{"data":{"all":{"edges":[{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Sankranti Plans Changed for Chiru?"},"content":{"text":"The race for the Sankranti box office has become more competitive than ever, with multiple star-studded films expected to arrive during the festive season. While Sankranti has traditionally been considered the most profitable release window for Telugu cinema, the growing clash between big-budget films has made the festival less predictable. Limited theatre availability and divided collections have prompted several producers to rethink their release strategies. Amid this changing trend, industry buzz suggests that Megastar Chiranjeevi's upcoming film with director Bobby may no longer target the Sankranti season. According to reports circulating in Tollywood, the makers are evaluating whether a solo release would be more beneficial for the film's commercial prospects. Since at least two or three major releases are expected during Sankranti, there are concerns that intense competition could impact the movie's box office potential. With a massive budget riding on the project, the production team is reportedly exploring alternative release windows, including the summer holiday season or another festive period, where the film can enjoy a wider theatrical run without facing stiff competition. The Chiranjeevi-Bobby collaboration has already generated huge expectations following the blockbuster success of Waltair Veerayya. The upcoming film is said to be a high-octane commercial entertainer packed with action and mass appeal, making its release timing a crucial decision. However, it is important to note that the makers have not made any official announcement regarding a change in the release date. Until then, reports about the film opting out of the Sankranti race remain speculative, with fans eagerly awaiting clarity from the production team."},"img":{"url":"https://images.prismic.io/prad/Z7LoEJ7c43Q3f2Du_chiru1.JPG?auto=format,compress"},"datetime":"2026-07-22T09:57:00+0000","embed":{"embed_url":null}},"uid":"sankranti-plans-changed-for-chiru"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"When Jennifer Lawrence was put in jail for 5 hours?"},"content":{"text":"Hollywood actress Jennifer Lawrence once spoke about her brush with the law, as she was detained for 5 hours, and was put in a tiny jail. An old clip from ‘The Graham Norton Show’ has resurfaced on the Internet, and it shows the actress recollecting the incident when her passport was about to expire in 6 months, and she had no work visa. So, she had to lie about being in the UK for pleasure and not business. She said, “I was auditioning for the first X-Men. My passport was expiring under six months, which apparently you're not supposed to travel, blah, blah, blah. So they were like, whatever you do, don't tell them that you're here for work, because I'll ask for a work visa. Say you're here for pleasure. And I'm like, oh, my good God. I have to lie to a customs officer. And so I'm working myself up so much through the line. I'm like, OK, I just have to have a backstory”> “I got a backstory and I have to believe it. And and so it gets there and he was like, ‘Business or pleasure?’ And I was like, ‘Pleasure’. He said, ‘What are you doing for pleasure?’. I said, ‘My brother's getting married’. And he was like, ‘Where is he getting married?’. I said, ‘Wimbledon’. He said, ‘Is he American?’. I said, ‘Yes’. He then further probed, ‘Do you have an invitation?’. I said, ‘No’. And then he asked, ‘Are you telling the truth?’. I said, ‘No, no, I don't have a work visa and my passport expires and I'm not even supposed to be here’. And I ended up getting a tiny little jail for like five dollars. And when I told my employer, I felt tiny”, she added."},"img":{"url":"https://images.prismic.io/prad%2Fa4459783-e5b3-4d3d-99d2-b8808bb9b489_jennifer+lawrence.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-22T15:30:00+0000","embed":{"embed_url":null}},"uid":"when-jennifer-lawrence-was-put-in-jail-for-5-hours"}},{"node":{"tags":["NRI","featured","four"],"data":{"third_party_url":null,"title":{"text":"Jordan Strike: Indian-Origin Soldier Feared Dead"},"content":{"text":"An Indian-descent US soldier, Angela Rampersad, is feared killed during an Iranian attack on a base in Jordan, according to the Pentagon.  The 25-year-old Army sergeant “is believed to have been killed in action on July 17, 2026, during an enemy attack at Muwaffaq Salti Air Base, Jordan”, the Department of War said. “The incident is under investigation”, it said. She was previously listed as missing and her \"status was updated to a Duty Status – Whereabouts Unknown and is believed to be deceased”, the statement said. Rampersad is from the Indian community of immigrants from Guyana, and her father was identified by a local Democratic Party leader as Basdeo Rampersad.  The Pentagon said she is from Ozone Park neighbourhood of Queens borough of New York City, which has a large community of Indian-descent Guyanese.  The Democratic Party leader, Pesach Osina, hailed her as “truly a gift to everyone who knew her”, and said she “wanted to serve, protect others, and do her duty with courage and humility”.  Osina, who is the Democratic Party nominee for the State Assembly constituency her family lives in, said on X that since the tragedy he has \"remained close” to the sergeant’s father Basdeo Rampersad and her family, including her mother, Carol Acevedo. President Donald Trump has vowed to avenge the attack on her and the other US Army personnel confirmed killed in the Friday attack. He said on Wednesday that Iran is \"going to pay a big price\" for the attack. Earlier he wrote on Truth Social, \"Every time Iran kills an American Soldier they will pay for that killing many times over\". If her death is confirmed, she would be the fourth US Army personnel killed in the attack on the base as the US-Iran conflict that flared up anew last month when the tenuous peace under the memorandum of understanding between the two countries was broken. So far 18 US military personnel have been confirmed killed since the conflict broke out in February after Israel and the US began air attacks on Iranian leadership. Rampersad, who is with the10th Army Air & Missile Defense Command, Ansbach in Germany, was on duty in Jordan when Iran rained drones on the Muwaffaq Salti Air Base. "},"img":{"url":"https://images.prismic.io/prad/AdXzRgPkVSXYR_Yw_indusarmy.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T14:42:00+0000","embed":{"embed_url":null}},"uid":"jordan-strike-indian-origin-soldier-feared-dead"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Ramba Oorvasi Menaka's first single out"},"content":{"text":"'Ramba Oorvasi Menaka's first single out"},"img":{"url":"https://images.prismic.io/prad/9cHNdbf0nqCZFpF7_naakantimeedakunuke.JPG?auto=format,compress"},"datetime":"2026-07-22T11:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=PjBCLeYaf4Q"}},"uid":"ramba-oorvasi-menakas-first-single-out"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Vinod Denies ‘3 Idiots’ Re-Release Amid Student Protests"},"content":{"text":"The makers of the iconic film ‘3 Idiots’ have quashed the reports of the film’s re-release. On Wednesday, the production house behind the film took to social media, and clarified that the film is not making its way to theatres for its re-release. Vidhu Vinod Chopra Films has issued an official clarification in response to recent media reports about the re-release on September 4, 2026. They wrote, “With reference to recent media reports claiming that ‘3 Idiots’ will be re-released on 4th September, Vidhu Vinod Chopra Films would like to clarify that these reports are false and factually incorrect. We request members of the media and fans to rely solely on official announcements made through Vidhu Vinod Chopra Films’ verified channels. We urge media publications to refrain from publishing or circulating unverified information”."},"img":{"url":"https://images.prismic.io/prad/d7fcbf17-4f32-4dbb-ba71-7860ecfe84ff_3+idiots.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T12:13:00+0000","embed":{"embed_url":null}},"uid":"vinod-denies-3-idiots-re-release-amid-student-prot"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Hero’s daughter targeted over NEET protest support"},"content":{"text":"Actor Mohanlal's daughter and actress Vismaya Mohanlal has come under a massive cyber attack after expressing support for the CJP-led student agitation in New Delhi against alleged irregularities in the NEET examination and questioning the brutal police crackdown on protesters.  Thousands of students had marched from Jantar Mantar towards Parliament demanding Union Education Minister Dharmendra Pradhan's resignation over the NEET paper leaks when police stopped the procession with barricades and dispersed the protesters using lathi-charge and tear gas. Images of bleeding students circulating on social media prompted Vismaya to post a strongly-worded message on her Instagram Story. \"Is this how a democratic country should treat its own citizens? When citizens raise their voices, if the response is brutal suppression instead of dialogue, we must ask ourselves what kind of democracy we are becoming,\" she wrote. Her post immediately triggered a coordinated wave of abuse, largely from social media accounts supportive of the BJP and the Central government. With Vismaya's debut film 'Thudakkam' set for release on August 7, several users also called for a boycott of the movie, alleging that her remarks were aimed at generating publicity. Hostile comments soon flooded Mohanlal's official Facebook page and news posts carrying the story. Many targeted both the father and daughter, with remarks such as, \"Ask your father what happened to Prithviraj,\" \"You've ruined Lalettan's name,\" and \"Our families will not watch your film.\" Others branded Vismaya and several film personalities supporting the students as \"anti-national\" and used derogatory communal slurs while invoking unrelated issues such as the Pahalgam terror attack. However, the cyber offensive has been matched by a strong show of support. A large number of social media users praised Vismaya for speaking out against the police action despite knowing it could invite criticism and potentially affect her father's popularity and her own acting career. While Facebook witnessed an avalanche of abusive comments, many Instagram users rallied behind the actress, applauding her for taking a clear stand on an issue of public importance. The online attacks have not been limited to Vismaya. Actors Tovino Thomas, Parvathy Thiruvothu, Rima Kallingal, Prachi Tehlan, and film-maker Aashiq Abu, all of whom voiced support for the protesting students, have also been subjected to trolling, personal abuse and boycott calls, highlighting the increasingly polarised nature of political discourse on social media."},"img":{"url":"https://images.prismic.io/prad/vULizG2UqhmmNAWP_protest.png?auto=format,compress&rect=0,62,449,221&w=2028&h=1000"},"datetime":"2026-07-22T12:18:00+0000","embed":{"embed_url":null}},"uid":"heros-daughter-targeted-over-neet-protest-support"}},{"node":{"tags":["politics","featured","one"],"data":{"third_party_url":null,"title":{"text":"NEET Protest And A Not-SO-Neat Response"},"content":{"text":"“Elections bestow the right to rule, but public dissent reveals the virtue of the ruler.” In other words, the above axiom suggests that while elections determine who shall hold the mandate of governance, it is public dissent that evaluates the true quality of their administration. Simply put, winning an election gives a regime the keys to the kingdom, but public outrage delivers the actual performance review. For a slice of the above wisdom’s pie, look no further than the 'March to Parliament' by some frustrated youth, or, as the ruling party would call them, 'cockroaches', and the opposition's circus outside the Prime Minister’s residence, labeled by the regime as an opportunistic, confrontationist, 'grave security threat.' Yet, rather than reading the room, the government is doing what it does best: unleashing its propaganda machinery across electronic media, social networks, IT cells, and WhatsApp warrior groups to spin wild conspiracy theories and distract everyone from how badly they blew it. This stubborn behavior clearly shows that the government simply does not understand, or care about, public anger. A sudden surge of public anger like the one at Jantar Mantar would force any ordinary political party to stop and think. For the BJP, it is simply business as usual. While government spokespersons openly branded the protesters as a 'B-team of terrorists' bent on tearing the country apart, the online IT cells and WhatsApp warrior groups rolled out a much wilder script. According to their internet-certified logic, the entire protest is a massive foreign plot to crush India's role in the U.S.-led 'Pax Silica' coalition. In this grand narrative, the unrest is meticulously timed to fuel political instability right before the UP elections, serving as a coordinated Chinese scheme to freeze India’s lithium mining and protect Beijing's monopoly over the global AI market. This political strategy follows a strict pattern. Long before a local movement can even explain its demands, the propaganda machinery steps in to kill it off. It transforms real, complex human struggles into simple, manufactured threats to national security. Let's accept the fact: this outrage erupted because the government completely botched the NEET exam. Even the Supreme Leader had to validate this reality. After keeping a long, tight-lipped silence, he finally scrambled to tell the public that paper leaks are a 'great sin', a spiritual awakening that mysteriously happened only after he felt the heat of public anger and found himself pushed into a corner. This confession exposes the truth: the protests are not driven by imaginary conspiracies, but by the government's own failure to solve the problem when it had the chance. Conspiracy theories cannot cover up administrative failure. The students' demands for honest exams and a responsible education minister are completely legitimate. Had the establishment acted right away instead of waiting until the Supreme Leader lost control of the narrative, the entire crisis, including the opposition’s dramatic circus before his residence, would never have happened. Those who plot conspiracies spend next to nothing exploiting the conditions handed to them. Until the government learns that taking their bait is far more expensive than exercising restraint, these plotters will continue to achieve massive results. The protest is a clear sign of growing youth desperation. Young Indians are breaking under rising prices, underemployment, failing social services, and an electoral process that feels heavily rigged. This regression is happening under the comprehensive control of the state. Yet, the ruling regime remains happy to dodge responsibility by painting every domestic crisis as a manufactured anti-national conspiracy. Never before has a government done so much to solidify its authority while entirely uncementing out its accountability. Today's youth are done with conspiracy theories; they demand less political theater and more real-world solutions. They want a mature, collaborative leadership that is fitting for a country of this stature. Otherwise, the public will respond with the same hostile politics, searching for a leader to challenge the entire establishment. They are already willing to accept being labeled \"cockroaches\" and \"anti-nationals\" just to force a total break from the status quo. The government must stop diverting the crisis with manufactured plots. Instead, it needs to acknowledge public anger, promise a conciliatory effort to correct its failures, and allow genuine governance to win back the trust of all citizens."},"img":{"url":"https://images.prismic.io/prad/RQYSdYkEELyY_WpP_NEETProtest.JPG?auto=format,compress"},"datetime":"2026-07-22T06:40:00+0000","embed":{"embed_url":null}},"uid":"neet-protest-and-a-not-so-neat-response"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Visakhapatnam tops non‑metro job markets in India"},"content":{"text":"Visakhapatnam retained the top spot among India’s non‑metro job markets among the fastest‑growing smaller cities for hiring and migration, a report said on Wednesday.  The report from professional networking platform LinkedIn said Visakhapatnam was followed by Ludhiana, Surat, Vadodara and Prayagraj — occupying the top five positions. It underscored the rise of non‑metro hubs that are expanding beyond legacy industries. Technology, financial services, manufacturing, education, and infrastructure investment are shaping distinct growth pathways and job opportunities across emerging cities, the report noted. The report said that 72 per cent of professionals in India are actively looking for a new role this year, while 76 per cent say the search has become harder amid greater competition and widening skill gaps linked to AI. The number of applicants per open role has also more than doubled since early 2022. Against this backdrop, emerging cities are giving professionals access to a wider range of industries, employers, and career pathways closer to home. Emerging cities are transforming into multi‑sector job markets by combining established strengths — ports, textiles, pharma, chemicals and manufacturing — with new investment in AI, data centres, IT and services. “Legacy industries in these cities are being joined by technology, financial services, infrastructure, and services,\" said Nirajita Banerjee, a LinkedIn career expert. She suggested job seekers explore where employers are investing, which sectors are gaining momentum, and whether your skills can travel across industries. \"Expanding your search beyond metros and into adjacent roles can reveal credible career paths in markets that are growing faster than many professionals realise,” suggested Banerjee, also India Senior Managing Editor, LinkedIn. Visakhapatnam is combining its port, pharma, and manufacturing economy with major AI, data centre, and technology investments, while Ludhiana is adding steel, aviation, and hospitality to its manufacturing base. Surat is extending beyond textiles and diamonds through startups, exports, and real estate, as Vadodara attracts technology, engineering, and enterprise investment alongside chemicals and machinery, said the report."},"img":{"url":"https://images.prismic.io/prad%2F3202bfa2-c0f9-437e-92f3-b055a065ab70_hiring.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-07-22T06:30:00+0000","embed":{"embed_url":null}},"uid":"visakhapatnam-tops-nonmetro-job-markets-in-india"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Warner pleads guilty to drink-driving in Sydney"},"content":{"text":"Former Australia opener David Warner on Wednesday pleaded guilty to a drink-driving charge in a Sydney court and will be sentenced later this year. Warner, who currently serves as the captain of the Sydney Thunder franchise in Australia's domestic T20 Big Bash League (BBL), did not appear in person during the court proceedings. Instead, his legal counsel Bobby Hill appeared at the Sydney court to formally enter a guilty plea on his behalf to one count of ‘middle range’ drink-driving. The incident unfolded when on April 5, also Easter Sunday, Warner, behind the wheel of a van, drew attention after stopping short of a random breath-testing site. Warner had returned him mid-season from Pakistan, where he was captaining the Karachi Kings franchise in the Pakistan Super League (PSL). Police officers then took his roadside breath test, where Warner recorded more than double the legal blood alcohol limit. He was arrested and then brought to a police station for formal processing. \"So many of us make those poor decisions. I think what's important is accepting and being accountable for those poor decisions. It doesn't matter if you're a tradesman, a doctor or one of the best opening batsmen in the world, that danger exists for every one of us. He knows what he did was wrong. He accepts that was a reckless decision, a foolish decision to get in his car instead of taking an Uber,\" lawyer Hill told a hearing earlier this year. The court has scheduled August 18 for handing down the final sentence in the matter, where Warner faces penalties under local traffic laws for the mid-range drink-driving infraction. His admission of guilt has cast doubt over his status as captain of Thunder for the upcoming BBL season. As of now, Warner faces a minimum six-month ban on driving, a possible fine of up to 2,200 AUD and a maximum prison sentence of nine months. \"The allegations are of course concerning and we take them very seriously. At Cricket NSW, we are strong advocates for safe driving, not drink-driving,\" said Cricket NSW chief executive Lee Germon had said after his arrest. Thunder, along with Sydney Sixers and NSW Blues, are part of a state government campaign to deter drink-driving."},"img":{"url":"https://images.prismic.io/prad/VbGD4Rq3AJDWJ_ag_warner.JPG?auto=format%2Ccompress&rect=0%2C24%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-22T04:48:00+0000","embed":{"embed_url":null}},"uid":"warner-pleads-guilty-to-drink-driving-in-sydney"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"RR leads protest in Kodangal "},"content":{"text":"Telangana Chief Minister A. Revanth Reddy on Wednesday led a rally and dharna in Kodangal to protest the detention of Congress leaders Rahul Gandhi, Priyanka Gandhi and others in New Delhi during a demonstration over paper leaks and issues concerning students.  The Chief Minister, who was visiting his Assembly constituency in Vikarabad district, joined party leaders and workers in a rally through Kodangal town. The march, carrying Congress flags and banners, culminated in a dharna near the Ambedkar statue. Rahul Gandhi and other Congress leaders were detained on Tuesday when they were staging a protest outside Prime Minister Narendra Modi's residence against paper leaks and the \"attack\" on students. Addressing the dharna, Chief Minister Revanth Reddy condemned the detention of top Congress leaders and termed it an attack on democracy. He alleged that Prime Minister Modi and Education Minister Dharmendra Pradhan were playing with the future of lakhs of students. He demanded that PM Modi sack Dharmendra Pradhan from the Union Cabinet and warned that if the PM fails to do this, the fight from ‘sadak to sansad’ will continue.  The Chief Minister said that the NEET exam paper was sold for lakhs of rupees in BJP-ruled states of Rajasthan, Madhya Pradesh and Uttar Pradesh. He alleged the involvement of BJP leaders in the paper leak. He said students from across the country had been demanding the resignation of Dharmendra Pradhan and punishment for those responsible for the paper leak. Revanth Reddy alleged students protesting in the national capital were lathicharged by police, injuring hundreds of protestors. He claimed that several students disappeared after the police action. He said when Rahul Gandhi and Priyanka Gandhi came out in support of the protesting students and staged a peaceful protest in front of PM Modi’s residence, they were detained and manhandled by police, resulting in bleeding injuries. He termed the detentions as an assault on the democratic right to protest.  The Chief Minister alleged that PM Modi brought pressure on Lok Sabha Speaker Om Birla to stall debate on NEET paper leak in the Parliament. He stated that the Gandhi family is known for sacrifices and pointed out that former Prime Ministers Indira Gandhi and Rajiv Gandhi laid down their lives for the country.  Calling BJP ‘British Janata Party’, Revanth Reddy said the BJP leaders were successors of Nathuram Godse, the assassin of the father of the nation, Mahatma Gandhi. “We are successors of Gandhi ji. This is not the fight between BJP and Congress, but it’s a fight between successors of Godse and Gandhiji,” he said. He exuded confidence that the BJP will be defeated in the next elections and Rahul Gandhi will become the Prime Minister."},"img":{"url":"https://images.prismic.io/prad/gollLGSioUMEaQat_rallydharna.JPG?auto=format%2Ccompress&rect=0%2C207%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-22T08:13:00+0000","embed":{"embed_url":null}},"uid":"rr-leads-protest-in-kodangal"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Balaiah airlifted to Hyd"},"content":{"text":"Popular Tollywood actor Nandamuri Balakrishna, who sustained an injury during a film shoot in Rajahmundry, was airlifted to Hyderabad on Wednesday and admitted to AIG Hospital, where he is in stable condition. According to the Asian Institute of Gastroenterology (AIG), Balakrishna injured his left knee during the shoot. He was given initial treatment at a local hospital before being airlifted to AIG Hospitals, Hyderabad, for specialised evaluation and further management. A medical bulletin from AIG Hospital said preliminary evaluation showed a localised collection of blood and inflammation in the tissues around the left knee, indicating a possible muscle tear. He is undergoing extensive clinical and diagnostic investigations under the supervision of orthopaedic surgeons. Given Balakrishna’s medical history, a multidisciplinary team comprising specialists from relevant departments is also reviewing his overall health and fitness to determine the safest course of treatment. “Balakrishna’s overall condition is stable, and he remains under close medical observation. The definitive treatment plan will be finalised after completion of the ongoing evaluation,” the bulletin stated. Balakrishna suffered the injury during a shoot for his yet‑to‑be‑titled movie. Director Gopichand Malineni posted on social media on Tuesday that the injury was not serious and said Balakrishna is expected to recover soon after a minor surgery. Balakrishna is a leader of the Telugu Desam Party (TDP) and a Member of the Andhra Pradesh Legislative Assembly. He is the brother‑in‑law of Andhra Pradesh Chief Minister and TDP national president N. Chandrababu Naidu and father‑in‑law of state minister Nara Lokesh. Chandrababu Naidu posted on X that he spoke with Balakrishna after learning about the injury. “Wishing him a very speedy recovery. Knowing his unstoppable spirit, he will be back in action in no time! Get well soon!” he wrote. Lokesh also spoke to Balakrishna and inquired about the accident. “Wishing a speedy and full recovery to my dear Bala Mavayya following his minor injury on the sets of NBK111. Praying for his quick bounce‑back to action and good health!” he posted."},"img":{"url":"https://images.prismic.io/prad/AfAL9s6saHhvprOU_balaiah.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T11:55:00+0000","embed":{"embed_url":null}},"uid":"balaiah-airlifted-to-hyd"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Yash-Tara Romance Unplugged"},"content":{"text":"Actress Tara Sutaria shared some of her favourite moments with co-star Yash from the romantic track ‘Madhosh’ in the upcoming film ‘Toxic: A Fairy Tale for Grown-Ups.’ Taking to Instagram, she posted several romantic pictures of them and captioned them simply as, “The in between moments are my favourites in Madhosh.. The stolen glances, the sweetness in our smiles, the eyes.. What are your favourite moments?.” In the mushy shots, Tara and Yash’s characters can be seen striking romantic poses. Music composers Tanishk Bagchi, Faheem Abdullah, and Arslan Nizami have collaborated on \"Madhosh,\" the latest song from “Toxic.” The trio had previously created the Saiyaara title track, which became a hit among listeners. ‘Madhosh’ gave a glimpse into the emotional bond between Yash and Tara Sutaria’s characters, Raya and Rebecca. The song showed that Raya continued to have the intense personality seen in the film’s first song, 'Tabaahi,' but his relationship with Rebecca revealed a softer side of him. While the video featured several romantic moments, it also hinted that Raya may have been involved with more than one woman. The Madhosh music video also featured Kiara Advani’s character showing an attraction towards Raya. In another sequence, Nayanthara’s character was seen standing alongside him. Along with the Hindi version, “Madhosh” has also been released in multiple regional languages. The song is titled ‘Manamohaka’ in Kannada, ‘Manasaagadhe’ in Telugu, ‘Thadumaarudheyyy’ in Tamil, and ‘Madhu Mohini’ in Malayalam. Directed by Geetu Mohandas, “Toxic” stars Yash, Kiara Advani, Nayanthara, Huma Qureshi, Tara Sutaria, and Rukmini Vasanth. The film is scheduled to hit theatres on August 26. Speaking about Kiara’s performance in the film, Geetu had earlier shared, “Some performances don’t just belong to a film, they redefine an artist. What Kiara created on screen in this film is nothing short of transformative. As a director, I am deeply proud of her and the performance she has delivered and the faith and heart she brought into our shared journey.”"},"img":{"url":"https://images.prismic.io/prad/d_EFkG9ZlqJBIdLd_yashtara.JPG?auto=format%2Ccompress&rect=0%2C24%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-22T09:47:00+0000","embed":{"embed_url":null}},"uid":"yash-tara-romance-unplugged"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ranbir: ‘Kuch dikhai nahi de raha’"},"content":{"text":"Bollywood star Ranbir Kapoor was spotted at Mumbai airport on Tuesday night, where he was seen requesting the paparazzi stationed at the location, to avoid flashing bright lights directly at his face.  In a video captured by media, Ranbir was seen making his way towards the airport entrance dressed in an all-black ensemble. Sporting a black jacket over a black T-shirt, matching trousers, black sunglasses and a thick beard, the actor briefly stopped to strike a small fun chat with the paparazzi despite visibly appearing uncomfortable. As photographers continued clicking pictures with bright flashlights, Ranbir politely told them, \"Kuch dikh nahi raha hai\" ( I can't see anything) A paparazzo then requested the actor to wait for a few more pictures. Responding with his trademark wit, Ranbir quipped, \"Rukke kya karu bhai?\" (What do I do just after waiting, brother?) The actor was then seen shielding his eyes from the flashes before making his way into the airport. Reports suggest that Ranbir Kapoor contracted conjunctivitis from his daughter Raha, who had reportedly been diagnosed with the eye infection a few days earlier. The same night, Kannada superstar Yash was also spotted at the Mumbai airport. Dressed in a rugged casual look featuring a dark jacket, T-shirt, trousers, tinted sunglasses, Yash walked into the terminal while greeting the paparazzi from a distance. For the uninitiated, Ranbir Kapoor and Yash will next be seen sharing screen space in Nitesh Tiwari's much-anticipated mythological epic 'Ramayana'., where Ranbir essays the role of Lord Ram while Yash plays Ravana. The film's trailer was unveiled recently at a grand launch event in Delhi. The ambitious two-part adaptation also stars Sai Pallavi as Goddess Sita, Ravi Dubey as Lakshman, Sunny Deol as Lord Hanuman, Kunal Kapoor as Lord Indra, Rakul Preet Singh as Surpanakha, Kajal Agarwal as Mandodari."},"img":{"url":"https://images.prismic.io/prad/cpvz3_8XplVN7BSa_ranbir.JPG?auto=format%2Ccompress&rect=0%2C105%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-22T07:05:00+0000","embed":{"embed_url":null}},"uid":"ranbir-kuch-dikhai-nahi-de-raha"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"NEET row: Hyd police stop students marching to Lok Bhavan"},"content":{"text":"Students trying to march towards Lok Bhavan in Hyderabad on Tuesday to demand the resignation of Prime Minister Narendra Modi and Union Education Minister Dharmendra Pradhan over the NEET paper leak were stopped and lathi-charged by police, triggering tension. Raising slogans against the Central government, members of various student organisations attempted to march towards the official residence of the Telangana Governor. Police stopped them at Khairatabad, leading to an argument between the two sides. As the protestors squatted on the road, they demanded permission to stage a protest in front of Lok Bhavan. The protesters, carrying placards in support of their demands, claimed that 21 students lost their lives due to the paper leak. Students Federation of India (SFI) and other student groups alleged that police used lathis to disperse the crowd, assaulted and dragged several protesters, and arrested many of them. They condemned the police action. They questioned why the Congress government in Telangana was resorting to force against protestors while the same party was condemning police brutalities on protestors in New Delhi. Meanwhile, a large number of students and youth gathered at Press Club in Somajiguda to show solidarity with those protesting at Jantar Mantar, demanding Dharmendra Pradhan’s resignation and compensation of Rs 1 crore each to the families of the 21 students who died after the NEET paper leak. Students in Hyderabad Central University and Osmania University also staged protests in solidarity with protestors in the national capital. Chief Minister A. Revanth Reddy said the Congress party stands with the youth protesting across the country. “The Hope of India, Shri Rahul Gandhi, is on protest for the Future of India, seeking resignation of Prime Minister Modi and Home Minister Amit Shah. Our national president Shri Mallikarjun Kharge ji and Smt Priyanka Gandhi ji are giving courage and extending fullest support to all the youth who are protesting across the country. We are with you, youth of India. Congress ka haath, Yuva ke saath!,” he posted on X."},"img":{"url":"https://images.prismic.io/prad/WdbMiuin5Ss8opvs_coparrest.JPG?auto=format%2Ccompress&rect=0%2C92%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-21T14:53:00+0000","embed":{"embed_url":null}},"uid":"neet-row-hyd-police-stop-students-marching-to-lok-"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Centre Rules Out IIM for Telangana"},"content":{"text":"The Central government has made it clear that it has no plans to approve an Indian Institute of Management (IIM) for Telangana, as the state already hosts numerous higher education and management institutes. The government stated this in reply to a question in Lok Sabha on Monday. Minister of State for Education, Sukanta Majumdar, told Congress MP Mallu Ravi that the government has received a request for sanction of an IIM in Hyderabad. The MoS stated that the Government of India periodically establishes new institutions of national importance, including Indian Institutes of Management (IIM), across India, after taking into account regional balance and resource availability. Presently, there are 22 IIMs functioning in 21 States. The states of Telangana, Goa, Manipur, Mizoram, Tripura, Arunachal Pradesh and Sikkim do not have an IIM. Citing the All India Survey on Higher Education (AISHE) 2023-24, the Central minister said that Telangana hosts 2,070 higher education institutions (HEIs); of these, 604 institutions offer management courses, including 20 universities, 570 colleges, and 14 standalone institutes.  “Telangana hosts several premier central government higher educational institutions, including the University of Hyderabad, Indian Institute of Technology (IIT) Hyderabad, National Institute of Technology (NIT) Warangal, English and Foreign Language University (EFLU), Hyderabad, and Moulana Azad National Urdu University (MANUU), Hyderabad. Further, the Sammakka Sarakka Central Tribal University at Mulugu was established in 2023,” he said. Telangana Chief Minister A. Revanth Reddy, during his meeting with Prime Minister Narendra Modi last month, had requested the establishment of the IIM in Hyderabad. The Chief Minister said that the state government is ready to allocate the required 200 acres of land for the institute. He pointed out that Telangana is already home to premier national educational institutions such as IIT, IIIT, NALSAR, and TIFR, and noted that establishing an IIM would help realise the objectives of the National Education Policy (NEP) 2020."},"img":{"url":"https://images.prismic.io/prad/XcOH5H9tExPnbhVy_IIM.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-21T12:57:00+0000","embed":{"embed_url":null}},"uid":"centre-rules-out-iim-for-telangana"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Lalit Modi Cleared in 2009 IPL Case"},"content":{"text":"Former chairman Lalit Modi was cleared in the principal proceedings arising from the 2009 Indian Premier League's staging in South Africa after the Appellate Tribunal under SAFEMA set aside the penalties imposed on him, rejecting the Enforcement Directorate's core case that the foreign remittances were capital account transactions.  Announcing the verdict after more than 16 years of investigations, proceedings, and litigation, Modi said the tribunal found that the main remittances related to IPL 2009 were current account transactions. It also determined that he was not responsible for the BCCI's statutory FEMA compliance or given the financial authority as alleged by the Enforcement Directorate. Calling it the end of the largest legal dispute stemming from the 2009 South Africa edition of the IPL, Modi said, \"This marks the end of what has been the single most significant legal matter arising from the 2009 South Africa IPL.\"  He added, \"For over sixteen years, I have consistently maintained one simple position: I acted in good faith, in the best interests of Indian cricket and the IPL, and committed no personal wrongdoing.\" Modi explained that the decision to move the tournament to South Africa came under extraordinary circumstances when India's general elections made it impossible to host the event at home.  \"The successful staging of that season ensured that the IPL survived and ultimately became one of the world's most valuable sporting properties,\" he said. Emphasising his full cooperation with the legal process throughout the proceedings, Modi stated, \"Throughout these proceedings, I have cooperated with the legal process and remained confident that the facts and the law would ultimately prevail.\"  He expressed gratitude to \"my legal team, my family, my friends and the many people who continued to believe in me during what has been an extraordinarily long journey.\" Describing the ruling as more than a personal win, Modi said, \"This judgment is not simply personal vindication. It reaffirms the importance of due process, objective legal analysis, and the principle that allegations must ultimately be tested against evidence and law.\" He added, \"I have always believed that time is the greatest judge. Today, after more than sixteen years, that process has spoken.\" Looking ahead, Modi mentioned that his focus had shifted beyond the case. \"My focus remains firmly on the future. I will continue pursuing opportunities in global sport, business, and philanthropy while leaving this chapter behind with dignity and gratitude.\""},"img":{"url":"https://images.prismic.io/prad/b48405cc-e27a-4da0-93ff-48843ef0ab85_lalit+mdi.JPG?auto=format,compress"},"datetime":"2026-07-21T15:00:00+0000","embed":{"embed_url":null}},"uid":"lalit-modi-cleared-in-2009-ipl-case"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Centre exposed coalition's 'investment mirage' in Andhra"},"content":{"text":"The YSR Congress Party on Tuesday claimed that the Centre has exposed the TDP-led coalition government’s 'investment mirage’ in Andhra Pradesh. The YSRCP said that the coalition government's relentless publicity campaign claiming lakhs of crores of investments and lakhs of jobs in Andhra Pradesh has been exposed by the Union government's own data placed before Parliament.  Contrary to the grand claims repeatedly made by Chief Minister N. Chandrababu Naidu and the coalition government, the Centre has confirmed that only 10 investment projects monitored by DPIIT and Invest India have been grounded in the State over the last two years, with only two projects completing construction. The remaining projects are still under construction, while the much-publicised investment and employment figures largely remain projections rather than achievements, the YSR Congress said. Replying to a question raised by YSRCP MP, P.V. Midhun Reddy, Union Minister of State for Commerce and Industry Jitin Prasada informed the Lok Sabha that the total investment linked to these projects is an estimated Rs. 6,962 crore. The Centre also clarified that the 22,167 jobs associated with these projects are only projected employment opportunities expected after the projects become operational and are not jobs that have already been created. The reply does not disclose the actual investment realised so far, the number of industries that have commenced commercial production, or the number of people currently employed. The figures reinforce criticism that the State government has been portraying investment proposals as actual investments, projects under construction as operational industries, and estimated future jobs as employment already delivered, the Opposition party said. In another reply concerning MSMEs and local entrepreneurs, the Centre stated that 10,093 people participated in 201 entrepreneurship development programmes during 2024-25, while 32,428 people attended 625 programmes during 2025-26. However, it did not provide any information on how many trainees established industries, received financial assistance, started MSMEs, or generated employment, indicating that skill training cannot be projected as industrial development. The Centre's replies in Parliament expose a stark disconnect between the TDP coalition government's political narrative and the reality on the ground. While the government continues to claim unprecedented industrial growth and employment generation, the official data show that only two industrial units have completed construction, with the remaining investments and jobs still confined to proposals, construction activity, and future estimates, it said."},"img":{"url":"https://images.prismic.io/prad/Zu1fCLVsGrYSvnxv_cbnpk.JPG?auto=format,compress"},"datetime":"2026-07-21T14:15:00+0000","embed":{"embed_url":null}},"uid":"centre-exposed-coalitions-investment-mirage-in-and"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Balayya Suffers Muscle Tear During Stunt"},"content":{"text":"The makers of ace director Gopichand Malineni's eagerly awaited upcoming film, tentatively titled  #NBK111, on Tuesday, announced that actor Nandamuri Balakrishna, who plays the lead in the film, had suffered a minor muscle tear while filming for an intense action sequence in the film and that he was to now undergo a minor surgical procedure to ensure his complete recovery. Taking to its social media timelines to drop the update, Vriddhi Cinemas, which is producing the film, wrote, \"During the filming of an intense action sequence for #NBK111 in Kakinada, Nandamuri Balakrishna Garu sustained a minor muscle tear. As advised by the medical team, he will undergo a minor surgical procedure to ensure a swift and complete recovery.\" The production house further went on to say, \"His unwavering dedication, discipline and passion for cinema continue to inspire everyone on the sets of #NBK111. The procedure is routine and there is absolutely no cause for concern. We wish him a speedy recovery and look forward to welcoming him back to the sets very soon. — TEAM #NBK111.\" The film was in the news in June when its makers chose to release the first look poster of actress Kajal Aggarwal, who plays the female lead in the film. The first look poster was released to mark the birthday of actress Kajal Aggarwal. Kajal sports a sophisticated yet commanding look in the film, in which actor Manoj Manchu plays a powerful role. Sources claim the film is shaping up to be a high-octane action drama. A team of leading technicians are working on the movie. Arvind S Kashyap is the cinematographer of the film, which has music by music sensation S Thaman. AS Prakash is the production designer, while Navin Nooli is the film's editor. Sai Madhav Burra has provided the dialogues for this movie, while Ram Lakshman, Ravi Varma and Venkat are choreographing the action sequences."},"img":{"url":"https://images.prismic.io/prad/aiqJBalQnVZVENEs_NBK111.JPG?auto=format,compress"},"datetime":"2026-07-21T08:45:00+0000","embed":{"embed_url":null}},"uid":"balayya-suffers-muscle-tear-during-stunt"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Adah Sharma Backs Stories Over Stardom"},"content":{"text":"Actress Adah Sharma, who has worked across Hindi, Telugu and Marathi cinema, feels compelling stories are not limited by language or industry.  Talking about the rise of female-led films, Adah said audiences today are drawn to honest storytelling and strong characters. Asked if she thinks regional industries currently offer stronger female-led roles than mainstream Bollywood, Adah, who is making her Marathi debut with “Gajra”, which is based on true events, told: “I think good stories can come from anywhere.” “I've been fortunate to work in Hindi, Telugu and now Marathi cinema, and each industry has given me memorable female-led roles. Today, audiences are watching stories regardless of language. They're looking for honesty and strong characters, not just big banners.” She added: “That's encouraging for actors because it means a well-written female protagonist can connect with people across the country.” The actress had earlier spoken about being associated with controversial subjects after ‘The Kerala Story’ has not been a deliberate career move, stressing that she has balanced such projects with a range of fictional roles. Adah is all set to step into the world of Marathi cinema with the upcoming film titled Gajra, which is based on true events. The upcoming film directed by Shreyas Jadhav will hit the screens next year in 2027. The 34-year-old actress is best known for her work in the Vidyut Jammwal-starrer “Commando” franchise. She caught hold onto the spotlight with her work in the blockbuster “The Kerala Story,” which tells the story of Shalini, a former nursing student from Kerala, who later becomes the wife of a terrorist, testifying to her life story and her journey from being a naive girl to another victim of terrorism. Adah had made her acting debut with the 2008 Hindi horror film, 1920. She was then seen in films such as Hasee Toh Phasee, Heart Attack, S/O Satyamurthy and Kshanam."},"img":{"url":"https://images.prismic.io/prad%2Fd8202697-0d48-40e4-9447-1e6f1b223eed_adah+sharma.jpg?auto=format%2Ccompress&rect=0%2C14%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-21T09:42:00+0000","embed":{"embed_url":null}},"uid":"adah-sharma-backs-stories-over-stardom"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Priyadarshan Busts 'Bhool Bhulaiyaa' Myth"},"content":{"text":"Ace filmmaker Priyadarshan once reflected on why 'Bhool Bhulaiyaa' can not be called a horror comedy. In an exclusive interview with media during promotions of his film 'Bhoot Bangla' he was asked \"You all have been pioneers of horror comedy in India, and now, it has become a hit genre. So, how do you feel when you hear such comments?\" Reacting to this, Priyadarshan shared, \"We just started it. Then the people, I mean others, took over. We just started with 'Bhool Bhulaiyaa'. The filmmaker further pointed out that he considers 'Bhool Bhulaiyaa' not to be a horror film, but a psychological thriller. Shedding further light on the genre, Priyadarshan went on to explain, \"So, but it's a very, very nice psychology, I'll tell you something. In a tense film, a little bit of small humour also works in a big way because they are a little tense in the theatre. So, a small sequence of humour will work. But in an out-and-out comedy, you have to really work hard on humour. The most difficult thing. This is something everybody has to accept. I have suffered a lot making comedy films on this. And when I watch my own films, which have become huge hits, when I see them again, I don't feel like laughing. Then finally I think, 'you know, it's gone.' But in the theatre, I see the response. Because ten times you can't see the same scene. But there are people watching it twenty times, thirty times. This is the most difficult thing.\" The 'Hera Pheri' maker further went on to admit that every time he tries humour and horror, he ends up getting a shiver. \"I mean, it's very, very difficult, I can say that\", Priyadarshan concluded."},"img":{"url":"https://images.prismic.io/prad/ZrINZ0aF0TcGItux_priyadarshan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-21T07:45:00+0000","embed":{"embed_url":null}},"uid":"priyadarshan-busts-bhool-bhulaiyaa-myth"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"History-sheeter hacked to death in Hyd"},"content":{"text":"A history-sheeter was hacked to death in Meerpet area of Hyderabad on Monday night, police said on Tuesday.  Nandanavanam Suri, who was an accused in several cases including murders, was attacked near TKR College when he came there to attend the birthday celebrations of brother of his second wife. The attacker sprayed pepper into Suri’s eyes before stabbing him repeatedly with a knife. Suri suffered serious injuries. Locals shifted him to a nearby hospital, where doctors declared him brought dead. The history sheeter was an accused in the murder of his first wife and brother-in-law Salman. Police suspect that he was stabbed to death by Afroz, brother of Salman. According to police, the murder appears to be the fallout of a long-standing family feud. The cops alleged that Afroz was reportedly waiting for an opportunity to avenge the killing of his brother. Afroz had allegedly planned the killing in advance, they suspect. When Suri came to Meerpet area to attend the birthday party, Afroz with the help of some others executed his plan, the police suspects. Suri had many cases in Warangal, Hyderabad and Malkajgiri police commissionerates. Hyderabad police had also imposed a city externment order against due to his criminal background. Meerpet police registered the case and took up investigation. Police were probing the reasons for Suri’s killing. Meanwhile, a human skeleton was found in Bowenpalli area in Secunderabad on Tuesday. Locals found skull and bones in bushes near a dairy farm and alerted the police. The skeletal remains were shifted to the Gandhi Hospital for DNA test. Police believe that the person may have died five years ago. Police registered a case and took up investigation."},"img":{"url":"https://images.prismic.io/prad%2Ff26aef8f-eca6-406c-ba1a-75529bd5155e_suicide.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-07-21T07:49:00+0000","embed":{"embed_url":null}},"uid":"history-sheeter-hacked-to-death-in-hyd"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ravi Teja begins dubbing for 'Irumudi'"},"content":{"text":"The makers of director Shiva Nirvana's upcoming film, 'Irumudi', featuring actor Ravi Teja in the lead, have now announced that actor Ravi Teja has commenced dubbing for the film.  Having wrapped up his portion of the shoot, Ravi Teja has begun dubbing for the film. The makers have unveiled a dubbing studio video featuring the actor delivering the powerful dialogue, \"I've only one daughter, and her name is Manamma,\" in a deeply emotional voice, hinting at the film's strong father-daughter bond. The video also features Baby Nakshathra and director Shiva Nirvana. Sources claim the shoot is in its final leg, with only three days of filming left. Meanwhile, post-production, they claim, is progressing simultaneously, ensuring the film remains on schedule for its grand theatrical release on August 21. Music director GV Prakash Kumar, who has composed a soulful and diverse soundtrack, has also commenced the re-recording work.  The film has triggered huge interest in fans and film buffs ever since the makers released a glimpse video last month. The glimpse video that was released showed Ravi Teja lovingly taking care of his daughter in the film. The child, it is evident, is in a very happy space with her father. However, the glimpse video hints at something tragic happening. Ravi Teja is then seen turning violent. He turns an alcoholic. When his daughter urges him to quit alcohol, he becomes an Ayyappa devotee and wears the sacred mala to take back control of his life and kick the dreaded habit.   The film, which happens to be Ravi Teja's 77th film and was therefore being tentatively referred to as #RT77 until it was titled 'Irumudi', is being produced by leading production house Mythri Movie Makers. The title 'Irumudi' carries deep spiritual significance, as it symbolizes a devotee’s sacred offering and surrender to Lord Ayyappa. Ravi Teja, at the time of the film's first look being launched, had said, “Some stories choose you at the right moment in life. Feeling blessed to be part of one such story again, letting belief lead the way. Excited to begin this new journey called #Irumudi with @ShivaNirvana & @MythriOfficial Swamiye Saranam Ayyappa.” Sources say director Shiva Nirvana has crafted a powerful script that fuses devotional depth, emotional weight, and mass appeal in equal measure. They further disclose that at the film's core will lie a strong father–daughter bond, that will offer Ravi Teja a character arc unlike anything that he's portrayed before. Besides playing a first-of-its-kind role, Ravi Teja, they say, has also undergone a transformation. Sources also claim that the film promises well-defined roles for every character, adding richness to the narrative. Priya Bhavani Shankar plays the female lead, with Baby Nakshathra portraying Ravi Teja’s daughter in the film. The cast also includes Sai Kumar, Ajay Ghosh, Ramesh Indira, and Swasika in key roles. Backed by producers Naveen Yerneni and Y Ravi Shankar, 'Irumudi' boasts a solid technical crew, with GV Prakash Kumar scoring the music, Vishnu Sarma handling cinematography, Sahi Suresh leading production design, and Prawin Pudi on the editing table. Shiva Nirvana has penned the story, screenplay, and dialogues, with Naresh Babu P serving as script coordinator."},"img":{"url":"https://images.prismic.io/prad/aXdDtQIvOtkhB7gE_irumudi.JPG?auto=format,compress"},"datetime":"2026-07-21T16:38:00+0000","embed":{"embed_url":null}},"uid":"ravi-teja-begins-dubbing-for-irumudi"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Surbhi Joins 'Ramba Oorvasi Menaka'"},"content":{"text":"The makers of director Chandra Mohan Chintada's upcoming film,'Ramba Oorvasi Menaka', featuring actor Allari Naresh in the lead, on Tuesday dropped the promo of the song #NaaKantiMeedhaKunuke from the film and in the process disclosed that actress Surbhi plays one of the female leads in the film.  Taking to its social media timelines, Hasya Movies, one of the production houses producing the film, wrote, \"Introducing the graceful @Surbhiactress from #RambaOorvasiMenaka. A heartwarming celebration of love, #NaaKantiMeedhaKunuke song promo is out now. Full lyrical out Tomorrow, 22nd July. IN CINEMAS SEPTEMBER 4th 2026.\"  It may be recalled that the makers had announced the title of the film on the occasion of actor Allari Naresh's birthday earlier this year.  Known for constantly reinventing himself with unconventional and content-driven films, actor Allari Naresh, who is known for his sense of humour, is now making a return to the genre that established him as one of Telugu cinema's finest entertainers. Sources in the know claim that 'Ramba Oorvasi Menaka', which is Naresh's 65th film, will look to be a fun-filled entertainer. The film is being jointly bankrolled by Razesh Danda and Nimmakayala Prasad under the prestigious Annapurna Studios and Hasya Movies banners. Sources claim this project ventures into a unique space by merging fantasy with laugh-out-loud comedy. The film has an intriguing tagline, \"Comedy Goes Cosmic\". The makers of the film have promised audiences a fantasy ride packed with hilarious situations, magical twists, and a refreshing storytelling approach. The first-look poster of the film that was released some days ago presented Allari Naresh in a stylish avatar, seated on heavenly steps with a pen and a scroll bearing the names Ramba, Oorvasi, and Menaka in his hand, while celestial nymphs (Apsaras) hovered above him amidst the clouds. The creative design, filled with divine elements and humorous undertones, hinted at a unique cosmic entertainer packed with fantasy, fun, and Allari Naresh's trademark comedy. The film boasts a strong ensemble cast featuring Vennela Kishore, Naresh VK, Srinivas Reddy, Muralidhar Goud, and several other noted actors who are set to add to the laughter with their hilarious performances. The film has an experienced technical crew backing it. Cinematography for the film is by Raam Reddy while Chaitan Bharadwaj is to score its music. Brahma Kadali is the production designer, and Chota K Prasad oversees the editing, ensuring the fantasy world is brought to life with top-notch production values. The makers have also announced that the film will hit screens the world over on September 4 this year."},"img":{"url":"https://images.prismic.io/prad/83a5c4a9-f6bb-4653-b6cb-e0c1c46b37f0_Surabhi+%2862%29.jpg?auto=format%2Ccompress&rect=0%2C97%2C800%2C394&w=2028&h=1000"},"datetime":"2026-07-21T06:52:00+0000","embed":{"embed_url":null}},"uid":"surbhi-joins-ramba-oorvasi-menaka"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Wangchuk shifted to Medanta Hospital"},"content":{"text":"Educator, innovator and climate activist Sonam Wangchuk, who is on an hunger strike for the last 24 days, was on Tuesday evening shifted to Medanta from Safdarjung Hospital, in compliance with an order by the Delhi High Court.  A health bulletin issued by the Safdarjung Hospital stated: \"Sonam Wangchuk has been discharged from VMMC & Safdarjung Hospital today at 06:40 pm and has been handed over to the team of doctors from Medanta Hospital, Gurugram, for further medical care as per the order dated June 21 of the Hon'ble High Court of Delhi.\" The hospital mentioned that at the time of discharge, his vital parameters were stable. \"However, pancytopenia persists, and his serum potassium level was 3.4 mEq/L,\" it stated. Pancytopenia is a dangerous medical condition where the bone marrow produces fewer red blood cells, white blood cells, and platelets than normal due to nutritional deficiencies. It causes a combination of severe fatigue (anemia), frequent infections (leukopenia), and excessive bleeding or bruising. Further, the bulletin also said that copies of all relevant medical records, investigation reports, and treatment documents have been handed over to the receiving medical team to ensure continuity of care. Earlier in the day, a Division Bench of Chief Justice Devendra Kumar Upadhyaya and Justice Tejas Karia of the Delhi High Court said that Wangchuk would be shifted to the hospital of his choice. \"What we propose to do is get him shifted to the hospital of his choice, that is Medanta. He will be treated by a Medanta doctor. All treatment details at Safdarjung Hospital will be supplied to Medanta immediately, and he will be treated there. A panel of doctors to be formed by the director of Medanta,\" the Chief Justice Upadhyaya-led Bench had said. After examining the medical records and interacting with doctors from AIIMS, Safdarjung Hospital and Wangchuk's personal physicians, the Delhi High Court observed that there was broad agreement among the medical experts that his condition warranted continuous observation. Meanwhile, speaking to reporters after the High Court's order, Wangchuk's wife Gitanjali J. Angmo said that he has decided to continue his agitation till the Parliament takes cognisance of the Delhi Police's \"brutal action\" on protestors during their 'Sansad Chalo' march. \"Sonam has decided to continue his hunger strike because of the cruelty and ruthlessness with which the students were treated. They were beaten, lathi-charged, and tear gas was used against them. In solidarity with those students, he has extended his hunger strike until Parliament takes cognisance of their demands and they are heard,\" she said."},"img":{"url":"https://images.prismic.io/prad/f5lKWS61sSMI_vfJ_wangchuk.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-21T11:58:00+0000","embed":{"embed_url":null}},"uid":"wangchuk-shifted-to-medanta-hospital"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Why Sai Pallavi Is Celebrating This Win"},"content":{"text":"Actress Sai Pallavi, who played the female lead in director Rajkumar Periasamy's blockbuster Tamil film 'Amaran', has now wholeheartedly congratulated the director on winning the National Award for Best Direction for the film, saying she was celebrating his win as her own! Replying to his tweet expressing gratitude, Sai Pallavi wrote, \"My heart is full! This wasn’t an easy journey, you handled everything with utmost grit and respect for the story you wanted to say! I’m emotional as I'm writing this; I witnessed the whole journey until this moment of you receiving this highest honor! I’m so proud and happy for you dear @Rajkumar_KP Sir. I’m celebrating your win as my own.\" She went on to congratulate the film's music director G V Prakash and editor Kalaivanan for winning National Awards for their work in the film. She said, \"My heartfelt congratulations to @gvprakash for the lovely music & @kalaivananoffl for all the hard work.\" Earlier, Rajkumar Periasamy, in his note of gratitude, had said, \"I’ve always dreamt of receiving the National award ever since I dreamt of becoming a film director. And it’s come true now! God has been truly kind.\" \"But while writing and making #Amaran all I had in my mind was to make the audience empathise with the characters and the lives of Indian Army soldiers and families. The film has given back to me and our team multifold. For this highest recognition of ‘National Award for Best Direction’, I thank the esteemed Jury of #72ndNationalAwards,\" he said. Stating that the “Golden Lotus” award encouraged him to explore, and reassured the process, the director dedicated his National Award to the family of late Major Mukund Varadarajan, who laid down his life in the service of the nation, and to all Indian army soldiers. \"I dedicate this award to the family of #MajorMukundVaradarajan sir and each soldier of the Indian army. Hearty Congratulations to my editor @kalaivananoffl and music composer @gvprakash, stars of my ongoing film #OM @DhanushKraja sir @Mammukka sir and all the national award recipients. Special thanks to my producers @ikamalhaasan sir #mahendran sir @sonypicsfilms in @Siva_Kartikeyan @Sai_Pallavi92 @Dop_Sai @Rajeevan69 #StefanRichter @anbariv @Synccinema Co Producers @khanwacky #Disney, the entirecast & crew!,\" he said."},"img":{"url":"https://images.prismic.io/prad%2Ffbf75928-0102-48a5-94ec-d8ecf6c27cff_5.+sai+pallavi.jpg?auto=format%2Ccompress&rect=0%2C4%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-21T04:09:00+0000","embed":{"embed_url":null}},"uid":"why-sai-pallavi-is-celebrating-this-win"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Police evict Rahul from dharna near PM's residence"},"content":{"text":"Police forcibly removed Leader of the Opposition in the Lok Sabha Rahul Gandhi, Congress MP Priyanka Gandhi Vadra, Samajwadi Party chief Akhilesh Yadav and several opposition MPs from their dharna site near Prime Minister Narendra Modi's official residence in New Delhi on Tuesday, after they marched towards Lok Kalyan Marg demanding action over alleged examination paper leaks and police action against student protesters. Rahul Gandhi, who sat on the road refusing to leave, was surrounded by several police personnel before being escorted into a police vehicle along with other opposition leaders. The protest came a day after a students' march to Parliament witnessed police intervention. Earlier, Congress president Mallikarjun Kharge, Rahul Gandhi and Priyanka Gandhi led party workers from Kharge's residence to the Prime Minister's residence, intensifying the opposition's campaign on education-related issues. Before being detained, Rahul appealed to people to join the dharna, saying, \"An attack on students is an attack on every Indian family,\" and accused the government of failing to answer concerns raised by students. In a significant development, Union Minister of State in the Prime Minister's Office Jitendra Singh met Rahul Gandhi at the protest site. Congress leaders said the talks remained inconclusive as the party insisted on the resignation of Union Education Minister Dharmendra Pradhan and a discussion in Parliament on alleged examination paper leaks. Congress MP Syed Naseer Hussain said the party would continue its protest until its demands were met. Jitendra Singh, however, maintained that the government was ready to hold a discussion in Parliament on education-related issues and alleged that the Congress later made the minister's resignation a precondition. The Congress has also demanded that Prime Minister Narendra Modi and Union Home Minister Amit Shah apologise or resign over the police action against protesters during Monday's march. The protest received support from opposition leaders, including NCP(SP) MP Supriya Sule, Samajwadi Party chief Akhilesh Yadav, NCP(SP) president Sharad Pawar and AAP leader Arvind Kejriwal, signalling broader opposition backing for the agitation."},"img":{"url":"https://images.prismic.io/prad/RL31zmgcbaz6y-vp_raga.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-21T11:15:00+0000","embed":{"embed_url":null}},"uid":"police-evict-rahul-from-dharna-near-pms-residence"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"CBN denies privatisation of Sub-Registrar Offices"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu on Monday clarified that 'Registration Seva Kendras' (Registration Service Centres) are being established solely to provide better services to the people and directed officials to counter the misinformation that Sub-Registrar offices are being privatised. He asked officials to inform the public of the facts regarding the deliberate misinformation campaign.  The CM reviewed the performance of various departments at the RTGS Centre in the State Secretariat on Monday. The issue of alleged privatisation of Sub-Registrar offices came up during the review. Speaking on the occasion, CM Chandrababu said, \"The government is firmly committed to providing better registration services to the public. We are establishing Registration Seva Kendras (RSKs) to make registration services much easier. This is by no means privatisation.” Stating that these centres will function similarly to Passport Seva Kendras, he directed officials to explain how Passport Seva Kendras operate and how the subsequent processes are handled. Passport processing became very easy after Passport Seva Kendras were introduced; Registration Seva Kendras will function in the same manner.  The Chief Minister alleged that some people are deliberately spreading false propaganda regarding these centres. \"Officials must take responsibility for explaining the facts to the public and highlighting the benefits of registration service centres. Furthermore, document writers need not worry; we will devise ways to ensure their livelihoods remain unaffected,” he said. The Chief Minister said the subsidy for 'Deepam-2.0' scheme beneficiaries needs to be disbursed systematically, and officials should consider scheduling these payments for specific dates. Officials from the Civil Supplies and Finance departments must coordinate on this matter, examine the technical aspects, and ensure implementation, he said. He also called for addressing the issue of 'litigant petitioners.' “Individuals who file complaints without any genuine public interest should be identified and counselled. We have identified 81 such litigant petitioners across the state; on average, each of them files 246 petitions. Their details should be forwarded to the District Collectors. While petitions containing genuine public interest should be examined, we must identify those filed with the sole intent of maligning the government or officials,” he said. CM Chandrababu Naidu said non-financial grievances should be resolved immediately, while financial issues will be addressed based on priority.  Stating that there is 49 per cent rainfall deficit due to the impact of El Nino this year, he called for exploring alternative strategies to mitigate this impact and raise awareness among farmers accordingly. Naidu said farmers should be encouraged to cultivate dryland crops."},"img":{"url":"https://images.prismic.io/prad/tn4NlJJw91QgkDRF_subrigistrasoffice.JPG?auto=format,compress"},"datetime":"2026-07-20T12:25:00+0000","embed":{"embed_url":null}},"uid":"cbn-denies-privatisation-of-sub-registrar-offices"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"England court orders Raj Kundra to repay $4.94 mn"},"content":{"text":"The High Court of England and Wales has ordered businessman Raj Kundra to repay $4.94 million to Emerging Media Ventures (EMV) and permanently restrained him from pursuing legal proceedings in India over his former shareholding in IPL franchise Rajasthan Royals, handing a major legal victory to the investment firm.  The ruling comes months after EMV and its shareholders completed the sale of a controlling stake in Rajasthan Royals to a consortium led by billionaire Lakshmi Mittal and his family, in partnership with Serum Institute of India CEO Adar Poonawalla. The transaction, reportedly valued at $1.65 billion, ranks among the largest deals in the history of the Indian Premier League. The latest judgment stems from a long-running dispute over Kundra's former 11.7 per cent stake in the franchise. Kundra had alleged that he was compelled to sell his stake at a value far below the team's actual worth. As the sale of the controlling stake progressed earlier this year, Kundra initiated proceedings before the National Company Law Tribunal (NCLT) and the Bombay High Court, publicly accused EMV and its co-founder Manoj Badale of fraud and concealment, threatened to approach the BCCI and other authorities, and sought to block or disrupt the transaction. EMV argued that Kundra's actions violated a 2019 settlement agreement under which he accepted $4.94 million, relinquished all rights to the Rajasthan Royals shares and agreed that any future disputes relating to the matter would be subject exclusively to the jurisdiction of the English courts. Kundra had exited Rajasthan Royals after the Supreme Court found him guilty of betting on IPL matches in 2015. Following the verdict, he transferred his shareholding under a Share Transfer Agreement before signing the 2019 settlement, which barred him from making any further ownership claims, initiating proceedings outside England or making public allegations regarding the share transfer. Justice Griffiths ruled that Kundra had \"no realistic prospect\" of successfully defending EMV's claim and found \"no evidential basis\" for his allegations that either the 2015 Share Transfer Agreement or the 2019 Settlement Agreement had been procured through fraud or unconscionable conduct. The court observed that Kundra had entered into both agreements voluntarily while being represented by legal counsel. The judgment also made permanent an anti-suit injunction that had initially been granted in January, restraining Kundra and Kuki Investments from pursuing the company petition in Mumbai or initiating related legal proceedings in India in violation of the settlement's exclusive English jurisdiction clause. The court further directed Kundra and Kuki Investments, jointly and severally, to repay the $4.94 million settlement amount along with interest after concluding that EMV had validly terminated the settlement agreement because of repeated breaches."},"img":{"url":"https://images.prismic.io/prad/10fa0f42-aded-4a24-a648-06c765b22942_Raj+Kundra.JPG?auto=format,compress"},"datetime":"2026-07-20T12:45:00+0000","embed":{"embed_url":null}},"uid":"england-court-orders-raj-kundra-to-repay-4.94-mn"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"What made Aishwarya the ideal 'Mrs Bachchan'"},"content":{"text":"Veteran actress and politician Jaya Bachchan once revealed what made Aishwarya Rai the ideal 'Mrs Bachchan' during her interaction with filmmaker Karan Johar on the popular chat show, \"Koffee With Karan\".   Talking about which qualities of Aishwarya she admires the most, she said, \"She is lovely. I love her\". Jaya Bachchan went on to add that despite being such a huge star, Aishwarya maintains a low profile when with family. She added that Aishwarya is someone who prefers to listen instead of speaking too much. Jaya Bachchan stated , \"She is such a big star herself, but when we are all together, I have never ever seen her push herself, and I like that quality. I like it that she stands behind, she is quiet, she listens.\" \"Another beautiful thing is she has fitted so well. Not just into the family, but she knows this is family, these are good friends,\" the veteran actress further explained. Talking about Aishwarya and Abhishek's love saga, they have worked together in multiple projects over the years, such as \"Kuch Naa Kaho\", \"Dhoom 2\", \"Sarkar Raj\", \"Umrao Jaan\", \"Guru\", and \"Raavan\". According to the reports, the couple first met back in 1999 for the photo shoot of their first project together, \"Dhaai Akshar Prem Ke\". As their friendship eventually bloomed into love, Aishwarya and Abhishek finally tied the knot on April 20, 2007, in a lavish traditional ceremony in the presence of family and friends. On 16 November 2011, they entered the new blissful chapter of their lives as they welcomed their first child, daughter Aaradhya. On the professional front, Abhishek has been roped in for Shah Rukh Khan's highly-awaited next \"King\". Helmed by 'Pathaan' maker Siddharth Anand, the project will also see Anil Kapoor, Suhana Khan, and Abhay Verma in key roles, along with others."},"img":{"url":"https://images.prismic.io/prad/7mUUWTF7vwDIZSs1_aishwarya.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-20T15:39:00+0000","embed":{"embed_url":null}},"uid":"what-made-aishwarya-the-ideal-mrs-bachchan"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Tripura DGP Anurag found dead in police HQ"},"content":{"text":"Tripura Director General of Police (DGP) Anurag was found dead under mysterious circumstances in the bathroom attached to his chamber at the state Police Headquarters on Monday, officials said.  The senior IPS officer was rushed to the Agartala Government Medical College and Govind Ballabh Pant Hospital, where doctors declared him brought dead. Head of the Department of Medicine at the Agartala Government Medical College and Govind Ballabh Pant Hospital, Dr Pradip Bhowmik, said that Anurag was brought to the hospital without any signs of life and was declared dead after doctors examined his vital parameters. “We have sent the body of Anurag for post-mortem examination. The exact cause of death can only be confirmed after the post-mortem report is received,” Dr Bhowmik told the media. The Tripura government and the state Police Headquarters are yet to officially announce the circumstances or cause of Anurag's death. Anurag, a 1994-batch Indian Police Service (IPS) officer of the Tripura cadre, took charge as the state's Director General of Police on May 17 last year, succeeding Amitabh Ranjan, a 1988-batch IPS officer. Before assuming charge as the DGP, Anurag served as the Director General of Police (Intelligence), Tripura. A postgraduate in Food Technology from the Central Food Technological Research Institute (CFTRI), Mysore, Anurag also held a Master's degree in Police Management from Osmania University and a postgraduate diploma in Cyber Crimes from NALSAR University of Law, Hyderabad. He was also a Certified Fraud Examiner from the Association of Certified Fraud Examiners (ACFE), USA, and possessed extensive policing experience in Tripura, having served in the state from 1995 to 2003, officials said. During his tenure in Tripura, he served as Sub-Divisional Police Officer of Longtharai Valley and as Superintendent of Police of the erstwhile undivided West and South Tripura districts. He also held the positions of Superintendent of Police, Special Branch, and Assistant Inspector General of Police (Headquarters). During 2003-04, Anurag served with the United Nations Mission in Kosovo. Between 2005 and 2013, he was on central deputation, serving as Superintendent of Police and later Deputy Inspector General in the Central Bureau of Investigation (CBI). After returning from central deputation, he served as Inspector General of Police (Law and Order), Tripura, from 2013 to 2016. From 2016 to 2023, the IPS officer was again on central deputation, serving as Inspector General (Research and Correctional Administration) in the Bureau of Police Research and Development (BPR&D), Inspector General (Personnel) in the Central Industrial Security Force (CISF), and later as Joint Director and Additional Director in the CBI. Anurag also served as Chairman of the Special Investigation Team (SIT) constituted by the Union Ministry of Home Affairs to probe the 1984 anti-Sikh riots."},"img":{"url":"https://images.prismic.io/prad/_7cPI8bAcPPY4st__tripuiradgp.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-20T08:56:00+0000","embed":{"embed_url":null}},"uid":"tripura-dgp-anurag-found-dead-in-police-hq"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Balaiah airlifted to Hyd"},"content":{"text":"Popular Tollywood actor Nandamuri Balakrishna, who sustained an injury during a film shoot in Rajahmundry, was airlifted to Hyderabad on Wednesday and admitted to AIG Hospital, where he is in stable condition. According to the Asian Institute of Gastroenterology (AIG), Balakrishna injured his left knee during the shoot. He was given initial treatment at a local hospital before being airlifted to AIG Hospitals, Hyderabad, for specialised evaluation and further management. A medical bulletin from AIG Hospital said preliminary evaluation showed a localised collection of blood and inflammation in the tissues around the left knee, indicating a possible muscle tear. He is undergoing extensive clinical and diagnostic investigations under the supervision of orthopaedic surgeons. Given Balakrishna’s medical history, a multidisciplinary team comprising specialists from relevant departments is also reviewing his overall health and fitness to determine the safest course of treatment. “Balakrishna’s overall condition is stable, and he remains under close medical observation. The definitive treatment plan will be finalised after completion of the ongoing evaluation,” the bulletin stated. Balakrishna suffered the injury during a shoot for his yet‑to‑be‑titled movie. Director Gopichand Malineni posted on social media on Tuesday that the injury was not serious and said Balakrishna is expected to recover soon after a minor surgery. Balakrishna is a leader of the Telugu Desam Party (TDP) and a Member of the Andhra Pradesh Legislative Assembly. He is the brother‑in‑law of Andhra Pradesh Chief Minister and TDP national president N. Chandrababu Naidu and father‑in‑law of state minister Nara Lokesh. Chandrababu Naidu posted on X that he spoke with Balakrishna after learning about the injury. “Wishing him a very speedy recovery. Knowing his unstoppable spirit, he will be back in action in no time! Get well soon!” he wrote. Lokesh also spoke to Balakrishna and inquired about the accident. “Wishing a speedy and full recovery to my dear Bala Mavayya following his minor injury on the sets of NBK111. Praying for his quick bounce‑back to action and good health!” he posted."},"img":{"url":"https://images.prismic.io/prad/AfAL9s6saHhvprOU_balaiah.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T11:55:00+0000","embed":{"embed_url":null}},"uid":"balaiah-airlifted-to-hyd"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"NEET Protest And A Not-SO-Neat Response"},"content":{"text":"“Elections bestow the right to rule, but public dissent reveals the virtue of the ruler.” In other words, the above axiom suggests that while elections determine who shall hold the mandate of governance, it is public dissent that evaluates the true quality of their administration. Simply put, winning an election gives a regime the keys to the kingdom, but public outrage delivers the actual performance review. For a slice of the above wisdom’s pie, look no further than the 'March to Parliament' by some frustrated youth, or, as the ruling party would call them, 'cockroaches', and the opposition's circus outside the Prime Minister’s residence, labeled by the regime as an opportunistic, confrontationist, 'grave security threat.' Yet, rather than reading the room, the government is doing what it does best: unleashing its propaganda machinery across electronic media, social networks, IT cells, and WhatsApp warrior groups to spin wild conspiracy theories and distract everyone from how badly they blew it. This stubborn behavior clearly shows that the government simply does not understand, or care about, public anger. A sudden surge of public anger like the one at Jantar Mantar would force any ordinary political party to stop and think. For the BJP, it is simply business as usual. While government spokespersons openly branded the protesters as a 'B-team of terrorists' bent on tearing the country apart, the online IT cells and WhatsApp warrior groups rolled out a much wilder script. According to their internet-certified logic, the entire protest is a massive foreign plot to crush India's role in the U.S.-led 'Pax Silica' coalition. In this grand narrative, the unrest is meticulously timed to fuel political instability right before the UP elections, serving as a coordinated Chinese scheme to freeze India’s lithium mining and protect Beijing's monopoly over the global AI market. This political strategy follows a strict pattern. Long before a local movement can even explain its demands, the propaganda machinery steps in to kill it off. It transforms real, complex human struggles into simple, manufactured threats to national security. Let's accept the fact: this outrage erupted because the government completely botched the NEET exam. Even the Supreme Leader had to validate this reality. After keeping a long, tight-lipped silence, he finally scrambled to tell the public that paper leaks are a 'great sin', a spiritual awakening that mysteriously happened only after he felt the heat of public anger and found himself pushed into a corner. This confession exposes the truth: the protests are not driven by imaginary conspiracies, but by the government's own failure to solve the problem when it had the chance. Conspiracy theories cannot cover up administrative failure. The students' demands for honest exams and a responsible education minister are completely legitimate. Had the establishment acted right away instead of waiting until the Supreme Leader lost control of the narrative, the entire crisis, including the opposition’s dramatic circus before his residence, would never have happened. Those who plot conspiracies spend next to nothing exploiting the conditions handed to them. Until the government learns that taking their bait is far more expensive than exercising restraint, these plotters will continue to achieve massive results. The protest is a clear sign of growing youth desperation. Young Indians are breaking under rising prices, underemployment, failing social services, and an electoral process that feels heavily rigged. This regression is happening under the comprehensive control of the state. Yet, the ruling regime remains happy to dodge responsibility by painting every domestic crisis as a manufactured anti-national conspiracy. Never before has a government done so much to solidify its authority while entirely uncementing out its accountability. Today's youth are done with conspiracy theories; they demand less political theater and more real-world solutions. They want a mature, collaborative leadership that is fitting for a country of this stature. Otherwise, the public will respond with the same hostile politics, searching for a leader to challenge the entire establishment. They are already willing to accept being labeled \"cockroaches\" and \"anti-nationals\" just to force a total break from the status quo. The government must stop diverting the crisis with manufactured plots. Instead, it needs to acknowledge public anger, promise a conciliatory effort to correct its failures, and allow genuine governance to win back the trust of all citizens."},"img":{"url":"https://images.prismic.io/prad/RQYSdYkEELyY_WpP_NEETProtest.JPG?auto=format,compress"},"datetime":"2026-07-22T06:40:00+0000","embed":{"embed_url":null}},"uid":"neet-protest-and-a-not-so-neat-response"}},{"node":{"data":{"title":{"text":"Visakhapatnam tops non‑metro job markets in India"},"content":{"text":"Visakhapatnam retained the top spot among India’s non‑metro job markets among the fastest‑growing smaller cities for hiring and migration, a report said on Wednesday.  The report from professional networking platform LinkedIn said Visakhapatnam was followed by Ludhiana, Surat, Vadodara and Prayagraj — occupying the top five positions. It underscored the rise of non‑metro hubs that are expanding beyond legacy industries. Technology, financial services, manufacturing, education, and infrastructure investment are shaping distinct growth pathways and job opportunities across emerging cities, the report noted. The report said that 72 per cent of professionals in India are actively looking for a new role this year, while 76 per cent say the search has become harder amid greater competition and widening skill gaps linked to AI. The number of applicants per open role has also more than doubled since early 2022. Against this backdrop, emerging cities are giving professionals access to a wider range of industries, employers, and career pathways closer to home. Emerging cities are transforming into multi‑sector job markets by combining established strengths — ports, textiles, pharma, chemicals and manufacturing — with new investment in AI, data centres, IT and services. “Legacy industries in these cities are being joined by technology, financial services, infrastructure, and services,\" said Nirajita Banerjee, a LinkedIn career expert. She suggested job seekers explore where employers are investing, which sectors are gaining momentum, and whether your skills can travel across industries. \"Expanding your search beyond metros and into adjacent roles can reveal credible career paths in markets that are growing faster than many professionals realise,” suggested Banerjee, also India Senior Managing Editor, LinkedIn. Visakhapatnam is combining its port, pharma, and manufacturing economy with major AI, data centre, and technology investments, while Ludhiana is adding steel, aviation, and hospitality to its manufacturing base. Surat is extending beyond textiles and diamonds through startups, exports, and real estate, as Vadodara attracts technology, engineering, and enterprise investment alongside chemicals and machinery, said the report."},"img":{"url":"https://images.prismic.io/prad%2F3202bfa2-c0f9-437e-92f3-b055a065ab70_hiring.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-07-22T06:30:00+0000","embed":{"embed_url":null}},"uid":"visakhapatnam-tops-nonmetro-job-markets-in-india"}},{"node":{"data":{"title":{"text":"Warner pleads guilty to drink-driving in Sydney"},"content":{"text":"Former Australia opener David Warner on Wednesday pleaded guilty to a drink-driving charge in a Sydney court and will be sentenced later this year. Warner, who currently serves as the captain of the Sydney Thunder franchise in Australia's domestic T20 Big Bash League (BBL), did not appear in person during the court proceedings. Instead, his legal counsel Bobby Hill appeared at the Sydney court to formally enter a guilty plea on his behalf to one count of ‘middle range’ drink-driving. The incident unfolded when on April 5, also Easter Sunday, Warner, behind the wheel of a van, drew attention after stopping short of a random breath-testing site. Warner had returned him mid-season from Pakistan, where he was captaining the Karachi Kings franchise in the Pakistan Super League (PSL). Police officers then took his roadside breath test, where Warner recorded more than double the legal blood alcohol limit. He was arrested and then brought to a police station for formal processing. \"So many of us make those poor decisions. I think what's important is accepting and being accountable for those poor decisions. It doesn't matter if you're a tradesman, a doctor or one of the best opening batsmen in the world, that danger exists for every one of us. He knows what he did was wrong. He accepts that was a reckless decision, a foolish decision to get in his car instead of taking an Uber,\" lawyer Hill told a hearing earlier this year. The court has scheduled August 18 for handing down the final sentence in the matter, where Warner faces penalties under local traffic laws for the mid-range drink-driving infraction. His admission of guilt has cast doubt over his status as captain of Thunder for the upcoming BBL season. As of now, Warner faces a minimum six-month ban on driving, a possible fine of up to 2,200 AUD and a maximum prison sentence of nine months. \"The allegations are of course concerning and we take them very seriously. At Cricket NSW, we are strong advocates for safe driving, not drink-driving,\" said Cricket NSW chief executive Lee Germon had said after his arrest. Thunder, along with Sydney Sixers and NSW Blues, are part of a state government campaign to deter drink-driving."},"img":{"url":"https://images.prismic.io/prad/VbGD4Rq3AJDWJ_ag_warner.JPG?auto=format%2Ccompress&rect=0%2C24%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-22T04:48:00+0000","embed":{"embed_url":null}},"uid":"warner-pleads-guilty-to-drink-driving-in-sydney"}},{"node":{"data":{"title":{"text":"RR leads protest in Kodangal "},"content":{"text":"Telangana Chief Minister A. Revanth Reddy on Wednesday led a rally and dharna in Kodangal to protest the detention of Congress leaders Rahul Gandhi, Priyanka Gandhi and others in New Delhi during a demonstration over paper leaks and issues concerning students.  The Chief Minister, who was visiting his Assembly constituency in Vikarabad district, joined party leaders and workers in a rally through Kodangal town. The march, carrying Congress flags and banners, culminated in a dharna near the Ambedkar statue. Rahul Gandhi and other Congress leaders were detained on Tuesday when they were staging a protest outside Prime Minister Narendra Modi's residence against paper leaks and the \"attack\" on students. Addressing the dharna, Chief Minister Revanth Reddy condemned the detention of top Congress leaders and termed it an attack on democracy. He alleged that Prime Minister Modi and Education Minister Dharmendra Pradhan were playing with the future of lakhs of students. He demanded that PM Modi sack Dharmendra Pradhan from the Union Cabinet and warned that if the PM fails to do this, the fight from ‘sadak to sansad’ will continue.  The Chief Minister said that the NEET exam paper was sold for lakhs of rupees in BJP-ruled states of Rajasthan, Madhya Pradesh and Uttar Pradesh. He alleged the involvement of BJP leaders in the paper leak. He said students from across the country had been demanding the resignation of Dharmendra Pradhan and punishment for those responsible for the paper leak. Revanth Reddy alleged students protesting in the national capital were lathicharged by police, injuring hundreds of protestors. He claimed that several students disappeared after the police action. He said when Rahul Gandhi and Priyanka Gandhi came out in support of the protesting students and staged a peaceful protest in front of PM Modi’s residence, they were detained and manhandled by police, resulting in bleeding injuries. He termed the detentions as an assault on the democratic right to protest.  The Chief Minister alleged that PM Modi brought pressure on Lok Sabha Speaker Om Birla to stall debate on NEET paper leak in the Parliament. He stated that the Gandhi family is known for sacrifices and pointed out that former Prime Ministers Indira Gandhi and Rajiv Gandhi laid down their lives for the country.  Calling BJP ‘British Janata Party’, Revanth Reddy said the BJP leaders were successors of Nathuram Godse, the assassin of the father of the nation, Mahatma Gandhi. “We are successors of Gandhi ji. This is not the fight between BJP and Congress, but it’s a fight between successors of Godse and Gandhiji,” he said. He exuded confidence that the BJP will be defeated in the next elections and Rahul Gandhi will become the Prime Minister."},"img":{"url":"https://images.prismic.io/prad/gollLGSioUMEaQat_rallydharna.JPG?auto=format%2Ccompress&rect=0%2C207%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-22T08:13:00+0000","embed":{"embed_url":null}},"uid":"rr-leads-protest-in-kodangal"}},{"node":{"data":{"title":{"text":"NEET row: Hyd police stop students marching to Lok Bhavan"},"content":{"text":"Students trying to march towards Lok Bhavan in Hyderabad on Tuesday to demand the resignation of Prime Minister Narendra Modi and Union Education Minister Dharmendra Pradhan over the NEET paper leak were stopped and lathi-charged by police, triggering tension. Raising slogans against the Central government, members of various student organisations attempted to march towards the official residence of the Telangana Governor. Police stopped them at Khairatabad, leading to an argument between the two sides. As the protestors squatted on the road, they demanded permission to stage a protest in front of Lok Bhavan. The protesters, carrying placards in support of their demands, claimed that 21 students lost their lives due to the paper leak. Students Federation of India (SFI) and other student groups alleged that police used lathis to disperse the crowd, assaulted and dragged several protesters, and arrested many of them. They condemned the police action. They questioned why the Congress government in Telangana was resorting to force against protestors while the same party was condemning police brutalities on protestors in New Delhi. Meanwhile, a large number of students and youth gathered at Press Club in Somajiguda to show solidarity with those protesting at Jantar Mantar, demanding Dharmendra Pradhan’s resignation and compensation of Rs 1 crore each to the families of the 21 students who died after the NEET paper leak. Students in Hyderabad Central University and Osmania University also staged protests in solidarity with protestors in the national capital. Chief Minister A. Revanth Reddy said the Congress party stands with the youth protesting across the country. “The Hope of India, Shri Rahul Gandhi, is on protest for the Future of India, seeking resignation of Prime Minister Modi and Home Minister Amit Shah. Our national president Shri Mallikarjun Kharge ji and Smt Priyanka Gandhi ji are giving courage and extending fullest support to all the youth who are protesting across the country. We are with you, youth of India. Congress ka haath, Yuva ke saath!,” he posted on X."},"img":{"url":"https://images.prismic.io/prad/WdbMiuin5Ss8opvs_coparrest.JPG?auto=format%2Ccompress&rect=0%2C92%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-21T14:53:00+0000","embed":{"embed_url":null}},"uid":"neet-row-hyd-police-stop-students-marching-to-lok-"}},{"node":{"data":{"title":{"text":"Centre Rules Out IIM for Telangana"},"content":{"text":"The Central government has made it clear that it has no plans to approve an Indian Institute of Management (IIM) for Telangana, as the state already hosts numerous higher education and management institutes. The government stated this in reply to a question in Lok Sabha on Monday. Minister of State for Education, Sukanta Majumdar, told Congress MP Mallu Ravi that the government has received a request for sanction of an IIM in Hyderabad. The MoS stated that the Government of India periodically establishes new institutions of national importance, including Indian Institutes of Management (IIM), across India, after taking into account regional balance and resource availability. Presently, there are 22 IIMs functioning in 21 States. The states of Telangana, Goa, Manipur, Mizoram, Tripura, Arunachal Pradesh and Sikkim do not have an IIM. Citing the All India Survey on Higher Education (AISHE) 2023-24, the Central minister said that Telangana hosts 2,070 higher education institutions (HEIs); of these, 604 institutions offer management courses, including 20 universities, 570 colleges, and 14 standalone institutes.  “Telangana hosts several premier central government higher educational institutions, including the University of Hyderabad, Indian Institute of Technology (IIT) Hyderabad, National Institute of Technology (NIT) Warangal, English and Foreign Language University (EFLU), Hyderabad, and Moulana Azad National Urdu University (MANUU), Hyderabad. Further, the Sammakka Sarakka Central Tribal University at Mulugu was established in 2023,” he said. Telangana Chief Minister A. Revanth Reddy, during his meeting with Prime Minister Narendra Modi last month, had requested the establishment of the IIM in Hyderabad. The Chief Minister said that the state government is ready to allocate the required 200 acres of land for the institute. He pointed out that Telangana is already home to premier national educational institutions such as IIT, IIIT, NALSAR, and TIFR, and noted that establishing an IIM would help realise the objectives of the National Education Policy (NEP) 2020."},"img":{"url":"https://images.prismic.io/prad/XcOH5H9tExPnbhVy_IIM.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-21T12:57:00+0000","embed":{"embed_url":null}},"uid":"centre-rules-out-iim-for-telangana"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Sankranti Plans Changed for Chiru?"},"content":{"text":"The race for the Sankranti box office has become more competitive than ever, with multiple star-studded films expected to arrive during the festive season. While Sankranti has traditionally been considered the most profitable release window for Telugu cinema, the growing clash between big-budget films has made the festival less predictable. Limited theatre availability and divided collections have prompted several producers to rethink their release strategies. Amid this changing trend, industry buzz suggests that Megastar Chiranjeevi's upcoming film with director Bobby may no longer target the Sankranti season. According to reports circulating in Tollywood, the makers are evaluating whether a solo release would be more beneficial for the film's commercial prospects. Since at least two or three major releases are expected during Sankranti, there are concerns that intense competition could impact the movie's box office potential. With a massive budget riding on the project, the production team is reportedly exploring alternative release windows, including the summer holiday season or another festive period, where the film can enjoy a wider theatrical run without facing stiff competition. The Chiranjeevi-Bobby collaboration has already generated huge expectations following the blockbuster success of Waltair Veerayya. The upcoming film is said to be a high-octane commercial entertainer packed with action and mass appeal, making its release timing a crucial decision. However, it is important to note that the makers have not made any official announcement regarding a change in the release date. Until then, reports about the film opting out of the Sankranti race remain speculative, with fans eagerly awaiting clarity from the production team."},"img":{"url":"https://images.prismic.io/prad/Z7LoEJ7c43Q3f2Du_chiru1.JPG?auto=format,compress"},"datetime":"2026-07-22T09:57:00+0000","embed":{"embed_url":null}},"uid":"sankranti-plans-changed-for-chiru"}},{"node":{"data":{"title":{"text":"When Jennifer Lawrence was put in jail for 5 hours?"},"content":{"text":"Hollywood actress Jennifer Lawrence once spoke about her brush with the law, as she was detained for 5 hours, and was put in a tiny jail. An old clip from ‘The Graham Norton Show’ has resurfaced on the Internet, and it shows the actress recollecting the incident when her passport was about to expire in 6 months, and she had no work visa. So, she had to lie about being in the UK for pleasure and not business. She said, “I was auditioning for the first X-Men. My passport was expiring under six months, which apparently you're not supposed to travel, blah, blah, blah. So they were like, whatever you do, don't tell them that you're here for work, because I'll ask for a work visa. Say you're here for pleasure. And I'm like, oh, my good God. I have to lie to a customs officer. And so I'm working myself up so much through the line. I'm like, OK, I just have to have a backstory”> “I got a backstory and I have to believe it. And and so it gets there and he was like, ‘Business or pleasure?’ And I was like, ‘Pleasure’. He said, ‘What are you doing for pleasure?’. I said, ‘My brother's getting married’. And he was like, ‘Where is he getting married?’. I said, ‘Wimbledon’. He said, ‘Is he American?’. I said, ‘Yes’. He then further probed, ‘Do you have an invitation?’. I said, ‘No’. And then he asked, ‘Are you telling the truth?’. I said, ‘No, no, I don't have a work visa and my passport expires and I'm not even supposed to be here’. And I ended up getting a tiny little jail for like five dollars. And when I told my employer, I felt tiny”, she added."},"img":{"url":"https://images.prismic.io/prad%2Fa4459783-e5b3-4d3d-99d2-b8808bb9b489_jennifer+lawrence.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-22T15:30:00+0000","embed":{"embed_url":null}},"uid":"when-jennifer-lawrence-was-put-in-jail-for-5-hours"}},{"node":{"data":{"title":{"text":"Vinod Denies ‘3 Idiots’ Re-Release Amid Student Protests"},"content":{"text":"The makers of the iconic film ‘3 Idiots’ have quashed the reports of the film’s re-release. On Wednesday, the production house behind the film took to social media, and clarified that the film is not making its way to theatres for its re-release. Vidhu Vinod Chopra Films has issued an official clarification in response to recent media reports about the re-release on September 4, 2026. They wrote, “With reference to recent media reports claiming that ‘3 Idiots’ will be re-released on 4th September, Vidhu Vinod Chopra Films would like to clarify that these reports are false and factually incorrect. We request members of the media and fans to rely solely on official announcements made through Vidhu Vinod Chopra Films’ verified channels. We urge media publications to refrain from publishing or circulating unverified information”."},"img":{"url":"https://images.prismic.io/prad/d7fcbf17-4f32-4dbb-ba71-7860ecfe84ff_3+idiots.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T12:13:00+0000","embed":{"embed_url":null}},"uid":"vinod-denies-3-idiots-re-release-amid-student-prot"}},{"node":{"data":{"title":{"text":"Hero’s daughter targeted over NEET protest support"},"content":{"text":"Actor Mohanlal's daughter and actress Vismaya Mohanlal has come under a massive cyber attack after expressing support for the CJP-led student agitation in New Delhi against alleged irregularities in the NEET examination and questioning the brutal police crackdown on protesters.  Thousands of students had marched from Jantar Mantar towards Parliament demanding Union Education Minister Dharmendra Pradhan's resignation over the NEET paper leaks when police stopped the procession with barricades and dispersed the protesters using lathi-charge and tear gas. Images of bleeding students circulating on social media prompted Vismaya to post a strongly-worded message on her Instagram Story. \"Is this how a democratic country should treat its own citizens? When citizens raise their voices, if the response is brutal suppression instead of dialogue, we must ask ourselves what kind of democracy we are becoming,\" she wrote. Her post immediately triggered a coordinated wave of abuse, largely from social media accounts supportive of the BJP and the Central government. With Vismaya's debut film 'Thudakkam' set for release on August 7, several users also called for a boycott of the movie, alleging that her remarks were aimed at generating publicity. Hostile comments soon flooded Mohanlal's official Facebook page and news posts carrying the story. Many targeted both the father and daughter, with remarks such as, \"Ask your father what happened to Prithviraj,\" \"You've ruined Lalettan's name,\" and \"Our families will not watch your film.\" Others branded Vismaya and several film personalities supporting the students as \"anti-national\" and used derogatory communal slurs while invoking unrelated issues such as the Pahalgam terror attack. However, the cyber offensive has been matched by a strong show of support. A large number of social media users praised Vismaya for speaking out against the police action despite knowing it could invite criticism and potentially affect her father's popularity and her own acting career. While Facebook witnessed an avalanche of abusive comments, many Instagram users rallied behind the actress, applauding her for taking a clear stand on an issue of public importance. The online attacks have not been limited to Vismaya. Actors Tovino Thomas, Parvathy Thiruvothu, Rima Kallingal, Prachi Tehlan, and film-maker Aashiq Abu, all of whom voiced support for the protesting students, have also been subjected to trolling, personal abuse and boycott calls, highlighting the increasingly polarised nature of political discourse on social media."},"img":{"url":"https://images.prismic.io/prad/vULizG2UqhmmNAWP_protest.png?auto=format,compress&rect=0,62,449,221&w=2028&h=1000"},"datetime":"2026-07-22T12:18:00+0000","embed":{"embed_url":null}},"uid":"heros-daughter-targeted-over-neet-protest-support"}},{"node":{"data":{"title":{"text":"Balaiah airlifted to Hyd"},"content":{"text":"Popular Tollywood actor Nandamuri Balakrishna, who sustained an injury during a film shoot in Rajahmundry, was airlifted to Hyderabad on Wednesday and admitted to AIG Hospital, where he is in stable condition. According to the Asian Institute of Gastroenterology (AIG), Balakrishna injured his left knee during the shoot. He was given initial treatment at a local hospital before being airlifted to AIG Hospitals, Hyderabad, for specialised evaluation and further management. A medical bulletin from AIG Hospital said preliminary evaluation showed a localised collection of blood and inflammation in the tissues around the left knee, indicating a possible muscle tear. He is undergoing extensive clinical and diagnostic investigations under the supervision of orthopaedic surgeons. Given Balakrishna’s medical history, a multidisciplinary team comprising specialists from relevant departments is also reviewing his overall health and fitness to determine the safest course of treatment. “Balakrishna’s overall condition is stable, and he remains under close medical observation. The definitive treatment plan will be finalised after completion of the ongoing evaluation,” the bulletin stated. Balakrishna suffered the injury during a shoot for his yet‑to‑be‑titled movie. Director Gopichand Malineni posted on social media on Tuesday that the injury was not serious and said Balakrishna is expected to recover soon after a minor surgery. Balakrishna is a leader of the Telugu Desam Party (TDP) and a Member of the Andhra Pradesh Legislative Assembly. He is the brother‑in‑law of Andhra Pradesh Chief Minister and TDP national president N. Chandrababu Naidu and father‑in‑law of state minister Nara Lokesh. Chandrababu Naidu posted on X that he spoke with Balakrishna after learning about the injury. “Wishing him a very speedy recovery. Knowing his unstoppable spirit, he will be back in action in no time! Get well soon!” he wrote. Lokesh also spoke to Balakrishna and inquired about the accident. “Wishing a speedy and full recovery to my dear Bala Mavayya following his minor injury on the sets of NBK111. Praying for his quick bounce‑back to action and good health!” he posted."},"img":{"url":"https://images.prismic.io/prad/AfAL9s6saHhvprOU_balaiah.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T11:55:00+0000","embed":{"embed_url":null}},"uid":"balaiah-airlifted-to-hyd"}},{"node":{"data":{"title":{"text":"Yash-Tara Romance Unplugged"},"content":{"text":"Actress Tara Sutaria shared some of her favourite moments with co-star Yash from the romantic track ‘Madhosh’ in the upcoming film ‘Toxic: A Fairy Tale for Grown-Ups.’ Taking to Instagram, she posted several romantic pictures of them and captioned them simply as, “The in between moments are my favourites in Madhosh.. The stolen glances, the sweetness in our smiles, the eyes.. What are your favourite moments?.” In the mushy shots, Tara and Yash’s characters can be seen striking romantic poses. Music composers Tanishk Bagchi, Faheem Abdullah, and Arslan Nizami have collaborated on \"Madhosh,\" the latest song from “Toxic.” The trio had previously created the Saiyaara title track, which became a hit among listeners. ‘Madhosh’ gave a glimpse into the emotional bond between Yash and Tara Sutaria’s characters, Raya and Rebecca. The song showed that Raya continued to have the intense personality seen in the film’s first song, 'Tabaahi,' but his relationship with Rebecca revealed a softer side of him. While the video featured several romantic moments, it also hinted that Raya may have been involved with more than one woman. The Madhosh music video also featured Kiara Advani’s character showing an attraction towards Raya. In another sequence, Nayanthara’s character was seen standing alongside him. Along with the Hindi version, “Madhosh” has also been released in multiple regional languages. The song is titled ‘Manamohaka’ in Kannada, ‘Manasaagadhe’ in Telugu, ‘Thadumaarudheyyy’ in Tamil, and ‘Madhu Mohini’ in Malayalam. Directed by Geetu Mohandas, “Toxic” stars Yash, Kiara Advani, Nayanthara, Huma Qureshi, Tara Sutaria, and Rukmini Vasanth. The film is scheduled to hit theatres on August 26. Speaking about Kiara’s performance in the film, Geetu had earlier shared, “Some performances don’t just belong to a film, they redefine an artist. What Kiara created on screen in this film is nothing short of transformative. As a director, I am deeply proud of her and the performance she has delivered and the faith and heart she brought into our shared journey.”"},"img":{"url":"https://images.prismic.io/prad/d_EFkG9ZlqJBIdLd_yashtara.JPG?auto=format%2Ccompress&rect=0%2C24%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-22T09:47:00+0000","embed":{"embed_url":null}},"uid":"yash-tara-romance-unplugged"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}},{"node":{"data":{"title":{"text":"How Smoking Hurts Pregnancy!"},"content":{"text":"When planning to start a family, many couples focus on preparing for pregnancy by discussing nursery plans and choosing baby names. However, what often goes unnoticed is the detrimental impact of smoking on fertility and pregnancy. Cigarette smoke contains harmful chemicals that can damage reproductive cells in both men and women, making it harder to conceive and increasing the risk of pregnancy complications and poor outcomes for babies.  Dr. Vandana Bhatia, a Senior Fertility Specialist, emphasizes that smoking silently affects fertility, pregnancy, and the long-term development of the child. Both partners play a crucial role in protecting fertility as smoking can reduce sperm count, affect sperm movement, and damage egg quality, hormone levels, and ovarian reserve. Additionally, passive smoking also poses risks to fertility and pregnancy outcomes. Quitting smoking as a couple not only improves motivation and emotional support but also encourages healthier habits, leading to improved fertility and overall health.  The quality of eggs and sperm before conception significantly influences the health of the future child, making it essential for both parents to quit smoking before starting a family. Dr. Bhatia recommends practical steps for quitting smoking together, emphasizing that healthy choices are crucial in building a healthy family. Parenthood begins with the quiet promise of choosing health together, even before the first heartbeat is heard on an ultrasound."},"img":{"url":"https://images.prismic.io/prad/akDOG1bRV8_Qf8Cd_smokefertility.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T19:33:00+0000","embed":{"embed_url":null}},"uid":"how-smoking-hurts-pregnancy"}},{"node":{"data":{"title":{"text":"Even 1% Sleep Loss Could Heighten Dementia Risk"},"content":{"text":"A recent study published in JAMA Neurology has shed light on the potential link between minimal sleep loss and an increased risk of dementia. The research suggests that as little as a 1% reduction in deep sleep per year for individuals over 60 could translate to a 27% elevated risk of developing dementia. Deep sleep, also known as slow-wave sleep, plays a crucial role in the body's repair processes and the clearance of toxic proteins associated with dementia.  Associate Professor Matthew Pase from Monash University's Turner Institute for Brain and Mental Health emphasized the significance of deep sleep in supporting the aging brain and facilitating the removal of metabolic waste, including proteins linked to Alzheimer's disease. The study, which drew from the Framingham Heart Study, examined 346 participants over 60 years of age, tracking their sleep patterns and dementia development over a 17-year period. Even after adjusting for various factors, including age, genetic predisposition, and medication use, the findings consistently pointed to a 27% increased dementia risk for each percentage decrease in deep sleep annually.  It's important to note that the natural decline in deep sleep with age is gradual, peaking between 75 and 80 years old and then stabilizing. However, the cumulative effect of a 27% increase per percentage-point decrease underscores the long-term impact on dementia risk. While there's no straightforward solution to preserving deep sleep, maintaining consistent sleep schedules, avoiding alcohol before bedtime, creating a conducive sleep environment, and addressing conditions like sleep apnea can potentially support better sleep quality. Additionally, regular exercise has been linked to improved slow-wave sleep in older adults. Although these measures aren't a guarantee, the study highlights the importance of prioritizing deep sleep for brain health as individuals age."},"img":{"url":"https://images.prismic.io/prad/50a54145-f24c-4c83-80b9-e6d19ba52027_sleep.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T06:59:00+0000","embed":{"embed_url":null}},"uid":"even-1-sleep-loss-could-heighten-dementia-risk"}},{"node":{"data":{"title":{"text":"Is Your Soda Habit Causing Hair Loss?"},"content":{"text":"Are your beloved sodas harming your hair? While soft drinks have long been criticized for their impact on weight, diabetes, and heart health, a new concern has emerged regarding their potential effects on hair. The discussion gained traction after hair transplant surgeon Dr. Abhishek Pilani highlighted the issue on Raj Shamani's Figuring Out podcast.  According to Dr. Pilani, regular consumption of sugary cold drinks may create conditions within the body that are not conducive to healthy hair growth. While consuming one soda is unlikely to cause sudden hair loss, a study published in the journal Nutrients in 2023 found a link between higher consumption of sugar-sweetened beverages and male-pattern hair loss in young men. However, it's essential to note that the study established a correlation, not causation. The potential connection between soft drinks and hair health lies in the impact of high-sugar beverages on overall health.  Excessive sugar consumption can lead to repeated spikes in blood sugar and insulin levels, potentially contributing to inflammation and metabolic issues that affect the body, including hair growth. However, hair loss is rarely attributed to a single factor and is typically the result of various elements accumulating over time, including genetics, hormones, nutrition, lifestyle, and overall health. Healthy hair growth relies on a balanced intake of nutrients such as iron, protein, zinc, vitamin D, and B vitamins. While soft drinks don't directly deplete these nutrients, excessive consumption may lead to healthier options being replaced.  The concern lies in long-term habits rather than occasional consumption. The normal range of daily hair loss is between 50 and 100 strands, but concerns arise when lost hairs aren't adequately replaced. While soft drinks may not directly cause hair loss, their impact on overall health could potentially affect hair growth. Instead of fixating on individual cans of soda, experts emphasize the importance of considering overall lifestyle factors such as sleep, stress management, balanced nutrition, and reduced sugar intake. Ultimately, addressing concerns about hair health may begin with dietary and lifestyle adjustments."},"img":{"url":"https://images.prismic.io/prad/aDbfAydWJ-7kSniS_jucessoda.JPG?auto=format,compress"},"datetime":"2026-06-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"is-your-soda-habit-causing-hair-loss"}},{"node":{"data":{"title":{"text":"Recognizing the Early Signs of Ovarian Cancer"},"content":{"text":"Ovarian cancer is a significant concern for women in India, being the third most common cancer among them. However, many women with ovarian cancer often experience symptoms for several months before receiving a proper diagnosis. In India, a staggering 70 to 80 percent of ovarian cancer patients are diagnosed at advanced stages, mainly because the early signs are easily mistaken for other health issues. Oncologists have dubbed ovarian cancer as a 'silent disease' due to its subtle progression without clear, alarming symptoms.  Dr. Sampada Desai, a Consultant Gynaecological Cancer and Robotic Surgeon, emphasizes that ovarian cancer does not remain silent but instead 'whispers' through nonspecific symptoms such as upper abdominal discomfort, bloating, feeling full too early, and digestive problems, which are often mistaken for other conditions. Persistent bloating and extreme fullness even after consuming small portions of food, coupled with lower abdominal or pelvic pain, should prompt a visit to the doctor. Changes in menstrual patterns, irregular bleeding, or any bleeding post-menopause also warrant attention.  It is crucial for individuals experiencing these symptoms to keep a record for a month and consult a gynecologic oncologist if any symptoms persist for more than two weeks or occur frequently. Women with a family history of ovarian, breast, or colon cancer should be particularly vigilant, as they have a higher genetic predisposition to cancer. Early detection is key, as there are no routine screening tests for ovarian cancer. Clinical examination, ultrasonography, and blood tests may be part of the evaluation for potential ovarian cancer. Recognizing the subtle signs and listening to the 'whisper' of ovarian cancer may significantly aid in early detection and improved survival rates."},"img":{"url":"https://images.prismic.io/prad/aigpQAeQX7-eXEpI_overaincancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T18:42:00+0000","embed":{"embed_url":null}},"uid":"recognizing-the-early-signs-of-ovarian-cancer"}},{"node":{"data":{"title":{"text":"How Thyroid Health Affects Fertility"},"content":{"text":"For women trying to conceive, the road to pregnancy can be fraught with challenges. While the reasons for delayed conception may not always be obvious, thyroid health could be a significant factor. As the world marks World Thyroid Day on May 25, experts emphasize the often overlooked influence of hypothyroidism on reproductive health. Dr. Alimileti Jhansi Rani, a Fertility Specialist at Birla Fertility & IVF Hyderabad, stresses the critical role of the thyroid in reproductive health.  Research has shown that hypothyroidism can disrupt ovulation, menstruation, and hormonal regulation, leading to fertility struggles and potential complications during pregnancy. It's important to note that even 'normal' thyroid levels may not be ideal for conception, with specialists recommending optimized levels for fertility. Treatment and lifestyle changes, including medication, proper nutrition, stress management, and monitoring menstrual and ovulation patterns, can significantly improve the chances of conception.  Additionally, testing for thyroid antibodies can provide valuable insights, especially for women facing recurrent miscarriages or fertility challenges. Understanding the impact of thyroid health on fertility and seeking timely medical guidance can save valuable time for women struggling to conceive."},"img":{"url":"https://images.prismic.io/prad/1c687669-969a-426e-b643-acc2ccc20607_thyroid.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","embed":{"embed_url":null}},"uid":"how-thyroid-health-affects-fertility"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Jordan Strike: Indian-Origin Soldier Feared Dead"},"content":{"text":"An Indian-descent US soldier, Angela Rampersad, is feared killed during an Iranian attack on a base in Jordan, according to the Pentagon.  The 25-year-old Army sergeant “is believed to have been killed in action on July 17, 2026, during an enemy attack at Muwaffaq Salti Air Base, Jordan”, the Department of War said. “The incident is under investigation”, it said. She was previously listed as missing and her \"status was updated to a Duty Status – Whereabouts Unknown and is believed to be deceased”, the statement said. Rampersad is from the Indian community of immigrants from Guyana, and her father was identified by a local Democratic Party leader as Basdeo Rampersad.  The Pentagon said she is from Ozone Park neighbourhood of Queens borough of New York City, which has a large community of Indian-descent Guyanese.  The Democratic Party leader, Pesach Osina, hailed her as “truly a gift to everyone who knew her”, and said she “wanted to serve, protect others, and do her duty with courage and humility”.  Osina, who is the Democratic Party nominee for the State Assembly constituency her family lives in, said on X that since the tragedy he has \"remained close” to the sergeant’s father Basdeo Rampersad and her family, including her mother, Carol Acevedo. President Donald Trump has vowed to avenge the attack on her and the other US Army personnel confirmed killed in the Friday attack. He said on Wednesday that Iran is \"going to pay a big price\" for the attack. Earlier he wrote on Truth Social, \"Every time Iran kills an American Soldier they will pay for that killing many times over\". If her death is confirmed, she would be the fourth US Army personnel killed in the attack on the base as the US-Iran conflict that flared up anew last month when the tenuous peace under the memorandum of understanding between the two countries was broken. So far 18 US military personnel have been confirmed killed since the conflict broke out in February after Israel and the US began air attacks on Iranian leadership. Rampersad, who is with the10th Army Air & Missile Defense Command, Ansbach in Germany, was on duty in Jordan when Iran rained drones on the Muwaffaq Salti Air Base. "},"img":{"url":"https://images.prismic.io/prad/AdXzRgPkVSXYR_Yw_indusarmy.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T14:42:00+0000","embed":{"embed_url":null}},"uid":"jordan-strike-indian-origin-soldier-feared-dead"}},{"node":{"data":{"title":{"text":"US student visa rule may disrupt degrees"},"content":{"text":"A new four-year limit on F-1 and J-1 visas could push international students out of the United States midway through their degrees or research, an Indian diaspora policy group has warned. The Foundation for India and Indian Diaspora Studies (FIIDS) urged elected officials and US Citizenship and Immigration Services (USCIS) to halt the immediate implementation of the Department of Homeland Security rule. According to FIIDS, the measure was finalised on July 16-17 and is set to take effect in mid-September. The organisation said the rule ends the decades-old “duration of status” policy and imposes a maximum stay of four years. It also counts Optional Practical Training and STEM OPT towards that limit. The rule cuts the grace period after completion of studies from 60 days to 30 days and requires students to obtain USCIS approval through Form I-539 for any extension, FIIDS said. “This is a self-inflicted wound on US competitiveness,” said Khanderao Kand, chief of policy and strategy at FIIDS. “A 4-year cap misaligns with how modern degrees actually work—median time to a bachelor’s is about 52 months and to a PhD about 5.7 years—while USCIS is already sitting on more than 11 million cases with roughly year-long processing times.” “Students will be forced out mid-program or mid-research, labs will lose critical talent, and America will hand its innovation pipeline to competitors,” he said. FIIDS said many research-intensive programmes, particularly doctoral courses and medical training, routinely extend beyond four years. J-1 research scholars and physicians also often require between five and seven years to complete their programmes, it said. Uncertainty surrounding extensions could disrupt laboratories, delay graduations and destabilise faculty recruitment plans tied to international talent, the group warned. “Delay implementation, protect students, and safeguard U.S. research and innovation,” Kand said. “If the goal is integrity, do it without blowing up degree pathways that power American labs and startups.” In a statement, FIIDS called on Congress to restore duration-of-status protection for F-1 and J-1 visa holders. It also proposed statutory exemptions for graduate and STEM programmes whose median completion periods exceed 48 months, subject to a 64-month limit with automatic extensions. The group asked USCIS and the Department of Homeland Security to provide administrative relief before the rule takes effect. Its proposals include automatic extensions for students in good standing, exclusion of OPT and STEM OPT from the four-year calculation, faster processing of Form I-539 applications and restoration of the 60-day grace period. FIIDS said new international enrolments fell 17 per cent in autumn 2025, the steepest drop since the pandemic. It estimated that the decline resulted in more than $1.1 billion in lost revenue and nearly 23,000 fewer jobs."},"img":{"url":"https://images.prismic.io/prad%2Fc8ca36a7-3775-4d07-91ef-ef2592306a21_visa.jpg?auto=format%2Ccompress&rect=0%2C54%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-20T05:54:00+0000","embed":{"embed_url":null}},"uid":"us-student-visa-rule-may-disrupt-degrees"}},{"node":{"data":{"title":{"text":"Hyd man stabbed multiple times in US mall"},"content":{"text":"In an alleged hate crime, a man from Hyderabad was stabbed multiple times in a shopping mall in the United States.  According to information reaching the family of Syed Sohailuddin, he is in critical condition after being stabbed by a man in Valley Fair Mall in West Valley City, Utah. The assailant reportedly asked the victim if he was a Muslim before stabbing him more than 15 times.  Sohailuddin, 37, was running a kiosk in the shopping mall for the last two-and-a-half years.   Some bystanders overpowered the assailant and took his knife before police arrived. He was identified as Peter Michael Larsen, 48. He allegedly told police he targeted the Muslim victim and intended to kill him.  The incident occurred on July 13. Disturbing visuals of the attack were widely circulated on social media.  The victim has been admitted to a hospital in West Valley City and is reported to be in a critical condition. The family of Sohailuddin, a resident of the Toli Chowki area here, has appealed to the government to immediately intervene in the matter. They have requested Minister for External Affairs S. Jaishankar to take up the issue with the US authorities and arrange visas for them to travel to the US.  Sohailuddin’s wife, Amreen Firdouse, fainted on learning about the attack. The couple has two children, aged five and three years. His sister-in-law, Asma Firdouse, requested the External Affairs Minister to take up the issue with US authorities and issue an emergency visa to at least two family members. Majlis Bachao Tehreek (MBT) spokesman Amjed Ullah Khan called on the family members of Sohailuddin. He wrote to EAM Jaishankar to direct the Indian embassy in Washington, D.C., to immediately reach out to Syed Sohailuddin, coordinate with the concerned authorities and extend all necessary consular assistance and support to the injured Indian national and his family. Khan has also requested the minister to take up the matter with the Embassy of the United States in New Delhi and the US Consulate in Hyderabad for the issuance of emergency humanitarian visas to the close family members of the victim."},"img":{"url":"https://images.prismic.io/prad/wPHBStc_L1UQSWwk_syedsohaluddin.JPG?auto=format,compress"},"datetime":"2026-07-16T09:05:00+0000","embed":{"embed_url":null}},"uid":"hyd-man-stabbed-multiple-times-in-us-mall"}},{"node":{"data":{"title":{"text":"H-1B visa holders create jobs for Americans"},"content":{"text":"Indian-American Congressman Suhas Subramanyam has rejected claims that H-1B visa holders take jobs from Americans, arguing that many immigrants establish companies and create employment in the United States.  \"This is not a zero-sum game,\" Subramanyam, who represents Virginia's 10th Congressional District, told in an interview. \"In fact, a lot of folks that come in on, let's say, H-1B visas, they actually end up starting companies, creating jobs for Americans,\" he said. The Democratic lawmaker acknowledged concerns about the visa programme and backed reforms to protect American workers. But he said the programme had helped the United States address critical workforce shortages and attract people who later became citizens. \"There are some issues with the program that we need to fix. We do wanna make sure that Americans have a shot at jobs,\" Subramanyam said. \"But in the end, the H1B program has been successful in plugging in workforce gaps as well as, you know, having some of those folks become future Americans and contributing greatly to our society,\" he said. Subramanyam said many people in his Virginia constituency had entered the United States on H-1B visas before becoming citizens and contributing to their communities. \"There's so many in my community who started off as H-1B visa holders who are now citizens and who are giving back so much to the community,\" he said. \"So we wanna make sure we preserve the program, can reform it, make it better, and also protect American workers in the process,\" he added. The Congressman also criticised attempts to blame immigrants for wider economic problems. Such arguments, he said, diverted attention from systemic issues affecting workers and the economy. \"There are other systemic problems that are preventing that, that we need to address, but, you know, an age-old tactic is to blame immigrants for the economy or for anything that's going wrong,\" Subramanyam said. \"And so, you know, instead of blaming, why don't we work together and why don't we make sure that this world, this community, is great for everyone,\" he said. Subramanyam described Indian Americans as an integral part of Virginia and the wider US economy. \"We're Indian American, but we are American,\" he said. \"And, you know, we're proud of this country, and we want the next 250 years to be just as strong as the first 250.\" Subramanyam has represented Virginia's 10th Congressional District since 2025. The district includes communities in Northern Virginia, part of the Washington metropolitan region and home to a sizeable population of immigrants and technology professionals. The H-1B programme allows US employers to hire foreign professionals for specialised occupations. Indian nationals have long accounted for a major share of its beneficiaries, particularly in technology, engineering and other highly skilled sectors."},"img":{"url":"https://images.prismic.io/prad%2Fc26fc6a1-82dc-4c92-80f9-5c61d5776d0a_h1b.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-16T03:10:00+0000","embed":{"embed_url":null}},"uid":"h-1b-visa-holders-create-jobs-for-americans"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'Ramba Oorvasi Menaka's first single out"},"img":{"url":"https://images.prismic.io/prad/9cHNdbf0nqCZFpF7_naakantimeedakunuke.JPG?auto=format,compress"},"datetime":"2026-07-22T11:25:00+0000","third_party_url":null},"uid":"ramba-oorvasi-menakas-first-single-out"}},{"node":{"data":{"title":{"text":"Korean Kanakaraju Teaser"},"img":{"url":"https://images.prismic.io/prad/aW4Y_AIvOtkhBtEC_koreankanakaraju.JPG?auto=format,compress"},"datetime":"2026-07-13T14:15:00+0000","third_party_url":null},"uid":"korean-kanakaraju-teaser"}},{"node":{"data":{"title":{"text":"'Oh Sukumari' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/ai5rjY1P9HI4UdQP_ohsukumari.JPG?auto=format,compress"},"datetime":"2026-07-10T12:45:00+0000","third_party_url":null},"uid":"oh-sukumari-movie-trailer"}},{"node":{"data":{"title":{"text":"'Vadala' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/6ui925_N6cbCnzOH_vadala.JPG?auto=format,compress"},"datetime":"2026-07-09T07:25:00+0000","third_party_url":null},"uid":"vadala-movie-trailer"}},{"node":{"data":{"title":{"text":"GDN's first single 'The Rise of GDN'"},"img":{"url":"https://images.prismic.io/prad/AEjUZPKBSqUxpWvj_GDN.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-08T13:20:00+0000","third_party_url":null},"uid":"gdns-first-single-the-rise-of-gdn"}},{"node":{"data":{"title":{"text":"Toxic Movie: Tabaahi Song"},"img":{"url":"https://images.prismic.io/prad/-rJBIT1SVp9-szmD_tabaahi.JPG?auto=format,compress"},"datetime":"2026-07-08T06:30:00+0000","third_party_url":null},"uid":"toxic-movie-tabaahi-song"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"The New India Want's To Ask Questions....But..."},"img":{"url":"https://images.prismic.io/prad/ahLICrK9tuLqEGaZ_CockroackJantaParty.png?auto=format%2Ccompress&rect=0%2C52%2C756%2C373&w=2028&h=1000"},"datetime":"2026-07-20T07:06:00+0000","third_party_url":null},"uid":"the-new-india-wants-to-ask-questions....but..."}},{"node":{"data":{"title":{"text":"Innovation or agitation? The choice before India's youth"},"img":{"url":"https://images.prismic.io/prad/oH2RRUmyMqI8_yRD_innoagi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-19T07:09:00+0000","third_party_url":null},"uid":"innovation-or-agitation-the-choice-before-indias-y"}},{"node":{"data":{"title":{"text":"Electoral Reform or Democratic Erosion?"},"img":{"url":"https://images.prismic.io/prad/6nWpO0pZlCoOL-vQ_SIR.JPG?auto=format,compress"},"datetime":"2026-07-17T06:37:00+0000","third_party_url":null},"uid":"electoral-reform-or-democratic-erosion"}},{"node":{"data":{"title":{"text":"Global Sheriff or Modern Hafta Boss?"},"img":{"url":"https://images.prismic.io/prad/qCgNGTmF9KQ3pxms_harmuz.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-15T08:11:00+0000","third_party_url":null},"uid":"global-sheriff-or-modern-hafta-boss"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-07-21T16:54:06+0000","data":{"title":{"text":"Shraddha Das Spicy Pics"},"content":{"text":"Shraddha Das is an Indian actress and model who predominantly appears in Telugu, Hindi, Bengali, and Kannada language films. She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/J5KjgIk60wE63lRg_shraddhadas.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-20T16:44:06+0000","data":{"title":{"text":"Rakul Looks Radiant In Yellow Saree"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. Singh is a recipient of several accolades including a SIIMA Award, in addition to four nominations at the Filmfare Awards South. Singh started her career as a model and made her acting debut with the Kannada film Gilli"},"img":{"url":"https://images.prismic.io/prad/_eGbGvnqa1VVLLAH_rps2028.JPG?auto=format,compress"}},"uid":"rakul-looks-radiant-in-yellow-saree"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-17T12:42:16+0000","data":{"title":{"text":"Pragya Jaiswal Spicy Stills"},"content":{"text":"Pragya Jaiswal is an Indian actress and model who predominantly works in Telugu films. She made her acting debut in 2014 with the Tamil-language film Virattu in 2014. Jaiswal had her breakthrough with the Telugu period drama Kanche, for which she was awarded the Filmfare Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/HTcjp1FBdNZf7hDK_pragya2028.JPG?auto=format,compress"}},"uid":"pragya-jaiswal-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aj-3gFbRV8_Qf7se_anasuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"NEET Protest And A Not-SO-Neat Response"},"content":{"text":"“Elections bestow the right to rule, but public dissent reveals the virtue of the ruler.” In other words, the above axiom suggests that while elections determine who shall hold the mandate of governance, it is public dissent that evaluates the true quality of their administration. Simply put, winning an election gives a regime the keys to the kingdom, but public outrage delivers the actual performance review. For a slice of the above wisdom’s pie, look no further than the 'March to Parliament' by some frustrated youth, or, as the ruling party would call them, 'cockroaches', and the opposition's circus outside the Prime Minister’s residence, labeled by the regime as an opportunistic, confrontationist, 'grave security threat.' Yet, rather than reading the room, the government is doing what it does best: unleashing its propaganda machinery across electronic media, social networks, IT cells, and WhatsApp warrior groups to spin wild conspiracy theories and distract everyone from how badly they blew it. This stubborn behavior clearly shows that the government simply does not understand, or care about, public anger. A sudden surge of public anger like the one at Jantar Mantar would force any ordinary political party to stop and think. For the BJP, it is simply business as usual. While government spokespersons openly branded the protesters as a 'B-team of terrorists' bent on tearing the country apart, the online IT cells and WhatsApp warrior groups rolled out a much wilder script. According to their internet-certified logic, the entire protest is a massive foreign plot to crush India's role in the U.S.-led 'Pax Silica' coalition. In this grand narrative, the unrest is meticulously timed to fuel political instability right before the UP elections, serving as a coordinated Chinese scheme to freeze India’s lithium mining and protect Beijing's monopoly over the global AI market. This political strategy follows a strict pattern. Long before a local movement can even explain its demands, the propaganda machinery steps in to kill it off. It transforms real, complex human struggles into simple, manufactured threats to national security. Let's accept the fact: this outrage erupted because the government completely botched the NEET exam. Even the Supreme Leader had to validate this reality. After keeping a long, tight-lipped silence, he finally scrambled to tell the public that paper leaks are a 'great sin', a spiritual awakening that mysteriously happened only after he felt the heat of public anger and found himself pushed into a corner. This confession exposes the truth: the protests are not driven by imaginary conspiracies, but by the government's own failure to solve the problem when it had the chance. Conspiracy theories cannot cover up administrative failure. The students' demands for honest exams and a responsible education minister are completely legitimate. Had the establishment acted right away instead of waiting until the Supreme Leader lost control of the narrative, the entire crisis, including the opposition’s dramatic circus before his residence, would never have happened. Those who plot conspiracies spend next to nothing exploiting the conditions handed to them. Until the government learns that taking their bait is far more expensive than exercising restraint, these plotters will continue to achieve massive results. The protest is a clear sign of growing youth desperation. Young Indians are breaking under rising prices, underemployment, failing social services, and an electoral process that feels heavily rigged. This regression is happening under the comprehensive control of the state. Yet, the ruling regime remains happy to dodge responsibility by painting every domestic crisis as a manufactured anti-national conspiracy. Never before has a government done so much to solidify its authority while entirely uncementing out its accountability. Today's youth are done with conspiracy theories; they demand less political theater and more real-world solutions. They want a mature, collaborative leadership that is fitting for a country of this stature. Otherwise, the public will respond with the same hostile politics, searching for a leader to challenge the entire establishment. They are already willing to accept being labeled \"cockroaches\" and \"anti-nationals\" just to force a total break from the status quo. The government must stop diverting the crisis with manufactured plots. Instead, it needs to acknowledge public anger, promise a conciliatory effort to correct its failures, and allow genuine governance to win back the trust of all citizens."},"img":{"url":"https://images.prismic.io/prad/RQYSdYkEELyY_WpP_NEETProtest.JPG?auto=format,compress"},"datetime":"2026-07-22T06:40:00+0000","embed":{"embed_url":null}},"uid":"neet-protest-and-a-not-so-neat-response"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Sankranti Plans Changed for Chiru?"},"content":{"text":"The race for the Sankranti box office has become more competitive than ever, with multiple star-studded films expected to arrive during the festive season. While Sankranti has traditionally been considered the most profitable release window for Telugu cinema, the growing clash between big-budget films has made the festival less predictable. Limited theatre availability and divided collections have prompted several producers to rethink their release strategies. Amid this changing trend, industry buzz suggests that Megastar Chiranjeevi's upcoming film with director Bobby may no longer target the Sankranti season. According to reports circulating in Tollywood, the makers are evaluating whether a solo release would be more beneficial for the film's commercial prospects. Since at least two or three major releases are expected during Sankranti, there are concerns that intense competition could impact the movie's box office potential. With a massive budget riding on the project, the production team is reportedly exploring alternative release windows, including the summer holiday season or another festive period, where the film can enjoy a wider theatrical run without facing stiff competition. The Chiranjeevi-Bobby collaboration has already generated huge expectations following the blockbuster success of Waltair Veerayya. The upcoming film is said to be a high-octane commercial entertainer packed with action and mass appeal, making its release timing a crucial decision. However, it is important to note that the makers have not made any official announcement regarding a change in the release date. Until then, reports about the film opting out of the Sankranti race remain speculative, with fans eagerly awaiting clarity from the production team."},"img":{"url":"https://images.prismic.io/prad/Z7LoEJ7c43Q3f2Du_chiru1.JPG?auto=format,compress"},"datetime":"2026-07-22T09:57:00+0000","embed":{"embed_url":null}},"uid":"sankranti-plans-changed-for-chiru"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Balaiah airlifted to Hyd"},"content":{"text":"Popular Tollywood actor Nandamuri Balakrishna, who sustained an injury during a film shoot in Rajahmundry, was airlifted to Hyderabad on Wednesday and admitted to AIG Hospital, where he is in stable condition. According to the Asian Institute of Gastroenterology (AIG), Balakrishna injured his left knee during the shoot. He was given initial treatment at a local hospital before being airlifted to AIG Hospitals, Hyderabad, for specialised evaluation and further management. A medical bulletin from AIG Hospital said preliminary evaluation showed a localised collection of blood and inflammation in the tissues around the left knee, indicating a possible muscle tear. He is undergoing extensive clinical and diagnostic investigations under the supervision of orthopaedic surgeons. Given Balakrishna’s medical history, a multidisciplinary team comprising specialists from relevant departments is also reviewing his overall health and fitness to determine the safest course of treatment. “Balakrishna’s overall condition is stable, and he remains under close medical observation. The definitive treatment plan will be finalised after completion of the ongoing evaluation,” the bulletin stated. Balakrishna suffered the injury during a shoot for his yet‑to‑be‑titled movie. Director Gopichand Malineni posted on social media on Tuesday that the injury was not serious and said Balakrishna is expected to recover soon after a minor surgery. Balakrishna is a leader of the Telugu Desam Party (TDP) and a Member of the Andhra Pradesh Legislative Assembly. He is the brother‑in‑law of Andhra Pradesh Chief Minister and TDP national president N. Chandrababu Naidu and father‑in‑law of state minister Nara Lokesh. Chandrababu Naidu posted on X that he spoke with Balakrishna after learning about the injury. “Wishing him a very speedy recovery. Knowing his unstoppable spirit, he will be back in action in no time! Get well soon!” he wrote. Lokesh also spoke to Balakrishna and inquired about the accident. “Wishing a speedy and full recovery to my dear Bala Mavayya following his minor injury on the sets of NBK111. Praying for his quick bounce‑back to action and good health!” he posted."},"img":{"url":"https://images.prismic.io/prad/AfAL9s6saHhvprOU_balaiah.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T11:55:00+0000","embed":{"embed_url":null}},"uid":"balaiah-airlifted-to-hyd"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Jordan Strike: Indian-Origin Soldier Feared Dead"},"content":{"text":"An Indian-descent US soldier, Angela Rampersad, is feared killed during an Iranian attack on a base in Jordan, according to the Pentagon.  The 25-year-old Army sergeant “is believed to have been killed in action on July 17, 2026, during an enemy attack at Muwaffaq Salti Air Base, Jordan”, the Department of War said. “The incident is under investigation”, it said. She was previously listed as missing and her \"status was updated to a Duty Status – Whereabouts Unknown and is believed to be deceased”, the statement said. Rampersad is from the Indian community of immigrants from Guyana, and her father was identified by a local Democratic Party leader as Basdeo Rampersad.  The Pentagon said she is from Ozone Park neighbourhood of Queens borough of New York City, which has a large community of Indian-descent Guyanese.  The Democratic Party leader, Pesach Osina, hailed her as “truly a gift to everyone who knew her”, and said she “wanted to serve, protect others, and do her duty with courage and humility”.  Osina, who is the Democratic Party nominee for the State Assembly constituency her family lives in, said on X that since the tragedy he has \"remained close” to the sergeant’s father Basdeo Rampersad and her family, including her mother, Carol Acevedo. President Donald Trump has vowed to avenge the attack on her and the other US Army personnel confirmed killed in the Friday attack. He said on Wednesday that Iran is \"going to pay a big price\" for the attack. Earlier he wrote on Truth Social, \"Every time Iran kills an American Soldier they will pay for that killing many times over\". If her death is confirmed, she would be the fourth US Army personnel killed in the attack on the base as the US-Iran conflict that flared up anew last month when the tenuous peace under the memorandum of understanding between the two countries was broken. So far 18 US military personnel have been confirmed killed since the conflict broke out in February after Israel and the US began air attacks on Iranian leadership. Rampersad, who is with the10th Army Air & Missile Defense Command, Ansbach in Germany, was on duty in Jordan when Iran rained drones on the Muwaffaq Salti Air Base. "},"img":{"url":"https://images.prismic.io/prad/AdXzRgPkVSXYR_Yw_indusarmy.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T14:42:00+0000","embed":{"embed_url":null}},"uid":"jordan-strike-indian-origin-soldier-feared-dead"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}