{"data":{"all":{"edges":[{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"51 YSRCP Leaders Face Rowdy Sheets"},"content":{"text":"Andhra Pradesh Police have ordered rowdy sheets against 51 people, including some key leaders of the YSR Congress Party in connection with the October 19, 2021 attack on the central office of the Telugu Desam Party (TDP) at Mangalagiri in Guntur district. YSR Congress Party (YSRCP) MLCs Talasila Raghuram, Lella Appireddy, and YSRCP NTR district president Devineni Avinash are among the leaders included in the rowdy sheet.  NTR Police Commissioner Rajasekhar Babu issued orders that rowdy sheets be opened against 51 people in the police stations under the limits of the Commissionerate.  Orders have been issued to Station House Officers (SHOs) of nine police stations to open the rowdy sheets. Assistant Commissioners of Police have been directed to personally monitor the opening of rowdy sheets. The TDP office was attacked when YSRCP was in power. After coming into power in 2024, Chandrababu Naidu-led government ordered a CID probe into the attack. A large number of supporters of YSRCP attacked the TDP office on October 19, 2021, after TDP spokesperson Kommareddy Pattabhi Ram had made some objectionable comments against the then Chief Minister Y.S. Jagan Mohan Reddy. The YSRCP supporters had barged into the TDP office and ransacked the premises, damaging furniture and breaking window panes. The TDP leaders had alleged that the attackers, seen armed with sticks and even hammers, damaged the cars parked outside the office. Police had booked a case against 110 people, including Raghuram, Avinash, Lella Appireddy and YSRCP general secretary Sajjala Ramakrishna Reddy. A case was registered at Mangalagiri Rural Police Station under IPC sections 147, 148, 323,324, 326, 307, 380, 427, 459, 452, 506 r/w 109, 120-B and 149. After the TDP-led National Democratic Alliance (NDA) came to power in June, 2024, police launched a fresh investigation. In October, 2024, the government handed over to the Crime Investigation Department (CID) the case relating to the attack on the TDP office and the residence of N. Chandrababu Naidu.  In September 2021, some YSRCP leaders also allegedly attacked the residence of the TDP president and then leader of the opposition Chandrababu Naidu."},"img":{"url":"https://images.prismic.io/prad/agtIe6YofJOwHV2v_rowdysheeters.JPG?auto=format,compress"},"datetime":"2026-09-23T12:50:00+0000","embed":{"embed_url":null}},"uid":"51-ysrcp-leaders-face-rowdy-sheets"}},{"node":{"tags":["politics","featured","two"],"data":{"third_party_url":null,"title":{"text":"EC in Turmoil: Gyanesh Kumar Faces Internal Revolt"},"content":{"text":"In a dramatic escalation within India’s electoral governance, Chief Election Commissioner Gyanesh Kumar finds himself embroiled in a storm of dissent from within his own ranks. Following a series of contentious decisions concerning the Special Intensive Revision (SIR) of voter lists, Kumar is facing significant pushback from fellow election commissioners, particularly Sukhbir Singh Sandhu and Vivek Joshi. These internal objections, which have reportedly been raised on at least 14 occasions over the past ten months, highlight deep fractures within the Election Commission (EC) and raise serious questions about transparency and governance in a crucial electoral process. The dissent revolves primarily around accusations that vital decisions regarding the electoral roll were made without proper consensus. Objections have been specifically directed at changes involving statutory voter registration Form 6 and the centralised management of the electoral roll database. While the Election Commission contends that differing opinions are commonplace and that their decisions were ultimately unanimous, the silence from Sandhu and Joshi regarding their objections has added a layer of intrigue to this unfolding drama. An investigation by the Indian Express further underscores the gravity of the situation, revealing that dissent is not merely a procedural issue but a significant challenge to Kumar's leadership. Kumar’s appointment as the Chief Election Commissioner in February 2025 was met with controversy, stemming from a 2023 legislative overhaul that altered the selection process, replacing the chief justice of India with a Union Cabinet minister on the selection panel. This legislative shift raised alarms among opposition factions, who accused the government of orchestrating a politicized electoral framework. The recent Supreme Court split decision on whether to refer challenges to this law to a larger bench casts a further shadow over Kumar's tenure, as the EC grapples with allegations of exclusion and bias amid an increasingly polarized electoral landscape. As a seasoned bureaucrat with a robust background in administration, Gyanesh Kumar previously held key positions in various ministries, including significant roles in the aftermath of the abrogation of Article 370. His experience and credentials, including academic pursuits at prestigious institutions, had positioned him as a capable leader for the EC. However, the current discord raises critical questions about his ability to maintain the integrity and independence of the electoral process. With both Sandhu and Joshi’s futures within the commission uncertain, the ramifications of this internal strife could reverberate far beyond the walls of the Election Commission, impacting the very fabric of Indian democracy."},"img":{"url":"https://images.prismic.io/prad/lw8JbZCiMN90kUNe_CECGyanesh.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-23T15:30:00+0000","embed":{"embed_url":null}},"uid":"ec-in-turmoil-gyanesh-kumar-faces-internal-revolt"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Rupee Tumbles as Dollar Strengthens"},"content":{"text":"The Indian rupee experienced a setback on Wednesday, slipping 11 paise to settle at 95.73 against the US dollar. This decline comes as the American currency demonstrates notable strength, buoyed by comments from US Federal Reserve officials that have heightened expectations for a potential rate hike in 2026. Additionally, a modest rebound in crude oil prices from recent lows has contributed to the rupee's struggle, indicating the complex interplay between global commodities and currency valuation. Forex traders noted that while the dollar's momentum was largely attributed to hawkish indicators from the US central bank, the Indian currency did receive some support from positive trends in domestic markets. At the start of the trading day, the rupee opened at 95.58 but briefly gained ground, reaching an intraday high of 95.57. However, this upward trajectory was short-lived as the rupee faced pressure, ultimately closing lower than its previous level. The rupee's performance cannot be viewed in isolation; it reflects broader economic trends and investor sentiment both locally and internationally. The currency has been on a roller coaster ride recently, reflecting not only fluctuations in oil prices but also geopolitical tensions and shifts in global economic policies. As the US Federal Reserve signals a more aggressive stance on monetary policy, emerging market currencies like the rupee may find themselves under increasing pressure as investors recalibrate their portfolios in response to changing interest rates. Market analysts are closely monitoring these developments, as the interplay between the dollar and domestic economic factors will be crucial in determining the rupee's trajectory in the coming weeks. The Indian government's fiscal policies, trade balances, and foreign investment flows are all set to play significant roles in shaping the currency's future. With market dynamics shifting rapidly, stakeholders are advised to remain vigilant as this financial narrative unfolds."},"img":{"url":"https://images.prismic.io/prad/aIM20FGsbswqTPd1_rupeedollar.JPG?auto=format,compress"},"datetime":"2026-09-23T12:30:00+0000","embed":{"embed_url":null}},"uid":"rupee-tumbles-as-dollar-strengthens"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Dhanush Gives Way to Rajinikanth"},"content":{"text":"Actor Dhanush, who predominantly works in Tamil cinema, has pushed the release date of his upcoming film ‘Om’. On Wednesday, the actor took to his X, formerly Twitter, and shared the update with his followers. He said that he has pushed the release of the film in order to avoid the clash with ‘Jailer 2’, which features Tamil cinema legend Rajinikanth. He wrote, “In times like these, shifting the release of a film comes with its own set of challenges. Our superstar, Rajinikanth sir, the man whom we have all admired and worshipped over the years has his film arriving on October 15, just a day before ours. Out of immense respect for him, we have decided to postpone the release of our film, OM, to a later date. At the same time, we will not be arriving for Diwali this year either, as Suriya sir's film has already been announced for the same date”. He further mentioned, “In all fairness, they announced their date first, and we strongly believe that big films should have a mutual understanding and respect each other's decisions, keeping the larger welfare of cinema and the industry in mind. We will announce our new release date very soon”. Dhanush was earlier married to Aishwarya Rajinikanth, the daughter of the Tamil cinema legend. So, shifting the release date of his film is not just a unidimensional professional decision. Meanwhile, ‘Jailer 2’ is the sequel to the 2024 release ‘Jailer’ which starred Rajinikanth in the titular role of a retired jailer, who fights the organised syndicate of artifact smugglers. Rajini’s character activates his own criminal network across India which he built on his goodwill and absolutely watertight morals as a jailer."},"img":{"url":"https://images.prismic.io/prad/knnoOy_djfU1_Er9_dhanushrajini.JPG?auto=format%2Ccompress&rect=0%2C47%2C885%2C436&w=2028&h=1000"},"datetime":"2026-09-23T13:53:00+0000","embed":{"embed_url":null}},"uid":"dhanush-gives-way-to-rajinikanth"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"#Rapo23 Wraps Action-Packed Schedule!"},"content":{"text":"The unit of #Rapo23, which will mark the directorial debut of Telugu star Ram Pothineni, has now wrapped up the second schedule of the film with a massive night action sequence, which the makers claim will be a never-before-seen visual spectacle. Sources close to the unit claimed that the latest schedule featured a high-intensity night action sequence mounted across a massive one-kilometre stretch. The entire stretch was illuminated with lights, creating a visually striking canvas that perfectly complemented the film’s distinctive neo-noir world.  Action choreographer Kevin Master designed the intense sequence, while National Award-winning cinematographer Thirunavukarasu (Tirru) captured the visuals, the sources added.  It may be recalled that the makers of the film had only recently welcomed actress Samyuktha on board the unit of their film. Taking to its social media timelines to welcome the actress onboard the unit on the occasion of her birthday on Friday, production house Rapo Cinematics had said, \"The world of #RAPO23 welcomes its newest addition. Happy Birthday, @iamsamyuktha_ and Welcome on board! Written & Directed by #RAPO. Produced by Krishna Pothineni.A @rapocinematics Production. Energetic Star @ram_pothineni. @samcsmusic @dop_tirru #ASPrakash @peterheinoffl.\" For the unaware, the unit had begun its Pondicherry schedule last month. Sources close to the unit had then informed that Ram Pothineni's ambitious project, tentatively being referred to as #RAPO23, was progressing at a brisk pace. Sources had disclosed that the unit had plans to shoot a visually appealing song choreographed by popular dance master Brinda in the scenic locations of Pondicherry. Sources had also added that the unit was looking to shoot several high-voltage action episodes. Telugu star Ram Pothineni had shot for 24 hours at a stretch on the outskirts of Pondicherry for the film, sources had claimed and pointed out that what made the effort commendable was that he was not just directing the film but was also playing the lead in it. A massive setup was mounted in Pondicherry for the schedule, which continued for nearly nine days. Sources had said that Ram had been pushing himself vigorously as an actor while simultaneously overseeing every aspect of the film as its director.  The film is being produced by Krishna Pothineni under the Rapo Cinematics banner on a lavish scale. Conceived by Ram himself, #RAPO23 is touted to be a unique psychological action thriller set in a gripping neo-noir world. The film, which was formally announced on the occasion of the actor's birthday, will have Ram Pothineni playing a character called Veera in it. National-Award winning cinematographer Thirunavukarasu (Thirru) is the cameraman for this film, which will have music by Sam C S. A S Prakash is creating impressive sets that will enhance the film's scale and visual appeal."},"img":{"url":"https://images.prismic.io/prad/KAFLPTLVOAiEzgRV_rapo23.JPG?auto=format%2Ccompress&rect=0%2C26%2C1600%2C789&w=2028&h=1000"},"datetime":"2026-09-23T01:10:00+0000","embed":{"embed_url":null}},"uid":"rapo23-wraps-action-packed-schedule"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Lisa Ray embraces her ‘aunty era’"},"content":{"text":"Actress Lisa Ray has opened up about embracing her “aunty era” in a recent social media post. She shared a candid take on motherhood, womanhood and breaking conventional rules. Taking to Instagram, the ‘Four More Shots Please’ actress shared her images and wrote, “Where my aunties at? I’m in my aunty era. Oh, but wait. I’m a mom of little ones too.” She further celebrated women who refuse to be bound by traditional rules, adding, “Bitch, we’re the aunties who mess with the rules, rewrite the script and still make it to school pickup.” In the first photo, Lisa Ray can be seen striking a cheerful pose, while the next picture features her posing alongside her daughter. For the outing, Lisa opted for a white T-shirt featuring the word “Aunty” paired with blue jeans, keeping her look casual and comfortable.  Lisa frequently uses her social media to share personal reflections on life, motherhood and navigating different stages of womanhood. A few days ago, Lisa Ray took a trip down memory lane as she reflected on growing up in the 1980s and recalled the music, fashion and carefree spirit that shaped her youth. In an Instagram post, she revisited some of her favourite memories from the decade, from colourful leg warmers and experimental hairstyles to the iconic fashion trends inspired by films such as Flashdance. The actress also reminisced about listening to music by global stars Madonna and Michael Jackson, while sharing her special fondness for British pop band Duran Duran.  “I DID live through the 80s. Candy coloured leg warmers, questionable hair choices, Flashdance style sweatshirt, Madonna, Michael Jackson and Michael Hutchence Named my pets after Duran Duran. Summers in Calcutta and long weekends spent cycling the neighbourhood in Toronto. Long drives with the radio blasting and in all that hazy sweetness of youth, an itch of rebellion,” she wrote. Lisa added, “Am I am 80s kid? Resilient, independent and tough? Yup. But tempered now by life’s ruptures, having passed through unchosen borders. Maybe this version of me needs an 80s replay. Where’s the hairspray?” On the professional front, Lisa Ray has garnered international recognition for her work in films such as “Water,” “I Can’t Think Straight” and “The World Unseen.” “Water” went on to earn an Academy Award nomination in the Best International Feature Film category. Most recently she appeared in the popular streaming series “Four More Shots Please.”"},"img":{"url":"https://images.prismic.io/prad/ogbm1I5ZbYAE_dzL_lisa.JPG?auto=format%2Ccompress&rect=0%2C8%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-23T04:55:00+0000","embed":{"embed_url":null}},"uid":"lisa-ray-embraces-her-aunty-era"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Revanth Reacts to Nani’s 'Paradise' Invite"},"content":{"text":"Telangana Chief Minister A. Revanth Reddy on Wednesday responded to actor Nani’s request for permission to visit a theatre at RTC X Roads in Hyderabad for the premiere show of his movie 'The Paradise'.  In a post on ‘X’, the Chief Minister asked the actor to submit an official application to the police station concerned. He wrote that he appreciates Nani’s respect for safety guidelines and his commitment to the film directed by our talented young Telangana director, Srikanth Odela.  “To ensure seamless crowd management and public safety, please submit an official application to the designated local police station. The concerned team will review the application and take a decision accordingly,” the Chief Minister said.  He was responding to a request made by Nani to him, Minister of Cinematography Komatireddy Venkat Reddy, and the Telangana police. “This is a request from a fan of cinema and, more importantly, someone who has enjoyed cinema at its very best from a very young age. For me, cinema has always been about watching it together with people who love it just as much as I do. And in Hyderabad, that experience has a special place at RTC X Roads,” Nandi said in a post on ‘X’. “I would love to visit a theatre at RTC X Roads for ‘The Paradise’ premiere show (23rd Sept) and experience the film with our audience, the very people we made it for. I believe the ultimate satisfaction of making a film lies in sitting among the audience and experiencing their response to it. We will follow all the necessary protocols and safety guidelines in place. That will be our priority. I hope you will kindly consider my request. Thank you,” wrote the actor. The request comes amid heightened scrutiny of premiere shows and film-related events in Telangana following the December 2024 stampede at Sandhya Theatre on RTC X Roads during the premiere of Pushpa 2: The Rule.  The incident claimed the life of a woman and left her son critically injured. Actor Allu Arjun, the theatre management, and others were subsequently booked in connection with the case. Police later filed a charge sheet against 23 accused, and authorities tightened norms governing permissions for movie premieres and promotional events. The stricter regulations have since made crowd-safety assessments a key factor in granting permissions for high-profile film gatherings."},"img":{"url":"https://images.prismic.io/prad/7tYdSEGIfKjnz2br_rrnani.JPG?auto=format%2Ccompress&rect=0%2C29%2C399%2C197&w=2028&h=1000"},"datetime":"2026-09-23T07:30:00+0000","embed":{"embed_url":null}},"uid":"revanth-reacts-to-nanis-paradise-invite"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Namrata’s 'Lazy Orange' Afternoons"},"content":{"text":"Actress Namrata Shirodkar gave fans a glimpse into her warm and intimate home life as she shared pictures from a relaxed “lazy orange afternoon”.  She added that the days were filled with laughter, conversations and the company of loved ones, which eventually ended with Ganpati visarjan. Namrata took to her social media account and shared a series of pictures from the day. She wrote, “Lazy orange afternoons. Lots of laughter, endless conversations, and absolutely no agenda... just the kind of day you wish you could bottle up. Ended it with Ganpati visarjan...with grateful hearts and a little prayer for love, happiness and good beginnings amidst the most perfect sunset Some days are simply about good company, peaceful moments and beautiful memories. Ganpati Bappa Morya!” Dressed in vibrant orange traditional attire, she was seen enjoying an unhurried afternoon surrounded by greenery. The pictures also offered a glimpse of her home and the peaceful environment around it. The actress’ earlier Ganesh Chaturthi posts had offered a peek into the family's festive celebrations, with her pets also featuring alongside the Ganpati idol. Earlier this month, Namrata had shared glimpses of her in-house Ganpati celebrations with her children, daughter Sitara and son Gautam. The family was seen participating in the rituals and bidding farewell to Ganpati Bappa during the visarjan. She had also shared a video of herself performing aarti and posed in front of the idol with her pets. For the uninitiated, Namrata Shirodkar hails from a Maharashtrian background and is the sister of actor Shilpa Shirodkar. Namrata, post her wedding with South Indian superstar Mahesh Babu, stepped away from acting to focus on family life. The actress has been a part of Bollywood in the 90s era and has delivered many movies such as Pukar, Vaastav, Jab Pyar Kisi Se Hota Hai and many more."},"img":{"url":"https://images.prismic.io/prad/QukdUHLM5vvwBT4E_namrata.JPG?auto=format%2Ccompress&rect=0%2C38%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-23T05:38:00+0000","embed":{"embed_url":null}},"uid":"namratas-lazy-orange-afternoons"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Raghav: Tollywood Celebrates Cinema"},"content":{"text":" Actor-dancer Raghav Juyal, who is set to make his Telugu debut with The Paradise, has opened up about the experience of working in the Telugu film industry.  He highlighted how the culture of celebrating cinema in the Telugu industry has left a deep impression on him. Raghav, who features alongside Nani in director Srikanth Odela's The Paradise, spoke about witnessing a different level of passion and respect for filmmaking while working on the project. “I have realised one thing, which I want to show in my work and in my place, that people celebrate and respect cinema so much over there. I had tears in my eyes when I saw how they respect each and every technician. They respect even the sound engineer; each and every audience knew who he was,” he said. Raghav further added, “They don’t just come there to finish off their work. They are there to celebrate cinema. And that’s what I learned.” Raghav has also credited The Paradise director Srikanth Odela, whom he affectionately refers to as “Srikanth Dada”, with having a significant impact on him. The film marks Raghav's entry into Telugu cinema, with him playing Vikram Maalik. For the uninitiated, the film stars Nani, Mohan Babu, Kayadu Lohar, Sonali Kulkarni and Sampoornesh Babu alongside him. It is scheduled for a worldwide theatrical release on September 24, 2026. Before making his mark on the big screen, Raghav became a household name through dance reality television. Born and brought up in Dehradun, Uttarakhand, he rose to prominence with Dance India Dance 3. He was popularly known by the stage name “Crockroaxz” and became associated with his slow-motion dancing style. He then became a familiar face as a television host, particularly through shows such as Dance Plus, which he hosted across multiple seasons. He also hosted Rising Star and Dance Champions, among other television projects. Raghav eventually transitioned from dance and television to acting. He made his film debut with Sonali Cable in 2014, followed by films including ABCD 2, Nawabzaade, Street Dancer 3D and Bahut Hua Sammaan. He was also seen in Kisi Ka Bhai Kisi Ki Jaan and Yudhra. His acting journey took another turn with the 2024 action thriller Kill, in which he played the antagonist Fani. The performance brought him great attention. He then appeared in the series Gyaarah Gyaarah and The Ba*ds of Bollywood."},"img":{"url":"https://images.prismic.io/prad/aG-TJEMqNJQqHv8f_raghavjual.JPG?auto=format,compress"},"datetime":"2026-09-23T07:35:00+0000","embed":{"embed_url":null}},"uid":"raghav-tollywood-celebrates-cinema"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'AK 47' Arrives a Week Late!"},"content":{"text":"The makers of director Trivikram's eagerly awaited entertainer, 'Aadarsha Kutumbam House No: 47 - AK 47', featuring one of Telugu cinema's top stars Venkatesh in the lead, have now announced that the film will hit screens worldwide on October 9.   It may be recalled that the makers had originally announced that the film would hit screens on October 2.  Taking to its social media timelines to announce the change in release date, production house Haarika & Hassine Creations wrote, \"#AK47 will be arriving a week later, but we promise you… blockbuster entertainment! #AadarshaKutumbam 🏠 now arrives in theatres on October 9th! #AK47OnOct9th #Venky77 | #VenkateshXTrivikram.\" It may be recalled that a few months ago, the makers of the film had released a video clip introducing the character of actress Srinidhi Shetty in the film. Production house Haarika & Hassine Creations, which is producing the film, had taken to its X timeline to share the introductory video of Swarna, actress Srinidhi Shetty's character in the film. It had said, \"Ee Aadaliki Attitude thapa Gratitude undadhu!- Chittibabu (These women only have attitude and no gratitude - Chittibabu). Meet the beautiful @SrinidhiShetty7 as “Swarna” from the world of #AadarshaKutumbam #AK47OnOCT2nd | #AK47 | #Venky77 | #VenkateshXTrivikram.\" The video shows Chittibabu (Venkatesh) cribbing about his wife to another person. He says, \"These women only have attitude and no gratitude.\" Just as he says this, he looks up and notices that a woman standing on the balcony opposite his home is smiling nd waving to him. He says, \"A woman ought to be like her. See how she smiles at me like a flower as soon as I saved her? On the other hand, look at my wife. She last smiled during our wedding when the photographer said, 'Smile please!'. After that, she hasn't smiled and always has a serious face.\" The introductory video next shows Swarna (Srinidhi Shetty) shyly smiling at another man. The makers had only recently disclosed that actor Rohith Nara had come onboard the unit of the film. The makers also shared a poster of Rohith Nara from the film on the occasion. The poster shared gave the impression that the actor plays a cop in the upcoming film. It may be recalled that the makers had released the title of the film in December last year. The title poster released by the makers had showed Venkatesh standing in the middle of the road, with a smile on his face. He was seen holding a leather bag in his left hand with his right hand raised. The film, which was being tentatively referred to as #Venky77 initially, has triggered huge expectations as actor Venkatesh, whose most recent release 'Sankranthiki Vasthunam' was a blockbuster, has joined hands with one of his favourite directors Trivikram. This is the first time that Trivikram is directing a film featuring actor Venkatesh in the lead. Although Trivikram has not directed a film with Venkatesh prior to this project, he has worked as a writer with actor Venkatesh. In fact, Trivikram had penned the story and dialogues for the superhit film 'Nuvvu Naaku Nachav', which was directed by K Vijaya Bhaskar and which featured Venkatesh and Aarthi Agarwal in the lead. The film also marked Aarthi Agarwal's debut in Telugu cinema."},"img":{"url":"https://images.prismic.io/prad/pAA0gzc5LX2Njxjf_AK47.JPG?auto=format%2Ccompress&rect=0%2C89%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-23T01:51:00+0000","embed":{"embed_url":null}},"uid":"ak-47-arrives-a-week-late"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Trump renames AI as 'Superintelligence'"},"content":{"text":"US President Donald Trump said on Tuesday that his administration would begin using the term \"Superintelligence\" instead of artificial intelligence, adding that the word \"artificial\" inaccurately suggested the technology was fake. Trump announced the change during his address to the UN General Assembly in New York. He said the new term would appear in US government documents and expressed hope that other countries would follow Washington's example. \"From this point forward, all of United States documents, and hopefully the world's, will be changed to use the much more accurate term Super as opposed to Artificial,\" Trump added. \"So, it's Superintelligence. In other words, welcome to the new world of Superintelligence-SI,\" he said. Trump added the technology was real and potentially transformative, although it presented challenges that would require careful oversight. \"Every major new technology brings challenges, and Superintelligence is no exception,\" he said. Rejecting efforts to create an international system for regulating the technology, Trump described such proposals as attempts to establish a \"globalist scheme\" for controlling its development. \"The United States also totally rejects any attempt to construct a globalist scheme to control for the artificial intelligence being spoken of so much now,\" the US President said. Dismissing warnings that advanced AI and robots could pose an existential threat to humanity, Trump compared such concerns with previous predictions about climate change and accused their proponents of repeatedly promoting fear. The US President said the United States would not restrict the growth of a technology that could become more consequential than the Industrial Revolution or the internet. \"I'm not going to stifle growth of something that will be bigger than the Industrial Revolution,\" he added. Trump nevertheless said the administration would monitor the sector and use the Department of Justice and other law enforcement agencies when intervention became necessary. The US President framed the development of advanced AI as a strategic competition among countries, with technological leadership determining global power. \"Whoever wins AI, you have to remember this. And now I say, whoever wins SI, whoever wins Superintelligence wins,\" Trump said. \"That's the group that wins.\" Trump claimed that the United States was far ahead of China and other countries and pledged to preserve that advantage. \"We're leading now over China by a lot and everyone else and we're going to keep it that way,\" he said. The US President did not explain how the terminology change would be implemented across government agencies or whether it would require an executive order. He also did not specify whether \"Superintelligence\" would cover all existing AI systems or only the most advanced models."},"img":{"url":"https://images.prismic.io/prad%2F83c48db5-1950-42d7-bf83-29fe2a2c0a62_trump.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-22T19:30:00+0000","embed":{"embed_url":null}},"uid":"trump-renames-ai-as-superintelligence"}},{"node":{"tags":["Entertainment","featured","four"],"data":{"third_party_url":null,"title":{"text":"‘Varanasi’ Moves Into the Endgame?"},"content":{"text":"The much-awaited ‘Varanasi’, starring Mahesh Babu, Priyanka Chopra Jonas and Prithviraj Sukumaran, is steadily moving towards its finishing stage. Directed by SS Rajamouli, the ambitious project is being mounted on a massive scale and is expected to present a world far larger in scope than the filmmaker’s previous outings. With Mahesh Babu collaborating with Rajamouli for the first time, the film has become one of the most closely watched projects in Indian cinema. The makers are reportedly crafting the story and visuals with a global audience in mind, adding to the curiosity surrounding the film. According to the latest reports doing the rounds, Mahesh Babu has completed his portion of the shoot for ‘Varanasi’. While an official confirmation from the team is still awaited, the development has sparked speculation that the superstar could now shift his attention to his upcoming commitments. Rajamouli is known for his elaborate filmmaking process, with large-scale sets, demanding action sequences and extensive visual effects forming an important part of his productions. Even with Mahesh wrapping his scenes, the overall shoot is believed to be continuing with other members of the cast as the director brings the remaining portions together. The film’s principal photography is reportedly expected to reach completion around the first week of October, although the exact schedule remains subject to the production’s requirements. Given the scale of ‘Varanasi’, completing the shoot will only mark the beginning of another crucial phase. Extensive post-production, visual-effects work and other technical processes are expected to follow, with Rajamouli and his team likely to spend considerable time refining the final output. The makers have also maintained considerable secrecy around the film’s storyline and character arcs, carefully limiting details despite the enormous buzz surrounding the project. That secrecy has only intensified anticipation among moviegoers. Questions surrounding Mahesh Babu’s character, Priyanka Chopra Jonas’ role and the significance of Prithviraj Sukumaran’s character continue to fuel discussions among fans. With the production now reportedly entering its final stretch, attention is gradually shifting from the shooting process to the film’s post-production and eventual promotional campaign. If the latest reports hold true, ‘Varanasi’ is entering a decisive phase, with Rajamouli’s team preparing to turn the footage already captured into what is being positioned as one of the most ambitious cinematic spectacles of Mahesh Babu’s career."},"img":{"url":"https://images.prismic.io/prad/95PzrGii-eXJ0Lqg_varanasi.JPG?auto=format,compress"},"datetime":"2026-09-23T08:05:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=DMD2uthghWE"}},"uid":"varanasi-moves-into-the-endgame"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Indian Americans raise immigration concerns"},"content":{"text":"Indian American community leaders have raised concerns about immigration challenges affecting students, families and healthcare professionals during a meeting with Congressman Jim McGovern in Massachusetts.  The meeting was held at the India Worcester Center in Shrewsbury on September 19. It brought together professionals, entrepreneurs, physicians and civic advocates from the Indian American community. Participants discussed immigration, healthcare, economic opportunity, civic participation and relations between the United States and India. The meeting also focused on the community’s growing political involvement and the need to maintain direct dialogue with elected representatives from both major parties. Community members did not identify specific immigration proposals in the statement announcing the meeting. They highlighted difficulties faced by students, families, medical professionals and other immigrants trying to navigate the US system. The participants said Indian Americans from different religions, generations and political viewpoints should have a meaningful voice in civic affairs. McGovern, a Democrat, represents Massachusetts’ second congressional district in the US House of Representatives. The discussion also examined the role played by Indian Americans in building bipartisan support for the India-US Civil Nuclear Agreement. Ramesh Vishwanath Kapur, founder and president of the US India Security Council, said the agreement showed the results that could be achieved through cooperation across party lines. “The Civil Nuclear Agreement showed what is possible when Republicans and Democrats come together around a shared strategic vision,” Kapur said. He said the campaign surrounding the agreement demonstrated how civic engagement by Indian Americans could contribute to stronger relations between Washington and New Delhi. Satya Mitra, a community leader and Worcester city councillor-at-large, spoke about McGovern’s relationship with his constituents. “What has always stood out to me is his accessibility and commitment to public service,” Mitra said. He encouraged Indian Americans to participate actively in civic life and speak publicly about issues affecting their communities. Sahdev Passey also praised McGovern’s work with constituents and his efforts to remain accessible and responsive, according to the statement. Participants called for sustained engagement between Indian American organisations and elected officials at the federal, state and local levels. They said the diaspora could serve as a bridge between the world’s two largest democracies because of its familiarity with the cultures, economies and institutions of both countries. The meeting identified technology, trade, energy, healthcare, education, defence and innovation as areas in which the community could help strengthen bilateral cooperation. Participants also called for greater collaboration among Indian American organisations, business leaders, elected officials, civic advocates, students and younger generations. They said the objective should extend beyond increasing voter participation. The community should build a durable civic structure capable of engaging policymakers from both parties and advocating on issues important to Indian Americans and the wider country."},"img":{"url":"https://images.prismic.io/prad%2F1d7f99e8-0c4a-48ad-9128-ee394fcfc3fc_indi+us.png?auto=format%2Ccompress&rect=0%2C31%2C1478%2C729&w=2028&h=1000"},"datetime":"2026-09-23T03:15:00+0000","embed":{"embed_url":null}},"uid":"indian-americans-raise-immigration-concerns"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Nani Wants to Watch Paradise With Fans"},"content":{"text":"Telugu star Nani, whose film 'The Paradise' is now all set to hit screens on September 24, has now written to the Telangana Chief Minister Revanth Reddy, Minister for Cinematography Komatireddy Venkat Reddy and the officials of the Telangana police department, seeking permission to watch the premiere of the film at a theatre on RTC X Roads along with the masses. Taking to his X timeline, Nani wrote, \"Hon’ble Chief Minister Shri @revanth_anumula Garu, Hon’ble Minister of Cinematography Shri @KomatireddyKVR Garu & the respected officials of @TelanganaCOPs. This is a request from a fan of cinema and, more importantly, someone who has enjoyed cinema at its very best from a very young age.\" He went on to say, \"For me, cinema has always been about watching it together with people who love it just as much as I do. And in Hyderabad, that experience has a special place at RTC X Roads. I would love to visit a theatre at RTC X Roads for #TheParadise premiere show (23rd Sept) and experience the film with our audience, the very people we made it for.\" Nani said that he believed the ultimate satisfaction of making a film lay in sitting among the audience and experiencing their response to it. \"We will, follow all the necessary protocols and safety guidelines in place. That will be our priority,\" he reassured the authorities and ended the post saying, \"I hope you will kindly consider my request. Thank you.\" The film, directed by Srikanth Odela, has triggered huge expectations among fans and film buffs. Nani, who plays the lead the film, had recently confessed that the film was the most tiring of his career. During an interaction with the media ahead of the film's release on September 24, Nani had said, \"The Paradise is the most tiring film of my career, both physically and mentally. If there has been a film for which I have worked very hard in these 18 years of my film career, it is 'The Paradise'.\" The actor had also set the record straight with regard to media reports that had claimed that the film had underwater sequences. He said, \"There are various news reports about the movie on social media. There is no underwater sequence in it. There is also no fight with a 1000 people as is being claimed. This is a genuine story and there are a lot of action blocks. There are scenes that will give audiences a good high. The audience will feel the emotion in the violence.\""},"img":{"url":"https://images.prismic.io/prad/aNgKmp5xUNkB1LOP_mohanbabutheparadise.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-22T23:56:00+0000","embed":{"embed_url":null}},"uid":"nani-wants-to-watch-paradise-with-fans"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Johnny Master’s Wife Faces Big Setback"},"content":{"text":"The ongoing tussle within the Telugu Cine and TV Dancers and Dance Directors Association has taken a fresh turn, with the Film Federation stepping in to address the internal dispute. In an emergency meeting convened under the federation’s supervision, the existing executive body headed by Sumalatha was dissolved. The move effectively ended her tenure as president of the dancers’ association and has now paved the way for a fresh leadership process. The meeting reportedly witnessed a significant gathering of association members, with more than 225 dancers from different groups attending the proceedings. Sumalatha’s camp and choreographer Raghu Master’s faction put forward their respective positions as discussions centred on the developments within the union and its future functioning. The meeting eventually turned into a show of support, with the numbers strongly reflecting the mood among those present. According to the figures announced at the meeting, only 11 members reportedly backed Sumalatha, while more than 214 members expressed support for Raghu Master. Following the overwhelming majority in favour of the latter camp, the federation resolved to dissolve the existing executive committee. Some members had reportedly raised objections over the functioning of the association and alleged that decisions were being taken without adequate consultation, contributing to the growing friction. With the previous committee now dissolved, attention has shifted towards the next round of elections. The Film Federation has reportedly scheduled the election for the new executive body of the Dancers’ Association on October 11. The upcoming polls are expected to determine the association’s new leadership and could mark a new chapter following the recent internal power struggle."},"img":{"url":"https://images.prismic.io/prad/ZxoHJ4F3NbkBX9ZZ_jonnymaster.JPG?auto=format,compress"},"datetime":"2026-09-23T08:42:00+0000","embed":{"embed_url":null}},"uid":"johnny-masters-wife-faces-big-setback"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Charan on the Day Dad Changed Everything"},"content":{"text":"Actor Ram Charan congratulated his dad, Megastar Chiranjeevi, on completing 48 years in the industry.  The 'RRR' actor shared an emotional post for his father, commemorating the day that changed everything for Chiranjeevi and their family. Ram Charan said that Chiranjeevi's journey is an inspiration to them all. Expressing his gratitude to the audience for all the love they have shown the Megastar over the decades, the 'Peddi' actor added that he is looking forward to the day his father will celebrate 50 years in the industry. Ram Charan's heartfelt post on social media read, \"48 years since you began your journey in cinema, Nanna. Every day, we think of that day that changed everything for you and our family. I am grateful for everything you have done and to the audience for the constant love and support they have given you. Your journey will always be an inspiration to us. And now, I’m looking forward to that day when we celebrate the milestone of 50 incredible years in cinema (sic).\" Chiranjeevi's first appearance on the screen was with 'Pranam Khareedu' in 1978. As he completed 48 years in the film industry on Tuesday, the Megastar penned a note of gratitude to his producers, directors, co-artists, technical experts, and also his fans. Chiranjeevi shared, \"In this long journey, to every producer who trusted me and gave me opportunities, to every director who discovered new facets of the actor in me, to the actors, technical experts who toiled day and night behind every one of my films, to each and every one of you—my heartfelt gratitude. It is your collective support that has placed me at this level today.\" \"But greater than all those victories… is the love you have shown me. More valuable than all those honors… is the place you have given me in your hearts.To every fan who has considered me a family member and showered me with such unparalleled love and affection—my heartfelt thanks. On that day, \"Chiranjeevi\" was the name I took. Today, with your love, it has become my eternal identity. To your love, to your fandom, with eternal gratitude..,\" he added."},"img":{"url":"https://images.prismic.io/prad/5a673690-98d4-4bcd-be97-48617860c050_chirurc.JPG?auto=format,compress"},"datetime":"2026-09-23T10:28:00+0000","embed":{"embed_url":null}},"uid":"charan-on-the-day-dad-changed-everything"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"K'taka agrees to release Krishna water to T'gana"},"content":{"text":"The government of Karnataka on Wednesday agreed to release Krishna water to the Jurala project in Telangana. Following a request from the Telangana government, Karnataka Chief Minister D. K. Shivkumar agreed to release three TMCs of water in phases from Narayanpur dam across the Krishna River into the Jurala project to protect standing crops in the erstwhile Mahabubnagar district. The decision came after a delegation comprising ministers Jupalli Krishna Rao and Vakati Srihari and other public representatives from erstwhile Mahabubnagar district met the Karnataka Chief Minister in Bengaluru. The Telangana ministers and irrigation officials explained the problems faced by farmers under the Jurala project and requested Shivkumar to release the water. Telangana Chief Minister A. Revanth Reddy thanked his Karnataka counterpart Shivkumar for honouring the request to release Krishna River water to Telangana. “This is a great example of bonhomie between two different states and showcases the love and brotherhood of people of India,” CM Revanth Reddy said in a post on X. The Telangana delegation had requested Karnataka to release 5,000 cusecs of water per day continuously for 30 days so that standing crops across 5.5 lakh acres under Jurala, Bhima, Nettempadu and Koilsagar projects could be protected. During the meeting with the Telangana delegation on Tuesday, the Karnataka Chief Minister had given an assurance. Following this assurance, minister Vakati Srihari directed irrigation officials on Wednesday morning to release water from the Jurala project to meet the irrigation needs of farmers. On the minister’s direction, the officials lifted the gates and released water from Jurala into the canals. Farmers in erstwhile Mahabubnagar district had been protesting for the last few days, demanding that the authorities release water to save their standing crops. Opposition BRS and BJP had also organised protests near the project in Jogulamba Gadwal district to express solidarity with agitating farmers. Authorities had defended their decision not to release water, citing low water levels due to lack of inflows from the upstream. Minister Jupally Krishna Rao said the government had been appealing to farmers to take up drought-resistant dry crops to cope with deficient rainfall. He explained that the situation had arisen due to the impact of El Nino. The minister said the available water had to be used judiciously to meet drinking water needs. About 3 TMCft of silt had accumulated in Jurala, while another 2 TMCft was being stored to meet drinking water requirements, he said."},"img":{"url":"https://images.prismic.io/prad/ah0vFgeQX7-eWd-v_krishnawater.JPG?auto=format%2Ccompress&rect=0%2C1%2C2026%2C999&w=2028&h=1000"},"datetime":"2026-09-23T11:15:00+0000","embed":{"embed_url":null}},"uid":"ktaka-agrees-to-release-krishna-water-to-tgana"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Entire Nation Hopes Virat-Rohit Win 2027 WC!"},"content":{"text":"Middle-order batter Rinku Singh has expressed hope that veteran stalwarts Virat Kohli and Rohit Sharma feature in the 2027 ODI World Cup and help India lift the coveted trophy. At the same time, Rinku mentioned that he wants to break the perception of being a single-format player by earning a Test cap.  Rinku, who has played two ODIs and 48 T20Is so far, was a member of India's victorious 2026 T20 World Cup campaign on home soil earlier this year. “They are legends, both Virat bhaiya and Rohit bhaiya. Not just me, but the entire nation hopes that they play in the World Cup and are part of the team that goes on to win it. “It would be a huge moment for the whole country, as who knows, it could be their last World Cup. So, it would be huge if they can win it for India. It would be huge for them as well, because we haven’t won the World Cup in a long time. We last won it in 2011. So, we hope both of them are with the team, and that they lift that trophy,” Rinku said to JioStar. While he gained instant global fame after hitting five consecutive sixes in an over during an IPL 2023 match for Kolkata Knight Riders against Gujarat Titans in Ahmedabad, Rinku stated that his primary career goal is to get more World Cup wins. “Right now, people know me for hitting those five sixes in one over. What’s on my mind right now is that I want to win the World Cup for Team India, being part of the team, contributing with the bat and helping India win the World Cup. I want people to know me more for that, rather than just the five sixes.” Having established himself as a reliable finisher in T20s, though he was omitted from India’s squads after the tour of Zimbabwe in July, Rinku rejected the tag of being purely a white-ball specialist and pointed to his solid record in domestic red-ball cricket. “There’s a bit of that perception that I’m just a one-format player. But you can look at my average in domestic cricket, whether it’s in one-dayers or four-day matches. I have a dream of playing Test cricket for India as well. “So, people shouldn’t view me as a single-format player. I can play all three formats, and I do play all three formats in domestic cricket. But for India, I play only one format at the moment.” On his evolving leadership credentials, Rinku said he’s still a work in progress, while continuing to observe experienced leaders in both domestic and franchise cricket. “I’m still growing as far as captaincy is concerned. I was captaining in the UP League, and I became champion with my team. Last season, I was the vice-captain in the IPL. “So, I’m learning the ropes of captaincy, a bit from Ajju bhai (Ajinkya Rahane) at KKR and from many others. I played a lot with Surya bhai, so I kept observing  Reflecting on his humble origins and rise through the ranks, Rinku noted that remembering his past keeps him grounded. “When I look back at where I began, I didn’t have much, and now I’ve reached here. That keeps running through my mind, the fact that there was a time when I had nothing, no money. “Whenever I do something good, I think back to where I was and how far I have come from there. It’s all God’s blessing. So, I keep looking back at how far I have come,” he concluded."},"img":{"url":"https://images.prismic.io/prad%2Fa101b697-c016-4f0a-b7ee-19352947e43a_rohitkohli.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-23T08:30:00+0000","embed":{"embed_url":null}},"uid":"entire-nation-hopes-virat-rohit-win-2027-wc"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"BB Telugu 10: Week 3 Race Heats Up"},"content":{"text":"As the third week of Bigg Boss Telugu 10 unfolds, the dynamics within the house are becoming increasingly volatile, with contestants grappling to secure their positions in a game that is notorious for its emotional swings and strategic maneuvering. The return of Nagarjuna Akkineni as host has injected a fresh energy into the show, captivating viewers with his signature style and insightful commentary. With every episode, audiences witness dramatic confrontations, unexpected alliances, and the complexities of human relationships under confinement, all of which heighten the stakes for contestants as they vie for public favor. This week, the pressure has intensified following the emotional elimination of Krishnudu, a decision made by audience votes that has left a palpable impact on the remaining housemates. Eight contestants now face the daunting prospect of eviction, including Thrigun, Rohit, Varshini, Shalini, Sudheer, Mukesh, Srishti, and Vamsi. The latest nominations task has not only injected drama into the proceedings but has also served as a stark reminder of the precarious nature of the game, where public support can swiftly alter fortunes. Fans are now more engaged than ever, utilizing the JioHotstar platform to cast their votes until the cutoff on September 25, further fueling the competitive atmosphere. Emerging trends from unofficial fan polls and social media discussions indicate a fiercely contested race for survival. Rohith Trigun appears to be leading the charts, closely followed by Sudheer, while Mukesh, Varshini, and Shalini hold competitive middle positions. In stark contrast, contestants Vamsi and Shrishti find themselves struggling towards the bottom, raising questions about their strategies and public appeal. These preliminary trends, while not officially verified, provide a glimpse into audience sentiment and the shifting allegiances that are hallmarks of the Bigg Boss format, underscoring the unpredictable nature of viewer engagement.  As contestants navigate the complexities of their interpersonal relationships while maintaining their gameplay, the narrative of Bigg Boss Telugu 10 continues to evolve. With alliances forming and dissolving in rapid succession, viewers can anticipate a rollercoaster of emotions in the upcoming episodes. The actual voting results will only be confirmed during the Weekend episode on September 27, when the host will reveal which contestant will be leaving the house, further heightening the anticipation surrounding this enthralling season."},"img":{"url":"https://images.prismic.io/prad/aiV9TQeQX7-eW8eA_BB10.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-22T13:23:00+0000","embed":{"embed_url":null}},"uid":"bb-telugu-10-week-3-race-heats-up"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Sameera: No Room for Body-Shaming"},"content":{"text":"Actress Sameera Reddy has shared a strong body positivity post, encouraging people to embrace their bodies and not let others' opinions define how they feel about themselves. Taking to Instagram, the ‘Maine Dil Tujhko Diya’ actress shared a video featuring words such as “plumpy”, “thicc”, “curvy”, “chubby”, “healthy”, “chunky” and “golu”, celebrating the different ways in which bodies are described. Alongside the video, Sameera wrote, “Whether you are a well-known personality, a young teen finding her way, a new mama, a woman seen year of judgement .. or just a person who needs to hear this - Your body listens and needs you to love it back irrespective of anything anyone has to say. Curvy - Beautiful- luscious You #bodypositivity #imperfectlyperfect She posted her video with words written, “Words I love being called plumpy thicc curvy chubby healthy chunky golu.” In the video, the actress is seen confidently flaunting her curves in a variety of outfits, embracing her body and celebrating her appearance. Meanwhile, Salman Khan recently raised concerns over online trolling and paparazzi culture during the “Bigg Boss 20 Weekend Ka Vaar” episode. He criticized the practice of targeting people over their age, weight, appearance, family background, professional setbacks or experiences of motherhood. The actor also urged paparazzi to avoid capturing actresses in inappropriate or objectionable ways. The ‘Sultan’ actor said, “Suddenly, everyone starts talking about age, saying someone has gotten old. What do you want to troll someone for? Their weight, their looks, their family, their smile, a career flop or becoming a mother? You are merely revealing your own upbringing.” “Yes, I have turned 60, man. Why do you troll a woman who is pregnant? Everyone gains weight during pregnancy... she gained weight because she was pregnant; she will get fit again when she returns to films. She simply wanted to spend time with her family. Don't troll,” he added."},"img":{"url":"https://images.prismic.io/prad/7116a9c2-a780-4328-bc7d-4bb07047da11_sameera+reddy.JPG?auto=format,compress"},"datetime":"2026-09-22T11:00:00+0000","embed":{"embed_url":null}},"uid":"sameera-no-room-for-body-shaming"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Anant Nag receives Dadasaheb Phalke Award"},"content":{"text":"Veteran Kannada actor Anant Nag was conferred the Dadasaheb Phalke Award for 2024 by President Droupadi Murmu at the 72nd National Film Awards ceremony here on Tuesday, with the President praising his five-decade career and describing his acting as a mix of the finest dimensions of theatre and cinema. Murmu said she was “very pleased” to honour Nag with the highest recognition in Indian cinema and recalled that she had the opportunity to confer the Padma Bhushan on him last year. “His acting in films presents a synthesis of the finest dimensions of theatre and cinema,” the President said, adding that serious students of cinema consider his acting “natural, restrained and authentic”. She said Nag's contribution had established him as an example for artists of future generations. The Dadasaheb Phalke Award, announced by the Ministry of Information and Broadcasting on September 16, recognised Nag's “outstanding and invaluable contribution” to the growth and development of Indian cinema and his cinematic journey spanning more than five decades. Murmu recalled Nag's early association with theatre, saying he joined the company of prominent theatre personalities at a very young age. \"In his first play, he portrayed Chaitanya Mahaprabhu, and in his second play, he played Gautam Buddha,\" she noted. Nag began his film career in the early 1970s and went on to work extensively in Kannada cinema, besides Hindi and other South Indian-language films. He has appeared in more than 300 films during a career that has also included significant work in theatre and television. Veteran actor Anant Nag was honoured with the prestigious Dadasaheb Phalke Award at the 72nd National Film Awards at Ekta Nagar. The 78-year-old actor, with a cinematic journey spanning over five decades, has appeared in over 300 films in Kannada, Hindi, and other South Indian languages, and also held a significant presence in theatre. This recognition follows his receipt of the Padma Bhushan the previous year, making him only the second Kannada actor after Dr Rajkumar to be awarded both the Padma Bhushan and Dadasaheb Phalke Award. Known for his naturalistic acting and portrayal of the 'ordinary man,' Nag carved a niche in Indian cinema that distinguished him from the prevailing action and dance-driven narratives. His versatility earned him the title of 'evergreen hero.' He has received numerous accolades, including five Filmfare Awards, five Karnataka State Best Actor Awards, and the Karnataka State Lifetime Achievement Award. Born in Mumbai on September 4, 1948, and with family roots in Karnataka's Uttara Kannada district, Nag began his artistic journey in theatre inspired by English plays and notable directors like Satyadev Dubey, Girish Karnad, and Amol Palekar. He debuted in films in 1973 with a Kannada movie. The President's remarks came as the National Film Awards ceremony was held outside New Delhi for the first time in its history, with Ekta Nagar in Gujarat chosen as the venue. The ceremony was organised near the Statue of Unity, with the President linking the location to India's cultural and national unity. Murmu also used the occasion to underline the collective nature of filmmaking, asking award winners to convey her appreciation to all members of their teams whose contributions made their films possible. “Many people contribute to the making of a film,” she said, asking the winners to ensure that her appreciation reached everyone involved in their productions. She said films made in different Indian languages and regions reflected India's diversity, including the dreams, traditions, struggles and future possibilities of its people. Nag's recognition was among the central honours at the ceremony, which also saw Mammootty and Kartik Aaryan jointly receive the Best Actor award, Yami Gautam win Best Actress and Randeep Hooda receive the Best Debut Film of a Director award. The 72nd National Film Awards cover films certified during 2024 and recognise achievements across feature films, non-feature films and writing on cinema. The awards were instituted in 1954."},"img":{"url":"https://images.prismic.io/prad/xWLgjAYvWT_fVO2Y_ananthnag.JPG?auto=format%2Ccompress&rect=0%2C0%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-22T14:30:00+0000","embed":{"embed_url":null}},"uid":"anant-nag-receives-dadasaheb-phalke-award"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Python’s Ganesh Immersion Dance"},"content":{"text":"The dance by a woman with a python around her neck during the Ganesh immersion procession in Hyderabad has created a stir.  A dance group from Visakhapatnam used an Indian Rock Python during a Ganesh immersion procession in Jawhar Nagar. The Greater Hyderabad Society for Prevention of Cruelty to Animals (GHSPCA) and police rescued the python and a hen used in the dance performance on Sunday night. Members of GHSPCA, along with the police officers from Madhura Nagar Police Station, took action when the group from Visakhapatnam was performing during the Ganesh immersion procession. According to GHSPCA, the python was found with an oral infection. It is now under veterinary care. The rescue operation was conducted after the group was tracked for nearly five days by the GHSPCA with the help of police. The python is a protected species under the Wildlife (Protection) Act, 1972. GHSPCA members had been tracking the group following information that a live snake was allegedly being used in public shows. The group, including women, had been performing at various places in Hyderabad as part of the ongoing Ganesh Chaturthi festivities. The group from Visakhapatnam had performed at Kondapur on September 19. However, the snake handler fled before the GHSPCA team could apprehend him. The next day, the team, in coordination with the police, managed to catch him. A python and a hen were found in his possession. On a complaint by the animal activists, police registered a case and took up further investigation. Last year, the GHSPCA rescued eight cobras from snake charmers in Hyderabad. The snake charmers were displaying cobras by keeping them in crates at Sri Yellamma Thali Devalayam, Suramgutta, under the limits of Adibatla Police Station. The organisation has been appealing to people to inform them if they spot snake charmers. Its volunteers work actively during Naga Panchami to rescue snakes."},"img":{"url":"https://images.prismic.io/prad/WdrDc2InJsi4wgJ1_python.JPG?auto=format%2Ccompress&rect=0%2C76%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-22T09:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=O85fZbVbElk"}},"uid":"pythons-ganesh-immersion-dance"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Mammootty’s National Awards Roar"},"content":{"text":"Malayalam cinema legend Mammootty, who was honoured with the National Film Award for Best Actor for his work in ‘Bramayugam’ received a standing ovation at the recently concluded ceremony. The actor took to the stage to receive the honour from the President of India, Droupadi Murmu at the official awards ceremony held in Kevadia, Gujarat. As the actor was conferred the honour as per the official state protocol of the National Awards, attendees gave him a standing ovation as a mark of respect for his service to the medium of cinema. Bramayugam is a period horror film directed by Rahul Sadasivan. It also starred Arjun Ashokan, and Siddharth Bharathan. It is set in 17th-century Kerala, and follows Thevan, a young folk singer who seeks shelter at an isolated mansion and finds himself trapped in a sinister world controlled by the enigmatic Kodumon Potti, played by Mammootty. The film was shot entirely in black and white, and creates an eerie, oppressive atmosphere while drawing on Kerala folklore, mythology and themes of power, caste and exploitation. Mammootty is one of the biggest screen legends of India with a career spanning 45 years. He made his screen debut in ‘Anubhavangal Paalichakal’, and established himself as a leading actor during the 1980s. He has won three National Film Awards for Best Actor, seven Kerala State Film Awards and 13 Filmfare Awards South. He has also appeared in Tamil, Telugu, Kannada, Hindi and English-language films. In 2026, the Government of India also awarded him the Padma Bhushan for his contribution to the arts. The actor shared the National Award for Best Actor with Bollywood actor Kartik Aaryan, who was feted for his work in the sports biopic ‘Chandu Champion’."},"img":{"url":"https://images.prismic.io/prad/P0EVSJ3By3wd5S7R_mammoottynationalaward.JPG?auto=format%2Ccompress&rect=0%2C32%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-22T13:15:00+0000","embed":{"embed_url":null}},"uid":"mammoottys-national-awards-roar"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Google Follows Meta on Child Abuse Reports"},"content":{"text":"After Meta, US tech giant Google will report content flagged as child Aexual abuse material (CSAM) directly to the Indian authorities, contrary to the long‑standing global practice of routing such reports through a US non‑profit organisation.  Meta announced a similar change last week after Indian officials pressed major tech firms in recent weeks to speed up reporting, citing concerns that the existing system delays reports considerably. Google \"invests significantly to detect, deter, remove, and report child $exual abuse material,\" a company spokesperson said, describing the change as part of the company's \"ongoing discussions with the government of India.\" Meta and Alphabet’s Google used to send tips to the US‑based National Center for Missing & Exploited Children (NCMEC) which then relayed them to local law enforcement, according to reports. Such a practice could cause dangerous delays in cases where children may be at immediate risk as reports pass through an intermediary before reaching domestic police who can act on the ground. The US nonprofit that erstwhile used to receive such reports first hand runs CyberTipline portal that recorded nearly 21.3 million reports from around the world of suspected child $exual exploitation in 2025. India remains the largest market by user count for both Meta's Facebook and Google's YouTube. Meta's shift in policy comes after weeks of friction with New Delhi, including an apology last month by CEO Mark Zuckerberg over the spread of child $exual abuse material on the company's platforms. Technology and law enforcement officials in the United States, the European Union and elsewhere have urged platforms to bolster detection and reporting. However, most countries continue to route reports through the US nonprofit as the primary international clearing house. The Central government, in July, directed Google to take down multiple Firebase web development accounts that were impersonating the websites and mobile apps of major public- and private-sector banks and other financial institutions."},"img":{"url":"https://images.prismic.io/prad/a9b06277-5d3b-4117-bdb5-eb05d47edde2_googlemeta.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-18T05:37:00+0000","embed":{"embed_url":null}},"uid":"google-follows-meta-on-child-abuse-reports"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Chiru completes 48 years in film industry"},"content":{"text":"Megastar Chiranjeevi, who completes 48 years in the film industry on Tuesday, has now penned a note of gratitude to his producers, directors, co-artistes, technical experts  and his fans. Taking to his social media timelines to pen the post of gratitude, Chiranjeevi said, \" 22 September 1978. The cinematic journey that began on that day has now completed 48 springs today. In these 48 years, I have portrayed so many characters. I have witnessed so many victories. I have received so many awards and honors.\" He then went on to say, \"In this long journey, to every producer who trusted me and gave me opportunities, to every director who discovered new facets of the actor in me, to the actors, technical experts who toiled day and night behind every one of my films, to each and every one of you—my heartfelt gratitude. It is your collective support that has placed me at this level today.\" The actor said, \"But greater than all those victories… is the love you have shown me. More valuable than all those honors… is the place you have given me in your hearts.To every fan who has considered me a family member and showered me with such unparalleled love and affection—my heartfelt thanks. On that day, \"Chiranjeevi\" was the name I took. Today, with your love, it has become my eternal identity. To your love, to your fandom, with eternal gratitude...\" On the work front, actor Chiranjeevi is currently playing the lead in director Bobby Kolli's eagerly awaited action entertainer 'Kaaka'. In fact, the actor had only recently disclosed the name of the character he plays in the film. Participating in an event that was held recently, Chiranjeevi, during the course of his speech, had revealed that he would be playing a character called Kadiri Kalidas in the film. Sources close to the unit of the film say that while 'Kaaka' has been envisioned as a high-intensity action entertainer, it will also feature a strong emotional and family-oriented narrative, making the protagonist’s character arc one of its key attractions. It may be recalled that the unit of the film had started its most recent schedule on September 7 this year. KVN Productions, which is producing the film, had, a few days ago, announced the title of the film through a title teaser and revealed that the film would hit screens on January 13 next year."},"img":{"url":"https://images.prismic.io/prad/g1p5sLdozq7ppsGO_chgiru.JPG?auto=format,compress"},"datetime":"2026-09-22T06:48:00+0000","embed":{"embed_url":null}},"uid":"chiru-completes-48-years-in-film-industry"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Writing Lyrics For Rahman Was No Easy Task"},"content":{"text":"Veteran lyricist Sameer Anjaan has shared that working with the Oscar and grammy-winning music composer A. R. Rahman was very difficult for him. The lyricist recently appeared on film trade expert Komal Nahta’s ‘Game Changers: The Music Series’ podcast where he spoke about the creative challenges of his career, including his unique collaboration with maestro A.R. Rahman. Talking about the same, he said, \"I found it difficult to write for A.R. Rahman. I have only worked with him on one movie, The Legend of Bhagat Singh. If you listen to the songs, you'll understand how difficult they were to write. The movie has become a legendary film, and there were some lines taken from the original words of the 'Shaheeds'. Reimagining and writing them was very difficult for me. It was a fun memory”. This edition shines a spotlight on celebrated singers, composers, and music maestros as they share their creative journeys, inspirations, and the untold stories behind the music that has shaped generations. The latest episode featured Sameer Anjaan. Sameer is known for holding a Guinness World Record for writing the highest number of film songs, and is one of Hindi cinema's most prolific and iconic lyricists having ruled the 1990s. He has written lyrics for numerous Bollywood films and collaborated with some of the industry's biggest music composers and singers. Sameer is particularly celebrated for his emotional, romantic, and melodious songs. He has received several prestigious awards, including Filmfare Awards, for his lyrical work. His ability to express love, longing, and human emotions through simple yet powerful words has made him one of the most respected lyricists in the Indian film industry. ‘Game Changers Season: The Music Series’ is available on YouTube."},"img":{"url":"https://images.prismic.io/prad/b39e146d-d419-499e-8a59-5329a33a8e69_AR+Rahman.JPG?auto=format,compress"},"datetime":"2026-09-21T18:31:00+0000","embed":{"embed_url":null}},"uid":"writing-lyrics-for-rahman-was-no-easy-task"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"India Warns Nationals Over Malaysia Jobs"},"content":{"text":"The High Commission of India in Kuala Lumpur has issued an advisory cautioning Indian nationals against misusing Malaysia’s 30-day visa-free entry facility to travel to the country in search of employment, warning that such attempts could lead to overstay, illegal immigration status, exploitation, detention and legal action.  In its advisory issued on Tuesday, the High Commission said there had been “a noticeable increase in Indian nationals arriving in Malaysia using the 30-day visa-free facility, to seek employment.” It urged Indians travelling to Malaysia on tourist entry to strictly comply with the conditions of their stay and “alerts Indian nationals travelling to Malaysia on tourist visas against taking up employment.” The mission also warned travellers about unscrupulous agents offering fraudulent employment opportunities. According to the advisory, “Many Indian nationals are misled by unscrupulous agents with false job promises, leading to overstay, illegal status, exploitation, detention and legal action.” The High Commission stressed that seeking employment through the visa-free facility violates Malaysian immigration rules. It clarified that the facility, which allows Indian passport holders to stay in Malaysia for up to 30 days, is intended “for tourism and social visits only.” Indian nationals travelling to Malaysia for tourism have also been advised to carry valid and verifiable travel documents to avoid immigration-related problems upon arrival. These include a confirmed return ticket, hotel booking, and proof of online submission of the Malaysia Digital Arrival Card (MDAC) three days before the date of arrival. Travellers have further been advised to ensure that their passports have a minimum validity of six months. Reiterating its warning, the High Commission said, “Once again, Indian nationals are strictly advised not to travel to Malaysia for work / employment purpose without work permit or visa with reference (VDR).” The advisory comes amid concerns over Indian nationals being lured by false job offers and subsequently finding themselves in violation of Malaysian immigration regulations. The mission urged prospective workers to obtain the appropriate authorisation before travelling to Malaysia for employment."},"img":{"url":"https://images.prismic.io/prad/cqauxmn2R69KfcGU_indmalasia.JPG?auto=format%2Ccompress&rect=0%2C13%2C400%2C197&w=2028&h=1000"},"datetime":"2026-09-22T05:42:00+0000","embed":{"embed_url":null}},"uid":"india-warns-nationals-over-malaysia-jobs"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Jagan: Till Lokesh resignation our protest continues"},"content":{"text":"YSR Congress Party chief Y. S. Jagan Mohan Reddy said on Monday that his party would continue its protest across Andhra Pradesh till the resignation of Education Minister Nara Lokesh and a CBI inquiry into the alleged irregularities in the appointment of teachers. The former Chief Minister condemned the police highhandedness against YSRCP leaders and cadres staging a protest at the office of the Sports Authority of Andhra Pradesh (SAAP) in Vijayawada. He alleged that TDP goons, disguised as teachers, attacked the protestors. “Chandrababu Naidu Garu, why are you so afraid and agitated when we demand a CBI inquiry into the DSC scam? Can you and your son, Education Minister Nara Lokesh, simply certify your own recruitment process as transparent? What value does a self-issued certificate from those accused of committing the scam carry? Stop making empty claims. If you have the courage, agree to a CBI inquiry,” the YSRCP president said in a post on X. “The incidents in Vijayawada today show how far your government has fallen. Our party leaders, along with students and unemployed youth, attempted to conduct a peaceful rally demanding a CBI inquiry. But the police blocked them, subjected them to a lathi-charge and allowed your goons, disguised as teachers, to attack them,” he said. YS Jagan asked if the Opposition does not even have the democratic right to hold a peaceful rally. “Mr Chandrababu Naidu? You are resorting to such desperate measures because serious irregularities have occurred in the DSC recruitment and because you and your son are unable to answer the questions being raised. Whenever you are caught in a scam, creating diversions to escape accountability has become your standard practice. What are we demanding? We are seeking an impartial CBI investigation into irregularities in a recruitment process connected to the futures of lakhs of candidates. If you are so confident that nothing improper happened, why are you afraid of an investigation, particularly when so much evidence has emerged?” the former Chief Minister asked. He stated that lakhs of young people study for years and spend substantial amounts of money preparing for teacher recruitment examinations. They must have confidence that their hard work and merit will receive justice through a fair government recruitment system.  “Because of the alleged irregularities committed under your government and Education Minister Lokesh, unemployed youth and job aspirants have lost that confidence. Can police barricades, lathi-charges, arrests and stage-managed counter-protests restore this lost trust? Only an impartial CBI investigation can restore public confidence in the recruitment process. You cannot hide a scam by using the police as a shield. You cannot suppress the Opposition’s voice and conceal the facts. DSC candidates must receive justice, and government recruitment must be transparent. That is why we are fighting. Nara Lokesh must accept responsibility for the DSC irregularities and resign as Education Minister. The government must order a CBI inquiry. Until these demands are met, our voice will continue to resonate across the State,” YS Jagan added."},"img":{"url":"https://images.prismic.io/prad/aDwtsbh8WN-LVc2L_jaganlokesh.JPG?auto=format,compress"},"datetime":"2026-09-21T18:30:00+0000","embed":{"embed_url":null}},"uid":"jagan-till-lokesh-resignation-our-protest-continue"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"2 Newborns Die in Adilabad Hospital Fire"},"content":{"text":"Two newborns died in a fire that broke out at the RIMS Hospital in Adilabad town late on Monday night.  The fire broke out around midnight in the Special Neonatal Care Unit at the Rajiv Gandhi Institute of Medical Sciences (RIMS). Emergency teams responded swiftly to evacuate 25 children. However, some of them have taken ill due to the smoke and were shifted to private hospitals. The condition of four of them is stated to be critical. A fire tender rushed to the scene and brought the fire under control. Preliminary investigation by authorities indicate that the fire broke out after a blast in the Air Conditioner. Adilabad district Collector Rajarshi Shah and Superintendent of Police Akhil Mahajan rushed to the scene and supervised the rescue and relief operation. The AC blast triggered panic among patients and their attendants in the district headquarters hospital. Hospital superintendent along with the staff, including ambulance drivers and locals, rushed to the neonatal ward. They broke the windows to rescue newborns. The entire ward was filled with smoke which resulted in newborns developing complications. According to the District Collector, two newborns who were on ventilator died in the incident. He said the condition of others was stable. Chief Minister A. Revanth Reddy expressed anguish over the fire accident that occurred in the SNCU ward of RIMS Hospital, Adilabad. He described the death of two infants in the incident as deeply distressing and conveyed his heartfelt condolences to their families. He directed officials to ensure best medical care to the infants undergoing treatment and to continuously monitor their health condition. The Chief Minister ordered an enquiry into the causes of the incident and the submission of a report. He directed that safety measures be strengthened across all hospitals to prevent the recurrence of such incidents in the future. Bharat Rashtra Samithi (BRS) Working President K. T. Rama Rao expressed shock over the incident. “Shocked and anguished to learn about the fire accident at Special Newborn Care Unit at RIMS Adilabad. One infant has died and more than 20 kids also suffered in the accident. My prayers for the well being of all the little ones,” he posted on ‘X’."},"img":{"url":"https://images.prismic.io/prad/1bce38bc-158a-4fe4-b170-07b413042da5_fire.JPG?auto=format,compress"},"datetime":"2026-09-22T05:22:00+0000","embed":{"embed_url":null}},"uid":"2-newborns-die-in-adilabad-hospital-fire"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Big B: Life Without Music Is Tasteless"},"content":{"text":"Megastar Amitabh Bachchan spoke about his connection with music, saying life without it is “dull, uninteresting, and tasteless.” Big B took to his blog and spoke about his deep connection with music and added that “the thread of music becomes connected to the soul, time becomes innocent.”  “Jab sangeet ki dor aatma se jud jaati hai, toh samay naadaan ho jaata hai... Aise hi hua, aur abhi tak us dor ko pakde hue hain. Sangeet bina jeevan neeras, aruchikar, bina swaad ke... Aur jo karna chahiye tha, uska samay nikal gaya hai. Irsha hoti hai un logon se, jinhone sangeet ke ras ko ghol-ghol kar piya hai, piroya hai apne jeevan mein…” (When the thread of music becomes connected to the soul, time becomes innocent... That is exactly what happened, and I am still holding on to that thread. Without music, life is dull, uninteresting and tasteless... And the time to do what one should have done has passed. I feel envious of those who have savoured the essence of music, who have woven it into their lives…) He added: “Bas ab toh keval unki apaar prashansa karne yogya hone ka daawa karne ki koshish karte hain.Maane ya na maane, jeevan ka pratyek kshan sangeet ras se bhara hua hota hai...Woh pyaala yadi mil jaaye, toh use kabhi na chhodun!!” (Now, all I can do is try to be worthy of claiming that I deeply admire them. Believe it or not, every moment of life is filled with the essence of music… If I ever get that cup, I will never let it go!!) “Pranaam! Nidra! Aur sangeet bhari raatri ka aagaman.” (Pranaam! Sleep! And the arrival of a music-filled night.)fians"},"img":{"url":"https://images.prismic.io/prad/279b837b-38b0-4b90-be9b-be70115d9672_Big+b.JPG?auto=format,compress"},"datetime":"2026-09-22T03:37:00+0000","embed":{"embed_url":null}},"uid":"big-b-life-without-music-is-tasteless"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"‘Varanasi’ Moves Into the Endgame?"},"content":{"text":"The much-awaited ‘Varanasi’, starring Mahesh Babu, Priyanka Chopra Jonas and Prithviraj Sukumaran, is steadily moving towards its finishing stage. Directed by SS Rajamouli, the ambitious project is being mounted on a massive scale and is expected to present a world far larger in scope than the filmmaker’s previous outings. With Mahesh Babu collaborating with Rajamouli for the first time, the film has become one of the most closely watched projects in Indian cinema. The makers are reportedly crafting the story and visuals with a global audience in mind, adding to the curiosity surrounding the film. According to the latest reports doing the rounds, Mahesh Babu has completed his portion of the shoot for ‘Varanasi’. While an official confirmation from the team is still awaited, the development has sparked speculation that the superstar could now shift his attention to his upcoming commitments. Rajamouli is known for his elaborate filmmaking process, with large-scale sets, demanding action sequences and extensive visual effects forming an important part of his productions. Even with Mahesh wrapping his scenes, the overall shoot is believed to be continuing with other members of the cast as the director brings the remaining portions together. The film’s principal photography is reportedly expected to reach completion around the first week of October, although the exact schedule remains subject to the production’s requirements. Given the scale of ‘Varanasi’, completing the shoot will only mark the beginning of another crucial phase. Extensive post-production, visual-effects work and other technical processes are expected to follow, with Rajamouli and his team likely to spend considerable time refining the final output. The makers have also maintained considerable secrecy around the film’s storyline and character arcs, carefully limiting details despite the enormous buzz surrounding the project. That secrecy has only intensified anticipation among moviegoers. Questions surrounding Mahesh Babu’s character, Priyanka Chopra Jonas’ role and the significance of Prithviraj Sukumaran’s character continue to fuel discussions among fans. With the production now reportedly entering its final stretch, attention is gradually shifting from the shooting process to the film’s post-production and eventual promotional campaign. If the latest reports hold true, ‘Varanasi’ is entering a decisive phase, with Rajamouli’s team preparing to turn the footage already captured into what is being positioned as one of the most ambitious cinematic spectacles of Mahesh Babu’s career."},"img":{"url":"https://images.prismic.io/prad/95PzrGii-eXJ0Lqg_varanasi.JPG?auto=format,compress"},"datetime":"2026-09-23T08:05:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=DMD2uthghWE"}},"uid":"varanasi-moves-into-the-endgame"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"51 YSRCP Leaders Face Rowdy Sheets"},"content":{"text":"Andhra Pradesh Police have ordered rowdy sheets against 51 people, including some key leaders of the YSR Congress Party in connection with the October 19, 2021 attack on the central office of the Telugu Desam Party (TDP) at Mangalagiri in Guntur district. YSR Congress Party (YSRCP) MLCs Talasila Raghuram, Lella Appireddy, and YSRCP NTR district president Devineni Avinash are among the leaders included in the rowdy sheet.  NTR Police Commissioner Rajasekhar Babu issued orders that rowdy sheets be opened against 51 people in the police stations under the limits of the Commissionerate.  Orders have been issued to Station House Officers (SHOs) of nine police stations to open the rowdy sheets. Assistant Commissioners of Police have been directed to personally monitor the opening of rowdy sheets. The TDP office was attacked when YSRCP was in power. After coming into power in 2024, Chandrababu Naidu-led government ordered a CID probe into the attack. A large number of supporters of YSRCP attacked the TDP office on October 19, 2021, after TDP spokesperson Kommareddy Pattabhi Ram had made some objectionable comments against the then Chief Minister Y.S. Jagan Mohan Reddy. The YSRCP supporters had barged into the TDP office and ransacked the premises, damaging furniture and breaking window panes. The TDP leaders had alleged that the attackers, seen armed with sticks and even hammers, damaged the cars parked outside the office. Police had booked a case against 110 people, including Raghuram, Avinash, Lella Appireddy and YSRCP general secretary Sajjala Ramakrishna Reddy. A case was registered at Mangalagiri Rural Police Station under IPC sections 147, 148, 323,324, 326, 307, 380, 427, 459, 452, 506 r/w 109, 120-B and 149. After the TDP-led National Democratic Alliance (NDA) came to power in June, 2024, police launched a fresh investigation. In October, 2024, the government handed over to the Crime Investigation Department (CID) the case relating to the attack on the TDP office and the residence of N. Chandrababu Naidu.  In September 2021, some YSRCP leaders also allegedly attacked the residence of the TDP president and then leader of the opposition Chandrababu Naidu."},"img":{"url":"https://images.prismic.io/prad/agtIe6YofJOwHV2v_rowdysheeters.JPG?auto=format,compress"},"datetime":"2026-09-23T12:50:00+0000","embed":{"embed_url":null}},"uid":"51-ysrcp-leaders-face-rowdy-sheets"}},{"node":{"data":{"title":{"text":"EC in Turmoil: Gyanesh Kumar Faces Internal Revolt"},"content":{"text":"In a dramatic escalation within India’s electoral governance, Chief Election Commissioner Gyanesh Kumar finds himself embroiled in a storm of dissent from within his own ranks. Following a series of contentious decisions concerning the Special Intensive Revision (SIR) of voter lists, Kumar is facing significant pushback from fellow election commissioners, particularly Sukhbir Singh Sandhu and Vivek Joshi. These internal objections, which have reportedly been raised on at least 14 occasions over the past ten months, highlight deep fractures within the Election Commission (EC) and raise serious questions about transparency and governance in a crucial electoral process. The dissent revolves primarily around accusations that vital decisions regarding the electoral roll were made without proper consensus. Objections have been specifically directed at changes involving statutory voter registration Form 6 and the centralised management of the electoral roll database. While the Election Commission contends that differing opinions are commonplace and that their decisions were ultimately unanimous, the silence from Sandhu and Joshi regarding their objections has added a layer of intrigue to this unfolding drama. An investigation by the Indian Express further underscores the gravity of the situation, revealing that dissent is not merely a procedural issue but a significant challenge to Kumar's leadership. Kumar’s appointment as the Chief Election Commissioner in February 2025 was met with controversy, stemming from a 2023 legislative overhaul that altered the selection process, replacing the chief justice of India with a Union Cabinet minister on the selection panel. This legislative shift raised alarms among opposition factions, who accused the government of orchestrating a politicized electoral framework. The recent Supreme Court split decision on whether to refer challenges to this law to a larger bench casts a further shadow over Kumar's tenure, as the EC grapples with allegations of exclusion and bias amid an increasingly polarized electoral landscape. As a seasoned bureaucrat with a robust background in administration, Gyanesh Kumar previously held key positions in various ministries, including significant roles in the aftermath of the abrogation of Article 370. His experience and credentials, including academic pursuits at prestigious institutions, had positioned him as a capable leader for the EC. However, the current discord raises critical questions about his ability to maintain the integrity and independence of the electoral process. With both Sandhu and Joshi’s futures within the commission uncertain, the ramifications of this internal strife could reverberate far beyond the walls of the Election Commission, impacting the very fabric of Indian democracy."},"img":{"url":"https://images.prismic.io/prad/lw8JbZCiMN90kUNe_CECGyanesh.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-23T15:30:00+0000","embed":{"embed_url":null}},"uid":"ec-in-turmoil-gyanesh-kumar-faces-internal-revolt"}},{"node":{"data":{"title":{"text":"Rupee Tumbles as Dollar Strengthens"},"content":{"text":"The Indian rupee experienced a setback on Wednesday, slipping 11 paise to settle at 95.73 against the US dollar. This decline comes as the American currency demonstrates notable strength, buoyed by comments from US Federal Reserve officials that have heightened expectations for a potential rate hike in 2026. Additionally, a modest rebound in crude oil prices from recent lows has contributed to the rupee's struggle, indicating the complex interplay between global commodities and currency valuation. Forex traders noted that while the dollar's momentum was largely attributed to hawkish indicators from the US central bank, the Indian currency did receive some support from positive trends in domestic markets. At the start of the trading day, the rupee opened at 95.58 but briefly gained ground, reaching an intraday high of 95.57. However, this upward trajectory was short-lived as the rupee faced pressure, ultimately closing lower than its previous level. The rupee's performance cannot be viewed in isolation; it reflects broader economic trends and investor sentiment both locally and internationally. The currency has been on a roller coaster ride recently, reflecting not only fluctuations in oil prices but also geopolitical tensions and shifts in global economic policies. As the US Federal Reserve signals a more aggressive stance on monetary policy, emerging market currencies like the rupee may find themselves under increasing pressure as investors recalibrate their portfolios in response to changing interest rates. Market analysts are closely monitoring these developments, as the interplay between the dollar and domestic economic factors will be crucial in determining the rupee's trajectory in the coming weeks. The Indian government's fiscal policies, trade balances, and foreign investment flows are all set to play significant roles in shaping the currency's future. With market dynamics shifting rapidly, stakeholders are advised to remain vigilant as this financial narrative unfolds."},"img":{"url":"https://images.prismic.io/prad/aIM20FGsbswqTPd1_rupeedollar.JPG?auto=format,compress"},"datetime":"2026-09-23T12:30:00+0000","embed":{"embed_url":null}},"uid":"rupee-tumbles-as-dollar-strengthens"}},{"node":{"data":{"title":{"text":"Revanth Reacts to Nani’s 'Paradise' Invite"},"content":{"text":"Telangana Chief Minister A. Revanth Reddy on Wednesday responded to actor Nani’s request for permission to visit a theatre at RTC X Roads in Hyderabad for the premiere show of his movie 'The Paradise'.  In a post on ‘X’, the Chief Minister asked the actor to submit an official application to the police station concerned. He wrote that he appreciates Nani’s respect for safety guidelines and his commitment to the film directed by our talented young Telangana director, Srikanth Odela.  “To ensure seamless crowd management and public safety, please submit an official application to the designated local police station. The concerned team will review the application and take a decision accordingly,” the Chief Minister said.  He was responding to a request made by Nani to him, Minister of Cinematography Komatireddy Venkat Reddy, and the Telangana police. “This is a request from a fan of cinema and, more importantly, someone who has enjoyed cinema at its very best from a very young age. For me, cinema has always been about watching it together with people who love it just as much as I do. And in Hyderabad, that experience has a special place at RTC X Roads,” Nandi said in a post on ‘X’. “I would love to visit a theatre at RTC X Roads for ‘The Paradise’ premiere show (23rd Sept) and experience the film with our audience, the very people we made it for. I believe the ultimate satisfaction of making a film lies in sitting among the audience and experiencing their response to it. We will follow all the necessary protocols and safety guidelines in place. That will be our priority. I hope you will kindly consider my request. Thank you,” wrote the actor. The request comes amid heightened scrutiny of premiere shows and film-related events in Telangana following the December 2024 stampede at Sandhya Theatre on RTC X Roads during the premiere of Pushpa 2: The Rule.  The incident claimed the life of a woman and left her son critically injured. Actor Allu Arjun, the theatre management, and others were subsequently booked in connection with the case. Police later filed a charge sheet against 23 accused, and authorities tightened norms governing permissions for movie premieres and promotional events. The stricter regulations have since made crowd-safety assessments a key factor in granting permissions for high-profile film gatherings."},"img":{"url":"https://images.prismic.io/prad/7tYdSEGIfKjnz2br_rrnani.JPG?auto=format%2Ccompress&rect=0%2C29%2C399%2C197&w=2028&h=1000"},"datetime":"2026-09-23T07:30:00+0000","embed":{"embed_url":null}},"uid":"revanth-reacts-to-nanis-paradise-invite"}},{"node":{"data":{"title":{"text":"Trump renames AI as 'Superintelligence'"},"content":{"text":"US President Donald Trump said on Tuesday that his administration would begin using the term \"Superintelligence\" instead of artificial intelligence, adding that the word \"artificial\" inaccurately suggested the technology was fake. Trump announced the change during his address to the UN General Assembly in New York. He said the new term would appear in US government documents and expressed hope that other countries would follow Washington's example. \"From this point forward, all of United States documents, and hopefully the world's, will be changed to use the much more accurate term Super as opposed to Artificial,\" Trump added. \"So, it's Superintelligence. In other words, welcome to the new world of Superintelligence-SI,\" he said. Trump added the technology was real and potentially transformative, although it presented challenges that would require careful oversight. \"Every major new technology brings challenges, and Superintelligence is no exception,\" he said. Rejecting efforts to create an international system for regulating the technology, Trump described such proposals as attempts to establish a \"globalist scheme\" for controlling its development. \"The United States also totally rejects any attempt to construct a globalist scheme to control for the artificial intelligence being spoken of so much now,\" the US President said. Dismissing warnings that advanced AI and robots could pose an existential threat to humanity, Trump compared such concerns with previous predictions about climate change and accused their proponents of repeatedly promoting fear. The US President said the United States would not restrict the growth of a technology that could become more consequential than the Industrial Revolution or the internet. \"I'm not going to stifle growth of something that will be bigger than the Industrial Revolution,\" he added. Trump nevertheless said the administration would monitor the sector and use the Department of Justice and other law enforcement agencies when intervention became necessary. The US President framed the development of advanced AI as a strategic competition among countries, with technological leadership determining global power. \"Whoever wins AI, you have to remember this. And now I say, whoever wins SI, whoever wins Superintelligence wins,\" Trump said. \"That's the group that wins.\" Trump claimed that the United States was far ahead of China and other countries and pledged to preserve that advantage. \"We're leading now over China by a lot and everyone else and we're going to keep it that way,\" he said. The US President did not explain how the terminology change would be implemented across government agencies or whether it would require an executive order. He also did not specify whether \"Superintelligence\" would cover all existing AI systems or only the most advanced models."},"img":{"url":"https://images.prismic.io/prad%2F83c48db5-1950-42d7-bf83-29fe2a2c0a62_trump.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-22T19:30:00+0000","embed":{"embed_url":null}},"uid":"trump-renames-ai-as-superintelligence"}},{"node":{"data":{"title":{"text":"K'taka agrees to release Krishna water to T'gana"},"content":{"text":"The government of Karnataka on Wednesday agreed to release Krishna water to the Jurala project in Telangana. Following a request from the Telangana government, Karnataka Chief Minister D. K. Shivkumar agreed to release three TMCs of water in phases from Narayanpur dam across the Krishna River into the Jurala project to protect standing crops in the erstwhile Mahabubnagar district. The decision came after a delegation comprising ministers Jupalli Krishna Rao and Vakati Srihari and other public representatives from erstwhile Mahabubnagar district met the Karnataka Chief Minister in Bengaluru. The Telangana ministers and irrigation officials explained the problems faced by farmers under the Jurala project and requested Shivkumar to release the water. Telangana Chief Minister A. Revanth Reddy thanked his Karnataka counterpart Shivkumar for honouring the request to release Krishna River water to Telangana. “This is a great example of bonhomie between two different states and showcases the love and brotherhood of people of India,” CM Revanth Reddy said in a post on X. The Telangana delegation had requested Karnataka to release 5,000 cusecs of water per day continuously for 30 days so that standing crops across 5.5 lakh acres under Jurala, Bhima, Nettempadu and Koilsagar projects could be protected. During the meeting with the Telangana delegation on Tuesday, the Karnataka Chief Minister had given an assurance. Following this assurance, minister Vakati Srihari directed irrigation officials on Wednesday morning to release water from the Jurala project to meet the irrigation needs of farmers. On the minister’s direction, the officials lifted the gates and released water from Jurala into the canals. Farmers in erstwhile Mahabubnagar district had been protesting for the last few days, demanding that the authorities release water to save their standing crops. Opposition BRS and BJP had also organised protests near the project in Jogulamba Gadwal district to express solidarity with agitating farmers. Authorities had defended their decision not to release water, citing low water levels due to lack of inflows from the upstream. Minister Jupally Krishna Rao said the government had been appealing to farmers to take up drought-resistant dry crops to cope with deficient rainfall. He explained that the situation had arisen due to the impact of El Nino. The minister said the available water had to be used judiciously to meet drinking water needs. About 3 TMCft of silt had accumulated in Jurala, while another 2 TMCft was being stored to meet drinking water requirements, he said."},"img":{"url":"https://images.prismic.io/prad/ah0vFgeQX7-eWd-v_krishnawater.JPG?auto=format%2Ccompress&rect=0%2C1%2C2026%2C999&w=2028&h=1000"},"datetime":"2026-09-23T11:15:00+0000","embed":{"embed_url":null}},"uid":"ktaka-agrees-to-release-krishna-water-to-tgana"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Dhanush Gives Way to Rajinikanth"},"content":{"text":"Actor Dhanush, who predominantly works in Tamil cinema, has pushed the release date of his upcoming film ‘Om’. On Wednesday, the actor took to his X, formerly Twitter, and shared the update with his followers. He said that he has pushed the release of the film in order to avoid the clash with ‘Jailer 2’, which features Tamil cinema legend Rajinikanth. He wrote, “In times like these, shifting the release of a film comes with its own set of challenges. Our superstar, Rajinikanth sir, the man whom we have all admired and worshipped over the years has his film arriving on October 15, just a day before ours. Out of immense respect for him, we have decided to postpone the release of our film, OM, to a later date. At the same time, we will not be arriving for Diwali this year either, as Suriya sir's film has already been announced for the same date”. He further mentioned, “In all fairness, they announced their date first, and we strongly believe that big films should have a mutual understanding and respect each other's decisions, keeping the larger welfare of cinema and the industry in mind. We will announce our new release date very soon”. Dhanush was earlier married to Aishwarya Rajinikanth, the daughter of the Tamil cinema legend. So, shifting the release date of his film is not just a unidimensional professional decision. Meanwhile, ‘Jailer 2’ is the sequel to the 2024 release ‘Jailer’ which starred Rajinikanth in the titular role of a retired jailer, who fights the organised syndicate of artifact smugglers. Rajini’s character activates his own criminal network across India which he built on his goodwill and absolutely watertight morals as a jailer."},"img":{"url":"https://images.prismic.io/prad/knnoOy_djfU1_Er9_dhanushrajini.JPG?auto=format%2Ccompress&rect=0%2C47%2C885%2C436&w=2028&h=1000"},"datetime":"2026-09-23T13:53:00+0000","embed":{"embed_url":null}},"uid":"dhanush-gives-way-to-rajinikanth"}},{"node":{"data":{"title":{"text":"#Rapo23 Wraps Action-Packed Schedule!"},"content":{"text":"The unit of #Rapo23, which will mark the directorial debut of Telugu star Ram Pothineni, has now wrapped up the second schedule of the film with a massive night action sequence, which the makers claim will be a never-before-seen visual spectacle. Sources close to the unit claimed that the latest schedule featured a high-intensity night action sequence mounted across a massive one-kilometre stretch. The entire stretch was illuminated with lights, creating a visually striking canvas that perfectly complemented the film’s distinctive neo-noir world.  Action choreographer Kevin Master designed the intense sequence, while National Award-winning cinematographer Thirunavukarasu (Tirru) captured the visuals, the sources added.  It may be recalled that the makers of the film had only recently welcomed actress Samyuktha on board the unit of their film. Taking to its social media timelines to welcome the actress onboard the unit on the occasion of her birthday on Friday, production house Rapo Cinematics had said, \"The world of #RAPO23 welcomes its newest addition. Happy Birthday, @iamsamyuktha_ and Welcome on board! Written & Directed by #RAPO. Produced by Krishna Pothineni.A @rapocinematics Production. Energetic Star @ram_pothineni. @samcsmusic @dop_tirru #ASPrakash @peterheinoffl.\" For the unaware, the unit had begun its Pondicherry schedule last month. Sources close to the unit had then informed that Ram Pothineni's ambitious project, tentatively being referred to as #RAPO23, was progressing at a brisk pace. Sources had disclosed that the unit had plans to shoot a visually appealing song choreographed by popular dance master Brinda in the scenic locations of Pondicherry. Sources had also added that the unit was looking to shoot several high-voltage action episodes. Telugu star Ram Pothineni had shot for 24 hours at a stretch on the outskirts of Pondicherry for the film, sources had claimed and pointed out that what made the effort commendable was that he was not just directing the film but was also playing the lead in it. A massive setup was mounted in Pondicherry for the schedule, which continued for nearly nine days. Sources had said that Ram had been pushing himself vigorously as an actor while simultaneously overseeing every aspect of the film as its director.  The film is being produced by Krishna Pothineni under the Rapo Cinematics banner on a lavish scale. Conceived by Ram himself, #RAPO23 is touted to be a unique psychological action thriller set in a gripping neo-noir world. The film, which was formally announced on the occasion of the actor's birthday, will have Ram Pothineni playing a character called Veera in it. National-Award winning cinematographer Thirunavukarasu (Thirru) is the cameraman for this film, which will have music by Sam C S. A S Prakash is creating impressive sets that will enhance the film's scale and visual appeal."},"img":{"url":"https://images.prismic.io/prad/KAFLPTLVOAiEzgRV_rapo23.JPG?auto=format%2Ccompress&rect=0%2C26%2C1600%2C789&w=2028&h=1000"},"datetime":"2026-09-23T01:10:00+0000","embed":{"embed_url":null}},"uid":"rapo23-wraps-action-packed-schedule"}},{"node":{"data":{"title":{"text":"Lisa Ray embraces her ‘aunty era’"},"content":{"text":"Actress Lisa Ray has opened up about embracing her “aunty era” in a recent social media post. She shared a candid take on motherhood, womanhood and breaking conventional rules. Taking to Instagram, the ‘Four More Shots Please’ actress shared her images and wrote, “Where my aunties at? I’m in my aunty era. Oh, but wait. I’m a mom of little ones too.” She further celebrated women who refuse to be bound by traditional rules, adding, “Bitch, we’re the aunties who mess with the rules, rewrite the script and still make it to school pickup.” In the first photo, Lisa Ray can be seen striking a cheerful pose, while the next picture features her posing alongside her daughter. For the outing, Lisa opted for a white T-shirt featuring the word “Aunty” paired with blue jeans, keeping her look casual and comfortable.  Lisa frequently uses her social media to share personal reflections on life, motherhood and navigating different stages of womanhood. A few days ago, Lisa Ray took a trip down memory lane as she reflected on growing up in the 1980s and recalled the music, fashion and carefree spirit that shaped her youth. In an Instagram post, she revisited some of her favourite memories from the decade, from colourful leg warmers and experimental hairstyles to the iconic fashion trends inspired by films such as Flashdance. The actress also reminisced about listening to music by global stars Madonna and Michael Jackson, while sharing her special fondness for British pop band Duran Duran.  “I DID live through the 80s. Candy coloured leg warmers, questionable hair choices, Flashdance style sweatshirt, Madonna, Michael Jackson and Michael Hutchence Named my pets after Duran Duran. Summers in Calcutta and long weekends spent cycling the neighbourhood in Toronto. Long drives with the radio blasting and in all that hazy sweetness of youth, an itch of rebellion,” she wrote. Lisa added, “Am I am 80s kid? Resilient, independent and tough? Yup. But tempered now by life’s ruptures, having passed through unchosen borders. Maybe this version of me needs an 80s replay. Where’s the hairspray?” On the professional front, Lisa Ray has garnered international recognition for her work in films such as “Water,” “I Can’t Think Straight” and “The World Unseen.” “Water” went on to earn an Academy Award nomination in the Best International Feature Film category. Most recently she appeared in the popular streaming series “Four More Shots Please.”"},"img":{"url":"https://images.prismic.io/prad/ogbm1I5ZbYAE_dzL_lisa.JPG?auto=format%2Ccompress&rect=0%2C8%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-23T04:55:00+0000","embed":{"embed_url":null}},"uid":"lisa-ray-embraces-her-aunty-era"}},{"node":{"data":{"title":{"text":"Namrata’s 'Lazy Orange' Afternoons"},"content":{"text":"Actress Namrata Shirodkar gave fans a glimpse into her warm and intimate home life as she shared pictures from a relaxed “lazy orange afternoon”.  She added that the days were filled with laughter, conversations and the company of loved ones, which eventually ended with Ganpati visarjan. Namrata took to her social media account and shared a series of pictures from the day. She wrote, “Lazy orange afternoons. Lots of laughter, endless conversations, and absolutely no agenda... just the kind of day you wish you could bottle up. Ended it with Ganpati visarjan...with grateful hearts and a little prayer for love, happiness and good beginnings amidst the most perfect sunset Some days are simply about good company, peaceful moments and beautiful memories. Ganpati Bappa Morya!” Dressed in vibrant orange traditional attire, she was seen enjoying an unhurried afternoon surrounded by greenery. The pictures also offered a glimpse of her home and the peaceful environment around it. The actress’ earlier Ganesh Chaturthi posts had offered a peek into the family's festive celebrations, with her pets also featuring alongside the Ganpati idol. Earlier this month, Namrata had shared glimpses of her in-house Ganpati celebrations with her children, daughter Sitara and son Gautam. The family was seen participating in the rituals and bidding farewell to Ganpati Bappa during the visarjan. She had also shared a video of herself performing aarti and posed in front of the idol with her pets. For the uninitiated, Namrata Shirodkar hails from a Maharashtrian background and is the sister of actor Shilpa Shirodkar. Namrata, post her wedding with South Indian superstar Mahesh Babu, stepped away from acting to focus on family life. The actress has been a part of Bollywood in the 90s era and has delivered many movies such as Pukar, Vaastav, Jab Pyar Kisi Se Hota Hai and many more."},"img":{"url":"https://images.prismic.io/prad/QukdUHLM5vvwBT4E_namrata.JPG?auto=format%2Ccompress&rect=0%2C38%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-23T05:38:00+0000","embed":{"embed_url":null}},"uid":"namratas-lazy-orange-afternoons"}},{"node":{"data":{"title":{"text":"Raghav: Tollywood Celebrates Cinema"},"content":{"text":" Actor-dancer Raghav Juyal, who is set to make his Telugu debut with The Paradise, has opened up about the experience of working in the Telugu film industry.  He highlighted how the culture of celebrating cinema in the Telugu industry has left a deep impression on him. Raghav, who features alongside Nani in director Srikanth Odela's The Paradise, spoke about witnessing a different level of passion and respect for filmmaking while working on the project. “I have realised one thing, which I want to show in my work and in my place, that people celebrate and respect cinema so much over there. I had tears in my eyes when I saw how they respect each and every technician. They respect even the sound engineer; each and every audience knew who he was,” he said. Raghav further added, “They don’t just come there to finish off their work. They are there to celebrate cinema. And that’s what I learned.” Raghav has also credited The Paradise director Srikanth Odela, whom he affectionately refers to as “Srikanth Dada”, with having a significant impact on him. The film marks Raghav's entry into Telugu cinema, with him playing Vikram Maalik. For the uninitiated, the film stars Nani, Mohan Babu, Kayadu Lohar, Sonali Kulkarni and Sampoornesh Babu alongside him. It is scheduled for a worldwide theatrical release on September 24, 2026. Before making his mark on the big screen, Raghav became a household name through dance reality television. Born and brought up in Dehradun, Uttarakhand, he rose to prominence with Dance India Dance 3. He was popularly known by the stage name “Crockroaxz” and became associated with his slow-motion dancing style. He then became a familiar face as a television host, particularly through shows such as Dance Plus, which he hosted across multiple seasons. He also hosted Rising Star and Dance Champions, among other television projects. Raghav eventually transitioned from dance and television to acting. He made his film debut with Sonali Cable in 2014, followed by films including ABCD 2, Nawabzaade, Street Dancer 3D and Bahut Hua Sammaan. He was also seen in Kisi Ka Bhai Kisi Ki Jaan and Yudhra. His acting journey took another turn with the 2024 action thriller Kill, in which he played the antagonist Fani. The performance brought him great attention. He then appeared in the series Gyaarah Gyaarah and The Ba*ds of Bollywood."},"img":{"url":"https://images.prismic.io/prad/aG-TJEMqNJQqHv8f_raghavjual.JPG?auto=format,compress"},"datetime":"2026-09-23T07:35:00+0000","embed":{"embed_url":null}},"uid":"raghav-tollywood-celebrates-cinema"}},{"node":{"data":{"title":{"text":"'AK 47' Arrives a Week Late!"},"content":{"text":"The makers of director Trivikram's eagerly awaited entertainer, 'Aadarsha Kutumbam House No: 47 - AK 47', featuring one of Telugu cinema's top stars Venkatesh in the lead, have now announced that the film will hit screens worldwide on October 9.   It may be recalled that the makers had originally announced that the film would hit screens on October 2.  Taking to its social media timelines to announce the change in release date, production house Haarika & Hassine Creations wrote, \"#AK47 will be arriving a week later, but we promise you… blockbuster entertainment! #AadarshaKutumbam 🏠 now arrives in theatres on October 9th! #AK47OnOct9th #Venky77 | #VenkateshXTrivikram.\" It may be recalled that a few months ago, the makers of the film had released a video clip introducing the character of actress Srinidhi Shetty in the film. Production house Haarika & Hassine Creations, which is producing the film, had taken to its X timeline to share the introductory video of Swarna, actress Srinidhi Shetty's character in the film. It had said, \"Ee Aadaliki Attitude thapa Gratitude undadhu!- Chittibabu (These women only have attitude and no gratitude - Chittibabu). Meet the beautiful @SrinidhiShetty7 as “Swarna” from the world of #AadarshaKutumbam #AK47OnOCT2nd | #AK47 | #Venky77 | #VenkateshXTrivikram.\" The video shows Chittibabu (Venkatesh) cribbing about his wife to another person. He says, \"These women only have attitude and no gratitude.\" Just as he says this, he looks up and notices that a woman standing on the balcony opposite his home is smiling nd waving to him. He says, \"A woman ought to be like her. See how she smiles at me like a flower as soon as I saved her? On the other hand, look at my wife. She last smiled during our wedding when the photographer said, 'Smile please!'. After that, she hasn't smiled and always has a serious face.\" The introductory video next shows Swarna (Srinidhi Shetty) shyly smiling at another man. The makers had only recently disclosed that actor Rohith Nara had come onboard the unit of the film. The makers also shared a poster of Rohith Nara from the film on the occasion. The poster shared gave the impression that the actor plays a cop in the upcoming film. It may be recalled that the makers had released the title of the film in December last year. The title poster released by the makers had showed Venkatesh standing in the middle of the road, with a smile on his face. He was seen holding a leather bag in his left hand with his right hand raised. The film, which was being tentatively referred to as #Venky77 initially, has triggered huge expectations as actor Venkatesh, whose most recent release 'Sankranthiki Vasthunam' was a blockbuster, has joined hands with one of his favourite directors Trivikram. This is the first time that Trivikram is directing a film featuring actor Venkatesh in the lead. Although Trivikram has not directed a film with Venkatesh prior to this project, he has worked as a writer with actor Venkatesh. In fact, Trivikram had penned the story and dialogues for the superhit film 'Nuvvu Naaku Nachav', which was directed by K Vijaya Bhaskar and which featured Venkatesh and Aarthi Agarwal in the lead. The film also marked Aarthi Agarwal's debut in Telugu cinema."},"img":{"url":"https://images.prismic.io/prad/pAA0gzc5LX2Njxjf_AK47.JPG?auto=format%2Ccompress&rect=0%2C89%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-23T01:51:00+0000","embed":{"embed_url":null}},"uid":"ak-47-arrives-a-week-late"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"The Hidden Danger Behind Chest Pain"},"content":{"text":"Chest pain is frequently associated with heart attacks, yet a lesser-known condition, aortic dissection, can present equally alarming symptoms. Dr. N. Murali Krishna, a cardiology consultant at Manipal Hospital in Vijayawada, warns that this condition arises from a tear in the aorta's inner layer, the vital blood vessel that transports blood from the heart throughout the body. The rarity of aortic dissection does not diminish its urgency—every moment counts, as delayed diagnosis could precipitate life-threatening complications such as organ rupture, stroke, or kidney failure. The nature of pain caused by aortic dissection sets it apart from typical heart attack discomfort. Patients typically describe the sensation as sharp, ripping, or tearing, often radiating from the chest to the back or abdomen as the dissection progresses. Dr. Krishna emphasizes that this pain typically escalates to its peak within seconds to minutes, necessitating immediate medical attention. Accompanying symptoms may include breathlessness, sweating, and weakness, but in some cases, patients experience few signs, complicating timely diagnosis and treatment. Understanding the risk factors for aortic dissection is crucial for prevention. Hypertension emerges as a significant contributor, alongside hereditary connective tissue disorders, pre-existing aortic aneurysms, and certain congenital heart conditions like a bicuspid aortic valve. While older individuals are more commonly affected, younger adults are not exempt from this serious cardiovascular threat. A thorough examination, including blood pressure readings in both arms, ECG, and blood tests, can aid in assessing the risk, while CT angiography is employed to visualize the aorta and assess any tears. Dr. Krishna urges vigilance when experiencing sudden chest or upper back pain. He advises against self-diagnosis and stresses the importance of seeking emergency care, particularly if the pain escalates quickly or is coupled with faintness, weakness, or breathlessness. Patients should provide medical personnel with detailed accounts of their symptoms, including the onset and intensity of pain, to facilitate accurate diagnosis. This proactive approach can be lifesaving, as the subtleties of aortic dissection's presentation often challenge even the most seasoned healthcare providers."},"img":{"url":"https://images.prismic.io/prad/8822f77d-8219-4cf7-ad6d-2c029df74875_heart+attack.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-21T10:09:00+0000","embed":{"embed_url":null}},"uid":"the-hidden-danger-behind-chest-pain"}},{"node":{"data":{"title":{"text":"Heart Crisis Grips Young India"},"content":{"text":"A disturbing trend is emerging in India, where cardiovascular disease is no longer an affliction of the elderly but a growing concern among younger populations. Recent statistics indicate that cardiovascular diseases accounted for nearly 29% of all recorded deaths in India between 2017 and 2019. This alarming statistic highlights a shifting paradigm, with the National Health Profile revealing that non-communicable diseases, including heart disease, diabetes, and chronic respiratory illnesses, collectively account for a staggering 63% of the nation's mortality rates. As the nation grapples with this health crisis, the underlying risk factors that contribute to heart disease are becoming increasingly prevalent among young adults, often unnoticed until it is too late. The escalating incidence of heart disease in India’s youth can be traced to a confluence of modern lifestyle choices, including prolonged sedentary behavior, poor dietary habits, irregular sleep patterns, and chronic stress. Dr. Deepak Krishnamurthy, a leading cardiologist, articulates that the traditional risk factors such as hypertension and high cholesterol are now manifesting in younger demographics, exacerbated by genetic predispositions and environmental stressors. Moreover, the omnipresence of technology has led to an increase in screen time, which not only promotes a sedentary lifestyle but also disrupts sleep cycles. The result is a perfect storm wherein young Indians find themselves at greater risk for developing heart-related ailments much earlier in life. Historically, heart disease was often associated with the aging population, attributed to years of cumulative risk factors. However, the current landscape paints a different picture, one where the interplay of lifestyle choices has catalyzed a shift towards earlier onset of cardiovascular issues. The National Programme for Prevention and Control of Non-Communicable Diseases reports an alarming 9.36 crore people receiving treatment for hypertension and diabetes—critical precursors to heart disease. As the healthcare system grapples with these numbers, the need for comprehensive awareness and early intervention becomes paramount. Dr. Krishnamurthy emphasizes that conditions leading to heart problems develop insidiously and often go unnoticed until significant damage has occurred, particularly among the young. As for actionable steps, Dr. Krishnamurthy advocates for a proactive approach among young adults in their 20s and 30s. He suggests that individuals should eliminate tobacco use, incorporate regular physical activity into their routines, and adopt heart-healthy dietary practices while keeping an eye on their waistlines. Moreover, he underscores the importance of regular monitoring of vital health indicators such as blood pressure and cholesterol levels. This holistic understanding of cardiovascular health is crucial for young Indians, who must learn to recognize the silent threats posed by modern lifestyles and take charge of their health before it spirals out of control."},"img":{"url":"https://images.prismic.io/prad/pJ-dW9a56Zc9ur7D_heartdiseas.JPG?auto=format%2Ccompress&rect=0%2C0%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-16T11:05:00+0000","embed":{"embed_url":null}},"uid":"heart-crisis-grips-young-india"}},{"node":{"data":{"title":{"text":"A Fight for Life at 85"},"content":{"text":"At 85 years old, Mrs. Lakshmi (name changed) faced what many in her age group would consider insurmountable challenges: two tumors and a life-threatening blockage in her colon. Rather than embracing the tranquility that often accompanies advanced age, she found herself in the emergency room, grappling with severe abdominal pain and a severe inability to pass stool. The diagnosis revealed a critical blockage in the sigmoid colon due to a tumor, a condition that posed immediate threats to her life. The medical team, acutely aware of her complex health history—including hypertension, diabetes, and a previous stroke—understood the urgency of the situation, necessitating careful decision-making regarding her treatment options. The initial intervention involved a minimally invasive procedure where doctors placed a colonic stent to alleviate her discomfort. While this temporary solution offered some relief to Mrs. Lakshmi and her anxious family, it soon became clear that a more comprehensive approach was required. Further examinations unveiled a second tumor in her esophagus, complicating an already dire diagnosis. Dr. K Hemanth Kumar, a leading Consultant in Surgical Gastroenterology at Manipal Hospital, emphasized the urgency of the case. The existence of two malignancies in a patient of advanced age, coupled with multiple underlying health conditions, demanded a meticulous and strategic response from her medical team. The critical nature of Mrs. Lakshmi's situation highlighted broader issues in geriatric care, particularly concerning complex cancer diagnoses. As the medical community increasingly confronts aging populations, the intersection of age and multi-morbidity raises significant ethical and logistical challenges. In Mrs. Lakshmi's case, the stent was a temporary fix, with the potential for serious complications looming should a definitive treatment not be pursued. The family was faced with a heart-wrenching decision: proceed with high-risk surgery or risk further deterioration of her health. Ultimately, they chose the path of hope, opting for a pioneering robotic surgical approach that addressed both tumors in one procedure. Utilizing the advanced Da Vinci Xi robotic system, Dr. Hemanth and his team executed a complex operation that not only targeted the colon cancer but also the esophageal tumor, representing a significant advancement in addressing dual malignancies. Remarkably, Mrs. Lakshmi recovered without needing an intensive care unit stay, a testament to both her resilience and the proficiency of her healthcare providers. Just one week post-operation, she was discharged, marking a poignant moment for both her and her family. Three months later, Mrs. Lakshmi continues to thrive, undergoing further treatment as part of her recovery journey, signaling not just survival but a remarkable testament to the human spirit in the face of daunting medical challenges."},"img":{"url":"https://images.prismic.io/prad/W5S8nG7lRQSGgKv2_mediclelife.JPG?auto=format%2Ccompress&rect=0%2C44%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-15T23:40:00+0000","embed":{"embed_url":null}},"uid":"a-fight-for-life-at-85"}},{"node":{"data":{"title":{"text":"Scorching Heat: The Unseen Toll on Teen Mental Health"},"content":{"text":"As global temperatures soar, a troubling new study reveals that extreme heat is not merely an environmental concern but a significant threat to the mental health of adolescents. Research indicates that for every 1°C rise in daily temperature, the risk of adverse mental health outcomes in teenagers escalates by nearly 1%. While this statistic may seem modest at first glance, it becomes alarming when considering the frequency of heatwaves in recent summers, underscoring the urgent need to address this evolving crisis. The comprehensive review analyzed data from 23 studies worldwide, pinpointing children and teenagers aged five to eighteen as the most vulnerable demographic. On particularly hot days, this group experiences a 1.5% increase in the likelihood of poor mental health outcomes; however, during actual heatwaves, this figure skyrockets to an astonishing 25%. Such stark differences highlight the psychological ramifications of sustained heat exposure, which extends beyond mere discomfort to include serious implications such as increased anxiety, depression, and even suicide attempts. Experts, including co-author Jacqueline Stephens from Flinders University, emphasize that the intersection of climate change and mental health cannot be ignored. The patterns of rising temperatures and more frequent heat events are not restricted to a single region; they are a global phenomenon with widespread repercussions. Adolescents are particularly susceptible during this pivotal developmental stage, where their routines—schooling, recreation, and social interactions—are disrupted by extreme weather conditions, causing significant emotional distress. Moreover, researchers note that the physical impact of heat, such as sleep disruption, compounds mental health challenges. Poor sleep exacerbates mood regulation, while family stress during heatwaves creates a ripple effect that permeates households. Although the findings point to population-level trends rather than individual predictions, they call for a re-evaluation of how public health strategies address heat-related issues. Current responses prioritize physical safety measures like hydration and cooling centers but overlook the critical need for mental health support tailored to young people. This oversight underscores the need for a more holistic approach to climate adaptation strategies that incorporate mental health services as integral components of public health initiatives."},"img":{"url":"https://images.prismic.io/prad/CJ8ZpPonvzZKyB1t_mentalhealth.JPG?auto=format,compress"},"datetime":"2026-08-11T10:28:00+0000","embed":{"embed_url":null}},"uid":"scorching-heat-the-unseen-toll-on-teen-mental-heal"}},{"node":{"data":{"title":{"text":"The Distinction Between Brain Tumors and Brain Cancer"},"content":{"text":"The phrases 'brain tumor' and 'brain cancer' often evoke a visceral reaction among the public, conjuring images of gravely serious health threats. However, contrary to common perception, these terms describe distinct medical conditions that warrant different approaches to diagnosis and treatment. A brain tumor is simply an abnormal growth of cells in or around the brain, which can be classified as benign or malignant. While all brain cancers are tumors, not all tumors exhibit cancerous characteristics; this critical distinction can influence a patient's treatment plan and overall prognosis. The medical community underscores the importance of understanding these differences. Brain tumors, irrespective of their benign or malignant status, can lead to severe health consequences because of the brain’s confined environment within the skull. This means that even non-cancerous tumors can exert pressure on vital neurological functions, leading to symptoms such as persistent headaches, seizures, and cognitive deficits. Dr. Praveen Gupta, a prominent neurologist, emphasizes that benign tumors, while non-cancerous, can still necessitate significant medical intervention depending on their size and location. The implications of this are crucial for anyone facing a diagnosis related to brain health. Historically, the classification of brain tumors has evolved as medical science has advanced. The National Cancer Institute and other leading neurological institutions categorize these tumors into myriad types, each demanding tailored treatment strategies. For instance, malignant tumors possess the aggressive ability to invade surrounding brain tissue, often requiring complex interventions that may include surgery, radiation, and chemotherapy. Understanding whether a growth is benign or malignant is not just a matter of terminology; it directly impacts the urgency and nature of the interventions required. Symptoms often overlap between benign and malignant tumors, complicating self-diagnosis and reinforcing the necessity for professional evaluation. Medical imaging techniques such as MRI and CT scans, along with biopsies, are essential to ascertain the nature of the tumor. Experts caution against relying on symptomatology alone, as the presence of alarming symptoms could mask a benign condition, while milder manifestations could signify a malignant threat. As such, timely medical evaluation is paramount, as early detection can significantly enhance treatment effectiveness and patient quality of life."},"img":{"url":"https://images.prismic.io/prad/f6803c8c-7220-433e-b58f-ef269a3ecf79_brain+stroke.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T10:10:00+0000","embed":{"embed_url":null}},"uid":"the-distinction-between-brain-tumors-and-brain-can"}},{"node":{"data":{"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Indian Americans raise immigration concerns"},"content":{"text":"Indian American community leaders have raised concerns about immigration challenges affecting students, families and healthcare professionals during a meeting with Congressman Jim McGovern in Massachusetts.  The meeting was held at the India Worcester Center in Shrewsbury on September 19. It brought together professionals, entrepreneurs, physicians and civic advocates from the Indian American community. Participants discussed immigration, healthcare, economic opportunity, civic participation and relations between the United States and India. The meeting also focused on the community’s growing political involvement and the need to maintain direct dialogue with elected representatives from both major parties. Community members did not identify specific immigration proposals in the statement announcing the meeting. They highlighted difficulties faced by students, families, medical professionals and other immigrants trying to navigate the US system. The participants said Indian Americans from different religions, generations and political viewpoints should have a meaningful voice in civic affairs. McGovern, a Democrat, represents Massachusetts’ second congressional district in the US House of Representatives. The discussion also examined the role played by Indian Americans in building bipartisan support for the India-US Civil Nuclear Agreement. Ramesh Vishwanath Kapur, founder and president of the US India Security Council, said the agreement showed the results that could be achieved through cooperation across party lines. “The Civil Nuclear Agreement showed what is possible when Republicans and Democrats come together around a shared strategic vision,” Kapur said. He said the campaign surrounding the agreement demonstrated how civic engagement by Indian Americans could contribute to stronger relations between Washington and New Delhi. Satya Mitra, a community leader and Worcester city councillor-at-large, spoke about McGovern’s relationship with his constituents. “What has always stood out to me is his accessibility and commitment to public service,” Mitra said. He encouraged Indian Americans to participate actively in civic life and speak publicly about issues affecting their communities. Sahdev Passey also praised McGovern’s work with constituents and his efforts to remain accessible and responsive, according to the statement. Participants called for sustained engagement between Indian American organisations and elected officials at the federal, state and local levels. They said the diaspora could serve as a bridge between the world’s two largest democracies because of its familiarity with the cultures, economies and institutions of both countries. The meeting identified technology, trade, energy, healthcare, education, defence and innovation as areas in which the community could help strengthen bilateral cooperation. Participants also called for greater collaboration among Indian American organisations, business leaders, elected officials, civic advocates, students and younger generations. They said the objective should extend beyond increasing voter participation. The community should build a durable civic structure capable of engaging policymakers from both parties and advocating on issues important to Indian Americans and the wider country."},"img":{"url":"https://images.prismic.io/prad%2F1d7f99e8-0c4a-48ad-9128-ee394fcfc3fc_indi+us.png?auto=format%2Ccompress&rect=0%2C31%2C1478%2C729&w=2028&h=1000"},"datetime":"2026-09-23T03:15:00+0000","embed":{"embed_url":null}},"uid":"indian-americans-raise-immigration-concerns"}},{"node":{"data":{"title":{"text":"India Warns Nationals Over Malaysia Jobs"},"content":{"text":"The High Commission of India in Kuala Lumpur has issued an advisory cautioning Indian nationals against misusing Malaysia’s 30-day visa-free entry facility to travel to the country in search of employment, warning that such attempts could lead to overstay, illegal immigration status, exploitation, detention and legal action.  In its advisory issued on Tuesday, the High Commission said there had been “a noticeable increase in Indian nationals arriving in Malaysia using the 30-day visa-free facility, to seek employment.” It urged Indians travelling to Malaysia on tourist entry to strictly comply with the conditions of their stay and “alerts Indian nationals travelling to Malaysia on tourist visas against taking up employment.” The mission also warned travellers about unscrupulous agents offering fraudulent employment opportunities. According to the advisory, “Many Indian nationals are misled by unscrupulous agents with false job promises, leading to overstay, illegal status, exploitation, detention and legal action.” The High Commission stressed that seeking employment through the visa-free facility violates Malaysian immigration rules. It clarified that the facility, which allows Indian passport holders to stay in Malaysia for up to 30 days, is intended “for tourism and social visits only.” Indian nationals travelling to Malaysia for tourism have also been advised to carry valid and verifiable travel documents to avoid immigration-related problems upon arrival. These include a confirmed return ticket, hotel booking, and proof of online submission of the Malaysia Digital Arrival Card (MDAC) three days before the date of arrival. Travellers have further been advised to ensure that their passports have a minimum validity of six months. Reiterating its warning, the High Commission said, “Once again, Indian nationals are strictly advised not to travel to Malaysia for work / employment purpose without work permit or visa with reference (VDR).” The advisory comes amid concerns over Indian nationals being lured by false job offers and subsequently finding themselves in violation of Malaysian immigration regulations. The mission urged prospective workers to obtain the appropriate authorisation before travelling to Malaysia for employment."},"img":{"url":"https://images.prismic.io/prad/cqauxmn2R69KfcGU_indmalasia.JPG?auto=format%2Ccompress&rect=0%2C13%2C400%2C197&w=2028&h=1000"},"datetime":"2026-09-22T05:42:00+0000","embed":{"embed_url":null}},"uid":"india-warns-nationals-over-malaysia-jobs"}},{"node":{"data":{"title":{"text":"Trump renews $100k H-1B fee, targets layoffs"},"content":{"text":"A fresh H-1B hurdle is here for Indian tech workers and US employers. President Donald Trump has extended the $100,000 payment requirement for certain H-1B workers coming from outside the US and ordered federal agencies to take an employer’s recent or planned layoffs into account when reviewing H-1B cases. The renewed restriction is set to run until September 21, 2027, unless extended again. The new order directs the Departments of State, Labor and Homeland Security to examine whether sponsoring companies have laid off, or plan to lay off, similarly situated US workers. The Labor Department is also required to begin reviewing data from previously filed Labor Condition Applications within 30 days. Importantly, the order does not say that an employer facing layoffs will automatically have an H-1B case rejected; layoffs are now one of the factors agencies must consider. For Indian IT professionals, H-1B applicants and students planning a US career, the fee is particularly significant because the White House says registrations from the largest IT outsourcing companies have fallen sharply since the original 2025 measure. The administration also says the H-1B selection system has shifted toward higher-paid and higher-skilled positions. These figures are White House-reported measurements, while the broader impact on employers and workers will depend on how the new rules are implemented."},"img":{"url":"https://images.prismic.io/prad%2F7f473b1f-87a6-4d28-9f0b-d9367e8bd88b_trump.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-09-19T03:17:00+0000","embed":{"embed_url":null}},"uid":"trump-extends-100k-h-1b-fee-a-new-challenge"}},{"node":{"data":{"title":{"text":"Historic Win for Trans Tamil Immigrant"},"content":{"text":"In a groundbreaking shift for political representation in the United Kingdom, Q Manivannan, a trans Tamil immigrant and doctoral student, has claimed a seat in the Scottish Parliament, igniting fervent discussions about immigration, identity, and the evolving landscape of elected office. Securing a position with the Scottish Greens, Manivannan's election not only reflects a personal triumph but also serves as a pivotal moment for underrepresented communities, challenging preconceived notions about who can partake in the political process. Born in Tamil Nadu, India, Manivannan arrived in Scotland on a student visa four years ago to pursue studies in international relations. Their victory on May 9, alongside the Scottish Green Party, underscores the complexities surrounding the eligibility of foreign nationals in UK elections—particularly those from Commonwealth nations. Current regulations permit individuals on short-term visas to stand for election, a provision that has drawn scrutiny from anti-immigration advocates who argue for stricter controls over political representation. The election of Manivannan, who identifies as non-binary and uses they/them pronouns, has prompted a wave of criticism from figures like Robert Jenrick, a former Tory minister, who expressed concern over the implications of allowing individuals on student visas to hold such significant political positions. This backlash highlights a broader societal debate regarding immigration and representation, as organizations such as Migration Watch call for a reevaluation of the rights afforded to Commonwealth citizens within UK political structures. Amidst this discourse, the Scottish Greens have positioned themselves as champions of inclusivity, emphasizing the need for a comprehensive overhaul of the UK's immigration policies to create a more welcoming environment for those seeking to make a difference. As Manivannan embarks on their parliamentary journey, they represent not only a voice for marginalized groups but also a testament to the potential for change within a political system that often feels impenetrable. Their campaign, which centered on themes of diversity, inclusion, and a “politics of care,” resonated with voters eager for a shift from traditional political narratives. Support from the Scottish Greens, who have pledged assistance for Manivannan’s visa renewal process, reflects a commitment to fostering a political environment that embraces all backgrounds, advocating for a future where the barriers of entry are dismantled rather than upheld."},"img":{"url":"https://images.prismic.io/prad/2XZTrOto0NjcvnKj_trans.JPG?auto=format%2Ccompress&rect=0%2C22%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-16T06:30:00+0000","embed":{"embed_url":null}},"uid":"historic-win-for-trans-tamil-immigrant"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"MYSAA Teaser"},"img":{"url":"https://images.prismic.io/prad/xClkscuToqQOL0WK_Mysaa.png?auto=format%2Ccompress&rect=0%2C5%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-20T13:11:00+0000","third_party_url":null},"uid":"mysaa-teaser"}},{"node":{"data":{"title":{"text":"Salman Takes Off His T-Shirt on Bigg Boss"},"img":{"url":"https://images.prismic.io/prad/g9cJNG71ecJFxwXR_Salman.png?auto=format,compress&rect=0,26,532,262&w=2028&h=1000"},"datetime":"2026-09-20T11:59:00+0000","third_party_url":null},"uid":"salman-khan-takes-off-his-t-shirt-on-bigg-boss-var"}},{"node":{"data":{"title":{"text":"'Aadarsha Kutumbam' Teaser"},"img":{"url":"https://images.prismic.io/prad/gkb2nU868yFr0w0z_AK47reaser.JPG?auto=format%2Ccompress&rect=12%2C0%2C608%2C300&w=2028&h=1000"},"datetime":"2026-09-12T18:57:00+0000","third_party_url":null},"uid":"aadarsha-kutumbam-teaser"}},{"node":{"data":{"title":{"text":"'418' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/xu83qXtMn9WviRqh_418trailer.JPG?auto=format,compress&rect=0,42,1200,592&w=2028&h=1000"},"datetime":"2026-09-12T05:57:00+0000","third_party_url":null},"uid":"418-movie-trailer"}},{"node":{"data":{"title":{"text":"'Ranabaali' Movie Teaser"},"img":{"url":"https://images.prismic.io/prad/Ie1YNzDZSUJRO4VN_ranabalireaser.JPG?auto=format%2Ccompress&rect=54%2C0%2C728%2C359&w=2028&h=1000"},"datetime":"2026-09-09T12:37:00+0000","third_party_url":null},"uid":"ranabaali-movie-teaser"}},{"node":{"data":{"title":{"text":"'BRS MLAs misbehaved with women colleagues',"},"img":{"url":"https://images.prismic.io/prad/ddh8QRYxjg_mRk0p_BRSMLASpushed.JPG?auto=format%2Ccompress&rect=0%2C108%2C1600%2C789&w=2028&h=1000"},"datetime":"2026-09-09T06:37:00+0000","third_party_url":null},"uid":"brs-mlas-misbehaved-with-women-colleagues"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"UPI Transactions: There Is Nothing Called 'Free Lunch'"},"img":{"url":"https://images.prismic.io/prad/IWNC-LYO9T7IQfVm_scan.JPG?auto=format%2Ccompress&rect=0%2C7%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-16T07:30:00+0000","third_party_url":null},"uid":"upi-transactions-there-is-nothing-called-free-lunc"}},{"node":{"data":{"title":{"text":"AI Technology: The New Era Avatar Of Frankenstein?"},"img":{"url":"https://images.prismic.io/prad/xufYZuR1rBUNRB-6_AItech.JPG?auto=format,compress"},"datetime":"2026-09-14T07:35:00+0000","third_party_url":null},"uid":"ai-technology-the-new-era-avatar-of-frankenstein"}},{"node":{"data":{"title":{"text":"BRICS Summit: Game Of Elite Proximity"},"img":{"url":"https://images.prismic.io/prad/a06W_uqJMewyEQT3_modiputinxingpin.JPG?auto=format,compress"},"datetime":"2026-09-13T06:32:00+0000","third_party_url":null},"uid":"brics-summit-game-of-elite-proximity"}},{"node":{"data":{"title":{"text":"Politics Of Purification By Stained Minds"},"img":{"url":"https://images.prismic.io/prad/JhrtkcVl-B6_Y50g_purificationroad.JPG?auto=format,compress"},"datetime":"2026-09-12T06:35:00+0000","third_party_url":null},"uid":"politics-of-purification-by-stained-minds"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-09-22T09:21:16+0000","data":{"title":{"text":"Anupama Parameswaran New Pics"},"content":{"text":"అనుపమ పరమేశ్వరన్ ఒక భారతీయ నటి. ఈమె తెలుగు, మలయాళ, తమిళ సినిమాలలో నటించింది.ఆమె భర్త పేరు రాజేష్ గోరువ. ఆమె నటించిన తొలి మలయాళ చిత్రం ప్రేమమ్‌లోని మేరీ జార్జ్, తెలుగు సినిమా శతమానం భవతిలో నిత్య ప్రాత్రలు ఈమెకు మంచి పేరు తెచ్చిపెట్టాయి."},"img":{"url":"https://images.prismic.io/prad/PGeINEpPe90fiQfG_anupama2028.JPG?auto=format,compress"}},"uid":"anupama-parameswaran-new-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-09-18T12:13:50+0000","data":{"title":{"text":"Ashu Reddy Black Spicy Pics"},"content":{"text":"This is Ashu Reddy, Telugu actress worked in movies and prominently known for BiggBoss3 and also social media influencer and beauty content activist. My videos also include entertainment, knowledge and information in many ways to many people."},"img":{"url":"https://images.prismic.io/prad/314HzBkvs5lFnVwg_ashureddy2028.JPG?auto=format,compress"}},"uid":"ashu-reddy-black-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-09-18T10:47:25+0000","data":{"title":{"text":"Anasuya Bharadwaj New Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/ZDW3Te-AlkGuINBe_anasuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-new-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-09-17T17:41:36+0000","data":{"title":{"text":"Payal Rajput Glam Stills"},"content":{"text":"Payal Rajput is an Indian actress who primarily works in Telugu and Punjabi films. She made her film debut with the Punjabi film Channa Mereya, for which she won the Filmfare Award Punjabi for Best Debut Actress. Rajput then made her Hindi film debut with Veerey Ki Wedding."},"img":{"url":"https://images.prismic.io/prad/6rmeRJW-0U0Yxkno_payal2028.JPG?auto=format,compress"}},"uid":"payal-rajput-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-08-12T08:19:18+0000","data":{"title":{"text":"Mouni Roy Glam Stills"},"content":{"text":"Mouni Roy is an Indian actress who primarily works in Hindi television and films. One of the highest-paid television actresses in India, Roy is widely known for her portrayal of a shape-shifting snake in Naagin and its sequel Naagin 2."},"img":{"url":"https://images.prismic.io/prad/8nkSdpm8T3G0jWQk_mouniroy2028.JPG?auto=format,compress"}},"uid":"mouni-roy-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-08-07T16:20:40+0000","data":{"title":{"text":"Vishnu Priya Latest Spicy Stills"},"content":{"text":"Vishnupriya Ramchandran Pillai (born in Bahrain), known mononymously and better as Vishnupriya, is an Indian actress, dancer and model. She started off her career participating in the dance reality show Vodafone Thakadimi which was aired on Asianet. She made her acting debut in 2007 with Speed Track, playing a supporting character. Later, she played the lead character in Keralotsavam 2009 and got noticed for her character in Penpattanam (2010)."},"img":{"url":"https://images.prismic.io/prad/EKRVCL6edvfOM1nL_vp2028.JPG?auto=format,compress"}},"uid":"vishnu-priya-latest-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-21T16:54:06+0000","data":{"title":{"text":"Shraddha Das Spicy Pics"},"content":{"text":"Shraddha Das is an Indian actress and model who predominantly appears in Telugu, Hindi, Bengali, and Kannada language films. She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/J5KjgIk60wE63lRg_shraddhadas.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-20T16:44:06+0000","data":{"title":{"text":"Rakul Looks Radiant In Yellow Saree"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. Singh is a recipient of several accolades including a SIIMA Award, in addition to four nominations at the Filmfare Awards South. Singh started her career as a model and made her acting debut with the Kannada film Gilli"},"img":{"url":"https://images.prismic.io/prad/_eGbGvnqa1VVLLAH_rps2028.JPG?auto=format,compress"}},"uid":"rakul-looks-radiant-in-yellow-saree"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-17T12:42:16+0000","data":{"title":{"text":"Pragya Jaiswal Spicy Stills"},"content":{"text":"Pragya Jaiswal is an Indian actress and model who predominantly works in Telugu films. She made her acting debut in 2014 with the Tamil-language film Virattu in 2014. Jaiswal had her breakthrough with the Telugu period drama Kanche, for which she was awarded the Filmfare Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/HTcjp1FBdNZf7hDK_pragya2028.JPG?auto=format,compress"}},"uid":"pragya-jaiswal-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}}]},"one":{"edges":[]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"EC in Turmoil: Gyanesh Kumar Faces Internal Revolt"},"content":{"text":"In a dramatic escalation within India’s electoral governance, Chief Election Commissioner Gyanesh Kumar finds himself embroiled in a storm of dissent from within his own ranks. Following a series of contentious decisions concerning the Special Intensive Revision (SIR) of voter lists, Kumar is facing significant pushback from fellow election commissioners, particularly Sukhbir Singh Sandhu and Vivek Joshi. These internal objections, which have reportedly been raised on at least 14 occasions over the past ten months, highlight deep fractures within the Election Commission (EC) and raise serious questions about transparency and governance in a crucial electoral process. The dissent revolves primarily around accusations that vital decisions regarding the electoral roll were made without proper consensus. Objections have been specifically directed at changes involving statutory voter registration Form 6 and the centralised management of the electoral roll database. While the Election Commission contends that differing opinions are commonplace and that their decisions were ultimately unanimous, the silence from Sandhu and Joshi regarding their objections has added a layer of intrigue to this unfolding drama. An investigation by the Indian Express further underscores the gravity of the situation, revealing that dissent is not merely a procedural issue but a significant challenge to Kumar's leadership. Kumar’s appointment as the Chief Election Commissioner in February 2025 was met with controversy, stemming from a 2023 legislative overhaul that altered the selection process, replacing the chief justice of India with a Union Cabinet minister on the selection panel. This legislative shift raised alarms among opposition factions, who accused the government of orchestrating a politicized electoral framework. The recent Supreme Court split decision on whether to refer challenges to this law to a larger bench casts a further shadow over Kumar's tenure, as the EC grapples with allegations of exclusion and bias amid an increasingly polarized electoral landscape. As a seasoned bureaucrat with a robust background in administration, Gyanesh Kumar previously held key positions in various ministries, including significant roles in the aftermath of the abrogation of Article 370. His experience and credentials, including academic pursuits at prestigious institutions, had positioned him as a capable leader for the EC. However, the current discord raises critical questions about his ability to maintain the integrity and independence of the electoral process. With both Sandhu and Joshi’s futures within the commission uncertain, the ramifications of this internal strife could reverberate far beyond the walls of the Election Commission, impacting the very fabric of Indian democracy."},"img":{"url":"https://images.prismic.io/prad/lw8JbZCiMN90kUNe_CECGyanesh.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-23T15:30:00+0000","embed":{"embed_url":null}},"uid":"ec-in-turmoil-gyanesh-kumar-faces-internal-revolt"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Dhanush Gives Way to Rajinikanth"},"content":{"text":"Actor Dhanush, who predominantly works in Tamil cinema, has pushed the release date of his upcoming film ‘Om’. On Wednesday, the actor took to his X, formerly Twitter, and shared the update with his followers. He said that he has pushed the release of the film in order to avoid the clash with ‘Jailer 2’, which features Tamil cinema legend Rajinikanth. He wrote, “In times like these, shifting the release of a film comes with its own set of challenges. Our superstar, Rajinikanth sir, the man whom we have all admired and worshipped over the years has his film arriving on October 15, just a day before ours. Out of immense respect for him, we have decided to postpone the release of our film, OM, to a later date. At the same time, we will not be arriving for Diwali this year either, as Suriya sir's film has already been announced for the same date”. He further mentioned, “In all fairness, they announced their date first, and we strongly believe that big films should have a mutual understanding and respect each other's decisions, keeping the larger welfare of cinema and the industry in mind. We will announce our new release date very soon”. Dhanush was earlier married to Aishwarya Rajinikanth, the daughter of the Tamil cinema legend. So, shifting the release date of his film is not just a unidimensional professional decision. Meanwhile, ‘Jailer 2’ is the sequel to the 2024 release ‘Jailer’ which starred Rajinikanth in the titular role of a retired jailer, who fights the organised syndicate of artifact smugglers. Rajini’s character activates his own criminal network across India which he built on his goodwill and absolutely watertight morals as a jailer."},"img":{"url":"https://images.prismic.io/prad/knnoOy_djfU1_Er9_dhanushrajini.JPG?auto=format%2Ccompress&rect=0%2C47%2C885%2C436&w=2028&h=1000"},"datetime":"2026-09-23T13:53:00+0000","embed":{"embed_url":null}},"uid":"dhanush-gives-way-to-rajinikanth"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"‘Varanasi’ Moves Into the Endgame?"},"content":{"text":"The much-awaited ‘Varanasi’, starring Mahesh Babu, Priyanka Chopra Jonas and Prithviraj Sukumaran, is steadily moving towards its finishing stage. Directed by SS Rajamouli, the ambitious project is being mounted on a massive scale and is expected to present a world far larger in scope than the filmmaker’s previous outings. With Mahesh Babu collaborating with Rajamouli for the first time, the film has become one of the most closely watched projects in Indian cinema. The makers are reportedly crafting the story and visuals with a global audience in mind, adding to the curiosity surrounding the film. According to the latest reports doing the rounds, Mahesh Babu has completed his portion of the shoot for ‘Varanasi’. While an official confirmation from the team is still awaited, the development has sparked speculation that the superstar could now shift his attention to his upcoming commitments. Rajamouli is known for his elaborate filmmaking process, with large-scale sets, demanding action sequences and extensive visual effects forming an important part of his productions. Even with Mahesh wrapping his scenes, the overall shoot is believed to be continuing with other members of the cast as the director brings the remaining portions together. The film’s principal photography is reportedly expected to reach completion around the first week of October, although the exact schedule remains subject to the production’s requirements. Given the scale of ‘Varanasi’, completing the shoot will only mark the beginning of another crucial phase. Extensive post-production, visual-effects work and other technical processes are expected to follow, with Rajamouli and his team likely to spend considerable time refining the final output. The makers have also maintained considerable secrecy around the film’s storyline and character arcs, carefully limiting details despite the enormous buzz surrounding the project. That secrecy has only intensified anticipation among moviegoers. Questions surrounding Mahesh Babu’s character, Priyanka Chopra Jonas’ role and the significance of Prithviraj Sukumaran’s character continue to fuel discussions among fans. With the production now reportedly entering its final stretch, attention is gradually shifting from the shooting process to the film’s post-production and eventual promotional campaign. If the latest reports hold true, ‘Varanasi’ is entering a decisive phase, with Rajamouli’s team preparing to turn the footage already captured into what is being positioned as one of the most ambitious cinematic spectacles of Mahesh Babu’s career."},"img":{"url":"https://images.prismic.io/prad/95PzrGii-eXJ0Lqg_varanasi.JPG?auto=format,compress"},"datetime":"2026-09-23T08:05:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=DMD2uthghWE"}},"uid":"varanasi-moves-into-the-endgame"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment","featured","one"],"data":{"title":{"text":"Review: 'The Paradise'"},"content":{"text":"After delivering a major success with Dasara, director Srikanth Odela reunited with Nani for The Paradise, a film that arrived with enormous expectations. The project generated considerable buzz from the beginning, not only because of the successful director-actor combination but also because it reportedly became the first Nani film to cross the ₹100-crore mark in theatrical business.  With a period backdrop, a socially rooted storyline and an intense transformation in Nani’s appearance, the film promised something much bigger than a conventional action drama. Unfortunately, the final product struggles to translate that ambition into compelling cinema. Story: Set against a historical backdrop, The Paradise revolves around a community that continues to remain trapped in oppression even after Hyderabad and Telangana move beyond the era of Nizam rule. The fictional Paradise settlement is controlled for generations by the Malik family, who treat the local population as little more than slaves while denying them even the basic dignity of identity and recognition. Sammakka, played by Sonali Kulkarni, becomes one of the voices challenging this system. Her son Jadal, portrayed by Nani, is forced into a difficult life at a very young age and eventually lands in prison. When he returns, his personal journey becomes intertwined with the larger fight of his community. The central question is whether Jadal can break the cycle of oppression and secure the identity his people have been denied for generations. The premise has considerable potential, but the screenplay fails to extract the emotional and dramatic weight from it. Performances: Nani once again attempts to step outside his familiar image. His distinctive appearance, particularly the long-haired look designed for Jadal, immediately catches attention. Following his striking transformation in Dasara, expectations were naturally high for another unconventional portrayal. Nani carries the rugged appearance convincingly and performs the physically demanding action sequences with commitment. However, the character is written largely around aggression and action, leaving limited room for the actor to explore emotional depth. The film occasionally introduces sentimental moments, but they are not developed strongly enough to create a lasting impact. Mohan Babu plays Malik, a character that was heavily discussed before the film's release. Despite being positioned as a crucial figure in the narrative, the character receives surprisingly limited dramatic weight. Raghav Juyal also makes an impression in the space given to him, but his character is brought to an abrupt end instead of being developed into a stronger force within the story. Sonali Kulkarni's character is central to the film's larger theme, yet the screenplay doesn't provide her enough material to make the emotional struggle truly resonate. Kayadu Lohar's role is largely confined to the romantic and glamour elements. Sampoornesh Babu appears in a supporting part with barely enough dialogue to make an impression. Even the numerous experienced actors in the cast are unable to leave a strong mark because the writing does not give their characters sufficient substance. Technical: Anirudh Ravichander's involvement naturally raised expectations, particularly for the background score. While the music works in isolated stretches, the background score often becomes excessively loud rather than enhancing the emotional intensity of the scenes. A couple of songs stand out, but the soundtrack as a whole does not deliver the impact one might expect from a project of this scale. The cinematography does reasonably well in recreating the period atmosphere. The production design and visual detailing help establish the harsh world in which the characters live. The film carries considerable production value, and the scale is visible on screen. The biggest problem, however, lies in the writing and execution. Srikanth Odela appears to have had a strong central idea but struggles to turn it into a cohesive screenplay. The dialogue, scene construction, pacing and transitions frequently lack the required sharpness. Editing issues further affect the flow, making the lengthy narrative feel more exhausting than immersive. Plus Points: Nani's rugged transformation and performance Kayadu Lohar's presence The pre-interval sequence Production design and period atmosphere A few effective action moments Minus Points: Weak screenplay Underdeveloped characters Uneven pacing Excessive action Limited emotional impact Editing issues Underutilisation of senior actors Analysis: At its core, The Paradise is built around a potentially powerful idea: the fight of an oppressed community for recognition and dignity. The problem is that the film rarely develops this idea with the depth it deserves. Instead of building the characters and their conflicts gradually, the narrative repeatedly falls back on large-scale action and heightened moments. The influence of films such as KGF and Salaar can be felt in the treatment, particularly in the attempt to create a larger-than-life world populated by powerful factions and brutal action. But where those films built their worlds around stronger character motivations and narrative momentum, The Paradise struggles to establish the same emotional connection. The action sequences are undeniably aggressive, but intensity alone cannot compensate for weak storytelling. Several sequences appear designed primarily to shock rather than organically emerge from the story. The violence frequently moves away from realism, while the emotional scenes fail to generate the intended response. The film also introduces powerful-looking antagonists, only to gradually reduce their importance. This weakens the central conflict because the protagonist never gets a consistently formidable opposition. Even the effort to add political and historical references appears more like an attempt to generate additional buzz than something organically integrated into the screenplay. Nani gives the role everything he can, but the performance ultimately depends heavily on the material provided to him. The film clearly wants to present Jadal as an iconic figure, yet the writing does not sufficiently establish the emotional journey necessary to make that transformation convincing. Final Verdict: The Paradise begins with an interesting idea and a promising world, but struggles to turn that foundation into a satisfying cinematic experience. The gap between the film's promotional build-up and the actual content becomes difficult to ignore as the story progresses. Nani's commitment and the film's scale are evident, but they cannot fully compensate for an underdeveloped screenplay and inconsistent execution. What could have been a hard-hitting story about identity, dignity and resistance instead ends up feeling like an action-heavy film searching for an emotional core."},"img":{"url":"https://images.prismic.io/prad/gykUOtmdxL0XVM2y_TheParadise.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-23T20:38:00+0000","embed":{"embed_url":null}},"uid":"review-the-paradise"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Epic'"},"content":{"text":"The combination of Anand Deverakonda and Vaishnavi Chaitanya, who previously delivered a successful outing with Baby, naturally raised expectations around Epic. With the duo returning together, there was considerable curiosity about whether the film could recreate the magic of their earlier collaboration. Unfortunately, while Epic has its share of entertaining moments, it ultimately struggles to live up to the expectations created by its lead pair. Story: Aditya (Anand Deverakonda), the younger son of Chandrasekhar (Shivaji), a government school teacher, is a carefree youngster with little interest in academics but a deep fascination for cinema. Dreaming of becoming a filmmaker, he keeps trying to find his way into the world of movies. However, pressure from his parents eventually forces him to travel to the UK to pursue his education. An innocent, soft-spoken and inexperienced young man, Aditya enters a completely unfamiliar world in the UK. Soon after arriving, he meets Kadali (Vaishnavi Chaitanya), and the encounter gradually brings a significant change in his personality and outlook. Meanwhile, Aditya's family is dealing with its own set of problems back home. Whether Aditya manages to achieve his ambitions, how his relationship with Kadali develops and where his journey eventually takes him form the crux of the story. Performances: Anand Deverakonda once again fits comfortably into the role of an innocent and somewhat naïve youngster. Much like his performance in Baby, he brings a certain vulnerability to the character, though the actor gets an opportunity to display a slightly different shade of the role as the story progresses into the second half. His appearance, body language and dialogue delivery work well for the character. Anand is particularly effective in emotional and romantic sequences, showing noticeable improvement and confidence as a performer. His familiar mannerisms and body language may also remind audiences of his brother Vijay Deverakonda, which could work in favour of his fan base. Overall, Epic gives Anand another opportunity to showcase his acting abilities. Vaishnavi Chaitanya, who delivered a strong performance in Baby, does not get a character with comparable depth here. While she has a few scenes that allow her to demonstrate her acting skills, much of the role remains fairly limited. She gets some glamorous moments and contributes effectively whenever the screenplay gives her room, but the character itself does not offer enough scope for a standout performance. Shivaji is convincing as the middle-class government school teacher and once again settles naturally into the character. The supporting cast performs adequately within the limitations of their respective roles. Technical: Director Aditya Hasan chooses a premise that feels contemporary and relevant to the mindset of the current generation. However, the execution is considerably more conventional. The comedy provides some relief and prevents the screenplay from becoming completely monotonous, but several sequences feel familiar and reminiscent of situations seen in other films. The screenplay could have benefited from greater freshness and stronger character development. The first half works relatively better, largely because of its comic portions, while the second half loses momentum and becomes slower. Hesham Abdul Wahab's music is another weak link. Although a couple of songs are passable, the overall album fails to make a lasting impression. The background score, particularly during emotional sequences, could have played a much stronger role in elevating the impact of the scenes. The cinematography is adequate, though the film could have made better use of the picturesque UK locations. Production values are solid and contribute to the film's overall visual presentation. Analysis: A successful pairing can certainly create initial buzz, but a familiar combination alone cannot guarantee a successful film. What truly works is when a popular combination is backed by strong and engaging content. In Epic, the film's premise appears tailored to the sensibilities of the current generation, but the execution does not consistently match its potential. The director succeeds in extracting some entertaining moments from the comedy and emotional portions. The first half benefits from its humour, while the emotional scenes in the latter portion provide a few engaging moments. However, the romantic track lacks the impact required to make the central relationship truly memorable. The film also needed a sharper screenplay and a more compelling second half to rise above its routine elements. While it may not satisfy viewers expecting another Baby-like outing from Anand Deverakonda and Vaishnavi Chaitanya, Epic can still work as a light, one-time entertainer for those looking for a casual watch. Positives: Comedy First half Anand Deverakonda Vaishnavi Chaitanya Negatives: Slow narration Routine story and screenplay Music Second half Verdict: Epic has enough comedy and a few engaging moments to make it a passable time-pass entertainer, but its routine romantic track, slow narration and underwhelming second half keep it from becoming the memorable film its lead combination promised. Banner: Sithara Entertainments Producer: Suryadevara Naga Vamsi Director: Aditya Hasan Music: Hesham Abdul Wahab Cast: Anand Deverakonda, Vaishnavi Chaitanya, Shivaji, Vasuki, Kalyan Shankar and others"},"img":{"url":"https://images.prismic.io/prad/i5tpcCyZXxZGstkc_EPICreview.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-11T08:51:00+0000","embed":{"embed_url":null}},"uid":"review-epic"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Haiwaan'"},"content":{"text":"Haiwaan builds its strongest moments around two accomplished actors standing on opposite sides of a conflict. Directed by Priyadarshan, the psychological action crime thriller brings Akshay Kumar and Saif Ali Khan together after 18 years, and their reunion is easily one of the film’s biggest strengths. At its core, the film is a tense game of cat and mouse between a dangerous antagonist and a visually impaired man who must rely on instinct, intelligence and resilience to survive. Akshay Kumar is the first major talking point, delivering what could easily be described as one of his darkest and most menacing performances to date. As Parshuram, he does not play the villain in the conventional, loud Bollywood manner. Instead, there is an unsettling calmness to his performance. Akshay gives Parshuram a sense of conviction and unpredictability that makes it difficult to anticipate his next move. His body language, controlled expressions and measured intensity establish the character as genuinely dangerous. There is a quiet menace running through the performance, making Parshuram one of Akshay’s standout negative roles. Saif Ali Khan is equally compelling as Shyam, a visually impaired man who finds himself caught in an increasingly dangerous situation. What stands out about Saif’s performance is the restraint. He does not exaggerate the character’s blindness or turn it into a theatrical device. Instead, Shyam’s vulnerability exists alongside his intelligence, determination and heightened instincts. Saif allows us to understand the challenges Shyam faces without ever making him seem helpless. His performance becomes particularly effective in the confrontational scenes with Akshay. That brings us to the film’s biggest hook — the Akshay Kumar and Saif Ali Khan face-off. Their scenes provide some of Haiwaan’s most thrilling moments because the conflict is not merely physical; there is a strong psychological element to their encounters. Parshuram has physical menace, confidence and an apparent ability to control situations, while Shyam has to depend on instinct, intelligence and resilience. The contrast creates genuine tension. Their standoff gives Haiwaan its dramatic pulse and keeps the audience invested in their battle. A major surprise comes from Paahal Chaudhary, who emerges as one of the film’s biggest revelations. The young actor delivers an outstanding and remarkably assured performance. Paahal brings vulnerability and sincerity to the role without allowing the character to become merely a plot device. Her presence adds emotional stakes to the thriller and makes the audience more invested in what happens to the characters. She holds her own impressively alongside an established cast and becomes an important emotional centre of the story. The supporting cast adds further weight to the narrative. Saiyami Kher, Shriya Pilgaonkar and Boman Irani bring sincerity and conviction to their respective roles, while Sharib Hashmi is effective as the police officer and fits naturally into the investigative world of the film. The return of veteran actor Asrani is particularly heartwarming. He delivers another memorable performance, and his final on-screen appearance gives his presence an added emotional significance. Priyadarshan demonstrates once again why he remains such a dependable filmmaker when it comes to commercial storytelling. With Haiwaan marking his 98th film, he understands how to balance emotion, drama, suspense and mainstream entertainment without allowing one element to overpower the others. At 2 hours and 44 minutes, the film is certainly long, but it rarely feels as though the material is being unnecessarily stretched. The performances, confrontations and steady progression of the thriller keep the narrative moving. The background score deserves special mention for the role it plays in sustaining that momentum. The BGM consistently keeps the tension alive and gives the film the atmospheric quality required of a thriller. It works particularly well during confrontational sequences, adding anticipation without overpowering the performances. The soundscape works hand-in-hand with Priyadarshan’s direction and ensures that the film retains its thriller pulse. Pritam’s music is also integrated thoughtfully into the narrative. Mere Hero Hai Woh adds an emotional dimension, while Rangiyaara works particularly well during the travel portions. The songs complement the mood and allow the film to breathe while remaining connected to the narrative. They never feel completely disconnected from the storytelling. The fact that Haiwaan is adapted from Priyadarshan’s Malayalam thriller Oppam will naturally be known to audiences familiar with the original. However, the Hindi adaptation brings its own treatment, staging and commercial flavour to the material. The performances give the story fresh energy, while Priyadarshan’s direction ensures that it remains accessible as a Hindi theatrical thriller. Mohanlal’s special appearance, reprising his presence from the original, is also a welcome touch for fans of Oppam and provides a meaningful connection between the two films. The film also benefits from a clear central conflict. The screenplay does not bury the emotional stakes under unnecessary complications, allowing the audience to understand what is at risk while the suspense builds naturally. What makes the performances stand out is the contrast in their approaches. Akshay creates danger through stillness and unpredictability, while Saif creates tension through observation and restraint. That difference gives their scenes texture and prevents the conflict from becoming a routine hero-versus-villain battle. The audience is constantly waiting for the next move, which is where the film finds its strongest rhythm. For a film carrying the weight of a star reunion, Haiwaan also avoids becoming solely about that reunion. Akshay and Saif are undoubtedly the centre of attention, but the surrounding characters and emotional stakes are given enough room to matter. Haiwaan works because its strongest elements come together effectively. Akshay’s Parshuram provides the menace, Saif’s Shyam supplies the emotional and human core, and Paahal Chaudhary adds an unexpected layer of vulnerability. The supporting performances strengthen the world around them, while Priyadarshan keeps the suspense alive. The gripping background score further enhances the atmosphere, and the music sits naturally within the narrative. Haiwaan is a theatrical thriller that gets its most important ingredients right. Akshay Kumar gets one of his most compelling negative roles, Saif Ali Khan brings depth and restraint to a challenging character, and Paahal Chaudhary proves to be a genuine revelation. But it is the Akshay-Saif confrontation that remains the film’s beating heart.  Priyadarshan’s assured direction keeps the tension intact and successfully balances suspense, emotion, drama and mainstream entertainment. Haiwaan may draw from familiar material, but its performances, atmosphere and execution give it enough conviction to work as a satisfying big-screen experience. Director – Priyadarshan, Cast:  Saif Ali Khan, Akshay Kumar, Boman Irani, Shriya Pilgaonkar, Saiyami Kher, Mohanlal, Asrani, Sharib Hashmi And Others"},"img":{"url":"https://images.prismic.io/prad/pcf8OeUE1gPChq-9_HaiwaanJ.JPG?auto=format%2Ccompress&rect=0%2C42%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-11T05:04:00+0000","embed":{"embed_url":null}},"uid":"review-haiwaan"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Sardar 2’ "},"content":{"text":"Karthi has built a strong following across both Tamil and Telugu audiences, and the success of Sardar naturally created considerable anticipation for its sequel. With Sardar 2, director P. S. Mithran attempts to expand the franchise into a larger and more intense espionage-action space. The film carries forward the narrative from the first instalment while introducing a new threat and a fresh mission. On paper, the ingredients suggest a potentially engaging spy thriller. However, the execution falls short of the expectations created by its predecessor, with an uneven screenplay and excessive padding preventing the film from achieving the impact it aims for. Story: The sequel picks up from where Sardar left off. After reports emerge that Sardar, played by Karthi, has been shot dead in China, the focus shifts to his son Vijay, also portrayed by Karthi, who works as a RAW agent. Vijay does not enjoy much support from his superiors, but that does not stop him from taking matters into his own hands. He launches an unauthorised operation to rescue Walrus, played by Achyuth Kumar.  Although Vijay fails to save him, the mission leaves him with crucial information about a dangerous operation known as ‘DO’. His investigation leads him towards Black Dagger, played by S. J. Suryah, and a larger conspiracy that threatens the country. The mystery surrounding Black Dagger, his motives and the purpose of Operation DO forms the central conflict.  While the premise has the potential for a gripping espionage drama, the narrative takes too long to build momentum and struggles to maintain suspense. Performences: Karthi remains the film’s biggest asset. The actor handles the two contrasting shades of his characters with confidence, bringing gravitas to Sardar while giving Vijay a more youthful and jovial personality. The difference between the two roles allows Karthi to display considerable range, and his energetic performance keeps several sequences watchable even when the writing falters.  S. J. Suryah once again proves effective as a villain, bringing an unsettling intensity to Black Dagger and making some of his scenes genuinely menacing.  Malavika Mohanan has limited scope but makes an impression in the portions available to her, while Ashika Ranganath gets only a few opportunities to showcase her acting abilities.  Yogi Babu provides comic relief, though some of the humour feels artificially inserted into the otherwise serious narrative. c oy-e remaining cast members are adequate within their respective roles. Technical: The film does not consistently live up to its big-budget positioning. The background score is particularly disappointing, with similar musical patterns repeatedly used during the action sequences. At several points, the music becomes excessively loud and threatens to overpower the scenes instead of complementing them. The cinematography fares better, with certain sequences gaining visual appeal from the camera work.  The production design and overall scale are reasonably impressive, but these positives are undermined by the film’s editing. Several portions feel unnecessarily prolonged, particularly during the first half, and a tighter cut could have significantly improved the pacing. The second half makes a more determined attempt to generate intrigue and urgency, but the screenplay never quite develops the momentum required for a satisfying payoff. Analysis: The fundamental problem with Sardar 2 is that it arrives as the follow-up to a successful film. A sequel is expected not merely to continue the story but to raise the stakes and offer audiences something more compelling than what they have already seen. Here, the connection to the first film is maintained while the new storyline remains accessible even to those unfamiliar with the earlier instalment. Yet the basic espionage framework feels familiar, and the film needed sharper writing and more inventive storytelling to make its premise stand out. Instead, the slow stretches, forced comedy and inconsistent screenplay repeatedly take the edge off the narrative. Ultimately, Sardar 2 has a capable lead, an interesting central idea and a few effective performances, but it lacks the tight writing and controlled execution required for a high-impact spy thriller. Karthi’s dual-role performance is undoubtedly a plus, and the core storyline offers enough material for an engaging franchise film. However, the sequel never fully capitalises on those strengths. For audiences expecting a more powerful follow-up to Sardar, the film is likely to feel like a missed opportunity. Positives:  Karthi’s dual performance Basic storyline S. J. Suryah’s villainous act Negatives:  Slow first half Forced comedy Weak background score Uneven editing Inconsistent screenplay Final Verdict:  Sardar 2 has the scale, star power and premise of a promising spy-action franchise, but its lacklustre screenplay and uneven execution keep it from matching the impact of the original. Banner: Prince Pictures, IVY Entertainment Producers: S. Lakshman Kumar, Ishan Saksena Director: P. S. Mithran Music: Sam C. S. Cast: Karthi, Malavika Mohanan, S. J. Suryah, Ashika Ranganath, Yogi Babu and others "},"img":{"url":"https://images.prismic.io/prad/YJ_CQhIc2-axaebY_SARDARReview2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-10T07:32:00+0000","embed":{"embed_url":null}},"uid":"review-sardar-2-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Toxic'"},"content":{"text":"After delivering the massive success of KGF, Yash took considerable time before announcing his next project. He reportedly heard several scripts and met numerous filmmakers before finally joining hands with Geetu Mohandas for Toxic: A Fairy Tale for Grown-Ups. The collaboration itself raised eyebrows, with many wondering how Mohandas’ filmmaking sensibilities would blend with Yash’s larger-than-life action image. The result is an ambitious gangster action drama that aims for the scale and intensity of KGF, but struggles to match its emotional impact. Story: Set against the backdrop of Goa in 1947, the film revolves around a powerful drug and underworld network led by Salvador, a feared gang lord. Raya (Yash) and Ganga (Nayanthara), who are siblings, are among his most trusted associates. Ganga dreams of seeing her younger brother rise to the top of Goa’s drug empire. Raya’s life takes an unexpected turn when he falls in love with Salvador’s daughter, Rebecca (Tara Sutaria), and marries her. This eventually helps him become the head of the drug syndicate, fulfilling Ganga’s long-standing ambition. However, Raya later develops feelings for Nadia (Kiara Advani), a circus performer. Their relationship leads to Nadia’s pregnancy and creates a devastating conflict after Rebecca discovers the affair. Overcome by the situation, Rebecca takes her own life. The central conflict then revolves around Salvador’s reaction and Ganga’s desperate attempts to protect her brother from his wrath. Performances: Yash delivers a convincing performance as Raya and carries much of the film on his shoulders. However, the screenplay is so heavily centred on his character that several supporting roles fail to make a lasting impact. Some of his action sequences also feel exaggerated, with the hero overpowering villains almost effortlessly. While his emotional moments work reasonably well, the action lacks the grounded quality needed to make the violence feel convincing. Nayanthara gets a powerful character as Ganga, but the writing does not provide her with enough substantial scenes. She makes an impression whenever she appears, despite having limited material. Kiara Advani, unfortunately, has little scope to demonstrate her acting abilities, with her character largely confined to glamour and romance. Tara Sutaria fares better, delivering a natural performance in several emotional sequences. The remaining cast members are adequate within the limitations of their respective roles. Technical: Geetu Mohandas deserves credit for attempting a dark and ambitious gangster drama, but the execution falls short of the potential of the premise. The screenplay repeatedly relies on elaborate action sequences, seemingly assuming that Yash’s screen presence and large-scale set pieces alone will sustain the film. Considerably more attention is given to the protagonist than to the development of the supporting characters. The dubbing is another noticeable weakness, occasionally giving the film the feel of a dubbed production rather than a seamless multilingual project. The cinematography is impressive and succeeds in creating the required visual scale. However, the background score does not leave a strong impact. Ravi Basrur’s music fails to live up to expectations, while the songs struggle to connect because of their placement within the romantic portions. Editing is one of the film’s major drawbacks, particularly in the second half, where several sequences feel unnecessarily stretched. The production values, however, remain impressive and contribute to the film’s grand visual presentation. Analysis: The biggest challenge for Toxic was always going to be the enormous expectations surrounding Yash after KGF. Audiences naturally expected another high-octane action spectacle, and the film clearly attempts to recreate that larger-than-life formula. But KGF worked not merely because of its action; its emotional core gave the spectacle considerable weight. Toxic struggles in that department. The film repeatedly prioritises action, violence and glamour while failing to build sufficiently strong emotional connections with its characters. The result is a movie that looks ambitious but often feels emotionally hollow. The excessive romantic and adult-oriented content may also alienate a significant section of family audiences. Instead of complementing the gangster narrative, several such sequences feel unnecessarily provocative and distract from the core story. The film appears determined to push its mature tone, but the approach does not always feel organic to the narrative. Ultimately, Toxic showcases Yash’s immense screen presence and delivers a few visually striking action sequences, but it falls short of replicating the emotional resonance that made KGF such a phenomenon. The attempt to create another massive Yash action vehicle is evident, yet the absence of a compelling emotional backbone prevents the film from reaching its full potential. Plus Points: Yash’s performance Tara Sutaria’s natural acting A few well-executed action sequences Grand production values Impressive cinematography Minus Points: Weak story and screenplay Limited depth for supporting characters Excessive romance and adult content Over-the-top action in places Underwhelming music and background score Slow and stretched second half Dubbing issues Verdict: Toxic sets out to deliver another KGF-style action extravaganza but misses the emotional ingredient that made Yash’s previous blockbuster so effective. Despite its scale, star power and flashes of impressive action, the film struggles to create a satisfying overall impact. Final Take: Another KGF was attempted, but the emotion is missing. Banner: KVN Productions Producer: Venkat K. Narayana Director: Geethu Mohandas Music: Ravi Basrur Cast: Yash, Kiara Advani, Nayanthara, Huma Qureshi, Tara Sutaria, Rukmini Vasanth, Sudev and others"},"img":{"url":"https://images.prismic.io/prad/E2UJr6qTDfzc_kvt_TOXIC.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-26T07:45:00+0000","embed":{"embed_url":null}},"uid":"review-toxic"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Irumudi'"},"content":{"text":"It has been a long time since Mass Maharaja Ravi Teja scored a hit. At a time when his fans were also giving up hope on Ravi Teja, expectations have increased hugely on the film directed by Shiva Nirvana, who is known as a sensible director. A positive buzz has been created for Ravi Teja's film like never before and huge advance bookings have been registered. Let's see how this film is in this review. Story: Trinath (Ravi Teja) is a devotee of Ayyappa. He wears an Ayyappa garland every year. Trinath, who is very devoted when he wears a garland, cannot stop drinking when he does not have one. No matter how much he drinks, he takes good care of his wife Kaveri (Priya Bhavani Shankar) and daughter Manikantha (Baby Nakshatra), leads a happy life with them, and works in the banana plantation. Trinath, who lives in a village, loves his daughter. He takes care of every girl in the village and is the first to come to his aid if any danger comes to them. At such a time, a girl studying in high school is murdered. What changes does Trinath's life bring about with that murder? Why does Trinath swear to his daughter that he will stop drinking? What else does Trinath do for his daughter is the story of the film. Actors' Performance: Everyone who acted in the film acted very well. Ravi Teja, as always, acted with full energy and impressed. Especially in the action scenes and sentimental scenes with his daughter, Ravi Teja acted very well. Ravi Teja appeared for the first time in Ayyappa Mala. As expected, Ravi Teja impressed in the devotional scenes as well. Overall, he carried the film on his shoulders and carried it forward, impressing everyone including the fans. Heroine Priya Bhavani Shankar acted as if she had a good future. She was seen in a de-glamor look in this film. Still, she impressed in terms of looks. Apart from that, she impressed with her acting. In recent times, we have been seeing the level of importance given to the acting of heroines. It has been proven once again that heroines will create dust if they get roles that have potential for acting. There is no doubt that Baby Nakshatra has given life to the film. Ajay Ghosh and Sai Kumar impressed with their roles. Technical: Music director GV Prakash Kumar impressed with the background score. The theater was rocked by the song Mallepula Pallaki. However, it must be said that the credit does not go to GV Prakash. The other songs are mediocre. The more GV lifts the film with the background score, the more it lifts it. Director Shiva Nirvana's writing is good. Some dialogues are touching, while some scenes are like the best of Ravi Teja's career. Overall, the director has succeeded in all respects. There are no major mistakes in editing. It would have been even better if some scenes in the second half had been cut to three or four minutes. The cinematography is good. The beauty of the village has been shown well. There is no compromise in the structural values. Analysis: Director Shiva Nirvana has conveyed the point he wanted to convey with devotion and sentiments. The director has shown the injustice being done to girls in the current society well. Apart from that, there is no doubt that he has made a good decision in choosing Ravi Teja for this film and taking Ayyappa Mala as the backdrop. Ravi Teja has never done such roles in the past. That is why there is a concern about how he will be seen in this film, how the character will be, and how the film will be. After watching the film, it feels like we are seeing Trinath instead of Ravi Teja. The director has taken us into the film in a very short time. This film can be called a movie with good sentiment and devotion along with entertainment. Ravi Teja's films have been criticized for a long time in the industry. There is no doubt that this film is the answer to all of them. It went like an all-round movie. Plus points: Ravi Teja, Other Actors' Performances, Mallepula Pallaki Song, Action Sequences Minus points: Some Emotional Scenes Final Verdict:  Ravi Teja tied 'Irumudi' to Ayyappa and scored a hit Banner: Mythri Movie Makers Producer: Naveen Yerneni, Y Ravi Shankar Director: Shiva Nirvana Music: G.V. Prakash Kumar Cast: Ravi Teja, Priya Bhavani Shankar, Sai Kumar, Baby Nakshatra, Ajay Ghosh and others"},"img":{"url":"https://images.prismic.io/prad/HcTr2KkaiWO37ssK_irumudi.jpg?auto=format,compress"},"datetime":"2026-08-21T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-irumudi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Awarapan 2'"},"content":{"text":"Some characters become so closely associated with an actor that bringing them back after nearly two decades is a risky proposition. Shivam Pandit is one such character for Emraan Hashmi. Awarapan 2 takes that risk and, for the most part, understands why the 2007 film became a cult favourite. Directed by Nitin Kakkar, the film picks up the emotional thread of the original rather than simply recreating it. Shivam is still carrying the memory of Aaliyah when he comes across an abandoned infant girl at her grave. He takes her to an orphanage, quietly pays for her care and names her Aaliyah. When a couple later adopts the girl, Shivam convinces himself that giving her a family is the right thing to do. He soon discovers that they are connected to an international child-trafficking syndicate, and when Interpol tells him that Aaliyah has been abducted, the man who had walked away from the criminal world has no choice but to return. That premise gives Awarapan 2 a natural reason to bring Shivam back rather than forcing a reunion for nostalgia's sake. Interpol wants his help in taking down the syndicate, but Shivam's motivation is much more personal. His guilt over Aaliyah and his inability to protect her pull him back into the world he desperately wanted to leave behind. This is where the sequel expands the franchise. The first Awarapan was raw, intimate and deeply rooted in Shivam's personal transformation. The new film moves from that compact moral awakening into a larger crime thriller involving trafficking, organised crime, revenge and sacrifice. The scale is bigger, the action is more prominent and the storytelling is designed for a theatrical audience, but the emotional core remains Shivam's search for redemption. The narrative has moved from 2007 to 2026, and this genuinely feels like the next chapter rather than a film simply borrowing the name of a beloved original. A major part of that evolution comes from Vishesh Bhatt. As the co-producer of Awarapan and now the writer-producer behind Awarapan 2, Bhatt's vision of turning Awarapan into a franchise is central to the film. This isn't just a sequel made because the first film developed a cult following. There is a clear attempt to build the next chapter of Shivam Pandit's story while retaining the emotional and musical DNA of Vishesh Films. Bhatt's creative direction gives the film its larger ambition, with Kakkar and the entire team following that lead. The collaboration between Emraan Hashmi and Vishesh Films remains one of the film's strongest forces. Emraan, unsurprisingly, is the film's biggest strength, but the supporting characters deserve attention. Disha Patani plays Zara, a woman who becomes an unintentional victim of the criminal world surrounding her family. Her brother Zorawar, played by Puran Gabbi, is involved in the drug trade, and the film uses their relationship to show how crime can trap people who never chose that life. Patani gets a stronger dramatic focus and brings a vulnerability that gives Zara's portions emotional weight. Gabbi is one of the film's discoveries, bringing an unpredictability that makes Zorawar stand out without turning him into a standard gangster caricature. Shabana Azmi as Nafisa brings the expected gravitas, while Suvinder Vicky as Jaideep, Vijayant Kohli as Mehmood, Atul Kumar as Samarth and Aniruddh Rawal as Sikandar add further layers to the criminal and investigative world around Shivam. The music is where Awarapan 2 makes perhaps its most important connection with the original. Mithoon, Amaal Mallik and Jeet Gannguli carry forward the musical identity of the franchise, with lyrics by Sayeed Quadri and Rashmi Virag. The returning favourites \"Tera Mera Rishta\" and \"Toh Phir Aao\" have been reimagined by Mithoon, while \"Yeh Awarapan\", sung by Arijit Singh, adds another emotional layer. But the soundtrack is not simply a collection of songs designed to trigger nostalgia. The music is integral to the story. It carries Shivam's emotional state, builds the atmosphere and becomes part of the film's narrative language. This is also a soundtrack that deserves to be experienced in a theatre, where the sound design, scale of the compositions and visuals create a different audio-visual experience. The film also makes its marketing campaign look smarter once the story unfolds. Some of what has been shown and teased begins to make sense only after watching it, and there are elements of the narrative better experienced without knowing too much beforehand. Awarapan 2 is not merely selling the return of Emraan Hashmi or the nostalgia of its music. It is attempting to make audiences curious about what happened to Shivam and where his story goes next. The big-screen presentation adds to that appeal. Awarapan 2 succeeds because it respects where the franchise came from without pretending that cinema hasn't changed since 2007. It is bigger, more ambitious and more conventional as a thriller than the original, but it retains the grief, rage, sacrifice and search for redemption that made Shivam Pandit memorable. Vishesh Bhatt's franchise vision, Vishesh Films' creative identity, Nitin Kakkar's direction, Bilal Siddiqui's writing and Emraan Hashmi's return all work toward the same goal: taking Shivam's story forward rather than simply repeating it. Disha Patani gets a meaningful role, Puran Gabbi emerges as a genuine discovery, the supporting cast adds weight and the music remains an essential part of the experience. It may not have the same bleak intimacy as Awarapan, but that isn't what this film is trying to be. This is the 2026 chapter of Shivam Pandit's journey much bigger, louder and still carrying the same old wound. Director: Nitin Kakkar,  Cast: Emraan Hashmi, Disha Patani, Shabana Azmi, Puran Gabbi, Suvinder Vicky and others"},"img":{"url":"https://images.prismic.io/prad/nH0_7NckLLpkJ8vL_awarapan2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T04:07:00+0000","embed":{"embed_url":null}},"uid":"review-awarapan-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishwanath and Sons'"},"content":{"text":"Despite being a Tamil hero, Surya is a hero who has a good craze in Telugu. Telugu audiences have raised their expectations as soon as he says that he is working with a Telugu director. The film Surya, which was made in a Telugu production company and directed by a Telugu director, was promoted as a Telugu film. Let's see how this film, which has huge expectations among the audience, is doing in this review. Story: Sanjay Vishwanath (Surya) is a big businessman. Sanjay, who has everything, is not interested in marriage. But his mother (Radhika) insists on marriage and having a family. Sanjay becomes a father to a baby boy through surrogacy for his mother. While he is happy with Babu, unexpected developments take place. Babu develops serious health problems. Babu needs bone marrow. Then Sanjay goes to Maddy (Mamita Baiju), who is in the US. She has to give the bone marrow to Babu. 22-year-old Maddy, who came for Babu, falls in love with 42-year-old Sanjay. Where did that love lead? Who is Maddy really? You have to watch the movie to know these things. Performance: There is no need to mention the performance of the hero Surya. Millionaire Sanjay Vishwanath impressed in the role. Surya scored 100 out of 100 marks in showing that modesty. Surya impressed in a role that shows love while appearing serious in some scenes. Overall, there is no doubt that Sanjay Vishwanath brought the character to life. Fans enjoyed the shades of Surya's character. Surya impressed with his 40+ age look. Maddy's role is very crucial in the movie. The entire first half is based on that character. Mamita Baiju appeared in the role of an orphan with no one. Generally, any heroine would look good in the role of a naughty girl. But Mamita in the role of Maddy made me laugh, cry, and get angry. She was the main attraction of the film. It seemed that Maddy's role would have been better in the second half as well. Radhika impressed in the role of Sanjay's mother. She seemed to have transformed into a small child and acted. The other actors acted and impressed within the scope of their roles. Technical: It seemed that the music director focused more on the background score than on the songs. It must be said that his hard work was rewarded. Because the background score came out well. It led some scenes in an impressive way. Let's talk about cinematography. Generally, it is easy to show the beauty of the village, but to bring a rich family look, cinematography has more work. That work is good. It would have been better if the director had worked more on the second half. The structural values ​​are good. Editing needs to be improved in the second half. Plus points: Mamita Baiju Surya Entertainment Some sentimental scenes Minus points: Second half Fights Analysis: Director Venky seems to have come up with a mature story once again. However, this time, the addition of a love story made it a youthful entertainer. Especially in the first half, the scenes with the heroine should definitely make the audience fall in love. The scenes between the hero and heroine make you laugh on one side and cry on the other. Although the second half seemed to be a bit sentimental, it ended on a positive note. There is no doubt that if the first half was as entertaining as the second half, it would have been even better if it had been more entertaining along with sentiment. Overall, this film can be watched for the heroine Mamita Baiju and for the sentimental scenes. Finally... The first half is fun, the second half is balanced with emotion. Banner: Sitara Entertainments Producer: Suryadevara Nagavamsi Director: Venky Atluri Music: G.V. Prakash Kumar Cast: Surya, Mamita Baiju, Radhika Sarath Kumar, Raveena Tandon, Nassar, Sudha and others"},"img":{"url":"https://images.prismic.io/prad/ahgA9bK9tuLqENie_vishwanathandsons.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T07:46:00+0000","embed":{"embed_url":null}},"uid":"review-vishwanath-and-sons"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Korean Kanakaraju'"},"content":{"text":"Mega hero Varun Tej, who has been greeting the audience with a series of films, has once again come to the Telugu audience with a different concept. This time, he has come to the audience with a Korean ghost concept like never before. He has attracted everyone's attention by coming to the audience with a ghost concept.  A large-scale publicity program was organized before the release. With that, a huge buzz was created. Let's see if the movie lives up to that buzz in the review. Story: Kanakaraju (Varun Tej) from Penukonda area leads a smooth life. He falls in love with Chaitra (Rithika), who works for Kia car companies. An angry Kanakaraju has a fight with a local rowdy gang. At that time, in the wake of unforeseen developments, the ashes of a person from Korea arrive in India. They reach Penugonda. The soul of the deceased Korean man enters Kanakaraju's body. Why did that soul enter Kanakaraju's body and what happens next is the rest of the story. Actors' performance: Varun Tej seems to have done 100 percent justice to the character of Kanakaraju. There is no doubt that he acted as if the angry Kanakaraju was really in front of us, and there is no doubt that the way he spoke in Korean when the Korean soul entered him took Varun's acting to another level. Varun, who maintained a good physique to match the character, also impressed with his comedy timing. It is no exaggeration to say that Varun has never done this level of comedy before. Varun impressed with his acting in the action scenes, but he could not do much with his dance. Heroine Rithika impressed with her cute looks. However, despite the importance of her role in the story, she did not get much opportunity to appear in the screenplay. The scenes with Satya were good, but Satya's dominance is clearly visible in it. Rithika impressed in two or three scenes along with her cute beauty display.  Comedian Satya appeared on the screen more than the second hero. At the same time, he impressed with his comedy. Overall, Satya's comedy was the main attraction in the film. Those who played the rest of the characters did not seem to care. Technical: The songs provided by music director Thaman seemed mediocre, but the background score was good here and there. Thaman impressed in some horror scenes. Overall, it must be said that Thaman's work is not up to his level. It would have been better if the songs were two or three good. The cinematography seems to be okay. It seemed like the focus on action scenes was reduced in order to show Korean beauties. The heroine was shown as cute. More care should have been taken in the matter of hero elevation. It would have been better if director Gandhi had rewritten the story and given a different treatment to the screenplay. The production values ​​are good. There is a possibility of trimming some of the second-off scenes. Analysis: The main attraction of the movie is the concept. It seems that director Gandhi has not been completely successful in carrying out that concept with a proper screenplay. However, he has brought the movie to a close with comedy. It is commendable that the director has chosen Satya for that role with full faith. The comedy has the potential to make the movie closer to the family audience. Since there have been no movies with the concept of a Korean ghost movie so far, this movie is sure to feel new. Director Gandhi has a reputation for making different movies.. This movie is a continuation of that. Varun Tej has fully fulfilled the responsibility assigned to him. It would have been better if he had thought better about the screenplay and worked out the horror scenes. The graphics seem poor. It seems like it was made using AI technology. Plus points: Concept, Hero heroine, True comedy Minus points: Routine horror, Graphics, Korean language. Finally... A routine horror drama that will please mega fans Banner: UV Creations Director: Merlapaka Gandhi Producer: Vamsi, Pramod Music: Thaman Cast: Varun Tej, Rithika Nayak, Satya and others"},"img":{"url":"https://images.prismic.io/prad/Ui6FbufwpUs86SxR_KoreanKanakaraju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-07T06:59:00+0000","embed":{"embed_url":null}},"uid":"review-korean-kanakaraju"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Chennai Love Story'"},"content":{"text":"Small films are having a good time in Tollywood. The makers have been repeatedly saying that they are bringing this film to the audience as a content-oriented film, in the wake of the huge success of making content-oriented films. The makers who gave a super hit film like Baby have brought this film to the audience. Let's see how this film, which was released today, is like in the review. Story: Niv (Sri Gauri), who wanted to fall in love and get married, is unexpectedly cheated by her boyfriend Ajay (Trigun). He leaves her by saying that he loves another girl before the wedding. With that, Nivi turns into a lady Devadasu and becomes addicted to drinking. At that time, her friends take her to Chennai and try to change her a little. But her behavior does not change. That's when Steven Shankar (Kiran Abbavaram) steps into Chennai to show his mettle as a director. Friends help Shankar, an orphan, and allow him to stay in their room. The room is close to Nivi. At first, Shankar's words used to irritate Nivi. Slowly, she gets closer to him. Love blossoms between the two. But amidst unpredictable developments, their love runs into a problem. What is that problem and will the two meet again is the plot. Acting: Kiran Abbavaram impressed with his good acting, like in the past, he impressed with his looks as if he was the boy next door. Playing the role of an innocent person is not an easy thing. But Kiran Abbavaram played the role very easily. Kiran Abbavaram showed well in this role what an innocent person who steps into Chennai with an effort to impress the director would be like. There is no doubt that this heroine Gowry Priya  is the most crucial role in the story. She has done complete justice to her role. Siri Hanumanthu has once again impressed with her acting in a good role. She is likely to get more good roles in the future. Those who played other roles impressed within the scope of their roles. Technical: When the director thought that the story was being handled well, he tried to say something new by saying Atma Paramatma in the second half. It must be said that it failed. In terms of screenplay, the second half failed. The music was impressive, especially the background score was impressive. Manisharma once again showed his magic. Cinematography is good. There is no doubt that cinematography has definitely been useful in showing the beauty of Chennai. The dialogues are good. There are some flaws in the editing, and there is still work to be done in the second half. The structural values ​​are according to the story. Plus points: Hero, heroine acting, Manisharma's background score First off Minus points: Second half, Routine screenplay. Analysis: Producer Sai Rajesh has been making comments in several media conferences and interviews that this film is definitely a baby range cult love story, but it doesn't seem like it has any scenes. While you think that the first half of the film will be smooth and interesting, he made the second half boring by adding unnecessary elements. If the same love story had been continued simply, the second half would definitely have been a good talk. Hero Kiran Abbavaram impressed with his good performance. The audience will definitely appreciate him, and heroine Gauri also did full justice to her role. Gauri impressed in the role of a drunkard and Lady Devadasu, but it must be said that the screen did not match their performance. Overall, Chennai Love Story turned out to be an average love story. Finally... It makes feel like going all the way to Chennai for this love story Banner: Mass Movie Makers Producer: SKN, Sai Rajesh Director: Ravi Namburu Music: Mani Sharma Cast: Kiran Abbavaram, Gowri Priya, Siri and others"},"img":{"url":"https://images.prismic.io/prad/0yN9tZHPaAuq2hyg_CLS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T08:01:00+0000","embed":{"embed_url":null}},"uid":"review-chennai-love-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Jana Nayakudu' "},"content":{"text":"Expectations have increased among all sections of the audience on the film Jana Nayaku, which was advertised as the last film of Tamil superstar Vijay. Although it was not officially announced that it is a remake of the film Bhagwant Kesari, which came in the combo of Balakrishna and Anil Ravipudi, the makers have been unofficially saying it.  This film, which was delayed a lot due to Tamil Nadu politics, made a royal entry without any problems as Vijay became the CM of Tamil Nadu. And how is this film? Will the audience like this story again in Telugu? Let's see in this review. Story: Vetri Kondan's (Vijay) mother dies in jail. Out of humanity, the jailer releases Vetri Kondan on parole and sends him out to see his mother for the last time. When Vetri is sent out, the jailer gets into a big problem. Vetri Kondan learns that the jailer who helped him is in trouble, and goes to his house. In the wake of unexpected developments, the jailer dies. His only daughter, Viji (Mamita Baiju), becomes an orphan.  The jailer who helped him looks after his daughter and wants to make her an army officer. But Viji says she will not join the army out of fear. Why does Vetri want to send Viji to the army? Will Viji finally join the army? What difficulties will Vetri face in doing so? This is the story. Performance: There is no need to mention anything special about Superstar Vijay's performance. Just as Balakrishna adapted to the role in Bhagwant Kesari, there is no doubt that Vijay also adapted to the role of Vetri. The screenplay was such that the entire story of the film was carried on his shoulders. Even so, Vijay acted well in every scene without giving up. There is no doubt that he impressed with his comedy timing. His fans will enjoy the action scenes to the fullest. Now that he is the CM, he has tried to show Vijay in that angle as well, which is a feast for the eyes of the fans. Since this is Vijay's last film, it seems that he gave his best. Pooja Hegde, who played the heroine, does not have much screen presence. It must be said that Pooja Hegde's screen presence is less than what Kajal Aggarwal's role was in the original Telugu version. Mamita Baiju played the role of Viji, played by Srileela in Telugu and got good marks. It seemed that Mamita did Viji's role even better than Srileela. Along with impressive looks, the two heroines gave good expressions to suit their roles. However, Pooja Hegde's role did not get priority. Mamita impressed as much as she did. Bobby Deol impressed in terms of looks. It would have been better if he had been shown as a stronger and better villain. Since the villain role was not given priority in the story, Bobby Deol's performance became like water poured on ashes. Technical: Director H Vinod tried to make the Telugu story as it is and add Tamil flavor to the screenplay. He made the story without making many changes in the first half. However, when it came to the second half, he made many changes. The entire screenplay changed as if it was a new story. Vijay's character also left the audience in a bit of a quandary. There is nothing much to say about the music. Anirudh, as usual, gave a good background score to Vijay's film. But since the songs did not have much scope, Anirudh's work did not come out much.  The cinematography is good. The cinematography is definitely good in elevating the action scenes. There are errors in the editing. Some scenes in the second half, especially the villain scenes, could have been trimmed. It would have been better if the heroine scenes that are not part of the story were also trimmed a bit. The production values ​​are good. The story was produced with added weight without detracting from it. Plus points: Vijay, Some Action Scenes, Mamita Baiju Minus points: Story, screenplay, Being a familiar story, Second half, Villain role. Analysis: The film Jana Nayakkudu, which was supposed to be released early this year, did not see its release due to censor problems due to Tamil Nadu politics. Officials said that permission could not be given for the release of the film in the wake of the assembly elections. With Vijay becoming the CM, the film Jana Nayakkudu came plowing ahead without any problems and shook the Tamil box office. This movie has been seen in Telugu before. Even though it is known that this is a remake of Balakrishna Bhagwant Kesari, many enthusiasts booked in advance and watched the movie. The movie got a good opening in Telugu states.  It is undeniable that Jana Nayakkudu could not satisfy the Telugu audience completely. Tamil audience will think aha.. oh my for Vijay Elevations. Moreover, they will like it because it is a new story, but Telugu people do not have much to like about this movie, even though the second half seems to have changed a bit, it felt like it was forced. The political elements were not set in the story at all. There is action but no emotion. The magic is missing in the screenplay. Overall, Jana Nayakkudu does not have anything new that the Telugu audience will like much. Finally... A Tamil mass leader who cannot please Telugu people. Banner: KVN Productions Producer: Venkat K. Narayan Director: H Vinod Music: Anirudh Cast: Vijay, Pooja Hegde, Mamita Baiju, Sunil, Bobby Deol and others"},"img":{"url":"https://images.prismic.io/prad/8WXmx3hoavnPTLpj_jananayakudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-23T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-jana-nayakudu-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}