the role of a naughty girl. But Mamita in the role of Maddy made me laugh, cry, and get angry. She was the main attraction of the film. It seemed that Maddy's role would have been better in the second half as well. Radhika impressed in the role of Sanjay's mother. She seemed to have transformed into a small child and acted. The other actors acted and impressed within the scope of their roles. Technical: It seemed that the music director focused more on the background score than on the songs. It must be said that his hard work was rewarded. Because the background score came out well. It led some scenes in an impressive way. Let's talk about cinematography. Generally, it is easy to show the beauty of the village, but to bring a rich family look, cinematography has more work. That work is good. It would have been better if the director had worked more on the second half. The structural values ​​are good. Editing needs to be improved in the second half. Plus points: Mamita Baiju Surya Entertainment Some sentimental scenes Minus points: Second half Fights Analysis: Director Venky seems to have come up with a mature story once again. However, this time, the addition of a love story made it a youthful entertainer. Especially in the first half, the scenes with the heroine should definitely make the audience fall in love. The scenes between the hero and heroine make you laugh on one side and cry on the other. Although the second half seemed to be a bit sentimental, it ended on a positive note. There is no doubt that if the first half was as entertaining as the second half, it would have been even better if it had been more entertaining along with sentiment. Overall, this film can be watched for the heroine Mamita Baiju and for the sentimental scenes. Finally... The first half is fun, the second half is balanced with emotion. Banner: Sitara Entertainments Producer: Suryadevara Nagavamsi Director: Venky Atluri Music: G.V. Prakash Kumar Cast: Surya, Mamita Baiju, Radhika Sarath Kumar, Raveena Tandon, Nassar, Sudha and others"},"img":{"url":"https://images.prismic.io/prad/ahgA9bK9tuLqENie_vishwanathandsons.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T07:46:00+0000","embed":{"embed_url":null}},"uid":"review-vishwanath-and-sons"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Korean Kanakaraju'"},"content":{"text":"Mega hero Varun Tej, who has been greeting the audience with a series of films, has once again come to the Telugu audience with a different concept. This time, he has come to the audience with a Korean ghost concept like never before. He has attracted everyone's attention by coming to the audience with a ghost concept.  A large-scale publicity program was organized before the release. With that, a huge buzz was created. Let's see if the movie lives up to that buzz in the review. Story: Kanakaraju (Varun Tej) from Penukonda area leads a smooth life. He falls in love with Chaitra (Rithika), who works for Kia car companies. An angry Kanakaraju has a fight with a local rowdy gang. At that time, in the wake of unforeseen developments, the ashes of a person from Korea arrive in India. They reach Penugonda. The soul of the deceased Korean man enters Kanakaraju's body. Why did that soul enter Kanakaraju's body and what happens next is the rest of the story. Actors' performance: Varun Tej seems to have done 100 percent justice to the character of Kanakaraju. There is no doubt that he acted as if the angry Kanakaraju was really in front of us, and there is no doubt that the way he spoke in Korean when the Korean soul entered him took Varun's acting to another level. Varun, who maintained a good physique to match the character, also impressed with his comedy timing. It is no exaggeration to say that Varun has never done this level of comedy before. Varun impressed with his acting in the action scenes, but he could not do much with his dance. Heroine Rithika impressed with her cute looks. However, despite the importance of her role in the story, she did not get much opportunity to appear in the screenplay. The scenes with Satya were good, but Satya's dominance is clearly visible in it. Rithika impressed in two or three scenes along with her cute beauty display.  Comedian Satya appeared on the screen more than the second hero. At the same time, he impressed with his comedy. Overall, Satya's comedy was the main attraction in the film. Those who played the rest of the characters did not seem to care. Technical: The songs provided by music director Thaman seemed mediocre, but the background score was good here and there. Thaman impressed in some horror scenes. Overall, it must be said that Thaman's work is not up to his level. It would have been better if the songs were two or three good. The cinematography seems to be okay. It seemed like the focus on action scenes was reduced in order to show Korean beauties. The heroine was shown as cute. More care should have been taken in the matter of hero elevation. It would have been better if director Gandhi had rewritten the story and given a different treatment to the screenplay. The production values ​​are good. There is a possibility of trimming some of the second-off scenes. Analysis: The main attraction of the movie is the concept. It seems that director Gandhi has not been completely successful in carrying out that concept with a proper screenplay. However, he has brought the movie to a close with comedy. It is commendable that the director has chosen Satya for that role with full faith. The comedy has the potential to make the movie closer to the family audience. Since there have been no movies with the concept of a Korean ghost movie so far, this movie is sure to feel new. Director Gandhi has a reputation for making different movies.. This movie is a continuation of that. Varun Tej has fully fulfilled the responsibility assigned to him. It would have been better if he had thought better about the screenplay and worked out the horror scenes. The graphics seem poor. It seems like it was made using AI technology. Plus points: Concept, Hero heroine, True comedy Minus points: Routine horror, Graphics, Korean language. Finally... A routine horror drama that will please mega fans Banner: UV Creations Director: Merlapaka Gandhi Producer: Vamsi, Pramod Music: Thaman Cast: Varun Tej, Rithika Nayak, Satya and others"},"img":{"url":"https://images.prismic.io/prad/Ui6FbufwpUs86SxR_KoreanKanakaraju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-07T06:59:00+0000","embed":{"embed_url":null}},"uid":"review-korean-kanakaraju"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Chennai Love Story'"},"content":{"text":"Small films are having a good time in Tollywood. The makers have been repeatedly saying that they are bringing this film to the audience as a content-oriented film, in the wake of the huge success of making content-oriented films. The makers who gave a super hit film like Baby have brought this film to the audience. Let's see how this film, which was released today, is like in the review. Story: Niv (Sri Gauri), who wanted to fall in love and get married, is unexpectedly cheated by her boyfriend Ajay (Trigun). He leaves her by saying that he loves another girl before the wedding. With that, Nivi turns into a lady Devadasu and becomes addicted to drinking. At that time, her friends take her to Chennai and try to change her a little. But her behavior does not change. That's when Steven Shankar (Kiran Abbavaram) steps into Chennai to show his mettle as a director. Friends help Shankar, an orphan, and allow him to stay in their room. The room is close to Nivi. At first, Shankar's words used to irritate Nivi. Slowly, she gets closer to him. Love blossoms between the two. But amidst unpredictable developments, their love runs into a problem. What is that problem and will the two meet again is the plot. Acting: Kiran Abbavaram impressed with his good acting, like in the past, he impressed with his looks as if he was the boy next door. Playing the role of an innocent person is not an easy thing. But Kiran Abbavaram played the role very easily. Kiran Abbavaram showed well in this role what an innocent person who steps into Chennai with an effort to impress the director would be like. There is no doubt that this heroine Gowry Priya  is the most crucial role in the story. She has done complete justice to her role. Siri Hanumanthu has once again impressed with her acting in a good role. She is likely to get more good roles in the future. Those who played other roles impressed within the scope of their roles. Technical: When the director thought that the story was being handled well, he tried to say something new by saying Atma Paramatma in the second half. It must be said that it failed. In terms of screenplay, the second half failed. The music was impressive, especially the background score was impressive. Manisharma once again showed his magic. Cinematography is good. There is no doubt that cinematography has definitely been useful in showing the beauty of Chennai. The dialogues are good. There are some flaws in the editing, and there is still work to be done in the second half. The structural values ​​are according to the story. Plus points: Hero, heroine acting, Manisharma's background score First off Minus points: Second half, Routine screenplay. Analysis: Producer Sai Rajesh has been making comments in several media conferences and interviews that this film is definitely a baby range cult love story, but it doesn't seem like it has any scenes. While you think that the first half of the film will be smooth and interesting, he made the second half boring by adding unnecessary elements. If the same love story had been continued simply, the second half would definitely have been a good talk. Hero Kiran Abbavaram impressed with his good performance. The audience will definitely appreciate him, and heroine Gauri also did full justice to her role. Gauri impressed in the role of a drunkard and Lady Devadasu, but it must be said that the screen did not match their performance. Overall, Chennai Love Story turned out to be an average love story. Finally... It makes feel like going all the way to Chennai for this love story Banner: Mass Movie Makers Producer: SKN, Sai Rajesh Director: Ravi Namburu Music: Mani Sharma Cast: Kiran Abbavaram, Gowri Priya, Siri and others"},"img":{"url":"https://images.prismic.io/prad/0yN9tZHPaAuq2hyg_CLS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T08:01:00+0000","embed":{"embed_url":null}},"uid":"review-chennai-love-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Jana Nayakudu' "},"content":{"text":"Expectations have increased among all sections of the audience on the film Jana Nayaku, which was advertised as the last film of Tamil superstar Vijay. Although it was not officially announced that it is a remake of the film Bhagwant Kesari, which came in the combo of Balakrishna and Anil Ravipudi, the makers have been unofficially saying it.  This film, which was delayed a lot due to Tamil Nadu politics, made a royal entry without any problems as Vijay became the CM of Tamil Nadu. And how is this film? Will the audience like this story again in Telugu? Let's see in this review. Story: Vetri Kondan's (Vijay) mother dies in jail. Out of humanity, the jailer releases Vetri Kondan on parole and sends him out to see his mother for the last time. When Vetri is sent out, the jailer gets into a big problem. Vetri Kondan learns that the jailer who helped him is in trouble, and goes to his house. In the wake of unexpected developments, the jailer dies. His only daughter, Viji (Mamita Baiju), becomes an orphan.  The jailer who helped him looks after his daughter and wants to make her an army officer. But Viji says she will not join the army out of fear. Why does Vetri want to send Viji to the army? Will Viji finally join the army? What difficulties will Vetri face in doing so? This is the story. Performance: There is no need to mention anything special about Superstar Vijay's performance. Just as Balakrishna adapted to the role in Bhagwant Kesari, there is no doubt that Vijay also adapted to the role of Vetri. The screenplay was such that the entire story of the film was carried on his shoulders. Even so, Vijay acted well in every scene without giving up. There is no doubt that he impressed with his comedy timing. His fans will enjoy the action scenes to the fullest. Now that he is the CM, he has tried to show Vijay in that angle as well, which is a feast for the eyes of the fans. Since this is Vijay's last film, it seems that he gave his best. Pooja Hegde, who played the heroine, does not have much screen presence. It must be said that Pooja Hegde's screen presence is less than what Kajal Aggarwal's role was in the original Telugu version. Mamita Baiju played the role of Viji, played by Srileela in Telugu and got good marks. It seemed that Mamita did Viji's role even better than Srileela. Along with impressive looks, the two heroines gave good expressions to suit their roles. However, Pooja Hegde's role did not get priority. Mamita impressed as much as she did. Bobby Deol impressed in terms of looks. It would have been better if he had been shown as a stronger and better villain. Since the villain role was not given priority in the story, Bobby Deol's performance became like water poured on ashes. Technical: Director H Vinod tried to make the Telugu story as it is and add Tamil flavor to the screenplay. He made the story without making many changes in the first half. However, when it came to the second half, he made many changes. The entire screenplay changed as if it was a new story. Vijay's character also left the audience in a bit of a quandary. There is nothing much to say about the music. Anirudh, as usual, gave a good background score to Vijay's film. But since the songs did not have much scope, Anirudh's work did not come out much.  The cinematography is good. The cinematography is definitely good in elevating the action scenes. There are errors in the editing. Some scenes in the second half, especially the villain scenes, could have been trimmed. It would have been better if the heroine scenes that are not part of the story were also trimmed a bit. The production values ​​are good. The story was produced with added weight without detracting from it. Plus points: Vijay, Some Action Scenes, Mamita Baiju Minus points: Story, screenplay, Being a familiar story, Second half, Villain role. Analysis: The film Jana Nayakkudu, which was supposed to be released early this year, did not see its release due to censor problems due to Tamil Nadu politics. Officials said that permission could not be given for the release of the film in the wake of the assembly elections. With Vijay becoming the CM, the film Jana Nayakkudu came plowing ahead without any problems and shook the Tamil box office. This movie has been seen in Telugu before. Even though it is known that this is a remake of Balakrishna Bhagwant Kesari, many enthusiasts booked in advance and watched the movie. The movie got a good opening in Telugu states.  It is undeniable that Jana Nayakkudu could not satisfy the Telugu audience completely. Tamil audience will think aha.. oh my for Vijay Elevations. Moreover, they will like it because it is a new story, but Telugu people do not have much to like about this movie, even though the second half seems to have changed a bit, it felt like it was forced. The political elements were not set in the story at all. There is action but no emotion. The magic is missing in the screenplay. Overall, Jana Nayakkudu does not have anything new that the Telugu audience will like much. Finally... A Tamil mass leader who cannot please Telugu people. Banner: KVN Productions Producer: Venkat K. Narayan Director: H Vinod Music: Anirudh Cast: Vijay, Pooja Hegde, Mamita Baiju, Sunil, Bobby Deol and others"},"img":{"url":"https://images.prismic.io/prad/8WXmx3hoavnPTLpj_jananayakudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-23T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-jana-nayakudu-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}