{"data":{"all":{"edges":[{"node":{"tags":["Health"],"data":{"third_party_url":null,"title":{"text":"Shortness of Breath? Take It Seriously"},"content":{"text":"Feeling winded when doing everyday tasks like climbing stairs may seem normal, but according to Dr. Rajesh Rajani, Consultant Interventional Cardiologist, it can be a red flag for an underlying heart problem. Many people dismiss breathlessness as a sign of aging or lack of fitness, but this could be dangerous thinking. The gradual decline in your ability to perform tasks without getting breathless may go unnoticed, leading to delayed diagnosis of potential heart issues.  Dr. Rajani warns that breathlessness should not be normalized, as it could indicate serious heart conditions such as blocked arteries, heart valve disease, irregular heart rhythms, or weakening of the heart muscles. Recognizing and evaluating these symptoms early can help identify underlying health risks and prevent more serious complications later. It's crucial not to make excuses for these symptoms and to seek medical advice if you experience increasing shortness of breath.  This article provides insights from Dr. Rajesh Rajani, shedding light on why breathlessness should not be ignored and how it can signify an underlying heart condition."},"img":{"url":"https://images.prismic.io/prad/agwbIKYofJOwHWqT_breath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T18:56:00+0000","embed":{"embed_url":null}},"uid":"dont-ignore-it-when-shortness-of-breath-signals-a-serious-health-concern-mpcc9z9u"}},{"node":{"tags":["Entertainment","featured","four"],"data":{"third_party_url":null,"title":{"text":"TFCC Takes Legal Action Against iBomma"},"content":{"text":"The Telugu Film Chamber of Commerce has taken decisive action by lodging a fresh complaint against piracy websites, iBomma and Bappam TV, for their unauthorized streaming of newly released Telugu films and OTT content. The complaint, filed by Manindra Babu Yarra, project head of the anti-video piracy cell, alleges that the websites were illegally offering free access to copyrighted films in multiple languages, including Telugu, Tamil, Hindi, and Bengali. Moreover, the operators are accused of promoting illegal online betting platforms through embedded advertisements.  The sophisticated piracy ecosystem utilized Google’s Blogspot platform as a front-end portal, with custom streaming players embedded for seamless playback of pirated movies. Additionally, the websites were found to have anti-tracking and anti-debugging mechanisms to evade law enforcement scrutiny. The complaint also highlighted the aggressive promotion of banned betting applications, such as 1xBet and 4rabet, alongside the streaming of movies.  The Hyderabad cybercrime police have registered a criminal case against the unidentified operators of the websites under multiple provisions of the Information Technology Act, the Bharatiya Nyaya Sanhita, the Telangana Gaming Act, and the Promotion and Regulation of Online Gaming Act, 2025."},"img":{"url":"https://images.prismic.io/prad/agwZ0aYofJOwHWpV_ibommaboppam.JPG?auto=format,compress"},"datetime":"2026-05-18T19:56:00+0000","embed":{"embed_url":null}},"uid":"telugu-film-chamber-takes-legal-action-against-ibomma-bappam-tv-for-illicit-stre-mpcc9xcp"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Dhamin' Snake at Salman’s Flat: Is It Venomous?"},"content":{"text":"A five-foot-long ‘Dhamin’ snake, also known as the Indian rat snake, was found slithering inside Bollywood superstar Salman Khan’s luxe Galaxy Apartment in Mumbai and was safely rescued from the premises.  A snake wrangler was called to the spot to control the situation. In the evening, a police constable on duty informed snake rescue expert Vicky Dubey about the incident. As soon as he received the information, Dubey reached the spot and safely rescued the nearly 5-foot-long snake with proper precautions. The matter was also reported to the Bandra West Police Station and the Forest Department control room. No one was injured during the entire operation, and the situation remained completely under control. Following the incident, an official diary entry regarding the matter was made at the Bandra West Police Station. However, talking about the “Dhaman Jatika” snake, which is usually referred as the Indian Rat Snake, is a common non-venomous snake found across India. It feeds on rats, frogs, lizards, and other small animals. Talking about Salman, the superstar penned a note stating that he has plenty of attention from his vast social circle. It comes after the “Dabangg” actor wrote a post about “loneliness and being alone”. He wrote, “Arre yaar Mai apne bare mai nahi baat kar raha tha (Hey, I wasn't talking about myself). How can I be alone when I have such a large amazing family n friends n how can I be lonely when I have u guys,your wishes n Duas, I would be the biggest na shukra (ungrateful person) ever”. However, the actor then shared that sometimes his social battery runs out, and he just can’t deal with people. Hence, he prefers some “me time”. “Kabhi Kabhi logon ke saath reh kar pak jaata hun, isliye some me time, Buss… Iss baar koi photo nahi breaking news bana diya, Mummy pooch rahi hai, Kya hua Beta? Chill maro yaar (Sometimes I get bored of being around people, so I take some time off, that's it... This time, no photos, you guys turned it into breaking news, Mom is asking, ‘What happened, Beta?’ Chill guys)”, he added. Meanwhile, on the work front, the actor will be next seen in ‘Maatrubhumi’."},"img":{"url":"https://images.prismic.io/prad%2F1b4a2b04-2abd-4bad-82c6-abba533cc8e8_snake.jpg?auto=format%2Ccompress&rect=0%2C4%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-05-19T07:15:00+0000","embed":{"embed_url":null}},"uid":"dhamin-snake-at-salmans-flat-is-it-venomous"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Karuppu' Makers Apologise to Ilaiyaraja"},"content":{"text":"Clarifying that they had no intention to offend, hurt, or disrespect music director Ilaiyaraaja, his contribution, or his rights in any manner, the makers of director RJ Balaji's courtroom action drama 'Karuppu' have now expressed regret to the ace music director for a dialogue in the film that referred to him. The makers have also announced that they had decided to remove/modify the concerned portion in future versions and subsequent exploitations of the film. In a statement, which it shared on its social media timelines, Dream Warrior Pictures said, \"We understand that a particular dialogue appearing in 'Karuppu' has caused concern and has upset him (Ilaiyaraaja). We sincerely regret that the dialogue has resulted in such sentiments.\" The makers further said, \"There was absolutely no intention to offend, hurt, or disrespect Mr. Ilaiyaraaja, his contribution, or his rights in any manner. The reference formed part of a broader satirical context and was not conceived as a personal remark directed at him.\" Stating that they deeply valued and respected his feelings, the makers of Karuppu said that as a gesture of their regard for him, they had decided to remove/modify the concerned portion in future versions and subsequent exploitations of the film. The production house expressed its sincere respect and admiration for Maestro Ilaiyaraaja and his extraordinary contribution to Indian cinema and music, which it said had inspired generations and continued to hold a special place in the hearts of audiences across the world. For the unaware, actor Suriya's eagerly awaited action entertainer 'Karuppu', the release of which was delayed by a day due to financial troubles, has now taken a strong opening with the film well on its way to emerging a superhit. The film, which features Suriya, Trisha and RJ Balaji himself in the lead roles, has music by Sai Abhyankkar."},"img":{"url":"https://images.prismic.io/prad/aIecnVGsbswqTXMO_ilayaraja.JPG?auto=format,compress"},"datetime":"2026-05-19T04:52:00+0000","embed":{"embed_url":null}},"uid":"karuppu-makers-apologise-to-ilaiyaraja"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"How Sonakshi choice of films have changed"},"content":{"text":"Bollywood actress Sonakshi Sinha, who is gearing up for the release of her upcoming streaming movie ‘System’, is looking back at her journey in cinema. The actress spoke with media during the promotions of ‘System’ in Mumbai, and opened up about doing masala films like ‘R... Rajkumar’ and ‘Rowdy Rathore’ during the initial phase of her career. Talking about how her choices have changed over the years, Sonakshi told, “I really thoroughly enjoyed myself working on those films. I think at that time, I was also in a time where I was doing a lot of these very colourful and very, so to speak, spicy films. And I enjoyed that too. And I think the work that I'm doing now I enjoyed that too. I think at that point of time, that was what was required from me as an artiste”. She further mentioned, “And now this is what is required from me as an artiste. I want to be that actor that you can put in any film. And I will try to be that. But of course, I've reached a point also where I'm doing only the kind of work that I want to do now. So, it was a good journey for me. I think I had to do those films to kind of land up doing the films that I'm doing today. So, that brought me the audience, that brought me the love and support of so many people. Which is why I'm able to do roles like this today. So, I'm very grateful”. Meanwhile, ‘System’ is a courtroom drama, and sees Sonakshi as a lawyer, and Jyothika as a stenographer. It marks Sonakshi’s 1st performance as a lawyer. She essays the role of Neha, a determined young lawyer played by Sonakshi Sinha, taking on a tough challenge from her father (played by Ashutosh Gowariker) to be worthy of a partnership in his firm. Produced by Pammi Baweja, Harman Baweja, and Smitha Baliga, 'System' will drop on May 22 on Prime Video."},"img":{"url":"https://images.prismic.io/prad/aPE0fp5xUNkB2Efg_sonakshi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-19T07:45:00+0000","embed":{"embed_url":null}},"uid":"how-sonakshi-choice-of-films-have-changed"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"India Emerges AI Workplace Leader"},"content":{"text":"India emerged as a global leader in artificial intelligence adoption, with 41 per cent of employees reporting that they use AI nearly every day, a report said on Tuesday.  The report from ADP Research said that around 80 per cent of employees in India use AI at least multiple times a week – the highest levels recorded across all surveyed markets. Indian usage is significantly higher, as only half of the workers surveyed globally use AI multiple times a week. Nigeria (39 per cent) and Vietnam (36 per cent) followed India in terms of daily AI usage. However, the findings also revealed a growing disconnect between AI adoption and perceived productivity. While 30 per cent of daily AI users reported being fully engaged, they were four times more likely than non-users to feel less productive.  As AI took over routine tasks, employees felt their contributions were harder to quantify and evaluate, the report noted. \"India is among the leading adopters of AI at work, but high adoption alone does not guarantee greater productivity. Many employees carry a quiet anxiety about the future of their careers, and whether AI is making their contribution harder to measure,” said Rahul Goyal, managing director, ADP India and Southeast Asia. “Ultimately, the organisations that succeed will be those that invest in making their people more adaptable, not just more efficient,\" he added. Frequent AI use is also linked to higher engagement and lower stress as AI users on a daily basis reported mental stress at 11 per cent versus 23 per cent for non‑users. Daily users were also more likely than less frequent users to feel their jobs are safe from elimination, indicating a strong link between regular AI use and job confidence.  Women in India are using AI more frequently than men, with 44 per cent using AI nearly every day at work compared to 40 per cent."},"img":{"url":"https://images.prismic.io/prad/agxCXqYofJOwHXH3_AIWP.JPG?auto=format,compress"},"datetime":"2026-05-19T10:42:00+0000","embed":{"embed_url":null}},"uid":"india-emerges-ai-workplace-leader"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Fishermen in 100 boats reach CBN’s house"},"content":{"text":"Andhra Pradesh fishermen arrived at Chief Minister N. Chandrababu Naidu’s Undavalli residence here after sailing in 100 boats in the Krishna River to express their joy over the release of financial aid by the state government for the second consecutive year. State minister for human resources development and information technology, Nara Lokesh, who is the son of the Chief Minister, welcomed the fishermen. Lokesh posted on X that the fishermen came on 100 boats to express their joy over the release of funds under the ‘In the service of fishermen’ scheme and to convey their thanks to the Chief Minister. “I inquired about their well-being. The fishermen expressed their gratitude to the Chief Minister and the people's government. I assured them that the people's government is working day and night for the welfare of fishermen and that I will stand by them through any hardship. The rare gratitude of the sons of the Ganga, their affection, is immeasurable,” said Lokesh. Chandrababu Naidu was in Nellore district to participate in the distribution of financial assistance among fishermen under the scheme. The state government is providing financial assistance of Rs 20,000 each for the families during the fishing ban period. Every year, the fishing is banned from April 15 to June 14. The state government last year launched the scheme to help the fishermen during the period. Last year, the government deposited Rs 243 crore in the bank accounts of 1,21,433 fishermen. This year, the government has extended an assistance of Rs 262 crore to 1,30,796 fishermen families. Addressing fishermen, the Chief Minister announced that the government remained committed to their welfare. Amid reports of alleged trespassing and illegal fishing by mechanised fishing boats of Tamil Nadu in the territorial waters of Andhra Pradesh, he made it clear that Andhra Pradesh will not tolerate anyone from neighbouring states encroaching upon its coastal waters. “We will not tolerate anyone from neighbouring states encroaching upon our coastal waters. We will safeguard the rights of our fishermen,” he said. Later, the Chief Minister visited the Joint Action Task Force for the Sea Patrolling Centre in Nellore district. The Task Force comprises the Marine Police, Department of Fisheries, Forest Department, and local fishermen. The Chief Minister directed that satellite imagery also be utilised for patrolling purposes to prevent the intrusion of fishing boats from other states. Officials demonstrated technology enabling patrols via drones, which can also be used to issue warnings. Drones are being utilised to issue warnings—in Telugu, Tamil, and other languages—to boats from neighbouring states that enter the maritime waters within Andhra Pradesh's borders."},"img":{"url":"https://images.prismic.io/prad/agxf7KYofJOwHXb__fisherman.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-19T12:18:00+0000","embed":{"embed_url":null}},"uid":"fishermen-in-100-boats-reach-cbns-house"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Mashooqa' song from 'Cocktail 2'"},"content":{"text":"'Mashooqa' sing from 'Cocktail 2'"},"img":{"url":"https://images.prismic.io/prad/agxLn6YofJOwHXNF_mashooqasong.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-19T08:38:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=7jMzMXpSOjs"}},"uid":"mashooqa-song-from-cocktail-2"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Early exit - what went wrong for LSG this season?"},"content":{"text":"When Lucknow Super Giants (LSG) assembled their squad ahead of the Indian Premier League (IPL) 2026, they looked like one of the most balanced sides in the competition. A power-packed batting unit, experienced international names, proven Indian performers, and improved fast-bowling depth made them appear genuine title contenders on paper.  Instead, the season unravelled into one of frustration, inconsistency, and missed opportunities. LSG’s playoff hopes faded long before the final week of the league stage, with the side struggling to build rhythm across departments. While injuries and selection instability played a role, the larger problem was that the team never consistently clicked as a unit. One of the defining features of Lucknow’s season was their inability to sustain winning runs. Every time the side appeared ready to revive its campaign, another collapse followed. They showed flashes of brilliance in isolated games, dominant batting displays, strong chases, and moments of individual brilliance, but failed to maintain consistency over multiple matches. The contrast became particularly visible against stronger playoff contenders. LSG often remained competitive in the early phases of games before losing control in key moments, especially during the death overs with both bat and ball. Their defeat to the Chennai Super Kings in Chennai summed up the season perfectly. After posting a competitive total and appearing in control during the middle overs, Lucknow lost momentum late in the innings and failed to contain CSK’s chase. Similar patterns repeated themselves throughout the campaign. No storyline defined LSG’s season more than the struggles of captain Rishabh Pant. As the most expensive signing in IPL history, Pant arrived carrying enormous expectations. Lucknow invested heavily in him not only as a wicketkeeper-batter but also as the face of the franchise and long-term leader. However, the season never truly took off for him. Pant’s batting remained inconsistent throughout the campaign. At times, he looked caught between aggression and caution, often failing to convert starts into defining innings. Several dismissals came while attempting high-risk shots under pressure situations, reflecting both the burden of captaincy and the instability around him in the batting order. His leadership also came under scrutiny. Bowling changes, tactical decisions in tight games, and team combinations frequently raised questions, especially as LSG struggled to defend totals consistently. While Pant showed glimpses of his natural brilliance in a few cameos, the overall output fell well below the expectations attached to a marquee signing. Nicholas Pooran endured a similarly uneven campaign. One of the most destructive T20 batters in world cricket, Pooran was expected to provide finishing power and middle-order stability. Instead, his season mirrored LSG’s larger inconsistency. He struggled badly during the first half of the tournament, with questions emerging over both his form and strike rotation against spin. Although he recovered later with a series of aggressive knocks, including late-order hitting masterclasses in a few wins, the damage had already been done. LSG’s middle-order often looked over-dependent on moments of individual brilliance rather than sustained partnerships. Players like Ayush Badoni and Abdul Samad contributed useful cameos, but the batting unit rarely delivered complete collective performances. Among the few consistent positives for Lucknow was Mitchell Marsh. The Australian all-rounder played some of the side’s most impactful innings and frequently carried the batting through difficult phases. Whether attacking during the Power-play or stabilising the innings after early wickets, Marsh brought intent and clarity that was often missing elsewhere in the lineup. In several matches, his performances kept LSG competitive despite failures around him. But one player alone could not rescue a campaign built on inconsistent support systems. If the batting lacked consistency, the bowling lacked control. LSG repeatedly struggled in the death overs, both while defending totals and trying to restrict momentum in high-scoring games. The absence of a settled bowling combination hurt them throughout the tournament. Fitness concerns surrounding Mayank Yadav proved especially damaging. After emerging as one of the breakout fast bowlers in recent IPL seasons, Mayank was expected to become Lucknow’s X-factor with raw pace and wicket-taking ability. But injuries and interrupted rhythm prevented him from making a sustained impact. Meanwhile, senior bowlers failed to consistently close out games under pressure. On batting-friendly surfaces, particularly in night matches, LSG’s attack often looked short of both variation and execution. Opposition teams regularly targeted the final overs, turning competitive matches decisively in their favour. Another major issue was the lack of stability in combinations. Throughout the season, LSG frequently altered batting positions, overseas combinations, and bowling roles in search of the right balance. While some of those changes were forced by injuries, the constant reshuffling prevented the side from developing defined roles. At different stages, the team looked unsure whether it wanted to play aggressively from ball one or adopt a more controlled approach through the middle overs. That uncertainty is reflected in their cricket. Unlike the top teams, who developed clear identities as the season progressed, Lucknow often appeared reactive rather than proactive. What makes LSG’s campaign particularly disappointing is the quality that existed within the squad. On paper, they possessed explosive finishers, experienced internationals, young Indian talent, and genuine pace options. But IPL seasons are rarely decided by potential alone. Lucknow’s 2026 campaign became a story of missed momentum, tactical instability, underperforming stars, and an inability to deliver consistently under pressure. For a franchise that entered the tournament with championship ambitions, the season will ultimately be remembered not for what they achieved, but for what they failed to become. With two clashes remaining before they close their campaign this season, both against teams still in the playoff race, LSG will look to play a spoilsport and finish on a high, thereby aiming to trouble Rajasthan Royals and Punjab Kings, who fight for the last remaining spot in the top four. "},"img":{"url":"https://images.prismic.io/prad/agxefKYofJOwHXZ__LSG.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-19T11:58:00+0000","embed":{"embed_url":null}},"uid":"early-exit---what-went-wrong-for-lsg-this-season"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"UK Gets Youngest Indian-Origin Mayor at 23"},"content":{"text":"A 23-year-old councillor, Tushar Kumar, has created history by becoming the youngest Indian-origin mayor in the United Kingdom after being appointed mayor of Elstree and Borehamwood.  Originally hailing from Haryana, Kumar was officially appointed at the council’s Mayor-Making Ceremony held at Fairway Hall in Borehamwood on May 13. Several councillors, civic leaders, community organisations, residents, family members and friends attended the event. Taking to his social media platform X, following the ceremony, Kumar said, \" An incredible honour to officially become Mayor of Elstree and Borehamwood and, at 23 years old, the youngest ever Indian-origin Mayor in UK history. From studying political science at King’s College London to now serving the town I love, this journey feels surreal.” Reflecting on his political journey during his acceptance speech, Kumar said he was first elected as a councillor at the age of 20 while pursuing political science at King’s College London. He spoke about the significance of assuming the mayoral role at a young age and expressed hope that it would inspire more young people to participate in local democracy, public service, and community work, London Daily reported. Kumar also expressed gratitude to outgoing Mayor Councillor Dan Ozarow for his support and guidance during his tenure as deputy mayor. He further congratulated Councillor Linda Smith on her new appointment as Deputy Mayor and said he looked forward to working together with her in serving the community. Mayor Kumar thanked his family and friends for their enduring support throughout his journey into local politics. Outlining his vision for the year ahead, he said he aimed to be “a mayor who is present for the community” and remain actively engaged with residents and local organisations across Elstree and Borehamwood. “It is the privilege of a lifetime to serve the town I love,” he said. The appointment has generated considerable interest because of Kumar’s age, with the 23-year-old now regarded as the youngest serving mayor in the UK. His election highlights the increasing involvement of the younger generation in local government and civic affairs."},"img":{"url":"https://images.prismic.io/prad/agwLyaYofJOwHWjt_youngmayorUK.JPG?auto=format%2Ccompress&rect=0%2C20%2C450%2C222&w=2028&h=1000"},"datetime":"2026-05-19T07:06:00+0000","embed":{"embed_url":null}},"uid":"uk-gets-youngest-indian-origin-mayor-at-23"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Salman Khan assures he is not lonely"},"content":{"text":"Bollywood superstar Salman Khan has assured his fans that he has plenty of attention from his vast social circle. On Monday, the actor took to is X, formerly Twitter, and penned a long note in which he said that his previous statement about loneliness was simply and musing, and not the reflection of something that he is dealing with in life. He wrote, “Arre yaar Mai apne bare mai nahi baat kar raha tha (Hey, I wasn't talking about myself). How can I be alone when I have such a large amazing family n friends n how can I be lonely when I have u guys,your wishes n Duas, I would be the biggest na shukra (ungrateful person) ever”. However, the actor then shared that sometimes his social battery runs out, and he just can’t deal with people. Hence, he prefers some “me time”. “Kabhi Kabhi logon ke saath reh kar pak jaata hun, isliye some me time, Buss… Iss baar koi photo nahi breaking news bana diya, Mummy pooch rahi hai, Kya hua Beta? Chill maro yaar (Sometimes I get bored of being around people, so I take some time off, that's it... This time, no photos, you guys turned it into breaking news, Mom is asking, ‘What happened, Beta?’ Chill guys)”, he added. Earlier, the actor had pointed out the difference between being 'alone' and being 'lonely' through his latest social media post. He shared a jaw-dropping shirtless pic of himself flaunting his abs on social media, and shared that being alone is a choice, whereas being lonely is when no one wishes to be with you. Salman wrote on his Instagram, \"By I me myself, 2 ways to be by yr self, Alone and Lonely, Alone is by choice n lonely when nobody wants to be with u….. Ab iske aage you Figure out what you need to do (sic)”. Meanwhile, on the work front, the actor will be next seen in ‘Maatrubhumi’."},"img":{"url":"https://images.prismic.io/prad/a688ae33-c530-44f7-951e-18a79ab99eec_salman.JPG?auto=format,compress"},"datetime":"2026-05-18T22:27:00+0000","embed":{"embed_url":null}},"uid":"salman-khan-assures-he-is-not-lonely"}},{"node":{"tags":["politics","featured","two"],"data":{"third_party_url":null,"title":{"text":"TG Gives 10-Year Age Relaxation to Job Aspirants"},"content":{"text":"The Telangana government has raised the upper age limit by 10 years for a period of one year for direct recruitment jobs.  The state government issued a Government Order (G.O.) Number 86, raising the upper age limit. With this, the upper age limit has been raised from 34 years to 44 years. The government on February 8, 2024 issued G.O. No. 30, raising the maximum age limit prescribed in the Telangana State and Subordinate Service Rules, 1996 for appointment by direct recruitments by two years in addition to 10 years for a period of two years. This had taken the upper age limit to 46 years. However, with the G.O lapsing in February 2026, the base upper age limit for direct recruitment was reverted to 34 years. The latest G.O states that a number of representations have been received from unemployed youths, for considering relaxation of the upper age limit for direct recruitment to enable more unemployed youth to become eligible to compete in the recruitment process. “After careful examination of the matter, Government have decided to raise the upper age limit by ten (10) years i.e from 34 years to 44 years to other than Uniform Services for a period of one (1) year for the ensuing direct recruitments in various categories of posts to be notified by the recruiting agencies in the State,” reads the GO issued by Chief Secretary K. Ramakrishna Rao. Telangana Rakshana Sena (TRS) leader K. Kavitha had demanded that the state government implement the 10-year age relaxation announced in 2024 for recruitments through the State Public Service Commission. She called for cancelling the notification issued by the Public Service Commission to fill 20 posts of Assistant Scientist in the Pollution Control Board with an age eligibility criterion of 18-34 years. Kavitha had warned that if the government fails to cancel the notification issued on April 20 and implement G.O. 30 issued in 2024 without any restrictions, they will launch a massive agitation. The former MP said that Congress came to power with the votes of unemployed people after promising in its election manifesto to fill two lakh jobs within two months, but after coming to power, it completely forgot about issuing job notifications. She stated on February 8, 2024, the government issued G.O. 30, extending the 10-year age relaxation granted by the previous government by an additional two years, thereby projecting an image of benefiting the unemployed. It was stipulated that this relaxation would remain in force for two years. Consequently, the upper age limit for employment eligibility was raised from 44 to 46 years. However, despite the passage of two-and-a-half years since then, not a single job notification has been released, she alleged."},"img":{"url":"https://images.prismic.io/prad/Z2P2bJbqstJ98qwn_jobshigh.JPG?auto=format,compress"},"datetime":"2026-05-19T04:47:00+0000","embed":{"embed_url":null}},"uid":"tg-gives-10-year-age-relaxation-to-job-aspirants"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Mouni Roy gives a peek into her ‘Cannes chaos’ "},"content":{"text":"Actress Mouni Roy, who confirmed separation with Suraj Nambiar on May 19, shared a glimpse into her “chaotic” Cannes time.  Mouni shared a series of photos from the balcony of her room in the French Riviera. She is seen dressed in a monochromatic look paired with knee-length boots and a trench coat.  She wrote in the caption section of Instagram: “Cannes & Chaos ! Bonjour x.” This isn’t her first time at the French Riviera. Mouni made her Cannes debut in 2023. The actress is currently making headlines over her divorce with husband Suraj Nambiar.   On May 14, they took to their respective Instagram handles, and shared a joint post confirming they are parting ways. The statement read:, “We note with dismay the unnecessary and intrusive attention into our personal lives by certain quarters of the media. We want to state that we have decided to part ways and are taking the necessary time to address matters privately and amicably.”  “Attempts have been made to sensationalize our private lives by circulation of fictitious narratives and blatant falsehoods, which do not reflect the reality of our relationship”. The statement further mentioned: “After thoughtful reflection on evolving personal priorities, we have mutually chosen to move forward on separate paths with respect and understanding. At this point, we are focused on navigating this phase thoughtfully and privately.”  “We will endeavour to cherish our friendship in times to come. We sincerely appreciate your understanding, respect for our privacy, and the continued support extended to us during this time”. In the caption section, the duo “humbly” requested to “give us privacy and dignity and not give out any false stories about me or Suraj.”  “Expecting all of you to give us privacy in these hard times. Humble request to all the media houses to please stop. Love”."},"img":{"url":"https://images.prismic.io/prad/agwBDqYofJOwHWf6_mouni.JPG?auto=format,compress"},"datetime":"2026-05-19T03:28:00+0000","embed":{"embed_url":null}},"uid":"mouni-roy-gives-a-peek-into-her-cannes-chaos-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Meenakshi Seshadri on “No-Clothes” Fame"},"content":{"text":"Veteran Bollywood actress Meenakshi Seshadri shared her views on modern-day publicity stints by actresses in the entertainment industry, saying that many celebrities today prefer remaining in limelight by doing everything else but actual work.  During an exclusive conversation with IANS, the actress reflected on the current trend and said, “‘The Dirty Picture’ film aapne dekhi hogi, jismein main heroine kehti hai, ‘yahaan sirf ek hi cheez chalti hai, entertainment, entertainment, entertainment!’ Toh kuch log media aur publicity mein hi apni jagah dhoondte hain. Bina koi kaam kiye, sirf kapde pehen kar ya bina kapdon ke bhi woh apni khabrein phaila dete hain. Main un logon mein se nahi hoon. Mujhe pasand hai ki mera kaam khud mere liye bole.” (Have you seen the film, ‘The Dirty Picture’, in which the main heroine says, ‘there is only one thing going on here, entertainment, entertainment, entertainment!’ So, some people find it in the media and publicity, without doing any work, just by wearing clothes or not, they spread their news. I am not one of those people. I like my work to speak for itself) When asked about earning audience love and longevity without aggressive PR machinery, Meenakshi added, “English mein ek kahawat hai, nothing succeeds like success. Toh sabse pehla aim success hona chahiye, kaam aur kala ke zariye success milna chahiye, wahi main motto hona chahiye. Uske baad safalta ki saari seedhiyan aur darwaaze apne aap khul jaate hain.” (There is a saying in English, nothing succeeds like success. So the first aim should success, success through work and artform, that should be the main motto. After that, all the stairs and doors to success open on their own) Talking about Meenakshi Seshadri , the actress was among the leading actresses of the 1980s and 1990s. She made her acting debut with Painter Babu opposite Rajiv Goswami, and later went on to star in many successful movies including Hero, Meri Jung, Shahenshah, Ghayal and many more. Her portrayal in the movie Damini is still considered one of the strongest female performances in Hindi cinema even after 33 years of its release. The film also starred Sunny Deol, Rishi Kapoor and Amrish Puri. The actress who is a trained Bharatanatyam dancer, was also known for her graceful dance performances on screen. At the peak of her career, Meenakshi moved to the United States after marriage to focus on family life. The actress returned to Mumbai a few years ago and often shares dance performances and videos on social media."},"img":{"url":"https://images.prismic.io/prad/agv-BKYofJOwHWfX_meenakshi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-19T04:09:00+0000","embed":{"embed_url":null}},"uid":"meenakshi-seshadri-on-no-clothes-fame"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Vijay Karthik Kannan Onboard for #Mega158"},"content":{"text":"The makers of director Bobby Kolli's upcoming action entertainer, tentatively being referred to as #Mega158 and featuring Megastar Chiranjeevi in the lead, have now named popular cinematographer Vijay Karthik Kannan, known for his impressive work in films like 'Jailer', 'Daaku Maharaj', and the upcoming 'Jailer 2', as the Director of Photography of their film.  With the film officially scheduled to go on floors on May 21, the makers made the announcement on the birthday of the cinematographer, who has previously worked with director Bobby Kolli. The film has been in the news ever since the time it was first announced on Chiranjeevi's birthday last year. Only a day ago, Megastar Chiranjeevi had released a video that showed him sweating it out in the gym to get into shape for the role he plays in the eagerly awaited film. Taking to his X timeline to share the video, Chiranjeevi had said, \"Every day is another opportunity to push beyond limits… Charged up and excited for another memorable journey with my dear @dirbobby for #Mega158. Opening Ceremony on May 21st.\" For the unaware, Megastar Chiranjeevi is joining forces once again with successful filmmaker Bobby Kolli for a high-voltage entertainer backed by the prestigious KVN Productions and produced by Venkat K Narayana. The much-awaited project is slated to be formally launched on May 21. The footage Chiranjeevi shared showed him pushing boundaries with relentless intensity, a testament to the transformative effort he’s investing to achieve a powerful new look for the role. The structured training regimen emphasizes explosive power, functional strength, and exceptional stamina, hinting at the kind of high-octane action the star will be delivering on screen. The poster released by the makers to announce the project had an axe splitting a wall open, with traces of blood seen in the cracks on the wall. The poster had the tagline \"The blade that set the bloody benchmark.’ This is the second time that director Bobby is working with Megastar Chiranjeevi. The two had earlier worked together on action entertainer 'Waltair Veerayya'."},"img":{"url":"https://images.prismic.io/prad/agv7tqYofJOwHWfI_mega158.JPG?auto=format,compress"},"datetime":"2026-05-19T04:57:00+0000","embed":{"embed_url":null}},"uid":"vijay-karthik-kannan-onboard-for-mega158"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Meta Begins 10% Layoffs From May 20"},"content":{"text":"US-based tech giant Meta will begin laying off 10 per cent of its global workforce from Wednesday, May 20, and bolster its artificial intelligence initiatives as part of a sweeping reorganisation aimed at streamlining operations, as per multiple reports.  According to them, the company seeks to eliminate some managerial roles and reorganise teams to create “AI‑native” structures with smaller teams intended to speed up decision‑making, according to multiple reports. The company reportedly indicated that it will close about 6,000 open positions and that the overall changes, including transfers, will affect roughly 20 per cent of its current workforce. If implemented at that level, the job cuts could affect roughly 16,000 employees, based on Meta’s workforce of nearly 79,000 people as of December 31. Some employees have reacted strongly to the overhaul, staging protests at company offices and posting complaints on Meta’s internal platform, Workplace. Over 1,000 staff have signed a petition opposing new mouse-tracking software the company is using to train AI systems, citing privacy concerns. Meanwhile, global tech layoffs are accelerating in 2026, with more than 80,000 jobs already cut in the first quarter and total losses likely to exceed 3 lakh this year, led by companies like Oracle, Amazon, and Meta, a report has said. Another recent report by TradingPlatforms highlighted that the latest wave of layoffs builds on a broader post-pandemic correction, with over one million tech jobs lost globally since 2021 as companies recalibrate hiring after the Covid-era expansion. AI and automation have emerged as key drivers of this transformation, with nearly half of all layoffs in 2026 linked to AI-related restructuring. Moreover, the US remains the worst-hit market, accounting for nearly 77 per cent of global layoffs so far this year, with over 61,000 job cuts across 62 companies. Among companies, Oracle has reported the highest number of layoffs globally in 2026, cutting more than 25,000 roles as part of a major restructuring tied to its AI infrastructure push."},"img":{"url":"https://images.prismic.io/prad/Z7rb757c43Q3gGjp_meta.JPG?auto=format,compress"},"datetime":"2026-05-19T05:32:00+0000","embed":{"embed_url":null}},"uid":"meta-begins-10-layoffs-from-may-20"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Triptii Dimri ditched calorie counts"},"content":{"text":"Actress Triptii Dimri ditched calorie counts and shared that she has “postponed” her diet as she gorged on some lip-smacking street food in New Delhi.  Taking to her stories section, the actress took to her Instagram stories section, where she shared a string of pictures and videos from her latest outing in New Delhi. The first was a picture of her favourite chaat spot. She wrote: “When in Delhi Fav. Chaat spot.” The actress then shared a video of herself chomping on golgapps and wrote: “Bring it onnnnn.” The last was a picture of two plates full of dahi chaat and noodles. Triptii mentioned: “Diet officially postponed to next Monday...Again.” On the work front, Triptii will next be seen in the chaotic crime-comedy ‘Maa Behen’ with Madhuri Dixit Nene on June 4 on Netflix. Along with Triptii and Madhuri, the film also Dharna Durgaa, and Ravi Kishan in pivotal roles. They are joined by Geetanjali Kulkarni, Arunoday Singh, and Shardul Bhardwaj. Premiering on June 4, at the heart of “Maa Behen” is Rekha, a mother who’s already juggling enough until life throws her the ultimate curveball, a dead body in her kitchen. With her two daughters, Jaya, the responsible one, and Sushma, the wild card, this trio must think fast, lie faster, and somehow keep their nosy neighbors from sniffing out the truth. She was last seen in the Shahid Kapoor-starrer O'Romeo directed by Vishal Bhardwaj. The film is based on the non-fiction book Mafia Queens of Mumbai by Hussain Zaidi. It stars Shahid Kapoor, Triptii Dimri, Nana Patekar, Avinash Tiwary, Tamannaah Bhatia, Disha Patani and Farida Jalal, with Vikrant Massey in a special appearance. She also Spirit by Sandeep Reddy Vanga in the pipeline. The film also stars Prabhas and Prakash Raj."},"img":{"url":"https://images.prismic.io/prad/aIuFbKTt2nPbZnMw_triptidimri.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-19T05:30:00+0000","embed":{"embed_url":null}},"uid":"triptii-dimri-ditched-calorie-counts"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"ACB Raid Exposes TG Official’s Wealth"},"content":{"text":"More than Rs 1.10 crore cash, one kg of gold ornaments and property documents were uncovered during Telangana ACB’s raids on premises linked to an official of Hyderabad Metro Water Supply and Sewerage Board here on Tuesday.  Officials of the Anti-Corruption Bureau (ACB) conducted simultaneous searches at eight locations linked to S.L. Kumar, General Manager of Hyderabad Metro Water Supply and Sewerage Board (HMWSSB), Red Hills. The searches were conducted following allegations that the official owns assets disproportionate to his known sources of income. Searches led by a Deputy Superintendent of Police (DSP) reportedly uncovered Rs 1.1 crore in cash, around one kg of gold ornaments, 2.5 kg of silver items, and documents relating to prime properties.  Officials suspect Kumar owns assets worth nearly Rs 100 crore, including three flats in gated communities in Hyderabad, six open plots and three acres of agricultural land in Nizamabad district. The anti-graft agency also reportedly uncovered a couple of cars owned by Kumar. The searches began early Tuesday morning at Kumar’s house and other premises linked to him and his relatives in Hyderabad, Rangareddy and Nizamabad districts. One of the teams was conducting searches at his residence at Mallapur. The officials were seen counting cash and sealing gold ornaments, silver items and other valuables. They were also checking documents relating to properties at various places in Hyderabad and other districts. The ACB officials have detained Kumar and are questioning him to collect more details about his assets. The agency was also examining bank lockers. Details regarding the alleged disproportionate assets are likely to be released by evening. In a similar case, in December last year, the ACB uncovered assets of over Rs100 crore allegedly amassed by an official of the Telangana transport department. A case of disproportionate assets was registered against Mood Kishan, Deputy Transport Commissioner, Mahabubnagar district. Though the document value of his properties was pegged at Rs 12.72 crore, their actual market value is estimated to be over Rs 100 crore. The 31-acre agricultural land he holds in Sangareddy district near Hyderabad alone is estimated to be worth over Rs 60 crore."},"img":{"url":"https://images.prismic.io/prad/agwJVqYofJOwHWiv_goldsilvercash.JPG?auto=format%2Ccompress&rect=0%2C176%2C450%2C222&w=2028&h=1000"},"datetime":"2026-05-19T06:32:00+0000","embed":{"embed_url":null}},"uid":"acb-raid-exposes-tg-officials-wealth"}},{"node":{"tags":["Editorial","featured","one"],"data":{"third_party_url":null,"title":{"text":"Decoding The \"Mujh Se Judo\" Invitation"},"content":{"text":"“Deewane ka naam to poochho / Pyar se dekho, kaam to poochho / Chaahe phir na milna / Arre chaahe phir na milna”(“Ask this passionate, crazed lover his name / and look with love to know his aim / even if we part and never meet / these fleeting moments are so sweet”) The above lines from the classic 1967 Bollywood track manifest a hero’s playful, desperate plea for a moment of connection with the heroine he is pursuing. The lover is bargaining that life is short and unpredictable, so she should stop being angry or distant. He wants her to acknowledge his presence just once, even if it ends up being their very last interaction. Here, the hero makes a compromise, urging the heroine that she need not commit to a full relationship, just give him a fleeting moment of attention before walking away forever. Here the hero was making a compromise by urging the heroine that she need not commit to a relationship, but give him, at least, a moment of attention, even if she chooses to walk away and never meet him again. Decades later, this exact brand of romantic compromise seems to have found its resonance in the recent tongue-in-cheek “Mere se judo” (“Join me”) messaging dropped on Telangana Chief Minister Revanth Reddy by the Supreme Leader of the BJP during his recent visit to Hyderabad. While these remarks were ostensibly made in response to Revanth’s appeal for greater financial support for the state from the Centre, it instantly ruffled feathers within the Congress ranks. It sounded far more like strategic political poaching than a routine exercise in cooperative federalism. While the crowd cheered at his banter, panic alarms instantly went off inside Gandhi Bhavan. The state Congress headquarters, traditionally less of a party office and more of a gladiator arena for internal factional fights, suddenly found itself facing a common crisis. A deeply rattled Congress hierarchy was left frantically trying to explain away this public political flirting as a \"harmless joke” of “cooperative federalism.\" Only the innocent would buy into that defense. In Indian politics, every public joke carries a hidden agenda; this was both a calculated warning shot and an open, calibrated invitation, mirroring that Bollywood hero's desperate appeal. Ground reports show that the ruling Congress in Telangana has lost some of its initial shine over its two-and-a-half years in power. Inside the party, senior veterans are still quietly rebelling against Revanth Reddy. Because of this vulnerable position, he cannot afford to succumb to the lure of the BJP’s open invitation just yet. For now, he must stick to the standard Congress playbook: reject the temptation and perform unwavering loyalty to the high command that handed him the Chief Minister's chair. At the same time, executing an Eknath Shinde-style rebellion is mathematically impossible. The BJP simply lacks the required MLA count in the assembly, and there is no immediate possibility of engineering a clean two-thirds split within the Congress Legislature Party to legally install a saffron government. Therefore, the BJP’s real strategy behind this open invitation is to play a patient wait-and-watch game. By keeping Revanth Reddy close, they can exploit his vulnerability as he fights off quiet rebellions from internal Congress rivals, discontent that is bound to explode into the open as the next elections approach, allowing the BJP to slowly pull him into its orbit. On the other hand, the BJP leadership also views Revanth as politically vulnerable with the 2015 cash-for-vote case still hanging over his head. This dynamic closely mirrors how former Andhra Pradesh CM YS Jagan Mohan Reddy, weighed down by multiple legal battles, was frequently accused of going out of his way to maintain cordial relations with the Centre for self-preservation. Additionally, historical patterns indicate that central investigative agencies could easily be directed toward Revanth’s inner circle. After years in office, any administration accumulates exploitable baggage. Should federal investigations coincide with boiling internal party friction, the Congress high command might be forced to look for leadership alternatives, though it is highly unlikely they would dare to make such a drastic move under current circumstances. Trapped between an internal party revolt and federal pressure, he could eventually find himself forced to jump ship to the BJP just to survive, following the famous footsteps of Himanta Biswa Sarma or Suvendu Adhikari. In other words, putting aside the temptations of the Supreme Leader’s \"Join Me\" pitch, the more urgent question is this: who exactly has the power to trigger such a crisis for him from within the Congress? The answer is obvious to anyone listening to the whispers of rebellion leaking through the paper-thin walls of Gandhi Bhavan. Because of this deep-seated internal drama, seasoned political analysts view the Supreme Leader’s comment not as a harmless joke, but as a calculated trap designed to make those internal cracks split wide open. For now, Revanth Reddy may not be singing “Abhi na jaao chhod kar, yeh dil abhi bhara nahi” (\"Please do not leave me just yet, for my heart is not yet fulfilled\") to his solicitor from the BJP. Instead, he is living out a “Woh gaadi aayegi, aayegi” (“That time will surely come”) moment, patiently waiting for the inevitable political storm that is quietly brewing within the precincts of Gandhi Bhavan."},"img":{"url":"https://images.prismic.io/prad/agwK9KYofJOwHWjf_modirr.JPG?auto=format,compress"},"datetime":"2026-05-19T06:30:00+0000","embed":{"embed_url":null}},"uid":"decoding-the-mujh-se-judo-invitation"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Janhvi addresses RC pairing buzz"},"content":{"text":"Actress Janhvi Kapoor, who is gearing up for the release of her upcoming film ‘Peddi’, has spoken up on her pairing with Ram Charan in the film. On Monday, the actress attended the trailer launch of the film in the city, where she was accompanied by her co-star. During the event, the actress spoke with the media, and shared how the audience are eagerly waiting to see her with Ram Charan given the on-screen pairing of their respective parents was received very well back in the day in Telugu cinema. The actress said, “I understand there’s a different kind of attachment to us. It felt cosmic to come together for a very special film with him. And to get to know him, because he’s really the best person”. She also spoke about the film’s director, Buchi Babu Sana and claimed that he had changed her in numerous ways. She said, “We have been working on this film for two years, and I’m so happy. It was all Buchi sir. He just seems so innocent, but he isn’t. He’s the rowdiest director in India. Honestly, he has changed me in so many ways. He has become my best friend. I have to call him at least once a day to talk nonsense. It just goes to show the investment”. ‘Peddi’ also stars Divyenndu, Shiva Rajkumar, Jagapathi Babu and others. The film will be released in theatres on June 4, 2026. The trailer of Ram Charan-starrer ‘Peddi’ comes a few days ahead of the trailer of the upcoming tentatively titled film ‘NTR Neel’, which features Ram Charan’s ‘RRR’ co-star NTR Jr."},"img":{"url":"https://images.prismic.io/prad/agtE2KYofJOwHV1a_janhvirc.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T14:15:00+0000","embed":{"embed_url":null}},"uid":"janhvi-addresses-rc-pairing-buzz"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"US Treasury reaches settlement with Adani Enterprises"},"content":{"text":"The US Treasury Department's Office of Foreign Assets Control (OFAC) on Monday announced that it has reached a $275 million settlement with India’s Adani Enterprises Limited (AEL) over the \"apparent violations\" of sanctions on Iran in the company’s purchase of LPG.     According to an OFAC statement, AEL has agreed to pay $275 million to settle its potential civil liability for apparent violations of OFAC sanctions on Iran. \"From November 2023 to June 2025, AEL purchased shipments of liquified petroleum gas (LPG) from a Dubai-based trader purporting to supply Omani and Iraqi gas. Red flags should have put AEL on notice that the LPG actually originated from Iran. During this time period, AEL caused US financial institutions to process 32 US dollar-denominated payments totalling approximately $192,104,044 for the shipments,\" the statement said. In June 2023, AEL entered the liquified petroleum gas (LPG) market by importing LPG and selling to customers in India. In July 2023, representatives of the AEL, including the head of its newly formed LPG unit, met representatives of a Dubai-based trading company involved in supplying purportedly Omani-origin LPG to another Indian entity. In September 2023, the Dubai supplier informed AEL that it would be able to provide the company with LPG through an affiliated entity. A contemporaneous internal AEL document describes the Dubai Supplier as providing \"discounted LPG from Middle East\" on a spot basis. The Dubai supplier operated through a number of different affiliated entities, the statement said. At the time, the AEL relied on APSEZ’s 2020 OFAC sanctions compliance program, which prohibited Iranian and/or sanctioned vessels and Iranian-origin cargo from entering APSEZ-controlled ports. AEL conducted its standard Know Your Customer verification process on the Dubai supplier and its affiliates involved in LPG sales to the AEL, which identified no hits against OFAC’s List of Specially Designated Nationals (SDN) and Blocked Persons, the statement added. While the Dubai supplier represented itself as a reputable middleman supplying LPG primarily from Oman, as well as Iraq, in reality, the company served as a conduit for illicit Iranian supply to enter the market, it noted. From the earliest days of the relationship, a number of red flags called into question the true source of the Dubai supplier’s cargo. On at least four separate occasions between March 2023 and February 2024, AEL learned of third-party concerns that cargos supplied by the Dubai supplier may have originated in Iran, the statement added."},"img":{"url":"https://images.prismic.io/prad/555a0227-209b-4628-87ee-813af49bbab8_adani.JPG?auto=format,compress"},"datetime":"2026-05-18T15:30:00+0000","embed":{"embed_url":null}},"uid":"us-treasury-reaches-settlement-with-adani-enterpri"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Warangal police parade rowdy sheeters on roads"},"content":{"text":"In what is being described as a strong and unusual crackdown on criminal activities, police in Warangal town of Telangana paraded rowdy sheeters on the road on Monday.  The march was conducted from Azam Jahi Mills Colony Police Station to Shivnagar, near the Khila Warangal Tahsildar Office, within the subdivision limits. Under the scorching sun, Circle Inspector Ramesh, along with Sub-Inspectors, led the rowdy sheeters on foot as part of a strict law enforcement exercise aimed at sending a strong warning to habitual offenders, officials said. The rowdy sheeters were later bound over before Khila Warangal Tahsildar Iqbal. With police personnel leading from the front, police jeeps following behind, and rowdy sheeters marching in between, the action conveyed a strong message against criminal activities in the city, officials said. The unprecedented initiative by Warangal police is being seen as a stern warning designed to instil fear among criminals and strengthen public confidence in policing. In January, a similar parade was organised by the police in Guntur town, in neighbouring Andhra Pradesh. About 100 rowdy sheeters and individuals with criminal backgrounds from across the district were called for counselling. Later, the police organised a public parade through the city with the participants. They were made to walk barefoot. Police defended the action because it was conducted to send a strong message against disturbing law and order. The Guntur District Superintendent of Police had warned that any attempt to disrupt peace would not be tolerated and that no offender would be spared. He stated that strict action would be taken against crimes involving harassment or assault on women and girls. However, the public march of habitual offenders triggered controversy. Civil rights groups had criticised the police. They argued that parading suspects before trial violates fundamental human rights, infringes on personal dignity, and oversteps the legal bounds of police authority."},"img":{"url":"https://images.prismic.io/prad/agtIe6YofJOwHV2v_rowdysheeters.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T13:25:00+0000","embed":{"embed_url":null}},"uid":"warangal-police-parade-rowdy-sheeters-on-roads"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Peddi' Trailer"},"content":{"text":"'Peddi' Trailer"},"img":{"url":"https://images.prismic.io/prad/agsAfqYofJOwHUuj_peddi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T10:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=sF2dj7ycZvA"}},"uid":"peddi-trailer"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ram Charan’s ‘Peddi’ packs punch"},"content":{"text":"The makers of director Buchi Babu Sana's eagerly awaited rural sports action drama 'Peddi', featuring Telugu star Ram Charan in the lead, on Monday released a gripping and exciting trailer of the film, much to the delight of fans and film buffs.  Produced ambitiously by Venkata Satish Kilaru under Vriddhi Cinemas, in collaboration with Mythri Movie Makers and Sukumar Writings, the film’s theatrical trailer was unveiled just a while ago at an event in Mumbai. Director Buchi Babu Sana, who took to his X timeline to share the link to the trailer, wrote, \"His arena. His rules. His game begins now. #PEDDITrailer OUT NOW. #PEDDI in cinemas worldwide on 4th June. #GetReadyForPeddi.\"  The 'Peddi' trailer unfolds a sweeping rural tapestry dominated by sweat, struggle, and an undying love for sport. The protagonist, Peddi (played by Ram Charan), is a multi-talented athlete who earns his livelihood through sheer physical might. Whether it’s cricket, wrestling, or sprinting, his life is defined by the grit and passion he pours into every discipline. Adored by the children and respected by the villagers, his rapid rise draws envy, especially from a domineering landlord whose pride refuses to share the spotlight. Director Buchi Babu Sana shapes this larger-than-life universe with remarkable clarity. The trailer pulses like a heartbeat- gentle in its silences, thunderous in its bursts of action.  Instead of relying on familiar sports-drama patterns, Peddi injects its sporting sequences with raw intensity and life-or-death stakes. Massive clashes on railway platforms, gravity-defying stunts, and adrenaline-fueled fights hint at a world where sport and survival are inseparable. One standout stretch is the seamless fusion of cricket and wrestling, an audacious, high-impact sequence that instantly grabs attention. Ram Charan appears in a fiercely athletic avatar, showcasing exceptional physical conditioning that grounds the film’s demanding sports segments. The trailer fluidly shifts between sporting worlds-- from Charan swinging a rugged cricket bat under blazing floodlights to engaging in visceral mud-wrestling bouts. His transformation into Peddi is both chiseled and emotionally layered. Janhvi Kapoor brings elegant warmth to her role, blending traditional charm with expressive nuance. The trailer further teases a powerful supporting cast- Shiva Rajkumar, Jagapathi Babu, Divyenndu, and Boman Irani, each adding weight and intrigue to the drama. The film, which has triggered huge expectations among fans, is slated hit screens on June 4 this year. "},"img":{"url":"https://images.prismic.io/prad/agsEQKYofJOwHUwb_pedditrai.JPG?auto=format,compress"},"datetime":"2026-05-18T10:21:00+0000","embed":{"embed_url":null}},"uid":"ram-charans-peddi-packs-punch"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Sunil plays Maari in 'Kattalan' "},"content":{"text":"The makers of director Paul George's pan-Indian Malayalam film 'Kattalan', featuring actor Antony Varghese (Pepe) in the lead, have now disclosed that Telugu actor Sunil plays a character called Maari in their film.  Cube Entertainments, the production house producing the film, took to its Instagram handle to make the announcement.  It wrote, \"Kattalan Character Reveal #2 - @suniltollywood as Maari. KATTALAN Worldwide Release on May 28. Get ready for the HUNT. Worldwide Release on May 28,2026.\" Only recently, the makers had revealed that Tamil actress Dushara Vijayan played a character called Lucy in their film. Taking to its social media timelines, Cube Entertainments said, \"Kattalan Character Reveal #3 - @dushara_vijayan as Lucy. KATTALAN Worldwide Release on May 28.Get ready for the HUNT. Worldwide Release on May 28,2026. A Cubes International Initiative.Shareef Muhammed Presents - ‘KATTALAN’ Starring Antony Varghese , Suneel , Dushara Vijayan , Kabir duhan singh, Parth Tiwarii….Directed by Paul George. Music by Ravi Basrur. A Cubes Entertainments Release.\" The makers have already revealed the characters of Kabir Duhan Singh and Parth Tiwarii in the film. While Kabir Duhan Singh plays Eddt, Parth Tiwarii plays a character called Roby in the film. Raj Tirandasu, who impressed audiences with his performance in pan-Indian film Pushpa, will be seen playing a character called Maari 95 in the film. The makers of the film had earlier welcomed ace music director Ravi Basrur on board the unit of the film. The announcement had come as a surprise to many as earlier, the production house had announced Ajaneesh Loknath, the musical genius behind 'Kantara 2', as the film's music composer. In February this year, the makers had announced that shooting for their film had been wrapped up. While the makers had previously announced that the film would hit screens on May 14 this year, the announcement on completion of filming had only May mentioned and the date of release missing in it. The production house had won hearts when late last year, it paid tribute to the stuntmen who had worked on the film. The production house had then released the footage of a four-wheeler turning turtle during the filming of a stunt sequence and offered their salutations to brave stuntmen, whose courage enabled film units to shoot such sequences. The film has triggered huge interest in fans and film buffs. For the unaware, producer Shareef Muhammed of Cubes Entertainments, best known for making the blockbuster 'Marco', is back with his next ambitious venture titled 'Kattalan', a high-octane pan-Indian action thriller that is being directed by Paul George. While actor Antony Varghese (Pepe) and actress Rajisha Vijayan play the lead in the film, it will also feature Rapper Baby Jean, Telugu actor Sunil, best known for his performances in blockbusters like 'Pushpa: The Rise' (2021), 'Pushpa 2' (2024) and 'Jailer' (2023), actor Kabir Duhan Singh, known for his intense screen presence and powerful performances across multiple languages and veteran Malayalam actors Jagadeesh and Siddique in pivotal roles. Story for the film has been penned by Paul George, Joby Varghese and Jero Jacob. The dynamic trio is making its sensational writing debut with 'Kattalan'. Sources say that the writers have blended raw storytelling energy with cinematic vision to craft a gritty, high-stakes narrative that thrusts audiences deep into the world of power, betrayal, and the deadly missions. The film has choreography by Sharief. Costumes for the film are by Dhanya Balakrishnan and cinematography is by Renadive. Editing for the film is by Shameer Muhammed."},"img":{"url":"https://images.prismic.io/prad/agsHfKYofJOwHUyS_sunil.JPG?auto=format%2Ccompress&rect=0%2C83%2C450%2C222&w=2028&h=1000"},"datetime":"2026-05-18T11:35:00+0000","embed":{"embed_url":null}},"uid":"sunil-plays-maari-in-kattalan-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Jyotika finds comfort with women filmmakers"},"content":{"text":"Actress Jyotika, who is gearing up for the release of her upcoming streaming movie ‘System’, has shared her experience of working with filmmaker Ashwiny Iyer Tiwari. The actress spoke with media along with her co-actress Sonakshi Sinha during the promotions of the film in Mumbai. Sharing her experience of working with the filmmaker, Jyotika told, “There was a great level of comfort. And I will definitely say, it's more comfortable working with a female director, very proudly and boldly. We could share a lot of things with her. She saw us the way we wanted to be seen on screen. So that is a big difference, I feel. There are some scenes in the film where she could have gone overboard if she wanted for a commercial reason”. “But she showed both of us with extreme dignity. And that part from her made us so comfortable with her. And she showed us on screen very respectfully, more than anything else because she's a woman. So all these things together, I think it was extremely comfortable working with a female director”, she added. She also spoke about her character of a stenographer, and said that a generous portion of her sequences have been cheated with the laptop screen kept out of the frame. She told, “Most of the time what you see is not what is done. Sometimes the keyboard was not in frame, so my focus was more on performing and the typing was not the most important thing then. But I think since we are all in a gadget world or phone, so we are somewhere accustomed to, we were not on a typewriter, we were on a computer”. She shared that it didn’t take much special preparation to spike her typing speed, as she said, “Not a very deep preparation, but superficially we did. How much the speed should be and your eye movement, because you're looking in 2-3 directions plus emoting. That's about it, but beyond that, it was more about the emotion”. Produced by Pammi Baweja, Harman Baweja, and Smitha Baliga, 'System' will drop on May 22 on Prime Video."},"img":{"url":"https://images.prismic.io/prad/agrdZ6YofJOwHUVW_jyothika.JPG?auto=format%2Ccompress&rect=0%2C26%2C450%2C222&w=2028&h=1000"},"datetime":"2026-05-18T08:15:00+0000","embed":{"embed_url":null}},"uid":"jyotika-finds-comfort-with-women-filmmakers"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Statewide protests demand Bandi’s removal"},"content":{"text":"Telangana’s main Opposition party, Bharat Rashtra Samithi (BRS), on Monday staged protests across the state, demanding immediate dismissal of Union Minister of State for Home Affairs, Bandi Sanjay Kumar, over the arrest of his son Bandi Bhageerath in a POCSO case for alleged sexual assault of a minor girl.  BRS legislators and other leaders led the protests in all the constituencies. Holding placards and carrying banners, the protestors raised slogans in support of their demand. BRS cadres held a huge protest in Huzurabad constituency under the leadership of party MLA, P. Kaushik Reddy. A protestor was seen beating with footwear Bandi Sanjay’s picture on a banner while others raised slogans demanding the minister’s dismissal. In Vemulawada, the BRS cadres staged a huge protest under the leadership of Chalmeda Lakshmi Narasimha Rao. They demanded that justice must be given to the minor victim. The protestors sat on the road carrying banners and posters, demanding immediate resignation of the minister. They said if the MoS refuses to resign, Prime Minister Narendra Modi should dismiss him. In Gangadhara of Karimnagar district, former MLA Sunke Ravishankar led a massive protest. They demanded immediate dismissal of Bandi Sanjay. There was tension at Netanna Chowrasta in Sircilla town when BJP cadres tried to disrupt a protest by BRS cadres to demand Bandi Sanjay’s dismissal. BRS leaders alleged that BJP workers hurled slippers on the BRS workers staging a peaceful protest. Police resorted to mild lathi-charge and detained BJP workers to defuse the situation. In Hyderabad, women leaders of BRS visited Bhagya Lakshmi temple at Charminar. Former MLA G. Sunitha told media persons that they prayed to Goddess Bhagya Lakshmi to bestow good wisdom upon Bandi Sanjay and his son. She said the Central minister should immediately resign. BRS Working President, K.T. Rama Rao, on Sunday demanded immediate dismissal of Bandi Sanjay to ensure a fair and impartial investigation in the POCSO case involving his son Bandi Bhageerath. He stated that the Prime Minister Narendra Modi repeatedly speaks about “Beti Bachao, Beti Padhao,” but said justice cannot be achieved if such slogans remain merely political rhetoric. He remarked that perhaps for the first time in India, a situation has arisen where a lookout notice had to be issued against the son of a sitting Union Minister. Rama Rao questioned how the accused was allegedly hidden for nine days and asked who protected him during that period. Bhageerath was arrested by Cyberabad police on the night of May 16. He was produced before a Magistrate, who remanded him to judicial custody for 14 days."},"img":{"url":"https://images.prismic.io/prad/c54a6211-c04e-4a7c-884a-c3faa189f902_bandi.JPG?auto=format,compress"},"datetime":"2026-05-18T09:00:00+0000","embed":{"embed_url":null}},"uid":"statewide-protests-demand-bandis-removal"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Sanju Samson turned down film role"},"content":{"text":"Indian cricketer and star batsman of the IPL franchise Chennai Super Kings, Sanju Samson, has now jokingly remarked that he turned down the offer to act in actor Basil Joseph's 'Athiradi' as the role offered to him was a small one.  Participating in a pre-release event of the film in Chennai, actor Basil Joseph, while speaking at the event disclosed that they had tried to cast Sanju Samson in the film, but that he had politely declined.  When Sanju Samson, who is a good friend of actor Basil Joseph, was asked in a lighter vein as to why he had turned down the offer to act in 'Athiradi', the charming batsman, who has a strong sense of humour, said with a smile, “They approached me for a small role in the film, but I told them that if I ever act, it should be a slightly bigger role.\" The cricketer who opened up about the deep bond of friendship he shared with Basil Joseph, said, \"Basil is a friend whom I have known for several years. When we spend time, he is getting to know how I am as a cricketer and I am getting to know how he is as a movie star.\" Samson went on to disclose, \"Basil is always casual. He is loved by everyone and is always cheerful but he is a very serious guy, when it comes to his profession. When it comes to work, he becomes very strict.\" Disclosing that Basil was so organised that his schedules were worked out well in advance, Samson said, \"When I finish a tour and come here and invite him for dinner, he will say, 'You are saying now. You should have told me one week ago. We plan my whole week accordingly.'\" On a serious note, the cricketer had words of praise for his actor and director friend. \"I know the amount of effort he must have put in. I know that if he commits to something, it will be 100 per cent from his heart. I know the quality will be there. When quality is there, people will love it and that is why I am here supporting it,\" Samson said, explaining why he had turned up for the pre-release event.  When asked if he would be watching the film in Malayalam or Tamil, Sanju Samson said he would be watching it in both versions. \"After every game, Basil calls me and tells me, 'You shouldn't have played this shot' or you should have played this one. Likewise, I too will watch the film and tell him, \"This scene isn't working\",\" he remarked even as those who had gathered for the event broke into laughter.  Admitting that he was a big fan of Basil Joseph, Samson said that after watching Minnal Murali he had beome a big fan of Basil Joseph. \"I will call him and give him motivation. I won't say negative things. After all, he is a friend.\" Directed by Arun Anirudhan and starring Tovino Thomas, Basil Joseph, Vineeth Sreenivasan, Riya Shibu and several others, 'Athiradi' is gearing up for a grand multi-language release. Jointly produced by Basil Joseph and Anandu S., the film has been written by Arun Anirudhan and Paulson Skaria. Athiradi is slated for release in Malayalam, Tamil, Kannada, Telugu and Hindi."},"img":{"url":"https://images.prismic.io/prad/agrnl6YofJOwHUe5_sanju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T04:19:00+0000","embed":{"embed_url":null}},"uid":"sanju-samson-turned-down-film-role"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Chiru sweats it out in the gym for #Mega158!"},"content":{"text":"Megastar Chiranjeevi, who plays the lead in director Bobby's upcoming action entertainer tentatively being referred to as #Mega158, is leaving no stone unturned to deliver his best in the film.  The Megastar has released a video that shows him sweating it out in the gym to get into shape for the role he plays in the eagerly awaited film.  Taking to his X timeline to share the video, Chiranjeevi wrote, \"Every day is another opportunity to push beyond limits… Charged up and excited for another memorable journey with my dear @dirbobby for #Mega158. Opening Ceremony on May 21st.\" For the unaware, Megastar Chiranjeevi is joining forces once again with successful filmmaker Bobby Kolli for a high-voltage entertainer backed by the prestigious KVN Productions and produced by Venkat K Narayana. The much-awaited project is slated to be formally launched on May 21. The footage Chiranjeevi shared shows him pushing boundaries with relentless intensity, a testament to the transformative effort he’s investing to achieve a powerful new look for the role.  The structured training regimen emphasizes explosive power, functional strength, and exceptional stamina, hinting at the kind of high-octane action the star will be delivering on screen. The film was first announced on the occasion of Chiranjeevi's birthday last year. KVN Productions, while announcing the project in August last year, had said, \"It’s the #ChiruBobby2 STATEMENT that sends shivers down the spine. ‘The Blade that set the BLOODY BENCHMARK’. A MEGASTAR @KChiruTweets hysteria in @dirbobby’s presentation. Produced by @KvnProductions & @LohithNK01. #HBDMegastarChiranjeevi #MEGA158. ABC - AGAIN' BOBBY CHIRU.\" The poster released by the makers to announce the project had an axe splitting a wall open, with traces of blood seen in the cracks on the wall. The poster had the tagline \"The blade that set the bloody benchmark.’ This is the second time that director Bobby is working with Megastar Chiranjeevi. The two had earlier worked together on action entertainer 'Waltair Veerayya'"},"img":{"url":"https://images.prismic.io/prad/agrkrqYofJOwHUcs_chiru.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-17T18:30:00+0000","embed":{"embed_url":null}},"uid":"chiru-sweats-it-out-in-the-gym-for-mega158"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Indian student killed in tragic road accident in US "},"content":{"text":"A 25-year-old Indian student lost her life while six others were injured in a tragic road accident near Chicago in the United States, officials confirmed on Monday (Indian time). The fatal accident occurred late on Saturday night (US time) along Interstate 65 near Crown Point in Lake County, Indiana, according to the police. According to local media reports, the deceased student has been identified as Navya Gadusu. The Lake County Coroner's Office confirmed that she was pronounced dead at 12:16 a.m. on Sunday. Officials stated that Gadusu died due to blunt force traumatic injuries suffered in the crash. Reacting to the incident, the Indian Consulate General in Chicago expressed grief over the student's death and said it is in constant touch with the bereaved family. \"We are deeply saddened by the tragic passing away of Indian student Navya Gadusu in a road accident near Chicago. Our heartfelt condolences to her family and friends during this difficult time. The Consulate is in touch with the family of the deceased. We are also in touch with friends and members of community who are assisting those injured in the accident,\" the Consulate said in a post on X. According to the Indiana State Police, the accident took place at approximately 11:15 p.m. on Saturday. Investigators said a red minivan carrying seven adults was travelling at a very slow speed of around 10 to 15 miles per hour behind another vehicle that was reportedly facing mechanical issues. Police said the driver of another car approaching from behind failed to realise how slowly the minivan was moving and attempted to swerve left in an effort to avoid a collision. However, the vehicle struck the left side of the minivan with force, causing the van to veer off the roadway and plunge into a ditch, officials added. Authorities clarified that the vehicle suffering from mechanical trouble, which the minivan had been following, was not involved in the collision. Further details released during the investigation revealed that the minivan was fitted with only two front seats.  Police said the remaining five passengers were seated on boxes of mangoes without wearing seat belts at the time of the accident. The circumstances surrounding the crash are currently under investigation by the Indiana State Police."},"img":{"url":"https://images.prismic.io/prad/agrmJKYofJOwHUd0_navuagadusu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T04:42:00+0000","embed":{"embed_url":null}},"uid":"indian-student-killed-in-tragic-road-accident-in-u"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"TG Gives 10-Year Age Relaxation to Job Aspirants"},"content":{"text":"The Telangana government has raised the upper age limit by 10 years for a period of one year for direct recruitment jobs.  The state government issued a Government Order (G.O.) Number 86, raising the upper age limit. With this, the upper age limit has been raised from 34 years to 44 years. The government on February 8, 2024 issued G.O. No. 30, raising the maximum age limit prescribed in the Telangana State and Subordinate Service Rules, 1996 for appointment by direct recruitments by two years in addition to 10 years for a period of two years. This had taken the upper age limit to 46 years. However, with the G.O lapsing in February 2026, the base upper age limit for direct recruitment was reverted to 34 years. The latest G.O states that a number of representations have been received from unemployed youths, for considering relaxation of the upper age limit for direct recruitment to enable more unemployed youth to become eligible to compete in the recruitment process. “After careful examination of the matter, Government have decided to raise the upper age limit by ten (10) years i.e from 34 years to 44 years to other than Uniform Services for a period of one (1) year for the ensuing direct recruitments in various categories of posts to be notified by the recruiting agencies in the State,” reads the GO issued by Chief Secretary K. Ramakrishna Rao. Telangana Rakshana Sena (TRS) leader K. Kavitha had demanded that the state government implement the 10-year age relaxation announced in 2024 for recruitments through the State Public Service Commission. She called for cancelling the notification issued by the Public Service Commission to fill 20 posts of Assistant Scientist in the Pollution Control Board with an age eligibility criterion of 18-34 years. Kavitha had warned that if the government fails to cancel the notification issued on April 20 and implement G.O. 30 issued in 2024 without any restrictions, they will launch a massive agitation. The former MP said that Congress came to power with the votes of unemployed people after promising in its election manifesto to fill two lakh jobs within two months, but after coming to power, it completely forgot about issuing job notifications. She stated on February 8, 2024, the government issued G.O. 30, extending the 10-year age relaxation granted by the previous government by an additional two years, thereby projecting an image of benefiting the unemployed. It was stipulated that this relaxation would remain in force for two years. Consequently, the upper age limit for employment eligibility was raised from 44 to 46 years. However, despite the passage of two-and-a-half years since then, not a single job notification has been released, she alleged."},"img":{"url":"https://images.prismic.io/prad/Z2P2bJbqstJ98qwn_jobshigh.JPG?auto=format,compress"},"datetime":"2026-05-19T04:47:00+0000","embed":{"embed_url":null}},"uid":"tg-gives-10-year-age-relaxation-to-job-aspirants"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"India Emerges AI Workplace Leader"},"content":{"text":"India emerged as a global leader in artificial intelligence adoption, with 41 per cent of employees reporting that they use AI nearly every day, a report said on Tuesday.  The report from ADP Research said that around 80 per cent of employees in India use AI at least multiple times a week – the highest levels recorded across all surveyed markets. Indian usage is significantly higher, as only half of the workers surveyed globally use AI multiple times a week. Nigeria (39 per cent) and Vietnam (36 per cent) followed India in terms of daily AI usage. However, the findings also revealed a growing disconnect between AI adoption and perceived productivity. While 30 per cent of daily AI users reported being fully engaged, they were four times more likely than non-users to feel less productive.  As AI took over routine tasks, employees felt their contributions were harder to quantify and evaluate, the report noted. \"India is among the leading adopters of AI at work, but high adoption alone does not guarantee greater productivity. Many employees carry a quiet anxiety about the future of their careers, and whether AI is making their contribution harder to measure,” said Rahul Goyal, managing director, ADP India and Southeast Asia. “Ultimately, the organisations that succeed will be those that invest in making their people more adaptable, not just more efficient,\" he added. Frequent AI use is also linked to higher engagement and lower stress as AI users on a daily basis reported mental stress at 11 per cent versus 23 per cent for non‑users. Daily users were also more likely than less frequent users to feel their jobs are safe from elimination, indicating a strong link between regular AI use and job confidence.  Women in India are using AI more frequently than men, with 44 per cent using AI nearly every day at work compared to 40 per cent."},"img":{"url":"https://images.prismic.io/prad/agxCXqYofJOwHXH3_AIWP.JPG?auto=format,compress"},"datetime":"2026-05-19T10:42:00+0000","embed":{"embed_url":null}},"uid":"india-emerges-ai-workplace-leader"}},{"node":{"data":{"title":{"text":"Fishermen in 100 boats reach CBN’s house"},"content":{"text":"Andhra Pradesh fishermen arrived at Chief Minister N. Chandrababu Naidu’s Undavalli residence here after sailing in 100 boats in the Krishna River to express their joy over the release of financial aid by the state government for the second consecutive year. State minister for human resources development and information technology, Nara Lokesh, who is the son of the Chief Minister, welcomed the fishermen. Lokesh posted on X that the fishermen came on 100 boats to express their joy over the release of funds under the ‘In the service of fishermen’ scheme and to convey their thanks to the Chief Minister. “I inquired about their well-being. The fishermen expressed their gratitude to the Chief Minister and the people's government. I assured them that the people's government is working day and night for the welfare of fishermen and that I will stand by them through any hardship. The rare gratitude of the sons of the Ganga, their affection, is immeasurable,” said Lokesh. Chandrababu Naidu was in Nellore district to participate in the distribution of financial assistance among fishermen under the scheme. The state government is providing financial assistance of Rs 20,000 each for the families during the fishing ban period. Every year, the fishing is banned from April 15 to June 14. The state government last year launched the scheme to help the fishermen during the period. Last year, the government deposited Rs 243 crore in the bank accounts of 1,21,433 fishermen. This year, the government has extended an assistance of Rs 262 crore to 1,30,796 fishermen families. Addressing fishermen, the Chief Minister announced that the government remained committed to their welfare. Amid reports of alleged trespassing and illegal fishing by mechanised fishing boats of Tamil Nadu in the territorial waters of Andhra Pradesh, he made it clear that Andhra Pradesh will not tolerate anyone from neighbouring states encroaching upon its coastal waters. “We will not tolerate anyone from neighbouring states encroaching upon our coastal waters. We will safeguard the rights of our fishermen,” he said. Later, the Chief Minister visited the Joint Action Task Force for the Sea Patrolling Centre in Nellore district. The Task Force comprises the Marine Police, Department of Fisheries, Forest Department, and local fishermen. The Chief Minister directed that satellite imagery also be utilised for patrolling purposes to prevent the intrusion of fishing boats from other states. Officials demonstrated technology enabling patrols via drones, which can also be used to issue warnings. Drones are being utilised to issue warnings—in Telugu, Tamil, and other languages—to boats from neighbouring states that enter the maritime waters within Andhra Pradesh's borders."},"img":{"url":"https://images.prismic.io/prad/agxf7KYofJOwHXb__fisherman.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-19T12:18:00+0000","embed":{"embed_url":null}},"uid":"fishermen-in-100-boats-reach-cbns-house"}},{"node":{"data":{"title":{"text":"Early exit - what went wrong for LSG this season?"},"content":{"text":"When Lucknow Super Giants (LSG) assembled their squad ahead of the Indian Premier League (IPL) 2026, they looked like one of the most balanced sides in the competition. A power-packed batting unit, experienced international names, proven Indian performers, and improved fast-bowling depth made them appear genuine title contenders on paper.  Instead, the season unravelled into one of frustration, inconsistency, and missed opportunities. LSG’s playoff hopes faded long before the final week of the league stage, with the side struggling to build rhythm across departments. While injuries and selection instability played a role, the larger problem was that the team never consistently clicked as a unit. One of the defining features of Lucknow’s season was their inability to sustain winning runs. Every time the side appeared ready to revive its campaign, another collapse followed. They showed flashes of brilliance in isolated games, dominant batting displays, strong chases, and moments of individual brilliance, but failed to maintain consistency over multiple matches. The contrast became particularly visible against stronger playoff contenders. LSG often remained competitive in the early phases of games before losing control in key moments, especially during the death overs with both bat and ball. Their defeat to the Chennai Super Kings in Chennai summed up the season perfectly. After posting a competitive total and appearing in control during the middle overs, Lucknow lost momentum late in the innings and failed to contain CSK’s chase. Similar patterns repeated themselves throughout the campaign. No storyline defined LSG’s season more than the struggles of captain Rishabh Pant. As the most expensive signing in IPL history, Pant arrived carrying enormous expectations. Lucknow invested heavily in him not only as a wicketkeeper-batter but also as the face of the franchise and long-term leader. However, the season never truly took off for him. Pant’s batting remained inconsistent throughout the campaign. At times, he looked caught between aggression and caution, often failing to convert starts into defining innings. Several dismissals came while attempting high-risk shots under pressure situations, reflecting both the burden of captaincy and the instability around him in the batting order. His leadership also came under scrutiny. Bowling changes, tactical decisions in tight games, and team combinations frequently raised questions, especially as LSG struggled to defend totals consistently. While Pant showed glimpses of his natural brilliance in a few cameos, the overall output fell well below the expectations attached to a marquee signing. Nicholas Pooran endured a similarly uneven campaign. One of the most destructive T20 batters in world cricket, Pooran was expected to provide finishing power and middle-order stability. Instead, his season mirrored LSG’s larger inconsistency. He struggled badly during the first half of the tournament, with questions emerging over both his form and strike rotation against spin. Although he recovered later with a series of aggressive knocks, including late-order hitting masterclasses in a few wins, the damage had already been done. LSG’s middle-order often looked over-dependent on moments of individual brilliance rather than sustained partnerships. Players like Ayush Badoni and Abdul Samad contributed useful cameos, but the batting unit rarely delivered complete collective performances. Among the few consistent positives for Lucknow was Mitchell Marsh. The Australian all-rounder played some of the side’s most impactful innings and frequently carried the batting through difficult phases. Whether attacking during the Power-play or stabilising the innings after early wickets, Marsh brought intent and clarity that was often missing elsewhere in the lineup. In several matches, his performances kept LSG competitive despite failures around him. But one player alone could not rescue a campaign built on inconsistent support systems. If the batting lacked consistency, the bowling lacked control. LSG repeatedly struggled in the death overs, both while defending totals and trying to restrict momentum in high-scoring games. The absence of a settled bowling combination hurt them throughout the tournament. Fitness concerns surrounding Mayank Yadav proved especially damaging. After emerging as one of the breakout fast bowlers in recent IPL seasons, Mayank was expected to become Lucknow’s X-factor with raw pace and wicket-taking ability. But injuries and interrupted rhythm prevented him from making a sustained impact. Meanwhile, senior bowlers failed to consistently close out games under pressure. On batting-friendly surfaces, particularly in night matches, LSG’s attack often looked short of both variation and execution. Opposition teams regularly targeted the final overs, turning competitive matches decisively in their favour. Another major issue was the lack of stability in combinations. Throughout the season, LSG frequently altered batting positions, overseas combinations, and bowling roles in search of the right balance. While some of those changes were forced by injuries, the constant reshuffling prevented the side from developing defined roles. At different stages, the team looked unsure whether it wanted to play aggressively from ball one or adopt a more controlled approach through the middle overs. That uncertainty is reflected in their cricket. Unlike the top teams, who developed clear identities as the season progressed, Lucknow often appeared reactive rather than proactive. What makes LSG’s campaign particularly disappointing is the quality that existed within the squad. On paper, they possessed explosive finishers, experienced internationals, young Indian talent, and genuine pace options. But IPL seasons are rarely decided by potential alone. Lucknow’s 2026 campaign became a story of missed momentum, tactical instability, underperforming stars, and an inability to deliver consistently under pressure. For a franchise that entered the tournament with championship ambitions, the season will ultimately be remembered not for what they achieved, but for what they failed to become. With two clashes remaining before they close their campaign this season, both against teams still in the playoff race, LSG will look to play a spoilsport and finish on a high, thereby aiming to trouble Rajasthan Royals and Punjab Kings, who fight for the last remaining spot in the top four. "},"img":{"url":"https://images.prismic.io/prad/agxefKYofJOwHXZ__LSG.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-19T11:58:00+0000","embed":{"embed_url":null}},"uid":"early-exit---what-went-wrong-for-lsg-this-season"}},{"node":{"data":{"title":{"text":"TG Gives 10-Year Age Relaxation to Job Aspirants"},"content":{"text":"The Telangana government has raised the upper age limit by 10 years for a period of one year for direct recruitment jobs.  The state government issued a Government Order (G.O.) Number 86, raising the upper age limit. With this, the upper age limit has been raised from 34 years to 44 years. The government on February 8, 2024 issued G.O. No. 30, raising the maximum age limit prescribed in the Telangana State and Subordinate Service Rules, 1996 for appointment by direct recruitments by two years in addition to 10 years for a period of two years. This had taken the upper age limit to 46 years. However, with the G.O lapsing in February 2026, the base upper age limit for direct recruitment was reverted to 34 years. The latest G.O states that a number of representations have been received from unemployed youths, for considering relaxation of the upper age limit for direct recruitment to enable more unemployed youth to become eligible to compete in the recruitment process. “After careful examination of the matter, Government have decided to raise the upper age limit by ten (10) years i.e from 34 years to 44 years to other than Uniform Services for a period of one (1) year for the ensuing direct recruitments in various categories of posts to be notified by the recruiting agencies in the State,” reads the GO issued by Chief Secretary K. Ramakrishna Rao. Telangana Rakshana Sena (TRS) leader K. Kavitha had demanded that the state government implement the 10-year age relaxation announced in 2024 for recruitments through the State Public Service Commission. She called for cancelling the notification issued by the Public Service Commission to fill 20 posts of Assistant Scientist in the Pollution Control Board with an age eligibility criterion of 18-34 years. Kavitha had warned that if the government fails to cancel the notification issued on April 20 and implement G.O. 30 issued in 2024 without any restrictions, they will launch a massive agitation. The former MP said that Congress came to power with the votes of unemployed people after promising in its election manifesto to fill two lakh jobs within two months, but after coming to power, it completely forgot about issuing job notifications. She stated on February 8, 2024, the government issued G.O. 30, extending the 10-year age relaxation granted by the previous government by an additional two years, thereby projecting an image of benefiting the unemployed. It was stipulated that this relaxation would remain in force for two years. Consequently, the upper age limit for employment eligibility was raised from 44 to 46 years. However, despite the passage of two-and-a-half years since then, not a single job notification has been released, she alleged."},"img":{"url":"https://images.prismic.io/prad/Z2P2bJbqstJ98qwn_jobshigh.JPG?auto=format,compress"},"datetime":"2026-05-19T04:47:00+0000","embed":{"embed_url":null}},"uid":"tg-gives-10-year-age-relaxation-to-job-aspirants"}},{"node":{"data":{"title":{"text":"Meta Begins 10% Layoffs From May 20"},"content":{"text":"US-based tech giant Meta will begin laying off 10 per cent of its global workforce from Wednesday, May 20, and bolster its artificial intelligence initiatives as part of a sweeping reorganisation aimed at streamlining operations, as per multiple reports.  According to them, the company seeks to eliminate some managerial roles and reorganise teams to create “AI‑native” structures with smaller teams intended to speed up decision‑making, according to multiple reports. The company reportedly indicated that it will close about 6,000 open positions and that the overall changes, including transfers, will affect roughly 20 per cent of its current workforce. If implemented at that level, the job cuts could affect roughly 16,000 employees, based on Meta’s workforce of nearly 79,000 people as of December 31. Some employees have reacted strongly to the overhaul, staging protests at company offices and posting complaints on Meta’s internal platform, Workplace. Over 1,000 staff have signed a petition opposing new mouse-tracking software the company is using to train AI systems, citing privacy concerns. Meanwhile, global tech layoffs are accelerating in 2026, with more than 80,000 jobs already cut in the first quarter and total losses likely to exceed 3 lakh this year, led by companies like Oracle, Amazon, and Meta, a report has said. Another recent report by TradingPlatforms highlighted that the latest wave of layoffs builds on a broader post-pandemic correction, with over one million tech jobs lost globally since 2021 as companies recalibrate hiring after the Covid-era expansion. AI and automation have emerged as key drivers of this transformation, with nearly half of all layoffs in 2026 linked to AI-related restructuring. Moreover, the US remains the worst-hit market, accounting for nearly 77 per cent of global layoffs so far this year, with over 61,000 job cuts across 62 companies. Among companies, Oracle has reported the highest number of layoffs globally in 2026, cutting more than 25,000 roles as part of a major restructuring tied to its AI infrastructure push."},"img":{"url":"https://images.prismic.io/prad/Z7rb757c43Q3gGjp_meta.JPG?auto=format,compress"},"datetime":"2026-05-19T05:32:00+0000","embed":{"embed_url":null}},"uid":"meta-begins-10-layoffs-from-may-20"}},{"node":{"data":{"title":{"text":"ACB Raid Exposes TG Official’s Wealth"},"content":{"text":"More than Rs 1.10 crore cash, one kg of gold ornaments and property documents were uncovered during Telangana ACB’s raids on premises linked to an official of Hyderabad Metro Water Supply and Sewerage Board here on Tuesday.  Officials of the Anti-Corruption Bureau (ACB) conducted simultaneous searches at eight locations linked to S.L. Kumar, General Manager of Hyderabad Metro Water Supply and Sewerage Board (HMWSSB), Red Hills. The searches were conducted following allegations that the official owns assets disproportionate to his known sources of income. Searches led by a Deputy Superintendent of Police (DSP) reportedly uncovered Rs 1.1 crore in cash, around one kg of gold ornaments, 2.5 kg of silver items, and documents relating to prime properties.  Officials suspect Kumar owns assets worth nearly Rs 100 crore, including three flats in gated communities in Hyderabad, six open plots and three acres of agricultural land in Nizamabad district. The anti-graft agency also reportedly uncovered a couple of cars owned by Kumar. The searches began early Tuesday morning at Kumar’s house and other premises linked to him and his relatives in Hyderabad, Rangareddy and Nizamabad districts. One of the teams was conducting searches at his residence at Mallapur. The officials were seen counting cash and sealing gold ornaments, silver items and other valuables. They were also checking documents relating to properties at various places in Hyderabad and other districts. The ACB officials have detained Kumar and are questioning him to collect more details about his assets. The agency was also examining bank lockers. Details regarding the alleged disproportionate assets are likely to be released by evening. In a similar case, in December last year, the ACB uncovered assets of over Rs100 crore allegedly amassed by an official of the Telangana transport department. A case of disproportionate assets was registered against Mood Kishan, Deputy Transport Commissioner, Mahabubnagar district. Though the document value of his properties was pegged at Rs 12.72 crore, their actual market value is estimated to be over Rs 100 crore. The 31-acre agricultural land he holds in Sangareddy district near Hyderabad alone is estimated to be worth over Rs 60 crore."},"img":{"url":"https://images.prismic.io/prad/agwJVqYofJOwHWiv_goldsilvercash.JPG?auto=format%2Ccompress&rect=0%2C176%2C450%2C222&w=2028&h=1000"},"datetime":"2026-05-19T06:32:00+0000","embed":{"embed_url":null}},"uid":"acb-raid-exposes-tg-officials-wealth"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"TFCC Takes Legal Action Against iBomma"},"content":{"text":"The Telugu Film Chamber of Commerce has taken decisive action by lodging a fresh complaint against piracy websites, iBomma and Bappam TV, for their unauthorized streaming of newly released Telugu films and OTT content. The complaint, filed by Manindra Babu Yarra, project head of the anti-video piracy cell, alleges that the websites were illegally offering free access to copyrighted films in multiple languages, including Telugu, Tamil, Hindi, and Bengali. Moreover, the operators are accused of promoting illegal online betting platforms through embedded advertisements.  The sophisticated piracy ecosystem utilized Google’s Blogspot platform as a front-end portal, with custom streaming players embedded for seamless playback of pirated movies. Additionally, the websites were found to have anti-tracking and anti-debugging mechanisms to evade law enforcement scrutiny. The complaint also highlighted the aggressive promotion of banned betting applications, such as 1xBet and 4rabet, alongside the streaming of movies.  The Hyderabad cybercrime police have registered a criminal case against the unidentified operators of the websites under multiple provisions of the Information Technology Act, the Bharatiya Nyaya Sanhita, the Telangana Gaming Act, and the Promotion and Regulation of Online Gaming Act, 2025."},"img":{"url":"https://images.prismic.io/prad/agwZ0aYofJOwHWpV_ibommaboppam.JPG?auto=format,compress"},"datetime":"2026-05-18T19:56:00+0000","embed":{"embed_url":null}},"uid":"telugu-film-chamber-takes-legal-action-against-ibomma-bappam-tv-for-illicit-stre-mpcc9xcp"}},{"node":{"data":{"title":{"text":"'Dhamin' Snake at Salman’s Flat: Is It Venomous?"},"content":{"text":"A five-foot-long ‘Dhamin’ snake, also known as the Indian rat snake, was found slithering inside Bollywood superstar Salman Khan’s luxe Galaxy Apartment in Mumbai and was safely rescued from the premises.  A snake wrangler was called to the spot to control the situation. In the evening, a police constable on duty informed snake rescue expert Vicky Dubey about the incident. As soon as he received the information, Dubey reached the spot and safely rescued the nearly 5-foot-long snake with proper precautions. The matter was also reported to the Bandra West Police Station and the Forest Department control room. No one was injured during the entire operation, and the situation remained completely under control. Following the incident, an official diary entry regarding the matter was made at the Bandra West Police Station. However, talking about the “Dhaman Jatika” snake, which is usually referred as the Indian Rat Snake, is a common non-venomous snake found across India. It feeds on rats, frogs, lizards, and other small animals. Talking about Salman, the superstar penned a note stating that he has plenty of attention from his vast social circle. It comes after the “Dabangg” actor wrote a post about “loneliness and being alone”. He wrote, “Arre yaar Mai apne bare mai nahi baat kar raha tha (Hey, I wasn't talking about myself). How can I be alone when I have such a large amazing family n friends n how can I be lonely when I have u guys,your wishes n Duas, I would be the biggest na shukra (ungrateful person) ever”. However, the actor then shared that sometimes his social battery runs out, and he just can’t deal with people. Hence, he prefers some “me time”. “Kabhi Kabhi logon ke saath reh kar pak jaata hun, isliye some me time, Buss… Iss baar koi photo nahi breaking news bana diya, Mummy pooch rahi hai, Kya hua Beta? Chill maro yaar (Sometimes I get bored of being around people, so I take some time off, that's it... This time, no photos, you guys turned it into breaking news, Mom is asking, ‘What happened, Beta?’ Chill guys)”, he added. Meanwhile, on the work front, the actor will be next seen in ‘Maatrubhumi’."},"img":{"url":"https://images.prismic.io/prad%2F1b4a2b04-2abd-4bad-82c6-abba533cc8e8_snake.jpg?auto=format%2Ccompress&rect=0%2C4%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-05-19T07:15:00+0000","embed":{"embed_url":null}},"uid":"dhamin-snake-at-salmans-flat-is-it-venomous"}},{"node":{"data":{"title":{"text":"'Karuppu' Makers Apologise to Ilaiyaraja"},"content":{"text":"Clarifying that they had no intention to offend, hurt, or disrespect music director Ilaiyaraaja, his contribution, or his rights in any manner, the makers of director RJ Balaji's courtroom action drama 'Karuppu' have now expressed regret to the ace music director for a dialogue in the film that referred to him. The makers have also announced that they had decided to remove/modify the concerned portion in future versions and subsequent exploitations of the film. In a statement, which it shared on its social media timelines, Dream Warrior Pictures said, \"We understand that a particular dialogue appearing in 'Karuppu' has caused concern and has upset him (Ilaiyaraaja). We sincerely regret that the dialogue has resulted in such sentiments.\" The makers further said, \"There was absolutely no intention to offend, hurt, or disrespect Mr. Ilaiyaraaja, his contribution, or his rights in any manner. The reference formed part of a broader satirical context and was not conceived as a personal remark directed at him.\" Stating that they deeply valued and respected his feelings, the makers of Karuppu said that as a gesture of their regard for him, they had decided to remove/modify the concerned portion in future versions and subsequent exploitations of the film. The production house expressed its sincere respect and admiration for Maestro Ilaiyaraaja and his extraordinary contribution to Indian cinema and music, which it said had inspired generations and continued to hold a special place in the hearts of audiences across the world. For the unaware, actor Suriya's eagerly awaited action entertainer 'Karuppu', the release of which was delayed by a day due to financial troubles, has now taken a strong opening with the film well on its way to emerging a superhit. The film, which features Suriya, Trisha and RJ Balaji himself in the lead roles, has music by Sai Abhyankkar."},"img":{"url":"https://images.prismic.io/prad/aIecnVGsbswqTXMO_ilayaraja.JPG?auto=format,compress"},"datetime":"2026-05-19T04:52:00+0000","embed":{"embed_url":null}},"uid":"karuppu-makers-apologise-to-ilaiyaraja"}},{"node":{"data":{"title":{"text":"How Sonakshi choice of films have changed"},"content":{"text":"Bollywood actress Sonakshi Sinha, who is gearing up for the release of her upcoming streaming movie ‘System’, is looking back at her journey in cinema. The actress spoke with media during the promotions of ‘System’ in Mumbai, and opened up about doing masala films like ‘R... Rajkumar’ and ‘Rowdy Rathore’ during the initial phase of her career. Talking about how her choices have changed over the years, Sonakshi told, “I really thoroughly enjoyed myself working on those films. I think at that time, I was also in a time where I was doing a lot of these very colourful and very, so to speak, spicy films. And I enjoyed that too. And I think the work that I'm doing now I enjoyed that too. I think at that point of time, that was what was required from me as an artiste”. She further mentioned, “And now this is what is required from me as an artiste. I want to be that actor that you can put in any film. And I will try to be that. But of course, I've reached a point also where I'm doing only the kind of work that I want to do now. So, it was a good journey for me. I think I had to do those films to kind of land up doing the films that I'm doing today. So, that brought me the audience, that brought me the love and support of so many people. Which is why I'm able to do roles like this today. So, I'm very grateful”. Meanwhile, ‘System’ is a courtroom drama, and sees Sonakshi as a lawyer, and Jyothika as a stenographer. It marks Sonakshi’s 1st performance as a lawyer. She essays the role of Neha, a determined young lawyer played by Sonakshi Sinha, taking on a tough challenge from her father (played by Ashutosh Gowariker) to be worthy of a partnership in his firm. Produced by Pammi Baweja, Harman Baweja, and Smitha Baliga, 'System' will drop on May 22 on Prime Video."},"img":{"url":"https://images.prismic.io/prad/aPE0fp5xUNkB2Efg_sonakshi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-19T07:45:00+0000","embed":{"embed_url":null}},"uid":"how-sonakshi-choice-of-films-have-changed"}},{"node":{"data":{"title":{"text":"Salman Khan assures he is not lonely"},"content":{"text":"Bollywood superstar Salman Khan has assured his fans that he has plenty of attention from his vast social circle. On Monday, the actor took to is X, formerly Twitter, and penned a long note in which he said that his previous statement about loneliness was simply and musing, and not the reflection of something that he is dealing with in life. He wrote, “Arre yaar Mai apne bare mai nahi baat kar raha tha (Hey, I wasn't talking about myself). How can I be alone when I have such a large amazing family n friends n how can I be lonely when I have u guys,your wishes n Duas, I would be the biggest na shukra (ungrateful person) ever”. However, the actor then shared that sometimes his social battery runs out, and he just can’t deal with people. Hence, he prefers some “me time”. “Kabhi Kabhi logon ke saath reh kar pak jaata hun, isliye some me time, Buss… Iss baar koi photo nahi breaking news bana diya, Mummy pooch rahi hai, Kya hua Beta? Chill maro yaar (Sometimes I get bored of being around people, so I take some time off, that's it... This time, no photos, you guys turned it into breaking news, Mom is asking, ‘What happened, Beta?’ Chill guys)”, he added. Earlier, the actor had pointed out the difference between being 'alone' and being 'lonely' through his latest social media post. He shared a jaw-dropping shirtless pic of himself flaunting his abs on social media, and shared that being alone is a choice, whereas being lonely is when no one wishes to be with you. Salman wrote on his Instagram, \"By I me myself, 2 ways to be by yr self, Alone and Lonely, Alone is by choice n lonely when nobody wants to be with u….. Ab iske aage you Figure out what you need to do (sic)”. Meanwhile, on the work front, the actor will be next seen in ‘Maatrubhumi’."},"img":{"url":"https://images.prismic.io/prad/a688ae33-c530-44f7-951e-18a79ab99eec_salman.JPG?auto=format,compress"},"datetime":"2026-05-18T22:27:00+0000","embed":{"embed_url":null}},"uid":"salman-khan-assures-he-is-not-lonely"}},{"node":{"data":{"title":{"text":"Mouni Roy gives a peek into her ‘Cannes chaos’ "},"content":{"text":"Actress Mouni Roy, who confirmed separation with Suraj Nambiar on May 19, shared a glimpse into her “chaotic” Cannes time.  Mouni shared a series of photos from the balcony of her room in the French Riviera. She is seen dressed in a monochromatic look paired with knee-length boots and a trench coat.  She wrote in the caption section of Instagram: “Cannes & Chaos ! Bonjour x.” This isn’t her first time at the French Riviera. Mouni made her Cannes debut in 2023. The actress is currently making headlines over her divorce with husband Suraj Nambiar.   On May 14, they took to their respective Instagram handles, and shared a joint post confirming they are parting ways. The statement read:, “We note with dismay the unnecessary and intrusive attention into our personal lives by certain quarters of the media. We want to state that we have decided to part ways and are taking the necessary time to address matters privately and amicably.”  “Attempts have been made to sensationalize our private lives by circulation of fictitious narratives and blatant falsehoods, which do not reflect the reality of our relationship”. The statement further mentioned: “After thoughtful reflection on evolving personal priorities, we have mutually chosen to move forward on separate paths with respect and understanding. At this point, we are focused on navigating this phase thoughtfully and privately.”  “We will endeavour to cherish our friendship in times to come. We sincerely appreciate your understanding, respect for our privacy, and the continued support extended to us during this time”. In the caption section, the duo “humbly” requested to “give us privacy and dignity and not give out any false stories about me or Suraj.”  “Expecting all of you to give us privacy in these hard times. Humble request to all the media houses to please stop. Love”."},"img":{"url":"https://images.prismic.io/prad/agwBDqYofJOwHWf6_mouni.JPG?auto=format,compress"},"datetime":"2026-05-19T03:28:00+0000","embed":{"embed_url":null}},"uid":"mouni-roy-gives-a-peek-into-her-cannes-chaos-"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Shortness of Breath? Take It Seriously"},"content":{"text":"Feeling winded when doing everyday tasks like climbing stairs may seem normal, but according to Dr. Rajesh Rajani, Consultant Interventional Cardiologist, it can be a red flag for an underlying heart problem. Many people dismiss breathlessness as a sign of aging or lack of fitness, but this could be dangerous thinking. The gradual decline in your ability to perform tasks without getting breathless may go unnoticed, leading to delayed diagnosis of potential heart issues.  Dr. Rajani warns that breathlessness should not be normalized, as it could indicate serious heart conditions such as blocked arteries, heart valve disease, irregular heart rhythms, or weakening of the heart muscles. Recognizing and evaluating these symptoms early can help identify underlying health risks and prevent more serious complications later. It's crucial not to make excuses for these symptoms and to seek medical advice if you experience increasing shortness of breath.  This article provides insights from Dr. Rajesh Rajani, shedding light on why breathlessness should not be ignored and how it can signify an underlying heart condition."},"img":{"url":"https://images.prismic.io/prad/agwbIKYofJOwHWqT_breath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T18:56:00+0000","embed":{"embed_url":null}},"uid":"dont-ignore-it-when-shortness-of-breath-signals-a-serious-health-concern-mpcc9z9u"}},{"node":{"data":{"title":{"text":"Hantavirus Panic Hits US Passengers"},"content":{"text":"In a troubling development, two American passengers from the MV Hondius have raised alarm as they are transported back to the United States with potential hantavirus infections. The Department of Health and Human Services confirmed on Sunday evening that among the 17 evacuees, one individual is exhibiting mild symptoms, while another has tested 'mildly PCR positive' for the Andes strain of the virus. This evacuation comes amidst a backdrop of heightened awareness surrounding hantavirus, which can lead to severe respiratory complications. The cruise ship, which embarked from Argentina in April and traversed the South Atlantic, has been linked to a disturbing cluster of hantavirus cases, including three fatalities. The initial case involved a Dutch passenger who fell ill shortly after boarding, leading to a tragic sequence of events that resulted in both his and his wife’s deaths, as well as that of a German traveler. The virus's unusual capability for human-to-human transmission—particularly the Andes strain—underscores the urgency of the situation, as it typically spreads through contact with infected rodent excreta. Health experts are particularly concerned about this outbreak due to its rarity, with hantaviruses generally transmitting through animal vectors rather than person-to-person contact. The Andes virus, however, poses a unique threat, necessitating close interactions for transmission to occur. A Swiss tour guide who disembarked in Saint Helena and later tested positive suggests that the virus may have circulated among passengers during the voyage. Such developments have prompted increased scrutiny and rigorous monitoring protocols for those who interacted with affected individuals. The 17 American passengers are currently en route to the University of Nebraska Medical Center, which is equipped to handle potential hantavirus cases. The facility will conduct thorough clinical assessments, with asymptomatic individuals expected to monitor their health at home for a full 42 days—the incubation period for the virus. While health officials have classified most passengers as low-risk, the careful tracking and oversight reflect a cautious approach in the face of a potentially serious health crisis, emphasizing both preparedness and the importance of public health vigilance in mitigating outbreaks."},"img":{"url":"https://images.prismic.io/prad/agHlCKYofJOwHFHL_hantavirus.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T05:02:00+0000","embed":{"embed_url":null}},"uid":"hantavirus-alert-us-passengers-evacuated-amid-growing-health-concerns-mp19tz46"}},{"node":{"data":{"title":{"text":"Summer Chill or Skin Kill: The Hidden Perils of AC"},"content":{"text":"As temperatures soar, air conditioning becomes a refuge from the sweltering heat, yet it carries an unsuspected consequence for our skin. The very mechanism that cools our living spaces—lowering humidity levels—has a detrimental effect on skin health. Prolonged exposure to air-conditioned environments can lead to significant dehydration, disrupting the skin's natural barrier and causing a range of issues including heightened sensitivity, flakiness, and even unexpected breakouts. This paradox highlights a critical need for awareness in our skincare routines during the sweltering summer months. The science behind air conditioning reveals a stark reality: the cooling process strips moisture from the air, which in turn accelerates water loss from the skin. This dehydration can affect all skin types, whether oily, dry, or combination. A common misconception is that hydrated skin will always appear visibly dry; in many cases, a lack of moisture can trigger the skin to produce excess oil in a compensatory manner, resulting in clogged pores and acne. This cycle underscores the importance of recognizing air conditioning as a double-edged sword, necessary for comfort yet detrimental to skin vitality. The skin barrier serves as the body’s frontline defense against external aggressors. When faced with the relentless assault of dry air, this barrier struggles to maintain its integrity, leading to issues like increased sensitivity and irritation. Individuals may notice fine lines becoming more pronounced, and persistent redness developing as their skin reacts to the new environment. The long-term implications are unsettling; a compromised skin barrier not only invites dryness but also exposes the skin to pollution and UV damage once individuals venture outside. Understanding this connection is crucial for anyone reliant on air conditioning for comfort. To counteract these adverse effects, skincare strategies must adapt to this summer challenge. Prioritizing deep hydration is essential—switching to lightweight moisturizers infused with hydrating ingredients like hyaluronic acid can help replenish lost moisture without clogging pores. Layering products, such as applying a hydrating serum followed by a moisturizer, creates an additional shield against dry air. Moreover, maintaining internal hydration through adequate water intake and using a humidifier can enhance skin resilience. As the demand for comfort clashes with the need for skin health, it is imperative to strike a balance that ensures both can coexist harmoniously during the hottest months of the year."},"img":{"url":"https://images.prismic.io/prad/afhRDcBOoF08xkN5_skin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-03T02:53:00+0000","embed":{"embed_url":null}},"uid":"summer-chill-or-skin-kill-the-hidden-perils-of-air-conditioning-moq2k7ge"}},{"node":{"data":{"title":{"text":"Sun to Acquire US-Based Organon in $11.75 B"},"content":{"text":"India’s major drugmaker Sun Pharmaceutical Industries on Monday announced that it will acquire New York-listed Organon & Co in an all-cash deal valued at $11.75 billion, its biggest overseas acquisition to date.  Under the agreement, the pharmaceutical firm will acquire 100 per cent of Organon’s outstanding shares at $14 per share, translating into an enterprise valuation of $11.75 billion and an equity value of around $3.99 billion, the company said in an exchange filing. The company said the acquisition is aligned with its strategy to scale up its innovative medicines business while strengthening its presence in established brands and branded generics. The deal will also enable Sun Pharma to enter the biosimilars segment as a top global player. Following the acquisition, the combined entity is expected to be among the top 25 global pharmaceutical companies, with revenues of around $12.4 billion, while strengthening its position in women’s health and biosimilars. New Jersey-based Organon operates across women’s health, biosimilars, and established medicines, with a portfolio of over 70 products and a presence in more than 140 countries. The transaction, approved by the boards of both companies, expected to close in early 2027, subject to regulatory approvals and Organon shareholders’ approval. Sun Pharma plans to fund the deal through a mix of internal accruals and debt financing. For the year ended December 2025, Organon reported revenue of $6.2 billion and adjusted EBITDA of $1.9 billion. Commenting on the deal, Sun Pharma Executive Chairman Dilip Shanghvi said the acquisition would help build a stronger and more diversified platform, while Managing Director Kirti Ganorkar highlighted synergy and growth opportunities from the integration. Shares of Sun Pharma rose as much as 6.71 per cent to hit an intraday high of Rs 1,728.65 on the BSE in early trade on Monday."},"img":{"url":"https://images.prismic.io/prad/0559bc76-f082-4aef-b625-6c012ae1d136_sun+pharma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:34:00+0000","embed":{"embed_url":null}},"uid":"sun-pharma-to-acquire-us-based-organon-in-11.75-b"}},{"node":{"data":{"title":{"text":"Late-Night Eating May Harm Gut, Study Suggests"},"content":{"text":"Chronic stress can disrupt bowel functions and now, a new report on Thursday suggested that eating late at night amplifies these effects, with implications for both digestive health and the gut microbiome.  Researchers analysed data from more than 11,000 participants in the National Health and Nutrition Examination Survey in the US to examine links between chronic stress, late-night eating, and bowel dysfunction. Individuals with a high allostatic load score — the cumulative physiological stress as reflected in body mass index (BMI), cholesterol level, and blood pressure — who also reported eating more than 25 per cent of daily calories after 9 p.m. were 1.7 times more likely to experience constipation and diarrhoea than those with lower scores who did not eat late at night. \"It’s not just what you eat, but when you eat it,\" said Harika Dadigiri, resident physician at New York Medical College at Saint Mary’s and Saint Clare’s Hospital said the study’s lead author. \"And when we’re already under stress, that timing may deliver a ‘double hit’ to gut health,\" she added. Similarly, data from more than 4,000 participants in the American Gut Project found that people with both high stress levels and late-night eating habits were 2.5 times more likely to report bowel problems. These individuals had significantly lower gut microbiome diversity, suggesting that meal timing might magnify the impact of stress on the microbiome via the gut-brain axis — the two-way communication system involving nerves, hormones and gut bacteria. The findings highlight associations rather than cause-and-effect. Further research is needed to better understand how stress, eating patterns and gut health are connected, said the study. Dr Dadigiri is sympathetic to those who reach for late-night snacks after long, demanding days, and as a medical resident, she counts herself among them. \"Small, consistent habits, like maintaining a structured meal routine, may help promote more regular eating patterns and support digestive function over time,\" she said."},"img":{"url":"https://images.prismic.io/prad/49dee6c7-3424-4e38-92ca-36f8dd4d4197_stomach+cancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-23T00:50:00+0000","embed":{"embed_url":null}},"uid":"late-night-eating-may-harm-gut-study-suggests"}},{"node":{"data":{"title":{"text":"Plastic particles may trigger liver disease risk"},"content":{"text":"There is clear evidence that exposure to micro and nanoplastics can trigger oxidative stress, fibrogenesis and inflammation in animals, features that resemble those of advanced liver disease in humans, researchers said on Thursday.  With the liver acting as the body’s first major firewall, processing and detoxifying everything humans consume, there is a clear potential for these particles to enable the transporting of microbial pathogens, antimicrobial resistance determinants, endocrine-disrupting chemicals, and carcinogenic additives into the human system, they emphasised in the Nature Reviews Gastroenterology & Hepatology journal. The article’s lead author, Shilpa Chokshi, Professor of Experimental Hepatology and Director of Centre of Environmental Hepatology, said that liver disease is rising globally and is now responsible for 1 in 25 deaths worldwide. “While established risk factors such as obesity and harmful alcohol use remain central, they do not fully explain the scale or pace of this increase. This has led us to consider additional environmental factors, including micro- and nanoplastics, which may interact with existing disease processes and amplify liver injury,” said Chokshi. There is already strong evidence that plastics can accumulate and cause harm in the livers of animals, raising an important question – why should humans be any different? In the review, the researchers highlighted critical methodological bottlenecks, key knowledge gaps and unmet research priorities, as well as a number of technical challenges that are presently hindering the search for further evidence of plastic-induced liver injury. Professor Chokshi that we now have a growing body of evidence that plastics can accumulate in human tissues and have been implicated in a range of medical conditions. “From my perspective, having spent over two decades developing therapeutics for liver disease, the liver acts as the body’s gatekeeper – processing and detoxifying what we are exposed to. In an increasingly plastic-laden world, where plastics are closely associated with our food, water and air, these exposures may not only reach the liver but also interact with existing disease processes and amplify harm,” Chokshi explained. If this is the case, it is something we need to investigate in much greater detail, said researchers. Professor Richard Thompson OBE FRS, Professor of Marine Biology at the University of Plymouth, said this is further evidence that plastic pollution is, without question, a global environmental and health challenge."},"img":{"url":"https://images.prismic.io/prad/aeng5cBOoF08xPTe_liver.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-23T08:45:00+0000","embed":{"embed_url":null}},"uid":"plastic-particles-may-trigger-liver-disease-risk"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"UK Gets Youngest Indian-Origin Mayor at 23"},"content":{"text":"A 23-year-old councillor, Tushar Kumar, has created history by becoming the youngest Indian-origin mayor in the United Kingdom after being appointed mayor of Elstree and Borehamwood.  Originally hailing from Haryana, Kumar was officially appointed at the council’s Mayor-Making Ceremony held at Fairway Hall in Borehamwood on May 13. Several councillors, civic leaders, community organisations, residents, family members and friends attended the event. Taking to his social media platform X, following the ceremony, Kumar said, \" An incredible honour to officially become Mayor of Elstree and Borehamwood and, at 23 years old, the youngest ever Indian-origin Mayor in UK history. From studying political science at King’s College London to now serving the town I love, this journey feels surreal.” Reflecting on his political journey during his acceptance speech, Kumar said he was first elected as a councillor at the age of 20 while pursuing political science at King’s College London. He spoke about the significance of assuming the mayoral role at a young age and expressed hope that it would inspire more young people to participate in local democracy, public service, and community work, London Daily reported. Kumar also expressed gratitude to outgoing Mayor Councillor Dan Ozarow for his support and guidance during his tenure as deputy mayor. He further congratulated Councillor Linda Smith on her new appointment as Deputy Mayor and said he looked forward to working together with her in serving the community. Mayor Kumar thanked his family and friends for their enduring support throughout his journey into local politics. Outlining his vision for the year ahead, he said he aimed to be “a mayor who is present for the community” and remain actively engaged with residents and local organisations across Elstree and Borehamwood. “It is the privilege of a lifetime to serve the town I love,” he said. The appointment has generated considerable interest because of Kumar’s age, with the 23-year-old now regarded as the youngest serving mayor in the UK. His election highlights the increasing involvement of the younger generation in local government and civic affairs."},"img":{"url":"https://images.prismic.io/prad/agwLyaYofJOwHWjt_youngmayorUK.JPG?auto=format%2Ccompress&rect=0%2C20%2C450%2C222&w=2028&h=1000"},"datetime":"2026-05-19T07:06:00+0000","embed":{"embed_url":null}},"uid":"uk-gets-youngest-indian-origin-mayor-at-23"}},{"node":{"data":{"title":{"text":"Indian student killed in tragic road accident in US "},"content":{"text":"A 25-year-old Indian student lost her life while six others were injured in a tragic road accident near Chicago in the United States, officials confirmed on Monday (Indian time). The fatal accident occurred late on Saturday night (US time) along Interstate 65 near Crown Point in Lake County, Indiana, according to the police. According to local media reports, the deceased student has been identified as Navya Gadusu. The Lake County Coroner's Office confirmed that she was pronounced dead at 12:16 a.m. on Sunday. Officials stated that Gadusu died due to blunt force traumatic injuries suffered in the crash. Reacting to the incident, the Indian Consulate General in Chicago expressed grief over the student's death and said it is in constant touch with the bereaved family. \"We are deeply saddened by the tragic passing away of Indian student Navya Gadusu in a road accident near Chicago. Our heartfelt condolences to her family and friends during this difficult time. The Consulate is in touch with the family of the deceased. We are also in touch with friends and members of community who are assisting those injured in the accident,\" the Consulate said in a post on X. According to the Indiana State Police, the accident took place at approximately 11:15 p.m. on Saturday. Investigators said a red minivan carrying seven adults was travelling at a very slow speed of around 10 to 15 miles per hour behind another vehicle that was reportedly facing mechanical issues. Police said the driver of another car approaching from behind failed to realise how slowly the minivan was moving and attempted to swerve left in an effort to avoid a collision. However, the vehicle struck the left side of the minivan with force, causing the van to veer off the roadway and plunge into a ditch, officials added. Authorities clarified that the vehicle suffering from mechanical trouble, which the minivan had been following, was not involved in the collision. Further details released during the investigation revealed that the minivan was fitted with only two front seats.  Police said the remaining five passengers were seated on boxes of mangoes without wearing seat belts at the time of the accident. The circumstances surrounding the crash are currently under investigation by the Indiana State Police."},"img":{"url":"https://images.prismic.io/prad/agrmJKYofJOwHUd0_navuagadusu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T04:42:00+0000","embed":{"embed_url":null}},"uid":"indian-student-killed-in-tragic-road-accident-in-u"}},{"node":{"data":{"title":{"text":"New Republican bill tightens H-1B, asylum rules"},"content":{"text":"Indian professionals, students, and family-based immigrants could face sweeping new restrictions under a hardline immigration proposal introduced by influential Republican lawmaker Tommy Tuberville, including tougher H-1B rules, limits on work authorization for foreign students, and higher English requirements for citizenship.  The 82-page proposal, titled the “American System for Sustainable Immigration and Mass Immigration Limitations Achieved Through Imposing Oversight Nationally Act,” or the “ASSIMILATION Act,” would fundamentally reshape large parts of the US immigration system. According to the text, the legislation seeks to replace what it describes as “family-chain and lottery-based admissions” with a “merit-based system” prioritizing “economic self-sufficiency, cultural assimilation, and the protection of United States workers.” “I’m glad to see the Trump administration is working overtime to deport the millions of criminals who came here illegally during the Biden administration,” Tuberville said in a statement accompanying the bill. “But we also need to remove the incentives that are encouraging people who hate this country to come here in the first place,” he said. The Alabama senator added: “Coming to this country is a privilege, not a right. If you hate this country and refuse to assimilate, we do not want you here.” The legislation would significantly affect Indian nationals, one of the largest groups of beneficiaries under employment-based immigration and H-1B visa programs. Among the bill’s most consequential provisions are new H-1B restrictions. The measure would cut the annual H-1B cap to 50,000 visas and require employers to pay foreign workers at least “200 per cent of the median wage” for the relevant occupation and location. The bill would also limit H-1B status to a single three-year term with no extensions or renewals. It further bars H-1B holders from adjusting to permanent residency unless they remain outside the United States for at least two continuous years after their visa expires. Another major change targets foreign students. The proposal would eliminate Optional Practical Training (OPT), a widely used program allowing international students to work in the US after graduation. The bill would also abolish the diversity visa lottery program entirely and sharply narrow family-sponsored immigration categories. Under the proposal, only spouses and unmarried children under 18 of US citizens would qualify as immediate relatives for immigration purposes. Parents of US citizens would no longer qualify for permanent immigration status but could receive limited five-year nonimmigrant visas without access to employment or public benefits. The legislation would further impose stricter naturalization standards, including raising the residency requirement for citizenship from five years to 10 years and requiring English proficiency at the B2 level under the Common European Framework. Asylum rules would also tighten substantially. The bill would bar work authorization for asylum applicants solely on the basis of pending claims and establish a $500 asylum filing fee. The proposal additionally mandates nationwide use of E-Verify for all new hires and creates new civil and criminal penalties for visa overstays. A companion legislation has been introduced in the House by Andy Ogles. Immigration remains one of the defining political issues in the United States ahead of the 2026 elections, with Republicans increasingly pushing for stricter border enforcement and reduced legal immigration pathways. The debate has intensified under the second Trump administration, which has prioritised deportations, tighter asylum standards, and expanded immigration enforcement."},"img":{"url":"https://images.prismic.io/prad/782c884d-488e-4f90-a168-fd9d1ecf247c_US+citizenship.JPG?auto=format,compress"},"datetime":"2026-05-15T03:45:00+0000","embed":{"embed_url":null}},"uid":"new-republican-bill-tightens-h-1b-asylum-rules"}},{"node":{"data":{"title":{"text":"Dollar Shock: US Trip Burns a Hole in Indian Wallets"},"content":{"text":"For many Indians, an overseas trip is no longer just about sightseeing and food—it’s a serious financial calculation. Influencer Akriti Pandey recently went viral after sharing her real experience of traveling in the US while earning in Indian rupees. Her breakdown of everyday expenses left many stunned—an Uber ride costing $67 (around ₹6,300) and three dosas priced at $57 (₹5,300) highlighted just how expensive things can get. Her honest take struck a chord with middle-class Indian millennials, many of whom echoed similar struggles in the comments. The constant mental conversion from dollars to rupees, she pointed out, turns even simple spending into stress. What might feel normal for someone earning in dollars quickly becomes overwhelming for those earning in India. Pandey suggested that company-sponsored trips or brand collaborations could ease the burden, but her larger message was deeper—global travel is increasingly becoming a luxury. The conversation has now shifted beyond travel to a bigger reality check on income gaps, rising costs, and the growing pressure to earn more just to maintain a global lifestyle."},"img":{"url":"https://images.prismic.io/prad/b3cd8a19-96bc-4e35-8774-eed6dddc15ad_travel.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T19:17:00+0000","embed":{"embed_url":null}},"uid":"dollar-shock-us-trip-burns-a-hole-in-indian-wallets"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'Mashooqa' song from 'Cocktail 2'"},"img":{"url":"https://images.prismic.io/prad/agxLn6YofJOwHXNF_mashooqasong.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-19T08:38:00+0000","third_party_url":null},"uid":"mashooqa-song-from-cocktail-2"}},{"node":{"data":{"title":{"text":"'Peddi' Trailer"},"img":{"url":"https://images.prismic.io/prad/agsAfqYofJOwHUuj_peddi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T10:30:00+0000","third_party_url":null},"uid":"peddi-trailer"}},{"node":{"data":{"title":{"text":"'VeeraBhadrudu' Trailer"},"img":{"url":"https://images.prismic.io/prad/agLhqaYofJOwHG9a_veerabhadrudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T19:15:00+0000","third_party_url":null},"uid":"veerabhadrudu-trailer"}},{"node":{"data":{"title":{"text":"CM Vijay First Speech In Assembly"},"img":{"url":"https://images.prismic.io/prad/agLjPKYofJOwHG-w_vijayspeechinassemb%3By.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-12T06:30:00+0000","third_party_url":null},"uid":"cm-vijay-first-speech-in-assembly"}},{"node":{"data":{"title":{"text":"Armed robbers storm jewellery showroom"},"img":{"url":"https://images.prismic.io/prad/afctLMBOoF08xjko_armedrobbery.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-03T11:15:00+0000","third_party_url":null},"uid":"armed-robbers-storm-jewellery-showroom"}},{"node":{"data":{"title":{"text":"Ashu Reddy's Father Reaction On Controversy"},"img":{"url":"https://images.prismic.io/prad/65db209f3a605798c18c3733_AshuReddy-2-.jpeg?auto=format%2Ccompress&rect=0%2C73%2C1024%2C505&w=2028&h=1000"},"datetime":"2026-05-03T08:44:00+0000","third_party_url":null},"uid":"ashu-reddys-father-reaction-on-controversy"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Decoding The \"Mujh Se Judo\" Invitation"},"img":{"url":"https://images.prismic.io/prad/agwK9KYofJOwHWjf_modirr.JPG?auto=format,compress"},"datetime":"2026-05-19T06:30:00+0000","third_party_url":null},"uid":"decoding-the-mujh-se-judo-invitation"}},{"node":{"data":{"title":{"text":"How India's \"Burnol Moment\" Became A \"Kaalia\" Conundrum?"},"img":{"url":"https://images.prismic.io/prad/agrhE6YofJOwHUXx_modiprimcetrumpxiping.JPG?auto=format,compress"},"datetime":"2026-05-18T06:25:00+0000","third_party_url":null},"uid":"how-indias-burnol-moment-became-a-kaalia-conundrum"}},{"node":{"data":{"title":{"text":"AP's New Formula: More Children, Less Wealth"},"img":{"url":"https://images.prismic.io/prad/Z4vT4ZbqstJ99mL2_CBN.JPG?auto=format,compress"},"datetime":"2026-05-17T02:30:00+0000","third_party_url":null},"uid":"aps-new-formula-more-children-less-wealth"}},{"node":{"data":{"title":{"text":"Austerity Call: A Political Moment Or Mere A Political Noise?"},"img":{"url":"https://images.prismic.io/prad/agbycKYofJOwHRMg_cbnmodipk.JPG?auto=format,compress"},"datetime":"2026-05-15T05:32:00+0000","third_party_url":null},"uid":"austerity-call-a-political-moment-or-mere-a-politi"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Decoding The \"Mujh Se Judo\" Invitation"},"content":{"text":"“Deewane ka naam to poochho / Pyar se dekho, kaam to poochho / Chaahe phir na milna / Arre chaahe phir na milna”(“Ask this passionate, crazed lover his name / and look with love to know his aim / even if we part and never meet / these fleeting moments are so sweet”) The above lines from the classic 1967 Bollywood track manifest a hero’s playful, desperate plea for a moment of connection with the heroine he is pursuing. The lover is bargaining that life is short and unpredictable, so she should stop being angry or distant. He wants her to acknowledge his presence just once, even if it ends up being their very last interaction. Here, the hero makes a compromise, urging the heroine that she need not commit to a full relationship, just give him a fleeting moment of attention before walking away forever. Here the hero was making a compromise by urging the heroine that she need not commit to a relationship, but give him, at least, a moment of attention, even if she chooses to walk away and never meet him again. Decades later, this exact brand of romantic compromise seems to have found its resonance in the recent tongue-in-cheek “Mere se judo” (“Join me”) messaging dropped on Telangana Chief Minister Revanth Reddy by the Supreme Leader of the BJP during his recent visit to Hyderabad. While these remarks were ostensibly made in response to Revanth’s appeal for greater financial support for the state from the Centre, it instantly ruffled feathers within the Congress ranks. It sounded far more like strategic political poaching than a routine exercise in cooperative federalism. While the crowd cheered at his banter, panic alarms instantly went off inside Gandhi Bhavan. The state Congress headquarters, traditionally less of a party office and more of a gladiator arena for internal factional fights, suddenly found itself facing a common crisis. A deeply rattled Congress hierarchy was left frantically trying to explain away this public political flirting as a \"harmless joke” of “cooperative federalism.\" Only the innocent would buy into that defense. In Indian politics, every public joke carries a hidden agenda; this was both a calculated warning shot and an open, calibrated invitation, mirroring that Bollywood hero's desperate appeal. Ground reports show that the ruling Congress in Telangana has lost some of its initial shine over its two-and-a-half years in power. Inside the party, senior veterans are still quietly rebelling against Revanth Reddy. Because of this vulnerable position, he cannot afford to succumb to the lure of the BJP’s open invitation just yet. For now, he must stick to the standard Congress playbook: reject the temptation and perform unwavering loyalty to the high command that handed him the Chief Minister's chair. At the same time, executing an Eknath Shinde-style rebellion is mathematically impossible. The BJP simply lacks the required MLA count in the assembly, and there is no immediate possibility of engineering a clean two-thirds split within the Congress Legislature Party to legally install a saffron government. Therefore, the BJP’s real strategy behind this open invitation is to play a patient wait-and-watch game. By keeping Revanth Reddy close, they can exploit his vulnerability as he fights off quiet rebellions from internal Congress rivals, discontent that is bound to explode into the open as the next elections approach, allowing the BJP to slowly pull him into its orbit. On the other hand, the BJP leadership also views Revanth as politically vulnerable with the 2015 cash-for-vote case still hanging over his head. This dynamic closely mirrors how former Andhra Pradesh CM YS Jagan Mohan Reddy, weighed down by multiple legal battles, was frequently accused of going out of his way to maintain cordial relations with the Centre for self-preservation. Additionally, historical patterns indicate that central investigative agencies could easily be directed toward Revanth’s inner circle. After years in office, any administration accumulates exploitable baggage. Should federal investigations coincide with boiling internal party friction, the Congress high command might be forced to look for leadership alternatives, though it is highly unlikely they would dare to make such a drastic move under current circumstances. Trapped between an internal party revolt and federal pressure, he could eventually find himself forced to jump ship to the BJP just to survive, following the famous footsteps of Himanta Biswa Sarma or Suvendu Adhikari. In other words, putting aside the temptations of the Supreme Leader’s \"Join Me\" pitch, the more urgent question is this: who exactly has the power to trigger such a crisis for him from within the Congress? The answer is obvious to anyone listening to the whispers of rebellion leaking through the paper-thin walls of Gandhi Bhavan. Because of this deep-seated internal drama, seasoned political analysts view the Supreme Leader’s comment not as a harmless joke, but as a calculated trap designed to make those internal cracks split wide open. For now, Revanth Reddy may not be singing “Abhi na jaao chhod kar, yeh dil abhi bhara nahi” (\"Please do not leave me just yet, for my heart is not yet fulfilled\") to his solicitor from the BJP. Instead, he is living out a “Woh gaadi aayegi, aayegi” (“That time will surely come”) moment, patiently waiting for the inevitable political storm that is quietly brewing within the precincts of Gandhi Bhavan."},"img":{"url":"https://images.prismic.io/prad/agwK9KYofJOwHWjf_modirr.JPG?auto=format,compress"},"datetime":"2026-05-19T06:30:00+0000","embed":{"embed_url":null}},"uid":"decoding-the-mujh-se-judo-invitation"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"TG Gives 10-Year Age Relaxation to Job Aspirants"},"content":{"text":"The Telangana government has raised the upper age limit by 10 years for a period of one year for direct recruitment jobs.  The state government issued a Government Order (G.O.) Number 86, raising the upper age limit. With this, the upper age limit has been raised from 34 years to 44 years. The government on February 8, 2024 issued G.O. No. 30, raising the maximum age limit prescribed in the Telangana State and Subordinate Service Rules, 1996 for appointment by direct recruitments by two years in addition to 10 years for a period of two years. This had taken the upper age limit to 46 years. However, with the G.O lapsing in February 2026, the base upper age limit for direct recruitment was reverted to 34 years. The latest G.O states that a number of representations have been received from unemployed youths, for considering relaxation of the upper age limit for direct recruitment to enable more unemployed youth to become eligible to compete in the recruitment process. “After careful examination of the matter, Government have decided to raise the upper age limit by ten (10) years i.e from 34 years to 44 years to other than Uniform Services for a period of one (1) year for the ensuing direct recruitments in various categories of posts to be notified by the recruiting agencies in the State,” reads the GO issued by Chief Secretary K. Ramakrishna Rao. Telangana Rakshana Sena (TRS) leader K. Kavitha had demanded that the state government implement the 10-year age relaxation announced in 2024 for recruitments through the State Public Service Commission. She called for cancelling the notification issued by the Public Service Commission to fill 20 posts of Assistant Scientist in the Pollution Control Board with an age eligibility criterion of 18-34 years. Kavitha had warned that if the government fails to cancel the notification issued on April 20 and implement G.O. 30 issued in 2024 without any restrictions, they will launch a massive agitation. The former MP said that Congress came to power with the votes of unemployed people after promising in its election manifesto to fill two lakh jobs within two months, but after coming to power, it completely forgot about issuing job notifications. She stated on February 8, 2024, the government issued G.O. 30, extending the 10-year age relaxation granted by the previous government by an additional two years, thereby projecting an image of benefiting the unemployed. It was stipulated that this relaxation would remain in force for two years. Consequently, the upper age limit for employment eligibility was raised from 44 to 46 years. However, despite the passage of two-and-a-half years since then, not a single job notification has been released, she alleged."},"img":{"url":"https://images.prismic.io/prad/Z2P2bJbqstJ98qwn_jobshigh.JPG?auto=format,compress"},"datetime":"2026-05-19T04:47:00+0000","embed":{"embed_url":null}},"uid":"tg-gives-10-year-age-relaxation-to-job-aspirants"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Mouni Roy gives a peek into her ‘Cannes chaos’ "},"content":{"text":"Actress Mouni Roy, who confirmed separation with Suraj Nambiar on May 19, shared a glimpse into her “chaotic” Cannes time.  Mouni shared a series of photos from the balcony of her room in the French Riviera. She is seen dressed in a monochromatic look paired with knee-length boots and a trench coat.  She wrote in the caption section of Instagram: “Cannes & Chaos ! Bonjour x.” This isn’t her first time at the French Riviera. Mouni made her Cannes debut in 2023. The actress is currently making headlines over her divorce with husband Suraj Nambiar.   On May 14, they took to their respective Instagram handles, and shared a joint post confirming they are parting ways. The statement read:, “We note with dismay the unnecessary and intrusive attention into our personal lives by certain quarters of the media. We want to state that we have decided to part ways and are taking the necessary time to address matters privately and amicably.”  “Attempts have been made to sensationalize our private lives by circulation of fictitious narratives and blatant falsehoods, which do not reflect the reality of our relationship”. The statement further mentioned: “After thoughtful reflection on evolving personal priorities, we have mutually chosen to move forward on separate paths with respect and understanding. At this point, we are focused on navigating this phase thoughtfully and privately.”  “We will endeavour to cherish our friendship in times to come. We sincerely appreciate your understanding, respect for our privacy, and the continued support extended to us during this time”. In the caption section, the duo “humbly” requested to “give us privacy and dignity and not give out any false stories about me or Suraj.”  “Expecting all of you to give us privacy in these hard times. Humble request to all the media houses to please stop. Love”."},"img":{"url":"https://images.prismic.io/prad/agwBDqYofJOwHWf6_mouni.JPG?auto=format,compress"},"datetime":"2026-05-19T03:28:00+0000","embed":{"embed_url":null}},"uid":"mouni-roy-gives-a-peek-into-her-cannes-chaos-"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"TFCC Takes Legal Action Against iBomma"},"content":{"text":"The Telugu Film Chamber of Commerce has taken decisive action by lodging a fresh complaint against piracy websites, iBomma and Bappam TV, for their unauthorized streaming of newly released Telugu films and OTT content. The complaint, filed by Manindra Babu Yarra, project head of the anti-video piracy cell, alleges that the websites were illegally offering free access to copyrighted films in multiple languages, including Telugu, Tamil, Hindi, and Bengali. Moreover, the operators are accused of promoting illegal online betting platforms through embedded advertisements.  The sophisticated piracy ecosystem utilized Google’s Blogspot platform as a front-end portal, with custom streaming players embedded for seamless playback of pirated movies. Additionally, the websites were found to have anti-tracking and anti-debugging mechanisms to evade law enforcement scrutiny. The complaint also highlighted the aggressive promotion of banned betting applications, such as 1xBet and 4rabet, alongside the streaming of movies.  The Hyderabad cybercrime police have registered a criminal case against the unidentified operators of the websites under multiple provisions of the Information Technology Act, the Bharatiya Nyaya Sanhita, the Telangana Gaming Act, and the Promotion and Regulation of Online Gaming Act, 2025."},"img":{"url":"https://images.prismic.io/prad/agwZ0aYofJOwHWpV_ibommaboppam.JPG?auto=format,compress"},"datetime":"2026-05-18T19:56:00+0000","embed":{"embed_url":null}},"uid":"telugu-film-chamber-takes-legal-action-against-ibomma-bappam-tv-for-illicit-stre-mpcc9xcp"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Dhurandhar‍‌‍‍‌‍‌‍‍‌'"},"content":{"text":"Dhurandhar hits the audience like a cyclone—untamed, persistent, and spectacularly dhamakedaar. Aditya Dhar's latest triumph is far from just a movie; it is a once-in-a-lifetime experience, a cinematic event of the year that completely breaks the clutter of Indian espionage thrillers. With Indian heart and international standard, Dhar weaves a story full of human touch, intricacy, and spark, reaffirming that he belongs among the very few directors capable of conceiving on a grand scale while still keeping the story deeply character-driven.  Drawing inspiration from the IC-814 hijacking and the 2001 Parliament attack, the film sets the stage on a historic backdrop without wasting a moment. Dhar then skillfully expands the narrative to show the political tremors that pushed the Indian intelligence system beyond its limits. Madhavan as IB Chief Ajay Sanyal is the rock on which the story stands. His portrayal, full of precision and gravitas, earns seeti maar reactions in every scene. The dialogues are crisp, the energy is infectious, and the immersion into this high-stakes world is so real that it grips from the first frame.  One of the most striking elements is the use of archival footage, including 9/11 and other terror attacks, interspersed with chilling audio of attackers plotting against India. These sequences evoke patriotism without jingoism, reminding the audience of the stakes while highlighting India’s strategic resilience. It’s a cinematic call to awareness and courage that makes the story even more gripping.  Ranveer Singh delivers arguably his career-best performance—raw, gritty, massy, and explosively powerful. Hamza is hurt, angry, unpredictable, yet inexplicably charming. The transformation from a rage-driven youth to a cold, calculated underworld operative is executed with staggering emotional finesse. Ranveer doesn’t just perform; he literally “blows up” the screen, particularly in the latter half, becoming almost synonymous with the storyline—a 10/10 hardcore action avatar.  The supporting cast matches this energy brilliantly. Akshaye Khanna, as Rehman Dakait, is eerie, sparkling, and dreadful—a mind-is-the-weapon villain whose expressions and timing make him unforgettable. Sanjay Dutt is pure cannon fire as SP Chaudhary Aslam, “The Jinn,” bringing raw toughness to every frame. Arjun Rampal’s Major Iqbal commands attention with his silent menace, while Sara Arjun impresses in her star-studded debut. Every actor is fully into their character, creating a dangerously immersive atmosphere.  The film’s pace is relentless, thanks to Aditya Dhar’s mastery over tempo. And crucially, despite its 214-minute runtime, the length never feels distracting. Every scene is deliberate, every beat perfect, making the infiltration plan genuinely nerve-wracking. The background music is another major highlight—the BGM keeps the energy flowing continuously, never letting the audience feel a dull moment. The soundtrack is one of the strongest pillars of the film, arguably the album of the year or even the decade, turning tension, discovery, and climax into cinematic thunder.  Violence is used sparingly—just three sequences are truly explicit, each dramatically justified. The real intensity comes from the emotional stakes, character development, and political intrigue. The first half showcases masterful world-building, with the interval delivering pure goosebumps and doubling audience excitement. Post-interval, conspiracies intertwine, political power shifts, and Hamza consolidates the mafia core through strategy, betrayal, and even a calculated marriage, setting up a perfect stage for the explosive Part Two coming Eid 2026.  Jyoti Deshpande, Lokesh Dhar, and Aditya Dhar, backed by B62 Studios and Jio Studios, leave no stone unturned in creating a universe that is vast, real, and cinematically rich. Their unwavering support for large sets, hard action, bold storytelling, and a stellar ensemble cast shines in every frame, elevating Indian genre cinema to new heights.  Dhurandhar is a genre-defining spectacle that combines ferocious execution, meticulous craft, and unforgettable impact. With Aditya Dhar’s finest direction and Ranveer Singh’s career-best performance, it makes a solid case for being one of the boldest, most compelling thrillers of the year. The game is set, the pieces are moving, and the wait for Part Two is fervent—completely justified by the high stakes, breathtaking performances, and mind-blowing storytelling.  Cast: Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others  Director/Writer: Aditya Dhar"},"img":{"url":"https://images.prismic.io/prad/aTK2Z3NYClf9n2ee_dhurandar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-12-05T08:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=BKOVzHcjEIo"}},"uid":"review-dhurandhar"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఆంధ్రాకింగ్‌ తాలూకా' రివ్యూ... ఫ్యాన్స్‌ మూవీ"},"content":{"text":"రామ్‌ వరుస విజయాలతో ఎనర్జిటిక్ స్టార్‌ ఇమేజ్‌ని సొంతం చేసుకుని కెరీర్‌ ఆరంభంలో అందరి దృష్టిని ఆకర్షించాడు. కానీ గత కొంత కాలంగా ఆయన పూర్తిగా గాడి తప్పినట్లుగా కనిపిస్తున్నాడు. ఏమాత్రం ఆకట్టుకోని కథ, కథనాలను, దర్శకులను ఎంపిక చేసుకోవడంతో ఆయనకు వరుస ఫ్లాప్‌లు తప్పలేదు. ఇస్మార్ట్‌ శంకర్ తర్వాత రామ్‌ ఒక మంచి హిట్‌ కోసం ఎదురు చూస్తున్నాడు. ఆ హిట్‌ ఈ సినిమాతో వచ్చిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ :  సూర్య(ఉపేంద్ర) తెలుగు సినిమా ఇండస్ట్రీలో స్టార్‌ హీరో. అభిమానులు ఆయన్ను ఆంధ్రా కింగ్‌ అనే బిరుదుతో పిలుచుకుంటూ ఉంటారు. వరుస విజయాలు దక్కించుకుంటూ వచ్చిన సూర్యకు వందవ సినిమాకు ముందు కెరీర్‌ పరంగా ఒడిదొడుకులు ఎదుర్కోవాల్సి వస్తుంది. వరుస ఫ్లాప్స్‌ పడటంతో సూర్య ను విమర్శించే వారు, తిట్టేవారు ఎక్కువ అవుతారు. ఆయన పనైపోయిందని విమర్శిస్తూ ఉంటారు. ఆ సమయంలో సూర్య 100వ సినిమాను మొదలు పెడతాడు.  సినిమాపై అంచనాలు లేకపోవడం, అసలు సూర్య సినిమాను ఎవరు చూస్తారు అని జనాలు అనుకుంటూ ఉండటంతో ఆ సినిమా ఆర్థిక సమస్యలు ఎదుర్కొంటుంది. సినిమా పూర్తి చేయడానికి రూ.3 కోట్లు అవసరం అవుతుంది. ఆ సమయంలో సూర్యను అమితంగా అభిమానించే సాగర్‌ (రామ్‌) ముందుకు వస్తాడు. తాను ఎంతో కష్టపడి సంపాదించిన ఆస్తిని అమ్మి, ఆ డబ్బును తన అభిమాన హీరో, ఆంధ్రాకింగ్‌ సూర్యకి చేరేలా చేస్తాడు.  తీవ్ర ఆర్థిక ఇబ్బందుల్లో ఉన్న సూర్య తన అకౌంట్‌లో పడ్డ రూ.3 కోట్లు చూసి షాక్‌ అవుతాడు. ఆ డబ్బును తన అభిమాని అయిన సాగర్‌ పంపించినట్లు తెలిసి షాక్‌ అవుతాడు. తన అభిమానిని కలుసుకునేందుకు సూర్య బయలుజేరుతాడు. ఆ క్రమంలో సాగర్‌ గురించి పలు విషయాలను సూర్య తెలుసుకుంటాడు. ఒక అభిమానిని స్టార్‌ హీరో ఎలా కలుసుకున్నాడు? ఆ తర్వాత ఏం జరిగింది? అనేది కథ. నటీనటుల నటన :  రామ్‌ మొత్తం బాధ్యత తన భుజాలపై వేసుకున్నాడు. ఎప్పటిలాగే ఈ సినిమాతో మరోసారి తన ఎనర్జిటిక్ పెర్ఫార్మెన్స్‌ను చూపించాడు. సాగర్‌ పాత్రకి రామ్‌ ఎంత వరకు చేయాలో అంతకు మించి చేసినట్లుగా అనిపించింది. ఒక పాత్రను చాలా నమ్మడం వల్లే రామ్‌ ఈ స్థాయిలో కష్టపడి ఉంటాడు అనిపించింది. అతడి లుక్‌, డైలాగ్‌ డెలివరీ, యాక్షన్‌ సీన్స్ లో ఆయన ప్రజెన్స్ ఇలా ప్రతి ఒక్క ఎలిమెంట్‌లోనూ రామ్‌ ఆకట్టుకున్నాడు. అందుకే అతడు ఒక ఫ్యాన్  గా సరిగ్గా సెట్‌ అయ్యి, సినిమాను మోశాడు. సూపర్‌ స్టార్‌గా నటించిన ఉపేంద్ర తన పాత్రకు న్యాయం చేశాడు. ఒక అభిమాని కోసం వెతుక్కుంటూ వెళ్తున్న సీన్స్ లో అతడి భావోద్వేగం కనిపించింది. సినిమా కోసం అతడు పడే తపన, అతడు పడే కష్టం తాలూక డిటైల్స్ ను ఉపేంద్ర చక్కగా చూపడం జరిగింది. హీరోయిన్‌గా నటించిన భాగ్యశ్రీ బోర్సేకి తన ప్రతిభ మొత్తం చూపించే అవకాశం దక్కలేదు. అయితే ఆమె ఉన్నంతలో అందంగా కనిపించడంతో పాటు, నటనతో ఆకట్టుకుంది. ఇతర నటీనటులు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ :  పాటల గురించి ప్రత్యేకంగా చర్చ జరిగింది. కొత్త సంగీత దర్శకులు కుమ్మేశారు అంటూ అంతా తెగ మాట్లాడారు. కానీ వారి నుంచి వచ్చిన సంగీతం కొత్తగా ఉంది కానీ ఆకట్టుకునే విధంగా మాత్రం లేదు. ఇలాంటి సినిమాలకు పాత సంగీత దర్శకులు అయితే న్యాయం చేసేవారు అనిపిస్తుంది. కాని రామ్‌ కి మాత్రం ఎందుకో వీరు నచ్చారు. ఆయన నిర్ణయం తప్పు అని తేలింది.  ఇక దర్శకుడు మహేష్‌ ఎంపిక చేసుకున్న కథ విషయంలో ఎలాంటి తప్పు లేదు. ముఖ్యంగా స్టోరీ లైన్ మంచి పాయింట్‌. కానీ దాన్ని మలచిన తీరు బాగాలేదు. ముఖ్యంగా స్క్రీన్‌ ప్లే విషయంలో సాగతీసినట్లుగా అనిపించింది. ఎడిటింగ్‌ కి ఇంకా చాలా స్కోప్ ఉంది. ఎందుకో చాలా సీన్స్‌ను అలాగే వదిలేశాడు. నిర్మాణాత్మక విలువలు బాగానే ఉన్నాయి. సినిమాటోగ్రాఫీ అప్పటి నేటివిటీకి దగ్గరగా ప్రేక్షకులను తీసుకు వెళ్లడంలో సక్సెస్ అయిందని చెప్పాలి.  విశ్లేషణ :  రామ్‌ దాదాపు ఏడాది  గ్యాప్ తీసుకుని, వందల కొద్ది కథలు విని, పదుల కొద్ది కథలు పక్కన పెట్టుకుని, చివరకు ఈ కథను ఎంపిక చేసుకున్నాడు అని ఆయన సన్నిహితులు అంటున్నారు. అయితే ఇలాంటి కథను ఆయన ఎలా ఒప్పుకున్నాడు అంటూ చాలా మంది ఆశ్చర్యం వ్యక్తం చేస్తున్నారు. స్టోరీ లైన్‌ బాగుంటే సరిపోతుందా, కథ, కథనం విషయంలో దీన్ని ఎంత వరకు ప్రేక్షకులకు ఆకట్టుకునే విధంగా తీసుకు రాగలరు అనే విషయంను ఆయన చూసుకోలేదు అనిపిస్తుంది.  రామ్‌ సాధారణంగానే ఎనర్జిటిక్‌ పెర్ఫార్మెన్స్‌ తో ఆకట్టుకుంటాడు. ఈ సినిమాలోనూ మరోసారి తన సత్తా చాటాడు. కానీ సినిమాలోని ఆయన పాత్ర ఉన్నంత పవర్‌ ఫుల్‌గా స్క్రీన్‌ ప్లే లేదు. గ్రామీన ప్రాంతంలో ఉండే ప్రేమ కథను చూపించే ప్రయత్నం చేశారు. ఆ కథను ఇంకాస్త ఎక్కువ చూపించినా బాగుండేది. హీరో, అభిమాని మధ్య ఉండే సీన్స్ చాలా తక్కువగా ఉన్నాయి. ప్రేక్షకులు ఆశించిన ఎలిమెంట్స్ ఈ సినిమాలో చాలా తక్కువగా ఉన్నాయి. అందుకే సినిమా రెగ్యులర్‌ ప్రేక్షకులను ఆకట్టుకోవడంలో విఫలం అవుతుంది. కానీ తమను తాము ఒక హీరోకు అభిమాని అని చెప్పుకునే వారికి మాత్రం తప్పకుండా ఈ సినిమా నచ్చుతుంది.  ప్లస్ పాయింట్స్ :  రామ్‌ నటన, స్టోరీలైన్‌, కొన్ని ఎమోషనల్‌ సీన్స్‌ మైనస్ పాయింట్స్ :  ఫస్ట్‌ హాఫ్‌ చాలా స్లోగా సాగింది స్క్రీన్‌ ప్లే, ప్రేమ కథ ఇంకాస్త ఉండాల్సింది. చివరగా... ఫ్యాన్‌గా ఆంధ్రాకింగ్‌ను ఆకట్టుకున్న సాగర్‌, ప్రేక్షకులను ఆకట్టుకోవడం కష్టమే. బ్యానర్ : మైత్రి మూవీ మేకర్స్‌ నిర్మాత : నవీన్‌ యెర్నేని, వై రవి శంకర్‌ దర్శకత్వం : మహేష్‌ బాబు పి సంగీతం : వివేక్‌-మెర్విన్‌ తారాగణం : రామ్‌ పోతినేని, భాగ్యశ్రీ బోర్సే, ఉపేంద్ర తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aSgr23NYClf9nheC_AKT1.JPG?auto=format,compress"},"datetime":"2025-11-27T08:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=oeY828c-AXo"}},"uid":"review-andhra-king-talooka---fans-movie"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'De De Pyaar De 2'"},"content":{"text":"It’s rare to find a film that makes you laugh, cry, and smile, all within the same heartbeat. De De Pyaar De 2 is that rare gem. The sequel not only lives up to the 2019 blockbuster but builds on it with heart, humour, and a story that feels deeply personal yet universally relatable. In a year full of thrillers and high-octane spectacles, De De Pyaar De 2 stands tall as the only true family entertainer of 2025. It’s a film about family — and one meant to be watched with family. Whether you’re a parent, a young adult, or a daughter who shares a special bond with her father, this one will speak to you in more ways than one. The film beautifully balances clap-and-whistle-worthy comedy with tear-jerking emotion, and even leaves you with a subtle but strong message about love, relationships, and what truly makes a man ‘man enough’ in today’s world. The protagonist Ajay Devgn is a delight, effortlessly switching between subtle humour and emotional restraint. His references to his own iconic films are a treat for fans and timed to perfection. It’s refreshing to see him return to a romantic-comedy space after a string of action-heavy roles. R. Madhavan, on the other hand, brings soul to the story. As a father navigating complex emotions, he’s a powerhouse of warmth and vulnerability. His scenes, especially with Ajay, are pure paisa vasool, seamlessly blending humour with heartfelt depth. Leading lady Rakul Preet Singh delivers her best performance yet, charming, confident, and absolutely radiant on screen. While Jaaved Jaffery leaves you rolling on the floor laughing everytime he comes on the screen, Meezaan’s entry in the second half is impactful; he looks effortlessly dashing and leaves a strong impression in a limited screen time. The supporting ensemble — Gautami, Ishita, and Suhasini Mulay, bring natural warmth and depth, rounding out the film’s emotional universe beautifully. Director Anshul Sharma infuses De De Pyaar De 2 with heart, humor, and a sense of effortless storytelling. His vision shines through every frame bringing together a powerhouse cast and allowing each performer to leave a lasting mark. Sharma orchestrates the film’s emotional beats and comic timing with remarkable finesse, blending warmth and wit in equal measure. With this film, he not only celebrates relationships and generations but also cements his place as a filmmaker who knows how to entertain while keeping the emotions genuine and grounded. Unlike many sequels that exist just to cash in on a franchise name, De De Pyaar De 2 feels like an organic continuation of the first. The callbacks are smart, not forced, and the story flows with sincerity and purpose. And just when you think you’ve seen it all, the last 20–30 minutes hit you with one of the most emotionally satisfying climaxes seen in recent times, an absolute rollercoaster of emotions that will leave you walking out with a full heart and a huge smile. De De Pyaar De 2 is the ultimate big-screen entertainer, funny, emotional, meaningful, and refreshingly vulnerable. It proves that films about family, love, and connection can still move audiences when told with honesty and heart. Director: Anshul Sharma,  Cast: Ajay Devgn, R. Madhavan, Rakul Preet Singh, Jaaved Jaaferi, Meezaan, Gautami Kapoor, Ishita Dutta and others "},"img":{"url":"https://images.prismic.io/prad/aRb8GLpReVYa4eVc_dedepyaarde2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-11-14T04:53:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=59aIp7SfIIk"}},"uid":"review-de-de-pyaar-de-2"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: ‘Jatadhara’ - A spiritual thriller unfolds"},"content":{"text":"Zee Studios and Prerna Arora produced Jatadhara represents an ambitious and compelling effort by directors Venkat Kalyan and Abhishek Jaiswal as they create a supernatural mythological thriller, one that dares bridge the gap between science, faith, and mysticism of old. Against the mysterious backdrop of the Anantha Padmanabha Swamy Temple and its treasures hidden within, the film is imbued with original Tantric rituals and chants enacted during filming-a rare thing in mainstream Indian cinema. The sense of dread and divinity pervades right from the first frame. The haunting visuals, the rhythmic chants, and symbolic imagery set off into a world where reality blends with the surreal. Credit goes to the two directors for knowing how to handle such a dense mythological theme with reverence and cinematic flair. Sudheer Babu plays Shiva, a skeptical ghost hunter whose journey from disbelief to spiritual awakening forms the emotional core of the story. His rugged screen presence, restrained intensity, and emotional range make this one of his most nuanced performances to date. The sequences where he confronts unseen forces — armed with both scientific logic and ritualistic tools — are genuinely gripping. Sonakshi Sinha, all set to mesmerize the Telugu audience for the first time, is just outstanding as Dhana Pisaachi, a vengeful spirit bound by greed and sorrow. With her commanding expressions, piercing gaze, and haunting poise, Sonakshi brings terror and tragedy on the screen. Her transformation into the demonic goddess is one of the talking points of the film and quite rightly so-she owns each frame. Divya Khossla carries grace throughout her role as Sitara, while Shilpa Shirodkar and Indira Krishna add depth and dignity to their key roles. The ensemble cast — Rajeev Kanakala, Ravi Prakash, and Subhalekha Sudhakar included — come together to add value to the narrative with realistic, down-to-earth performances. Written by Venkat Kalyan, the screenplay of Jatadhara weaves ancient lore with modern skepticism. The premise of the story-a forbidden ritual called Pisacha Bandhanam that ties spirits to guard lost treasures-is both fascinating and frightening. Kalyan ensures that every plot twist is rooted in belief systems familiar to Indian audiences, yet he approaches them with a contemporary lens. The dialogues by Sai Krishna Karne and Shyam Babu Meriga are sharp, spiritual, and thought-provoking. Lines like \"Faith is not what you see -- it's what you dare to feel\" stay with one long after the credits roll. They strike an even balance between philosophical weight and emotional immediacy to give the film a scriptural and cinematic hue at once. The biggest strength of Jatadhara is Sameer Kalyani's cinematography. The chiaroscuro lighting, the intricate interior of the temple, and aerial sweeps of the Kerala landscape infuse an otherworldly beauty upon this dark narrative. Every sequence of this ritual is framed like a painting-flickering lamps, swirling smoke, chanting shadows-pulling you into a hypnotic trance. The special effects should be applauded for delivering realistic supernatural imagery without excess. The scenes of Dhanapisachini’s manifestation are at once terrifying and beautiful, enhanced by practical effects that feel real and organic. The sound design amplifies the eeriness: low rumbles, faraway chants, and sudden silences are used to great effect to raise the tension. Composer Rajiv Raj manages an evocative score that fuses classical ragas with electronic undercurrents. His background music, particularly during the climactic confrontation, keeps the pulse racing. Despite the film's dark theme, music, and movement have been found in Jatadhara. “Shiva Stotram” and “Pallo Latke Again stand apart for their energy and depth. As the choreographer, Sandeep melds ritualistic movements with cinematic choreography, especially in the temple dance sequence featuring Divya Khossla, which radiates both devotion and intensity. The stunt choreography seamlessly integrates physical combat with supernatural powers, creating a dynamic action language that feels fresh. Sudheer Babu's ghost-hunting sequence, weapon combat scenes, and the final blood-drinking transformation sequence are all done with precision and conviction. The mix of martial arts and mystical symbolism makes these moments unforgettable. Jatadhara is a bold visual experiment in the form of a supernatural mythological thriller that refuses to play safe. It sincerely pursues faith versus reason, science versus ritual, and human will versus divine wrath with amazing scale. The outstanding visual brilliance of the film matches the strong performances and authentic spiritual texture. Co-directed by Venkat Kalyan and Abhishek Jaiswal, Jatadhara manages a fine balance between commercial spectacle and artistic expression. The result is that Jatadhara does what few films attempt; it turns mythology into a breathing, living cinematic experience, with its entrancing images, haunting music, and soulful performances that both thrill and leave one thoughtful. Director: Venkat Kalyan And Abhishek Jaiswal Starring : Sudheer Babu, Sonakshi Sinha, Divya Khossla, Shilpa Shirodkar, Indira Krishna, Rajeev Kanakala, Ravi Prakash, Rohit Pathak, Jhansi, Subhalekha Sudhakar"},"img":{"url":"https://images.prismic.io/prad/aQx6sbpReVYa4H3__jathadara.JPG?auto=format,compress"},"datetime":"2025-11-06T09:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=NcZNCaE4qEM"}},"uid":"review-jatadhara---a-spiritual-thriller-unfolds"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మాస్‌ జాతర' రివ్యూ... రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైనర్‌"},"content":{"text":"రవితేజ ఏదైనా సినిమా ప్రారంభిస్తే ఆరు నెలల్లోనే పూర్తి చేసి ప్రేక్షకుల ముందుకు తీసుకు రావడం మనం చూస్తూ ఉంటాం. కానీ ఈ సినిమా అనేక కారణాల వల్ల చాలా ఆలస్యం అయింది. ఈ ఏడాది సంక్రాంతికి రావాల్సిన సినిమా ఏడాది చివర్లో దీపావళి అయిన తర్వాత ప్రేక్షకుల ముందుకు వచ్చింది. సితార ఎంటర్‌టైన్‌మెంట్స్ బ్యానర్‌లో రూపొందిన సినిమా కావడంతో పాజిటివ్‌ బజ్ క్రియేట్‌ అయింది, అంతే కాకుండా రవితేజ ఈ సినిమాపై చాలా అంచనాలు పెంచే విధంగా ప్రచారం చేశాడు. మరి ఈ సినిమా ఎలా ఉంది అనేది ఈ రివ్యూలో చూద్దాం.  కథ : రైల్వే ఎస్‌ఐ అయిన లక్ష్మణ్‌(రవితేజ) ఎక్కడ ఉంటే అక్కడ రైల్వే విధులు మాత్రమే కాకుండా అన్ని రకాల కేసులను పరిస్కరిస్తూ ఉంటాడు. అలాంటి లక్ష్మణ్‌కి డ్రగ్స్‌ ఇష్టానుసారంగా పండిస్తూ, అదే జీవనాధారంగా జనాలు జీవిస్తున్న ఒక ప్రాంతంకు ట్రాన్స్‌ఫర్‌ అవుతుంది. అక్కడ శివుడు(నవీన్ చంద్ర) బలవంతంగా రైతులతో గంజాయి సాగు చేయిస్తూ దాన్ని కోల్‌కత్తాకు ట్రాన్స్‌పోర్ట్‌ చేస్తూ ఉంటాడు. శివుడు గంజాయి వ్యాపారంను నాశనం చేసేందుకు లక్ష్మణ్‌ సిద్దం అవుతాడు. శివుడు పెద్ద మొత్తంలో గంజాయిని కోల్‌కత్తా తరలించేందుకు సిద్ధం అయిన సమయంలో లక్ష్మణ్‌ దాన్ని దాచేస్తాడు. ఆ సరుకు కోసం శివుడు పిచ్చెక్కి పోతాడు. ఇద్దరి మధ్య పెద్ద యుద్దమే జరుగుతుంది. చివరకు ఏం జరిగింది అనేది సినిమా కథ.  నటీనటులు : రవితేజ ఎనర్జీ ఏమాత్రం తగ్గలేదు. అయితే ఆయన లుక్‌ విషయంలో మాత్రం కాస్త వయసు ఎక్కువ అయినట్లుగా అనిపించింది. వింటేజ్ రవితేజను చూస్తారు అంటూ పబ్లిసిటీ సమయంలో మేకర్స్ చెప్పారు. కానీ వింటేజ్ సీన్స్ పెద్దగా ఏమీ లేవు. ఒకటి రెండు నిమిషాలకే పరిమితం చేశారు. యాక్షన్‌ సీన్స్‌లో రవితేజ ఎనర్జీ కనిపించింది. అయితే డాన్స్‌ ల్లో శ్రీలీల ముందు రవితేజ ఆశించిన స్థాయిలో మెప్పించలేక పోయాడు అని చెప్పుకోక తప్పదు. ఓవరాల్‌గా మాస్‌ మహారాజా రవితేజ మాస్‌ జాతర తన భుజాలపై వేసుకుని నడిపించే ప్రయత్నం చేశాడు.  శ్రీలీల పాత్రకు పెద్దగా ప్రాధాన్యత లేదు. ఫస్ట్‌ హాఫ్‌ లో కొంత సమయం కనిపించినా, సెకండ్‌ హాఫ్‌ లో కొన్ని నిమిషాలు మాత్రమే ఆమె కనిపించింది. పాటలకు మాత్రమే పరిమితం అయిన పాత్ర అనిపించింది. ఉన్నంతలో మెప్పించింది. డాన్స్‌ల్లో తన ప్రతిభతో ఆకట్టుకుంది. రాజేంద్ర ప్రసాద్‌ తన పాత్రకు పూర్తి న్యాయం చేశాడు. హైపర్ ఆది తన రొటీన్‌ పంచ్‌ డైలాగ్స్ తో పర్వాలేదు అనిపించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి వారి పాత్రల్లో పర్వాలేదు అనిపించారు.  టెక్నికల్‌: దర్శకుడు భాను కథ విషయంలో ఇంకాస్త వర్కౌట్‌ చేస్తే బాగుండేది. రైల్వే పోలీస్‌ అనే లైన్‌ బాగానే ఉంది, కానీ గంజాయి చుట్టూ సాగే కథలు చాలానే ఉన్నాయి. ఇంకాస్త విభిన్నంగా కథను రాసుకుని ఉంటే బాగుండేది. కనీసం స్క్రీన్‌ప్లేతో అయినా మ్యాజిక్ చేసి ఉంటే బాగుండేది. డైలాగ్స్ కొన్ని యాప్ట్‌ కాలేదు. భీమ్స్ అందించిన పాటలు ఒకటి రెండు వింటూ ఉంటే బాగానే ఉన్నాయి. కానీ స్క్రీన్‌ ప్లే కు బ్రేక్‌లు వేసినట్లుగా అనిపించాయి.  ముఖ్యంగా సెకండ్‌ హాఫ్‌ లో వచ్చే పాటల ప్లేస్‌మెంట్‌ ఏమాత్రం సెట్‌ కాలేదు. అయితే బ్యాక్ గ్రౌండ్‌ స్కోర్‌ తో రవితేజ ఫ్యాన్స్‌కి, ఆయన ఎలివేషన్ సీన్స్‌ కి మంచి హైప్‌ వచ్చే విధంగా భీమ్స్ చేశాడు. సినిమాటోగ్రఫీ బాగుంది. ముఖ్యంగా యాక్షన్‌ సీన్స్ లో సినిమాటోగ్రఫీకి మంచి మార్కులు పడుతాయి. యాక్షన్ సీన్స్ నేచురాలిటీకి దగ్గరగా ఉండే విధంగా ప్లాన్‌ చేశారు. నిర్మాణాత్మక విలువలు బాగున్నాయి. ఎడిటింగ్‌లో జర్క్‌ లు ఉన్నాయి. కాస్త క్రిస్పీగా ఉండాల్సింది.  విశ్లేషణ : రవితేజ సినిమా అనగానే మాస్ ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకులు ఆసక్తిగా అప్పట్లో ఎదురు చూసేవారు. కానీ ఇప్పుడు రవితేజ గత చిత్రాల ఫలితాల నేపథ్యంలో ఈసారి అయినా రవితేజ హిట్‌ కొట్టేనా అని నీరసంగా, నిరుత్సాహంగా ఎదురు చూస్తున్న వారు ఉన్నారు. అయినా కూడా రవితేజలో ఎనర్జీ మాత్రం తగ్గలేదు. తన సినిమాల ఫలితంతో సబంధం లేదు అన్నట్లుగా వరుస సినిమాలు చేసుకుంటూ వెళ్తున్నాడు.  సితార వారి బ్యానర్ నుంచి సినిమా వస్తుంది అంటే మినిమం గ్యారెంటీ అనే నమ్మకం ఉండేది. అది కూడా ఈ మధ్య కాలంలో మెల్ల మెల్లగా పోతుంది. ఇలాంటి సమయంలో వచ్చిన మాస్‌ జాతర రవితేజ స్టార్‌డంను నిలబెట్టేనా, సితార వారి పరువు నిలుపుతుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. కానీ ఈ సినిమా పూర్తి స్థాయిలో ఆ పని చేయలేదు అని చెప్పక తప్పదు. రవితేజ మార్క్‌ ఎంటర్‌టైన్‌మెంట్‌తో ఫస్ట్‌ హాఫ్‌ సాఫీగా సాగింది. కానీ సెకండ్‌ హాఫ్‌ విషయంలో తీవ్రంగా నిరాశ పరిచాడు. ఒకటి రెండు యాక్షన్ సీన్స్‌ తప్ప సెకండ్‌ హాఫ్‌ లో చెప్పుకోవడానికి ఏమీ లేవు.  కథలో ట్విస్ట్‌లు లేవు, స్క్రీన్‌ ప్లే మొత్తం ముందే ఊహించేదిగా ఉంది. ఎక్కడా ఆసక్తికరంగా స్క్రీన్‌ ప్లే సాగిందే లేదు. ఆది కామెడీతో నవ్వించే ప్రయత్నం చేశారు. కానీ అది వర్కౌట్‌ కాలేదు. మొత్తంగా మాస్ జాతర ఆకట్టుకోలేక పోయిన యాక్షన్‌ జాతర.  ప్లస్‌ పాయింట్స్‌ : రవితేజ, ఫస్ట్‌ హాఫ్‌ కొన్ని సీన్స్‌.  మైనస్ పాయింట్స్ : కథ, కథనం, రొటీన్‌ కామెడీ, యాక్షన్‌, పాటల ప్లేస్‌మెంట్‌, రొటీన్‌ క్లైమాక్స్‌.  చివరగా... వింటేజ్‌ రవితేజను చూపిస్తారనుకుంటే రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైన్మెంట్‌ను చూపించాడు.  బ్యానర్ : సితార ఎంటర్‌టైన్‌మెంట్స్‌  నిర్మాత : నాగవంశీ  దర్శకత్వం : భాను భోగవరపు  సంగీతం : భీమ్స్‌ సిసిరోలియో  తారాగణం : రవితేజ, శ్రీలీల, నవీన్‌ చంద్ర, రాజేంద్ర ప్రసాద్‌, నరేష్‌, హైపర్‌ ఆది తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aQThSLpReVYa35Yx_massjathara.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-31T19:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Qm-wNxOcEL4"}},"uid":"mass-jathara-review-routine-action-entertainer"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: Thamma - A fiery blockbuster ride!"},"content":{"text":"Thamma is big-screen fun at its purest — a daring mix of folklore, family, fantasy, and fanfare of a full-blown franchise. With this new movie in the Maddock horror-verse, director Aditya Sarpotdar is taking Indian genre cinema to a whole new level. It’s all sorts of strange, clever, and wildly creative — yet, very relatable. While Stree was scary and subversive and Bhediya went into the wilds, Thamma conquers the territory by merging horror with love and, thus, leaving a cinematic experience that is totally different.  The story revolves around the forest of myths where the past is still alive and the ancient guardians are awakening. Not Thamma by any means, but it still manages to conjure up a bizarre fantasy universe complete with its own laws, curses, and consequences. Compared to other supernatural thrillers, this one is basically an emotional comedy with a dose of humor and the human instinct to save those whom we love even if it costs our lives. It doesn’t become scary but rather keeps its faith. The movie is funny but not farcical. It is also emotional without being overly dramatic.  One of the main characters is journalist protagonist Khurrana from a small town. His incidental supernatural experience leads to a series of events that is not in his capacity to grasp the enormity of it. In the first half, he is simply lovable and relatable but later on he becomes quite intense. Mandanna delivers an emotional performance that is also very down-to-earth. She has the fire as well as the delicate side of her nature and does not go for the usual stereotypical trope of horror comedy being over-the-top.  The continuing part is just an explosive work of art — it features fight, change of characters, and a breathtaking fight between Alok and Bhediya (Varun Dhawan). Special effects are of great quality and the confrontation between these two forces is signaling their underlying relationship which will definitely influence this cinematic universe storyline in the future. Such a moment of grandeur is the kind of moment in which you wish to applaud in a jam-packed hall, and subsequently, you are left with more questions than answers. How are these two characters related? I promise; the answer will be beyond your imagination.  On the subject of universe-building, the movie is full of Easter eggs and a few character recalls, but one highlights: the comeback of Sar Kata, the frightening character from Stree, who ominously appears, signaling the massive danger that lies ahead for the Maddock horror-verse. To be honest, the connection between Stree 2 and Thamma is quite strong, and by the time you get to the end, it’s only evident that it’s something huge that is on its way. The seeds of a mega-crossover have been dropped.  The acting, in general, is great. Paresh Rawal offers a great comic relief performance as the sarcastic and sharp-witted father while Nawazuddin Siddiqui dominates the movie with his intense and dark presence. The upward movement of his character feels like the dawn of something bigger and maybe a major factor in the future war of good vs. evil in this ever-expanding universe.  Following that is the comeback of Sathyaraj as Elvis, the idiosyncratic paranormal expert who got the nickname Hand of God. However, this time, he is not only here for the laughs — his arrival subtly changes the bigger picture. In a significant moment, Elvis points to a vital connection between Alok’s freshly changed Betaal and Bhediya, the one who was last seen grappling with Sar Kata in Stree 2. It’s a clever, low-key link that signals the coming events and the Maddock universe fans will instantly get the excitement of the bigger plot unfolding.  Moreover, the talked-about Nora Fatehi cameo is not only a glam reel but also an addition to the lore. Her unveiling provides a wonderful emotional connection to Stree and is a massive high point for long-time fans of the universe. Being a kind of fan service, it rewards attention and gives a totally different perspective to everything that we thought we knew about this world. Is she the one who opens the door to its secrets or something else?  Before the release, the buzz was mostly about item numbers and flashy visuals. However, Thamma, turn, defies the expectation. In the typical Maddock manner, every song in this movie has its function-character revelation, story advancement, or myth deepening. There are no unnecessary diversions, no hollow spectacles, only the narrative-driven songs that keep the emotional part of the story going. It is a very important revamp of the Bollywood horror formula and the result is great.  Director: Aditya Sarpotdar,  Cast: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Paresh Rawal, Sathyaraj, Fasial Malik, Geeta Aggarwal, Rachit Singh and others"},"img":{"url":"https://images.prismic.io/prad/aPddOLpReVYa3gmP_thamma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-21T05:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Mod_oXpftJA"}},"uid":"review-thamma---a-fiery-blockbuster-ride"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}