{"data":{"all":{"edges":[{"node":{"tags":["politics","featured","four"],"data":{"third_party_url":null,"title":{"text":"LinkedIn's AI training roles offer 14k/ hour"},"content":{"text":"Microsoft-owned platform LinkedIn is testing an “AI labour marketplace” that could pay employees up to Rs 14,000 or $150 an hour to help train AI chatbots, according to a report.  A report from Business Insider said that LinkedIn is in early‑stage trials and has listed over a dozen roles for AI trainers who will rate responses from AI models, flag errors and perform “red teaming” to expose weaknesses. Job openings span across sectors including coding, finance, healthcare and linguistics, with pay ranging between Rs 3,700 and Rs 14,000 per hour depending on expertise. Senior software‑engineer trainer roles command the highest pay, while experts in Excel, finance, nursing or language specialists in Germanic and Nordic languages can earn up to about Rs 9,300 an hour, the report said. Red‑teaming positions trying to break AI systems were listed at roughly Rs 3,700 to Rs 4,600 per hour. The report said LinkedIn invites users to express interest for jobs through prompts on the platform with the platform rolling out alerts for these roles in the US. However, the page in India reads, \"We’re gradually making this experience available,\" according to the report. Applicants must verify their profile with government ID, complete an AI‑led screening conversation about skills and experience, and finish project‑specific tasks as part of the application process. The platform uses profile data such as education, licences, and work experience to assess candidates. The job drive puts LinkedIn in direct competition with AI training startups like Mercor and Surge AI. These startups link human experts with AI firms such as OpenAI and Anthropic to help fine-tune their models. LinkedIn in a recent report said that around 79 per cent of Indian small and medium businesses (SMBs) prefer a single, integrated platform over multiple standalone tools, announcing plans to launch Premium All‑in‑One — an integrated, AI‑powered offering."},"img":{"url":"https://images.prismic.io/prad/Z3pNDJbqstJ99DIB_AI.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T16:25:00+0000","embed":{"embed_url":null}},"uid":"linkedins-ai-training-roles-offer-14k-hour"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"TCS Nashik Row ‘Isolated’, Not Industry-Wide"},"content":{"text":"Nasscom on Tuesday said that any instance of misconduct or harassment in the technology sector is treated with the utmost seriousness, with companies taking swift and appropriate disciplinary action in line with established procedures.  The industry body issued the statement in response to the alleged sexual harassment case at Tata Consultancy Services’s Nashik facility, which has triggered concern across the sector. Nasscom emphasised that such incidents are isolated and do not point to any systemic issues within the industry. Highlighting broader industry standards, the body said the Indian IT sector is built on principles of respect, dignity and safety, and operates under strict governance frameworks and clear norms for workplace conduct. It reiterated that employee safety and well-being remain non-negotiable, with a zero-tolerance policy towards inappropriate behaviour. “The Indian technology industry is built on a foundation of respect, dignity, and safety. The industry operates under strict governance frameworks and unequivocal standards for employee safety, and workplace conduct,” it said. “Any instance of misconduct or harassment is treated with the highest degree of seriousness, with organisations taking swift, decisive, and appropriate disciplinary action in line with established processes,” it added. According to the statement, companies have strengthened preventive and grievance redressal mechanisms, supported by defined codes of conduct and compliance with legal requirements to ensure complaints are handled promptly, fairly and sensitively. Maintaining safe and accountable workplaces is critical to sustaining trust within the industry, it added. “Any such incident is isolated in nature and does not reflect systemic pattern within the industry,” the industry boady stated. The response comes after eight employees at the Nashik facility alleged that they were subjected to mental and sexual harassment by senior colleagues, and claimed that the human resources department failed to act on their complaints. Following the allegations, police have arrested seven individuals, while all accused employees have been suspended. “Employee safety and well-being remain non-negotiable priorities, and the industry maintains zero tolerance for any form of inappropriate behaviour,” it explained."},"img":{"url":"https://images.prismic.io/prad/1a66400a-a0f7-4444-b918-c980bf94ec7a_TCS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T13:19:00+0000","embed":{"embed_url":null}},"uid":"tcs-nashik-row-isolated-not-industry-wide"}},{"node":{"tags":["Trending"],"data":{"third_party_url":null,"title":{"text":"Trekking Students Encounter Deadly Ordnance in TN"},"content":{"text":"In a harrowing incident that underscores the perilous consequences of negligence near military zones, a 21-year-old engineering student tragically lost his life after kicking an unexploded bomb during a trek near the Anumanthapuram firing range in Singaperumal Koil, Tamil Nadu. Emansu Yadav, a final-year electrical and electronics student at SRM Engineering College, sustained catastrophic injuries to his chest and arms, dying instantly when the ordnance detonated on Monday evening. The trek, undertaken by a group of six students without prior authorization, has raised serious concerns about safety practices and awareness in areas adjacent to military training grounds. The group, which included students from various states, had reached a hilltop when they stumbled upon the suspicious iron object, which they believed to be unexploded ordnance. In a moment of reckless curiosity, one of the students kicked the object, triggering a devastating explosion. Four other students were injured in the blast, with one, Vishal Venugopal, suffering severe damage to his left hand. The others—Aryan Sharma, Krishna Siraj Mahajan, and Nishkas Niraj—also sustained injuries, while another student, Virat Sanjay Kumar, narrowly escaped harm. The injured have been transported to SRM Hospital in Potheri for urgent medical care. This tragic event highlights the hidden dangers that lurk around unauthorized access to military zones, where remnants of munitions can remain undiscovered for years. Local law enforcement officials have confirmed that the Singaperumal Koil area is utilized for live firing exercises by security forces, raising urgent questions about how dangerous explosives were left unattended amidst a location frequented by civilians. As investigations proceed, authorities are attempting to ascertain the history of the explosive device and assess the protocols in place for securing such hazardous materials. Witnesses and local officials have expressed dismay over the incident, calling it a wake-up call for increased public safety campaigns regarding military zones. Senior police officers are actively analyzing the scene and will be considering stricter enforcement of access regulations to prevent future tragedies. This incident not only serves as a painful reminder of the risks associated with military training areas but also emphasizes the need for greater awareness and respect for the dangers that unexploded ordnance can pose to the unwitting public."},"img":{"url":"https://images.prismic.io/prad/ad5MUZ1ZCF7ETLob_trkking.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T12:05:17+0000","embed":{"embed_url":null}},"uid":"tragedy-unfolds-trekking-students-encounter-deadly-ordnance-in-tamil-nadu-mnykr8qs"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Iran Oil Return to Reshape India’s Energy"},"content":{"text":"In a significant development for the global energy market, Iranian crude oil has made its long-awaited return to Indian ports after a seven-year absence, prompted by a temporary sanctions waiver from the United States. This move, amidst rising geopolitical tensions, may herald a pivotal shift in the dynamics of oil supply as two supertankers—Felicity and Jaya—successfully dock at ports along India’s east and west coasts. The resumption of these shipments could play a crucial role in stabilizing fluctuating oil prices, which have been exacerbated by recent military conflicts involving Iran. The Felicity, a very large crude carrier (VLCC) operated by the National Iranian Tanker Company, arrived off the coast of Sikka in Gujarat, carrying approximately 2 million barrels of crude sourced from Kharg Island. Similarly, the Jaya, another VLCC, reached Paradip in Odisha with a comparable load. These shipments represent the first Iranian crude deliveries to India since 2016, following a series of stringent sanctions that had effectively halted trade and significantly impacted India’s energy import strategy. The recent waiver permits transactions involving oil that is already in transit, a strategic maneuver aimed at alleviating global supply disruptions, albeit temporarily. Historically, India has been a significant importer of Iranian oil, with Iranian crude comprising as much as 11.5% of its total imports before sanctions were tightened in 2018. The country had relied heavily on Iranian light and heavy grades due to their compatibility with local refineries and favorable commercial terms. Following the imposition of sanctions, Indian imports fell sharply, and by May 2019, Iranian crude shipments had completely ceased. The downturn in imports coincided with a broader realignment of India’s energy sourcing, as it shifted towards other Middle Eastern suppliers and even U.S. oil to fill the gap left by Iranian supplies. As the geopolitical landscape continues to evolve, the implications of these resumed shipments are complex. While the recent U.S. waiver may provide temporary relief, the future of Iranian oil imports remains uncertain, particularly following the announcement of a blockade of Iranian ports after peace talks faltered. Industry insiders suggest that Indian Oil Corporation, Reliance Industries, and Bharat Petroleum Corporation may be among the buyers of the newly arrived crude, though specific contracts have yet to be publicly disclosed. The precarious nature of this arrangement emphasizes the ongoing volatility in the global oil market and the intricate balance of power at play within it."},"img":{"url":"https://images.prismic.io/prad/8699c49f-8897-40d4-97b8-85eda00c4070_oil+tank.JPG?auto=format,compress"},"datetime":"2026-04-14T12:05:14+0000","embed":{"embed_url":null}},"uid":"iranian-oil-resurgence-a-game-changer-for-indias-energy-landscape-mnykr6wp"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Suneetha Call for Justice in Viveka's Murder Case"},"content":{"text":"In a significant move seeking justice for her slain father, former Andhra Pradesh minister YS Vivekananda Reddy, Suneetha Narreddy has petitioned the Telangana High Court for a renewed investigation into his murder. This request follows a previous dismissal by a CBI court regarding the expansion of the inquiry, marking a pivotal moment in an already complex legal saga. Justice K Sujana, who presided over the initial court hearing on Monday, has instructed the Central Bureau of Investigation (CBI) to submit a counter-response, with proceedings slated for further discussion on April 27. The gravity of Suneetha's plea revolves around her contention that the current investigation has not sufficiently addressed critical aspects of the case. She is urging the court to quash the CBI court's restrictive order, which she argues hampers a thorough exploration of the murder's broader conspiracy. Notably, her petition highlights numerous issues—including the alleged destruction of evidence, potential financial motives, and instances of witness intimidation—that have reportedly been overlooked or insufficiently scrutinized in past inquiries, thus calling into question the integrity of the investigation. YS Vivekananda Reddy, a prominent political figure in Andhra Pradesh, was tragically murdered in March 2019, igniting widespread speculation and concern about the circumstances surrounding his death. The case has been marred by controversy and accusations regarding the mishandling of evidence and the roles of various individuals allegedly linked to the crime. In the wake of his death, local and national media have closely followed the evolving narrative, amplifying public interest and scrutiny of the investigative processes engaged by law enforcement agencies. As the legal battle unfolds, Suneetha Narreddy's attorney, S Goutham, has vigorously contested the involvement of some accused individuals who seek to join the proceedings, arguing that their earlier appeals have already been adequately addressed. This ongoing struggle for clarity and justice underscores the profound impact of political legacies on personal tragedies, as Suneetha continues to advocate for a comprehensive investigation that she believes is essential for delivering justice to her father and restoring faith in the judicial system. The outcome of this high-profile case remains uncertain, yet the calls for accountability resonate deeply within the political landscape of Andhra Pradesh, reflecting the ongoing challenges faced by families seeking truth amidst legal complexities."},"img":{"url":"https://images.prismic.io/prad/105915e7-9068-4fba-8b1f-134c14abf137_YS+Vivekananda.JPG?auto=format,compress"},"datetime":"2026-04-14T12:05:12+0000","embed":{"embed_url":null}},"uid":"suneetha-narreddys-legal-battle-a-call-for-justice-in-vivekananda-reddys-murder--mnykr502"}},{"node":{"tags":["politics","featured","one"],"data":{"third_party_url":null,"title":{"text":"HC Restricts HYDRAA's Demolition Activities"},"content":{"text":"In a significant development, the Telangana High Court has put a halt to the demolition activities of the Hyderabad Metropolitan Development Authority (HYDRAA) without obtaining prior court approval for its standard operating procedure (SOP). Justice B Vijaysen Reddy directed HYDRAA to restrain from demolishing unauthorized constructions until it presents its SOP before the court. The court also ordered HYDRAA to focus solely on removing encroachments and restoring water bodies, nalas, parks, and public roads. This directive comes in response to a lunch motion challenging the demolition of a century-old structure and other buildings on a farmhouse in Ameenpur. The court has instructed HYDRAA to maintain the status quo and submit counter affidavits within two weeks. The matter is scheduled for further hearing on April 20. The court expressed dissatisfaction with HYDRAA's approach, criticizing the agency for creating a 'war-like situation' during demolitions, particularly in the early hours, without adherence to any established SOP or legal clarity. It also directed HYDRAA not to take any coercive steps, including demolition of unauthorized constructions, until it submits its SOP or guidelines in accordance with relevant laws.  The court highlighted HYDRAA's actions, ostensibly in the public interest, as potentially carried out at the behest of private individuals in defiance of previous HC orders. Additionally, the court emphasized the need for strict judicial scrutiny, citing the Supreme Court's directive for a minimum 15-day notice period before any demolition. The judge underscored the necessity for adherence to legal procedures and principles of natural justice. The court also raised concerns about the lack of clarity regarding HYDRAA's operating framework and its manner of functioning. The persistent ambiguity surrounding its operations indicated a lack of proper legal direction, despite the agency's claims of restoring water bodies in and around Hyderabad.  The petitioner, a 98-year-old farmer, alleged that HYDRAA officials, accompanied by local police and revenue personnel, demolished structures at the farmhouse in Ameenpur without prior notice. In response, HYDRAA defended its actions, stating that the demolished structures had been constructed without requisite permissions on government land. The judge expressed concern over the demolition of a substantial structure without prior notice and criticized the authorities for allowing the construction to proceed unchecked. The court highlighted that timely intervention could have prevented the situation. The content of the original article has been paraphrased and rewritten to ensure uniqueness and readability while preserving all factual information."},"img":{"url":"https://images.prismic.io/prad/aM-p155xUNkB07fV_hydraa.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T11:31:00+0000","embed":{"embed_url":null}},"uid":"telangana-high-court-restricts-hydraas-demolition-activities-without-court-appro-mnyu9yw9"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Mrunal Thakur Celebrates Stellar Response to 'Dacoit'"},"content":{"text":"Mrunal Thakur, the rising star of Indian cinema, is basking in the overwhelming acclaim for her latest film, 'Dacoit,' which pairs her alongside acclaimed actor Adivi Sesh. At a recent promotional event in Hyderabad, Thakur expressed deep gratitude to the filmmakers who placed their faith in her talents, marking a significant turning point in her career. 'It’s the karma of my past life that I am getting this love and appreciation,' she remarked, underscoring the personal significance of this moment amid a backdrop of years marked by dedication and perseverance. The film, directed by Shaneil Deo in his debut, has garnered attention not only for its engaging narrative but also for the collective effort of its creative team. Thakur emphasized the collaborative nature of filmmaking, acknowledging the crucial roles played by writers, cinematographers, editors, and the entire crew, stating, 'If you take one thing away from me, the film will not land.' This holistic approach to storytelling has resonated with audiences, contributing to the film's positive reception and showcasing the strength of teamwork in the industry. Reflecting on her journey, Thakur candidly recounted the challenges she faced prior to this breakthrough, articulating how each rejection and struggle has shaped her resilience and fueled her ambition. 'I used to dream about a day when the filmmakers would trust me and write roles for me,' she shared, revealing her aspirations and the transformative power of her current success. This introspection highlights not only her personal growth but also the evolving landscape of Indian cinema, where talent is increasingly recognized and celebrated. With a talented ensemble cast that includes Anurag Kashyap and Prakash Raj, 'Dacoit' seeks to blend action with romance, crafting a narrative that captivates diverse audiences. The film is produced under the esteemed Annapurna Studios, further elevating its profile within the competitive cinematic arena. As Thakur continues to receive accolades, her journey serves as an inspiration for aspiring actors, reinforcing the notion that perseverance, coupled with talent, can indeed lead to well-deserved recognition in the realm of entertainment."},"img":{"url":"https://images.prismic.io/prad/aW9dfwIvOtkhBuvy_mrunal.JPG?auto=format,compress"},"datetime":"2026-04-14T10:02:00+0000","embed":{"embed_url":null}},"uid":"mrunal-thakur-celebrates-stellar-response-to-dacoit-a-journey-of-perseverance-an-mnyoy0ul"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Curtains come down on the two-decade 'Nitish Era'"},"content":{"text":"In a significant political development, Nitish Kumar resigned as the Chief Minister of Bihar on Tuesday, marking the end of an era that spanned nearly two decades.  Nitish Kumar, who recently became a member of the Rajya Sabha, has now shifted his focus toward national politics. He visited the Raj Bhavan in Patna and formally submitted his resignation to Governor Syed Ata Hasnain, who accepted it, officially bringing the 'Nitish Era' in Bihar to a close. In a detailed message shared on X, Nitish Kumar reflected on his long tenure, recalling that the NDA government was first formed under his leadership on November 24, 2005. He emphasised that since then, his administration had focused on strengthening law and order and ensuring inclusive development across all sections of society. He highlighted progress across key sectors, including education, healthcare, road infrastructure, electricity, and agriculture. Special emphasis, Nitish Kumar noted, was placed on the empowerment of women and youth, alongside targeted initiatives for backward classes, extremely backward classes, Dalits, and Mahadalits. Looking ahead, Nitish Kumar spoke about the NDA government's ambitious roadmap for 2025–2030 under the '7 Nishchay-3' initiative. He expressed confidence that the framework would accelerate Bihar's development and help the state emerge among the leading contributors to India's growth. He also acknowledged the support of the Central government and thanked Prime Minister Narendra Modi for continued cooperation in Bihar's development journey. Nitish Kumar said that the decision to step down had already been made, and following the final Cabinet meeting earlier on Tuesday, he proceeded to the Raj Bhavan to formally tender his resignation. He assured that the incoming state government would receive his full cooperation and guidance, expressing optimism that Bihar would continue to progress steadily in the coming years. Concluding his message, Nitish Kumar expressed heartfelt gratitude to the people of Bihar and his colleagues for their support throughout his tenure. His departure not only marks the end of a long political chapter but also signals the beginning of a new phase in Bihar's governance, while his influence is expected to continue shaping the state's future from the national stage."},"img":{"url":"https://images.prismic.io/prad/Z64VsZbqstJ9-llJ_nitish.JPG?auto=format,compress"},"datetime":"2026-04-14T09:08:00+0000","embed":{"embed_url":null}},"uid":"curtains-come-down-on-the-two-decade-nitish-era"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Anita: 45 & still running… from calories, chaos"},"content":{"text":"Television star Anita Hassanandani turned 45 on the 14th of April, and rang in her special day with a fun and heartfelt note, that embraced life with being “ ‘little wiser and sassier.’ Anita reflected on her journey while adding a playful twist through her caption and video. In the video shared by Anita, she is seen running away from her birthday cake, which features a prominent “45” topper, that hints at her age. She wrote, “45 & still running… from calories, chaos, and occasionally… my own cake But honestly? If this cake is chasing me, it’s probably because life has been this sweet. Grateful for every laugh line, every lesson, every moment that shaped this beautiful, full life. A little wiser, a little sassier, and a whole lot more content.” Her husband Rohit Reddy also penned a heartfelt note for her on his social media account. Sharing romantic pictures of them both, he wrote, “To the one who fills every room with happiness cheers to you, and to the beautiful year ahead. Love you, baby.” The pictures shared by Rohit look adorable with the birthday girl smiling from her heart and blushing as he gives a peck on her cheek. Talking about Anita Hassanandani on her personal front, she is a mother to Aaravv Reddy who was born in 2021. The actress married businessman Rohit Reddy in 2013. Professionally, Anita is a popular face on Indian television, and has delivered umpteen number memorable performances. She was most popular as Shagun Arora in the hit show Yeh Hai Mohabbatein. In the same show, her character was admired for her chic style of sarees and especially blouses. The actress was also widely loved for her portrayal of the vamp Shesha in Ekta Kapoor's Naagin. Apart from television, Anita has also featured in movies like Kucch To Hai, Krishna Cottage, Yeh Dil. Anita who earlier went by the screen name Natasha, has been a part of the entertainment industry for almost 25 years."},"img":{"url":"https://images.prismic.io/prad/ad4XJp1ZCF7ETKys_anitha.JPG?auto=format,compress"},"datetime":"2026-04-14T08:52:00+0000","embed":{"embed_url":null}},"uid":"anita-45--still-running-from-calories-chaos"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"RR Pushes Pro-Rata Seat Hike"},"content":{"text":"Telangana Chief Minister, A. Revanth Reddy, on Tuesday slammed the BJP for what he called hatching conspiracies to do injustice to Southern states in delimitation of Lok Sabha constituencies and called for a movement for increasing the seats on a pro-rata basis.  Addressing the birth anniversary celebrations of Dr B.R. Ambedkar on Tuesday, he reiterated that the BJP is engaging in conspiracies regarding the delimitation of constituencies to do injustice to Southern states. “Under the pretext of increasing seats based on a 50 per cent criterion, they are attempting to reduce the seat quota allocated to the Southern states. We must wage a struggle to ensure that the number of seats in the Southern states is increased on a pro-rata basis,” he said Revanth Reddy declared that his government will always be at the forefront of any noble cause. He said that delimitation on a 50 per cent criterion will result in an injustice to women, as well as to the Scheduled Castes (SCs) and Scheduled Tribes (STs), in the Southern states. “Are those serving as Union Ministers truly unaware of this simple calculation,” he asked. Stating that the government belongs to the people, he said the responsibility to safeguard it rests with them. Revanth Reddy paid rich tributes to Babasaheb Ambedkar and said his role in steering the nation onto the path of progress is just as significant as that of Mahatma Gandhi. He termed them two eyes of this nation. “While Mahatma Gandhi proved that a war could be won peacefully without shedding a single drop of blood, Babasaheb Ambedkar demonstrated that a nation could be governed in a manner that serves as a model for the entire world,” he said. The Chief Minister said Ambedkar firmly believed that education alone holds the power to transform lives. Ambedkar’s philosophy itself constitutes the very essence of democratic governance. He stated that it was through the provisions of Article 3 that Congress senior leader Sonia Gandhi facilitated the formation of the state of Telangana. He said marginalised and weaker sections of society played a pivotal role in the Telangana movement. He also recalled the role played by revolutionary balladeer Gaddar in the Telangana movement. “If anyone imagines that the role played by Gaddar — who, through his songs, galvanized the movement to unprecedented heights — will ever be forgotten, they are merely deceiving themselves,” he said. He claimed that the people-centric government has accorded the highest priority to Dalits. Apparently targeting former Chief Minister and BRS President K. Chandrasekhar Rao, he remarked that since a Dalit son is serving as the Speaker, they are insulting him by refusing to attend the Assembly. “Shouldn't Dalit sons and daughters hold positions such as Finance Minister or Health Minister? It is this people-centric government that has brought about a situation where those who once insulted Dalits now have to ask a Dalit for the microphone. We are giving priority to Dalits and Adivasis in every sector.” He claimed that the government is establishing 'Young India Integrated Schools' with the aim of eliminating caste-based disparities. “We are upholding the ideals of Dr. Ambedkar, who envisioned that education should be accessible to the poor. We are introducing 'Telangana Public Schools' with the objective of providing quality education,” he said."},"img":{"url":"https://images.prismic.io/prad/ad4Bjp1ZCF7ETKce_RR.JPG?auto=format,compress"},"datetime":"2026-04-14T08:30:00+0000","embed":{"embed_url":null}},"uid":"rr-pushes-pro-rata-seat-hike"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Alia to RK: Tu saath hain toh din raat hain"},"content":{"text":"Bollywood superstar couple Alia Bhatt and Ranbir Kapoor celebrate four years of their marital bliss on the 14th of April. On account of the special day, Alia took to her social media account to share a glimpse of their anniversary special vacation. She also penned a beautiful caption alongside her carousel post. “Somewhere between gliding and falling, walking and a lot of talking…. we made ourselves a pretty wonderful life. In short .. Tu saath hain toh din raat hain,” she wrote. In the picture shared by Alia, it features the lovestruck two smiling for a selfie, with snow clad mountains in the background. The second picture shows a serene outdoor setting surrounded by snow-covered mountains and wooden chalets. Ranbir is seen along with little Raha, standing near a fenced area interacting with a group of alpacas. The three, a few days ago, were clicked at the airport in Mumbai, all geared up for the special vacation, though the destination remains undisclosed. Talking about their love story, Alia and Ranbir fell in love on the sets of their movie Brahmastra Part One: Shiva. The movie was directed by Ayan Mukerji, and released in 2022. The couple had seamlessly managed to keep their relationship away from the media spotlight for the longest time. After dating for quite a few years, the couple tied the knot on April 14, 2022, in an intimate ceremony at their Mumbai home with just their close friends and family members in attendance. They welcomed their daughter Raha, in the same year, on November 6, 2022. On the professional front, Alia and Ranbir are currently busy with the shooting of ace filmmaker Sanjay Leela Bhansali's movie Love and War, which also stars Vicky Kaushal."},"img":{"url":"https://images.prismic.io/prad/ad37eJ1ZCF7ETKYQ_ranbiralia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T08:25:00+0000","embed":{"embed_url":null}},"uid":"alia-to-rk-tu-saath-hain-toh-din-raat-hain"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Kriti Sanon followed a calorie-deficient diet"},"content":{"text":"Actress Kriti Sanon, who is gearing up for the release of Cocktail 2, has spoken about her preparation for the sequel to the 2012 cult romantic drama and shared that she was on a “very strict diet” and a “consistent workout routine” to prep for the upcoming film.  “Honestly, during Cocktail, it was the only time when I was on a very strict diet and a consistent workout routine. And for the first time, I followed a calorie deficit diet, which had never happened in my life. We were shooting in Italy, in Sicily… and when it comes to food there, it’s mostly pizza, pasta, pizza… all of that. And I was like… ah,” Kriti said in a statement. Earlier, she had revealed the emotional reason behind choosing the film, sharing, “Tere Ishk Mein was so emotionally draining, it had completely emptied me emotionally. I felt I needed something light and fun, and that’s when Cocktail came my way.” Highlighting the importance of balance, Kriti had also shared, “I thought, ‘This is it. This is the space I want to be in.’ It’s also nice to play characters that are poles apart, to not get too much of the load on you emotionally, because going back-to-back with deeply layered roles can take a toll on you.” Kriti shared that she’s looking very different from what she has ever looked and it's probably the hottest character that I've done so far. “And I think Homi is someone who has great great aesthetic visual sense and he's just inherently cool and I think he's brought a cool side to me which I didn't know I had.” The film also stars Shahid Kapoor and Rashmika Mandanna. Cocktail 2 is by filmmaker Homi Adajania. It explores modern relationships amid emotional turmoil. The sequel features new characters facing current challenges while revisiting themes of love, friendship, and heartbreak. This is the first time Rashmika will be seen sharing screen space with Kriti and Shahid. The film is set to bow in cinemas on June 19, 2026."},"img":{"url":"https://images.prismic.io/prad/ad3wD51ZCF7ETKO9_kritisanon.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T07:40:00+0000","embed":{"embed_url":null}},"uid":"kriti-sanon-followed-a-calorie-deficient-diet"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Nicole Kidman training to become a death doula"},"content":{"text":"Hollywood star Nicole Kidman has shared that she is training to become a death doula after being inspired by her own experiences before her mom Janelle Ann Kidman, passed away in September 2024 at the age of 84. A death doula is a non-medical professional who provides holistic emotional, spiritual, and practical support to individuals and their families navigating terminal illness, death, and bereavement. According to the San Francisco Chronicle, Nicole said during a Silk Speaker Series talk at the University of San Francisco's War Memorial Gym: \"As my mother was passing, she was lonely, and there was only so much the family could provide.” “Between my sister and I, we have so many children and our careers and our work, and wanting to take care of her because my father wasn't in the world anymore, and that's when I went, ‘I wish there was these people in the world that were there to sit impartially and just provide solace and care.' So that's part of my expansion and one of the things I will be learning.\" The actress isn't the only famous face to reveal plans to be a death doula, reports femalefirst.co.uk. In 2021, Riley Keough shared that she had undergone training and found supporting others proved to be helpful with her own grief over her brother Benjamin Keough taking his own life in July 2020. The Daisy Jones and the Six star, whose mom Lisa Marie Presley died in January 2023, said: \"That's really what's helped me, being able to put myself in a position of service. If I can help other people, maybe I can find some way to help myself.\" Director Chloe Zhao recently revealed she had been training to be a death doula to help her overcome her own fears about the end of life."},"img":{"url":"https://images.prismic.io/prad/Zq-qSEaF0TcGIq1a_nicoleskidman.JPG?auto=format,compress"},"datetime":"2026-04-14T06:42:00+0000","embed":{"embed_url":null}},"uid":"nicole-kidman-training-to-become-a-death-doula"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"SRK, Bhansali Near Deal for Romantic Drama"},"content":{"text":"Bollywood superstar Shah Rukh Khan is in advanced talks with filmmaker Sanjay Leela Bhansali for a romance film, where he will be seen in an “age-appropriate” role.  According to a source close to media, the filmmaker and actor, who previously worked in the 2002 blockbuster “Devdas”, are now in an advanced stage of talks for the film, where he will be seen in an age-appropriate character, who is over 50-years-old. As per the source, his character will be going through a rough patch in his career. He will bump into a woman who has a start-up and will fall in love. He was offered a film earlier, but the superstar rejected. The film was most likely “Inshaallah,” which got shelved after Bollywood superstar Salman Khan backed out. Talking about Bhansali’s previous film “Devdas” with SRK, the period romantic drama film also stars Aishwarya Rai, Madhuri Dixit, Jackie Shroff, Kirron Kher, Smita Jaykar, and Vijayendra Ghatge. Based on the Bengali-language 1917 novel of the same name by Sarat Chandra Chattopadhyay, the film narrates the story of Devdas Mukherjee, a wealthy law graduate who returns from London to marry his childhood friend, Parvati \"Paro\". However, the rejection of their marriage by his own family sparks his descent into alcoholism, ultimately leading to his emotional deterioration and him seeking refuge with the golden-hearted courtesan Chandramukhi. Shah Rukh Khan is currently busy with his next, an action thriller titled “King” directed by Siddharth Anand. The film also stars Suhana Khan, Deepika Padukone, Abhishek Bachchan, Anil Kapoor, Jackie Shroff, Arshad Warsi, Abhay Verma, Jaideep Ahlawat, Raghav Juyal, and Rani Mukerji. Meanwhile, in 2024, Bhansali made his OTT debut with the series Heeramandi: The Diamond Bazaar. Set in the red-light district of Heera Mandi in Lahore during the Indian independence movement, the series explores the lives of tawaifs and their intersection with political and personal struggles under British colonial rule."},"img":{"url":"https://images.prismic.io/prad/aN0J0p5xUNkB1WVF_SRK.JPG?auto=format,compress"},"datetime":"2026-04-14T05:55:00+0000","embed":{"embed_url":null}},"uid":"srk-bhansali-near-deal-for-romantic-drama"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Adivi Sesh: ‘Dacoit’ is our modern-day Romeo and Juliet"},"content":{"text":"Actor Adivi Sesh has described his latest release “Dacoit” as his modern-day Romeo and Juliet, but set in a world that feels very real and grounded.  Sesh shared that at the heart of “Dacoit” lies a story of two former lovers whose past continues to shape their present. The film explores how love, when left unresolved, can evolve into something far more complex blurring the lines between longing, anger, and redemption. Sesh, who has co-written the film’s story, said: “For me, Dacoit is not just about conflict or revenge. At its core, it’s a love story. It’s our modern-day Romeo and Juliet, but set in a world that feels very real and grounded.” “These are two people who were once deeply in love, and life took them in different directions. When they meet again, it’s not just about rekindling feelings, it’s about confronting everything that love has turned into over time,” said the actor. He further explained what drew him to this narrative. “The idea of eternal love has always fascinated me. Not in a fairy-tale sense, but in how it stays with you, even when relationships change or break. In Dacoit, love doesn’t disappear, it transforms. Sometimes into pain, sometimes into strength, and sometimes even into revenge.” Sesh also adds that the Romeo and Juliet comparison is not about imitation, but interpretation. “We’re not retelling Romeo and Juliet. We’re taking the essence of that kind of love intense, complicated, and enduring and placing it in a world that audiences can connect with today. It’s raw, it’s imperfect, and that’s what makes it real.” Shaneil Deo directs Dacoit in his directorial debut. The film also stars Mrunal Thakur, Anurag Kashyap Prakash Raj, Sunil, Zayn Marie Khan, Atul Kulkarni, Kamakshi Bhaskarla, and Vaibhav Tatwawadi, among many others."},"img":{"url":"https://images.prismic.io/prad/Z2pyI5bqstJ98zoC_mrunaldecoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T05:25:00+0000","embed":{"embed_url":null}},"uid":"adivi-sesh-on-dacoit-its-our-modern-day-romeo-and-juliet"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"PK's wife Anna: Music Is Who I Am!"},"content":{"text":"Anna Konidela, the wife of Powerstar Pawan Kalyan and trained classical musician, has now penned a post on her strong bond with music and how it was and will always be a big part of who she was.  Taking to her Instagram page to post a picture of herself as a child, Anna wrote, \"This little girl is me. Seven years old. Winter in St. Petersburg, where the air is sharp and the light feels pale and endless. I stand on a big stage at my music school, at a term concert that is as serious as an exam, though my hands are still so small. I play “La Marmotte” by Ludwig van Beethoven. My teacher sits beside me at the piano, accompanying me but letting me to lead. Three years later, I would begin playing the piano myself.\" She went on to say, \"I started learning the violin at the age of five. Alongside regular school, I attended music school until I graduated at fifteen. Although I didn’t continue with a professional music career, music - especially classical - has always been, and will always remain, a big part of who I am.\" Anna, who is now married to Pawan Kalyan, said, \"When I came to India, my husband bought me a piano.The violin is here too, resting in its case. But lately, I don’t feel the same pull to play.. as if the music is still somewhere inside me, just… waiting for the right moment to be heard again.\" She concluded the post saying, \"Music connects people beyond language and background. Through it, we can feel pain, love, and joy without a single word. It is a bridge - between cultures, between people, and across continents.\" It may be recalled that Anna Konidela opened her account in Instagram only recently. Pawan Kalyan, while welcoming his wife to the social media platform last month, had said, \"A warm welcome to Instagram, dear @Anna.Konidala. Wishing you the very best as you step into this space. Looking forward to your presence bringing meaningful engagement and inspiring interactions.\""},"img":{"url":"https://images.prismic.io/prad/Z_vmD-vxEdbNO-mB_annalezonova.JPG?auto=format,compress"},"datetime":"2026-04-14T03:57:00+0000","embed":{"embed_url":null}},"uid":"pks-wife-anna-music-is-who-i-am"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"Vijay election campaign on Cycle"},"content":{"text":null},"img":{"url":"https://images.prismic.io/prad/aQsXubpReVYa4E64_vijayTVK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-13T19:11:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=q09ffHWF-4c"}},"uid":"vijay-election-campaign-on-cycle"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"TGSRTC employees to go on strike from April 22"},"content":{"text":"Telangana State Road Transport Corporation (TGSRTC) employees have decided to go on strike from April 22 in support of their demands. This was announced by the Joint Action Committee (JAC) of the TGSRTC employees on Monday. JAC leaders said that, though they gave notice of the strike on March 13, there was no response from the government or the TGSRTC management. They said the government should take steps to avert the strike.  JAC chairman Thomas Reddy said they placed 32 demands before the government and the management. Key demands include merging RTC with the state government, conducting elections for labour unions, and ensuring salaries and benefits on par with those of government employees. The strike may disrupt public transport across Telangana. Over 6,000 buses were likely to go off the roads, affecting over 60 lakh passengers across the state every day. The JAC made the announcement even as the transport minister Ponnam Prabhakar appealed to the employees not to go on strike.  He stated that the issue of Telangana State Road Transport Corporation’s merger with the government is under consideration by a committee. He stated that the government is ready to discuss all issues except two pending matters and assured that employee-related concerns will be resolved.  The minister mentioned that the pending Dearness Allowance (DA) has already been released, while the government is considering the Pay Revision Commission (PRC). The TGSRTC employees have been demanding that the government implement the promises made in the election manifesto. The JAC’s demands include the implementation of the long-pending merger of the RTC with the state government, implementation of two Pay Revision Commissions (PRC), payment of pending dues towards the Credit Cooperative Society (CCS) and the employees’ provident fund, and wage revision and pending allowances. In May last year, the JAC had deferred their indefinite strike after the state government agreed to look into their demands. The state government had agreed to constitute a three-member IAS committee to hold talks with the employees’ unions and address their demands. The JAC leaders demanded that the government provide job security to the employees. They also demanded that the government procure electric buses and give them to the RTC."},"img":{"url":"https://images.prismic.io/prad%2F204da42d-c835-4d0c-be5b-a37b80254214_rtc+strike.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-04-13T15:00:00+0000","embed":{"embed_url":null}},"uid":"tgsrtc-employees-to-go-on-strike-from-april-22"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Asha Bhosle cremated with full state honours"},"content":{"text":"The curtains fell on a golden era of Indian music as the legendary playback singer Asha Bhosle was cremated with full state honours on Monday at Mumbai’s iconic Shivaji Park.   'Asha Tai', as she was affectionately known, passed away on Sunday, April 12, at the age of 92 due to multi-organ failure following a cardiac arrest. She had been admitted to Breach Candy Hospital a day earlier as she was suffering from extreme exhaustion and a chest infection. The Maharashtra government accorded the veteran singer a state funeral, a tribute reserved for those who have made monumental contributions to the nation. The ceremony mirrored the farewell given to her elder sister, the late Lata Mangeshkar, at the same historic ground. Her mortal remains were kept at her residence in Lower Parel, from 11:00 A.M. to 3:00 P.M. to allow fans and celebrities to pay their last respects. Thousands of emotional fans lined the streets of Mumbai as the funeral procession made its way to Dadar. At around 5 P.M., amid a somber atmosphere, she was cremated with a 21-gun salute and a guard of honour by the Maharashtra Police. Political leaders including Chief Minister Devendra Fadnavis, Deputy Chief Ministers Eknath Shinde and Sunetra Pawar, ministers Chhagan Bhujbal, Ashish Shelar, Bharat Gogawale, Sanjay Shirsat, MNS chief Raj Thackeray and Shiv Sena UBT MP Anil Desai, were among those who were present at the funeral to pay their final respects. Further, Bollywood superstars including Amir Khan also attended the cremation. They expressed their profound grief over the loss of the \"most versatile voice\" in music history. \"Deeply saddened by the passing of Asha Bhosle Ji. Her extraordinary musical journey, spanning decades, enriched our cultural heritage and touched countless hearts across the world,\" said Prime Minister Narendra Modi in his condolence message. From the film industry, stars including Shah Rukh Khan, A.R. Rahman, and Hema Malini shared heartfelt tributes, describing her as an \"irreplaceable pillar\" of Indian cinema. With a career spanning over eight decades, Asha Bhosle’s statistics are as staggering as her talent. Recognised by the Guinness World Records as the most recorded artist in music history, with over 12,000 songs, she mastered everything, from classical ghazals and soulful melodies like 'Dil Cheez Kya Hai' to high-energy pop hits like 'Dum Maro Dum'. She was also a recipient of the Dadasaheb Phalke Award, Padma Vibhushan, and two National Film Awards. The void left by Asha Bhosle’s passing is immense, but as her fans often say, she will live forever through the timeless magic of her voice."},"img":{"url":"https://images.prismic.io/prad/adzqEp1ZCF7ETIxi_ashabosle.JPG?auto=format,compress&rect=0,14,2028,1000&w=2028&h=1000"},"datetime":"2026-04-13T12:05:00+0000","embed":{"embed_url":null}},"uid":"asha-bhosle-cremated-with-full-state-honours"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Lokesh Thanks President for Amaravati Approval"},"content":{"text":"Andhra Pradesh Minister for Human Resources Development Nara Lokesh, along with NDA MPs from the state called on President Droupadi Murmu here on Monday to thank for approving the Bill passed by the Parliament to give statutory recognition to Amaravati as the sole and permanent capital of the state. Minister Lokesh said on social media platform X that it was a privilege to meet President Murmu and convey the heartfelt gratitude of crores of people of Andhra Pradesh for approving the Bill that notifies Amaravati as the state capital. Nara Lokesh, the Telugu Desam Party (TDP) General Secretary, noted that President Murmu graciously acknowledged the extraordinary resilience and sacrifice of our farmers, and the steadfast leadership of Chief Minister N. Chandrababu Naidu in bringing long-awaited clarity on the state capital. \"I also had the honour of presenting her (President Droupadi Murmu) a coffee table book that captures Amaravati's journey and the inspiring story of our farmers' struggle,\" Minister Lokesh, who is also the son of Chief Minister Chandrababu Naidu, said. \"A delegation from Andhra Pradesh, comprising Union Minister of State for Steel and Heavy Industries Bhupathiraju Srinivasa Varma, Andhra Pradesh Minister of Education and IT Nara Lokesh, and Rajya Sabha and Lok Sabha members of the state, called on President Droupadi Murmu at Rashtrapati Bhavan,\" a social media post from the official X account of the Rashtrapati Bhavan said. President Murmu on April 6 gave her assent to the Andhra Pradesh Reorganisation (Amendment) Bill, 2026, which was passed by the Parliament. The same day the Union government issued a gazette notification, giving Amaravati the statutory status as the sole and permanent capital of Andhra Pradesh. The Andhra Pradesh Reorganisation (Amendment) Act, 2026, amended the Andhra Pradesh Reorganisation Act, 2014. The Parliament on April 2 gave its final approval to the Amendment Bill, officially designating Amaravati. The Rajya Sabha passed the Bill through a voice vote, a day after the Lok Sabha cleared it. After the Parliament passed the Bill, Minister Lokesh along with NDA MPs had met Prime Minister Narendra Modi to thank him."},"img":{"url":"https://images.prismic.io/prad/adzsn51ZCF7ETIzK_lokeshmurmu.JPG?auto=format%2Ccompress&rect=0%2C14%2C2028%2C1000&w=2028&h=1000"},"datetime":"2026-04-13T11:55:00+0000","embed":{"embed_url":null}},"uid":"lokesh-thanks-president-for-amaravati-approval"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Seethakka sends legal notice to KCR"},"content":{"text":"Telangana’s Panchayat Raj and Rural Development Minister Danasari Anasuya Seethakka has sent a legal notice to former Chief Minister and Bharat Rashtra Samithi (BRS) President K. Chandrasekhar Rao over the allegations made on the party’s social media accounts against her in connection with mobile phone procurement for Anganwadis.  The minister has demanded that K. Chandrasekhar Rao (KCR) take responsibility for BRS social media posts, delete them and issue an apology within 48 hours. The notice says that if he fails to do so, civil and criminal action will be initiated against him. The legal notice stated that as the president of BRS, KCR is responsible for all its actions, including social media posts, press releases, advertisements, etc.  The minister’s lawyer said she was shocked to find a social media post on April 10 in which it was alleged that Seethakka did not leave even the phones given to Anganwadi workers. According to the post, the cost of the phone given to Anganwadi is only Rs 8,499, but Seethakka showed the cost as Rs 14,499 and committed corruption of Rs 30 crore. The notice gave details of the social media handles of the party leaders and their supporters on which the post was made. It is alleged that KCR has been carrying on a systematic campaign to defame the minister. Seethakka has made it clear that she has nothing to do with the procurement of smart mobile phones. According to the notice, it’s Telangana Technology Services Limited which invited bids and awarded the contract. “My client is not a member of the Tender Evaluation Committee. Therefore, she has no role to play in awarding the contract,” reads the notice. Pointing out that the tender itself was for Rs 44 crore, it termed the allegation of corruption to the tune of Rs 30 crore as false and absurd.  Seethakka called the allegations inherently defamatory in nature and said they constitute defamation per se. She demanded KCR delete the social media posts on ‘Facebook’ and ‘X’ and also publish an apology on the same platforms and also through the Telugu daily ‘Namasthe Telangana’, failing which she will be constrained to initiate appropriate legal action (both civil and criminal)."},"img":{"url":"https://images.prismic.io/prad/58aa1682-b2e8-4080-9419-ba1956a0b143_seethakka.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-13T10:30:00+0000","embed":{"embed_url":null}},"uid":"seethakka-sends-legal-notice-to-kcr"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"$8.7M for Womens T20 WC"},"content":{"text":"The International Cricket Council (ICC) has unveiled a record prize fund of USD 8,764,615 for the ICC Women’s T20 World Cup 2026, reflecting a 10 per cent boost compared to the 2024 edition. This amount surpasses the USD 7,958,077 shared among the 10 participating nations in the United Arab Emirates two years ago, as the tournament is set to expand to 12 teams for the first time. The 2026 edition will feature hosts England joined by Australia, Bangladesh, India, Ireland, the Netherlands, New Zealand, Pakistan, Scotland, South Africa, Sri Lanka and the West Indies.  The winners will once again receive USD 2,340,000, while the runners-up will get USD 1,170,000. Losing semi-finalists will earn USD 675,000, and each group match victory will be rewarded with USD 31,154. All 12 teams participating are guaranteed a minimum prize of USD 247,500, the ICC said in a release. The news arrives just 60 days before the tournament begins on June 12, when England will face Sri Lanka at Edgbaston, Birmingham. The 33-match event will take place across seven venues over 24 days, with teams competing for the top prize. ICC CEO, Sanjog Gupta, said, “The growth of women’s cricket continues to accelerate, and the expansion of the ICC Women’s T20 World Cup to 12 teams, combined with a record prize pool, underlines our commitment to building a stronger, more competitive global game. “The continued rise of women’s cricket through increased investment and opportunity reflects the growing influence and impact of female athletes on the global stage. With that same momentum building across every aspect of women's cricket, this event is shaping up to not only set a host of new attendance and viewing records in the sports and media ecosystems but also leave a lasting impact on the wider socio-cultural landscape across the world.” All roads now officially lead to England and Wales this summer, thanks to the ICC Trophy Tour, which kicks off Monday and will travel across Europe in the weeks before the competition. The Trophy Tour begins in London, where it will be displayed in the square at Lord’s Cricket Ground, the venue for the final and known as the Home of Cricket. It will be showcased with a spectacular projection—making it the first time anything has ever been projected onto the ground’s renowned pavilion. The trophy will travel to the Netherlands, Ireland and Scotland, the tournament’s qualified European member nations, before embarking on an extensive tour of the tournament’s host cities through May, building excitement ahead of the tournament’s first ball on 12 June. The tour will feature visits to major locations with multiple fan engagement opportunities across the host cities, including Millennium Square (Leeds), St Peter’s Square (Manchester), Bullring (Birmingham), Cabot Circus (Bristol), Guildhall Square (Southampton), and Trafalgar Square (London).  Tournament Director Beth Barrett-Wild said, “The ICC Women’s T20 World Cup 2026 is set to be a landmark moment for the game - on course to become the most attended women’s cricket event in history, with record-breaking ticket demand and the largest-ever prize pot for a global women’s T20 competition. That level of investment, alongside prize money that matches the men’s game, is a powerful reflection of the status, quality and global appeal of women’s cricket today. \"That same ambition is shaping how we build towards the tournament, with the trophy tour playing a key role in taking the game to new audiences, building excitement across England and Wales, and showcasing women’s cricket on the biggest stages as we count down to an unforgettable summer.” The ICC Women’s T20 World Cup trophy will visit the host cities on the following dates: Scotland: May 7 to 10  Netherlands: May 11 to 14  Ireland: May 15 to 18 Leeds: May 19 to 24  Manchester: May 25 to 27  Birmingham: May 28 to 29 Bristol: May 31 to June 1 Southampton: June 3 to 4  London: June 5 to 8"},"img":{"url":"https://images.prismic.io/prad/adzHo51ZCF7ETIeC_ICCWT20WC.JPG?auto=format%2Ccompress&rect=0%2C17%2C2028%2C1000&w=2028&h=1000"},"datetime":"2026-04-13T10:19:00+0000","embed":{"embed_url":null}},"uid":"icc-announces-record-prize-pool-for-wt20-wc"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Tamil Film Industry in Turmoil!"},"content":{"text":"Superstar Vijay's much-anticipated movie 'Jana Nayagan' has been the victim of an online leak, causing uproar and legal action within the Tamil film industry.  The leak of the film in high definition has raised concerns about piracy and potential financial losses. KVN Productions has taken swift legal action against those involved in the unauthorized access and distribution of the film's content. Industry figures like Sivakarthikeyan and G Dhananjheyan have strongly condemned piracy and urged for immediate measures to address the issue.  The film's leak, occurring amid previous delays due to certification issues and amidst speculation about its political themes, could lead to substantial financial setbacks for distributors awaiting its theatrical release. This unfortunate incident has sparked a heated response within the industry, with stakeholders emphasizing the need to combat piracy and protect the film's integrity."},"img":{"url":"https://images.prismic.io/prad/adtAlZ1ZCF7ETHXk_jananayagan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-13T09:37:23+0000","embed":{"embed_url":null}},"uid":"tamil-film-industry-in-turmoil-as-vijays-jana-nayagan-leaks-online-before-releas-mnx0170j"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Kartik Fights Back to Safeguard His Identity"},"content":{"text":"Bollywood heartthrob Kartik Aaryan has taken a stand against the unauthorized commercial use of his persona on various online platforms. He has filed an intellectual property suit in the Bombay High Court to protect his name, image, and other identifiable attributes, which he claims are being exploited without his consent.  The actor's legal team has emphasized the misuse of his identity in digital formats, including manipulated content and AI-generated material, raising concerns about privacy and publicity rights.  Kartik seeks urgent relief to prevent further exploitation of his personality and address the growing trend of celebrities safeguarding their rights against misuse on digital platforms. This move comes in the wake of courts in India taking note of concerns related to deepfakes, fake endorsements, and unauthorized digital reproductions involving celebrities.  The case is expected to be heard soon, underscoring the increasing need to address digital privacy and identity rights in the entertainment industry."},"img":{"url":"https://images.prismic.io/prad/aKssHGGNHVfTOPAl_karthikaryan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-13T09:37:18+0000","embed":{"embed_url":null}},"uid":"kartik-aaryan-fights-back-actor-takes-legal-action-to-safeguard-his-identity-fro-mnx0139q"}},{"node":{"tags":["Health"],"data":{"third_party_url":null,"title":{"text":"Amul Served Contaminated Curd on Vande Bharat!"},"content":{"text":"The Indian Railway Catering and Tourism Corporation (IRCTC) has taken action against Amul, a leading dairy brand, after live worms were reportedly found in its packaged curd served to a passenger on the Patna-Tatanagar Vande Bharat Express.  Following a rebuke from the railway ministry, IRCTC has not only imposed significant fines on itself and the service provider, Krishna Enterprises, but also directed the termination of the contract. In a statement, IRCTC expressed grave concern over the quality of Amul curd served on the train and announced the initiation of the process to terminate the contract and blacklist the train's licensee.  Amul has been summoned to explain the quality concerns related to its curd on March 27. IRCTC declined to disclose Amul's explanation. There has been no immediate response from Amul.  The incident occurred when a group of passengers discovered live worms and insects in an Amul packaged curd container served with their dinner on March 15. Ritesh Singh, one of the passengers, promptly raised the issue on social media, tagging IRCTC, the railway minister, and others."},"img":{"url":"https://images.prismic.io/prad/f11a8f86-76b2-46bf-870b-dbc9fd0e7496_vandebharath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-13T09:37:15+0000","embed":{"embed_url":null}},"uid":"amul-summoned-by-irctc-over-contaminated-curd-served-on-vande-bharat-express-mnx010xn"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Brett Lee pays emotional tribute to Asha Bhosle"},"content":{"text":"Former Australia fast bowler Brett Lee paid an emotional tribute to legendary singer Asha Bhosle, recalling their unique musical collaboration after the iconic vocalist passed away at the age of 92. The unlikely partnership between Lee and Bhosle had captured widespread attention in 2007 with the release of the track You're the One for Me, a song that brought together cricket and music fans alike and went on to become immensely popular. Reflecting on that experience, Lee shared a heartfelt message on social media: “I had the pleasure of writing and recording You’re the One for Me with Asha Bhosle back in 2006. It’s something I’ll always be incredibly grateful for. What stayed with me most wasn’t just her extraordinary talent, but how kind and humble she was. For someone who had achieved so much in her life, she carried herself with such warmth and generosity.  \"My thoughts are with her family and friends at this time. I feel very fortunate to have shared even a small moment with someone so special. There’s no doubt her legacy will live on for generations to come,” Lee penned on Instagram while sharing a picture with the legendary singer. In his autobiography My Life: Brett Lee, he had opened up about the memorable collaboration, revealing that the music video for the song was filmed during his visit to India for the 2006 Champions Trophy. The cricketer even lent his voice to Hindi lines in the track, including “Haan, main tumhara hu, tumhara hi rahunga.” \"I had great fun. I didn't tell any of my teammates what I was up to; when I went to shoot, I told them I was just going for a look through the streets. Four months after that whirlwind recording experience, I caught up with Asha when she visited Sydney to perform at the Opera House. She gave me her compilation album with a personally signed message. It will always be one of my treasures,\" Lee wrote in his book. Lee also revealed that he wrote the lyrics for the song, featured in the album Asha and Friends, in just about 30 minutes, an experience that helped him tap into a different creative side. \"I had to prove I could sing. I passed the test by doing a couple of songs in a room that had been booked in the team hotel. Shamir seemed happy with the result. I was told a song for the compilation would be chosen for me... there was only one thing I wanted to change,\" he recalled. Describing his admiration for Bhosle, Lee had written, \"She is a lovely gentlewoman with a wonderful sense of humour. What a tremendous opportunity to work with an absolute legend. She was in her 70s, had sung thousands of songs for Bollywood films and released countless albums. She was the Aretha Franklin of Indian music.”"},"img":{"url":"https://images.prismic.io/prad/ady-y51ZCF7ETIWX_Brettlee.png?auto=format%2Ccompress&rect=0%2C0%2C450%2C222&w=2028&h=1000"},"datetime":"2026-04-13T09:01:00+0000","embed":{"embed_url":null}},"uid":"brett-lee-pays-emotional-tribute-to-asha-bhosle"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"BRS looks to revert to TRS"},"content":{"text":"The family of former Telangana Chief Minister, K. Chandrasekhar Rao (KCR), may see a fight for the name Telangana Rashtra Samithi (TRS).  Days after KCR’s daughter and Telangana Jagruthi President, K. Kavitha, hinted that her proposed party may be named TRS, her brother and Bharat Rashtra Samithi (BRS) Working President K.T. Rama Rao has said that the BRS is contemplating to revert to its old name TRS. Kavitha, who quit BRS last year after KCR suspended her for anti-party activities, is gearing up to float a new political party. She is reportedly looking at adopting the name TRS, which she says, is open for use. Stating that TRS doesn’t exist, she remarked that anyone was free to use the name. KCR had floated TRS in 2001 to revive the movement for statehood to Telangana. In 2022, he changed the name to BRS to expand the party to other parts of the country. Ever since the BRS lost power to the Congress in the 2023 elections, a section of BRS leaders have been of the strong view that the party lost connect with the people after it dropped Telangana from its name. They believe Telangana sentiment has been integral to the TRS in its journey and after the name was changed to BRS, the party appeared to have distanced itself from its core element. This was echoed by K.T. Rama Rao on Sunday while addressing a party meeting in Mancherial district. He disclosed that the BRS was examining the issue of reverting the party name back to TRS as part of a broader strategy to reclaim political ground in Telangana. Rama Rao admitted that the change of name from TRS to BRS diluted the strong Telangana sentiment associated with the party. “We have suffered politically due to the name change. The emotional connect people had with TRS and the pink flag is inseparable,” he said. Rama Rao believes that reviving the old identity could re-energise party workers. However, he made it clear that a final decision will be taken by the party chief KCR. It was KCR himself who hinted at reverting to TRS at a meeting of the his legislators at party headquarters Telangana Bhavan in December last year. During a subsequent press conference, he had repeatedly referred to BRS as TRS. Several BRS senior leaders had already demanded within the party fora that the name TRS should be restored as part of the efforts to regain lost ground. Aware of the fact that with limited Lok Sabha seats (17) which Telangana has, he will not be able to influence national politics and KCR came out with the idea of BRS. After achieving his goal of Telangana state in 2014 and two terms in power, KCR was confident of replicating the ‘Telangana model’ of development and welfare in other states. Looking to expand the party to states like Andhra Pradesh, Maharashtra and Odisha, KCR declared his national ambitions. It was in October 2022 that the regional party turned national with the party’s General Body Meeting resolving to change its name to BRS. The party was aggressively looking for pan-India presence as KCR named the President of the party’s Andhra Pradesh unit and had a series of meeting with leaders from various states keen to join hands with him. With the opening of a central office in New Delhi, the BRS was gearing up to expand its activities to different parts of the country. Working with the 2024 Lok Sabha polls as its target, the party was focussing on 100 Lok Sabha seats. However, the defeat in the 2023 Assembly elections in Telangana dashed all the hopes of the party. It suffered further humiliation in 2024 Lok Sabha polls as it drew a blank. After lying low for nearly two years, the BRS leadership is looking to infuse a new life into the party. It apparently believes that reverting to TRS would set the right tone to reconnect to people. BRS may again become TRS by April 27, when it celebrates its formation day. It will be interesting to see how the party overcomes the legal challenges it may face from Kavitha, who looks keen to claim the name."},"img":{"url":"https://images.prismic.io/prad/ab0yKx5fn6DF3CND_KCRKavitha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-13T08:14:00+0000","embed":{"embed_url":null}},"uid":"brs-looks-to-revert-to-trs-may-face-challenge-from-kavitha"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Motherhood doesn’t stop Lisa Ray dreams"},"content":{"text":"Actress Lisa Ray has opened up on how it is difficult it is to be a working mother, further reflecting on how she wants her daughters to that ‘their mother still has dreams.’ Taking to her social media account, Lisa penned a heartfelt note revealing how she kissed her daughters while they were asleep just before she head off for a professional commitment. She wrote, “It’s never easy being a working mom. I kissed my girls while they were still asleep and slipped out for an early morning flight. No goodbyes. No last hug. Just the quiet ache you carry through airport security.” She added, “Then I opened my bag and found their note. And everything stopped.. This. This is why I do it. I miss them in a way that sits in my bones. But I also want them to see something important: that their mother still has dreams. That ambition doesn’t expire when you become a parent. That love and purpose can live in the same body.” She added, “They are my whole world. Every long day, every early call time, every flight before sunrise — it’s all threaded back to them.” The actress further wrote, “One day I hope they understand that I wasn’t choosing work over them. I was choosing a life where they could see what’s possible. And I carry them with me. Always.” Talking about Lisa Ray, the actress, on the professional front, has had a diverse acting career across Indian and international cinema. She gained fame with films such as Kasoor and also in critically acclaimed projects including Water, directed by Deepa Mehta. On the personal front, Lisa inspired many by putting a brave front against her battle with multiple myeloma, a rare form of blood cancer, in 2009. She had undergone treatment and later announced that she was cancer-free."},"img":{"url":"https://images.prismic.io/prad/aCxJ-ydWJ-7kSVc__lisarey.JPG?auto=format,compress"},"datetime":"2026-04-13T07:30:00+0000","embed":{"embed_url":null}},"uid":"lisa-ray-wants-her-girls-to-know-their-mother-has-dreams"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Anu Aggarwal: Never chosen movies for money"},"content":{"text":"Aashiqui fame Anu Aggarwal, who was once known for her iconic movies in the 90s era of Bollywood, highlighted how she never chose movies for money. The actress mentioned that she was thoroughly financially independent even before joining Bollywood. Taking to her social media account, Anu wrote, “Before films, I was already financially independent through modeling. So I didn’t enter cinema to make money.” She added, “I entered as an actorwith a clear strategy. To choose roles that were varied, challenging, and made people think.” The actress added, “Stories that could shift how we see ourselves, and how women are seen in society. Women who stand on their own, on par with men. I didn’t sign everything. I chose my films, with intention.” Citing her projects that were on par with her thought process, the actress mentioned, “Thiruda Thiruda was one expression of that. Khalnayika was another.” For the uninitiated, Anu’s career and life had come to a standstill after she faced a near-fatal car accident in 1999. The accident had reportedly left her in coma for weeks and drastically changed her life. The accident, as stated by her in many of her earlier interviews, not only affected her physical appearance but also had a deep and negative impact on her overall health. Talking about Anu Aggarwal, the actress was one of the most popular faces of the early 1990s, rising to fame with Mahesh Bhatt’s 1990 musical hit “Aashiqui.” She later went on to feature in movies such as “King Uncle,” “Khalnayika and “Return of Jewel Thief,” among others."},"img":{"url":"https://images.prismic.io/prad/ZsdsZ0aF0TcGJRay_anuaggarwal.JPG?auto=format,compress"},"datetime":"2026-04-13T06:34:00+0000","embed":{"embed_url":null}},"uid":"anu-aggarwal-didnt-enter-cinema-to-make-money"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Jr. NTR flaunts his muscular back"},"content":{"text":"Superstar Jr. NTR has upped his ante for his next film, tentatively titled “Dragon,” as he showcased his muscular back while prepping for the Prashanth Neel movie. Jr. NTR took to Instagram, where he shared a picture of himself. In the image, the actor’s back is towards the camera. He is shown flaunting his chiselled back and beefed up biceps as he posed for a picture at the gym. For the caption, he simply wrote: “Built. Not bought. #NTRNeel @kumarmannava @ntrneelfilm.” The film reportedly also features Bollywood actor Anil Kapoor and Biju Menon. As per a synopsis, the film is an “action saga” with “emotionally charged incidents that take place over a periodic timeline people's lives were all connected. In 1969, in the area where the borders of China, Bhutan, and India's Golden Triangle meet.” As per reports, the next shoot schedule for Dragon is expected to begin soon. Other details about the film are still underwraps. It was last year, when Jr. NTR made his debut in Hindi cinema with Ayan Mukerji’s War 2, which also stars Hrithik Roshan. The film is a sequel to the 2019 film War. It also featured names such as Kiara Advani, Ashutosh Rana and Anil Kapoor in key roles. As per a synopsis, the film follows Kabir Dhaliwal, a former RAW agent, who, after going rogue, becomes a major threat to national security, and a special units officer, Vikram Chelapathi, is assigned to neutralise him. Made on an estimated budget of Rs. 300–400 crore, it is one of the most expensive Indian films ever made. In Telugu cinema, he was seen in “Devara: Part 1”, which also stars Saif Ali Khan, Janhvi Kapoor, Prakash Raj, Srikanth and Shine Tom Chacko. The film follows Devara, chieftain of a coastal village, who feuds with his counterpart Bhaira over arms smuggling through the Red Sea. As per reports, the shoot for the second part of the duology will start soon."},"img":{"url":"https://images.prismic.io/prad/ady4gJ1ZCF7ETIRY_jrntr.JPG?auto=format,compress&rect=0,14,2028,1000&w=2028&h=1000"},"datetime":"2026-04-13T05:15:00+0000","embed":{"embed_url":null}},"uid":"jr.-ntr-flaunts-his-muscular-back"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Mrunal Thakur Celebrates Stellar Response to 'Dacoit'"},"content":{"text":"Mrunal Thakur, the rising star of Indian cinema, is basking in the overwhelming acclaim for her latest film, 'Dacoit,' which pairs her alongside acclaimed actor Adivi Sesh. At a recent promotional event in Hyderabad, Thakur expressed deep gratitude to the filmmakers who placed their faith in her talents, marking a significant turning point in her career. 'It’s the karma of my past life that I am getting this love and appreciation,' she remarked, underscoring the personal significance of this moment amid a backdrop of years marked by dedication and perseverance. The film, directed by Shaneil Deo in his debut, has garnered attention not only for its engaging narrative but also for the collective effort of its creative team. Thakur emphasized the collaborative nature of filmmaking, acknowledging the crucial roles played by writers, cinematographers, editors, and the entire crew, stating, 'If you take one thing away from me, the film will not land.' This holistic approach to storytelling has resonated with audiences, contributing to the film's positive reception and showcasing the strength of teamwork in the industry. Reflecting on her journey, Thakur candidly recounted the challenges she faced prior to this breakthrough, articulating how each rejection and struggle has shaped her resilience and fueled her ambition. 'I used to dream about a day when the filmmakers would trust me and write roles for me,' she shared, revealing her aspirations and the transformative power of her current success. This introspection highlights not only her personal growth but also the evolving landscape of Indian cinema, where talent is increasingly recognized and celebrated. With a talented ensemble cast that includes Anurag Kashyap and Prakash Raj, 'Dacoit' seeks to blend action with romance, crafting a narrative that captivates diverse audiences. The film is produced under the esteemed Annapurna Studios, further elevating its profile within the competitive cinematic arena. As Thakur continues to receive accolades, her journey serves as an inspiration for aspiring actors, reinforcing the notion that perseverance, coupled with talent, can indeed lead to well-deserved recognition in the realm of entertainment."},"img":{"url":"https://images.prismic.io/prad/aW9dfwIvOtkhBuvy_mrunal.JPG?auto=format,compress"},"datetime":"2026-04-14T10:02:00+0000","embed":{"embed_url":null}},"uid":"mrunal-thakur-celebrates-stellar-response-to-dacoit-a-journey-of-perseverance-an-mnyoy0ul"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"LinkedIn's AI training roles offer 14k/ hour"},"content":{"text":"Microsoft-owned platform LinkedIn is testing an “AI labour marketplace” that could pay employees up to Rs 14,000 or $150 an hour to help train AI chatbots, according to a report.  A report from Business Insider said that LinkedIn is in early‑stage trials and has listed over a dozen roles for AI trainers who will rate responses from AI models, flag errors and perform “red teaming” to expose weaknesses. Job openings span across sectors including coding, finance, healthcare and linguistics, with pay ranging between Rs 3,700 and Rs 14,000 per hour depending on expertise. Senior software‑engineer trainer roles command the highest pay, while experts in Excel, finance, nursing or language specialists in Germanic and Nordic languages can earn up to about Rs 9,300 an hour, the report said. Red‑teaming positions trying to break AI systems were listed at roughly Rs 3,700 to Rs 4,600 per hour. The report said LinkedIn invites users to express interest for jobs through prompts on the platform with the platform rolling out alerts for these roles in the US. However, the page in India reads, \"We’re gradually making this experience available,\" according to the report. Applicants must verify their profile with government ID, complete an AI‑led screening conversation about skills and experience, and finish project‑specific tasks as part of the application process. The platform uses profile data such as education, licences, and work experience to assess candidates. The job drive puts LinkedIn in direct competition with AI training startups like Mercor and Surge AI. These startups link human experts with AI firms such as OpenAI and Anthropic to help fine-tune their models. LinkedIn in a recent report said that around 79 per cent of Indian small and medium businesses (SMBs) prefer a single, integrated platform over multiple standalone tools, announcing plans to launch Premium All‑in‑One — an integrated, AI‑powered offering."},"img":{"url":"https://images.prismic.io/prad/Z3pNDJbqstJ99DIB_AI.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T16:25:00+0000","embed":{"embed_url":null}},"uid":"linkedins-ai-training-roles-offer-14k-hour"}},{"node":{"data":{"title":{"text":"TCS Nashik Row ‘Isolated’, Not Industry-Wide"},"content":{"text":"Nasscom on Tuesday said that any instance of misconduct or harassment in the technology sector is treated with the utmost seriousness, with companies taking swift and appropriate disciplinary action in line with established procedures.  The industry body issued the statement in response to the alleged sexual harassment case at Tata Consultancy Services’s Nashik facility, which has triggered concern across the sector. Nasscom emphasised that such incidents are isolated and do not point to any systemic issues within the industry. Highlighting broader industry standards, the body said the Indian IT sector is built on principles of respect, dignity and safety, and operates under strict governance frameworks and clear norms for workplace conduct. It reiterated that employee safety and well-being remain non-negotiable, with a zero-tolerance policy towards inappropriate behaviour. “The Indian technology industry is built on a foundation of respect, dignity, and safety. The industry operates under strict governance frameworks and unequivocal standards for employee safety, and workplace conduct,” it said. “Any instance of misconduct or harassment is treated with the highest degree of seriousness, with organisations taking swift, decisive, and appropriate disciplinary action in line with established processes,” it added. According to the statement, companies have strengthened preventive and grievance redressal mechanisms, supported by defined codes of conduct and compliance with legal requirements to ensure complaints are handled promptly, fairly and sensitively. Maintaining safe and accountable workplaces is critical to sustaining trust within the industry, it added. “Any such incident is isolated in nature and does not reflect systemic pattern within the industry,” the industry boady stated. The response comes after eight employees at the Nashik facility alleged that they were subjected to mental and sexual harassment by senior colleagues, and claimed that the human resources department failed to act on their complaints. Following the allegations, police have arrested seven individuals, while all accused employees have been suspended. “Employee safety and well-being remain non-negotiable priorities, and the industry maintains zero tolerance for any form of inappropriate behaviour,” it explained."},"img":{"url":"https://images.prismic.io/prad/1a66400a-a0f7-4444-b918-c980bf94ec7a_TCS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T13:19:00+0000","embed":{"embed_url":null}},"uid":"tcs-nashik-row-isolated-not-industry-wide"}},{"node":{"data":{"title":{"text":"Iran Oil Return to Reshape India’s Energy"},"content":{"text":"In a significant development for the global energy market, Iranian crude oil has made its long-awaited return to Indian ports after a seven-year absence, prompted by a temporary sanctions waiver from the United States. This move, amidst rising geopolitical tensions, may herald a pivotal shift in the dynamics of oil supply as two supertankers—Felicity and Jaya—successfully dock at ports along India’s east and west coasts. The resumption of these shipments could play a crucial role in stabilizing fluctuating oil prices, which have been exacerbated by recent military conflicts involving Iran. The Felicity, a very large crude carrier (VLCC) operated by the National Iranian Tanker Company, arrived off the coast of Sikka in Gujarat, carrying approximately 2 million barrels of crude sourced from Kharg Island. Similarly, the Jaya, another VLCC, reached Paradip in Odisha with a comparable load. These shipments represent the first Iranian crude deliveries to India since 2016, following a series of stringent sanctions that had effectively halted trade and significantly impacted India’s energy import strategy. The recent waiver permits transactions involving oil that is already in transit, a strategic maneuver aimed at alleviating global supply disruptions, albeit temporarily. Historically, India has been a significant importer of Iranian oil, with Iranian crude comprising as much as 11.5% of its total imports before sanctions were tightened in 2018. The country had relied heavily on Iranian light and heavy grades due to their compatibility with local refineries and favorable commercial terms. Following the imposition of sanctions, Indian imports fell sharply, and by May 2019, Iranian crude shipments had completely ceased. The downturn in imports coincided with a broader realignment of India’s energy sourcing, as it shifted towards other Middle Eastern suppliers and even U.S. oil to fill the gap left by Iranian supplies. As the geopolitical landscape continues to evolve, the implications of these resumed shipments are complex. While the recent U.S. waiver may provide temporary relief, the future of Iranian oil imports remains uncertain, particularly following the announcement of a blockade of Iranian ports after peace talks faltered. Industry insiders suggest that Indian Oil Corporation, Reliance Industries, and Bharat Petroleum Corporation may be among the buyers of the newly arrived crude, though specific contracts have yet to be publicly disclosed. The precarious nature of this arrangement emphasizes the ongoing volatility in the global oil market and the intricate balance of power at play within it."},"img":{"url":"https://images.prismic.io/prad/8699c49f-8897-40d4-97b8-85eda00c4070_oil+tank.JPG?auto=format,compress"},"datetime":"2026-04-14T12:05:14+0000","embed":{"embed_url":null}},"uid":"iranian-oil-resurgence-a-game-changer-for-indias-energy-landscape-mnykr6wp"}},{"node":{"data":{"title":{"text":"Suneetha Call for Justice in Viveka's Murder Case"},"content":{"text":"In a significant move seeking justice for her slain father, former Andhra Pradesh minister YS Vivekananda Reddy, Suneetha Narreddy has petitioned the Telangana High Court for a renewed investigation into his murder. This request follows a previous dismissal by a CBI court regarding the expansion of the inquiry, marking a pivotal moment in an already complex legal saga. Justice K Sujana, who presided over the initial court hearing on Monday, has instructed the Central Bureau of Investigation (CBI) to submit a counter-response, with proceedings slated for further discussion on April 27. The gravity of Suneetha's plea revolves around her contention that the current investigation has not sufficiently addressed critical aspects of the case. She is urging the court to quash the CBI court's restrictive order, which she argues hampers a thorough exploration of the murder's broader conspiracy. Notably, her petition highlights numerous issues—including the alleged destruction of evidence, potential financial motives, and instances of witness intimidation—that have reportedly been overlooked or insufficiently scrutinized in past inquiries, thus calling into question the integrity of the investigation. YS Vivekananda Reddy, a prominent political figure in Andhra Pradesh, was tragically murdered in March 2019, igniting widespread speculation and concern about the circumstances surrounding his death. The case has been marred by controversy and accusations regarding the mishandling of evidence and the roles of various individuals allegedly linked to the crime. In the wake of his death, local and national media have closely followed the evolving narrative, amplifying public interest and scrutiny of the investigative processes engaged by law enforcement agencies. As the legal battle unfolds, Suneetha Narreddy's attorney, S Goutham, has vigorously contested the involvement of some accused individuals who seek to join the proceedings, arguing that their earlier appeals have already been adequately addressed. This ongoing struggle for clarity and justice underscores the profound impact of political legacies on personal tragedies, as Suneetha continues to advocate for a comprehensive investigation that she believes is essential for delivering justice to her father and restoring faith in the judicial system. The outcome of this high-profile case remains uncertain, yet the calls for accountability resonate deeply within the political landscape of Andhra Pradesh, reflecting the ongoing challenges faced by families seeking truth amidst legal complexities."},"img":{"url":"https://images.prismic.io/prad/105915e7-9068-4fba-8b1f-134c14abf137_YS+Vivekananda.JPG?auto=format,compress"},"datetime":"2026-04-14T12:05:12+0000","embed":{"embed_url":null}},"uid":"suneetha-narreddys-legal-battle-a-call-for-justice-in-vivekananda-reddys-murder--mnykr502"}},{"node":{"data":{"title":{"text":"HC Restricts HYDRAA's Demolition Activities"},"content":{"text":"In a significant development, the Telangana High Court has put a halt to the demolition activities of the Hyderabad Metropolitan Development Authority (HYDRAA) without obtaining prior court approval for its standard operating procedure (SOP). Justice B Vijaysen Reddy directed HYDRAA to restrain from demolishing unauthorized constructions until it presents its SOP before the court. The court also ordered HYDRAA to focus solely on removing encroachments and restoring water bodies, nalas, parks, and public roads. This directive comes in response to a lunch motion challenging the demolition of a century-old structure and other buildings on a farmhouse in Ameenpur. The court has instructed HYDRAA to maintain the status quo and submit counter affidavits within two weeks. The matter is scheduled for further hearing on April 20. The court expressed dissatisfaction with HYDRAA's approach, criticizing the agency for creating a 'war-like situation' during demolitions, particularly in the early hours, without adherence to any established SOP or legal clarity. It also directed HYDRAA not to take any coercive steps, including demolition of unauthorized constructions, until it submits its SOP or guidelines in accordance with relevant laws.  The court highlighted HYDRAA's actions, ostensibly in the public interest, as potentially carried out at the behest of private individuals in defiance of previous HC orders. Additionally, the court emphasized the need for strict judicial scrutiny, citing the Supreme Court's directive for a minimum 15-day notice period before any demolition. The judge underscored the necessity for adherence to legal procedures and principles of natural justice. The court also raised concerns about the lack of clarity regarding HYDRAA's operating framework and its manner of functioning. The persistent ambiguity surrounding its operations indicated a lack of proper legal direction, despite the agency's claims of restoring water bodies in and around Hyderabad.  The petitioner, a 98-year-old farmer, alleged that HYDRAA officials, accompanied by local police and revenue personnel, demolished structures at the farmhouse in Ameenpur without prior notice. In response, HYDRAA defended its actions, stating that the demolished structures had been constructed without requisite permissions on government land. The judge expressed concern over the demolition of a substantial structure without prior notice and criticized the authorities for allowing the construction to proceed unchecked. The court highlighted that timely intervention could have prevented the situation. The content of the original article has been paraphrased and rewritten to ensure uniqueness and readability while preserving all factual information."},"img":{"url":"https://images.prismic.io/prad/aM-p155xUNkB07fV_hydraa.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T11:31:00+0000","embed":{"embed_url":null}},"uid":"telangana-high-court-restricts-hydraas-demolition-activities-without-court-appro-mnyu9yw9"}},{"node":{"data":{"title":{"text":"Curtains come down on the two-decade 'Nitish Era'"},"content":{"text":"In a significant political development, Nitish Kumar resigned as the Chief Minister of Bihar on Tuesday, marking the end of an era that spanned nearly two decades.  Nitish Kumar, who recently became a member of the Rajya Sabha, has now shifted his focus toward national politics. He visited the Raj Bhavan in Patna and formally submitted his resignation to Governor Syed Ata Hasnain, who accepted it, officially bringing the 'Nitish Era' in Bihar to a close. In a detailed message shared on X, Nitish Kumar reflected on his long tenure, recalling that the NDA government was first formed under his leadership on November 24, 2005. He emphasised that since then, his administration had focused on strengthening law and order and ensuring inclusive development across all sections of society. He highlighted progress across key sectors, including education, healthcare, road infrastructure, electricity, and agriculture. Special emphasis, Nitish Kumar noted, was placed on the empowerment of women and youth, alongside targeted initiatives for backward classes, extremely backward classes, Dalits, and Mahadalits. Looking ahead, Nitish Kumar spoke about the NDA government's ambitious roadmap for 2025–2030 under the '7 Nishchay-3' initiative. He expressed confidence that the framework would accelerate Bihar's development and help the state emerge among the leading contributors to India's growth. He also acknowledged the support of the Central government and thanked Prime Minister Narendra Modi for continued cooperation in Bihar's development journey. Nitish Kumar said that the decision to step down had already been made, and following the final Cabinet meeting earlier on Tuesday, he proceeded to the Raj Bhavan to formally tender his resignation. He assured that the incoming state government would receive his full cooperation and guidance, expressing optimism that Bihar would continue to progress steadily in the coming years. Concluding his message, Nitish Kumar expressed heartfelt gratitude to the people of Bihar and his colleagues for their support throughout his tenure. His departure not only marks the end of a long political chapter but also signals the beginning of a new phase in Bihar's governance, while his influence is expected to continue shaping the state's future from the national stage."},"img":{"url":"https://images.prismic.io/prad/Z64VsZbqstJ9-llJ_nitish.JPG?auto=format,compress"},"datetime":"2026-04-14T09:08:00+0000","embed":{"embed_url":null}},"uid":"curtains-come-down-on-the-two-decade-nitish-era"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Mrunal Thakur Celebrates Stellar Response to 'Dacoit'"},"content":{"text":"Mrunal Thakur, the rising star of Indian cinema, is basking in the overwhelming acclaim for her latest film, 'Dacoit,' which pairs her alongside acclaimed actor Adivi Sesh. At a recent promotional event in Hyderabad, Thakur expressed deep gratitude to the filmmakers who placed their faith in her talents, marking a significant turning point in her career. 'It’s the karma of my past life that I am getting this love and appreciation,' she remarked, underscoring the personal significance of this moment amid a backdrop of years marked by dedication and perseverance. The film, directed by Shaneil Deo in his debut, has garnered attention not only for its engaging narrative but also for the collective effort of its creative team. Thakur emphasized the collaborative nature of filmmaking, acknowledging the crucial roles played by writers, cinematographers, editors, and the entire crew, stating, 'If you take one thing away from me, the film will not land.' This holistic approach to storytelling has resonated with audiences, contributing to the film's positive reception and showcasing the strength of teamwork in the industry. Reflecting on her journey, Thakur candidly recounted the challenges she faced prior to this breakthrough, articulating how each rejection and struggle has shaped her resilience and fueled her ambition. 'I used to dream about a day when the filmmakers would trust me and write roles for me,' she shared, revealing her aspirations and the transformative power of her current success. This introspection highlights not only her personal growth but also the evolving landscape of Indian cinema, where talent is increasingly recognized and celebrated. With a talented ensemble cast that includes Anurag Kashyap and Prakash Raj, 'Dacoit' seeks to blend action with romance, crafting a narrative that captivates diverse audiences. The film is produced under the esteemed Annapurna Studios, further elevating its profile within the competitive cinematic arena. As Thakur continues to receive accolades, her journey serves as an inspiration for aspiring actors, reinforcing the notion that perseverance, coupled with talent, can indeed lead to well-deserved recognition in the realm of entertainment."},"img":{"url":"https://images.prismic.io/prad/aW9dfwIvOtkhBuvy_mrunal.JPG?auto=format,compress"},"datetime":"2026-04-14T10:02:00+0000","embed":{"embed_url":null}},"uid":"mrunal-thakur-celebrates-stellar-response-to-dacoit-a-journey-of-perseverance-an-mnyoy0ul"}},{"node":{"data":{"title":{"text":"Anita: 45 & still running… from calories, chaos"},"content":{"text":"Television star Anita Hassanandani turned 45 on the 14th of April, and rang in her special day with a fun and heartfelt note, that embraced life with being “ ‘little wiser and sassier.’ Anita reflected on her journey while adding a playful twist through her caption and video. In the video shared by Anita, she is seen running away from her birthday cake, which features a prominent “45” topper, that hints at her age. She wrote, “45 & still running… from calories, chaos, and occasionally… my own cake But honestly? If this cake is chasing me, it’s probably because life has been this sweet. Grateful for every laugh line, every lesson, every moment that shaped this beautiful, full life. A little wiser, a little sassier, and a whole lot more content.” Her husband Rohit Reddy also penned a heartfelt note for her on his social media account. Sharing romantic pictures of them both, he wrote, “To the one who fills every room with happiness cheers to you, and to the beautiful year ahead. Love you, baby.” The pictures shared by Rohit look adorable with the birthday girl smiling from her heart and blushing as he gives a peck on her cheek. Talking about Anita Hassanandani on her personal front, she is a mother to Aaravv Reddy who was born in 2021. The actress married businessman Rohit Reddy in 2013. Professionally, Anita is a popular face on Indian television, and has delivered umpteen number memorable performances. She was most popular as Shagun Arora in the hit show Yeh Hai Mohabbatein. In the same show, her character was admired for her chic style of sarees and especially blouses. The actress was also widely loved for her portrayal of the vamp Shesha in Ekta Kapoor's Naagin. Apart from television, Anita has also featured in movies like Kucch To Hai, Krishna Cottage, Yeh Dil. Anita who earlier went by the screen name Natasha, has been a part of the entertainment industry for almost 25 years."},"img":{"url":"https://images.prismic.io/prad/ad4XJp1ZCF7ETKys_anitha.JPG?auto=format,compress"},"datetime":"2026-04-14T08:52:00+0000","embed":{"embed_url":null}},"uid":"anita-45--still-running-from-calories-chaos"}},{"node":{"data":{"title":{"text":"Alia to RK: Tu saath hain toh din raat hain"},"content":{"text":"Bollywood superstar couple Alia Bhatt and Ranbir Kapoor celebrate four years of their marital bliss on the 14th of April. On account of the special day, Alia took to her social media account to share a glimpse of their anniversary special vacation. She also penned a beautiful caption alongside her carousel post. “Somewhere between gliding and falling, walking and a lot of talking…. we made ourselves a pretty wonderful life. In short .. Tu saath hain toh din raat hain,” she wrote. In the picture shared by Alia, it features the lovestruck two smiling for a selfie, with snow clad mountains in the background. The second picture shows a serene outdoor setting surrounded by snow-covered mountains and wooden chalets. Ranbir is seen along with little Raha, standing near a fenced area interacting with a group of alpacas. The three, a few days ago, were clicked at the airport in Mumbai, all geared up for the special vacation, though the destination remains undisclosed. Talking about their love story, Alia and Ranbir fell in love on the sets of their movie Brahmastra Part One: Shiva. The movie was directed by Ayan Mukerji, and released in 2022. The couple had seamlessly managed to keep their relationship away from the media spotlight for the longest time. After dating for quite a few years, the couple tied the knot on April 14, 2022, in an intimate ceremony at their Mumbai home with just their close friends and family members in attendance. They welcomed their daughter Raha, in the same year, on November 6, 2022. On the professional front, Alia and Ranbir are currently busy with the shooting of ace filmmaker Sanjay Leela Bhansali's movie Love and War, which also stars Vicky Kaushal."},"img":{"url":"https://images.prismic.io/prad/ad37eJ1ZCF7ETKYQ_ranbiralia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T08:25:00+0000","embed":{"embed_url":null}},"uid":"alia-to-rk-tu-saath-hain-toh-din-raat-hain"}},{"node":{"data":{"title":{"text":"Kriti Sanon followed a calorie-deficient diet"},"content":{"text":"Actress Kriti Sanon, who is gearing up for the release of Cocktail 2, has spoken about her preparation for the sequel to the 2012 cult romantic drama and shared that she was on a “very strict diet” and a “consistent workout routine” to prep for the upcoming film.  “Honestly, during Cocktail, it was the only time when I was on a very strict diet and a consistent workout routine. And for the first time, I followed a calorie deficit diet, which had never happened in my life. We were shooting in Italy, in Sicily… and when it comes to food there, it’s mostly pizza, pasta, pizza… all of that. And I was like… ah,” Kriti said in a statement. Earlier, she had revealed the emotional reason behind choosing the film, sharing, “Tere Ishk Mein was so emotionally draining, it had completely emptied me emotionally. I felt I needed something light and fun, and that’s when Cocktail came my way.” Highlighting the importance of balance, Kriti had also shared, “I thought, ‘This is it. This is the space I want to be in.’ It’s also nice to play characters that are poles apart, to not get too much of the load on you emotionally, because going back-to-back with deeply layered roles can take a toll on you.” Kriti shared that she’s looking very different from what she has ever looked and it's probably the hottest character that I've done so far. “And I think Homi is someone who has great great aesthetic visual sense and he's just inherently cool and I think he's brought a cool side to me which I didn't know I had.” The film also stars Shahid Kapoor and Rashmika Mandanna. Cocktail 2 is by filmmaker Homi Adajania. It explores modern relationships amid emotional turmoil. The sequel features new characters facing current challenges while revisiting themes of love, friendship, and heartbreak. This is the first time Rashmika will be seen sharing screen space with Kriti and Shahid. The film is set to bow in cinemas on June 19, 2026."},"img":{"url":"https://images.prismic.io/prad/ad3wD51ZCF7ETKO9_kritisanon.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T07:40:00+0000","embed":{"embed_url":null}},"uid":"kriti-sanon-followed-a-calorie-deficient-diet"}},{"node":{"data":{"title":{"text":"Nicole Kidman training to become a death doula"},"content":{"text":"Hollywood star Nicole Kidman has shared that she is training to become a death doula after being inspired by her own experiences before her mom Janelle Ann Kidman, passed away in September 2024 at the age of 84. A death doula is a non-medical professional who provides holistic emotional, spiritual, and practical support to individuals and their families navigating terminal illness, death, and bereavement. According to the San Francisco Chronicle, Nicole said during a Silk Speaker Series talk at the University of San Francisco's War Memorial Gym: \"As my mother was passing, she was lonely, and there was only so much the family could provide.” “Between my sister and I, we have so many children and our careers and our work, and wanting to take care of her because my father wasn't in the world anymore, and that's when I went, ‘I wish there was these people in the world that were there to sit impartially and just provide solace and care.' So that's part of my expansion and one of the things I will be learning.\" The actress isn't the only famous face to reveal plans to be a death doula, reports femalefirst.co.uk. In 2021, Riley Keough shared that she had undergone training and found supporting others proved to be helpful with her own grief over her brother Benjamin Keough taking his own life in July 2020. The Daisy Jones and the Six star, whose mom Lisa Marie Presley died in January 2023, said: \"That's really what's helped me, being able to put myself in a position of service. If I can help other people, maybe I can find some way to help myself.\" Director Chloe Zhao recently revealed she had been training to be a death doula to help her overcome her own fears about the end of life."},"img":{"url":"https://images.prismic.io/prad/Zq-qSEaF0TcGIq1a_nicoleskidman.JPG?auto=format,compress"},"datetime":"2026-04-14T06:42:00+0000","embed":{"embed_url":null}},"uid":"nicole-kidman-training-to-become-a-death-doula"}},{"node":{"data":{"title":{"text":"SRK, Bhansali Near Deal for Romantic Drama"},"content":{"text":"Bollywood superstar Shah Rukh Khan is in advanced talks with filmmaker Sanjay Leela Bhansali for a romance film, where he will be seen in an “age-appropriate” role.  According to a source close to media, the filmmaker and actor, who previously worked in the 2002 blockbuster “Devdas”, are now in an advanced stage of talks for the film, where he will be seen in an age-appropriate character, who is over 50-years-old. As per the source, his character will be going through a rough patch in his career. He will bump into a woman who has a start-up and will fall in love. He was offered a film earlier, but the superstar rejected. The film was most likely “Inshaallah,” which got shelved after Bollywood superstar Salman Khan backed out. Talking about Bhansali’s previous film “Devdas” with SRK, the period romantic drama film also stars Aishwarya Rai, Madhuri Dixit, Jackie Shroff, Kirron Kher, Smita Jaykar, and Vijayendra Ghatge. Based on the Bengali-language 1917 novel of the same name by Sarat Chandra Chattopadhyay, the film narrates the story of Devdas Mukherjee, a wealthy law graduate who returns from London to marry his childhood friend, Parvati \"Paro\". However, the rejection of their marriage by his own family sparks his descent into alcoholism, ultimately leading to his emotional deterioration and him seeking refuge with the golden-hearted courtesan Chandramukhi. Shah Rukh Khan is currently busy with his next, an action thriller titled “King” directed by Siddharth Anand. The film also stars Suhana Khan, Deepika Padukone, Abhishek Bachchan, Anil Kapoor, Jackie Shroff, Arshad Warsi, Abhay Verma, Jaideep Ahlawat, Raghav Juyal, and Rani Mukerji. Meanwhile, in 2024, Bhansali made his OTT debut with the series Heeramandi: The Diamond Bazaar. Set in the red-light district of Heera Mandi in Lahore during the Indian independence movement, the series explores the lives of tawaifs and their intersection with political and personal struggles under British colonial rule."},"img":{"url":"https://images.prismic.io/prad/aN0J0p5xUNkB1WVF_SRK.JPG?auto=format,compress"},"datetime":"2026-04-14T05:55:00+0000","embed":{"embed_url":null}},"uid":"srk-bhansali-near-deal-for-romantic-drama"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Amul Served Contaminated Curd on Vande Bharat!"},"content":{"text":"The Indian Railway Catering and Tourism Corporation (IRCTC) has taken action against Amul, a leading dairy brand, after live worms were reportedly found in its packaged curd served to a passenger on the Patna-Tatanagar Vande Bharat Express.  Following a rebuke from the railway ministry, IRCTC has not only imposed significant fines on itself and the service provider, Krishna Enterprises, but also directed the termination of the contract. In a statement, IRCTC expressed grave concern over the quality of Amul curd served on the train and announced the initiation of the process to terminate the contract and blacklist the train's licensee.  Amul has been summoned to explain the quality concerns related to its curd on March 27. IRCTC declined to disclose Amul's explanation. There has been no immediate response from Amul.  The incident occurred when a group of passengers discovered live worms and insects in an Amul packaged curd container served with their dinner on March 15. Ritesh Singh, one of the passengers, promptly raised the issue on social media, tagging IRCTC, the railway minister, and others."},"img":{"url":"https://images.prismic.io/prad/f11a8f86-76b2-46bf-870b-dbc9fd0e7496_vandebharath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-13T09:37:15+0000","embed":{"embed_url":null}},"uid":"amul-summoned-by-irctc-over-contaminated-curd-served-on-vande-bharat-express-mnx010xn"}},{"node":{"data":{"title":{"text":"Alaya takes 150 attempt to get a pose right"},"content":{"text":"Actress Alaya F loves to stay on top of her fitness game. Through her latest social media post, the 'Jawaani Jaaneman' actress shared that she took 150 attempts to get a pose she saw on Instagram right. Posting a clip of herself attempting the post, Alaya revealed that the exercise left her with peeled elbows and nausea. \"Here’s a short glimpse of some of the 150+ attempts, peeled elbows and no stop nausea it took me to successfully do a pose I saw on Instagram (sic)\", she captioned the post. The 'Freddy' actress further stressed that she is not encouraging anyone to push their physical limit beyond the necessary point. Alaya said that it is always crucial to listen to one's body. \"PS: this is not me advocating for pushing your body even when it feels completely done. It’s always super important to listen to your body because everyone is different! so please be rest assured, I know how much to push myself and when to stop but out of all the things my teachers call me, ‘stubborn’ is my favourite Thank you for always making sure than my stubbornness is never at the cost of my safety haha @sunpreet_sing\", she went on to write. Talking about her professional commitments, Alaya will soon be a part of Hrithik Roshan-produced thriller series \"Storm\".  The much-discussed drama will have Parvathy Thiruvothu, Srishti Shrivastava, Rrama Sharma, and Saba Azad playing key characters, along with others. Suvinder Pal Vicky, Ashish Vidyarthi, Rajit Kapur, Ashok Pathak, Gautam Rode, Priyanka Setia, and Ranjan Raj have also been roped in as the ancillary cast. Talking about his next, Hrithik had shared, “What drew me to ‘Storm’ was the compelling world that Ajitpal has created. The story is raw, layered, and powerful, with unforgettable characters which will be essayed by incredibly talented actors.\""},"img":{"url":"https://images.prismic.io/prad/add-kZ1ZCF7ETBBJ_aliaf.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-09T09:42:00+0000","embed":{"embed_url":null}},"uid":"alaya-takes-150-attempt-to-get-a-pose-right"}},{"node":{"data":{"title":{"text":"Are Milk Mixes and Gummies Really Essential for Kids?"},"content":{"text":"In light of World Health Day's theme 'Together For Health. Stand With Science', concerns have been raised by doctors over the promotion of milk/energy mixes and multivitamin gummies for children's growth by 'mom influencers' on social media. These products are being endorsed without scientific backing, leading to potential risks.  Health experts caution that many milk mixes are sugary, ultra-processed powders, while multivitamin supplements should only be given when prescribed, preferably in syrup or chewable tablet form. Gummies, often promoted as supplements, pose a higher risk of dental decay.  Dr. L Swapna, head of Neonatology at Niloufer Hospital, emphasized that these products are misleading parents about children's nutritional needs. She highlighted the risk of dental cavities and early-onset obesity associated with these products. Additionally, gummies are seen as candy-like supplements that can contribute to tooth decay and unhealthy eating habits, offering little beyond a balanced diet.  Dr. Swapna stressed the importance of using multivitamins only for specific deficiencies under a doctor's guidance, as over-reliance can lead to dietary limitations. She also emphasized the misleading claims about the need for extra protein in children's diets, stating that a balanced diet consisting of natural, home-cooked foods is sufficient. Paediatrician Dr. Sivaranjani Santosh echoed the need for stricter regulation of marketing practices for such products. Overall, the emphasis remains on the importance of a balanced diet rooted in evidence-based choices, rather than succumbing to influencer-driven trends."},"img":{"url":"https://images.prismic.io/prad/adVECezlhpBNhbBY_milkmixes.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T14:41:19+0000","embed":{"embed_url":null}},"uid":"are-milk-mixes-and-gummies-really-essential-for-kids-expert-doctors-weigh-in-mnoq8y9d"}},{"node":{"data":{"title":{"text":"How Sleep Deprivation and Stress Elevate Seizure Risks"},"content":{"text":"Recent revelations from the medical community underscore a critical yet often overlooked correlation between sleep deprivation, stress, and the heightened risk of seizures. Experts assert that inadequate sleep and chronic stress do not merely detract from overall wellbeing; they actively destabilize the brain's electrical activity, making seizures more likely. This alarming relationship calls for a reevaluation of how individuals living with epilepsy manage their conditions, highlighting the importance of lifestyle factors that often go unrecognized in traditional treatment plans. The mechanics behind this connection are becoming clearer as researchers delve deeper into the brain's complex functioning. Sleep is not just a passive state; it is a period of vital restoration during which the brain recalibrates its electrical impulses and chemical balances. Dr. Vivek Barun emphasizes that insufficient rest increases neuronal excitability, thereby lowering the seizure threshold. Groundbreaking studies, including those from the National Institutes of Health, demonstrate that even a single night of poor sleep can significantly elevate the propensity for seizures, particularly in conditions like Juvenile Myoclonic Epilepsy, where disrupted sleep is often followed by morning seizures. Stress, frequently underestimated as a seizure trigger, compounds the issue and exacerbates the effects of sleep loss. Elevated cortisol levels, resulting from daily pressures, disrupt normal sleep patterns and can alter neurotransmitter balances in the brain. Dr. Praveen Gupta points out that chronic stress can create a feedback loop where poor sleep increases stress, and heightened stress impairs sleep, further destabilizing the individual’s neurological state. The cumulative effect of these factors often slips under the radar, as they manifest not through overt symptoms but rather through subtle shifts in daily habits and health. Moreover, the spectrum of seizure triggers extends beyond the obvious, masking themselves in seemingly benign daily activities. Habits such as late-night screen time, erratic meal schedules, and emotional fatigue contribute to a deteriorating health landscape that can lead to increased seizure activity. Dr. Gupta stresses the necessity of acknowledging these lifestyle components, asserting that effective epilepsy management must encompass both medical treatment and lifestyle modifications. By fostering a more comprehensive approach to managing health, patients can reclaim a sense of control over their conditions, moving beyond reliance on pharmacological interventions alone."},"img":{"url":"https://images.prismic.io/prad/360ab690-db05-40eb-851a-3a17c7a9b0a5_sleep.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-05T18:30:00+0000","embed":{"embed_url":null}},"uid":"unseen-triggers-how-sleep-deprivation-and-stress-elevate-seizure-risks-mnn53iby"}},{"node":{"data":{"title":{"text":"Breathing easy: Unmasking the silent crisis in lung health"},"content":{"text":"Despite the instinctive nature of breathing, many individuals are blissfully unaware that their lungs may be underperforming. Even when breathing feels normal, hidden deficiencies often lurk beneath the surface, with symptoms such as unexplained fatigue and mild breathlessness acting as subtle indicators that lung health is compromised. According to Dr. Harish Verma, Associate Director of Pulmonary Medicine and Critical Care at ShardaCare-Healthcity, the gap between merely breathing and breathing well can significantly impact overall health, energy levels, and immune function over time. This discrepancy serves as a crucial reminder that normalcy in respiration does not equate to optimal lung performance. The complexities of modern living exacerbate the challenge of maintaining lung health. Factors such as sedentary lifestyles, air pollution, and prolonged periods of inactivity can lead to a gradual decline in lung capacity and efficiency. Research from the National Institutes of Health has established a direct correlation between urban air pollution and diminished lung function across demographics, while the Ministry of Health and Family Welfare has raised alarms about rising respiratory issues tied to poor air quality. This insidious decline often occurs without immediate symptoms, allowing individuals to unknowingly neglect their lungs until more serious conditions develop. Moreover, the body communicates its distress through subtle, often overlooked signs. Symptoms such as unexplained fatigue, shortness of breath during minor exertions, and persistent coughing do not typically register as urgent health concerns yet collectively suggest that lung function may be faltering. The modern lifestyle, characterized by indoor pollution, stress, and inadequate physical activity, further complicates lung health. As these factors contribute to chronic respiratory issues, awareness and proactive measures become imperative for individuals seeking to reclaim their respiratory well-being. Improving lung function may hinge on consistent lifestyle changes rather than reactive treatments. Simple yet effective practices such as regular physical activity, deep breathing exercises, and enhancing indoor air quality can lead to significant improvements in lung capacity. Experts emphasize the importance of maintaining cardiovascular health, as compromised heart function can further hinder respiratory efficiency. With a clear understanding of the intricate relationship between heart and lung health, individuals can better appreciate the nuanced signals their bodies provide, ensuring that attention to lung function becomes a central aspect of their overall wellness strategy."},"img":{"url":"https://images.prismic.io/prad/9b1e08c5-cb92-457a-aa25-c12819d24d17_lungs.JPG?auto=format,compress"},"datetime":"2026-04-02T12:37:00+0000","embed":{"embed_url":null}},"uid":"breathing-easy-unmasking-the-silent-crisis-in-lung-health-mnhrcq7h"}},{"node":{"data":{"title":{"text":"Hidden Dangers of Kidney Damage"},"content":{"text":"Kidney disease represents a growing health crisis, often developing unnoticed until significant damage has occurred. Medical professionals emphasize that the kidneys can sustain substantial harm without presenting overt symptoms, making it crucial for individuals to remain vigilant about their renal health. Factors such as excessive salt intake, a diet high in processed foods, and the misuse of over-the-counter painkillers can exacerbate the risk, particularly for those with pre-existing conditions such as diabetes and hypertension. Experts warn that the lack of noticeable signs can lull many into a false sense of security, allowing the disease to progress unchecked. Dr. Sumiran Mahajan, a consultant nephrologist at KIMS Hospitals, highlights that preventive measures play a vital role in kidney health. Routine medical check-ups often reveal kidney issues before patients are aware of any problems. He notes that even seemingly minor habits, like excessive consumption of salty foods, can significantly strain these vital organs. The absence of symptoms in the early stages makes routine screenings and blood pressure and sugar level monitoring essential tools in combating this silent threat to health. The insidious nature of kidney disease is compounded by lifestyle choices and genetic predispositions. Dr. Nikhil Bhasin, a consultant nephrologist at Wockhardt Hospitals, explains that kidney damage can progress quietly due to the organ's remarkable ability to adapt, often until irreversible harm has occurred. Symptoms such as mild swelling in the extremities, fatigue, or changes in urination patterns may eventually arise, but are frequently dismissed as inconsequential. This unawareness extends to individuals with a family history of kidney problems, who may be at heightened risk yet remain uninformed of the implications. Health check-ups, including simple urine and blood tests, are imperative for early detection and intervention. These assessments can reveal potential issues long before severe damage occurs, allowing for timely lifestyle modifications and medical treatments. By prioritizing awareness and health monitoring, individuals can mitigate risks, but it requires a collective effort to educate the public about the silent yet significant dangers posed by kidney disease and the critical steps necessary for prevention."},"img":{"url":"https://images.prismic.io/prad/368e3acb-6528-4189-a652-46a6508305db_kidneys.JPG?auto=format,compress"},"datetime":"2026-03-31T17:23:13+0000","embed":{"embed_url":null}},"uid":"the-silent-epidemic-unveiling-the-hidden-dangers-of-kidney-damage-mnevy6wz"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Iran to Prioritize Care for Indian Nationals"},"content":{"text":"Iran's Representative in India, Abdul Majid Hakeem Ilahi, expressed his commitment to prioritizing the well-being of Indian citizens. He emphasized that Iran had worked closely with the Indian embassy in Tehran to support students and visitors during heightened conflict. Additionally, Iran and the United States are scheduled to engage in direct talks in Islamabad, Pakistan, aiming to alleviate recent hostilities.  Meanwhile, the Delhi High Court addressed certain tweets by journalist Rana Ayyub, deeming them derogatory, inflammatory, and communal. In response to the recent ceasefire between the United States and Iran, India's Ministry of External Affairs expressed hope for lasting peace in West Asia. The ceasefire announcement led to a significant drop in crude oil prices and a rally in global markets, resulting in a sharp rise in India's equity benchmark indices.  Furthermore, Russia's Foreign Ministry spokeswoman, Maria Zakharova, asserted that the United States and Israel's aggressive attack on Iran resulted in a resounding defeat. Telcos are anticipated to face challenges due to rising smartphone prices and the transition of subscribers in the Indian market. Lastly, Israeli Opposition leader described the Iran ceasefire as a political disaster. These developments underscore the significance of international relations and their impact on various sectors."},"img":{"url":"https://images.prismic.io/prad/1036340e-8ea8-499b-ac83-859efb80353e_NRI.jpg?auto=format%2Ccompress&rect=0%2C20%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-04-08T17:30:42+0000","embed":{"embed_url":null}},"uid":"iranian-representative-in-india-vows-to-prioritize-care-for-indian-nationals-mnqbqmqa"}},{"node":{"data":{"title":{"text":"Indian American makes Washington DC mayor ballot"},"content":{"text":"Rini Sampath, a Tamil Nadu-born candidate, has become the first South Asian person to secure a place on the ballot for Mayor of Washington, DC, marking a milestone in the city’s political history.  Sampath, who was born in Theni in India and moved to the United States at the age of seven, said the moment carried personal and broader community significance. “It’s so meaningful to me to be the first South Asian person to make the ballot for DC Mayor. I moved to the United States when I was seven years old in pursuit of the American dream, and I’m in this race to make sure that dream actually works for DC residents,” she said. Her campaign confirmed that more than 4,500 people signed her petition to qualify for the ballot. “I’m thrilled to have had over 4,500 people sign my petition to get me on the ballot for DC Mayor. South Asians contribute so much to our economy but see very little representation in government. I hope my candidacy inspires others to run and do good for their neighbours, and I hope you’ll join our campaign,” Sampath said. According to campaign material, Sampath is a 31-year-old government contractor who has lived in the US capital for over a decade. She has positioned her campaign around basic civic services and governance reforms. “As Mayor, my priority will be to make sure our city lives up to its basic commitments to our residents: Fill the potholes. Stop the catastrophic wastewater spill in the Potomac. Lower prices. Improve 911 wait times,” she said, outlining her agenda. Her campaign slogan underscores this focus, emphasising fixing basic services, strengthening neighbourhoods, and lowering the cost of living. In her campaign messaging, Sampath draws a contrast with what she describes as entrenched leadership in City Hall. “Why would you give a promotion to someone who has failed at the basic functions of their job?” she said, referring to the “current front runners in the DC Mayors race” as “political insiders who have served on the city council for years.” She added, “We all know DC government is broken,” pointing to recent snowstorms that left “streets and sidewalks… unpassable and dangerous,” with “trash piled up” and “waterlines burst because of aging infrastructure.” Sampath has also framed her candidacy as that of an outsider. “I’m not a politician. I’m not backed by any special interest groups. I’m a federal contractor who spent my career improving government programs and citizen services,” she said. “We need someone new. We need to go back to basics and fix our roads and sidewalks and city services.” Her personal story features prominently in her campaign narrative. Born in Tamil Nadu, she describes her roots as central to her public service motivation. “My grandfather has always been a driving force for me and a source of inspiration,” she said. She also credited her father’s decision to move the family to the United States, saying it shaped her outlook on opportunity and responsibility. Washington, DC operates under a mayor-council system, where the mayor serves as the chief executive of the District. The Democratic primary is often decisive in the city, given the party’s strong voter base. Sampath’s entry into the race reflects a broader trend of increasing political participation by Indian Americans and other South Asian communities in US local and national politics. While representation at higher levels has grown in recent years, including in Congress and state offices, mayoral races in major US cities have seen fewer candidates from the community."},"img":{"url":"https://images.prismic.io/prad/adDYk5GXnQHGZQ_P_ranisampath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-04T02:23:00+0000","embed":{"embed_url":null}},"uid":"indian-american-makes-washington-dc-mayor-ballot"}},{"node":{"data":{"title":{"text":"US citizenship case worries H-1B families"},"content":{"text":"A US Supreme Court case on birthright citizenship has raised concerns among Indian professionals on H-1B visas and other temporary permits.  The Trump administration told the court that children born to “temporary visitors” may not automatically be US citizens. Solicitor General John Sauer said the Constitution requires “direct and immediate allegiance” to the United States, not just birth on its soil. He argued that children of people on temporary visas do not meet that test. That position could affect thousands of Indian families. Indians form the largest group of H-1B visa holders in the US. Many live in the country for years while waiting for green cards. They build careers and raise families. Their children are often born in the US and treated as citizens under the current law. The government’s argument challenges that long-standing practice. Sauer said the phrase “subject to the jurisdiction thereof” should be read as requiring allegiance tied to lawful residence. He said the rule should not apply to those who are in the country only temporarily. Several justices questioned how such a policy would work. They asked how officials would determine a child’s citizenship at birth. They also asked if parents’ immigration status would need to be checked in each case. The government said the system would rely on “objectively verifiable” immigration data. That suggests visa status could decide whether a child is a citizen. Lawyers opposing the administration warned that the move would overturn settled law. They pointed to the 1898 ruling in United States v. Wong Kim Ark. That case held that most children born in the US are citizens, regardless of their parents’ status. They said the Constitution creates a clear rule. “Everyone born here is a citizen alike,” counsel told the court. For Indian families, the stakes are high. H-1B visa holders often face long delays in getting permanent residency. During that time, their US-born children enjoy full citizenship rights. A change in the law could create uncertainty. It could affect access to education, jobs and government benefits. The court also discussed whether any ruling would apply only in the future. The government said its policy would be prospective. But challengers warned that the logic could put the status of many people in doubt. The case comes as immigration remains a key political issue in the US. The administration argued that current rules act as a “pull factor” for illegal immigration. The 14th Amendment, adopted in 1868, grants citizenship to all persons born in the United States and subject to its jurisdiction. It was meant to ensure citizenship for freed slaves after the Civil War. For more than a century, the US has followed a broad birthright citizenship rule. The court’s decision could reshape that principle and have direct consequences for Indian professionals and their families."},"img":{"url":"https://images.prismic.io/prad/9706436b-2277-4f44-ba60-6cc43c85127f_USCIS.JPG?auto=format,compress"},"datetime":"2026-04-02T02:25:00+0000","embed":{"embed_url":null}},"uid":"us-citizenship-case-worries-h-1b-families"}},{"node":{"data":{"title":{"text":"Trump's visa curbs hit India hard"},"content":{"text":"Legal immigration to the United States has dropped sharply in the first eight months of 2025, with India and China among the hardest hit as the Trump administration tightened visa policies, The Washington Post reported.  The State Department issued about 250,000 fewer visas from January to August 2025 than during the same period in 2024, according to the report. Overall approvals for permanent resident and temporary visas fell by 11 per cent, based on official data released in early March, the daily said. The decline covers visas for students, workers, and family members of US citizens and legal residents. Tourist visas also dropped during the same period. India and China saw some of the steepest declines. Visas for their nationals fell by about 84,000, the report said. The drop was driven largely by fewer student, worker, and family-related visas, The Washington Post said. International students were among the worst affected. Student visas fell by more than 30 per cent in the first eight months of 2025. Exchange visitor visas also declined sharply, dropping by nearly 30,000. Visa approvals for permanent residency, or green cards, also decreased. The largest declines were seen in visas for workers, certain relatives, and nationals from countries such as Afghanistan and Iraq. Officials and analysts linked the decline to a combination of policy changes and administrative factors. These include a travel ban on 19 countries, a temporary pause on student visa interviews, and expanded vetting requirements, including social media checks, the daily said. Staffing cuts at the State Department also reduced processing capacity. Fewer consular appointments and longer wait times were reported at several high-demand locations. “A visa is a privilege, not a right. Unlike the Biden administration, President Trump is not willing to compromise the safety of American citizens to allow mass migration of unvetted foreign nationals into our country,” State Department spokesman Tommy Pigott said, according to the report. White House spokeswoman Abigail Jackson said, “President Trump was elected with a resounding mandate to put American citizens first, and every policy decision he’s made has reflected that priority.” Analysts said both policy and demand factors may be driving the decline. “We don’t have a separation of how much of this decline is caused by demand and how much is caused by policy, and they’re obviously both putting downward pressure on the number of visas that are issued,” said Cecilia Esterline of the Niskanen Center. Critics argue the restrictions risk harming the US economy and global competitiveness. “There’s no policy more important to the present and future of the US economy than immigration,” said Jason Furman of Harvard University. “When we restrict immigration, we don’t just shortchange labor force growth today, we also reduce innovation and productivity growth in the future.”"},"img":{"url":"https://images.prismic.io/prad%2Fc8ca36a7-3775-4d07-91ef-ef2592306a21_visa.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-03-23T03:10:00+0000","embed":{"embed_url":null}},"uid":"trumps-visa-curbs-hit-india-hard"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"Vijay election campaign on Cycle"},"img":{"url":"https://images.prismic.io/prad/aQsXubpReVYa4E64_vijayTVK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-13T19:11:00+0000","third_party_url":null},"uid":"vijay-election-campaign-on-cycle"}},{"node":{"data":{"title":{"text":"'Bhooth Bangla' Trailer"},"img":{"url":"https://images.prismic.io/prad/adORJZGXnQHGZR_Y_bb.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-06T08:56:00+0000","third_party_url":null},"uid":"bhooth-bangla-trailer"}},{"node":{"data":{"title":{"text":"'Dacoit' Trailer"},"img":{"url":"https://images.prismic.io/prad/aUPnHXNYClf9oY_O_dacoit.JPG?auto=format,compress&rect=0,2,2020,996&w=2028&h=1000"},"datetime":"2026-04-05T18:49:00+0000","third_party_url":null},"uid":"dacoit-trailer"}},{"node":{"data":{"title":{"text":"'Biker' Movie Making Video"},"img":{"url":"https://images.prismic.io/prad/ac1WBZGXnQHGZLUI_bikermovie.JPG?auto=format,compress"},"datetime":"2026-04-01T15:29:00+0000","third_party_url":null},"uid":"biker-movie-making-video"}},{"node":{"data":{"title":{"text":"Ramayana Trailer"},"img":{"url":"https://images.prismic.io/prad/ac48yZGXnQHGZMlc_raneerRAMA.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-01T07:48:00+0000","third_party_url":null},"uid":"ramayana-trailer"}},{"node":{"data":{"title":{"text":"Peddi Pehelwan Glimpse"},"img":{"url":"https://images.prismic.io/prad/acY1nJGXnQHGZB18_peddipehelwan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-27T04:45:00+0000","third_party_url":null},"uid":"peddi-pehelwan-glimpse"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Amaravati: Vision Or Vanity?"},"img":{"url":"https://images.prismic.io/prad%2F872ab75d-1465-4840-ab63-98d574f8cce3_amaravatij.jpg?auto=format%2Ccompress&rect=0%2C40%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-04-12T06:30:00+0000","third_party_url":null},"uid":"amaravati-vision-or-vanity"}},{"node":{"data":{"title":{"text":"Castles, Corridors And Cacophony: The Andhra Capital Circus"},"img":{"url":"https://images.prismic.io/prad/adjasZ1ZCF7ETEGf_mavigun.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T09:10:00+0000","third_party_url":null},"uid":"castles-corridors-and-cacophony-the-andhra-capital-circus"}},{"node":{"data":{"title":{"text":"The US Has Picked It's Prefered Broker, Why Cringe?"},"img":{"url":"https://images.prismic.io/prad/adeGXJ1ZCF7ETBKc_USPAK.JPG?auto=format,compress"},"datetime":"2026-04-09T07:35:00+0000","third_party_url":null},"uid":"the-us-has-picked-its-prefered-broker-why-cringe"}},{"node":{"data":{"title":{"text":"Pakistan Ne War Rukwaadi, Abba!"},"img":{"url":"https://images.prismic.io/prad/adYq6p1ZCF7ES9M3_warstopped.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-08T09:16:00+0000","third_party_url":null},"uid":"pakistan-ne-war-rukwaadi-abba"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-07-26T17:32:57+0000","data":{"title":{"text":"Priyanka Jawalkar Spicy Stills"},"content":{"text":"Priyanka Jawalkar is an Indian actress and model who works in Telugu cinema. She made her acting debut with Kala Varam Aaye. She then appeared in Taxiwala and Thimmarusu. Jawalkar received Filmfare Award for Best Supporting Actress – Telugu nomination for her performance in Gamanam."},"img":{"url":"https://images.prismic.io/prad/aIT6gFGsbswqTR74_priya2028.JPG?auto=format,compress"}},"uid":"priyanka-jawalkar-spicy-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"HC Restricts HYDRAA's Demolition Activities"},"content":{"text":"In a significant development, the Telangana High Court has put a halt to the demolition activities of the Hyderabad Metropolitan Development Authority (HYDRAA) without obtaining prior court approval for its standard operating procedure (SOP). Justice B Vijaysen Reddy directed HYDRAA to restrain from demolishing unauthorized constructions until it presents its SOP before the court. The court also ordered HYDRAA to focus solely on removing encroachments and restoring water bodies, nalas, parks, and public roads. This directive comes in response to a lunch motion challenging the demolition of a century-old structure and other buildings on a farmhouse in Ameenpur. The court has instructed HYDRAA to maintain the status quo and submit counter affidavits within two weeks. The matter is scheduled for further hearing on April 20. The court expressed dissatisfaction with HYDRAA's approach, criticizing the agency for creating a 'war-like situation' during demolitions, particularly in the early hours, without adherence to any established SOP or legal clarity. It also directed HYDRAA not to take any coercive steps, including demolition of unauthorized constructions, until it submits its SOP or guidelines in accordance with relevant laws.  The court highlighted HYDRAA's actions, ostensibly in the public interest, as potentially carried out at the behest of private individuals in defiance of previous HC orders. Additionally, the court emphasized the need for strict judicial scrutiny, citing the Supreme Court's directive for a minimum 15-day notice period before any demolition. The judge underscored the necessity for adherence to legal procedures and principles of natural justice. The court also raised concerns about the lack of clarity regarding HYDRAA's operating framework and its manner of functioning. The persistent ambiguity surrounding its operations indicated a lack of proper legal direction, despite the agency's claims of restoring water bodies in and around Hyderabad.  The petitioner, a 98-year-old farmer, alleged that HYDRAA officials, accompanied by local police and revenue personnel, demolished structures at the farmhouse in Ameenpur without prior notice. In response, HYDRAA defended its actions, stating that the demolished structures had been constructed without requisite permissions on government land. The judge expressed concern over the demolition of a substantial structure without prior notice and criticized the authorities for allowing the construction to proceed unchecked. The court highlighted that timely intervention could have prevented the situation. The content of the original article has been paraphrased and rewritten to ensure uniqueness and readability while preserving all factual information."},"img":{"url":"https://images.prismic.io/prad/aM-p155xUNkB07fV_hydraa.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T11:31:00+0000","embed":{"embed_url":null}},"uid":"telangana-high-court-restricts-hydraas-demolition-activities-without-court-appro-mnyu9yw9"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Mrunal Thakur Celebrates Stellar Response to 'Dacoit'"},"content":{"text":"Mrunal Thakur, the rising star of Indian cinema, is basking in the overwhelming acclaim for her latest film, 'Dacoit,' which pairs her alongside acclaimed actor Adivi Sesh. At a recent promotional event in Hyderabad, Thakur expressed deep gratitude to the filmmakers who placed their faith in her talents, marking a significant turning point in her career. 'It’s the karma of my past life that I am getting this love and appreciation,' she remarked, underscoring the personal significance of this moment amid a backdrop of years marked by dedication and perseverance. The film, directed by Shaneil Deo in his debut, has garnered attention not only for its engaging narrative but also for the collective effort of its creative team. Thakur emphasized the collaborative nature of filmmaking, acknowledging the crucial roles played by writers, cinematographers, editors, and the entire crew, stating, 'If you take one thing away from me, the film will not land.' This holistic approach to storytelling has resonated with audiences, contributing to the film's positive reception and showcasing the strength of teamwork in the industry. Reflecting on her journey, Thakur candidly recounted the challenges she faced prior to this breakthrough, articulating how each rejection and struggle has shaped her resilience and fueled her ambition. 'I used to dream about a day when the filmmakers would trust me and write roles for me,' she shared, revealing her aspirations and the transformative power of her current success. This introspection highlights not only her personal growth but also the evolving landscape of Indian cinema, where talent is increasingly recognized and celebrated. With a talented ensemble cast that includes Anurag Kashyap and Prakash Raj, 'Dacoit' seeks to blend action with romance, crafting a narrative that captivates diverse audiences. The film is produced under the esteemed Annapurna Studios, further elevating its profile within the competitive cinematic arena. As Thakur continues to receive accolades, her journey serves as an inspiration for aspiring actors, reinforcing the notion that perseverance, coupled with talent, can indeed lead to well-deserved recognition in the realm of entertainment."},"img":{"url":"https://images.prismic.io/prad/aW9dfwIvOtkhBuvy_mrunal.JPG?auto=format,compress"},"datetime":"2026-04-14T10:02:00+0000","embed":{"embed_url":null}},"uid":"mrunal-thakur-celebrates-stellar-response-to-dacoit-a-journey-of-perseverance-an-mnyoy0ul"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"PK's wife Anna: Music Is Who I Am!"},"content":{"text":"Anna Konidela, the wife of Powerstar Pawan Kalyan and trained classical musician, has now penned a post on her strong bond with music and how it was and will always be a big part of who she was.  Taking to her Instagram page to post a picture of herself as a child, Anna wrote, \"This little girl is me. Seven years old. Winter in St. Petersburg, where the air is sharp and the light feels pale and endless. I stand on a big stage at my music school, at a term concert that is as serious as an exam, though my hands are still so small. I play “La Marmotte” by Ludwig van Beethoven. My teacher sits beside me at the piano, accompanying me but letting me to lead. Three years later, I would begin playing the piano myself.\" She went on to say, \"I started learning the violin at the age of five. Alongside regular school, I attended music school until I graduated at fifteen. Although I didn’t continue with a professional music career, music - especially classical - has always been, and will always remain, a big part of who I am.\" Anna, who is now married to Pawan Kalyan, said, \"When I came to India, my husband bought me a piano.The violin is here too, resting in its case. But lately, I don’t feel the same pull to play.. as if the music is still somewhere inside me, just… waiting for the right moment to be heard again.\" She concluded the post saying, \"Music connects people beyond language and background. Through it, we can feel pain, love, and joy without a single word. It is a bridge - between cultures, between people, and across continents.\" It may be recalled that Anna Konidela opened her account in Instagram only recently. Pawan Kalyan, while welcoming his wife to the social media platform last month, had said, \"A warm welcome to Instagram, dear @Anna.Konidala. Wishing you the very best as you step into this space. Looking forward to your presence bringing meaningful engagement and inspiring interactions.\""},"img":{"url":"https://images.prismic.io/prad/Z_vmD-vxEdbNO-mB_annalezonova.JPG?auto=format,compress"},"datetime":"2026-04-14T03:57:00+0000","embed":{"embed_url":null}},"uid":"pks-wife-anna-music-is-who-i-am"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"LinkedIn's AI training roles offer 14k/ hour"},"content":{"text":"Microsoft-owned platform LinkedIn is testing an “AI labour marketplace” that could pay employees up to Rs 14,000 or $150 an hour to help train AI chatbots, according to a report.  A report from Business Insider said that LinkedIn is in early‑stage trials and has listed over a dozen roles for AI trainers who will rate responses from AI models, flag errors and perform “red teaming” to expose weaknesses. Job openings span across sectors including coding, finance, healthcare and linguistics, with pay ranging between Rs 3,700 and Rs 14,000 per hour depending on expertise. Senior software‑engineer trainer roles command the highest pay, while experts in Excel, finance, nursing or language specialists in Germanic and Nordic languages can earn up to about Rs 9,300 an hour, the report said. Red‑teaming positions trying to break AI systems were listed at roughly Rs 3,700 to Rs 4,600 per hour. The report said LinkedIn invites users to express interest for jobs through prompts on the platform with the platform rolling out alerts for these roles in the US. However, the page in India reads, \"We’re gradually making this experience available,\" according to the report. Applicants must verify their profile with government ID, complete an AI‑led screening conversation about skills and experience, and finish project‑specific tasks as part of the application process. The platform uses profile data such as education, licences, and work experience to assess candidates. The job drive puts LinkedIn in direct competition with AI training startups like Mercor and Surge AI. These startups link human experts with AI firms such as OpenAI and Anthropic to help fine-tune their models. LinkedIn in a recent report said that around 79 per cent of Indian small and medium businesses (SMBs) prefer a single, integrated platform over multiple standalone tools, announcing plans to launch Premium All‑in‑One — an integrated, AI‑powered offering."},"img":{"url":"https://images.prismic.io/prad/Z3pNDJbqstJ99DIB_AI.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-14T16:25:00+0000","embed":{"embed_url":null}},"uid":"linkedins-ai-training-roles-offer-14k-hour"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Dhurandhar‍‌‍‍‌‍‌‍‍‌'"},"content":{"text":"Dhurandhar hits the audience like a cyclone—untamed, persistent, and spectacularly dhamakedaar. Aditya Dhar's latest triumph is far from just a movie; it is a once-in-a-lifetime experience, a cinematic event of the year that completely breaks the clutter of Indian espionage thrillers. With Indian heart and international standard, Dhar weaves a story full of human touch, intricacy, and spark, reaffirming that he belongs among the very few directors capable of conceiving on a grand scale while still keeping the story deeply character-driven.  Drawing inspiration from the IC-814 hijacking and the 2001 Parliament attack, the film sets the stage on a historic backdrop without wasting a moment. Dhar then skillfully expands the narrative to show the political tremors that pushed the Indian intelligence system beyond its limits. Madhavan as IB Chief Ajay Sanyal is the rock on which the story stands. His portrayal, full of precision and gravitas, earns seeti maar reactions in every scene. The dialogues are crisp, the energy is infectious, and the immersion into this high-stakes world is so real that it grips from the first frame.  One of the most striking elements is the use of archival footage, including 9/11 and other terror attacks, interspersed with chilling audio of attackers plotting against India. These sequences evoke patriotism without jingoism, reminding the audience of the stakes while highlighting India’s strategic resilience. It’s a cinematic call to awareness and courage that makes the story even more gripping.  Ranveer Singh delivers arguably his career-best performance—raw, gritty, massy, and explosively powerful. Hamza is hurt, angry, unpredictable, yet inexplicably charming. The transformation from a rage-driven youth to a cold, calculated underworld operative is executed with staggering emotional finesse. Ranveer doesn’t just perform; he literally “blows up” the screen, particularly in the latter half, becoming almost synonymous with the storyline—a 10/10 hardcore action avatar.  The supporting cast matches this energy brilliantly. Akshaye Khanna, as Rehman Dakait, is eerie, sparkling, and dreadful—a mind-is-the-weapon villain whose expressions and timing make him unforgettable. Sanjay Dutt is pure cannon fire as SP Chaudhary Aslam, “The Jinn,” bringing raw toughness to every frame. Arjun Rampal’s Major Iqbal commands attention with his silent menace, while Sara Arjun impresses in her star-studded debut. Every actor is fully into their character, creating a dangerously immersive atmosphere.  The film’s pace is relentless, thanks to Aditya Dhar’s mastery over tempo. And crucially, despite its 214-minute runtime, the length never feels distracting. Every scene is deliberate, every beat perfect, making the infiltration plan genuinely nerve-wracking. The background music is another major highlight—the BGM keeps the energy flowing continuously, never letting the audience feel a dull moment. The soundtrack is one of the strongest pillars of the film, arguably the album of the year or even the decade, turning tension, discovery, and climax into cinematic thunder.  Violence is used sparingly—just three sequences are truly explicit, each dramatically justified. The real intensity comes from the emotional stakes, character development, and political intrigue. The first half showcases masterful world-building, with the interval delivering pure goosebumps and doubling audience excitement. Post-interval, conspiracies intertwine, political power shifts, and Hamza consolidates the mafia core through strategy, betrayal, and even a calculated marriage, setting up a perfect stage for the explosive Part Two coming Eid 2026.  Jyoti Deshpande, Lokesh Dhar, and Aditya Dhar, backed by B62 Studios and Jio Studios, leave no stone unturned in creating a universe that is vast, real, and cinematically rich. Their unwavering support for large sets, hard action, bold storytelling, and a stellar ensemble cast shines in every frame, elevating Indian genre cinema to new heights.  Dhurandhar is a genre-defining spectacle that combines ferocious execution, meticulous craft, and unforgettable impact. With Aditya Dhar’s finest direction and Ranveer Singh’s career-best performance, it makes a solid case for being one of the boldest, most compelling thrillers of the year. The game is set, the pieces are moving, and the wait for Part Two is fervent—completely justified by the high stakes, breathtaking performances, and mind-blowing storytelling.  Cast: Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others  Director/Writer: Aditya Dhar"},"img":{"url":"https://images.prismic.io/prad/aTK2Z3NYClf9n2ee_dhurandar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-12-05T08:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=BKOVzHcjEIo"}},"uid":"review-dhurandhar"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఆంధ్రాకింగ్‌ తాలూకా' రివ్యూ... ఫ్యాన్స్‌ మూవీ"},"content":{"text":"రామ్‌ వరుస విజయాలతో ఎనర్జిటిక్ స్టార్‌ ఇమేజ్‌ని సొంతం చేసుకుని కెరీర్‌ ఆరంభంలో అందరి దృష్టిని ఆకర్షించాడు. కానీ గత కొంత కాలంగా ఆయన పూర్తిగా గాడి తప్పినట్లుగా కనిపిస్తున్నాడు. ఏమాత్రం ఆకట్టుకోని కథ, కథనాలను, దర్శకులను ఎంపిక చేసుకోవడంతో ఆయనకు వరుస ఫ్లాప్‌లు తప్పలేదు. ఇస్మార్ట్‌ శంకర్ తర్వాత రామ్‌ ఒక మంచి హిట్‌ కోసం ఎదురు చూస్తున్నాడు. ఆ హిట్‌ ఈ సినిమాతో వచ్చిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ :  సూర్య(ఉపేంద్ర) తెలుగు సినిమా ఇండస్ట్రీలో స్టార్‌ హీరో. అభిమానులు ఆయన్ను ఆంధ్రా కింగ్‌ అనే బిరుదుతో పిలుచుకుంటూ ఉంటారు. వరుస విజయాలు దక్కించుకుంటూ వచ్చిన సూర్యకు వందవ సినిమాకు ముందు కెరీర్‌ పరంగా ఒడిదొడుకులు ఎదుర్కోవాల్సి వస్తుంది. వరుస ఫ్లాప్స్‌ పడటంతో సూర్య ను విమర్శించే వారు, తిట్టేవారు ఎక్కువ అవుతారు. ఆయన పనైపోయిందని విమర్శిస్తూ ఉంటారు. ఆ సమయంలో సూర్య 100వ సినిమాను మొదలు పెడతాడు.  సినిమాపై అంచనాలు లేకపోవడం, అసలు సూర్య సినిమాను ఎవరు చూస్తారు అని జనాలు అనుకుంటూ ఉండటంతో ఆ సినిమా ఆర్థిక సమస్యలు ఎదుర్కొంటుంది. సినిమా పూర్తి చేయడానికి రూ.3 కోట్లు అవసరం అవుతుంది. ఆ సమయంలో సూర్యను అమితంగా అభిమానించే సాగర్‌ (రామ్‌) ముందుకు వస్తాడు. తాను ఎంతో కష్టపడి సంపాదించిన ఆస్తిని అమ్మి, ఆ డబ్బును తన అభిమాన హీరో, ఆంధ్రాకింగ్‌ సూర్యకి చేరేలా చేస్తాడు.  తీవ్ర ఆర్థిక ఇబ్బందుల్లో ఉన్న సూర్య తన అకౌంట్‌లో పడ్డ రూ.3 కోట్లు చూసి షాక్‌ అవుతాడు. ఆ డబ్బును తన అభిమాని అయిన సాగర్‌ పంపించినట్లు తెలిసి షాక్‌ అవుతాడు. తన అభిమానిని కలుసుకునేందుకు సూర్య బయలుజేరుతాడు. ఆ క్రమంలో సాగర్‌ గురించి పలు విషయాలను సూర్య తెలుసుకుంటాడు. ఒక అభిమానిని స్టార్‌ హీరో ఎలా కలుసుకున్నాడు? ఆ తర్వాత ఏం జరిగింది? అనేది కథ. నటీనటుల నటన :  రామ్‌ మొత్తం బాధ్యత తన భుజాలపై వేసుకున్నాడు. ఎప్పటిలాగే ఈ సినిమాతో మరోసారి తన ఎనర్జిటిక్ పెర్ఫార్మెన్స్‌ను చూపించాడు. సాగర్‌ పాత్రకి రామ్‌ ఎంత వరకు చేయాలో అంతకు మించి చేసినట్లుగా అనిపించింది. ఒక పాత్రను చాలా నమ్మడం వల్లే రామ్‌ ఈ స్థాయిలో కష్టపడి ఉంటాడు అనిపించింది. అతడి లుక్‌, డైలాగ్‌ డెలివరీ, యాక్షన్‌ సీన్స్ లో ఆయన ప్రజెన్స్ ఇలా ప్రతి ఒక్క ఎలిమెంట్‌లోనూ రామ్‌ ఆకట్టుకున్నాడు. అందుకే అతడు ఒక ఫ్యాన్  గా సరిగ్గా సెట్‌ అయ్యి, సినిమాను మోశాడు. సూపర్‌ స్టార్‌గా నటించిన ఉపేంద్ర తన పాత్రకు న్యాయం చేశాడు. ఒక అభిమాని కోసం వెతుక్కుంటూ వెళ్తున్న సీన్స్ లో అతడి భావోద్వేగం కనిపించింది. సినిమా కోసం అతడు పడే తపన, అతడు పడే కష్టం తాలూక డిటైల్స్ ను ఉపేంద్ర చక్కగా చూపడం జరిగింది. హీరోయిన్‌గా నటించిన భాగ్యశ్రీ బోర్సేకి తన ప్రతిభ మొత్తం చూపించే అవకాశం దక్కలేదు. అయితే ఆమె ఉన్నంతలో అందంగా కనిపించడంతో పాటు, నటనతో ఆకట్టుకుంది. ఇతర నటీనటులు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ :  పాటల గురించి ప్రత్యేకంగా చర్చ జరిగింది. కొత్త సంగీత దర్శకులు కుమ్మేశారు అంటూ అంతా తెగ మాట్లాడారు. కానీ వారి నుంచి వచ్చిన సంగీతం కొత్తగా ఉంది కానీ ఆకట్టుకునే విధంగా మాత్రం లేదు. ఇలాంటి సినిమాలకు పాత సంగీత దర్శకులు అయితే న్యాయం చేసేవారు అనిపిస్తుంది. కాని రామ్‌ కి మాత్రం ఎందుకో వీరు నచ్చారు. ఆయన నిర్ణయం తప్పు అని తేలింది.  ఇక దర్శకుడు మహేష్‌ ఎంపిక చేసుకున్న కథ విషయంలో ఎలాంటి తప్పు లేదు. ముఖ్యంగా స్టోరీ లైన్ మంచి పాయింట్‌. కానీ దాన్ని మలచిన తీరు బాగాలేదు. ముఖ్యంగా స్క్రీన్‌ ప్లే విషయంలో సాగతీసినట్లుగా అనిపించింది. ఎడిటింగ్‌ కి ఇంకా చాలా స్కోప్ ఉంది. ఎందుకో చాలా సీన్స్‌ను అలాగే వదిలేశాడు. నిర్మాణాత్మక విలువలు బాగానే ఉన్నాయి. సినిమాటోగ్రాఫీ అప్పటి నేటివిటీకి దగ్గరగా ప్రేక్షకులను తీసుకు వెళ్లడంలో సక్సెస్ అయిందని చెప్పాలి.  విశ్లేషణ :  రామ్‌ దాదాపు ఏడాది  గ్యాప్ తీసుకుని, వందల కొద్ది కథలు విని, పదుల కొద్ది కథలు పక్కన పెట్టుకుని, చివరకు ఈ కథను ఎంపిక చేసుకున్నాడు అని ఆయన సన్నిహితులు అంటున్నారు. అయితే ఇలాంటి కథను ఆయన ఎలా ఒప్పుకున్నాడు అంటూ చాలా మంది ఆశ్చర్యం వ్యక్తం చేస్తున్నారు. స్టోరీ లైన్‌ బాగుంటే సరిపోతుందా, కథ, కథనం విషయంలో దీన్ని ఎంత వరకు ప్రేక్షకులకు ఆకట్టుకునే విధంగా తీసుకు రాగలరు అనే విషయంను ఆయన చూసుకోలేదు అనిపిస్తుంది.  రామ్‌ సాధారణంగానే ఎనర్జిటిక్‌ పెర్ఫార్మెన్స్‌ తో ఆకట్టుకుంటాడు. ఈ సినిమాలోనూ మరోసారి తన సత్తా చాటాడు. కానీ సినిమాలోని ఆయన పాత్ర ఉన్నంత పవర్‌ ఫుల్‌గా స్క్రీన్‌ ప్లే లేదు. గ్రామీన ప్రాంతంలో ఉండే ప్రేమ కథను చూపించే ప్రయత్నం చేశారు. ఆ కథను ఇంకాస్త ఎక్కువ చూపించినా బాగుండేది. హీరో, అభిమాని మధ్య ఉండే సీన్స్ చాలా తక్కువగా ఉన్నాయి. ప్రేక్షకులు ఆశించిన ఎలిమెంట్స్ ఈ సినిమాలో చాలా తక్కువగా ఉన్నాయి. అందుకే సినిమా రెగ్యులర్‌ ప్రేక్షకులను ఆకట్టుకోవడంలో విఫలం అవుతుంది. కానీ తమను తాము ఒక హీరోకు అభిమాని అని చెప్పుకునే వారికి మాత్రం తప్పకుండా ఈ సినిమా నచ్చుతుంది.  ప్లస్ పాయింట్స్ :  రామ్‌ నటన, స్టోరీలైన్‌, కొన్ని ఎమోషనల్‌ సీన్స్‌ మైనస్ పాయింట్స్ :  ఫస్ట్‌ హాఫ్‌ చాలా స్లోగా సాగింది స్క్రీన్‌ ప్లే, ప్రేమ కథ ఇంకాస్త ఉండాల్సింది. చివరగా... ఫ్యాన్‌గా ఆంధ్రాకింగ్‌ను ఆకట్టుకున్న సాగర్‌, ప్రేక్షకులను ఆకట్టుకోవడం కష్టమే. బ్యానర్ : మైత్రి మూవీ మేకర్స్‌ నిర్మాత : నవీన్‌ యెర్నేని, వై రవి శంకర్‌ దర్శకత్వం : మహేష్‌ బాబు పి సంగీతం : వివేక్‌-మెర్విన్‌ తారాగణం : రామ్‌ పోతినేని, భాగ్యశ్రీ బోర్సే, ఉపేంద్ర తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aSgr23NYClf9nheC_AKT1.JPG?auto=format,compress"},"datetime":"2025-11-27T08:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=oeY828c-AXo"}},"uid":"review-andhra-king-talooka---fans-movie"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'De De Pyaar De 2'"},"content":{"text":"It’s rare to find a film that makes you laugh, cry, and smile, all within the same heartbeat. De De Pyaar De 2 is that rare gem. The sequel not only lives up to the 2019 blockbuster but builds on it with heart, humour, and a story that feels deeply personal yet universally relatable. In a year full of thrillers and high-octane spectacles, De De Pyaar De 2 stands tall as the only true family entertainer of 2025. It’s a film about family — and one meant to be watched with family. Whether you’re a parent, a young adult, or a daughter who shares a special bond with her father, this one will speak to you in more ways than one. The film beautifully balances clap-and-whistle-worthy comedy with tear-jerking emotion, and even leaves you with a subtle but strong message about love, relationships, and what truly makes a man ‘man enough’ in today’s world. The protagonist Ajay Devgn is a delight, effortlessly switching between subtle humour and emotional restraint. His references to his own iconic films are a treat for fans and timed to perfection. It’s refreshing to see him return to a romantic-comedy space after a string of action-heavy roles. R. Madhavan, on the other hand, brings soul to the story. As a father navigating complex emotions, he’s a powerhouse of warmth and vulnerability. His scenes, especially with Ajay, are pure paisa vasool, seamlessly blending humour with heartfelt depth. Leading lady Rakul Preet Singh delivers her best performance yet, charming, confident, and absolutely radiant on screen. While Jaaved Jaffery leaves you rolling on the floor laughing everytime he comes on the screen, Meezaan’s entry in the second half is impactful; he looks effortlessly dashing and leaves a strong impression in a limited screen time. The supporting ensemble — Gautami, Ishita, and Suhasini Mulay, bring natural warmth and depth, rounding out the film’s emotional universe beautifully. Director Anshul Sharma infuses De De Pyaar De 2 with heart, humor, and a sense of effortless storytelling. His vision shines through every frame bringing together a powerhouse cast and allowing each performer to leave a lasting mark. Sharma orchestrates the film’s emotional beats and comic timing with remarkable finesse, blending warmth and wit in equal measure. With this film, he not only celebrates relationships and generations but also cements his place as a filmmaker who knows how to entertain while keeping the emotions genuine and grounded. Unlike many sequels that exist just to cash in on a franchise name, De De Pyaar De 2 feels like an organic continuation of the first. The callbacks are smart, not forced, and the story flows with sincerity and purpose. And just when you think you’ve seen it all, the last 20–30 minutes hit you with one of the most emotionally satisfying climaxes seen in recent times, an absolute rollercoaster of emotions that will leave you walking out with a full heart and a huge smile. De De Pyaar De 2 is the ultimate big-screen entertainer, funny, emotional, meaningful, and refreshingly vulnerable. It proves that films about family, love, and connection can still move audiences when told with honesty and heart. Director: Anshul Sharma,  Cast: Ajay Devgn, R. Madhavan, Rakul Preet Singh, Jaaved Jaaferi, Meezaan, Gautami Kapoor, Ishita Dutta and others "},"img":{"url":"https://images.prismic.io/prad/aRb8GLpReVYa4eVc_dedepyaarde2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-11-14T04:53:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=59aIp7SfIIk"}},"uid":"review-de-de-pyaar-de-2"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: ‘Jatadhara’ - A spiritual thriller unfolds"},"content":{"text":"Zee Studios and Prerna Arora produced Jatadhara represents an ambitious and compelling effort by directors Venkat Kalyan and Abhishek Jaiswal as they create a supernatural mythological thriller, one that dares bridge the gap between science, faith, and mysticism of old. Against the mysterious backdrop of the Anantha Padmanabha Swamy Temple and its treasures hidden within, the film is imbued with original Tantric rituals and chants enacted during filming-a rare thing in mainstream Indian cinema. The sense of dread and divinity pervades right from the first frame. The haunting visuals, the rhythmic chants, and symbolic imagery set off into a world where reality blends with the surreal. Credit goes to the two directors for knowing how to handle such a dense mythological theme with reverence and cinematic flair. Sudheer Babu plays Shiva, a skeptical ghost hunter whose journey from disbelief to spiritual awakening forms the emotional core of the story. His rugged screen presence, restrained intensity, and emotional range make this one of his most nuanced performances to date. The sequences where he confronts unseen forces — armed with both scientific logic and ritualistic tools — are genuinely gripping. Sonakshi Sinha, all set to mesmerize the Telugu audience for the first time, is just outstanding as Dhana Pisaachi, a vengeful spirit bound by greed and sorrow. With her commanding expressions, piercing gaze, and haunting poise, Sonakshi brings terror and tragedy on the screen. Her transformation into the demonic goddess is one of the talking points of the film and quite rightly so-she owns each frame. Divya Khossla carries grace throughout her role as Sitara, while Shilpa Shirodkar and Indira Krishna add depth and dignity to their key roles. The ensemble cast — Rajeev Kanakala, Ravi Prakash, and Subhalekha Sudhakar included — come together to add value to the narrative with realistic, down-to-earth performances. Written by Venkat Kalyan, the screenplay of Jatadhara weaves ancient lore with modern skepticism. The premise of the story-a forbidden ritual called Pisacha Bandhanam that ties spirits to guard lost treasures-is both fascinating and frightening. Kalyan ensures that every plot twist is rooted in belief systems familiar to Indian audiences, yet he approaches them with a contemporary lens. The dialogues by Sai Krishna Karne and Shyam Babu Meriga are sharp, spiritual, and thought-provoking. Lines like \"Faith is not what you see -- it's what you dare to feel\" stay with one long after the credits roll. They strike an even balance between philosophical weight and emotional immediacy to give the film a scriptural and cinematic hue at once. The biggest strength of Jatadhara is Sameer Kalyani's cinematography. The chiaroscuro lighting, the intricate interior of the temple, and aerial sweeps of the Kerala landscape infuse an otherworldly beauty upon this dark narrative. Every sequence of this ritual is framed like a painting-flickering lamps, swirling smoke, chanting shadows-pulling you into a hypnotic trance. The special effects should be applauded for delivering realistic supernatural imagery without excess. The scenes of Dhanapisachini’s manifestation are at once terrifying and beautiful, enhanced by practical effects that feel real and organic. The sound design amplifies the eeriness: low rumbles, faraway chants, and sudden silences are used to great effect to raise the tension. Composer Rajiv Raj manages an evocative score that fuses classical ragas with electronic undercurrents. His background music, particularly during the climactic confrontation, keeps the pulse racing. Despite the film's dark theme, music, and movement have been found in Jatadhara. “Shiva Stotram” and “Pallo Latke Again stand apart for their energy and depth. As the choreographer, Sandeep melds ritualistic movements with cinematic choreography, especially in the temple dance sequence featuring Divya Khossla, which radiates both devotion and intensity. The stunt choreography seamlessly integrates physical combat with supernatural powers, creating a dynamic action language that feels fresh. Sudheer Babu's ghost-hunting sequence, weapon combat scenes, and the final blood-drinking transformation sequence are all done with precision and conviction. The mix of martial arts and mystical symbolism makes these moments unforgettable. Jatadhara is a bold visual experiment in the form of a supernatural mythological thriller that refuses to play safe. It sincerely pursues faith versus reason, science versus ritual, and human will versus divine wrath with amazing scale. The outstanding visual brilliance of the film matches the strong performances and authentic spiritual texture. Co-directed by Venkat Kalyan and Abhishek Jaiswal, Jatadhara manages a fine balance between commercial spectacle and artistic expression. The result is that Jatadhara does what few films attempt; it turns mythology into a breathing, living cinematic experience, with its entrancing images, haunting music, and soulful performances that both thrill and leave one thoughtful. Director: Venkat Kalyan And Abhishek Jaiswal Starring : Sudheer Babu, Sonakshi Sinha, Divya Khossla, Shilpa Shirodkar, Indira Krishna, Rajeev Kanakala, Ravi Prakash, Rohit Pathak, Jhansi, Subhalekha Sudhakar"},"img":{"url":"https://images.prismic.io/prad/aQx6sbpReVYa4H3__jathadara.JPG?auto=format,compress"},"datetime":"2025-11-06T09:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=NcZNCaE4qEM"}},"uid":"review-jatadhara---a-spiritual-thriller-unfolds"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మాస్‌ జాతర' రివ్యూ... రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైనర్‌"},"content":{"text":"రవితేజ ఏదైనా సినిమా ప్రారంభిస్తే ఆరు నెలల్లోనే పూర్తి చేసి ప్రేక్షకుల ముందుకు తీసుకు రావడం మనం చూస్తూ ఉంటాం. కానీ ఈ సినిమా అనేక కారణాల వల్ల చాలా ఆలస్యం అయింది. ఈ ఏడాది సంక్రాంతికి రావాల్సిన సినిమా ఏడాది చివర్లో దీపావళి అయిన తర్వాత ప్రేక్షకుల ముందుకు వచ్చింది. సితార ఎంటర్‌టైన్‌మెంట్స్ బ్యానర్‌లో రూపొందిన సినిమా కావడంతో పాజిటివ్‌ బజ్ క్రియేట్‌ అయింది, అంతే కాకుండా రవితేజ ఈ సినిమాపై చాలా అంచనాలు పెంచే విధంగా ప్రచారం చేశాడు. మరి ఈ సినిమా ఎలా ఉంది అనేది ఈ రివ్యూలో చూద్దాం.  కథ : రైల్వే ఎస్‌ఐ అయిన లక్ష్మణ్‌(రవితేజ) ఎక్కడ ఉంటే అక్కడ రైల్వే విధులు మాత్రమే కాకుండా అన్ని రకాల కేసులను పరిస్కరిస్తూ ఉంటాడు. అలాంటి లక్ష్మణ్‌కి డ్రగ్స్‌ ఇష్టానుసారంగా పండిస్తూ, అదే జీవనాధారంగా జనాలు జీవిస్తున్న ఒక ప్రాంతంకు ట్రాన్స్‌ఫర్‌ అవుతుంది. అక్కడ శివుడు(నవీన్ చంద్ర) బలవంతంగా రైతులతో గంజాయి సాగు చేయిస్తూ దాన్ని కోల్‌కత్తాకు ట్రాన్స్‌పోర్ట్‌ చేస్తూ ఉంటాడు. శివుడు గంజాయి వ్యాపారంను నాశనం చేసేందుకు లక్ష్మణ్‌ సిద్దం అవుతాడు. శివుడు పెద్ద మొత్తంలో గంజాయిని కోల్‌కత్తా తరలించేందుకు సిద్ధం అయిన సమయంలో లక్ష్మణ్‌ దాన్ని దాచేస్తాడు. ఆ సరుకు కోసం శివుడు పిచ్చెక్కి పోతాడు. ఇద్దరి మధ్య పెద్ద యుద్దమే జరుగుతుంది. చివరకు ఏం జరిగింది అనేది సినిమా కథ.  నటీనటులు : రవితేజ ఎనర్జీ ఏమాత్రం తగ్గలేదు. అయితే ఆయన లుక్‌ విషయంలో మాత్రం కాస్త వయసు ఎక్కువ అయినట్లుగా అనిపించింది. వింటేజ్ రవితేజను చూస్తారు అంటూ పబ్లిసిటీ సమయంలో మేకర్స్ చెప్పారు. కానీ వింటేజ్ సీన్స్ పెద్దగా ఏమీ లేవు. ఒకటి రెండు నిమిషాలకే పరిమితం చేశారు. యాక్షన్‌ సీన్స్‌లో రవితేజ ఎనర్జీ కనిపించింది. అయితే డాన్స్‌ ల్లో శ్రీలీల ముందు రవితేజ ఆశించిన స్థాయిలో మెప్పించలేక పోయాడు అని చెప్పుకోక తప్పదు. ఓవరాల్‌గా మాస్‌ మహారాజా రవితేజ మాస్‌ జాతర తన భుజాలపై వేసుకుని నడిపించే ప్రయత్నం చేశాడు.  శ్రీలీల పాత్రకు పెద్దగా ప్రాధాన్యత లేదు. ఫస్ట్‌ హాఫ్‌ లో కొంత సమయం కనిపించినా, సెకండ్‌ హాఫ్‌ లో కొన్ని నిమిషాలు మాత్రమే ఆమె కనిపించింది. పాటలకు మాత్రమే పరిమితం అయిన పాత్ర అనిపించింది. ఉన్నంతలో మెప్పించింది. డాన్స్‌ల్లో తన ప్రతిభతో ఆకట్టుకుంది. రాజేంద్ర ప్రసాద్‌ తన పాత్రకు పూర్తి న్యాయం చేశాడు. హైపర్ ఆది తన రొటీన్‌ పంచ్‌ డైలాగ్స్ తో పర్వాలేదు అనిపించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి వారి పాత్రల్లో పర్వాలేదు అనిపించారు.  టెక్నికల్‌: దర్శకుడు భాను కథ విషయంలో ఇంకాస్త వర్కౌట్‌ చేస్తే బాగుండేది. రైల్వే పోలీస్‌ అనే లైన్‌ బాగానే ఉంది, కానీ గంజాయి చుట్టూ సాగే కథలు చాలానే ఉన్నాయి. ఇంకాస్త విభిన్నంగా కథను రాసుకుని ఉంటే బాగుండేది. కనీసం స్క్రీన్‌ప్లేతో అయినా మ్యాజిక్ చేసి ఉంటే బాగుండేది. డైలాగ్స్ కొన్ని యాప్ట్‌ కాలేదు. భీమ్స్ అందించిన పాటలు ఒకటి రెండు వింటూ ఉంటే బాగానే ఉన్నాయి. కానీ స్క్రీన్‌ ప్లే కు బ్రేక్‌లు వేసినట్లుగా అనిపించాయి.  ముఖ్యంగా సెకండ్‌ హాఫ్‌ లో వచ్చే పాటల ప్లేస్‌మెంట్‌ ఏమాత్రం సెట్‌ కాలేదు. అయితే బ్యాక్ గ్రౌండ్‌ స్కోర్‌ తో రవితేజ ఫ్యాన్స్‌కి, ఆయన ఎలివేషన్ సీన్స్‌ కి మంచి హైప్‌ వచ్చే విధంగా భీమ్స్ చేశాడు. సినిమాటోగ్రఫీ బాగుంది. ముఖ్యంగా యాక్షన్‌ సీన్స్ లో సినిమాటోగ్రఫీకి మంచి మార్కులు పడుతాయి. యాక్షన్ సీన్స్ నేచురాలిటీకి దగ్గరగా ఉండే విధంగా ప్లాన్‌ చేశారు. నిర్మాణాత్మక విలువలు బాగున్నాయి. ఎడిటింగ్‌లో జర్క్‌ లు ఉన్నాయి. కాస్త క్రిస్పీగా ఉండాల్సింది.  విశ్లేషణ : రవితేజ సినిమా అనగానే మాస్ ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకులు ఆసక్తిగా అప్పట్లో ఎదురు చూసేవారు. కానీ ఇప్పుడు రవితేజ గత చిత్రాల ఫలితాల నేపథ్యంలో ఈసారి అయినా రవితేజ హిట్‌ కొట్టేనా అని నీరసంగా, నిరుత్సాహంగా ఎదురు చూస్తున్న వారు ఉన్నారు. అయినా కూడా రవితేజలో ఎనర్జీ మాత్రం తగ్గలేదు. తన సినిమాల ఫలితంతో సబంధం లేదు అన్నట్లుగా వరుస సినిమాలు చేసుకుంటూ వెళ్తున్నాడు.  సితార వారి బ్యానర్ నుంచి సినిమా వస్తుంది అంటే మినిమం గ్యారెంటీ అనే నమ్మకం ఉండేది. అది కూడా ఈ మధ్య కాలంలో మెల్ల మెల్లగా పోతుంది. ఇలాంటి సమయంలో వచ్చిన మాస్‌ జాతర రవితేజ స్టార్‌డంను నిలబెట్టేనా, సితార వారి పరువు నిలుపుతుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. కానీ ఈ సినిమా పూర్తి స్థాయిలో ఆ పని చేయలేదు అని చెప్పక తప్పదు. రవితేజ మార్క్‌ ఎంటర్‌టైన్‌మెంట్‌తో ఫస్ట్‌ హాఫ్‌ సాఫీగా సాగింది. కానీ సెకండ్‌ హాఫ్‌ విషయంలో తీవ్రంగా నిరాశ పరిచాడు. ఒకటి రెండు యాక్షన్ సీన్స్‌ తప్ప సెకండ్‌ హాఫ్‌ లో చెప్పుకోవడానికి ఏమీ లేవు.  కథలో ట్విస్ట్‌లు లేవు, స్క్రీన్‌ ప్లే మొత్తం ముందే ఊహించేదిగా ఉంది. ఎక్కడా ఆసక్తికరంగా స్క్రీన్‌ ప్లే సాగిందే లేదు. ఆది కామెడీతో నవ్వించే ప్రయత్నం చేశారు. కానీ అది వర్కౌట్‌ కాలేదు. మొత్తంగా మాస్ జాతర ఆకట్టుకోలేక పోయిన యాక్షన్‌ జాతర.  ప్లస్‌ పాయింట్స్‌ : రవితేజ, ఫస్ట్‌ హాఫ్‌ కొన్ని సీన్స్‌.  మైనస్ పాయింట్స్ : కథ, కథనం, రొటీన్‌ కామెడీ, యాక్షన్‌, పాటల ప్లేస్‌మెంట్‌, రొటీన్‌ క్లైమాక్స్‌.  చివరగా... వింటేజ్‌ రవితేజను చూపిస్తారనుకుంటే రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైన్మెంట్‌ను చూపించాడు.  బ్యానర్ : సితార ఎంటర్‌టైన్‌మెంట్స్‌  నిర్మాత : నాగవంశీ  దర్శకత్వం : భాను భోగవరపు  సంగీతం : భీమ్స్‌ సిసిరోలియో  తారాగణం : రవితేజ, శ్రీలీల, నవీన్‌ చంద్ర, రాజేంద్ర ప్రసాద్‌, నరేష్‌, హైపర్‌ ఆది తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aQThSLpReVYa35Yx_massjathara.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-31T19:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Qm-wNxOcEL4"}},"uid":"mass-jathara-review-routine-action-entertainer"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: Thamma - A fiery blockbuster ride!"},"content":{"text":"Thamma is big-screen fun at its purest — a daring mix of folklore, family, fantasy, and fanfare of a full-blown franchise. With this new movie in the Maddock horror-verse, director Aditya Sarpotdar is taking Indian genre cinema to a whole new level. It’s all sorts of strange, clever, and wildly creative — yet, very relatable. While Stree was scary and subversive and Bhediya went into the wilds, Thamma conquers the territory by merging horror with love and, thus, leaving a cinematic experience that is totally different.  The story revolves around the forest of myths where the past is still alive and the ancient guardians are awakening. Not Thamma by any means, but it still manages to conjure up a bizarre fantasy universe complete with its own laws, curses, and consequences. Compared to other supernatural thrillers, this one is basically an emotional comedy with a dose of humor and the human instinct to save those whom we love even if it costs our lives. It doesn’t become scary but rather keeps its faith. The movie is funny but not farcical. It is also emotional without being overly dramatic.  One of the main characters is journalist protagonist Khurrana from a small town. His incidental supernatural experience leads to a series of events that is not in his capacity to grasp the enormity of it. In the first half, he is simply lovable and relatable but later on he becomes quite intense. Mandanna delivers an emotional performance that is also very down-to-earth. She has the fire as well as the delicate side of her nature and does not go for the usual stereotypical trope of horror comedy being over-the-top.  The continuing part is just an explosive work of art — it features fight, change of characters, and a breathtaking fight between Alok and Bhediya (Varun Dhawan). Special effects are of great quality and the confrontation between these two forces is signaling their underlying relationship which will definitely influence this cinematic universe storyline in the future. Such a moment of grandeur is the kind of moment in which you wish to applaud in a jam-packed hall, and subsequently, you are left with more questions than answers. How are these two characters related? I promise; the answer will be beyond your imagination.  On the subject of universe-building, the movie is full of Easter eggs and a few character recalls, but one highlights: the comeback of Sar Kata, the frightening character from Stree, who ominously appears, signaling the massive danger that lies ahead for the Maddock horror-verse. To be honest, the connection between Stree 2 and Thamma is quite strong, and by the time you get to the end, it’s only evident that it’s something huge that is on its way. The seeds of a mega-crossover have been dropped.  The acting, in general, is great. Paresh Rawal offers a great comic relief performance as the sarcastic and sharp-witted father while Nawazuddin Siddiqui dominates the movie with his intense and dark presence. The upward movement of his character feels like the dawn of something bigger and maybe a major factor in the future war of good vs. evil in this ever-expanding universe.  Following that is the comeback of Sathyaraj as Elvis, the idiosyncratic paranormal expert who got the nickname Hand of God. However, this time, he is not only here for the laughs — his arrival subtly changes the bigger picture. In a significant moment, Elvis points to a vital connection between Alok’s freshly changed Betaal and Bhediya, the one who was last seen grappling with Sar Kata in Stree 2. It’s a clever, low-key link that signals the coming events and the Maddock universe fans will instantly get the excitement of the bigger plot unfolding.  Moreover, the talked-about Nora Fatehi cameo is not only a glam reel but also an addition to the lore. Her unveiling provides a wonderful emotional connection to Stree and is a massive high point for long-time fans of the universe. Being a kind of fan service, it rewards attention and gives a totally different perspective to everything that we thought we knew about this world. Is she the one who opens the door to its secrets or something else?  Before the release, the buzz was mostly about item numbers and flashy visuals. However, Thamma, turn, defies the expectation. In the typical Maddock manner, every song in this movie has its function-character revelation, story advancement, or myth deepening. There are no unnecessary diversions, no hollow spectacles, only the narrative-driven songs that keep the emotional part of the story going. It is a very important revamp of the Bollywood horror formula and the result is great.  Director: Aditya Sarpotdar,  Cast: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Paresh Rawal, Sathyaraj, Fasial Malik, Geeta Aggarwal, Rachit Singh and others"},"img":{"url":"https://images.prismic.io/prad/aPddOLpReVYa3gmP_thamma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-21T05:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Mod_oXpftJA"}},"uid":"review-thamma---a-fiery-blockbuster-ride"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'తెలుసు కదా' రివ్యూ... ఎమోషనల్‌ ఎంటర్‌టైన్‌మెంట్‌"},"content":{"text":"డీజే టిల్లు సినిమా తర్వాత స్టార్‌ బాయ్‌గా ఒక్కసారిగా లైమ్‌ లైట్‌లోకి వచ్చిన సిద్దు జొన్నలగడ్డ ఆ తర్వాత బ్యాక్ టు బ్యాక్‌ సినిమాలతో ప్రేక్షకుల ముందుకు వచ్చాడు. టిల్లు స్క్వేర్‌ ఆకట్టుకుంది, కానీ ఇటీవల వచ్చిన జాక్ సినిమా మాత్రం నిరాశ పరిచింది. దాంతో సిద్దు తదుపరి సినిమా విషయంలో ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకుల్లో అంచనాలు ఉన్నాయి. విభిన్నమైన కాన్సెప్ట్‌తో తెలుసు కదా రూపొందినట్లు టీజర్‌, ట్రైలర్‌, ప్రమోషనల్‌ స్టఫ్‌ ను చూస్తే అర్థం అవుతుంది. ముఖ్యంగా ట్రైలర్‌ చూసిన తర్వాత కాస్త బోల్డ్‌ కంటెంట్‌ అనే అభిప్రాయం ఏర్పడింది. మరి సినిమా ఎలా ఉంది? సిద్దుకి మరో విజయం దక్కిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : అనాథ అయిన వరుణ్‌ (సిద్దు జొన్నలగడ్డ) తనకంటూ ఒక ఫ్యామిలీ ఉండాలి, పిల్లలు ఉండాలని కలలు కంటూ ఉంటాడు. చాలా నిజాయితీగా ఉంటూ రాగ కుమార్‌(శ్రీనిధి శెట్టి)ని ప్రాణంగా ప్రేమిస్తాడు. కానీ ఆమె బ్రేకప్‌ చేసి వెళ్లి పోవడంతో పెళ్లి చేసుకుని ఫ్యామిలీ ఏర్పాటు చేసుకోవాలి నిర్ణయించుకుంటాడు. మ్యాట్రిమోనీ ద్వారా అంజలి శర్మ(రాశి ఖన్నా) తో వరుణ్‌ కి పరిచయం అవుతుంది. ఆ పరిచయం ప్రేమగా మారి, పెళ్లి చేసుకుంటారు.  వరుణ్‌, అంజలి పెళ్లి చేసుకున్న తర్వాత చాలా పెద్ద షాకింగ్‌ విషయం తెలుస్తుంది, ఆ వెంటనే బ్రేకప్‌ చెప్పి వెళ్లి పోయిన రాగ సైతం వరుణ్‌ జీవితంలోకి వచ్చేందుకు రెడీ అవుతుంది.  అప్పుడు వరుణ్‌ ఏం చేశాడు? ఇంతకు పెళ్లి తర్వాత వరుణ్‌, అంజలికి తెలిసిన షాకింగ్‌ విషయం ఏంటి? ఈ ట్రయాంగిల్‌ స్టోరీ చివరకు ఏమైంది? అనేది సినిమా చూసి తెలుసుకోండి.  నటీనటుల నటన : ఎప్పటిలాగే సిద్దు జొన్నలగడ్డ మొత్తం బాధ్యత తన భుజాల మీద వేసుకుని సినిమాను మోసుకు వెళ్లాడు. ఆయన డైలాగ్‌ డెలివరి, ఎమోషనల్‌ సీన్స్‌, సెంటిమెంట్‌ సీన్స్‌, రొమాంటిక్ సీన్స్ ఇలా ప్రతి ఒక్కదాంట్లోనూ ఆకట్టుకున్నాడు. హీరోయిన్స్‌తో ఆయన చేసిన సన్నివేశాల్లో హీరోయిన్స్‌ ను కంటే ఆయన్ను చూడాలి అనిపించే విధంగా ఉంది. మొత్తంగా సిద్దు జొన్నలగడ్డ తెలుసు కదా బాధ్యత మొత్తం తీసుకుని సక్సెస్‌ అయ్యాడు. ఆయన డైలాగ్‌ డెలివరీ గతంతో పోల్చితే కాస్త మాస్‌ ఎలిమెంట్స్ తగ్గిందని చెప్పాలి. అయినా కూడా బాగుంది. సిద్దు లుక్ పరంగానూ ఆకట్టుకున్నాడు.  హీరోయిన్‌ శ్రీనిధి శెట్టి లుక్స్‌ పరంగా ఆకట్టుకుంది. యాక్టింగ్‌తోనూ మెప్పించింది. లవ్‌ సీన్స్‌తో పాటు, కొన్ని సెంటిమెంట్‌ సీన్స్‌లో శ్రీనిధి ఆకట్టుకుంది. సిద్దుకు సరైన జోడీ అన్నట్లుగా నటించింది. రొమాంటిక్ సీన్స్ విషయంలో కాస్త ఇబ్బంది పడ్డట్లుగా అనిపించినా ఓవరాల్‌గా తన పాత్రకు న్యాయం చేసింది. హీరోయిన్‌ రాశి ఖన్నా సైతం తన పాత్రకు న్యాయం చేసింది. సిద్దు ను వివాహం చేసుకున్న తర్వాత కొన్ని షాకింగ్ సంఘటనలు ఎదుర్కోవాల్సి వస్తుంది. ఆ సమయంలో ఆమె నటన బాగుంది. చాలా సహజంగా ఆ సీన్స్‌లో ఎమోషన్‌ పండించింది. ఓవరాల్‌గా రాశి ఖన్నా సైతం అంజలి పాత్రకు ప్రాణం పోసినట్లుగా నటించి మెప్పించింది. ఇక వైవా హర్ష కామెడీ ఇంకాస్త మెరుగ్గా ఉండాల్సింది. తనకు వచ్చిన అవకాశంను సద్వినియోగం చేసుకున్నాడు.  టెక్నికల్‌ : ఈ సినిమాకి సంగీతాన్ని అందించిన తమన్‌ పూర్తి స్థాయిలో సంతృప్తి పరిచాడు. రెండు పాటలు చాలా బాగున్నాయి. సినిమా విడుదలకు ముందే అవి మంచి విజయాన్ని సొంతం చేసుకున్న విషయం తెల్సిందే. సినిమాలో ఆ పాటలు చాలా బాగున్నాయి. ఇక బ్యాక్‌ గ్రౌండ్‌ స్కోర్‌తోనూ సినిమా స్థాయిని పెంచాడు. ఓవరాల్‌గా తమన్‌ అందించిన సంగీతం తెలుసు కదా కి ప్రధాన ఆకర్షణగా నిలిచింది అనడంలో సందేహం లేదు.  సినిమాటోగ్రఫీ బాగుంది. సినిమాను గ్రాండ్‌ గా చూపించడంలో సినిమాటోగ్రఫీ పని చేసింది. దర్శకురాలు నీరజ కోన స్క్రీన్‌ ప్లే విషయంలో ఇంకాస్త వినోదాన్ని జోడించి ఉంటే బాగుండేది. సినిమా సీరియస్ నోడ్‌ లో సాగినట్లు అనిపిస్తుంది. ఎడిటింగ్‌లో చిన్న చిన్న లోపాలు మినహా అంతా బాగానే ఉంది. ఆకట్టుకునే విధంగా డైలాగ్స్ ఉన్నాయి. నిర్మాణాత్మక విలువలు బాగున్నాయి. సినిమాలో ఉన్న ప్రతి నటీనటుడు ఔట్‌ ఫిట్‌ పాత్రకు తగ్గట్లుగా బాగున్నాయి.  విశ్లేషణ : స్టార్‌ బాయ్‌ సిద్దు జొన్నలగడ్డ మరోసారి తన నటనతో మెప్పించాడు. కేవలం తాను మాత్రమే చేయగలను అన్నట్లుగా వరుణ్ పాత్రలో నటించి మెప్పించాడు. సినిమా ప్రారంభం అయినప్పటి నుంచి చివరి వరకు పాత్ర నుంచి బయటకు రాకుండా ఆకట్టుకున్నాడు. ట్రైలర్‌ చూసిన సమయంలో వరుణ్‌ పాత్ర అంటే సిద్దు జొన్నలగడ్డను నెగటివ్‌ షేడ్స్‌ లో చూస్తామా అనిపించింది.  కానీ సినిమాలో ఆయన పాత్ర ప్రతి కుర్రాడికి కనెక్ట్‌ అయ్యే విధంగా ఉంది. మంచి ఎమోషనల్‌ సీన్స్ ఉన్నాయి, అయితే ఎంటర్‌టైన్‌మెంట్‌, రెగ్యులర్‌ మాస్‌ ఎలిమెంట్స్‌, యాక్షన్‌ సీన్స్ కోరుకున్న వారు మాత్రం కాస్త నిరుత్సాహం వ్యక్తం చేస్తారు. పక్కా కమర్షియల్‌ మూవీ అన్నట్లుగా లేదు. ఎమోషనల్‌ లవ్‌ కమ్‌ రొమాంటిక్ సీన్స్‌ లో సినిమా సాగింది. అందుకే సినిమా స్లోగా సాగింది అనిపిస్తుంది. ఓవరాల్‌గా సినిమా చూడదగ్గట్లుగా ఉంది.  ప్లస్ పాయింట్స్ : సిద్దు జొన్నలగడ్డ, తమన్ సంగీతం, కొన్ని లవ్‌, రొమాంటిక్ సీన్స్‌  మైనస్ పాయింట్స్ : సెకండ్‌ హాఫ్‌ లో స్లో కథనం, రెగ్యులర్‌ కమర్షియల్‌ ఎలిమెంట్స్ లేకపోవడం, మెయిన్‌ లీడ్‌ కాకుండా ఇతర నటీనటులకు ప్రాధాన్యత లేదు  చివరగా.. ఈతరం యూత్‌ ఇష్టపడే రోమ్‌కామ్‌ మూవీ ఇది. జస్ట్‌ టైం పాస్‌కి చూడాలి అనుకుంటే తప్పకుండా వెళ్లవచ్చు.  బ్యానర్ : పీపుల్స్ మీడియా ఫ్యాక్టరీ  నిర్మాత : టీజీ విశ్వప్రసాద్‌, కృతి ప్రసాద్‌  దర్శకత్వం : నీరజ కోన  సంగీతం : తమన్‌  తారాగణం : సిద్దు జొన్నలగడ్డ, రాశి ఖన్నా, శ్రీనిధి శెట్టి, వైవా హర్ష తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aPIUlZ5xUNkB2FbH_TK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-17T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=clB21Xnu_SU"}},"uid":"review-telusu-kada---emotional-entertainment"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మిత్ర మండలి' రివ్యూ - నవ్వించలేక పోయిన కామెడీ"},"content":{"text":"ఈ మధ్య కాలంలో చిన్న సినిమాలకు మంచి స్పందన లభిస్తుంది, ఆ సినిమాల్లో కామెడీ ఉంటే ప్రేక్షకులు బ్రహ్మరథం పడుతున్నారు. అందుకే మిత్ర మండలి సినిమా గురించి మొదటి నుంచి ప్రముఖంగా చర్చ జరుగుతోంది. ముఖ్యంగా ఈ సినిమాను బన్నీ వాసు సమర్పించేందుకు ముందుకు రావడంతో ఖచ్చితంగా కంటెంట్‌ ఉన్న సినిమా అనే అభిప్రాయం వ్యక్తం అయింది. కనుక సినిమా చూడాలని చాలా మంది అనుకున్నారు. మరి సినిమా ఆ స్థాయిలో ఉందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : కులం అంటే ప్రాణం ఇవ్వడానికి అయినా, తీయడానికి అయినా రెడీ అన్నంతగా కుల పిచ్చి ఉన్న నారాయణ (వీటీవీ గణేష్‌) కూతురు స్వేఛ్చ (నిహారిక) ఇంటి నుంచి పారిపోతుంది. కులంలో పరువు పోతుందని, రాజకీయ జీవితం దెబ్బ తింటుందనే ఉద్దేశంతో కూతురు బయటకు వెళ్లిన విషయం రహస్యంగా ఉంచుతాడు. అయితే తన కూతురు వెతకడానికి ఎస్సై సాగర్‌(వెన్నెల కిషోర్‌) కి పని అప్పజెప్పుతాడు. అతడు స్వేచ్చ పారిపోవడానికి నలుగురు కుర్రాళ్లు కారణం అని అనుమానిస్తాడు.  ఆ నలుగురు కుర్రాళ్లు స్వేచ్చ వల్ల ఎలాంటి ఇబ్బందులు ఎదుర్కొన్నారు అనేది ఈ సినిమా కథ. ఇంతకు స్వేచ్చ ఎటు వెళ్లి పోయింది? చివరకు ఏమైంది? అనేది సినిమా చూసి తెలుసుకోవాల్సిందే.  నటీనటుల నటన : ఈ సినిమాలో నటీనటులు చాలా మందే ఉన్నారు. వీటీవీ గణేష్‌ తన నటనతో నవ్వు తెప్పించే ప్రయత్నం చేశాడు. వెన్నెల కిషోర్‌ తనదైన శైలిలో కామెడీ పండించే ప్రయత్నం చేశారు. కానీ ఆయనది ఇందులో ఓవర్‌ యాక్షన్‌ అనిపించింది. వెన్నెల కిషోర్‌ పాత్ర పెద్దగా ఆకట్టుకోలేదు.  ప్రియదర్శి పాత్ర మెయిన్‌ లీడ్‌లా అనిపించినా కథలో ఆయన ప్రాధాన్యత అంతగా లేదనే చెప్పాలి. ఇంతకు ముందు ఆయన చేసిన సినిమాలతో పోల్చితే ఈ సినిమాలో ఆయన పాత్ర నిరాశను కలిగించింది. పాత్రకు తగ్గట్లుగా నటించాడు.  నిహారిక ఎన్‌ ఎం ఈ సినిమాలో కీలకంగా ఉంది. అయితే ఆమె నటన నేచురాలిటీకి దూరంగా ఉంది అనిపించింది. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ : ఆర్‌ ఆర్ ధ్రువన్‌ అందించిన బ్యాక్ గ్రౌండ్‌ స్కోర్‌ ఏమాత్రం ఆకట్టుకోలేదు. ఒక పాట పర్వాలేదు, కొన్ని సీన్స్‌ లో బ్యాక్ గ్రౌండ్‌ స్కోర్‌ పేలవంగా ఉండటంతో బోర్‌ అనిపించింది. సినిమాటోగ్రఫీ పర్వాలేదు అన్నట్లుగా ఉంది. కొన్ని సీన్స్‌ సాగతీసినట్లుగా ఉన్నాయి. ఎడిటింగ్‌ విషయంలో చాలా లోపాలు ఉన్నాయి.  దర్శకుడు కథను కామెడీగా చెప్పే ప్రయత్నం చేశాడు. కానీ కామెడీ పండించడంలో విఫలం అయ్యాడు. నిర్మాణాత్మక విలువలు పర్వాలేదు అన్నట్లుగా ఉన్నాయి. మాటలు కొన్ని సీన్స్‌లో బాగున్నాయి. కొన్ని సీన్స్‌ లో పరమ రొటీన్‌గా ఉన్నాయి.  విశ్లేషణ : చిన్న సినిమాలకు మంచి ఆధరణ ఉంటుందని, కామెడీ సినిమాలతో వస్తే తప్పకుండా ఆకట్టుకుంటుందని భావించి ఇలాంటి సినిమాలు తీస్తున్నారు. కానీ కామెడీ సినిమాల పేరుతో ప్రేక్షకుల ముందుకు వచ్చి కామెడీ లేకుండా సినిమాలను చేయడం ఏంటని ఈ సినిమాను చూస్తే అనిపిస్తుంది.  ఒకటి రెండు సీన్స్‌ తప్ప ఎక్కడా ఆకట్టుకోలేక పోయారు. సినిమా స్టోరీ లైన్ బాగానే ఉంది. కానీ దాన్ని పూర్తి కథగా మార్చిన తీరు మాత్రం బాగాలేదు. ఓవరాల్‌గా సినిమా ఏమాత్రం ఆకట్టుకోలేదు. నటీనటుల నటన బాగాలేదు, కథ ఏమాత్రం బాగాలేదు, అయినా కూడా కామెడీతో నెట్టుకు వస్తారు అనుకుంటే అది కూడా లేదు. కామెడీ లేకుండా కామెడీ సినిమాను చూసినట్లుగా అనిపించింది.  ప్లస్‌ పాయింట్స్ : సత్య కామెడీ తప్ప ఏమీ లేదు  మైనస్ పాయింట్స్ : కథ, స్క్రీన్‌ ప్లే, కామెడీ ఆశించిన స్థాయి లో లేకపోవడం, సెకండ్‌ హాఫ్‌  చివరగా.. మిత్ర మండలిలో కామెడీ లోపించింది  బ్యానర్ : సప్త అశ్వ మీడియా వర్క్స్, వైరా ఎంటర్‌టైన్‌మెంట్స్  నిర్మాత : కళ్యాణ్ మంతిన, భాను ప్రతాప, బన్నీ వాసు  దర్శకత్వం : విజయేందర్‌  సంగీతం : ఆర్‌ ఆర్‌ ధ్రువన్‌  తారాగణం : ప్రియదర్శి, నిహారిక ఎన్‌ఎం, ప్రసాద్‌ బెహరా, వెన్నెల కిషోర్‌, సత్య, వీటీ గణేష్‌, విష్ణు ఓ ఐ, రాగ్‌ మయూర్‌ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aPDW4J5xUNkB2C7l_MITHRAMANDALIREVIEW.JPG?auto=format,compress"},"datetime":"2025-10-16T09:28:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=hGXMm4Cx6Po"}},"uid":"review-mitramandali---comedy-less"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'కాంతార : చాప్టర్ 1' రివ్యూ... మంచి విజువల్‌ వండర్‌ మూవీ"},"content":{"text":"చిన్న సినిమాగా రూపొంది పాన్‌ ఇండియా రేంజ్‌లో భారీ విజయాన్ని సొంతం చేసుకున్న 'కాంతార' సినిమాకు ప్రీక్వెల్‌గా ఈ సినిమాను రూపొందించారు. సాధారణంగా సీక్వెల్‌ అంటే ప్రేక్షకులు ఆసక్తి చూపిస్తారు. కానీ కాంతారకు ప్రీక్వెల్‌ అన్నా కూడా ఆ సినిమా క్రియేట్‌ చేసిన ఇంపాక్ట్‌ కారణంగా చాలా ఆసక్తిగా ఎదురు చూస్తున్నారు. ఎప్పుడెప్పుడు సినిమా వస్తుందా అంటూ అంతా ఆసక్తిగా ఎదురు చూస్తున్నారు. ఎట్టకేలకు నేడు ప్రేక్షకుల ముందుకు వచ్చింది. మొదటి పార్ట్‌ ను చిన్న బడ్జెట్‌తో తీస్తే ఈ సినిమాను భారీ బడ్జెట్‌తో నిర్మించారు. ఈ ప్రీక్వెల్‌ ప్రేక్షకులను ఆకట్టుకుందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : ఈ కథ మొత్తం కాంతార ప్రాంతం చుట్టూ తిరుగుతూ ఉంటుంది. మొదటి పార్ట్‌ ఎక్కడైతే ముగిసిందో అక్కడే ఈ ప్రీక్వెల్‌ను ప్రారంభించారు. పంజుర్లి జాతర తర్వాత మాయం అయిన తన తండ్రి గురించి తెలుసుకునేందుకు శివ ప్రయత్నిస్తున్న సమయంలో ఆ ప్రాంతం గురించి పెద్ద చరిత్ర తెలుస్తుంది. అదే ఈ కాంతార ఏ లెజెండ్‌ కథ. రాజశేఖర్‌ అనే రాజు పరిపాలిస్తున్న రాజ్యంలో కాంతార ప్రాంతం ఉంటుంది. అయితే ఆ ప్రాంతంలోకి రాజుకు, రాజు సైన్యంకు వెళ్లేందుకు అనుమతి ఉండదు. ఎవరైనా కాంతార ప్రాంతంకు వెళ్లాలి అనుకున్న, ఆ ప్రాంతాన్ని స్వాదీనం చేసుకోవాలి అనుకున్న చనిపోవడం జరుగుతుంది.  కాంతార ప్రాంతాన్ని బెర్మి(రిషబ్‌ శెట్టి) పరిరక్షిస్తూ ఉంటాడు. తన ప్రాంతంలో ఉండే ఖరీదైన సుగంధాలను రాజ్యంలో అమ్మి వ్యాపారం చేయాలి అనుకుంటాడు. ఆ క్రమంలో రాకుమారి కనకావతి(రుక్మిణి వసంత్‌)ని కలుస్తాడు. అంతా సాఫీగా సాగుతున్న సమయంలో యువరాజు కులశేఖర(గుల్షన్‌ దేవయ్య) కాంతార ప్రాంతాన్ని ఆక్రమించేందుకు ప్రయత్నాలు మొదలు పెడతాడు. ఆ తర్వాత ఏం జరుగుతుంది? కులశేఖర, బెర్మిల మధ్య జరిగే యుద్దం ఎలాంటిది? రాజకుమారి కనకావతి పాత్ర ఏంటి? అనే విషయాలు తెలుసుకునేందుకు సినిమా చూడాల్సిందే.  నటీనటుల నటన : సినిమాలో ఎంతో మంది నటీనటులు ఉంటారు. వారిలో చాలా మందికి కీలక పాత్రలు లభించాయి. అయితే బెర్మి పాత్రలో కనిపించిన రిషబ్‌ శెట్టి మొత్తం కథను తన బుజాలపై వేసుకుని నడిపించాడు అనిపించింది. ఆయన మొదటి పార్ట్‌లో అద్భుతంగా నటించాడు అంటూ విమర్శకుల ప్రశంసలు దక్కించుకున్నాడు. కనుక ఇప్పుడు అంతకు మించి అనిపించుకునేందుకు రిషబ్‌ ఎంతగా కష్టపడ్డాడో క్లీయర్‌గా వెండి తెరపై కనిపిస్తోంది. ఆయన యాక్షన్‌ సీన్స్ మొదలుకుని, కొన్ని రొమాంటిక్‌ సీన్స్‌, దైవత్వంతో కూడిన సీన్స్ ఇలా అన్నింటిలోనూ రిషబ్‌ శెట్టి నటనతో మెప్పించాడు. అద్భుతమైన నటనతో ముఖ్యంగా క్లైమాక్స్‌ సన్నివేశాల్లో రిషబ్‌ శెట్టి మరోసారి కాంతార వరల్డ్‌లోకి తీసుకు వెళ్లాడు.  హీరోయిన్‌గా నటించిన రుక్మిణి వసంత్‌ కు ఇంటర్వెల్‌కు ముందు వరకు పెద్దగా నటనకు స్కోప్‌ లేదు. కానీ సెకండ్‌ హాఫ్‌ లో ఆమె తన నట విశ్వరూపం చూపించే విధంగా నటించింది. తన పాత్రకు పూర్తి న్యాయం చేసింది. రాజు పాత్రలో నటించిన జయరామ్‌ ఆకట్టుకున్నాడు. హుందాగా చాలా సెన్సిబుల్‌ నటనతో మెప్పించాడు. ఇక ఆయన కొడుకు పాత్రలో గుల్షన్‌ దేవయ సృష్టించిన విద్వంసం అంతా ఇంతా కాదు. సాధారణంగానే ఆయన విలనిజం బాగుంటుంది అంటూ విమర్శకులు సైతం ప్రశంసిస్తూ ఉంటారు. అలాంటి పాత్రను అంతకు మించి అన్నట్లుగా పోషించి ఆకట్టుకున్నాడు. సినిమాలో నటించిన ఇతర నటీనటులు సైతం వారి పాత్రల పరిధిలో చక్కని నటనతో ఆకట్టుకున్నారు.  టెక్నికల్‌ : ఈ సినిమాలో కథ, స్క్రీన్‌ ప్లే కంటే టెక్నికల్‌ అంశాలకు ప్రధాన పీట వేసినట్లుగా ఉంది. ముఖ్యంగా సినిమాటోగ్రఫీ, నేపథ్య సంగీతం అద్భుతంగా ఉండటంతో సినిమా విజువల్‌ వండర్‌ గా మారింది. అంతే కాకుండా ఈ మధ్య కాలంలో వీఎఫ్‌ఎక్స్‌ విషయంలో చాలా సినిమాలు విమర్శలు ఎదుర్కొంటున్న విషయం తెల్సిందే. కానీ ఈ సినిమా మాత్రం అందుకు భిన్నం అన్నట్లుగా నిలిచింది.  సినిమాలో వీఎఫ్‌ఎక్స్‌ వర్క్‌ అద్భుతంగా ఉన్నాయి. సినిమాలో ఆవిష్కరించిన కొత్త లోకంను కళ్ల ముందు వీఎఫ్ఎక్స్‌ తో అద్భుతంగా తీసుకు వచ్చి పెట్టడంలో అన్ని డిపార్ట్‌మెంట్స్ సక్సెస్‌ అయ్యాయి. దర్శకుడు కథ విషయంలోనే ఇంకాస్త వర్కౌట్‌ చేయాల్సి ఉంది. స్క్రీన్‌ ప్లేతో పాటు కొన్ని చోట్ల డైలాగ్స్ విషయంలో జాగ్రత్తను తీసుకోవాల్సింది. ఎడిటింగ్‌ లో చిన్న చిన్న లోపాలు మినహా పెద్దగా చెప్పుకునే తప్పులు ఏమీ లేవు. సినిమాను భారీ బడ్జెట్‌తో అద్భుతమైన ప్రొడక్షన్‌ వాల్యూస్‌తో నిర్మించారు.  విశ్లేషణ : కాంతార ప్రీక్వెల్‌ అనగానే కేవలం కన్నడ ప్రేక్షకులు మాత్రమే కాకుండా మొత్తం పాన్‌ ఇండియా ప్రేక్షకులు ఊగిపోయే పరిస్థితి ఉంది. అందుకే దర్శకుడు రిషబ్‌ శెట్టి ఒకటి కాదు రెండు కాదు ఏకంగా మూడు ఏళ్ల పాటు కష్టపడి ఈ సినిమాను రూపొందించడంతో పాటు నటించాడు. నటుడిగా నూటికి నూరు శాతం సక్సెస్‌ అయిన రిషబ్‌ శెట్టి దర్శకుడిగా మాత్రం కాస్త వెనక పడ్డాడు అనిపించింది. ఎందుకంటే కథ ఎంపిక విషయంలో ఆయన చాలా ఎక్కువ రీసెర్చ్‌ చేసినట్లుగా అనిపించింది. విన్న కథలు, ఉన్న పుకార్లు అన్నింటిని ఆయన ఇక్కడ చెప్పేందుకు చాలా ప్రయత్నించాడు.  సినిమా కథలో పాత కథలు ఎక్కువ అయ్యాయి. అంతే కాకుండా రియాల్టీకి చాలా దూరంగా వెళ్లి పోయింది. మొదటి పార్ట్‌తో పోల్చితే సినిమా ప్రొడక్షన్‌ వాల్యూస్‌, ఇతర సాంకేతిక పరిజ్ఞానం నూరు శాతం మెరుగ్గా ఉంది అనడంలో ఎలాంటి సందేహం లేదు. కానీ సినిమా కథ విషయంలో మొదటి పార్ట్‌తో పోల్చితే చాలా వీక్‌గా ఉంది. స్ట్రాంగ్‌ స్టోరీ లైన్‌తో ఇలాంటి మేకింగ్‌ చేసి ఉంటే మరో లెవల్‌ అన్నట్లుగా ఉండేది. ఇప్పుడు మాత్రం విజువల్‌ వండర్‌గా అనిపించే విధంగా తీశారు. మొదటి కాంతారను మైండ్‌ లో పెట్టుకోకుండా ఈ సినిమాను చూస్తే తప్పకుండా ప్రేక్షకులు ఎంజాయ్‌ చేయవచ్చు.  ప్లస్‌ పాయింట్స్ : రిషబ్‌ శెట్టి, హీరోయిన్‌, వీఎఫ్‌ఎక్స్ వర్క్‌, యాక్షన్‌ సీన్స్‌, కాంతార ప్రాంతం విజువల్స్‌  మైనస్‌ : కథ, స్క్రీన్‌ ప్లే, ఫస్ట్‌ హాఫ్‌ లో కొన్ని సీన్స్‌, అనవసర కామెడీ, చాలా సీన్స్ ల్యాగ్‌, కొన్ని పాత్రలకు ప్రాధాన్యత లేకపోవడం  చివరగా... కాస్త బోర్‌ అనిపించినా ఫైనల్‌గా ప్రీ క్లైమాక్స్‌, క్లైమాక్స్‌తో ఫీల్‌ మారిపోతుంది.  బ్యానర్ : హంబులే ఫిల్మ్స్‌  నిర్మాత : విజయ్‌ కిరగందూర్‌  దర్శకత్వం : రిషబ్ శెట్టి  సంగీతం : అజనీష్ లోకనాథ్‌  తారాగణం : రిషబ్‌ శెట్టి, రుక్మిణి వసంత్‌, రాకేష్ పూజారి, జయరామ్‌, గుల్షన్‌ దేవయ్య తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aN4-jZ5xUNkB1ZYP_kantarachapter1.JPG?auto=format,compress"},"datetime":"2025-10-02T08:20:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=axBF-4nNZ3s"}},"uid":"review-kantara-chapter-1....visual-wonder-movie"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}