{"data":{"all":{"edges":[{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Nani’s ‘The Paradise’ Raises Expectations"},"content":{"text":"The makers of Nani-starrer The Paradise have unveiled a powerful teaser, giving fans a glimpse of the film’s intense action-packed world. Directed by Srikanth Odela, the teaser showcases Nani in a rugged new avatar, leading a rebellion against oppression, while veteran actor Mohan Babu appears as the formidable antagonist. Backed by SLV Cinemas with music by Anirudh Ravichander, the film promises a gritty, high-octane cinematic experience. Along with the teaser, the makers confirmed that The Paradise will release worldwide on September 24, 2026, after multiple postponements from its earlier scheduled dates. The film will hit theatres in eight languages, including Telugu, Hindi, Tamil, Kannada, Malayalam, Bengali, English, and Spanish, making it one of Nani’s biggest pan-Indian releases to date."},"img":{"url":"https://images.prismic.io/prad/2nrlaa6MSJEy1I-f_Paradise.png?auto=format,compress&rect=0,16,748,369&w=2028&h=1000"},"datetime":"2026-08-06T13:54:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2h95ndcIsxE"}},"uid":"nanis-the-paradise-raises-expectations"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Andhra Handicrafts Go Digital"},"content":{"text":"Andhra Pradesh has introduced a first-of-its-kind QR code-based authentication system for handicrafts, giving a major digital boost to the state's traditional arts. Developed by the Andhra Pradesh Handicrafts Development Corporation (Lepakshi) following the suggestion of Deputy Chief Minister Pawan Kalyan, the initiative allows buyers to scan a QR code and instantly access details about the product, its history, the artisan who created it, raw materials used, production process, and GI or ODOP recognition. The first phase covers eight iconic handicrafts, including the Bobbili Veena, Kalamkari artworks, and Savara tribal paintings. The government plans to extend the system to all handicraft products and artisan clusters across the state. Besides helping customers verify authenticity and preventing counterfeit products, the initiative is expected to improve global visibility for Andhra Pradesh's handicrafts and ensure artisans receive greater recognition and better income opportunities."},"img":{"url":"https://images.prismic.io/prad/7c350781-fae7-496b-b3c8-c6b63ac18b17_QR+codes.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-06T11:06:00+0000","embed":{"embed_url":null}},"uid":"andhra-handicrafts-go-digital"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Saif's Wedding Surprises His Sisters"},"content":{"text":"In an engaging recent appearance on the show \"Double Date,\" sisters Soha Ali Khan and Saba Ali Khan recounted the unforeseen circumstances surrounding their brother Saif Ali Khan's marriage to Amrita Singh. The pair revealed that they first learned about the wedding not from their family, but while still in school, highlighting the unexpected nature of the nuptials, which unfolded with little prior notice. Saba Ali Khan shared the shock they experienced upon hearing the news, recalling, \"He was married when we were in school.\" Soha corroborated this memory, confirming the timing of the wedding. Due to its last-minute nature, both sisters were unable to participate in the festivities, a detail that adds a layer of familial intrigue to the high-profile union. This revelation offers a glimpse into the dynamics of the Pataudi family, where even significant life events could be shrouded in suddenness and surprise. The conversation serves as a reminder of the intense media scrutiny that surrounds the lives of Bollywood families. Saba recounted how their school took precautions as rumors swirled, stating, \"We got a call from the principal's office saying, 'Aap log kisi ko kuch nahi batayenge,' because we don't know how real the news is.\" This anecdote underscores the challenges of managing personal privacy amid public fascination, especially when the events in question involve a prominent figure like Saif Ali Khan. Soha elaborated on the nature of the ceremony, describing it as \"a very last-minute affair.\" Their candid reflections provide an intimate look into a pivotal moment that not only altered Saif's life but also illustrates the disconnect that can occur between public perception and private realities. The sisters’ experiences reveal how a landmark wedding in Bollywood history had its own set of unseen complications, affecting even those closest to the groom."},"img":{"url":"https://images.prismic.io/prad%2F3452a1a8-d158-4629-9a0f-d785971b2589_saif+ali+khan.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-08-06T15:12:24+0000","embed":{"embed_url":null}},"uid":"saifs-wedding-surprises-his-sisters"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Roshan & Chopra Celebrate 55 Years of Friendship"},"content":{"text":"Veteran filmmaker and actor Rakesh Roshan celebrated his five plus decade-long friendship with legendary actor Prem Chopra by sharing a warm picture of the two on social media.  Taking to his social media account, Rakesh posted a smiling picture with Prem Chopra and simply captioned it as, \"Friends 55 yrs!\" The picture shows the 76-year-old Rakesh Roshan standing behind Prem Chopra, who is seated at a dining table. For the uninitiated, Rakesh Roshan and Prem Chopra have been associated with Hindi cinema since the 1970s and have worked together in many films over the years, including Khel Khel Mein, Aakhir Kyon?, Kaamchor, Aakraman and Bhagwaan Dada amongst many others. For the uninitiated, Prem Chopra is regarded as one of Hindi cinema's most iconic villains. With a career spanning over six decades and reportedly more than 380 films, he became a household name through his performances in classics such as Upkar, Do Raaste, Kati Patang, Bobby, Do Anjaane, Kranti, Souten and Phool Bane Angaarey. His dialogue, \"Prem naam hai mera, Prem Chopra,\" continues to remain as one of Bollywood's most popular catchphrases. Talking about Rakesh Roshan, he began his career as an actor before successfully transitioning into filmmaking. As a director and producer, he delivered blockbuster films including Khudgarz, Khoon Bhari Maang, Kishen Kanhaiya, Karan Arjun, Kaho Naa... Pyaar Hai, Koi... Mil Gaya, Krrish and Krrish 3. He is currently working on Krrish 4, with son Hrithik Roshan set to make his directorial debut with the superhero franchise. Both veterans have also battled health challenges in recent years. In 2019, Rakesh Roshan was diagnosed with early-stage throat cancer and underwent successful treatment before returning to work. Prem Chopra, 92, on the other hand, underwent a Transcatheter Aortic Valve Implantation (TAVI) procedure last year for severe aortic stenosis. His family later confirmed that the veteran actor had recovered well and returned home after the procedure."},"img":{"url":"https://images.prismic.io/prad/rgwcGTXuO_SPMp3a_RRPC.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-06T02:30:00+0000","embed":{"embed_url":null}},"uid":"roshan--chopra-celebrate-55-years-of-friendship"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Adah Sharma's spooky 'witch' act at night"},"content":{"text":"Actress Adah Sharma left her fans amused after sharing a hilarious late-night video where she revealed how she calmed down a notorious child.  She highlighted how she jokingly tried to calm down a hyperactive child throwing tantrums in a neighbouring hotel room by making spooky \"witch\" sounds through the wall. In the video, Adah is seen creating eerie and scary noises and playfully warning the child to calm down. She can be seen joking that otherwise a witch would come, making the child believe her and eventually calm down. Sharing the video on her social media account, Adah wrote, \"How to get rid of DARKCIRCLES - tutorial. Hotel ke next room mein baccha apne maa baap par bhav bhaji thook raha tha because ussey bed pe kababs rakhna tha aur mummy plate par rakhke keh rahi thi. Toh woh tantrum throw kar raha tha aur ro raha tha. (He was spitting on his parents, hitting them, putting his excreta on the sofa. His mother kept saying noooo please don't bathroom mein karo) Kal raat 3 baje ussey swimming pool jaana tha toh ro raha tha.\" \"Parso raat 2 baje ussey tv pe koi show dekhna tha par kaunsa show kisi ko samajh nahi aa raha tha kyunki woh zor zor se rokey bol raha tha. Maine socha aaj raat uskey mummy pappa, main aur yeh pyaara baccha sukoon ki neend soenge I think kal mere dark circles nahi hongey l we will all sleep well tonight I have a feeling less Caption full padhogey toh chudail ghar pe nahi aaegi.\" (How to get rid of dark circles - tutorial. In the hotel room next to mine, a child was spitting on his parents because he wanted kebabs to be kept on the bed while his mother wanted to keep them on a plate. He kept throwing tantrums and crying. He was spitting on his parents, hitting them and even putting his excreta on the sofa, while his mother kept pleading with him not to do it in the bathroom. Last night at 3 a.m., he wanted to go to the swimming pool and cried. The night before, at 2 a.m., he wanted to watch a TV show, but nobody could understand which one because he was crying so loudly. So I thought that tonight his parents, I and this lovely child would finally get a peaceful night's sleep. I think I won't have dark circles tomorrow, we'll all sleep well tonight, I have a feeling. If you've read the full caption, the witch won't come to your house) Adah, in the comments section of the same video revealed that the child's mother sent her sweets as a gesture of gratitude for her help. For the uninitiated, Adah is widely known for her witty and unconventional social media presence. She is often seen sharing humourous videos, observational sketches and candid thoughts on day to day life. Apart from entertaining fans, she is also admired for her fluency in Marathi and frequently impresses her followers by reciting Marathi poems and embracing Maharashtrian culture through her posts. On the work front, Adah made her Bollywood debut with the 2008 horror film 1920, and went on to star in films such as Hasee Toh Phasee, Commando 2, Commando 3, and The Kerala Story, which emerged as one of the biggest commercial successes of her career."},"img":{"url":"https://images.prismic.io/prad/ZgZtIMt2UUcvBRNG_adahsharma.JPG?auto=format,compress"},"datetime":"2026-08-06T05:20:00+0000","embed":{"embed_url":null}},"uid":"adah-sharmas-spooky-witch-act-at-night"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Petrol bomb attack at Shakib Al Hasan's house"},"content":{"text":"A petrol bomb was hurled at the ancestral residence of former Bangladesh cricket skipper and former Awami League MP Shakib Al Hasan on Wednesday night, hours after appearing virtually at a press conference alongside the country's former Prime Minister Sheikh Hasina in India. The incident took place at around 8:45 p.m. local time on Wednesday at Shakib Al Hasan's ancestral residence in the Keshabmor area of Magura town. The house was also vandalised. According to police and local sources, the petrol bomb was thrown at the upper portion of the iron gate on the southern side of the house. On receiving the information, a team from Magura Sadar Police Station visited the site and inspected the situation. However, police could not immediately confirm who was responsible for the attack, according toa Dhaka Tribune report. Magura Sadar Police Station Officer-in-Charge Abdul Al Mamun said: \"We are looking into the incident. It cannot be confirmed at this stage whether it was a petrol bomb. The actual circumstances will be known after the investigation.\" The incident came shortly after Sheikh Hasina addressed a virtual press conference organised at the Foreign Correspondents' Club in New Delhi. \"Torching residences : the cost of attending Awami League press conference. Neo fascism engulfs Bangladesh,\" the Awami League said in a statement on social media platform X. \"A grisly petrol bomb attack took place at the residence of Bangladesh's celebrated cricket icon Sakib Al hasan, hours after the world famous star cricketer appeared at a press conference with honourable party president Sheikh Hasina. Ahead of the press conference, BNP, Islamist Jamaat and NCP all publicly threatened national media outlets to weaponise judiciary to sue in case of reports of the press conferences. This calculated attack is yet another testament to ongoing genocidal campaign against awmai league activists in the name of democracy building project, hallmarks of fascism,\" the statement added. Speaking virtually, Sheikh Hasina declared that she was determined to return to Bangladesh in December, saying she was prepared to face arrest or even death in what she described as an effort to restore democracy. \"My return is not about power, it's about putting Bangladesh back on track of development, secularism and prosperity,\" she said. The 78-year-old former Prime Minister acknowledged the risks awaiting her if she returned. \"I know, they may put me in jail or kill me,\" she said, adding, \"I will go back home to be with my people. I have decided to go and I will go to Bangladesh.\" Hasina has been living in India since August 5, 2024, when she fled Dhaka following the collapse of her government after months of anti-government protests. Last November, a special tribunal in Dhaka sentenced her to death in absentia over alleged \"crimes against humanity\" linked to her government's crackdown on the student-led protests of 2024. Since the verdict, Bangladesh has repeatedly sought her extradition from India. \"Fear has entered homes, work places and educational campuses; this is not the Bangladesh we built. I call upon the international community to stand with the people of Bangladesh in their struggle for democracy and justice,\" Sheikh Hasina said. According to Hasina, organised groups had deliberately transformed the protests into a violent political campaign. \"I was forced away from my country but I am never separated from my people,\" she said. Alongside Hasina and her son Sajeeb Wazed Joy, several Awami League figures participated, including former Education Minister Mohibul Hasan Chowdhury Nowfel attended the press conference virtually. Hasina's decision to address the media from Indian territory had already become a diplomatic issue. Earlier this week, Bangladesh sought clarification from New Delhi over the press conference."},"img":{"url":"https://images.prismic.io/prad/ZsjA0kaF0TcGJXXg_shakib.JPG?auto=format,compress"},"datetime":"2026-08-05T20:53:00+0000","embed":{"embed_url":null}},"uid":"petrol-bomb-attack-at-shakib-al-hasans-house"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"HC Reverses Ex Tehelka Editor Tejpal Acquittal In Rape Case"},"content":{"text":"The Bombay High Court on Thursday set aside the acquittal of former Tehelka editor Tarun Tejpal in the 2013 $exual assault case involving a junior colleague and convicted him of rape and other offences under the Indian Penal Code (IPC).  A Division Bench of Justices Neela Gokhale and Amit Jamsandekar allowed the appeal filed by the Goa government against the May 2021 judgment of a sessions court in Mapusa, which had acquitted Tejpal of all charges. Pronouncing the verdict, the Justice Gokhale-led Bench said that it had convicted Tejpal under Sections 376(2)(f) and 376(2)(k) (rape), 354A ($exual harassment) and 354B (assault or use of criminal force against a woman with intent to disrobe) of the IPC. The High Court is scheduled to hear the matter on the question of sentence later in the day. The case stems from allegations made by a junior colleague that Tejpal $exually assaulted her inside an elevator of a luxury hotel in Goa during an event in November 2013. The Goa Police registered an FIR against Tejpal for offences including rape, following which he was arrested in November 2013 after a local court rejected his anticipatory bail plea. He was granted regular bail by the Supreme Court in July 2014. In May 2021, Additional Sessions Judge Kshama Joshi acquitted Tejpal, holding that the prosecution had failed to prove its case beyond reasonable doubt and citing alleged lapses in the investigation, including failure to produce certain evidence such as CCTV footage. The prosecution challenged the acquittal before the Bombay High Court, contending that the trial court had erred in appreciating the evidence on record. During the hearing before the High Court, the Goa Police argued that the Sessions Court had focussed on the survivor's post-incident conduct and background instead of assessing the evidence against the accused. It also submitted that the trial court ignored material evidence, including an apology email allegedly sent by Tejpal after the complainant raised the allegations with the then managing editor of the publication. During the hearing on Thursday after the conviction was pronounced, Tejpal's counsel sought suspension of the conviction for eight weeks to enable him to approach the Supreme Court, submitting that the verdict had reversed an acquittal and highlighting that there was no other criminal case against him. Addressing the Justice Neela Gokhale-led Bench, Tejpal pleaded for leniency, stating that he believed himself to be a victim and requested the Bombay High Court to take a compassionate view while deciding the sentence. On the other hand, Solicitor General Tushar Mehta opposed the plea for leniency, contending that the case required a strong message against $exual violence and arguing that \"when a girl says no, it means no.\" The High Court adjourned the matter till 2.30 p.m. for hearing on the sentence. The detailed judgment is awaited."},"img":{"url":"https://images.prismic.io/prad/d8b01bdb-434b-4fa1-9bbb-20531d2043ec_tarun+tejpal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-06T04:30:00+0000","embed":{"embed_url":null}},"uid":"hc-reverses-ex-tehelka-editor-tejpal-acquittal-in-rape-case"}},{"node":{"tags":["Entertainment","featured","one"],"data":{"third_party_url":null,"title":{"text":"'Varanasi' Under Leak Attack Again!"},"content":{"text":"One of Indian cinema's most-awaited projects, 'Varanasi', has once again found itself at the center of an online storm after an alleged behind-the-scenes video featuring Mahesh Babu surfaced on social media. The film has been wrapped in secrecy since production began, with fans eagerly waiting for official promotional material. Instead, unauthorized clips from the shooting location continue to make their way online, creating concern among both the filmmakers and the actor's massive fan base. Despite implementing tighter security measures following previous leak incidents, the production has reportedly suffered another breach. The latest footage, which allegedly captures Mahesh Babu during a key sequence, spread rapidly across multiple social media platforms within hours. Although the clip was quickly removed from several pages, it had already been widely circulated, sparking fresh conversations about the challenges of safeguarding high-profile film productions in the digital age. Soon after the video went viral, fan clubs and copyright monitoring teams appealed to users not to share or repost the leaked content. Several accounts reportedly received copyright notices, while fans urged others to wait for the makers to unveil official visuals instead of promoting unauthorized material. Many admirers expressed disappointment that repeated leaks could dilute the excitement surrounding one of the film's biggest attractions and potentially spoil important moments before release. The recurring incidents have also intensified discussions about production security and marketing strategies for large-scale films. While some believe stricter on-set protocols are the only solution, others feel that releasing periodic official teasers or behind-the-scenes glimpses could satisfy audience curiosity and reduce interest in leaked footage. With expectations surrounding Varanasi continuing to soar, the makers now face the dual challenge of protecting the film's surprises while maintaining the excitement leading up to its release."},"img":{"url":"https://images.prismic.io/prad/95PzrGii-eXJ0Lqg_varanasi.JPG?auto=format,compress"},"datetime":"2026-08-06T06:42:00+0000","embed":{"embed_url":null}},"uid":"varanasi-under-leak-attack-again"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Tabu Gets Legal Shield"},"content":{"text":"The Delhi High Court on Thursday said it will pass an interim order directing the removal of certain objectionable online content featuring Bollywood actress Tabu while hearing her suit seeking protection of her personality and publicity rights against the unauthorised use of her identity across digital platforms.  A single-judge Bench of Justice Jyoti Singh, after hearing the suit filed by the actress alleging unauthorised commercial exploitation of her identity, indicated that an interim order would be passed directing the takedown of specific links containing obscene content associated with her name. During the hearing, senior advocate Swathi Sukumar, appearing for Tabu, informed Justice Singh that the memo of parties had been amended to correctly identify the social media intermediaries arrayed as defendants, in compliance with the court's earlier directions. The senior counsel further submitted that certain search terms combining the actress' name with pornographic content were being used online and that the concerned platforms were deriving benefit from such searches. Taking note of the submissions, Justice Singh observed in relation to some of the identified links: \"They have to be taken down.\" The single-judge Bench also considered framing a Standard Operating Procedure (SOP) for dealing with similar cases involving alleged misuse of the personality rights of public figures in the digital space. The Delhi High Court said it would pass a detailed order later. The matter has been posted for further hearing on December 7. Tabu had approached the Delhi High Court seeking protection of her personality and publicity rights against the alleged unauthorised use of her name, image, likeness and other identity attributes, including through Artificial Intelligence (AI)-generated content and digital impersonation. The actress has alleged unauthorised commercial exploitation and misuse of her identity in the digital space. The case adds to a growing list of high-profile personalities invoking their personality and publicity rights before the Delhi High Court. In recent months, former cricketer Gautam Gambhir, former India captain Sunil Gavaskar, spiritual leader Sri Sri Ravi Shankar, actors Arjun Kapoor, Allu Arjun, Nagarjuna, Varun Dhawan, Kajol, Aishwarya Rai Bachchan, and Abhishek Bachchan, singer Jubin Nautiyal, film-maker Karan Johar, podcaster Raj Shamani, Congress MP Shashi Tharoor, and actor Naga Chaitanya have secured or sought court protection against the unauthorised use of their identity, likeness, or AI-generated imitations."},"img":{"url":"https://images.prismic.io/prad/ZkNLBSol0Zci9Gq9_tabu.JPG?auto=format,compress"},"datetime":"2026-08-06T09:05:00+0000","embed":{"embed_url":null}},"uid":"tabu-gets-legal-shield"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Rashmika's Recovery Mode: RRR"},"content":{"text":"Actress Rashmika Mandanna, who recently suffered an injury to her hip bone, shared her recovery routine with her Insta family through her latest update on social media.  The 'Animal' actress revealed that as she is stuck at home, waiting to get better, her day includes a lot of sleeping, eating, doing puzzles, reading, and playing with her furry friend Aura. As her latest 'Dear Dairy' entry on Instagram, Rashmika wrote, \"Dear Diary. Hmmm.. where do I even start? My days are going well.. with a lot of sleeping and recovery, puzzles and some reading and watching some shows doing some very much needed hair care and skin care.. and meetings and spending time with family!! (sic)\" 'The Girlfriend' actress further wrote, \"Going through the wedding photos and videos cz I hadn’t gotten the proper time till now.. My routine is pretty much wake up, and no more to alarms (yaaay) just wake up when my body tells me to.. eat 2 meals a day to really really try and not go overboard with the eating meetings puzzles or reading with Aura when she’s able to..*watch a show *and then go to bed.. It’s actually not all that bad to slow down once in a while is it!\" On Monday, Rashmika shared the detailed nature of her injury with another social media post. The 'Pushpa' actress penned, “But well umm the injury is basically.. ummm how do I explain it.. (make way for the biology teacher) so there are 4 tendons on each side of your hip that connects your hip to your leg and one of those tendons on my right hip apparently had detached and that has to attach again, for me to be able to lift my leg up and stuff and this happened during my dance shoot for ‘Mysaa’. My god that’s the most aggressive film I’ve ever done for sure. But don’t worry.. it hurts but it’s not unbearable or something”."},"img":{"url":"https://images.prismic.io/prad/8xrkiVjuM_hj_ZU1_rash.JPG?auto=format%2Ccompress&rect=0%2C11%2C450%2C222&w=2028&h=1000"},"datetime":"2026-08-06T07:04:00+0000","embed":{"embed_url":null}},"uid":"rashmikas-recovery-mode-rest-recharge-repeat"}},{"node":{"tags":["Entertainment","featured","four"],"data":{"third_party_url":null,"title":{"text":"Darshan Case Takes Dramatic Turn?"},"content":{"text":"In a major development in the Renukaswamy fan murder case involving Kannada superstar Darshan and others, accused No. 14, Pradosh, has moved a city court seeking to be made an approver, expressing his willingness to disclose the truth behind the crime.  Pradosh filed an application before the 59th CCH Court through his advocate on Thursday, stating that he was prepared to reveal all facts related to the case and sought pardon from the court by turning an approver. In a separate plea, he also requested the court to allow him to appear before the proceedings through video conferencing from a separate room. At present, Pradosh is being produced before the court through video conferencing from the same room along with the other accused persons and actor Darshan. The development assumes significance as Pradosh's application could have a bearing on the ongoing trial if the court permits him to turn an approver. His statement, if accepted, may provide crucial insights into the alleged sequence of events surrounding the murder of Renukaswamy. Taking note of the application, the 59th CCH Court directed the prosecution to clarify its stand on Pradosh's plea. The prosecution is expected to respond before the court during the next hearing. It remains to be seen whether the court will permit Pradosh to become an approver and what disclosures he proposes to make regarding the case. The murder of Renukaswamy, a fan of actor Darshan, had sparked widespread public attention, with Darshan and several others facing trial in connection with the case. Pradosh's plea marks one of the most significant developments in the proceedings since the commencement of the trial. Kannada actor Darshan Thoogudeepa and 16 others, including his partner Pavithra Gowda, were arrested and indicted for the abduction and brutal murder of 33-year-old fan Renukaswamy in Bengaluru. The Supreme Court cancelled Darshan's bail, ordering his immediate re-arrest and strict legal proceedings without VIP prison privileges. Renukaswamy, a fan from Chitradurga, was allegedly abducted and brought to Bengaluru in June 2024 over obscene messages allegedly sent by the victim to Pavithra Gowda. The victim was tortured in a shed, suffered severe abuse, and his body was dumped near a stormwater drain after he died. It can be noted that fans and supporters of jailed Kannada actor Darshan disrupted Karnataka Chief Minister D.K. Shivakumar's address at the Sri Chamundeshwari Devi Karaga Mahotsava in Ramanagara by repeatedly raising \"D-Boss\" slogans, seeking his intervention in the actor's case. As the sloganeering continued, Shivakumar appealed for calm, saying he understood their emotions but stressed that everything had to be done within the framework of law as the matter was before the court."},"img":{"url":"https://images.prismic.io/prad/ZvaYu7VsGrYSwEoW_darshan.JPG?auto=format,compress"},"datetime":"2026-08-06T08:01:00+0000","embed":{"embed_url":null}},"uid":"darshan-case-takes-dramatic-turn"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Varun Tej Decodes His Flops"},"content":{"text":"As preparations gather pace for the release of his upcoming entertainer Korean Kanakaraju, actor Varun Tej has candidly reflected on a challenging phase in his career. Speaking during the film's promotional campaign, the Mega Prince admitted that several of his recent projects failed to strike a chord with audiences despite being mounted on ambitious ideas. Rather than blaming external factors, Varun acknowledged that the responsibility ultimately lies with the filmmakers to understand what viewers expect from a theatrical experience. Looking back at films such as Matka, Operation Valentine, and Gandeevadhari Arjuna, Varun said he deliberately experimented with unconventional stories in an effort to break away from routine commercial cinema. While he remains proud of taking creative risks, he believes those films appealed only to a limited section of the audience instead of connecting with moviegoers across age groups. He observed that audiences generally visit theatres expecting engaging entertainment, emotional connection, and memorable moments, and admitted that some of his recent choices may not have delivered that complete package. Determined to turn the page, Varun said the lessons from those setbacks have reshaped his approach to script selection. He believes the industry is evolving rapidly and actors must constantly adapt to changing audience preferences. Confident about Korean Kanakaraju, he described it as a wholesome family entertainer packed with humor, fun, and mass appeal. According to the actor, the film has been designed to entertain viewers of all ages, and he hopes it will mark the beginning of a successful new chapter in his career while reconnecting him with audiences on a larger scale."},"img":{"url":"https://images.prismic.io/prad/B_KOPMAKkebcXH4k_VT.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-06T06:00:00+0000","embed":{"embed_url":null}},"uid":"varun-tej-decodes-his-flops"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Deepika wraps 'Raaka' schedule before maternity leave"},"content":{"text":"In a significant development for the Hindi film industry, Deepika Padukone is poised to complete her first shooting schedule for the highly anticipated film 'Raaka' before embarking on a maternity break. This marks an exciting collaboration with Telugu superstar Allu Arjun and acclaimed director Atlee, generating considerable buzz among fans. The actress, who recently announced her second pregnancy, is expected to conclude her filming commitments as early as September, ensuring that production timelines remain uninterrupted as the film gears up for its release in 2027. According to a report from Mid-day, the careful orchestration of production schedules indicates a well-planned strategy by the filmmakers to accommodate Padukone's impending maternity leave. A source close to the project revealed, \"The idea was always to finish Deepika’s work before she took her maternity break. The mom-to-be will be off the film until her birthday in January 2027, after which she will return to finalize any pending promotional material and the second part of 'Raaka'.\" This thoughtful approach highlights the industry’s increasing adaptability to the personal commitments of its leading talent, ensuring that star power remains intact even in times of change. 'Raaka' is envisioned as a two-part saga featuring a formidable cast, including Rashmika Mandanna, Janhvi Kapoor, and Mrunal Thakur in pivotal roles. The film seeks to showcase a blend of action and drama, under Atlee’s directorial finesse, and the anticipation surrounding its dual releases is palpable. As production continues in Padukone’s absence, the remaining cast will maintain momentum, adhering to a carefully crafted timeline that allows for the film’s ambitious scope. The decision to plan around Padukone's maternity reflects a growing recognition of the need for flexibility in a notoriously demanding industry. Padukone's announcement of her second pregnancy in April was met with widespread celebration, resonating positively within the film fraternity and her fan base. At the time, she was also simultaneously engaged in the filming of 'King', another major project alongside Shah Rukh Khan. This dual commitment underscores her dedication to her craft, even as personal milestones unfold. As the industry continues to evolve, 'Raaka' stands as a testament to the dynamic interplay between professional responsibilities and personal life, further heightening audience anticipation for this landmark collaboration between its illustrious stars."},"img":{"url":"https://images.prismic.io/prad/aEQeLrh8WN-LV1VX_deepikaaa.JPG?auto=format,compress"},"datetime":"2026-08-05T09:58:00+0000","embed":{"embed_url":null}},"uid":"deepika-wraps-raaka-schedule-before-maternity-leav"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Ramayana' Faces New Test"},"content":{"text":"In a proactive move to safeguard cultural sensitivities, the Shri Ramlila Mahasangh has formally requested a private screening of the much-anticipated film 'Ramayana,' featuring Ranbir Kapoor, ahead of its scheduled release during the Diwali festivities. The organization's president, Arjun Kumar, articulated concerns that specific scenes within the film might provoke grievances among Hindus, echoing the backlash faced by the earlier film 'Adipurush.' This initiative underscores the Mahasangh's commitment to preserving the sanctity of their religious narratives, as they seek assurances that the cinematic portrayal aligns with traditional interpretations of the epic. Kumar elaborated on the correspondence sent to director Nitesh Tiwari and the film's production team, emphasizing that the Mahasangh's presence at a pre-release screening is vital to prevent the recurrence of issues encountered with 'Adipurush.' Notably, the 2023 adaptation faced widespread criticism for its misrepresentation of crucial elements from the 'Ramayana,' particularly in its depiction of the mythical city of Lanka and the character of Ravana. The call for a preview reflects a growing trend among cultural organizations to assert influence over artistic representations, particularly when they intersect with deeply held beliefs. The Shri Ramlila Mahasangh claims to have gathered intelligence indicating that 'Ramayana' contains potentially objectionable content that could offend the sentiments of Hindus both in India and the global diaspora. This highlights an ongoing tension between artistic freedom and religious respect, as filmmakers navigate the complexities of adapting revered texts for contemporary audiences. The backlash surrounding 'Adipurush' serves as a cautionary tale, prompting the Mahasangh to take a more assertive stance in overseeing how their stories are portrayed on screen. In a direct warning, Arjun Kumar stated that should their request for a pre-release viewing go unheeded, the Mahasangh, alongside other Hindu groups, is prepared to organize protests outside cinemas in Delhi and across other states. This declaration underscores the potential for a significant public outcry, as religious organizations increasingly assert their role in mediating the narrative of cultural representations in cinema. As the film industry grapples with the implications of such demands, the intersection of faith, culture, and creative expression remains a contentious battleground."},"img":{"url":"https://images.prismic.io/prad/sZ7zfcswjWSgCsv8_ramayana.JPG?auto=format,compress"},"datetime":"2026-08-05T10:30:00+0000","embed":{"embed_url":null}},"uid":"ramayana-faces-new-test"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"7 Years After Article 370: A New Kashmir Emerges"},"content":{"text":"Seven years after the abrogation of Article 370 in Jammu and Kashmir, significant changes have been witnessed in the daily lives of people across the Valley, with improvements in infrastructure, governance, education, connectivity, tourism and law and order emerging as key indicators of transformation. The report, based on an opinion article published in Global Kashmir by political analyst Israar Shahid, states that one of the most notable achievements since August 5, 2019, has been the restoration of normalcy and the ordinary rhythm of life in the region. According to the article, there was a time when introducing oneself as a Kashmiri outside Jammu and Kashmir often evoked associations with violence, curfews, shutdowns, stone-pelting incidents and uncertainty. This perception, it noted, was shaped by decades of conflict and unrest that frequently dominated national discourse. For those born during the 1990s and early 2000s, growing up in Kashmir often meant living amid uncertainty and disruption. Families adjusted their daily routines around security concerns, markets shut abruptly, schools remained closed for prolonged periods and public life was frequently affected by instability. The report notes that before 2019, Kashmir's political landscape differed significantly from that of most Indian states. Alongside elected governments and administrative institutions, other influential forces often shaped public discourse and political narratives. Many residents felt caught between competing interests, while ordinary citizens frequently bore the consequences of decisions over which they had little control. According to the article, Kashmiris are widely known for their resilience, humility and emotional nature. However, these characteristics often made sections of society vulnerable to manipulation by various political actors. Many residents felt that both mainstream political parties and separatist groups appealed to public sentiment whenever it suited their respective agendas. A recurring criticism among many Kashmiris, the report states, was that ordinary citizens were encouraged to participate in protests, shutdowns and demonstrations, while those issuing such calls often remained insulated from the hardships that followed. The burden of disruption was largely borne by daily wage earners, traders, students and ordinary families. The article said that it was not influential political leaders or members of elite families who suffered the most during years of unrest. Instead, it was the common Kashmiri, including farmers, shopkeepers, labourers, teachers and students who endured the greatest hardships. The report also highlights the long-term impact of the migration of Kashmiri Pandits during the 1990s. According to the article, the departure of experienced teachers, professors and academics left a significant gap in the educational landscape of the Valley. Frequent shutdowns and prolonged disruptions further affected schools, colleges and universities, resulting in repeated interruptions to academic schedules. As a consequence, an entire generation of students faced challenges in competing for opportunities at the national level. The report emphasises that the issue was not a lack of talent, as Kashmir has consistently produced capable students, but rather the environment in which they were compelled to pursue their education. Against this backdrop, developments following August 5, 2019, continue to remain a subject of political debate. However, the report states that many residents point to visible changes in everyday life that go beyond political arguments. According to the article, the transformation is evident not only in official statistics but also in roads, schools, public services, businesses and the confidence with which people now plan their futures. Infrastructure development has emerged as one of the most visible changes. The report notes that projects which once moved at a slow pace have seen faster execution in recent years. It cites the example of the Jehangir Chowk-Rambagh flyover in Srinagar, which took nearly a decade to become operational after being conceived. In contrast, several road and flyover projects have been completed in recent years to improve connectivity and ease traffic congestion. Residents frequently point to projects in areas such as Sanat Nagar, Nowgam, Sangrama and Delina as examples of development that directly impacts daily life. Improved road infrastructure has reduced travel times and enhanced mobility for commuters. The report also highlights the case of Gurez, where grid-connected electricity reached the region in November 2023. For residents of remote areas, such developments have significantly improved living conditions and quality of life. Technology-driven governance has also become a key feature of administrative reforms. According to the report, digital services, online certification systems, grievance portals and electronic governance mechanisms have reduced dependence on intermediaries and personal connections. Citizens are increasingly able to access government services through transparent and structured procedures. The expansion of Direct Benefit Transfer (DBT) mechanisms has further strengthened welfare delivery. Subsidies, scholarships, healthcare assistance, housing benefits and other government support programmes are now reaching beneficiaries more directly, reducing delays and leakages. Connectivity has witnessed a major boost with the completion of the Udhampur-Srinagar-Baramulla Rail Link. The report describes the railway project as the fulfilment of a long-standing aspiration for the people of Jammu and Kashmir. Engineering marvels such as the Chenab Bridge and Anji Khad Bridge have attracted national and international attention. For many residents, the railway network represents more than just transportation; it symbolises greater accessibility, integration and economic opportunity. Tourism, one of Kashmir's most important economic sectors, has also experienced a significant revival. Long celebrated for its natural beauty, the region often struggled to maintain consistent tourist inflows because of security concerns. However, the report notes that visitor numbers have risen substantially in recent years. Popular destinations such as Pahalgam, Gulmarg and Sonamarg continue to attract tourists, while previously lesser-known areas such as Gurez are gaining recognition. The economic benefits of tourism extend well beyond hotels and resorts. Taxi operators, tour guides, artisans, restaurant owners, shopkeepers and numerous small businesses have benefited from increased tourist activity. The return of film production to Kashmir has further contributed to this revival. Once a preferred destination for filmmakers, the Valley witnessed a decline in film-related activity due to instability. According to the report, the return of film crews is viewed by many residents as an indication of improved ground conditions. Basic services, including electricity and drinking water, have also shown improvement. Investments in power infrastructure and transmission systems have strengthened electricity supply in several areas. Initiatives under the Jal Jeevan Mission have expanded access to clean drinking water, reducing dependence on distant sources. However, the report suggests that perhaps the most significant transformation is not physical infrastructure but a change in public mindset. Today, many business owners are focusing on expansion rather than preparing for sudden shutdowns. Students are concentrating on competitive examinations without the fear of prolonged academic disruptions. Young entrepreneurs are exploring startup opportunities, athletes are pursuing sporting careers and families are making long-term plans with greater confidence. The report also notes that elections in recent years have reflected changing social and political dynamics. Increased participation by ordinary citizens has been interpreted by many observers as a sign of greater engagement with democratic processes. One of the most significant changes highlighted in the report relates to law and order. For several consecutive years, educational institutions have largely followed academic calendars without major interruptions. Parents who once worried about school closures are now seeing their children attend classes regularly. For families unable to send their children outside the Valley for education, this continuity has been particularly important. The ability to pursue studies without prolonged disruption has restored a sense of normalcy that many previous generations lacked. The reduction in large-scale street violence has also enabled young people to redirect their energies towards education, employment, entrepreneurship, sports and professional growth. According to the report, this shift represents not merely an improvement in security but the restoration of the freedom to dream and aspire. Seven years after August 5, 2019, many residents believe that the return of ordinary life remains the most meaningful achievement. The ability to attend school regularly, travel freely, run businesses without fear of sudden disruptions and plan for the future with confidence are among the changes frequently cited by ordinary Kashmiris. At the same time, the report acknowledges that significant challenges remain. Unemployment continues to be a concern, while political aspirations and Constitutional debates persist. It notes that development must reach every village and every section of society, and that lasting peace requires dignity, opportunity, representation and sustained economic growth. The report argues that recognising progress does not require ignoring existing challenges, just as acknowledging challenges should not mean dismissing positive developments. A society that has experienced decades of conflict, it states, deserves an honest assessment of both its achievements and its shortcomings. According to the article, when ordinary Kashmiris are asked what has changed since August 5, 2019, they often do not refer first to official reports or government statistics. Instead, they point to everyday experiences such as uninterrupted schooling, consistent business activity, improved infrastructure, returning tourists and a greater sense of security. For many residents, the discussion ultimately centres on peace, stability, accountability and the opportunity to build a better future. The report concludes that the story of Kashmir's transformation is not primarily about political elites or powerful institutions. Rather, it is about ordinary citizens, the fruit seller, farmer, teacher, student, small business owner and parent, who have lived through decades of uncertainty. For many such Kashmiris, the last seven years represent a transition from fear to hope, from instability to relative normalcy and from uncertainty to possibility. As debates surrounding Article 370 continue across political and ideological lines, one sentiment frequently emerges among those who measure change through everyday life rather than political rhetoric: after decades of conflict, ordinary people increasingly feel they have an opportunity to focus on something they had long been denied, the ability to live, work, learn and dream in peace. The report also notes that leaders of the Union government, speaking at various public forums and official events in recent years, have consistently maintained that the changes introduced after August 2019 were aimed at promoting peace, development, transparency and equal opportunities for the people of Jammu and Kashmir."},"img":{"url":"https://images.prismic.io/prad/dCIcahQ9gp3_K6DU_kashmir.JPG?auto=format%2Ccompress&rect=0%2C26%2C448%2C221&w=2028&h=1000"},"datetime":"2026-08-05T11:10:00+0000","embed":{"embed_url":null}},"uid":"7-years-after-article-370-a-new-kashmir-emerges"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Aish, Aaradhya greet airport staff with ‘Namaste’"},"content":{"text":"Actress Aishwarya Rai Bachchan, Abhishek Bachchan and their daughter Aaradhya Bachchan won hearts with their warm gesture as they returned to Mumbai from their trip to the United States.  The mother-daughter duo was spotted at the Mumbai airport on Tuesday night along with Abhishek Bachchan. As they exited the terminal, Aishwarya and Aaradhya greeted the airport staff with folded hands and a respectful \"Namaste\". Abhishek, who walked ahead of them, was seen warmly shaking hands with a staff member before making his way out. For the journey, Aishwarya opted for an all-black ensemble comprising a long black outfit layered with a matching black overcoat. Aaradhya kept her airport look casual in a black top paired with wide-legged dark trousers and an oversized black leather jacket. Abhishek, meanwhile, chose a relaxed travel outfit featuring a pale yellow hoodie layered under an olive-green printed jacket and denims. Talking about Aishwarya Rai Bachchan and Abhishek Bachchan, the couple tied the knot on April 20, 2007, in an intimate yet star-studded ceremony at the Bachchan residence in Mumbai. The couple welcomed their daughter, Aaradhya Bachchan, on November 16, 2011.  Talking about Abhishek Bachchan and Aishwarya Rai's love story, they first met while working on Dhai Akshar Prem Ke in 2001 and later reunited for films including Kuch Naa Kaho, Umrao Jaan, Guru, Dhoom 2 and Raavan. In Bunty Aur Babli where Abhishek essayed the lead role, Aishwarya made a special appearance in the song Kajra Re. They were friends for years, and their relationship blossomed during the making of Umrao Jaan and grew stronger while shooting Guru. For the uninitiated, Abhishek went on to propose to Aishwarya in New York shortly after the premiere of Guru. In an interview , he had later revealed that he took her to the balcony of the hotel where he had often imagined spending his life with her and asked her to marry him."},"img":{"url":"https://images.prismic.io/prad/Q-22eVw3JbxXT76D_aisharadhya.JPG?auto=format%2Ccompress&rect=0%2C28%2C335%2C165&w=2028&h=1000"},"datetime":"2026-08-05T02:15:00+0000","embed":{"embed_url":null}},"uid":"aish-aaradhya-greet-airport-staff-with-namaste"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"#RAPO23 Begins Pondy Leg"},"content":{"text":"The unit of #Rapo23, which will mark the directoral debut of Telugu star Ram Pothineni, has begun its Pondicherry schedule, sources close to the unit have now disclosed.  Sources say that the actor's ambitious project, tentatively being referred to as #RAPO23, was progressing at a brisk pace with its latest schedule currently underway in Pondicherry.  For the unaware, the film is being produced by Krishna Pothineni under the Rapo Cinematics banner on a lavish scale. Sources have disclosed that the team is presently filming an extensive 15-day schedule in the scenic locations of Pondicherry. During this crucial leg of shooting, sources say the unit plans to shoot a visually appealing song choreographed by popular dance master Brinda.  The unit will also look to shoot several high-voltage action episodes designed by well-known stunt choreographer Vikram Mor, whose impressive filmography includes blockbusters like 'KGF: Chapter 1', 'Kantara', and 'Karuppu'3, during this schedule. The sources point out that Ram Pothineni is balancing his responsibilities as both the film's lead actor and director. Conceived by Ram himself, #RAPO23 is touted to be a unique psychological action thriller set in a gripping neo-noir world. The film, which was formally announced on the occasion of the actor's birthday, will have Ram Pothineni playing a character called Veera in it.  In fact, the poster released by the makers on the occasion of the actor's birthday triggered great excitement among fans.  The makers also unveiled a striking birthday special poster that introduced Ram Pothineni’s character as Veera on the occasion.  The poster radiated a dark, intense, and gritty tone featuring Ram from behind, clad in a leather jacket. His sharp, V-cut hairstyle amplified the raw attitude of the character. Dominating the backdrop was a bold red “V”, symbolizing both Veera and a sense of rebellion, danger, and dominance. The faint outlines of towering skyscrapers on either side evoked a cold, crime-infested cityscape. Adding to the mystery, the tagline “The Story of a Lone Wolf” hinted at a protagonist driven by solitude, instinct, and a complex psychological landscape. National-Award winning cinematographer Thirunavukarasu (Thirru) is the cameraman for this film. Along with Vikram Mor, renowned stunt choreographer Peter Hein is designing its action sequences, while AS Prakash is creating impressive sets that will enhance the film's scale and visual appeal."},"img":{"url":"https://images.prismic.io/prad/BYcbiUOq6d2OwQzW_potineni.JPG?auto=format%2Ccompress&rect=0%2C49%2C447%2C220&w=2028&h=1000"},"datetime":"2026-08-05T06:15:00+0000","embed":{"embed_url":null}},"uid":"rapo23-begins-pondy-leg"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Dhanush constructs, donates a building to his school!"},"content":{"text":"If sources in the industry are to be believed, actor Dhanush has now constructed and donated a three-storied building to the school he once studied in.  Sources say Dhanush replaced an existing structure with a simple roof at the Thaai Sathya Matriculation School in Saligramam with a three-storied structure. The newly constructed building has now been named the 'Dhanush Block'. For the unaware, Dhanush completed his schooling up to Class 10 at this very institution. The inauguration ceremony of the new building was held recently. Dhanush was seen at the event along with his schoolmate, cinematographer Kumaran. The two are students from the 1999 batch. During the event, Dhanush touched the feet of each of his teachers and received their blessings. He also posed for photographs with them, creating a deeply emotional and memorable moment. Cinematographer Kumaran, who studied alongside Dhanush at the same school from LKG, and his wife, Lakshmi Krupa also attended the event. Speaking after the event, cinematographer Kumaran said, “Dhanush, my wife and I studied here until Class 10. Later, Dhanush and I completed our Plus Two at another school. He went into cinema, while I completed my engineering degree and, unexpectedly, ended up entering the film industry as well. I eventually became a cinematographer and worked with Dhanush on films such as 'Thangamagan'.\" Kumaran went on to say, “Dhanush enquired about the condition of the school buildings and voluntarily came forward to make this tremendous contribution. What touched us even more was that he said he would also renovate some of the other buildings and construct new ones in the vacant spaces. His gesture has truly moved us.” On the work front, Dhanush, who won two National Awards -- one each for acting and direction -- at the recently announced 72nd National Film Awards, is currently working on Rajkumar Periasami's 'Om' in which he will be seen playing the lead along with Malayalam superstar Mammootty."},"img":{"url":"https://images.prismic.io/prad/dDkmGUiL4C6_7Eoj_dhanush.JPG?auto=format%2Ccompress&rect=0%2C9%2C450%2C222&w=2028&h=1000"},"datetime":"2026-08-05T04:48:00+0000","embed":{"embed_url":null}},"uid":"dhanush-constructs-donates-a-building-to-his-schoo"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"ED searches premises linked to YCP leader"},"content":{"text":"The Enforcement Directorate (ED) on Wednesday conducted searches at the premises linked to YSR Congress Party leader Malla Vijaya Prasad in a chit fund scam case.  The ED officials conducted simultaneous searches at five places in Visakhapatnam and Hyderabad.  The searches were conducted at the residence, office and other premises of the former MLA and chairman of Welfare Group of Companies. The raids were reported to be part of the investigation by the Central agency into the allegations of money laundering probe into alleged multi-state chit fund scam. The Central agency is probing the allegations against Vijaya Prasad and Welfare Group of Companies. ED officials from Odisha and West Bengal are reported to be participating in the searches. Police and CRPF personnel made tight security arrangements during the searches. Vijaya Prasad is YSRCP’s coordinator for Visakhapatnam West constituency.  A few cases were filed against him in Odisha, West Bengal, Bihar and Jharkhand in the past.  In 2021, Odisha police arrested him for his alleged involvement in the 2019 chit fund case. He was then serving as the chairman of Andhra Pradesh Education and Welfare Development Corporation. Odisha Police had registered cases under various sections of the Indian Penal Code, PC and MC Schemes (Banning Act) of 1978 and OPID Act of 2011 in connection with the alleged chit fund fraud. There were allegations that he was involved in a Rs 1,200 crore chit fund scam in which thousands of depositors from Andhra Pradesh, Odisha, Telangana, Chhattisgarh and other states were allegedly duped. In 2016, the CBI also registered two cases against him in connection with the chit fund scams. The agency had carried out searches at his office and residential premises.  Vijaya Prasad was elected to the Andhra Pradesh Assembly from Visakhapatnam West constituency in 2009 on a Congress ticket. He joined YSR Congress before the 2019 elections and contested unsuccessfully from the same constituency."},"img":{"url":"https://images.prismic.io/prad/nNgZKIEw8yGsfrjk_ycpleader.JPG?auto=format%2Ccompress&rect=0%2C22%2C266%2C131&w=2028&h=1000"},"datetime":"2026-08-05T08:02:00+0000","embed":{"embed_url":null}},"uid":"ed-searches-premises-linked-to-ycp-leader"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Why Riteish falls in love with Genelia every day?"},"content":{"text":"Actress Bhagyashree shared a heartfelt birthday wish for Genelia Deshmukh. She praised her charming personality and expressed admiration for the special bond she shares with husband Riteish Deshmukh. Taking to Instagram, the ‘Maine Pyar Kiya’ actress shared a video featuring a fun-filled moment with Genelia and Riteish. In the clip, Bhagyashree and Genelia are seen dancing together, before Riteish joins them and the trio grooves to the music, creating a joyful and memorable moment. Bhagyashree also penned a sweet note for the birthday girl. She described Genelia as the “cutest, sweetest” and “most fun-loving” person. The ‘Radhe Shyam’ actress added, that every time she looks at her, she understands why Riteish falls in love with her “every day again and again.” Bhagyashree wrote, “Happy birthday to cutest, sweetest, most funloving and my darling @geneliad Everytime I look at you, and I know why @riteishd falls in love with you every day again n again. God bless. #birthdaygirl.” Genelia also received a loving birthday tribute from her husband Riteish Deshmukh, who shared a sweet note for his wife on social media. Celebrating their special bond, the ‘Masti’ actor wrote, “My dearest Baiko, I was going through all the memories we have shared, curated, and created, and I realised that I am the only one ageing — you seem completely frozen in time. But then again, I guess you are truly blessed with a good husband.” “Happy Birthday to the person who holds our family together — a super mom, a fabulous daughter, a doting sister, and my Vedi Bayko!!! I love you @geneliad #happybirthdaygenelia.” Riteish Deshmukh and Genelia D’Souza tied the knot in 2012 after dating for several years. The couple embraced parenthood with the arrival of their second son, Rahyl, in 2016."},"img":{"url":"https://images.prismic.io/prad/d433f32c-f24f-41a8-aa7c-42f510ce9659_riteshgenelia.JPG?auto=format,compress"},"datetime":"2026-08-05T08:20:00+0000","embed":{"embed_url":null}},"uid":"why-riteish-falls-in-love-with-genelia-every-day"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rakul's Recipe for Romance"},"content":{"text":"Actress Rakul Preet Singh offered a glimpse into her professional and personal bond with husband Jackky Bhagnani, saying their work partnership is powered by constant laughter and endless conversations about food.  The actress shared a string of images with Jackky and in a collaborative post said their aligned synergy makes building something exciting as a couple a truly rewarding experience. “People ask us what it’s like working together. The answer? Half the time we’re discussing work, the other half we’re laughing and discussing what to eat. It’s fun because I feel our synergy is aligned,” she wrote as the caption. Rakul added: “Building a life together is one thing. Building something you’re both excited about is a whole different experience.” Rakul and Jackky had announced that they were in a relationship in 2021. It was in 2024, that the two got married in Goa in an intimate ceremony. Rakul will next be seen playing Surpanakha in 'Ramayana' by Nitesh Tiwari. Directed by Nitesh Tiwari and produced by Namit Malhotra's Prime Focus Studios and eight-time Academy Award-winning VFX studio DNEG, in collaboration with Yash's Monster Mind Creations, 'Ramayana: Part One' is expected to reach the audience on Diwali 2026. Jackky made his debut with Kal Kissne Dekha, which was released in 2009. He was then seen in F.A.L.T.U. Ajab Gazabb Love, Rangrezz, Youngistaan, and Welcome To Karachi. In 2016, he produced Sarbjit with his sister Deepshikha Deshmukh under the banner Pooja Entertainment. As a producer, he last bankrolled Bade Miyan Chote Miyan, a science fiction action film directed by Ali Abbas Zafar. Sharing its name with the 1998 film, the film stars Akshay Kumar, Tiger Shroff and Prithviraj Sukumaran. The story follows two former soldiers in a race against time to save India from an imminent attack by a vengeful scientist."},"img":{"url":"https://images.prismic.io/prad/Z81-jhsAHJWomQpA_rakuljackky.JPG?auto=format,compress"},"datetime":"2026-08-05T06:53:00+0000","embed":{"embed_url":null}},"uid":"rakuls-recipe-for-romance"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Zuckerberg: Sorry, India"},"content":{"text":"Meta CEO Mark Zuckerberg on Wednesday apologised over the spread of child sexual abuse material (CSAM), deepfake content and shortcomings in the operation of the company's platforms.  According to government sources, Zuckerberg acknowledged concerns raised by the government regarding the spread of objectionable and manipulated content and expressed regret over what were described as errors in the operation of the platform. “Mark Zuckerberg sent his apologies for the CSAM content, deepfake content and errors in operating the platform,” government sources said. Sources further claimed that it was communicated to the company that its role in selecting and distributing content to users could place it outside the definition of a neutral intermediary under Indian law. They said authorities made it clear that the \"safe harbour\" protections available under the Information Technology Act may not be applicable if a platform is found to be actively determining which content reaches users. “It was made clear to them that they are not covered under Intermediary definition. They select who receives the content. Safe harbour under IT Act not applicable. They admitted that a lot of money was paid for boosting certain type of content. They apologised and regretted the mistake,” the sources added. Meanwhile, earlier in the day, IT Ministry sources said that social media platforms, including Meta, must comply with the law of the land as a parliamentary panel asked Meta CEO Mark Zuckerberg to issue an \"unqualified apology\" within three days over the brief removal of Prime Minister Narendra Modi's Facebook post recently. Meta stands to lose its “safe harbour protection” in India if it fails to do so in the stipulated deadline, the IT Ministry sources added earlier in the day. A high-level Meta delegation met IT Secretary S. Krishnan in the national capital to discuss the erroneous takedown of the Prime Minister's video. They were also scheduled to meet Electronics and IT Minister Ashwini Vaishnaw."},"img":{"url":"https://images.prismic.io/prad/cfc8d489-0ac7-42ec-8038-a722ca64ccf2_mark+zukerberg.JPG?auto=format,compress"},"datetime":"2026-08-05T08:12:00+0000","embed":{"embed_url":null}},"uid":"zuckerberg-sorry-india"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Jagan’s Masterstroke?"},"content":{"text":"Former Andhra Pradesh Chief Minister Y. S. Jagan Mohan Reddy is expected to return to the Assembly during the upcoming session, signaling a shift in the YSRCP's political strategy. The state government is reportedly preparing to convene the Assembly from August 17, with local body elections also on the horizon. As the ruling NDA coalition sharpens its political campaign, the opposition is preparing to challenge the government more aggressively inside the House, making the upcoming session one of the most closely watched in recent months. Since the 2024 Assembly elections, YSRCP has remained on the back foot after securing just 11 seats, leaving Jagan without the status of Leader of the Opposition. The party had sought official recognition for the post, but the government maintained that the numbers did not meet the constitutional requirement. Except for attending the Governor's address, Jagan has largely stayed away from Assembly proceedings, a move that drew criticism from political opponents. His reported decision to participate this time is being viewed as an attempt to re-establish the party's presence in the legislature. During the session, YSRCP is expected to raise several issues, including law and order, alleged custodial deaths, farmers' concerns, welfare schemes, unfulfilled election promises, and the state's financial position. Party leaders believe direct participation in debates will allow them to corner the government on key public issues while countering criticism over their absence from the Assembly. With both the ruling coalition and the opposition preparing for a political showdown ahead of local elections, Jagan's return to the House could add fresh momentum to Andhra Pradesh's evolving political landscape."},"img":{"url":"https://images.prismic.io/prad/Z7xF-J7c43Q3gHdh_Jaganwalksout.JPG?auto=format,compress"},"datetime":"2026-08-05T08:15:00+0000","embed":{"embed_url":null}},"uid":"jagans-masterstroke"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Sundeep's Epic Avatar"},"content":{"text":"Sundeep Kishan has officially unveiled the most ambitious project of his career with 'Karikala', a grand-scale period action drama that promises to showcase the actor in a never-seen-before avatar. Moving beyond the action thrillers and commercial entertainers he is known for, Sundeep is stepping into the world of historical warfare with a film that blends intense action, emotion, and larger-than-life storytelling. The announcement has generated significant buzz, with the striking first-look poster instantly grabbing attention across social media platforms. Directed by Yugandhar Muni, the filmmaker behind Shambala, and produced by Mahidhar Reddy and Rajasekhar under the Shining Pictures banner, Karikala presents Sundeep as a fearless warrior leading the charge into battle. The visually rich poster features the actor riding a horse with a sword in hand, while a majestic lion standing beside him adds to the aura of strength and royalty. The battlefield backdrop, grand production design, and cinematic scale hint at a film that aims to deliver both spectacular action and an emotionally driven historical saga. The makers have confirmed that Karikala will be released as a two-part cinematic event, with Chapter 1 arriving on July 2, 2027, followed by Chapter 2 on October 28, 2027. Releasing both installments within just four months is an unusual strategy that has further fueled excitement among moviegoers. While details about the supporting cast and story remain under wraps, industry circles expect Sundeep to undergo extensive physical and combat training for the demanding role. With its ambitious vision, powerful first look, and two-part release plan, Karikala is already shaping up to be one of the most awaited Telugu films on the 2027 calendar."},"img":{"url":"https://images.prismic.io/prad/ZDxFza1q7eBT8MXK_sundeepkishan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-05T07:30:00+0000","embed":{"embed_url":null}},"uid":"sundeeps-epic-avatar"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Screen Villain Pradeep Rawat No More"},"content":{"text":"The Indian film industry has been left in mourning following the passing of veteran actor Pradeep Rawat, a performer celebrated for his commanding screen presence and unforgettable portrayals of powerful antagonists. His demise marks the end of an illustrious career that spanned decades across multiple film industries, including Telugu, Hindi, Tamil, Kannada and Malayalam cinema. News of his passing has shocked fans and colleagues alike, with tributes pouring in from across the country, remembering him as an actor who brought remarkable intensity and authenticity to every role he played. Pradeep Rawat carved a unique niche in Indian cinema with his imposing personality, powerful dialogue delivery and effortless ability to portray menacing characters. From blockbuster action entertainers to emotionally driven dramas, he consistently left a lasting impression, often stealing the spotlight despite sharing the screen with some of the biggest stars. His performances in several landmark films earned him widespread recognition and made him one of the most sought-after character actors in the industry. Beyond the villainous roles that made him famous, Rawat was admired for his professionalism, discipline and dedication to his craft. As news of his demise spread, filmmakers, actors and admirers took to social media to express their grief and share heartfelt memories of working with him. Many described him as a humble individual off-screen, whose warmth stood in stark contrast to the intimidating characters he portrayed on screen. While Indian cinema has lost one of its most distinctive performers, Pradeep Rawat's legacy will continue to live on through the countless memorable characters he brought to life. His contribution to cinema will remain an enduring inspiration for generations of actors and movie lovers."},"img":{"url":"https://images.prismic.io/prad/klMI6cUgyHpLhHzy_pradeeprawat.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-04T15:15:00+0000","embed":{"embed_url":null}},"uid":"screen-villain-pradeep-rawat-no-more"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Tabu Seeks Court Protection"},"content":{"text":"Celebrated actress Tabu has approached the Delhi High Court seeking protection of her personality and publicity rights against the alleged unauthorised use of her name, image, likeness and other identity attributes, including through artificial intelligence (AI)-generated content and digital impersonation.  The matter came up for hearing before a single-judge Bench of Justice Jyoti Singh, who took note of certain discrepancies in the pleadings filed on behalf of the actress.  During the proceedings, Justice Singh asked senior advocate Swathi Sukumar, appearing for Tabu, to file a fresh memo of parties after observing that the existing memo did not correctly mention details of some of the defendants.  The judge remarked that accurate particulars of all parties were necessary for proper adjudication of the case and directed that the defects be rectified.  Following this, the Delhi High Court deferred further hearing in the matter and listed it for August 6.  Tabu’s plea is understood to raise concerns over unauthorised commercial exploitation and misuse of her identity and likeness in the digital space.  The development comes amid a growing number of personality rights disputes before the Delhi High Court involving allegations of AI-generated impersonation, deepfakes, fake endorsements, and unauthorised commercial exploitation of public figures’ identities.  The case adds to a growing list of high-profile personalities invoking their personality and publicity rights before the Delhi High Court. In recent months, former cricketer Gautam Gambhir, former India captain Sunil Gavaskar, spiritual leader Sri Sri Ravi Shankar, actors Arjun Kapoor, Allu Arjun, Nagarjuna, Varun Dhawan, Kajol, Aishwarya Rai Bachchan, and Abhishek Bachchan, singer Jubin Nautiyal, film-maker Karan Johar, podcaster Raj Shamani, Congress MP Shashi Tharoor, and actor Naga Chaitanya have secured or sought court protection against the unauthorised use of their identity, likeness, or AI-generated imitations. "},"img":{"url":"https://images.prismic.io/prad/LYsCG9gzC8aaf6QQ_tabu.JPG?auto=format%2Ccompress&rect=0%2C31%2C449%2C221&w=2028&h=1000"},"datetime":"2026-08-04T09:41:00+0000","embed":{"embed_url":null}},"uid":"tabu-seeks-court-protection"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Salman Fee Myth Busted"},"content":{"text":"Rumours suggesting that Bollywood superstar Salman Khan accepted a significantly reduced remuneration for his upcoming film with director Vamshi Paidipally have now been officially dismissed by the makers. Over the past few days, reports claimed that the actor had slashed his usual fee to be a part of the ambitious project, tentatively titled SVC63. However, the production team has clarified that these reports are completely baseless and urged fans not to believe unverified speculation. They emphasized that their entire focus remains on delivering a grand cinematic experience rather than responding to rumours. Meanwhile, the film is preparing to kick off one of its biggest shooting schedules in Mumbai from August 6. The six-week-long schedule will feature three large-scale action sequences along with massive crowd scenes involving hundreds of junior artists. Initially planned for Hyderabad, the action schedule was later shifted to Mumbai due to production requirements. Actress Nayanthara is also expected to join the team during this phase, while the makers are aiming to complete the entire action portion by October. The film is being readied for a grand Eid 2027 theatrical release. Speculation had earlier suggested that Salman Khan, who is often reported to command over ₹120 crore per film, had agreed to work on SVC63 for nearly ₹70 crore because of his close association with producer Rafi Kazi. Although those claims generated widespread discussion, the filmmakers have now categorically denied them. Apart from this high-profile project, Salman is also busy with director Apoorva Lakhia's Matrubhumi and is reportedly in advanced discussions for another ambitious venture with filmmaker duo Raj & DK, making the coming years packed with exciting releases for the superstar."},"img":{"url":"https://images.prismic.io/prad/2FCzNG1-OKXTiOST_salmanpaidipally.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-04T09:11:00+0000","embed":{"embed_url":null}},"uid":"salman-fee-myth-busted"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"In just 5 days, 'Srinivasa Mangapuram' has crossed 6 cr"},"content":{"text":"In a noteworthy achievement, the romantic action drama 'Srinivasa Mangapuram,' starring Jai Krishna Ghattamaneni and Rasha Thadani, has successfully crossed the ₹6 crore milestone at the global box office within its first five days of release. Premiering on July 30, 2026, the film has garnered significant attention, particularly in its domestic markets, with box office tracker Jerin Georgekutty providing the latest figures as the film enters its sixth day in theaters. The ongoing performances during the weekdays will be crucial in determining the trajectory of the film's theatrical run. The film's domestic gross stands at an impressive ₹6.27 crore, with Andhra Pradesh contributing ₹3.16 crore and Telangana accounting for ₹2.01 crore of the total revenue. An additional ₹29 lakh was generated from Karnataka, while the Rest of India markets added ₹2.20 lakh. Furthermore, overseas earnings are estimated at approximately $25,000, translating to around ₹23 lakh. This brings the total worldwide gross to approximately ₹6.50 crore, underscoring a strong initial reception among viewers and critics alike. 'Srinivasa Mangapuram' has witnessed fluctuating box office numbers throughout its first five days, with an initial collection of ₹1.74 crore on opening day, followed by a drop to ₹1.08 crore on Day 2—a decline of nearly 38 percent. Subsequent days showed a gradual decrease, with collections reaching ₹97 lakh and then ₹1 crore on Day 3 and Day 4, respectively, before falling to ₹69 lakh on Day 5. Despite these variations, the film has been characterized as having a “decent start,” with its performance indicating a potential for sustained interest, particularly as it navigates the crucial early week of its release. Written and directed by Ajay Bhupathi, 'Srinivasa Mangapuram' tells the story of Vasu Babu and Manga, a young couple whose love is tested by unforeseen challenges. Featuring new talents Jai Krishna Ghattamaneni and Rasha Thadani in leading roles, the film also includes a supporting cast of notable actors such as Mohan Babu and Naresh. Produced by P. Kiran under the Chandamama Kathalu Pictures banner and presented by Ashwini Dutt, the film boasts a musical score by GV Prakash, with cinematography executed by Jayakrishna Gummadi. As audiences continue to flock to theaters, the evolving box office dynamics will be closely monitored, as they often reflect broader trends in audience preferences and market conditions."},"img":{"url":"https://images.prismic.io/prad/aeC_SZ1ZCF7ETPku_srinivasmangapuramteaser.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-04T12:25:00+0000","embed":{"embed_url":null}},"uid":"in-just-5-days-srinivasa-mangapuram-has-crossed-6-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Prabhas Drops a Bomb?"},"content":{"text":"Prabhas is once again at the center of industry buzz, but this time it isn't because of a teaser or a trailer. Reports suggest that his much-awaited period action drama 'Fauji' could adopt an unconventional release strategy by skipping the usual promotional campaign altogether and heading straight to theatres. If the plan materializes, it would mark a first-of-its-kind release for a major Telugu film, creating immense curiosity among fans and the trade alike. While an official confirmation is still awaited, the speculation has already sparked widespread discussion across social media. Directed by Hanu Raghavapudi, 'Fauji' is mounted on a lavish scale with a reported budget running into hundreds of crores. Designed as a pan-India spectacle, the film is expected to release in multiple languages, targeting audiences across the country. Instead of relying on traditional promotional content, the makers are reportedly considering letting the film's scale, mystery and Prabhas' star power drive audience excitement. If true, it would be a high-risk, high-reward strategy rarely attempted in Indian cinema. The film features Imanvi opposite Prabhas, with veteran performers Mithun Chakraborty, Anupam Kher, Jaya Prada and Bhanuchander playing pivotal roles. Music is composed by Vishal Chandrasekhar, while the project is backed by Mythri Movie Makers in association with T-Series. 'Fauji' is currently slated for a worldwide release on December 3, with premiere shows expected a day earlier. Meanwhile, Prabhas continues to juggle multiple high-profile projects, including Spirit, Kalki 2 and Salaar 2, keeping his packed lineup one of the biggest in Indian cinema."},"img":{"url":"https://images.prismic.io/prad/4xWhh4g_W3yf1xcG_fauzi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-04T11:53:00+0000","embed":{"embed_url":null}},"uid":"prabhas-drops-a-bomb"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Bhogapuram Airport Becomes Battleground"},"content":{"text":"Claiming that the credit for Bhogapuram greenfield international airport goes to former Andhra Pradesh Chief Minister Y.S. Jagan Mohan Reddy, YSR Congress Party (YSRCP) MPs Tanuja Rani and Gurumoorthy on Tuesday accused the current Chief Minister N. Chandrababu Naidu of reducing governance to \"credit theft\" by claiming the airport as his achievement. Tanuja Rani said Union Minister Pemmasani Chandrasekhar was speaking irresponsibly merely because he had wealth and a Ministerial position. He was in the US when the then Jagan Mohan Reddy-led state government executed the Bhogapuram works and therefore had no moral right to distort the project's history. She challenged the Telugu Desam Party (TDP) for a debate in the Parliament, saying that YSRCP would present every official record. Even TDP leaders admit that 86 per cent of the airport works were completed during Jagan Mohan Reddy's tenure as the then Chief Minister of Andhra Pradesh. She also questioned the Rs 300 crore spent on International Yoga events and asked what benefit such publicity and Guinness records had brought to tribal communities. Gurumoorthy said the runway was built under the Jagan Mohan Reddy-led state government, while TDP leaders were now cutting ribbons and claiming credit. \"Land acquisition, compensation, statutory approvals and removal of legal hurdles were completed under former Chief Minister Jagan Mohan Reddy, with the airport made possible through the sacrifices of farmers. Government records would continue to prove this, irrespective of TDP's publicity,\" he added. The YSRCP MP said the TDP government had not completed land acquisition by 2019. \"After YSRCP came to power in the state, land was acquired, farmers were compensated and the project moved forward with GMR in 2023. Farmers and fishermen had approached courts because the previous TDP government proposed acquiring 15,000 acres, creating fear over its land hunger. Those cases were cleared by 2022.\" He said that when even London's Heathrow airport operates on about 3,000 acres, Jagan Mohan Reddy only asked why Bhogapuram airport required 15,000 acres. The project was rationalised to around 2,700 acres and all land hurdles were removed, he added. Gurumoorthy also demanded action on rising airfares, declining passenger growth and excessive fares burdening Tirupati pilgrims."},"img":{"url":"https://images.prismic.io/prad/LA5TOSGVHbvkGqhY_bhogapuram.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-04T13:37:00+0000","embed":{"embed_url":null}},"uid":"bhogapuram-airport-becomes-battleground"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"'Varanasi' Under Leak Attack Again!"},"content":{"text":"One of Indian cinema's most-awaited projects, 'Varanasi', has once again found itself at the center of an online storm after an alleged behind-the-scenes video featuring Mahesh Babu surfaced on social media. The film has been wrapped in secrecy since production began, with fans eagerly waiting for official promotional material. Instead, unauthorized clips from the shooting location continue to make their way online, creating concern among both the filmmakers and the actor's massive fan base. Despite implementing tighter security measures following previous leak incidents, the production has reportedly suffered another breach. The latest footage, which allegedly captures Mahesh Babu during a key sequence, spread rapidly across multiple social media platforms within hours. Although the clip was quickly removed from several pages, it had already been widely circulated, sparking fresh conversations about the challenges of safeguarding high-profile film productions in the digital age. Soon after the video went viral, fan clubs and copyright monitoring teams appealed to users not to share or repost the leaked content. Several accounts reportedly received copyright notices, while fans urged others to wait for the makers to unveil official visuals instead of promoting unauthorized material. Many admirers expressed disappointment that repeated leaks could dilute the excitement surrounding one of the film's biggest attractions and potentially spoil important moments before release. The recurring incidents have also intensified discussions about production security and marketing strategies for large-scale films. While some believe stricter on-set protocols are the only solution, others feel that releasing periodic official teasers or behind-the-scenes glimpses could satisfy audience curiosity and reduce interest in leaked footage. With expectations surrounding Varanasi continuing to soar, the makers now face the dual challenge of protecting the film's surprises while maintaining the excitement leading up to its release."},"img":{"url":"https://images.prismic.io/prad/95PzrGii-eXJ0Lqg_varanasi.JPG?auto=format,compress"},"datetime":"2026-08-06T06:42:00+0000","embed":{"embed_url":null}},"uid":"varanasi-under-leak-attack-again"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Andhra Handicrafts Go Digital"},"content":{"text":"Andhra Pradesh has introduced a first-of-its-kind QR code-based authentication system for handicrafts, giving a major digital boost to the state's traditional arts. Developed by the Andhra Pradesh Handicrafts Development Corporation (Lepakshi) following the suggestion of Deputy Chief Minister Pawan Kalyan, the initiative allows buyers to scan a QR code and instantly access details about the product, its history, the artisan who created it, raw materials used, production process, and GI or ODOP recognition. The first phase covers eight iconic handicrafts, including the Bobbili Veena, Kalamkari artworks, and Savara tribal paintings. The government plans to extend the system to all handicraft products and artisan clusters across the state. Besides helping customers verify authenticity and preventing counterfeit products, the initiative is expected to improve global visibility for Andhra Pradesh's handicrafts and ensure artisans receive greater recognition and better income opportunities."},"img":{"url":"https://images.prismic.io/prad/7c350781-fae7-496b-b3c8-c6b63ac18b17_QR+codes.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-06T11:06:00+0000","embed":{"embed_url":null}},"uid":"andhra-handicrafts-go-digital"}},{"node":{"data":{"title":{"text":"Petrol bomb attack at Shakib Al Hasan's house"},"content":{"text":"A petrol bomb was hurled at the ancestral residence of former Bangladesh cricket skipper and former Awami League MP Shakib Al Hasan on Wednesday night, hours after appearing virtually at a press conference alongside the country's former Prime Minister Sheikh Hasina in India. The incident took place at around 8:45 p.m. local time on Wednesday at Shakib Al Hasan's ancestral residence in the Keshabmor area of Magura town. The house was also vandalised. According to police and local sources, the petrol bomb was thrown at the upper portion of the iron gate on the southern side of the house. On receiving the information, a team from Magura Sadar Police Station visited the site and inspected the situation. However, police could not immediately confirm who was responsible for the attack, according toa Dhaka Tribune report. Magura Sadar Police Station Officer-in-Charge Abdul Al Mamun said: \"We are looking into the incident. It cannot be confirmed at this stage whether it was a petrol bomb. The actual circumstances will be known after the investigation.\" The incident came shortly after Sheikh Hasina addressed a virtual press conference organised at the Foreign Correspondents' Club in New Delhi. \"Torching residences : the cost of attending Awami League press conference. Neo fascism engulfs Bangladesh,\" the Awami League said in a statement on social media platform X. \"A grisly petrol bomb attack took place at the residence of Bangladesh's celebrated cricket icon Sakib Al hasan, hours after the world famous star cricketer appeared at a press conference with honourable party president Sheikh Hasina. Ahead of the press conference, BNP, Islamist Jamaat and NCP all publicly threatened national media outlets to weaponise judiciary to sue in case of reports of the press conferences. This calculated attack is yet another testament to ongoing genocidal campaign against awmai league activists in the name of democracy building project, hallmarks of fascism,\" the statement added. Speaking virtually, Sheikh Hasina declared that she was determined to return to Bangladesh in December, saying she was prepared to face arrest or even death in what she described as an effort to restore democracy. \"My return is not about power, it's about putting Bangladesh back on track of development, secularism and prosperity,\" she said. The 78-year-old former Prime Minister acknowledged the risks awaiting her if she returned. \"I know, they may put me in jail or kill me,\" she said, adding, \"I will go back home to be with my people. I have decided to go and I will go to Bangladesh.\" Hasina has been living in India since August 5, 2024, when she fled Dhaka following the collapse of her government after months of anti-government protests. Last November, a special tribunal in Dhaka sentenced her to death in absentia over alleged \"crimes against humanity\" linked to her government's crackdown on the student-led protests of 2024. Since the verdict, Bangladesh has repeatedly sought her extradition from India. \"Fear has entered homes, work places and educational campuses; this is not the Bangladesh we built. I call upon the international community to stand with the people of Bangladesh in their struggle for democracy and justice,\" Sheikh Hasina said. According to Hasina, organised groups had deliberately transformed the protests into a violent political campaign. \"I was forced away from my country but I am never separated from my people,\" she said. Alongside Hasina and her son Sajeeb Wazed Joy, several Awami League figures participated, including former Education Minister Mohibul Hasan Chowdhury Nowfel attended the press conference virtually. Hasina's decision to address the media from Indian territory had already become a diplomatic issue. Earlier this week, Bangladesh sought clarification from New Delhi over the press conference."},"img":{"url":"https://images.prismic.io/prad/ZsjA0kaF0TcGJXXg_shakib.JPG?auto=format,compress"},"datetime":"2026-08-05T20:53:00+0000","embed":{"embed_url":null}},"uid":"petrol-bomb-attack-at-shakib-al-hasans-house"}},{"node":{"data":{"title":{"text":"HC Reverses Ex Tehelka Editor Tejpal Acquittal In Rape Case"},"content":{"text":"The Bombay High Court on Thursday set aside the acquittal of former Tehelka editor Tarun Tejpal in the 2013 $exual assault case involving a junior colleague and convicted him of rape and other offences under the Indian Penal Code (IPC).  A Division Bench of Justices Neela Gokhale and Amit Jamsandekar allowed the appeal filed by the Goa government against the May 2021 judgment of a sessions court in Mapusa, which had acquitted Tejpal of all charges. Pronouncing the verdict, the Justice Gokhale-led Bench said that it had convicted Tejpal under Sections 376(2)(f) and 376(2)(k) (rape), 354A ($exual harassment) and 354B (assault or use of criminal force against a woman with intent to disrobe) of the IPC. The High Court is scheduled to hear the matter on the question of sentence later in the day. The case stems from allegations made by a junior colleague that Tejpal $exually assaulted her inside an elevator of a luxury hotel in Goa during an event in November 2013. The Goa Police registered an FIR against Tejpal for offences including rape, following which he was arrested in November 2013 after a local court rejected his anticipatory bail plea. He was granted regular bail by the Supreme Court in July 2014. In May 2021, Additional Sessions Judge Kshama Joshi acquitted Tejpal, holding that the prosecution had failed to prove its case beyond reasonable doubt and citing alleged lapses in the investigation, including failure to produce certain evidence such as CCTV footage. The prosecution challenged the acquittal before the Bombay High Court, contending that the trial court had erred in appreciating the evidence on record. During the hearing before the High Court, the Goa Police argued that the Sessions Court had focussed on the survivor's post-incident conduct and background instead of assessing the evidence against the accused. It also submitted that the trial court ignored material evidence, including an apology email allegedly sent by Tejpal after the complainant raised the allegations with the then managing editor of the publication. During the hearing on Thursday after the conviction was pronounced, Tejpal's counsel sought suspension of the conviction for eight weeks to enable him to approach the Supreme Court, submitting that the verdict had reversed an acquittal and highlighting that there was no other criminal case against him. Addressing the Justice Neela Gokhale-led Bench, Tejpal pleaded for leniency, stating that he believed himself to be a victim and requested the Bombay High Court to take a compassionate view while deciding the sentence. On the other hand, Solicitor General Tushar Mehta opposed the plea for leniency, contending that the case required a strong message against $exual violence and arguing that \"when a girl says no, it means no.\" The High Court adjourned the matter till 2.30 p.m. for hearing on the sentence. The detailed judgment is awaited."},"img":{"url":"https://images.prismic.io/prad/d8b01bdb-434b-4fa1-9bbb-20531d2043ec_tarun+tejpal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-06T04:30:00+0000","embed":{"embed_url":null}},"uid":"hc-reverses-ex-tehelka-editor-tejpal-acquittal-in-rape-case"}},{"node":{"data":{"title":{"text":"7 Years After Article 370: A New Kashmir Emerges"},"content":{"text":"Seven years after the abrogation of Article 370 in Jammu and Kashmir, significant changes have been witnessed in the daily lives of people across the Valley, with improvements in infrastructure, governance, education, connectivity, tourism and law and order emerging as key indicators of transformation. The report, based on an opinion article published in Global Kashmir by political analyst Israar Shahid, states that one of the most notable achievements since August 5, 2019, has been the restoration of normalcy and the ordinary rhythm of life in the region. According to the article, there was a time when introducing oneself as a Kashmiri outside Jammu and Kashmir often evoked associations with violence, curfews, shutdowns, stone-pelting incidents and uncertainty. This perception, it noted, was shaped by decades of conflict and unrest that frequently dominated national discourse. For those born during the 1990s and early 2000s, growing up in Kashmir often meant living amid uncertainty and disruption. Families adjusted their daily routines around security concerns, markets shut abruptly, schools remained closed for prolonged periods and public life was frequently affected by instability. The report notes that before 2019, Kashmir's political landscape differed significantly from that of most Indian states. Alongside elected governments and administrative institutions, other influential forces often shaped public discourse and political narratives. Many residents felt caught between competing interests, while ordinary citizens frequently bore the consequences of decisions over which they had little control. According to the article, Kashmiris are widely known for their resilience, humility and emotional nature. However, these characteristics often made sections of society vulnerable to manipulation by various political actors. Many residents felt that both mainstream political parties and separatist groups appealed to public sentiment whenever it suited their respective agendas. A recurring criticism among many Kashmiris, the report states, was that ordinary citizens were encouraged to participate in protests, shutdowns and demonstrations, while those issuing such calls often remained insulated from the hardships that followed. The burden of disruption was largely borne by daily wage earners, traders, students and ordinary families. The article said that it was not influential political leaders or members of elite families who suffered the most during years of unrest. Instead, it was the common Kashmiri, including farmers, shopkeepers, labourers, teachers and students who endured the greatest hardships. The report also highlights the long-term impact of the migration of Kashmiri Pandits during the 1990s. According to the article, the departure of experienced teachers, professors and academics left a significant gap in the educational landscape of the Valley. Frequent shutdowns and prolonged disruptions further affected schools, colleges and universities, resulting in repeated interruptions to academic schedules. As a consequence, an entire generation of students faced challenges in competing for opportunities at the national level. The report emphasises that the issue was not a lack of talent, as Kashmir has consistently produced capable students, but rather the environment in which they were compelled to pursue their education. Against this backdrop, developments following August 5, 2019, continue to remain a subject of political debate. However, the report states that many residents point to visible changes in everyday life that go beyond political arguments. According to the article, the transformation is evident not only in official statistics but also in roads, schools, public services, businesses and the confidence with which people now plan their futures. Infrastructure development has emerged as one of the most visible changes. The report notes that projects which once moved at a slow pace have seen faster execution in recent years. It cites the example of the Jehangir Chowk-Rambagh flyover in Srinagar, which took nearly a decade to become operational after being conceived. In contrast, several road and flyover projects have been completed in recent years to improve connectivity and ease traffic congestion. Residents frequently point to projects in areas such as Sanat Nagar, Nowgam, Sangrama and Delina as examples of development that directly impacts daily life. Improved road infrastructure has reduced travel times and enhanced mobility for commuters. The report also highlights the case of Gurez, where grid-connected electricity reached the region in November 2023. For residents of remote areas, such developments have significantly improved living conditions and quality of life. Technology-driven governance has also become a key feature of administrative reforms. According to the report, digital services, online certification systems, grievance portals and electronic governance mechanisms have reduced dependence on intermediaries and personal connections. Citizens are increasingly able to access government services through transparent and structured procedures. The expansion of Direct Benefit Transfer (DBT) mechanisms has further strengthened welfare delivery. Subsidies, scholarships, healthcare assistance, housing benefits and other government support programmes are now reaching beneficiaries more directly, reducing delays and leakages. Connectivity has witnessed a major boost with the completion of the Udhampur-Srinagar-Baramulla Rail Link. The report describes the railway project as the fulfilment of a long-standing aspiration for the people of Jammu and Kashmir. Engineering marvels such as the Chenab Bridge and Anji Khad Bridge have attracted national and international attention. For many residents, the railway network represents more than just transportation; it symbolises greater accessibility, integration and economic opportunity. Tourism, one of Kashmir's most important economic sectors, has also experienced a significant revival. Long celebrated for its natural beauty, the region often struggled to maintain consistent tourist inflows because of security concerns. However, the report notes that visitor numbers have risen substantially in recent years. Popular destinations such as Pahalgam, Gulmarg and Sonamarg continue to attract tourists, while previously lesser-known areas such as Gurez are gaining recognition. The economic benefits of tourism extend well beyond hotels and resorts. Taxi operators, tour guides, artisans, restaurant owners, shopkeepers and numerous small businesses have benefited from increased tourist activity. The return of film production to Kashmir has further contributed to this revival. Once a preferred destination for filmmakers, the Valley witnessed a decline in film-related activity due to instability. According to the report, the return of film crews is viewed by many residents as an indication of improved ground conditions. Basic services, including electricity and drinking water, have also shown improvement. Investments in power infrastructure and transmission systems have strengthened electricity supply in several areas. Initiatives under the Jal Jeevan Mission have expanded access to clean drinking water, reducing dependence on distant sources. However, the report suggests that perhaps the most significant transformation is not physical infrastructure but a change in public mindset. Today, many business owners are focusing on expansion rather than preparing for sudden shutdowns. Students are concentrating on competitive examinations without the fear of prolonged academic disruptions. Young entrepreneurs are exploring startup opportunities, athletes are pursuing sporting careers and families are making long-term plans with greater confidence. The report also notes that elections in recent years have reflected changing social and political dynamics. Increased participation by ordinary citizens has been interpreted by many observers as a sign of greater engagement with democratic processes. One of the most significant changes highlighted in the report relates to law and order. For several consecutive years, educational institutions have largely followed academic calendars without major interruptions. Parents who once worried about school closures are now seeing their children attend classes regularly. For families unable to send their children outside the Valley for education, this continuity has been particularly important. The ability to pursue studies without prolonged disruption has restored a sense of normalcy that many previous generations lacked. The reduction in large-scale street violence has also enabled young people to redirect their energies towards education, employment, entrepreneurship, sports and professional growth. According to the report, this shift represents not merely an improvement in security but the restoration of the freedom to dream and aspire. Seven years after August 5, 2019, many residents believe that the return of ordinary life remains the most meaningful achievement. The ability to attend school regularly, travel freely, run businesses without fear of sudden disruptions and plan for the future with confidence are among the changes frequently cited by ordinary Kashmiris. At the same time, the report acknowledges that significant challenges remain. Unemployment continues to be a concern, while political aspirations and Constitutional debates persist. It notes that development must reach every village and every section of society, and that lasting peace requires dignity, opportunity, representation and sustained economic growth. The report argues that recognising progress does not require ignoring existing challenges, just as acknowledging challenges should not mean dismissing positive developments. A society that has experienced decades of conflict, it states, deserves an honest assessment of both its achievements and its shortcomings. According to the article, when ordinary Kashmiris are asked what has changed since August 5, 2019, they often do not refer first to official reports or government statistics. Instead, they point to everyday experiences such as uninterrupted schooling, consistent business activity, improved infrastructure, returning tourists and a greater sense of security. For many residents, the discussion ultimately centres on peace, stability, accountability and the opportunity to build a better future. The report concludes that the story of Kashmir's transformation is not primarily about political elites or powerful institutions. Rather, it is about ordinary citizens, the fruit seller, farmer, teacher, student, small business owner and parent, who have lived through decades of uncertainty. For many such Kashmiris, the last seven years represent a transition from fear to hope, from instability to relative normalcy and from uncertainty to possibility. As debates surrounding Article 370 continue across political and ideological lines, one sentiment frequently emerges among those who measure change through everyday life rather than political rhetoric: after decades of conflict, ordinary people increasingly feel they have an opportunity to focus on something they had long been denied, the ability to live, work, learn and dream in peace. The report also notes that leaders of the Union government, speaking at various public forums and official events in recent years, have consistently maintained that the changes introduced after August 2019 were aimed at promoting peace, development, transparency and equal opportunities for the people of Jammu and Kashmir."},"img":{"url":"https://images.prismic.io/prad/dCIcahQ9gp3_K6DU_kashmir.JPG?auto=format%2Ccompress&rect=0%2C26%2C448%2C221&w=2028&h=1000"},"datetime":"2026-08-05T11:10:00+0000","embed":{"embed_url":null}},"uid":"7-years-after-article-370-a-new-kashmir-emerges"}},{"node":{"data":{"title":{"text":"ED searches premises linked to YCP leader"},"content":{"text":"The Enforcement Directorate (ED) on Wednesday conducted searches at the premises linked to YSR Congress Party leader Malla Vijaya Prasad in a chit fund scam case.  The ED officials conducted simultaneous searches at five places in Visakhapatnam and Hyderabad.  The searches were conducted at the residence, office and other premises of the former MLA and chairman of Welfare Group of Companies. The raids were reported to be part of the investigation by the Central agency into the allegations of money laundering probe into alleged multi-state chit fund scam. The Central agency is probing the allegations against Vijaya Prasad and Welfare Group of Companies. ED officials from Odisha and West Bengal are reported to be participating in the searches. Police and CRPF personnel made tight security arrangements during the searches. Vijaya Prasad is YSRCP’s coordinator for Visakhapatnam West constituency.  A few cases were filed against him in Odisha, West Bengal, Bihar and Jharkhand in the past.  In 2021, Odisha police arrested him for his alleged involvement in the 2019 chit fund case. He was then serving as the chairman of Andhra Pradesh Education and Welfare Development Corporation. Odisha Police had registered cases under various sections of the Indian Penal Code, PC and MC Schemes (Banning Act) of 1978 and OPID Act of 2011 in connection with the alleged chit fund fraud. There were allegations that he was involved in a Rs 1,200 crore chit fund scam in which thousands of depositors from Andhra Pradesh, Odisha, Telangana, Chhattisgarh and other states were allegedly duped. In 2016, the CBI also registered two cases against him in connection with the chit fund scams. The agency had carried out searches at his office and residential premises.  Vijaya Prasad was elected to the Andhra Pradesh Assembly from Visakhapatnam West constituency in 2009 on a Congress ticket. He joined YSR Congress before the 2019 elections and contested unsuccessfully from the same constituency."},"img":{"url":"https://images.prismic.io/prad/nNgZKIEw8yGsfrjk_ycpleader.JPG?auto=format%2Ccompress&rect=0%2C22%2C266%2C131&w=2028&h=1000"},"datetime":"2026-08-05T08:02:00+0000","embed":{"embed_url":null}},"uid":"ed-searches-premises-linked-to-ycp-leader"}},{"node":{"data":{"title":{"text":"Zuckerberg: Sorry, India"},"content":{"text":"Meta CEO Mark Zuckerberg on Wednesday apologised over the spread of child sexual abuse material (CSAM), deepfake content and shortcomings in the operation of the company's platforms.  According to government sources, Zuckerberg acknowledged concerns raised by the government regarding the spread of objectionable and manipulated content and expressed regret over what were described as errors in the operation of the platform. “Mark Zuckerberg sent his apologies for the CSAM content, deepfake content and errors in operating the platform,” government sources said. Sources further claimed that it was communicated to the company that its role in selecting and distributing content to users could place it outside the definition of a neutral intermediary under Indian law. They said authorities made it clear that the \"safe harbour\" protections available under the Information Technology Act may not be applicable if a platform is found to be actively determining which content reaches users. “It was made clear to them that they are not covered under Intermediary definition. They select who receives the content. Safe harbour under IT Act not applicable. They admitted that a lot of money was paid for boosting certain type of content. They apologised and regretted the mistake,” the sources added. Meanwhile, earlier in the day, IT Ministry sources said that social media platforms, including Meta, must comply with the law of the land as a parliamentary panel asked Meta CEO Mark Zuckerberg to issue an \"unqualified apology\" within three days over the brief removal of Prime Minister Narendra Modi's Facebook post recently. Meta stands to lose its “safe harbour protection” in India if it fails to do so in the stipulated deadline, the IT Ministry sources added earlier in the day. A high-level Meta delegation met IT Secretary S. Krishnan in the national capital to discuss the erroneous takedown of the Prime Minister's video. They were also scheduled to meet Electronics and IT Minister Ashwini Vaishnaw."},"img":{"url":"https://images.prismic.io/prad/cfc8d489-0ac7-42ec-8038-a722ca64ccf2_mark+zukerberg.JPG?auto=format,compress"},"datetime":"2026-08-05T08:12:00+0000","embed":{"embed_url":null}},"uid":"zuckerberg-sorry-india"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Nani’s ‘The Paradise’ Raises Expectations"},"content":{"text":"The makers of Nani-starrer The Paradise have unveiled a powerful teaser, giving fans a glimpse of the film’s intense action-packed world. Directed by Srikanth Odela, the teaser showcases Nani in a rugged new avatar, leading a rebellion against oppression, while veteran actor Mohan Babu appears as the formidable antagonist. Backed by SLV Cinemas with music by Anirudh Ravichander, the film promises a gritty, high-octane cinematic experience. Along with the teaser, the makers confirmed that The Paradise will release worldwide on September 24, 2026, after multiple postponements from its earlier scheduled dates. The film will hit theatres in eight languages, including Telugu, Hindi, Tamil, Kannada, Malayalam, Bengali, English, and Spanish, making it one of Nani’s biggest pan-Indian releases to date."},"img":{"url":"https://images.prismic.io/prad/2nrlaa6MSJEy1I-f_Paradise.png?auto=format,compress&rect=0,16,748,369&w=2028&h=1000"},"datetime":"2026-08-06T13:54:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2h95ndcIsxE"}},"uid":"nanis-the-paradise-raises-expectations"}},{"node":{"data":{"title":{"text":"Saif's Wedding Surprises His Sisters"},"content":{"text":"In an engaging recent appearance on the show \"Double Date,\" sisters Soha Ali Khan and Saba Ali Khan recounted the unforeseen circumstances surrounding their brother Saif Ali Khan's marriage to Amrita Singh. The pair revealed that they first learned about the wedding not from their family, but while still in school, highlighting the unexpected nature of the nuptials, which unfolded with little prior notice. Saba Ali Khan shared the shock they experienced upon hearing the news, recalling, \"He was married when we were in school.\" Soha corroborated this memory, confirming the timing of the wedding. Due to its last-minute nature, both sisters were unable to participate in the festivities, a detail that adds a layer of familial intrigue to the high-profile union. This revelation offers a glimpse into the dynamics of the Pataudi family, where even significant life events could be shrouded in suddenness and surprise. The conversation serves as a reminder of the intense media scrutiny that surrounds the lives of Bollywood families. Saba recounted how their school took precautions as rumors swirled, stating, \"We got a call from the principal's office saying, 'Aap log kisi ko kuch nahi batayenge,' because we don't know how real the news is.\" This anecdote underscores the challenges of managing personal privacy amid public fascination, especially when the events in question involve a prominent figure like Saif Ali Khan. Soha elaborated on the nature of the ceremony, describing it as \"a very last-minute affair.\" Their candid reflections provide an intimate look into a pivotal moment that not only altered Saif's life but also illustrates the disconnect that can occur between public perception and private realities. The sisters’ experiences reveal how a landmark wedding in Bollywood history had its own set of unseen complications, affecting even those closest to the groom."},"img":{"url":"https://images.prismic.io/prad%2F3452a1a8-d158-4629-9a0f-d785971b2589_saif+ali+khan.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-08-06T15:12:24+0000","embed":{"embed_url":null}},"uid":"saifs-wedding-surprises-his-sisters"}},{"node":{"data":{"title":{"text":"Roshan & Chopra Celebrate 55 Years of Friendship"},"content":{"text":"Veteran filmmaker and actor Rakesh Roshan celebrated his five plus decade-long friendship with legendary actor Prem Chopra by sharing a warm picture of the two on social media.  Taking to his social media account, Rakesh posted a smiling picture with Prem Chopra and simply captioned it as, \"Friends 55 yrs!\" The picture shows the 76-year-old Rakesh Roshan standing behind Prem Chopra, who is seated at a dining table. For the uninitiated, Rakesh Roshan and Prem Chopra have been associated with Hindi cinema since the 1970s and have worked together in many films over the years, including Khel Khel Mein, Aakhir Kyon?, Kaamchor, Aakraman and Bhagwaan Dada amongst many others. For the uninitiated, Prem Chopra is regarded as one of Hindi cinema's most iconic villains. With a career spanning over six decades and reportedly more than 380 films, he became a household name through his performances in classics such as Upkar, Do Raaste, Kati Patang, Bobby, Do Anjaane, Kranti, Souten and Phool Bane Angaarey. His dialogue, \"Prem naam hai mera, Prem Chopra,\" continues to remain as one of Bollywood's most popular catchphrases. Talking about Rakesh Roshan, he began his career as an actor before successfully transitioning into filmmaking. As a director and producer, he delivered blockbuster films including Khudgarz, Khoon Bhari Maang, Kishen Kanhaiya, Karan Arjun, Kaho Naa... Pyaar Hai, Koi... Mil Gaya, Krrish and Krrish 3. He is currently working on Krrish 4, with son Hrithik Roshan set to make his directorial debut with the superhero franchise. Both veterans have also battled health challenges in recent years. In 2019, Rakesh Roshan was diagnosed with early-stage throat cancer and underwent successful treatment before returning to work. Prem Chopra, 92, on the other hand, underwent a Transcatheter Aortic Valve Implantation (TAVI) procedure last year for severe aortic stenosis. His family later confirmed that the veteran actor had recovered well and returned home after the procedure."},"img":{"url":"https://images.prismic.io/prad/rgwcGTXuO_SPMp3a_RRPC.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-06T02:30:00+0000","embed":{"embed_url":null}},"uid":"roshan--chopra-celebrate-55-years-of-friendship"}},{"node":{"data":{"title":{"text":"Adah Sharma's spooky 'witch' act at night"},"content":{"text":"Actress Adah Sharma left her fans amused after sharing a hilarious late-night video where she revealed how she calmed down a notorious child.  She highlighted how she jokingly tried to calm down a hyperactive child throwing tantrums in a neighbouring hotel room by making spooky \"witch\" sounds through the wall. In the video, Adah is seen creating eerie and scary noises and playfully warning the child to calm down. She can be seen joking that otherwise a witch would come, making the child believe her and eventually calm down. Sharing the video on her social media account, Adah wrote, \"How to get rid of DARKCIRCLES - tutorial. Hotel ke next room mein baccha apne maa baap par bhav bhaji thook raha tha because ussey bed pe kababs rakhna tha aur mummy plate par rakhke keh rahi thi. Toh woh tantrum throw kar raha tha aur ro raha tha. (He was spitting on his parents, hitting them, putting his excreta on the sofa. His mother kept saying noooo please don't bathroom mein karo) Kal raat 3 baje ussey swimming pool jaana tha toh ro raha tha.\" \"Parso raat 2 baje ussey tv pe koi show dekhna tha par kaunsa show kisi ko samajh nahi aa raha tha kyunki woh zor zor se rokey bol raha tha. Maine socha aaj raat uskey mummy pappa, main aur yeh pyaara baccha sukoon ki neend soenge I think kal mere dark circles nahi hongey l we will all sleep well tonight I have a feeling less Caption full padhogey toh chudail ghar pe nahi aaegi.\" (How to get rid of dark circles - tutorial. In the hotel room next to mine, a child was spitting on his parents because he wanted kebabs to be kept on the bed while his mother wanted to keep them on a plate. He kept throwing tantrums and crying. He was spitting on his parents, hitting them and even putting his excreta on the sofa, while his mother kept pleading with him not to do it in the bathroom. Last night at 3 a.m., he wanted to go to the swimming pool and cried. The night before, at 2 a.m., he wanted to watch a TV show, but nobody could understand which one because he was crying so loudly. So I thought that tonight his parents, I and this lovely child would finally get a peaceful night's sleep. I think I won't have dark circles tomorrow, we'll all sleep well tonight, I have a feeling. If you've read the full caption, the witch won't come to your house) Adah, in the comments section of the same video revealed that the child's mother sent her sweets as a gesture of gratitude for her help. For the uninitiated, Adah is widely known for her witty and unconventional social media presence. She is often seen sharing humourous videos, observational sketches and candid thoughts on day to day life. Apart from entertaining fans, she is also admired for her fluency in Marathi and frequently impresses her followers by reciting Marathi poems and embracing Maharashtrian culture through her posts. On the work front, Adah made her Bollywood debut with the 2008 horror film 1920, and went on to star in films such as Hasee Toh Phasee, Commando 2, Commando 3, and The Kerala Story, which emerged as one of the biggest commercial successes of her career."},"img":{"url":"https://images.prismic.io/prad/ZgZtIMt2UUcvBRNG_adahsharma.JPG?auto=format,compress"},"datetime":"2026-08-06T05:20:00+0000","embed":{"embed_url":null}},"uid":"adah-sharmas-spooky-witch-act-at-night"}},{"node":{"data":{"title":{"text":"'Varanasi' Under Leak Attack Again!"},"content":{"text":"One of Indian cinema's most-awaited projects, 'Varanasi', has once again found itself at the center of an online storm after an alleged behind-the-scenes video featuring Mahesh Babu surfaced on social media. The film has been wrapped in secrecy since production began, with fans eagerly waiting for official promotional material. Instead, unauthorized clips from the shooting location continue to make their way online, creating concern among both the filmmakers and the actor's massive fan base. Despite implementing tighter security measures following previous leak incidents, the production has reportedly suffered another breach. The latest footage, which allegedly captures Mahesh Babu during a key sequence, spread rapidly across multiple social media platforms within hours. Although the clip was quickly removed from several pages, it had already been widely circulated, sparking fresh conversations about the challenges of safeguarding high-profile film productions in the digital age. Soon after the video went viral, fan clubs and copyright monitoring teams appealed to users not to share or repost the leaked content. Several accounts reportedly received copyright notices, while fans urged others to wait for the makers to unveil official visuals instead of promoting unauthorized material. Many admirers expressed disappointment that repeated leaks could dilute the excitement surrounding one of the film's biggest attractions and potentially spoil important moments before release. The recurring incidents have also intensified discussions about production security and marketing strategies for large-scale films. While some believe stricter on-set protocols are the only solution, others feel that releasing periodic official teasers or behind-the-scenes glimpses could satisfy audience curiosity and reduce interest in leaked footage. With expectations surrounding Varanasi continuing to soar, the makers now face the dual challenge of protecting the film's surprises while maintaining the excitement leading up to its release."},"img":{"url":"https://images.prismic.io/prad/95PzrGii-eXJ0Lqg_varanasi.JPG?auto=format,compress"},"datetime":"2026-08-06T06:42:00+0000","embed":{"embed_url":null}},"uid":"varanasi-under-leak-attack-again"}},{"node":{"data":{"title":{"text":"Tabu Gets Legal Shield"},"content":{"text":"The Delhi High Court on Thursday said it will pass an interim order directing the removal of certain objectionable online content featuring Bollywood actress Tabu while hearing her suit seeking protection of her personality and publicity rights against the unauthorised use of her identity across digital platforms.  A single-judge Bench of Justice Jyoti Singh, after hearing the suit filed by the actress alleging unauthorised commercial exploitation of her identity, indicated that an interim order would be passed directing the takedown of specific links containing obscene content associated with her name. During the hearing, senior advocate Swathi Sukumar, appearing for Tabu, informed Justice Singh that the memo of parties had been amended to correctly identify the social media intermediaries arrayed as defendants, in compliance with the court's earlier directions. The senior counsel further submitted that certain search terms combining the actress' name with pornographic content were being used online and that the concerned platforms were deriving benefit from such searches. Taking note of the submissions, Justice Singh observed in relation to some of the identified links: \"They have to be taken down.\" The single-judge Bench also considered framing a Standard Operating Procedure (SOP) for dealing with similar cases involving alleged misuse of the personality rights of public figures in the digital space. The Delhi High Court said it would pass a detailed order later. The matter has been posted for further hearing on December 7. Tabu had approached the Delhi High Court seeking protection of her personality and publicity rights against the alleged unauthorised use of her name, image, likeness and other identity attributes, including through Artificial Intelligence (AI)-generated content and digital impersonation. The actress has alleged unauthorised commercial exploitation and misuse of her identity in the digital space. The case adds to a growing list of high-profile personalities invoking their personality and publicity rights before the Delhi High Court. In recent months, former cricketer Gautam Gambhir, former India captain Sunil Gavaskar, spiritual leader Sri Sri Ravi Shankar, actors Arjun Kapoor, Allu Arjun, Nagarjuna, Varun Dhawan, Kajol, Aishwarya Rai Bachchan, and Abhishek Bachchan, singer Jubin Nautiyal, film-maker Karan Johar, podcaster Raj Shamani, Congress MP Shashi Tharoor, and actor Naga Chaitanya have secured or sought court protection against the unauthorised use of their identity, likeness, or AI-generated imitations."},"img":{"url":"https://images.prismic.io/prad/ZkNLBSol0Zci9Gq9_tabu.JPG?auto=format,compress"},"datetime":"2026-08-06T09:05:00+0000","embed":{"embed_url":null}},"uid":"tabu-gets-legal-shield"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"The Distinction Between Brain Tumors and Brain Cancer"},"content":{"text":"The phrases 'brain tumor' and 'brain cancer' often evoke a visceral reaction among the public, conjuring images of gravely serious health threats. However, contrary to common perception, these terms describe distinct medical conditions that warrant different approaches to diagnosis and treatment. A brain tumor is simply an abnormal growth of cells in or around the brain, which can be classified as benign or malignant. While all brain cancers are tumors, not all tumors exhibit cancerous characteristics; this critical distinction can influence a patient's treatment plan and overall prognosis. The medical community underscores the importance of understanding these differences. Brain tumors, irrespective of their benign or malignant status, can lead to severe health consequences because of the brain’s confined environment within the skull. This means that even non-cancerous tumors can exert pressure on vital neurological functions, leading to symptoms such as persistent headaches, seizures, and cognitive deficits. Dr. Praveen Gupta, a prominent neurologist, emphasizes that benign tumors, while non-cancerous, can still necessitate significant medical intervention depending on their size and location. The implications of this are crucial for anyone facing a diagnosis related to brain health. Historically, the classification of brain tumors has evolved as medical science has advanced. The National Cancer Institute and other leading neurological institutions categorize these tumors into myriad types, each demanding tailored treatment strategies. For instance, malignant tumors possess the aggressive ability to invade surrounding brain tissue, often requiring complex interventions that may include surgery, radiation, and chemotherapy. Understanding whether a growth is benign or malignant is not just a matter of terminology; it directly impacts the urgency and nature of the interventions required. Symptoms often overlap between benign and malignant tumors, complicating self-diagnosis and reinforcing the necessity for professional evaluation. Medical imaging techniques such as MRI and CT scans, along with biopsies, are essential to ascertain the nature of the tumor. Experts caution against relying on symptomatology alone, as the presence of alarming symptoms could mask a benign condition, while milder manifestations could signify a malignant threat. As such, timely medical evaluation is paramount, as early detection can significantly enhance treatment effectiveness and patient quality of life."},"img":{"url":"https://images.prismic.io/prad/f6803c8c-7220-433e-b58f-ef269a3ecf79_brain+stroke.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T10:10:00+0000","embed":{"embed_url":null}},"uid":"the-distinction-between-brain-tumors-and-brain-can"}},{"node":{"data":{"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}},{"node":{"data":{"title":{"text":"How Smoking Hurts Pregnancy!"},"content":{"text":"When planning to start a family, many couples focus on preparing for pregnancy by discussing nursery plans and choosing baby names. However, what often goes unnoticed is the detrimental impact of smoking on fertility and pregnancy. Cigarette smoke contains harmful chemicals that can damage reproductive cells in both men and women, making it harder to conceive and increasing the risk of pregnancy complications and poor outcomes for babies.  Dr. Vandana Bhatia, a Senior Fertility Specialist, emphasizes that smoking silently affects fertility, pregnancy, and the long-term development of the child. Both partners play a crucial role in protecting fertility as smoking can reduce sperm count, affect sperm movement, and damage egg quality, hormone levels, and ovarian reserve. Additionally, passive smoking also poses risks to fertility and pregnancy outcomes. Quitting smoking as a couple not only improves motivation and emotional support but also encourages healthier habits, leading to improved fertility and overall health.  The quality of eggs and sperm before conception significantly influences the health of the future child, making it essential for both parents to quit smoking before starting a family. Dr. Bhatia recommends practical steps for quitting smoking together, emphasizing that healthy choices are crucial in building a healthy family. Parenthood begins with the quiet promise of choosing health together, even before the first heartbeat is heard on an ultrasound."},"img":{"url":"https://images.prismic.io/prad/akDOG1bRV8_Qf8Cd_smokefertility.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T19:33:00+0000","embed":{"embed_url":null}},"uid":"how-smoking-hurts-pregnancy"}},{"node":{"data":{"title":{"text":"Even 1% Sleep Loss Could Heighten Dementia Risk"},"content":{"text":"A recent study published in JAMA Neurology has shed light on the potential link between minimal sleep loss and an increased risk of dementia. The research suggests that as little as a 1% reduction in deep sleep per year for individuals over 60 could translate to a 27% elevated risk of developing dementia. Deep sleep, also known as slow-wave sleep, plays a crucial role in the body's repair processes and the clearance of toxic proteins associated with dementia.  Associate Professor Matthew Pase from Monash University's Turner Institute for Brain and Mental Health emphasized the significance of deep sleep in supporting the aging brain and facilitating the removal of metabolic waste, including proteins linked to Alzheimer's disease. The study, which drew from the Framingham Heart Study, examined 346 participants over 60 years of age, tracking their sleep patterns and dementia development over a 17-year period. Even after adjusting for various factors, including age, genetic predisposition, and medication use, the findings consistently pointed to a 27% increased dementia risk for each percentage decrease in deep sleep annually.  It's important to note that the natural decline in deep sleep with age is gradual, peaking between 75 and 80 years old and then stabilizing. However, the cumulative effect of a 27% increase per percentage-point decrease underscores the long-term impact on dementia risk. While there's no straightforward solution to preserving deep sleep, maintaining consistent sleep schedules, avoiding alcohol before bedtime, creating a conducive sleep environment, and addressing conditions like sleep apnea can potentially support better sleep quality. Additionally, regular exercise has been linked to improved slow-wave sleep in older adults. Although these measures aren't a guarantee, the study highlights the importance of prioritizing deep sleep for brain health as individuals age."},"img":{"url":"https://images.prismic.io/prad/50a54145-f24c-4c83-80b9-e6d19ba52027_sleep.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T06:59:00+0000","embed":{"embed_url":null}},"uid":"even-1-sleep-loss-could-heighten-dementia-risk"}},{"node":{"data":{"title":{"text":"Is Your Soda Habit Causing Hair Loss?"},"content":{"text":"Are your beloved sodas harming your hair? While soft drinks have long been criticized for their impact on weight, diabetes, and heart health, a new concern has emerged regarding their potential effects on hair. The discussion gained traction after hair transplant surgeon Dr. Abhishek Pilani highlighted the issue on Raj Shamani's Figuring Out podcast.  According to Dr. Pilani, regular consumption of sugary cold drinks may create conditions within the body that are not conducive to healthy hair growth. While consuming one soda is unlikely to cause sudden hair loss, a study published in the journal Nutrients in 2023 found a link between higher consumption of sugar-sweetened beverages and male-pattern hair loss in young men. However, it's essential to note that the study established a correlation, not causation. The potential connection between soft drinks and hair health lies in the impact of high-sugar beverages on overall health.  Excessive sugar consumption can lead to repeated spikes in blood sugar and insulin levels, potentially contributing to inflammation and metabolic issues that affect the body, including hair growth. However, hair loss is rarely attributed to a single factor and is typically the result of various elements accumulating over time, including genetics, hormones, nutrition, lifestyle, and overall health. Healthy hair growth relies on a balanced intake of nutrients such as iron, protein, zinc, vitamin D, and B vitamins. While soft drinks don't directly deplete these nutrients, excessive consumption may lead to healthier options being replaced.  The concern lies in long-term habits rather than occasional consumption. The normal range of daily hair loss is between 50 and 100 strands, but concerns arise when lost hairs aren't adequately replaced. While soft drinks may not directly cause hair loss, their impact on overall health could potentially affect hair growth. Instead of fixating on individual cans of soda, experts emphasize the importance of considering overall lifestyle factors such as sleep, stress management, balanced nutrition, and reduced sugar intake. Ultimately, addressing concerns about hair health may begin with dietary and lifestyle adjustments."},"img":{"url":"https://images.prismic.io/prad/aDbfAydWJ-7kSniS_jucessoda.JPG?auto=format,compress"},"datetime":"2026-06-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"is-your-soda-habit-causing-hair-loss"}},{"node":{"data":{"title":{"text":"Recognizing the Early Signs of Ovarian Cancer"},"content":{"text":"Ovarian cancer is a significant concern for women in India, being the third most common cancer among them. However, many women with ovarian cancer often experience symptoms for several months before receiving a proper diagnosis. In India, a staggering 70 to 80 percent of ovarian cancer patients are diagnosed at advanced stages, mainly because the early signs are easily mistaken for other health issues. Oncologists have dubbed ovarian cancer as a 'silent disease' due to its subtle progression without clear, alarming symptoms.  Dr. Sampada Desai, a Consultant Gynaecological Cancer and Robotic Surgeon, emphasizes that ovarian cancer does not remain silent but instead 'whispers' through nonspecific symptoms such as upper abdominal discomfort, bloating, feeling full too early, and digestive problems, which are often mistaken for other conditions. Persistent bloating and extreme fullness even after consuming small portions of food, coupled with lower abdominal or pelvic pain, should prompt a visit to the doctor. Changes in menstrual patterns, irregular bleeding, or any bleeding post-menopause also warrant attention.  It is crucial for individuals experiencing these symptoms to keep a record for a month and consult a gynecologic oncologist if any symptoms persist for more than two weeks or occur frequently. Women with a family history of ovarian, breast, or colon cancer should be particularly vigilant, as they have a higher genetic predisposition to cancer. Early detection is key, as there are no routine screening tests for ovarian cancer. Clinical examination, ultrasonography, and blood tests may be part of the evaluation for potential ovarian cancer. Recognizing the subtle signs and listening to the 'whisper' of ovarian cancer may significantly aid in early detection and improved survival rates."},"img":{"url":"https://images.prismic.io/prad/aigpQAeQX7-eXEpI_overaincancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T18:42:00+0000","embed":{"embed_url":null}},"uid":"recognizing-the-early-signs-of-ovarian-cancer"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"US bill revives green card pathway for H-1B visa holders"},"content":{"text":"A senior Democratic senator has renewed a push to give millions of long-term US residents, including H-1B visa holders, a pathway to permanent residency as President Donald Trump intensifies immigration enforcement.  Senator Alex Padilla of California said his proposal would modernise an immigration provision that has not been updated since 1986. It could benefit more than eight million people, according to material released by his office. The Renewing Immigration Provisions of the Immigration Act of 1929 would allow immigrants to apply for lawful permanent resident status if they had lived continuously in the United States for at least seven years before applying. Applicants would also need to have no criminal record and meet all other existing green card eligibility requirements. The measure would cover Dreamers, Temporary Protected Status holders, essential workers and children of long-term visa holders. It could also help highly skilled workers, including H-1B visa holders who have waited years for employment-based green cards. The proposal could carry particular significance for Indian professionals. Indians account for a large share of H-1B visa holders and often face lengthy waits for permanent residency because of employment-based green card limits. “A year ago, I introduced this bill to push back against the Trump Administration’s cruel treatment of hardworking immigrants,” Padilla said. “Since then, President Trump’s campaign of fear has only escalated, with families living under constant uncertainty despite having built their lives in this country,” he said. “Congress cannot continue to ignore millions of long-term residents who contribute to our economy and communities every day. It’s past time to modernize our immigration laws and create a fair pathway to lawful permanent residency.” The bill would amend Section 249 of the Immigration and Nationality Act, known as the Registry. That provision gives the Homeland Security secretary discretion to grant permanent residency to certain people who have lived in the country since a specified date and meet other requirements. The current eligibility cutoff is January 1, 1972. Padilla’s legislation would replace that fixed date with a rolling requirement of seven years. The change would take effect 60 days after enactment. Senate Democratic Whip Dick Durbin is co-leading the measure. Fourteen other senators have signed on as co-sponsors. Representative Zoe Lofgren of California is leading companion legislation in the House. More than 30 labour, immigration and civil rights organisations have endorsed the bill. They include the AFL-CIO, Service Employees International Union, UNITE HERE, United Farm Workers and the National Immigration Law Center. Congress first established the Registry in 1929 and has updated it four times. Its most recent revision came during the Reagan administration in 1986. Only 305 people adjusted their status through the provision between 2015 and 2019, according to Padilla’s office. The proposal faces an uncertain path in Congress amid deep partisan divisions over immigration. Padilla, the ranking Democrat on the Senate Judiciary Immigration Subcommittee, has also introduced measures covering immigrant essential workers and children brought legally to the United States as dependants of work-visa holders."},"img":{"url":"https://images.prismic.io/prad/6a5229b9-ba41-4fbf-926a-a933bd8f60b1_SU+Greencard.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T01:28:00+0000","embed":{"embed_url":null}},"uid":"us-bill-revives-green-card-pathway-for-h-1b-visa-h"}},{"node":{"data":{"title":{"text":"Telangana Woman Dies in US Crash"},"content":{"text":"A tragic road accident in the United States has claimed the life of a woman from Telangana, leaving her family and hometown in deep mourning. The victim, Deepa Reddy (44), hailed from Akuthotapalli village in Amangal mandal of Rangareddy district. She had been living in New Jersey for several years along with her husband, Ramakrishna Reddy, after the couple moved to the US to pursue careers as software engineers. The sudden tragedy has sent shockwaves through both the local community in Telangana and the Indian diaspora in the United States. According to preliminary reports, the accident occurred at a traffic signal in New Jersey. Deepa Reddy and her husband were travelling in their car when they stopped at a red light. Moments later, another vehicle reportedly rammed into their car with great force. The impact was so severe that Deepa Reddy suffered fatal injuries and died at the scene, while authorities immediately launched an investigation into the circumstances surrounding the crash. The heartbreaking news has devastated her family members and relatives back in Telangana, who were informed of the incident soon after the accident. Friends and well-wishers described Deepa as a dedicated professional who had built a successful life abroad while maintaining close ties with her native village. Messages of condolence have been pouring in as the family struggles to come to terms with the unexpected loss. Efforts are now underway to complete the required legal formalities in the United States before repatriating Deepa Reddy's mortal remains to India. Family members are coordinating with officials and the Indian community in New Jersey to facilitate the process. The incident has once again highlighted the unpredictable nature of road accidents, reminding everyone of the importance of road safety while leaving a grieving family to cope with an irreplaceable loss."},"img":{"url":"https://images.prismic.io/prad/UW3rZZwdBj5yzKCh_accident.JPG?auto=format,compress"},"datetime":"2026-07-28T09:00:00+0000","embed":{"embed_url":null}},"uid":"telangana-woman-dies-in-us-crash"}},{"node":{"data":{"title":{"text":"Gujarati-speaking US doctor wins key Arizona primary"},"content":{"text":"Emergency physician and former Arizona state legislator Dr Amish Shah has won the Democratic nomination for Arizona's First Congressional District, setting up a closely watched November contest in one of the most competitive US House races. In a statement after his primary victory, Shah described the result as \"a grassroots victory\" and pledged to reach beyond his party as he begins the general election campaign. \"I have always prided myself on being a hardworking, grassroots candidate. Our victory in this primary was a grassroots victory where Arizona voters made their voices heard,\" Shah said. \"Now, it's my job to earn the support of every voter in this district -- including Democrats who voted for another candidate, Independents frustrated with our political system, and Republicans disappointed with the state of the country.\" Shah sharply criticised Washington's political establishment, saying Congress had failed ordinary Americans. \"The status quo in Washington, DC is not working for Arizonans. From rising costs to a reckless war in Iran to the largest cuts to our nation's healthcare system in American history, corrupt and self-interested politicians in Congress are making life harder for people, not easier,\" he said. \"We need leaders in Congress who are focused on the needs of the people they represent instead of picking partisan fights and lining their own pockets.\" The emergency physician said his experience in medicine and public office had prepared him for Congress. \"I've spent my career serving the people of this district in both the ER and the State House, and I look forward to winning in November and serving them in Congress,\" he said. Shah, an emergency medicine doctor, previously served in the Arizona House of Representatives, where his campaign says he worked with both political parties and had more bills signed into law than any Arizona Democrat during the past decade. Shah won three consecutive elections to the Arizona House in 2018, 2020 and 2022. During his five years in the legislature, he focused on increasing teacher pay, supporting small businesses, and improving public health and safety. His congressional campaign is centred on lowering costs for families, improving healthcare, banning members of Congress from trading stocks, protecting Social Security, Medicare and Medicaid, and defending abortion rights. The campaign also highlights Shah's work as an emergency room physician, where he has advocated lowering healthcare costs and tackling high prescription drug prices, including insulin. Shah has already represented parts of Arizona's First Congressional District in Maricopa County as a state representative. His campaign describes him as an independent voice who has worked across party lines while defending abortion and voting rights. The Arizona First Congressional District has emerged as one of the Democrats' strongest opportunities to gain a Republican-held House seat. Shah's campaign has characterised it as one of the party's top pickup opportunities nationally. Beyond politics, Shah speaks conversational Spanish and is fluent in Gujarati, a distinction likely to resonate with many Indian-American voters. He also enjoys basketball, flying small aircraft and adventure travel. His campaign biography notes that he has three adopted cats named Hillary, Miss Meowerson and Cousin Oliver. Shah will face Republican nominee Jay Feely, a former National Football League kicker. The GOP nominee is being supported by President Donald Trump. The contest is expected to draw national attention because of the district's competitiveness and its potential impact on the battle for control of the US House of Representatives. "},"img":{"url":"https://images.prismic.io/prad/ARJ-bWr4xGoYDGDt_AmishShah.JPG?auto=format,compress"},"datetime":"2026-07-23T07:40:00+0000","embed":{"embed_url":null}},"uid":"gujarati-speaking-us-doctor-wins-key-arizona-prima"}},{"node":{"data":{"title":{"text":"Jordan Strike: Indian-Origin Soldier Feared Dead"},"content":{"text":"An Indian-descent US soldier, Angela Rampersad, is feared killed during an Iranian attack on a base in Jordan, according to the Pentagon.  The 25-year-old Army sergeant “is believed to have been killed in action on July 17, 2026, during an enemy attack at Muwaffaq Salti Air Base, Jordan”, the Department of War said. “The incident is under investigation”, it said. She was previously listed as missing and her \"status was updated to a Duty Status – Whereabouts Unknown and is believed to be deceased”, the statement said. Rampersad is from the Indian community of immigrants from Guyana, and her father was identified by a local Democratic Party leader as Basdeo Rampersad.  The Pentagon said she is from Ozone Park neighbourhood of Queens borough of New York City, which has a large community of Indian-descent Guyanese.  The Democratic Party leader, Pesach Osina, hailed her as “truly a gift to everyone who knew her”, and said she “wanted to serve, protect others, and do her duty with courage and humility”.  Osina, who is the Democratic Party nominee for the State Assembly constituency her family lives in, said on X that since the tragedy he has \"remained close” to the sergeant’s father Basdeo Rampersad and her family, including her mother, Carol Acevedo. President Donald Trump has vowed to avenge the attack on her and the other US Army personnel confirmed killed in the Friday attack. He said on Wednesday that Iran is \"going to pay a big price\" for the attack. Earlier he wrote on Truth Social, \"Every time Iran kills an American Soldier they will pay for that killing many times over\". If her death is confirmed, she would be the fourth US Army personnel killed in the attack on the base as the US-Iran conflict that flared up anew last month when the tenuous peace under the memorandum of understanding between the two countries was broken. So far 18 US military personnel have been confirmed killed since the conflict broke out in February after Israel and the US began air attacks on Iranian leadership. Rampersad, who is with the10th Army Air & Missile Defense Command, Ansbach in Germany, was on duty in Jordan when Iran rained drones on the Muwaffaq Salti Air Base. "},"img":{"url":"https://images.prismic.io/prad/AdXzRgPkVSXYR_Yw_indusarmy.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T14:42:00+0000","embed":{"embed_url":null}},"uid":"jordan-strike-indian-origin-soldier-feared-dead"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'Crazy Kalyanam' Teaser"},"img":{"url":"https://images.prismic.io/prad/iXzgGv5OgQtZoo8P_crazykalyanamteaser.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T06:59:00+0000","third_party_url":null},"uid":"crazy-kalyanam-teaser"}},{"node":{"data":{"title":{"text":"'Korean Kanakaraju' Trailer"},"img":{"url":"https://images.prismic.io/prad/hWjquugRFqOjFg1E_koreankanakaraju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T08:49:00+0000","third_party_url":null},"uid":"korean-kanakaraju-trailer"}},{"node":{"data":{"title":{"text":"'Sardar 2' Teaser"},"img":{"url":"https://images.prismic.io/prad/Z-pNK3dAxsiBwGoT_sarda2.JPG?auto=format,compress"},"datetime":"2026-07-31T14:44:00+0000","third_party_url":null},"uid":"sardar-2-teaser"}},{"node":{"data":{"title":{"text":"'Ramayana: Part 1’ Trailer"},"img":{"url":"https://images.prismic.io/prad/sZ7zfcswjWSgCsv8_ramayana.JPG?auto=format,compress"},"datetime":"2026-07-30T02:12:00+0000","third_party_url":null},"uid":"ramayana-part-1-trailer"}},{"node":{"data":{"title":{"text":"'Aadarsha Kutumbam House No  47' Unveils Srinidhi intro"},"img":{"url":"https://images.prismic.io/prad/EYlrjTpUqh4W1Pxq_srinidhishetty.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T07:11:00+0000","third_party_url":null},"uid":"aadarsha-kutumbam-house-no--47-unveils-srinidhi-in"}},{"node":{"data":{"title":{"text":"'KJQ - King, Jackie, Queen' Trailer"},"img":{"url":"https://images.prismic.io/prad/x-J8ulo-Gfmznj-u_KJQW.JPG?auto=format,compress"},"datetime":"2026-07-28T06:59:00+0000","third_party_url":null},"uid":"kjq---king-jackie-queen-trailer"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"CBN-PK: Outdoing Cicero In The Act Of Flattery?"},"img":{"url":"https://images.prismic.io/prad/JdpqQI9jrEOr91j6_modicbnpk.JPG?auto=format,compress"},"datetime":"2026-08-03T06:57:00+0000","third_party_url":null},"uid":"cbn-pk-outdoing-cicero-in-the-act-of-flattery"}},{"node":{"data":{"title":{"text":"The Selfie Monologue: Echoing A Losing Battle?"},"img":{"url":"https://images.prismic.io/prad/bnxXx5xwyqoC53vL_modicpj.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-31T06:30:00+0000","third_party_url":null},"uid":"the-selfie-monologue-echoing-a-losing-battle"}},{"node":{"data":{"title":{"text":"Chaos In Parliament: Exposing The Thin Line"},"img":{"url":"https://images.prismic.io/prad/XRCHWxsz3uqoDILo_chaosparliaMENT.JPG?auto=format,compress"},"datetime":"2026-07-30T07:02:00+0000","third_party_url":null},"uid":"chaos-in-parliament-exposing-the-thin-line"}},{"node":{"data":{"title":{"text":"BJP vs The Youth: How Gen-Z Out Memed A Narrative Hegemony"},"img":{"url":"https://images.prismic.io/prad/rswWXc1SEOO-qinW_BJPZenG.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-29T07:42:00+0000","third_party_url":null},"uid":"bjp-vs-the-youth-how-gen-z-out-memed-a-narrative-h"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-07-21T16:54:06+0000","data":{"title":{"text":"Shraddha Das Spicy Pics"},"content":{"text":"Shraddha Das is an Indian actress and model who predominantly appears in Telugu, Hindi, Bengali, and Kannada language films. She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/J5KjgIk60wE63lRg_shraddhadas.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-20T16:44:06+0000","data":{"title":{"text":"Rakul Looks Radiant In Yellow Saree"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. Singh is a recipient of several accolades including a SIIMA Award, in addition to four nominations at the Filmfare Awards South. Singh started her career as a model and made her acting debut with the Kannada film Gilli"},"img":{"url":"https://images.prismic.io/prad/_eGbGvnqa1VVLLAH_rps2028.JPG?auto=format,compress"}},"uid":"rakul-looks-radiant-in-yellow-saree"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-17T12:42:16+0000","data":{"title":{"text":"Pragya Jaiswal Spicy Stills"},"content":{"text":"Pragya Jaiswal is an Indian actress and model who predominantly works in Telugu films. She made her acting debut in 2014 with the Tamil-language film Virattu in 2014. Jaiswal had her breakthrough with the Telugu period drama Kanche, for which she was awarded the Filmfare Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/HTcjp1FBdNZf7hDK_pragya2028.JPG?auto=format,compress"}},"uid":"pragya-jaiswal-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aj-3gFbRV8_Qf7se_anasuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"'Varanasi' Under Leak Attack Again!"},"content":{"text":"One of Indian cinema's most-awaited projects, 'Varanasi', has once again found itself at the center of an online storm after an alleged behind-the-scenes video featuring Mahesh Babu surfaced on social media. The film has been wrapped in secrecy since production began, with fans eagerly waiting for official promotional material. Instead, unauthorized clips from the shooting location continue to make their way online, creating concern among both the filmmakers and the actor's massive fan base. Despite implementing tighter security measures following previous leak incidents, the production has reportedly suffered another breach. The latest footage, which allegedly captures Mahesh Babu during a key sequence, spread rapidly across multiple social media platforms within hours. Although the clip was quickly removed from several pages, it had already been widely circulated, sparking fresh conversations about the challenges of safeguarding high-profile film productions in the digital age. Soon after the video went viral, fan clubs and copyright monitoring teams appealed to users not to share or repost the leaked content. Several accounts reportedly received copyright notices, while fans urged others to wait for the makers to unveil official visuals instead of promoting unauthorized material. Many admirers expressed disappointment that repeated leaks could dilute the excitement surrounding one of the film's biggest attractions and potentially spoil important moments before release. The recurring incidents have also intensified discussions about production security and marketing strategies for large-scale films. While some believe stricter on-set protocols are the only solution, others feel that releasing periodic official teasers or behind-the-scenes glimpses could satisfy audience curiosity and reduce interest in leaked footage. With expectations surrounding Varanasi continuing to soar, the makers now face the dual challenge of protecting the film's surprises while maintaining the excitement leading up to its release."},"img":{"url":"https://images.prismic.io/prad/95PzrGii-eXJ0Lqg_varanasi.JPG?auto=format,compress"},"datetime":"2026-08-06T06:42:00+0000","embed":{"embed_url":null}},"uid":"varanasi-under-leak-attack-again"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Varun Tej Decodes His Flops"},"content":{"text":"As preparations gather pace for the release of his upcoming entertainer Korean Kanakaraju, actor Varun Tej has candidly reflected on a challenging phase in his career. Speaking during the film's promotional campaign, the Mega Prince admitted that several of his recent projects failed to strike a chord with audiences despite being mounted on ambitious ideas. Rather than blaming external factors, Varun acknowledged that the responsibility ultimately lies with the filmmakers to understand what viewers expect from a theatrical experience. Looking back at films such as Matka, Operation Valentine, and Gandeevadhari Arjuna, Varun said he deliberately experimented with unconventional stories in an effort to break away from routine commercial cinema. While he remains proud of taking creative risks, he believes those films appealed only to a limited section of the audience instead of connecting with moviegoers across age groups. He observed that audiences generally visit theatres expecting engaging entertainment, emotional connection, and memorable moments, and admitted that some of his recent choices may not have delivered that complete package. Determined to turn the page, Varun said the lessons from those setbacks have reshaped his approach to script selection. He believes the industry is evolving rapidly and actors must constantly adapt to changing audience preferences. Confident about Korean Kanakaraju, he described it as a wholesome family entertainer packed with humor, fun, and mass appeal. According to the actor, the film has been designed to entertain viewers of all ages, and he hopes it will mark the beginning of a successful new chapter in his career while reconnecting him with audiences on a larger scale."},"img":{"url":"https://images.prismic.io/prad/B_KOPMAKkebcXH4k_VT.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-06T06:00:00+0000","embed":{"embed_url":null}},"uid":"varun-tej-decodes-his-flops"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Rashmika's Recovery Mode: RRR"},"content":{"text":"Actress Rashmika Mandanna, who recently suffered an injury to her hip bone, shared her recovery routine with her Insta family through her latest update on social media.  The 'Animal' actress revealed that as she is stuck at home, waiting to get better, her day includes a lot of sleeping, eating, doing puzzles, reading, and playing with her furry friend Aura. As her latest 'Dear Dairy' entry on Instagram, Rashmika wrote, \"Dear Diary. Hmmm.. where do I even start? My days are going well.. with a lot of sleeping and recovery, puzzles and some reading and watching some shows doing some very much needed hair care and skin care.. and meetings and spending time with family!! (sic)\" 'The Girlfriend' actress further wrote, \"Going through the wedding photos and videos cz I hadn’t gotten the proper time till now.. My routine is pretty much wake up, and no more to alarms (yaaay) just wake up when my body tells me to.. eat 2 meals a day to really really try and not go overboard with the eating meetings puzzles or reading with Aura when she’s able to..*watch a show *and then go to bed.. It’s actually not all that bad to slow down once in a while is it!\" On Monday, Rashmika shared the detailed nature of her injury with another social media post. The 'Pushpa' actress penned, “But well umm the injury is basically.. ummm how do I explain it.. (make way for the biology teacher) so there are 4 tendons on each side of your hip that connects your hip to your leg and one of those tendons on my right hip apparently had detached and that has to attach again, for me to be able to lift my leg up and stuff and this happened during my dance shoot for ‘Mysaa’. My god that’s the most aggressive film I’ve ever done for sure. But don’t worry.. it hurts but it’s not unbearable or something”."},"img":{"url":"https://images.prismic.io/prad/8xrkiVjuM_hj_ZU1_rash.JPG?auto=format%2Ccompress&rect=0%2C11%2C450%2C222&w=2028&h=1000"},"datetime":"2026-08-06T07:04:00+0000","embed":{"embed_url":null}},"uid":"rashmikas-recovery-mode-rest-recharge-repeat"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Darshan Case Takes Dramatic Turn?"},"content":{"text":"In a major development in the Renukaswamy fan murder case involving Kannada superstar Darshan and others, accused No. 14, Pradosh, has moved a city court seeking to be made an approver, expressing his willingness to disclose the truth behind the crime.  Pradosh filed an application before the 59th CCH Court through his advocate on Thursday, stating that he was prepared to reveal all facts related to the case and sought pardon from the court by turning an approver. In a separate plea, he also requested the court to allow him to appear before the proceedings through video conferencing from a separate room. At present, Pradosh is being produced before the court through video conferencing from the same room along with the other accused persons and actor Darshan. The development assumes significance as Pradosh's application could have a bearing on the ongoing trial if the court permits him to turn an approver. His statement, if accepted, may provide crucial insights into the alleged sequence of events surrounding the murder of Renukaswamy. Taking note of the application, the 59th CCH Court directed the prosecution to clarify its stand on Pradosh's plea. The prosecution is expected to respond before the court during the next hearing. It remains to be seen whether the court will permit Pradosh to become an approver and what disclosures he proposes to make regarding the case. The murder of Renukaswamy, a fan of actor Darshan, had sparked widespread public attention, with Darshan and several others facing trial in connection with the case. Pradosh's plea marks one of the most significant developments in the proceedings since the commencement of the trial. Kannada actor Darshan Thoogudeepa and 16 others, including his partner Pavithra Gowda, were arrested and indicted for the abduction and brutal murder of 33-year-old fan Renukaswamy in Bengaluru. The Supreme Court cancelled Darshan's bail, ordering his immediate re-arrest and strict legal proceedings without VIP prison privileges. Renukaswamy, a fan from Chitradurga, was allegedly abducted and brought to Bengaluru in June 2024 over obscene messages allegedly sent by the victim to Pavithra Gowda. The victim was tortured in a shed, suffered severe abuse, and his body was dumped near a stormwater drain after he died. It can be noted that fans and supporters of jailed Kannada actor Darshan disrupted Karnataka Chief Minister D.K. Shivakumar's address at the Sri Chamundeshwari Devi Karaga Mahotsava in Ramanagara by repeatedly raising \"D-Boss\" slogans, seeking his intervention in the actor's case. As the sloganeering continued, Shivakumar appealed for calm, saying he understood their emotions but stressed that everything had to be done within the framework of law as the matter was before the court."},"img":{"url":"https://images.prismic.io/prad/ZvaYu7VsGrYSwEoW_darshan.JPG?auto=format,compress"},"datetime":"2026-08-06T08:01:00+0000","embed":{"embed_url":null}},"uid":"darshan-case-takes-dramatic-turn"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Chennai Love Story'"},"content":{"text":"Small films are having a good time in Tollywood. The makers have been repeatedly saying that they are bringing this film to the audience as a content-oriented film, in the wake of the huge success of making content-oriented films. The makers who gave a super hit film like Baby have brought this film to the audience. Let's see how this film, which was released today, is like in the review. Story: Niv (Sri Gauri), who wanted to fall in love and get married, is unexpectedly cheated by her boyfriend Ajay (Trigun). He leaves her by saying that he loves another girl before the wedding. With that, Nivi turns into a lady Devadasu and becomes addicted to drinking. At that time, her friends take her to Chennai and try to change her a little. But her behavior does not change. That's when Steven Shankar (Kiran Abbavaram) steps into Chennai to show his mettle as a director. Friends help Shankar, an orphan, and allow him to stay in their room. The room is close to Nivi. At first, Shankar's words used to irritate Nivi. Slowly, she gets closer to him. Love blossoms between the two. But amidst unpredictable developments, their love runs into a problem. What is that problem and will the two meet again is the plot. Acting: Kiran Abbavaram impressed with his good acting, like in the past, he impressed with his looks as if he was the boy next door. Playing the role of an innocent person is not an easy thing. But Kiran Abbavaram played the role very easily. Kiran Abbavaram showed well in this role what an innocent person who steps into Chennai with an effort to impress the director would be like. There is no doubt that this heroine Gowry Priya  is the most crucial role in the story. She has done complete justice to her role. Siri Hanumanthu has once again impressed with her acting in a good role. She is likely to get more good roles in the future. Those who played other roles impressed within the scope of their roles. Technical: When the director thought that the story was being handled well, he tried to say something new by saying Atma Paramatma in the second half. It must be said that it failed. In terms of screenplay, the second half failed. The music was impressive, especially the background score was impressive. Manisharma once again showed his magic. Cinematography is good. There is no doubt that cinematography has definitely been useful in showing the beauty of Chennai. The dialogues are good. There are some flaws in the editing, and there is still work to be done in the second half. The structural values ​​are according to the story. Plus points: Hero, heroine acting, Manisharma's background score First off Minus points: Second half, Routine screenplay. Analysis: Producer Sai Rajesh has been making comments in several media conferences and interviews that this film is definitely a baby range cult love story, but it doesn't seem like it has any scenes. While you think that the first half of the film will be smooth and interesting, he made the second half boring by adding unnecessary elements. If the same love story had been continued simply, the second half would definitely have been a good talk. Hero Kiran Abbavaram impressed with his good performance. The audience will definitely appreciate him, and heroine Gauri also did full justice to her role. Gauri impressed in the role of a drunkard and Lady Devadasu, but it must be said that the screen did not match their performance. Overall, Chennai Love Story turned out to be an average love story. Finally... It makes feel like going all the way to Chennai for this love story Banner: Mass Movie Makers Producer: SKN, Sai Rajesh Director: Ravi Namburu Music: Mani Sharma Cast: Kiran Abbavaram, Gowri Priya, Siri and others"},"img":{"url":"https://images.prismic.io/prad/0yN9tZHPaAuq2hyg_CLS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T08:01:00+0000","embed":{"embed_url":null}},"uid":"review-chennai-love-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Jana Nayakudu' "},"content":{"text":"Expectations have increased among all sections of the audience on the film Jana Nayaku, which was advertised as the last film of Tamil superstar Vijay. Although it was not officially announced that it is a remake of the film Bhagwant Kesari, which came in the combo of Balakrishna and Anil Ravipudi, the makers have been unofficially saying it.  This film, which was delayed a lot due to Tamil Nadu politics, made a royal entry without any problems as Vijay became the CM of Tamil Nadu. And how is this film? Will the audience like this story again in Telugu? Let's see in this review. Story: Vetri Kondan's (Vijay) mother dies in jail. Out of humanity, the jailer releases Vetri Kondan on parole and sends him out to see his mother for the last time. When Vetri is sent out, the jailer gets into a big problem. Vetri Kondan learns that the jailer who helped him is in trouble, and goes to his house. In the wake of unexpected developments, the jailer dies. His only daughter, Viji (Mamita Baiju), becomes an orphan.  The jailer who helped him looks after his daughter and wants to make her an army officer. But Viji says she will not join the army out of fear. Why does Vetri want to send Viji to the army? Will Viji finally join the army? What difficulties will Vetri face in doing so? This is the story. Performance: There is no need to mention anything special about Superstar Vijay's performance. Just as Balakrishna adapted to the role in Bhagwant Kesari, there is no doubt that Vijay also adapted to the role of Vetri. The screenplay was such that the entire story of the film was carried on his shoulders. Even so, Vijay acted well in every scene without giving up. There is no doubt that he impressed with his comedy timing. His fans will enjoy the action scenes to the fullest. Now that he is the CM, he has tried to show Vijay in that angle as well, which is a feast for the eyes of the fans. Since this is Vijay's last film, it seems that he gave his best. Pooja Hegde, who played the heroine, does not have much screen presence. It must be said that Pooja Hegde's screen presence is less than what Kajal Aggarwal's role was in the original Telugu version. Mamita Baiju played the role of Viji, played by Srileela in Telugu and got good marks. It seemed that Mamita did Viji's role even better than Srileela. Along with impressive looks, the two heroines gave good expressions to suit their roles. However, Pooja Hegde's role did not get priority. Mamita impressed as much as she did. Bobby Deol impressed in terms of looks. It would have been better if he had been shown as a stronger and better villain. Since the villain role was not given priority in the story, Bobby Deol's performance became like water poured on ashes. Technical: Director H Vinod tried to make the Telugu story as it is and add Tamil flavor to the screenplay. He made the story without making many changes in the first half. However, when it came to the second half, he made many changes. The entire screenplay changed as if it was a new story. Vijay's character also left the audience in a bit of a quandary. There is nothing much to say about the music. Anirudh, as usual, gave a good background score to Vijay's film. But since the songs did not have much scope, Anirudh's work did not come out much.  The cinematography is good. The cinematography is definitely good in elevating the action scenes. There are errors in the editing. Some scenes in the second half, especially the villain scenes, could have been trimmed. It would have been better if the heroine scenes that are not part of the story were also trimmed a bit. The production values ​​are good. The story was produced with added weight without detracting from it. Plus points: Vijay, Some Action Scenes, Mamita Baiju Minus points: Story, screenplay, Being a familiar story, Second half, Villain role. Analysis: The film Jana Nayakkudu, which was supposed to be released early this year, did not see its release due to censor problems due to Tamil Nadu politics. Officials said that permission could not be given for the release of the film in the wake of the assembly elections. With Vijay becoming the CM, the film Jana Nayakkudu came plowing ahead without any problems and shook the Tamil box office. This movie has been seen in Telugu before. Even though it is known that this is a remake of Balakrishna Bhagwant Kesari, many enthusiasts booked in advance and watched the movie. The movie got a good opening in Telugu states.  It is undeniable that Jana Nayakkudu could not satisfy the Telugu audience completely. Tamil audience will think aha.. oh my for Vijay Elevations. Moreover, they will like it because it is a new story, but Telugu people do not have much to like about this movie, even though the second half seems to have changed a bit, it felt like it was forced. The political elements were not set in the story at all. There is action but no emotion. The magic is missing in the screenplay. Overall, Jana Nayakkudu does not have anything new that the Telugu audience will like much. Finally... A Tamil mass leader who cannot please Telugu people. Banner: KVN Productions Producer: Venkat K. Narayan Director: H Vinod Music: Anirudh Cast: Vijay, Pooja Hegde, Mamita Baiju, Sunil, Bobby Deol and others"},"img":{"url":"https://images.prismic.io/prad/8WXmx3hoavnPTLpj_jananayakudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-23T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-jana-nayakudu-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}