{"data":{"all":{"edges":[{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Toxic Trailer Locked: Yash Set to Ignite the BO"},"content":{"text":"The countdown has officially begun for one of Indian cinema's biggest action spectacles. The makers of 'Toxic: A Fairy Tale for Grown-Ups', starring Kannada superstar Yash, have confirmed that the film's much-awaited trailer will be unveiled on August 8, 2026. Along with the announcement, the team released a striking monochrome poster that instantly grabbed attention across social media. The intense visual has heightened curiosity, giving audiences a glimpse of the film's gritty atmosphere while fueling expectations for what promises to be a grand cinematic event. With the trailer date now locked, excitement surrounding the project has reached a new peak. Directed by acclaimed filmmaker Geetu Mohandas, Toxic is being positioned as a large-scale action drama with an international appeal. Ever since the project was announced, it has generated tremendous buzz among movie lovers, and Yash's commanding screen presence has only strengthened that anticipation. Following the phenomenal success of the KGF franchise and the attention surrounding his upcoming mythological projects, fans are eager to witness the actor return in an entirely different avatar. Industry circles believe Toxic could become one of the biggest theatrical releases of the year, with the trailer expected to offer a first look at the film's powerful action, emotional depth, and stylish storytelling. The film features an impressive ensemble cast including Nayanthara, Kiara Advani, Tara Sutaria, Rukmini Vasanth, and Huma Qureshi, adding significant star power to the ambitious venture. Jointly produced by KVN Productions and Monster Mind Creations, the film is mounted on a lavish scale with global production standards. With its high-profile cast, acclaimed director, and Yash leading the charge, Toxic has already emerged as one of the most anticipated pan-world releases. If the trailer lives up to the growing expectations, the film could be on course to deliver another massive box-office phenomenon for the Kannada superstar."},"img":{"url":"https://images.prismic.io/prad/qQEp52QIbCMQklmr_toxic.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T07:32:00+0000","embed":{"embed_url":null}},"uid":"toxic-trailer-locked-yash-set-to-ignite-the-bo"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"\"Can't Face Myself\": Girl apologize for her comments on Modi"},"content":{"text":"A video circulating widely on social media shows a young woman, who was booked for using objectionable language against Prime Minister Narendra Modi during a student demonstration over NEET paper leaks, expressing regret and apologising . The video, which has attracted significant attention online, features the girl standing with folded hands and addressing viewers directly. Dressed in a striped T-shirt, she admits that her remarks during the protest were inappropriate and says she deeply regrets making them. In her statement, she alleged that she was influenced by others present at the demonstration and ended up making comments that she now considers unacceptable. According to her, the atmosphere at the protest affected her judgment, leading her to say things that she would not ordinarily have said. The girl further states that she is remorseful for her actions and acknowledges the seriousness of the incident. She says she has realised the impact of her words and wishes to apologise not only to the Prime Minister but also to people across the country who may have been offended by her remarks. A notable point in the video is her claim regarding her age. While the FIR reportedly described her as a 25-year-old, she asserts in the apology clip that she is only 15-years-old. Referring to the episode as a grave mistake, she says she never intended to create such controversy and now feels embarrassed by her behaviour. Expressing remorse, she says that what she did was wrong and difficult to justify. She describes herself as feeling deeply ashamed and adds that she finds it difficult to face herself after reflecting on the incident. \"I am only 15-years-old. Whatever I did was not worthy of forgiveness. I have said a lot of bad things.\" Seeking forgiveness, she appeals to the public to view the matter as an isolated lapse in judgment and promises that such a mistake will not be repeated. Calling it her \"first and last mistake\", she adds, \"I apologise to the entire country. I am so ashamed. I can't even look at myself. Please forgive me.\" The controversy emerged as on Wednesday, a complaint was filed against the girl at a Noida police station over her remarks against the Prime Minister. Noida Police filed a Zero FIR, which was later transferred to Parliament Street Police Station in New Delhi. The complainant stated that her comments insulted the dignity of the Prime Minister's Office and could spread disharmony and disturb public peace. The apology video emerged just a few hours after Prime Minister Narendra Modi's latest Instagram video appealing for restraint and forgiveness following abusive slogans directed at him during student protests. In the message, he referred to the recent events at Jantar Mantar, where some “mischievous youngsters” had hurled vile abuses using language unbecoming of any civilised society. He noted that not only was he targeted, but his late mother was also subjected to deeply appalling abuse. Acknowledging the strong public reaction, the Prime Minister said mistakes are part of childhood and that childhood itself provides the opportunity to correct those mistakes. “That is the very essence of childhood,” he remarked. He expressed full understanding of the outrage in society and the sense of cultural shock over how young girls could use such language. Calling the youngsters “misguided,” PM Modi stressed that the need of the hour was to embrace them and show them the right path. “It is our duty to guide them. Punishing them, dragging them through court proceedings, or harassing them in society will not change the situation,” he said. The Prime Minister made it clear that he wished to forgive them and hoped society would accept this sentiment, adding that he held only one feeling in his heart."},"img":{"url":"https://images.prismic.io/prad/GP160LytkxXhcd5n_girl.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T05:20:00+0000","embed":{"embed_url":null}},"uid":"cant-face-myself-girl-apologize-for-her-comments-o"}},{"node":{"tags":["politics","featured","four"],"data":{"third_party_url":null,"title":{"text":"Modi inaugurates Bhogapuram Airport"},"content":{"text":"Prime Minister Narendra Modi inaugurated the Alluri Sitarama Raju International Airport at Bhogapuram in Vizianagaram district, near here, on Saturday.  After landing at the runway of the Greenfield Airport, the Prime Minister inaugurated the passenger terminal building and undertook a walk-through along with Governor S. Abdul Nazeer, Chief Minister N. Chandrababu Naidu, Deputy Chief Minister Pawan Kalyan and Civil Aviation Minister K. Ram Mohan Naidu. The top leadership of GMR Group and the Civil Aviation Minister explained the special features of the airport to the Prime Minister. The terminal was decorated to showcase the culture, traditions, and arts of Andhra Pradesh. PM Modi had a close look at large-scale Etikoppaka artwork displayed at the airport's welcome gate. When the PM stepped out of the airport and headed towards the venue of the public meeting on a special vehicle along with Chief Minister, Deputy Chief Minister and others, tribal women performed the traditional ‘Dhimsa’ dance to welcome him. According to officials, the ‘Dhimsa’ dance by 13,500 tribal women created a Guinness World Record. The Prime Minister was seen clapping to appreciate the colourful and impressive dance performance by tribal women. At the public meeting venue, PM Modi will lay the foundation stone, inaugurate and dedicate to the nation multiple development projects worth over ₹17,900 crore in Bhogapuram and address the gathering on the occasion. Developed under the Public-Private Partnership (PPP) mode at a cost of over ₹5,640 crore, the Greenfield airport has been designed to handle 6 million passengers annually. The airport is expected to provide a significant boost to tourism, trade, investment and employment generation in Andhra Pradesh while strengthening air connectivity in the region. The passenger terminal building has been designed to provide a modern, seamless and efficient travel experience. The airport incorporates advanced infrastructure, cutting-edge technologies and sustainable features to enhance operational efficiency and meet future aviation requirements. The airport has been equipped with advanced technologies such as Artificial Intelligence (AI), Building Information Modelling (BIM), Airside 4.0 technologies, Airport Predictive Operations Centre (APOC), biometric passenger processing, automated baggage handling systems and intelligent operational monitoring solutions. These systems are expected to enhance operational efficiency, improve passenger convenience and safety, and optimise resource utilisation."},"img":{"url":"https://images.prismic.io/prad/EtO6ffJTVzXrnm-D_bhogapuramairport.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T06:30:00+0000","embed":{"embed_url":null}},"uid":"modi-inaugurates-bhogapuram-airport"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Salman's reunion with 'bada bhai' Sanjay Dutt"},"content":{"text":"Bollywood superstar Salman Khan treated fans to heartwarming pictures of his reunion with his longtime friend Sanjay Dutt.  Sharing an emotional note celebrating their bond, Salman expressed his heart out in the wee hours of Saturday. Taking to his social media account, Salman dropped two pictures of him warmly hugging Sanjay Dutt. In the first picture, the two actors are seen hugging each other, at what seems to be at Sanjay Dutt’s house. The second picture captures the same image but from the camera angle of Sanjay Dutt being more in focus. Sharing the pictures, Salman wrote, \"Babaaaa for ever baba aur baba, baba hota hai. Sanju baba hai hum sab ka baba n Sanju baba now apne bacchon ka baba, mera bada bhai Sanjay Dutt, Allah, Bhagwan Jesus sab iss Aadhmi ko khush rakhain, I love you Baba.\" The post received love from Sanjay Dutt's wife Maanayata Dutt, who commented, \" brothers for life.\" Sanjay's daughter Trishala Dutt also dropped a string of pink heart emoticons in the comments section. Talking about Salman and Sanjay's bond, they have shared one of Bollywood's most enduring friendships and have also collaborated on many films over the years. The duo has appeared together in \"Saajan\" released in 1991, followed byb\"Chal Mere Bhai\" in 2000. Both movies went on to become superhits. While Saajan starred Madhuri Dixit as the lead heroine, Chal Mere Bhai starred Karisma Kapoor. For the uninitiated, both Salman Khan and Sanjay Dutt hail from respected Bollywood families. Salman Khan is the son of legendary writer Salim Khan and Sanjay Dutt is the son of legends Sunil Dutt and Nargis. On the work front, Salman will next be seen in \"Maatrubhumi: May War Rest in Peace” based on the 2020 Galwan Valley clash."},"img":{"url":"https://images.prismic.io/prad/Lv5Cc43IKt-MgFlH_salmansanjay.JPG?auto=format,compress"},"datetime":"2026-08-01T02:15:00+0000","embed":{"embed_url":null}},"uid":"salmans-reunion-with-bada-bhai-sanjay-dutt"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Beyond Bollywood: Sanjay Dutt's Empire"},"content":{"text":"As Bollywood veteran Sanjay Dutt recently marked his 67th birthday on July 29, a closer look at his burgeoning net worth reveals a figure estimated at approximately Rs 295 crore. Dutt, who has captivated audiences for decades, has successfully transitioned from a leading man in films to an entrepreneurial powerhouse. His wealth is not merely a byproduct of his acting career; it reflects diverse investments and business ventures that complement his cinematic legacy. With fees ranging from Rs 8 crore to Rs 15 crore per film, Dutt's financial portfolio is as multifaceted as his career. Residing in an opulent apartment in Mumbai's upscale Pali Hill, valued at around Rs 40 crore, Dutt shares his life with his wife, Maanayata Dutt, and their family. This luxurious abode underscores his status in the industry, while his additional property in Dubai adds another layer to his real estate investments. Though the exact value of the Dubai residence is undisclosed, it is known for its lavish interiors and modern amenities, serving as a retreat for Dutt's family amid Maanayata's expanding business interests in the UAE, where they spend significant time. Born to Bollywood legends Sunil Dutt and Nargis, Sanjay Dutt's journey in film began with his debut in the 1981 film 'Rocky.' Over the years, his on-screen presence has left an indelible mark, with notable performances in films like 'Vaastav,' 'Khal Nayak,' and the beloved 'Munna Bhai M.B.B.S.' franchise. Beyond the glitz and glamour of the silver screen, Dutt has ventured into various business realms, including co-owning the B-Love Kandy franchise in the Lanka Premier League and investing in innovative brands such as DawnTown and Cyber Media India, establishing his footprint beyond filmmaking. Dutt's interests extend into the culinary sector, where he has recently launched 'Dutts' Franktea,' an online food brand based in Dubai offering a unique blend of tea and classic Indian street food. His passion for luxury extends to a notable automotive collection featuring high-end brands like Rolls-Royce and Ferrari, as well as a selection of superbikes. This confluence of film, business, and personal interests paints a picture of a man who has not only adapted to the changing tides of the entertainment industry but has also positioned himself as a savvy entrepreneur, securing his legacy in both Bollywood and the corporate world."},"img":{"url":"https://images.prismic.io/prad%2F87e2ac21-4187-4428-8890-4c0a249a12dd_sanjay+dutt.jpg?auto=format%2Ccompress&rect=0%2C14%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-31T19:27:00+0000","embed":{"embed_url":null}},"uid":"beyond-bollywood-sanjay-dutts-empire"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Korean Kanakaraju' Trailer"},"content":{"text":"'Korean Kanakaraju' Trailer"},"img":{"url":"https://images.prismic.io/prad/hWjquugRFqOjFg1E_koreankanakaraju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T08:49:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=JIqKjjTfOxM"}},"uid":"korean-kanakaraju-trailer"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Crazy Kalyanam' Teaser"},"content":{"text":"'Crazy Kalyanam' Teaser"},"img":{"url":"https://images.prismic.io/prad/iXzgGv5OgQtZoo8P_crazykalyanamteaser.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T06:59:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=71x-nOos2rs"}},"uid":"crazy-kalyanam-teaser"}},{"node":{"tags":["Entertainment","featured","one"],"data":{"third_party_url":null,"title":{"text":"Allu Arjun's Bold Transformation Sparks Anticipation for AA23"},"content":{"text":"In a sensational turn of events, Allu Arjun has emerged as a trending topic in the Indian film landscape with the unveiling of his innovative look in Lokesh Kanagaraj's highly anticipated project, AA23. As the buzz surrounding this collaboration intensifies, cinephiles are fervently speculating about the new dimensions Arjun will explore in his performance. This marked shift promises to captivate audiences and elevate the cinematic experience, further entrenching Arjun as a pan-India superstar known for his striking metamorphoses on screen. Sources close to the production have hinted at a radical transformation for the actor, who has consistently dazzled audiences with his compelling portrayals. According to insiders, both Allu Arjun and Lokesh Kanagaraj have dedicated considerable time and effort to research and conceptualize this unique look, which aims to challenge traditional character portrayals in Indian cinema. The collaboration not only signifies a meeting of creative minds but also reflects a broader trend of filmmakers and actors alike striving to push the envelope in storytelling and visual representation. Allu Arjun's journey in the film industry is marked by his remarkable ability to immerse himself in diverse roles, a skill that has garnered him both critical acclaim and a massive fan following. From his early performances in films like Arya to recent successes such as Pushpa, Arjun has demonstrated an unwavering commitment to character authenticity. His collaborative efforts with acclaimed directors like Kanagaraj, known for his meticulous attention to character design, have set the stage for a transformative cinematic experience that could redefine how audiences perceive new-age heroes. In addition to AA23, Allu Arjun's slate is brimming with exciting projects, including a sequel to his blockbuster Pushpa and the much-anticipated Raaka, directed by Atlee. The unveiling of his new look has already created a stir on social media, with fans eagerly debating the implications of this bold aesthetic shift. The overwhelming response underscores not only Arjun's star power but also the growing appetite among viewers for innovative storytelling in Indian cinema, setting the scene for an exhilarating future for the actor and his forthcoming roles."},"img":{"url":"https://images.prismic.io/prad/jYzxb2_okVHax80t_alluarjun.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T09:32:00+0000","embed":{"embed_url":null}},"uid":"allu-arjuns-bold-transformation-sparks-anticipatio"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Sardar 2' Teaser"},"content":{"text":"'Sardar 2' Teaser"},"img":{"url":"https://images.prismic.io/prad/Z-pNK3dAxsiBwGoT_sarda2.JPG?auto=format,compress"},"datetime":"2026-07-31T14:44:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=f25yE3B9dqw"}},"uid":"sardar-2-teaser"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rashmika Takes Medical Break"},"content":{"text":"Actress Rashmika Mandanna, who was recently seen in ‘Cocktail 2’, has reportedly suffered a serious hip injury while filming an intense dance sequence. The actress has been busy with the shooting for her upcoming films ‘Ranabaali’ and ‘Mysaa’, of late. Rashmika is said to have pushed through demanding action and dance schedules, which led to a complete tendon detachment in her hip. As per media reports, doctors were surprised by the severity of the injury, stating that this kind of tendon damage is usually seen in athletes who undergo rigorous physical training. The actress has been advised a complete rest for the next six weeks by medical experts. Her recovery will be followed by a structured rehabilitation program to aid her recovery and help restore strength. The actress is currently balancing the shoots of four major films while also fulfilling commitments as the face of nearly 30 national and international brands. The injury is expected to impact the schedules of her ongoing film shoots and campaigns. Earlier, the actress was lauded by choreographer Brinda, who is choreographing a song for director Rawindra Pulle's eagerly awaited action entertainer 'Mysaa'. The choreographer recently heaped praise on the actress for her commitment to her craft. Taking to her Instagram page to pen a post lauding Rashmika Mandanna, Brinda wrote, \"So happy to be working on a song in Mysaa. @rashmika_mandanna, from rehearsals to the shoot, the amount of practice and preparation you put into the song is truly incredible. Your commitment is one of the biggest reasons for your success. Having been in the industry for so many years, I can honestly say I have rarely come across an actress with this level of hard work, discipline, and dedication”. \"No matter what correction I give, you always take it with a smile and immediately put it into action. Even when you’re in pain, your focus never shifts and you work even harder. I’m sure audiences will see the effort you’ve poured into this film. Can’t wait for the release of Mysaa and for the world the see the magic you created on screen”, she added. Rashmika Mandanna's 'Mysaa' has triggered huge excitement ever since the film was first announced. In fact, the film was recently in the news after the makers disclosed that the unit had completed shooting a crucial underwater sequence featuring Rashmika."},"img":{"url":"https://images.prismic.io/prad/4VSNjcObHYuxLqCK_rashmika.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-31T15:15:00+0000","embed":{"embed_url":null}},"uid":"rashmika-takes-medical-break"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Lakshmi Parvathi Challenges Bhuvaneswari"},"content":{"text":"YSR Congress Party State General Secretary Nandamuri Lakshmi Parvathi challenged Chief Minister N. Chandrababu Naidu’s wife Nara Bhuvaneswari to prove the claim that she was insulted in the Andhra Pradesh Assembly.  The YSRCP leader dismissed the remarks made by Bhuvaneswari during her visit to Kuppam as false. Addressing the media at the YSRCP Central Office at Tadepalli, Lakshmi Parvathi said the Telugu Desam Party (TDP) is in power today and has complete access to Assembly records. If Bhuvaneswari’s claim is genuine, the government should make the records public instead of attempting to gain political sympathy, she said. Lakshmi Parvathi is the second wife of TDP founder and former Chief Minister late N. T. Rama Rao (NTR). Bhuvaneswari is one of the daughters of NTR from his first wife. Lakshmi Parvathi said Bhuvaneswari was dragged into politics by her husband Chandrababu Naidu and son Nara Lokesh for political gain, while YSRCP had never made personal remarks against her.  Parvathi questioned why Bhuvaneswari remained silent when ITDP targeted her, despite being NTR’s legally wedded wife, through abusive trolling and morphed images. She also asked why Bhuvaneswari had never condemned the online abuse directed at women from the YSR family or spoken against the increasing atrocities on women and children in the State. Lakshmi Parvathi said Chandrababu’s claim that he always keeps his promises was “the biggest joke of the year,” pointing to the coalition government’s failure to implement key election promises, including the Aadabidda Nidhi, free LPG cylinders and other welfare commitments.  She said Y.S. Rajasekhara Reddy and Y.S. Jagan Mohan Reddy fulfilled the promises they made to the people, unlike Chandrababu and Lokesh.  Welcoming Bhuvaneswari’s entry into active politics, Parvathi said she must first apologise to the people of Andhra Pradesh for the “Red Book governance” and the misrule of Chandrababu Naidu and Nara Lokesh before seeking a political role. During the campaign for the 2024 Assembly elections, Lokesh carried a ‘Red Book’, claiming that it has names of all the individuals, including officials who allegedly targeted TDP leaders during YSRCP rule.  YSRCP alleges that TDP is resorting to politics of vendetta by targeting its leaders with false cases."},"img":{"url":"https://images.prismic.io/prad/Avf97-pAyJJ1tYRG_lpbhu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-31T15:54:00+0000","embed":{"embed_url":null}},"uid":"lakshmi-parvathi-challenges-bhuvaneswari"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Godavari crosses 2nd danger mark at Bhadrachalam"},"content":{"text":"The Godavari River crossed the second danger mark at Bhadrachalam in Telangana's Bhadradri Kothagudem district on Friday, prompting authorities to alert people living in low-lying areas along the river.  The water level, which crossed the first danger mark of 43 feet Friday morning, rose to 48 feet in the afternoon. According to the officials of the Central Water Commission, the water level is likely to rise further due to continuing inflows from upstream. The third danger signal will be hoisted at 53 feet. The flow at Bhadrachalam was 11.44 lakh cusecs. Annadanam Satram area in the Sree Seetha Ramachandraswamy temple premises was flooded due to backwaters. Motors installed to pump backwaters into the river broke down, resulting in the inundation of the area. Godavari and its tributaries were in spate due to heavy inflows from upstream following heavy rains for the last two days. Meanwhile, authorities rescued 38 people trapped in a sand ramp near Cherla in Bhadradri Kothagudem district. They had gone to sand reaches for sand loading in trucks on Friday morning but were caught in flood waters. The district administration rescued all of them by deploying boats. They included truck drivers, cleaners and machine operators. Road connectivity between Cherla and Venkatapuram in Mulugu district was snapped due to floods in Godavari. A few villages in Mulugu district were inundated due to heavy rains and floods. Authorities tried to shift affected people to relief camps, but they resisted this and demanded that instead of shifting them every year, they be sanctioned houses in safe places. Meanwhile, rivulets and streams were overflowing in united Adilabad district as a result of heavy rains during the last two days. Penganga and Pranahita rivers were receiving flood waters. Overflowing Penganga inundated crops in the district, causing huge losses to farmers. With the Kadam project in Nirmal district receiving heavy inflows from upstream, authorities were releasing flood water to the Yellampalli project. Heavy rains disrupted coal production in the open-cast and underground mines of Singareni Collieries Company Limited (SCCL) in Mancherial district. The public sector company is estimated to have suffered a production loss of Rs 18 crore. Meanwhile, the Jurala project across the Krishna River in Jogulamba Gadwal district was receiving heavy inflows from upstream. Authorities have opened 24 crest gates to release the water downstream. Heavy rains in north Telangana and inflows from upstream have increased the levels in various projects in Telangana. Inflows have increased into Sriram Sagar, Yellampalli, Singur, Nizam Sagar, Kadam, Upper Maner, Mid Maner, and Lower Maner."},"img":{"url":"https://images.prismic.io/prad/e71be20e-7d03-4503-bf53-e6bb17ff6fdf_bhadrachalam+flood.JPG?auto=format,compress"},"datetime":"2026-07-31T12:16:00+0000","embed":{"embed_url":null}},"uid":"godavari-crosses-2nd-danger-mark-at-bhadrachalam"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ram Charan's Faith-Filled Comeback"},"content":{"text":"In a poignant display of faith and resilience, acclaimed actor Ram Charan made a recent pilgrimage to the Ayyappa Temple in Coimbatore, accompanied by his wife, Upasana Konidela. This visit comes just days after the star underwent wrist surgery necessitated by an injury sustained during the filming of his upcoming sports drama, Peddi. Despite still in recovery and sporting an arm sling, Charan's commitment to his spiritual beliefs shone brightly as he participated in prayers at the temple, embodying a remarkable spirit of perseverance amidst adversity. Photos capturing the couple's visit quickly circulated on social media, showing Ram Charan dressed in traditional attire, complete with an Ayyappa mala and a lungi, while Upasana donned a floral blue kurta set. The couple was seen engaging with devotees, enhancing the emotional resonance of the occasion. A particularly heartwarming moment was captured as Upasana was photographed feeding cows at the temple’s goshala. This intimate connection with the community highlights a facet of their public personas that resonates deeply with fans, emphasizing humility and devotion. Prior to this visit, Ram Charan had been recovering at Ganga Hospital in Coimbatore, where he underwent surgery led by orthopedic expert Dr. S. Rajasekaran, with assistance from hand and wrist specialist Dr. Alejandro Badia. His injury, which had been exacerbated during the demanding filming schedule for Peddi, did not deter him from completing critical portions of the movie, reflecting his exceptional dedication to his craft. The production house, Vriddhi Cinemas, expressed gratitude for Charan's unwavering commitment, commending his professionalism and resilience as a source of inspiration to the entire film team. In the weeks leading up to the surgery, Upasana had been actively sharing her prayers for her husband’s recovery on social media, underscoring the couple's strong bond during challenging times. As Ram Charan embarks on a recommended period of rest to recuperate and heal, the actor's journey exemplifies not only physical strength but also the emotional support that family and faith can provide during times of adversity. His recent temple visit serves as a reminder of the intertwined nature of personal health, spirituality, and the unwavering support of loved ones in navigating life’s challenges."},"img":{"url":"https://images.prismic.io/prad/STpzSrcZpnbDEt6h_RC.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-31T10:24:00+0000","embed":{"embed_url":null}},"uid":"ram-charans-faith-filled-comeback"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ishaan Khatter reunites with Janhvi"},"content":{"text":"Actor Ishaan Khatter delighted fans on Friday by sharing a picture with his \"Dhadak\" co-star Janhvi Kapoor.  The actor, sharing the picture stated that he finds some reunions very special, hinting at his reuniting with Jahnvi for what seems to be an advertisement, though Ishaan has not clarified over it yet. Taking to his social media account, Ishaan posted a picture of him and Jahnvi dressed in traditional attires. Ishaan is seen wearing an ivory sherwani with a matching turban, and Janhvi is seen resplendent in a heavily embroidered maroon lehenga paired with statement jewellery. The two are seen seated on a staircase, holding each other's hands and posing for a picture. Sharing the picture, Ishaan captioned it, \"Some reunions feel like no time has passed! @janhvikapoor.\" The reunion reminded fans of their successful on-screen pairing in \"Dhadak\" released in 2018, which marked Janhvi Kapoor's Bollywood debut as a lead actress opposite Ishaan. Directed by Shashank Khaitan and produced by Dharma Productions, Zee Studios and Cloud 9 Pictures, the romantic drama was the official Hindi remake of Nagraj Manjule's acclaimed Marathi blockbuster \"Sairat\" that released in 2016. For the uninitiated, \"Dhadak\" released on July 20, 2018, just a few months after Janhvi's mother, legendary actress Sridevi, passed away in February that year. The chemistry between Janhvi and Ishaan was widely appreciated, and made them one of the most talked-about fresh on-screen pairings of the year. Talking about their equation, the duo has remained close friends and has even reunited at industry events and public appearances over the years. They were last seen together in Neeraj Ghaywan's \"Homebound,\" which starred Janhvi Kapoor, Ishaan Khatter and Vishal Jethwa. For the uninitiated, \"Dhadak\" was also Ishaan Khatter's first film as a solo lead hero. Before that, he made his acting debut with acclaimed Iranian filmmaker Majid Majidi's \"Beyond the Clouds\" released in 2017). He was earlier seen as a child actor in \"Vaah! Life Ho Toh Aisi!\" released in 2005."},"img":{"url":"https://images.prismic.io/prad/kJihzXBAOU35mwJp_ishanthjahnvi.JPG?auto=format%2Ccompress&rect=0%2C32%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-31T10:14:00+0000","embed":{"embed_url":null}},"uid":"ishaan-khatter-reunites-with-janhvi"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"SIR Cuts 45 Lakh AP Voters"},"content":{"text":"Nearly 45 lakh voters have been deleted from the roll in Andhra Pradesh as the Election Commission of India published the draft voter list on Friday, following Special Intensive Revision (SIR).  Deleted names include 22.30 lakh who had permanently shifted or were found absent. Names of as many as 15.22 lakh deceased have also been deleted, while 7.37 lakh voters were found enrolled at multiple places. According to Chief Electoral Officer Vivek Yadav, enumeration forms were collected from 3.71 crore electors (89.22 per cent). Booth Level Officers (BLOs) did not find remaining electors (44.89 lakh) or did not get back their enumeration forms because they became electors in other states/UTs, or were not found in existence, or did not submit the form till July 24, or were not willing to register as an elector for some reason or other. SIR was conducted in the state from June 15 to July 24. As on July 24, out of 4,16,27,694 electors, a total of 3,71,38,182 electors have submitted their enumeration forms, reflecting overwhelming participation during the enumeration phase of SIR, the CEO said. He made it clear that genuine electors can still be added back to the electoral rolls during the claims and objections period from July 31 to August 30 using Form-6 along with the prescribed declaration form. The name of the electors found enrolled at multiple places in the electoral rolls will be retained only at one place. The Draft Electoral Roll has been published on Friday (July 31) by the Electoral Registration Officer (ERO) concerned of all 175 Assembly Constituencies of the State. Booth-wise lists of absent/shifted/death/duplicate electors whose names are not included in the Draft Roll have been displayed on the Notice Board of respective ERO/AERO Offices, Grama Panchayat/Municipal Office Notice Boards, and Polling Stations to enable the general public to have access to the voters lists along with the probable reasons for non-inclusion of their names. These lists have also been put on the CEO’s website along with the respective DEO’s website. Claims and objections can be filed from July 31 to August 30. Claims and objections will be disposed of from July 31 to September 28. The final electoral roll will be published on October 3. According to the CEO, the successful completion of the enumeration phase is the result of coordinated efforts of District Election Officers (DEOs) of all 28 districts, 175 Electoral Registration Officers (EROs), 1,079 Assistant Electoral Registration Officers (AEROs), 4,650 BLO Supervisors and 46,397 Booth Level Officers (BLOs) deployed at 46,397 polling stations. Representatives of recognised political parties, including their District Presidents, also actively participated, with as many as 1,27,868 Booth Level Agents (BLAs) appointed by them. At the beginning of the SIR, Andhra Pradesh had 68,868 BLAs. The increased number of BLAs indicates active participation of the political parties and their representatives in this important exercise, he said."},"img":{"url":"https://images.prismic.io/prad/24d4d4db-cf4a-4e24-9e7f-b5bfa9c3dc6f_voters+voting.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-31T09:25:00+0000","embed":{"embed_url":null}},"uid":"sir-cuts-45-lakh-ap-voters"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"India Falls for Spider-Man Again!"},"content":{"text":"In a remarkable display of box office prowess, 'Spider-Man: Brand New Day', featuring Tom Holland, has ignited a frenzy across Indian theaters, achieving staggering opening-day earnings estimated between Rs. 61 crores and Rs. 63 crores. This impressive debut not only eclipses the previous record held by ;Avengers: Endgame;, which grossed Rs. 53.1 crores upon its release in 2019, but also solidifies the film's status as the highest-grossing Hollywood film in India on its opening day. The film's success can be attributed to its widespread appeal, drawing in audiences from both urban centers and rural regions alike. Major national cinema chains reported collections nearing Rs. 32 crores on the first day alone, accounting for over 52 percent of the film's total ticket sales. This broad demographic reach underscores the franchise's enduring popularity and the effective marketing strategies employed, allowing 'Spider-Man: Brand New Day' to exceed industry expectations right out of the gate. Historically, Hollywood films have struggled to capture a significant share of the Indian market, with 'Avatar: Way of Water' previously holding the record for the highest lifetime gross at Rs. 373 crores. However, with projections indicating that 'Spider-Man: Brand New Day' could potentially soar past the Rs. 400 crore mark within its opening weekend, the film poses a serious threat to established records. Such milestones reflect a pivotal moment in the Indian box office landscape, as it indicates a growing acceptance and enthusiasm for Hollywood productions among Indian audiences. Industry analysts remain optimistic about the film's trajectory, noting that its robust opening weekend is expected to culminate in a total of approximately Rs. 225 crores. As the excitement builds, 'Spider-Man: Brand New Day' is poised not only to become the highest-grossing Hollywood film in India but also to set a new standard for international blockbusters in the region. However, competition looms large with Avengers: Doomsday scheduled for release later this year, which could further elevate the stakes in this dynamic market."},"img":{"url":"https://images.prismic.io/prad/SYLHf0cPU1DfLCNK_spiderman.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-31T07:35:00+0000","embed":{"embed_url":null}},"uid":"india-falls-for-spider-man-again"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Meta India Head Booked in Hyd"},"content":{"text":"Hyderabad Police have booked Meta India head along with several Facebook and Instagram accounts over content targeting Prime Minister Narendra Modi during the recent Cockroach Janta Party protests over NEET paper leak.  Cybercrime Police have registered cases against the India head of Meta, Arun Srinivas, as well as several Facebook and Instagram accounts for alleged circulation of morphed and objectionable videos and images of the Prime Minister on the social media platforms. The cases under various sections of BNS and the IT Act have been registered on the basis of complaints filed by S. Aravind Reddy, a businessman, and T. Saikiran Goud, a Telangana BJP activist. The complainants stated that while browsing Instagram, they came across multiple morphed and digitally manipulated videos and images portraying the Prime Minister in an obscene, derogatory and misleading manner. \"The comments contain offensive language, ridicule, and indecent remarks directed at the Hon'ble Prime Minister and other individuals depicted in the manipulated content, thereby amplifying the offensive nature of the posts and encouraging their wider circulation and engagement. The above content appears to have been digitally altered or AI-generated and circulated on social media,\" the complaints have stated.   The complainants stated that such content has the potential to mislead the public, spread misinformation, incite hatred or public unrest, outrage public decency, defame or insult the dignity of public figures, disturb public order, promote hostility among different sections of society, and otherwise violate the applicable provisions of law. Saikiran Goud submitted a list of 20 Facebook and Instagram links along with his complaint and sought action against Meta for hosting the content. Police were trying to collect details of the social media accounts and identify the operators of these accounts. Meta recently expressed regret after a video posted from the PM's account was briefly blocked on Facebook."},"img":{"url":"https://images.prismic.io/prad/Z7rb757c43Q3gGjp_meta.JPG?auto=format,compress"},"datetime":"2026-07-31T05:03:00+0000","embed":{"embed_url":null}},"uid":"meta-india-head-booked-in-hyd"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"The Selfie Monologue: Echoing A Losing Battle?"},"content":{"text":"“When the force of the state is met not with earnest petition, but with the irreverent laugh of the subordinate, the mask of absolute authority slips. Power knows how to crush a rebellion, but it has never learned how to govern a ridicule.\"— James C. Scott, a political theorist, from his seminal work Domination and the Arts of Resistance: Hidden Transcripts. Scott reminds us that while a powerful government has the weapons to crush a serious rebellion, it is completely helpless against ridicule. When the youth stop being afraid and start laughing, the state loses control. Political power depends entirely on being taken seriously. The moment the public treats a \"divine leader\" like a meme, the illusion of absolute power vanishes, and the state has no idea how to fight back. On sensing Scott’s wisdom finding its echo in the dissenting youth that had turned against his regime and its policies, the Indian \"Supreme Leader\" had immediately deployed his favorite weapon: the front-facing camera. This dynamic clearly manifests that the leader, who carefully manufactured the image of an untouchable divine entity, has finally found a perfect match in the form of this dissenting youth. As a result, he is now forced to deploy every trick in his playbook to win back control of a narrative that seems to be fast slipping from his hands. As Priyanka Gandhi aptly remarked, you cannot win over Gen Z by just finding new camera angles; it is the angle of the heart that needs to change. But like King Vikramarka of folklore, who never gives up his relentless pursuit, the Supreme Leader appears unstoppable. He has unleashed his fourth selfie video onto the internet, determined to \"outreach\" his way out of a crisis, regardless of the fact that it evoked a sharp rebuke from the youth—who pointedly remarked that his skin appeared far brighter than the country's future. While the leader is busy adjusting his lighting and filters, his entire machinery is in a state of absolute panic. The narrative has completely broken loose, and the 24/7 damage-control circus is in full swing. Their desperate playbook is now running on a frantic loop. When young citizens demand jobs or rights, they are instantly branded as anti-national saboteurs, while IT cell warriors deploy a toxic, Kangana Ranaut-style Bollywood playbook to unleash venomous, theatrical social media attacks on anyone offering logic. Meanwhile, friendly mainstream media channels run nonstop marathons listing the Supreme Leader’s historic achievements in a masterclass of gaslighting, all while the RSS brain trust of right-wing intellectuals churns out lengthy, convoluted columns to explain away the organic outrage as nothing more than youth \"misguided\" by foreign conspiracies. Ultimately, these desperate efforts show that the government is in total shock. For decades, the political establishment knew exactly how to handle traditional opposition—whether it was mass farmers' protests, street slogans, or even the sharp cartoons and stand-up comedians who jokingly displayed dissent. The state easily out-shouted these elements, trapped them in legal battles, or simply ignored them. But today’s youth are different; they are blunt, highly sarcastic, and completely refuse to play by the old rules. The creative posters at Jantar Mantar, the viral Instagram reels, and the sharp placards outside the education minister’s house do not look like the respectful, serious protests of the past. Instead, the youth are fighting fire with fire and giving the government a taste of its own medicine, going so far as to target and ridicule the very image of the Supreme Leader himself. The state, which mastered how to extract electoral gains out of a martyr, appears to have absolutely no idea how to fight a meme. It faces an existential crisis when questioned and laughed at by the exact same youth that supported it for so long. No matter how much propaganda the Saffron IT Cell deploys, they are struggling to patch the leak, a point proved when the dissenting youth mockingly wondered whether it would be better for the nation if the Supreme Leader resigned his position to become a full-time social media influencer. This is a direct face-off between Supreme leaders \"WhatsApp warriors\", Propaganda machinery, intellectuals and the hyper-aware, meme-forward \"Instagram generation.\" In the age of social media, controlling the narrative is proving to be a desperate battle, if not a losing one."},"img":{"url":"https://images.prismic.io/prad/bnxXx5xwyqoC53vL_modicpj.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-31T06:30:00+0000","embed":{"embed_url":null}},"uid":"the-selfie-monologue-echoing-a-losing-battle"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Mammootty Signs Off from 'Om'"},"content":{"text":"Malayalam superstar Mammootty has now completed his portions in director Rajkumar Periasamy's eagerly awaited action entertainer 'Om', featuring Tamil star Dhanush in the lead. Mammootty Kampany, the production house of actor Mammootty, took to its Instagram page to drop the update. Sharing a video of Mammootty arriving in Kochi, the production house wrote, \"Our Dearest Mammukka is back in Kochi after completing his portions for #OM #Mammootty #MammoottyKampany #Mammukka.\" Director Rajkumar Periasamy had disclosed earlier that Mammootty plays a character called Karthikeyan the film. Participating in the title teaser launch event of the film which was held in June this year, Rajkumar Periasamy had disclosed that Malayalam superstar Mammootty played a character called Karthikeyan in the film and that 60 to 65 per cent of filming had then been completed. For the unaware, the unit of the film had recently shot in Malaysia. Mammootty had also jointly celebrated his recent National Award win with three other National Award winners -- Dhanush, director Rajkumar Periasamy and editor Kalaivanan -- on the sets of the film.  Although the makers have announced that the film will hit screens on October 16 this year, sources claim that the makers are likely to change the release date. A new release date is likely to be announced soon, they claim. Bollywood star Naseeruddin Shah too is a part of this film that has triggered huge expectations.  The film's title has a tagline called Chapter 1 indicating that there could be a sequel. A title teaser that the makers had released some time back had showed that the story revolves around those cutting red sanders for a living. Dhanush himself plays a woodcutter in the film. The teaser showed police personnel rounding up woodcutters chopping red sanders illegally. As they hold the workers hostage at gunpoint, Dhanush was seen coming to their rescue. Wunderbar Films Head Sreyas, while speaking at the title teaser launch event, had disclosed that this would be one of the biggest budget films in Dhanush's career. He had also said that this film would bring back the mass vintage Dhanush that fans had longed to see. The film, which features Sai Pallavi and Sreeleela as the heroines, has music by Sai Abhyankkar. Cinematography for the film is by Ezhil Arasu. Editing for the film is by Kalaivanan R and costumes are by Kavya Sriram."},"img":{"url":"https://images.prismic.io/prad/a1885b6a-494e-4bb2-a959-a3514094e0b0_mammootty.JPG?auto=format,compress"},"datetime":"2026-07-31T05:15:00+0000","embed":{"embed_url":null}},"uid":"mammootty-signs-off-from-om"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"KTR Appears in Formula E Case"},"content":{"text":"Bharat Rashtra Samithi (BRS) working president K.T. Rama Rao on Friday appeared before the special ACB Court here in the Formula E-car race case.  Rama Rao and other accused in the case personally appeared in the court in response to the summons issued in May. Indian Administrative Service officer Arvind Kumar and former Chief Engineer of the Hyderabad Metropolitan Development Authority, B.L.N. Reddy, also appeared before the court. KTR and others paid sureties of Rs 1 lakh each and completed other formalities. The court later adjourned the hearing in the case to August 25. Former Ministers Sabita Indra Reddy, Mahmood Ali, MLA Kaushik Reddy, BRS leader Praveen Kumar and several other party leaders and a large number of party workers also reached Nampally Court Complex to show solidarity with KTR. According to the chargesheet filed by the Anti-Corruption Bureau (ACB) in March 2026, around Rs 55 crore was allegedly transferred to a foreign firm in violation of norms during the 2023 Formula E car race in Hyderabad. KTR has been named accused number one in the case relating to the alleged misappropriation of public funds for conducting the Formula E race in Hyderabad during the BRS rule. The ACB questioned KTR, Arvind Kumar, and B.L.N. Reddy multiple times in the case. The former minister, who was questioned by the ACB four times, dismissed the Formula E case as a “bogus case”. In November last year, then Telangana Governor Jishnu Dev Varma gave his nod to prosecute K.T. Rama Rao in the Formula E race case. In September, the ACB submitted its report and, through the state government, sought the Governor’s sanction to prosecute K.T. Rama Rao, Arvind Kumar, and others. After nine months of an investigation into the alleged irregularities in hosting the Formula E race in Hyderabad, the ACB submitted its report to the government. The BRS leader has been accused of receiving Rs 44 crore in the form of an electoral bond from a sponsorship company in exchange for granting it the right to organise the race. The ACB in December 2024 booked a case against KTR; former Special Chief Secretary, Municipal Administration and Urban Development, Arvind Kumar; and Hyderabad Metropolitan Development Authority former Chief Engineer B.L N. Reddy for alleged irregularities of Rs 54.88 crore in the Formula E deal. After the Governor permitted the probe, an FIR was registered on a complaint by Principal Secretary, Municipal Administration and Urban Development, M. Dana Kishore, who stated that foreign remittances were made without prior approvals from the relevant regulatory authorities, resulting in an additional tax burden on the Hyderabad Metropolitan Development Authority to the tune of Rs 8.06 crore."},"img":{"url":"https://images.prismic.io/prad/Z2QjmpbqstJ98rhB_KTRErace.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-31T08:17:00+0000","embed":{"embed_url":null}},"uid":"ktr-appears-in-formula-e-case"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"BRS Ex MLA Sudarshan Reddy passes away"},"content":{"text":"Bharat Rashtra Samithi (BRS) leader and former MLA Peddi Sudarshan Reddy passed away at a private hospital here on Friday. He was 52 and is survived by his wife, a son and a daughter. He was admitted to hospital after suffering cardiac arrest on July 26. The former MLA from Narasmpet fell critically ill at his residence in Hanamkonda and after receiving emergency treatment at a local hospital he was shifted to Hyderabad and remained on ventilator support. According to doctors, he suffered cardiac arrest due to a pulmonary embolism (blood clot in the lungs). Although he was revived after approximately 45 minutes of CPR, his condition became critical due to a lack of neurological response. Medical examinations indicated severe brain damage caused by prolonged oxygen deprivation. He breathed his last in the early hours of Friday. Hailing from Warangal district, Sudarshan Reddy played an active role in the movement for statehood to Telangana. He was elected to Telangana Assembly from Narsampet constituency in 2018. Between 2018 and 2023, he served as the Chairman of the Telangana State Civil Supplies Corporation and as a member of the Legislative Assembly's Public Accounts Committee. Born on August 6, 1974 in an agricultural family, he began his pollical career with Youth Congress and joined the Telangana Rashtra Samithi (TRS) when it was floated by K. Chandrasekhar Rao (KCR) in 2001. Sudarshan Reddy was elected as the Zilla Parishad Territorial Committee (ZPTC) member from Nallabelli Mandal and served as the Zilla Parishad Floor Leader. He also served as the party president for the undivided Warangal district and as a member of the state Politburo. He played a pivotal role in the Telangana movement, actively participating in public meetings and massive rallies held in Warangal. He was a close associate of KCR's family and was known for successfully executing any responsibility entrusted to him by the party with unwavering dedication. He contested the 2014 Assembly elections from Narsampet as a TRS candidate without a victory but was successful in his second attempt in 2018. Telangana Chief Minister A. Revanth Reddy has expressed profound shock over the death of Sudarshan Reddy. He stated that the role played by Sudarshan Reddy in the Telangana movement is unforgettable. The Chief Minister conveyed his deep condolences and profound grief to the family members and well-wishers of Sudarshan Reddy. BRS president and former Chief Minister KCR expressed profound grief over the demise of Sudarshan Reddy, terming it an irreparable loss to Telangana. KCR said he had lost a close friend and a trusted companion of the Telangana movement. BRS working president K. T. Rama Rao said Sudarshan Reddy’s demise left him deeply shocked and saddened. He said they had been awaiting with hope that he would recover during his treatment in the hospital but the news of his death was heartbreaking. K. T. Rama Rao said the role he played in the movement for the formation of Telangana state will always be remembered."},"img":{"url":"https://images.prismic.io/prad/kJvEgmlKUKeEgDtF_peddi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-30T21:37:00+0000","embed":{"embed_url":null}},"uid":"brs-ex-mla-sudarshan-reddy-passes-away"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Raashii received special gift from Rajini"},"content":{"text":"Actress Raashii Khanna, who was last seen in ‘The Sabarmati Report’, received a special gift from Tamil superstar Rajinikanth. On Friday, the actress took to her Instagram, and shared a video of herself talking to the camera. In the video, she explained how she received the thoughtful gift ‘Living with the Himalayan Masters’ while working with Thalaiva on the sets of her upcoming film ‘Dharman’. The actress said that the book offered her a reflection into her inner self and the reason why there is a stark disconnection between people. She said, “Living with the Himalayan Masters found me in a very special way. I was on the sets of Dharman, shooting with Rajinikanth sir. During one of our conversations, we ended up talking about spirituality. He asked me if I had read this book; I hadn’t. Two days later, he brought a copy and gifted it to me. I have been reading it diligently over the last couple of weeks because he also mentioned that he would test me on it. Anyway, I love it already, and every now and then, I come across a page that makes me stop”. Revealing her key takeaway from her latest read, she said, “What I took away from this is why so many of us feel disconnected. Not because we have lost ourselves overnight but because we have spent years becoming someone else. And maybe that’s why silence can feel so loud. Because without distractions, you are finally left with yourself”. Meanwhile, Rajinikanth and Raashi Khanna-starrer ‘Dharman’ has been grabbing headlines ever since it was announced. Directed by Ashwath Marimuthu, the film is one of the most anticipated releases in Tamil production."},"img":{"url":"https://images.prismic.io/prad/1f0_uc4vYotrmntb_raashiirajini.JPG?auto=format,compress"},"datetime":"2026-07-31T08:00:00+0000","embed":{"embed_url":null}},"uid":"raashii-received-special-gift-from-rajini"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Abhirami Onboard for 'Joker'"},"content":{"text":"The makers of director Suneel Puppala's eagerly awaited Telugu comedy entertainer 'Joker', featuring actor Sudigali Sudheer in the lead, on Friday welcomed actress Abhirami on board the unit of the film and disclosed that she would be playing a character called Gayatri Devi in the film.  Taking to its social media timelines, production house Ananda Media wrote, \"Team #SudheersJOKER proudly welcomes the versatile actor @abhiramiact garu on board. Get ready to witness her brilliant portrayal of the beautiful character Gayatri Devi.\" Actress Aysha plays the female lead in this film. It may be recalled that the makers of the film had disclosed that Aysha plays a character called Shalini in the film on the occasion of the actress's birthday in June this year.  Taking to Instagram to wish Aysha a happy birthday, Ananda Media had said, \"Team #SudheerJOKER wishes their queen and the most beautiful @aysha7__official a very Happy Birthday. She is ready to mesmerize the world of #SudheerJOKER as Shalini.\" Apart from Aysha, the film will also feature actor Murali Sharma in a pivotal role. A teaser that the makers released on the occasion of Sudigali Sudheer's birthday in May this year revealed that actor Sudigali Sudheer plays a character called Rummy in the film. Murali Sharma's character in the film explains Rummy's nature in the teaser. He says, \"While wealth, women and drugs give several people a high, for Rummy, the belief that he is a king gives him a high.\"  The teaser also shows that Rummy is a go-getter, who will take up a task only after ascertaining that he will succeed in it.   The film, which has been written and directed by Suneel Puppala, has been produced by Vijay Donkada and Sridhar Makkuva. It boasts of an impressive technical team. Cinematography for the film is by Ahamed Sharief while music for the entertainer is by one of Tamil cinema's finest music directors, Leon James. 'Joker', which is being edited by Dharmendra Kakarla, has Vithal Kosanam serving as its production designer."},"img":{"url":"https://images.prismic.io/prad/kFmh3NcLUq3PNeAT_abhirami.JPG?auto=format,compress"},"datetime":"2026-07-31T08:32:00+0000","embed":{"embed_url":null}},"uid":"abhirami-onboard-for-joker"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"White House: China hacked US voter data"},"content":{"text":"The White House released a fact sheet asserting that declassified US intelligence documents show the People's Republic of China and its proxies obtained the voter registration data of as many as 220 million Americans, including information that was not publicly available.  The fact sheet was issued by the White House Government Transparency Task Force and said it had been approved by the directors of the Office of the Director of National Intelligence, the National Security Agency, the Central Intelligence Agency and the Department of Homeland Security. It relates to President Donald Trump's recent declassification of intelligence documents concerning foreign election activities. According to the fact sheet, \"The People's Republic of China (China) and their proxies bought, stole, or hacked as many as 220 million Americans' voter registration data. China's collection included non-publicly available data.\" The White House also released what it described as the Intelligence Community's official definition of \"election interference\", saying the newly declassified documents distinguish it from the broader category of election influence. According to the released definition: \"Election influence includes overt and covert influence activities of foreign governments or actors serving as agents of, or on behalf of, foreign governments intended to affect directly or indirectly a US election- including candidates, political parties, voters or their preferences, or political processes. Election interference is a subset of election influence targeted at the technical aspects of the election, including voter registration, casting and counting of ballots, and reporting of results.\" The administration said the definition explicitly includes efforts by a foreign power targeting voter registration infrastructure or voter registration data. The fact sheet further stated that Intelligence Community documents from 2022 identified a Chinese Computer Network Exploitation (CNE) actor as having acquired voter registration data stored on commercial websites. According to the White House, CNE actors generally use cyber operations to obtain information that is not publicly available. The declassified material also outlines what intelligence agencies describe as the possible risks once a foreign adversary gains access to such information. Quoting directly from the documents, the White House said: \"Adversaries could alter data to potentially prevent individual voters or groups of voters from voting, causing delays on election day or forcing voters to use provisional ballots. Adversaries could also use the registration data which in some cases is also available publicly or for purchase – to tailor other interference or influence efforts.\" The White House also disclosed details of the inter-agency process behind President Trump's July 16, 2026 speech on what the administration described as China's election interference activities. It said representatives from the Office of the Director of National Intelligence, the Department of Homeland Security, the Central Intelligence Agency, the National Security Agency and the Federal Bureau of Investigation coordinated with the White House in preparing the President's remarks. According to the fact sheet, \"The Intelligence Agencies approved the factual statements from their documents used in the President's speech.\" The release marks the latest step by the Trump administration to publicise newly declassified intelligence material concerning foreign activities targeting US elections. The administration has argued that making the documents public provides greater transparency into intelligence assessments related to election security and foreign cyber operations."},"img":{"url":"https://images.prismic.io/prad/3ba83507-b151-47c6-8b44-ac2005823f43_US+election.JPG?auto=format,compress"},"datetime":"2026-07-31T02:45:00+0000","embed":{"embed_url":null}},"uid":"white-house-china-hacked-us-voter-data"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Centre exposed TDP's anti-poor Amaravati model"},"content":{"text":"YSR Congress Party on Thursday claimed that the Chandrababu Naidu-led coalition government’s anti-poor agenda in Amaravati had been exposed in Parliament as it became clear that it did not seek even one house under PMAY for the poor in the state capital. Replies given by the Ministry of Housing and Urban Affairs to questions raised by YSRCP MPs Maddila Gurumoorthy in the Lok Sabha and Meda Raghunath Reddy in the Rajya Sabha revealed that the Andhra Pradesh Government did not seek even a single house under PMAY-U 2.0 for poor families in the Amaravati Capital Region, the YSRCP said in a statement. The Union Government stated that Andhra Pradesh had secured approval for 61,084 houses under PMAY-U 2.0 with Central assistance of Rs 882.32 crore. In the latest Central Sanctioning and Monitoring Committee meeting held on June 17, 2026, another 12,370 houses were sanctioned for 107 urban local bodies across the state with Central assistance of Rs 185.55 crore. Yet, Amaravati was deliberately kept out of the proposals sent by the State Government. The Centre categorically stated that PMAY-U 2.0 sanctions are based entirely on proposals submitted by the State Government. “The truth is now on record. Chandrababu Naidu’s government never sought a single house for the poor in Amaravati,” said YSR Congress. This raises disturbing questions about the real intentions behind Amaravati. If proposals could be sent for 107 towns and cities, why was the capital city alone denied housing for the poor? Does Chandrababu Naidu believe Amaravati is meant only for the wealthy, influential and real estate speculators? Is there no place for workers, daily wage earners, weaker sections and middle-class families in the capital? it asked. The coalition government has repeatedly claimed that Amaravati belongs to all. Its own actions prove exactly the opposite. By denying PMAY houses to the poor, it has made it clear that its vision of Amaravati is not a people’s capital but a capital reserved for elite interests and large-scale real estate profits, the YSR Congress alleged. It claimed that the parliamentary replies had exposed the double standards of the TDP government. While it spends thousands of crores projecting Amaravati as a world-class capital, it has consciously denied the poorest families even the opportunity to own a roof over their heads in the same city. “A government that truly believes in inclusive development would have ensured that the poor were the first beneficiaries of housing in the capital, not the first to be excluded,” the opposition party said. The Chandrababu Naidu government and Minister Nara Lokesh must now answer a simple question before the people of Andhra Pradesh: Why did your government not seek even one PMAY-U 2.0 house for the poor in Amaravati? The Centre’s reply has exposed the truth. Excluding the poor from Amaravati is not an accident. It is the coalition government’s policy, it added."},"img":{"url":"https://images.prismic.io/prad%2F872ab75d-1465-4840-ab63-98d574f8cce3_amaravatij.jpg?auto=format%2Ccompress&rect=0%2C44%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-07-30T13:32:00+0000","embed":{"embed_url":null}},"uid":"centre-exposed-tdps-anti-poor-amaravati-model"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Toxic' Set For Grand Release On August 26, 2026"},"content":{"text":"In a significant development for the Indian film industry, the much-anticipated action drama 'Toxic', led by powerhouse actor Yash and directed by Geetu Mohandas, has officially secured its release date for August 26, 2026. This announcement comes after a tumultuous series of delays, stirring excitement among fans and industry watchers alike. Following weeks of speculation fueled by cryptic social media teasers, the production team has quashed uncertainty, providing clarity on a project that has generated considerable buzz since its inception. Initially slated for a theatrical debut on April 10, 2025, 'Toxic' has faced multiple postponements due to the extensive demands of its ambitious production. The film, which boasts a star-studded cast including Kiara Advani, Nayanthara, and Huma Qureshi, underwent principal photography that extended longer than expected, culminating in October 2025. Subsequent shifts in the release timeline, including a move to March 19, 2026, were prompted by geopolitical tensions affecting the film’s international rollout, particularly in key markets critical for Indian cinema. The journey of 'Toxic' is emblematic of the intricate dance between artistic ambition and market realities that many filmmakers navigate today. Initially, the project's allure lay in its promise of a riveting narrative and a vibrant ensemble cast, but logistical hurdles have tested the resolve of its creators. The film's latest release date now positions it just two days ahead of Shraddha Kapoor's 'Eetha', slated for August 28, 2026, setting the stage for a competitive box office showdown in late summer. This proximity in release dates underscores the fierce rivalry in the industry, with potential implications for audience engagement and revenue. As the release date approaches, the marketing strategy surrounding 'Toxic' is expected to ramp up significantly, with fans eagerly awaiting further promotional content. The film's official social media platforms have already begun to tease behind-the-scenes glimpses and character insights, aiming to capitalize on the heightened anticipation. Director Geetu Mohandas and the production team must now navigate the challenges of ensuring a successful rollout amidst a landscape marked by uncertainty, while striving to meet the soaring expectations of an eager audience."},"img":{"url":"https://images.prismic.io/prad/Z96sD3dAxsiBvw46_toxic.JPG?auto=format,compress"},"datetime":"2026-07-30T13:53:00+0000","embed":{"embed_url":null}},"uid":"toxic-set-for-grand-release-on-august-26-2026"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"RR: Should I resign for doing good work"},"content":{"text":"Telangana Chief Minister, A. Revanth Reddy, on Thursday slammed the Opposition for demanding his resignation as the education minister. He asked if he should quit the education portfolio for performing well and introducing various reforms.  The Chief Minister was speaking at an interaction session with a group of teachers who recently visited Finland and Germany. “Some people are demanding me to step down as education. Is it because breakfast is being provided from nursery to Class 12? Is it for properly managing teacher recruitment and promotions? Is it for transforming ITIs (industrial training institutes) into ATCs (advanced technology centres),” he asked He also wanted to know if they were demanding his resignation for establishing a Skills University to equip students with necessary skills and for appointing owners of successful global corporate entities as Board members of the Skills University. Stating that the Telangana government spends ₹1.08 lakh on each student in government schools, CM Reddy said that as a result of reforms launched by his government in the education sector, an additional one lakh students have enrolled in government schools. Asserting that education is not merely about skills, the Chief Minister stated that the government is striving to impart skills alongside education. After completing the 12th grade, a student should possess a comprehensive understanding of the world. It is the teachers who must foster that awareness among students. He remarked that for 25 years, Indians looked towards America and said now they must focus on countries like Germany, Japan, and Singapore. There are abundant opportunities in those countries. CM Revanth Reddy called for transforming government educational institutions in a way that makes the world look towards Telangana. He urged the teachers to dedicate five years to society and to transform the future of new generation. “Work with the goal of making Telangana a role model for the nation. Offer your own suggestions on what more can be done to provide quality education to students. Prepare a report by December outlining what should be done for the upcoming academic year,” he said. He exuded confidence that Congress party will remain in power in Telangana until 2034. He made it clear that the government is prepared to incur any expense necessary for the students. He announced that teachers will be provided opportunities to go abroad for further studies, like IAS and IPS officers do."},"img":{"url":"https://images.prismic.io/prad/kYNPyplw2s4hiNrV_rr.JPG?auto=format%2Ccompress&rect=0%2C74%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-30T13:00:00+0000","embed":{"embed_url":null}},"uid":"rr-should-i-resign-for-doing-good-work"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Cauvery Row: Screening of 'Jana Nayagan' halted in K'taka"},"content":{"text":"Shows of 'Jana Nayagan', the film starring Tamil Nadu Chief Minister, C. Joseph Vijay, were cancelled at Gurushree Theatre in Mandya city in Karnataka on Thursday following protests by members of a Kannada organisation over the ongoing Cauvery water dispute.  The protesters gathered outside the theatre and attempted to barge into the premises, raising slogans against the Cauvery Water Regulation Authority's (CWRA) recent directive ordering Karnataka to release 3,500 cusecs of water to Tamil Nadu for 15 days. Police intervened and prevented the demonstrators from entering the theatre. As tensions escalated, members of the Kannada Sanghatane tore posters of the film and demanded that all screenings be immediately stopped. Theatre management subsequently cancelled the scheduled shows. Addressing reporters, the protesters said screening a movie featuring the Tamil Nadu Chief Minister was unacceptable at a time when Karnataka was facing a potential drinking water crisis and widespread protests over the release of Cauvery water. \"We had come to lay siege to the theatre demanding the cancellation of 'Jana Nayagan'. The theatre manager and owner responded to our demands,\" one of the protesters said. \"The Cauvery agitation is ongoing. The CWRA's order directing Karnataka to release 3,500 cusecs of water for 15 days is like a death warrant for us. On one hand, we are protesting against the decision, and on the other, a film starring the Tamil Nadu Chief Minister is being screened here,\" he added. The protesters further alleged that Tamil Nadu was seeking water for its second crop season while Karnataka itself was grappling with concerns over drinking water availability. \"How can we permit the screening of the Tamil Nadu Chief Minister's film when our state is facing such a situation?\" another protester questioned. Police maintained a security presence outside the theatre to prevent any untoward incidents. No arrests were reported. The Cauvery water-sharing dispute has once again triggered protests across Karnataka amid concerns over deficient rainfall in the Cauvery basin and the impact of water releases on the state's reservoirs. Meanwhile, Kannada organisations are set to meet on Friday to discuss and announce a 'Karnataka Bandh' in protest against the Cauvery water release issue. The organisations are awaiting the outcome of the crucial meeting of the Cauvery Water Management Authority (CWMA). Karnataka Rakshana Vedike president Praveen Kumar Shetty said on Thursday that the date for the proposed Karnataka Bandh would be announced by activist Vatal Nagaraj. He stated that several organisations, including farmers, Dalits, labourers, and all other groups, would participate to ensure a complete shutdown across the state. \"Chief Minister D.K. Shivakumar should take a decision similar to that of former Chief Minister S. Bangarappa, who refused to release water to Tamil Nadu by promulgating an Ordinance. Shivakumar must be prepared to make sacrifices for the people of Karnataka,\" Shetty said. He added that protests over the Cauvery issue are currently being held in Mysuru, Mandya, Tumakuru, and several other parts of South Karnataka."},"img":{"url":"https://images.prismic.io/prad/aXisygIvOtkhB-tK_jananayagan.JPG?auto=format,compress"},"datetime":"2026-07-30T11:29:00+0000","embed":{"embed_url":null}},"uid":"cauvery-row-screening-of-jana-nayagan-halted-in-kt"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Andhra liquor case: Accused files surrender petition"},"content":{"text":"An accused in the Andhra Pradesh liquor scam has approached the ACB Court in Vijayawada, seeking permission to surrender before the court.  Saif Ahmed, who had allegedly left the country after the liquor scam case was registered, filed a petition through his lawyers on Thursday, seeking permission to surrender. Accused number 10 in the case, Saif is one of the key aides of Kesireddy Rajasekhar Reddy alias Raj Kesireddy, the main accused in the case. Saif and other aides of Raj Kesireddy had allegedly acted as handlers and logistics coordinators for the bribes collected from distilleries and supply companies. SIT, which has so far arrested 17 accused in the case, is likely to take Saif into custody for questioning. In a related case, the Supreme Court on Wednesday dismissed the anticipatory bail petition of former minister Karumuri Venkata Nageswara Rao. A bench of Chief Justice Surya Kant and Justices Joymalya Bagchi and V Mohana upheld the order passed by the Telangana High Court on the anticipatory bail petition in connection with the AP liquor transportation scam. The counsel appearing for Rao claimed that he had no connection with the scam and cited his health condition while seeking anticipatory bail. The Telangana High Court had on July 3 dismissed Rao’s anticipatory bail petition. The liquor transportation case, being investigated under a separate Enforcement Case Information Report (ECIR), relates to the alleged manipulation of the Andhra Pradesh State Beverages Corporation (APSBCL) liquor transportation tender process between 2020 and 2024 Last week, the Special Investigation Team (SIT) probing the alleged multi-crore liquor transport scam took custody of three key accused - former APSBCL Managing Director Donthireddy Vasudeva Reddy, Raj Kesireddy and Karumuri Sunil. The three were brought to Vijayawada from Chanchalguda Central Jail in Hyderabad for further interrogation. The court sent all three to judicial custody for two weeks."},"img":{"url":"https://images.prismic.io/prad/3dfbf992-f50f-489d-aafe-5bb821b36fdb_liquor+shops.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-30T11:33:00+0000","embed":{"embed_url":null}},"uid":"andhra-liquor-case-accused-files-surrender-petitio"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"BMW's Bold Move: Up to 8,000 Jobs at Stake"},"content":{"text":"German luxury carmaker BMW on Wednesday announced plans to cut several thousand jobs in Germany by the end of 2027 through a voluntary redundancy programme, becoming the latest automaker to reduce its workforce amid weakening demand, mounting cost pressures and a challenging transition to electric vehicles.  The company said the severance programme, agreed with the works council, will primarily affect employees in its administration and development divisions, while production operations will remain unaffected. According to multiple reports, BMW's workforce in Germany is expected to shrink by around 8,000 employees. The Munich-based automaker currently employs about 150,000 people worldwide. The move comes as Germany's automotive industry faces multiple headwinds, including the costly shift towards electric mobility, intense competition from Chinese manufacturers and the impact of tariffs imposed by the United States. BMW joins rivals Volkswagen and Mercedes-Benz, both of which have already reached agreements to reduce tens of thousands of jobs as part of broader restructuring efforts. Earlier this week, Porsche, a subsidiary of Volkswagen Group, expanded its restructuring programme with plans to reduce its workforce by around 20 per cent by 2035. Meanwhile, thousands of workers staged protests at Audi's Neckarsulm plant on Wednesday, opposing Volkswagen's restructuring plans that have put one of the group's four German production sites at risk of closure. BMW, which had until recently been viewed as relatively resilient compared with its domestic peers, lowered its profit outlook for the current financial year in June, citing weaker-than-expected business in China, where vehicle sales have declined sharply in recent months. Following the revised guidance, Chief Executive Milan Nedeljkovic said the company would accelerate and intensify its ongoing cost-cutting initiatives. Addressing employees on Wednesday, Nedeljkovic reportedly said the automotive industry was undergoing fundamental changes that were reshaping the foundations of BMW's business model. While acknowledging the difficult road ahead, he said the planned measures were necessary to improve the company's profitability over the long term. BMW is scheduled to announce its second-quarter financial results on Thursday."},"img":{"url":"https://images.prismic.io/prad/YNu7E9necr2Rsmmk_BMW.JPG?auto=format,compress"},"datetime":"2026-07-29T14:20:00+0000","embed":{"embed_url":null}},"uid":"bmws-bold-move-up-to-8000-jobs-at-stake"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Allu Arjun's Bold Transformation Sparks Anticipation for AA23"},"content":{"text":"In a sensational turn of events, Allu Arjun has emerged as a trending topic in the Indian film landscape with the unveiling of his innovative look in Lokesh Kanagaraj's highly anticipated project, AA23. As the buzz surrounding this collaboration intensifies, cinephiles are fervently speculating about the new dimensions Arjun will explore in his performance. This marked shift promises to captivate audiences and elevate the cinematic experience, further entrenching Arjun as a pan-India superstar known for his striking metamorphoses on screen. Sources close to the production have hinted at a radical transformation for the actor, who has consistently dazzled audiences with his compelling portrayals. According to insiders, both Allu Arjun and Lokesh Kanagaraj have dedicated considerable time and effort to research and conceptualize this unique look, which aims to challenge traditional character portrayals in Indian cinema. The collaboration not only signifies a meeting of creative minds but also reflects a broader trend of filmmakers and actors alike striving to push the envelope in storytelling and visual representation. Allu Arjun's journey in the film industry is marked by his remarkable ability to immerse himself in diverse roles, a skill that has garnered him both critical acclaim and a massive fan following. From his early performances in films like Arya to recent successes such as Pushpa, Arjun has demonstrated an unwavering commitment to character authenticity. His collaborative efforts with acclaimed directors like Kanagaraj, known for his meticulous attention to character design, have set the stage for a transformative cinematic experience that could redefine how audiences perceive new-age heroes. In addition to AA23, Allu Arjun's slate is brimming with exciting projects, including a sequel to his blockbuster Pushpa and the much-anticipated Raaka, directed by Atlee. The unveiling of his new look has already created a stir on social media, with fans eagerly debating the implications of this bold aesthetic shift. The overwhelming response underscores not only Arjun's star power but also the growing appetite among viewers for innovative storytelling in Indian cinema, setting the scene for an exhilarating future for the actor and his forthcoming roles."},"img":{"url":"https://images.prismic.io/prad/jYzxb2_okVHax80t_alluarjun.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T09:32:00+0000","embed":{"embed_url":null}},"uid":"allu-arjuns-bold-transformation-sparks-anticipatio"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"\"Can't Face Myself\": Girl apologize for her comments on Modi"},"content":{"text":"A video circulating widely on social media shows a young woman, who was booked for using objectionable language against Prime Minister Narendra Modi during a student demonstration over NEET paper leaks, expressing regret and apologising . The video, which has attracted significant attention online, features the girl standing with folded hands and addressing viewers directly. Dressed in a striped T-shirt, she admits that her remarks during the protest were inappropriate and says she deeply regrets making them. In her statement, she alleged that she was influenced by others present at the demonstration and ended up making comments that she now considers unacceptable. According to her, the atmosphere at the protest affected her judgment, leading her to say things that she would not ordinarily have said. The girl further states that she is remorseful for her actions and acknowledges the seriousness of the incident. She says she has realised the impact of her words and wishes to apologise not only to the Prime Minister but also to people across the country who may have been offended by her remarks. A notable point in the video is her claim regarding her age. While the FIR reportedly described her as a 25-year-old, she asserts in the apology clip that she is only 15-years-old. Referring to the episode as a grave mistake, she says she never intended to create such controversy and now feels embarrassed by her behaviour. Expressing remorse, she says that what she did was wrong and difficult to justify. She describes herself as feeling deeply ashamed and adds that she finds it difficult to face herself after reflecting on the incident. \"I am only 15-years-old. Whatever I did was not worthy of forgiveness. I have said a lot of bad things.\" Seeking forgiveness, she appeals to the public to view the matter as an isolated lapse in judgment and promises that such a mistake will not be repeated. Calling it her \"first and last mistake\", she adds, \"I apologise to the entire country. I am so ashamed. I can't even look at myself. Please forgive me.\" The controversy emerged as on Wednesday, a complaint was filed against the girl at a Noida police station over her remarks against the Prime Minister. Noida Police filed a Zero FIR, which was later transferred to Parliament Street Police Station in New Delhi. The complainant stated that her comments insulted the dignity of the Prime Minister's Office and could spread disharmony and disturb public peace. The apology video emerged just a few hours after Prime Minister Narendra Modi's latest Instagram video appealing for restraint and forgiveness following abusive slogans directed at him during student protests. In the message, he referred to the recent events at Jantar Mantar, where some “mischievous youngsters” had hurled vile abuses using language unbecoming of any civilised society. He noted that not only was he targeted, but his late mother was also subjected to deeply appalling abuse. Acknowledging the strong public reaction, the Prime Minister said mistakes are part of childhood and that childhood itself provides the opportunity to correct those mistakes. “That is the very essence of childhood,” he remarked. He expressed full understanding of the outrage in society and the sense of cultural shock over how young girls could use such language. Calling the youngsters “misguided,” PM Modi stressed that the need of the hour was to embrace them and show them the right path. “It is our duty to guide them. Punishing them, dragging them through court proceedings, or harassing them in society will not change the situation,” he said. The Prime Minister made it clear that he wished to forgive them and hoped society would accept this sentiment, adding that he held only one feeling in his heart."},"img":{"url":"https://images.prismic.io/prad/GP160LytkxXhcd5n_girl.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T05:20:00+0000","embed":{"embed_url":null}},"uid":"cant-face-myself-girl-apologize-for-her-comments-o"}},{"node":{"data":{"title":{"text":"Modi inaugurates Bhogapuram Airport"},"content":{"text":"Prime Minister Narendra Modi inaugurated the Alluri Sitarama Raju International Airport at Bhogapuram in Vizianagaram district, near here, on Saturday.  After landing at the runway of the Greenfield Airport, the Prime Minister inaugurated the passenger terminal building and undertook a walk-through along with Governor S. Abdul Nazeer, Chief Minister N. Chandrababu Naidu, Deputy Chief Minister Pawan Kalyan and Civil Aviation Minister K. Ram Mohan Naidu. The top leadership of GMR Group and the Civil Aviation Minister explained the special features of the airport to the Prime Minister. The terminal was decorated to showcase the culture, traditions, and arts of Andhra Pradesh. PM Modi had a close look at large-scale Etikoppaka artwork displayed at the airport's welcome gate. When the PM stepped out of the airport and headed towards the venue of the public meeting on a special vehicle along with Chief Minister, Deputy Chief Minister and others, tribal women performed the traditional ‘Dhimsa’ dance to welcome him. According to officials, the ‘Dhimsa’ dance by 13,500 tribal women created a Guinness World Record. The Prime Minister was seen clapping to appreciate the colourful and impressive dance performance by tribal women. At the public meeting venue, PM Modi will lay the foundation stone, inaugurate and dedicate to the nation multiple development projects worth over ₹17,900 crore in Bhogapuram and address the gathering on the occasion. Developed under the Public-Private Partnership (PPP) mode at a cost of over ₹5,640 crore, the Greenfield airport has been designed to handle 6 million passengers annually. The airport is expected to provide a significant boost to tourism, trade, investment and employment generation in Andhra Pradesh while strengthening air connectivity in the region. The passenger terminal building has been designed to provide a modern, seamless and efficient travel experience. The airport incorporates advanced infrastructure, cutting-edge technologies and sustainable features to enhance operational efficiency and meet future aviation requirements. The airport has been equipped with advanced technologies such as Artificial Intelligence (AI), Building Information Modelling (BIM), Airside 4.0 technologies, Airport Predictive Operations Centre (APOC), biometric passenger processing, automated baggage handling systems and intelligent operational monitoring solutions. These systems are expected to enhance operational efficiency, improve passenger convenience and safety, and optimise resource utilisation."},"img":{"url":"https://images.prismic.io/prad/EtO6ffJTVzXrnm-D_bhogapuramairport.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T06:30:00+0000","embed":{"embed_url":null}},"uid":"modi-inaugurates-bhogapuram-airport"}},{"node":{"data":{"title":{"text":"Lakshmi Parvathi Challenges Bhuvaneswari"},"content":{"text":"YSR Congress Party State General Secretary Nandamuri Lakshmi Parvathi challenged Chief Minister N. Chandrababu Naidu’s wife Nara Bhuvaneswari to prove the claim that she was insulted in the Andhra Pradesh Assembly.  The YSRCP leader dismissed the remarks made by Bhuvaneswari during her visit to Kuppam as false. Addressing the media at the YSRCP Central Office at Tadepalli, Lakshmi Parvathi said the Telugu Desam Party (TDP) is in power today and has complete access to Assembly records. If Bhuvaneswari’s claim is genuine, the government should make the records public instead of attempting to gain political sympathy, she said. Lakshmi Parvathi is the second wife of TDP founder and former Chief Minister late N. T. Rama Rao (NTR). Bhuvaneswari is one of the daughters of NTR from his first wife. Lakshmi Parvathi said Bhuvaneswari was dragged into politics by her husband Chandrababu Naidu and son Nara Lokesh for political gain, while YSRCP had never made personal remarks against her.  Parvathi questioned why Bhuvaneswari remained silent when ITDP targeted her, despite being NTR’s legally wedded wife, through abusive trolling and morphed images. She also asked why Bhuvaneswari had never condemned the online abuse directed at women from the YSR family or spoken against the increasing atrocities on women and children in the State. Lakshmi Parvathi said Chandrababu’s claim that he always keeps his promises was “the biggest joke of the year,” pointing to the coalition government’s failure to implement key election promises, including the Aadabidda Nidhi, free LPG cylinders and other welfare commitments.  She said Y.S. Rajasekhara Reddy and Y.S. Jagan Mohan Reddy fulfilled the promises they made to the people, unlike Chandrababu and Lokesh.  Welcoming Bhuvaneswari’s entry into active politics, Parvathi said she must first apologise to the people of Andhra Pradesh for the “Red Book governance” and the misrule of Chandrababu Naidu and Nara Lokesh before seeking a political role. During the campaign for the 2024 Assembly elections, Lokesh carried a ‘Red Book’, claiming that it has names of all the individuals, including officials who allegedly targeted TDP leaders during YSRCP rule.  YSRCP alleges that TDP is resorting to politics of vendetta by targeting its leaders with false cases."},"img":{"url":"https://images.prismic.io/prad/Avf97-pAyJJ1tYRG_lpbhu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-31T15:54:00+0000","embed":{"embed_url":null}},"uid":"lakshmi-parvathi-challenges-bhuvaneswari"}},{"node":{"data":{"title":{"text":"Godavari crosses 2nd danger mark at Bhadrachalam"},"content":{"text":"The Godavari River crossed the second danger mark at Bhadrachalam in Telangana's Bhadradri Kothagudem district on Friday, prompting authorities to alert people living in low-lying areas along the river.  The water level, which crossed the first danger mark of 43 feet Friday morning, rose to 48 feet in the afternoon. According to the officials of the Central Water Commission, the water level is likely to rise further due to continuing inflows from upstream. The third danger signal will be hoisted at 53 feet. The flow at Bhadrachalam was 11.44 lakh cusecs. Annadanam Satram area in the Sree Seetha Ramachandraswamy temple premises was flooded due to backwaters. Motors installed to pump backwaters into the river broke down, resulting in the inundation of the area. Godavari and its tributaries were in spate due to heavy inflows from upstream following heavy rains for the last two days. Meanwhile, authorities rescued 38 people trapped in a sand ramp near Cherla in Bhadradri Kothagudem district. They had gone to sand reaches for sand loading in trucks on Friday morning but were caught in flood waters. The district administration rescued all of them by deploying boats. They included truck drivers, cleaners and machine operators. Road connectivity between Cherla and Venkatapuram in Mulugu district was snapped due to floods in Godavari. A few villages in Mulugu district were inundated due to heavy rains and floods. Authorities tried to shift affected people to relief camps, but they resisted this and demanded that instead of shifting them every year, they be sanctioned houses in safe places. Meanwhile, rivulets and streams were overflowing in united Adilabad district as a result of heavy rains during the last two days. Penganga and Pranahita rivers were receiving flood waters. Overflowing Penganga inundated crops in the district, causing huge losses to farmers. With the Kadam project in Nirmal district receiving heavy inflows from upstream, authorities were releasing flood water to the Yellampalli project. Heavy rains disrupted coal production in the open-cast and underground mines of Singareni Collieries Company Limited (SCCL) in Mancherial district. The public sector company is estimated to have suffered a production loss of Rs 18 crore. Meanwhile, the Jurala project across the Krishna River in Jogulamba Gadwal district was receiving heavy inflows from upstream. Authorities have opened 24 crest gates to release the water downstream. Heavy rains in north Telangana and inflows from upstream have increased the levels in various projects in Telangana. Inflows have increased into Sriram Sagar, Yellampalli, Singur, Nizam Sagar, Kadam, Upper Maner, Mid Maner, and Lower Maner."},"img":{"url":"https://images.prismic.io/prad/e71be20e-7d03-4503-bf53-e6bb17ff6fdf_bhadrachalam+flood.JPG?auto=format,compress"},"datetime":"2026-07-31T12:16:00+0000","embed":{"embed_url":null}},"uid":"godavari-crosses-2nd-danger-mark-at-bhadrachalam"}},{"node":{"data":{"title":{"text":"SIR Cuts 45 Lakh AP Voters"},"content":{"text":"Nearly 45 lakh voters have been deleted from the roll in Andhra Pradesh as the Election Commission of India published the draft voter list on Friday, following Special Intensive Revision (SIR).  Deleted names include 22.30 lakh who had permanently shifted or were found absent. Names of as many as 15.22 lakh deceased have also been deleted, while 7.37 lakh voters were found enrolled at multiple places. According to Chief Electoral Officer Vivek Yadav, enumeration forms were collected from 3.71 crore electors (89.22 per cent). Booth Level Officers (BLOs) did not find remaining electors (44.89 lakh) or did not get back their enumeration forms because they became electors in other states/UTs, or were not found in existence, or did not submit the form till July 24, or were not willing to register as an elector for some reason or other. SIR was conducted in the state from June 15 to July 24. As on July 24, out of 4,16,27,694 electors, a total of 3,71,38,182 electors have submitted their enumeration forms, reflecting overwhelming participation during the enumeration phase of SIR, the CEO said. He made it clear that genuine electors can still be added back to the electoral rolls during the claims and objections period from July 31 to August 30 using Form-6 along with the prescribed declaration form. The name of the electors found enrolled at multiple places in the electoral rolls will be retained only at one place. The Draft Electoral Roll has been published on Friday (July 31) by the Electoral Registration Officer (ERO) concerned of all 175 Assembly Constituencies of the State. Booth-wise lists of absent/shifted/death/duplicate electors whose names are not included in the Draft Roll have been displayed on the Notice Board of respective ERO/AERO Offices, Grama Panchayat/Municipal Office Notice Boards, and Polling Stations to enable the general public to have access to the voters lists along with the probable reasons for non-inclusion of their names. These lists have also been put on the CEO’s website along with the respective DEO’s website. Claims and objections can be filed from July 31 to August 30. Claims and objections will be disposed of from July 31 to September 28. The final electoral roll will be published on October 3. According to the CEO, the successful completion of the enumeration phase is the result of coordinated efforts of District Election Officers (DEOs) of all 28 districts, 175 Electoral Registration Officers (EROs), 1,079 Assistant Electoral Registration Officers (AEROs), 4,650 BLO Supervisors and 46,397 Booth Level Officers (BLOs) deployed at 46,397 polling stations. Representatives of recognised political parties, including their District Presidents, also actively participated, with as many as 1,27,868 Booth Level Agents (BLAs) appointed by them. At the beginning of the SIR, Andhra Pradesh had 68,868 BLAs. The increased number of BLAs indicates active participation of the political parties and their representatives in this important exercise, he said."},"img":{"url":"https://images.prismic.io/prad/24d4d4db-cf4a-4e24-9e7f-b5bfa9c3dc6f_voters+voting.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-31T09:25:00+0000","embed":{"embed_url":null}},"uid":"sir-cuts-45-lakh-ap-voters"}},{"node":{"data":{"title":{"text":"Meta India Head Booked in Hyd"},"content":{"text":"Hyderabad Police have booked Meta India head along with several Facebook and Instagram accounts over content targeting Prime Minister Narendra Modi during the recent Cockroach Janta Party protests over NEET paper leak.  Cybercrime Police have registered cases against the India head of Meta, Arun Srinivas, as well as several Facebook and Instagram accounts for alleged circulation of morphed and objectionable videos and images of the Prime Minister on the social media platforms. The cases under various sections of BNS and the IT Act have been registered on the basis of complaints filed by S. Aravind Reddy, a businessman, and T. Saikiran Goud, a Telangana BJP activist. The complainants stated that while browsing Instagram, they came across multiple morphed and digitally manipulated videos and images portraying the Prime Minister in an obscene, derogatory and misleading manner. \"The comments contain offensive language, ridicule, and indecent remarks directed at the Hon'ble Prime Minister and other individuals depicted in the manipulated content, thereby amplifying the offensive nature of the posts and encouraging their wider circulation and engagement. The above content appears to have been digitally altered or AI-generated and circulated on social media,\" the complaints have stated.   The complainants stated that such content has the potential to mislead the public, spread misinformation, incite hatred or public unrest, outrage public decency, defame or insult the dignity of public figures, disturb public order, promote hostility among different sections of society, and otherwise violate the applicable provisions of law. Saikiran Goud submitted a list of 20 Facebook and Instagram links along with his complaint and sought action against Meta for hosting the content. Police were trying to collect details of the social media accounts and identify the operators of these accounts. Meta recently expressed regret after a video posted from the PM's account was briefly blocked on Facebook."},"img":{"url":"https://images.prismic.io/prad/Z7rb757c43Q3gGjp_meta.JPG?auto=format,compress"},"datetime":"2026-07-31T05:03:00+0000","embed":{"embed_url":null}},"uid":"meta-india-head-booked-in-hyd"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Toxic Trailer Locked: Yash Set to Ignite the BO"},"content":{"text":"The countdown has officially begun for one of Indian cinema's biggest action spectacles. The makers of 'Toxic: A Fairy Tale for Grown-Ups', starring Kannada superstar Yash, have confirmed that the film's much-awaited trailer will be unveiled on August 8, 2026. Along with the announcement, the team released a striking monochrome poster that instantly grabbed attention across social media. The intense visual has heightened curiosity, giving audiences a glimpse of the film's gritty atmosphere while fueling expectations for what promises to be a grand cinematic event. With the trailer date now locked, excitement surrounding the project has reached a new peak. Directed by acclaimed filmmaker Geetu Mohandas, Toxic is being positioned as a large-scale action drama with an international appeal. Ever since the project was announced, it has generated tremendous buzz among movie lovers, and Yash's commanding screen presence has only strengthened that anticipation. Following the phenomenal success of the KGF franchise and the attention surrounding his upcoming mythological projects, fans are eager to witness the actor return in an entirely different avatar. Industry circles believe Toxic could become one of the biggest theatrical releases of the year, with the trailer expected to offer a first look at the film's powerful action, emotional depth, and stylish storytelling. The film features an impressive ensemble cast including Nayanthara, Kiara Advani, Tara Sutaria, Rukmini Vasanth, and Huma Qureshi, adding significant star power to the ambitious venture. Jointly produced by KVN Productions and Monster Mind Creations, the film is mounted on a lavish scale with global production standards. With its high-profile cast, acclaimed director, and Yash leading the charge, Toxic has already emerged as one of the most anticipated pan-world releases. If the trailer lives up to the growing expectations, the film could be on course to deliver another massive box-office phenomenon for the Kannada superstar."},"img":{"url":"https://images.prismic.io/prad/qQEp52QIbCMQklmr_toxic.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T07:32:00+0000","embed":{"embed_url":null}},"uid":"toxic-trailer-locked-yash-set-to-ignite-the-bo"}},{"node":{"data":{"title":{"text":"Salman's reunion with 'bada bhai' Sanjay Dutt"},"content":{"text":"Bollywood superstar Salman Khan treated fans to heartwarming pictures of his reunion with his longtime friend Sanjay Dutt.  Sharing an emotional note celebrating their bond, Salman expressed his heart out in the wee hours of Saturday. Taking to his social media account, Salman dropped two pictures of him warmly hugging Sanjay Dutt. In the first picture, the two actors are seen hugging each other, at what seems to be at Sanjay Dutt’s house. The second picture captures the same image but from the camera angle of Sanjay Dutt being more in focus. Sharing the pictures, Salman wrote, \"Babaaaa for ever baba aur baba, baba hota hai. Sanju baba hai hum sab ka baba n Sanju baba now apne bacchon ka baba, mera bada bhai Sanjay Dutt, Allah, Bhagwan Jesus sab iss Aadhmi ko khush rakhain, I love you Baba.\" The post received love from Sanjay Dutt's wife Maanayata Dutt, who commented, \" brothers for life.\" Sanjay's daughter Trishala Dutt also dropped a string of pink heart emoticons in the comments section. Talking about Salman and Sanjay's bond, they have shared one of Bollywood's most enduring friendships and have also collaborated on many films over the years. The duo has appeared together in \"Saajan\" released in 1991, followed byb\"Chal Mere Bhai\" in 2000. Both movies went on to become superhits. While Saajan starred Madhuri Dixit as the lead heroine, Chal Mere Bhai starred Karisma Kapoor. For the uninitiated, both Salman Khan and Sanjay Dutt hail from respected Bollywood families. Salman Khan is the son of legendary writer Salim Khan and Sanjay Dutt is the son of legends Sunil Dutt and Nargis. On the work front, Salman will next be seen in \"Maatrubhumi: May War Rest in Peace” based on the 2020 Galwan Valley clash."},"img":{"url":"https://images.prismic.io/prad/Lv5Cc43IKt-MgFlH_salmansanjay.JPG?auto=format,compress"},"datetime":"2026-08-01T02:15:00+0000","embed":{"embed_url":null}},"uid":"salmans-reunion-with-bada-bhai-sanjay-dutt"}},{"node":{"data":{"title":{"text":"Beyond Bollywood: Sanjay Dutt's Empire"},"content":{"text":"As Bollywood veteran Sanjay Dutt recently marked his 67th birthday on July 29, a closer look at his burgeoning net worth reveals a figure estimated at approximately Rs 295 crore. Dutt, who has captivated audiences for decades, has successfully transitioned from a leading man in films to an entrepreneurial powerhouse. His wealth is not merely a byproduct of his acting career; it reflects diverse investments and business ventures that complement his cinematic legacy. With fees ranging from Rs 8 crore to Rs 15 crore per film, Dutt's financial portfolio is as multifaceted as his career. Residing in an opulent apartment in Mumbai's upscale Pali Hill, valued at around Rs 40 crore, Dutt shares his life with his wife, Maanayata Dutt, and their family. This luxurious abode underscores his status in the industry, while his additional property in Dubai adds another layer to his real estate investments. Though the exact value of the Dubai residence is undisclosed, it is known for its lavish interiors and modern amenities, serving as a retreat for Dutt's family amid Maanayata's expanding business interests in the UAE, where they spend significant time. Born to Bollywood legends Sunil Dutt and Nargis, Sanjay Dutt's journey in film began with his debut in the 1981 film 'Rocky.' Over the years, his on-screen presence has left an indelible mark, with notable performances in films like 'Vaastav,' 'Khal Nayak,' and the beloved 'Munna Bhai M.B.B.S.' franchise. Beyond the glitz and glamour of the silver screen, Dutt has ventured into various business realms, including co-owning the B-Love Kandy franchise in the Lanka Premier League and investing in innovative brands such as DawnTown and Cyber Media India, establishing his footprint beyond filmmaking. Dutt's interests extend into the culinary sector, where he has recently launched 'Dutts' Franktea,' an online food brand based in Dubai offering a unique blend of tea and classic Indian street food. His passion for luxury extends to a notable automotive collection featuring high-end brands like Rolls-Royce and Ferrari, as well as a selection of superbikes. This confluence of film, business, and personal interests paints a picture of a man who has not only adapted to the changing tides of the entertainment industry but has also positioned himself as a savvy entrepreneur, securing his legacy in both Bollywood and the corporate world."},"img":{"url":"https://images.prismic.io/prad%2F87e2ac21-4187-4428-8890-4c0a249a12dd_sanjay+dutt.jpg?auto=format%2Ccompress&rect=0%2C14%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-31T19:27:00+0000","embed":{"embed_url":null}},"uid":"beyond-bollywood-sanjay-dutts-empire"}},{"node":{"data":{"title":{"text":"Allu Arjun's Bold Transformation Sparks Anticipation for AA23"},"content":{"text":"In a sensational turn of events, Allu Arjun has emerged as a trending topic in the Indian film landscape with the unveiling of his innovative look in Lokesh Kanagaraj's highly anticipated project, AA23. As the buzz surrounding this collaboration intensifies, cinephiles are fervently speculating about the new dimensions Arjun will explore in his performance. This marked shift promises to captivate audiences and elevate the cinematic experience, further entrenching Arjun as a pan-India superstar known for his striking metamorphoses on screen. Sources close to the production have hinted at a radical transformation for the actor, who has consistently dazzled audiences with his compelling portrayals. According to insiders, both Allu Arjun and Lokesh Kanagaraj have dedicated considerable time and effort to research and conceptualize this unique look, which aims to challenge traditional character portrayals in Indian cinema. The collaboration not only signifies a meeting of creative minds but also reflects a broader trend of filmmakers and actors alike striving to push the envelope in storytelling and visual representation. Allu Arjun's journey in the film industry is marked by his remarkable ability to immerse himself in diverse roles, a skill that has garnered him both critical acclaim and a massive fan following. From his early performances in films like Arya to recent successes such as Pushpa, Arjun has demonstrated an unwavering commitment to character authenticity. His collaborative efforts with acclaimed directors like Kanagaraj, known for his meticulous attention to character design, have set the stage for a transformative cinematic experience that could redefine how audiences perceive new-age heroes. In addition to AA23, Allu Arjun's slate is brimming with exciting projects, including a sequel to his blockbuster Pushpa and the much-anticipated Raaka, directed by Atlee. The unveiling of his new look has already created a stir on social media, with fans eagerly debating the implications of this bold aesthetic shift. The overwhelming response underscores not only Arjun's star power but also the growing appetite among viewers for innovative storytelling in Indian cinema, setting the scene for an exhilarating future for the actor and his forthcoming roles."},"img":{"url":"https://images.prismic.io/prad/jYzxb2_okVHax80t_alluarjun.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T09:32:00+0000","embed":{"embed_url":null}},"uid":"allu-arjuns-bold-transformation-sparks-anticipatio"}},{"node":{"data":{"title":{"text":"Rashmika Takes Medical Break"},"content":{"text":"Actress Rashmika Mandanna, who was recently seen in ‘Cocktail 2’, has reportedly suffered a serious hip injury while filming an intense dance sequence. The actress has been busy with the shooting for her upcoming films ‘Ranabaali’ and ‘Mysaa’, of late. Rashmika is said to have pushed through demanding action and dance schedules, which led to a complete tendon detachment in her hip. As per media reports, doctors were surprised by the severity of the injury, stating that this kind of tendon damage is usually seen in athletes who undergo rigorous physical training. The actress has been advised a complete rest for the next six weeks by medical experts. Her recovery will be followed by a structured rehabilitation program to aid her recovery and help restore strength. The actress is currently balancing the shoots of four major films while also fulfilling commitments as the face of nearly 30 national and international brands. The injury is expected to impact the schedules of her ongoing film shoots and campaigns. Earlier, the actress was lauded by choreographer Brinda, who is choreographing a song for director Rawindra Pulle's eagerly awaited action entertainer 'Mysaa'. The choreographer recently heaped praise on the actress for her commitment to her craft. Taking to her Instagram page to pen a post lauding Rashmika Mandanna, Brinda wrote, \"So happy to be working on a song in Mysaa. @rashmika_mandanna, from rehearsals to the shoot, the amount of practice and preparation you put into the song is truly incredible. Your commitment is one of the biggest reasons for your success. Having been in the industry for so many years, I can honestly say I have rarely come across an actress with this level of hard work, discipline, and dedication”. \"No matter what correction I give, you always take it with a smile and immediately put it into action. Even when you’re in pain, your focus never shifts and you work even harder. I’m sure audiences will see the effort you’ve poured into this film. Can’t wait for the release of Mysaa and for the world the see the magic you created on screen”, she added. Rashmika Mandanna's 'Mysaa' has triggered huge excitement ever since the film was first announced. In fact, the film was recently in the news after the makers disclosed that the unit had completed shooting a crucial underwater sequence featuring Rashmika."},"img":{"url":"https://images.prismic.io/prad/4VSNjcObHYuxLqCK_rashmika.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-31T15:15:00+0000","embed":{"embed_url":null}},"uid":"rashmika-takes-medical-break"}},{"node":{"data":{"title":{"text":"Ram Charan's Faith-Filled Comeback"},"content":{"text":"In a poignant display of faith and resilience, acclaimed actor Ram Charan made a recent pilgrimage to the Ayyappa Temple in Coimbatore, accompanied by his wife, Upasana Konidela. This visit comes just days after the star underwent wrist surgery necessitated by an injury sustained during the filming of his upcoming sports drama, Peddi. Despite still in recovery and sporting an arm sling, Charan's commitment to his spiritual beliefs shone brightly as he participated in prayers at the temple, embodying a remarkable spirit of perseverance amidst adversity. Photos capturing the couple's visit quickly circulated on social media, showing Ram Charan dressed in traditional attire, complete with an Ayyappa mala and a lungi, while Upasana donned a floral blue kurta set. The couple was seen engaging with devotees, enhancing the emotional resonance of the occasion. A particularly heartwarming moment was captured as Upasana was photographed feeding cows at the temple’s goshala. This intimate connection with the community highlights a facet of their public personas that resonates deeply with fans, emphasizing humility and devotion. Prior to this visit, Ram Charan had been recovering at Ganga Hospital in Coimbatore, where he underwent surgery led by orthopedic expert Dr. S. Rajasekaran, with assistance from hand and wrist specialist Dr. Alejandro Badia. His injury, which had been exacerbated during the demanding filming schedule for Peddi, did not deter him from completing critical portions of the movie, reflecting his exceptional dedication to his craft. The production house, Vriddhi Cinemas, expressed gratitude for Charan's unwavering commitment, commending his professionalism and resilience as a source of inspiration to the entire film team. In the weeks leading up to the surgery, Upasana had been actively sharing her prayers for her husband’s recovery on social media, underscoring the couple's strong bond during challenging times. As Ram Charan embarks on a recommended period of rest to recuperate and heal, the actor's journey exemplifies not only physical strength but also the emotional support that family and faith can provide during times of adversity. His recent temple visit serves as a reminder of the intertwined nature of personal health, spirituality, and the unwavering support of loved ones in navigating life’s challenges."},"img":{"url":"https://images.prismic.io/prad/STpzSrcZpnbDEt6h_RC.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-31T10:24:00+0000","embed":{"embed_url":null}},"uid":"ram-charans-faith-filled-comeback"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"The Distinction Between Brain Tumors and Brain Cancer"},"content":{"text":"The phrases 'brain tumor' and 'brain cancer' often evoke a visceral reaction among the public, conjuring images of gravely serious health threats. However, contrary to common perception, these terms describe distinct medical conditions that warrant different approaches to diagnosis and treatment. A brain tumor is simply an abnormal growth of cells in or around the brain, which can be classified as benign or malignant. While all brain cancers are tumors, not all tumors exhibit cancerous characteristics; this critical distinction can influence a patient's treatment plan and overall prognosis. The medical community underscores the importance of understanding these differences. Brain tumors, irrespective of their benign or malignant status, can lead to severe health consequences because of the brain’s confined environment within the skull. This means that even non-cancerous tumors can exert pressure on vital neurological functions, leading to symptoms such as persistent headaches, seizures, and cognitive deficits. Dr. Praveen Gupta, a prominent neurologist, emphasizes that benign tumors, while non-cancerous, can still necessitate significant medical intervention depending on their size and location. The implications of this are crucial for anyone facing a diagnosis related to brain health. Historically, the classification of brain tumors has evolved as medical science has advanced. The National Cancer Institute and other leading neurological institutions categorize these tumors into myriad types, each demanding tailored treatment strategies. For instance, malignant tumors possess the aggressive ability to invade surrounding brain tissue, often requiring complex interventions that may include surgery, radiation, and chemotherapy. Understanding whether a growth is benign or malignant is not just a matter of terminology; it directly impacts the urgency and nature of the interventions required. Symptoms often overlap between benign and malignant tumors, complicating self-diagnosis and reinforcing the necessity for professional evaluation. Medical imaging techniques such as MRI and CT scans, along with biopsies, are essential to ascertain the nature of the tumor. Experts caution against relying on symptomatology alone, as the presence of alarming symptoms could mask a benign condition, while milder manifestations could signify a malignant threat. As such, timely medical evaluation is paramount, as early detection can significantly enhance treatment effectiveness and patient quality of life."},"img":{"url":"https://images.prismic.io/prad/f6803c8c-7220-433e-b58f-ef269a3ecf79_brain+stroke.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T10:10:00+0000","embed":{"embed_url":null}},"uid":"the-distinction-between-brain-tumors-and-brain-can"}},{"node":{"data":{"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}},{"node":{"data":{"title":{"text":"How Smoking Hurts Pregnancy!"},"content":{"text":"When planning to start a family, many couples focus on preparing for pregnancy by discussing nursery plans and choosing baby names. However, what often goes unnoticed is the detrimental impact of smoking on fertility and pregnancy. Cigarette smoke contains harmful chemicals that can damage reproductive cells in both men and women, making it harder to conceive and increasing the risk of pregnancy complications and poor outcomes for babies.  Dr. Vandana Bhatia, a Senior Fertility Specialist, emphasizes that smoking silently affects fertility, pregnancy, and the long-term development of the child. Both partners play a crucial role in protecting fertility as smoking can reduce sperm count, affect sperm movement, and damage egg quality, hormone levels, and ovarian reserve. Additionally, passive smoking also poses risks to fertility and pregnancy outcomes. Quitting smoking as a couple not only improves motivation and emotional support but also encourages healthier habits, leading to improved fertility and overall health.  The quality of eggs and sperm before conception significantly influences the health of the future child, making it essential for both parents to quit smoking before starting a family. Dr. Bhatia recommends practical steps for quitting smoking together, emphasizing that healthy choices are crucial in building a healthy family. Parenthood begins with the quiet promise of choosing health together, even before the first heartbeat is heard on an ultrasound."},"img":{"url":"https://images.prismic.io/prad/akDOG1bRV8_Qf8Cd_smokefertility.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T19:33:00+0000","embed":{"embed_url":null}},"uid":"how-smoking-hurts-pregnancy"}},{"node":{"data":{"title":{"text":"Even 1% Sleep Loss Could Heighten Dementia Risk"},"content":{"text":"A recent study published in JAMA Neurology has shed light on the potential link between minimal sleep loss and an increased risk of dementia. The research suggests that as little as a 1% reduction in deep sleep per year for individuals over 60 could translate to a 27% elevated risk of developing dementia. Deep sleep, also known as slow-wave sleep, plays a crucial role in the body's repair processes and the clearance of toxic proteins associated with dementia.  Associate Professor Matthew Pase from Monash University's Turner Institute for Brain and Mental Health emphasized the significance of deep sleep in supporting the aging brain and facilitating the removal of metabolic waste, including proteins linked to Alzheimer's disease. The study, which drew from the Framingham Heart Study, examined 346 participants over 60 years of age, tracking their sleep patterns and dementia development over a 17-year period. Even after adjusting for various factors, including age, genetic predisposition, and medication use, the findings consistently pointed to a 27% increased dementia risk for each percentage decrease in deep sleep annually.  It's important to note that the natural decline in deep sleep with age is gradual, peaking between 75 and 80 years old and then stabilizing. However, the cumulative effect of a 27% increase per percentage-point decrease underscores the long-term impact on dementia risk. While there's no straightforward solution to preserving deep sleep, maintaining consistent sleep schedules, avoiding alcohol before bedtime, creating a conducive sleep environment, and addressing conditions like sleep apnea can potentially support better sleep quality. Additionally, regular exercise has been linked to improved slow-wave sleep in older adults. Although these measures aren't a guarantee, the study highlights the importance of prioritizing deep sleep for brain health as individuals age."},"img":{"url":"https://images.prismic.io/prad/50a54145-f24c-4c83-80b9-e6d19ba52027_sleep.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T06:59:00+0000","embed":{"embed_url":null}},"uid":"even-1-sleep-loss-could-heighten-dementia-risk"}},{"node":{"data":{"title":{"text":"Is Your Soda Habit Causing Hair Loss?"},"content":{"text":"Are your beloved sodas harming your hair? While soft drinks have long been criticized for their impact on weight, diabetes, and heart health, a new concern has emerged regarding their potential effects on hair. The discussion gained traction after hair transplant surgeon Dr. Abhishek Pilani highlighted the issue on Raj Shamani's Figuring Out podcast.  According to Dr. Pilani, regular consumption of sugary cold drinks may create conditions within the body that are not conducive to healthy hair growth. While consuming one soda is unlikely to cause sudden hair loss, a study published in the journal Nutrients in 2023 found a link between higher consumption of sugar-sweetened beverages and male-pattern hair loss in young men. However, it's essential to note that the study established a correlation, not causation. The potential connection between soft drinks and hair health lies in the impact of high-sugar beverages on overall health.  Excessive sugar consumption can lead to repeated spikes in blood sugar and insulin levels, potentially contributing to inflammation and metabolic issues that affect the body, including hair growth. However, hair loss is rarely attributed to a single factor and is typically the result of various elements accumulating over time, including genetics, hormones, nutrition, lifestyle, and overall health. Healthy hair growth relies on a balanced intake of nutrients such as iron, protein, zinc, vitamin D, and B vitamins. While soft drinks don't directly deplete these nutrients, excessive consumption may lead to healthier options being replaced.  The concern lies in long-term habits rather than occasional consumption. The normal range of daily hair loss is between 50 and 100 strands, but concerns arise when lost hairs aren't adequately replaced. While soft drinks may not directly cause hair loss, their impact on overall health could potentially affect hair growth. Instead of fixating on individual cans of soda, experts emphasize the importance of considering overall lifestyle factors such as sleep, stress management, balanced nutrition, and reduced sugar intake. Ultimately, addressing concerns about hair health may begin with dietary and lifestyle adjustments."},"img":{"url":"https://images.prismic.io/prad/aDbfAydWJ-7kSniS_jucessoda.JPG?auto=format,compress"},"datetime":"2026-06-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"is-your-soda-habit-causing-hair-loss"}},{"node":{"data":{"title":{"text":"Recognizing the Early Signs of Ovarian Cancer"},"content":{"text":"Ovarian cancer is a significant concern for women in India, being the third most common cancer among them. However, many women with ovarian cancer often experience symptoms for several months before receiving a proper diagnosis. In India, a staggering 70 to 80 percent of ovarian cancer patients are diagnosed at advanced stages, mainly because the early signs are easily mistaken for other health issues. Oncologists have dubbed ovarian cancer as a 'silent disease' due to its subtle progression without clear, alarming symptoms.  Dr. Sampada Desai, a Consultant Gynaecological Cancer and Robotic Surgeon, emphasizes that ovarian cancer does not remain silent but instead 'whispers' through nonspecific symptoms such as upper abdominal discomfort, bloating, feeling full too early, and digestive problems, which are often mistaken for other conditions. Persistent bloating and extreme fullness even after consuming small portions of food, coupled with lower abdominal or pelvic pain, should prompt a visit to the doctor. Changes in menstrual patterns, irregular bleeding, or any bleeding post-menopause also warrant attention.  It is crucial for individuals experiencing these symptoms to keep a record for a month and consult a gynecologic oncologist if any symptoms persist for more than two weeks or occur frequently. Women with a family history of ovarian, breast, or colon cancer should be particularly vigilant, as they have a higher genetic predisposition to cancer. Early detection is key, as there are no routine screening tests for ovarian cancer. Clinical examination, ultrasonography, and blood tests may be part of the evaluation for potential ovarian cancer. Recognizing the subtle signs and listening to the 'whisper' of ovarian cancer may significantly aid in early detection and improved survival rates."},"img":{"url":"https://images.prismic.io/prad/aigpQAeQX7-eXEpI_overaincancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T18:42:00+0000","embed":{"embed_url":null}},"uid":"recognizing-the-early-signs-of-ovarian-cancer"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"US bill revives green card pathway for H-1B visa holders"},"content":{"text":"A senior Democratic senator has renewed a push to give millions of long-term US residents, including H-1B visa holders, a pathway to permanent residency as President Donald Trump intensifies immigration enforcement.  Senator Alex Padilla of California said his proposal would modernise an immigration provision that has not been updated since 1986. It could benefit more than eight million people, according to material released by his office. The Renewing Immigration Provisions of the Immigration Act of 1929 would allow immigrants to apply for lawful permanent resident status if they had lived continuously in the United States for at least seven years before applying. Applicants would also need to have no criminal record and meet all other existing green card eligibility requirements. The measure would cover Dreamers, Temporary Protected Status holders, essential workers and children of long-term visa holders. It could also help highly skilled workers, including H-1B visa holders who have waited years for employment-based green cards. The proposal could carry particular significance for Indian professionals. Indians account for a large share of H-1B visa holders and often face lengthy waits for permanent residency because of employment-based green card limits. “A year ago, I introduced this bill to push back against the Trump Administration’s cruel treatment of hardworking immigrants,” Padilla said. “Since then, President Trump’s campaign of fear has only escalated, with families living under constant uncertainty despite having built their lives in this country,” he said. “Congress cannot continue to ignore millions of long-term residents who contribute to our economy and communities every day. It’s past time to modernize our immigration laws and create a fair pathway to lawful permanent residency.” The bill would amend Section 249 of the Immigration and Nationality Act, known as the Registry. That provision gives the Homeland Security secretary discretion to grant permanent residency to certain people who have lived in the country since a specified date and meet other requirements. The current eligibility cutoff is January 1, 1972. Padilla’s legislation would replace that fixed date with a rolling requirement of seven years. The change would take effect 60 days after enactment. Senate Democratic Whip Dick Durbin is co-leading the measure. Fourteen other senators have signed on as co-sponsors. Representative Zoe Lofgren of California is leading companion legislation in the House. More than 30 labour, immigration and civil rights organisations have endorsed the bill. They include the AFL-CIO, Service Employees International Union, UNITE HERE, United Farm Workers and the National Immigration Law Center. Congress first established the Registry in 1929 and has updated it four times. Its most recent revision came during the Reagan administration in 1986. Only 305 people adjusted their status through the provision between 2015 and 2019, according to Padilla’s office. The proposal faces an uncertain path in Congress amid deep partisan divisions over immigration. Padilla, the ranking Democrat on the Senate Judiciary Immigration Subcommittee, has also introduced measures covering immigrant essential workers and children brought legally to the United States as dependants of work-visa holders."},"img":{"url":"https://images.prismic.io/prad/6a5229b9-ba41-4fbf-926a-a933bd8f60b1_SU+Greencard.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T01:28:00+0000","embed":{"embed_url":null}},"uid":"us-bill-revives-green-card-pathway-for-h-1b-visa-h"}},{"node":{"data":{"title":{"text":"Telangana Woman Dies in US Crash"},"content":{"text":"A tragic road accident in the United States has claimed the life of a woman from Telangana, leaving her family and hometown in deep mourning. The victim, Deepa Reddy (44), hailed from Akuthotapalli village in Amangal mandal of Rangareddy district. She had been living in New Jersey for several years along with her husband, Ramakrishna Reddy, after the couple moved to the US to pursue careers as software engineers. The sudden tragedy has sent shockwaves through both the local community in Telangana and the Indian diaspora in the United States. According to preliminary reports, the accident occurred at a traffic signal in New Jersey. Deepa Reddy and her husband were travelling in their car when they stopped at a red light. Moments later, another vehicle reportedly rammed into their car with great force. The impact was so severe that Deepa Reddy suffered fatal injuries and died at the scene, while authorities immediately launched an investigation into the circumstances surrounding the crash. The heartbreaking news has devastated her family members and relatives back in Telangana, who were informed of the incident soon after the accident. Friends and well-wishers described Deepa as a dedicated professional who had built a successful life abroad while maintaining close ties with her native village. Messages of condolence have been pouring in as the family struggles to come to terms with the unexpected loss. Efforts are now underway to complete the required legal formalities in the United States before repatriating Deepa Reddy's mortal remains to India. Family members are coordinating with officials and the Indian community in New Jersey to facilitate the process. The incident has once again highlighted the unpredictable nature of road accidents, reminding everyone of the importance of road safety while leaving a grieving family to cope with an irreplaceable loss."},"img":{"url":"https://images.prismic.io/prad/UW3rZZwdBj5yzKCh_accident.JPG?auto=format,compress"},"datetime":"2026-07-28T09:00:00+0000","embed":{"embed_url":null}},"uid":"telangana-woman-dies-in-us-crash"}},{"node":{"data":{"title":{"text":"Gujarati-speaking US doctor wins key Arizona primary"},"content":{"text":"Emergency physician and former Arizona state legislator Dr Amish Shah has won the Democratic nomination for Arizona's First Congressional District, setting up a closely watched November contest in one of the most competitive US House races. In a statement after his primary victory, Shah described the result as \"a grassroots victory\" and pledged to reach beyond his party as he begins the general election campaign. \"I have always prided myself on being a hardworking, grassroots candidate. Our victory in this primary was a grassroots victory where Arizona voters made their voices heard,\" Shah said. \"Now, it's my job to earn the support of every voter in this district -- including Democrats who voted for another candidate, Independents frustrated with our political system, and Republicans disappointed with the state of the country.\" Shah sharply criticised Washington's political establishment, saying Congress had failed ordinary Americans. \"The status quo in Washington, DC is not working for Arizonans. From rising costs to a reckless war in Iran to the largest cuts to our nation's healthcare system in American history, corrupt and self-interested politicians in Congress are making life harder for people, not easier,\" he said. \"We need leaders in Congress who are focused on the needs of the people they represent instead of picking partisan fights and lining their own pockets.\" The emergency physician said his experience in medicine and public office had prepared him for Congress. \"I've spent my career serving the people of this district in both the ER and the State House, and I look forward to winning in November and serving them in Congress,\" he said. Shah, an emergency medicine doctor, previously served in the Arizona House of Representatives, where his campaign says he worked with both political parties and had more bills signed into law than any Arizona Democrat during the past decade. Shah won three consecutive elections to the Arizona House in 2018, 2020 and 2022. During his five years in the legislature, he focused on increasing teacher pay, supporting small businesses, and improving public health and safety. His congressional campaign is centred on lowering costs for families, improving healthcare, banning members of Congress from trading stocks, protecting Social Security, Medicare and Medicaid, and defending abortion rights. The campaign also highlights Shah's work as an emergency room physician, where he has advocated lowering healthcare costs and tackling high prescription drug prices, including insulin. Shah has already represented parts of Arizona's First Congressional District in Maricopa County as a state representative. His campaign describes him as an independent voice who has worked across party lines while defending abortion and voting rights. The Arizona First Congressional District has emerged as one of the Democrats' strongest opportunities to gain a Republican-held House seat. Shah's campaign has characterised it as one of the party's top pickup opportunities nationally. Beyond politics, Shah speaks conversational Spanish and is fluent in Gujarati, a distinction likely to resonate with many Indian-American voters. He also enjoys basketball, flying small aircraft and adventure travel. His campaign biography notes that he has three adopted cats named Hillary, Miss Meowerson and Cousin Oliver. Shah will face Republican nominee Jay Feely, a former National Football League kicker. The GOP nominee is being supported by President Donald Trump. The contest is expected to draw national attention because of the district's competitiveness and its potential impact on the battle for control of the US House of Representatives. "},"img":{"url":"https://images.prismic.io/prad/ARJ-bWr4xGoYDGDt_AmishShah.JPG?auto=format,compress"},"datetime":"2026-07-23T07:40:00+0000","embed":{"embed_url":null}},"uid":"gujarati-speaking-us-doctor-wins-key-arizona-prima"}},{"node":{"data":{"title":{"text":"Jordan Strike: Indian-Origin Soldier Feared Dead"},"content":{"text":"An Indian-descent US soldier, Angela Rampersad, is feared killed during an Iranian attack on a base in Jordan, according to the Pentagon.  The 25-year-old Army sergeant “is believed to have been killed in action on July 17, 2026, during an enemy attack at Muwaffaq Salti Air Base, Jordan”, the Department of War said. “The incident is under investigation”, it said. She was previously listed as missing and her \"status was updated to a Duty Status – Whereabouts Unknown and is believed to be deceased”, the statement said. Rampersad is from the Indian community of immigrants from Guyana, and her father was identified by a local Democratic Party leader as Basdeo Rampersad.  The Pentagon said she is from Ozone Park neighbourhood of Queens borough of New York City, which has a large community of Indian-descent Guyanese.  The Democratic Party leader, Pesach Osina, hailed her as “truly a gift to everyone who knew her”, and said she “wanted to serve, protect others, and do her duty with courage and humility”.  Osina, who is the Democratic Party nominee for the State Assembly constituency her family lives in, said on X that since the tragedy he has \"remained close” to the sergeant’s father Basdeo Rampersad and her family, including her mother, Carol Acevedo. President Donald Trump has vowed to avenge the attack on her and the other US Army personnel confirmed killed in the Friday attack. He said on Wednesday that Iran is \"going to pay a big price\" for the attack. Earlier he wrote on Truth Social, \"Every time Iran kills an American Soldier they will pay for that killing many times over\". If her death is confirmed, she would be the fourth US Army personnel killed in the attack on the base as the US-Iran conflict that flared up anew last month when the tenuous peace under the memorandum of understanding between the two countries was broken. So far 18 US military personnel have been confirmed killed since the conflict broke out in February after Israel and the US began air attacks on Iranian leadership. Rampersad, who is with the10th Army Air & Missile Defense Command, Ansbach in Germany, was on duty in Jordan when Iran rained drones on the Muwaffaq Salti Air Base. "},"img":{"url":"https://images.prismic.io/prad/AdXzRgPkVSXYR_Yw_indusarmy.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T14:42:00+0000","embed":{"embed_url":null}},"uid":"jordan-strike-indian-origin-soldier-feared-dead"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'Korean Kanakaraju' Trailer"},"img":{"url":"https://images.prismic.io/prad/hWjquugRFqOjFg1E_koreankanakaraju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T08:49:00+0000","third_party_url":null},"uid":"korean-kanakaraju-trailer"}},{"node":{"data":{"title":{"text":"'Crazy Kalyanam' Teaser"},"img":{"url":"https://images.prismic.io/prad/iXzgGv5OgQtZoo8P_crazykalyanamteaser.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T06:59:00+0000","third_party_url":null},"uid":"crazy-kalyanam-teaser"}},{"node":{"data":{"title":{"text":"'Sardar 2' Teaser"},"img":{"url":"https://images.prismic.io/prad/Z-pNK3dAxsiBwGoT_sarda2.JPG?auto=format,compress"},"datetime":"2026-07-31T14:44:00+0000","third_party_url":null},"uid":"sardar-2-teaser"}},{"node":{"data":{"title":{"text":"'Ramayana: Part 1’ Trailer"},"img":{"url":"https://images.prismic.io/prad/sZ7zfcswjWSgCsv8_ramayana.JPG?auto=format,compress"},"datetime":"2026-07-30T02:12:00+0000","third_party_url":null},"uid":"ramayana-part-1-trailer"}},{"node":{"data":{"title":{"text":"'Aadarsha Kutumbam House No  47' Unveils Srinidhi intro"},"img":{"url":"https://images.prismic.io/prad/EYlrjTpUqh4W1Pxq_srinidhishetty.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T07:11:00+0000","third_party_url":null},"uid":"aadarsha-kutumbam-house-no--47-unveils-srinidhi-in"}},{"node":{"data":{"title":{"text":"'KJQ - King, Jackie, Queen' Trailer"},"img":{"url":"https://images.prismic.io/prad/x-J8ulo-Gfmznj-u_KJQW.JPG?auto=format,compress"},"datetime":"2026-07-28T06:59:00+0000","third_party_url":null},"uid":"kjq---king-jackie-queen-trailer"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Chaos In Parliament: Exposing The Thin Line"},"img":{"url":"https://images.prismic.io/prad/XRCHWxsz3uqoDILo_chaosparliaMENT.JPG?auto=format,compress"},"datetime":"2026-07-30T07:02:00+0000","third_party_url":null},"uid":"chaos-in-parliament-exposing-the-thin-line"}},{"node":{"data":{"title":{"text":"BJP vs The Youth: How Gen-Z Out Memed A Narrative Hegemony"},"img":{"url":"https://images.prismic.io/prad/rswWXc1SEOO-qinW_BJPZenG.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-29T07:42:00+0000","third_party_url":null},"uid":"bjp-vs-the-youth-how-gen-z-out-memed-a-narrative-h"}},{"node":{"data":{"title":{"text":"The Disobedient Force The Authoritative To Obey"},"img":{"url":"https://images.prismic.io/prad/XWhk2jZyG6d74tb9_diobedient.JPG?auto=format,compress"},"datetime":"2026-07-26T18:55:00+0000","third_party_url":null},"uid":"the-disobedient-force-the-authoritative-to-obey"}},{"node":{"data":{"title":{"text":"Why did it take a street protest to force action?  "},"img":{"url":"https://images.prismic.io/prad/vULizG2UqhmmNAWP_protest.png?auto=format,compress&rect=0,62,449,221&w=2028&h=1000"},"datetime":"2026-07-26T18:11:00+0000","third_party_url":null},"uid":"why-did-it-take-a-street-protest-to-force-action--"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-07-21T16:54:06+0000","data":{"title":{"text":"Shraddha Das Spicy Pics"},"content":{"text":"Shraddha Das is an Indian actress and model who predominantly appears in Telugu, Hindi, Bengali, and Kannada language films. She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/J5KjgIk60wE63lRg_shraddhadas.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-20T16:44:06+0000","data":{"title":{"text":"Rakul Looks Radiant In Yellow Saree"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. Singh is a recipient of several accolades including a SIIMA Award, in addition to four nominations at the Filmfare Awards South. Singh started her career as a model and made her acting debut with the Kannada film Gilli"},"img":{"url":"https://images.prismic.io/prad/_eGbGvnqa1VVLLAH_rps2028.JPG?auto=format,compress"}},"uid":"rakul-looks-radiant-in-yellow-saree"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-17T12:42:16+0000","data":{"title":{"text":"Pragya Jaiswal Spicy Stills"},"content":{"text":"Pragya Jaiswal is an Indian actress and model who predominantly works in Telugu films. She made her acting debut in 2014 with the Tamil-language film Virattu in 2014. Jaiswal had her breakthrough with the Telugu period drama Kanche, for which she was awarded the Filmfare Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/HTcjp1FBdNZf7hDK_pragya2028.JPG?auto=format,compress"}},"uid":"pragya-jaiswal-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aj-3gFbRV8_Qf7se_anasuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Allu Arjun's Bold Transformation Sparks Anticipation for AA23"},"content":{"text":"In a sensational turn of events, Allu Arjun has emerged as a trending topic in the Indian film landscape with the unveiling of his innovative look in Lokesh Kanagaraj's highly anticipated project, AA23. As the buzz surrounding this collaboration intensifies, cinephiles are fervently speculating about the new dimensions Arjun will explore in his performance. This marked shift promises to captivate audiences and elevate the cinematic experience, further entrenching Arjun as a pan-India superstar known for his striking metamorphoses on screen. Sources close to the production have hinted at a radical transformation for the actor, who has consistently dazzled audiences with his compelling portrayals. According to insiders, both Allu Arjun and Lokesh Kanagaraj have dedicated considerable time and effort to research and conceptualize this unique look, which aims to challenge traditional character portrayals in Indian cinema. The collaboration not only signifies a meeting of creative minds but also reflects a broader trend of filmmakers and actors alike striving to push the envelope in storytelling and visual representation. Allu Arjun's journey in the film industry is marked by his remarkable ability to immerse himself in diverse roles, a skill that has garnered him both critical acclaim and a massive fan following. From his early performances in films like Arya to recent successes such as Pushpa, Arjun has demonstrated an unwavering commitment to character authenticity. His collaborative efforts with acclaimed directors like Kanagaraj, known for his meticulous attention to character design, have set the stage for a transformative cinematic experience that could redefine how audiences perceive new-age heroes. In addition to AA23, Allu Arjun's slate is brimming with exciting projects, including a sequel to his blockbuster Pushpa and the much-anticipated Raaka, directed by Atlee. The unveiling of his new look has already created a stir on social media, with fans eagerly debating the implications of this bold aesthetic shift. The overwhelming response underscores not only Arjun's star power but also the growing appetite among viewers for innovative storytelling in Indian cinema, setting the scene for an exhilarating future for the actor and his forthcoming roles."},"img":{"url":"https://images.prismic.io/prad/jYzxb2_okVHax80t_alluarjun.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T09:32:00+0000","embed":{"embed_url":null}},"uid":"allu-arjuns-bold-transformation-sparks-anticipatio"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Toxic Trailer Locked: Yash Set to Ignite the BO"},"content":{"text":"The countdown has officially begun for one of Indian cinema's biggest action spectacles. The makers of 'Toxic: A Fairy Tale for Grown-Ups', starring Kannada superstar Yash, have confirmed that the film's much-awaited trailer will be unveiled on August 8, 2026. Along with the announcement, the team released a striking monochrome poster that instantly grabbed attention across social media. The intense visual has heightened curiosity, giving audiences a glimpse of the film's gritty atmosphere while fueling expectations for what promises to be a grand cinematic event. With the trailer date now locked, excitement surrounding the project has reached a new peak. Directed by acclaimed filmmaker Geetu Mohandas, Toxic is being positioned as a large-scale action drama with an international appeal. Ever since the project was announced, it has generated tremendous buzz among movie lovers, and Yash's commanding screen presence has only strengthened that anticipation. Following the phenomenal success of the KGF franchise and the attention surrounding his upcoming mythological projects, fans are eager to witness the actor return in an entirely different avatar. Industry circles believe Toxic could become one of the biggest theatrical releases of the year, with the trailer expected to offer a first look at the film's powerful action, emotional depth, and stylish storytelling. The film features an impressive ensemble cast including Nayanthara, Kiara Advani, Tara Sutaria, Rukmini Vasanth, and Huma Qureshi, adding significant star power to the ambitious venture. Jointly produced by KVN Productions and Monster Mind Creations, the film is mounted on a lavish scale with global production standards. With its high-profile cast, acclaimed director, and Yash leading the charge, Toxic has already emerged as one of the most anticipated pan-world releases. If the trailer lives up to the growing expectations, the film could be on course to deliver another massive box-office phenomenon for the Kannada superstar."},"img":{"url":"https://images.prismic.io/prad/qQEp52QIbCMQklmr_toxic.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T07:32:00+0000","embed":{"embed_url":null}},"uid":"toxic-trailer-locked-yash-set-to-ignite-the-bo"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Beyond Bollywood: Sanjay Dutt's Empire"},"content":{"text":"As Bollywood veteran Sanjay Dutt recently marked his 67th birthday on July 29, a closer look at his burgeoning net worth reveals a figure estimated at approximately Rs 295 crore. Dutt, who has captivated audiences for decades, has successfully transitioned from a leading man in films to an entrepreneurial powerhouse. His wealth is not merely a byproduct of his acting career; it reflects diverse investments and business ventures that complement his cinematic legacy. With fees ranging from Rs 8 crore to Rs 15 crore per film, Dutt's financial portfolio is as multifaceted as his career. Residing in an opulent apartment in Mumbai's upscale Pali Hill, valued at around Rs 40 crore, Dutt shares his life with his wife, Maanayata Dutt, and their family. This luxurious abode underscores his status in the industry, while his additional property in Dubai adds another layer to his real estate investments. Though the exact value of the Dubai residence is undisclosed, it is known for its lavish interiors and modern amenities, serving as a retreat for Dutt's family amid Maanayata's expanding business interests in the UAE, where they spend significant time. Born to Bollywood legends Sunil Dutt and Nargis, Sanjay Dutt's journey in film began with his debut in the 1981 film 'Rocky.' Over the years, his on-screen presence has left an indelible mark, with notable performances in films like 'Vaastav,' 'Khal Nayak,' and the beloved 'Munna Bhai M.B.B.S.' franchise. Beyond the glitz and glamour of the silver screen, Dutt has ventured into various business realms, including co-owning the B-Love Kandy franchise in the Lanka Premier League and investing in innovative brands such as DawnTown and Cyber Media India, establishing his footprint beyond filmmaking. Dutt's interests extend into the culinary sector, where he has recently launched 'Dutts' Franktea,' an online food brand based in Dubai offering a unique blend of tea and classic Indian street food. His passion for luxury extends to a notable automotive collection featuring high-end brands like Rolls-Royce and Ferrari, as well as a selection of superbikes. This confluence of film, business, and personal interests paints a picture of a man who has not only adapted to the changing tides of the entertainment industry but has also positioned himself as a savvy entrepreneur, securing his legacy in both Bollywood and the corporate world."},"img":{"url":"https://images.prismic.io/prad%2F87e2ac21-4187-4428-8890-4c0a249a12dd_sanjay+dutt.jpg?auto=format%2Ccompress&rect=0%2C14%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-31T19:27:00+0000","embed":{"embed_url":null}},"uid":"beyond-bollywood-sanjay-dutts-empire"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Modi inaugurates Bhogapuram Airport"},"content":{"text":"Prime Minister Narendra Modi inaugurated the Alluri Sitarama Raju International Airport at Bhogapuram in Vizianagaram district, near here, on Saturday.  After landing at the runway of the Greenfield Airport, the Prime Minister inaugurated the passenger terminal building and undertook a walk-through along with Governor S. Abdul Nazeer, Chief Minister N. Chandrababu Naidu, Deputy Chief Minister Pawan Kalyan and Civil Aviation Minister K. Ram Mohan Naidu. The top leadership of GMR Group and the Civil Aviation Minister explained the special features of the airport to the Prime Minister. The terminal was decorated to showcase the culture, traditions, and arts of Andhra Pradesh. PM Modi had a close look at large-scale Etikoppaka artwork displayed at the airport's welcome gate. When the PM stepped out of the airport and headed towards the venue of the public meeting on a special vehicle along with Chief Minister, Deputy Chief Minister and others, tribal women performed the traditional ‘Dhimsa’ dance to welcome him. According to officials, the ‘Dhimsa’ dance by 13,500 tribal women created a Guinness World Record. The Prime Minister was seen clapping to appreciate the colourful and impressive dance performance by tribal women. At the public meeting venue, PM Modi will lay the foundation stone, inaugurate and dedicate to the nation multiple development projects worth over ₹17,900 crore in Bhogapuram and address the gathering on the occasion. Developed under the Public-Private Partnership (PPP) mode at a cost of over ₹5,640 crore, the Greenfield airport has been designed to handle 6 million passengers annually. The airport is expected to provide a significant boost to tourism, trade, investment and employment generation in Andhra Pradesh while strengthening air connectivity in the region. The passenger terminal building has been designed to provide a modern, seamless and efficient travel experience. The airport incorporates advanced infrastructure, cutting-edge technologies and sustainable features to enhance operational efficiency and meet future aviation requirements. The airport has been equipped with advanced technologies such as Artificial Intelligence (AI), Building Information Modelling (BIM), Airside 4.0 technologies, Airport Predictive Operations Centre (APOC), biometric passenger processing, automated baggage handling systems and intelligent operational monitoring solutions. These systems are expected to enhance operational efficiency, improve passenger convenience and safety, and optimise resource utilisation."},"img":{"url":"https://images.prismic.io/prad/EtO6ffJTVzXrnm-D_bhogapuramairport.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-01T06:30:00+0000","embed":{"embed_url":null}},"uid":"modi-inaugurates-bhogapuram-airport"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Chennai Love Story'"},"content":{"text":"Small films are having a good time in Tollywood. The makers have been repeatedly saying that they are bringing this film to the audience as a content-oriented film, in the wake of the huge success of making content-oriented films. The makers who gave a super hit film like Baby have brought this film to the audience. Let's see how this film, which was released today, is like in the review. Story: Niv (Sri Gauri), who wanted to fall in love and get married, is unexpectedly cheated by her boyfriend Ajay (Trigun). He leaves her by saying that he loves another girl before the wedding. With that, Nivi turns into a lady Devadasu and becomes addicted to drinking. At that time, her friends take her to Chennai and try to change her a little. But her behavior does not change. That's when Steven Shankar (Kiran Abbavaram) steps into Chennai to show his mettle as a director. Friends help Shankar, an orphan, and allow him to stay in their room. The room is close to Nivi. At first, Shankar's words used to irritate Nivi. Slowly, she gets closer to him. Love blossoms between the two. But amidst unpredictable developments, their love runs into a problem. What is that problem and will the two meet again is the plot. Acting: Kiran Abbavaram impressed with his good acting, like in the past, he impressed with his looks as if he was the boy next door. Playing the role of an innocent person is not an easy thing. But Kiran Abbavaram played the role very easily. Kiran Abbavaram showed well in this role what an innocent person who steps into Chennai with an effort to impress the director would be like. There is no doubt that this heroine Gowry Priya  is the most crucial role in the story. She has done complete justice to her role. Siri Hanumanthu has once again impressed with her acting in a good role. She is likely to get more good roles in the future. Those who played other roles impressed within the scope of their roles. Technical: When the director thought that the story was being handled well, he tried to say something new by saying Atma Paramatma in the second half. It must be said that it failed. In terms of screenplay, the second half failed. The music was impressive, especially the background score was impressive. Manisharma once again showed his magic. Cinematography is good. There is no doubt that cinematography has definitely been useful in showing the beauty of Chennai. The dialogues are good. There are some flaws in the editing, and there is still work to be done in the second half. The structural values ​​are according to the story. Plus points: Hero, heroine acting, Manisharma's background score First off Minus points: Second half, Routine screenplay. Analysis: Producer Sai Rajesh has been making comments in several media conferences and interviews that this film is definitely a baby range cult love story, but it doesn't seem like it has any scenes. While you think that the first half of the film will be smooth and interesting, he made the second half boring by adding unnecessary elements. If the same love story had been continued simply, the second half would definitely have been a good talk. Hero Kiran Abbavaram impressed with his good performance. The audience will definitely appreciate him, and heroine Gauri also did full justice to her role. Gauri impressed in the role of a drunkard and Lady Devadasu, but it must be said that the screen did not match their performance. Overall, Chennai Love Story turned out to be an average love story. Finally... It makes feel like going all the way to Chennai for this love story Banner: Mass Movie Makers Producer: SKN, Sai Rajesh Director: Ravi Namburu Music: Mani Sharma Cast: Kiran Abbavaram, Gowri Priya, Siri and others"},"img":{"url":"https://images.prismic.io/prad/0yN9tZHPaAuq2hyg_CLS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T08:01:00+0000","embed":{"embed_url":null}},"uid":"review-chennai-love-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Jana Nayakudu' "},"content":{"text":"Expectations have increased among all sections of the audience on the film Jana Nayaku, which was advertised as the last film of Tamil superstar Vijay. Although it was not officially announced that it is a remake of the film Bhagwant Kesari, which came in the combo of Balakrishna and Anil Ravipudi, the makers have been unofficially saying it.  This film, which was delayed a lot due to Tamil Nadu politics, made a royal entry without any problems as Vijay became the CM of Tamil Nadu. And how is this film? Will the audience like this story again in Telugu? Let's see in this review. Story: Vetri Kondan's (Vijay) mother dies in jail. Out of humanity, the jailer releases Vetri Kondan on parole and sends him out to see his mother for the last time. When Vetri is sent out, the jailer gets into a big problem. Vetri Kondan learns that the jailer who helped him is in trouble, and goes to his house. In the wake of unexpected developments, the jailer dies. His only daughter, Viji (Mamita Baiju), becomes an orphan.  The jailer who helped him looks after his daughter and wants to make her an army officer. But Viji says she will not join the army out of fear. Why does Vetri want to send Viji to the army? Will Viji finally join the army? What difficulties will Vetri face in doing so? This is the story. Performance: There is no need to mention anything special about Superstar Vijay's performance. Just as Balakrishna adapted to the role in Bhagwant Kesari, there is no doubt that Vijay also adapted to the role of Vetri. The screenplay was such that the entire story of the film was carried on his shoulders. Even so, Vijay acted well in every scene without giving up. There is no doubt that he impressed with his comedy timing. His fans will enjoy the action scenes to the fullest. Now that he is the CM, he has tried to show Vijay in that angle as well, which is a feast for the eyes of the fans. Since this is Vijay's last film, it seems that he gave his best. Pooja Hegde, who played the heroine, does not have much screen presence. It must be said that Pooja Hegde's screen presence is less than what Kajal Aggarwal's role was in the original Telugu version. Mamita Baiju played the role of Viji, played by Srileela in Telugu and got good marks. It seemed that Mamita did Viji's role even better than Srileela. Along with impressive looks, the two heroines gave good expressions to suit their roles. However, Pooja Hegde's role did not get priority. Mamita impressed as much as she did. Bobby Deol impressed in terms of looks. It would have been better if he had been shown as a stronger and better villain. Since the villain role was not given priority in the story, Bobby Deol's performance became like water poured on ashes. Technical: Director H Vinod tried to make the Telugu story as it is and add Tamil flavor to the screenplay. He made the story without making many changes in the first half. However, when it came to the second half, he made many changes. The entire screenplay changed as if it was a new story. Vijay's character also left the audience in a bit of a quandary. There is nothing much to say about the music. Anirudh, as usual, gave a good background score to Vijay's film. But since the songs did not have much scope, Anirudh's work did not come out much.  The cinematography is good. The cinematography is definitely good in elevating the action scenes. There are errors in the editing. Some scenes in the second half, especially the villain scenes, could have been trimmed. It would have been better if the heroine scenes that are not part of the story were also trimmed a bit. The production values ​​are good. The story was produced with added weight without detracting from it. Plus points: Vijay, Some Action Scenes, Mamita Baiju Minus points: Story, screenplay, Being a familiar story, Second half, Villain role. Analysis: The film Jana Nayakkudu, which was supposed to be released early this year, did not see its release due to censor problems due to Tamil Nadu politics. Officials said that permission could not be given for the release of the film in the wake of the assembly elections. With Vijay becoming the CM, the film Jana Nayakkudu came plowing ahead without any problems and shook the Tamil box office. This movie has been seen in Telugu before. Even though it is known that this is a remake of Balakrishna Bhagwant Kesari, many enthusiasts booked in advance and watched the movie. The movie got a good opening in Telugu states.  It is undeniable that Jana Nayakkudu could not satisfy the Telugu audience completely. Tamil audience will think aha.. oh my for Vijay Elevations. Moreover, they will like it because it is a new story, but Telugu people do not have much to like about this movie, even though the second half seems to have changed a bit, it felt like it was forced. The political elements were not set in the story at all. There is action but no emotion. The magic is missing in the screenplay. Overall, Jana Nayakkudu does not have anything new that the Telugu audience will like much. Finally... A Tamil mass leader who cannot please Telugu people. Banner: KVN Productions Producer: Venkat K. Narayan Director: H Vinod Music: Anirudh Cast: Vijay, Pooja Hegde, Mamita Baiju, Sunil, Bobby Deol and others"},"img":{"url":"https://images.prismic.io/prad/8WXmx3hoavnPTLpj_jananayakudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-23T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-jana-nayakudu-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}