{"data":{"all":{"edges":[{"node":{"tags":["Editorial","featured","four"],"data":{"third_party_url":null,"title":{"text":"Why Women’s Reservation Quota Bill Failed?"},"content":{"text":"The Women's Reservation Bill, (which in fact is already a legislation), that just failed in the Lok Sabha is a classic case of political bait-and-switch. While the packaging says \"Women’s Empowerment,\" the fine print is all about Delimitation, a fancy word for redrawing the parliamentary constituencies' map to make sure the electoral math always favors the ruling party. The government just tried to hand the women of India a shiny new gift box. On the outside, it was wrapped in pink ribbons and labeled “Equality & Seats. But it wasn''t really a \"Women’s Bill.\" It was a Delimitation Bill wearing a very convincing wig and heels. It was a calculated move, wherein, announce a bill for women, Sneak in a clause linking it Delimitation.  The government tried to hold the rights of 700 million women hostage to a complex math exercise designed to favor the ruling party's \"Hindi-belt\" strongholds.  It linked \"Nari Shakti\" (Women's Power) to \"Constituency Redrawing\" to ensure that if the Opposition said \"No\" to the map-rigging, it could be branded as \"Anti-Women.\" As Shashi Tharoor pointed out, it's \"Political Demonetisation.\"  They are trying to devalue the votes of successful states (like the South) while using women as a human shield.  Now, the \"servitude media\" has its headline: \"Opposition Declares War on India's Daughters.\" The real headline? \"The government fails to sell a fake gift, and tries to blame the customer.\" Why give women power today when you can give them a \"Maybe Someday\" and use it as an election slogan tomorrow."},"img":{"url":"https://images.prismic.io/prad/aeJN7p1ZCF7ETT32_womensreservationbill.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T14:32:00+0000","embed":{"embed_url":null}},"uid":"why-womens-reservation-quota-bill-failed"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Kaleshwaram barrages to be restored scientifically"},"content":{"text":"Telangana Irrigation Minister Uttam Kumar Reddy said on Friday that the state government will undertake the repair and restoration of three barrages, part of the Kaleshwaram project, scientifically and transparently.​ He met National Dam Safety Authority (NDSA) Chairman Anil Jain in Delhi on Friday and discussed the state government's action plan for the repair and restoration of the Medigadda, Annaram, and Sundilla barrages.​ The minister explained the precautionary measures the government is taking to prevent past errors from being repeated.​ According to an official release, the NDSA Chairman expressed satisfaction with the manner in which comprehensive testing is currently being conducted under the supervision of experts. He stated that he would personally visit the barrages soon.​ As part of the barrage restoration process, the government has already appointed expert agencies. Specialised agencies for design and testing have commenced their operations. ​ The Central Water and Power Research Station (CWPRS) is conducting the necessary preliminary tests and studies required before the design phase.​ To facilitate the restoration of the barrages, various techniques, including Ground Penetrating Radar (GPR) scanning, drone surveys, borehole drilling, and geotechnical and geophysical testing, are being utilised to assess the condition of the underlying soil and the structural integrity of the constructions.​ Uttam Kumar Reddy said that to ensure coordination among various organisations, the government has formed a Central Coordination Committee. This committee comprises officials from the Irrigation Department, representatives from CWPRS, representatives from the design firm, and members from other technical agencies.​ The committee is tasked with ensuring that tests are conducted promptly, that necessary data is provided on schedule, and that effective coordination is maintained with all participating agencies. ​ The government is also taking measures to ensure that this entire process is carried out in strict adherence to technical standards, under the supervision of experts at the central level. There is also the possibility of including a special technical expert team in this committee, should the need arise.​ Once the results of all tests are received and a comprehensive analysis of the data is conducted, the design firm will identify existing structural defects and prepare new designs for restoration work. ​ These designs will be submitted to the National Dam Safety Authority; subsequently, the government will initiate restoration work in accordance with the Authority's suggestions and guidelines.​ The irrigation minister said that the government aims to complete all necessary tests and finalise the designs within the next three to four months, before the onset of the monsoon season. ​ The initiative is moving forward and intends to commence restoration works following the monsoon season."},"img":{"url":"https://images.prismic.io/prad/a4b6da30-5202-4673-ae82-d0ee4150a421_medigadda+barrage+pillars.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T14:30:00+0000","embed":{"embed_url":null}},"uid":"kaleshwaram-barrages-to-be-restored-scientifically"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Vikram plays a cook in #Chiyaan63!"},"content":{"text":"It's official! Popular star Vikram's next film, tentatively being referred to as #Chiyaan63, will be directed by well known filmmaker Anand Shankar, its makers announced on Friday. The makers made this announcement on the occasion of Vikram's birthday on Friday. The film is to be produced by one of Tamil cinema's most reputed production houses, Sathya Jyothi Films. Taking to its social media timelines to make the announcement, Sathya Jyothi Films said, \"What starts as a FLAME ends in a BLAZE! #Chiyaan63 FIRST FLAME out now. Wishing the one and only #ChiyaanVikram a very happy birthday! #CookingStartsNow #Chiyaan63FirstFlame @SathyaJyothi @chiyaan @anandshank @Music_Santhosh @RDRajasekar @arjun1on @saisiddharth_ @PoornimaRamasw1 @shankaruppusamy @gopiprasannaa @aimsathishpro @teamaimpr @proyuvraaj.\" The makers also released a 'First Flame' video of the film, which showed that Vikram plays a cook in the film. The video opens with a voiceover. One person asks another, \"Who is the person inside?\" To this, another voice replies, \"Just a cook. But don't take him lightly. He's dangerous.\" To this, the other person says, \"We are here now. We will take care of things.\" The visuals then begin to appear. We see a room that has all its doors locked. The assailants try to gain entry into the structure but the doors don't give in. The voice that said, \"Don't take the cook lightly\", says, \"We have such a big team here but he's not even breaking a sweat.\" The assailants then hurl a lighted explosive into the room through a window. Vikram is seen seated on a big utensil and lighting a smoke casually, even as explosives hurled inside the room land right next to him. The film's story has been written by director Anand Shankar himself and is to be produced by Sendhil Thyagarajan and Arjun Thyagarajan. The film will have music by Santhosh Narayanan and cinematography by R D Rajasekar. Production Design for the film is by Rajeevan while dialogues are by Shan Karuppusamy. The film will have editing by Raymond Derrick Crasta and art direction by Surya Rajeevan. Costumes for the film are by Poornima Ramaswamy. It may be recalled that media had reported in March this year that Anand Shankar would be directing actor Vikram's next film. One of India's finest actors, Vikram, fondly called 'Chiyaan' Vikram by his fans, had in February this year announced that he was to do four films with directors that he deeply admired. Taking to his Instagram page to make the announcement, Vikram had said, \"Sometimes silence is preparation. I spent this year waiting for stories that moved me. Grateful to now begin four films, each very different, with directors I deeply admire. I can’t wait to share these journeys with you. Anban, Chiyaan!\" Sources close to the actor had then confirmed to Imedia that one of the four films that Vikram was referring to would be with director Anand Shankar."},"img":{"url":"https://images.prismic.io/prad/9784c601-1a97-4a77-9f31-91d4357b0330_chiyaan+vikram.JPG?auto=format,compress"},"datetime":"2026-04-17T13:06:00+0000","embed":{"embed_url":null}},"uid":"vikram-plays-a-cook-in-chiyaan63"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Love in Coorg: Vijay–Rashmika"},"content":{"text":"In a lavish celebration that seamlessly blended romance and cultural heritage, Rashmika Mandanna celebrated her 30th birthday alongside her husband, Vijay Deverakonda, in the picturesque hills of Coorg. Their visit to the famed Evolve Back Coorg, a luxury plantation resort nestled in the Western Ghats, marked a significant occasion following their wedding on February 26 in Udaipur. This getaway not only served as a honeymoon extension but also as an intimate introduction for Deverakonda to Mandanna's roots, underscoring the couple's commitment to honoring their shared journey and individual backgrounds. During their luxurious stay, which attracts a nightly rate of around ₹1 lakh, the couple enjoyed the resort's exquisite amenities, including private villas and a stunning infinity pool that overlooks lush coffee and spice plantations. Evolve Back Coorg, formerly known as Orange County, provides an immersive experience that reflects the rich cultural tapestry of the Kodava community. The resort expressed its delight in hosting such a well-known pair, emphasizing how Mandanna's pride in her heritage shone through as she showcased her traditional attire—a Coorgi saree—at a reception held in honor of their union. Coorg, known for its breathtaking landscapes and coffee plantations, offers a unique blend of nature and culture, making it a coveted destination for both relaxation and exploration. Evolve Back Coorg enhances this experience with its Sidapur Coffee and Culture Museum, where guests can delve into the history of coffee cultivation and its significant role in local traditions. This educational venture allows visitors to connect more profoundly with the land, fostering a greater appreciation for the region’s agricultural heritage. The resort’s design harmonizes naturally with the surroundings, featuring reading lounges overlooking manicured paddy fields, creating serene spaces for guests to unwind and reflect. As the couple immersed themselves in the tranquil beauty of Coorg, they also indulged in wellness treatments at the resort’s Ayurveda center, combining luxury with self-care. This holistic approach to their vacation reflects a broader trend among celebrities who prioritize mental well-being alongside lavish experiences. The fond memories created in this idyllic setting reinforce the notion of a harmonious lifestyle, blending personal milestones with cultural appreciation, a sentiment echoed by the resort’s management, who eagerly anticipates the couple’s return to this enchanting retreat in the future."},"img":{"url":"https://images.prismic.io/prad/aeJkjZ1ZCF7ETUCc_vijayrashmika.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T10:25:00+0000","embed":{"embed_url":null}},"uid":"vijay-deverakonda-and-rashmika-mandannas-opulent-coorg-retreat-a-celebration-of--mo32g7lx"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Wipro Struggles for Stability Amidst Shifting AI Landscape"},"content":{"text":"Wipro, India’s fourth-largest software exporter, is encountering significant challenges, as evidenced by its top-line contraction for the third consecutive fiscal year. This trend is particularly striking against the backdrop of its larger competitors, underscoring the intense pressure Wipro faces to remain relevant in a rapidly evolving technological environment. The company is grappling with the disruptions brought about by advancements in artificial intelligence (AI), necessitating a reevaluation of traditional business practices and client engagement strategies. Despite a continued revenue decline, Wipro has managed to mitigate its losses, with a mere 0.3% contraction in FY26 compared to a more staggering 3.2% in FY24. This relative improvement is attributed to a notable uptick in large deal wins, with total contract values soaring to $16.4 billion in FY26 from $14.3 billion the previous year. However, the optimism surrounding this growth is tempered by the company's cautious outlook for the first quarter of FY27, where it anticipates either flat revenues or a modest 2% decrease. This outlook is influenced by sluggish client demand and delays in the ramp-up of a newly secured large project. Wipro's struggles are reflective of broader market dynamics, with the company facing specific client-related challenges that have significantly impacted profitability in the March quarter. The operating margin (EBIT margin) contracted by 30 basis points sequentially to 17.3%, following a previous quarter that had shown an encouraging margin expansion. The interplay between project ramp-ups and currency fluctuations will be pivotal in determining future margin performance, especially as the rupee's depreciation in the March quarter provided some support to profitability metrics. In a strategic pivot, Wipro's management has adopted a cautious approach to campus recruitment, a response to the changing business landscape that has led to a gradual decline in recruitment levels over the past four years. Although there was no specific hiring guidance for FY27, the company reported a significant drop in its employee attrition rate, falling to 13.8% in the March quarter—the lowest since early 2021. While the stock has seen a nearly 10% increase over the past month, buoyed by a weaker rupee that enhances revenue realizations, investors must remain vigilant before considering new investments, as a meaningful financial rebound appears contingent on upcoming quarterly results."},"img":{"url":"https://images.prismic.io/prad%2Fc2c9c5fe-d710-4a20-b6bd-5e025ca5d2d9_wipro.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-04-17T09:42:00+0000","embed":{"embed_url":null}},"uid":"wipro-struggles-for-stability-amidst-shifting-ai-landscape-mo32g9cq"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Delhi HC Supports Allu Arjun"},"content":{"text":"The Delhi High Court on Friday said it will pass orders to protect the personality and publicity rights of Telugu actor Allu Arjun against the unauthorised use of his name, image, and other attributes across digital platforms.   A single-judge Bench of Justice Tushar Rao Gedela, after hearing the suit filed by the actor alleging unauthorised commercial exploitation of his identity, indicated that an interim order would be passed to restrain the misuse of his personality traits, including his name, voice, and likeness, without his consent.  During the hearing, Justice Gedela initially questioned the maintainability of the plea before the Delhi High Court, remarking on the geographical distance between the national capital and the actor’s home state of Telangana.  In response, counsel appearing for Arjun submitted that the alleged infringement was taking place across the country through digital platforms, thereby justifying the invocation of jurisdiction.  Senior advocate Swathi Sukumar, representing the actor, argued that the scale and nature of misuse were alarming, particularly with the emergence of artificial intelligence (AI)-driven tools. She apprised the Delhi High Court of instances involving unauthorised sale of merchandise, circulation of obscene content, and the use of AI-generated likenesses of the actor.  The senior counsel also referred to a mobile application, which allegedly enables users to interact with an AI-generated version of Arjun through video calls. She cautioned that such tools could potentially be misused for fraudulent activities by impersonating the actor.  During the hearing, the Delhi High Court was also informed that certain defendants had acted upon receiving the plaint.  On the issue of the scope of relief, counsel for intermediaries urged the single-judge Bench to refrain from granting a global injunction at this stage, as the issue is presently under consideration before a Division Bench, and Justice Gedela appeared to agree with the submission.  The development comes in a suit seeking an injunction against multiple defendants, including intermediaries and commercial entities, accused of facilitating unauthorised use of the actor’s persona for commercial gain.  The Delhi High Court is expected to pass a detailed interim order laying down directions to curb the alleged misuse of Arjun’s personality rights across platforms.  The Allu Arjun case adds to a growing list of high-profile personalities invoking their personality and publicity rights before the Delhi High Court. In recent months, former India cricketer and current head coach Gautam Gambhir, former India captain Sunil Gavaskar, spiritual leader and Art of Living founder Sri Sri Ravi Shankar, kathavachak Aniruddhacharya Maharaj, actors Nagarjuna, Kajol, Aishwarya Rai Bachchan, and Abhishek Bachchan, singer Jubin Nautiyal, film-maker Karan Johar, and podcaster Raj Shamani have secured court protection against the unauthorised use of their identity, likeness, or AI-generated imitations. "},"img":{"url":"https://images.prismic.io/prad/aYtqRN0YXLCxVqTk_alluarjun.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T09:35:00+0000","embed":{"embed_url":null}},"uid":"delhi-hc-supports-allu-arjun"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Pooja Bhatt's Journey After Divorce"},"content":{"text":"After her divorce, actor and filmmaker Pooja Bhatt has embraced independence and personal growth. She described this phase as deeply fulfilling, relishing the freedom and liberation of being single.  Bhatt emphasized her enjoyment of being the captain of her own ship, allowing her to focus on her passions such as work, travel, and simple joys like books and companionship. She also highlighted the spiritual significance of discovering fitness later in life. Despite her independence, Bhatt emphasized her belief in love and the importance of self-understanding.  On the professional front, she has made a strong mark in the digital entertainment world with projects like Bombay Begums and Big Girls Don't Cry. Bhatt also shared insights into the realities of showbiz, emphasizing the need to prepare newcomers for the challenges and uncertainties in the industry."},"img":{"url":"https://images.prismic.io/prad/Z2k325bqstJ98yC0_poojabhatt.JPG?auto=format,compress"},"datetime":"2026-04-17T09:31:00+0000","embed":{"embed_url":null}},"uid":"embracing-independence-pooja-bhatts-journey-after-divorce-mo32gfhb"}},{"node":{"tags":["Trending"],"data":{"third_party_url":null,"title":{"text":"Global tech layoffs may cross 3 lakh in 2026"},"content":{"text":"Global tech layoffs are accelerating in 2026, with more than 80,000 jobs already cut in the first quarter and total losses likely to exceed 3 lakh this year, led by companies like Oracle, Amazon, and Meta, according to a report.  The report by TradingPlatforms noted that the latest wave of layoffs builds on a broader post-pandemic correction, with over one million tech jobs lost globally since 2021 as companies recalibrate hiring after the Covid-era expansion. Artificial intelligence and automation have emerged as key drivers of this transformation, with nearly half of all layoffs in 2026 linked to AI-related restructuring. The US remains the worst-hit market, accounting for nearly 77 per cent of global layoffs so far this year, with over 61,000 job cuts across 62 companies. Among companies, Oracle has reported the highest number of layoffs globally in 2026, cutting more than 25,000 roles as part of a major restructuring tied to its AI infrastructure push. Amazon followed with around 16,000 job cuts amid efforts to streamline operations and improve efficiency. The parent of major social media platforms, Meta, eliminated approximately 2,400 roles. Moreover, layoffs outside the US have been more fragmented. Australia recorded around 4,450 job cuts, while in Europe, countries such as Austria, Sweden, and the Netherlands saw significant reductions linked to pressures in semiconductor manufacturing, telecom and IT services. In Asia, India reported over 2,000 layoffs, followed by Israel and Singapore, with cuts spanning AI startups, e-commerce platforms, and cybersecurity firms. Sector-wise, cloud, computing and software-as-a-service (SaaS) companies accounted for the highest number of layoffs at around 28,000, followed by e-commerce firms with nearly 19,000 job cuts. The report highlighted that companies are increasingly restructuring operations to prioritise AI investments, streamline costs and improve efficiency, even as many continue to report strong financial performance. \"AI is no longer just a future investment but a current driver of organisational restructuring and workforce decisions,\" the report noted. However, the analysis suggested that many layoffs are pre-emptive cost-cutting measures aimed at funding AI infrastructure, rather than a direct result of automation replacing jobs at scale."},"img":{"url":"https://images.prismic.io/prad/2b65c202-4199-4725-b2e4-4b6b1347b310_layoff.jpg?auto=format,compress"},"datetime":"2026-04-17T09:18:00+0000","embed":{"embed_url":null}},"uid":"global-tech-layoffs-may-cross-3-lakh-in-2026"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"BRS student wing stages protest over MP Surya’s remarks"},"content":{"text":"Bharat Rashtra Samithi’s student wing BRSV on Friday staged a protest near the BJP’s Telangana headquarters here, condemning the remarks made by Tejasvi Surya about Telangana in the Parliament.  Activists of BRSV tried to surround the BJP office in Nampally, raising slogans against the BJP MP from Karnataka. The protestors set a poster of Surya on fire. Police intervened to detain the protestors. During the debate on Women’s Reservation Bill in the Lok Sabha on Thursday, Surya had allegedly compared bifurcation of Andhra Pradesh with the Partition of India. His remarks have triggered strong condemnation from Congress, BRS, Left parties and Telangana Jagruti. Leaders of all these parties accused him of insulting Telangana by comparing its formation with the creation of Pakistan and demanded an apology. BRSV leaders stated that Surya insulted the sacrifices of Telangana's martyrs and the sentiments of people. They demanded that the MP tender an unconditional apology to the people of Telangana. Meanwhile, BRS leader, R.S. Praveen Kumar, demanded that Surya come to Hyderabad and touch the feet of family members of Telangana martyrs for 24 hours continuously. The former IPS officer reacted to a clarification posted by Surya on ‘X’. \"This unapologetic AI generated reply won’t do, Tejasvi Surya ji. You must come along with all your Telangana BJP MPs (who were mute spectators in Parliament to your vitriol) to Hyderabad and touch the holy feet of family members of all 1,300 Telangana Martyrs for 24 hours continuously,” demanded Praveen Kumar. In a statement posted on Thursday night, Surya stated that his statement was twisted. “I reject the deliberate insinuation being furthered by the Opposition, and firmly state my long-standing respect for the martyrs and protesters who sustained the Telangana movement. However, my comments must be seen as a reminder of how the Congress has traditionally betrayed the Southern states. In the case of the Telangana movement in particular, Congress’ betrayal has been stark,” wrote the MP from Bengaluru South. Meanwhile, Telangana’s minister for transport and backward classes welfare Ponnam Prabhakar urged Union Minister for Coal and Mines, G. Kishan Reddy, to take immediate steps to remove Tejasvi Surya's controversial remarks from Parliament records. Prabhakar said that Surya compared Telangana to the India-Pakistan Partition. The minister claimed that Kishan Reddy during his press conference in New Delhi on Friday admitted that Tejasvi committed a mistake. Prabhakar told Kishan Reddy to take the initiative to urge the Lok Sabha Speaker to expunge Surya’s remarks from the record."},"img":{"url":"https://images.prismic.io/prad/aeIG9Z1ZCF7ETSSI_BRSStudentwing.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T08:10:00+0000","embed":{"embed_url":null}},"uid":"brs-student-wing-stages-protest-over-mp-suryas-remarks"}},{"node":{"tags":["Editorial","featured","one"],"data":{"third_party_url":null,"title":{"text":"Ignoring Loyalists:A Recipe For Political Ruin"},"content":{"text":"“The stability of any political regime depends on the loyalty of its 'inner core', once the elite starts to fragment, the collapse of the structure is inevitable” The above Theda Skocpol, a Sociologist and Political Scientist’s wisdom perfectly encapsulates that a political party’s downfall isn't just about an external \"attack\" from its opponents but about the internal rot of its leadership. The sociologist argues that a political party becomes vulnerable when its loyalist elites start to \"fragment\" or split apart. History often repeats itself in politics, and for the Congress, the ghosts of the past are reappearing in Telangana. A decade ago, the party ignored Himanta Biswa Sarma, a senior strategist in Assam. His defection to the BJP didn't just flip one state; it triggered a \"domino effect\" across the Northeast and led to a nationwide \"bleed\" of over 150 top leaders who felt unheard. Today, Telangana is witnessing a startlingly similar crisis. After 40 years of loyalty, T. Jeevan Reddy has walked away to join the BRS, signalling a deep fracture in the party's foundation. Like Sarma, Reddy was a trusted lieutenant who reportedly felt humiliated and sidelined by the current state leadership. The core of the issue is a \"lesson not learned.\" While the Congress spent ten years in the political wilderness in almost losing its relevance in Telangana, it finally fought its way back to power, only to risk it all by favouring newcomers over its own veterans. Reddy was reportedly incensed that \"turncoats\" like Sanjay Kumar, a former rival, were inducted and rewarded while the old guard was silenced. By hoarding power at the top and making decisions behind closed doors, the T-Congress leadership is wittingly creating a vacuum. For the BRS, this is a golden opportunity to strike. Experts see Reddy as the \"first domino\" whose exit could encourage other disgruntled loyalists, who are silently dissenting, to jump ship. Reddy isn't just an angry leader; he is a strategic weapon. Having spent decades inside the Congress, his critiques of Chief Minister Revanth Reddy's style may carry far more weight than typical opposition talk. His reconciliation with KCR creates a powerful new image of \"Telangana Unity\" that could pull in neutral voters. Ultimately, by labelling this exit a \"betrayal\" instead of fixing its broken feedback system, the Congress is handing the \"Telangana Pride\" narrative back to the BRS. If the party fails to manage its veterans, it risks turning a hard-won victory into a short-lived comeback, proving once again that ignoring the \"loyalists\" is a recipe for political ruin. The Congress in Telangana is currently a house divided between \"Loyalists\" (the old guard who stayed through a decade of irrelevance) and the ‘Outsiders” (TDP- and BRS defectors who are now being rewarded with power). By sidelining lifers like Jeevan Reddy, the very people who kept the Congress breathing during its decade in the wilderness, a leadership that is ironically viewed as \"outsider\" is effectively committing political suicide, dismantling the party's core stability from the inside out. This fragmentation is subtly turning the loyalists into bitter rivals, exactly the kind of \"elite split\" Skocpol identifies as a precursor to total collapse. This  famous couplet captures the specific folly of T-Congress leadership’s self-inflicted ruin: \"Humein toh apno ne loota, gairon mein kahan dum tha/Meri kashti wahan doobi, jahan paani kam tha”( I was robbed by my own people, for the outsiders lacked the strength/My boat sank in a place where the water was barely deep)."},"img":{"url":"https://images.prismic.io/prad/aeHb951ZCF7ETRkW_jeevanrevanth.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T07:06:00+0000","embed":{"embed_url":null}},"uid":"ignoring-loyalists-a-recipe-for-political-ruin"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"Maa Inti Bangaaram: Thassadiya Song"},"content":{"text":"Maa Inti Bangaaram: Thassadiya Song"},"img":{"url":"https://images.prismic.io/prad/aeHWGJ1ZCF7ETRjV_thassadiyasong.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T06:41:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=iJ1fXeDSKXY"}},"uid":"maa-inti-bangaaram-thassadiya-song"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Gautam Adani becomes Asia’s richest"},"content":{"text":"Billionaire industrialist Gautam Adani, Chairman of the Adani Group, has become Asia’s richest individual, overtaking Reliance Industries Chairman Mukesh Ambani, according to the latest Bloomberg Billionaires Index.  Gautam Adani’s net worth rose to $92.6 billion, placing him 19th globally, while Mukesh Ambani slipped to the 20th position with a net worth of $90.8 billion. The reshuffle at the top highlights the ongoing volatility in global wealth rankings in 2026, amid rising geopolitical tensions and market fluctuations. In Thursday’s stock market session, Adani Group stocks witnessed a sharp rise, outperforming benchmark indices, which led to an increase of around $3.56 billion in Gautam Adani’s net worth in a single day. Globally, Tesla CEO Elon Musk continues to top the list with a net worth of $656 billion, followed by Google co-founder Larry Page at $286 billion. Other names in the top 10 include Amazon's Jeff Bezos, Meta's Mark Zuckerberg, Oracle's Larry Ellison, Dell Technologies' Michael Dell, Nvidia's Jensen Huang and LVMH CEO Bernard Arnault, among others. Notably, seven of the world’s top 20 richest individuals have recorded declines in their net worth so far in 2026. Moreover, Arnault has seen the steepest drop, losing $44 billion during the period. Other billionaires who have witnessed significant erosion in wealth include Steve Ballmer, Larry Ellison, Bill Gates, Warren Buffett and Amancio Ortega. A sectoral analysis of the index shows that technology entrepreneurs continue to dominate the global rich list, while industrials, energy and retail billionaires have seen relatively higher volatility in their net worth. Among other Indian billionaires, Lakshmi Mittal ranked 62nd globally with a net worth of $36.9 billion. HCL founder Shiv Nadar stood at the 70th position with $33.5 billion, followed by Shapoor Mistry and family at 71st with $33.2 billion. Savitri Jindal, chairperson emeritus of the OP Jindal Group, was ranked 73rd globally with a net worth of $32.7 billion. Other prominent Indian names on the list include Sunil Mittal and family, Azim Premji, Kumar Mangalam Birla and Radhakishan Damani. Meanwhile, Adani Group stocks such as Adani Total Gas, Adani Ports, and Adani Power climbed up to 3 per cent on Friday during the intra-day trading."},"img":{"url":"https://images.prismic.io/prad/Z02IxpbqstJ978If_adani.JPG?auto=format,compress"},"datetime":"2026-04-17T05:51:00+0000","embed":{"embed_url":null}},"uid":"gautam-adani-becomes-asias-richest-person"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Tamannaah shares Midnight stories"},"content":{"text":"Tamannaah shared a glimpse of her late-night routine, revealing how painting her nails in the middle of the night still reminds her of her childhood days. Tamannaah took to her Instagram stories at 3.02 AM, where she shared a glimpse of her freshly painted nails. Adding the time, the actress wrote: “Me painting my nails in the middle of the night is basically me from my childhood.” The actress was recently seen in O'Romeo, a romantic action thriller directed by Vishal Bhardwaj. The film is based on the book Mafia Queens of Mumbai by Hussain Zaidi. The film stars Shahid Kapoor, Triptii Dimri, Nana Patekar, Avinash Tiwary, Tamannaah Bhatia, Disha Patani and Farida Jalal, with Vikrant Massey in a special appearance."},"img":{"url":"https://images.prismic.io/prad/ZqDaGh5LeNNTxc_D_tamanna2028.JPG?auto=format,compress"},"datetime":"2026-04-17T04:39:00+0000","embed":{"embed_url":null}},"uid":"tamannaahs-midnight-childhood-memory"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"When Akshay struggled to pay Rs 75"},"content":{"text":"In a special Mumbai-themed episode of Wheel of Fortune, Bollywood superstar and host of the show, Akshay Kumar shared his personal connection to the city, saying, “Mujhe Mumbai shahar ne bahut kuch diya hai.” He reminisced about the time when he first arrived in Mumbai, highlighting that he came to the city in 1970 at the age of just three. He recalled staying in a chawl in Sion Koliwada and shared, “Shurvat jo hoti hai vakai mein ye jo shahar hai na, ye kamaal ka shahar hai, iske mitti ke ander ek aisi cheez hai ki ye kisi ko bhi neeche se ek dum upar fek deti hai, aur kisi ko kabhi upar se ek dum neeche fek deti hai.” He also shared a glimpse of his humble beginnings, “Main jaha pe rehta tha, waha bhada tha 75 rupees mahine ka, par vo bhi thodi mushkil ho jaati thi, aur ye karte karte aur waha se aaj Bhagwan ki daya se Juhu main rehte hai.” He added, “Samajh mein nahi aata, lekin maine ye dekha hai jo apne sath imaandaari, mehanat se, aur lagan se kaam karta rehta hai aur maano na maano discipline se kaam karta rehta hai uske liye ye shahar bahut kamaal ka hai.” Akshay further emphasised that the city has lessons for everyone, including those on the wrong path, “Shaitani, badmashi, cheating aur frauds ye sab kahi na kahi neeche aa hi jaata hai.” Expressing gratitude, he said, “Iss shahar ne bahut kuch diya hai mere aur mere poore parivaar ko.” Turning to the audience with an emotional and motivating message, Akshay concluded, “Aur jitne log aaj yahan baithe hai aur jo aaj dekh rahe hai, ye shahar sab ke liye hai, iske paas sab ke liye bahut saari cheezein dene ke liye hai, bas aapko emaandari se kaam karte raho aur mahanat karte raho kahi na kahi aap ke liye kuch likha hai, milta hai.” This heartfelt conversation highlighted Akshay Kumar’s deep bond with Mumbai and served as an inspiring message for viewers."},"img":{"url":"https://images.prismic.io/prad/1b58c688-6fc3-4f5d-8dd5-9aa6c6c8676e_akshay+kumar.JPG?auto=format,compress"},"datetime":"2026-04-17T03:30:00+0000","embed":{"embed_url":null}},"uid":"akshay-struggled-to-pay-rs-75-as-rent"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Big Twist! Editor Arrested in Vijay’s ‘Jana Nayagan’ Leak Case"},"content":{"text":"The Tamil Nadu State Cyber Crime Wing has made significant progress in the investigation of the 'Jana Nayagan' movie leak case involving actor Vijay. After the initial arrest of six individuals, three more have been apprehended, marking a turning point in the pursuit of the main perpetrator.  The Cyber Crime Wing meticulously examined digital evidence and technical details to identify the culprits. It was revealed that the primary accused, working as a freelance assistant editor for another film, illicitly obtained access to the 'Jana Nayagan' reels at the editing studio and pilfered the content. Subsequently, the stolen data was converted into a complete movie file and circulated online, leading to widespread piracy.  The police have issued stern warnings against digital piracy and emphasized the legal consequences for involvement in such activities. They urge the public not to engage in downloading or sharing pirated content and to promptly report any instances of leaks or unauthorized distribution. This development has impacted the release of 'Jana Nayagan,' which was scheduled for January 9 but has faced delays due to the legal proceedings. Directed by H Vinoth, the film features a star-studded cast including Pooja Hegde, Bobby Deol, Prakash Raj, Gautham Vasudev Menon, and Mamitha Baiju."},"img":{"url":"https://images.prismic.io/prad/aFfcL3fc4bHWil-t_jananayaga.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T20:30:00+0000","embed":{"embed_url":null}},"uid":"vijays-jana-nayagan-movie-leak-editor-arrested-in-tamil-nadu-cyber-crime-case-mo2pid8x"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Amit Shah: No Religious Reservations for Muslims"},"content":{"text":"Union Home Minister Amit Shah made a bold declaration on Thursday, asserting that the Indian government will not extend reservations to Muslims based on religious grounds, citing constitutional limitations. This assertion emerged amidst a heated debate in the Lok Sabha, where Shah introduced three significant bills aimed at amending the women's quota law and establishing a delimitation commission. The remarks come at a time when discussions surrounding caste and community representation are intensifying nationwide, particularly regarding the role of reservation policies in balancing social inequities. During the 40-minute discourse, Shah reiterated the government's commitment to a caste census, which will coincide with the current population enumeration, a move that he argued underscores the government's recognition of the complexities of caste dynamics in India. Highlighting the ongoing household count, he stated, \"Right now, the counting of households is underway and the households do not have any caste.\" His comments were a direct response to demands from opposition leaders, notably from the Samajwadi Party, who have been vocal advocates for the inclusion of Muslims in reservation policies based on religion—a proposition Shah categorically dismissed as unconstitutional. The historical context of India's reservation policies reveals a long-standing tension between caste-based privileges and religious identities. Since the inception of the Constitution, reservations have primarily been aimed at uplifting historically marginalized communities, particularly those belonging to Scheduled Castes and Scheduled Tribes. The notion of extending these benefits to specific religious groups, such as Muslims, has sparked significant debate, with proponents arguing for inclusivity while opponents cite constitutional constraints and the potential societal division it may cause. In this charged political atmosphere, Shah's assertion stands out as a reaffirmation of the current government's ideological stance against religiously-based reservations. His comments not only align with the ruling party’s broader narrative of promoting a uniform set of criteria for social justice but also reflect a strategic maneuver to consolidate voter support amidst rising demands for equitable representation. As the discourse around caste and community continues to evolve, the implications of Shah's statements may reverberate through India's socio-political landscape, influencing both policy and public sentiment in the near future."},"img":{"url":"https://images.prismic.io/prad%2F9a998da1-ed74-4d1d-bf5c-3ce42a2986be_amit+shah.jpg?auto=format,compress&rect=0,44,1280,631&w=2028&h=1000"},"datetime":"2026-04-16T19:29:00+0000","embed":{"embed_url":null}},"uid":"amit-shahs-firm-stance-no-religious-reservations-for-muslims-mo2pi22d"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Tamannaah Loses ₹1 Cr. Compensation Case"},"content":{"text":"The Madras High Court has upheld the rejection of Tamannaah Bhatia's appeal for a Rs 1 crore compensation in a case concerning an expired endorsement deal with Power Soaps Limited.  Tamannaah alleged that her images were used without consent after her contract ended in 2009, affecting her new opportunities. Despite legal notices and claims for compensation, both the single judge and division bench have dismissed her plea. This decision effectively closes the matter by affirming the earlier order. "},"img":{"url":"https://images.prismic.io/prad/aHkr5kMqNJQqIEcO_tamannah.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T18:30:00+0000","embed":{"embed_url":null}},"uid":"tamannaah-bhatias-rs-1-crore-compensation-plea-dismissed-by-madras-high-court-mo2pievz"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Businessman’s Honeytrap Nightmare"},"content":{"text":"A 31-year-old businessman from Jayanagar, Bengaluru, found himself embroiled in a harrowing honeytrap scheme after a seemingly innocent Instagram connection turned into a nightmare.  The businessman alleged that what started as a professional interaction quickly escalated into a close relationship, only to take a sinister turn when the woman began blackmailing him. According to his police complaint, the woman demanded a staggering Rs 1.5 crore, threatening to expose their private conversations and intimate moments to his wife and family.  Despite paying her Rs 10 lakh and surrendering valuables, including gold and an iPhone, the woman continued to extort more money and eventually shared compromising videos with his wife. The police have registered a case under BNS Section 308 for extortion and IT Act Sections 66E and 67 for privacy violation and transmitting obscene material. They are currently working to apprehend the accused and retrieve data from her devices."},"img":{"url":"https://images.prismic.io/prad/c8335006-73f0-4db2-9b9f-f9d6f0421a05_love+is+blind.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T18:30:00+0000","embed":{"embed_url":null}},"uid":"bengaluru-businessmans-honeytrap-nightmare-blackmailed-after-instagram-encounter-mo2pi7w3"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Academy gives hat-tip to SRK"},"content":{"text":"Bollywood actor Shah Rukh Khan is a global star, and the international platforms keep reminding why he is one. The Academy took to its Instagram, and shared a clip of SRK’s speech from ‘Om Shanti Om’. They wrote in the caption, “One thing about destiny... it doesn't miss. Film: OM SHANTI OM (2007) Directed by Farah Khan Written by Farah Khan, Mushtaq Shiekh and Mayur Puri Starring Shah Rukh Khan, Deepika Padukone, Arjun Rampal, Shreyas Talpade and Kirron Kher”. ‘Om Shanti Om’ is a classic from commercial Hindi cinema. It is directed by Farah Khan, and blends romance, reincarnation, and self-aware humor into a wildly entertaining package. Starring Shah Rukh Khan in a dual role and marking the debut of Deepika Padukone, the film follows Om, a junior artist in the 1970s who is reborn decades later to avenge his tragic past and lost love. The film is known for its vibrant homage to Bollywood, complete with grand sets, dramatic storytelling, and iconic songs. Beneath its glossy surface lies a clever satire of film industry tropes and celebrity culture. Released in 2007, it became a massive commercial success and a cultural phenomenon, cementing its place as a modern Bollywood classic that celebrates cinema while playfully poking fun at it. Meanwhile, Shah Rukh Khan was last seen in ‘Jawan’, for which he was feted with the National Film Award for Best Actor. He shared the award with Vikrant Massey, who was lionised for his work in ‘12th Fail’. On the work front, SRK will be next seen in ‘King’, for which he has summoned practically the entire Hindi film industry. The film is helmed by Siddharth Anand, who directed SRK in ‘Pathaan’."},"img":{"url":"https://images.prismic.io/prad/aeHJXJ1ZCF7ETRhu_SRK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T18:30:00+0000","embed":{"embed_url":null}},"uid":"academy-gives-hat-tip-to-srk"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Fake Gay Claims Used to Game Immigration System"},"content":{"text":"An investigation by BBC reporters has exposed a clandestine network operating in the UK, where immigration advisers are allegedly charging migrants from Pakistan and Bangladesh hefty sums to falsely assert their homosexuality in order to secure asylum.  Undercover journalists, posing as students from the aforementioned countries, approached immigration advisers as their visas neared expiration. Despite lacking legitimate asylum grounds, they were offered 'packages' costing up to £7,000 to construct a fabricated case based on sexual orientation. The advisers reportedly offered to provide a letter and staged photographs as evidence, emphasizing that personal testimony and supporting documents could be manipulated to create a convincing claim.  Furthermore, they pitched the prospective long-term benefits of a successful claim, including the ability to live, work, and claim benefits in the UK. The investigation also revealed the alleged end-to-end fabrication process, from scripting personal histories to arranging visual proof such as attending LGBTQ+ events and being photographed at clubs to support their claims.  Additionally, the report shed light on meetings organized by Worcester LGBT, a group that supports asylum seekers, where several attendees privately admitted they were not gay. The rise in asylum applications from Pakistani and Bangladeshi nationals in the UK, particularly among students and work visa holders, has raised questions, especially as data cited in the report indicates a surge in asylum claims based on sexual orientation from these countries.  Pakistan recorded the highest number of such claims, followed by Bangladesh in 2023."},"img":{"url":"https://images.prismic.io/prad/e510ec99-d8a4-4e07-99d9-a9f77667a7ab_scam.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T18:30:00+0000","embed":{"embed_url":null}},"uid":"uk-immigration-scam-false-gay-claims-by-pakistan-bangladesh-students-uncovered-mo2pi9r0"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"Swayambhu: 'Rara Dheevara' song "},"content":{"text":"Swayambhu: 'Rara Dheevara' song "},"img":{"url":"https://images.prismic.io/prad/aeEWkp1ZCF7ETQsP_RaaRaaDhevara.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T17:04:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=brP0jtNUDBM"}},"uid":"swayambhu-rara-dheevara-song"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"YSR Congress leader released on bail"},"content":{"text":"A court in Kuppam town of Andhra Pradesh on Thursday granted bail to YSR Congress Party (YSRCP) General Secretary (Media) Pudi Srihari, who was arrested on Wednesday for an alleged derogatory social media post against Chief Minister N. Chandrababu Naidu.   Speaking to the media after a court in Kuppam granted him bail, he stated that he neither created, posted, nor forwarded the content in question. He said he had worked as a senior journalist for over 25 years and had always functioned within the limits of the law. Srihari said that certain media organisations were trying to damage his reputation and clarified that there were no cases against him earlier. He added that he had cooperated with the police by providing all necessary information and would continue to cooperate with the investigation.  He maintained that even as a political leader, he continued to follow the ethics of journalism and respected the law. YSRCP General Secretary (Legal) Ponnavolu Sudhakar Reddy alleged that Srihari was illegally detained by police without proper procedure. He said the party leadership ensured legal support and secured bail. He warned that police should not act beyond legal limits and criticised the misuse of legal provisions in social media cases. MLC K.R.J. Bharat said the arrest was unnecessary and aimed at harassment. He stated that the case would not stand legally and expressed satisfaction that relief was granted. He added that such actions would not deter YSRCP leaders and cadre, who would continue to stand firm. Srihari, who had served as the Chief Public Relations Officer when Y. S. Jagan Mohan Reddy was the Chief Minister, was arrested on Wednesday morning at his residence in Vijayawada. He was then shifted to Kuppam. The police had reportedly seized his mobile phone and laptop.  A case was registered against Srihari in Chittoor for posting a cartoon, showing a knife in the hand of Chief Minister Chandrababu Naidu."},"img":{"url":"https://images.prismic.io/prad%2F7216aea1-016a-4612-8cd4-886237641335_ysrcp.jpg?auto=format%2Ccompress&rect=0%2C5%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-04-16T13:39:00+0000","embed":{"embed_url":null}},"uid":"ysr-congress-leader-released-on-bail"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"TVK Manifesto: Welfare, AI, $1.5T Goal"},"content":{"text":"Actor-turned-politician Vijay, chief of the Tamilaga Vettri Kazhagam (TVK), on Thursday evening released the party's manifesto for the 2026 Tamil Nadu Assembly elections, promising an expansive welfare agenda, technology-driven governance, and sector-focused reforms aimed at reshaping the state’s economy and social structure.  Positioning TVK as a pro-people alternative, Vijay outlined a mix of direct financial assistance schemes and long-term development initiatives. The manifesto places significant emphasis on social security, employment generation, and the integration of artificial intelligence (AI) in governance. Among the key welfare promises, the party pledged a monthly assistance of Rs 2,500 for homemakers, Rs 4,000 as unemployment aid for graduates, and Rs 2,500 for diploma holders. Internship stipends ranging from Rs 5,000 to Rs 8,000 have also been proposed, along with an Rs 18,000 employment-linked support scheme targeting five lakh youth. Senior citizens, widows, and persons with disabilities would receive Rs 3,000 per month, with pension coverage extended to 15 lakh beneficiaries. The manifesto highlights women-centric initiatives, including interest-free loans of up to Rs 5 lakh and marriage assistance for poor brides in the form of one sovereign of gold and a silk saree. Free house pattas on government land have also been promised. In the healthcare sector, TVK has assured free health check-ups, affordable medicines, and dedicated cancer insurance coverage. Basic services form another major pillar, with commitments such as 200 units of free electricity per household, universal access to piped drinking water, and six free LPG cylinders annually. The party has also proposed AI-driven solutions in governance and education, including AI-based systems to assist students preparing for competitive examinations. Plans for setting up free residential schools from Classes 6 to 12 have been included. For farmers, the manifesto promises 50 per cent debt relief for those owning more than five acres, along with solar energy initiatives. Fishermen have been assured a minimum support price mechanism, Rs 27,000 lean-season assistance, and insurance coverage of Rs 25 lakh. Worker welfare measures include salaries of Rs 18,000 for anganwadi staff and Rs 10,000 for sanitation workers, alongside a Rs 15 lakh benefit for long-serving government employees. Framing law and order as a priority, Vijay announced a “drug-free Tamil Nadu” initiative. Economically, TVK has set an ambitious target of transforming Tamil Nadu into a $1.5 trillion economy by 2036, backed by a Rs 15,000 crore safety net for MSMEs. With this manifesto, TVK seeks to combine welfare-driven policies with technology-led growth as it gears up for the April 23 Assembly polls."},"img":{"url":"https://images.prismic.io/prad/aeEUw51ZCF7ETQr3_vijaytvk.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T13:15:00+0000","embed":{"embed_url":null}},"uid":"tvk-manifesto-welfare-ai-1.5t-goal"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"Lenin: Yetta Yetta Video Song"},"content":{"text":"Lenin: Yetta Yetta Video Song"},"img":{"url":"https://images.prismic.io/prad/aeEOe51ZCF7ETQpS_yettayetta.JPG?auto=format,compress"},"datetime":"2026-04-16T10:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jAxvely4QAg"}},"uid":"lenin-yetta-yetta-video-song"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Sara Ali Khan Soaks in Mountain Bliss"},"content":{"text":"Actress Sara Ali Khan loves to take some time off from work and go on solo trips to places full of natural beauty and peace.   In a similar quest, the 'Kedarnath' actress went on another fun getaway in the mountains. In her latest social media post, Sara was seen enjoying her own company amidst the slow-clan mountains. During her time there, the 'Atrangi Re' actress even soaked in all the beauty surrounding the place, along with meeting some locals and even relishing their local delicacies. In one of the clips, Sara was seen enjoying the hospitality of one of the residents of the place. She was also seen giving the netizens an overview of the place in the post captioned, “It’s not the mountain we conquer, but ourselves.” — Sir Edmund Hillary (sic)\". While Sara did not reveal the name of the place she went to, she is known to take such short holidays whenever her hectic work schedule permits. Shifting our focus to Sara's work commitments, she will soon be seen sharing the screen with Ayushmann Khurrana, Rakul Preet Singh, and Wamiqa Gabbi in the eagerly awaited sequel, \"Pati Patni Aur Woh Do\". Made under the direction of Mudassar Aziz, \"Pati Patni Aur Woh Do\" is expected to get a theatrical release on May 15. The movie is a sequel to the 2019 drama “Pati Patni Aur Woh\" featuring Kartik Aaryan, Bhumi Pednekkar, and Ananya Panday, which is a retelling of the 1978 film of the same name, starring Sanjeev Kumar, Vidya Sinha, and Ranjeeta Kaur as the leads. The movie revolves around a married couple, Chintu (Played by Kartik Aaryan) and Vedika (Played by Bhumi Pednekkar). Everything seems to be going well until Chintu gets attracted to Tapasya (Played by Ananya Panday), a young fashion designer."},"img":{"url":"https://images.prismic.io/prad/aeCvk51ZCF7ETPbY_saraalikhan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T08:45:00+0000","embed":{"embed_url":null}},"uid":"sara-ali-khan-soaks-in-mountain-bliss"}},{"node":{"tags":["Editorial"],"data":{"third_party_url":null,"title":{"text":"Linking Delimitation with Women's Reservation: What an Idea, Sir ji"},"content":{"text":"\"Give women a seat at the table, by simply extending  the length of the table so no man has to give up his chair\" In an era where political strategy is often as subtle as a sledgehammer strike with velvet gloves, , the \"Apara Chanakyas\" of the BJP have truly outdone themselves, pulling off a legislative masterclass that would make Machiavelli blush in his grave. The recently unveiled masterstroke, cleverly anchoring the Women’s Reservation Bill to the post-2026 Delimitation, is a piece of political theatre so exquisite it deserves its own standing ovation. The problem was simple: how do you grant women 33% of the seats without making the men in the room feel like their exclusive club is being downsized? In the current 543-member Lok Sabha, math is a cruel mistress; more women meant fewer chairs for the boys' club. Enter the \"Delimitation Mantra\". By tying the two together, the government has managed to invoke the ultimate \"Snake won't die, stick won't break\" maneuver.  The plan? Don't slice the existing pie; just bake a much, much larger one.  By expanding the total number of seats, the men can keep their comfortable corners while the women are finally invited to sit on the new, extra folding chairs added to the back of the room.  It’s a stroke of genius, even Kautliya would not have an inkling of it in his \"Chankyas Nithi\" in  wise senses,  that ensures \"equality\" is achieved without a single incumbent male having to worry about his career prospects. A wily patriarchy move to protect Men's domination under the ruse of safeguarding their opposite gender rights. It is statecraft at its finest, a brilliant bit of legislative procrastination that promises a revolution \"eventually,\" once the furniture has been rearranged to everyone’s satisfaction.  We are witnessing a rare moment in history where the goal isn't just to empower women, but to ensure that in doing so, absolutely no man is inconvenienced in the process.  Truly, an idea for the ages that calls for a shoutout of \"What an Idea, Sir ji?\""},"img":{"url":"https://images.prismic.io/prad/Zmk2ZZm069VX1qJd_loksabha.JPG?auto=format,compress"},"datetime":"2026-04-16T08:02:00+0000","embed":{"embed_url":null}},"uid":"linking-delimitation-with-womens-reservation-what-an-idea-sir-ji"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"From now onwards, Nari Shakti will not be just a slogan"},"content":{"text":"Andhra Pradesh Deputy Chief Minister Pawan Kalyan said on Thursday that the introduction of the Nari Shakti Vandan Adhiniyam Amendment Bill 2026, under the leadership of Prime Minister Narendra Modi, stands as a historic step towards securing women their rightful place in governance by ensuring 33 per cent reservation for women in legislative bodies.   He said the Jana Sena Party always stood firmly for women’s empowerment, not merely in words, but through action.  “Our commitment to 33% reservation for women, as promised in the 2019 elections, reflects our belief in equal opportunity and rightful representation,” the Jana Sena chief posted on ‘X’. “Women are the foundation of our society. From nurturing families to shaping the nation, their role is irreplaceable. When a woman rises, the nation rises. This is not about granting new rights; it is about restoring what rightfully belongs to women. Stronger women build stronger families. Stronger families build a stronger nation. From now onwards, Nari Shakti will not be just a slogan. It will stand as the strength of our civilization. Let us move forward with the spirit of Shakti to build a just, equal, and empowered India,” Pawan Kalyan said. He noted that \"Bharat today celebrates the rising power of Nari Shakti across every sphere of life. Reflecting this national transformation, R Vaishali has created history by winning the Women’s Candidates Tournament in Cyprus, becoming the first Indian woman to earn the right to challenge for the Women’s World Chess Championship\".  The actor-politician wrote that from the chessboard to the Olympic podium, Indian women continue to inspire the nation - from governance and public service strengthened by President Droupadi Murmu, to scientific excellence represented by Ritu Karidhal in India’s space missions, to sporting excellence showcased by P.V. Sindhu bringing Olympic glory, Mirabai Chanu lifting the nation’s pride with historic achievements, and Nikhat Zareen dominating the world boxing stage.  “This journey of empowerment is deeply rooted in India’s constitutional foundations, shaped by founding mothers of the Indian constitution such as Dakshayani Velayudham, Hansa Mehta, Durgabai Deshmukh, Vijaya Lakshmi Pandit and Rajkumari Amrit Kaur, whose contributions to the framing of the Indian Constitution ensured dignity, equality, and justice for generations of Indian women. All these victories symbolize a powerful truth - when opportunity meets talent, women lead, excel, and inspire nations,” he added."},"img":{"url":"https://images.prismic.io/prad/adOj4pGXnQHGZSCp_pawan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T07:30:00+0000","embed":{"embed_url":null}},"uid":"from-now-onwards-nari-shakti-will-not-be-just-a-slogan"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Srinivasa Mangapuram' Teaser"},"content":{"text":"'Srinivasa Mangapuram' Teaser"},"img":{"url":"https://images.prismic.io/prad/aeC_SZ1ZCF7ETPku_srinivasmangapuramteaser.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T06:52:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=nom1-VpVMGY"}},"uid":"srinivasa-mangapuram-teaser"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Infosys Denies Pune Harassment Claims"},"content":{"text":"Amid the ongoing workplace harassment probe at TCS Nashik, IT bellwether Infosys has dismissed social media allegations of workplace harassment at its Business Process Management (BPM) facility in Pune.  The clarification comes amid heightened scrutiny of Maharashtra’s IT sector, following a separate investigation into Tata Consultancy Services (TCS) in Nashik over allegations of workplace harassment and forced religious conversion. The Infosys controversy emerged after a series of posts on social media platform X alleged inappropriate behaviour towards female employees at its Pune facility. However, the posts were later deleted. Maharashtra minister Nitesh Rane said the government has taken note of the allegations. Infosys said it follows a zero-tolerance policy towards harassment and discrimination. “Infosys maintains a zero-tolerance approach to any form of harassment or discrimination,” the company said. The IT firm added that any issue reported is treated seriously and investigated by an independent committee, and that it promotes a “speak-up culture” encouraging employees to report concerns through multiple channels. The company also stated that it has activated internal processes and preventive mechanisms in line with its global Code of Conduct to examine the matter. The development comes against the backdrop of the ongoing TCS Nashik case, where multiple women employees have alleged harassment by senior staff between 2022 and 2026. The complaints include allegations of sexual harassment, stalking, inappropriate touching, objectionable remarks, mental harassment, and alleged pressure to adopt certain religious practices or convert. Investigators have examined over 40 CCTV footage clips and are recording statements from complainants and accused persons. Police have also carried out an undercover operation involving women personnel in connection with the probe. The investigation remains ongoing, with officials stating that all aspects are being examined before any conclusions are drawn. In a related development, TCS officials conducted an unannounced visit to their Nashik office this week as part of an internal inquiry into the allegations, according to NDTV Profit. The company has constituted a special investigation committee and is examining the complaints. Senior officials have recorded employee statements as part of the probe. Sources said multiple complaints surfaced during the inquiry, widening its scope. As a precautionary measure, TCS has directed around 120 employees at its Nashik facility to work from home starting this week while the investigation continues. Meanwhile, the National Commission for Women (NCW) has constituted a fact-finding committee to conduct a detailed inquiry into the alleged incidents of sexual harassment of women at the TCS BPO unit at Nashik. The committee will submit its report within 10 working days."},"img":{"url":"https://images.prismic.io/prad/7766529c-412f-4d9a-a068-c32a77895fee_infosys.JPG?auto=format,compress"},"datetime":"2026-04-16T06:06:00+0000","embed":{"embed_url":null}},"uid":"infosys-denies-pune-harassment-claims"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Case filed against Vijay"},"content":{"text":"A case has been registered against Vijay, president of Tamilaga Vettri Kazhagam (TVK), for allegedly violating election norms by conducting an unauthorised roadshow in Chennai’s T Nagar area, police said on Thursday.   According to officials, the action was initiated following a complaint lodged by an Election Flying Squad officer, who alleged that Vijay held a roadshow despite being granted permission for a different type of campaign event. The deviation from the approved format is said to constitute a violation of the Model Code of Conduct (MCC), which is in force ahead of the Tamil Nadu Assembly elections scheduled for April 23. Police stated that three separate cases have been registered in connection with the incident. The cases were filed at the West Mambalam, Nungambakkam, and Vepery police stations against Vijay, along with several TVK candidates and district-level party functionaries who had originally obtained permission for the campaign events. Authorities indicated that the permissions granted were for specific, regulated activities, and any alteration -- such as converting them into a large-scale roadshow -- required prior approval from the election authorities. The alleged failure to adhere to these conditions prompted swift action from the flying squad, which has been tasked with ensuring strict enforcement of poll guidelines during the campaign period. The development comes at a crucial time, with political campaigning intensifying across Tamil Nadu in the run-up to polling. The enforcement of the MCC has been stringent, with officials closely monitoring campaign activities to prevent violations such as unauthorised gatherings, misuse of public spaces, and deviations from permitted campaign formats. While there has been no immediate response from Vijay or the TVK regarding the cases, party sources indicated that they are reviewing the matter. It remains to be seen whether the party will challenge the charges or provide clarification on the nature of the event in question. Election authorities have reiterated that all candidates and political parties must strictly comply with the rules governing campaign conduct, warning that violations will attract legal action. The cases against Vijay underscore the heightened vigilance of enforcement agencies as the state heads into a closely watched electoral contest."},"img":{"url":"https://images.prismic.io/prad/aPPHEJ5xUNkB2HoK_vijay.JPG?auto=format,compress"},"datetime":"2026-04-16T05:30:00+0000","embed":{"embed_url":null}},"uid":"case-filed-against-vijay"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Why Women’s Reservation Quota Bill Failed?"},"content":{"text":"The Women's Reservation Bill, (which in fact is already a legislation), that just failed in the Lok Sabha is a classic case of political bait-and-switch. While the packaging says \"Women’s Empowerment,\" the fine print is all about Delimitation, a fancy word for redrawing the parliamentary constituencies' map to make sure the electoral math always favors the ruling party. The government just tried to hand the women of India a shiny new gift box. On the outside, it was wrapped in pink ribbons and labeled “Equality & Seats. But it wasn''t really a \"Women’s Bill.\" It was a Delimitation Bill wearing a very convincing wig and heels. It was a calculated move, wherein, announce a bill for women, Sneak in a clause linking it Delimitation.  The government tried to hold the rights of 700 million women hostage to a complex math exercise designed to favor the ruling party's \"Hindi-belt\" strongholds.  It linked \"Nari Shakti\" (Women's Power) to \"Constituency Redrawing\" to ensure that if the Opposition said \"No\" to the map-rigging, it could be branded as \"Anti-Women.\" As Shashi Tharoor pointed out, it's \"Political Demonetisation.\"  They are trying to devalue the votes of successful states (like the South) while using women as a human shield.  Now, the \"servitude media\" has its headline: \"Opposition Declares War on India's Daughters.\" The real headline? \"The government fails to sell a fake gift, and tries to blame the customer.\" Why give women power today when you can give them a \"Maybe Someday\" and use it as an election slogan tomorrow."},"img":{"url":"https://images.prismic.io/prad/aeJN7p1ZCF7ETT32_womensreservationbill.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T14:32:00+0000","embed":{"embed_url":null}},"uid":"why-womens-reservation-quota-bill-failed"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Kaleshwaram barrages to be restored scientifically"},"content":{"text":"Telangana Irrigation Minister Uttam Kumar Reddy said on Friday that the state government will undertake the repair and restoration of three barrages, part of the Kaleshwaram project, scientifically and transparently.​ He met National Dam Safety Authority (NDSA) Chairman Anil Jain in Delhi on Friday and discussed the state government's action plan for the repair and restoration of the Medigadda, Annaram, and Sundilla barrages.​ The minister explained the precautionary measures the government is taking to prevent past errors from being repeated.​ According to an official release, the NDSA Chairman expressed satisfaction with the manner in which comprehensive testing is currently being conducted under the supervision of experts. He stated that he would personally visit the barrages soon.​ As part of the barrage restoration process, the government has already appointed expert agencies. Specialised agencies for design and testing have commenced their operations. ​ The Central Water and Power Research Station (CWPRS) is conducting the necessary preliminary tests and studies required before the design phase.​ To facilitate the restoration of the barrages, various techniques, including Ground Penetrating Radar (GPR) scanning, drone surveys, borehole drilling, and geotechnical and geophysical testing, are being utilised to assess the condition of the underlying soil and the structural integrity of the constructions.​ Uttam Kumar Reddy said that to ensure coordination among various organisations, the government has formed a Central Coordination Committee. This committee comprises officials from the Irrigation Department, representatives from CWPRS, representatives from the design firm, and members from other technical agencies.​ The committee is tasked with ensuring that tests are conducted promptly, that necessary data is provided on schedule, and that effective coordination is maintained with all participating agencies. ​ The government is also taking measures to ensure that this entire process is carried out in strict adherence to technical standards, under the supervision of experts at the central level. There is also the possibility of including a special technical expert team in this committee, should the need arise.​ Once the results of all tests are received and a comprehensive analysis of the data is conducted, the design firm will identify existing structural defects and prepare new designs for restoration work. ​ These designs will be submitted to the National Dam Safety Authority; subsequently, the government will initiate restoration work in accordance with the Authority's suggestions and guidelines.​ The irrigation minister said that the government aims to complete all necessary tests and finalise the designs within the next three to four months, before the onset of the monsoon season. ​ The initiative is moving forward and intends to commence restoration works following the monsoon season."},"img":{"url":"https://images.prismic.io/prad/a4b6da30-5202-4673-ae82-d0ee4150a421_medigadda+barrage+pillars.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T14:30:00+0000","embed":{"embed_url":null}},"uid":"kaleshwaram-barrages-to-be-restored-scientifically"}},{"node":{"data":{"title":{"text":"Wipro Struggles for Stability Amidst Shifting AI Landscape"},"content":{"text":"Wipro, India’s fourth-largest software exporter, is encountering significant challenges, as evidenced by its top-line contraction for the third consecutive fiscal year. This trend is particularly striking against the backdrop of its larger competitors, underscoring the intense pressure Wipro faces to remain relevant in a rapidly evolving technological environment. The company is grappling with the disruptions brought about by advancements in artificial intelligence (AI), necessitating a reevaluation of traditional business practices and client engagement strategies. Despite a continued revenue decline, Wipro has managed to mitigate its losses, with a mere 0.3% contraction in FY26 compared to a more staggering 3.2% in FY24. This relative improvement is attributed to a notable uptick in large deal wins, with total contract values soaring to $16.4 billion in FY26 from $14.3 billion the previous year. However, the optimism surrounding this growth is tempered by the company's cautious outlook for the first quarter of FY27, where it anticipates either flat revenues or a modest 2% decrease. This outlook is influenced by sluggish client demand and delays in the ramp-up of a newly secured large project. Wipro's struggles are reflective of broader market dynamics, with the company facing specific client-related challenges that have significantly impacted profitability in the March quarter. The operating margin (EBIT margin) contracted by 30 basis points sequentially to 17.3%, following a previous quarter that had shown an encouraging margin expansion. The interplay between project ramp-ups and currency fluctuations will be pivotal in determining future margin performance, especially as the rupee's depreciation in the March quarter provided some support to profitability metrics. In a strategic pivot, Wipro's management has adopted a cautious approach to campus recruitment, a response to the changing business landscape that has led to a gradual decline in recruitment levels over the past four years. Although there was no specific hiring guidance for FY27, the company reported a significant drop in its employee attrition rate, falling to 13.8% in the March quarter—the lowest since early 2021. While the stock has seen a nearly 10% increase over the past month, buoyed by a weaker rupee that enhances revenue realizations, investors must remain vigilant before considering new investments, as a meaningful financial rebound appears contingent on upcoming quarterly results."},"img":{"url":"https://images.prismic.io/prad%2Fc2c9c5fe-d710-4a20-b6bd-5e025ca5d2d9_wipro.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-04-17T09:42:00+0000","embed":{"embed_url":null}},"uid":"wipro-struggles-for-stability-amidst-shifting-ai-landscape-mo32g9cq"}},{"node":{"data":{"title":{"text":"BRS student wing stages protest over MP Surya’s remarks"},"content":{"text":"Bharat Rashtra Samithi’s student wing BRSV on Friday staged a protest near the BJP’s Telangana headquarters here, condemning the remarks made by Tejasvi Surya about Telangana in the Parliament.  Activists of BRSV tried to surround the BJP office in Nampally, raising slogans against the BJP MP from Karnataka. The protestors set a poster of Surya on fire. Police intervened to detain the protestors. During the debate on Women’s Reservation Bill in the Lok Sabha on Thursday, Surya had allegedly compared bifurcation of Andhra Pradesh with the Partition of India. His remarks have triggered strong condemnation from Congress, BRS, Left parties and Telangana Jagruti. Leaders of all these parties accused him of insulting Telangana by comparing its formation with the creation of Pakistan and demanded an apology. BRSV leaders stated that Surya insulted the sacrifices of Telangana's martyrs and the sentiments of people. They demanded that the MP tender an unconditional apology to the people of Telangana. Meanwhile, BRS leader, R.S. Praveen Kumar, demanded that Surya come to Hyderabad and touch the feet of family members of Telangana martyrs for 24 hours continuously. The former IPS officer reacted to a clarification posted by Surya on ‘X’. \"This unapologetic AI generated reply won’t do, Tejasvi Surya ji. You must come along with all your Telangana BJP MPs (who were mute spectators in Parliament to your vitriol) to Hyderabad and touch the holy feet of family members of all 1,300 Telangana Martyrs for 24 hours continuously,” demanded Praveen Kumar. In a statement posted on Thursday night, Surya stated that his statement was twisted. “I reject the deliberate insinuation being furthered by the Opposition, and firmly state my long-standing respect for the martyrs and protesters who sustained the Telangana movement. However, my comments must be seen as a reminder of how the Congress has traditionally betrayed the Southern states. In the case of the Telangana movement in particular, Congress’ betrayal has been stark,” wrote the MP from Bengaluru South. Meanwhile, Telangana’s minister for transport and backward classes welfare Ponnam Prabhakar urged Union Minister for Coal and Mines, G. Kishan Reddy, to take immediate steps to remove Tejasvi Surya's controversial remarks from Parliament records. Prabhakar said that Surya compared Telangana to the India-Pakistan Partition. The minister claimed that Kishan Reddy during his press conference in New Delhi on Friday admitted that Tejasvi committed a mistake. Prabhakar told Kishan Reddy to take the initiative to urge the Lok Sabha Speaker to expunge Surya’s remarks from the record."},"img":{"url":"https://images.prismic.io/prad/aeIG9Z1ZCF7ETSSI_BRSStudentwing.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T08:10:00+0000","embed":{"embed_url":null}},"uid":"brs-student-wing-stages-protest-over-mp-suryas-remarks"}},{"node":{"data":{"title":{"text":"Gautam Adani becomes Asia’s richest"},"content":{"text":"Billionaire industrialist Gautam Adani, Chairman of the Adani Group, has become Asia’s richest individual, overtaking Reliance Industries Chairman Mukesh Ambani, according to the latest Bloomberg Billionaires Index.  Gautam Adani’s net worth rose to $92.6 billion, placing him 19th globally, while Mukesh Ambani slipped to the 20th position with a net worth of $90.8 billion. The reshuffle at the top highlights the ongoing volatility in global wealth rankings in 2026, amid rising geopolitical tensions and market fluctuations. In Thursday’s stock market session, Adani Group stocks witnessed a sharp rise, outperforming benchmark indices, which led to an increase of around $3.56 billion in Gautam Adani’s net worth in a single day. Globally, Tesla CEO Elon Musk continues to top the list with a net worth of $656 billion, followed by Google co-founder Larry Page at $286 billion. Other names in the top 10 include Amazon's Jeff Bezos, Meta's Mark Zuckerberg, Oracle's Larry Ellison, Dell Technologies' Michael Dell, Nvidia's Jensen Huang and LVMH CEO Bernard Arnault, among others. Notably, seven of the world’s top 20 richest individuals have recorded declines in their net worth so far in 2026. Moreover, Arnault has seen the steepest drop, losing $44 billion during the period. Other billionaires who have witnessed significant erosion in wealth include Steve Ballmer, Larry Ellison, Bill Gates, Warren Buffett and Amancio Ortega. A sectoral analysis of the index shows that technology entrepreneurs continue to dominate the global rich list, while industrials, energy and retail billionaires have seen relatively higher volatility in their net worth. Among other Indian billionaires, Lakshmi Mittal ranked 62nd globally with a net worth of $36.9 billion. HCL founder Shiv Nadar stood at the 70th position with $33.5 billion, followed by Shapoor Mistry and family at 71st with $33.2 billion. Savitri Jindal, chairperson emeritus of the OP Jindal Group, was ranked 73rd globally with a net worth of $32.7 billion. Other prominent Indian names on the list include Sunil Mittal and family, Azim Premji, Kumar Mangalam Birla and Radhakishan Damani. Meanwhile, Adani Group stocks such as Adani Total Gas, Adani Ports, and Adani Power climbed up to 3 per cent on Friday during the intra-day trading."},"img":{"url":"https://images.prismic.io/prad/Z02IxpbqstJ978If_adani.JPG?auto=format,compress"},"datetime":"2026-04-17T05:51:00+0000","embed":{"embed_url":null}},"uid":"gautam-adani-becomes-asias-richest-person"}},{"node":{"data":{"title":{"text":"Amit Shah: No Religious Reservations for Muslims"},"content":{"text":"Union Home Minister Amit Shah made a bold declaration on Thursday, asserting that the Indian government will not extend reservations to Muslims based on religious grounds, citing constitutional limitations. This assertion emerged amidst a heated debate in the Lok Sabha, where Shah introduced three significant bills aimed at amending the women's quota law and establishing a delimitation commission. The remarks come at a time when discussions surrounding caste and community representation are intensifying nationwide, particularly regarding the role of reservation policies in balancing social inequities. During the 40-minute discourse, Shah reiterated the government's commitment to a caste census, which will coincide with the current population enumeration, a move that he argued underscores the government's recognition of the complexities of caste dynamics in India. Highlighting the ongoing household count, he stated, \"Right now, the counting of households is underway and the households do not have any caste.\" His comments were a direct response to demands from opposition leaders, notably from the Samajwadi Party, who have been vocal advocates for the inclusion of Muslims in reservation policies based on religion—a proposition Shah categorically dismissed as unconstitutional. The historical context of India's reservation policies reveals a long-standing tension between caste-based privileges and religious identities. Since the inception of the Constitution, reservations have primarily been aimed at uplifting historically marginalized communities, particularly those belonging to Scheduled Castes and Scheduled Tribes. The notion of extending these benefits to specific religious groups, such as Muslims, has sparked significant debate, with proponents arguing for inclusivity while opponents cite constitutional constraints and the potential societal division it may cause. In this charged political atmosphere, Shah's assertion stands out as a reaffirmation of the current government's ideological stance against religiously-based reservations. His comments not only align with the ruling party’s broader narrative of promoting a uniform set of criteria for social justice but also reflect a strategic maneuver to consolidate voter support amidst rising demands for equitable representation. As the discourse around caste and community continues to evolve, the implications of Shah's statements may reverberate through India's socio-political landscape, influencing both policy and public sentiment in the near future."},"img":{"url":"https://images.prismic.io/prad%2F9a998da1-ed74-4d1d-bf5c-3ce42a2986be_amit+shah.jpg?auto=format,compress&rect=0,44,1280,631&w=2028&h=1000"},"datetime":"2026-04-16T19:29:00+0000","embed":{"embed_url":null}},"uid":"amit-shahs-firm-stance-no-religious-reservations-for-muslims-mo2pi22d"}},{"node":{"data":{"title":{"text":"Businessman’s Honeytrap Nightmare"},"content":{"text":"A 31-year-old businessman from Jayanagar, Bengaluru, found himself embroiled in a harrowing honeytrap scheme after a seemingly innocent Instagram connection turned into a nightmare.  The businessman alleged that what started as a professional interaction quickly escalated into a close relationship, only to take a sinister turn when the woman began blackmailing him. According to his police complaint, the woman demanded a staggering Rs 1.5 crore, threatening to expose their private conversations and intimate moments to his wife and family.  Despite paying her Rs 10 lakh and surrendering valuables, including gold and an iPhone, the woman continued to extort more money and eventually shared compromising videos with his wife. The police have registered a case under BNS Section 308 for extortion and IT Act Sections 66E and 67 for privacy violation and transmitting obscene material. They are currently working to apprehend the accused and retrieve data from her devices."},"img":{"url":"https://images.prismic.io/prad/c8335006-73f0-4db2-9b9f-f9d6f0421a05_love+is+blind.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T18:30:00+0000","embed":{"embed_url":null}},"uid":"bengaluru-businessmans-honeytrap-nightmare-blackmailed-after-instagram-encounter-mo2pi7w3"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Vikram plays a cook in #Chiyaan63!"},"content":{"text":"It's official! Popular star Vikram's next film, tentatively being referred to as #Chiyaan63, will be directed by well known filmmaker Anand Shankar, its makers announced on Friday. The makers made this announcement on the occasion of Vikram's birthday on Friday. The film is to be produced by one of Tamil cinema's most reputed production houses, Sathya Jyothi Films. Taking to its social media timelines to make the announcement, Sathya Jyothi Films said, \"What starts as a FLAME ends in a BLAZE! #Chiyaan63 FIRST FLAME out now. Wishing the one and only #ChiyaanVikram a very happy birthday! #CookingStartsNow #Chiyaan63FirstFlame @SathyaJyothi @chiyaan @anandshank @Music_Santhosh @RDRajasekar @arjun1on @saisiddharth_ @PoornimaRamasw1 @shankaruppusamy @gopiprasannaa @aimsathishpro @teamaimpr @proyuvraaj.\" The makers also released a 'First Flame' video of the film, which showed that Vikram plays a cook in the film. The video opens with a voiceover. One person asks another, \"Who is the person inside?\" To this, another voice replies, \"Just a cook. But don't take him lightly. He's dangerous.\" To this, the other person says, \"We are here now. We will take care of things.\" The visuals then begin to appear. We see a room that has all its doors locked. The assailants try to gain entry into the structure but the doors don't give in. The voice that said, \"Don't take the cook lightly\", says, \"We have such a big team here but he's not even breaking a sweat.\" The assailants then hurl a lighted explosive into the room through a window. Vikram is seen seated on a big utensil and lighting a smoke casually, even as explosives hurled inside the room land right next to him. The film's story has been written by director Anand Shankar himself and is to be produced by Sendhil Thyagarajan and Arjun Thyagarajan. The film will have music by Santhosh Narayanan and cinematography by R D Rajasekar. Production Design for the film is by Rajeevan while dialogues are by Shan Karuppusamy. The film will have editing by Raymond Derrick Crasta and art direction by Surya Rajeevan. Costumes for the film are by Poornima Ramaswamy. It may be recalled that media had reported in March this year that Anand Shankar would be directing actor Vikram's next film. One of India's finest actors, Vikram, fondly called 'Chiyaan' Vikram by his fans, had in February this year announced that he was to do four films with directors that he deeply admired. Taking to his Instagram page to make the announcement, Vikram had said, \"Sometimes silence is preparation. I spent this year waiting for stories that moved me. Grateful to now begin four films, each very different, with directors I deeply admire. I can’t wait to share these journeys with you. Anban, Chiyaan!\" Sources close to the actor had then confirmed to Imedia that one of the four films that Vikram was referring to would be with director Anand Shankar."},"img":{"url":"https://images.prismic.io/prad/9784c601-1a97-4a77-9f31-91d4357b0330_chiyaan+vikram.JPG?auto=format,compress"},"datetime":"2026-04-17T13:06:00+0000","embed":{"embed_url":null}},"uid":"vikram-plays-a-cook-in-chiyaan63"}},{"node":{"data":{"title":{"text":"Love in Coorg: Vijay–Rashmika"},"content":{"text":"In a lavish celebration that seamlessly blended romance and cultural heritage, Rashmika Mandanna celebrated her 30th birthday alongside her husband, Vijay Deverakonda, in the picturesque hills of Coorg. Their visit to the famed Evolve Back Coorg, a luxury plantation resort nestled in the Western Ghats, marked a significant occasion following their wedding on February 26 in Udaipur. This getaway not only served as a honeymoon extension but also as an intimate introduction for Deverakonda to Mandanna's roots, underscoring the couple's commitment to honoring their shared journey and individual backgrounds. During their luxurious stay, which attracts a nightly rate of around ₹1 lakh, the couple enjoyed the resort's exquisite amenities, including private villas and a stunning infinity pool that overlooks lush coffee and spice plantations. Evolve Back Coorg, formerly known as Orange County, provides an immersive experience that reflects the rich cultural tapestry of the Kodava community. The resort expressed its delight in hosting such a well-known pair, emphasizing how Mandanna's pride in her heritage shone through as she showcased her traditional attire—a Coorgi saree—at a reception held in honor of their union. Coorg, known for its breathtaking landscapes and coffee plantations, offers a unique blend of nature and culture, making it a coveted destination for both relaxation and exploration. Evolve Back Coorg enhances this experience with its Sidapur Coffee and Culture Museum, where guests can delve into the history of coffee cultivation and its significant role in local traditions. This educational venture allows visitors to connect more profoundly with the land, fostering a greater appreciation for the region’s agricultural heritage. The resort’s design harmonizes naturally with the surroundings, featuring reading lounges overlooking manicured paddy fields, creating serene spaces for guests to unwind and reflect. As the couple immersed themselves in the tranquil beauty of Coorg, they also indulged in wellness treatments at the resort’s Ayurveda center, combining luxury with self-care. This holistic approach to their vacation reflects a broader trend among celebrities who prioritize mental well-being alongside lavish experiences. The fond memories created in this idyllic setting reinforce the notion of a harmonious lifestyle, blending personal milestones with cultural appreciation, a sentiment echoed by the resort’s management, who eagerly anticipates the couple’s return to this enchanting retreat in the future."},"img":{"url":"https://images.prismic.io/prad/aeJkjZ1ZCF7ETUCc_vijayrashmika.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T10:25:00+0000","embed":{"embed_url":null}},"uid":"vijay-deverakonda-and-rashmika-mandannas-opulent-coorg-retreat-a-celebration-of--mo32g7lx"}},{"node":{"data":{"title":{"text":"Delhi HC Supports Allu Arjun"},"content":{"text":"The Delhi High Court on Friday said it will pass orders to protect the personality and publicity rights of Telugu actor Allu Arjun against the unauthorised use of his name, image, and other attributes across digital platforms.   A single-judge Bench of Justice Tushar Rao Gedela, after hearing the suit filed by the actor alleging unauthorised commercial exploitation of his identity, indicated that an interim order would be passed to restrain the misuse of his personality traits, including his name, voice, and likeness, without his consent.  During the hearing, Justice Gedela initially questioned the maintainability of the plea before the Delhi High Court, remarking on the geographical distance between the national capital and the actor’s home state of Telangana.  In response, counsel appearing for Arjun submitted that the alleged infringement was taking place across the country through digital platforms, thereby justifying the invocation of jurisdiction.  Senior advocate Swathi Sukumar, representing the actor, argued that the scale and nature of misuse were alarming, particularly with the emergence of artificial intelligence (AI)-driven tools. She apprised the Delhi High Court of instances involving unauthorised sale of merchandise, circulation of obscene content, and the use of AI-generated likenesses of the actor.  The senior counsel also referred to a mobile application, which allegedly enables users to interact with an AI-generated version of Arjun through video calls. She cautioned that such tools could potentially be misused for fraudulent activities by impersonating the actor.  During the hearing, the Delhi High Court was also informed that certain defendants had acted upon receiving the plaint.  On the issue of the scope of relief, counsel for intermediaries urged the single-judge Bench to refrain from granting a global injunction at this stage, as the issue is presently under consideration before a Division Bench, and Justice Gedela appeared to agree with the submission.  The development comes in a suit seeking an injunction against multiple defendants, including intermediaries and commercial entities, accused of facilitating unauthorised use of the actor’s persona for commercial gain.  The Delhi High Court is expected to pass a detailed interim order laying down directions to curb the alleged misuse of Arjun’s personality rights across platforms.  The Allu Arjun case adds to a growing list of high-profile personalities invoking their personality and publicity rights before the Delhi High Court. In recent months, former India cricketer and current head coach Gautam Gambhir, former India captain Sunil Gavaskar, spiritual leader and Art of Living founder Sri Sri Ravi Shankar, kathavachak Aniruddhacharya Maharaj, actors Nagarjuna, Kajol, Aishwarya Rai Bachchan, and Abhishek Bachchan, singer Jubin Nautiyal, film-maker Karan Johar, and podcaster Raj Shamani have secured court protection against the unauthorised use of their identity, likeness, or AI-generated imitations. "},"img":{"url":"https://images.prismic.io/prad/aYtqRN0YXLCxVqTk_alluarjun.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T09:35:00+0000","embed":{"embed_url":null}},"uid":"delhi-hc-supports-allu-arjun"}},{"node":{"data":{"title":{"text":"Pooja Bhatt's Journey After Divorce"},"content":{"text":"After her divorce, actor and filmmaker Pooja Bhatt has embraced independence and personal growth. She described this phase as deeply fulfilling, relishing the freedom and liberation of being single.  Bhatt emphasized her enjoyment of being the captain of her own ship, allowing her to focus on her passions such as work, travel, and simple joys like books and companionship. She also highlighted the spiritual significance of discovering fitness later in life. Despite her independence, Bhatt emphasized her belief in love and the importance of self-understanding.  On the professional front, she has made a strong mark in the digital entertainment world with projects like Bombay Begums and Big Girls Don't Cry. Bhatt also shared insights into the realities of showbiz, emphasizing the need to prepare newcomers for the challenges and uncertainties in the industry."},"img":{"url":"https://images.prismic.io/prad/Z2k325bqstJ98yC0_poojabhatt.JPG?auto=format,compress"},"datetime":"2026-04-17T09:31:00+0000","embed":{"embed_url":null}},"uid":"embracing-independence-pooja-bhatts-journey-after-divorce-mo32gfhb"}},{"node":{"data":{"title":{"text":"Tamannaah shares Midnight stories"},"content":{"text":"Tamannaah shared a glimpse of her late-night routine, revealing how painting her nails in the middle of the night still reminds her of her childhood days. Tamannaah took to her Instagram stories at 3.02 AM, where she shared a glimpse of her freshly painted nails. Adding the time, the actress wrote: “Me painting my nails in the middle of the night is basically me from my childhood.” The actress was recently seen in O'Romeo, a romantic action thriller directed by Vishal Bhardwaj. The film is based on the book Mafia Queens of Mumbai by Hussain Zaidi. The film stars Shahid Kapoor, Triptii Dimri, Nana Patekar, Avinash Tiwary, Tamannaah Bhatia, Disha Patani and Farida Jalal, with Vikrant Massey in a special appearance."},"img":{"url":"https://images.prismic.io/prad/ZqDaGh5LeNNTxc_D_tamanna2028.JPG?auto=format,compress"},"datetime":"2026-04-17T04:39:00+0000","embed":{"embed_url":null}},"uid":"tamannaahs-midnight-childhood-memory"}},{"node":{"data":{"title":{"text":"When Akshay struggled to pay Rs 75"},"content":{"text":"In a special Mumbai-themed episode of Wheel of Fortune, Bollywood superstar and host of the show, Akshay Kumar shared his personal connection to the city, saying, “Mujhe Mumbai shahar ne bahut kuch diya hai.” He reminisced about the time when he first arrived in Mumbai, highlighting that he came to the city in 1970 at the age of just three. He recalled staying in a chawl in Sion Koliwada and shared, “Shurvat jo hoti hai vakai mein ye jo shahar hai na, ye kamaal ka shahar hai, iske mitti ke ander ek aisi cheez hai ki ye kisi ko bhi neeche se ek dum upar fek deti hai, aur kisi ko kabhi upar se ek dum neeche fek deti hai.” He also shared a glimpse of his humble beginnings, “Main jaha pe rehta tha, waha bhada tha 75 rupees mahine ka, par vo bhi thodi mushkil ho jaati thi, aur ye karte karte aur waha se aaj Bhagwan ki daya se Juhu main rehte hai.” He added, “Samajh mein nahi aata, lekin maine ye dekha hai jo apne sath imaandaari, mehanat se, aur lagan se kaam karta rehta hai aur maano na maano discipline se kaam karta rehta hai uske liye ye shahar bahut kamaal ka hai.” Akshay further emphasised that the city has lessons for everyone, including those on the wrong path, “Shaitani, badmashi, cheating aur frauds ye sab kahi na kahi neeche aa hi jaata hai.” Expressing gratitude, he said, “Iss shahar ne bahut kuch diya hai mere aur mere poore parivaar ko.” Turning to the audience with an emotional and motivating message, Akshay concluded, “Aur jitne log aaj yahan baithe hai aur jo aaj dekh rahe hai, ye shahar sab ke liye hai, iske paas sab ke liye bahut saari cheezein dene ke liye hai, bas aapko emaandari se kaam karte raho aur mahanat karte raho kahi na kahi aap ke liye kuch likha hai, milta hai.” This heartfelt conversation highlighted Akshay Kumar’s deep bond with Mumbai and served as an inspiring message for viewers."},"img":{"url":"https://images.prismic.io/prad/1b58c688-6fc3-4f5d-8dd5-9aa6c6c8676e_akshay+kumar.JPG?auto=format,compress"},"datetime":"2026-04-17T03:30:00+0000","embed":{"embed_url":null}},"uid":"akshay-struggled-to-pay-rs-75-as-rent"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Amul Served Contaminated Curd on Vande Bharat!"},"content":{"text":"The Indian Railway Catering and Tourism Corporation (IRCTC) has taken action against Amul, a leading dairy brand, after live worms were reportedly found in its packaged curd served to a passenger on the Patna-Tatanagar Vande Bharat Express.  Following a rebuke from the railway ministry, IRCTC has not only imposed significant fines on itself and the service provider, Krishna Enterprises, but also directed the termination of the contract. In a statement, IRCTC expressed grave concern over the quality of Amul curd served on the train and announced the initiation of the process to terminate the contract and blacklist the train's licensee.  Amul has been summoned to explain the quality concerns related to its curd on March 27. IRCTC declined to disclose Amul's explanation. There has been no immediate response from Amul.  The incident occurred when a group of passengers discovered live worms and insects in an Amul packaged curd container served with their dinner on March 15. Ritesh Singh, one of the passengers, promptly raised the issue on social media, tagging IRCTC, the railway minister, and others."},"img":{"url":"https://images.prismic.io/prad/f11a8f86-76b2-46bf-870b-dbc9fd0e7496_vandebharath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-13T09:37:15+0000","embed":{"embed_url":null}},"uid":"amul-summoned-by-irctc-over-contaminated-curd-served-on-vande-bharat-express-mnx010xn"}},{"node":{"data":{"title":{"text":"Alaya takes 150 attempt to get a pose right"},"content":{"text":"Actress Alaya F loves to stay on top of her fitness game. Through her latest social media post, the 'Jawaani Jaaneman' actress shared that she took 150 attempts to get a pose she saw on Instagram right. Posting a clip of herself attempting the post, Alaya revealed that the exercise left her with peeled elbows and nausea. \"Here’s a short glimpse of some of the 150+ attempts, peeled elbows and no stop nausea it took me to successfully do a pose I saw on Instagram (sic)\", she captioned the post. The 'Freddy' actress further stressed that she is not encouraging anyone to push their physical limit beyond the necessary point. Alaya said that it is always crucial to listen to one's body. \"PS: this is not me advocating for pushing your body even when it feels completely done. It’s always super important to listen to your body because everyone is different! so please be rest assured, I know how much to push myself and when to stop but out of all the things my teachers call me, ‘stubborn’ is my favourite Thank you for always making sure than my stubbornness is never at the cost of my safety haha @sunpreet_sing\", she went on to write. Talking about her professional commitments, Alaya will soon be a part of Hrithik Roshan-produced thriller series \"Storm\".  The much-discussed drama will have Parvathy Thiruvothu, Srishti Shrivastava, Rrama Sharma, and Saba Azad playing key characters, along with others. Suvinder Pal Vicky, Ashish Vidyarthi, Rajit Kapur, Ashok Pathak, Gautam Rode, Priyanka Setia, and Ranjan Raj have also been roped in as the ancillary cast. Talking about his next, Hrithik had shared, “What drew me to ‘Storm’ was the compelling world that Ajitpal has created. The story is raw, layered, and powerful, with unforgettable characters which will be essayed by incredibly talented actors.\""},"img":{"url":"https://images.prismic.io/prad/add-kZ1ZCF7ETBBJ_aliaf.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-09T09:42:00+0000","embed":{"embed_url":null}},"uid":"alaya-takes-150-attempt-to-get-a-pose-right"}},{"node":{"data":{"title":{"text":"Are Milk Mixes and Gummies Really Essential for Kids?"},"content":{"text":"In light of World Health Day's theme 'Together For Health. Stand With Science', concerns have been raised by doctors over the promotion of milk/energy mixes and multivitamin gummies for children's growth by 'mom influencers' on social media. These products are being endorsed without scientific backing, leading to potential risks.  Health experts caution that many milk mixes are sugary, ultra-processed powders, while multivitamin supplements should only be given when prescribed, preferably in syrup or chewable tablet form. Gummies, often promoted as supplements, pose a higher risk of dental decay.  Dr. L Swapna, head of Neonatology at Niloufer Hospital, emphasized that these products are misleading parents about children's nutritional needs. She highlighted the risk of dental cavities and early-onset obesity associated with these products. Additionally, gummies are seen as candy-like supplements that can contribute to tooth decay and unhealthy eating habits, offering little beyond a balanced diet.  Dr. Swapna stressed the importance of using multivitamins only for specific deficiencies under a doctor's guidance, as over-reliance can lead to dietary limitations. She also emphasized the misleading claims about the need for extra protein in children's diets, stating that a balanced diet consisting of natural, home-cooked foods is sufficient. Paediatrician Dr. Sivaranjani Santosh echoed the need for stricter regulation of marketing practices for such products. Overall, the emphasis remains on the importance of a balanced diet rooted in evidence-based choices, rather than succumbing to influencer-driven trends."},"img":{"url":"https://images.prismic.io/prad/adVECezlhpBNhbBY_milkmixes.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T14:41:19+0000","embed":{"embed_url":null}},"uid":"are-milk-mixes-and-gummies-really-essential-for-kids-expert-doctors-weigh-in-mnoq8y9d"}},{"node":{"data":{"title":{"text":"How Sleep Deprivation and Stress Elevate Seizure Risks"},"content":{"text":"Recent revelations from the medical community underscore a critical yet often overlooked correlation between sleep deprivation, stress, and the heightened risk of seizures. Experts assert that inadequate sleep and chronic stress do not merely detract from overall wellbeing; they actively destabilize the brain's electrical activity, making seizures more likely. This alarming relationship calls for a reevaluation of how individuals living with epilepsy manage their conditions, highlighting the importance of lifestyle factors that often go unrecognized in traditional treatment plans. The mechanics behind this connection are becoming clearer as researchers delve deeper into the brain's complex functioning. Sleep is not just a passive state; it is a period of vital restoration during which the brain recalibrates its electrical impulses and chemical balances. Dr. Vivek Barun emphasizes that insufficient rest increases neuronal excitability, thereby lowering the seizure threshold. Groundbreaking studies, including those from the National Institutes of Health, demonstrate that even a single night of poor sleep can significantly elevate the propensity for seizures, particularly in conditions like Juvenile Myoclonic Epilepsy, where disrupted sleep is often followed by morning seizures. Stress, frequently underestimated as a seizure trigger, compounds the issue and exacerbates the effects of sleep loss. Elevated cortisol levels, resulting from daily pressures, disrupt normal sleep patterns and can alter neurotransmitter balances in the brain. Dr. Praveen Gupta points out that chronic stress can create a feedback loop where poor sleep increases stress, and heightened stress impairs sleep, further destabilizing the individual’s neurological state. The cumulative effect of these factors often slips under the radar, as they manifest not through overt symptoms but rather through subtle shifts in daily habits and health. Moreover, the spectrum of seizure triggers extends beyond the obvious, masking themselves in seemingly benign daily activities. Habits such as late-night screen time, erratic meal schedules, and emotional fatigue contribute to a deteriorating health landscape that can lead to increased seizure activity. Dr. Gupta stresses the necessity of acknowledging these lifestyle components, asserting that effective epilepsy management must encompass both medical treatment and lifestyle modifications. By fostering a more comprehensive approach to managing health, patients can reclaim a sense of control over their conditions, moving beyond reliance on pharmacological interventions alone."},"img":{"url":"https://images.prismic.io/prad/360ab690-db05-40eb-851a-3a17c7a9b0a5_sleep.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-05T18:30:00+0000","embed":{"embed_url":null}},"uid":"unseen-triggers-how-sleep-deprivation-and-stress-elevate-seizure-risks-mnn53iby"}},{"node":{"data":{"title":{"text":"Breathing easy: Unmasking the silent crisis in lung health"},"content":{"text":"Despite the instinctive nature of breathing, many individuals are blissfully unaware that their lungs may be underperforming. Even when breathing feels normal, hidden deficiencies often lurk beneath the surface, with symptoms such as unexplained fatigue and mild breathlessness acting as subtle indicators that lung health is compromised. According to Dr. Harish Verma, Associate Director of Pulmonary Medicine and Critical Care at ShardaCare-Healthcity, the gap between merely breathing and breathing well can significantly impact overall health, energy levels, and immune function over time. This discrepancy serves as a crucial reminder that normalcy in respiration does not equate to optimal lung performance. The complexities of modern living exacerbate the challenge of maintaining lung health. Factors such as sedentary lifestyles, air pollution, and prolonged periods of inactivity can lead to a gradual decline in lung capacity and efficiency. Research from the National Institutes of Health has established a direct correlation between urban air pollution and diminished lung function across demographics, while the Ministry of Health and Family Welfare has raised alarms about rising respiratory issues tied to poor air quality. This insidious decline often occurs without immediate symptoms, allowing individuals to unknowingly neglect their lungs until more serious conditions develop. Moreover, the body communicates its distress through subtle, often overlooked signs. Symptoms such as unexplained fatigue, shortness of breath during minor exertions, and persistent coughing do not typically register as urgent health concerns yet collectively suggest that lung function may be faltering. The modern lifestyle, characterized by indoor pollution, stress, and inadequate physical activity, further complicates lung health. As these factors contribute to chronic respiratory issues, awareness and proactive measures become imperative for individuals seeking to reclaim their respiratory well-being. Improving lung function may hinge on consistent lifestyle changes rather than reactive treatments. Simple yet effective practices such as regular physical activity, deep breathing exercises, and enhancing indoor air quality can lead to significant improvements in lung capacity. Experts emphasize the importance of maintaining cardiovascular health, as compromised heart function can further hinder respiratory efficiency. With a clear understanding of the intricate relationship between heart and lung health, individuals can better appreciate the nuanced signals their bodies provide, ensuring that attention to lung function becomes a central aspect of their overall wellness strategy."},"img":{"url":"https://images.prismic.io/prad/9b1e08c5-cb92-457a-aa25-c12819d24d17_lungs.JPG?auto=format,compress"},"datetime":"2026-04-02T12:37:00+0000","embed":{"embed_url":null}},"uid":"breathing-easy-unmasking-the-silent-crisis-in-lung-health-mnhrcq7h"}},{"node":{"data":{"title":{"text":"Hidden Dangers of Kidney Damage"},"content":{"text":"Kidney disease represents a growing health crisis, often developing unnoticed until significant damage has occurred. Medical professionals emphasize that the kidneys can sustain substantial harm without presenting overt symptoms, making it crucial for individuals to remain vigilant about their renal health. Factors such as excessive salt intake, a diet high in processed foods, and the misuse of over-the-counter painkillers can exacerbate the risk, particularly for those with pre-existing conditions such as diabetes and hypertension. Experts warn that the lack of noticeable signs can lull many into a false sense of security, allowing the disease to progress unchecked. Dr. Sumiran Mahajan, a consultant nephrologist at KIMS Hospitals, highlights that preventive measures play a vital role in kidney health. Routine medical check-ups often reveal kidney issues before patients are aware of any problems. He notes that even seemingly minor habits, like excessive consumption of salty foods, can significantly strain these vital organs. The absence of symptoms in the early stages makes routine screenings and blood pressure and sugar level monitoring essential tools in combating this silent threat to health. The insidious nature of kidney disease is compounded by lifestyle choices and genetic predispositions. Dr. Nikhil Bhasin, a consultant nephrologist at Wockhardt Hospitals, explains that kidney damage can progress quietly due to the organ's remarkable ability to adapt, often until irreversible harm has occurred. Symptoms such as mild swelling in the extremities, fatigue, or changes in urination patterns may eventually arise, but are frequently dismissed as inconsequential. This unawareness extends to individuals with a family history of kidney problems, who may be at heightened risk yet remain uninformed of the implications. Health check-ups, including simple urine and blood tests, are imperative for early detection and intervention. These assessments can reveal potential issues long before severe damage occurs, allowing for timely lifestyle modifications and medical treatments. By prioritizing awareness and health monitoring, individuals can mitigate risks, but it requires a collective effort to educate the public about the silent yet significant dangers posed by kidney disease and the critical steps necessary for prevention."},"img":{"url":"https://images.prismic.io/prad/368e3acb-6528-4189-a652-46a6508305db_kidneys.JPG?auto=format,compress"},"datetime":"2026-03-31T17:23:13+0000","embed":{"embed_url":null}},"uid":"the-silent-epidemic-unveiling-the-hidden-dangers-of-kidney-damage-mnevy6wz"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Fake Gay Claims Used to Game Immigration System"},"content":{"text":"An investigation by BBC reporters has exposed a clandestine network operating in the UK, where immigration advisers are allegedly charging migrants from Pakistan and Bangladesh hefty sums to falsely assert their homosexuality in order to secure asylum.  Undercover journalists, posing as students from the aforementioned countries, approached immigration advisers as their visas neared expiration. Despite lacking legitimate asylum grounds, they were offered 'packages' costing up to £7,000 to construct a fabricated case based on sexual orientation. The advisers reportedly offered to provide a letter and staged photographs as evidence, emphasizing that personal testimony and supporting documents could be manipulated to create a convincing claim.  Furthermore, they pitched the prospective long-term benefits of a successful claim, including the ability to live, work, and claim benefits in the UK. The investigation also revealed the alleged end-to-end fabrication process, from scripting personal histories to arranging visual proof such as attending LGBTQ+ events and being photographed at clubs to support their claims.  Additionally, the report shed light on meetings organized by Worcester LGBT, a group that supports asylum seekers, where several attendees privately admitted they were not gay. The rise in asylum applications from Pakistani and Bangladeshi nationals in the UK, particularly among students and work visa holders, has raised questions, especially as data cited in the report indicates a surge in asylum claims based on sexual orientation from these countries.  Pakistan recorded the highest number of such claims, followed by Bangladesh in 2023."},"img":{"url":"https://images.prismic.io/prad/e510ec99-d8a4-4e07-99d9-a9f77667a7ab_scam.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T18:30:00+0000","embed":{"embed_url":null}},"uid":"uk-immigration-scam-false-gay-claims-by-pakistan-bangladesh-students-uncovered-mo2pi9r0"}},{"node":{"data":{"title":{"text":"Urge to Scrap OPT"},"content":{"text":"A US Republican senator has urged President Donald Trump to scrap a key work permit programme for foreign students, arguing it harms American graduates and poses national security risks, particularly from China.  Senator Rick Scott, in a letter to Trump, praised the administration’s reported move to curb or eliminate the Optional Practical Training (OPT) programme, calling it a “matter in desperate need of your attention”. “These foreign student work permits not only harm the job prospects of recent college graduates, but are also abused by and create a serious national security risk from a self-declared enemy nation – Communist China,” Scott wrote. The Florida senator said young Americans are increasingly struggling in the job market. “In the past, recent graduates had a lower unemployment rate than the general population, but since 2020, this has no longer been the case,” he said. He pointed to particular challenges for STEM graduates. “The jobless rate for recent graduates with computer engineering degrees is nearly double the general unemployment rate,” Scott noted, adding that unemployment among computer science graduates is “over 50% higher than the general jobless rate.” Scott argued that foreign competition under the OPT programme is exacerbating the situation. “Right now, over half a million student visa holders have OPT work permits,” he wrote, adding that the permits “allow foreign students to compete with Americans for American jobs” and remain in the country after graduation. The senator also flagged security concerns tied to the programme. Citing the Citizenship and Immigration Services Ombudsman, he said the OPT system is “currently being used by government actors from countries such as [China] as a means of conducting espionage and technology transfer”. According to the letter, more than 33,000 Chinese nationals hold STEM OPT permits that allow them to stay in the United States for durations comparable to H-1B visas. Many work in universities and major technology firms, giving them access to “sensitive technological information and intellectual property,” Scott said. “We cannot continue opening the door to an enemy nation that will happily use our own research against us,” he added. Scott further argued that the OPT programme lacks a statutory basis. “The OPT program should not exist; it is a purely regulatory creation with no statutory basis,” he wrote, citing provisions of the Immigration and Nationality Act that define student visas as “solely” for education. He also criticised the origins of the STEM OPT extension, describing it as a workaround to bypass limits on H-1B visas imposed by Congress. The senator welcomed indications that the Trump administration is preparing regulatory action. He cited a Department of Homeland Security announcement that it “will amend existing regulations to address fraud and national security concerns, (and) protect US workers from being displaced by foreign nationals”. Scott said he was “eager to see this rule language” and reiterated support for the administration’s efforts to “protect American jobs and American families”."},"img":{"url":"https://images.prismic.io/prad/ad9LiJ1ZCF7ETM5K_ussenator.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-15T01:25:00+0000","embed":{"embed_url":null}},"uid":"us-senator-urges-trump-to-scrap-opt-program"}},{"node":{"data":{"title":{"text":"Iran to Prioritize Care for Indian Nationals"},"content":{"text":"Iran's Representative in India, Abdul Majid Hakeem Ilahi, expressed his commitment to prioritizing the well-being of Indian citizens. He emphasized that Iran had worked closely with the Indian embassy in Tehran to support students and visitors during heightened conflict. Additionally, Iran and the United States are scheduled to engage in direct talks in Islamabad, Pakistan, aiming to alleviate recent hostilities.  Meanwhile, the Delhi High Court addressed certain tweets by journalist Rana Ayyub, deeming them derogatory, inflammatory, and communal. In response to the recent ceasefire between the United States and Iran, India's Ministry of External Affairs expressed hope for lasting peace in West Asia. The ceasefire announcement led to a significant drop in crude oil prices and a rally in global markets, resulting in a sharp rise in India's equity benchmark indices.  Furthermore, Russia's Foreign Ministry spokeswoman, Maria Zakharova, asserted that the United States and Israel's aggressive attack on Iran resulted in a resounding defeat. Telcos are anticipated to face challenges due to rising smartphone prices and the transition of subscribers in the Indian market. Lastly, Israeli Opposition leader described the Iran ceasefire as a political disaster. These developments underscore the significance of international relations and their impact on various sectors."},"img":{"url":"https://images.prismic.io/prad/1036340e-8ea8-499b-ac83-859efb80353e_NRI.jpg?auto=format%2Ccompress&rect=0%2C20%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-04-08T17:30:42+0000","embed":{"embed_url":null}},"uid":"iranian-representative-in-india-vows-to-prioritize-care-for-indian-nationals-mnqbqmqa"}},{"node":{"data":{"title":{"text":"Indian American makes Washington DC mayor ballot"},"content":{"text":"Rini Sampath, a Tamil Nadu-born candidate, has become the first South Asian person to secure a place on the ballot for Mayor of Washington, DC, marking a milestone in the city’s political history.  Sampath, who was born in Theni in India and moved to the United States at the age of seven, said the moment carried personal and broader community significance. “It’s so meaningful to me to be the first South Asian person to make the ballot for DC Mayor. I moved to the United States when I was seven years old in pursuit of the American dream, and I’m in this race to make sure that dream actually works for DC residents,” she said. Her campaign confirmed that more than 4,500 people signed her petition to qualify for the ballot. “I’m thrilled to have had over 4,500 people sign my petition to get me on the ballot for DC Mayor. South Asians contribute so much to our economy but see very little representation in government. I hope my candidacy inspires others to run and do good for their neighbours, and I hope you’ll join our campaign,” Sampath said. According to campaign material, Sampath is a 31-year-old government contractor who has lived in the US capital for over a decade. She has positioned her campaign around basic civic services and governance reforms. “As Mayor, my priority will be to make sure our city lives up to its basic commitments to our residents: Fill the potholes. Stop the catastrophic wastewater spill in the Potomac. Lower prices. Improve 911 wait times,” she said, outlining her agenda. Her campaign slogan underscores this focus, emphasising fixing basic services, strengthening neighbourhoods, and lowering the cost of living. In her campaign messaging, Sampath draws a contrast with what she describes as entrenched leadership in City Hall. “Why would you give a promotion to someone who has failed at the basic functions of their job?” she said, referring to the “current front runners in the DC Mayors race” as “political insiders who have served on the city council for years.” She added, “We all know DC government is broken,” pointing to recent snowstorms that left “streets and sidewalks… unpassable and dangerous,” with “trash piled up” and “waterlines burst because of aging infrastructure.” Sampath has also framed her candidacy as that of an outsider. “I’m not a politician. I’m not backed by any special interest groups. I’m a federal contractor who spent my career improving government programs and citizen services,” she said. “We need someone new. We need to go back to basics and fix our roads and sidewalks and city services.” Her personal story features prominently in her campaign narrative. Born in Tamil Nadu, she describes her roots as central to her public service motivation. “My grandfather has always been a driving force for me and a source of inspiration,” she said. She also credited her father’s decision to move the family to the United States, saying it shaped her outlook on opportunity and responsibility. Washington, DC operates under a mayor-council system, where the mayor serves as the chief executive of the District. The Democratic primary is often decisive in the city, given the party’s strong voter base. Sampath’s entry into the race reflects a broader trend of increasing political participation by Indian Americans and other South Asian communities in US local and national politics. While representation at higher levels has grown in recent years, including in Congress and state offices, mayoral races in major US cities have seen fewer candidates from the community."},"img":{"url":"https://images.prismic.io/prad/adDYk5GXnQHGZQ_P_ranisampath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-04T02:23:00+0000","embed":{"embed_url":null}},"uid":"indian-american-makes-washington-dc-mayor-ballot"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"Maa Inti Bangaaram: Thassadiya Song"},"img":{"url":"https://images.prismic.io/prad/aeHWGJ1ZCF7ETRjV_thassadiyasong.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T06:41:00+0000","third_party_url":null},"uid":"maa-inti-bangaaram-thassadiya-song"}},{"node":{"data":{"title":{"text":"Swayambhu: 'Rara Dheevara' song "},"img":{"url":"https://images.prismic.io/prad/aeEWkp1ZCF7ETQsP_RaaRaaDhevara.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T17:04:00+0000","third_party_url":null},"uid":"swayambhu-rara-dheevara-song"}},{"node":{"data":{"title":{"text":"Lenin: Yetta Yetta Video Song"},"img":{"url":"https://images.prismic.io/prad/aeEOe51ZCF7ETQpS_yettayetta.JPG?auto=format,compress"},"datetime":"2026-04-16T10:30:00+0000","third_party_url":null},"uid":"lenin-yetta-yetta-video-song"}},{"node":{"data":{"title":{"text":"'Srinivasa Mangapuram' Teaser"},"img":{"url":"https://images.prismic.io/prad/aeC_SZ1ZCF7ETPku_srinivasmangapuramteaser.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-16T06:52:00+0000","third_party_url":null},"uid":"srinivasa-mangapuram-teaser"}},{"node":{"data":{"title":{"text":"‘Krishnavataram’ trailer"},"img":{"url":"https://images.prismic.io/prad/ad9mUp1ZCF7ETNQC_krishnavataram.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-15T10:20:00+0000","third_party_url":null},"uid":"krishnavataram-trailer"}},{"node":{"data":{"title":{"text":"CBN Inaugurates Quantum Reference Facility"},"img":{"url":"https://images.prismic.io/prad/ad7yZp1ZCF7ETMoD_Auantum.png?auto=format%2Ccompress&rect=0%2C0%2C553%2C273&w=2028&h=1000"},"datetime":"2026-04-14T19:30:00+0000","third_party_url":null},"uid":"cbn-inaugurates-quantum-reference-facility"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Why Women’s Reservation Quota Bill Failed?"},"img":{"url":"https://images.prismic.io/prad/aeJN7p1ZCF7ETT32_womensreservationbill.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T14:32:00+0000","third_party_url":null},"uid":"why-womens-reservation-quota-bill-failed"}},{"node":{"data":{"title":{"text":"Ignoring Loyalists:A Recipe For Political Ruin"},"img":{"url":"https://images.prismic.io/prad/aeHb951ZCF7ETRkW_jeevanrevanth.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T07:06:00+0000","third_party_url":null},"uid":"ignoring-loyalists-a-recipe-for-political-ruin"}},{"node":{"data":{"title":{"text":"Linking Delimitation with Women's Reservation: What an Idea, Sir ji"},"img":{"url":"https://images.prismic.io/prad/Zmk2ZZm069VX1qJd_loksabha.JPG?auto=format,compress"},"datetime":"2026-04-16T08:02:00+0000","third_party_url":null},"uid":"linking-delimitation-with-womens-reservation-what-an-idea-sir-ji"}},{"node":{"data":{"title":{"text":"From Responsible Statecraft To Performative Diplomacy"},"img":{"url":"https://images.prismic.io/prad/ad9HfJ1ZCF7ETM3E_trumpmodiHormuzStrait.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-15T08:20:00+0000","third_party_url":null},"uid":"from-responsible-statecraft-to-performative-diplomacy"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-07-26T17:32:57+0000","data":{"title":{"text":"Priyanka Jawalkar Spicy Stills"},"content":{"text":"Priyanka Jawalkar is an Indian actress and model who works in Telugu cinema. She made her acting debut with Kala Varam Aaye. She then appeared in Taxiwala and Thimmarusu. Jawalkar received Filmfare Award for Best Supporting Actress – Telugu nomination for her performance in Gamanam."},"img":{"url":"https://images.prismic.io/prad/aIT6gFGsbswqTR74_priya2028.JPG?auto=format,compress"}},"uid":"priyanka-jawalkar-spicy-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Ignoring Loyalists:A Recipe For Political Ruin"},"content":{"text":"“The stability of any political regime depends on the loyalty of its 'inner core', once the elite starts to fragment, the collapse of the structure is inevitable” The above Theda Skocpol, a Sociologist and Political Scientist’s wisdom perfectly encapsulates that a political party’s downfall isn't just about an external \"attack\" from its opponents but about the internal rot of its leadership. The sociologist argues that a political party becomes vulnerable when its loyalist elites start to \"fragment\" or split apart. History often repeats itself in politics, and for the Congress, the ghosts of the past are reappearing in Telangana. A decade ago, the party ignored Himanta Biswa Sarma, a senior strategist in Assam. His defection to the BJP didn't just flip one state; it triggered a \"domino effect\" across the Northeast and led to a nationwide \"bleed\" of over 150 top leaders who felt unheard. Today, Telangana is witnessing a startlingly similar crisis. After 40 years of loyalty, T. Jeevan Reddy has walked away to join the BRS, signalling a deep fracture in the party's foundation. Like Sarma, Reddy was a trusted lieutenant who reportedly felt humiliated and sidelined by the current state leadership. The core of the issue is a \"lesson not learned.\" While the Congress spent ten years in the political wilderness in almost losing its relevance in Telangana, it finally fought its way back to power, only to risk it all by favouring newcomers over its own veterans. Reddy was reportedly incensed that \"turncoats\" like Sanjay Kumar, a former rival, were inducted and rewarded while the old guard was silenced. By hoarding power at the top and making decisions behind closed doors, the T-Congress leadership is wittingly creating a vacuum. For the BRS, this is a golden opportunity to strike. Experts see Reddy as the \"first domino\" whose exit could encourage other disgruntled loyalists, who are silently dissenting, to jump ship. Reddy isn't just an angry leader; he is a strategic weapon. Having spent decades inside the Congress, his critiques of Chief Minister Revanth Reddy's style may carry far more weight than typical opposition talk. His reconciliation with KCR creates a powerful new image of \"Telangana Unity\" that could pull in neutral voters. Ultimately, by labelling this exit a \"betrayal\" instead of fixing its broken feedback system, the Congress is handing the \"Telangana Pride\" narrative back to the BRS. If the party fails to manage its veterans, it risks turning a hard-won victory into a short-lived comeback, proving once again that ignoring the \"loyalists\" is a recipe for political ruin. The Congress in Telangana is currently a house divided between \"Loyalists\" (the old guard who stayed through a decade of irrelevance) and the ‘Outsiders” (TDP- and BRS defectors who are now being rewarded with power). By sidelining lifers like Jeevan Reddy, the very people who kept the Congress breathing during its decade in the wilderness, a leadership that is ironically viewed as \"outsider\" is effectively committing political suicide, dismantling the party's core stability from the inside out. This fragmentation is subtly turning the loyalists into bitter rivals, exactly the kind of \"elite split\" Skocpol identifies as a precursor to total collapse. This  famous couplet captures the specific folly of T-Congress leadership’s self-inflicted ruin: \"Humein toh apno ne loota, gairon mein kahan dum tha/Meri kashti wahan doobi, jahan paani kam tha”( I was robbed by my own people, for the outsiders lacked the strength/My boat sank in a place where the water was barely deep)."},"img":{"url":"https://images.prismic.io/prad/aeHb951ZCF7ETRkW_jeevanrevanth.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T07:06:00+0000","embed":{"embed_url":null}},"uid":"ignoring-loyalists-a-recipe-for-political-ruin"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Delhi HC Supports Allu Arjun"},"content":{"text":"The Delhi High Court on Friday said it will pass orders to protect the personality and publicity rights of Telugu actor Allu Arjun against the unauthorised use of his name, image, and other attributes across digital platforms.   A single-judge Bench of Justice Tushar Rao Gedela, after hearing the suit filed by the actor alleging unauthorised commercial exploitation of his identity, indicated that an interim order would be passed to restrain the misuse of his personality traits, including his name, voice, and likeness, without his consent.  During the hearing, Justice Gedela initially questioned the maintainability of the plea before the Delhi High Court, remarking on the geographical distance between the national capital and the actor’s home state of Telangana.  In response, counsel appearing for Arjun submitted that the alleged infringement was taking place across the country through digital platforms, thereby justifying the invocation of jurisdiction.  Senior advocate Swathi Sukumar, representing the actor, argued that the scale and nature of misuse were alarming, particularly with the emergence of artificial intelligence (AI)-driven tools. She apprised the Delhi High Court of instances involving unauthorised sale of merchandise, circulation of obscene content, and the use of AI-generated likenesses of the actor.  The senior counsel also referred to a mobile application, which allegedly enables users to interact with an AI-generated version of Arjun through video calls. She cautioned that such tools could potentially be misused for fraudulent activities by impersonating the actor.  During the hearing, the Delhi High Court was also informed that certain defendants had acted upon receiving the plaint.  On the issue of the scope of relief, counsel for intermediaries urged the single-judge Bench to refrain from granting a global injunction at this stage, as the issue is presently under consideration before a Division Bench, and Justice Gedela appeared to agree with the submission.  The development comes in a suit seeking an injunction against multiple defendants, including intermediaries and commercial entities, accused of facilitating unauthorised use of the actor’s persona for commercial gain.  The Delhi High Court is expected to pass a detailed interim order laying down directions to curb the alleged misuse of Arjun’s personality rights across platforms.  The Allu Arjun case adds to a growing list of high-profile personalities invoking their personality and publicity rights before the Delhi High Court. In recent months, former India cricketer and current head coach Gautam Gambhir, former India captain Sunil Gavaskar, spiritual leader and Art of Living founder Sri Sri Ravi Shankar, kathavachak Aniruddhacharya Maharaj, actors Nagarjuna, Kajol, Aishwarya Rai Bachchan, and Abhishek Bachchan, singer Jubin Nautiyal, film-maker Karan Johar, and podcaster Raj Shamani have secured court protection against the unauthorised use of their identity, likeness, or AI-generated imitations. "},"img":{"url":"https://images.prismic.io/prad/aYtqRN0YXLCxVqTk_alluarjun.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T09:35:00+0000","embed":{"embed_url":null}},"uid":"delhi-hc-supports-allu-arjun"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Love in Coorg: Vijay–Rashmika"},"content":{"text":"In a lavish celebration that seamlessly blended romance and cultural heritage, Rashmika Mandanna celebrated her 30th birthday alongside her husband, Vijay Deverakonda, in the picturesque hills of Coorg. Their visit to the famed Evolve Back Coorg, a luxury plantation resort nestled in the Western Ghats, marked a significant occasion following their wedding on February 26 in Udaipur. This getaway not only served as a honeymoon extension but also as an intimate introduction for Deverakonda to Mandanna's roots, underscoring the couple's commitment to honoring their shared journey and individual backgrounds. During their luxurious stay, which attracts a nightly rate of around ₹1 lakh, the couple enjoyed the resort's exquisite amenities, including private villas and a stunning infinity pool that overlooks lush coffee and spice plantations. Evolve Back Coorg, formerly known as Orange County, provides an immersive experience that reflects the rich cultural tapestry of the Kodava community. The resort expressed its delight in hosting such a well-known pair, emphasizing how Mandanna's pride in her heritage shone through as she showcased her traditional attire—a Coorgi saree—at a reception held in honor of their union. Coorg, known for its breathtaking landscapes and coffee plantations, offers a unique blend of nature and culture, making it a coveted destination for both relaxation and exploration. Evolve Back Coorg enhances this experience with its Sidapur Coffee and Culture Museum, where guests can delve into the history of coffee cultivation and its significant role in local traditions. This educational venture allows visitors to connect more profoundly with the land, fostering a greater appreciation for the region’s agricultural heritage. The resort’s design harmonizes naturally with the surroundings, featuring reading lounges overlooking manicured paddy fields, creating serene spaces for guests to unwind and reflect. As the couple immersed themselves in the tranquil beauty of Coorg, they also indulged in wellness treatments at the resort’s Ayurveda center, combining luxury with self-care. This holistic approach to their vacation reflects a broader trend among celebrities who prioritize mental well-being alongside lavish experiences. The fond memories created in this idyllic setting reinforce the notion of a harmonious lifestyle, blending personal milestones with cultural appreciation, a sentiment echoed by the resort’s management, who eagerly anticipates the couple’s return to this enchanting retreat in the future."},"img":{"url":"https://images.prismic.io/prad/aeJkjZ1ZCF7ETUCc_vijayrashmika.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T10:25:00+0000","embed":{"embed_url":null}},"uid":"vijay-deverakonda-and-rashmika-mandannas-opulent-coorg-retreat-a-celebration-of--mo32g7lx"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Why Women’s Reservation Quota Bill Failed?"},"content":{"text":"The Women's Reservation Bill, (which in fact is already a legislation), that just failed in the Lok Sabha is a classic case of political bait-and-switch. While the packaging says \"Women’s Empowerment,\" the fine print is all about Delimitation, a fancy word for redrawing the parliamentary constituencies' map to make sure the electoral math always favors the ruling party. The government just tried to hand the women of India a shiny new gift box. On the outside, it was wrapped in pink ribbons and labeled “Equality & Seats. But it wasn''t really a \"Women’s Bill.\" It was a Delimitation Bill wearing a very convincing wig and heels. It was a calculated move, wherein, announce a bill for women, Sneak in a clause linking it Delimitation.  The government tried to hold the rights of 700 million women hostage to a complex math exercise designed to favor the ruling party's \"Hindi-belt\" strongholds.  It linked \"Nari Shakti\" (Women's Power) to \"Constituency Redrawing\" to ensure that if the Opposition said \"No\" to the map-rigging, it could be branded as \"Anti-Women.\" As Shashi Tharoor pointed out, it's \"Political Demonetisation.\"  They are trying to devalue the votes of successful states (like the South) while using women as a human shield.  Now, the \"servitude media\" has its headline: \"Opposition Declares War on India's Daughters.\" The real headline? \"The government fails to sell a fake gift, and tries to blame the customer.\" Why give women power today when you can give them a \"Maybe Someday\" and use it as an election slogan tomorrow."},"img":{"url":"https://images.prismic.io/prad/aeJN7p1ZCF7ETT32_womensreservationbill.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T14:32:00+0000","embed":{"embed_url":null}},"uid":"why-womens-reservation-quota-bill-failed"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Dhurandhar‍‌‍‍‌‍‌‍‍‌'"},"content":{"text":"Dhurandhar hits the audience like a cyclone—untamed, persistent, and spectacularly dhamakedaar. Aditya Dhar's latest triumph is far from just a movie; it is a once-in-a-lifetime experience, a cinematic event of the year that completely breaks the clutter of Indian espionage thrillers. With Indian heart and international standard, Dhar weaves a story full of human touch, intricacy, and spark, reaffirming that he belongs among the very few directors capable of conceiving on a grand scale while still keeping the story deeply character-driven.  Drawing inspiration from the IC-814 hijacking and the 2001 Parliament attack, the film sets the stage on a historic backdrop without wasting a moment. Dhar then skillfully expands the narrative to show the political tremors that pushed the Indian intelligence system beyond its limits. Madhavan as IB Chief Ajay Sanyal is the rock on which the story stands. His portrayal, full of precision and gravitas, earns seeti maar reactions in every scene. The dialogues are crisp, the energy is infectious, and the immersion into this high-stakes world is so real that it grips from the first frame.  One of the most striking elements is the use of archival footage, including 9/11 and other terror attacks, interspersed with chilling audio of attackers plotting against India. These sequences evoke patriotism without jingoism, reminding the audience of the stakes while highlighting India’s strategic resilience. It’s a cinematic call to awareness and courage that makes the story even more gripping.  Ranveer Singh delivers arguably his career-best performance—raw, gritty, massy, and explosively powerful. Hamza is hurt, angry, unpredictable, yet inexplicably charming. The transformation from a rage-driven youth to a cold, calculated underworld operative is executed with staggering emotional finesse. Ranveer doesn’t just perform; he literally “blows up” the screen, particularly in the latter half, becoming almost synonymous with the storyline—a 10/10 hardcore action avatar.  The supporting cast matches this energy brilliantly. Akshaye Khanna, as Rehman Dakait, is eerie, sparkling, and dreadful—a mind-is-the-weapon villain whose expressions and timing make him unforgettable. Sanjay Dutt is pure cannon fire as SP Chaudhary Aslam, “The Jinn,” bringing raw toughness to every frame. Arjun Rampal’s Major Iqbal commands attention with his silent menace, while Sara Arjun impresses in her star-studded debut. Every actor is fully into their character, creating a dangerously immersive atmosphere.  The film’s pace is relentless, thanks to Aditya Dhar’s mastery over tempo. And crucially, despite its 214-minute runtime, the length never feels distracting. Every scene is deliberate, every beat perfect, making the infiltration plan genuinely nerve-wracking. The background music is another major highlight—the BGM keeps the energy flowing continuously, never letting the audience feel a dull moment. The soundtrack is one of the strongest pillars of the film, arguably the album of the year or even the decade, turning tension, discovery, and climax into cinematic thunder.  Violence is used sparingly—just three sequences are truly explicit, each dramatically justified. The real intensity comes from the emotional stakes, character development, and political intrigue. The first half showcases masterful world-building, with the interval delivering pure goosebumps and doubling audience excitement. Post-interval, conspiracies intertwine, political power shifts, and Hamza consolidates the mafia core through strategy, betrayal, and even a calculated marriage, setting up a perfect stage for the explosive Part Two coming Eid 2026.  Jyoti Deshpande, Lokesh Dhar, and Aditya Dhar, backed by B62 Studios and Jio Studios, leave no stone unturned in creating a universe that is vast, real, and cinematically rich. Their unwavering support for large sets, hard action, bold storytelling, and a stellar ensemble cast shines in every frame, elevating Indian genre cinema to new heights.  Dhurandhar is a genre-defining spectacle that combines ferocious execution, meticulous craft, and unforgettable impact. With Aditya Dhar’s finest direction and Ranveer Singh’s career-best performance, it makes a solid case for being one of the boldest, most compelling thrillers of the year. The game is set, the pieces are moving, and the wait for Part Two is fervent—completely justified by the high stakes, breathtaking performances, and mind-blowing storytelling.  Cast: Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others  Director/Writer: Aditya Dhar"},"img":{"url":"https://images.prismic.io/prad/aTK2Z3NYClf9n2ee_dhurandar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-12-05T08:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=BKOVzHcjEIo"}},"uid":"review-dhurandhar"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఆంధ్రాకింగ్‌ తాలూకా' రివ్యూ... ఫ్యాన్స్‌ మూవీ"},"content":{"text":"రామ్‌ వరుస విజయాలతో ఎనర్జిటిక్ స్టార్‌ ఇమేజ్‌ని సొంతం చేసుకుని కెరీర్‌ ఆరంభంలో అందరి దృష్టిని ఆకర్షించాడు. కానీ గత కొంత కాలంగా ఆయన పూర్తిగా గాడి తప్పినట్లుగా కనిపిస్తున్నాడు. ఏమాత్రం ఆకట్టుకోని కథ, కథనాలను, దర్శకులను ఎంపిక చేసుకోవడంతో ఆయనకు వరుస ఫ్లాప్‌లు తప్పలేదు. ఇస్మార్ట్‌ శంకర్ తర్వాత రామ్‌ ఒక మంచి హిట్‌ కోసం ఎదురు చూస్తున్నాడు. ఆ హిట్‌ ఈ సినిమాతో వచ్చిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ :  సూర్య(ఉపేంద్ర) తెలుగు సినిమా ఇండస్ట్రీలో స్టార్‌ హీరో. అభిమానులు ఆయన్ను ఆంధ్రా కింగ్‌ అనే బిరుదుతో పిలుచుకుంటూ ఉంటారు. వరుస విజయాలు దక్కించుకుంటూ వచ్చిన సూర్యకు వందవ సినిమాకు ముందు కెరీర్‌ పరంగా ఒడిదొడుకులు ఎదుర్కోవాల్సి వస్తుంది. వరుస ఫ్లాప్స్‌ పడటంతో సూర్య ను విమర్శించే వారు, తిట్టేవారు ఎక్కువ అవుతారు. ఆయన పనైపోయిందని విమర్శిస్తూ ఉంటారు. ఆ సమయంలో సూర్య 100వ సినిమాను మొదలు పెడతాడు.  సినిమాపై అంచనాలు లేకపోవడం, అసలు సూర్య సినిమాను ఎవరు చూస్తారు అని జనాలు అనుకుంటూ ఉండటంతో ఆ సినిమా ఆర్థిక సమస్యలు ఎదుర్కొంటుంది. సినిమా పూర్తి చేయడానికి రూ.3 కోట్లు అవసరం అవుతుంది. ఆ సమయంలో సూర్యను అమితంగా అభిమానించే సాగర్‌ (రామ్‌) ముందుకు వస్తాడు. తాను ఎంతో కష్టపడి సంపాదించిన ఆస్తిని అమ్మి, ఆ డబ్బును తన అభిమాన హీరో, ఆంధ్రాకింగ్‌ సూర్యకి చేరేలా చేస్తాడు.  తీవ్ర ఆర్థిక ఇబ్బందుల్లో ఉన్న సూర్య తన అకౌంట్‌లో పడ్డ రూ.3 కోట్లు చూసి షాక్‌ అవుతాడు. ఆ డబ్బును తన అభిమాని అయిన సాగర్‌ పంపించినట్లు తెలిసి షాక్‌ అవుతాడు. తన అభిమానిని కలుసుకునేందుకు సూర్య బయలుజేరుతాడు. ఆ క్రమంలో సాగర్‌ గురించి పలు విషయాలను సూర్య తెలుసుకుంటాడు. ఒక అభిమానిని స్టార్‌ హీరో ఎలా కలుసుకున్నాడు? ఆ తర్వాత ఏం జరిగింది? అనేది కథ. నటీనటుల నటన :  రామ్‌ మొత్తం బాధ్యత తన భుజాలపై వేసుకున్నాడు. ఎప్పటిలాగే ఈ సినిమాతో మరోసారి తన ఎనర్జిటిక్ పెర్ఫార్మెన్స్‌ను చూపించాడు. సాగర్‌ పాత్రకి రామ్‌ ఎంత వరకు చేయాలో అంతకు మించి చేసినట్లుగా అనిపించింది. ఒక పాత్రను చాలా నమ్మడం వల్లే రామ్‌ ఈ స్థాయిలో కష్టపడి ఉంటాడు అనిపించింది. అతడి లుక్‌, డైలాగ్‌ డెలివరీ, యాక్షన్‌ సీన్స్ లో ఆయన ప్రజెన్స్ ఇలా ప్రతి ఒక్క ఎలిమెంట్‌లోనూ రామ్‌ ఆకట్టుకున్నాడు. అందుకే అతడు ఒక ఫ్యాన్  గా సరిగ్గా సెట్‌ అయ్యి, సినిమాను మోశాడు. సూపర్‌ స్టార్‌గా నటించిన ఉపేంద్ర తన పాత్రకు న్యాయం చేశాడు. ఒక అభిమాని కోసం వెతుక్కుంటూ వెళ్తున్న సీన్స్ లో అతడి భావోద్వేగం కనిపించింది. సినిమా కోసం అతడు పడే తపన, అతడు పడే కష్టం తాలూక డిటైల్స్ ను ఉపేంద్ర చక్కగా చూపడం జరిగింది. హీరోయిన్‌గా నటించిన భాగ్యశ్రీ బోర్సేకి తన ప్రతిభ మొత్తం చూపించే అవకాశం దక్కలేదు. అయితే ఆమె ఉన్నంతలో అందంగా కనిపించడంతో పాటు, నటనతో ఆకట్టుకుంది. ఇతర నటీనటులు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ :  పాటల గురించి ప్రత్యేకంగా చర్చ జరిగింది. కొత్త సంగీత దర్శకులు కుమ్మేశారు అంటూ అంతా తెగ మాట్లాడారు. కానీ వారి నుంచి వచ్చిన సంగీతం కొత్తగా ఉంది కానీ ఆకట్టుకునే విధంగా మాత్రం లేదు. ఇలాంటి సినిమాలకు పాత సంగీత దర్శకులు అయితే న్యాయం చేసేవారు అనిపిస్తుంది. కాని రామ్‌ కి మాత్రం ఎందుకో వీరు నచ్చారు. ఆయన నిర్ణయం తప్పు అని తేలింది.  ఇక దర్శకుడు మహేష్‌ ఎంపిక చేసుకున్న కథ విషయంలో ఎలాంటి తప్పు లేదు. ముఖ్యంగా స్టోరీ లైన్ మంచి పాయింట్‌. కానీ దాన్ని మలచిన తీరు బాగాలేదు. ముఖ్యంగా స్క్రీన్‌ ప్లే విషయంలో సాగతీసినట్లుగా అనిపించింది. ఎడిటింగ్‌ కి ఇంకా చాలా స్కోప్ ఉంది. ఎందుకో చాలా సీన్స్‌ను అలాగే వదిలేశాడు. నిర్మాణాత్మక విలువలు బాగానే ఉన్నాయి. సినిమాటోగ్రాఫీ అప్పటి నేటివిటీకి దగ్గరగా ప్రేక్షకులను తీసుకు వెళ్లడంలో సక్సెస్ అయిందని చెప్పాలి.  విశ్లేషణ :  రామ్‌ దాదాపు ఏడాది  గ్యాప్ తీసుకుని, వందల కొద్ది కథలు విని, పదుల కొద్ది కథలు పక్కన పెట్టుకుని, చివరకు ఈ కథను ఎంపిక చేసుకున్నాడు అని ఆయన సన్నిహితులు అంటున్నారు. అయితే ఇలాంటి కథను ఆయన ఎలా ఒప్పుకున్నాడు అంటూ చాలా మంది ఆశ్చర్యం వ్యక్తం చేస్తున్నారు. స్టోరీ లైన్‌ బాగుంటే సరిపోతుందా, కథ, కథనం విషయంలో దీన్ని ఎంత వరకు ప్రేక్షకులకు ఆకట్టుకునే విధంగా తీసుకు రాగలరు అనే విషయంను ఆయన చూసుకోలేదు అనిపిస్తుంది.  రామ్‌ సాధారణంగానే ఎనర్జిటిక్‌ పెర్ఫార్మెన్స్‌ తో ఆకట్టుకుంటాడు. ఈ సినిమాలోనూ మరోసారి తన సత్తా చాటాడు. కానీ సినిమాలోని ఆయన పాత్ర ఉన్నంత పవర్‌ ఫుల్‌గా స్క్రీన్‌ ప్లే లేదు. గ్రామీన ప్రాంతంలో ఉండే ప్రేమ కథను చూపించే ప్రయత్నం చేశారు. ఆ కథను ఇంకాస్త ఎక్కువ చూపించినా బాగుండేది. హీరో, అభిమాని మధ్య ఉండే సీన్స్ చాలా తక్కువగా ఉన్నాయి. ప్రేక్షకులు ఆశించిన ఎలిమెంట్స్ ఈ సినిమాలో చాలా తక్కువగా ఉన్నాయి. అందుకే సినిమా రెగ్యులర్‌ ప్రేక్షకులను ఆకట్టుకోవడంలో విఫలం అవుతుంది. కానీ తమను తాము ఒక హీరోకు అభిమాని అని చెప్పుకునే వారికి మాత్రం తప్పకుండా ఈ సినిమా నచ్చుతుంది.  ప్లస్ పాయింట్స్ :  రామ్‌ నటన, స్టోరీలైన్‌, కొన్ని ఎమోషనల్‌ సీన్స్‌ మైనస్ పాయింట్స్ :  ఫస్ట్‌ హాఫ్‌ చాలా స్లోగా సాగింది స్క్రీన్‌ ప్లే, ప్రేమ కథ ఇంకాస్త ఉండాల్సింది. చివరగా... ఫ్యాన్‌గా ఆంధ్రాకింగ్‌ను ఆకట్టుకున్న సాగర్‌, ప్రేక్షకులను ఆకట్టుకోవడం కష్టమే. బ్యానర్ : మైత్రి మూవీ మేకర్స్‌ నిర్మాత : నవీన్‌ యెర్నేని, వై రవి శంకర్‌ దర్శకత్వం : మహేష్‌ బాబు పి సంగీతం : వివేక్‌-మెర్విన్‌ తారాగణం : రామ్‌ పోతినేని, భాగ్యశ్రీ బోర్సే, ఉపేంద్ర తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aSgr23NYClf9nheC_AKT1.JPG?auto=format,compress"},"datetime":"2025-11-27T08:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=oeY828c-AXo"}},"uid":"review-andhra-king-talooka---fans-movie"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'De De Pyaar De 2'"},"content":{"text":"It’s rare to find a film that makes you laugh, cry, and smile, all within the same heartbeat. De De Pyaar De 2 is that rare gem. The sequel not only lives up to the 2019 blockbuster but builds on it with heart, humour, and a story that feels deeply personal yet universally relatable. In a year full of thrillers and high-octane spectacles, De De Pyaar De 2 stands tall as the only true family entertainer of 2025. It’s a film about family — and one meant to be watched with family. Whether you’re a parent, a young adult, or a daughter who shares a special bond with her father, this one will speak to you in more ways than one. The film beautifully balances clap-and-whistle-worthy comedy with tear-jerking emotion, and even leaves you with a subtle but strong message about love, relationships, and what truly makes a man ‘man enough’ in today’s world. The protagonist Ajay Devgn is a delight, effortlessly switching between subtle humour and emotional restraint. His references to his own iconic films are a treat for fans and timed to perfection. It’s refreshing to see him return to a romantic-comedy space after a string of action-heavy roles. R. Madhavan, on the other hand, brings soul to the story. As a father navigating complex emotions, he’s a powerhouse of warmth and vulnerability. His scenes, especially with Ajay, are pure paisa vasool, seamlessly blending humour with heartfelt depth. Leading lady Rakul Preet Singh delivers her best performance yet, charming, confident, and absolutely radiant on screen. While Jaaved Jaffery leaves you rolling on the floor laughing everytime he comes on the screen, Meezaan’s entry in the second half is impactful; he looks effortlessly dashing and leaves a strong impression in a limited screen time. The supporting ensemble — Gautami, Ishita, and Suhasini Mulay, bring natural warmth and depth, rounding out the film’s emotional universe beautifully. Director Anshul Sharma infuses De De Pyaar De 2 with heart, humor, and a sense of effortless storytelling. His vision shines through every frame bringing together a powerhouse cast and allowing each performer to leave a lasting mark. Sharma orchestrates the film’s emotional beats and comic timing with remarkable finesse, blending warmth and wit in equal measure. With this film, he not only celebrates relationships and generations but also cements his place as a filmmaker who knows how to entertain while keeping the emotions genuine and grounded. Unlike many sequels that exist just to cash in on a franchise name, De De Pyaar De 2 feels like an organic continuation of the first. The callbacks are smart, not forced, and the story flows with sincerity and purpose. And just when you think you’ve seen it all, the last 20–30 minutes hit you with one of the most emotionally satisfying climaxes seen in recent times, an absolute rollercoaster of emotions that will leave you walking out with a full heart and a huge smile. De De Pyaar De 2 is the ultimate big-screen entertainer, funny, emotional, meaningful, and refreshingly vulnerable. It proves that films about family, love, and connection can still move audiences when told with honesty and heart. Director: Anshul Sharma,  Cast: Ajay Devgn, R. Madhavan, Rakul Preet Singh, Jaaved Jaaferi, Meezaan, Gautami Kapoor, Ishita Dutta and others "},"img":{"url":"https://images.prismic.io/prad/aRb8GLpReVYa4eVc_dedepyaarde2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-11-14T04:53:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=59aIp7SfIIk"}},"uid":"review-de-de-pyaar-de-2"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: ‘Jatadhara’ - A spiritual thriller unfolds"},"content":{"text":"Zee Studios and Prerna Arora produced Jatadhara represents an ambitious and compelling effort by directors Venkat Kalyan and Abhishek Jaiswal as they create a supernatural mythological thriller, one that dares bridge the gap between science, faith, and mysticism of old. Against the mysterious backdrop of the Anantha Padmanabha Swamy Temple and its treasures hidden within, the film is imbued with original Tantric rituals and chants enacted during filming-a rare thing in mainstream Indian cinema. The sense of dread and divinity pervades right from the first frame. The haunting visuals, the rhythmic chants, and symbolic imagery set off into a world where reality blends with the surreal. Credit goes to the two directors for knowing how to handle such a dense mythological theme with reverence and cinematic flair. Sudheer Babu plays Shiva, a skeptical ghost hunter whose journey from disbelief to spiritual awakening forms the emotional core of the story. His rugged screen presence, restrained intensity, and emotional range make this one of his most nuanced performances to date. The sequences where he confronts unseen forces — armed with both scientific logic and ritualistic tools — are genuinely gripping. Sonakshi Sinha, all set to mesmerize the Telugu audience for the first time, is just outstanding as Dhana Pisaachi, a vengeful spirit bound by greed and sorrow. With her commanding expressions, piercing gaze, and haunting poise, Sonakshi brings terror and tragedy on the screen. Her transformation into the demonic goddess is one of the talking points of the film and quite rightly so-she owns each frame. Divya Khossla carries grace throughout her role as Sitara, while Shilpa Shirodkar and Indira Krishna add depth and dignity to their key roles. The ensemble cast — Rajeev Kanakala, Ravi Prakash, and Subhalekha Sudhakar included — come together to add value to the narrative with realistic, down-to-earth performances. Written by Venkat Kalyan, the screenplay of Jatadhara weaves ancient lore with modern skepticism. The premise of the story-a forbidden ritual called Pisacha Bandhanam that ties spirits to guard lost treasures-is both fascinating and frightening. Kalyan ensures that every plot twist is rooted in belief systems familiar to Indian audiences, yet he approaches them with a contemporary lens. The dialogues by Sai Krishna Karne and Shyam Babu Meriga are sharp, spiritual, and thought-provoking. Lines like \"Faith is not what you see -- it's what you dare to feel\" stay with one long after the credits roll. They strike an even balance between philosophical weight and emotional immediacy to give the film a scriptural and cinematic hue at once. The biggest strength of Jatadhara is Sameer Kalyani's cinematography. The chiaroscuro lighting, the intricate interior of the temple, and aerial sweeps of the Kerala landscape infuse an otherworldly beauty upon this dark narrative. Every sequence of this ritual is framed like a painting-flickering lamps, swirling smoke, chanting shadows-pulling you into a hypnotic trance. The special effects should be applauded for delivering realistic supernatural imagery without excess. The scenes of Dhanapisachini’s manifestation are at once terrifying and beautiful, enhanced by practical effects that feel real and organic. The sound design amplifies the eeriness: low rumbles, faraway chants, and sudden silences are used to great effect to raise the tension. Composer Rajiv Raj manages an evocative score that fuses classical ragas with electronic undercurrents. His background music, particularly during the climactic confrontation, keeps the pulse racing. Despite the film's dark theme, music, and movement have been found in Jatadhara. “Shiva Stotram” and “Pallo Latke Again stand apart for their energy and depth. As the choreographer, Sandeep melds ritualistic movements with cinematic choreography, especially in the temple dance sequence featuring Divya Khossla, which radiates both devotion and intensity. The stunt choreography seamlessly integrates physical combat with supernatural powers, creating a dynamic action language that feels fresh. Sudheer Babu's ghost-hunting sequence, weapon combat scenes, and the final blood-drinking transformation sequence are all done with precision and conviction. The mix of martial arts and mystical symbolism makes these moments unforgettable. Jatadhara is a bold visual experiment in the form of a supernatural mythological thriller that refuses to play safe. It sincerely pursues faith versus reason, science versus ritual, and human will versus divine wrath with amazing scale. The outstanding visual brilliance of the film matches the strong performances and authentic spiritual texture. Co-directed by Venkat Kalyan and Abhishek Jaiswal, Jatadhara manages a fine balance between commercial spectacle and artistic expression. The result is that Jatadhara does what few films attempt; it turns mythology into a breathing, living cinematic experience, with its entrancing images, haunting music, and soulful performances that both thrill and leave one thoughtful. Director: Venkat Kalyan And Abhishek Jaiswal Starring : Sudheer Babu, Sonakshi Sinha, Divya Khossla, Shilpa Shirodkar, Indira Krishna, Rajeev Kanakala, Ravi Prakash, Rohit Pathak, Jhansi, Subhalekha Sudhakar"},"img":{"url":"https://images.prismic.io/prad/aQx6sbpReVYa4H3__jathadara.JPG?auto=format,compress"},"datetime":"2025-11-06T09:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=NcZNCaE4qEM"}},"uid":"review-jatadhara---a-spiritual-thriller-unfolds"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మాస్‌ జాతర' రివ్యూ... రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైనర్‌"},"content":{"text":"రవితేజ ఏదైనా సినిమా ప్రారంభిస్తే ఆరు నెలల్లోనే పూర్తి చేసి ప్రేక్షకుల ముందుకు తీసుకు రావడం మనం చూస్తూ ఉంటాం. కానీ ఈ సినిమా అనేక కారణాల వల్ల చాలా ఆలస్యం అయింది. ఈ ఏడాది సంక్రాంతికి రావాల్సిన సినిమా ఏడాది చివర్లో దీపావళి అయిన తర్వాత ప్రేక్షకుల ముందుకు వచ్చింది. సితార ఎంటర్‌టైన్‌మెంట్స్ బ్యానర్‌లో రూపొందిన సినిమా కావడంతో పాజిటివ్‌ బజ్ క్రియేట్‌ అయింది, అంతే కాకుండా రవితేజ ఈ సినిమాపై చాలా అంచనాలు పెంచే విధంగా ప్రచారం చేశాడు. మరి ఈ సినిమా ఎలా ఉంది అనేది ఈ రివ్యూలో చూద్దాం.  కథ : రైల్వే ఎస్‌ఐ అయిన లక్ష్మణ్‌(రవితేజ) ఎక్కడ ఉంటే అక్కడ రైల్వే విధులు మాత్రమే కాకుండా అన్ని రకాల కేసులను పరిస్కరిస్తూ ఉంటాడు. అలాంటి లక్ష్మణ్‌కి డ్రగ్స్‌ ఇష్టానుసారంగా పండిస్తూ, అదే జీవనాధారంగా జనాలు జీవిస్తున్న ఒక ప్రాంతంకు ట్రాన్స్‌ఫర్‌ అవుతుంది. అక్కడ శివుడు(నవీన్ చంద్ర) బలవంతంగా రైతులతో గంజాయి సాగు చేయిస్తూ దాన్ని కోల్‌కత్తాకు ట్రాన్స్‌పోర్ట్‌ చేస్తూ ఉంటాడు. శివుడు గంజాయి వ్యాపారంను నాశనం చేసేందుకు లక్ష్మణ్‌ సిద్దం అవుతాడు. శివుడు పెద్ద మొత్తంలో గంజాయిని కోల్‌కత్తా తరలించేందుకు సిద్ధం అయిన సమయంలో లక్ష్మణ్‌ దాన్ని దాచేస్తాడు. ఆ సరుకు కోసం శివుడు పిచ్చెక్కి పోతాడు. ఇద్దరి మధ్య పెద్ద యుద్దమే జరుగుతుంది. చివరకు ఏం జరిగింది అనేది సినిమా కథ.  నటీనటులు : రవితేజ ఎనర్జీ ఏమాత్రం తగ్గలేదు. అయితే ఆయన లుక్‌ విషయంలో మాత్రం కాస్త వయసు ఎక్కువ అయినట్లుగా అనిపించింది. వింటేజ్ రవితేజను చూస్తారు అంటూ పబ్లిసిటీ సమయంలో మేకర్స్ చెప్పారు. కానీ వింటేజ్ సీన్స్ పెద్దగా ఏమీ లేవు. ఒకటి రెండు నిమిషాలకే పరిమితం చేశారు. యాక్షన్‌ సీన్స్‌లో రవితేజ ఎనర్జీ కనిపించింది. అయితే డాన్స్‌ ల్లో శ్రీలీల ముందు రవితేజ ఆశించిన స్థాయిలో మెప్పించలేక పోయాడు అని చెప్పుకోక తప్పదు. ఓవరాల్‌గా మాస్‌ మహారాజా రవితేజ మాస్‌ జాతర తన భుజాలపై వేసుకుని నడిపించే ప్రయత్నం చేశాడు.  శ్రీలీల పాత్రకు పెద్దగా ప్రాధాన్యత లేదు. ఫస్ట్‌ హాఫ్‌ లో కొంత సమయం కనిపించినా, సెకండ్‌ హాఫ్‌ లో కొన్ని నిమిషాలు మాత్రమే ఆమె కనిపించింది. పాటలకు మాత్రమే పరిమితం అయిన పాత్ర అనిపించింది. ఉన్నంతలో మెప్పించింది. డాన్స్‌ల్లో తన ప్రతిభతో ఆకట్టుకుంది. రాజేంద్ర ప్రసాద్‌ తన పాత్రకు పూర్తి న్యాయం చేశాడు. హైపర్ ఆది తన రొటీన్‌ పంచ్‌ డైలాగ్స్ తో పర్వాలేదు అనిపించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి వారి పాత్రల్లో పర్వాలేదు అనిపించారు.  టెక్నికల్‌: దర్శకుడు భాను కథ విషయంలో ఇంకాస్త వర్కౌట్‌ చేస్తే బాగుండేది. రైల్వే పోలీస్‌ అనే లైన్‌ బాగానే ఉంది, కానీ గంజాయి చుట్టూ సాగే కథలు చాలానే ఉన్నాయి. ఇంకాస్త విభిన్నంగా కథను రాసుకుని ఉంటే బాగుండేది. కనీసం స్క్రీన్‌ప్లేతో అయినా మ్యాజిక్ చేసి ఉంటే బాగుండేది. డైలాగ్స్ కొన్ని యాప్ట్‌ కాలేదు. భీమ్స్ అందించిన పాటలు ఒకటి రెండు వింటూ ఉంటే బాగానే ఉన్నాయి. కానీ స్క్రీన్‌ ప్లే కు బ్రేక్‌లు వేసినట్లుగా అనిపించాయి.  ముఖ్యంగా సెకండ్‌ హాఫ్‌ లో వచ్చే పాటల ప్లేస్‌మెంట్‌ ఏమాత్రం సెట్‌ కాలేదు. అయితే బ్యాక్ గ్రౌండ్‌ స్కోర్‌ తో రవితేజ ఫ్యాన్స్‌కి, ఆయన ఎలివేషన్ సీన్స్‌ కి మంచి హైప్‌ వచ్చే విధంగా భీమ్స్ చేశాడు. సినిమాటోగ్రఫీ బాగుంది. ముఖ్యంగా యాక్షన్‌ సీన్స్ లో సినిమాటోగ్రఫీకి మంచి మార్కులు పడుతాయి. యాక్షన్ సీన్స్ నేచురాలిటీకి దగ్గరగా ఉండే విధంగా ప్లాన్‌ చేశారు. నిర్మాణాత్మక విలువలు బాగున్నాయి. ఎడిటింగ్‌లో జర్క్‌ లు ఉన్నాయి. కాస్త క్రిస్పీగా ఉండాల్సింది.  విశ్లేషణ : రవితేజ సినిమా అనగానే మాస్ ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకులు ఆసక్తిగా అప్పట్లో ఎదురు చూసేవారు. కానీ ఇప్పుడు రవితేజ గత చిత్రాల ఫలితాల నేపథ్యంలో ఈసారి అయినా రవితేజ హిట్‌ కొట్టేనా అని నీరసంగా, నిరుత్సాహంగా ఎదురు చూస్తున్న వారు ఉన్నారు. అయినా కూడా రవితేజలో ఎనర్జీ మాత్రం తగ్గలేదు. తన సినిమాల ఫలితంతో సబంధం లేదు అన్నట్లుగా వరుస సినిమాలు చేసుకుంటూ వెళ్తున్నాడు.  సితార వారి బ్యానర్ నుంచి సినిమా వస్తుంది అంటే మినిమం గ్యారెంటీ అనే నమ్మకం ఉండేది. అది కూడా ఈ మధ్య కాలంలో మెల్ల మెల్లగా పోతుంది. ఇలాంటి సమయంలో వచ్చిన మాస్‌ జాతర రవితేజ స్టార్‌డంను నిలబెట్టేనా, సితార వారి పరువు నిలుపుతుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. కానీ ఈ సినిమా పూర్తి స్థాయిలో ఆ పని చేయలేదు అని చెప్పక తప్పదు. రవితేజ మార్క్‌ ఎంటర్‌టైన్‌మెంట్‌తో ఫస్ట్‌ హాఫ్‌ సాఫీగా సాగింది. కానీ సెకండ్‌ హాఫ్‌ విషయంలో తీవ్రంగా నిరాశ పరిచాడు. ఒకటి రెండు యాక్షన్ సీన్స్‌ తప్ప సెకండ్‌ హాఫ్‌ లో చెప్పుకోవడానికి ఏమీ లేవు.  కథలో ట్విస్ట్‌లు లేవు, స్క్రీన్‌ ప్లే మొత్తం ముందే ఊహించేదిగా ఉంది. ఎక్కడా ఆసక్తికరంగా స్క్రీన్‌ ప్లే సాగిందే లేదు. ఆది కామెడీతో నవ్వించే ప్రయత్నం చేశారు. కానీ అది వర్కౌట్‌ కాలేదు. మొత్తంగా మాస్ జాతర ఆకట్టుకోలేక పోయిన యాక్షన్‌ జాతర.  ప్లస్‌ పాయింట్స్‌ : రవితేజ, ఫస్ట్‌ హాఫ్‌ కొన్ని సీన్స్‌.  మైనస్ పాయింట్స్ : కథ, కథనం, రొటీన్‌ కామెడీ, యాక్షన్‌, పాటల ప్లేస్‌మెంట్‌, రొటీన్‌ క్లైమాక్స్‌.  చివరగా... వింటేజ్‌ రవితేజను చూపిస్తారనుకుంటే రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైన్మెంట్‌ను చూపించాడు.  బ్యానర్ : సితార ఎంటర్‌టైన్‌మెంట్స్‌  నిర్మాత : నాగవంశీ  దర్శకత్వం : భాను భోగవరపు  సంగీతం : భీమ్స్‌ సిసిరోలియో  తారాగణం : రవితేజ, శ్రీలీల, నవీన్‌ చంద్ర, రాజేంద్ర ప్రసాద్‌, నరేష్‌, హైపర్‌ ఆది తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aQThSLpReVYa35Yx_massjathara.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-31T19:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Qm-wNxOcEL4"}},"uid":"mass-jathara-review-routine-action-entertainer"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: Thamma - A fiery blockbuster ride!"},"content":{"text":"Thamma is big-screen fun at its purest — a daring mix of folklore, family, fantasy, and fanfare of a full-blown franchise. With this new movie in the Maddock horror-verse, director Aditya Sarpotdar is taking Indian genre cinema to a whole new level. It’s all sorts of strange, clever, and wildly creative — yet, very relatable. While Stree was scary and subversive and Bhediya went into the wilds, Thamma conquers the territory by merging horror with love and, thus, leaving a cinematic experience that is totally different.  The story revolves around the forest of myths where the past is still alive and the ancient guardians are awakening. Not Thamma by any means, but it still manages to conjure up a bizarre fantasy universe complete with its own laws, curses, and consequences. Compared to other supernatural thrillers, this one is basically an emotional comedy with a dose of humor and the human instinct to save those whom we love even if it costs our lives. It doesn’t become scary but rather keeps its faith. The movie is funny but not farcical. It is also emotional without being overly dramatic.  One of the main characters is journalist protagonist Khurrana from a small town. His incidental supernatural experience leads to a series of events that is not in his capacity to grasp the enormity of it. In the first half, he is simply lovable and relatable but later on he becomes quite intense. Mandanna delivers an emotional performance that is also very down-to-earth. She has the fire as well as the delicate side of her nature and does not go for the usual stereotypical trope of horror comedy being over-the-top.  The continuing part is just an explosive work of art — it features fight, change of characters, and a breathtaking fight between Alok and Bhediya (Varun Dhawan). Special effects are of great quality and the confrontation between these two forces is signaling their underlying relationship which will definitely influence this cinematic universe storyline in the future. Such a moment of grandeur is the kind of moment in which you wish to applaud in a jam-packed hall, and subsequently, you are left with more questions than answers. How are these two characters related? I promise; the answer will be beyond your imagination.  On the subject of universe-building, the movie is full of Easter eggs and a few character recalls, but one highlights: the comeback of Sar Kata, the frightening character from Stree, who ominously appears, signaling the massive danger that lies ahead for the Maddock horror-verse. To be honest, the connection between Stree 2 and Thamma is quite strong, and by the time you get to the end, it’s only evident that it’s something huge that is on its way. The seeds of a mega-crossover have been dropped.  The acting, in general, is great. Paresh Rawal offers a great comic relief performance as the sarcastic and sharp-witted father while Nawazuddin Siddiqui dominates the movie with his intense and dark presence. The upward movement of his character feels like the dawn of something bigger and maybe a major factor in the future war of good vs. evil in this ever-expanding universe.  Following that is the comeback of Sathyaraj as Elvis, the idiosyncratic paranormal expert who got the nickname Hand of God. However, this time, he is not only here for the laughs — his arrival subtly changes the bigger picture. In a significant moment, Elvis points to a vital connection between Alok’s freshly changed Betaal and Bhediya, the one who was last seen grappling with Sar Kata in Stree 2. It’s a clever, low-key link that signals the coming events and the Maddock universe fans will instantly get the excitement of the bigger plot unfolding.  Moreover, the talked-about Nora Fatehi cameo is not only a glam reel but also an addition to the lore. Her unveiling provides a wonderful emotional connection to Stree and is a massive high point for long-time fans of the universe. Being a kind of fan service, it rewards attention and gives a totally different perspective to everything that we thought we knew about this world. Is she the one who opens the door to its secrets or something else?  Before the release, the buzz was mostly about item numbers and flashy visuals. However, Thamma, turn, defies the expectation. In the typical Maddock manner, every song in this movie has its function-character revelation, story advancement, or myth deepening. There are no unnecessary diversions, no hollow spectacles, only the narrative-driven songs that keep the emotional part of the story going. It is a very important revamp of the Bollywood horror formula and the result is great.  Director: Aditya Sarpotdar,  Cast: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Paresh Rawal, Sathyaraj, Fasial Malik, Geeta Aggarwal, Rachit Singh and others"},"img":{"url":"https://images.prismic.io/prad/aPddOLpReVYa3gmP_thamma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-21T05:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Mod_oXpftJA"}},"uid":"review-thamma---a-fiery-blockbuster-ride"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'తెలుసు కదా' రివ్యూ... ఎమోషనల్‌ ఎంటర్‌టైన్‌మెంట్‌"},"content":{"text":"డీజే టిల్లు సినిమా తర్వాత స్టార్‌ బాయ్‌గా ఒక్కసారిగా లైమ్‌ లైట్‌లోకి వచ్చిన సిద్దు జొన్నలగడ్డ ఆ తర్వాత బ్యాక్ టు బ్యాక్‌ సినిమాలతో ప్రేక్షకుల ముందుకు వచ్చాడు. టిల్లు స్క్వేర్‌ ఆకట్టుకుంది, కానీ ఇటీవల వచ్చిన జాక్ సినిమా మాత్రం నిరాశ పరిచింది. దాంతో సిద్దు తదుపరి సినిమా విషయంలో ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకుల్లో అంచనాలు ఉన్నాయి. విభిన్నమైన కాన్సెప్ట్‌తో తెలుసు కదా రూపొందినట్లు టీజర్‌, ట్రైలర్‌, ప్రమోషనల్‌ స్టఫ్‌ ను చూస్తే అర్థం అవుతుంది. ముఖ్యంగా ట్రైలర్‌ చూసిన తర్వాత కాస్త బోల్డ్‌ కంటెంట్‌ అనే అభిప్రాయం ఏర్పడింది. మరి సినిమా ఎలా ఉంది? సిద్దుకి మరో విజయం దక్కిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : అనాథ అయిన వరుణ్‌ (సిద్దు జొన్నలగడ్డ) తనకంటూ ఒక ఫ్యామిలీ ఉండాలి, పిల్లలు ఉండాలని కలలు కంటూ ఉంటాడు. చాలా నిజాయితీగా ఉంటూ రాగ కుమార్‌(శ్రీనిధి శెట్టి)ని ప్రాణంగా ప్రేమిస్తాడు. కానీ ఆమె బ్రేకప్‌ చేసి వెళ్లి పోవడంతో పెళ్లి చేసుకుని ఫ్యామిలీ ఏర్పాటు చేసుకోవాలి నిర్ణయించుకుంటాడు. మ్యాట్రిమోనీ ద్వారా అంజలి శర్మ(రాశి ఖన్నా) తో వరుణ్‌ కి పరిచయం అవుతుంది. ఆ పరిచయం ప్రేమగా మారి, పెళ్లి చేసుకుంటారు.  వరుణ్‌, అంజలి పెళ్లి చేసుకున్న తర్వాత చాలా పెద్ద షాకింగ్‌ విషయం తెలుస్తుంది, ఆ వెంటనే బ్రేకప్‌ చెప్పి వెళ్లి పోయిన రాగ సైతం వరుణ్‌ జీవితంలోకి వచ్చేందుకు రెడీ అవుతుంది.  అప్పుడు వరుణ్‌ ఏం చేశాడు? ఇంతకు పెళ్లి తర్వాత వరుణ్‌, అంజలికి తెలిసిన షాకింగ్‌ విషయం ఏంటి? ఈ ట్రయాంగిల్‌ స్టోరీ చివరకు ఏమైంది? అనేది సినిమా చూసి తెలుసుకోండి.  నటీనటుల నటన : ఎప్పటిలాగే సిద్దు జొన్నలగడ్డ మొత్తం బాధ్యత తన భుజాల మీద వేసుకుని సినిమాను మోసుకు వెళ్లాడు. ఆయన డైలాగ్‌ డెలివరి, ఎమోషనల్‌ సీన్స్‌, సెంటిమెంట్‌ సీన్స్‌, రొమాంటిక్ సీన్స్ ఇలా ప్రతి ఒక్కదాంట్లోనూ ఆకట్టుకున్నాడు. హీరోయిన్స్‌తో ఆయన చేసిన సన్నివేశాల్లో హీరోయిన్స్‌ ను కంటే ఆయన్ను చూడాలి అనిపించే విధంగా ఉంది. మొత్తంగా సిద్దు జొన్నలగడ్డ తెలుసు కదా బాధ్యత మొత్తం తీసుకుని సక్సెస్‌ అయ్యాడు. ఆయన డైలాగ్‌ డెలివరీ గతంతో పోల్చితే కాస్త మాస్‌ ఎలిమెంట్స్ తగ్గిందని చెప్పాలి. అయినా కూడా బాగుంది. సిద్దు లుక్ పరంగానూ ఆకట్టుకున్నాడు.  హీరోయిన్‌ శ్రీనిధి శెట్టి లుక్స్‌ పరంగా ఆకట్టుకుంది. యాక్టింగ్‌తోనూ మెప్పించింది. లవ్‌ సీన్స్‌తో పాటు, కొన్ని సెంటిమెంట్‌ సీన్స్‌లో శ్రీనిధి ఆకట్టుకుంది. సిద్దుకు సరైన జోడీ అన్నట్లుగా నటించింది. రొమాంటిక్ సీన్స్ విషయంలో కాస్త ఇబ్బంది పడ్డట్లుగా అనిపించినా ఓవరాల్‌గా తన పాత్రకు న్యాయం చేసింది. హీరోయిన్‌ రాశి ఖన్నా సైతం తన పాత్రకు న్యాయం చేసింది. సిద్దు ను వివాహం చేసుకున్న తర్వాత కొన్ని షాకింగ్ సంఘటనలు ఎదుర్కోవాల్సి వస్తుంది. ఆ సమయంలో ఆమె నటన బాగుంది. చాలా సహజంగా ఆ సీన్స్‌లో ఎమోషన్‌ పండించింది. ఓవరాల్‌గా రాశి ఖన్నా సైతం అంజలి పాత్రకు ప్రాణం పోసినట్లుగా నటించి మెప్పించింది. ఇక వైవా హర్ష కామెడీ ఇంకాస్త మెరుగ్గా ఉండాల్సింది. తనకు వచ్చిన అవకాశంను సద్వినియోగం చేసుకున్నాడు.  టెక్నికల్‌ : ఈ సినిమాకి సంగీతాన్ని అందించిన తమన్‌ పూర్తి స్థాయిలో సంతృప్తి పరిచాడు. రెండు పాటలు చాలా బాగున్నాయి. సినిమా విడుదలకు ముందే అవి మంచి విజయాన్ని సొంతం చేసుకున్న విషయం తెల్సిందే. సినిమాలో ఆ పాటలు చాలా బాగున్నాయి. ఇక బ్యాక్‌ గ్రౌండ్‌ స్కోర్‌తోనూ సినిమా స్థాయిని పెంచాడు. ఓవరాల్‌గా తమన్‌ అందించిన సంగీతం తెలుసు కదా కి ప్రధాన ఆకర్షణగా నిలిచింది అనడంలో సందేహం లేదు.  సినిమాటోగ్రఫీ బాగుంది. సినిమాను గ్రాండ్‌ గా చూపించడంలో సినిమాటోగ్రఫీ పని చేసింది. దర్శకురాలు నీరజ కోన స్క్రీన్‌ ప్లే విషయంలో ఇంకాస్త వినోదాన్ని జోడించి ఉంటే బాగుండేది. సినిమా సీరియస్ నోడ్‌ లో సాగినట్లు అనిపిస్తుంది. ఎడిటింగ్‌లో చిన్న చిన్న లోపాలు మినహా అంతా బాగానే ఉంది. ఆకట్టుకునే విధంగా డైలాగ్స్ ఉన్నాయి. నిర్మాణాత్మక విలువలు బాగున్నాయి. సినిమాలో ఉన్న ప్రతి నటీనటుడు ఔట్‌ ఫిట్‌ పాత్రకు తగ్గట్లుగా బాగున్నాయి.  విశ్లేషణ : స్టార్‌ బాయ్‌ సిద్దు జొన్నలగడ్డ మరోసారి తన నటనతో మెప్పించాడు. కేవలం తాను మాత్రమే చేయగలను అన్నట్లుగా వరుణ్ పాత్రలో నటించి మెప్పించాడు. సినిమా ప్రారంభం అయినప్పటి నుంచి చివరి వరకు పాత్ర నుంచి బయటకు రాకుండా ఆకట్టుకున్నాడు. ట్రైలర్‌ చూసిన సమయంలో వరుణ్‌ పాత్ర అంటే సిద్దు జొన్నలగడ్డను నెగటివ్‌ షేడ్స్‌ లో చూస్తామా అనిపించింది.  కానీ సినిమాలో ఆయన పాత్ర ప్రతి కుర్రాడికి కనెక్ట్‌ అయ్యే విధంగా ఉంది. మంచి ఎమోషనల్‌ సీన్స్ ఉన్నాయి, అయితే ఎంటర్‌టైన్‌మెంట్‌, రెగ్యులర్‌ మాస్‌ ఎలిమెంట్స్‌, యాక్షన్‌ సీన్స్ కోరుకున్న వారు మాత్రం కాస్త నిరుత్సాహం వ్యక్తం చేస్తారు. పక్కా కమర్షియల్‌ మూవీ అన్నట్లుగా లేదు. ఎమోషనల్‌ లవ్‌ కమ్‌ రొమాంటిక్ సీన్స్‌ లో సినిమా సాగింది. అందుకే సినిమా స్లోగా సాగింది అనిపిస్తుంది. ఓవరాల్‌గా సినిమా చూడదగ్గట్లుగా ఉంది.  ప్లస్ పాయింట్స్ : సిద్దు జొన్నలగడ్డ, తమన్ సంగీతం, కొన్ని లవ్‌, రొమాంటిక్ సీన్స్‌  మైనస్ పాయింట్స్ : సెకండ్‌ హాఫ్‌ లో స్లో కథనం, రెగ్యులర్‌ కమర్షియల్‌ ఎలిమెంట్స్ లేకపోవడం, మెయిన్‌ లీడ్‌ కాకుండా ఇతర నటీనటులకు ప్రాధాన్యత లేదు  చివరగా.. ఈతరం యూత్‌ ఇష్టపడే రోమ్‌కామ్‌ మూవీ ఇది. జస్ట్‌ టైం పాస్‌కి చూడాలి అనుకుంటే తప్పకుండా వెళ్లవచ్చు.  బ్యానర్ : పీపుల్స్ మీడియా ఫ్యాక్టరీ  నిర్మాత : టీజీ విశ్వప్రసాద్‌, కృతి ప్రసాద్‌  దర్శకత్వం : నీరజ కోన  సంగీతం : తమన్‌  తారాగణం : సిద్దు జొన్నలగడ్డ, రాశి ఖన్నా, శ్రీనిధి శెట్టి, వైవా హర్ష తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aPIUlZ5xUNkB2FbH_TK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-17T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=clB21Xnu_SU"}},"uid":"review-telusu-kada---emotional-entertainment"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మిత్ర మండలి' రివ్యూ - నవ్వించలేక పోయిన కామెడీ"},"content":{"text":"ఈ మధ్య కాలంలో చిన్న సినిమాలకు మంచి స్పందన లభిస్తుంది, ఆ సినిమాల్లో కామెడీ ఉంటే ప్రేక్షకులు బ్రహ్మరథం పడుతున్నారు. అందుకే మిత్ర మండలి సినిమా గురించి మొదటి నుంచి ప్రముఖంగా చర్చ జరుగుతోంది. ముఖ్యంగా ఈ సినిమాను బన్నీ వాసు సమర్పించేందుకు ముందుకు రావడంతో ఖచ్చితంగా కంటెంట్‌ ఉన్న సినిమా అనే అభిప్రాయం వ్యక్తం అయింది. కనుక సినిమా చూడాలని చాలా మంది అనుకున్నారు. మరి సినిమా ఆ స్థాయిలో ఉందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : కులం అంటే ప్రాణం ఇవ్వడానికి అయినా, తీయడానికి అయినా రెడీ అన్నంతగా కుల పిచ్చి ఉన్న నారాయణ (వీటీవీ గణేష్‌) కూతురు స్వేఛ్చ (నిహారిక) ఇంటి నుంచి పారిపోతుంది. కులంలో పరువు పోతుందని, రాజకీయ జీవితం దెబ్బ తింటుందనే ఉద్దేశంతో కూతురు బయటకు వెళ్లిన విషయం రహస్యంగా ఉంచుతాడు. అయితే తన కూతురు వెతకడానికి ఎస్సై సాగర్‌(వెన్నెల కిషోర్‌) కి పని అప్పజెప్పుతాడు. అతడు స్వేచ్చ పారిపోవడానికి నలుగురు కుర్రాళ్లు కారణం అని అనుమానిస్తాడు.  ఆ నలుగురు కుర్రాళ్లు స్వేచ్చ వల్ల ఎలాంటి ఇబ్బందులు ఎదుర్కొన్నారు అనేది ఈ సినిమా కథ. ఇంతకు స్వేచ్చ ఎటు వెళ్లి పోయింది? చివరకు ఏమైంది? అనేది సినిమా చూసి తెలుసుకోవాల్సిందే.  నటీనటుల నటన : ఈ సినిమాలో నటీనటులు చాలా మందే ఉన్నారు. వీటీవీ గణేష్‌ తన నటనతో నవ్వు తెప్పించే ప్రయత్నం చేశాడు. వెన్నెల కిషోర్‌ తనదైన శైలిలో కామెడీ పండించే ప్రయత్నం చేశారు. కానీ ఆయనది ఇందులో ఓవర్‌ యాక్షన్‌ అనిపించింది. వెన్నెల కిషోర్‌ పాత్ర పెద్దగా ఆకట్టుకోలేదు.  ప్రియదర్శి పాత్ర మెయిన్‌ లీడ్‌లా అనిపించినా కథలో ఆయన ప్రాధాన్యత అంతగా లేదనే చెప్పాలి. ఇంతకు ముందు ఆయన చేసిన సినిమాలతో పోల్చితే ఈ సినిమాలో ఆయన పాత్ర నిరాశను కలిగించింది. పాత్రకు తగ్గట్లుగా నటించాడు.  నిహారిక ఎన్‌ ఎం ఈ సినిమాలో కీలకంగా ఉంది. అయితే ఆమె నటన నేచురాలిటీకి దూరంగా ఉంది అనిపించింది. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ : ఆర్‌ ఆర్ ధ్రువన్‌ అందించిన బ్యాక్ గ్రౌండ్‌ స్కోర్‌ ఏమాత్రం ఆకట్టుకోలేదు. ఒక పాట పర్వాలేదు, కొన్ని సీన్స్‌ లో బ్యాక్ గ్రౌండ్‌ స్కోర్‌ పేలవంగా ఉండటంతో బోర్‌ అనిపించింది. సినిమాటోగ్రఫీ పర్వాలేదు అన్నట్లుగా ఉంది. కొన్ని సీన్స్‌ సాగతీసినట్లుగా ఉన్నాయి. ఎడిటింగ్‌ విషయంలో చాలా లోపాలు ఉన్నాయి.  దర్శకుడు కథను కామెడీగా చెప్పే ప్రయత్నం చేశాడు. కానీ కామెడీ పండించడంలో విఫలం అయ్యాడు. నిర్మాణాత్మక విలువలు పర్వాలేదు అన్నట్లుగా ఉన్నాయి. మాటలు కొన్ని సీన్స్‌లో బాగున్నాయి. కొన్ని సీన్స్‌ లో పరమ రొటీన్‌గా ఉన్నాయి.  విశ్లేషణ : చిన్న సినిమాలకు మంచి ఆధరణ ఉంటుందని, కామెడీ సినిమాలతో వస్తే తప్పకుండా ఆకట్టుకుంటుందని భావించి ఇలాంటి సినిమాలు తీస్తున్నారు. కానీ కామెడీ సినిమాల పేరుతో ప్రేక్షకుల ముందుకు వచ్చి కామెడీ లేకుండా సినిమాలను చేయడం ఏంటని ఈ సినిమాను చూస్తే అనిపిస్తుంది.  ఒకటి రెండు సీన్స్‌ తప్ప ఎక్కడా ఆకట్టుకోలేక పోయారు. సినిమా స్టోరీ లైన్ బాగానే ఉంది. కానీ దాన్ని పూర్తి కథగా మార్చిన తీరు మాత్రం బాగాలేదు. ఓవరాల్‌గా సినిమా ఏమాత్రం ఆకట్టుకోలేదు. నటీనటుల నటన బాగాలేదు, కథ ఏమాత్రం బాగాలేదు, అయినా కూడా కామెడీతో నెట్టుకు వస్తారు అనుకుంటే అది కూడా లేదు. కామెడీ లేకుండా కామెడీ సినిమాను చూసినట్లుగా అనిపించింది.  ప్లస్‌ పాయింట్స్ : సత్య కామెడీ తప్ప ఏమీ లేదు  మైనస్ పాయింట్స్ : కథ, స్క్రీన్‌ ప్లే, కామెడీ ఆశించిన స్థాయి లో లేకపోవడం, సెకండ్‌ హాఫ్‌  చివరగా.. మిత్ర మండలిలో కామెడీ లోపించింది  బ్యానర్ : సప్త అశ్వ మీడియా వర్క్స్, వైరా ఎంటర్‌టైన్‌మెంట్స్  నిర్మాత : కళ్యాణ్ మంతిన, భాను ప్రతాప, బన్నీ వాసు  దర్శకత్వం : విజయేందర్‌  సంగీతం : ఆర్‌ ఆర్‌ ధ్రువన్‌  తారాగణం : ప్రియదర్శి, నిహారిక ఎన్‌ఎం, ప్రసాద్‌ బెహరా, వెన్నెల కిషోర్‌, సత్య, వీటీ గణేష్‌, విష్ణు ఓ ఐ, రాగ్‌ మయూర్‌ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aPDW4J5xUNkB2C7l_MITHRAMANDALIREVIEW.JPG?auto=format,compress"},"datetime":"2025-10-16T09:28:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=hGXMm4Cx6Po"}},"uid":"review-mitramandali---comedy-less"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'కాంతార : చాప్టర్ 1' రివ్యూ... మంచి విజువల్‌ వండర్‌ మూవీ"},"content":{"text":"చిన్న సినిమాగా రూపొంది పాన్‌ ఇండియా రేంజ్‌లో భారీ విజయాన్ని సొంతం చేసుకున్న 'కాంతార' సినిమాకు ప్రీక్వెల్‌గా ఈ సినిమాను రూపొందించారు. సాధారణంగా సీక్వెల్‌ అంటే ప్రేక్షకులు ఆసక్తి చూపిస్తారు. కానీ కాంతారకు ప్రీక్వెల్‌ అన్నా కూడా ఆ సినిమా క్రియేట్‌ చేసిన ఇంపాక్ట్‌ కారణంగా చాలా ఆసక్తిగా ఎదురు చూస్తున్నారు. ఎప్పుడెప్పుడు సినిమా వస్తుందా అంటూ అంతా ఆసక్తిగా ఎదురు చూస్తున్నారు. ఎట్టకేలకు నేడు ప్రేక్షకుల ముందుకు వచ్చింది. మొదటి పార్ట్‌ ను చిన్న బడ్జెట్‌తో తీస్తే ఈ సినిమాను భారీ బడ్జెట్‌తో నిర్మించారు. ఈ ప్రీక్వెల్‌ ప్రేక్షకులను ఆకట్టుకుందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : ఈ కథ మొత్తం కాంతార ప్రాంతం చుట్టూ తిరుగుతూ ఉంటుంది. మొదటి పార్ట్‌ ఎక్కడైతే ముగిసిందో అక్కడే ఈ ప్రీక్వెల్‌ను ప్రారంభించారు. పంజుర్లి జాతర తర్వాత మాయం అయిన తన తండ్రి గురించి తెలుసుకునేందుకు శివ ప్రయత్నిస్తున్న సమయంలో ఆ ప్రాంతం గురించి పెద్ద చరిత్ర తెలుస్తుంది. అదే ఈ కాంతార ఏ లెజెండ్‌ కథ. రాజశేఖర్‌ అనే రాజు పరిపాలిస్తున్న రాజ్యంలో కాంతార ప్రాంతం ఉంటుంది. అయితే ఆ ప్రాంతంలోకి రాజుకు, రాజు సైన్యంకు వెళ్లేందుకు అనుమతి ఉండదు. ఎవరైనా కాంతార ప్రాంతంకు వెళ్లాలి అనుకున్న, ఆ ప్రాంతాన్ని స్వాదీనం చేసుకోవాలి అనుకున్న చనిపోవడం జరుగుతుంది.  కాంతార ప్రాంతాన్ని బెర్మి(రిషబ్‌ శెట్టి) పరిరక్షిస్తూ ఉంటాడు. తన ప్రాంతంలో ఉండే ఖరీదైన సుగంధాలను రాజ్యంలో అమ్మి వ్యాపారం చేయాలి అనుకుంటాడు. ఆ క్రమంలో రాకుమారి కనకావతి(రుక్మిణి వసంత్‌)ని కలుస్తాడు. అంతా సాఫీగా సాగుతున్న సమయంలో యువరాజు కులశేఖర(గుల్షన్‌ దేవయ్య) కాంతార ప్రాంతాన్ని ఆక్రమించేందుకు ప్రయత్నాలు మొదలు పెడతాడు. ఆ తర్వాత ఏం జరుగుతుంది? కులశేఖర, బెర్మిల మధ్య జరిగే యుద్దం ఎలాంటిది? రాజకుమారి కనకావతి పాత్ర ఏంటి? అనే విషయాలు తెలుసుకునేందుకు సినిమా చూడాల్సిందే.  నటీనటుల నటన : సినిమాలో ఎంతో మంది నటీనటులు ఉంటారు. వారిలో చాలా మందికి కీలక పాత్రలు లభించాయి. అయితే బెర్మి పాత్రలో కనిపించిన రిషబ్‌ శెట్టి మొత్తం కథను తన బుజాలపై వేసుకుని నడిపించాడు అనిపించింది. ఆయన మొదటి పార్ట్‌లో అద్భుతంగా నటించాడు అంటూ విమర్శకుల ప్రశంసలు దక్కించుకున్నాడు. కనుక ఇప్పుడు అంతకు మించి అనిపించుకునేందుకు రిషబ్‌ ఎంతగా కష్టపడ్డాడో క్లీయర్‌గా వెండి తెరపై కనిపిస్తోంది. ఆయన యాక్షన్‌ సీన్స్ మొదలుకుని, కొన్ని రొమాంటిక్‌ సీన్స్‌, దైవత్వంతో కూడిన సీన్స్ ఇలా అన్నింటిలోనూ రిషబ్‌ శెట్టి నటనతో మెప్పించాడు. అద్భుతమైన నటనతో ముఖ్యంగా క్లైమాక్స్‌ సన్నివేశాల్లో రిషబ్‌ శెట్టి మరోసారి కాంతార వరల్డ్‌లోకి తీసుకు వెళ్లాడు.  హీరోయిన్‌గా నటించిన రుక్మిణి వసంత్‌ కు ఇంటర్వెల్‌కు ముందు వరకు పెద్దగా నటనకు స్కోప్‌ లేదు. కానీ సెకండ్‌ హాఫ్‌ లో ఆమె తన నట విశ్వరూపం చూపించే విధంగా నటించింది. తన పాత్రకు పూర్తి న్యాయం చేసింది. రాజు పాత్రలో నటించిన జయరామ్‌ ఆకట్టుకున్నాడు. హుందాగా చాలా సెన్సిబుల్‌ నటనతో మెప్పించాడు. ఇక ఆయన కొడుకు పాత్రలో గుల్షన్‌ దేవయ సృష్టించిన విద్వంసం అంతా ఇంతా కాదు. సాధారణంగానే ఆయన విలనిజం బాగుంటుంది అంటూ విమర్శకులు సైతం ప్రశంసిస్తూ ఉంటారు. అలాంటి పాత్రను అంతకు మించి అన్నట్లుగా పోషించి ఆకట్టుకున్నాడు. సినిమాలో నటించిన ఇతర నటీనటులు సైతం వారి పాత్రల పరిధిలో చక్కని నటనతో ఆకట్టుకున్నారు.  టెక్నికల్‌ : ఈ సినిమాలో కథ, స్క్రీన్‌ ప్లే కంటే టెక్నికల్‌ అంశాలకు ప్రధాన పీట వేసినట్లుగా ఉంది. ముఖ్యంగా సినిమాటోగ్రఫీ, నేపథ్య సంగీతం అద్భుతంగా ఉండటంతో సినిమా విజువల్‌ వండర్‌ గా మారింది. అంతే కాకుండా ఈ మధ్య కాలంలో వీఎఫ్‌ఎక్స్‌ విషయంలో చాలా సినిమాలు విమర్శలు ఎదుర్కొంటున్న విషయం తెల్సిందే. కానీ ఈ సినిమా మాత్రం అందుకు భిన్నం అన్నట్లుగా నిలిచింది.  సినిమాలో వీఎఫ్‌ఎక్స్‌ వర్క్‌ అద్భుతంగా ఉన్నాయి. సినిమాలో ఆవిష్కరించిన కొత్త లోకంను కళ్ల ముందు వీఎఫ్ఎక్స్‌ తో అద్భుతంగా తీసుకు వచ్చి పెట్టడంలో అన్ని డిపార్ట్‌మెంట్స్ సక్సెస్‌ అయ్యాయి. దర్శకుడు కథ విషయంలోనే ఇంకాస్త వర్కౌట్‌ చేయాల్సి ఉంది. స్క్రీన్‌ ప్లేతో పాటు కొన్ని చోట్ల డైలాగ్స్ విషయంలో జాగ్రత్తను తీసుకోవాల్సింది. ఎడిటింగ్‌ లో చిన్న చిన్న లోపాలు మినహా పెద్దగా చెప్పుకునే తప్పులు ఏమీ లేవు. సినిమాను భారీ బడ్జెట్‌తో అద్భుతమైన ప్రొడక్షన్‌ వాల్యూస్‌తో నిర్మించారు.  విశ్లేషణ : కాంతార ప్రీక్వెల్‌ అనగానే కేవలం కన్నడ ప్రేక్షకులు మాత్రమే కాకుండా మొత్తం పాన్‌ ఇండియా ప్రేక్షకులు ఊగిపోయే పరిస్థితి ఉంది. అందుకే దర్శకుడు రిషబ్‌ శెట్టి ఒకటి కాదు రెండు కాదు ఏకంగా మూడు ఏళ్ల పాటు కష్టపడి ఈ సినిమాను రూపొందించడంతో పాటు నటించాడు. నటుడిగా నూటికి నూరు శాతం సక్సెస్‌ అయిన రిషబ్‌ శెట్టి దర్శకుడిగా మాత్రం కాస్త వెనక పడ్డాడు అనిపించింది. ఎందుకంటే కథ ఎంపిక విషయంలో ఆయన చాలా ఎక్కువ రీసెర్చ్‌ చేసినట్లుగా అనిపించింది. విన్న కథలు, ఉన్న పుకార్లు అన్నింటిని ఆయన ఇక్కడ చెప్పేందుకు చాలా ప్రయత్నించాడు.  సినిమా కథలో పాత కథలు ఎక్కువ అయ్యాయి. అంతే కాకుండా రియాల్టీకి చాలా దూరంగా వెళ్లి పోయింది. మొదటి పార్ట్‌తో పోల్చితే సినిమా ప్రొడక్షన్‌ వాల్యూస్‌, ఇతర సాంకేతిక పరిజ్ఞానం నూరు శాతం మెరుగ్గా ఉంది అనడంలో ఎలాంటి సందేహం లేదు. కానీ సినిమా కథ విషయంలో మొదటి పార్ట్‌తో పోల్చితే చాలా వీక్‌గా ఉంది. స్ట్రాంగ్‌ స్టోరీ లైన్‌తో ఇలాంటి మేకింగ్‌ చేసి ఉంటే మరో లెవల్‌ అన్నట్లుగా ఉండేది. ఇప్పుడు మాత్రం విజువల్‌ వండర్‌గా అనిపించే విధంగా తీశారు. మొదటి కాంతారను మైండ్‌ లో పెట్టుకోకుండా ఈ సినిమాను చూస్తే తప్పకుండా ప్రేక్షకులు ఎంజాయ్‌ చేయవచ్చు.  ప్లస్‌ పాయింట్స్ : రిషబ్‌ శెట్టి, హీరోయిన్‌, వీఎఫ్‌ఎక్స్ వర్క్‌, యాక్షన్‌ సీన్స్‌, కాంతార ప్రాంతం విజువల్స్‌  మైనస్‌ : కథ, స్క్రీన్‌ ప్లే, ఫస్ట్‌ హాఫ్‌ లో కొన్ని సీన్స్‌, అనవసర కామెడీ, చాలా సీన్స్ ల్యాగ్‌, కొన్ని పాత్రలకు ప్రాధాన్యత లేకపోవడం  చివరగా... కాస్త బోర్‌ అనిపించినా ఫైనల్‌గా ప్రీ క్లైమాక్స్‌, క్లైమాక్స్‌తో ఫీల్‌ మారిపోతుంది.  బ్యానర్ : హంబులే ఫిల్మ్స్‌  నిర్మాత : విజయ్‌ కిరగందూర్‌  దర్శకత్వం : రిషబ్ శెట్టి  సంగీతం : అజనీష్ లోకనాథ్‌  తారాగణం : రిషబ్‌ శెట్టి, రుక్మిణి వసంత్‌, రాకేష్ పూజారి, జయరామ్‌, గుల్షన్‌ దేవయ్య తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aN4-jZ5xUNkB1ZYP_kantarachapter1.JPG?auto=format,compress"},"datetime":"2025-10-02T08:20:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=axBF-4nNZ3s"}},"uid":"review-kantara-chapter-1....visual-wonder-movie"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}