{"data":{"all":{"edges":[{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"TS to make Kaleshwaram barrages fully operational"},"content":{"text":"The Telangana government has decided to make all three critical barrages of the Kaleshwaram lift irrigation project fully operational at the earliest. Irrigation minister N. Uttam Kumar Reddy on Sunday made it clear that the state government is determined to bring Medigadda, Annaram and Sundilla back into operation. He wanted the rehabilitation works to be fast-tracked to restore the project to full operational status under a time-bound programme. The minister held a high- level review on the rehabilitation of the Kaleshwaram Lift Irrigation Scheme (KLIS) barrages with key officials of the Department, representatives of the CWPRS, agencies tasked with rehabilitation designs and implementation agencies, including L&T. The minister said that statutory agencies, including the National Dam Safety Authority (NDSA) and the Vigilance Commission, have already flagged serious defects in the foundations, design, planning and execution of all three barrages. He added that the fundamental problems are identical across the three structures. He directed officials that the next two working seasons (2027 and 2028) should be treated as crucial in the process of completing the KLIS repairs. He expressed hope that Annaram and Sundilla could be fully completed well within the timeline set for the purpose, while Medigadda can be made at least partially operational simultaneously. The government has already finalised a design consultant, AFRY India, to work in a joint venture with IIT Mumbai. The minister instructed the design team to work round-the-clock, all seven days a week. “We need the design as early as possible because the designs will have to be sent to the Central Water Commission (CWC) for approval immediately after submission,” he said. The minister asked the consultants to stay in constant touch with Secretary Parikshit Mehra and bring directly to his notice in case of any issues. The design process will be backed by comprehensive geophysical, geotechnical, soil, hydraulic modelling and other studies. The minister directed that all required tests and data must be completed as a top priority. The Central Water and Power Research Station (CWPRS), Pune — a Government of India organisation tasked with the tests and studies, has been asked to treat the Kaleshwaram barrage rehabilitation as its topmost priority.  He asked the government advisor, Adityanath Das, to coordinate with the CWC to get the approvals needed from the Government of India. CWPRS personnel must be stationed at the sites continuously until the 45-day testing window is completed. The minister announced the constitution of a high-powered Steering Committee with immediate effect, with Col Parikshit Mehra as the convenor to spearhead the implementation of rehabilitation works. The committee will meet twice a week, with the minister joining, if needed, even virtually whenever required to review the progress. A dedicated officer will monitor progress daily. The executing agencies, including the L&T, have been directed to immediately reactivate their existing camps, mess facilities and logistics so that engineers, technicians and rig operators face no accommodation or food issues. Sand removal, GPR (geophysical) tests and site preparation will be carried out with full agency support. The minister emphasised that all tests must be jointly witnessed by the designer, CWPRS, department engineers and agency representatives, and everything must be properly documented."},"img":{"url":"https://images.prismic.io/prad/aBEGOfIqRLdaBuJ__kaleshwaram.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T16:41:00+0000","embed":{"embed_url":null}},"uid":"ts-to-make-kaleshwaram-barrages-fully-operational"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"KTR plans padyatra to reconnect with people "},"content":{"text":"BRS working president K. T. Rama Rao plans to undertake a statewide padayatra in Telangana next year to focus on public issues, as part of efforts to reconnect with the people and strengthen the party organisation. While admitting that a gap had developed between the party and the people during its decade in power, he said steps would be taken to bridge it through direct engagement, including the proposed padayatra. He exuded confidence that the BRS would stage a strong comeback in the next elections. Interacting with media persons at Kyathanpalli in Mancherial district, he said the party would contest the upcoming elections independently and would not enter into alliances. “Alliances have not worked for us. We will contest alone and return to power,” he asserted, ruling out any tie-up with the BJP. Admitting shortcomings during the BRS government’s tenure, KTR said the party failed to maintain effective coordination with grassroots leaders, including cadre, sarpanches, MPTCs and mandal-level representatives. He also acknowledged that despite a large migrant workforce from the north Telangana districts, the government could not formulate a comprehensive Gulf policy. On delimitation, KTR said the proposed increase in Assembly and Parliamentary constituencies would create new political opportunities. He maintained that if the current proportional representation is retained, there would be no objection. “If all states receive a uniform increase in seats without reducing existing share, there is no reason for concern,” he observed. Emphasising electoral strategy, he said the party would prioritise winnability in ticket allocation. “We will field candidates where they can win. There will be no hesitation in taking such decisions,” he said, adding that leadership changes in the Godavari belt could improve the party’s prospects. On internal party matters, KTR dismissed reports of factionalism, stating that all leaders were working under the leadership of K. Chandrasekhar Rao. “There are no internal differences. Everyone in the party is working for KCR,” he said, adding that he would carry out any responsibility assigned to him as a disciplined party worker."},"img":{"url":"https://images.prismic.io/prad/9be924d9-e108-47b4-92a2-9b71a2d872d3_KTR.JPG?auto=format,compress"},"datetime":"2026-04-12T15:39:00+0000","embed":{"embed_url":null}},"uid":"ktr-plans-padyatra-to-reconnect-with-people"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Singer Mangli lodges complaint against lawyer"},"content":{"text":"Singer Mangli has lodged a police complaint against advocate Singapogu Subbu, accusing him of abuse and extortion, a day after he lodged a complaint against her for the alleged Rs 10 crore fraud in the name of microfinance. Mangli, also known as Satyavathi Mudavath, along with her lawyer, visited Panjagutta Police Station on Sunday to lodge a complaint against Subbu. She alleged that he demanded Rs 10 lakh, and when she refused to give the money, he abused her and threatened to defame her on social media. Subbu alleged that nearly 100 persons were allegedly induced to invest money with promises of high returns through film financing and related business activities. The investors claimed that neither the promised returns nor their original investments were repaid. The advocate, who claims to be representing the investors, alleged that he was threatened when he questioned the accused about repayment. Police said a case has been registered under relevant provisions of the Bharatiya Nyaya Sanhita, including sections related to criminal intimidation and cheating. The singer on Sunday denied the allegations made by Subbu. She vowed to fight what she called false allegations. She broke down while talking to the media persons to deny the allegations. Stating that she worked hard to go to Bigg Boss and become famous, she said the advocate was harassing her by making false allegations. She alleged that on March 22, Subbu met her, introduced himself as a lawyer and made inappropriate remarks. She claimed that he demanded Rs 10 lakh from her, saying he would remove certain videos related to her from YouTube, Instagram and other social media platforms. Mangli alleged that when she refused to pay the amount, Subbu and his associates allegedly used abusive language and threatened to damage her reputation through social media platforms. She urged the police to take strong action against the accused for criminal intimidation, extortion and harassment."},"img":{"url":"https://images.prismic.io/prad/aduruZ1ZCF7ETHgO_mangli.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T14:27:00+0000","embed":{"embed_url":null}},"uid":"folk-singer-mangli-lodges-extortion-complaint-against-lawyer"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"BCCI: RR manager using phone in dugout"},"content":{"text":"The Board of Control for Cricket in India (BCCI) has initiated a formal investigation into Rajasthan Royals (RR) team manager Romi Bhinder spotted using a mobile phone in the dugout during the side’s IPL 2026 match against Royal Challengers Bengaluru (RCB) in Guwahati.   The incident, captured live by TV cameras at the ACA Stadium, showed Bhinder using a device while seated next to teenaged left-handed opener Vaibhav Sooryavanshi, who was looking at the screen. The footage has since gone viral and raised questions regarding the breach of the league’s strict anti-corruption protocols. According to the IPL’s Players and Match Officials Area (PMOA), a Team Manager may use a phone in the dressing room area but ‘NOT’ in the dugout. Saikia confirmed to IANS on Sunday that the BCCI Anti-Corruption Unit (ACU) is currently verifying the details of the incident and has begun its probing exercise. \"As per the PMOA regulations, certain individuals like the team manager are allowed to carry phones and Romi Bhinder, as the manager of Rajasthan Royals, can carry it. But we need to thoroughly examine the phone was taken to which area and whether due permission was sought. “By doing that, whether he has violated any protocol or regulations under our existing IPL rules and regulations is being verified and as I am speaking, we have already started the process. “The Anti-Corruption Unit has begun the exercise to see whether he took the mobile in the designated area or beyond that. After seeing the various pieces of evidence and following the due process, they will give a report based on it,” said Saikia. As per the tournament rules, two BCCI Anti-Corruption Managers, appointed by the Head of the BCCI Anti-Corruption and Security Unit (ACSU), are responsible for the management of the PMOA. Their responsibility is to ensure that proper arrangements are in place and that security personnel are fully briefed. With RR set to face Sunrisers Hyderabad on Monday, it remains to be seen if Bhinder is spotted in the PMOA area or not. Bhinder has been an integral member of RR’s backroom staff since 2008 and also serves as Sooryavanshi's ‘local guardian’ in the IPL. “The phone is only to be used in case of emergency. On seeing that screengrab, it looks like he must have been watching something or using google or maybe checking any social media platform like WhatsApp or Instagram. “The only thing is that the anti-corruption unit could take the entire data of the device he was using at that time period for their thorough investigation and even ask the player about what he was exactly looking for when seeing the device. “If Bhinder is found to have not done anything suspicious by the ACU officers and match referee in Guwahati, then he will be let go off with a warning, or a fine of 10-20 percent could be levied on the franchise,” said a source aware of PMOA and ACU workings to IANS."},"img":{"url":"https://images.prismic.io/prad/adnoSJ1ZCF7ETG6u_kohlivaibhav.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T13:41:00+0000","embed":{"embed_url":null}},"uid":"bcci-rr-manager-using-phone-in-dugout"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Iran talks fail: Trump orders Hormuz blockade "},"content":{"text":"US President Donald Trump on Sunday announced a sweeping naval blockade of the Strait of Hormuz, accusing Iran of refusing to abandon its nuclear ambitions despite nearly 20 hours of talks mediated in Pakistan. In a series of lengthy posts on Truth Social, Trump said negotiations \"went well\" and \"most points were agreed to\", but asserted that Tehran remained \"unyielding as to the single most important issue\", adding: \"IRAN IS UNWILLING TO GIVE UP ITS NUCLEAR AMBITIONS!\" The US President added that he had been \"fully debriefed\" by Vice-President JD Vance, Special Envoy Steve Witkoff and Trump's son-in-law Jared Kushner following the Islamabad meeting, which Trump said was facilitated by Pakistan's leadership. He also accused Iran of reneging on assurances to keep the Strait of Hormuz open, saying the situation had caused \"anxiety, dislocation, and pain to many people and Countries throughout the World\". \"They say they put mines in the water,\" Trump wrote, adding that uncertainty over maritime safety had effectively deterred shipping. \"What ship owner would want to take the chance?\" Declaring the situation \"WORLD EXTORTION\", Trump said the US would respond with immediate forceful measures. \"Effective immediately, the United States Navy... will begin the process of BLOCKADING any and all Ships trying to enter, or leave, the Strait of Hormuz,\" he added. He said that US forces would \"seek and interdict every vessel in International Waters that has paid a toll to Iran\", warning that \"no one who pays an illegal toll will have safe passage on the high seas\". Trump also added that US naval units would begin destroying mines allegedly laid by Iran in the strategic waterway, and issued a stark warning: \"Any Iranian who fires at us, or at peaceful vessels, will be BLOWN TO HELL!\" The US President said the blockade would continue until free navigation is restored, describing the current situation as a violation of international norms governing maritime trade routes. At the same time, Trump acknowledged that \"at some point, we will reach an 'ALL BEING ALLOWED TO GO IN, ALL BEING ALLOWED TO GO OUT' basis\", but blamed Iran for preventing such an outcome. He also linked the escalation to broader tensions over Tehran's nuclear programme, reiterating a long-standing position: \"IRAN WILL NEVER HAVE A NUCLEAR WEAPON!\" The talks in Islamabad, which Trump said lasted \"close to 20 hours\", involved senior Iranian representatives, including Mohammad-Bagher Ghalibaf, Abbas Araghchi and Ali Bagheri. While describing interactions between delegations as \"very friendly and respectful\", Trump stressed that the core dispute remained unresolved. In his remarks, Trump also praised Pakistan's leadership, including Field Marshal Asim Munir and Prime Minister Shehbaz Sharif, calling them \"very extraordinary men\"."},"img":{"url":"https://images.prismic.io/prad/ac9z3JGXnQHGZPiF_hormuz.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T13:30:00+0000","embed":{"embed_url":null}},"uid":"trump-orders-hormuz-blockade-after-iran-talks-fail"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Vijay unveils welfare, AI governance vision"},"content":{"text":"Tamilaga Vettri Kazhagam (TVK) president Vijay on Sunday outlined an ambitious governance roadmap while sharply criticising Chief Minister M. K. Stalin during an election campaign in Kanyakumari district.  Addressing a gathering in Mahadhanapuram, Vijay promised a corruption-free delivery of welfare schemes, asserting that benefits would reach citizens without the need for applications or bribes. He announced that every family in Tamil Nadu would be issued a “priority card,” similar to Aadhaar, containing comprehensive household data. This, he said, would enable the government to deliver welfare benefits seamlessly from birth onwards. “People should not have to struggle or pay bribes to access what is rightfully theirs. Government schemes will reach your doorstep,” Vijay declared. He emphasised that artificial intelligence would power this system, ensuring efficiency and transparency. Taking a dig at Stalin, he remarked that his proposals were not mere “stories,” but scientifically achievable plans backed by technology. Vijay also alleged deep-rooted corruption within the current system, claiming that bribes collected at the administrative level often extend up to ministers. “Stopping corruption will be our first priority,” he said, adding that a TVK-led government would implement a comprehensive “Tamil Nadu Government Service Scheme” within six months of coming to power. A key highlight of his vision is the launch of a unified digital platform named “Vetri Tamil Nadu Super App,” through which all government services would be made accessible. He assured that delays in service delivery would invite immediate action against responsible officials. Positioning citizens as active stakeholders, Vijay proposed a participatory governance model. He announced plans for a dedicated government portal where people could submit ideas, monitor public finances, and directly petition the Assembly. Petitions signed by 10,000 people would receive official responses, while those backed by one million citizens would be taken up for legislative debate. He also promised to allocate a full day in Assembly sessions to discuss public petitions. Highlighting economic concerns, Vijay criticised the state’s rising debt, which he said had crossed Rs 10.05 lakh crore. He accused the current government of excessive borrowing and pledged to increase revenue and rationalise spending without imposing additional taxes. Concluding his address, Vijay said Tamil Nadu would be transformed into India’s artificial intelligence and digital capital, with a dedicated AI ministry under a TVK government."},"img":{"url":"https://images.prismic.io/prad/aduo_51ZCF7ETHfg_vijay.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T13:15:00+0000","embed":{"embed_url":null}},"uid":"tn-polls-vijay-unveils-welfare-ai-governance-vision"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Congress institutionalised corruption in T'gana"},"content":{"text":"Bharat Rashtra Samithi (BRS) Working President K.T. Rama Rao (also known as KTR) on Sunday accused the Congress government in Telangana of institutionalising corruption through what he termed a \"loot-and-hide scheme\" across the state. Addressing party leaders and workers at the BRS office in Mancherial district after felicitating elected representatives of Kyathanpalli municipality, he alleged that Congress leadership --from Ministers to MLAs -- were indulging in widespread corruption in every Assembly constituency and scheme. He alleged that Chief Minister A. Revanth Reddy was presiding over what he described as \"unprecedented levels of corruption\", claiming that no other Chief Minister in the country had engaged in such large-scale financial irregularities. KTR also accused the Congress and the Bharatiya Janata Party (BJP) of acting in tandem to shield each other from corruption allegations.  He said that despite serious accusations involving Singareni Collieries and Central government schemes, no investigations had been initiated. Referring to previous remarks by Prime Minister Narendra Modi on alleged \"RR tax\" collections and Union Home Minister Amit Shah describing the Telangana Congress as an \"ATM\", KTR questioned why no formal inquiries had followed those statements. The BRS leader alleged large-scale irregularities in the Singareni Collieries Company Limited, claiming that thousands of crores were involved in what he termed a major scam.  He also alleged that individuals linked to the Chief Minister's family were influencing contract allocations, and criticised the Centre for its \"silence\" despite holding a 49 per cent stake in the company. KTR warned that the BRS would intensify its agitation if workers' issues in Singareni were not addressed.  \"If corruption continues and workers' concerns are ignored, we will launch protests across every coal mine,\" he said. The BRS leader also alleged that democratic norms were undermined in Kyathanpalli municipality, accusing the Congress of using police force and intimidation despite losing the local mandate. Reiterating his party's commitment to workers and grassroots democracy, KTR called upon people to \"reject the corrupt regime\" and support BRS in upcoming local and Singareni elections.  He expressed confidence that the BRS would regain political ground in Mancherial district and across Telangana in the next electoral cycle."},"img":{"url":"https://images.prismic.io/prad/d263e6cc-6d8f-41c7-be9f-58a34f810ee3_TS+Congress.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T11:46:00+0000","embed":{"embed_url":null}},"uid":"congress-institutionalised-corruption-in-tgana"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"High-tech trick to escape traffic fines"},"content":{"text":"A BMW driver was caught by traffic police in Hyderabad after he allegedly used a high-tech mechanism to change his car’s number plate to avoid 'challans' (fines), officials said on Sunday.  The police detected the trick during checking as part of the drive against drunk driving in upscale Jubilee Hills on Saturday night, police officials said. According to police, the vehicle owner was allegedly swapping number plates to evade traffic penalties. The accused, allegedly drunk, had installed remotely controlled flip number plates, allowing him to change the vehicle’s registration at the press of a button.  The traffic police officials were shocked to see the car fitted with an advanced system to change the number plate. The accused had installed two number plates -- of Delhi and Telangana -- to evade the challans. This is said to be the first such incident in which a car was found to be fitted with the high-tech mechanism to change the number plate. The police seized the vehicle and registered a case. Further investigation is underway. Meanwhile, Hyderabad traffic police said on Sunday that a total of 466 drunk driving cases have been registered over the past two days. Strict enforcement continues across the city to ensure road safety. The majority of cases involve two-wheelers (404). The highest violations were detected in the 21–30 age group.  Police said 16 offenders were convicted and sentenced to jail. Meanwhile, Cyberabad Traffic Police (CTP) conducted a special drunk driving enforcement drive over the weekend, resulting in the apprehension of 240 offenders. A total of 193 two-wheelers, nine three-wheelers and 38 four-wheelers were caught during the drive.  Offenders were categorised based on their Blood Alcohol Concentration (BAC) levels. As many as 199 offenders had BAC levels ranging from 36 mg/100 ml to 200 mg/100 ml, while 32 offenders had BAC levels ranging from 201 mg/100 ml to 300 mg/100 ml. The remaining nine offenders had BAC levels ranging from 301 mg/100 ml to 550 mg/100 ml. All the offenders will be produced before the court, said Cyberabad Traffic Police. Cyberabad Police reiterated that driving under the influence of alcohol is a serious offence. If anyone is found to be driving in an inebriated condition and causes a fatal accident, such individuals will be booked under Section 105 of the Bharatiya Nyaya Sanhita, 2023 (Culpable homicide not amounting to murder). The maximum punishment under this section is 10 years of imprisonment along with a fine."},"img":{"url":"https://images.prismic.io/prad/98982e24-890f-4d2e-bb3d-2938484a1db2_traffic+violater.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T09:55:00+0000","embed":{"embed_url":null}},"uid":"bmw-driver-caught-using-high-tech-trick-to-escape-traffic-fines"}},{"node":{"tags":[],"data":{"third_party_url":null,"title":{"text":"TCS suspends employees, cites zero tolerance"},"content":{"text":"Tata Consultancy Services on Sunday said it has suspended employees under investigation in connection with the Nashik case and is fully cooperating with authorities.   The IT major reiterated its zero-tolerance stance on harassment and coercion, stating that further action will be based on the outcome of the ongoing inquiry. The India’s largest IT services exporter has come under scrutiny after multiple FIRs were registered over alleged incidents of sexual harassment and religious conversion at its Nashik unit. According to reports, a total of nine FIRs have been filed in connection with the case. The controversy began in March when a woman accused a colleague of maintaining a physical relationship with her on the false promise of marriage. During the course of the investigation, the police uncovered additional complaints, leading to eight more FIRs related to similar allegations. The company has responded by reiterating its “zero-tolerance” policy towards any form of harassment or coercion. In an official statement, TCS said it acted swiftly after becoming aware of the matter. The employees under investigation have been suspended, and the company confirmed it is cooperating fully with law enforcement authorities. It added that further action will depend on the outcome of the ongoing probe. So far, at least six employees have been arrested in connection with the case. The arrests were made based on intelligence inputs received by the Nashik Police Commissioner’s office. Meanwhile, Maharashtra Chief Minister Devendra Fadnavis has taken note of the developments, calling the matter “very serious.” He also commended the Nashik police for their prompt response. A Special Investigation Team (SIT) has been constituted to carry out a detailed probe. The police are also questioning a human resources official based in Pune. The investigation is ongoing, and authorities are expected to take further action based on the findings of the SIT."},"img":{"url":"https://images.prismic.io/prad/1a66400a-a0f7-4444-b918-c980bf94ec7a_TCS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T08:39:00+0000","embed":{"embed_url":null}},"uid":null}},{"node":{"tags":["Entertainment","featured","four"],"data":{"third_party_url":null,"title":{"text":"Asha Bhosle passes away at 92"},"content":{"text":"Legendary playback singer Asha Bhosle passed away at the age of 92 in Mumbai on Sunday. The singer was admitted to the Breach Candy Hospital on Saturday. Ashish Shelar, the Culture Minister of Maharashtra made the announcement outside the hospital. Her last rites will be held at Shivaji Park on Monday at 4:00 pm. On Saturday, her granddaughter, Zanai Bhosle had revealed that her grandmother was admitted to the hospital due to extreme exhaustion and a chest infection. She requested privacy during such times. Dropping a photo with Asha Bhosle on her official Instagram handle, Zanai wrote, \"My grandmother, Asha Bhosle due to extreme exhaustion and suffering a chest infection has been admitted to hospital and we request you to value our privacy. Treatment is ongoing and hopefully everything will be well and we shall update you positively (sic). (Folded hands emoji).\" One of the most influential singers of her time, Asha Bhosle, sang her first song as a playback for the 1943 Marathi drama ‘Majha Bal’. She is known for lending her voice to some noteworthy numbers such as ‘Chura Liya Hai Tumne Jo Dil Ko’, ‘Do Lafzon Ki Hai Dil Ki Kahani’, ‘Kya Ghazab Karte Ho Ji’, ‘O Haseena Zulfonwale Jane Jahan’, and ‘Ye Ladka Hay Allah Kaisa Hai Diwana’, to name just a few. Along with Hindi, she has sung in around 20 Indian and foreign languages. In 2006, Asha Bhosle herself disclosed that she has almost 12,000 songs to her credit. During her tenure as a singer spanning several decades, Asha Bhosle has worked with many acclaimed music composers such as Shankar-Jaikishan, RD Burman, OP Nayyar, Ilaiyaraaja, Bappi Lahiri, and AR Rahman. She has received numerous awards throughout her career for many of her noteworthy songs. The singer was given the prestigious Dadasaheb Phalke Award back in 2000, followed by a Padma Vibhushan in 2008"},"img":{"url":"https://images.prismic.io/prad%2Fc47278b2-83c5-490e-ae05-8e596c380a2f_asha+bosle.jpg?auto=format,compress&rect=0,39,1200,592&w=2028&h=1000"},"datetime":"2026-04-12T08:22:00+0000","embed":{"embed_url":null}},"uid":"asha-bhosle-passes-away-at-92"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Poorna’s Baby Name Wins Hearts"},"content":{"text":"Actress Poorna shared an emotional reason behind naming her newborn daughter Dua Jameela. The actress revealed that “Jameela” was her late grandmother’s name, someone she deeply loved and lost too soon. By giving her daughter the same name, Shamna said she feels a part of her grandmother has returned to her life in the most beautiful way. Celebrating her baby girl’s 28th day with a traditional ceremony, Shamna expressed how special the moment was for her family. She also shared that her son Hamdan has happily stepped into his role as a proud elder brother. The actress and her husband Shanid Asif Ali had welcomed their second child in March, calling it a divine blessing. Shamna’s heartfelt post has struck a chord with fans, with many praising the emotional value behind the name. For the actress, Dua Jameela is not just a name—it’s a legacy of love, memory, and family bonds carried forward into a new generation."},"img":{"url":"https://images.prismic.io/prad/b55be15f-035b-4f2b-9d1c-a0ffcb19c958_poorna3.JPG?auto=format%2Ccompress&rect=0%2C0%2C522%2C257&w=2028&h=1000"},"datetime":"2026-04-12T07:32:00+0000","embed":{"embed_url":null}},"uid":"poornas-baby-name-wins-hearts"}},{"node":{"tags":["Editorial","featured","one"],"data":{"third_party_url":null,"title":{"text":"Amaravati: Vision Or Vanity?"},"content":{"text":"\"They say Rome wasn't built in a day, but that’s only because they didn't have access to S.S. Rajamouli” The above hard-hitting statement envisages that Andhra Pradesh’s capital project  is “ Where the Master Plan is a movie script, and the budget is just a CGI glitch”. History is full of grand capital cities and \"megaprojects\" that were sold as symbols of national pride but often ended up as fiscal cautionary tales. While some eventually find their footing, many trigger severe economic instability, debt traps, or become \"ghost cities.\" Recall how Egypt’s New Administrative Capital, a $58 billion project, has struggled with funding as the country faced an economic crisis. Critics argued the government attempted a development program greater than its ability to pay, leading to massive debt and affordability problems for citizens. It’s a perfect example of spectacle outpacing actual demand and of projects that can push a state's finances to the breaking point, especially when they exceed the government's ability to pay. Such a focus on new, flashy projects often comes at the expense of existing urban centres and social services. Critics warn that the Amaravati Capital Project, Chandrababu Naidu’s ambitious spectacle, has the potential to turn into one such “Vanity Project.” They argue it is a classic example of \"spectacle over governance,\" where the state’s massive debt, estimated at approximately ₹4.28 lakh crore as of December 2023, is overshadowed by high-end graphics and grand announcements. Well, its proponents may argue comparing Amaravati to a fiscal crisis like Egypt is an insult to the vision that it isn't \"chasing a spectacle\", it’s building a \"world-class, happiest city\" that rivals Hyderabad's stature and puts Andhra on the international map. While proponents see a \"sustainable, modern administrative hub,\" detractors highlight that much of this vision remains confined to photo-ops while essential infrastructure in other cities and critical welfare sectors like health and education face neglect. It is, as some say, the world’s first virtual-reality capital, a city where \"visionary governance\" means trading your drainage repairs for a 3D-rendered skyline. It operates on the grandiose concept: “Why fix a pothole in Guntur when you can launch a 4K drone video of a futuristic assembly building?” In this modern era of \"Announcement-First\" economics, ribbon-cutting has become the state’s primary aerobic exercise. The strategy is simple: if the project is too expensive to build, just make the posters more expensive. In this ecosystem, the \"Return on Investment\" is currently being measured in retweets rather than revenue, and \"engagement\" is prioritized over actual employment. While the State's debt climbs toward the heavens, the capital remains a \"land pooling\" masterpiece where the only thing flowing faster than the Krishna River is taxpayer money into \"consultancy fees\" and funding for counter-propaganda against critics. The politics have shifted from the \"necessary\" to the \"legendary.\" Repairs are boring; they don't look good on Instagram. But a “grand vision”? That’s the stuff of propaganda dreams. It doesn't matter if the price of construction in Amaravati is reportedly over ₹14,000 per square foot—compared to ₹4,000 elsewhere—because you can’t put a price on a good rendering. The alternative proposal, often referred to as MAVIGUN, is dismissed as a \"fool's idea\" in the current narrative. Proponents of the Amaravati \"Mega-City\" argue that anything less than a \"greenfield\" marvel lacks the \"global branding\" needed for investment. To them, a functional, cost-effective capital is simply a lack of ambition. The issue has devolved into a binary narrative: if you question the feasibility of Amaravati, you are labelled \"anti-development.\" The 2026 Amendment Bill is now being framed by the ruling government as a final \"victory\" for the people, effectively silencing the debate over whether the state can actually afford its own spectacle. In the end, Andhra Pradesh may find itself as the only state in the world where the citizens have a world-class capital to look at on their screens, but no money left in their pockets to actually move there."},"img":{"url":"https://images.prismic.io/prad%2F872ab75d-1465-4840-ab63-98d574f8cce3_amaravatij.jpg?auto=format%2Ccompress&rect=0%2C40%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-04-12T06:30:00+0000","embed":{"embed_url":null}},"uid":"amaravati-vision-or-vanity"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"First single from 'Korean Kanakaraju' released"},"content":{"text":"The unit of director Merlapaka Gandhi's eagerly awaited horror comedy film 'Korean Kanakaraju', featuring actor Varun Tej in the lead, has now released 'Kamsahamnida', the first single from the film, much to the delight of fans and film buffs. The song, the music of which has been scored by Thaman, opens with Ritika Naik playfully uttering 'Kamsahamnida', prompting Varun Tej to curiously ask its meaning.  Her reply, \"Thank you\" in Korean, serves as a warm curtain-raiser to the romantic energy between them.  The track is crafted with an airy, lively vibe, blending soft Korean touches with catchy mainstream elements. Kasarla Shyam’s writing brings out the innocence of new love, while Sid Sriram’s mellow yet expressive vocals elevate the emotion beautifully. Yash Master adds visual charm with choreography that mirrors the song’s cheerful tone. Sporting a mass and rugged look, Varun Tej’s screen presence is vibrant and effortless, and his pairing with Ritika comes across as bright, lively, and refreshingly new. Their moments together, set against Thaman’s spirited beats, give the single an instant-repeat quality. With shooting nearly finished, the team is expected to reveal the release date soon. It may be recalled that the makers had announced the commencement of the film's final schedule of shooting in Korea last month. Sources close to the unit of the film had then informed IANS that the team had carefully planned a crucial one-week schedule in Korea. During this phase, the makers filmed songs along with a few key scenes. The schedule featured Varun Tej, Ritika Nayak, and Satya. Sequences were shot in vibrant Korean locations during this schedule. For the unaware, the highly anticipated film is being directed by Merlapaka Gandhi and is being produced on a grand scale by UV Creations and First Frame Entertainment. Mounted on a lavish budget, the film blends horror and comedy with a refreshing cross-cultural twist, set across both Indian and Korean backdrops. Sources claim Varun Tej will be seen in a completely new avatar and that his character will be unlike any that he has played before. The film had already generated strong buzz with the title glimpse released on Varun Tej's birthday. The title glimpse opens with a photographer from India being tortured by policemen in Korea. The cops want the photographer to give them details of the location of a person they know as Kanakaraju. Initially, the photographer struggles to understand as he does not know the language. When an interpreter(Ritika Nayak) comes and translates what the cops seek from him, he says he does not know where Kanakaraju is. But then, on a full moon night, a possessed Kanakaraju (Varun Tej) walks into the station and hacks the Korean cops to death with a Samurai sword. He laughs in an eerie fashion and says \"I'm back\" in Korean, prompting the photographer to say, \"This Kanakaraju isn't our Kanakaraju...\"   The film has cinematography by Manoj Reddy Katasani and editing by Satyaa G."},"img":{"url":"https://images.prismic.io/prad/adtDSp1ZCF7ETHXz_koreankanakaraju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T05:35:00+0000","embed":{"embed_url":null}},"uid":"first-single-from-korean-kanakaraju-released"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"CBFC: 'Jana Nayagan' leaks are 'false'"},"content":{"text":"Amidst the controversy surrounding the leak of Vijay Thalapathy's \"Jana Nayagan\", the Central Board of Film Certification (CBFC) has issued a statement denying the claims of any link to the leak. In an official statement, CBFC refuted any such claims, calling them “baseless and false.” A statement shared through PIB (Press Information Bureau) Maharashtra's official X account went like this, \"Reports alleging that the Tamil film 'Jana Nayagan' has been leaked from the Central Board of Film Certification (CBFC) are baseless and false.(sic)\" They revealed that the digital print of \"Jana Nayagan\" was returned to the makers last month itself.  “Access to the content is password-protected, and the KDM remains solely with the producer/filmmaker. Without a valid KDM, the film cannot be accessed or viewed. The DCP (Digital Cinema Package) of 'Jana Nayagan' was handed over to the applicant in Mumbai on 17 March with due acknowledgement, and has remained with them since,” the statement read. Recently, a few scenes from the much-anticipated Tamil drama \"Jana Nayagan\" surfaced online.  It must be noted that the movie has been delayed for months following a tiff with the CBFC. As the project was leaked, several prominent names from the Tamil and Telugu film fraternities, such as Rajinikanth, Kamal Haasan, Rishab Shetty,  and Vijay Deverakonda, condemned the piracy, showing their support to \"Jana Nayagan\" and Vijay.  Recently, the makers also advise all to refrain from engaging with leaked content. The statement by KVN Productions read, \"We, KVN Productions LLP, are the Producers and exclusive copyright owners of the cinematograph film 'Jana Nayagan'. It has come to our notice that certain scenes and clips from the said film and in some cases, most of the film have been illegally accessed, copied and circulated by unidentified persons, posing a serious threat of digital piracy.\" The banner further said, \"We hereby notify that downloading, viewing, storing, forwarding, sharing, uploading or circulating of such leaked content through WhatsApp, Telegram, Instagram, Facebook, X, YouTube, websites, torrents or any other medium constitutes a criminal offence and a violation of copyright laws.\""},"img":{"url":"https://images.prismic.io/prad/adtAlZ1ZCF7ETHXk_jananayagan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T04:50:00+0000","embed":{"embed_url":null}},"uid":"cbfc-jana-nayagan-leak-claims-baseless--false"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Where are you Raj Kiran ji?'"},"content":{"text":"Actress Somy Ali has been actively looking for the popular actor from the 80s, Raj Kiran, for almost 2 decades now.  As part of her quest to learn about the whereabouts of the 'Karz' actor, Somy penned a heartfelt post for Kiran on her official Instagram handle on Sunday. Recalling their shooting days together, she admitted that his movie \"Arth\" happens to be her all-time favourite. Reminiscing about the memories of their last movie together, \"Agnichakra\", Somy wrote on the photo-sharing app, \"Raj Kiran ji…Where are you? As your film Arth is one of my all-time favorites, I’ve been carrying memories of our Bollywood days — especially our last film together, Agnichakra — like quiet treasures. The warmth, the laughter… my heart keeps pulling me back. (sic)\" Somy revealed that she has even visited Kiran's last known location, Atlanta, many times. \"I heard your last known whereabouts were in Atlanta, a city I’ve visited many times. If anyone knows how to reach him, please tag him or message me. Some connections deserve to be found again,\" she went on to add. Somy signed off, saying, \"With love and hope, Somy Ali.\" For those who do not know, Raj made a name for himself as a romantic hero with movies such as \"Karz\", \"Teri Meherbaniyan\", \"Ghar Ho To Aisa\", and \"Bulundi\". However, he soon got typecast as a side hero. After facing a decline in his career, Raj reportedly went into depression and even went on to face some domestic crises.  He was reportedly admitted to Byculla Mental Asylum in Mumbai. Later on, Raj allegedly abandoned everything and moved to New York, and while he was there, he suddenly went missing. Raj's whereabouts are currently unknown. When Somy learned about Raj's disappearance, she promised late Rishi Kapoor that she would find his close friend. Unfortunately, she has not been able to fulfill her promise till now despite her best efforts."},"img":{"url":"https://images.prismic.io/prad/ads-mp1ZCF7ETHXi_rajkiran.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T02:42:00+0000","embed":{"embed_url":null}},"uid":"where-are-you-raj-kiran-ji"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Trump backs ‘final offer’ after Iran talks fail"},"content":{"text":"US President Donald Trump was closely involved in high-stakes nuclear talks with Iran and has backed a “final and best offer” to Tehran after negotiations in Islamabad collapsed without agreement, Vice President J D Vance said.  “We leave here with a very simple proposal, a method of understanding that is our final and best offer. We'll see if the Irans accept it,” Vance told reporters after 21 hours of negotiations . The Vice President underscored Trump’s direct role in the talks, describing constant communication between the negotiating team and the White House. “We were talking to the president consistently. I don't know how many times we talked to him. A half dozen times, a dozen times over the past 21 hours,” Vance said. He said the President had instructed negotiators to pursue a deal in good faith but with clear limits. “The president told us, you need to come here in good faith and make your best effort to get a deal. We did that,” Vance said . Despite intensive engagement, the talks failed to bridge differences over Iran’s nuclear programme. “We have been at it now for 21 hours… we've had a number of substantive discussions with the Iranians. That's the good news. The bad news is that we have not reached an agreement,” he said . Washington, he added, had clearly laid out its negotiating boundaries. “We've made very clear what our red lines are… and they have chosen not to accept our terms,” Vance said . At the core of the impasse is the US demand for a long-term guarantee that Iran will not pursue nuclear weapons capability. “We need to see an affirmative commitment that they will not seek a nuclear weapon and they will not seek the tools that would enable 'em to quickly achieve a nuclear weapon,” he said . Vance emphasised that Washington is seeking durable assurances, not temporary pledges. “Do we see a fundamental commitment of will for the Iranians not to develop a nuclear weapon? Not just now, not just two years from now, but for the long term. We haven't seen that yet,” he said . He also highlighted the broader national security coordination behind the negotiations, noting that the team remained in touch with senior officials throughout. “We obviously also talked to… the entire national security team… because we were negotiating in good faith,” Vance said . While declining to disclose specific sticking points, Vance maintained that the US side had shown flexibility. “I think that we were quite flexible. We were quite accommodating… and unfortunately we weren't able to make any headway,” he said."},"img":{"url":"https://images.prismic.io/prad/3359d4b1-f548-42d3-b969-1552b7b5692c_trump.JPG?auto=format,compress"},"datetime":"2026-04-12T02:25:00+0000","embed":{"embed_url":null}},"uid":"trump-backs-final-offer-after-iran-talks-fail"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Janhvi Struggles After Dhadak Debut"},"content":{"text":"Janhvi Kapoor recently opened up about the emotional turmoil she faced after her debut film, Dhadak. During an appearance on the Raj Shamani Podcast, Kapoor candidly reflected on the challenges of grappling with grief and navigating the relentless public spotlight. She shared that her validation in life had come from her mother, and losing her was the most defining trauma of her life.  Kapoor acknowledged the universality of grief but emphasized the isolating nature of her experience as a public figure. She admitted to feeling unprepared to make her own decisions and faced intense public judgment while learning to navigate life independently.  Kapoor also revealed making mistakes in her personal life by allowing people who took advantage of her into her life. Her honest revelations shed light on the emotional toll of grief compounded by public life and underscored the importance of self-awareness and personal boundaries in such challenging circumstances."},"img":{"url":"https://images.prismic.io/prad/ZpZQ-h5LeNNTxMA4_janhvi.JPG?auto=format,compress"},"datetime":"2026-04-11T15:47:34+0000","embed":{"embed_url":null}},"uid":"janhvi-kapoor-reveals-struggles-after-dhadak-debut-coping-with-grief-and-public--mnuidjxk"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rashmika & VDK greeted with a warm celebration"},"content":{"text":"Newlyweds Rashmika Mandanna and Vijay Deverakonda received an adorable surprise on the set of their forthcoming period drama, \"Ranabaali\". As the couple returned to the set of their primary film after tying the knot, the team greeted them with a small celebration. In the photos uploaded by the makers, Mythri Movie Makers, on their social media handle, Rashmika and VD were seen cutting a massive cake. The two were also presented with a bouquet by the team. The caption on the post read, \"Ranabaali - Jayamma @TheDeverakonda- @iamRashmika Back on sets An eternal bond Team #Ranabaali wished the newly weds on sets with a celebration Grand release worldwide on September 11th (sic)\". Recently, the makers of director Rahul Sankrityan's next announced that the team had wrapped up a crucial schedule of the film in Rayalaseema. Sharing the update on social media, the makers wrote, \"'MAA SEEMA RAAYALASEEMA' Rayalaseema showered all its love for the #Ranabaali couple. The team wrapped up a key schedule in the region. #Ranabaali Grand release worldwide on September 11th.\" A video also showed VD addressing his fans.  \"It feels like coming back to my own village. When I was here for the shoot, Anantapur feels like my second hometown. I always have a seema feeling inside me,\" the 'Liger' actor was heard saying. If the sources are to be believed, \"Ranabaali\" is going to be inspired by real incidents from the 1850s that never found space in mainstream history books. The movie is expected to shed light on the incidents that the British misrepresented in history. The sources further claimed that \"Ranabaali\" is not a biopic, but a cinematic reconstruction of an era built from multiple real accounts, oral histories, and suppressed records. For the unaware, Rashmika and Vijay have previously shared the screen in \"Geetha Govindam\" and \"Dear Comrade\", making 'Ranabaali' their third movie together."},"img":{"url":"https://images.prismic.io/prad/adpnI51ZCF7ETHJQ_vdkrashmika.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-11T14:35:00+0000","embed":{"embed_url":null}},"uid":"rashmika--vdk-greeted-with-a-warm-celebration"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ranveer offers tribute to RSS founder"},"content":{"text":"Actor Ranveer Singh offered tribute to Rashtriya Swayamsevak Sangh (RSS) founder Keshav Baliram Hedgewar during his visit to the Hedgewar Smruti Mandir in Reshimbagh, Nagpur. After this, the 'Dhurandhar' actor also had a meeting with RSS Chief Mohan Bhagwat, and the two reportedly had a fruitful conversation. Ranveer was seen wearing an all-white kurta-pyjama for his meeting with Bhagwat. The 'Lootera' actor arrived in Nagpur from Mumbai on Friday afternoon and went straight to the RSS headquarters. RSS has confirmed the visit and meeting. Ranveer reached Nagpur on a chartered plane at 4:00 PM on Friday. He left for Mumbai around 8:00 PM the same night. Refreshing your memory, Ranveer extended his heartfelt greetings to the RSS on the occasion of Vijayadashami during the organisation's centenary year celebration. He thanked the organisation for its work over the past 100 years and expressed hope that it would continue to inspire in the future as well. Meanwhile, Ranveer, who is presently basking in the success of his latest outing “Dhurandhar-The Revenge”, was recently seen recreating the track “Aari Aari Aari” from the movie with Punjabi singer Khaan Saab, who has lent his vocals for the song. The primary instalment in the “Dhurandhar” duology reached the audience in 2025. The core cast of the highly appreciated drama includes Akshaye Khanna, Sanjay Dutt, R. Madhavan, and Arjun Rampal, along with Ranveer as the lead. The franchise follows the journey of an undercover Indian intelligence agent, Hamza (Played by Ranveer), who infiltrates Karachi's criminal syndicates, along with the Pakistani political circle, in an attempt to neutralize any threat looming over his country. The second instalment in the franchise, \"Dhurandhar 2: The Revenge\", was released in the cinema halls on March 19 this year. Both the films have managed to perform exceedingly well at the ticket counters."},"img":{"url":"https://images.prismic.io/prad/adpn951ZCF7ETHJc_ranveer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-11T13:45:00+0000","embed":{"embed_url":null}},"uid":"ranveer-offers-tribute-to-rss-founder"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Pinarayi Vijayan, hero or villain?"},"content":{"text":"As Kerala awaits election results, one figure looms larger than any other in the state’s political landscape, Pinarayi Vijayan. Now 80, the veteran CPI(M) leader is seeking a historic third-consecutive term as Chief Minister, a feat no leader in Kerala’s political history has achieved.  Vijayan’s political style has always been defined by a tough, no-nonsense demeanor, markedly different from his Congress counterparts. Leaders like K. Karunakaran, A.K. Antony and Oommen Chandy, who each served multiple terms as Chief Minister, were widely known for their affable public presence and easy accessibility. Within the CPI(M), only E.K. Nayanar, remembered for his humour and mass appeal, broke the mould of the typically-stern Left leader. Even V.S. Achuthanandan, though often seen as serious and uncompromising, enjoyed a strong emotional connect with ordinary people. Vijayan, however, has cultivated an image of authority that often bordered on intimidation. His sharp responses to the media, firm handling of party colleagues, officials, and even ordinary workers have reinforced his image as a strong, sometimes unyielding leader. Following the setback the Left suffered in the local body elections held in December, the CPI(M) recalibrated its approach. From the start of the year, the government launched an extensive and high-decibel public outreach and advertising campaign, prominently featuring Vijayan. The effort was aimed at projecting stability, governance achievements, and continuity. With a record voter turnout, including 81 per cent participation among women, the Congress-led UDF is projecting confidence, claiming it could cross the 100 seat mark in the 140 member Assembly. In contrast, Vijayan and the Left leadership insist there is quiet support for the government’s decade long performance and maintain that a return to power remains within reach. Some Left legislators, however, now acknowledge the contest is tighter than expected, though they remain hopeful of securing around 80 seats. Political observers also point to a strategic debate within the Left, whether the campaign’s heavy emphasis on Vijayan helped or hurt the party. Some argue that stepping aside in favour of a widely popular leader like K.K. Shailaja might have made a third term smoother for the Left. As the results approach, one reality is clear, victory will cement Vijayan’s legacy as one of Kerala’s most dominant political figures. Defeat, however, will invite intense scrutiny of both strategy and leadership. In this election, Pinarayi Vijayan is not just the face of the campaign, he is the referendum."},"img":{"url":"https://images.prismic.io/prad/88730e3e-b4eb-4385-adfc-e718234ed0f7_vijayan.JPG?auto=format,compress"},"datetime":"2026-04-11T10:50:00+0000","embed":{"embed_url":null}},"uid":"pinarayi-vijayan-hero-or-villain"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"The Trump Doctrine: America’s Shift from Democracy to Autocracy"},"content":{"text":"As the world grapples with the implications of an escalating conflict in the Middle East, the actions of President Donald Trump are casting a long shadow over global geopolitics. With military engagement in Iran occurring without Congressional approval, the delicate balance of power originally designed by the framers of the American Constitution is under siege. The erosion of this vital separation indicates a troubling trend where presidential authority mirrors that of a monarch, blurring the lines between democratic leadership and autocratic rule. The American public, along with its media landscape, appears disturbingly acquiescent to this transformation, enabling Trump to pursue aggressive foreign policies unchecked by legislative restraint. Countries worldwide are adjusting to this new reality, implementing measures to foster resilience amid ongoing turmoil. In Australia, public transportation in Tasmania and Victoria is now free to dissuade car usage, while Egypt enforces a curfew for businesses to manage energy consumption. Other nations, including the Philippines and Thailand, are altering workweek structures and encouraging energy-saving practices as they prepare their citizens for the ramifications of prolonged conflict. These strategic adaptations reflect a global recognition of the profound shifts instigated by the United States' military decisions, further emphasizing the interconnectedness of international responses to American diplomacy. The historical context is critical in understanding the present crisis. The framers of the Constitution intentionally vested war powers in Congress, believing that the potential for unilateral military action by a single individual could lead to tyranny. However, as military operations escalate, the absence of formal declarations of war raises significant questions about accountability and the respect for democratic norms. This shift is particularly notable among conservative factions in the U.S., who traditionally champion constitutional governance yet now support an executive branch that operates with increasing autonomy in matters of war and peace. The implications of this transformation extend far beyond American borders, influencing how other nations perceive and respond to U.S. leadership. India, too, finds itself navigating this complex landscape, albeit with a sense of complacency regarding potential fuel shortages stemming from the conflict. While nations like Bangladesh and Sri Lanka are taking significant preemptive steps to manage energy resources, the Indian government insists that current shortages are merely the result of panic buying. This underestimation of the situation reflects a larger hesitation to confront the evolving geopolitical landscape. As the global community rallies to address the consequences of America's actions, India's lack of assertiveness in international diplomacy underscores the challenges of remaining a bystander in a world increasingly defined by the arbitrary decisions of a president operating without checks and balances."},"img":{"url":"https://images.prismic.io/prad/920cb016-1ddf-4786-8db4-dce0fc9158a0_trump+impeachment.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-11T10:00:30+0000","embed":{"embed_url":null}},"uid":"the-trump-doctrine-americas-shift-from-democracy-to-autocracy-mnu5z7us"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Petition in SC seeks cancellation of TN Assembly polls"},"content":{"text":"A petition has been filed before the Supreme Court seeking cancellation of the upcoming Tamil Nadu Assembly elections, alleging large-scale voter bribery through cash, gifts, liquor and other inducements by major political parties and accusing the Election Commission of India (ECI) of failing to ensure free and fair polls.  The writ petition, filed by Tamil Nadu resident K.K. Ramesh, seeks a direction to the Election Commission of India and the Tamil Nadu Chief Electoral Officer to cancel the 2026 Assembly election in the state on the ground that the electoral process has been “vitiated” by rampant vote-buying. In the plea, the petitioner alleged that major political parties, including the DMK, BJP, AIADMK, TVK, and the Congress, were indulging in bribing voters through distribution of cash and freebies such as laptops, colour televisions, grinders, mixers, fans, goats and cows. Claiming that the ECI had failed to curb such practices despite being aware of the situation, the petition stated: “Bribery in elections destroys the very basis of a democracy. It is necessary to protect the purity and sanctity of the polls, which can be ensured only by taking stringent action against those indulging in such bribing activities.” The plea contended that Tamil Nadu has been categorised by the ECI as an “expenditure-sensitive State” due to recurring high-value seizures during elections, but alleged that the poll body has not taken adequate preventive steps to stop vote-for-cash practices. Referring to past election seizures, the petition said that during the 2024 Lok Sabha elections, enforcement agencies seized cash, precious metals, drugs and liquor worth Rs 1,324.83 crore in the state, while seizures during the 2021 Assembly polls stood at around Rs 1,000 crore. Alleging systemic voter inducement, the petitioner claimed that in several constituencies, voters were paid between Rs 5,000 and Rs 10,000 per vote and that political parties had devised methods to distribute cash in a manner making refusal difficult. “The atmosphere in Tamil Nadu Assembly constituencies is seriously vitiated due to the use of money,” the plea said, adding that candidates elected through such a process “would not be true representatives of the electors”. Seeking judicial intervention, the petitioner has prayed for directions to “cancel the Assembly Election of Tamil Nadu” and grant any other relief deemed fit in the interest of preserving democratic values. The petition further sought any other appropriate orders or directions that the Supreme Court may deem fit in the interest of justice. Notably, the broader issue of poll freebies is already under consideration before the apex court in a pending petition filed by advocate Ashwini Kumar Upadhyay. In its 2013 judgment in the Subramanian Balaji case, the top court had held that the distribution of free colour television sets by the DMK government after winning the Tamil Nadu Assembly polls could not be treated as a “corrupt practice” under the Representation of the People Act."},"img":{"url":"https://images.prismic.io/prad/f2cf12a7-b7cf-4b37-be6e-889086e09b34_SC.JPG?auto=format,compress"},"datetime":"2026-04-11T09:46:00+0000","embed":{"embed_url":null}},"uid":"petition-in-sc-seeks-cancellation-of-tn-assembly-polls"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Sam Altman hints 'AI anxiety' behind attack on his home"},"content":{"text":"OpenAI CEO Sam Altman said on Saturday that a suspect hurled a Molotov cocktail at his San Francisco residence in the US, supposedly due to anger against tech leaders amid rising public anxiety about artificial intelligence (AI).  Altman posted on his personal blog a photograph of his private life and his child, following a dual-pronged attack targeting both the residence and the office of Altman. “The first person did it last night, at 3:45 am. Thankfully it bounced off the house and no one got hurt,” the CEO wrote. He described his family as “shaken” by the incident. “I wrote this early this morning and I wasn't sure if I would actually publish it, but here it is. Here is a photo of my family. I love them more than anything,” he said in the post. The blog post reads, “Images have power, I hope. Normally we try to be pretty private, but in this case I am sharing a photo in the hopes that it might dissuade the next person from throwing a Molotov cocktail at our house, no matter what they think about me.\" The San Francisco Police Department confirmed the arrest of a 20‑year‑old man in connection with the attack. The suspect reportedly fled from outside Altman's home on foot immediately after hurling a Molotov cocktail. Police said the suspect later went to OpenAI’s San Francisco office and threatened to torch its premises. Altman suspected the attack was related to rising 'AI anxiety'. “Words have power too. There was an incendiary article about me a few days ago. Someone said to me yesterday they thought it was coming at a time of great anxiety about AI and that it made things more dangerous for me. I brushed it aside,\" he wrote. He called for a societal response and policy measures to help navigate through a difficult economic transition tied to technological change, to get to a much better future. \"The only solution I can come up with is to orient towards sharing the technology with people broadly, and for no one to have the ring. The two obvious ways to do this are individual empowerment and making sure democratic system stays in control,\" he said in the blog post."},"img":{"url":"https://images.prismic.io/prad/456a0f7c-1b20-410f-b4ec-42ea8f4d8218_Sam+Altman.JPG?auto=format,compress"},"datetime":"2026-04-11T05:32:00+0000","embed":{"embed_url":null}},"uid":"sam-altman-hints-ai-anxiety-behind-attack-on-his-home"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Peddi' colour grading in full swing"},"content":{"text":"Ace cinematographer Rathnavelu, who is also the cameraman of director Buchi Babu Sana's eagerly awaited rural action drama 'Peddi', featuring Telugu star Ram Charan in the lead, has now dropped a big update on the film's status, much to the delight of fans and film buffs. The cinematographer has now posted a series of pictures from the film and disclosed that the colour grading work of the film was in full swing. Taking to his Instagram page, Rathnavelu wrote, \"Peddi colour grading in full swing.\" Earlier, the cinematographer had disclosed that he was working day and night on the grading and DI process.  He had said, \"Shoot it in the light, grade it in the dark. Hectic days, sleepless nights. All for the big screen. #Peddi #Cinematography #DI #ColourGrading.\" It may be recalled that only a week ago, actor Ram Charan had disclosed that the talkie portions of the film had been completed and that there was just one song left to be shot in the film. Ram Charan had made this disclosure, while speaking to the team of 'Rakasa', which had visited him on the sets of 'Peddi'. It may be recalled that the makers of the film had only recently released a glimpse video titled 'Peddi Pehelwan Glimpse' from the film to mark the birthday of actor Ram Charan. The glimpse video that was released showcased another completely different facet of the actor in the film, much to the delight of fans and film buffs."},"img":{"url":"https://images.prismic.io/prad/Z-WItndAxsiBwAOs_peddi2.JPG?auto=format,compress"},"datetime":"2026-04-11T05:25:00+0000","embed":{"embed_url":null}},"uid":"peddi-colour-grading-in-full-swing"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Dear Vaibhav, well done - Kohli's note"},"content":{"text":"Virat Kohli had a special message for teenage sensation Vaibhav Sooryavanshi after the latter’s breathtaking knock against Royal Challenegers Bengaluru (RCB) on Friday night.  Virat signed Vaibhav's cap post match writing, “Dear Vaibhav, well done”. The moment came after Sooryavanshi delivered an incredible performance, scoring 78 runs off just 26 balls to lead Rajasthan Royals to a comfortable six-wicket victory over Royal Challengers Bengaluru. In their chase of 203 runs, the 15-year-old kept the pressure off RR, attacking RCB's bowlers with impressive skill. Kohli, who witnessed the action firsthand, took a moment after the game to encourage the young player. He signed his cap and left a note, creating a moment that quickly fascinated fans online. Sooryavanshi’s innings featured eight fours and seven sixes, earning him the IPL 2026 Orange Cap. He has now scored 200 runs in just four matches, which is an amazing achievement for someone so early in his career. He received strong support from Dhruv Jurel, who remained not out at 81, as the duo completed a commanding chase for Rajasthan. Vaibhav Sooryavanshi led a powerful attack to kick off Rajasthan Royals’ chase, easily dismantling Royal Challengers Bengaluru’s bowling with bold shots as hosts continue to be on top with a six-wicket win over RCB. The teenager played with stunning audacity, his clean, powerful swings sending the ball racing to the fence at will, with 15 of his 26 deliveries fetching boundaries. By the time he miscued one off Krunal Pandya, the damage had already been done, putting Rajasthan Royals firmly in control. Though they endured a brief wobble, slipping from 129/1 to 134/4, the foundation laid by Suryavanshi ensured the chase remained well within reach. RR captain Riyan Parag praised the young player, focusing on his performance and his positive presence in the dressing room. Parag described Sooryavanshi as someone “everyone loves” having around. He added that the team makes sure he enjoys himself, whether it’s through food or outings, as long as he continues to perform well with the bat."},"img":{"url":"https://images.prismic.io/prad/adnoSJ1ZCF7ETG6u_kohlivaibhav.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-11T04:50:00+0000","embed":{"embed_url":null}},"uid":"dear-vaibhav-well-done---kohlis-note-to-sooryavanshi"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"VDK: The 'Jana Nayagan' leak makes me angry!"},"content":{"text":" Expressing his unconditional support to the entire team of actor Vijay's 'Jana Nayagan', Telugu star Vijay Deverakonda on Saturday expressed anger and outrage at footage of the film being leaked on the Internet. Taking to his X timeline to pen a strong post, Vijay Deverakonda wrote, \"The #JanaNayagan leak makes me angry. I’ve experienced personally the pain and sense of loss when something like this happens, early in my career. You feel like a target, you feel a loss of hope, it’s not just about me, there are co-actors, directors, producers, and so many who have all their dreams on the line.\" Deverakonda further said, \"This current issue needs to get sorted Asap and the people behind it identified, and if it doesn’t, it reflects a systemic failure. It keeps reminding us how insensitive people can be, and the extent some will go to cause harm without a second thought. I send my thoughts and my unconditional support to the entire team of the film.\" Vijay Deverakonda is the latest in a long list of celebrities who have condemned the footage leak of actor Vijay's last film 'Jana Nayagan'."},"img":{"url":"https://images.prismic.io/prad/adnbCp1ZCF7ETG4q_vdk.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-11T04:42:00+0000","embed":{"embed_url":null}},"uid":"vdk-the-jana-nayagan-leak-makes-me-angry"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Nayanthara is his strength!"},"content":{"text":"Director Vignesh Shivan has now penned an emotional reply to his wife, Lady Superstar Nayanthara, on Instagram in which he has called her his strength.  Actress Nayanthara, who has produced Vignesh Shivan's just released film Love Insurance Kompany (LIK) took to her Instagram page to pen a lengthy post on her husband's efforts to make LIK and what it meant to them on the day of the film's release.  Responding to Nayanthara's post, Vignesh Shivan, on his stories section wrote, \"My Uyir (My Life), You write these captions much better than me! Love you my strength... Love you my wife... love you my friend... my producer... From the day you heard NRD(Naanum Rowdy Dhaan) script without judging who I am, where I came from... till today! My life is no short of a blessing! All cos of you my ulagam! Love you so much!.\" For the unaware, Nayanthara, in her post on LIK, had said, \"Today is the release of LIK. The film that taught us life…The film that taught us to dream big…The film that taught us that we could actually make those dreams come true…The film that taught us strength… The film that taught us to fight against all odds…The film that taught us that amidst the highest chaos… life can be beautiful…LIK is not just a film… It is the courage of a man who chose to dream beyond his circumstances, holding on tightly to a vision that once felt impossible!!It is the vision of a man who refused to settle for anything less.\" Nayanthara then went on to say, \"Dear director Vignesh Shivan, Today is the day all of us around you, have been waiting for…The day the world finally gets to see the writer-director in you. Your years of hard work, your quiet perseverance… every time you chose to keep going, all the strength it took, and all the belief you never let go of… the love you have for films and the connection you have with your audience will finally bring you everything you’ve been holding on for, all this while.\" Nayanthara further added, \"Always rooting for you as your biggest fan. This is from someone who has been right there through these 10 years… in all the quiet in-betweens, watching it all unfold, closely. I’ve seen how cinema isn’t just something you do - it’s something you LIVE.In every lyric you think of, every idea you chase, every moment you choose it over everything else, again and again. From the little bit of experience that I have… I can only say one thing, CINEMA WILL NEVER FAIL YOU. All these years… you have loved cinema with everything you had…And today… it is going to give all that love back in full.\" She ended the note saying, \"TEAM LIK… today I can say that am soooo proud and unbelievably blessed to have all of you in this team and in our lives. Without all of you, we wouldn’t have been able to make it here…Just soooo grateful. Today is the day.\""},"img":{"url":"https://images.prismic.io/prad/adnY5p1ZCF7ETG4P_nayanvignesh.JPG?auto=format,compress"},"datetime":"2026-04-11T04:28:00+0000","embed":{"embed_url":null}},"uid":"nayanthara-is-his-strength"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Jennifer Lopez is ‘happy’ as she returns to ‘rom-com era’ "},"content":{"text":"Hollywood actress-singer Jennifer Lopez said that she is happy returning to her ‘rom-com era’ with Office Romance as she shared some never before seen BTS moments from her 2002 romantic comedy film “Maid In Manhattan.” Lopez took to Instagram, where she shared a string of pictures from the film, helmed by Wayne Wang.  She captioned the post: “Some never before seen BTS on the set of Maid in Manhattan by the incredible @BarryWetcher. So many feelings! Such wonderful memories! And now with Office Romance, I am back in my RomCom era. It’s OUR Happy Era!!! @SonyPictures #RevolutionStudios @egt239.” Maid in Manhattan was based on a story by John Hughes. It stars Jennifer Lopez, Ralph Fiennes, and Natasha Richardson. In the film, a hotel maid and a high-profile politician fall in love. The film was a box office success. It followed the story of a struggling singer-mother named Marisa Ventura, who works as a maid at a luxury hotel in the Big Apple to make ends meet. However, after trying on a designer coat of a guest, she is mistaken for a wealthy politician who falls in love with her. Talking about Office Romance, the upcoming American romantic comedy film directed by Ol Parker. It also stars Brett Goldstein, Betty Gilpin, Edward James Olmos, Bradley Whitford, Amy Sedaris, Tony Hale and Rick Hoffman, among many others. Lopez made her acting debut in 1986 with “My Little Girl” and then she was seen “In Living Color” before shooting to fame with the 1997 biopic Selena. On April 10, Lopez said she still thinks about her character Marisa Ventura from “Maid in Manhattan”. For the caption, Lopez wrote: “Twenty-something years later and I still think about Marisa Ventura. A single mom who moved through marble lobbies and thread-count sheets that weren’t hers…but carried herself like they could be.” She revealed that “Maid in Manhattan” started as a script called “The Chambermaid.” Lopez added: “ @egt239 and I reached out to Wayne Wang and together we dreamed up a girl with her nose pressed to the snow globe of Manhattan. A girl from the Bronx, playing a girl from the Bronx, who dared to dream bigger than her zip code.” She tagged herself as “so lucky” as she got to share that set with “Natasha Richardson, Bob Hoskins, Ralph Fiennes, Stanley Tucci, Tyler Posey and Amy Sedaris. What a movie. What a cast. What a time.”"},"img":{"url":"https://images.prismic.io/prad/adnmEZ1ZCF7ETG6s_jenniferlopez.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-11T03:32:00+0000","embed":{"embed_url":null}},"uid":"jennifer-lopez-is-happy-as-she-returns-to-rom-com-era"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Sooryavanshi stuns cricket world"},"content":{"text":"The cricketing world didn’t wait for the match to end—social media exploded mid-innings as 15-year-old Vaibhav Sooryavanshi of Rajasthan Royals launched a jaw-dropping assault on the Royal Challengers Bengaluru bowlers in Match 16 of IPL 2026 in Guwahati on Friday.  Former India opener Virender Sehwag summed up the mood perfectly, writing: “Not many can provide this kind of excitement at this age… there is a method to his madness, fearlessness and sky is the limit.” Veteran spinner Ravichandran Ashwin coined a new phrase that instantly went viral: “This is insane! This is Vaiball Suryanvanshi. Let’s vibe with this fella #IPL2026” Meanwhile, Irfan Pathan raised an intriguing observation: “Does Vaibhav Sooryavanshi target big bowlers purposely? I like to think so.” Within minutes, 'Vaiball' began trending, with fans flooding timelines in disbelief at the teenager’s fearless hitting. Earlier, in the 16th match of the 2026 edition, Rajasthan defeated Bengaluru by six wickets at the Baraspara Cricket Stadium. Chasing a competitive total, Rajasthan got off to a dream start thanks to Sooryavanshi’s blistering 78 off just 26 balls. His fearless approach dismantled RCB’s bowling attack early, taking the pressure completely off the chase. At the other end, Dhruv Jurel anchored the innings brilliantly with a composed 81 off 43 deliveries, ensuring there were no late hiccups as Rajasthan cruised to victory. Sooryavanshi’s innings stood out not just for its pace, but for the audacity. He took on experienced pacer Bhuvneshwar Kumar early, converting a near-perfect yorker into a boundary before finishing the over with a lofted stroke over cover-point. There was no respite for RCB as even Josh Hazlewood was put under pressure. The teenager attacked relentlessly, finding gaps, clearing the field, and adapting quickly to every change in length. At just 15, Sooryavanshi has already captured the imagination of fans, experts, and former cricketers alike. His ability to dominate seasoned international bowlers with such confidence signals the arrival of a rare talent. If the reactions pouring in are anything to go by, IPL 2026 may well be remembered as the tournament where 'Vaiball' was born—and where a teenage prodigy announced himself to the world."},"img":{"url":"https://images.prismic.io/prad/aBCAfPIqRLdaBshL_vibhavsbatting.JPG?auto=format,compress"},"datetime":"2026-04-10T19:53:00+0000","embed":{"embed_url":null}},"uid":"sooryavanshi-stuns-cricket-world"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Andhra govt clears 9.36 lakh crore investments in 22 months"},"content":{"text":"The Telugu Desam Party‑led coalition government in Andhra Pradesh has approved investment proposals worth Rs 9.36 lakh crore since assuming office in June 2024, Minister for Information and Public Relations and Housing Kolusu Parthasarathy said on Friday. Briefing media persons after the Cabinet meeting chaired by Chief Minister Nara Chandrababu Naidu, the minister said the proposals cleared so far are expected to generate employment for 9.62 lakh people. The Cabinet approved 16 projects in information technology, electronics, and communications, involving an investment of Rs 17,459 crore. These projects are projected to create jobs for 36,411 people. Among the major decisions was approval for data centre projects in Visakhapatnam and Anakapalli districts.  The Cabinet also cleared Credence Realty’s proposal to establish an IT Park in Visakhapatnam. Recognised under the ‘IT Campus Developer’ category of the Andhra Pradesh IT and Global Capability Centre Policy (4.0) 2024‑29, the project will receive applicable incentives.  Recommended by the State Investment Promotion Board, the project entails an investment of Rs 386.88 crore and is expected to create 6,500 jobs. Approval was also granted for the allocation of two acres of land to Feuji Software Solutions Private Limited for an IT/ITeS campus in Visakhapatnam under the Andhra Pradesh Land Incentive for Tech Hub Policy (4.0) 2024‑29.  The project involves an investment of ₹425 crore and has the potential to generate 2,500 jobs. The Cabinet cleared the allocation of 0.4 acres of land to Sritech Data Limited for a Cable Landing Station in Visakhapatnam, to be built with an investment of Rs 1,800 crore. Parthasarathy said approval was also given to PG Technoplast Private Limited for manufacturing facilities for refrigerators, washing machines, and air conditioners in Phase‑1, along with expansion of PCB vertical capacity, setting up a research and development centre, and a Component Vendor Park in Phase‑2.  The project entails an investment of Rs 1,305 crore and is expected to create 2,910 jobs."},"img":{"url":"https://images.prismic.io/prad/4be61ec9-f6ac-4099-89de-bc5c8966ca7e_investments.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T18:42:00+0000","embed":{"embed_url":null}},"uid":"andhra-govt-clears-9.36-lakh-crore-investments-in-22-months"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"CBFC: 'Jana Nayagan' leaks are 'false'"},"content":{"text":"Amidst the controversy surrounding the leak of Vijay Thalapathy's \"Jana Nayagan\", the Central Board of Film Certification (CBFC) has issued a statement denying the claims of any link to the leak. In an official statement, CBFC refuted any such claims, calling them “baseless and false.” A statement shared through PIB (Press Information Bureau) Maharashtra's official X account went like this, \"Reports alleging that the Tamil film 'Jana Nayagan' has been leaked from the Central Board of Film Certification (CBFC) are baseless and false.(sic)\" They revealed that the digital print of \"Jana Nayagan\" was returned to the makers last month itself.  “Access to the content is password-protected, and the KDM remains solely with the producer/filmmaker. Without a valid KDM, the film cannot be accessed or viewed. The DCP (Digital Cinema Package) of 'Jana Nayagan' was handed over to the applicant in Mumbai on 17 March with due acknowledgement, and has remained with them since,” the statement read. Recently, a few scenes from the much-anticipated Tamil drama \"Jana Nayagan\" surfaced online.  It must be noted that the movie has been delayed for months following a tiff with the CBFC. As the project was leaked, several prominent names from the Tamil and Telugu film fraternities, such as Rajinikanth, Kamal Haasan, Rishab Shetty,  and Vijay Deverakonda, condemned the piracy, showing their support to \"Jana Nayagan\" and Vijay.  Recently, the makers also advise all to refrain from engaging with leaked content. The statement by KVN Productions read, \"We, KVN Productions LLP, are the Producers and exclusive copyright owners of the cinematograph film 'Jana Nayagan'. It has come to our notice that certain scenes and clips from the said film and in some cases, most of the film have been illegally accessed, copied and circulated by unidentified persons, posing a serious threat of digital piracy.\" The banner further said, \"We hereby notify that downloading, viewing, storing, forwarding, sharing, uploading or circulating of such leaked content through WhatsApp, Telegram, Instagram, Facebook, X, YouTube, websites, torrents or any other medium constitutes a criminal offence and a violation of copyright laws.\""},"img":{"url":"https://images.prismic.io/prad/adtAlZ1ZCF7ETHXk_jananayagan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T04:50:00+0000","embed":{"embed_url":null}},"uid":"cbfc-jana-nayagan-leak-claims-baseless--false"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"TS to make Kaleshwaram barrages fully operational"},"content":{"text":"The Telangana government has decided to make all three critical barrages of the Kaleshwaram lift irrigation project fully operational at the earliest. Irrigation minister N. Uttam Kumar Reddy on Sunday made it clear that the state government is determined to bring Medigadda, Annaram and Sundilla back into operation. He wanted the rehabilitation works to be fast-tracked to restore the project to full operational status under a time-bound programme. The minister held a high- level review on the rehabilitation of the Kaleshwaram Lift Irrigation Scheme (KLIS) barrages with key officials of the Department, representatives of the CWPRS, agencies tasked with rehabilitation designs and implementation agencies, including L&T. The minister said that statutory agencies, including the National Dam Safety Authority (NDSA) and the Vigilance Commission, have already flagged serious defects in the foundations, design, planning and execution of all three barrages. He added that the fundamental problems are identical across the three structures. He directed officials that the next two working seasons (2027 and 2028) should be treated as crucial in the process of completing the KLIS repairs. He expressed hope that Annaram and Sundilla could be fully completed well within the timeline set for the purpose, while Medigadda can be made at least partially operational simultaneously. The government has already finalised a design consultant, AFRY India, to work in a joint venture with IIT Mumbai. The minister instructed the design team to work round-the-clock, all seven days a week. “We need the design as early as possible because the designs will have to be sent to the Central Water Commission (CWC) for approval immediately after submission,” he said. The minister asked the consultants to stay in constant touch with Secretary Parikshit Mehra and bring directly to his notice in case of any issues. The design process will be backed by comprehensive geophysical, geotechnical, soil, hydraulic modelling and other studies. The minister directed that all required tests and data must be completed as a top priority. The Central Water and Power Research Station (CWPRS), Pune — a Government of India organisation tasked with the tests and studies, has been asked to treat the Kaleshwaram barrage rehabilitation as its topmost priority.  He asked the government advisor, Adityanath Das, to coordinate with the CWC to get the approvals needed from the Government of India. CWPRS personnel must be stationed at the sites continuously until the 45-day testing window is completed. The minister announced the constitution of a high-powered Steering Committee with immediate effect, with Col Parikshit Mehra as the convenor to spearhead the implementation of rehabilitation works. The committee will meet twice a week, with the minister joining, if needed, even virtually whenever required to review the progress. A dedicated officer will monitor progress daily. The executing agencies, including the L&T, have been directed to immediately reactivate their existing camps, mess facilities and logistics so that engineers, technicians and rig operators face no accommodation or food issues. Sand removal, GPR (geophysical) tests and site preparation will be carried out with full agency support. The minister emphasised that all tests must be jointly witnessed by the designer, CWPRS, department engineers and agency representatives, and everything must be properly documented."},"img":{"url":"https://images.prismic.io/prad/aBEGOfIqRLdaBuJ__kaleshwaram.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T16:41:00+0000","embed":{"embed_url":null}},"uid":"ts-to-make-kaleshwaram-barrages-fully-operational"}},{"node":{"data":{"title":{"text":"KTR plans padyatra to reconnect with people "},"content":{"text":"BRS working president K. T. Rama Rao plans to undertake a statewide padayatra in Telangana next year to focus on public issues, as part of efforts to reconnect with the people and strengthen the party organisation. While admitting that a gap had developed between the party and the people during its decade in power, he said steps would be taken to bridge it through direct engagement, including the proposed padayatra. He exuded confidence that the BRS would stage a strong comeback in the next elections. Interacting with media persons at Kyathanpalli in Mancherial district, he said the party would contest the upcoming elections independently and would not enter into alliances. “Alliances have not worked for us. We will contest alone and return to power,” he asserted, ruling out any tie-up with the BJP. Admitting shortcomings during the BRS government’s tenure, KTR said the party failed to maintain effective coordination with grassroots leaders, including cadre, sarpanches, MPTCs and mandal-level representatives. He also acknowledged that despite a large migrant workforce from the north Telangana districts, the government could not formulate a comprehensive Gulf policy. On delimitation, KTR said the proposed increase in Assembly and Parliamentary constituencies would create new political opportunities. He maintained that if the current proportional representation is retained, there would be no objection. “If all states receive a uniform increase in seats without reducing existing share, there is no reason for concern,” he observed. Emphasising electoral strategy, he said the party would prioritise winnability in ticket allocation. “We will field candidates where they can win. There will be no hesitation in taking such decisions,” he said, adding that leadership changes in the Godavari belt could improve the party’s prospects. On internal party matters, KTR dismissed reports of factionalism, stating that all leaders were working under the leadership of K. Chandrasekhar Rao. “There are no internal differences. Everyone in the party is working for KCR,” he said, adding that he would carry out any responsibility assigned to him as a disciplined party worker."},"img":{"url":"https://images.prismic.io/prad/9be924d9-e108-47b4-92a2-9b71a2d872d3_KTR.JPG?auto=format,compress"},"datetime":"2026-04-12T15:39:00+0000","embed":{"embed_url":null}},"uid":"ktr-plans-padyatra-to-reconnect-with-people"}},{"node":{"data":{"title":{"text":"BCCI: RR manager using phone in dugout"},"content":{"text":"The Board of Control for Cricket in India (BCCI) has initiated a formal investigation into Rajasthan Royals (RR) team manager Romi Bhinder spotted using a mobile phone in the dugout during the side’s IPL 2026 match against Royal Challengers Bengaluru (RCB) in Guwahati.   The incident, captured live by TV cameras at the ACA Stadium, showed Bhinder using a device while seated next to teenaged left-handed opener Vaibhav Sooryavanshi, who was looking at the screen. The footage has since gone viral and raised questions regarding the breach of the league’s strict anti-corruption protocols. According to the IPL’s Players and Match Officials Area (PMOA), a Team Manager may use a phone in the dressing room area but ‘NOT’ in the dugout. Saikia confirmed to IANS on Sunday that the BCCI Anti-Corruption Unit (ACU) is currently verifying the details of the incident and has begun its probing exercise. \"As per the PMOA regulations, certain individuals like the team manager are allowed to carry phones and Romi Bhinder, as the manager of Rajasthan Royals, can carry it. But we need to thoroughly examine the phone was taken to which area and whether due permission was sought. “By doing that, whether he has violated any protocol or regulations under our existing IPL rules and regulations is being verified and as I am speaking, we have already started the process. “The Anti-Corruption Unit has begun the exercise to see whether he took the mobile in the designated area or beyond that. After seeing the various pieces of evidence and following the due process, they will give a report based on it,” said Saikia. As per the tournament rules, two BCCI Anti-Corruption Managers, appointed by the Head of the BCCI Anti-Corruption and Security Unit (ACSU), are responsible for the management of the PMOA. Their responsibility is to ensure that proper arrangements are in place and that security personnel are fully briefed. With RR set to face Sunrisers Hyderabad on Monday, it remains to be seen if Bhinder is spotted in the PMOA area or not. Bhinder has been an integral member of RR’s backroom staff since 2008 and also serves as Sooryavanshi's ‘local guardian’ in the IPL. “The phone is only to be used in case of emergency. On seeing that screengrab, it looks like he must have been watching something or using google or maybe checking any social media platform like WhatsApp or Instagram. “The only thing is that the anti-corruption unit could take the entire data of the device he was using at that time period for their thorough investigation and even ask the player about what he was exactly looking for when seeing the device. “If Bhinder is found to have not done anything suspicious by the ACU officers and match referee in Guwahati, then he will be let go off with a warning, or a fine of 10-20 percent could be levied on the franchise,” said a source aware of PMOA and ACU workings to IANS."},"img":{"url":"https://images.prismic.io/prad/adnoSJ1ZCF7ETG6u_kohlivaibhav.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T13:41:00+0000","embed":{"embed_url":null}},"uid":"bcci-rr-manager-using-phone-in-dugout"}},{"node":{"data":{"title":{"text":"Iran talks fail: Trump orders Hormuz blockade "},"content":{"text":"US President Donald Trump on Sunday announced a sweeping naval blockade of the Strait of Hormuz, accusing Iran of refusing to abandon its nuclear ambitions despite nearly 20 hours of talks mediated in Pakistan. In a series of lengthy posts on Truth Social, Trump said negotiations \"went well\" and \"most points were agreed to\", but asserted that Tehran remained \"unyielding as to the single most important issue\", adding: \"IRAN IS UNWILLING TO GIVE UP ITS NUCLEAR AMBITIONS!\" The US President added that he had been \"fully debriefed\" by Vice-President JD Vance, Special Envoy Steve Witkoff and Trump's son-in-law Jared Kushner following the Islamabad meeting, which Trump said was facilitated by Pakistan's leadership. He also accused Iran of reneging on assurances to keep the Strait of Hormuz open, saying the situation had caused \"anxiety, dislocation, and pain to many people and Countries throughout the World\". \"They say they put mines in the water,\" Trump wrote, adding that uncertainty over maritime safety had effectively deterred shipping. \"What ship owner would want to take the chance?\" Declaring the situation \"WORLD EXTORTION\", Trump said the US would respond with immediate forceful measures. \"Effective immediately, the United States Navy... will begin the process of BLOCKADING any and all Ships trying to enter, or leave, the Strait of Hormuz,\" he added. He said that US forces would \"seek and interdict every vessel in International Waters that has paid a toll to Iran\", warning that \"no one who pays an illegal toll will have safe passage on the high seas\". Trump also added that US naval units would begin destroying mines allegedly laid by Iran in the strategic waterway, and issued a stark warning: \"Any Iranian who fires at us, or at peaceful vessels, will be BLOWN TO HELL!\" The US President said the blockade would continue until free navigation is restored, describing the current situation as a violation of international norms governing maritime trade routes. At the same time, Trump acknowledged that \"at some point, we will reach an 'ALL BEING ALLOWED TO GO IN, ALL BEING ALLOWED TO GO OUT' basis\", but blamed Iran for preventing such an outcome. He also linked the escalation to broader tensions over Tehran's nuclear programme, reiterating a long-standing position: \"IRAN WILL NEVER HAVE A NUCLEAR WEAPON!\" The talks in Islamabad, which Trump said lasted \"close to 20 hours\", involved senior Iranian representatives, including Mohammad-Bagher Ghalibaf, Abbas Araghchi and Ali Bagheri. While describing interactions between delegations as \"very friendly and respectful\", Trump stressed that the core dispute remained unresolved. In his remarks, Trump also praised Pakistan's leadership, including Field Marshal Asim Munir and Prime Minister Shehbaz Sharif, calling them \"very extraordinary men\"."},"img":{"url":"https://images.prismic.io/prad/ac9z3JGXnQHGZPiF_hormuz.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T13:30:00+0000","embed":{"embed_url":null}},"uid":"trump-orders-hormuz-blockade-after-iran-talks-fail"}},{"node":{"data":{"title":{"text":"Vijay unveils welfare, AI governance vision"},"content":{"text":"Tamilaga Vettri Kazhagam (TVK) president Vijay on Sunday outlined an ambitious governance roadmap while sharply criticising Chief Minister M. K. Stalin during an election campaign in Kanyakumari district.  Addressing a gathering in Mahadhanapuram, Vijay promised a corruption-free delivery of welfare schemes, asserting that benefits would reach citizens without the need for applications or bribes. He announced that every family in Tamil Nadu would be issued a “priority card,” similar to Aadhaar, containing comprehensive household data. This, he said, would enable the government to deliver welfare benefits seamlessly from birth onwards. “People should not have to struggle or pay bribes to access what is rightfully theirs. Government schemes will reach your doorstep,” Vijay declared. He emphasised that artificial intelligence would power this system, ensuring efficiency and transparency. Taking a dig at Stalin, he remarked that his proposals were not mere “stories,” but scientifically achievable plans backed by technology. Vijay also alleged deep-rooted corruption within the current system, claiming that bribes collected at the administrative level often extend up to ministers. “Stopping corruption will be our first priority,” he said, adding that a TVK-led government would implement a comprehensive “Tamil Nadu Government Service Scheme” within six months of coming to power. A key highlight of his vision is the launch of a unified digital platform named “Vetri Tamil Nadu Super App,” through which all government services would be made accessible. He assured that delays in service delivery would invite immediate action against responsible officials. Positioning citizens as active stakeholders, Vijay proposed a participatory governance model. He announced plans for a dedicated government portal where people could submit ideas, monitor public finances, and directly petition the Assembly. Petitions signed by 10,000 people would receive official responses, while those backed by one million citizens would be taken up for legislative debate. He also promised to allocate a full day in Assembly sessions to discuss public petitions. Highlighting economic concerns, Vijay criticised the state’s rising debt, which he said had crossed Rs 10.05 lakh crore. He accused the current government of excessive borrowing and pledged to increase revenue and rationalise spending without imposing additional taxes. Concluding his address, Vijay said Tamil Nadu would be transformed into India’s artificial intelligence and digital capital, with a dedicated AI ministry under a TVK government."},"img":{"url":"https://images.prismic.io/prad/aduo_51ZCF7ETHfg_vijay.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T13:15:00+0000","embed":{"embed_url":null}},"uid":"tn-polls-vijay-unveils-welfare-ai-governance-vision"}},{"node":{"data":{"title":{"text":"Congress institutionalised corruption in T'gana"},"content":{"text":"Bharat Rashtra Samithi (BRS) Working President K.T. Rama Rao (also known as KTR) on Sunday accused the Congress government in Telangana of institutionalising corruption through what he termed a \"loot-and-hide scheme\" across the state. Addressing party leaders and workers at the BRS office in Mancherial district after felicitating elected representatives of Kyathanpalli municipality, he alleged that Congress leadership --from Ministers to MLAs -- were indulging in widespread corruption in every Assembly constituency and scheme. He alleged that Chief Minister A. Revanth Reddy was presiding over what he described as \"unprecedented levels of corruption\", claiming that no other Chief Minister in the country had engaged in such large-scale financial irregularities. KTR also accused the Congress and the Bharatiya Janata Party (BJP) of acting in tandem to shield each other from corruption allegations.  He said that despite serious accusations involving Singareni Collieries and Central government schemes, no investigations had been initiated. Referring to previous remarks by Prime Minister Narendra Modi on alleged \"RR tax\" collections and Union Home Minister Amit Shah describing the Telangana Congress as an \"ATM\", KTR questioned why no formal inquiries had followed those statements. The BRS leader alleged large-scale irregularities in the Singareni Collieries Company Limited, claiming that thousands of crores were involved in what he termed a major scam.  He also alleged that individuals linked to the Chief Minister's family were influencing contract allocations, and criticised the Centre for its \"silence\" despite holding a 49 per cent stake in the company. KTR warned that the BRS would intensify its agitation if workers' issues in Singareni were not addressed.  \"If corruption continues and workers' concerns are ignored, we will launch protests across every coal mine,\" he said. The BRS leader also alleged that democratic norms were undermined in Kyathanpalli municipality, accusing the Congress of using police force and intimidation despite losing the local mandate. Reiterating his party's commitment to workers and grassroots democracy, KTR called upon people to \"reject the corrupt regime\" and support BRS in upcoming local and Singareni elections.  He expressed confidence that the BRS would regain political ground in Mancherial district and across Telangana in the next electoral cycle."},"img":{"url":"https://images.prismic.io/prad/d263e6cc-6d8f-41c7-be9f-58a34f810ee3_TS+Congress.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T11:46:00+0000","embed":{"embed_url":null}},"uid":"congress-institutionalised-corruption-in-tgana"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Singer Mangli lodges complaint against lawyer"},"content":{"text":"Singer Mangli has lodged a police complaint against advocate Singapogu Subbu, accusing him of abuse and extortion, a day after he lodged a complaint against her for the alleged Rs 10 crore fraud in the name of microfinance. Mangli, also known as Satyavathi Mudavath, along with her lawyer, visited Panjagutta Police Station on Sunday to lodge a complaint against Subbu. She alleged that he demanded Rs 10 lakh, and when she refused to give the money, he abused her and threatened to defame her on social media. Subbu alleged that nearly 100 persons were allegedly induced to invest money with promises of high returns through film financing and related business activities. The investors claimed that neither the promised returns nor their original investments were repaid. The advocate, who claims to be representing the investors, alleged that he was threatened when he questioned the accused about repayment. Police said a case has been registered under relevant provisions of the Bharatiya Nyaya Sanhita, including sections related to criminal intimidation and cheating. The singer on Sunday denied the allegations made by Subbu. She vowed to fight what she called false allegations. She broke down while talking to the media persons to deny the allegations. Stating that she worked hard to go to Bigg Boss and become famous, she said the advocate was harassing her by making false allegations. She alleged that on March 22, Subbu met her, introduced himself as a lawyer and made inappropriate remarks. She claimed that he demanded Rs 10 lakh from her, saying he would remove certain videos related to her from YouTube, Instagram and other social media platforms. Mangli alleged that when she refused to pay the amount, Subbu and his associates allegedly used abusive language and threatened to damage her reputation through social media platforms. She urged the police to take strong action against the accused for criminal intimidation, extortion and harassment."},"img":{"url":"https://images.prismic.io/prad/aduruZ1ZCF7ETHgO_mangli.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T14:27:00+0000","embed":{"embed_url":null}},"uid":"folk-singer-mangli-lodges-extortion-complaint-against-lawyer"}},{"node":{"data":{"title":{"text":"Asha Bhosle passes away at 92"},"content":{"text":"Legendary playback singer Asha Bhosle passed away at the age of 92 in Mumbai on Sunday. The singer was admitted to the Breach Candy Hospital on Saturday. Ashish Shelar, the Culture Minister of Maharashtra made the announcement outside the hospital. Her last rites will be held at Shivaji Park on Monday at 4:00 pm. On Saturday, her granddaughter, Zanai Bhosle had revealed that her grandmother was admitted to the hospital due to extreme exhaustion and a chest infection. She requested privacy during such times. Dropping a photo with Asha Bhosle on her official Instagram handle, Zanai wrote, \"My grandmother, Asha Bhosle due to extreme exhaustion and suffering a chest infection has been admitted to hospital and we request you to value our privacy. Treatment is ongoing and hopefully everything will be well and we shall update you positively (sic). (Folded hands emoji).\" One of the most influential singers of her time, Asha Bhosle, sang her first song as a playback for the 1943 Marathi drama ‘Majha Bal’. She is known for lending her voice to some noteworthy numbers such as ‘Chura Liya Hai Tumne Jo Dil Ko’, ‘Do Lafzon Ki Hai Dil Ki Kahani’, ‘Kya Ghazab Karte Ho Ji’, ‘O Haseena Zulfonwale Jane Jahan’, and ‘Ye Ladka Hay Allah Kaisa Hai Diwana’, to name just a few. Along with Hindi, she has sung in around 20 Indian and foreign languages. In 2006, Asha Bhosle herself disclosed that she has almost 12,000 songs to her credit. During her tenure as a singer spanning several decades, Asha Bhosle has worked with many acclaimed music composers such as Shankar-Jaikishan, RD Burman, OP Nayyar, Ilaiyaraaja, Bappi Lahiri, and AR Rahman. She has received numerous awards throughout her career for many of her noteworthy songs. The singer was given the prestigious Dadasaheb Phalke Award back in 2000, followed by a Padma Vibhushan in 2008"},"img":{"url":"https://images.prismic.io/prad%2Fc47278b2-83c5-490e-ae05-8e596c380a2f_asha+bosle.jpg?auto=format,compress&rect=0,39,1200,592&w=2028&h=1000"},"datetime":"2026-04-12T08:22:00+0000","embed":{"embed_url":null}},"uid":"asha-bhosle-passes-away-at-92"}},{"node":{"data":{"title":{"text":"Poorna’s Baby Name Wins Hearts"},"content":{"text":"Actress Poorna shared an emotional reason behind naming her newborn daughter Dua Jameela. The actress revealed that “Jameela” was her late grandmother’s name, someone she deeply loved and lost too soon. By giving her daughter the same name, Shamna said she feels a part of her grandmother has returned to her life in the most beautiful way. Celebrating her baby girl’s 28th day with a traditional ceremony, Shamna expressed how special the moment was for her family. She also shared that her son Hamdan has happily stepped into his role as a proud elder brother. The actress and her husband Shanid Asif Ali had welcomed their second child in March, calling it a divine blessing. Shamna’s heartfelt post has struck a chord with fans, with many praising the emotional value behind the name. For the actress, Dua Jameela is not just a name—it’s a legacy of love, memory, and family bonds carried forward into a new generation."},"img":{"url":"https://images.prismic.io/prad/b55be15f-035b-4f2b-9d1c-a0ffcb19c958_poorna3.JPG?auto=format%2Ccompress&rect=0%2C0%2C522%2C257&w=2028&h=1000"},"datetime":"2026-04-12T07:32:00+0000","embed":{"embed_url":null}},"uid":"poornas-baby-name-wins-hearts"}},{"node":{"data":{"title":{"text":"First single from 'Korean Kanakaraju' released"},"content":{"text":"The unit of director Merlapaka Gandhi's eagerly awaited horror comedy film 'Korean Kanakaraju', featuring actor Varun Tej in the lead, has now released 'Kamsahamnida', the first single from the film, much to the delight of fans and film buffs. The song, the music of which has been scored by Thaman, opens with Ritika Naik playfully uttering 'Kamsahamnida', prompting Varun Tej to curiously ask its meaning.  Her reply, \"Thank you\" in Korean, serves as a warm curtain-raiser to the romantic energy between them.  The track is crafted with an airy, lively vibe, blending soft Korean touches with catchy mainstream elements. Kasarla Shyam’s writing brings out the innocence of new love, while Sid Sriram’s mellow yet expressive vocals elevate the emotion beautifully. Yash Master adds visual charm with choreography that mirrors the song’s cheerful tone. Sporting a mass and rugged look, Varun Tej’s screen presence is vibrant and effortless, and his pairing with Ritika comes across as bright, lively, and refreshingly new. Their moments together, set against Thaman’s spirited beats, give the single an instant-repeat quality. With shooting nearly finished, the team is expected to reveal the release date soon. It may be recalled that the makers had announced the commencement of the film's final schedule of shooting in Korea last month. Sources close to the unit of the film had then informed IANS that the team had carefully planned a crucial one-week schedule in Korea. During this phase, the makers filmed songs along with a few key scenes. The schedule featured Varun Tej, Ritika Nayak, and Satya. Sequences were shot in vibrant Korean locations during this schedule. For the unaware, the highly anticipated film is being directed by Merlapaka Gandhi and is being produced on a grand scale by UV Creations and First Frame Entertainment. Mounted on a lavish budget, the film blends horror and comedy with a refreshing cross-cultural twist, set across both Indian and Korean backdrops. Sources claim Varun Tej will be seen in a completely new avatar and that his character will be unlike any that he has played before. The film had already generated strong buzz with the title glimpse released on Varun Tej's birthday. The title glimpse opens with a photographer from India being tortured by policemen in Korea. The cops want the photographer to give them details of the location of a person they know as Kanakaraju. Initially, the photographer struggles to understand as he does not know the language. When an interpreter(Ritika Nayak) comes and translates what the cops seek from him, he says he does not know where Kanakaraju is. But then, on a full moon night, a possessed Kanakaraju (Varun Tej) walks into the station and hacks the Korean cops to death with a Samurai sword. He laughs in an eerie fashion and says \"I'm back\" in Korean, prompting the photographer to say, \"This Kanakaraju isn't our Kanakaraju...\"   The film has cinematography by Manoj Reddy Katasani and editing by Satyaa G."},"img":{"url":"https://images.prismic.io/prad/adtDSp1ZCF7ETHXz_koreankanakaraju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T05:35:00+0000","embed":{"embed_url":null}},"uid":"first-single-from-korean-kanakaraju-released"}},{"node":{"data":{"title":{"text":"CBFC: 'Jana Nayagan' leaks are 'false'"},"content":{"text":"Amidst the controversy surrounding the leak of Vijay Thalapathy's \"Jana Nayagan\", the Central Board of Film Certification (CBFC) has issued a statement denying the claims of any link to the leak. In an official statement, CBFC refuted any such claims, calling them “baseless and false.” A statement shared through PIB (Press Information Bureau) Maharashtra's official X account went like this, \"Reports alleging that the Tamil film 'Jana Nayagan' has been leaked from the Central Board of Film Certification (CBFC) are baseless and false.(sic)\" They revealed that the digital print of \"Jana Nayagan\" was returned to the makers last month itself.  “Access to the content is password-protected, and the KDM remains solely with the producer/filmmaker. Without a valid KDM, the film cannot be accessed or viewed. The DCP (Digital Cinema Package) of 'Jana Nayagan' was handed over to the applicant in Mumbai on 17 March with due acknowledgement, and has remained with them since,” the statement read. Recently, a few scenes from the much-anticipated Tamil drama \"Jana Nayagan\" surfaced online.  It must be noted that the movie has been delayed for months following a tiff with the CBFC. As the project was leaked, several prominent names from the Tamil and Telugu film fraternities, such as Rajinikanth, Kamal Haasan, Rishab Shetty,  and Vijay Deverakonda, condemned the piracy, showing their support to \"Jana Nayagan\" and Vijay.  Recently, the makers also advise all to refrain from engaging with leaked content. The statement by KVN Productions read, \"We, KVN Productions LLP, are the Producers and exclusive copyright owners of the cinematograph film 'Jana Nayagan'. It has come to our notice that certain scenes and clips from the said film and in some cases, most of the film have been illegally accessed, copied and circulated by unidentified persons, posing a serious threat of digital piracy.\" The banner further said, \"We hereby notify that downloading, viewing, storing, forwarding, sharing, uploading or circulating of such leaked content through WhatsApp, Telegram, Instagram, Facebook, X, YouTube, websites, torrents or any other medium constitutes a criminal offence and a violation of copyright laws.\""},"img":{"url":"https://images.prismic.io/prad/adtAlZ1ZCF7ETHXk_jananayagan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T04:50:00+0000","embed":{"embed_url":null}},"uid":"cbfc-jana-nayagan-leak-claims-baseless--false"}},{"node":{"data":{"title":{"text":"'Where are you Raj Kiran ji?'"},"content":{"text":"Actress Somy Ali has been actively looking for the popular actor from the 80s, Raj Kiran, for almost 2 decades now.  As part of her quest to learn about the whereabouts of the 'Karz' actor, Somy penned a heartfelt post for Kiran on her official Instagram handle on Sunday. Recalling their shooting days together, she admitted that his movie \"Arth\" happens to be her all-time favourite. Reminiscing about the memories of their last movie together, \"Agnichakra\", Somy wrote on the photo-sharing app, \"Raj Kiran ji…Where are you? As your film Arth is one of my all-time favorites, I’ve been carrying memories of our Bollywood days — especially our last film together, Agnichakra — like quiet treasures. The warmth, the laughter… my heart keeps pulling me back. (sic)\" Somy revealed that she has even visited Kiran's last known location, Atlanta, many times. \"I heard your last known whereabouts were in Atlanta, a city I’ve visited many times. If anyone knows how to reach him, please tag him or message me. Some connections deserve to be found again,\" she went on to add. Somy signed off, saying, \"With love and hope, Somy Ali.\" For those who do not know, Raj made a name for himself as a romantic hero with movies such as \"Karz\", \"Teri Meherbaniyan\", \"Ghar Ho To Aisa\", and \"Bulundi\". However, he soon got typecast as a side hero. After facing a decline in his career, Raj reportedly went into depression and even went on to face some domestic crises.  He was reportedly admitted to Byculla Mental Asylum in Mumbai. Later on, Raj allegedly abandoned everything and moved to New York, and while he was there, he suddenly went missing. Raj's whereabouts are currently unknown. When Somy learned about Raj's disappearance, she promised late Rishi Kapoor that she would find his close friend. Unfortunately, she has not been able to fulfill her promise till now despite her best efforts."},"img":{"url":"https://images.prismic.io/prad/ads-mp1ZCF7ETHXi_rajkiran.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T02:42:00+0000","embed":{"embed_url":null}},"uid":"where-are-you-raj-kiran-ji"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Alaya takes 150 attempt to get a pose right"},"content":{"text":"Actress Alaya F loves to stay on top of her fitness game. Through her latest social media post, the 'Jawaani Jaaneman' actress shared that she took 150 attempts to get a pose she saw on Instagram right. Posting a clip of herself attempting the post, Alaya revealed that the exercise left her with peeled elbows and nausea. \"Here’s a short glimpse of some of the 150+ attempts, peeled elbows and no stop nausea it took me to successfully do a pose I saw on Instagram (sic)\", she captioned the post. The 'Freddy' actress further stressed that she is not encouraging anyone to push their physical limit beyond the necessary point. Alaya said that it is always crucial to listen to one's body. \"PS: this is not me advocating for pushing your body even when it feels completely done. It’s always super important to listen to your body because everyone is different! so please be rest assured, I know how much to push myself and when to stop but out of all the things my teachers call me, ‘stubborn’ is my favourite Thank you for always making sure than my stubbornness is never at the cost of my safety haha @sunpreet_sing\", she went on to write. Talking about her professional commitments, Alaya will soon be a part of Hrithik Roshan-produced thriller series \"Storm\".  The much-discussed drama will have Parvathy Thiruvothu, Srishti Shrivastava, Rrama Sharma, and Saba Azad playing key characters, along with others. Suvinder Pal Vicky, Ashish Vidyarthi, Rajit Kapur, Ashok Pathak, Gautam Rode, Priyanka Setia, and Ranjan Raj have also been roped in as the ancillary cast. Talking about his next, Hrithik had shared, “What drew me to ‘Storm’ was the compelling world that Ajitpal has created. The story is raw, layered, and powerful, with unforgettable characters which will be essayed by incredibly talented actors.\""},"img":{"url":"https://images.prismic.io/prad/add-kZ1ZCF7ETBBJ_aliaf.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-09T09:42:00+0000","embed":{"embed_url":null}},"uid":"alaya-takes-150-attempt-to-get-a-pose-right"}},{"node":{"data":{"title":{"text":"Are Milk Mixes and Gummies Really Essential for Kids?"},"content":{"text":"In light of World Health Day's theme 'Together For Health. Stand With Science', concerns have been raised by doctors over the promotion of milk/energy mixes and multivitamin gummies for children's growth by 'mom influencers' on social media. These products are being endorsed without scientific backing, leading to potential risks.  Health experts caution that many milk mixes are sugary, ultra-processed powders, while multivitamin supplements should only be given when prescribed, preferably in syrup or chewable tablet form. Gummies, often promoted as supplements, pose a higher risk of dental decay.  Dr. L Swapna, head of Neonatology at Niloufer Hospital, emphasized that these products are misleading parents about children's nutritional needs. She highlighted the risk of dental cavities and early-onset obesity associated with these products. Additionally, gummies are seen as candy-like supplements that can contribute to tooth decay and unhealthy eating habits, offering little beyond a balanced diet.  Dr. Swapna stressed the importance of using multivitamins only for specific deficiencies under a doctor's guidance, as over-reliance can lead to dietary limitations. She also emphasized the misleading claims about the need for extra protein in children's diets, stating that a balanced diet consisting of natural, home-cooked foods is sufficient. Paediatrician Dr. Sivaranjani Santosh echoed the need for stricter regulation of marketing practices for such products. Overall, the emphasis remains on the importance of a balanced diet rooted in evidence-based choices, rather than succumbing to influencer-driven trends."},"img":{"url":"https://images.prismic.io/prad/adVECezlhpBNhbBY_milkmixes.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T14:41:19+0000","embed":{"embed_url":null}},"uid":"are-milk-mixes-and-gummies-really-essential-for-kids-expert-doctors-weigh-in-mnoq8y9d"}},{"node":{"data":{"title":{"text":"How Sleep Deprivation and Stress Elevate Seizure Risks"},"content":{"text":"Recent revelations from the medical community underscore a critical yet often overlooked correlation between sleep deprivation, stress, and the heightened risk of seizures. Experts assert that inadequate sleep and chronic stress do not merely detract from overall wellbeing; they actively destabilize the brain's electrical activity, making seizures more likely. This alarming relationship calls for a reevaluation of how individuals living with epilepsy manage their conditions, highlighting the importance of lifestyle factors that often go unrecognized in traditional treatment plans. The mechanics behind this connection are becoming clearer as researchers delve deeper into the brain's complex functioning. Sleep is not just a passive state; it is a period of vital restoration during which the brain recalibrates its electrical impulses and chemical balances. Dr. Vivek Barun emphasizes that insufficient rest increases neuronal excitability, thereby lowering the seizure threshold. Groundbreaking studies, including those from the National Institutes of Health, demonstrate that even a single night of poor sleep can significantly elevate the propensity for seizures, particularly in conditions like Juvenile Myoclonic Epilepsy, where disrupted sleep is often followed by morning seizures. Stress, frequently underestimated as a seizure trigger, compounds the issue and exacerbates the effects of sleep loss. Elevated cortisol levels, resulting from daily pressures, disrupt normal sleep patterns and can alter neurotransmitter balances in the brain. Dr. Praveen Gupta points out that chronic stress can create a feedback loop where poor sleep increases stress, and heightened stress impairs sleep, further destabilizing the individual’s neurological state. The cumulative effect of these factors often slips under the radar, as they manifest not through overt symptoms but rather through subtle shifts in daily habits and health. Moreover, the spectrum of seizure triggers extends beyond the obvious, masking themselves in seemingly benign daily activities. Habits such as late-night screen time, erratic meal schedules, and emotional fatigue contribute to a deteriorating health landscape that can lead to increased seizure activity. Dr. Gupta stresses the necessity of acknowledging these lifestyle components, asserting that effective epilepsy management must encompass both medical treatment and lifestyle modifications. By fostering a more comprehensive approach to managing health, patients can reclaim a sense of control over their conditions, moving beyond reliance on pharmacological interventions alone."},"img":{"url":"https://images.prismic.io/prad/360ab690-db05-40eb-851a-3a17c7a9b0a5_sleep.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-05T18:30:00+0000","embed":{"embed_url":null}},"uid":"unseen-triggers-how-sleep-deprivation-and-stress-elevate-seizure-risks-mnn53iby"}},{"node":{"data":{"title":{"text":"Breathing easy: Unmasking the silent crisis in lung health"},"content":{"text":"Despite the instinctive nature of breathing, many individuals are blissfully unaware that their lungs may be underperforming. Even when breathing feels normal, hidden deficiencies often lurk beneath the surface, with symptoms such as unexplained fatigue and mild breathlessness acting as subtle indicators that lung health is compromised. According to Dr. Harish Verma, Associate Director of Pulmonary Medicine and Critical Care at ShardaCare-Healthcity, the gap between merely breathing and breathing well can significantly impact overall health, energy levels, and immune function over time. This discrepancy serves as a crucial reminder that normalcy in respiration does not equate to optimal lung performance. The complexities of modern living exacerbate the challenge of maintaining lung health. Factors such as sedentary lifestyles, air pollution, and prolonged periods of inactivity can lead to a gradual decline in lung capacity and efficiency. Research from the National Institutes of Health has established a direct correlation between urban air pollution and diminished lung function across demographics, while the Ministry of Health and Family Welfare has raised alarms about rising respiratory issues tied to poor air quality. This insidious decline often occurs without immediate symptoms, allowing individuals to unknowingly neglect their lungs until more serious conditions develop. Moreover, the body communicates its distress through subtle, often overlooked signs. Symptoms such as unexplained fatigue, shortness of breath during minor exertions, and persistent coughing do not typically register as urgent health concerns yet collectively suggest that lung function may be faltering. The modern lifestyle, characterized by indoor pollution, stress, and inadequate physical activity, further complicates lung health. As these factors contribute to chronic respiratory issues, awareness and proactive measures become imperative for individuals seeking to reclaim their respiratory well-being. Improving lung function may hinge on consistent lifestyle changes rather than reactive treatments. Simple yet effective practices such as regular physical activity, deep breathing exercises, and enhancing indoor air quality can lead to significant improvements in lung capacity. Experts emphasize the importance of maintaining cardiovascular health, as compromised heart function can further hinder respiratory efficiency. With a clear understanding of the intricate relationship between heart and lung health, individuals can better appreciate the nuanced signals their bodies provide, ensuring that attention to lung function becomes a central aspect of their overall wellness strategy."},"img":{"url":"https://images.prismic.io/prad/9b1e08c5-cb92-457a-aa25-c12819d24d17_lungs.JPG?auto=format,compress"},"datetime":"2026-04-02T12:37:00+0000","embed":{"embed_url":null}},"uid":"breathing-easy-unmasking-the-silent-crisis-in-lung-health-mnhrcq7h"}},{"node":{"data":{"title":{"text":"Hidden Dangers of Kidney Damage"},"content":{"text":"Kidney disease represents a growing health crisis, often developing unnoticed until significant damage has occurred. Medical professionals emphasize that the kidneys can sustain substantial harm without presenting overt symptoms, making it crucial for individuals to remain vigilant about their renal health. Factors such as excessive salt intake, a diet high in processed foods, and the misuse of over-the-counter painkillers can exacerbate the risk, particularly for those with pre-existing conditions such as diabetes and hypertension. Experts warn that the lack of noticeable signs can lull many into a false sense of security, allowing the disease to progress unchecked. Dr. Sumiran Mahajan, a consultant nephrologist at KIMS Hospitals, highlights that preventive measures play a vital role in kidney health. Routine medical check-ups often reveal kidney issues before patients are aware of any problems. He notes that even seemingly minor habits, like excessive consumption of salty foods, can significantly strain these vital organs. The absence of symptoms in the early stages makes routine screenings and blood pressure and sugar level monitoring essential tools in combating this silent threat to health. The insidious nature of kidney disease is compounded by lifestyle choices and genetic predispositions. Dr. Nikhil Bhasin, a consultant nephrologist at Wockhardt Hospitals, explains that kidney damage can progress quietly due to the organ's remarkable ability to adapt, often until irreversible harm has occurred. Symptoms such as mild swelling in the extremities, fatigue, or changes in urination patterns may eventually arise, but are frequently dismissed as inconsequential. This unawareness extends to individuals with a family history of kidney problems, who may be at heightened risk yet remain uninformed of the implications. Health check-ups, including simple urine and blood tests, are imperative for early detection and intervention. These assessments can reveal potential issues long before severe damage occurs, allowing for timely lifestyle modifications and medical treatments. By prioritizing awareness and health monitoring, individuals can mitigate risks, but it requires a collective effort to educate the public about the silent yet significant dangers posed by kidney disease and the critical steps necessary for prevention."},"img":{"url":"https://images.prismic.io/prad/368e3acb-6528-4189-a652-46a6508305db_kidneys.JPG?auto=format,compress"},"datetime":"2026-03-31T17:23:13+0000","embed":{"embed_url":null}},"uid":"the-silent-epidemic-unveiling-the-hidden-dangers-of-kidney-damage-mnevy6wz"}},{"node":{"data":{"title":{"text":"Before You Try Fasting, Read This Truth"},"content":{"text":"Intermittent fasting is often seen as a popular weight loss method, but many individuals find themselves not shedding pounds despite skipping meals. Contrary to common belief, this approach can actually hinder weight loss efforts. When meals are skipped, the body enters a survival mode, causing a slowdown in metabolism and instability in blood sugar levels, leading to overeating later. Additionally, hormonal shifts and loss of muscle mass can further impede weight loss progress.  The body interprets skipped meals as a signal of scarcity, prompting it to conserve energy and reduce the rate at which calories are burned, ultimately lowering the resting metabolic rate. As a result, consuming very little food does not always lead to weight loss, as the body becomes more efficient at holding onto fat. Furthermore, irregular eating patterns can disrupt glucose control and appetite signals, leading to overeating and potentially negating any calorie deficit.  Hormones also play a significant role in weight loss, with skipped meals causing an increase in the hunger hormone ghrelin, elevated levels of the stress hormone cortisol, and reduced effectiveness of the fullness signal leptin. This combination promotes fat storage, particularly around the abdomen, while intensifying hunger. Notably, inadequate fuel intake not only leads to fat breakdown but also muscle loss, further slowing metabolism. Moreover, skipping meals disrupts the digestive system's rhythm, resulting in bloating, sluggish digestion, and poor nutrient absorption. To reset metabolism and achieve sustainable weight loss, it is crucial to establish regular eating intervals, incorporate protein and fiber in each meal, maintain adequate hydration, prioritize quality sleep, and engage in light physical activity.  Ultimately, the key to successful weight management lies in consistent, balanced eating patterns that foster trust and safety within the body."},"img":{"url":"https://images.prismic.io/prad/e6bc1887-82d2-42c7-ae3a-6c728b916016_keto+diet.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-29T19:00:00+0000","embed":{"embed_url":null}},"uid":"the-surprising-truth-about-intermittent-fasting-and-weight-loss-how-to-avoid-met-mnd2u98p"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Iran to Prioritize Care for Indian Nationals"},"content":{"text":"Iran's Representative in India, Abdul Majid Hakeem Ilahi, expressed his commitment to prioritizing the well-being of Indian citizens. He emphasized that Iran had worked closely with the Indian embassy in Tehran to support students and visitors during heightened conflict. Additionally, Iran and the United States are scheduled to engage in direct talks in Islamabad, Pakistan, aiming to alleviate recent hostilities.  Meanwhile, the Delhi High Court addressed certain tweets by journalist Rana Ayyub, deeming them derogatory, inflammatory, and communal. In response to the recent ceasefire between the United States and Iran, India's Ministry of External Affairs expressed hope for lasting peace in West Asia. The ceasefire announcement led to a significant drop in crude oil prices and a rally in global markets, resulting in a sharp rise in India's equity benchmark indices.  Furthermore, Russia's Foreign Ministry spokeswoman, Maria Zakharova, asserted that the United States and Israel's aggressive attack on Iran resulted in a resounding defeat. Telcos are anticipated to face challenges due to rising smartphone prices and the transition of subscribers in the Indian market. Lastly, Israeli Opposition leader described the Iran ceasefire as a political disaster. These developments underscore the significance of international relations and their impact on various sectors."},"img":{"url":"https://images.prismic.io/prad/1036340e-8ea8-499b-ac83-859efb80353e_NRI.jpg?auto=format%2Ccompress&rect=0%2C20%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-04-08T17:30:42+0000","embed":{"embed_url":null}},"uid":"iranian-representative-in-india-vows-to-prioritize-care-for-indian-nationals-mnqbqmqa"}},{"node":{"data":{"title":{"text":"Indian American makes Washington DC mayor ballot"},"content":{"text":"Rini Sampath, a Tamil Nadu-born candidate, has become the first South Asian person to secure a place on the ballot for Mayor of Washington, DC, marking a milestone in the city’s political history.  Sampath, who was born in Theni in India and moved to the United States at the age of seven, said the moment carried personal and broader community significance. “It’s so meaningful to me to be the first South Asian person to make the ballot for DC Mayor. I moved to the United States when I was seven years old in pursuit of the American dream, and I’m in this race to make sure that dream actually works for DC residents,” she said. Her campaign confirmed that more than 4,500 people signed her petition to qualify for the ballot. “I’m thrilled to have had over 4,500 people sign my petition to get me on the ballot for DC Mayor. South Asians contribute so much to our economy but see very little representation in government. I hope my candidacy inspires others to run and do good for their neighbours, and I hope you’ll join our campaign,” Sampath said. According to campaign material, Sampath is a 31-year-old government contractor who has lived in the US capital for over a decade. She has positioned her campaign around basic civic services and governance reforms. “As Mayor, my priority will be to make sure our city lives up to its basic commitments to our residents: Fill the potholes. Stop the catastrophic wastewater spill in the Potomac. Lower prices. Improve 911 wait times,” she said, outlining her agenda. Her campaign slogan underscores this focus, emphasising fixing basic services, strengthening neighbourhoods, and lowering the cost of living. In her campaign messaging, Sampath draws a contrast with what she describes as entrenched leadership in City Hall. “Why would you give a promotion to someone who has failed at the basic functions of their job?” she said, referring to the “current front runners in the DC Mayors race” as “political insiders who have served on the city council for years.” She added, “We all know DC government is broken,” pointing to recent snowstorms that left “streets and sidewalks… unpassable and dangerous,” with “trash piled up” and “waterlines burst because of aging infrastructure.” Sampath has also framed her candidacy as that of an outsider. “I’m not a politician. I’m not backed by any special interest groups. I’m a federal contractor who spent my career improving government programs and citizen services,” she said. “We need someone new. We need to go back to basics and fix our roads and sidewalks and city services.” Her personal story features prominently in her campaign narrative. Born in Tamil Nadu, she describes her roots as central to her public service motivation. “My grandfather has always been a driving force for me and a source of inspiration,” she said. She also credited her father’s decision to move the family to the United States, saying it shaped her outlook on opportunity and responsibility. Washington, DC operates under a mayor-council system, where the mayor serves as the chief executive of the District. The Democratic primary is often decisive in the city, given the party’s strong voter base. Sampath’s entry into the race reflects a broader trend of increasing political participation by Indian Americans and other South Asian communities in US local and national politics. While representation at higher levels has grown in recent years, including in Congress and state offices, mayoral races in major US cities have seen fewer candidates from the community."},"img":{"url":"https://images.prismic.io/prad/adDYk5GXnQHGZQ_P_ranisampath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-04T02:23:00+0000","embed":{"embed_url":null}},"uid":"indian-american-makes-washington-dc-mayor-ballot"}},{"node":{"data":{"title":{"text":"US citizenship case worries H-1B families"},"content":{"text":"A US Supreme Court case on birthright citizenship has raised concerns among Indian professionals on H-1B visas and other temporary permits.  The Trump administration told the court that children born to “temporary visitors” may not automatically be US citizens. Solicitor General John Sauer said the Constitution requires “direct and immediate allegiance” to the United States, not just birth on its soil. He argued that children of people on temporary visas do not meet that test. That position could affect thousands of Indian families. Indians form the largest group of H-1B visa holders in the US. Many live in the country for years while waiting for green cards. They build careers and raise families. Their children are often born in the US and treated as citizens under the current law. The government’s argument challenges that long-standing practice. Sauer said the phrase “subject to the jurisdiction thereof” should be read as requiring allegiance tied to lawful residence. He said the rule should not apply to those who are in the country only temporarily. Several justices questioned how such a policy would work. They asked how officials would determine a child’s citizenship at birth. They also asked if parents’ immigration status would need to be checked in each case. The government said the system would rely on “objectively verifiable” immigration data. That suggests visa status could decide whether a child is a citizen. Lawyers opposing the administration warned that the move would overturn settled law. They pointed to the 1898 ruling in United States v. Wong Kim Ark. That case held that most children born in the US are citizens, regardless of their parents’ status. They said the Constitution creates a clear rule. “Everyone born here is a citizen alike,” counsel told the court. For Indian families, the stakes are high. H-1B visa holders often face long delays in getting permanent residency. During that time, their US-born children enjoy full citizenship rights. A change in the law could create uncertainty. It could affect access to education, jobs and government benefits. The court also discussed whether any ruling would apply only in the future. The government said its policy would be prospective. But challengers warned that the logic could put the status of many people in doubt. The case comes as immigration remains a key political issue in the US. The administration argued that current rules act as a “pull factor” for illegal immigration. The 14th Amendment, adopted in 1868, grants citizenship to all persons born in the United States and subject to its jurisdiction. It was meant to ensure citizenship for freed slaves after the Civil War. For more than a century, the US has followed a broad birthright citizenship rule. The court’s decision could reshape that principle and have direct consequences for Indian professionals and their families."},"img":{"url":"https://images.prismic.io/prad/9706436b-2277-4f44-ba60-6cc43c85127f_USCIS.JPG?auto=format,compress"},"datetime":"2026-04-02T02:25:00+0000","embed":{"embed_url":null}},"uid":"us-citizenship-case-worries-h-1b-families"}},{"node":{"data":{"title":{"text":"Trump's visa curbs hit India hard"},"content":{"text":"Legal immigration to the United States has dropped sharply in the first eight months of 2025, with India and China among the hardest hit as the Trump administration tightened visa policies, The Washington Post reported.  The State Department issued about 250,000 fewer visas from January to August 2025 than during the same period in 2024, according to the report. Overall approvals for permanent resident and temporary visas fell by 11 per cent, based on official data released in early March, the daily said. The decline covers visas for students, workers, and family members of US citizens and legal residents. Tourist visas also dropped during the same period. India and China saw some of the steepest declines. Visas for their nationals fell by about 84,000, the report said. The drop was driven largely by fewer student, worker, and family-related visas, The Washington Post said. International students were among the worst affected. Student visas fell by more than 30 per cent in the first eight months of 2025. Exchange visitor visas also declined sharply, dropping by nearly 30,000. Visa approvals for permanent residency, or green cards, also decreased. The largest declines were seen in visas for workers, certain relatives, and nationals from countries such as Afghanistan and Iraq. Officials and analysts linked the decline to a combination of policy changes and administrative factors. These include a travel ban on 19 countries, a temporary pause on student visa interviews, and expanded vetting requirements, including social media checks, the daily said. Staffing cuts at the State Department also reduced processing capacity. Fewer consular appointments and longer wait times were reported at several high-demand locations. “A visa is a privilege, not a right. Unlike the Biden administration, President Trump is not willing to compromise the safety of American citizens to allow mass migration of unvetted foreign nationals into our country,” State Department spokesman Tommy Pigott said, according to the report. White House spokeswoman Abigail Jackson said, “President Trump was elected with a resounding mandate to put American citizens first, and every policy decision he’s made has reflected that priority.” Analysts said both policy and demand factors may be driving the decline. “We don’t have a separation of how much of this decline is caused by demand and how much is caused by policy, and they’re obviously both putting downward pressure on the number of visas that are issued,” said Cecilia Esterline of the Niskanen Center. Critics argue the restrictions risk harming the US economy and global competitiveness. “There’s no policy more important to the present and future of the US economy than immigration,” said Jason Furman of Harvard University. “When we restrict immigration, we don’t just shortchange labor force growth today, we also reduce innovation and productivity growth in the future.”"},"img":{"url":"https://images.prismic.io/prad%2Fc8ca36a7-3775-4d07-91ef-ef2592306a21_visa.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-03-23T03:10:00+0000","embed":{"embed_url":null}},"uid":"trumps-visa-curbs-hit-india-hard"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'Bhooth Bangla' Trailer"},"img":{"url":"https://images.prismic.io/prad/adORJZGXnQHGZR_Y_bb.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-06T08:56:00+0000","third_party_url":null},"uid":"bhooth-bangla-trailer"}},{"node":{"data":{"title":{"text":"'Dacoit' Trailer"},"img":{"url":"https://images.prismic.io/prad/aUPnHXNYClf9oY_O_dacoit.JPG?auto=format,compress&rect=0,2,2020,996&w=2028&h=1000"},"datetime":"2026-04-05T18:49:00+0000","third_party_url":null},"uid":"dacoit-trailer"}},{"node":{"data":{"title":{"text":"'Biker' Movie Making Video"},"img":{"url":"https://images.prismic.io/prad/ac1WBZGXnQHGZLUI_bikermovie.JPG?auto=format,compress"},"datetime":"2026-04-01T15:29:00+0000","third_party_url":null},"uid":"biker-movie-making-video"}},{"node":{"data":{"title":{"text":"Ramayana Trailer"},"img":{"url":"https://images.prismic.io/prad/ac48yZGXnQHGZMlc_raneerRAMA.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-01T07:48:00+0000","third_party_url":null},"uid":"ramayana-trailer"}},{"node":{"data":{"title":{"text":"Peddi Pehelwan Glimpse"},"img":{"url":"https://images.prismic.io/prad/acY1nJGXnQHGZB18_peddipehelwan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-27T04:45:00+0000","third_party_url":null},"uid":"peddi-pehelwan-glimpse"}},{"node":{"data":{"title":{"text":"Dethadi - TEASER"},"img":{"url":"https://images.prismic.io/prad/acOoNpGXnQHGY8au_Dethadi.png?auto=format,compress&rect=0,204,449,221&w=2028&h=1000"},"datetime":"2026-03-24T18:30:00+0000","third_party_url":null},"uid":"dethadi---special-teaser"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Amaravati: Vision Or Vanity?"},"img":{"url":"https://images.prismic.io/prad%2F872ab75d-1465-4840-ab63-98d574f8cce3_amaravatij.jpg?auto=format%2Ccompress&rect=0%2C40%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-04-12T06:30:00+0000","third_party_url":null},"uid":"amaravati-vision-or-vanity"}},{"node":{"data":{"title":{"text":"Castles, Corridors And Cacophony: The Andhra Capital Circus"},"img":{"url":"https://images.prismic.io/prad/adjasZ1ZCF7ETEGf_mavigun.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T09:10:00+0000","third_party_url":null},"uid":"castles-corridors-and-cacophony-the-andhra-capital-circus"}},{"node":{"data":{"title":{"text":"The US Has Picked It's Prefered Broker, Why Cringe?"},"img":{"url":"https://images.prismic.io/prad/adeGXJ1ZCF7ETBKc_USPAK.JPG?auto=format,compress"},"datetime":"2026-04-09T07:35:00+0000","third_party_url":null},"uid":"the-us-has-picked-its-prefered-broker-why-cringe"}},{"node":{"data":{"title":{"text":"Pakistan Ne War Rukwaadi, Abba!"},"img":{"url":"https://images.prismic.io/prad/adYq6p1ZCF7ES9M3_warstopped.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-08T09:16:00+0000","third_party_url":null},"uid":"pakistan-ne-war-rukwaadi-abba"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-07-26T17:32:57+0000","data":{"title":{"text":"Priyanka Jawalkar Spicy Stills"},"content":{"text":"Priyanka Jawalkar is an Indian actress and model who works in Telugu cinema. She made her acting debut with Kala Varam Aaye. She then appeared in Taxiwala and Thimmarusu. Jawalkar received Filmfare Award for Best Supporting Actress – Telugu nomination for her performance in Gamanam."},"img":{"url":"https://images.prismic.io/prad/aIT6gFGsbswqTR74_priya2028.JPG?auto=format,compress"}},"uid":"priyanka-jawalkar-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-07-15T10:41:36+0000","data":{"title":{"text":"Shraddha Das Spicy Black Pics"},"content":{"text":"Shraddha Das is an Indian actress and model who predominantly appears in Telugu, Hindi, Bengali, and Kannada language films. She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/aHYvrEMqNJQqH6cL_shradda2028.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-sari-pics"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Amaravati: Vision Or Vanity?"},"content":{"text":"\"They say Rome wasn't built in a day, but that’s only because they didn't have access to S.S. Rajamouli” The above hard-hitting statement envisages that Andhra Pradesh’s capital project  is “ Where the Master Plan is a movie script, and the budget is just a CGI glitch”. History is full of grand capital cities and \"megaprojects\" that were sold as symbols of national pride but often ended up as fiscal cautionary tales. While some eventually find their footing, many trigger severe economic instability, debt traps, or become \"ghost cities.\" Recall how Egypt’s New Administrative Capital, a $58 billion project, has struggled with funding as the country faced an economic crisis. Critics argued the government attempted a development program greater than its ability to pay, leading to massive debt and affordability problems for citizens. It’s a perfect example of spectacle outpacing actual demand and of projects that can push a state's finances to the breaking point, especially when they exceed the government's ability to pay. Such a focus on new, flashy projects often comes at the expense of existing urban centres and social services. Critics warn that the Amaravati Capital Project, Chandrababu Naidu’s ambitious spectacle, has the potential to turn into one such “Vanity Project.” They argue it is a classic example of \"spectacle over governance,\" where the state’s massive debt, estimated at approximately ₹4.28 lakh crore as of December 2023, is overshadowed by high-end graphics and grand announcements. Well, its proponents may argue comparing Amaravati to a fiscal crisis like Egypt is an insult to the vision that it isn't \"chasing a spectacle\", it’s building a \"world-class, happiest city\" that rivals Hyderabad's stature and puts Andhra on the international map. While proponents see a \"sustainable, modern administrative hub,\" detractors highlight that much of this vision remains confined to photo-ops while essential infrastructure in other cities and critical welfare sectors like health and education face neglect. It is, as some say, the world’s first virtual-reality capital, a city where \"visionary governance\" means trading your drainage repairs for a 3D-rendered skyline. It operates on the grandiose concept: “Why fix a pothole in Guntur when you can launch a 4K drone video of a futuristic assembly building?” In this modern era of \"Announcement-First\" economics, ribbon-cutting has become the state’s primary aerobic exercise. The strategy is simple: if the project is too expensive to build, just make the posters more expensive. In this ecosystem, the \"Return on Investment\" is currently being measured in retweets rather than revenue, and \"engagement\" is prioritized over actual employment. While the State's debt climbs toward the heavens, the capital remains a \"land pooling\" masterpiece where the only thing flowing faster than the Krishna River is taxpayer money into \"consultancy fees\" and funding for counter-propaganda against critics. The politics have shifted from the \"necessary\" to the \"legendary.\" Repairs are boring; they don't look good on Instagram. But a “grand vision”? That’s the stuff of propaganda dreams. It doesn't matter if the price of construction in Amaravati is reportedly over ₹14,000 per square foot—compared to ₹4,000 elsewhere—because you can’t put a price on a good rendering. The alternative proposal, often referred to as MAVIGUN, is dismissed as a \"fool's idea\" in the current narrative. Proponents of the Amaravati \"Mega-City\" argue that anything less than a \"greenfield\" marvel lacks the \"global branding\" needed for investment. To them, a functional, cost-effective capital is simply a lack of ambition. The issue has devolved into a binary narrative: if you question the feasibility of Amaravati, you are labelled \"anti-development.\" The 2026 Amendment Bill is now being framed by the ruling government as a final \"victory\" for the people, effectively silencing the debate over whether the state can actually afford its own spectacle. In the end, Andhra Pradesh may find itself as the only state in the world where the citizens have a world-class capital to look at on their screens, but no money left in their pockets to actually move there."},"img":{"url":"https://images.prismic.io/prad%2F872ab75d-1465-4840-ab63-98d574f8cce3_amaravatij.jpg?auto=format%2Ccompress&rect=0%2C40%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-04-12T06:30:00+0000","embed":{"embed_url":null}},"uid":"amaravati-vision-or-vanity"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"CBFC: 'Jana Nayagan' leaks are 'false'"},"content":{"text":"Amidst the controversy surrounding the leak of Vijay Thalapathy's \"Jana Nayagan\", the Central Board of Film Certification (CBFC) has issued a statement denying the claims of any link to the leak. In an official statement, CBFC refuted any such claims, calling them “baseless and false.” A statement shared through PIB (Press Information Bureau) Maharashtra's official X account went like this, \"Reports alleging that the Tamil film 'Jana Nayagan' has been leaked from the Central Board of Film Certification (CBFC) are baseless and false.(sic)\" They revealed that the digital print of \"Jana Nayagan\" was returned to the makers last month itself.  “Access to the content is password-protected, and the KDM remains solely with the producer/filmmaker. Without a valid KDM, the film cannot be accessed or viewed. The DCP (Digital Cinema Package) of 'Jana Nayagan' was handed over to the applicant in Mumbai on 17 March with due acknowledgement, and has remained with them since,” the statement read. Recently, a few scenes from the much-anticipated Tamil drama \"Jana Nayagan\" surfaced online.  It must be noted that the movie has been delayed for months following a tiff with the CBFC. As the project was leaked, several prominent names from the Tamil and Telugu film fraternities, such as Rajinikanth, Kamal Haasan, Rishab Shetty,  and Vijay Deverakonda, condemned the piracy, showing their support to \"Jana Nayagan\" and Vijay.  Recently, the makers also advise all to refrain from engaging with leaked content. The statement by KVN Productions read, \"We, KVN Productions LLP, are the Producers and exclusive copyright owners of the cinematograph film 'Jana Nayagan'. It has come to our notice that certain scenes and clips from the said film and in some cases, most of the film have been illegally accessed, copied and circulated by unidentified persons, posing a serious threat of digital piracy.\" The banner further said, \"We hereby notify that downloading, viewing, storing, forwarding, sharing, uploading or circulating of such leaked content through WhatsApp, Telegram, Instagram, Facebook, X, YouTube, websites, torrents or any other medium constitutes a criminal offence and a violation of copyright laws.\""},"img":{"url":"https://images.prismic.io/prad/adtAlZ1ZCF7ETHXk_jananayagan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T04:50:00+0000","embed":{"embed_url":null}},"uid":"cbfc-jana-nayagan-leak-claims-baseless--false"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Singer Mangli lodges complaint against lawyer"},"content":{"text":"Singer Mangli has lodged a police complaint against advocate Singapogu Subbu, accusing him of abuse and extortion, a day after he lodged a complaint against her for the alleged Rs 10 crore fraud in the name of microfinance. Mangli, also known as Satyavathi Mudavath, along with her lawyer, visited Panjagutta Police Station on Sunday to lodge a complaint against Subbu. She alleged that he demanded Rs 10 lakh, and when she refused to give the money, he abused her and threatened to defame her on social media. Subbu alleged that nearly 100 persons were allegedly induced to invest money with promises of high returns through film financing and related business activities. The investors claimed that neither the promised returns nor their original investments were repaid. The advocate, who claims to be representing the investors, alleged that he was threatened when he questioned the accused about repayment. Police said a case has been registered under relevant provisions of the Bharatiya Nyaya Sanhita, including sections related to criminal intimidation and cheating. The singer on Sunday denied the allegations made by Subbu. She vowed to fight what she called false allegations. She broke down while talking to the media persons to deny the allegations. Stating that she worked hard to go to Bigg Boss and become famous, she said the advocate was harassing her by making false allegations. She alleged that on March 22, Subbu met her, introduced himself as a lawyer and made inappropriate remarks. She claimed that he demanded Rs 10 lakh from her, saying he would remove certain videos related to her from YouTube, Instagram and other social media platforms. Mangli alleged that when she refused to pay the amount, Subbu and his associates allegedly used abusive language and threatened to damage her reputation through social media platforms. She urged the police to take strong action against the accused for criminal intimidation, extortion and harassment."},"img":{"url":"https://images.prismic.io/prad/aduruZ1ZCF7ETHgO_mangli.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-12T14:27:00+0000","embed":{"embed_url":null}},"uid":"folk-singer-mangli-lodges-extortion-complaint-against-lawyer"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Asha Bhosle passes away at 92"},"content":{"text":"Legendary playback singer Asha Bhosle passed away at the age of 92 in Mumbai on Sunday. The singer was admitted to the Breach Candy Hospital on Saturday. Ashish Shelar, the Culture Minister of Maharashtra made the announcement outside the hospital. Her last rites will be held at Shivaji Park on Monday at 4:00 pm. On Saturday, her granddaughter, Zanai Bhosle had revealed that her grandmother was admitted to the hospital due to extreme exhaustion and a chest infection. She requested privacy during such times. Dropping a photo with Asha Bhosle on her official Instagram handle, Zanai wrote, \"My grandmother, Asha Bhosle due to extreme exhaustion and suffering a chest infection has been admitted to hospital and we request you to value our privacy. Treatment is ongoing and hopefully everything will be well and we shall update you positively (sic). (Folded hands emoji).\" One of the most influential singers of her time, Asha Bhosle, sang her first song as a playback for the 1943 Marathi drama ‘Majha Bal’. She is known for lending her voice to some noteworthy numbers such as ‘Chura Liya Hai Tumne Jo Dil Ko’, ‘Do Lafzon Ki Hai Dil Ki Kahani’, ‘Kya Ghazab Karte Ho Ji’, ‘O Haseena Zulfonwale Jane Jahan’, and ‘Ye Ladka Hay Allah Kaisa Hai Diwana’, to name just a few. Along with Hindi, she has sung in around 20 Indian and foreign languages. In 2006, Asha Bhosle herself disclosed that she has almost 12,000 songs to her credit. During her tenure as a singer spanning several decades, Asha Bhosle has worked with many acclaimed music composers such as Shankar-Jaikishan, RD Burman, OP Nayyar, Ilaiyaraaja, Bappi Lahiri, and AR Rahman. She has received numerous awards throughout her career for many of her noteworthy songs. The singer was given the prestigious Dadasaheb Phalke Award back in 2000, followed by a Padma Vibhushan in 2008"},"img":{"url":"https://images.prismic.io/prad%2Fc47278b2-83c5-490e-ae05-8e596c380a2f_asha+bosle.jpg?auto=format,compress&rect=0,39,1200,592&w=2028&h=1000"},"datetime":"2026-04-12T08:22:00+0000","embed":{"embed_url":null}},"uid":"asha-bhosle-passes-away-at-92"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Dhurandhar‍‌‍‍‌‍‌‍‍‌'"},"content":{"text":"Dhurandhar hits the audience like a cyclone—untamed, persistent, and spectacularly dhamakedaar. Aditya Dhar's latest triumph is far from just a movie; it is a once-in-a-lifetime experience, a cinematic event of the year that completely breaks the clutter of Indian espionage thrillers. With Indian heart and international standard, Dhar weaves a story full of human touch, intricacy, and spark, reaffirming that he belongs among the very few directors capable of conceiving on a grand scale while still keeping the story deeply character-driven.  Drawing inspiration from the IC-814 hijacking and the 2001 Parliament attack, the film sets the stage on a historic backdrop without wasting a moment. Dhar then skillfully expands the narrative to show the political tremors that pushed the Indian intelligence system beyond its limits. Madhavan as IB Chief Ajay Sanyal is the rock on which the story stands. His portrayal, full of precision and gravitas, earns seeti maar reactions in every scene. The dialogues are crisp, the energy is infectious, and the immersion into this high-stakes world is so real that it grips from the first frame.  One of the most striking elements is the use of archival footage, including 9/11 and other terror attacks, interspersed with chilling audio of attackers plotting against India. These sequences evoke patriotism without jingoism, reminding the audience of the stakes while highlighting India’s strategic resilience. It’s a cinematic call to awareness and courage that makes the story even more gripping.  Ranveer Singh delivers arguably his career-best performance—raw, gritty, massy, and explosively powerful. Hamza is hurt, angry, unpredictable, yet inexplicably charming. The transformation from a rage-driven youth to a cold, calculated underworld operative is executed with staggering emotional finesse. Ranveer doesn’t just perform; he literally “blows up” the screen, particularly in the latter half, becoming almost synonymous with the storyline—a 10/10 hardcore action avatar.  The supporting cast matches this energy brilliantly. Akshaye Khanna, as Rehman Dakait, is eerie, sparkling, and dreadful—a mind-is-the-weapon villain whose expressions and timing make him unforgettable. Sanjay Dutt is pure cannon fire as SP Chaudhary Aslam, “The Jinn,” bringing raw toughness to every frame. Arjun Rampal’s Major Iqbal commands attention with his silent menace, while Sara Arjun impresses in her star-studded debut. Every actor is fully into their character, creating a dangerously immersive atmosphere.  The film’s pace is relentless, thanks to Aditya Dhar’s mastery over tempo. And crucially, despite its 214-minute runtime, the length never feels distracting. Every scene is deliberate, every beat perfect, making the infiltration plan genuinely nerve-wracking. The background music is another major highlight—the BGM keeps the energy flowing continuously, never letting the audience feel a dull moment. The soundtrack is one of the strongest pillars of the film, arguably the album of the year or even the decade, turning tension, discovery, and climax into cinematic thunder.  Violence is used sparingly—just three sequences are truly explicit, each dramatically justified. The real intensity comes from the emotional stakes, character development, and political intrigue. The first half showcases masterful world-building, with the interval delivering pure goosebumps and doubling audience excitement. Post-interval, conspiracies intertwine, political power shifts, and Hamza consolidates the mafia core through strategy, betrayal, and even a calculated marriage, setting up a perfect stage for the explosive Part Two coming Eid 2026.  Jyoti Deshpande, Lokesh Dhar, and Aditya Dhar, backed by B62 Studios and Jio Studios, leave no stone unturned in creating a universe that is vast, real, and cinematically rich. Their unwavering support for large sets, hard action, bold storytelling, and a stellar ensemble cast shines in every frame, elevating Indian genre cinema to new heights.  Dhurandhar is a genre-defining spectacle that combines ferocious execution, meticulous craft, and unforgettable impact. With Aditya Dhar’s finest direction and Ranveer Singh’s career-best performance, it makes a solid case for being one of the boldest, most compelling thrillers of the year. The game is set, the pieces are moving, and the wait for Part Two is fervent—completely justified by the high stakes, breathtaking performances, and mind-blowing storytelling.  Cast: Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others  Director/Writer: Aditya Dhar"},"img":{"url":"https://images.prismic.io/prad/aTK2Z3NYClf9n2ee_dhurandar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-12-05T08:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=BKOVzHcjEIo"}},"uid":"review-dhurandhar"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఆంధ్రాకింగ్‌ తాలూకా' రివ్యూ... ఫ్యాన్స్‌ మూవీ"},"content":{"text":"రామ్‌ వరుస విజయాలతో ఎనర్జిటిక్ స్టార్‌ ఇమేజ్‌ని సొంతం చేసుకుని కెరీర్‌ ఆరంభంలో అందరి దృష్టిని ఆకర్షించాడు. కానీ గత కొంత కాలంగా ఆయన పూర్తిగా గాడి తప్పినట్లుగా కనిపిస్తున్నాడు. ఏమాత్రం ఆకట్టుకోని కథ, కథనాలను, దర్శకులను ఎంపిక చేసుకోవడంతో ఆయనకు వరుస ఫ్లాప్‌లు తప్పలేదు. ఇస్మార్ట్‌ శంకర్ తర్వాత రామ్‌ ఒక మంచి హిట్‌ కోసం ఎదురు చూస్తున్నాడు. ఆ హిట్‌ ఈ సినిమాతో వచ్చిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ :  సూర్య(ఉపేంద్ర) తెలుగు సినిమా ఇండస్ట్రీలో స్టార్‌ హీరో. అభిమానులు ఆయన్ను ఆంధ్రా కింగ్‌ అనే బిరుదుతో పిలుచుకుంటూ ఉంటారు. వరుస విజయాలు దక్కించుకుంటూ వచ్చిన సూర్యకు వందవ సినిమాకు ముందు కెరీర్‌ పరంగా ఒడిదొడుకులు ఎదుర్కోవాల్సి వస్తుంది. వరుస ఫ్లాప్స్‌ పడటంతో సూర్య ను విమర్శించే వారు, తిట్టేవారు ఎక్కువ అవుతారు. ఆయన పనైపోయిందని విమర్శిస్తూ ఉంటారు. ఆ సమయంలో సూర్య 100వ సినిమాను మొదలు పెడతాడు.  సినిమాపై అంచనాలు లేకపోవడం, అసలు సూర్య సినిమాను ఎవరు చూస్తారు అని జనాలు అనుకుంటూ ఉండటంతో ఆ సినిమా ఆర్థిక సమస్యలు ఎదుర్కొంటుంది. సినిమా పూర్తి చేయడానికి రూ.3 కోట్లు అవసరం అవుతుంది. ఆ సమయంలో సూర్యను అమితంగా అభిమానించే సాగర్‌ (రామ్‌) ముందుకు వస్తాడు. తాను ఎంతో కష్టపడి సంపాదించిన ఆస్తిని అమ్మి, ఆ డబ్బును తన అభిమాన హీరో, ఆంధ్రాకింగ్‌ సూర్యకి చేరేలా చేస్తాడు.  తీవ్ర ఆర్థిక ఇబ్బందుల్లో ఉన్న సూర్య తన అకౌంట్‌లో పడ్డ రూ.3 కోట్లు చూసి షాక్‌ అవుతాడు. ఆ డబ్బును తన అభిమాని అయిన సాగర్‌ పంపించినట్లు తెలిసి షాక్‌ అవుతాడు. తన అభిమానిని కలుసుకునేందుకు సూర్య బయలుజేరుతాడు. ఆ క్రమంలో సాగర్‌ గురించి పలు విషయాలను సూర్య తెలుసుకుంటాడు. ఒక అభిమానిని స్టార్‌ హీరో ఎలా కలుసుకున్నాడు? ఆ తర్వాత ఏం జరిగింది? అనేది కథ. నటీనటుల నటన :  రామ్‌ మొత్తం బాధ్యత తన భుజాలపై వేసుకున్నాడు. ఎప్పటిలాగే ఈ సినిమాతో మరోసారి తన ఎనర్జిటిక్ పెర్ఫార్మెన్స్‌ను చూపించాడు. సాగర్‌ పాత్రకి రామ్‌ ఎంత వరకు చేయాలో అంతకు మించి చేసినట్లుగా అనిపించింది. ఒక పాత్రను చాలా నమ్మడం వల్లే రామ్‌ ఈ స్థాయిలో కష్టపడి ఉంటాడు అనిపించింది. అతడి లుక్‌, డైలాగ్‌ డెలివరీ, యాక్షన్‌ సీన్స్ లో ఆయన ప్రజెన్స్ ఇలా ప్రతి ఒక్క ఎలిమెంట్‌లోనూ రామ్‌ ఆకట్టుకున్నాడు. అందుకే అతడు ఒక ఫ్యాన్  గా సరిగ్గా సెట్‌ అయ్యి, సినిమాను మోశాడు. సూపర్‌ స్టార్‌గా నటించిన ఉపేంద్ర తన పాత్రకు న్యాయం చేశాడు. ఒక అభిమాని కోసం వెతుక్కుంటూ వెళ్తున్న సీన్స్ లో అతడి భావోద్వేగం కనిపించింది. సినిమా కోసం అతడు పడే తపన, అతడు పడే కష్టం తాలూక డిటైల్స్ ను ఉపేంద్ర చక్కగా చూపడం జరిగింది. హీరోయిన్‌గా నటించిన భాగ్యశ్రీ బోర్సేకి తన ప్రతిభ మొత్తం చూపించే అవకాశం దక్కలేదు. అయితే ఆమె ఉన్నంతలో అందంగా కనిపించడంతో పాటు, నటనతో ఆకట్టుకుంది. ఇతర నటీనటులు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ :  పాటల గురించి ప్రత్యేకంగా చర్చ జరిగింది. కొత్త సంగీత దర్శకులు కుమ్మేశారు అంటూ అంతా తెగ మాట్లాడారు. కానీ వారి నుంచి వచ్చిన సంగీతం కొత్తగా ఉంది కానీ ఆకట్టుకునే విధంగా మాత్రం లేదు. ఇలాంటి సినిమాలకు పాత సంగీత దర్శకులు అయితే న్యాయం చేసేవారు అనిపిస్తుంది. కాని రామ్‌ కి మాత్రం ఎందుకో వీరు నచ్చారు. ఆయన నిర్ణయం తప్పు అని తేలింది.  ఇక దర్శకుడు మహేష్‌ ఎంపిక చేసుకున్న కథ విషయంలో ఎలాంటి తప్పు లేదు. ముఖ్యంగా స్టోరీ లైన్ మంచి పాయింట్‌. కానీ దాన్ని మలచిన తీరు బాగాలేదు. ముఖ్యంగా స్క్రీన్‌ ప్లే విషయంలో సాగతీసినట్లుగా అనిపించింది. ఎడిటింగ్‌ కి ఇంకా చాలా స్కోప్ ఉంది. ఎందుకో చాలా సీన్స్‌ను అలాగే వదిలేశాడు. నిర్మాణాత్మక విలువలు బాగానే ఉన్నాయి. సినిమాటోగ్రాఫీ అప్పటి నేటివిటీకి దగ్గరగా ప్రేక్షకులను తీసుకు వెళ్లడంలో సక్సెస్ అయిందని చెప్పాలి.  విశ్లేషణ :  రామ్‌ దాదాపు ఏడాది  గ్యాప్ తీసుకుని, వందల కొద్ది కథలు విని, పదుల కొద్ది కథలు పక్కన పెట్టుకుని, చివరకు ఈ కథను ఎంపిక చేసుకున్నాడు అని ఆయన సన్నిహితులు అంటున్నారు. అయితే ఇలాంటి కథను ఆయన ఎలా ఒప్పుకున్నాడు అంటూ చాలా మంది ఆశ్చర్యం వ్యక్తం చేస్తున్నారు. స్టోరీ లైన్‌ బాగుంటే సరిపోతుందా, కథ, కథనం విషయంలో దీన్ని ఎంత వరకు ప్రేక్షకులకు ఆకట్టుకునే విధంగా తీసుకు రాగలరు అనే విషయంను ఆయన చూసుకోలేదు అనిపిస్తుంది.  రామ్‌ సాధారణంగానే ఎనర్జిటిక్‌ పెర్ఫార్మెన్స్‌ తో ఆకట్టుకుంటాడు. ఈ సినిమాలోనూ మరోసారి తన సత్తా చాటాడు. కానీ సినిమాలోని ఆయన పాత్ర ఉన్నంత పవర్‌ ఫుల్‌గా స్క్రీన్‌ ప్లే లేదు. గ్రామీన ప్రాంతంలో ఉండే ప్రేమ కథను చూపించే ప్రయత్నం చేశారు. ఆ కథను ఇంకాస్త ఎక్కువ చూపించినా బాగుండేది. హీరో, అభిమాని మధ్య ఉండే సీన్స్ చాలా తక్కువగా ఉన్నాయి. ప్రేక్షకులు ఆశించిన ఎలిమెంట్స్ ఈ సినిమాలో చాలా తక్కువగా ఉన్నాయి. అందుకే సినిమా రెగ్యులర్‌ ప్రేక్షకులను ఆకట్టుకోవడంలో విఫలం అవుతుంది. కానీ తమను తాము ఒక హీరోకు అభిమాని అని చెప్పుకునే వారికి మాత్రం తప్పకుండా ఈ సినిమా నచ్చుతుంది.  ప్లస్ పాయింట్స్ :  రామ్‌ నటన, స్టోరీలైన్‌, కొన్ని ఎమోషనల్‌ సీన్స్‌ మైనస్ పాయింట్స్ :  ఫస్ట్‌ హాఫ్‌ చాలా స్లోగా సాగింది స్క్రీన్‌ ప్లే, ప్రేమ కథ ఇంకాస్త ఉండాల్సింది. చివరగా... ఫ్యాన్‌గా ఆంధ్రాకింగ్‌ను ఆకట్టుకున్న సాగర్‌, ప్రేక్షకులను ఆకట్టుకోవడం కష్టమే. బ్యానర్ : మైత్రి మూవీ మేకర్స్‌ నిర్మాత : నవీన్‌ యెర్నేని, వై రవి శంకర్‌ దర్శకత్వం : మహేష్‌ బాబు పి సంగీతం : వివేక్‌-మెర్విన్‌ తారాగణం : రామ్‌ పోతినేని, భాగ్యశ్రీ బోర్సే, ఉపేంద్ర తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aSgr23NYClf9nheC_AKT1.JPG?auto=format,compress"},"datetime":"2025-11-27T08:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=oeY828c-AXo"}},"uid":"review-andhra-king-talooka---fans-movie"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'De De Pyaar De 2'"},"content":{"text":"It’s rare to find a film that makes you laugh, cry, and smile, all within the same heartbeat. De De Pyaar De 2 is that rare gem. The sequel not only lives up to the 2019 blockbuster but builds on it with heart, humour, and a story that feels deeply personal yet universally relatable. In a year full of thrillers and high-octane spectacles, De De Pyaar De 2 stands tall as the only true family entertainer of 2025. It’s a film about family — and one meant to be watched with family. Whether you’re a parent, a young adult, or a daughter who shares a special bond with her father, this one will speak to you in more ways than one. The film beautifully balances clap-and-whistle-worthy comedy with tear-jerking emotion, and even leaves you with a subtle but strong message about love, relationships, and what truly makes a man ‘man enough’ in today’s world. The protagonist Ajay Devgn is a delight, effortlessly switching between subtle humour and emotional restraint. His references to his own iconic films are a treat for fans and timed to perfection. It’s refreshing to see him return to a romantic-comedy space after a string of action-heavy roles. R. Madhavan, on the other hand, brings soul to the story. As a father navigating complex emotions, he’s a powerhouse of warmth and vulnerability. His scenes, especially with Ajay, are pure paisa vasool, seamlessly blending humour with heartfelt depth. Leading lady Rakul Preet Singh delivers her best performance yet, charming, confident, and absolutely radiant on screen. While Jaaved Jaffery leaves you rolling on the floor laughing everytime he comes on the screen, Meezaan’s entry in the second half is impactful; he looks effortlessly dashing and leaves a strong impression in a limited screen time. The supporting ensemble — Gautami, Ishita, and Suhasini Mulay, bring natural warmth and depth, rounding out the film’s emotional universe beautifully. Director Anshul Sharma infuses De De Pyaar De 2 with heart, humor, and a sense of effortless storytelling. His vision shines through every frame bringing together a powerhouse cast and allowing each performer to leave a lasting mark. Sharma orchestrates the film’s emotional beats and comic timing with remarkable finesse, blending warmth and wit in equal measure. With this film, he not only celebrates relationships and generations but also cements his place as a filmmaker who knows how to entertain while keeping the emotions genuine and grounded. Unlike many sequels that exist just to cash in on a franchise name, De De Pyaar De 2 feels like an organic continuation of the first. The callbacks are smart, not forced, and the story flows with sincerity and purpose. And just when you think you’ve seen it all, the last 20–30 minutes hit you with one of the most emotionally satisfying climaxes seen in recent times, an absolute rollercoaster of emotions that will leave you walking out with a full heart and a huge smile. De De Pyaar De 2 is the ultimate big-screen entertainer, funny, emotional, meaningful, and refreshingly vulnerable. It proves that films about family, love, and connection can still move audiences when told with honesty and heart. Director: Anshul Sharma,  Cast: Ajay Devgn, R. Madhavan, Rakul Preet Singh, Jaaved Jaaferi, Meezaan, Gautami Kapoor, Ishita Dutta and others "},"img":{"url":"https://images.prismic.io/prad/aRb8GLpReVYa4eVc_dedepyaarde2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-11-14T04:53:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=59aIp7SfIIk"}},"uid":"review-de-de-pyaar-de-2"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: ‘Jatadhara’ - A spiritual thriller unfolds"},"content":{"text":"Zee Studios and Prerna Arora produced Jatadhara represents an ambitious and compelling effort by directors Venkat Kalyan and Abhishek Jaiswal as they create a supernatural mythological thriller, one that dares bridge the gap between science, faith, and mysticism of old. Against the mysterious backdrop of the Anantha Padmanabha Swamy Temple and its treasures hidden within, the film is imbued with original Tantric rituals and chants enacted during filming-a rare thing in mainstream Indian cinema. The sense of dread and divinity pervades right from the first frame. The haunting visuals, the rhythmic chants, and symbolic imagery set off into a world where reality blends with the surreal. Credit goes to the two directors for knowing how to handle such a dense mythological theme with reverence and cinematic flair. Sudheer Babu plays Shiva, a skeptical ghost hunter whose journey from disbelief to spiritual awakening forms the emotional core of the story. His rugged screen presence, restrained intensity, and emotional range make this one of his most nuanced performances to date. The sequences where he confronts unseen forces — armed with both scientific logic and ritualistic tools — are genuinely gripping. Sonakshi Sinha, all set to mesmerize the Telugu audience for the first time, is just outstanding as Dhana Pisaachi, a vengeful spirit bound by greed and sorrow. With her commanding expressions, piercing gaze, and haunting poise, Sonakshi brings terror and tragedy on the screen. Her transformation into the demonic goddess is one of the talking points of the film and quite rightly so-she owns each frame. Divya Khossla carries grace throughout her role as Sitara, while Shilpa Shirodkar and Indira Krishna add depth and dignity to their key roles. The ensemble cast — Rajeev Kanakala, Ravi Prakash, and Subhalekha Sudhakar included — come together to add value to the narrative with realistic, down-to-earth performances. Written by Venkat Kalyan, the screenplay of Jatadhara weaves ancient lore with modern skepticism. The premise of the story-a forbidden ritual called Pisacha Bandhanam that ties spirits to guard lost treasures-is both fascinating and frightening. Kalyan ensures that every plot twist is rooted in belief systems familiar to Indian audiences, yet he approaches them with a contemporary lens. The dialogues by Sai Krishna Karne and Shyam Babu Meriga are sharp, spiritual, and thought-provoking. Lines like \"Faith is not what you see -- it's what you dare to feel\" stay with one long after the credits roll. They strike an even balance between philosophical weight and emotional immediacy to give the film a scriptural and cinematic hue at once. The biggest strength of Jatadhara is Sameer Kalyani's cinematography. The chiaroscuro lighting, the intricate interior of the temple, and aerial sweeps of the Kerala landscape infuse an otherworldly beauty upon this dark narrative. Every sequence of this ritual is framed like a painting-flickering lamps, swirling smoke, chanting shadows-pulling you into a hypnotic trance. The special effects should be applauded for delivering realistic supernatural imagery without excess. The scenes of Dhanapisachini’s manifestation are at once terrifying and beautiful, enhanced by practical effects that feel real and organic. The sound design amplifies the eeriness: low rumbles, faraway chants, and sudden silences are used to great effect to raise the tension. Composer Rajiv Raj manages an evocative score that fuses classical ragas with electronic undercurrents. His background music, particularly during the climactic confrontation, keeps the pulse racing. Despite the film's dark theme, music, and movement have been found in Jatadhara. “Shiva Stotram” and “Pallo Latke Again stand apart for their energy and depth. As the choreographer, Sandeep melds ritualistic movements with cinematic choreography, especially in the temple dance sequence featuring Divya Khossla, which radiates both devotion and intensity. The stunt choreography seamlessly integrates physical combat with supernatural powers, creating a dynamic action language that feels fresh. Sudheer Babu's ghost-hunting sequence, weapon combat scenes, and the final blood-drinking transformation sequence are all done with precision and conviction. The mix of martial arts and mystical symbolism makes these moments unforgettable. Jatadhara is a bold visual experiment in the form of a supernatural mythological thriller that refuses to play safe. It sincerely pursues faith versus reason, science versus ritual, and human will versus divine wrath with amazing scale. The outstanding visual brilliance of the film matches the strong performances and authentic spiritual texture. Co-directed by Venkat Kalyan and Abhishek Jaiswal, Jatadhara manages a fine balance between commercial spectacle and artistic expression. The result is that Jatadhara does what few films attempt; it turns mythology into a breathing, living cinematic experience, with its entrancing images, haunting music, and soulful performances that both thrill and leave one thoughtful. Director: Venkat Kalyan And Abhishek Jaiswal Starring : Sudheer Babu, Sonakshi Sinha, Divya Khossla, Shilpa Shirodkar, Indira Krishna, Rajeev Kanakala, Ravi Prakash, Rohit Pathak, Jhansi, Subhalekha Sudhakar"},"img":{"url":"https://images.prismic.io/prad/aQx6sbpReVYa4H3__jathadara.JPG?auto=format,compress"},"datetime":"2025-11-06T09:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=NcZNCaE4qEM"}},"uid":"review-jatadhara---a-spiritual-thriller-unfolds"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మాస్‌ జాతర' రివ్యూ... రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైనర్‌"},"content":{"text":"రవితేజ ఏదైనా సినిమా ప్రారంభిస్తే ఆరు నెలల్లోనే పూర్తి చేసి ప్రేక్షకుల ముందుకు తీసుకు రావడం మనం చూస్తూ ఉంటాం. కానీ ఈ సినిమా అనేక కారణాల వల్ల చాలా ఆలస్యం అయింది. ఈ ఏడాది సంక్రాంతికి రావాల్సిన సినిమా ఏడాది చివర్లో దీపావళి అయిన తర్వాత ప్రేక్షకుల ముందుకు వచ్చింది. సితార ఎంటర్‌టైన్‌మెంట్స్ బ్యానర్‌లో రూపొందిన సినిమా కావడంతో పాజిటివ్‌ బజ్ క్రియేట్‌ అయింది, అంతే కాకుండా రవితేజ ఈ సినిమాపై చాలా అంచనాలు పెంచే విధంగా ప్రచారం చేశాడు. మరి ఈ సినిమా ఎలా ఉంది అనేది ఈ రివ్యూలో చూద్దాం.  కథ : రైల్వే ఎస్‌ఐ అయిన లక్ష్మణ్‌(రవితేజ) ఎక్కడ ఉంటే అక్కడ రైల్వే విధులు మాత్రమే కాకుండా అన్ని రకాల కేసులను పరిస్కరిస్తూ ఉంటాడు. అలాంటి లక్ష్మణ్‌కి డ్రగ్స్‌ ఇష్టానుసారంగా పండిస్తూ, అదే జీవనాధారంగా జనాలు జీవిస్తున్న ఒక ప్రాంతంకు ట్రాన్స్‌ఫర్‌ అవుతుంది. అక్కడ శివుడు(నవీన్ చంద్ర) బలవంతంగా రైతులతో గంజాయి సాగు చేయిస్తూ దాన్ని కోల్‌కత్తాకు ట్రాన్స్‌పోర్ట్‌ చేస్తూ ఉంటాడు. శివుడు గంజాయి వ్యాపారంను నాశనం చేసేందుకు లక్ష్మణ్‌ సిద్దం అవుతాడు. శివుడు పెద్ద మొత్తంలో గంజాయిని కోల్‌కత్తా తరలించేందుకు సిద్ధం అయిన సమయంలో లక్ష్మణ్‌ దాన్ని దాచేస్తాడు. ఆ సరుకు కోసం శివుడు పిచ్చెక్కి పోతాడు. ఇద్దరి మధ్య పెద్ద యుద్దమే జరుగుతుంది. చివరకు ఏం జరిగింది అనేది సినిమా కథ.  నటీనటులు : రవితేజ ఎనర్జీ ఏమాత్రం తగ్గలేదు. అయితే ఆయన లుక్‌ విషయంలో మాత్రం కాస్త వయసు ఎక్కువ అయినట్లుగా అనిపించింది. వింటేజ్ రవితేజను చూస్తారు అంటూ పబ్లిసిటీ సమయంలో మేకర్స్ చెప్పారు. కానీ వింటేజ్ సీన్స్ పెద్దగా ఏమీ లేవు. ఒకటి రెండు నిమిషాలకే పరిమితం చేశారు. యాక్షన్‌ సీన్స్‌లో రవితేజ ఎనర్జీ కనిపించింది. అయితే డాన్స్‌ ల్లో శ్రీలీల ముందు రవితేజ ఆశించిన స్థాయిలో మెప్పించలేక పోయాడు అని చెప్పుకోక తప్పదు. ఓవరాల్‌గా మాస్‌ మహారాజా రవితేజ మాస్‌ జాతర తన భుజాలపై వేసుకుని నడిపించే ప్రయత్నం చేశాడు.  శ్రీలీల పాత్రకు పెద్దగా ప్రాధాన్యత లేదు. ఫస్ట్‌ హాఫ్‌ లో కొంత సమయం కనిపించినా, సెకండ్‌ హాఫ్‌ లో కొన్ని నిమిషాలు మాత్రమే ఆమె కనిపించింది. పాటలకు మాత్రమే పరిమితం అయిన పాత్ర అనిపించింది. ఉన్నంతలో మెప్పించింది. డాన్స్‌ల్లో తన ప్రతిభతో ఆకట్టుకుంది. రాజేంద్ర ప్రసాద్‌ తన పాత్రకు పూర్తి న్యాయం చేశాడు. హైపర్ ఆది తన రొటీన్‌ పంచ్‌ డైలాగ్స్ తో పర్వాలేదు అనిపించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి వారి పాత్రల్లో పర్వాలేదు అనిపించారు.  టెక్నికల్‌: దర్శకుడు భాను కథ విషయంలో ఇంకాస్త వర్కౌట్‌ చేస్తే బాగుండేది. రైల్వే పోలీస్‌ అనే లైన్‌ బాగానే ఉంది, కానీ గంజాయి చుట్టూ సాగే కథలు చాలానే ఉన్నాయి. ఇంకాస్త విభిన్నంగా కథను రాసుకుని ఉంటే బాగుండేది. కనీసం స్క్రీన్‌ప్లేతో అయినా మ్యాజిక్ చేసి ఉంటే బాగుండేది. డైలాగ్స్ కొన్ని యాప్ట్‌ కాలేదు. భీమ్స్ అందించిన పాటలు ఒకటి రెండు వింటూ ఉంటే బాగానే ఉన్నాయి. కానీ స్క్రీన్‌ ప్లే కు బ్రేక్‌లు వేసినట్లుగా అనిపించాయి.  ముఖ్యంగా సెకండ్‌ హాఫ్‌ లో వచ్చే పాటల ప్లేస్‌మెంట్‌ ఏమాత్రం సెట్‌ కాలేదు. అయితే బ్యాక్ గ్రౌండ్‌ స్కోర్‌ తో రవితేజ ఫ్యాన్స్‌కి, ఆయన ఎలివేషన్ సీన్స్‌ కి మంచి హైప్‌ వచ్చే విధంగా భీమ్స్ చేశాడు. సినిమాటోగ్రఫీ బాగుంది. ముఖ్యంగా యాక్షన్‌ సీన్స్ లో సినిమాటోగ్రఫీకి మంచి మార్కులు పడుతాయి. యాక్షన్ సీన్స్ నేచురాలిటీకి దగ్గరగా ఉండే విధంగా ప్లాన్‌ చేశారు. నిర్మాణాత్మక విలువలు బాగున్నాయి. ఎడిటింగ్‌లో జర్క్‌ లు ఉన్నాయి. కాస్త క్రిస్పీగా ఉండాల్సింది.  విశ్లేషణ : రవితేజ సినిమా అనగానే మాస్ ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకులు ఆసక్తిగా అప్పట్లో ఎదురు చూసేవారు. కానీ ఇప్పుడు రవితేజ గత చిత్రాల ఫలితాల నేపథ్యంలో ఈసారి అయినా రవితేజ హిట్‌ కొట్టేనా అని నీరసంగా, నిరుత్సాహంగా ఎదురు చూస్తున్న వారు ఉన్నారు. అయినా కూడా రవితేజలో ఎనర్జీ మాత్రం తగ్గలేదు. తన సినిమాల ఫలితంతో సబంధం లేదు అన్నట్లుగా వరుస సినిమాలు చేసుకుంటూ వెళ్తున్నాడు.  సితార వారి బ్యానర్ నుంచి సినిమా వస్తుంది అంటే మినిమం గ్యారెంటీ అనే నమ్మకం ఉండేది. అది కూడా ఈ మధ్య కాలంలో మెల్ల మెల్లగా పోతుంది. ఇలాంటి సమయంలో వచ్చిన మాస్‌ జాతర రవితేజ స్టార్‌డంను నిలబెట్టేనా, సితార వారి పరువు నిలుపుతుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. కానీ ఈ సినిమా పూర్తి స్థాయిలో ఆ పని చేయలేదు అని చెప్పక తప్పదు. రవితేజ మార్క్‌ ఎంటర్‌టైన్‌మెంట్‌తో ఫస్ట్‌ హాఫ్‌ సాఫీగా సాగింది. కానీ సెకండ్‌ హాఫ్‌ విషయంలో తీవ్రంగా నిరాశ పరిచాడు. ఒకటి రెండు యాక్షన్ సీన్స్‌ తప్ప సెకండ్‌ హాఫ్‌ లో చెప్పుకోవడానికి ఏమీ లేవు.  కథలో ట్విస్ట్‌లు లేవు, స్క్రీన్‌ ప్లే మొత్తం ముందే ఊహించేదిగా ఉంది. ఎక్కడా ఆసక్తికరంగా స్క్రీన్‌ ప్లే సాగిందే లేదు. ఆది కామెడీతో నవ్వించే ప్రయత్నం చేశారు. కానీ అది వర్కౌట్‌ కాలేదు. మొత్తంగా మాస్ జాతర ఆకట్టుకోలేక పోయిన యాక్షన్‌ జాతర.  ప్లస్‌ పాయింట్స్‌ : రవితేజ, ఫస్ట్‌ హాఫ్‌ కొన్ని సీన్స్‌.  మైనస్ పాయింట్స్ : కథ, కథనం, రొటీన్‌ కామెడీ, యాక్షన్‌, పాటల ప్లేస్‌మెంట్‌, రొటీన్‌ క్లైమాక్స్‌.  చివరగా... వింటేజ్‌ రవితేజను చూపిస్తారనుకుంటే రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైన్మెంట్‌ను చూపించాడు.  బ్యానర్ : సితార ఎంటర్‌టైన్‌మెంట్స్‌  నిర్మాత : నాగవంశీ  దర్శకత్వం : భాను భోగవరపు  సంగీతం : భీమ్స్‌ సిసిరోలియో  తారాగణం : రవితేజ, శ్రీలీల, నవీన్‌ చంద్ర, రాజేంద్ర ప్రసాద్‌, నరేష్‌, హైపర్‌ ఆది తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aQThSLpReVYa35Yx_massjathara.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-31T19:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Qm-wNxOcEL4"}},"uid":"mass-jathara-review-routine-action-entertainer"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: Thamma - A fiery blockbuster ride!"},"content":{"text":"Thamma is big-screen fun at its purest — a daring mix of folklore, family, fantasy, and fanfare of a full-blown franchise. With this new movie in the Maddock horror-verse, director Aditya Sarpotdar is taking Indian genre cinema to a whole new level. It’s all sorts of strange, clever, and wildly creative — yet, very relatable. While Stree was scary and subversive and Bhediya went into the wilds, Thamma conquers the territory by merging horror with love and, thus, leaving a cinematic experience that is totally different.  The story revolves around the forest of myths where the past is still alive and the ancient guardians are awakening. Not Thamma by any means, but it still manages to conjure up a bizarre fantasy universe complete with its own laws, curses, and consequences. Compared to other supernatural thrillers, this one is basically an emotional comedy with a dose of humor and the human instinct to save those whom we love even if it costs our lives. It doesn’t become scary but rather keeps its faith. The movie is funny but not farcical. It is also emotional without being overly dramatic.  One of the main characters is journalist protagonist Khurrana from a small town. His incidental supernatural experience leads to a series of events that is not in his capacity to grasp the enormity of it. In the first half, he is simply lovable and relatable but later on he becomes quite intense. Mandanna delivers an emotional performance that is also very down-to-earth. She has the fire as well as the delicate side of her nature and does not go for the usual stereotypical trope of horror comedy being over-the-top.  The continuing part is just an explosive work of art — it features fight, change of characters, and a breathtaking fight between Alok and Bhediya (Varun Dhawan). Special effects are of great quality and the confrontation between these two forces is signaling their underlying relationship which will definitely influence this cinematic universe storyline in the future. Such a moment of grandeur is the kind of moment in which you wish to applaud in a jam-packed hall, and subsequently, you are left with more questions than answers. How are these two characters related? I promise; the answer will be beyond your imagination.  On the subject of universe-building, the movie is full of Easter eggs and a few character recalls, but one highlights: the comeback of Sar Kata, the frightening character from Stree, who ominously appears, signaling the massive danger that lies ahead for the Maddock horror-verse. To be honest, the connection between Stree 2 and Thamma is quite strong, and by the time you get to the end, it’s only evident that it’s something huge that is on its way. The seeds of a mega-crossover have been dropped.  The acting, in general, is great. Paresh Rawal offers a great comic relief performance as the sarcastic and sharp-witted father while Nawazuddin Siddiqui dominates the movie with his intense and dark presence. The upward movement of his character feels like the dawn of something bigger and maybe a major factor in the future war of good vs. evil in this ever-expanding universe.  Following that is the comeback of Sathyaraj as Elvis, the idiosyncratic paranormal expert who got the nickname Hand of God. However, this time, he is not only here for the laughs — his arrival subtly changes the bigger picture. In a significant moment, Elvis points to a vital connection between Alok’s freshly changed Betaal and Bhediya, the one who was last seen grappling with Sar Kata in Stree 2. It’s a clever, low-key link that signals the coming events and the Maddock universe fans will instantly get the excitement of the bigger plot unfolding.  Moreover, the talked-about Nora Fatehi cameo is not only a glam reel but also an addition to the lore. Her unveiling provides a wonderful emotional connection to Stree and is a massive high point for long-time fans of the universe. Being a kind of fan service, it rewards attention and gives a totally different perspective to everything that we thought we knew about this world. Is she the one who opens the door to its secrets or something else?  Before the release, the buzz was mostly about item numbers and flashy visuals. However, Thamma, turn, defies the expectation. In the typical Maddock manner, every song in this movie has its function-character revelation, story advancement, or myth deepening. There are no unnecessary diversions, no hollow spectacles, only the narrative-driven songs that keep the emotional part of the story going. It is a very important revamp of the Bollywood horror formula and the result is great.  Director: Aditya Sarpotdar,  Cast: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Paresh Rawal, Sathyaraj, Fasial Malik, Geeta Aggarwal, Rachit Singh and others"},"img":{"url":"https://images.prismic.io/prad/aPddOLpReVYa3gmP_thamma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-21T05:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Mod_oXpftJA"}},"uid":"review-thamma---a-fiery-blockbuster-ride"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'తెలుసు కదా' రివ్యూ... ఎమోషనల్‌ ఎంటర్‌టైన్‌మెంట్‌"},"content":{"text":"డీజే టిల్లు సినిమా తర్వాత స్టార్‌ బాయ్‌గా ఒక్కసారిగా లైమ్‌ లైట్‌లోకి వచ్చిన సిద్దు జొన్నలగడ్డ ఆ తర్వాత బ్యాక్ టు బ్యాక్‌ సినిమాలతో ప్రేక్షకుల ముందుకు వచ్చాడు. టిల్లు స్క్వేర్‌ ఆకట్టుకుంది, కానీ ఇటీవల వచ్చిన జాక్ సినిమా మాత్రం నిరాశ పరిచింది. దాంతో సిద్దు తదుపరి సినిమా విషయంలో ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకుల్లో అంచనాలు ఉన్నాయి. విభిన్నమైన కాన్సెప్ట్‌తో తెలుసు కదా రూపొందినట్లు టీజర్‌, ట్రైలర్‌, ప్రమోషనల్‌ స్టఫ్‌ ను చూస్తే అర్థం అవుతుంది. ముఖ్యంగా ట్రైలర్‌ చూసిన తర్వాత కాస్త బోల్డ్‌ కంటెంట్‌ అనే అభిప్రాయం ఏర్పడింది. మరి సినిమా ఎలా ఉంది? సిద్దుకి మరో విజయం దక్కిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : అనాథ అయిన వరుణ్‌ (సిద్దు జొన్నలగడ్డ) తనకంటూ ఒక ఫ్యామిలీ ఉండాలి, పిల్లలు ఉండాలని కలలు కంటూ ఉంటాడు. చాలా నిజాయితీగా ఉంటూ రాగ కుమార్‌(శ్రీనిధి శెట్టి)ని ప్రాణంగా ప్రేమిస్తాడు. కానీ ఆమె బ్రేకప్‌ చేసి వెళ్లి పోవడంతో పెళ్లి చేసుకుని ఫ్యామిలీ ఏర్పాటు చేసుకోవాలి నిర్ణయించుకుంటాడు. మ్యాట్రిమోనీ ద్వారా అంజలి శర్మ(రాశి ఖన్నా) తో వరుణ్‌ కి పరిచయం అవుతుంది. ఆ పరిచయం ప్రేమగా మారి, పెళ్లి చేసుకుంటారు.  వరుణ్‌, అంజలి పెళ్లి చేసుకున్న తర్వాత చాలా పెద్ద షాకింగ్‌ విషయం తెలుస్తుంది, ఆ వెంటనే బ్రేకప్‌ చెప్పి వెళ్లి పోయిన రాగ సైతం వరుణ్‌ జీవితంలోకి వచ్చేందుకు రెడీ అవుతుంది.  అప్పుడు వరుణ్‌ ఏం చేశాడు? ఇంతకు పెళ్లి తర్వాత వరుణ్‌, అంజలికి తెలిసిన షాకింగ్‌ విషయం ఏంటి? ఈ ట్రయాంగిల్‌ స్టోరీ చివరకు ఏమైంది? అనేది సినిమా చూసి తెలుసుకోండి.  నటీనటుల నటన : ఎప్పటిలాగే సిద్దు జొన్నలగడ్డ మొత్తం బాధ్యత తన భుజాల మీద వేసుకుని సినిమాను మోసుకు వెళ్లాడు. ఆయన డైలాగ్‌ డెలివరి, ఎమోషనల్‌ సీన్స్‌, సెంటిమెంట్‌ సీన్స్‌, రొమాంటిక్ సీన్స్ ఇలా ప్రతి ఒక్కదాంట్లోనూ ఆకట్టుకున్నాడు. హీరోయిన్స్‌తో ఆయన చేసిన సన్నివేశాల్లో హీరోయిన్స్‌ ను కంటే ఆయన్ను చూడాలి అనిపించే విధంగా ఉంది. మొత్తంగా సిద్దు జొన్నలగడ్డ తెలుసు కదా బాధ్యత మొత్తం తీసుకుని సక్సెస్‌ అయ్యాడు. ఆయన డైలాగ్‌ డెలివరీ గతంతో పోల్చితే కాస్త మాస్‌ ఎలిమెంట్స్ తగ్గిందని చెప్పాలి. అయినా కూడా బాగుంది. సిద్దు లుక్ పరంగానూ ఆకట్టుకున్నాడు.  హీరోయిన్‌ శ్రీనిధి శెట్టి లుక్స్‌ పరంగా ఆకట్టుకుంది. యాక్టింగ్‌తోనూ మెప్పించింది. లవ్‌ సీన్స్‌తో పాటు, కొన్ని సెంటిమెంట్‌ సీన్స్‌లో శ్రీనిధి ఆకట్టుకుంది. సిద్దుకు సరైన జోడీ అన్నట్లుగా నటించింది. రొమాంటిక్ సీన్స్ విషయంలో కాస్త ఇబ్బంది పడ్డట్లుగా అనిపించినా ఓవరాల్‌గా తన పాత్రకు న్యాయం చేసింది. హీరోయిన్‌ రాశి ఖన్నా సైతం తన పాత్రకు న్యాయం చేసింది. సిద్దు ను వివాహం చేసుకున్న తర్వాత కొన్ని షాకింగ్ సంఘటనలు ఎదుర్కోవాల్సి వస్తుంది. ఆ సమయంలో ఆమె నటన బాగుంది. చాలా సహజంగా ఆ సీన్స్‌లో ఎమోషన్‌ పండించింది. ఓవరాల్‌గా రాశి ఖన్నా సైతం అంజలి పాత్రకు ప్రాణం పోసినట్లుగా నటించి మెప్పించింది. ఇక వైవా హర్ష కామెడీ ఇంకాస్త మెరుగ్గా ఉండాల్సింది. తనకు వచ్చిన అవకాశంను సద్వినియోగం చేసుకున్నాడు.  టెక్నికల్‌ : ఈ సినిమాకి సంగీతాన్ని అందించిన తమన్‌ పూర్తి స్థాయిలో సంతృప్తి పరిచాడు. రెండు పాటలు చాలా బాగున్నాయి. సినిమా విడుదలకు ముందే అవి మంచి విజయాన్ని సొంతం చేసుకున్న విషయం తెల్సిందే. సినిమాలో ఆ పాటలు చాలా బాగున్నాయి. ఇక బ్యాక్‌ గ్రౌండ్‌ స్కోర్‌తోనూ సినిమా స్థాయిని పెంచాడు. ఓవరాల్‌గా తమన్‌ అందించిన సంగీతం తెలుసు కదా కి ప్రధాన ఆకర్షణగా నిలిచింది అనడంలో సందేహం లేదు.  సినిమాటోగ్రఫీ బాగుంది. సినిమాను గ్రాండ్‌ గా చూపించడంలో సినిమాటోగ్రఫీ పని చేసింది. దర్శకురాలు నీరజ కోన స్క్రీన్‌ ప్లే విషయంలో ఇంకాస్త వినోదాన్ని జోడించి ఉంటే బాగుండేది. సినిమా సీరియస్ నోడ్‌ లో సాగినట్లు అనిపిస్తుంది. ఎడిటింగ్‌లో చిన్న చిన్న లోపాలు మినహా అంతా బాగానే ఉంది. ఆకట్టుకునే విధంగా డైలాగ్స్ ఉన్నాయి. నిర్మాణాత్మక విలువలు బాగున్నాయి. సినిమాలో ఉన్న ప్రతి నటీనటుడు ఔట్‌ ఫిట్‌ పాత్రకు తగ్గట్లుగా బాగున్నాయి.  విశ్లేషణ : స్టార్‌ బాయ్‌ సిద్దు జొన్నలగడ్డ మరోసారి తన నటనతో మెప్పించాడు. కేవలం తాను మాత్రమే చేయగలను అన్నట్లుగా వరుణ్ పాత్రలో నటించి మెప్పించాడు. సినిమా ప్రారంభం అయినప్పటి నుంచి చివరి వరకు పాత్ర నుంచి బయటకు రాకుండా ఆకట్టుకున్నాడు. ట్రైలర్‌ చూసిన సమయంలో వరుణ్‌ పాత్ర అంటే సిద్దు జొన్నలగడ్డను నెగటివ్‌ షేడ్స్‌ లో చూస్తామా అనిపించింది.  కానీ సినిమాలో ఆయన పాత్ర ప్రతి కుర్రాడికి కనెక్ట్‌ అయ్యే విధంగా ఉంది. మంచి ఎమోషనల్‌ సీన్స్ ఉన్నాయి, అయితే ఎంటర్‌టైన్‌మెంట్‌, రెగ్యులర్‌ మాస్‌ ఎలిమెంట్స్‌, యాక్షన్‌ సీన్స్ కోరుకున్న వారు మాత్రం కాస్త నిరుత్సాహం వ్యక్తం చేస్తారు. పక్కా కమర్షియల్‌ మూవీ అన్నట్లుగా లేదు. ఎమోషనల్‌ లవ్‌ కమ్‌ రొమాంటిక్ సీన్స్‌ లో సినిమా సాగింది. అందుకే సినిమా స్లోగా సాగింది అనిపిస్తుంది. ఓవరాల్‌గా సినిమా చూడదగ్గట్లుగా ఉంది.  ప్లస్ పాయింట్స్ : సిద్దు జొన్నలగడ్డ, తమన్ సంగీతం, కొన్ని లవ్‌, రొమాంటిక్ సీన్స్‌  మైనస్ పాయింట్స్ : సెకండ్‌ హాఫ్‌ లో స్లో కథనం, రెగ్యులర్‌ కమర్షియల్‌ ఎలిమెంట్స్ లేకపోవడం, మెయిన్‌ లీడ్‌ కాకుండా ఇతర నటీనటులకు ప్రాధాన్యత లేదు  చివరగా.. ఈతరం యూత్‌ ఇష్టపడే రోమ్‌కామ్‌ మూవీ ఇది. జస్ట్‌ టైం పాస్‌కి చూడాలి అనుకుంటే తప్పకుండా వెళ్లవచ్చు.  బ్యానర్ : పీపుల్స్ మీడియా ఫ్యాక్టరీ  నిర్మాత : టీజీ విశ్వప్రసాద్‌, కృతి ప్రసాద్‌  దర్శకత్వం : నీరజ కోన  సంగీతం : తమన్‌  తారాగణం : సిద్దు జొన్నలగడ్డ, రాశి ఖన్నా, శ్రీనిధి శెట్టి, వైవా హర్ష తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aPIUlZ5xUNkB2FbH_TK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-17T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=clB21Xnu_SU"}},"uid":"review-telusu-kada---emotional-entertainment"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మిత్ర మండలి' రివ్యూ - నవ్వించలేక పోయిన కామెడీ"},"content":{"text":"ఈ మధ్య కాలంలో చిన్న సినిమాలకు మంచి స్పందన లభిస్తుంది, ఆ సినిమాల్లో కామెడీ ఉంటే ప్రేక్షకులు బ్రహ్మరథం పడుతున్నారు. అందుకే మిత్ర మండలి సినిమా గురించి మొదటి నుంచి ప్రముఖంగా చర్చ జరుగుతోంది. ముఖ్యంగా ఈ సినిమాను బన్నీ వాసు సమర్పించేందుకు ముందుకు రావడంతో ఖచ్చితంగా కంటెంట్‌ ఉన్న సినిమా అనే అభిప్రాయం వ్యక్తం అయింది. కనుక సినిమా చూడాలని చాలా మంది అనుకున్నారు. మరి సినిమా ఆ స్థాయిలో ఉందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : కులం అంటే ప్రాణం ఇవ్వడానికి అయినా, తీయడానికి అయినా రెడీ అన్నంతగా కుల పిచ్చి ఉన్న నారాయణ (వీటీవీ గణేష్‌) కూతురు స్వేఛ్చ (నిహారిక) ఇంటి నుంచి పారిపోతుంది. కులంలో పరువు పోతుందని, రాజకీయ జీవితం దెబ్బ తింటుందనే ఉద్దేశంతో కూతురు బయటకు వెళ్లిన విషయం రహస్యంగా ఉంచుతాడు. అయితే తన కూతురు వెతకడానికి ఎస్సై సాగర్‌(వెన్నెల కిషోర్‌) కి పని అప్పజెప్పుతాడు. అతడు స్వేచ్చ పారిపోవడానికి నలుగురు కుర్రాళ్లు కారణం అని అనుమానిస్తాడు.  ఆ నలుగురు కుర్రాళ్లు స్వేచ్చ వల్ల ఎలాంటి ఇబ్బందులు ఎదుర్కొన్నారు అనేది ఈ సినిమా కథ. ఇంతకు స్వేచ్చ ఎటు వెళ్లి పోయింది? చివరకు ఏమైంది? అనేది సినిమా చూసి తెలుసుకోవాల్సిందే.  నటీనటుల నటన : ఈ సినిమాలో నటీనటులు చాలా మందే ఉన్నారు. వీటీవీ గణేష్‌ తన నటనతో నవ్వు తెప్పించే ప్రయత్నం చేశాడు. వెన్నెల కిషోర్‌ తనదైన శైలిలో కామెడీ పండించే ప్రయత్నం చేశారు. కానీ ఆయనది ఇందులో ఓవర్‌ యాక్షన్‌ అనిపించింది. వెన్నెల కిషోర్‌ పాత్ర పెద్దగా ఆకట్టుకోలేదు.  ప్రియదర్శి పాత్ర మెయిన్‌ లీడ్‌లా అనిపించినా కథలో ఆయన ప్రాధాన్యత అంతగా లేదనే చెప్పాలి. ఇంతకు ముందు ఆయన చేసిన సినిమాలతో పోల్చితే ఈ సినిమాలో ఆయన పాత్ర నిరాశను కలిగించింది. పాత్రకు తగ్గట్లుగా నటించాడు.  నిహారిక ఎన్‌ ఎం ఈ సినిమాలో కీలకంగా ఉంది. అయితే ఆమె నటన నేచురాలిటీకి దూరంగా ఉంది అనిపించింది. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ : ఆర్‌ ఆర్ ధ్రువన్‌ అందించిన బ్యాక్ గ్రౌండ్‌ స్కోర్‌ ఏమాత్రం ఆకట్టుకోలేదు. ఒక పాట పర్వాలేదు, కొన్ని సీన్స్‌ లో బ్యాక్ గ్రౌండ్‌ స్కోర్‌ పేలవంగా ఉండటంతో బోర్‌ అనిపించింది. సినిమాటోగ్రఫీ పర్వాలేదు అన్నట్లుగా ఉంది. కొన్ని సీన్స్‌ సాగతీసినట్లుగా ఉన్నాయి. ఎడిటింగ్‌ విషయంలో చాలా లోపాలు ఉన్నాయి.  దర్శకుడు కథను కామెడీగా చెప్పే ప్రయత్నం చేశాడు. కానీ కామెడీ పండించడంలో విఫలం అయ్యాడు. నిర్మాణాత్మక విలువలు పర్వాలేదు అన్నట్లుగా ఉన్నాయి. మాటలు కొన్ని సీన్స్‌లో బాగున్నాయి. కొన్ని సీన్స్‌ లో పరమ రొటీన్‌గా ఉన్నాయి.  విశ్లేషణ : చిన్న సినిమాలకు మంచి ఆధరణ ఉంటుందని, కామెడీ సినిమాలతో వస్తే తప్పకుండా ఆకట్టుకుంటుందని భావించి ఇలాంటి సినిమాలు తీస్తున్నారు. కానీ కామెడీ సినిమాల పేరుతో ప్రేక్షకుల ముందుకు వచ్చి కామెడీ లేకుండా సినిమాలను చేయడం ఏంటని ఈ సినిమాను చూస్తే అనిపిస్తుంది.  ఒకటి రెండు సీన్స్‌ తప్ప ఎక్కడా ఆకట్టుకోలేక పోయారు. సినిమా స్టోరీ లైన్ బాగానే ఉంది. కానీ దాన్ని పూర్తి కథగా మార్చిన తీరు మాత్రం బాగాలేదు. ఓవరాల్‌గా సినిమా ఏమాత్రం ఆకట్టుకోలేదు. నటీనటుల నటన బాగాలేదు, కథ ఏమాత్రం బాగాలేదు, అయినా కూడా కామెడీతో నెట్టుకు వస్తారు అనుకుంటే అది కూడా లేదు. కామెడీ లేకుండా కామెడీ సినిమాను చూసినట్లుగా అనిపించింది.  ప్లస్‌ పాయింట్స్ : సత్య కామెడీ తప్ప ఏమీ లేదు  మైనస్ పాయింట్స్ : కథ, స్క్రీన్‌ ప్లే, కామెడీ ఆశించిన స్థాయి లో లేకపోవడం, సెకండ్‌ హాఫ్‌  చివరగా.. మిత్ర మండలిలో కామెడీ లోపించింది  బ్యానర్ : సప్త అశ్వ మీడియా వర్క్స్, వైరా ఎంటర్‌టైన్‌మెంట్స్  నిర్మాత : కళ్యాణ్ మంతిన, భాను ప్రతాప, బన్నీ వాసు  దర్శకత్వం : విజయేందర్‌  సంగీతం : ఆర్‌ ఆర్‌ ధ్రువన్‌  తారాగణం : ప్రియదర్శి, నిహారిక ఎన్‌ఎం, ప్రసాద్‌ బెహరా, వెన్నెల కిషోర్‌, సత్య, వీటీ గణేష్‌, విష్ణు ఓ ఐ, రాగ్‌ మయూర్‌ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aPDW4J5xUNkB2C7l_MITHRAMANDALIREVIEW.JPG?auto=format,compress"},"datetime":"2025-10-16T09:28:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=hGXMm4Cx6Po"}},"uid":"review-mitramandali---comedy-less"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'కాంతార : చాప్టర్ 1' రివ్యూ... మంచి విజువల్‌ వండర్‌ మూవీ"},"content":{"text":"చిన్న సినిమాగా రూపొంది పాన్‌ ఇండియా రేంజ్‌లో భారీ విజయాన్ని సొంతం చేసుకున్న 'కాంతార' సినిమాకు ప్రీక్వెల్‌గా ఈ సినిమాను రూపొందించారు. సాధారణంగా సీక్వెల్‌ అంటే ప్రేక్షకులు ఆసక్తి చూపిస్తారు. కానీ కాంతారకు ప్రీక్వెల్‌ అన్నా కూడా ఆ సినిమా క్రియేట్‌ చేసిన ఇంపాక్ట్‌ కారణంగా చాలా ఆసక్తిగా ఎదురు చూస్తున్నారు. ఎప్పుడెప్పుడు సినిమా వస్తుందా అంటూ అంతా ఆసక్తిగా ఎదురు చూస్తున్నారు. ఎట్టకేలకు నేడు ప్రేక్షకుల ముందుకు వచ్చింది. మొదటి పార్ట్‌ ను చిన్న బడ్జెట్‌తో తీస్తే ఈ సినిమాను భారీ బడ్జెట్‌తో నిర్మించారు. ఈ ప్రీక్వెల్‌ ప్రేక్షకులను ఆకట్టుకుందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : ఈ కథ మొత్తం కాంతార ప్రాంతం చుట్టూ తిరుగుతూ ఉంటుంది. మొదటి పార్ట్‌ ఎక్కడైతే ముగిసిందో అక్కడే ఈ ప్రీక్వెల్‌ను ప్రారంభించారు. పంజుర్లి జాతర తర్వాత మాయం అయిన తన తండ్రి గురించి తెలుసుకునేందుకు శివ ప్రయత్నిస్తున్న సమయంలో ఆ ప్రాంతం గురించి పెద్ద చరిత్ర తెలుస్తుంది. అదే ఈ కాంతార ఏ లెజెండ్‌ కథ. రాజశేఖర్‌ అనే రాజు పరిపాలిస్తున్న రాజ్యంలో కాంతార ప్రాంతం ఉంటుంది. అయితే ఆ ప్రాంతంలోకి రాజుకు, రాజు సైన్యంకు వెళ్లేందుకు అనుమతి ఉండదు. ఎవరైనా కాంతార ప్రాంతంకు వెళ్లాలి అనుకున్న, ఆ ప్రాంతాన్ని స్వాదీనం చేసుకోవాలి అనుకున్న చనిపోవడం జరుగుతుంది.  కాంతార ప్రాంతాన్ని బెర్మి(రిషబ్‌ శెట్టి) పరిరక్షిస్తూ ఉంటాడు. తన ప్రాంతంలో ఉండే ఖరీదైన సుగంధాలను రాజ్యంలో అమ్మి వ్యాపారం చేయాలి అనుకుంటాడు. ఆ క్రమంలో రాకుమారి కనకావతి(రుక్మిణి వసంత్‌)ని కలుస్తాడు. అంతా సాఫీగా సాగుతున్న సమయంలో యువరాజు కులశేఖర(గుల్షన్‌ దేవయ్య) కాంతార ప్రాంతాన్ని ఆక్రమించేందుకు ప్రయత్నాలు మొదలు పెడతాడు. ఆ తర్వాత ఏం జరుగుతుంది? కులశేఖర, బెర్మిల మధ్య జరిగే యుద్దం ఎలాంటిది? రాజకుమారి కనకావతి పాత్ర ఏంటి? అనే విషయాలు తెలుసుకునేందుకు సినిమా చూడాల్సిందే.  నటీనటుల నటన : సినిమాలో ఎంతో మంది నటీనటులు ఉంటారు. వారిలో చాలా మందికి కీలక పాత్రలు లభించాయి. అయితే బెర్మి పాత్రలో కనిపించిన రిషబ్‌ శెట్టి మొత్తం కథను తన బుజాలపై వేసుకుని నడిపించాడు అనిపించింది. ఆయన మొదటి పార్ట్‌లో అద్భుతంగా నటించాడు అంటూ విమర్శకుల ప్రశంసలు దక్కించుకున్నాడు. కనుక ఇప్పుడు అంతకు మించి అనిపించుకునేందుకు రిషబ్‌ ఎంతగా కష్టపడ్డాడో క్లీయర్‌గా వెండి తెరపై కనిపిస్తోంది. ఆయన యాక్షన్‌ సీన్స్ మొదలుకుని, కొన్ని రొమాంటిక్‌ సీన్స్‌, దైవత్వంతో కూడిన సీన్స్ ఇలా అన్నింటిలోనూ రిషబ్‌ శెట్టి నటనతో మెప్పించాడు. అద్భుతమైన నటనతో ముఖ్యంగా క్లైమాక్స్‌ సన్నివేశాల్లో రిషబ్‌ శెట్టి మరోసారి కాంతార వరల్డ్‌లోకి తీసుకు వెళ్లాడు.  హీరోయిన్‌గా నటించిన రుక్మిణి వసంత్‌ కు ఇంటర్వెల్‌కు ముందు వరకు పెద్దగా నటనకు స్కోప్‌ లేదు. కానీ సెకండ్‌ హాఫ్‌ లో ఆమె తన నట విశ్వరూపం చూపించే విధంగా నటించింది. తన పాత్రకు పూర్తి న్యాయం చేసింది. రాజు పాత్రలో నటించిన జయరామ్‌ ఆకట్టుకున్నాడు. హుందాగా చాలా సెన్సిబుల్‌ నటనతో మెప్పించాడు. ఇక ఆయన కొడుకు పాత్రలో గుల్షన్‌ దేవయ సృష్టించిన విద్వంసం అంతా ఇంతా కాదు. సాధారణంగానే ఆయన విలనిజం బాగుంటుంది అంటూ విమర్శకులు సైతం ప్రశంసిస్తూ ఉంటారు. అలాంటి పాత్రను అంతకు మించి అన్నట్లుగా పోషించి ఆకట్టుకున్నాడు. సినిమాలో నటించిన ఇతర నటీనటులు సైతం వారి పాత్రల పరిధిలో చక్కని నటనతో ఆకట్టుకున్నారు.  టెక్నికల్‌ : ఈ సినిమాలో కథ, స్క్రీన్‌ ప్లే కంటే టెక్నికల్‌ అంశాలకు ప్రధాన పీట వేసినట్లుగా ఉంది. ముఖ్యంగా సినిమాటోగ్రఫీ, నేపథ్య సంగీతం అద్భుతంగా ఉండటంతో సినిమా విజువల్‌ వండర్‌ గా మారింది. అంతే కాకుండా ఈ మధ్య కాలంలో వీఎఫ్‌ఎక్స్‌ విషయంలో చాలా సినిమాలు విమర్శలు ఎదుర్కొంటున్న విషయం తెల్సిందే. కానీ ఈ సినిమా మాత్రం అందుకు భిన్నం అన్నట్లుగా నిలిచింది.  సినిమాలో వీఎఫ్‌ఎక్స్‌ వర్క్‌ అద్భుతంగా ఉన్నాయి. సినిమాలో ఆవిష్కరించిన కొత్త లోకంను కళ్ల ముందు వీఎఫ్ఎక్స్‌ తో అద్భుతంగా తీసుకు వచ్చి పెట్టడంలో అన్ని డిపార్ట్‌మెంట్స్ సక్సెస్‌ అయ్యాయి. దర్శకుడు కథ విషయంలోనే ఇంకాస్త వర్కౌట్‌ చేయాల్సి ఉంది. స్క్రీన్‌ ప్లేతో పాటు కొన్ని చోట్ల డైలాగ్స్ విషయంలో జాగ్రత్తను తీసుకోవాల్సింది. ఎడిటింగ్‌ లో చిన్న చిన్న లోపాలు మినహా పెద్దగా చెప్పుకునే తప్పులు ఏమీ లేవు. సినిమాను భారీ బడ్జెట్‌తో అద్భుతమైన ప్రొడక్షన్‌ వాల్యూస్‌తో నిర్మించారు.  విశ్లేషణ : కాంతార ప్రీక్వెల్‌ అనగానే కేవలం కన్నడ ప్రేక్షకులు మాత్రమే కాకుండా మొత్తం పాన్‌ ఇండియా ప్రేక్షకులు ఊగిపోయే పరిస్థితి ఉంది. అందుకే దర్శకుడు రిషబ్‌ శెట్టి ఒకటి కాదు రెండు కాదు ఏకంగా మూడు ఏళ్ల పాటు కష్టపడి ఈ సినిమాను రూపొందించడంతో పాటు నటించాడు. నటుడిగా నూటికి నూరు శాతం సక్సెస్‌ అయిన రిషబ్‌ శెట్టి దర్శకుడిగా మాత్రం కాస్త వెనక పడ్డాడు అనిపించింది. ఎందుకంటే కథ ఎంపిక విషయంలో ఆయన చాలా ఎక్కువ రీసెర్చ్‌ చేసినట్లుగా అనిపించింది. విన్న కథలు, ఉన్న పుకార్లు అన్నింటిని ఆయన ఇక్కడ చెప్పేందుకు చాలా ప్రయత్నించాడు.  సినిమా కథలో పాత కథలు ఎక్కువ అయ్యాయి. అంతే కాకుండా రియాల్టీకి చాలా దూరంగా వెళ్లి పోయింది. మొదటి పార్ట్‌తో పోల్చితే సినిమా ప్రొడక్షన్‌ వాల్యూస్‌, ఇతర సాంకేతిక పరిజ్ఞానం నూరు శాతం మెరుగ్గా ఉంది అనడంలో ఎలాంటి సందేహం లేదు. కానీ సినిమా కథ విషయంలో మొదటి పార్ట్‌తో పోల్చితే చాలా వీక్‌గా ఉంది. స్ట్రాంగ్‌ స్టోరీ లైన్‌తో ఇలాంటి మేకింగ్‌ చేసి ఉంటే మరో లెవల్‌ అన్నట్లుగా ఉండేది. ఇప్పుడు మాత్రం విజువల్‌ వండర్‌గా అనిపించే విధంగా తీశారు. మొదటి కాంతారను మైండ్‌ లో పెట్టుకోకుండా ఈ సినిమాను చూస్తే తప్పకుండా ప్రేక్షకులు ఎంజాయ్‌ చేయవచ్చు.  ప్లస్‌ పాయింట్స్ : రిషబ్‌ శెట్టి, హీరోయిన్‌, వీఎఫ్‌ఎక్స్ వర్క్‌, యాక్షన్‌ సీన్స్‌, కాంతార ప్రాంతం విజువల్స్‌  మైనస్‌ : కథ, స్క్రీన్‌ ప్లే, ఫస్ట్‌ హాఫ్‌ లో కొన్ని సీన్స్‌, అనవసర కామెడీ, చాలా సీన్స్ ల్యాగ్‌, కొన్ని పాత్రలకు ప్రాధాన్యత లేకపోవడం  చివరగా... కాస్త బోర్‌ అనిపించినా ఫైనల్‌గా ప్రీ క్లైమాక్స్‌, క్లైమాక్స్‌తో ఫీల్‌ మారిపోతుంది.  బ్యానర్ : హంబులే ఫిల్మ్స్‌  నిర్మాత : విజయ్‌ కిరగందూర్‌  దర్శకత్వం : రిషబ్ శెట్టి  సంగీతం : అజనీష్ లోకనాథ్‌  తారాగణం : రిషబ్‌ శెట్టి, రుక్మిణి వసంత్‌, రాకేష్ పూజారి, జయరామ్‌, గుల్షన్‌ దేవయ్య తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aN4-jZ5xUNkB1ZYP_kantarachapter1.JPG?auto=format,compress"},"datetime":"2025-10-02T08:20:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=axBF-4nNZ3s"}},"uid":"review-kantara-chapter-1....visual-wonder-movie"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}