{"data":{"all":{"edges":[{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Darshan Case: Approver Statement Recorded "},"content":{"text":"The statement of accused-turned-approver Pradosh Rao in the Renukaswamy murder case was recorded for nearly three hours before a court in Bengaluru on Monday, with the proceedings being held in-camera.   The court adjourned the matter to Tuesday for continuation of his statement. Pradosh, who was initially accused number 14 in the case, was brought before the City Civil and Sessions Court amid tight security. After the proceedings, he was taken back to Parappana Agrahara Central Prison under police escort. Jailed actor Darshan and his partner Pavithra Gowda also participated in the proceedings through video conference from Bengaluru Central Prison. As Pradosh's statement was lengthy and had to be signed by him, the court adjourned the proceedings to Tuesday following a request by Special Public Prosecutor (SPP) Prasannakumar. Pradosh is recording his statement after being permitted to turn approver in the case. During the proceedings, he is expected to provide details concerning the events surrounding the alleged assault and murder of Renukaswamy, as well as his interactions with the other accused. Meanwhile, senior advocate Hashmat Pasha, appearing for actor Darshan, has filed a Special Leave Petition (SLP) before the Supreme Court challenging Pradosh being made an approver and seeking a stay on the proceedings concerning his statement. Pasha said Darshan's legal team had earlier approached the trial court challenging Pradosh's status as an approver. \"We had approached the trial court challenging Pradosh being made an approver. However, as the trial court did not accept our plea, we have filed an SLP before the Supreme Court,\" he added. The recording of Pradosh's statement is expected to continue on Tuesday and is likely to be completed after the remaining portions are recorded. The police had made elaborate security arrangements in and around the court premises in view of alleged threats to Pradosh from Darshan's fans. The Central Deputy Commissioner of Police Zone Akshay M Hakay had deputed one Assistant Commissioner of Police (ACP), three police Inspectors, eight Sub-Inspectors and more than 40 police personnel for his security. Pradosh, who is currently lodged at Bengaluru Central Prison, will be brought to the court on Tuesday under the escort of Kamakshipalya police, which registered and investigated the murder case, along with prison authorities. Darshan's counsel had challenged the decision before the Karnataka High Court, but the petition was not entertained. As an approver, Pradosh is expected to give his account of the alleged murder and the events surrounding the death of Renukaswamy. His statement is likely to be recorded in detail by the trial court. The Renukaswamy murder case concerns the alleged killing of 35-year-old Renukaswamy, a fan of Kannada actor Darshan, in Bengaluru in June 2024. According to the prosecution, Renukaswamy was allegedly abducted, assaulted and killed, with his body later being found in the Kamakshipalya area. Actor Darshan and several others were arrested in connection with the case and are facing trial. The prosecution has alleged that Renukaswamy was targeted after he sent some vulgar messages to Darshan's partner, Pavithra Gowda. The court on Monday dismissed a memo petition filed by actor Darshan seeking to postpone the recording of Pradosh's statement as an approver. The plea was filed seeking a two-day postponement, with Darshan's counsel saying that they intended to approach the Supreme Court against the Karnataka High Court's decision dismissing Darshan's petition challenging Pradosh's status as an approver."},"img":{"url":"https://images.prismic.io/prad/ZmrNopm069VX1tap_darshanpavitra.JPG?auto=format,compress"},"datetime":"2026-09-28T13:14:00+0000","embed":{"embed_url":null}},"uid":"darshan-case-approver-statement-recorded-"}},{"node":{"tags":["politics","featured","four"],"data":{"third_party_url":null,"title":{"text":"Khairatabad Vacancy Officially Declared"},"content":{"text":"The Khairatabad Assembly seat has been officially declared vacant following the disqualification of Danam Nagender as a member of the Telangana Legislative Assembly. The Legislative Assembly issued a gazette notification stating that Nagender stood disqualified with effect from April 23, 2024, under Paragraph 2(1)(a) of the Tenth Schedule read with Article 191(2) of the Constitution. Consequently, the seat stands vacant. Rendla Thirupathi, Secretary to the Legislature, issued the notification dated September 26 in pursuance of the Telangana High Court judgment delivered on September 18. Nagender was elected from Khairatabad in the 2023 Assembly elections as a Bharat Rashtra Samithi (BRS) candidate. He later switched loyalties to the ruling Congress and contested the Lok Sabha elections from Secunderabad constituency on a Congress ticket. Assembly Speaker Gaddam Prasad Kumar had dismissed petitions filed by BRS MLAs and a Bharatiya Janata Party (BJP) MLA seeking Nagender’s disqualification. The petitioners challenged the Speaker’s decision in the High Court. On September 18, a Division Bench of Chief Justice Aparesh Kumar Singh and Justice G.M. Mohiuddin held that Nagender stood disqualified under Paragraph 2(1)(a) of the Tenth Schedule read with Article 191(2) of the Constitution, after contesting the 2024 Lok Sabha elections as a Congress candidate despite being elected as a BRS MLA. The High Court declared the Khairatabad seat vacant. It directed that a copy of its order be communicated to the Secretary of the Telangana Legislative Assembly and the Election Commission of India. The judgment came on petitions filed by BJP Legislature Party leader Alleti Maheshwar Reddy and BRS MLA Padi Kaushik Reddy, challenging the Speaker’s March 11, 2026 decision dismissing the disqualification petitions. The High Court recorded that Nagender was elected as a BRS MLA in December 2023 and subsequently filed his nomination on April 23, 2024, as a Congress candidate for Secunderabad, where he campaigned against the BRS nominee. Nagender approached the Supreme Court challenging the High Court order, but the apex court dismissed his petition, finding no ground to interfere. Meanwhile, Nagender said he was confident he would win the Khairatabad by-election. He told the media that the bypoll result would shock his political opponents. He also said the Special Intensive Revision (SIR) would have no impact on the constituency."},"img":{"url":"https://images.prismic.io/prad/aP3dbrpReVYa3rB5_ecsymbols.JPG?auto=format,compress"},"datetime":"2026-09-28T14:23:00+0000","embed":{"embed_url":null}},"uid":"khairatabad-vacancy-officially-declared"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Ganguly Wins 14.49 Cr Legal Battle!"},"content":{"text":"The Supreme Court on Monday dismissed a plea challenging a Calcutta High Court order that had upheld an arbitral award of Rs. 14.49 crore, along with 12 per cent annual interest and Rs. 50 lakh in costs, in favour of former Indian cricketer Sourav Ganguly, in a dispute over his Player Representation Agreement (PRA).  A Bench of Chief Justice of India, Surya Kant and Justices Joymalya Bagchi and V. Mohana dismissed the Special Leave Petition (SLP) filed by Percept Talent Management Ltd and Percept D’Mark (India) Pvt Ltd against the judgment of the Calcutta High Court. In a judgment passed on April 16, 2026, the High Court had dismissed the appeal filed by the Percept entities under Section 37 of the Arbitration and Conciliation Act, 1996, and refused to interfere with the arbitral award granting Ganguly Rs 14.49 crore, along with interest at 12 per cent per annum from November 21, 2007 till the date of the award and further interest at the same rate thereafter till realisation. The arbitral tribunal had also awarded Rs 50 lakh towards costs. The dispute arose from a Player Representation Agreement entered into by Ganguly with Percept D’Mark in October 2003, under which the company was appointed as his sole and exclusive manager and agent. The dispute primarily concerned Percept's termination of the agreement in November 2007, after Ganguly had been out of the Indian team for more than six months in 2006 but had subsequently been re-selected. The Calcutta High Court observed that the event which allegedly entitled Percept to terminate the agreement had occurred in August 2006, while Ganguly was re-selected as a regular Indian player in November 2006. However, the agreement was purportedly terminated only in November 2007. It had held that there was no document or communication during the relevant period showing that Percept had contemplated termination of the agreement and observed that the termination came 16 months after the event, giving rise to the alleged right of termination and 12 months after Ganguly's re-selection. The High Court observed that the agreement had been terminated after the event, giving rise to the alleged right of termination had \"long surpassed and no longer existed\", adding that the words \"forthwith\" and \"at any time\" could not be stretched indefinitely and the right ought to have been exercised within a reasonable proximity of time. It also recorded that no document or communication from Percept expressing its desire to terminate the agreement immediately after the occurrence of the relevant event had been shown. Subsequently, a Division Bench of Justices Debangsu Basak and Md. Shabbar Rashidi held that the Single Judge had neither exceeded nor failed to exercise jurisdiction under Section 34 of the Arbitration and Conciliation Act and dismissed Percept's appeal without any order as to costs."},"img":{"url":"https://images.prismic.io/prad%2Ff82c14aa-4d51-4708-8f27-1514fd07bf95_sourav+ganguly.jpg?auto=format%2Ccompress&rect=0%2C7%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-28T12:50:00+0000","embed":{"embed_url":null}},"uid":"ganguly-wins-14.49-cr-legal-battle"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Alia-Ranbir’s Unseen Love Moments"},"content":{"text":"Actress Alia Bhatt wished hubby Ranbir Kapoor on his 44th birthday with some unseen romantic pictures of the two.  On Monday, the 'Jigra' actress posted an adorable photo of Ranbir seated on her lap as the two lovingly gaze into each other's eyes. In the next pic, it seems like Ranbir is in the middle of a conversation with Alia, as the two enjoy some quality time in a restaurant. Another pic showed the 'Barfi' actor standing on the sidewalk, looking up at the camera. Alia also uploaded an adorable photograph of Ranbir holding little Raha in his arms. However, Raha's face was covered with a flower emoji. This was followed by two snaps of Ranbir and Alia looking stunning in each other's company.  As the 'Animal' actor celebrated his special day, a video surfaced on social media where Ranbir and Alia are waving from the balcony of their Krishna Raj bungalow in Mumbai.  As part of his birthday celebration, Ranbir also held a cake-cutting ceremony with the paparazzi outside his Mumbai house. The 'Wake Up Sid' actor was seen wearing a long grey full-sleeve shirt, along with pants, and a pair of stylish sunglasses. Ranbir ended up cutting 3 cakes, one of which was shaped as the number '44'. After this, he even posed for some photographs. Before heading back, he thanked the paparazzi with folded hands. Alia's mother and veteran actress Soni Razdan also wished her son-in-law with a special message on social media. Calling him the “best man in the house”, Soni wrote, “Happy Birthday to the best man in the house. Loads of love and duas always #ranbir”. For those who do not know, Alia and Ranbir reportedly fell for one another while working on Ayan Mukerji's fantasy drama 'Brahmastra'. After dating for a few years, the couple finally tied the knot in an intimate ceremony at their Mumbai home in April 2022. They welcomed their daughter, Raha, on 6 November 2022."},"img":{"url":"https://images.prismic.io/prad/WLeOjqU1yJF2lu62_aliaranbir.JPG?auto=format%2Ccompress&rect=0%2C78%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-28T14:27:00+0000","embed":{"embed_url":null}},"uid":"alia-ranbirs-unseen-love-moments"}},{"node":{"tags":["Entertainment","featured","one"],"data":{"third_party_url":null,"title":{"text":"Suriya-Rajamouli Collab Sparks Mystery?"},"content":{"text":"In a masterclass of discretion, acclaimed filmmaker SS Rajamouli captivated audiences at the recent ‘Don’t Trouble The Trouble’ event, where he deftly sidestepped inquiries about his rumored collaboration with actor Suriya. Despite the palpable buzz surrounding this potential partnership, particularly in light of Rajamouli's ongoing project ‘Varanasi,’ the director emphasized the importance of focusing on the film at hand rather than diverting attention to future endeavors. “If I talk anything about me and Suriya, that will be the headline,” he stated, acknowledging the media's penchant for sensationalism. The statement underscores Rajamouli’s commitment to promoting the film while navigating the curiosity that surrounds his work. The atmosphere was charged with excitement as Fahadh Faasil's film received its moment in the spotlight. Rajamouli's remarks not only reflect a thoughtful approach to media engagement but also highlight the intricate dynamics of celebrity collaborations in the film industry. By prioritizing the promotion of ‘Don’t Trouble The Trouble,’ Rajamouli aims to ensure that the focus remains on the current project, a strategy that is often overlooked in the rush to unveil new partnerships. This careful balancing act illustrates his understanding of the industry's ebb and flow, where public interest can overshadow genuine artistic pursuits. The speculation regarding a Rajamouli-Suriya collaboration is not unfounded, as the acclaimed director has previously lauded Suriya's contributions to cinema. During the promotional activities for ‘Kanguva’ in late 2024, Rajamouli referred to Suriya as one of his “main inspirations,” a testament to the actor's impact within and beyond the Tamil film landscape. Their mutual respect and admiration have only intensified public desire for a confirmed project, further complicated by Rajamouli's ambiguous hints at the potential significance of such a partnership. “Whenever we do a film, it is going to be really special,” he remarked, stoking the flames of anticipation without divulging specifics. As Rajamouli continues to focus on ‘Varanasi,’ which boasts a star-studded cast including Mahesh Babu and Priyanka Chopra Jonas, the prospect of a collaboration with Suriya remains tantalizingly speculative. The director’s strategic withholding of information serves to amplify interest and foster speculation within the industry and among fans alike. While both filmmakers navigate their current projects, the prospect of their collaboration lingers as a tantalizing possibility, encapsulating the ongoing conversation about creativity and partnership in contemporary cinema."},"img":{"url":"https://images.prismic.io/prad/Zy366q8jQArT0oi3_suriyaraja.JPG?auto=format,compress"},"datetime":"2026-09-28T11:44:00+0000","embed":{"embed_url":null}},"uid":"suriya-rajamouli-collab-sparks-mystery"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Vijay launches gold ring scheme for newborns"},"content":{"text":"Tamil Nadu Chief Minister C Joseph Vijay launched the Thai Maaman Gold Ring Scheme at Government Rajaji Hospital on Monday, presenting one-gram gold rings to newborn babies and meeting their families during a visit that drew crowds across the city.   Wearing a white veshti and shirt, CM Vijay began the distribution on stage by placing rings on the fingers of three babies as their mothers sat beside him. He asked the mothers to sit on chairs and carefully placed the rings on the babies’ fingers before wishing them. He then stepped down from the stage to meet 12 other families seated with their infants in the auditorium. CM Vijay handed over rings, held several babies in his arms and spoke to their parents. Some parents asked the Chief Minister to name their children. Vijay accepted their requests, held the infants and repeated each name three times, following the traditional naming practice. He also posed for selfies and shook hands with mothers who approached him. The Chief Minister later visited the hospital’s Integrated Child Development Ward, where he presented rings to 10 more babies. Doctors were present as he spent time with the children and shared lighter moments with their parents. The ceremony marked the launch of the government programme to provide a one-gram gold ring to babies born in government hospitals. The distribution at Rajaji Hospital was the main event of CM Vijay’s Madurai visit. The Chief Minister arrived from Chennai at Madurai airport at around 11 a.m., where hundreds of party cadres gathered to welcome him. As his convoy travelled towards the hospital, supporters and residents lined major junctions, cheered and showered flowers on the vehicles. On reaching the Government Rajaji Hospital, CM Vijay got out of his vehicle and walked to the venue amid cheers. He paused several times to greet people along the way, including hospital employees, and posed for photographs with some of them. Nurses and paramedical staff stationed at various points on the hospital premises also greeted him, taking pictures on their phones as he passed. Inside the hospital, the attention turned to the newborns and their families as CM Vijay distributed the first rings under the scheme."},"img":{"url":"https://images.prismic.io/prad/Y0DdyrRYTqWcPL1e_vijay.JPG?auto=format,compress&rect=0,24,449,221&w=2028&h=1000"},"datetime":"2026-09-28T08:39:00+0000","embed":{"embed_url":null}},"uid":"vijay-launches-gold-ring-scheme-for-newborns"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Cab driver attempts to $exually assault woman in Hyd"},"content":{"text":"A cab driver allegedly attempted to $exually assault a woman near Shamshabad on the outskirts of Hyderabad and robbed her of Rs 60,000, officials said on Monday.  The incident occurred near the site of the 2019 Disha case on Friday (September 26) night but came to light on Monday. The 38-year-old woman lodged a complaint with Rajiv Gandhi International Airport (RGIA) Police Station. Police later registered an FIR. The complainant, a resident of Devarkonda in Nalgonda district, stated that she boarded a taxi at Jadcherla around 6 p.m. on September 26 to come to Hyderabad. She was carrying Rs 60,000 in cash.  On reaching Shamshabad, the driver asked her to pay an extra Rs 50 to go to Gachibowli, to which she agreed. The FIR states that after crossing the Tondupally toll gate, the driver stopped the car at a medical shop on the ORR service road to buy medicines.  Around 8:30 p.m., he again stopped the vehicle near a deserted place beside the Kothwalguda service road and allegedly tried to molest her. When she raised an alarm and got down from the vehicle, the driver snatched the bag containing the cash and sped away. Based on the complaint received the same night, police registered a case under Sections 74, 318(4), 303(2) of BNS and took up the investigation. It was near Tondupally toll gate that a 27-year-old woman veterinarian was gang raped and murdered on the night of November 27, 2019. The charred body of Disha (as the victim is referred to by the investigators) was found at Chatanpally near Shadnagar the next day. The horrific incident had triggered huge public outrage and grabbed the national headlines. Four accused arrested in the case were gunned down by police in an alleged encounter on December 6, 2019. According to police, the accused tried to snatch weapons from police while they were taken to Chatanpally as part of the investigation. Police personnel escorting them opened fire, killing all the accused. The Supreme Court later appointed an inquiry commission to probe the alleged encounter."},"img":{"url":"https://images.prismic.io/prad%2F85dab8cb-7571-45ab-9778-6f40b3a0670f_assault.jpg?auto=format%2Ccompress&rect=0%2C41%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-28T08:29:00+0000","embed":{"embed_url":null}},"uid":"cab-driver-attempts-to-exually-assault-woman-in-hy"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rajamouli Spots His Son’s X-Factor"},"content":{"text":"Ace director S S Rajamouli has now disclosed the quality he admires most in his son, S S Karthikeya, who has now produced director Shashank Yeleti's eagerly awaited fantasy entertainer, 'Don't Trouble the Trouble', featuring actors Fahadh Faasil and Ssara Palekar in the lead.  Participating in the pre-release event of the film, which was held in Chennai, Rajamouli was asked about the tips he gave his son, producer S S Karthikeya, while producing the film.  Responding to the question, Rajamouli said he never gave any tips as such but that there was a particular quality of his son which he really admired.  \"The first thing I like about Karthikeya is his clarity of thought. As a businessman, the thing I really admire about him is when a rupee of business is happening, he thinks about his 50 paise as much as he thinks about the 50 paise of the other person. He really values the money of the other person as much as he values about his money. That is one thing I really admire about my son,\" Rajamouli disclosed.  For the unaware, acclaimed producers Shobu Yarlagadda and Prasad Devineni have joined hands with SS Karthikeya to produce the exciting, content-rich film that is being presented by none other than ace director S S Rajamouli. The film, which is a fantasy entertainer, has three legends of the Indian film industry -- Kamal Haasan, Mohanlal and Balakrishna-- lending their voices for a voiceover in the film's Tamil, Malayalam and Telugu trailers respectively. The film, which has been written and directed by Shashank Yeleti, has been co-written by Hamza Ali. It has music by Kaala Bhairava and cinematography by Australian cinematographer Brad Francis. Editing for the film is by Praveen Anthony.  'Don't Trouble The Trouble' is slated to hit screens worldwide on October 2 this year. "},"img":{"url":"https://images.prismic.io/prad/H8XEuEMFJdZPjZE1_SSR.JPG?auto=format%2Ccompress&rect=0%2C60%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-28T06:03:00+0000","embed":{"embed_url":null}},"uid":"rajamouli-spots-his-sons-x-factor"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Zarina's look from 'Slumdog 33 Temple Road' out"},"content":{"text":"The makers of director Puri Jagannadh's eagerly awaited action entertainer 'Slumdog 33 Temple Road', featuring actor Vijay Sethupathi in the lead, have now released the first look poster of actress Zarina Wahab in the film, much to the delight of fans and film buffs. The makers also disclosed that she plays a character called Zubaida in the film.  Director Puri Jagannadh, who shared the first look poster of the actress on his social media timelines, wrote, \"A heart full of love, a life full of struggles. Introducing @iamzarinawahab as ZUBEIDAA from #SlumDog - 33 Temple with a SPECIAL CHARACTER GLIMPSE Tomorrow at 10 AM. A #PuriJagannadh film. @Charmmeofficial Presents.Produced by Puri Jagannadh, Charmme Kaur, JB NarayanRao Kondrolla. Releases in Tamil, Telugu, Hindi, Kannada and Malayalam.\" It may be recalled that the makers have already shared a glimpse video of the character that actress Tabu plays in the film.  For the unaware, Tabu plays a character called Gauri Hegde in the film. The glimpse video that the makers had shared to introduce Tabu's character in the film described her as \"One fearless woman\" and \"Powerful Officer\". The glimpse video showed Tabu slapping and threatening people. In one scene, she is seen telling Vijay Sethupathi, \"In our style, we first shoot and then talk.\" The glimpse video ends with her designation being displayed. \"Gowri Hegde - Deputy Commissioner of Income Tax,\" she says even as a visual of her hitting a man with a lathi emerges. The film has triggered huge interest in fans and film buffs ever since the unit began shooting in July last year. Sources close to the unit have confirmed that shooting for the film had been completed and that post-production activities were progressing rapidly across all language versions. A title poster of the film that was shared by the director last year had showed Vijay Sethupathi sporting a stylish pair of coolers and having a blood-stained machete in his hand. The actor was seen standing amidst cartons of wooden boxes containing currency notes. The film is being produced by Puri Jagannath under the banner of Puri Connects and is to be presented by Charmi Kaur in collaboration with JB Motion Pictures and JB Narayan Rao Kondrolla. The collaboration with JB Motion Pictures will allow the makers to further enhance the grandeur of the movie. Samyuktha plays the female lead opposite Vijay Sethupathi in this film, while Kannada star Duniya Vijay and Tabu portray pivotal characters that are expected to add significant weight to the narrative. The ensemble also features Brahmaji and VTV Ganesh in key supporting roles. Sources have disclosed that Samyuktha’s character will be integral to the narrative, with ample scope for performance and emotional depth. The actress is reportedly thrilled with the story and her role. National Award-winning music director Harshavardhan Rameshwar, whose work in films like Arjun Reddy and Animal earned widespread acclaim for its raw intensity and emotional depth, is scoring the music for the movie. Slum Dog is to have a Pan India release in Telugu, Tamil, Kannada, Malayalam, and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/JDVZWmewKK4CU7od_zarinawahib.JPG?auto=format%2Ccompress&rect=0%2C93%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-28T04:00:00+0000","embed":{"embed_url":null}},"uid":"zarinas-look-from-slumdog-33-temple-road-out"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Abhishek and Big B: United by One Goal"},"content":{"text":"Megastar Amitabh Bachchan shared a heartfelt reflection on his bond with actor-son Abhishek Bachchan, saying that while their thoughts and perspectives may differ, the ultimate destination remains the same.  Amitabh took to his blog and wrote: “Pita putra dono rahe, ek manch par baithai; vichar alag alag ho chaahe, manzil ke hi aithe (Both father and son sit together on the same stage; their views may differ, but their destination remains the same).” He went on to share that he has respect for the next generation and added: “respect for the next generation ever... but the destination is ever the same... that be the ideal of every path taken….. and that has ever been the relation - seek discover understand, and design the destination that be common to all in its beneficial incarnation Love respect and in a while the love of the well wishers.” The cinema icon is currently seen in “Kaun Banega Crorepati,” which is the official Hindi version of the original British format Who Wants to Be a Millionaire? The format is similar to other shows in the Who Wants to Be a Millionaire? where contestants are asked multiple-choice questions and must select the correct answer from four possible choices, and are provided with lifelines that may be used if they are uncertain. Big B, who was last seen Vettaiyan directed by T. J. Gnanavel, is currently busy with filmmaker Nag Ashwin’s “Kalki 2898 AD” sequel. The film also stars Kamal Haasan and Prabhas. Talking about Abhishek, he was last seen in Raja Shivaji directed by Riteish Deshmukh, based on the life of Chhatrapati Shivaji Maharaj , the founder of the Maratha Empire. The film features Riteish Deshmukh in the titular role, alongside Genelia D'Souza, Abhishek Bachchan, Sanjay Dutt, Vidya Balan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, and Amole Gupte."},"img":{"url":"https://images.prismic.io/prad/2126a681-f562-4c04-82af-a1ef51039e2b_amithababhishek.JPG?auto=format,compress"},"datetime":"2026-09-28T04:28:00+0000","embed":{"embed_url":null}},"uid":"abhishek-and-big-b-united-by-one-goal"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Loud Music at 2 AM? Sirish Calls Cops"},"content":{"text":"Actor Allu Sirish, who is the younger brother of Telugu star Allu Arjun, has now lodged a police complaint against those playing loud music in his locality at 2 in the morning.  The actor took to his X timeline to draw the attention of the cops to the issue persisting for a number of days.  He wrote, \"Respected @hydcitypolice. I'm a resident of Aparna One, Shaikpet. For the last few days the Hanuman temple at Vinobha Nagar is playing loud music, beyond allowed decibels till night 2/3am. I complained the Film Nagar PS.\" He further went on to say, \"They asked us to bear till September 25 as its Ganesh nimmajanam. The festival is done but the loud music doesn't stop. Many elders, children and working people in our society are disturbed by it and made many complaints in the past. But no action was taken. Request you to please look into it. Thank you.\" The Hyderabad police responded to the actor's post with a post of its own. It wrote, \"Sir, the matter has been shared with @SHOFilmnagar for necessary action.\" The actor's move came in for praise from several netizens on X. One person wrote, \"Respect to @AlluSirish for standing up for civic sense & the rights of common people, despite being fully aware of the abuses he's going to get in the replies.\" Another netizen wrote, \"It is really WRONG to play loud music etc and disturb people in the name of God. Even GOD won't appreciate it. Good job Sirish.\" A third person wrote, \"Absolutely all the loud speakers should be removed from all religious places, it's nuesense!! Occasional under limited sound before sunset is fine but, big NO to loudspeakers. @AlluSirish @hydcitypolice hope you take a action on all temples, masjids, churches not just this one (sic).\""},"img":{"url":"https://images.prismic.io/prad/888bd658-0b28-4e0a-a960-cacece2862ef_allu+sirish.JPG?auto=format,compress"},"datetime":"2026-09-28T04:41:00+0000","embed":{"embed_url":null}},"uid":"loud-music-at-2-am-sirish-calls-cops"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Nag Ashwin’s Vision for Storytelling"},"content":{"text":"Filmmaker Nag Ashwin feels the growing accessibility of technology can open new avenues for Indian cinema by enabling filmmakers to combine ambitious visual storytelling with stories and philosophies rooted in the country’s unique cultural landscape.  Does Nag Ashwin think the real opportunity for Indian cinema lies in combining that technology with stories and philosophies that are uniquely ours? Nag Ashwin, whose 2024 film took home Best Popular Film Providing Wholesome Entertainment and Best Special Effects at the 72nd National Film Awards for “Kalki 2898 AD”, told: “Yes, absolutely. I think the combination of technology with stories and philosophies that are uniquely ours can open up a lot of possibilities for Indian cinema.” He said the technology can also empower more diverse and bring their worlds to the screen.  The filmmaker added: “And the more accessible this technology gets, the more diverse and original voices can be empowered. It can allow more people to experiment and tell their stories in their own way, while still having the technology to realise those worlds on screen.” Kalki 2898 AD is a 2024 Indian Telugu-language epic mythological science fiction. It features an ensemble cast including Amitabh Bachchan, Kamal Haasan, Prabhas, Deepika Padukone, Shobana and Disha Patani. Inspired by Hindu scriptures, the film serves as the first installment in the planned Kalki Cinematic Universe. Set in a dystopian future in the year 2898 AD in the city of Kashi, the story follows a group on a mission to protect lab subject SUM-80's unborn child, believed to be Kalki, the final incarnation of Vishnu. Talking about Nag Ashwin, he began his career as an assistant director to Sekhar Kammula. He made his directorial debut in 2015 with the coming-of-age film Yevade Subramanyam. He gained widespread acclaim for directing Mahanati in 2018, a biopic of actress Savitri."},"img":{"url":"https://images.prismic.io/prad/1L6gjLVid5axlB8g_nagashwin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-28T06:39:00+0000","embed":{"embed_url":null}},"uid":"nag-ashwins-vision-for-storytelling"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Parineeti’s Sand Mafia Exposé"},"content":{"text":"Bollywood actress Parineeti Chopra, who recently made her OTT debut with the streaming series ‘Shaque: Trust No One’, will share the screen with Shekhar Suman and Amol Palekar in the upcoming film ‘Reporting Live’. The actress is set to essay the role of a field reporter chasing a story as she steps into the murky world of illegal sand mining, where a ruthless sand mafia has every reason to keep its business, and the crimes surrounding it, out of sight. The film also stars Deven Bhojani, and Adil Hussain. It is is directed by Dhruv Tripathi, written by Mihir Jadhav and Dhruv Tripathi. Director and co-writer Dhruv Tripathi said, “It feels incredibly special to finally announce ‘Reporting Live’. I’ve lived with this film for seven years, from writing it with Mihir to bringing it to the screen, so seeing it ready to go out into the world is quite surreal. I wanted to make a thriller that feels grounded and real, while never losing sight of the ordinary people at the heart of the story. I’ve been incredibly fortunate to make it with a wonderful cast and crew who brought so much to the film, and I’m really excited for audiences around the world to experience it on Netflix”. Producer Partha Kiran Thakur shared, “The stakes are high, both in the story we are telling and in the scale of its execution. We had a very clear vision for this film, and it has been incredibly fulfilling to see that vision come to life through such a powerful ensemble. Bringing together actors from different generations, each a stalwart in their own craft, was one of the most exciting aspects of the process”. “We’re particularly thrilled to see Parineeti Chopra and Deven Bhojani come together on screen in a pairing audiences have never seen before, portraying characters that are unlike anything they have played previously”, she added. Produced by Partha Kiran Thakur and Joshua Shirsath, ‘Reporting Live’ is set to stream on Netflix on October 9, 2026."},"img":{"url":"https://images.prismic.io/prad/Z0yZppbqstJ977MD_parineeti.JPG?auto=format,compress"},"datetime":"2026-09-28T07:42:00+0000","embed":{"embed_url":null}},"uid":"parineetis-sand-mafia-expose"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Bill Gates: AI could cause billion deaths"},"content":{"text":"Microsoft co-founder Bill Gates has warned that artificial intelligence could drive events causing one billion deaths, as a sharp debate emerged in Washington over whether governments should regulate advanced AI or avoid rules that could slow the United States in its race with China.  Gates told NBC’s “Meet the Press” that AI was unlike earlier technological advances and could become vastly more intelligent than humans over the next several years. “This is truly an evolutionary event,” Gates said. “We have created an intelligent species that, in many respects, is already smarter than we are, and over the next several years at kind of exponentially improving level will be insanely smarter than we are.” Asked whether AI could end humanity, Gates said: “AI is certainly powerful enough to drive events that, you know, cause a billion deaths.” “There’s never been a weapon as powerful as the combination of people with ill intent using the latest AI tools,” he added. Gates said governments lacked sufficient expertise to understand dangerous thresholds involving biological attacks, cyberattacks and other potential uses of the technology. He rejected reliance on voluntary safeguards by companies. “No one thinks self-regulation is enough,” Gates said. He called for legislation requiring safeguards and monitoring systems. Such requirements would impose some costs on the industry but would not dramatically slow its development, he said. “It’s completely irresponsible not to require every AI to have these safeguards and monitoring capabilities,” Gates said. His warning came as Representative Ro Khanna, a California Democrat whose district includes part of Silicon Valley, called for a verifiable US-China agreement prohibiting AI systems capable of independently improving themselves. Khanna said legislation backed by Senator Bernie Sanders and Representative Greg Casar would ban recursive self-improving AI until safeguards were established. “That is basically AI that isn’t being trained anymore by human beings. It’s AI that can train itself. And that is a real risk of losing human control,” Khanna told NBC. Khanna said the United States and China should create a working group of technologists and negotiate common restrictions. “Banning self-recursive self-improving AI should not be controversial,” he said. “And I do believe the United States can lead on a treaty that is both enforceable and verifiable where we ban recursive self-improving AI, and we have some monitoring of these frontier labs.” US Ambassador to the United Nations Mike Waltz said Washington and Beijing had agreed to establish a superintelligence dialogue following President Donald Trump’s summit with Chinese President Xi Jinping. Waltz told CNN the talks would bring experts together to discuss guardrails covering areas such as biological weapons research and nuclear systems. “With the United States and China so much further ahead than the rest of the world when it comes to these frontier models, I think the world should see that as a positive thing,” Waltz said. Attorney General Todd Blanche, however, cautioned against regulations that could weaken US competitiveness. He told ABC that existing criminal and civil laws already allowed authorities to act against individuals and companies when crimes were committed using AI. “The answer isn’t always more laws, more laws, more laws,” Blanche said. He said companies could curb or adjust their systems when problems emerged. “The answer is not to just try to — all of a sudden try to regulate this in a way that will make us second or third place in the world as far as being the leaders in this space,” he said. India is rapidly expanding the use of AI in public services, healthcare, agriculture, education and digital commerce. New Delhi has also stressed that AI governance should promote safety, accountability and equitable access without blocking innovation in developing economies."},"img":{"url":"https://images.prismic.io/prad/62c7bfc7-8090-4c64-8d3d-809f8f025139_bill+gates.JPG?auto=format,compress"},"datetime":"2026-09-28T02:32:00+0000","embed":{"embed_url":null}},"uid":"bill-gates-ai-could-cause-billion-deaths"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"AK 47: Narayanamma Lyric Video"},"content":{"text":"AK 47: Narayanamma Lyric Video"},"img":{"url":"https://images.prismic.io/prad/h6kW6teka9N2q0tO_Adarshakutumbham.JPG?auto=format,compress&rect=28,0,669,330&w=2028&h=1000"},"datetime":"2026-09-27T19:11:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=3XfUeyDCH6k"}},"uid":"ak-47-narayanamma-lyric-video"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"‘Varanasi’ Post-Production to Wrap in Jan 2029?"},"content":{"text":"Producer S S Karthikeya, who is one of the producers of ace director S S Rajamouli's 'Varanasi', featuring actor Mahesh Babu in the lead, has now disclosed to IANS that post production work on the film was going on at a brisk pace at present and that they should ideally be completing it by January next year.  Talking to media on the sidelines of a pre-release event organised for the producer's next film -- 'Don't Trouble the Trouble', featuring Fahadh Faasil in the lead -- the producer of 'Varanasi' said, \"We only have four to five days of shooting left to go for completing the film. Post production work on 'Varanasi' is happening simultaneously. It is progressing at a brisk pace and we should be done with everything by January next year.\" For the unaware, director SS Rajamouli's 'Varanasi', which features Mahesh Babu, Priyanka Chopra and Prithviraj Sukumaran in the lead, is slated to hit screens worldwide on April 7 next year.  The film, which has triggered huge expectations among audiences and fans, has music by MM Keeravani and is being produced by Sri Durga Arts and Showing Business. The film is to release worldwide on April 7, next year in IMAX. The makers of the much awaited magnum opus 'Varanasi' had unveiled two exclusive stills from the film on the occasion of the actor's birthday last year. The stills offered the world its first glimpse of Mahesh Babu's character Rudhra in his element. The first still captured Rudhra at rest on a bamboo raft, surrounded by a dense jungle, effortlessly cool, magnetic and carrying the quiet intensity that defined his character while the second transported fans to the sweeping plains of Kenya’s Maasai Mara, where Rudhra was seen standing with a commanding look, amidst giraffes and wild beasts. 'Varanasi', sources say, will be a globe-trotting, century-spanning epic in which one man’s extraordinary journey will be seen taking him from the sacred waters of India to the wildest corners of the earth. Director SS Rajamouli, while speaking about Mahesh Babu's character Rudhra after the launch of the film's title teaser, had said, “Rudhra was born to fulfill a purpose much larger than himself. He carries a destiny he did not ask for. He is witty, he is vulnerable, and he is fierce. That is what Mahesh brought to him. Anyone can play fierce. Very few can play fierce and fragile in the same breath.These frames are from our Africa schedule, and the land gave us something no set could. Shooting around Kilimanjaro and in the Maasai Mara, I was stunned. There were mornings when I felt even the 1.43:1 IMAX frame could not hold what was in front of us.” Already, the makers have revealed the character and looks of Prithviraj and Priyanka Chopra in the film. While Prithviraj plays the antagonist Kumbha, Priyanka Chopra plays Mandakini in the film."},"img":{"url":"https://images.prismic.io/prad/aXyUQwIvOtkhCHTT_varanasi.JPG?auto=format,compress"},"datetime":"2026-09-28T08:15:00+0000","embed":{"embed_url":null}},"uid":"varanasi-post-production-to-wrap-in-jan-2029"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"1st ODI: Kohli Masterclass Sinks WI"},"content":{"text":"Virat Kohli smashed an unbeaten 139 while skipper Shubman Gill struck 110 as India crushed the West Indies by eight wickets in the first ODI at the Greenfield International Stadium here on Sunday and take a 1-0 lead in the three-match series.  After the West Indies made 295/7, with Kuldeep Yadav picking a four-wicket haul, Rohit Sharma and Gill gave India a quick start with a 74-run opening stand. After Rohit fell, Gill and Kohli batted West Indies out of the game with a 151-run stand. Gill walked off to a standing ovation after his 108-ball 110, which had 13 fours and a six. Kohli, who became only the second batter after Sachin Tendulkar to reach 15,000 ODI runs during the innings, shifted gears once the result was beyond doubt. He struck 139 not out off 88 balls - his 55th ODI ton and 10th hundred against West Indies, laced with ten fours and nine sixes. It’s the most number of sixes Kohli has hit in his ODI career, as India reached home with 50 balls to spare. Rohit got India's chase underway by driving the first ball from Jayden Seales for four. Though the West Indies kept things tight early on, Rohit lofted Jayden Seales over mid-off for another boundary in the third over. Two overs later, Gill had a reprieve on 11 when he sliced a drive straight to cover-point, who spilled a simple chance. Seales then had a big lbw appeal against Rohit turned down, and West Indies lost a review when ball-tracking showed the delivery going over leg stump. To rub salt on the wound, Rohit slashed the next ball from Seales over sweeper cover for six, before pulling Matthew Forde high over deep midwicket for six. Gill, who had another narrow escape when he nearly chopped Seales onto his stumps, broke free in the eighth over by cutting and slapping Alzarri Joseph for three fours, the last of them being a classy drive going through extra cover. Gill kept up the attacking mode by stepping out to lift Gudakesh Motie over cover for six and then cut a short, wide ball for four. Rohit pulled Joseph over deep midwicket for his third six in the final over of the powerplay, as India closed the ten-over phase at 70/0. Joseph gave West Indies the breakthrough they needed, and he did it through a bit of planning. Rohit Sharma had already inside-edged one big swing onto his pad in the 12th over, so Joseph moved deep square leg a little straighter. On the last ball of the over, Rohit went to whip a full delivery away, but he got it off the bottom of the bat and picked out the fielder to perfection for 32, also the fourth time Joseph dismissed him in ODIs. Virat Kohli got going through a top-edged pull over the keeper's head for six and pulled Joseph for four. With dew already setting in and the ground staff using ropes to clear the outfield, Gill completed his fifty off 49 balls and whipped and pulled Roston Chase for boundaries. With Justin Greaves not on the field due to shin cramps sustained while making 101, Shai Hope had only five frontline bowlers to call on. Kohli kept the scoreboard moving by cutting Gudakesh Motie behind square and flicking Matthew Forde through the gap between mid-wicket and mid-on. Gill, despite battling cramps, showed no sign of slowing down with two pulls and a glance. Kohli brought up his fifty in just 40 balls by lofting Joseph through the line to get a six down the ground. The crowd rose to applaud him, and Kohli broke into a broad smile as he celebrated the landmark. Gill pulled and cut Roston Chase for two fours in the 28th over. Kohli then took three boundaries in a row off Joseph in the next over - pulling twice and then gloving a short ball past a diving Shai Hope. The second of those pulls made him only the second batter after Sachin Tendulkar to reach 15,000 ODI runs and the fastest men’s batter to reach the landmark. Gill brought up his hundred with a crisp drive past mid-on off Jayden Seales at the start of the 31st over. Kohli pulled a short ball from Chase for six, while Gill stepped out to loft the off-spinner back over his head for four. Kohli's pulled six off Chase in the 34th over brought up the 150-run partnership, but Gill fell three balls later - slog-sweeping straight to deep midwicket. Ruturaj Gaikwad played a supporting role while Kohli went up another gear. He lofted a Joseph slower ball over long-on to move into the 90s, and danced down to loft Motie over long-on for six to reach his 55th ODI hundred, off 74 balls - also his third-fastest ODI century. It was one of six ODI centuries scored across the world on the day, the first time that has happened. With the end in sight, Kohli hit Motie for an 81-metre six over extra cover and a four in the 40th over. After Paul dropped him at deep mid-wicket on 125 in the next over, Kohli whipped Keacy Carty’s over deep backward square leg for six and then finished the match with another pulled six over fine leg to ace another successful run-chase. Brief Scores: West Indies 295/7 in 50 overs (Justin Greaves 101, John Campbell 62; Kuldeep Yadav 4-40, Prasidh Krishna 2-60) lost to India 300/2 in 41.4 overs (Virat Kohli 139 not out, Shubman Gill 110; Roston Chase 1-64, Alzarri Joseph 1-81) by eight wickets"},"img":{"url":"https://images.prismic.io/prad/8cN_2Cohce8eTnn4_virat.JPG?auto=format%2Ccompress&rect=0%2C1%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-27T15:47:00+0000","embed":{"embed_url":null}},"uid":"1st-odi-kohli-masterclass-sinks-wi"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Suniel Followed Rohit from 16"},"content":{"text":"Actor Suniel Shetty opened up about his deep love for cricket and his long-standing admiration for Indian cricketer Rohit Sharma. During his appearance on ‘Family Full House with Rohit Sharma,' the ‘Hera Pheri’ actor recalled his passion for the sport and said he has been an avid cricket fan for years and would even go out of his way to watch footage of pace bowlers at a time when cricket matches were not easily available on television. Talking about his love for cricket, Suniel Shetty said, “Main kitna bada cricket buff hoon woh duniya jaanti hai. Shayad jitna inhone cricket nahi khela hoga, utna maine khayalon mein khela hai. Pehle zamaane mein television pe aate nahi the, toh pace bowlers ko dekhne Indo-American Society jaata tha, aur unke rushes dekhne ke liye, unki clippings dekhne ke liye.” (“I am known to be a huge cricket buff. Perhaps I have played more cricket in my imagination than they have actually played. In those days, cricket matches were not shown much on television, so I would go to the Indo-American Society to watch pace bowlers and see their footage and clippings.”) The ‘Dhadkan’ actor also recalled how Sir Viv Richards has always been his favourite cricketer and how he started following Rohit when rohit was just 16. He shared, “Mere hamesha favourite cricketer rahe the aur aaj bhi mere favourite hi hain Sir Viv Richards. Aur main Rohit ko shayad jab se woh 16–17 saal ka tha, tab se follow karta aa raha hoon. Dr. PV Shetty Rohit ke baare mein hamesha baat karte the. Main hamesha dekhne jaata tha, baat karta tha. Chhota sa Rohit, but same hi game, same amount of time.” (“My favourite cricketer has always been Sir Viv Richards, and he remains my favourite even today. I have been following Rohit since he was around 16 or 17 years old. Dr. PV Shetty would often talk about Rohit, and I would always go to watch him and speak to him. He was a young Rohit back then, but the game was the same, and he spent the same amount of time playing.”) For Suniel, the resemblance went beyond Rohit’s cricket. Drawing a comparison between the two, He added, “Toh main uss waqt bhi bolta tha ki agar Sir Viv Richards ki koi mujhe yaad dilata hai, it’s Rohit Sharma. Same swag, woh Caribbean swag, yeh Desi swag.”( “Even then, I used to say that if anyone reminded me of Sir Viv Richards, it was Rohit Sharma. The same swag — that Caribbean swag in him, and this desi swag in Rohit.”) Furthermore, Rohit recalled his first memorable meeting with Suniel when he was around 16 and playing for Indian Oil. “Mujhe abhi bhi yaad hai jo Suniel sir ne bataya ki main 16 saal ka tha aur main apni company ke liye khel raha tha, Indian Oil ke liye. Yeh match Bandra Kurla Complex main ground mein ho raha tha, aur main bas pad up karke baitha tha, batting ke liye jaane ke liye. Tabhi mujhe pata chala ki sir wahan par aane wale hain. Toh maine bola, yeh kaunsa match hai? Yahan pe kyun aayenge? But yeh hai inka, jo abhi inhone bataya ki inhone mere se zyada apne khayalon mein khela hai. But inka jo pyaar hai cricket ke liye, hum sab jaante hain.” (“I still remember what Suniel sir mentioned. I was 16 and playing for my company, Indian Oil. The match was taking place at a ground in Bandra Kurla Complex, and I was just padded up, waiting to go in to bat. That’s when I found out that sir was going to be there. I thought, ‘What kind of match is this? Why would he come here?’ But that’s him. As he just mentioned, he has probably played more cricket in his imagination than I have. But we all know how much he loves cricket.”) Rohit also remembers Suniel meeting his mentor PV Shetty during a match and being completely engrossed in the game. He shared, “Aur tab mujhe realise hua ki inhone abhi bataya ki itna cricket dekha hai inhone, aur khelte bhi the. Under-19 khela hai inhone. Jab main baitha tha aur Suniel sir aake baithe PV Shetty ke saath, jo mere mentor the. Unhone mujhe kaafi help ki mere younger days mein. Unhone mujhe bola ki, ‘Aapko inse milna chahiye, yeh bahut cricket pasand karte hain.’ Main bola, of course kaun nahi milna chahta. Lekin main dekh raha tha inko side se hi ki kar kya rahe hain yeh. Par inka dhyaan poora cricket pe tha ki yeh kitna accha shot khel raha hai.” (“And that’s when I realized that, as he just mentioned, he has watched a lot of cricket and has also played the game. He played Under-19 cricket. I was sitting there when Suniel sir came and sat with PV Shetty, who was my mentor and helped me a lot during my younger days. He told me, ‘You should meet him, he really loves cricket.’ I thought, of course, who wouldn’t want to meet him? But I was watching him from the side to see what he was doing. His entire attention, however, was on the cricket and on how well someone was playing a shot.”)"},"img":{"url":"https://images.prismic.io/prad/rK0wHsGAK6IJK5mv_sunielrohit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-27T08:09:00+0000","embed":{"embed_url":null}},"uid":"suniel-followed-rohit-from-16"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Godavari River level rises at Bhadrachalam"},"content":{"text":"The water level in the Godavari River in Telangana was rising following recent rainfall and increased inflows from upstream, officials said on Sunday.  The water level in the river crossed 40 feet on Sunday morning at temple town of Bhadrachalam in Telangana’s Bhadradri Kothagudem district. Officials said the water level, which was only 17 feet two days ago, rose to 25 feet on Saturday evening with huge inflows from upstream. The level further rose to 40 feet on Sunday morning. Several stair rows of the bathing ghats at Bhadrachalam were submerged.  Irrigation Department officials said that with the inflows continuing, the water level is likely to increase further. If the water level rises to 43 feet, authorities will issue the first-floor flood warning.  Meanwhile, the Vamsadhara River in the Srikakulam district of Andhra Pradesh remained in spate. However, the floods subsided in the Nagavali River. Heavy rain in the upper catchment areas and inflows from other sources had intensified flooding in both the rivers, and the district administration had issued a second flood warning at the Narayanapuram Anicut on September 25. However, the Srikakulam District Collector has advised people living in villages along the rivers to remain on alert. Several villages in the district were affected by flash floods due to heavy rains under the impact of Deep Depression, which crossed the coast on September 24. Roads were damaged due to floods, cutting off several villages. With the floods beginning to recede, authorities were busy restoring the roads. The heavy rains and flash floods inundated crops, causing huge losses to farmers in Srikakulam district. Meanwhile, crops in hundreds of acres were damaged in Gopalapuram in East Godavari district due to recent rains and floods. The crops remained submerged for the last three days. According to officials, overflowing rivulets, streams, and canals led to the submergence of crops. Farmers are worried that if the crops remain underwater for another three days, they will be completely destroyed. Officials and public representatives were visiting the affected villages."},"img":{"url":"https://images.prismic.io/prad/C7r6LS65Ck22FYwQ_bhadrachalamriver.JPG?auto=format%2Ccompress&rect=0%2C0%2C385%2C190&w=2028&h=1000"},"datetime":"2026-09-27T07:42:00+0000","embed":{"embed_url":null}},"uid":"godavari-river-level-rises-at-bhadrachalam"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ajay makes fun of his & Salman’s dancing skills"},"content":{"text":"Actors Ajay Devgn and Jaideep Ahlawat will be joining host Salman Khan for Bigg Boss 20’s 'Weekend Ka Vaar' on Sunday.  As the duo promotes their upcoming film, 'Drishyam 3', Ajay will be seen mocking his and Salman's well-known dancing skills during the episode. The promo shared by the makers on Instagram showed Ajay taking a hilarious jibe at himself and Salman while reacting to contestant Qazi Touqeer’s famous 'Rockstar' hook step.  As Ajay and Jaideep interacted with contestants, the 'Raid' actor asked Qazi to do his hook step. When he did it, Ajay reacted by making fun of himself and host Salman. He said in a sarcastic manner, “Salman and I do very difficult steps. This one is very easy. Hence, I would like Jaideep Ahlawat to do it.” While Jaideep refuses initially, he ends up doing the famous step at the end. Salman can be seen laughing and enjoying their fun interaction. Reacting to the promo, one of the Insta users wrote, “Qazi bro Aura m Rockstar baby nice bro”, while another one penned, “Rockstar babyyyy auuuuuuuu.”  Meanwhile, on Saturday, Salman schooled contestant Rhiti Tiwari for crossing the line during a ‘diss’ task. Questioning Rhiti on her language towards Qazi and Uditi Singh during a, Salman said, “Rhiti, it was the worst diss ever. You have to show respect within limits. Your language is going somewhere else.” Not just that, Salman also reprimanded other housemates who were supporting Rhiti during the task, including Scout OP, Love Gill, Aamrapali Dubey, Aasif Khan and Young DSA. “And everyone was laughing. Where is your sense? You were making fun of her, and she was making fun of you. Was it not your duty to stop it right there? If this diss would have been on your sister, would you have let this diss happen?\", said an angry Salman."},"img":{"url":"https://images.prismic.io/prad/NzddHJc52ORJ7nIU_ajaysalman.JPG?auto=format%2Ccompress&rect=0%2C29%2C447%2C220&w=2028&h=1000"},"datetime":"2026-09-27T07:14:00+0000","embed":{"embed_url":null}},"uid":"ajay-makes-fun-of-his--salmans-dancing-skills"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Kriti questions women safety in the country"},"content":{"text":"Actress Kriti Sanon decided to question women's safety in the country this Daughter's Day.  On Sunday, Kriti shared a heartfelt post on her official Instagram handle, in which she shed light on the constant fears a common woman lives with on a daily basis. From being scared to walk alone at night to constantly informing their loved ones about their whereabouts, she is always worried about her safety. Kriti wrote on the photo-sharing app with a broken heart emoji, \"This Daughter’s Day, Imagine your daughter calling you saying, \"I think I’m being followed by some men.\" Imagine her walking home alone at night, constantly looking over her shoulder. Imagine her phone dying before she reaches home. Now let that sink in.. (sic)\" The 'Cocktail 2' actress added that the day women will be able to roam the streets without any fear of being assaulted, that day would be the real Daughter's Day. \"From sharing her live location, to carrying pepper spray, to booking a cab instead of walking, or calling someone just to feel safer, we have forced her to make this her lifestyle. The day a daughter can walk home alone at night, sit in a park after dark, wear whatever the hell she wants, take public transport without fear, or simply exist in a public space without calculating the risk of being assaulted.. That is the day we should celebrate Daughter's Day,\" she added. \"To every daughter who has ever called home and said, \"I’ve reached.\" May you one day live in a world where you don’t have to.. That is the world our daughters deserve! And that is the world we owe them!,\" Kriti concluded the post. Meanwhile, following the alleged gang rape of a 17-year-old girl at Aastha Kunj Park in Kalkaji, Hundreds of students, especially from Delhi University colleges, took to the streets demanding safer public spaces for women. They have been conducting marches under slogans such as \"Hum Auratein Azaad Hain\"."},"img":{"url":"https://images.prismic.io/prad/lTZLka8rMCmnY2_L_kriti.JPG?auto=format%2Ccompress&rect=0%2C37%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-27T07:43:00+0000","embed":{"embed_url":null}},"uid":"kriti-questions-women-safety-in-the-country"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Odela’s Vision for ‘Paradise’"},"content":{"text":"In a candid revelation, director Srikanth Odela has addressed swirling rumors regarding on-set tensions with actor Nani during the making of their recent film, 'The Paradise.' Speaking at a promotional event, Srikanth acknowledged that while reports of disagreements and frustrations have surfaced, these instances are part and parcel of a robust creative partnership rather than indicators of a faltering relationship. He stated, \"Yes, Nani anna scolding me is a fact,\" thus confirming the existence of passionate discussions that can arise in the heat of filmmaking. Expanding on his bond with Nani, Srikanth emphasized that their relationship transcends mere professional interactions. The director illustrated their connection as one built on mutual respect and shared experiences that cannot simply be categorized by the films they produce together. He humorously noted, \"Nani has to continue supporting me because he was the one who brought me into the film industry,\" hinting at a deeper understanding and a commitment to each other that goes beyond immediate challenges faced during production. The backdrop of this discussion is significant, as both artists have garnered accolades for their previous collaboration in the hit film 'Dasara.' Their reunion for 'The Paradise' has been highly anticipated, with fans eager to witness how their collective creativity unfolds. Despite the pressures of professional expectations, Srikanth's remarks suggest a commitment to navigating their artistic journey together, even when faced with disagreements that inevitably arise in a field as demanding as cinema. As 'The Paradise' officially released last Thursday, it has experienced a promising box office performance, grossing a net collection of Rs. 79.68 crore to date. Such financial success reflects not only the talent involved but also an audience keenly interested in the evolving dynamics of Nani and Srikanth’s collaborative efforts. The film's trajectory thus far seems to indicate that, despite any reports of conflict, the partnership remains a vital force in contemporary Telugu cinema, further solidifying their reputations within the industry."},"img":{"url":"https://images.prismic.io/prad/4Wi2UVhWSYUXg6DT_naniode%3Ba.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-27T09:30:00+0000","embed":{"embed_url":null}},"uid":"odelas-vision-for-paradise"}},{"node":{"tags":["Editorial"],"data":{"third_party_url":null,"title":{"text":"Deepfakes: The New Political Weapon"},"content":{"text":"Nothing can be scarier than finding your picture morphed by AI tools in a highly objectionable manner with the Prime Minister of a country and being displayed by those who aspire to be the future leaders, running a mission to shake the system and remove the ruling party.  For the young woman who petitioned the Delhi High Court, alleging that Cockroach Janta Party (CJP) leaders have wronged her, it must have been an extremely terrifying period. In her petition, she has accused CJP leaders Saurav Das, Abhijit Dipke, Ashutosh Ranka, and Ratna Singh of posting and circulating a purported deepfake picture of her alongside Prime Minister Narendra Modi on social media, following which she allegedly received threats. The High Court has taken cognisance of the matter and issued notices to the CJP leaders. It has also directed Meta Platforms to remove the objectionable content within 24 hours and ordered police protection for the woman. The court will take the matter forward in due course, but the larger question is how anyone can adopt such a cheap trick to run down an opponent. It cannot be denied that the picture, as alleged, was morphed and circulated on various social media platforms. The woman, in her petition, alleged that the CJP leaders and their accomplices had \"unauthorisedly obtained\" her photograph during a CJP protest at Jantar Mantar and used AI tools to morph it into a “highly vulgar, compromising image” alongside the PM. Not only were the pictures allegedly made viral on social media, but the woman has also alleged that the morphed images were displayed on physical banners during the demonstration. She has said that obscene and derogatory slogans were raised, and videos were uploaded on social media platforms. “The perpetrators printed physical banners of this morphed picture, paraded them in massive crowds, raised sexually suggestive and derogatory slogans, and maliciously uploaded videos onto Instagram and other social media platforms,” the plea said. It is even more shocking as she has alleged in her petition that the morphed “non-consensual explicit photos” were uploaded and distributed on various pornographic websites. This indeed exposes the absolute depravity of whoever allowed it and whoever actually carried it out. Although she has directly named the CJP leaders, their side of the story will become clear once they reply to the notices. They may deny any wrongdoing, but the fact remains that there is a woman whose pictures have allegedly been gravely misused in the most objectionable manner, and that too alongside the PM of the country. There indeed cannot be anything scarier than this. The woman has alleged that this happened during the July CJP protest at Jantar Mantar, which was led by Dipke and co-convenor Das, with activist Sonam Wangchuk playing a prominent role. The CJP spearheaded a 36-day agitation at Jantar Mantar in New Delhi protesting alleged irregularities in the 2026 NEET examination. The protest ended with the resignation of Union Education Minister Dharmendra Pradhan. There was nothing wrong with raising concerns over examination irregularities. But the protest was also marked by open displays of vulgarity, foul language and some obscene moments. What the woman has alleged in her plea before the High Court exposes another disturbing aspect of the protest. And in the process, it has also unveiled an extremely alarming use of AI in a bid to demonise the other side. The CJP, said to be an offshoot of Arvind Kejriwal’s Aam Aadmi Party (AAP), claiming to be a youth-led pressure group, has more than once hinted at its political agenda. It has made it known that it wants to challenge and remove the ruling party. But does that involve running such a slanderous campaign by using a woman to tarnish an opponent? This is where questions arise over the real intentions of the group and its leaders. It is vital to act as a responsible opposition force, whose main job is to alert the people and hold the ruling party accountable. But it is extremely distressing and alarming when political leaders or activists are accused of stooping so low. In this age, when Gen Z has a lot more to say, and social media has an enormous reach, such AI-manipulated acts create serious doubts over the way politics is being conducted. It is normal to criticise in a democracy. But it is not normal to carry out a coordinated cyber-assault and public character assassination using deepfake technology. The CJP, backed by AAP and other opposition parties, has a lot to answer for such activities. The woman has sought the court’s intervention, which has already resulted in directions to the Delhi Police and Meta. The case points to a larger issue as well. In this AI age, how far can political parties and groups go to vilify each other? On September 10, 2025, the Bihar Congress unit shared an AI-generated video featuring PM Modi and his late mother on X. After a legal challenge, the Patna High Court directed that the video be removed from social media platforms. When the intention is to oppose at any cost, does it mean acting in a manner that can be detrimental to the personal reputation and dignity of anyone? In the case of the woman who has approached the Delhi High Court against the CJP leaders, her character has allegedly been attacked in the most humiliating manner. The trauma of such an incident may stay with her for a long time. As the use of social media grows for political purposes, is there a need to draw a line? And has the time come to draw it? Maybe the Delhi High Court’s intervention could well be a starting point."},"img":{"url":"https://images.prismic.io/prad/hEhtP8aOetMu3qKR_df1.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-27T08:25:00+0000","embed":{"embed_url":null}},"uid":"deepfakes-the-new-political-weapon"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"KTR praises ‘The Paradise’"},"content":{"text":"Bharat Rashtra Samithi (BRS) Working President K.T. Rama Rao, along with other party leaders, watched ‘The Paradise’ starring Nani at a theatre in Hyderabad and later praised the movie for portraying a struggle for existence.   Rama Rao, along with other party MLAs and some former ministers, watched a special screening of the movie at Sudharshan Theatre at RTC X Roads on Saturday night . The film features a lookalike of BRS president and former Chief Minister K. Chandrasekhar Rao (KCR). The story is set in the 1980s, and actor Priyadarshi Pulikonda plays the role of MLA Shankaranna, which resembles KCR. There were loud cheers by the audience in the theatre when scenes of Shankaranna, with ‘tilak’ and the trademark dialogues in Telangana dialect, appeared on the screen. BRS MLA Padi Kaushik Reddy was seen throwing confetti towards the screen.  The movie is themed on the Savaari tribe’s fight for recognition led by Nani, who plays the protagonist, while referencing the Sammakka legacy, the historical Koya tribal warrior's fight against oppression. Shankaranna vows to back Savaari’s tribe’s fight for dignity.  K.T. Rama Rao posted on ‘X’ that the movie portrays a struggle for existence and a fight against oppression. He congratulated director Srikanth Odela, saying he conveyed a powerful message that when the moment arises, even blades of grass can transform into crowbars. He said Srikanth gave a splendid visual form to the story of a leader who emerged and fought for recognition when a society was oppressed. “Sincere best wishes to my friend Nani, who truly lived the role of the protagonist. Special congratulations to Priyadarshi,” posted KTR, as Rama Rao is popularly known. KTR quoted a powerful dialogue of the character played by Priyadarshi: “Even if it means staring death in the face... I will bring you recognition.” \"You know who that is,” added KTR. The BRS leader was pleased that the film captured Telangana's soil, dialect, and culture remarkably well. Rajya Sabha member Vaddiraju Ravichandra, former ministers Guntakandla Jagadish Reddy and Talasani Srinivas Yadav, MLAs Dr Palla Rajeshwar Reddy, Kaleru Venkatesh, Bandaru Lakshma Reddy, and Anil Jadhav, along with other party leaders, watched the movie along with KTR."},"img":{"url":"https://images.prismic.io/prad/8eGpyIus4-58lzc0_ktrtheparadise.JPG?auto=format%2Ccompress&rect=0%2C65%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-27T07:05:00+0000","embed":{"embed_url":null}},"uid":"ktr-praises-the-paradise"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"‘The Odyssey’ Ends Record IMAX Run"},"content":{"text":"The cinematic landscape witnessed a monumental achievement as 'The Odyssey', directed by Christopher Nolan, concluded its remarkable 70-day run across India's 34 IMAX screens, amassing an astounding Rs. 96.81 crores. Released on July 17, the film captivated audiences with its unique narrative, masterful execution, and the emotional depth of its performances, all while setting a new benchmark as the highest-grossing IMAX film in India. Despite narrowly missing the coveted Rs. 100 crore mark, this record is poised to endure, potentially dominating the IMAX box office for years to come. During its extensive run, 'The Odyssey' showcased an extraordinary draw, maintaining robust attendance even in the face of stiff competition from major releases like 'Spider-Man: Brand New Day'. The film's enthralling visuals, delivered through groundbreaking IMAX 70mm film technology, played a crucial role in sustaining audience engagement. Its final IMAX showings were bolstered by the fervor of fans eager to experience Nolan's latest cinematic spectacle, which ultimately surpassed the previous record held by 'Oppenheimer', which generated less than Rs. 50 crores from IMAX screenings. The film's impressive earnings reflect not just its artistic merit but also the pivotal role that the premium IMAX format played in its financial success. Of the total Rs. 191.44 crores collected across all formats in India, over half—approximately 50.6%—originated from IMAX theaters, underscoring the format's significance in enhancing the viewing experience. Such accomplishments during a period marked by a flurry of competing releases highlight a rare resilience in box office performance, particularly when 'The Odyssey' was temporarily ousted from nearly all IMAX screens to accommodate 'Toxic', only to swiftly reclaim its dominance after the latter's lackluster reception. As 'The Odyssey' transitions away from its primary IMAX engagements, it continues to attract audiences in standard formats in major Indian cities, further solidifying its status as a cinematic phenomenon. Even now, the film's occupancy rates suggest a sustained interest, hinting at the potential to achieve a noteworthy 100-day theatrical run. Upcoming isolated screenings in select IMAX theaters, including a special showing at Delhi's PVR Priya, will allow fans to revisit this epic experience, albeit sporadically, as the film gradually steps back from its groundbreaking IMAX journey, leaving a legacy that may very well stand the test of time."},"img":{"url":"https://images.prismic.io/prad/nKVrS9NCaOnEIQRy_theodessey.JPG?auto=format,compress"},"datetime":"2026-09-27T09:32:00+0000","embed":{"embed_url":null}},"uid":"the-odyssey-ends-record-imax-run"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"When Aamir called Kareena 'Cute'"},"content":{"text":"Bollywood's 'Mr Perfectionist' Aamir Khan once remembered 12-year-old Kareena Khan visiting the sets of his movie 'Andaz Apna Apna', where her sister Karisma Kapoor was one of the leading ladies.  During their appearance on the 'Koffee With Karan' show, Kareena asked Aamir, 'What was your first impression of me?' Responding to Bebo, Aamir said that when he initially met her as a 12-year-old girl, tagging along with his sister, he thought she was really cute. \"My first impression of her was this really cute girl of 12 years old who was sitting on the sets of 'Andaaz Apna Apna'. And she used to come with Karisma. And she used to look at us like this (Both hands covering her face in amusement)\". During the episode, when Aamir asked Kareena, 'What is the one thing about me that annoys you the most?, Bebo replied, \"I think it's just that thing for perfection. Which is not wrong, but like....It's just that extra thing. That has to be like this, means it has to be. Till that doesn't happen, he wants that. So that sometimes can be a bit annoying.\" It must be noted that Kareena and Aamir went on to work in multiple projects over the years. Their primary collaboration was for Rajkumar Hirani's '3 Idiots' in 2009.  While Aamir played the role of Rancho in the blockbuster, Kareena essayed the role of Pia. Later in 2012, Kareena and Aamir were once again seen sharing screen space for the psychological mystery thriller, 'Talaash: The Answer Lies Within'. Aamir played Inspector Surjan Shekhawat in the drama, and Kareena was the mysterious Rosie. Helmed by Reema Kagti, the project also saw Rani Mukerji as the lead. Their last on-screen appearance together was in 2022 for 'Laal Singh Chaddha'. Aamir played the titular role of Laal Singh Chaddha in the  Hindi adaptation of the Hollywood drama 'Forrest Gump'. Bebo was seen as his love interest Rupa D'Souza."},"img":{"url":"https://images.prismic.io/prad/badddc18-a3ea-4b91-be21-42db83ec50ca_aamirkareena.JPG?auto=format,compress"},"datetime":"2026-09-27T10:43:00+0000","embed":{"embed_url":null}},"uid":"when-aamir-called-kareena-cute"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Nani’s Kindness Leaves Raghav Touched"},"content":{"text":"Actor Raghav Juyal, who plays one of the antagonists in director Srikanth Odela's just released film 'The Paradise', has now penned an emotional and heartfelt note of gratitude to his co-star and the film's hero, Nani, in which he has pointed out that Nani never made him feel small for being confused or emotional.  Taking to his Instagram page to pen the post, Raghav Juyal said, \"There are very few people in life who become your safe place without even knowing it. For me, Nani dada is one of those people. \" Stating that he had tried many times to put into words what Nani meant to him, Raghav Juyal said, \"Honestly, I still don’t think words will ever be enough.\" \"I genuinely love you and admire you so much— not just as an actor or an artist, but as a human being. In this industry, where things can sometimes feel uncertain and noisy, there have been moments when I’ve felt completely lost. And somehow, whenever I’ve been at one of those crossroads, you’ve always been there, Nani Dada,\" he told the Telugu star.  \"Dada, you’ve sat me down and spoke to me for hours. About cinema, about my career, about life, and sometimes about nothing in particular. You’ve heard me and understood me. You’ve never made me feel small for being confused or emotional. And somehow, after talking to you every time, the weight on my heart feels a little lighter,\" confessed Raghav Juyal. Expressing his appreciation for the way Nani had always made space for him, listened to him, and just been there for him, Raghav Juyal said, \"Some people give you advice, but very few people make you feel understood and give you perspective. Nani dada you gave me both.\" \"You helped me understand what kind of films I want to be a part of, what choices are worth making, and more importantly, what kind of person I want to remain while making them,\" Juyal told Nani and added, \"I admire your craft, your mind, your honesty, your kindness and, more than anything, the person you are when nobody is watching. But beyond all of that, I’m just incredibly grateful that life gave me someone like you during a time when I needed that kind of person.\" He went on to add, \"Nani dada, I hope you know how much you mean to me. Thank you for picking up the phone. Thank you for listening. Thank you for talking to me for hours when I’m lost. Thank you for reminding me who I am when the noise around me gets too loud.Some people mentor your career. Some people quietly hold your heart together.You have done both for me. I love you, Nani dada. More than I probably ever say.\""},"img":{"url":"https://images.prismic.io/prad/2AFkqrXUWNL4pVAD_jual.JPG?auto=format,compress"},"datetime":"2026-09-26T12:31:00+0000","embed":{"embed_url":null}},"uid":"nanis-kindness-leaves-raghav-touched"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"BB Telugu 10: Who Faces Eviction?"},"content":{"text":"As Bigg Boss Telugu Season 10 enters its third week, the atmosphere within the house grows palpably intense in anticipation of tonight's elimination results. Host Nagarjuna Akkineni is set to confront contestants over their conduct, driving home the reality of the competition as he unveils the identities of those facing eviction. With eight contestants nominated this week, including notable personalities like Aman, Charan, and Jhansi, the stakes could not be higher for those vying for viewer support and survival in the game. This week has not been without its drama, with recent developments shaking up the dynamics considerably. The re-entry of Charan and the appointment of Jhansi as captain have altered the strategic landscape of the game. Current voting trends suggest a precarious situation for contestants like Vamsi, Varshini, and Jhansi, all of whom are reportedly in the lower tiers of public support, raising questions about their future in the show. Compounding this uncertainty, Thrigun, Sudheer, and Charan seem to be positioned favorably in the audience's favor, a trend that could change as the voting deadline looms. The ongoing season of Bigg Boss Telugu has seen contestants navigating a burgeoning complexity of alliances and rivalries, with the game evolving rapidly. Contestants Thrigun, Varshini, Shalini, and Jhansi are grappling with the additional pressure of being nominated for elimination for the third consecutive week, a feat that typically reflects a significant lack of viewer appeal. The voting results, a critical barometer of popularity, are being closely scrutinized as loyal fans rally behind their favorites in hopes of ensuring their continued participation in the reality show. As the weekend approaches, Mukesh Gowda's recent ascension to captaincy adds yet another layer of intrigue to the mix, shifting alliances and strategies among the contestants. With the official eviction announcement set to unfold during a riveting episode hosted by Nagarjuna, viewers are left to speculate on the fate of those in the danger zone. While unofficial voting trends may hint at who could face elimination, they remain mere snapshots of an ever-changing landscape, and the true outcome will only be revealed when the votes are tallied and the results announced live."},"img":{"url":"https://images.prismic.io/prad/aiV9TQeQX7-eW8eA_BB10.JPG?auto=format,compress"},"datetime":"2026-09-26T14:20:00+0000","embed":{"embed_url":null}},"uid":"bb-telugu-10-who-faces-eviction"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Nayanthara’s Twins’ Sweet Milestone"},"content":{"text":"Power couple Nayanthara and Vignesh Shivan's little munchkins, Uyir Rudro Neel N. Shivan and Ulag Daiwik N. Shivan, turned 4 years old on Saturday.  Commemorating the special occasion, Nayanthara and Vignesh uploaded a fun video of the twins entertaining everyone with their energetic dance. They expressed their gratitude for having their sons in their lives in a heartfelt post that read, \"(Red heart emoji) the happiness , the blessing , the meaning , the music , the vibe , the emotion , the Uyir and the Ulag of our life (red heart) happy birthday to U 2 ! #Uyir #ulag the heart beats of our lives (Red heart emoticons) @nayanthara #HBD #UYIRULAG (sic).\" \"Every minute , every second amma & dada thank God for blessing us with U2 (Red heart emoticons) love you 2 (Red heart emoticons)\", they added. Nayanthara and Vignesh welcomed twin baby boys via surrogacy in 2022. Announcing the arrival of their little ones on Instagram, Vignesh had written, “Nayan and Me have become Amma and Appa. We are blessed with twin baby boys. All our prayers, our ancestors' blessings combined with all the good manifestations have come together in the form of two blessed babies for us. Need all your blessings for our Uyir (Life) and Ulagam (World). Life looks brighter and more beautiful. God is double great.” After being in a relationship for a long time, Nayanthara and Vignesh finally got married in a traditional ceremony on 9 June 2022 in Chennai. Work-wise, Nayanthara will be seen leading Sundar C's forthcoming devotional thriller 'Mookuthi Amman 2'. A sequel to the 2020 Tamil fantasy-comedy 'Mookuthi Amman', the film will also see Regina Cassandra, Abhinaya, Yogi Babu, Khushbu Sundar, Urvashi, and Ajay Ghosh in crucial roles. The film is expected to be out in theatres on November 6 during Deepavali."},"img":{"url":"https://images.prismic.io/prad/wz3YTOifgpB3g-SU_vigneshnayan.JPG?auto=format%2Ccompress&rect=0%2C51%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-26T12:55:00+0000","embed":{"embed_url":null}},"uid":"nayantharas-twins-sweet-milestone"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ranbir Kapoor lifts Shiv Dhanush"},"content":{"text":"As Nitesh Tiwari's highly awaited mythological drama 'Ramayana' gears up for release this Diwali, the team kickstarted the promotions with a special event in Mumbai, with the famous YouTuber MrBeast also in attendance. As one of the highlights of the event, Ranbir Kapoor lifted a Shiv Dhanush. He folded his hands before lifting the Dhanush, offered prayers, and then placed it back. Others from the core team, including Sai Pallavi, Ravie Dubey and Namit Malhotra, were also present during the event. While the event was delayed for around 4 hours, a lot of the media decided to boycott the event.  Talking about the movie, while Ranbir will be seen as Lord Rama, the project has Sai Pallavi as Goddess Sita. 'KGF' actor Yash is making his Bollywood debut as Ravana from 'Ramayana'. Along with them, the film will feature Sunny Deol as Lord Hanuman, Ravi Dubey as Lakshman, Lara Dutta as Kaikeyi, Rakul Preet Singh as Surpanakha, Kajal Aggarwal as Mandodari, Arun Govil as King Dashrath, Kunal Kapoor is Lord Indra, and Adinath Kothare as Bharat. Ramayana is a two-part franchise. The first part is expected to reach the audience on November 9 this year, during Diwali. The second part, which is still in production, is scheduled for a 2027 release. 'Ramayana' will be made available in major Indian languages including Telugu, Tamil, Malayalam and Kannada. Over and above this, Ranbir will also be seen sharing screen space with wife Alia Bhatt and Vicky Kaushal in 'Love & War' directed by Sanjay Leela Bhansali. On September 24, the makers shared Ranbir's first look poster from the love saga, which showed the actor in a rugged avatar, with a blood-stained sleeve and a bullet mark on his shirt. “Woh rutba, woh raub, woh junoon!Sanjay Leela Bhansali's Love & War on 21st January 2027 See you at the movies! #LoveAndWar @saregama_official #RanbirKapoor @vickykaushal09 @aliaabhatt,\" they captioned the post."},"img":{"url":"https://images.prismic.io/prad/uo-RNtbScGYoPNNS_ranbir.JPG?auto=format%2Ccompress&rect=0%2C44%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-26T13:22:00+0000","embed":{"embed_url":null}},"uid":"ranbir-kapoor-lifts-shiv-dhanush"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Khairatabad Vacancy Officially Declared"},"content":{"text":"The Khairatabad Assembly seat has been officially declared vacant following the disqualification of Danam Nagender as a member of the Telangana Legislative Assembly. The Legislative Assembly issued a gazette notification stating that Nagender stood disqualified with effect from April 23, 2024, under Paragraph 2(1)(a) of the Tenth Schedule read with Article 191(2) of the Constitution. Consequently, the seat stands vacant. Rendla Thirupathi, Secretary to the Legislature, issued the notification dated September 26 in pursuance of the Telangana High Court judgment delivered on September 18. Nagender was elected from Khairatabad in the 2023 Assembly elections as a Bharat Rashtra Samithi (BRS) candidate. He later switched loyalties to the ruling Congress and contested the Lok Sabha elections from Secunderabad constituency on a Congress ticket. Assembly Speaker Gaddam Prasad Kumar had dismissed petitions filed by BRS MLAs and a Bharatiya Janata Party (BJP) MLA seeking Nagender’s disqualification. The petitioners challenged the Speaker’s decision in the High Court. On September 18, a Division Bench of Chief Justice Aparesh Kumar Singh and Justice G.M. Mohiuddin held that Nagender stood disqualified under Paragraph 2(1)(a) of the Tenth Schedule read with Article 191(2) of the Constitution, after contesting the 2024 Lok Sabha elections as a Congress candidate despite being elected as a BRS MLA. The High Court declared the Khairatabad seat vacant. It directed that a copy of its order be communicated to the Secretary of the Telangana Legislative Assembly and the Election Commission of India. The judgment came on petitions filed by BJP Legislature Party leader Alleti Maheshwar Reddy and BRS MLA Padi Kaushik Reddy, challenging the Speaker’s March 11, 2026 decision dismissing the disqualification petitions. The High Court recorded that Nagender was elected as a BRS MLA in December 2023 and subsequently filed his nomination on April 23, 2024, as a Congress candidate for Secunderabad, where he campaigned against the BRS nominee. Nagender approached the Supreme Court challenging the High Court order, but the apex court dismissed his petition, finding no ground to interfere. Meanwhile, Nagender said he was confident he would win the Khairatabad by-election. He told the media that the bypoll result would shock his political opponents. He also said the Special Intensive Revision (SIR) would have no impact on the constituency."},"img":{"url":"https://images.prismic.io/prad/aP3dbrpReVYa3rB5_ecsymbols.JPG?auto=format,compress"},"datetime":"2026-09-28T14:23:00+0000","embed":{"embed_url":null}},"uid":"khairatabad-vacancy-officially-declared"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Khairatabad Vacancy Officially Declared"},"content":{"text":"The Khairatabad Assembly seat has been officially declared vacant following the disqualification of Danam Nagender as a member of the Telangana Legislative Assembly. The Legislative Assembly issued a gazette notification stating that Nagender stood disqualified with effect from April 23, 2024, under Paragraph 2(1)(a) of the Tenth Schedule read with Article 191(2) of the Constitution. Consequently, the seat stands vacant. Rendla Thirupathi, Secretary to the Legislature, issued the notification dated September 26 in pursuance of the Telangana High Court judgment delivered on September 18. Nagender was elected from Khairatabad in the 2023 Assembly elections as a Bharat Rashtra Samithi (BRS) candidate. He later switched loyalties to the ruling Congress and contested the Lok Sabha elections from Secunderabad constituency on a Congress ticket. Assembly Speaker Gaddam Prasad Kumar had dismissed petitions filed by BRS MLAs and a Bharatiya Janata Party (BJP) MLA seeking Nagender’s disqualification. The petitioners challenged the Speaker’s decision in the High Court. On September 18, a Division Bench of Chief Justice Aparesh Kumar Singh and Justice G.M. Mohiuddin held that Nagender stood disqualified under Paragraph 2(1)(a) of the Tenth Schedule read with Article 191(2) of the Constitution, after contesting the 2024 Lok Sabha elections as a Congress candidate despite being elected as a BRS MLA. The High Court declared the Khairatabad seat vacant. It directed that a copy of its order be communicated to the Secretary of the Telangana Legislative Assembly and the Election Commission of India. The judgment came on petitions filed by BJP Legislature Party leader Alleti Maheshwar Reddy and BRS MLA Padi Kaushik Reddy, challenging the Speaker’s March 11, 2026 decision dismissing the disqualification petitions. The High Court recorded that Nagender was elected as a BRS MLA in December 2023 and subsequently filed his nomination on April 23, 2024, as a Congress candidate for Secunderabad, where he campaigned against the BRS nominee. Nagender approached the Supreme Court challenging the High Court order, but the apex court dismissed his petition, finding no ground to interfere. Meanwhile, Nagender said he was confident he would win the Khairatabad by-election. He told the media that the bypoll result would shock his political opponents. He also said the Special Intensive Revision (SIR) would have no impact on the constituency."},"img":{"url":"https://images.prismic.io/prad/aP3dbrpReVYa3rB5_ecsymbols.JPG?auto=format,compress"},"datetime":"2026-09-28T14:23:00+0000","embed":{"embed_url":null}},"uid":"khairatabad-vacancy-officially-declared"}},{"node":{"data":{"title":{"text":"Ganguly Wins 14.49 Cr Legal Battle!"},"content":{"text":"The Supreme Court on Monday dismissed a plea challenging a Calcutta High Court order that had upheld an arbitral award of Rs. 14.49 crore, along with 12 per cent annual interest and Rs. 50 lakh in costs, in favour of former Indian cricketer Sourav Ganguly, in a dispute over his Player Representation Agreement (PRA).  A Bench of Chief Justice of India, Surya Kant and Justices Joymalya Bagchi and V. Mohana dismissed the Special Leave Petition (SLP) filed by Percept Talent Management Ltd and Percept D’Mark (India) Pvt Ltd against the judgment of the Calcutta High Court. In a judgment passed on April 16, 2026, the High Court had dismissed the appeal filed by the Percept entities under Section 37 of the Arbitration and Conciliation Act, 1996, and refused to interfere with the arbitral award granting Ganguly Rs 14.49 crore, along with interest at 12 per cent per annum from November 21, 2007 till the date of the award and further interest at the same rate thereafter till realisation. The arbitral tribunal had also awarded Rs 50 lakh towards costs. The dispute arose from a Player Representation Agreement entered into by Ganguly with Percept D’Mark in October 2003, under which the company was appointed as his sole and exclusive manager and agent. The dispute primarily concerned Percept's termination of the agreement in November 2007, after Ganguly had been out of the Indian team for more than six months in 2006 but had subsequently been re-selected. The Calcutta High Court observed that the event which allegedly entitled Percept to terminate the agreement had occurred in August 2006, while Ganguly was re-selected as a regular Indian player in November 2006. However, the agreement was purportedly terminated only in November 2007. It had held that there was no document or communication during the relevant period showing that Percept had contemplated termination of the agreement and observed that the termination came 16 months after the event, giving rise to the alleged right of termination and 12 months after Ganguly's re-selection. The High Court observed that the agreement had been terminated after the event, giving rise to the alleged right of termination had \"long surpassed and no longer existed\", adding that the words \"forthwith\" and \"at any time\" could not be stretched indefinitely and the right ought to have been exercised within a reasonable proximity of time. It also recorded that no document or communication from Percept expressing its desire to terminate the agreement immediately after the occurrence of the relevant event had been shown. Subsequently, a Division Bench of Justices Debangsu Basak and Md. Shabbar Rashidi held that the Single Judge had neither exceeded nor failed to exercise jurisdiction under Section 34 of the Arbitration and Conciliation Act and dismissed Percept's appeal without any order as to costs."},"img":{"url":"https://images.prismic.io/prad%2Ff82c14aa-4d51-4708-8f27-1514fd07bf95_sourav+ganguly.jpg?auto=format%2Ccompress&rect=0%2C7%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-28T12:50:00+0000","embed":{"embed_url":null}},"uid":"ganguly-wins-14.49-cr-legal-battle"}},{"node":{"data":{"title":{"text":"Vijay launches gold ring scheme for newborns"},"content":{"text":"Tamil Nadu Chief Minister C Joseph Vijay launched the Thai Maaman Gold Ring Scheme at Government Rajaji Hospital on Monday, presenting one-gram gold rings to newborn babies and meeting their families during a visit that drew crowds across the city.   Wearing a white veshti and shirt, CM Vijay began the distribution on stage by placing rings on the fingers of three babies as their mothers sat beside him. He asked the mothers to sit on chairs and carefully placed the rings on the babies’ fingers before wishing them. He then stepped down from the stage to meet 12 other families seated with their infants in the auditorium. CM Vijay handed over rings, held several babies in his arms and spoke to their parents. Some parents asked the Chief Minister to name their children. Vijay accepted their requests, held the infants and repeated each name three times, following the traditional naming practice. He also posed for selfies and shook hands with mothers who approached him. The Chief Minister later visited the hospital’s Integrated Child Development Ward, where he presented rings to 10 more babies. Doctors were present as he spent time with the children and shared lighter moments with their parents. The ceremony marked the launch of the government programme to provide a one-gram gold ring to babies born in government hospitals. The distribution at Rajaji Hospital was the main event of CM Vijay’s Madurai visit. The Chief Minister arrived from Chennai at Madurai airport at around 11 a.m., where hundreds of party cadres gathered to welcome him. As his convoy travelled towards the hospital, supporters and residents lined major junctions, cheered and showered flowers on the vehicles. On reaching the Government Rajaji Hospital, CM Vijay got out of his vehicle and walked to the venue amid cheers. He paused several times to greet people along the way, including hospital employees, and posed for photographs with some of them. Nurses and paramedical staff stationed at various points on the hospital premises also greeted him, taking pictures on their phones as he passed. Inside the hospital, the attention turned to the newborns and their families as CM Vijay distributed the first rings under the scheme."},"img":{"url":"https://images.prismic.io/prad/Y0DdyrRYTqWcPL1e_vijay.JPG?auto=format,compress&rect=0,24,449,221&w=2028&h=1000"},"datetime":"2026-09-28T08:39:00+0000","embed":{"embed_url":null}},"uid":"vijay-launches-gold-ring-scheme-for-newborns"}},{"node":{"data":{"title":{"text":"Cab driver attempts to $exually assault woman in Hyd"},"content":{"text":"A cab driver allegedly attempted to $exually assault a woman near Shamshabad on the outskirts of Hyderabad and robbed her of Rs 60,000, officials said on Monday.  The incident occurred near the site of the 2019 Disha case on Friday (September 26) night but came to light on Monday. The 38-year-old woman lodged a complaint with Rajiv Gandhi International Airport (RGIA) Police Station. Police later registered an FIR. The complainant, a resident of Devarkonda in Nalgonda district, stated that she boarded a taxi at Jadcherla around 6 p.m. on September 26 to come to Hyderabad. She was carrying Rs 60,000 in cash.  On reaching Shamshabad, the driver asked her to pay an extra Rs 50 to go to Gachibowli, to which she agreed. The FIR states that after crossing the Tondupally toll gate, the driver stopped the car at a medical shop on the ORR service road to buy medicines.  Around 8:30 p.m., he again stopped the vehicle near a deserted place beside the Kothwalguda service road and allegedly tried to molest her. When she raised an alarm and got down from the vehicle, the driver snatched the bag containing the cash and sped away. Based on the complaint received the same night, police registered a case under Sections 74, 318(4), 303(2) of BNS and took up the investigation. It was near Tondupally toll gate that a 27-year-old woman veterinarian was gang raped and murdered on the night of November 27, 2019. The charred body of Disha (as the victim is referred to by the investigators) was found at Chatanpally near Shadnagar the next day. The horrific incident had triggered huge public outrage and grabbed the national headlines. Four accused arrested in the case were gunned down by police in an alleged encounter on December 6, 2019. According to police, the accused tried to snatch weapons from police while they were taken to Chatanpally as part of the investigation. Police personnel escorting them opened fire, killing all the accused. The Supreme Court later appointed an inquiry commission to probe the alleged encounter."},"img":{"url":"https://images.prismic.io/prad%2F85dab8cb-7571-45ab-9778-6f40b3a0670f_assault.jpg?auto=format%2Ccompress&rect=0%2C41%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-28T08:29:00+0000","embed":{"embed_url":null}},"uid":"cab-driver-attempts-to-exually-assault-woman-in-hy"}},{"node":{"data":{"title":{"text":"Bill Gates: AI could cause billion deaths"},"content":{"text":"Microsoft co-founder Bill Gates has warned that artificial intelligence could drive events causing one billion deaths, as a sharp debate emerged in Washington over whether governments should regulate advanced AI or avoid rules that could slow the United States in its race with China.  Gates told NBC’s “Meet the Press” that AI was unlike earlier technological advances and could become vastly more intelligent than humans over the next several years. “This is truly an evolutionary event,” Gates said. “We have created an intelligent species that, in many respects, is already smarter than we are, and over the next several years at kind of exponentially improving level will be insanely smarter than we are.” Asked whether AI could end humanity, Gates said: “AI is certainly powerful enough to drive events that, you know, cause a billion deaths.” “There’s never been a weapon as powerful as the combination of people with ill intent using the latest AI tools,” he added. Gates said governments lacked sufficient expertise to understand dangerous thresholds involving biological attacks, cyberattacks and other potential uses of the technology. He rejected reliance on voluntary safeguards by companies. “No one thinks self-regulation is enough,” Gates said. He called for legislation requiring safeguards and monitoring systems. Such requirements would impose some costs on the industry but would not dramatically slow its development, he said. “It’s completely irresponsible not to require every AI to have these safeguards and monitoring capabilities,” Gates said. His warning came as Representative Ro Khanna, a California Democrat whose district includes part of Silicon Valley, called for a verifiable US-China agreement prohibiting AI systems capable of independently improving themselves. Khanna said legislation backed by Senator Bernie Sanders and Representative Greg Casar would ban recursive self-improving AI until safeguards were established. “That is basically AI that isn’t being trained anymore by human beings. It’s AI that can train itself. And that is a real risk of losing human control,” Khanna told NBC. Khanna said the United States and China should create a working group of technologists and negotiate common restrictions. “Banning self-recursive self-improving AI should not be controversial,” he said. “And I do believe the United States can lead on a treaty that is both enforceable and verifiable where we ban recursive self-improving AI, and we have some monitoring of these frontier labs.” US Ambassador to the United Nations Mike Waltz said Washington and Beijing had agreed to establish a superintelligence dialogue following President Donald Trump’s summit with Chinese President Xi Jinping. Waltz told CNN the talks would bring experts together to discuss guardrails covering areas such as biological weapons research and nuclear systems. “With the United States and China so much further ahead than the rest of the world when it comes to these frontier models, I think the world should see that as a positive thing,” Waltz said. Attorney General Todd Blanche, however, cautioned against regulations that could weaken US competitiveness. He told ABC that existing criminal and civil laws already allowed authorities to act against individuals and companies when crimes were committed using AI. “The answer isn’t always more laws, more laws, more laws,” Blanche said. He said companies could curb or adjust their systems when problems emerged. “The answer is not to just try to — all of a sudden try to regulate this in a way that will make us second or third place in the world as far as being the leaders in this space,” he said. India is rapidly expanding the use of AI in public services, healthcare, agriculture, education and digital commerce. New Delhi has also stressed that AI governance should promote safety, accountability and equitable access without blocking innovation in developing economies."},"img":{"url":"https://images.prismic.io/prad/62c7bfc7-8090-4c64-8d3d-809f8f025139_bill+gates.JPG?auto=format,compress"},"datetime":"2026-09-28T02:32:00+0000","embed":{"embed_url":null}},"uid":"bill-gates-ai-could-cause-billion-deaths"}},{"node":{"data":{"title":{"text":"1st ODI: Kohli Masterclass Sinks WI"},"content":{"text":"Virat Kohli smashed an unbeaten 139 while skipper Shubman Gill struck 110 as India crushed the West Indies by eight wickets in the first ODI at the Greenfield International Stadium here on Sunday and take a 1-0 lead in the three-match series.  After the West Indies made 295/7, with Kuldeep Yadav picking a four-wicket haul, Rohit Sharma and Gill gave India a quick start with a 74-run opening stand. After Rohit fell, Gill and Kohli batted West Indies out of the game with a 151-run stand. Gill walked off to a standing ovation after his 108-ball 110, which had 13 fours and a six. Kohli, who became only the second batter after Sachin Tendulkar to reach 15,000 ODI runs during the innings, shifted gears once the result was beyond doubt. He struck 139 not out off 88 balls - his 55th ODI ton and 10th hundred against West Indies, laced with ten fours and nine sixes. It’s the most number of sixes Kohli has hit in his ODI career, as India reached home with 50 balls to spare. Rohit got India's chase underway by driving the first ball from Jayden Seales for four. Though the West Indies kept things tight early on, Rohit lofted Jayden Seales over mid-off for another boundary in the third over. Two overs later, Gill had a reprieve on 11 when he sliced a drive straight to cover-point, who spilled a simple chance. Seales then had a big lbw appeal against Rohit turned down, and West Indies lost a review when ball-tracking showed the delivery going over leg stump. To rub salt on the wound, Rohit slashed the next ball from Seales over sweeper cover for six, before pulling Matthew Forde high over deep midwicket for six. Gill, who had another narrow escape when he nearly chopped Seales onto his stumps, broke free in the eighth over by cutting and slapping Alzarri Joseph for three fours, the last of them being a classy drive going through extra cover. Gill kept up the attacking mode by stepping out to lift Gudakesh Motie over cover for six and then cut a short, wide ball for four. Rohit pulled Joseph over deep midwicket for his third six in the final over of the powerplay, as India closed the ten-over phase at 70/0. Joseph gave West Indies the breakthrough they needed, and he did it through a bit of planning. Rohit Sharma had already inside-edged one big swing onto his pad in the 12th over, so Joseph moved deep square leg a little straighter. On the last ball of the over, Rohit went to whip a full delivery away, but he got it off the bottom of the bat and picked out the fielder to perfection for 32, also the fourth time Joseph dismissed him in ODIs. Virat Kohli got going through a top-edged pull over the keeper's head for six and pulled Joseph for four. With dew already setting in and the ground staff using ropes to clear the outfield, Gill completed his fifty off 49 balls and whipped and pulled Roston Chase for boundaries. With Justin Greaves not on the field due to shin cramps sustained while making 101, Shai Hope had only five frontline bowlers to call on. Kohli kept the scoreboard moving by cutting Gudakesh Motie behind square and flicking Matthew Forde through the gap between mid-wicket and mid-on. Gill, despite battling cramps, showed no sign of slowing down with two pulls and a glance. Kohli brought up his fifty in just 40 balls by lofting Joseph through the line to get a six down the ground. The crowd rose to applaud him, and Kohli broke into a broad smile as he celebrated the landmark. Gill pulled and cut Roston Chase for two fours in the 28th over. Kohli then took three boundaries in a row off Joseph in the next over - pulling twice and then gloving a short ball past a diving Shai Hope. The second of those pulls made him only the second batter after Sachin Tendulkar to reach 15,000 ODI runs and the fastest men’s batter to reach the landmark. Gill brought up his hundred with a crisp drive past mid-on off Jayden Seales at the start of the 31st over. Kohli pulled a short ball from Chase for six, while Gill stepped out to loft the off-spinner back over his head for four. Kohli's pulled six off Chase in the 34th over brought up the 150-run partnership, but Gill fell three balls later - slog-sweeping straight to deep midwicket. Ruturaj Gaikwad played a supporting role while Kohli went up another gear. He lofted a Joseph slower ball over long-on to move into the 90s, and danced down to loft Motie over long-on for six to reach his 55th ODI hundred, off 74 balls - also his third-fastest ODI century. It was one of six ODI centuries scored across the world on the day, the first time that has happened. With the end in sight, Kohli hit Motie for an 81-metre six over extra cover and a four in the 40th over. After Paul dropped him at deep mid-wicket on 125 in the next over, Kohli whipped Keacy Carty’s over deep backward square leg for six and then finished the match with another pulled six over fine leg to ace another successful run-chase. Brief Scores: West Indies 295/7 in 50 overs (Justin Greaves 101, John Campbell 62; Kuldeep Yadav 4-40, Prasidh Krishna 2-60) lost to India 300/2 in 41.4 overs (Virat Kohli 139 not out, Shubman Gill 110; Roston Chase 1-64, Alzarri Joseph 1-81) by eight wickets"},"img":{"url":"https://images.prismic.io/prad/8cN_2Cohce8eTnn4_virat.JPG?auto=format%2Ccompress&rect=0%2C1%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-27T15:47:00+0000","embed":{"embed_url":null}},"uid":"1st-odi-kohli-masterclass-sinks-wi"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Darshan Case: Approver Statement Recorded "},"content":{"text":"The statement of accused-turned-approver Pradosh Rao in the Renukaswamy murder case was recorded for nearly three hours before a court in Bengaluru on Monday, with the proceedings being held in-camera.   The court adjourned the matter to Tuesday for continuation of his statement. Pradosh, who was initially accused number 14 in the case, was brought before the City Civil and Sessions Court amid tight security. After the proceedings, he was taken back to Parappana Agrahara Central Prison under police escort. Jailed actor Darshan and his partner Pavithra Gowda also participated in the proceedings through video conference from Bengaluru Central Prison. As Pradosh's statement was lengthy and had to be signed by him, the court adjourned the proceedings to Tuesday following a request by Special Public Prosecutor (SPP) Prasannakumar. Pradosh is recording his statement after being permitted to turn approver in the case. During the proceedings, he is expected to provide details concerning the events surrounding the alleged assault and murder of Renukaswamy, as well as his interactions with the other accused. Meanwhile, senior advocate Hashmat Pasha, appearing for actor Darshan, has filed a Special Leave Petition (SLP) before the Supreme Court challenging Pradosh being made an approver and seeking a stay on the proceedings concerning his statement. Pasha said Darshan's legal team had earlier approached the trial court challenging Pradosh's status as an approver. \"We had approached the trial court challenging Pradosh being made an approver. However, as the trial court did not accept our plea, we have filed an SLP before the Supreme Court,\" he added. The recording of Pradosh's statement is expected to continue on Tuesday and is likely to be completed after the remaining portions are recorded. The police had made elaborate security arrangements in and around the court premises in view of alleged threats to Pradosh from Darshan's fans. The Central Deputy Commissioner of Police Zone Akshay M Hakay had deputed one Assistant Commissioner of Police (ACP), three police Inspectors, eight Sub-Inspectors and more than 40 police personnel for his security. Pradosh, who is currently lodged at Bengaluru Central Prison, will be brought to the court on Tuesday under the escort of Kamakshipalya police, which registered and investigated the murder case, along with prison authorities. Darshan's counsel had challenged the decision before the Karnataka High Court, but the petition was not entertained. As an approver, Pradosh is expected to give his account of the alleged murder and the events surrounding the death of Renukaswamy. His statement is likely to be recorded in detail by the trial court. The Renukaswamy murder case concerns the alleged killing of 35-year-old Renukaswamy, a fan of Kannada actor Darshan, in Bengaluru in June 2024. According to the prosecution, Renukaswamy was allegedly abducted, assaulted and killed, with his body later being found in the Kamakshipalya area. Actor Darshan and several others were arrested in connection with the case and are facing trial. The prosecution has alleged that Renukaswamy was targeted after he sent some vulgar messages to Darshan's partner, Pavithra Gowda. The court on Monday dismissed a memo petition filed by actor Darshan seeking to postpone the recording of Pradosh's statement as an approver. The plea was filed seeking a two-day postponement, with Darshan's counsel saying that they intended to approach the Supreme Court against the Karnataka High Court's decision dismissing Darshan's petition challenging Pradosh's status as an approver."},"img":{"url":"https://images.prismic.io/prad/ZmrNopm069VX1tap_darshanpavitra.JPG?auto=format,compress"},"datetime":"2026-09-28T13:14:00+0000","embed":{"embed_url":null}},"uid":"darshan-case-approver-statement-recorded-"}},{"node":{"data":{"title":{"text":"Alia-Ranbir’s Unseen Love Moments"},"content":{"text":"Actress Alia Bhatt wished hubby Ranbir Kapoor on his 44th birthday with some unseen romantic pictures of the two.  On Monday, the 'Jigra' actress posted an adorable photo of Ranbir seated on her lap as the two lovingly gaze into each other's eyes. In the next pic, it seems like Ranbir is in the middle of a conversation with Alia, as the two enjoy some quality time in a restaurant. Another pic showed the 'Barfi' actor standing on the sidewalk, looking up at the camera. Alia also uploaded an adorable photograph of Ranbir holding little Raha in his arms. However, Raha's face was covered with a flower emoji. This was followed by two snaps of Ranbir and Alia looking stunning in each other's company.  As the 'Animal' actor celebrated his special day, a video surfaced on social media where Ranbir and Alia are waving from the balcony of their Krishna Raj bungalow in Mumbai.  As part of his birthday celebration, Ranbir also held a cake-cutting ceremony with the paparazzi outside his Mumbai house. The 'Wake Up Sid' actor was seen wearing a long grey full-sleeve shirt, along with pants, and a pair of stylish sunglasses. Ranbir ended up cutting 3 cakes, one of which was shaped as the number '44'. After this, he even posed for some photographs. Before heading back, he thanked the paparazzi with folded hands. Alia's mother and veteran actress Soni Razdan also wished her son-in-law with a special message on social media. Calling him the “best man in the house”, Soni wrote, “Happy Birthday to the best man in the house. Loads of love and duas always #ranbir”. For those who do not know, Alia and Ranbir reportedly fell for one another while working on Ayan Mukerji's fantasy drama 'Brahmastra'. After dating for a few years, the couple finally tied the knot in an intimate ceremony at their Mumbai home in April 2022. They welcomed their daughter, Raha, on 6 November 2022."},"img":{"url":"https://images.prismic.io/prad/WLeOjqU1yJF2lu62_aliaranbir.JPG?auto=format%2Ccompress&rect=0%2C78%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-28T14:27:00+0000","embed":{"embed_url":null}},"uid":"alia-ranbirs-unseen-love-moments"}},{"node":{"data":{"title":{"text":"Suriya-Rajamouli Collab Sparks Mystery?"},"content":{"text":"In a masterclass of discretion, acclaimed filmmaker SS Rajamouli captivated audiences at the recent ‘Don’t Trouble The Trouble’ event, where he deftly sidestepped inquiries about his rumored collaboration with actor Suriya. Despite the palpable buzz surrounding this potential partnership, particularly in light of Rajamouli's ongoing project ‘Varanasi,’ the director emphasized the importance of focusing on the film at hand rather than diverting attention to future endeavors. “If I talk anything about me and Suriya, that will be the headline,” he stated, acknowledging the media's penchant for sensationalism. The statement underscores Rajamouli’s commitment to promoting the film while navigating the curiosity that surrounds his work. The atmosphere was charged with excitement as Fahadh Faasil's film received its moment in the spotlight. Rajamouli's remarks not only reflect a thoughtful approach to media engagement but also highlight the intricate dynamics of celebrity collaborations in the film industry. By prioritizing the promotion of ‘Don’t Trouble The Trouble,’ Rajamouli aims to ensure that the focus remains on the current project, a strategy that is often overlooked in the rush to unveil new partnerships. This careful balancing act illustrates his understanding of the industry's ebb and flow, where public interest can overshadow genuine artistic pursuits. The speculation regarding a Rajamouli-Suriya collaboration is not unfounded, as the acclaimed director has previously lauded Suriya's contributions to cinema. During the promotional activities for ‘Kanguva’ in late 2024, Rajamouli referred to Suriya as one of his “main inspirations,” a testament to the actor's impact within and beyond the Tamil film landscape. Their mutual respect and admiration have only intensified public desire for a confirmed project, further complicated by Rajamouli's ambiguous hints at the potential significance of such a partnership. “Whenever we do a film, it is going to be really special,” he remarked, stoking the flames of anticipation without divulging specifics. As Rajamouli continues to focus on ‘Varanasi,’ which boasts a star-studded cast including Mahesh Babu and Priyanka Chopra Jonas, the prospect of a collaboration with Suriya remains tantalizingly speculative. The director’s strategic withholding of information serves to amplify interest and foster speculation within the industry and among fans alike. While both filmmakers navigate their current projects, the prospect of their collaboration lingers as a tantalizing possibility, encapsulating the ongoing conversation about creativity and partnership in contemporary cinema."},"img":{"url":"https://images.prismic.io/prad/Zy366q8jQArT0oi3_suriyaraja.JPG?auto=format,compress"},"datetime":"2026-09-28T11:44:00+0000","embed":{"embed_url":null}},"uid":"suriya-rajamouli-collab-sparks-mystery"}},{"node":{"data":{"title":{"text":"Rajamouli Spots His Son’s X-Factor"},"content":{"text":"Ace director S S Rajamouli has now disclosed the quality he admires most in his son, S S Karthikeya, who has now produced director Shashank Yeleti's eagerly awaited fantasy entertainer, 'Don't Trouble the Trouble', featuring actors Fahadh Faasil and Ssara Palekar in the lead.  Participating in the pre-release event of the film, which was held in Chennai, Rajamouli was asked about the tips he gave his son, producer S S Karthikeya, while producing the film.  Responding to the question, Rajamouli said he never gave any tips as such but that there was a particular quality of his son which he really admired.  \"The first thing I like about Karthikeya is his clarity of thought. As a businessman, the thing I really admire about him is when a rupee of business is happening, he thinks about his 50 paise as much as he thinks about the 50 paise of the other person. He really values the money of the other person as much as he values about his money. That is one thing I really admire about my son,\" Rajamouli disclosed.  For the unaware, acclaimed producers Shobu Yarlagadda and Prasad Devineni have joined hands with SS Karthikeya to produce the exciting, content-rich film that is being presented by none other than ace director S S Rajamouli. The film, which is a fantasy entertainer, has three legends of the Indian film industry -- Kamal Haasan, Mohanlal and Balakrishna-- lending their voices for a voiceover in the film's Tamil, Malayalam and Telugu trailers respectively. The film, which has been written and directed by Shashank Yeleti, has been co-written by Hamza Ali. It has music by Kaala Bhairava and cinematography by Australian cinematographer Brad Francis. Editing for the film is by Praveen Anthony.  'Don't Trouble The Trouble' is slated to hit screens worldwide on October 2 this year. "},"img":{"url":"https://images.prismic.io/prad/H8XEuEMFJdZPjZE1_SSR.JPG?auto=format%2Ccompress&rect=0%2C60%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-28T06:03:00+0000","embed":{"embed_url":null}},"uid":"rajamouli-spots-his-sons-x-factor"}},{"node":{"data":{"title":{"text":"Zarina's look from 'Slumdog 33 Temple Road' out"},"content":{"text":"The makers of director Puri Jagannadh's eagerly awaited action entertainer 'Slumdog 33 Temple Road', featuring actor Vijay Sethupathi in the lead, have now released the first look poster of actress Zarina Wahab in the film, much to the delight of fans and film buffs. The makers also disclosed that she plays a character called Zubaida in the film.  Director Puri Jagannadh, who shared the first look poster of the actress on his social media timelines, wrote, \"A heart full of love, a life full of struggles. Introducing @iamzarinawahab as ZUBEIDAA from #SlumDog - 33 Temple with a SPECIAL CHARACTER GLIMPSE Tomorrow at 10 AM. A #PuriJagannadh film. @Charmmeofficial Presents.Produced by Puri Jagannadh, Charmme Kaur, JB NarayanRao Kondrolla. Releases in Tamil, Telugu, Hindi, Kannada and Malayalam.\" It may be recalled that the makers have already shared a glimpse video of the character that actress Tabu plays in the film.  For the unaware, Tabu plays a character called Gauri Hegde in the film. The glimpse video that the makers had shared to introduce Tabu's character in the film described her as \"One fearless woman\" and \"Powerful Officer\". The glimpse video showed Tabu slapping and threatening people. In one scene, she is seen telling Vijay Sethupathi, \"In our style, we first shoot and then talk.\" The glimpse video ends with her designation being displayed. \"Gowri Hegde - Deputy Commissioner of Income Tax,\" she says even as a visual of her hitting a man with a lathi emerges. The film has triggered huge interest in fans and film buffs ever since the unit began shooting in July last year. Sources close to the unit have confirmed that shooting for the film had been completed and that post-production activities were progressing rapidly across all language versions. A title poster of the film that was shared by the director last year had showed Vijay Sethupathi sporting a stylish pair of coolers and having a blood-stained machete in his hand. The actor was seen standing amidst cartons of wooden boxes containing currency notes. The film is being produced by Puri Jagannath under the banner of Puri Connects and is to be presented by Charmi Kaur in collaboration with JB Motion Pictures and JB Narayan Rao Kondrolla. The collaboration with JB Motion Pictures will allow the makers to further enhance the grandeur of the movie. Samyuktha plays the female lead opposite Vijay Sethupathi in this film, while Kannada star Duniya Vijay and Tabu portray pivotal characters that are expected to add significant weight to the narrative. The ensemble also features Brahmaji and VTV Ganesh in key supporting roles. Sources have disclosed that Samyuktha’s character will be integral to the narrative, with ample scope for performance and emotional depth. The actress is reportedly thrilled with the story and her role. National Award-winning music director Harshavardhan Rameshwar, whose work in films like Arjun Reddy and Animal earned widespread acclaim for its raw intensity and emotional depth, is scoring the music for the movie. Slum Dog is to have a Pan India release in Telugu, Tamil, Kannada, Malayalam, and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/JDVZWmewKK4CU7od_zarinawahib.JPG?auto=format%2Ccompress&rect=0%2C93%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-28T04:00:00+0000","embed":{"embed_url":null}},"uid":"zarinas-look-from-slumdog-33-temple-road-out"}},{"node":{"data":{"title":{"text":"Abhishek and Big B: United by One Goal"},"content":{"text":"Megastar Amitabh Bachchan shared a heartfelt reflection on his bond with actor-son Abhishek Bachchan, saying that while their thoughts and perspectives may differ, the ultimate destination remains the same.  Amitabh took to his blog and wrote: “Pita putra dono rahe, ek manch par baithai; vichar alag alag ho chaahe, manzil ke hi aithe (Both father and son sit together on the same stage; their views may differ, but their destination remains the same).” He went on to share that he has respect for the next generation and added: “respect for the next generation ever... but the destination is ever the same... that be the ideal of every path taken….. and that has ever been the relation - seek discover understand, and design the destination that be common to all in its beneficial incarnation Love respect and in a while the love of the well wishers.” The cinema icon is currently seen in “Kaun Banega Crorepati,” which is the official Hindi version of the original British format Who Wants to Be a Millionaire? The format is similar to other shows in the Who Wants to Be a Millionaire? where contestants are asked multiple-choice questions and must select the correct answer from four possible choices, and are provided with lifelines that may be used if they are uncertain. Big B, who was last seen Vettaiyan directed by T. J. Gnanavel, is currently busy with filmmaker Nag Ashwin’s “Kalki 2898 AD” sequel. The film also stars Kamal Haasan and Prabhas. Talking about Abhishek, he was last seen in Raja Shivaji directed by Riteish Deshmukh, based on the life of Chhatrapati Shivaji Maharaj , the founder of the Maratha Empire. The film features Riteish Deshmukh in the titular role, alongside Genelia D'Souza, Abhishek Bachchan, Sanjay Dutt, Vidya Balan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, and Amole Gupte."},"img":{"url":"https://images.prismic.io/prad/2126a681-f562-4c04-82af-a1ef51039e2b_amithababhishek.JPG?auto=format,compress"},"datetime":"2026-09-28T04:28:00+0000","embed":{"embed_url":null}},"uid":"abhishek-and-big-b-united-by-one-goal"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"The Hidden Danger Behind Chest Pain"},"content":{"text":"Chest pain is frequently associated with heart attacks, yet a lesser-known condition, aortic dissection, can present equally alarming symptoms. Dr. N. Murali Krishna, a cardiology consultant at Manipal Hospital in Vijayawada, warns that this condition arises from a tear in the aorta's inner layer, the vital blood vessel that transports blood from the heart throughout the body. The rarity of aortic dissection does not diminish its urgency—every moment counts, as delayed diagnosis could precipitate life-threatening complications such as organ rupture, stroke, or kidney failure. The nature of pain caused by aortic dissection sets it apart from typical heart attack discomfort. Patients typically describe the sensation as sharp, ripping, or tearing, often radiating from the chest to the back or abdomen as the dissection progresses. Dr. Krishna emphasizes that this pain typically escalates to its peak within seconds to minutes, necessitating immediate medical attention. Accompanying symptoms may include breathlessness, sweating, and weakness, but in some cases, patients experience few signs, complicating timely diagnosis and treatment. Understanding the risk factors for aortic dissection is crucial for prevention. Hypertension emerges as a significant contributor, alongside hereditary connective tissue disorders, pre-existing aortic aneurysms, and certain congenital heart conditions like a bicuspid aortic valve. While older individuals are more commonly affected, younger adults are not exempt from this serious cardiovascular threat. A thorough examination, including blood pressure readings in both arms, ECG, and blood tests, can aid in assessing the risk, while CT angiography is employed to visualize the aorta and assess any tears. Dr. Krishna urges vigilance when experiencing sudden chest or upper back pain. He advises against self-diagnosis and stresses the importance of seeking emergency care, particularly if the pain escalates quickly or is coupled with faintness, weakness, or breathlessness. Patients should provide medical personnel with detailed accounts of their symptoms, including the onset and intensity of pain, to facilitate accurate diagnosis. This proactive approach can be lifesaving, as the subtleties of aortic dissection's presentation often challenge even the most seasoned healthcare providers."},"img":{"url":"https://images.prismic.io/prad/8822f77d-8219-4cf7-ad6d-2c029df74875_heart+attack.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-21T10:09:00+0000","embed":{"embed_url":null}},"uid":"the-hidden-danger-behind-chest-pain"}},{"node":{"data":{"title":{"text":"Heart Crisis Grips Young India"},"content":{"text":"A disturbing trend is emerging in India, where cardiovascular disease is no longer an affliction of the elderly but a growing concern among younger populations. Recent statistics indicate that cardiovascular diseases accounted for nearly 29% of all recorded deaths in India between 2017 and 2019. This alarming statistic highlights a shifting paradigm, with the National Health Profile revealing that non-communicable diseases, including heart disease, diabetes, and chronic respiratory illnesses, collectively account for a staggering 63% of the nation's mortality rates. As the nation grapples with this health crisis, the underlying risk factors that contribute to heart disease are becoming increasingly prevalent among young adults, often unnoticed until it is too late. The escalating incidence of heart disease in India’s youth can be traced to a confluence of modern lifestyle choices, including prolonged sedentary behavior, poor dietary habits, irregular sleep patterns, and chronic stress. Dr. Deepak Krishnamurthy, a leading cardiologist, articulates that the traditional risk factors such as hypertension and high cholesterol are now manifesting in younger demographics, exacerbated by genetic predispositions and environmental stressors. Moreover, the omnipresence of technology has led to an increase in screen time, which not only promotes a sedentary lifestyle but also disrupts sleep cycles. The result is a perfect storm wherein young Indians find themselves at greater risk for developing heart-related ailments much earlier in life. Historically, heart disease was often associated with the aging population, attributed to years of cumulative risk factors. However, the current landscape paints a different picture, one where the interplay of lifestyle choices has catalyzed a shift towards earlier onset of cardiovascular issues. The National Programme for Prevention and Control of Non-Communicable Diseases reports an alarming 9.36 crore people receiving treatment for hypertension and diabetes—critical precursors to heart disease. As the healthcare system grapples with these numbers, the need for comprehensive awareness and early intervention becomes paramount. Dr. Krishnamurthy emphasizes that conditions leading to heart problems develop insidiously and often go unnoticed until significant damage has occurred, particularly among the young. As for actionable steps, Dr. Krishnamurthy advocates for a proactive approach among young adults in their 20s and 30s. He suggests that individuals should eliminate tobacco use, incorporate regular physical activity into their routines, and adopt heart-healthy dietary practices while keeping an eye on their waistlines. Moreover, he underscores the importance of regular monitoring of vital health indicators such as blood pressure and cholesterol levels. This holistic understanding of cardiovascular health is crucial for young Indians, who must learn to recognize the silent threats posed by modern lifestyles and take charge of their health before it spirals out of control."},"img":{"url":"https://images.prismic.io/prad/pJ-dW9a56Zc9ur7D_heartdiseas.JPG?auto=format%2Ccompress&rect=0%2C0%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-16T11:05:00+0000","embed":{"embed_url":null}},"uid":"heart-crisis-grips-young-india"}},{"node":{"data":{"title":{"text":"A Fight for Life at 85"},"content":{"text":"At 85 years old, Mrs. Lakshmi (name changed) faced what many in her age group would consider insurmountable challenges: two tumors and a life-threatening blockage in her colon. Rather than embracing the tranquility that often accompanies advanced age, she found herself in the emergency room, grappling with severe abdominal pain and a severe inability to pass stool. The diagnosis revealed a critical blockage in the sigmoid colon due to a tumor, a condition that posed immediate threats to her life. The medical team, acutely aware of her complex health history—including hypertension, diabetes, and a previous stroke—understood the urgency of the situation, necessitating careful decision-making regarding her treatment options. The initial intervention involved a minimally invasive procedure where doctors placed a colonic stent to alleviate her discomfort. While this temporary solution offered some relief to Mrs. Lakshmi and her anxious family, it soon became clear that a more comprehensive approach was required. Further examinations unveiled a second tumor in her esophagus, complicating an already dire diagnosis. Dr. K Hemanth Kumar, a leading Consultant in Surgical Gastroenterology at Manipal Hospital, emphasized the urgency of the case. The existence of two malignancies in a patient of advanced age, coupled with multiple underlying health conditions, demanded a meticulous and strategic response from her medical team. The critical nature of Mrs. Lakshmi's situation highlighted broader issues in geriatric care, particularly concerning complex cancer diagnoses. As the medical community increasingly confronts aging populations, the intersection of age and multi-morbidity raises significant ethical and logistical challenges. In Mrs. Lakshmi's case, the stent was a temporary fix, with the potential for serious complications looming should a definitive treatment not be pursued. The family was faced with a heart-wrenching decision: proceed with high-risk surgery or risk further deterioration of her health. Ultimately, they chose the path of hope, opting for a pioneering robotic surgical approach that addressed both tumors in one procedure. Utilizing the advanced Da Vinci Xi robotic system, Dr. Hemanth and his team executed a complex operation that not only targeted the colon cancer but also the esophageal tumor, representing a significant advancement in addressing dual malignancies. Remarkably, Mrs. Lakshmi recovered without needing an intensive care unit stay, a testament to both her resilience and the proficiency of her healthcare providers. Just one week post-operation, she was discharged, marking a poignant moment for both her and her family. Three months later, Mrs. Lakshmi continues to thrive, undergoing further treatment as part of her recovery journey, signaling not just survival but a remarkable testament to the human spirit in the face of daunting medical challenges."},"img":{"url":"https://images.prismic.io/prad/W5S8nG7lRQSGgKv2_mediclelife.JPG?auto=format%2Ccompress&rect=0%2C44%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-15T23:40:00+0000","embed":{"embed_url":null}},"uid":"a-fight-for-life-at-85"}},{"node":{"data":{"title":{"text":"Scorching Heat: The Unseen Toll on Teen Mental Health"},"content":{"text":"As global temperatures soar, a troubling new study reveals that extreme heat is not merely an environmental concern but a significant threat to the mental health of adolescents. Research indicates that for every 1°C rise in daily temperature, the risk of adverse mental health outcomes in teenagers escalates by nearly 1%. While this statistic may seem modest at first glance, it becomes alarming when considering the frequency of heatwaves in recent summers, underscoring the urgent need to address this evolving crisis. The comprehensive review analyzed data from 23 studies worldwide, pinpointing children and teenagers aged five to eighteen as the most vulnerable demographic. On particularly hot days, this group experiences a 1.5% increase in the likelihood of poor mental health outcomes; however, during actual heatwaves, this figure skyrockets to an astonishing 25%. Such stark differences highlight the psychological ramifications of sustained heat exposure, which extends beyond mere discomfort to include serious implications such as increased anxiety, depression, and even suicide attempts. Experts, including co-author Jacqueline Stephens from Flinders University, emphasize that the intersection of climate change and mental health cannot be ignored. The patterns of rising temperatures and more frequent heat events are not restricted to a single region; they are a global phenomenon with widespread repercussions. Adolescents are particularly susceptible during this pivotal developmental stage, where their routines—schooling, recreation, and social interactions—are disrupted by extreme weather conditions, causing significant emotional distress. Moreover, researchers note that the physical impact of heat, such as sleep disruption, compounds mental health challenges. Poor sleep exacerbates mood regulation, while family stress during heatwaves creates a ripple effect that permeates households. Although the findings point to population-level trends rather than individual predictions, they call for a re-evaluation of how public health strategies address heat-related issues. Current responses prioritize physical safety measures like hydration and cooling centers but overlook the critical need for mental health support tailored to young people. This oversight underscores the need for a more holistic approach to climate adaptation strategies that incorporate mental health services as integral components of public health initiatives."},"img":{"url":"https://images.prismic.io/prad/CJ8ZpPonvzZKyB1t_mentalhealth.JPG?auto=format,compress"},"datetime":"2026-08-11T10:28:00+0000","embed":{"embed_url":null}},"uid":"scorching-heat-the-unseen-toll-on-teen-mental-heal"}},{"node":{"data":{"title":{"text":"The Distinction Between Brain Tumors and Brain Cancer"},"content":{"text":"The phrases 'brain tumor' and 'brain cancer' often evoke a visceral reaction among the public, conjuring images of gravely serious health threats. However, contrary to common perception, these terms describe distinct medical conditions that warrant different approaches to diagnosis and treatment. A brain tumor is simply an abnormal growth of cells in or around the brain, which can be classified as benign or malignant. While all brain cancers are tumors, not all tumors exhibit cancerous characteristics; this critical distinction can influence a patient's treatment plan and overall prognosis. The medical community underscores the importance of understanding these differences. Brain tumors, irrespective of their benign or malignant status, can lead to severe health consequences because of the brain’s confined environment within the skull. This means that even non-cancerous tumors can exert pressure on vital neurological functions, leading to symptoms such as persistent headaches, seizures, and cognitive deficits. Dr. Praveen Gupta, a prominent neurologist, emphasizes that benign tumors, while non-cancerous, can still necessitate significant medical intervention depending on their size and location. The implications of this are crucial for anyone facing a diagnosis related to brain health. Historically, the classification of brain tumors has evolved as medical science has advanced. The National Cancer Institute and other leading neurological institutions categorize these tumors into myriad types, each demanding tailored treatment strategies. For instance, malignant tumors possess the aggressive ability to invade surrounding brain tissue, often requiring complex interventions that may include surgery, radiation, and chemotherapy. Understanding whether a growth is benign or malignant is not just a matter of terminology; it directly impacts the urgency and nature of the interventions required. Symptoms often overlap between benign and malignant tumors, complicating self-diagnosis and reinforcing the necessity for professional evaluation. Medical imaging techniques such as MRI and CT scans, along with biopsies, are essential to ascertain the nature of the tumor. Experts caution against relying on symptomatology alone, as the presence of alarming symptoms could mask a benign condition, while milder manifestations could signify a malignant threat. As such, timely medical evaluation is paramount, as early detection can significantly enhance treatment effectiveness and patient quality of life."},"img":{"url":"https://images.prismic.io/prad/f6803c8c-7220-433e-b58f-ef269a3ecf79_brain+stroke.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T10:10:00+0000","embed":{"embed_url":null}},"uid":"the-distinction-between-brain-tumors-and-brain-can"}},{"node":{"data":{"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"22 US states oppose $100,000 H-1B fee"},"content":{"text":"A coalition of 22 US attorneys general has opposed the Trump administration’s proposal to impose a fee exceeding $100,000 on certain H-1B visa petitions, arguing that the measure is unlawful and would worsen shortages of teachers, doctors and nurses.  The challenge is significant for Indian professionals and American companies that rely heavily on the H-1B programme to recruit highly skilled workers. Virginia Attorney General Jay Jones joined the coalition in filing a formal comment letter asking US Citizenship and Immigration Services, or USCIS, to withdraw the proposed rule. The agency issued the notice of proposed rulemaking on August 25. It would impose a charge of $103,265 on petitions filed by employers that are not exempt from the annual H-1B visa cap. The attorneys general characterised the proposed charge as a tax. They argued that the executive branch cannot impose such a tax without authorisation from Congress. The coalition also said the rule would exceed USCIS’ authority under the Immigration and Nationality Act and violate the Administrative Procedure Act. According to the attorneys general, the administration has failed to justify the burden that the proposed charge would impose on states. They also said USCIS had not adequately considered less damaging alternatives. The coalition objected to the 30-day public comment period, describing it as unusually short and insufficiently justified. The proposed charge could make it more difficult for state and local institutions to recruit skilled foreign professionals, the attorneys general said. They cited shortages in primary and secondary education, healthcare and other essential services. “Individuals in this class are more than just names on papers - they are our teachers, doctors, nurses, caretakers, and more. They are our neighbors and friends and family,” Jones said. “They have filled out every form and met every government demand to come here and be part of the American Dream,” he said. Jones accused the administration of stretching its executive authority without adequately considering the effect on communities and public services. “Donald Trump is trying to close the door by pushing the boundaries of executive power, indifferent to the burden this proposed rule will put on Virginians,” he said. “Here in Virginia, we fight for our communities, and my office will use every legal tool to make sure this proposal doesn’t go any further.” The coalition said a previous administration attempt to impose a similar charge had been struck down. It argued that the new proposal again seeks to impose a tax through administrative action instead of seeking approval from Congress. Besides Virginia, the coalition includes the attorneys general of California, Massachusetts, Arizona, Colorado, Connecticut, Delaware, Hawaii, Illinois, Maine, Maryland, Michigan and Minnesota. It also includes Nevada, New Jersey, New Mexico, New York, North Carolina, Oregon, Washington, Wisconsin and the District of Columbia. The H-1B programme allows US employers to hire foreign workers in specialty occupations that generally require specialised knowledge and at least a bachelor’s degree or its equivalent. Technology companies are among its largest users, but hospitals, schools, universities and research institutions also employ H-1B professionals."},"img":{"url":"https://images.prismic.io/prad/_9zp_H_4tbhGTWeF_H1B.JPG?auto=format%2Ccompress&rect=0%2C21%2C600%2C296&w=2028&h=1000"},"datetime":"2026-09-26T02:27:00+0000","embed":{"embed_url":null}},"uid":"22-us-states-oppose-100000-h-1b-fee"}},{"node":{"data":{"title":{"text":"Green Card Changes Could Hit Indians"},"content":{"text":"A Republican senator has introduced legislation that could upend the employment-based green card system and have far-reaching consequences for Indian professionals waiting for permanent residency in the United States.  Senator Tommy Tuberville of Alabama introduced the Americans First Immigration Act, which would replace existing employment-based green card categories with a points-based system. The bill would also invalidate many pending employment-based petitions when the new system takes effect, according to its full text. Applications for adjustment of status or immigrant visas based on those petitions would be “rejected, denied, or invalidated,” the legislation says. Beneficiaries whose petitions were approved before the effective date could continue receiving visas only until the annual allocation for their existing category in the fiscal year of enactment is exhausted. No further visas would then be issued under that category. That provision could be particularly consequential for Indian applicants who have approved employment-based petitions but remain in lengthy green card queues. “Our current immigration system does little to evaluate the type of people we let in — it’s a free-for-all,” Tuberville said. “Coming to the United States is a privilege, and we need to ensure that anyone immigrating to our country is willing to go by our laws and contribute to our society.” The legislation would establish an annual worldwide allocation of 192,000 points-based immigrant visas. That number would be reduced by the number of certain migrants who were not detained or were released from mandatory detention during the previous fiscal year. Applicants would need a genuine US job offer and at least 16 points. They would also have to be between 18 and 51 and score in the fifth decile or higher on an English-language proficiency test. Points would be awarded for salary, education, English proficiency, military service and extraordinary achievement. The system would favour applicants with the highest scores. Applicants without a qualifying US degree would generally need a job offering at least 200 per cent of the median wage in the state where they would work. Those with a qualifying US degree would need an offer worth at least 150 per cent of the state median wage. Employers would have to recruit US workers first and offer the position to an American worker who was equally or better qualified. They would also be barred from laying off workers in equivalent jobs beginning 90 days before filing the required attestation. Green cards issued through the points system would initially be conditional for two years. The status of the principal applicant, spouse and children could be terminated if the principal applicant received a means-tested public benefit, was convicted of specified offences or failed to remain in qualifying employment. The bill would also eliminate the Diversity Visa Lottery and limit family-sponsored immigration to spouses and minor children. It would end green card routes for parents, siblings and adult children of US citizens. It would require immigrants who are not permanent residents to pay at least the tuition and fees charged to out-of-state students at US colleges. Institutions violating that requirement could lose approval to enrol international students for five years."},"img":{"url":"https://images.prismic.io/prad/eb4d3096-b9dc-4e0c-8677-83b93a6c2021_GC.JPG?auto=format,compress"},"datetime":"2026-09-25T02:28:00+0000","embed":{"embed_url":null}},"uid":"green-card-changes-could-hit-indians"}},{"node":{"data":{"title":{"text":"US targets birth tourism with new visa curbs"},"content":{"text":"The United States has announced visa restrictions targeting people who knowingly engage in or facilitate birth tourism, alongside a new public portal to report suspected visa fraud, including fabricated job offers and sham marriages. Secretary of State Marco Rubio said the restrictions would cover participants and commercial networks that arrange travel to the United States for the purpose of securing American citizenship through childbirth. Certain family members could also be covered. “Foreign commercial birth tourism networks have exploited the US immigration system to sell US citizenship for profit,” Rubio said in a statement. He accused such networks of coaching foreign nationals to lie on visa applications and charging tens of thousands of dollars to arrange births on American soil solely to obtain US citizenship. Rubio said the new policy was being introduced under Section 212(a)(3)(C) of the Immigration and Nationality Act. Those targeted include owners, operators and managers of commercial birth tourism networks, as well as intermediaries who coach applicants to commit visa fraud. The policy also covers foreign medical providers who knowingly facilitate such travel and fraudulent use of Medicaid, according to the statement. Others who support or enable commercial birth tourism could face restrictions. Rubio said the policy applied to people who knowingly engage in, have previously engaged in or facilitate birth tourism. His statement did not give details of individual cases. “Certain family members may also be covered by these restrictions,” the department said, without specifying which relatives or the circumstances in which the provision would apply. Rubio described the move as an effort to protect citizenship, public benefits and taxpayers, as well as national security. Separately, the State Department announced an online portal for members of the public to submit information about suspected visa fraud and misuse. The department listed falsified documents and travel plans, brokers arranging sham marriages, shell companies and fabricated job offers among the schemes it seeks to detect. Its list also included participation in or facilitation of birth tourism. The portal announcement said the Bureau of Consular Affairs was conducting fraud detection and prevention activities to stop attempts to travel to the United States through fraudulent means or for illegal purposes. Possible enforcement measures include visa revocations and referrals for further law enforcement investigation, the department said. It said many of the tens of thousands of people it had identified and held accountable for visa fraud during President Donald Trump’s second term were discovered through public tips. The announcement did not provide a breakdown of those cases or the action taken. “This new online tool provides a convenient and reliable way for the public to submit crucial information for prompt review and action,” the department said. It directed people with information about suspected fraud to travel.state.gov/reportvisafraud. Birth tourism refers to travel undertaken to give birth in another country with the aim of securing citizenship for the child. Commercial operators have marketed packages combining travel, accommodation and childbirth arrangements. The US debate over birth tourism is linked to the country’s longstanding tradition of citizenship by birth. The citizenship clause of the 14th Amendment, ratified in 1868, states that people born or naturalised in the United States, and subject to its jurisdiction, are citizens."},"img":{"url":"https://images.prismic.io/prad/Nt8LdJm8RER5An6I_USBirth.JPG?auto=format%2Ccompress&rect=45%2C0%2C365%2C180&w=2028&h=1000"},"datetime":"2026-09-24T01:15:00+0000","embed":{"embed_url":null}},"uid":"us-targets-birth-tourism-with-new-visa-curbs"}},{"node":{"data":{"title":{"text":"Indian Americans raise immigration concerns"},"content":{"text":"Indian American community leaders have raised concerns about immigration challenges affecting students, families and healthcare professionals during a meeting with Congressman Jim McGovern in Massachusetts.  The meeting was held at the India Worcester Center in Shrewsbury on September 19. It brought together professionals, entrepreneurs, physicians and civic advocates from the Indian American community. Participants discussed immigration, healthcare, economic opportunity, civic participation and relations between the United States and India. The meeting also focused on the community’s growing political involvement and the need to maintain direct dialogue with elected representatives from both major parties. Community members did not identify specific immigration proposals in the statement announcing the meeting. They highlighted difficulties faced by students, families, medical professionals and other immigrants trying to navigate the US system. The participants said Indian Americans from different religions, generations and political viewpoints should have a meaningful voice in civic affairs. McGovern, a Democrat, represents Massachusetts’ second congressional district in the US House of Representatives. The discussion also examined the role played by Indian Americans in building bipartisan support for the India-US Civil Nuclear Agreement. Ramesh Vishwanath Kapur, founder and president of the US India Security Council, said the agreement showed the results that could be achieved through cooperation across party lines. “The Civil Nuclear Agreement showed what is possible when Republicans and Democrats come together around a shared strategic vision,” Kapur said. He said the campaign surrounding the agreement demonstrated how civic engagement by Indian Americans could contribute to stronger relations between Washington and New Delhi. Satya Mitra, a community leader and Worcester city councillor-at-large, spoke about McGovern’s relationship with his constituents. “What has always stood out to me is his accessibility and commitment to public service,” Mitra said. He encouraged Indian Americans to participate actively in civic life and speak publicly about issues affecting their communities. Sahdev Passey also praised McGovern’s work with constituents and his efforts to remain accessible and responsive, according to the statement. Participants called for sustained engagement between Indian American organisations and elected officials at the federal, state and local levels. They said the diaspora could serve as a bridge between the world’s two largest democracies because of its familiarity with the cultures, economies and institutions of both countries. The meeting identified technology, trade, energy, healthcare, education, defence and innovation as areas in which the community could help strengthen bilateral cooperation. Participants also called for greater collaboration among Indian American organisations, business leaders, elected officials, civic advocates, students and younger generations. They said the objective should extend beyond increasing voter participation. 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She began her career as a child artist before making her lead debut in the 2019 Kannada film Kiss."},"img":{"url":"https://images.prismic.io/prad/7O8vuvW-nRobKyp8_sreeleela2028.JPG?auto=format,compress"}},"uid":"sreeleela-stylish-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-09-22T09:21:16+0000","data":{"title":{"text":"Anupama Parameswaran New Pics"},"content":{"text":"అనుపమ పరమేశ్వరన్ ఒక భారతీయ నటి. ఈమె తెలుగు, మలయాళ, తమిళ సినిమాలలో నటించింది.ఆమె భర్త పేరు రాజేష్ గోరువ. ఆమె నటించిన తొలి మలయాళ చిత్రం ప్రేమమ్‌లోని మేరీ జార్జ్, తెలుగు సినిమా శతమానం భవతిలో నిత్య ప్రాత్రలు ఈమెకు మంచి పేరు తెచ్చిపెట్టాయి."},"img":{"url":"https://images.prismic.io/prad/PGeINEpPe90fiQfG_anupama2028.JPG?auto=format,compress"}},"uid":"anupama-parameswaran-new-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-09-18T12:13:50+0000","data":{"title":{"text":"Ashu Reddy Black Spicy Pics"},"content":{"text":"This is Ashu Reddy, Telugu actress worked in movies and prominently known for BiggBoss3 and also social media influencer and beauty content activist. My videos also include entertainment, knowledge and information in many ways to many people."},"img":{"url":"https://images.prismic.io/prad/314HzBkvs5lFnVwg_ashureddy2028.JPG?auto=format,compress"}},"uid":"ashu-reddy-black-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-09-18T10:47:25+0000","data":{"title":{"text":"Anasuya Bharadwaj New Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/ZDW3Te-AlkGuINBe_anasuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-new-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-09-17T17:41:36+0000","data":{"title":{"text":"Payal Rajput Glam Stills"},"content":{"text":"Payal Rajput is an Indian actress who primarily works in Telugu and Punjabi films. She made her film debut with the Punjabi film Channa Mereya, for which she won the Filmfare Award Punjabi for Best Debut Actress. Rajput then made her Hindi film debut with Veerey Ki Wedding."},"img":{"url":"https://images.prismic.io/prad/6rmeRJW-0U0Yxkno_payal2028.JPG?auto=format,compress"}},"uid":"payal-rajput-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-08-12T08:19:18+0000","data":{"title":{"text":"Mouni Roy Glam Stills"},"content":{"text":"Mouni Roy is an Indian actress who primarily works in Hindi television and films. One of the highest-paid television actresses in India, Roy is widely known for her portrayal of a shape-shifting snake in Naagin and its sequel Naagin 2."},"img":{"url":"https://images.prismic.io/prad/8nkSdpm8T3G0jWQk_mouniroy2028.JPG?auto=format,compress"}},"uid":"mouni-roy-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-08-07T16:20:40+0000","data":{"title":{"text":"Vishnu Priya Latest Spicy Stills"},"content":{"text":"Vishnupriya Ramchandran Pillai (born in Bahrain), known mononymously and better as Vishnupriya, is an Indian actress, dancer and model. She started off her career participating in the dance reality show Vodafone Thakadimi which was aired on Asianet. She made her acting debut in 2007 with Speed Track, playing a supporting character. Later, she played the lead character in Keralotsavam 2009 and got noticed for her character in Penpattanam (2010)."},"img":{"url":"https://images.prismic.io/prad/EKRVCL6edvfOM1nL_vp2028.JPG?auto=format,compress"}},"uid":"vishnu-priya-latest-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-21T16:54:06+0000","data":{"title":{"text":"Shraddha Das Spicy Pics"},"content":{"text":"Shraddha Das is an Indian actress and model who predominantly appears in Telugu, Hindi, Bengali, and Kannada language films. She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/J5KjgIk60wE63lRg_shraddhadas.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-20T16:44:06+0000","data":{"title":{"text":"Rakul Looks Radiant In Yellow Saree"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. Singh is a recipient of several accolades including a SIIMA Award, in addition to four nominations at the Filmfare Awards South. Singh started her career as a model and made her acting debut with the Kannada film Gilli"},"img":{"url":"https://images.prismic.io/prad/_eGbGvnqa1VVLLAH_rps2028.JPG?auto=format,compress"}},"uid":"rakul-looks-radiant-in-yellow-saree"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-17T12:42:16+0000","data":{"title":{"text":"Pragya Jaiswal Spicy Stills"},"content":{"text":"Pragya Jaiswal is an Indian actress and model who predominantly works in Telugu films. She made her acting debut in 2014 with the Tamil-language film Virattu in 2014. Jaiswal had her breakthrough with the Telugu period drama Kanche, for which she was awarded the Filmfare Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/HTcjp1FBdNZf7hDK_pragya2028.JPG?auto=format,compress"}},"uid":"pragya-jaiswal-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Suriya-Rajamouli Collab Sparks Mystery?"},"content":{"text":"In a masterclass of discretion, acclaimed filmmaker SS Rajamouli captivated audiences at the recent ‘Don’t Trouble The Trouble’ event, where he deftly sidestepped inquiries about his rumored collaboration with actor Suriya. Despite the palpable buzz surrounding this potential partnership, particularly in light of Rajamouli's ongoing project ‘Varanasi,’ the director emphasized the importance of focusing on the film at hand rather than diverting attention to future endeavors. “If I talk anything about me and Suriya, that will be the headline,” he stated, acknowledging the media's penchant for sensationalism. The statement underscores Rajamouli’s commitment to promoting the film while navigating the curiosity that surrounds his work. The atmosphere was charged with excitement as Fahadh Faasil's film received its moment in the spotlight. Rajamouli's remarks not only reflect a thoughtful approach to media engagement but also highlight the intricate dynamics of celebrity collaborations in the film industry. By prioritizing the promotion of ‘Don’t Trouble The Trouble,’ Rajamouli aims to ensure that the focus remains on the current project, a strategy that is often overlooked in the rush to unveil new partnerships. This careful balancing act illustrates his understanding of the industry's ebb and flow, where public interest can overshadow genuine artistic pursuits. The speculation regarding a Rajamouli-Suriya collaboration is not unfounded, as the acclaimed director has previously lauded Suriya's contributions to cinema. During the promotional activities for ‘Kanguva’ in late 2024, Rajamouli referred to Suriya as one of his “main inspirations,” a testament to the actor's impact within and beyond the Tamil film landscape. Their mutual respect and admiration have only intensified public desire for a confirmed project, further complicated by Rajamouli's ambiguous hints at the potential significance of such a partnership. “Whenever we do a film, it is going to be really special,” he remarked, stoking the flames of anticipation without divulging specifics. As Rajamouli continues to focus on ‘Varanasi,’ which boasts a star-studded cast including Mahesh Babu and Priyanka Chopra Jonas, the prospect of a collaboration with Suriya remains tantalizingly speculative. The director’s strategic withholding of information serves to amplify interest and foster speculation within the industry and among fans alike. While both filmmakers navigate their current projects, the prospect of their collaboration lingers as a tantalizing possibility, encapsulating the ongoing conversation about creativity and partnership in contemporary cinema."},"img":{"url":"https://images.prismic.io/prad/Zy366q8jQArT0oi3_suriyaraja.JPG?auto=format,compress"},"datetime":"2026-09-28T11:44:00+0000","embed":{"embed_url":null}},"uid":"suriya-rajamouli-collab-sparks-mystery"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Nag Ashwin’s Vision for Storytelling"},"content":{"text":"Filmmaker Nag Ashwin feels the growing accessibility of technology can open new avenues for Indian cinema by enabling filmmakers to combine ambitious visual storytelling with stories and philosophies rooted in the country’s unique cultural landscape.  Does Nag Ashwin think the real opportunity for Indian cinema lies in combining that technology with stories and philosophies that are uniquely ours? Nag Ashwin, whose 2024 film took home Best Popular Film Providing Wholesome Entertainment and Best Special Effects at the 72nd National Film Awards for “Kalki 2898 AD”, told: “Yes, absolutely. I think the combination of technology with stories and philosophies that are uniquely ours can open up a lot of possibilities for Indian cinema.” He said the technology can also empower more diverse and bring their worlds to the screen.  The filmmaker added: “And the more accessible this technology gets, the more diverse and original voices can be empowered. It can allow more people to experiment and tell their stories in their own way, while still having the technology to realise those worlds on screen.” Kalki 2898 AD is a 2024 Indian Telugu-language epic mythological science fiction. It features an ensemble cast including Amitabh Bachchan, Kamal Haasan, Prabhas, Deepika Padukone, Shobana and Disha Patani. Inspired by Hindu scriptures, the film serves as the first installment in the planned Kalki Cinematic Universe. Set in a dystopian future in the year 2898 AD in the city of Kashi, the story follows a group on a mission to protect lab subject SUM-80's unborn child, believed to be Kalki, the final incarnation of Vishnu. Talking about Nag Ashwin, he began his career as an assistant director to Sekhar Kammula. He made his directorial debut in 2015 with the coming-of-age film Yevade Subramanyam. He gained widespread acclaim for directing Mahanati in 2018, a biopic of actress Savitri."},"img":{"url":"https://images.prismic.io/prad/1L6gjLVid5axlB8g_nagashwin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-28T06:39:00+0000","embed":{"embed_url":null}},"uid":"nag-ashwins-vision-for-storytelling"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Alia-Ranbir’s Unseen Love Moments"},"content":{"text":"Actress Alia Bhatt wished hubby Ranbir Kapoor on his 44th birthday with some unseen romantic pictures of the two.  On Monday, the 'Jigra' actress posted an adorable photo of Ranbir seated on her lap as the two lovingly gaze into each other's eyes. In the next pic, it seems like Ranbir is in the middle of a conversation with Alia, as the two enjoy some quality time in a restaurant. Another pic showed the 'Barfi' actor standing on the sidewalk, looking up at the camera. Alia also uploaded an adorable photograph of Ranbir holding little Raha in his arms. However, Raha's face was covered with a flower emoji. This was followed by two snaps of Ranbir and Alia looking stunning in each other's company.  As the 'Animal' actor celebrated his special day, a video surfaced on social media where Ranbir and Alia are waving from the balcony of their Krishna Raj bungalow in Mumbai.  As part of his birthday celebration, Ranbir also held a cake-cutting ceremony with the paparazzi outside his Mumbai house. The 'Wake Up Sid' actor was seen wearing a long grey full-sleeve shirt, along with pants, and a pair of stylish sunglasses. Ranbir ended up cutting 3 cakes, one of which was shaped as the number '44'. After this, he even posed for some photographs. Before heading back, he thanked the paparazzi with folded hands. Alia's mother and veteran actress Soni Razdan also wished her son-in-law with a special message on social media. Calling him the “best man in the house”, Soni wrote, “Happy Birthday to the best man in the house. Loads of love and duas always #ranbir”. For those who do not know, Alia and Ranbir reportedly fell for one another while working on Ayan Mukerji's fantasy drama 'Brahmastra'. After dating for a few years, the couple finally tied the knot in an intimate ceremony at their Mumbai home in April 2022. They welcomed their daughter, Raha, on 6 November 2022."},"img":{"url":"https://images.prismic.io/prad/WLeOjqU1yJF2lu62_aliaranbir.JPG?auto=format%2Ccompress&rect=0%2C78%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-28T14:27:00+0000","embed":{"embed_url":null}},"uid":"alia-ranbirs-unseen-love-moments"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Khairatabad Vacancy Officially Declared"},"content":{"text":"The Khairatabad Assembly seat has been officially declared vacant following the disqualification of Danam Nagender as a member of the Telangana Legislative Assembly. The Legislative Assembly issued a gazette notification stating that Nagender stood disqualified with effect from April 23, 2024, under Paragraph 2(1)(a) of the Tenth Schedule read with Article 191(2) of the Constitution. Consequently, the seat stands vacant. Rendla Thirupathi, Secretary to the Legislature, issued the notification dated September 26 in pursuance of the Telangana High Court judgment delivered on September 18. Nagender was elected from Khairatabad in the 2023 Assembly elections as a Bharat Rashtra Samithi (BRS) candidate. He later switched loyalties to the ruling Congress and contested the Lok Sabha elections from Secunderabad constituency on a Congress ticket. Assembly Speaker Gaddam Prasad Kumar had dismissed petitions filed by BRS MLAs and a Bharatiya Janata Party (BJP) MLA seeking Nagender’s disqualification. The petitioners challenged the Speaker’s decision in the High Court. On September 18, a Division Bench of Chief Justice Aparesh Kumar Singh and Justice G.M. Mohiuddin held that Nagender stood disqualified under Paragraph 2(1)(a) of the Tenth Schedule read with Article 191(2) of the Constitution, after contesting the 2024 Lok Sabha elections as a Congress candidate despite being elected as a BRS MLA. The High Court declared the Khairatabad seat vacant. It directed that a copy of its order be communicated to the Secretary of the Telangana Legislative Assembly and the Election Commission of India. The judgment came on petitions filed by BJP Legislature Party leader Alleti Maheshwar Reddy and BRS MLA Padi Kaushik Reddy, challenging the Speaker’s March 11, 2026 decision dismissing the disqualification petitions. The High Court recorded that Nagender was elected as a BRS MLA in December 2023 and subsequently filed his nomination on April 23, 2024, as a Congress candidate for Secunderabad, where he campaigned against the BRS nominee. Nagender approached the Supreme Court challenging the High Court order, but the apex court dismissed his petition, finding no ground to interfere. Meanwhile, Nagender said he was confident he would win the Khairatabad by-election. He told the media that the bypoll result would shock his political opponents. He also said the Special Intensive Revision (SIR) would have no impact on the constituency."},"img":{"url":"https://images.prismic.io/prad/aP3dbrpReVYa3rB5_ecsymbols.JPG?auto=format,compress"},"datetime":"2026-09-28T14:23:00+0000","embed":{"embed_url":null}},"uid":"khairatabad-vacancy-officially-declared"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'The Paradise'"},"content":{"text":"After delivering a major success with Dasara, director Srikanth Odela reunited with Nani for The Paradise, a film that arrived with enormous expectations. The project generated considerable buzz from the beginning, not only because of the successful director-actor combination but also because it reportedly became the first Nani film to cross the ₹100-crore mark in theatrical business.  With a period backdrop, a socially rooted storyline and an intense transformation in Nani’s appearance, the film promised something much bigger than a conventional action drama. Unfortunately, the final product struggles to translate that ambition into compelling cinema. Story: Set against a historical backdrop, The Paradise revolves around a community that continues to remain trapped in oppression even after Hyderabad and Telangana move beyond the era of Nizam rule. The fictional Paradise settlement is controlled for generations by the Malik family, who treat the local population as little more than slaves while denying them even the basic dignity of identity and recognition. Sammakka, played by Sonali Kulkarni, becomes one of the voices challenging this system. Her son Jadal, portrayed by Nani, is forced into a difficult life at a very young age and eventually lands in prison. When he returns, his personal journey becomes intertwined with the larger fight of his community. The central question is whether Jadal can break the cycle of oppression and secure the identity his people have been denied for generations. The premise has considerable potential, but the screenplay fails to extract the emotional and dramatic weight from it. Performances: Nani once again attempts to step outside his familiar image. His distinctive appearance, particularly the long-haired look designed for Jadal, immediately catches attention. Following his striking transformation in Dasara, expectations were naturally high for another unconventional portrayal. Nani carries the rugged appearance convincingly and performs the physically demanding action sequences with commitment. However, the character is written largely around aggression and action, leaving limited room for the actor to explore emotional depth. The film occasionally introduces sentimental moments, but they are not developed strongly enough to create a lasting impact. Mohan Babu plays Malik, a character that was heavily discussed before the film's release. Despite being positioned as a crucial figure in the narrative, the character receives surprisingly limited dramatic weight. Raghav Juyal also makes an impression in the space given to him, but his character is brought to an abrupt end instead of being developed into a stronger force within the story. Sonali Kulkarni's character is central to the film's larger theme, yet the screenplay doesn't provide her enough material to make the emotional struggle truly resonate. Kayadu Lohar's role is largely confined to the romantic and glamour elements. Sampoornesh Babu appears in a supporting part with barely enough dialogue to make an impression. Even the numerous experienced actors in the cast are unable to leave a strong mark because the writing does not give their characters sufficient substance. Technical: Anirudh Ravichander's involvement naturally raised expectations, particularly for the background score. While the music works in isolated stretches, the background score often becomes excessively loud rather than enhancing the emotional intensity of the scenes. A couple of songs stand out, but the soundtrack as a whole does not deliver the impact one might expect from a project of this scale. The cinematography does reasonably well in recreating the period atmosphere. The production design and visual detailing help establish the harsh world in which the characters live. The film carries considerable production value, and the scale is visible on screen. The biggest problem, however, lies in the writing and execution. Srikanth Odela appears to have had a strong central idea but struggles to turn it into a cohesive screenplay. The dialogue, scene construction, pacing and transitions frequently lack the required sharpness. Editing issues further affect the flow, making the lengthy narrative feel more exhausting than immersive. Plus Points: Nani's rugged transformation and performance Kayadu Lohar's presence The pre-interval sequence Production design and period atmosphere A few effective action moments Minus Points: Weak screenplay Underdeveloped characters Uneven pacing Excessive action Limited emotional impact Editing issues Underutilisation of senior actors Analysis: At its core, The Paradise is built around a potentially powerful idea: the fight of an oppressed community for recognition and dignity. The problem is that the film rarely develops this idea with the depth it deserves. Instead of building the characters and their conflicts gradually, the narrative repeatedly falls back on large-scale action and heightened moments. The influence of films such as KGF and Salaar can be felt in the treatment, particularly in the attempt to create a larger-than-life world populated by powerful factions and brutal action. But where those films built their worlds around stronger character motivations and narrative momentum, The Paradise struggles to establish the same emotional connection. The action sequences are undeniably aggressive, but intensity alone cannot compensate for weak storytelling. Several sequences appear designed primarily to shock rather than organically emerge from the story. The violence frequently moves away from realism, while the emotional scenes fail to generate the intended response. The film also introduces powerful-looking antagonists, only to gradually reduce their importance. This weakens the central conflict because the protagonist never gets a consistently formidable opposition. Even the effort to add political and historical references appears more like an attempt to generate additional buzz than something organically integrated into the screenplay. Nani gives the role everything he can, but the performance ultimately depends heavily on the material provided to him. The film clearly wants to present Jadal as an iconic figure, yet the writing does not sufficiently establish the emotional journey necessary to make that transformation convincing. Final Verdict: The Paradise begins with an interesting idea and a promising world, but struggles to turn that foundation into a satisfying cinematic experience. The gap between the film's promotional build-up and the actual content becomes difficult to ignore as the story progresses. Nani's commitment and the film's scale are evident, but they cannot fully compensate for an underdeveloped screenplay and inconsistent execution. What could have been a hard-hitting story about identity, dignity and resistance instead ends up feeling like an action-heavy film searching for an emotional core."},"img":{"url":"https://images.prismic.io/prad/gykUOtmdxL0XVM2y_TheParadise.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-23T20:38:00+0000","embed":{"embed_url":null}},"uid":"review-the-paradise"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Epic'"},"content":{"text":"The combination of Anand Deverakonda and Vaishnavi Chaitanya, who previously delivered a successful outing with Baby, naturally raised expectations around Epic. With the duo returning together, there was considerable curiosity about whether the film could recreate the magic of their earlier collaboration. Unfortunately, while Epic has its share of entertaining moments, it ultimately struggles to live up to the expectations created by its lead pair. Story: Aditya (Anand Deverakonda), the younger son of Chandrasekhar (Shivaji), a government school teacher, is a carefree youngster with little interest in academics but a deep fascination for cinema. Dreaming of becoming a filmmaker, he keeps trying to find his way into the world of movies. However, pressure from his parents eventually forces him to travel to the UK to pursue his education. An innocent, soft-spoken and inexperienced young man, Aditya enters a completely unfamiliar world in the UK. Soon after arriving, he meets Kadali (Vaishnavi Chaitanya), and the encounter gradually brings a significant change in his personality and outlook. Meanwhile, Aditya's family is dealing with its own set of problems back home. Whether Aditya manages to achieve his ambitions, how his relationship with Kadali develops and where his journey eventually takes him form the crux of the story. Performances: Anand Deverakonda once again fits comfortably into the role of an innocent and somewhat naïve youngster. Much like his performance in Baby, he brings a certain vulnerability to the character, though the actor gets an opportunity to display a slightly different shade of the role as the story progresses into the second half. His appearance, body language and dialogue delivery work well for the character. Anand is particularly effective in emotional and romantic sequences, showing noticeable improvement and confidence as a performer. His familiar mannerisms and body language may also remind audiences of his brother Vijay Deverakonda, which could work in favour of his fan base. Overall, Epic gives Anand another opportunity to showcase his acting abilities. Vaishnavi Chaitanya, who delivered a strong performance in Baby, does not get a character with comparable depth here. While she has a few scenes that allow her to demonstrate her acting skills, much of the role remains fairly limited. She gets some glamorous moments and contributes effectively whenever the screenplay gives her room, but the character itself does not offer enough scope for a standout performance. Shivaji is convincing as the middle-class government school teacher and once again settles naturally into the character. The supporting cast performs adequately within the limitations of their respective roles. Technical: Director Aditya Hasan chooses a premise that feels contemporary and relevant to the mindset of the current generation. However, the execution is considerably more conventional. The comedy provides some relief and prevents the screenplay from becoming completely monotonous, but several sequences feel familiar and reminiscent of situations seen in other films. The screenplay could have benefited from greater freshness and stronger character development. The first half works relatively better, largely because of its comic portions, while the second half loses momentum and becomes slower. Hesham Abdul Wahab's music is another weak link. Although a couple of songs are passable, the overall album fails to make a lasting impression. The background score, particularly during emotional sequences, could have played a much stronger role in elevating the impact of the scenes. The cinematography is adequate, though the film could have made better use of the picturesque UK locations. Production values are solid and contribute to the film's overall visual presentation. Analysis: A successful pairing can certainly create initial buzz, but a familiar combination alone cannot guarantee a successful film. What truly works is when a popular combination is backed by strong and engaging content. In Epic, the film's premise appears tailored to the sensibilities of the current generation, but the execution does not consistently match its potential. The director succeeds in extracting some entertaining moments from the comedy and emotional portions. The first half benefits from its humour, while the emotional scenes in the latter portion provide a few engaging moments. However, the romantic track lacks the impact required to make the central relationship truly memorable. The film also needed a sharper screenplay and a more compelling second half to rise above its routine elements. While it may not satisfy viewers expecting another Baby-like outing from Anand Deverakonda and Vaishnavi Chaitanya, Epic can still work as a light, one-time entertainer for those looking for a casual watch. Positives: Comedy First half Anand Deverakonda Vaishnavi Chaitanya Negatives: Slow narration Routine story and screenplay Music Second half Verdict: Epic has enough comedy and a few engaging moments to make it a passable time-pass entertainer, but its routine romantic track, slow narration and underwhelming second half keep it from becoming the memorable film its lead combination promised. Banner: Sithara Entertainments Producer: Suryadevara Naga Vamsi Director: Aditya Hasan Music: Hesham Abdul Wahab Cast: Anand Deverakonda, Vaishnavi Chaitanya, Shivaji, Vasuki, Kalyan Shankar and others"},"img":{"url":"https://images.prismic.io/prad/i5tpcCyZXxZGstkc_EPICreview.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-11T08:51:00+0000","embed":{"embed_url":null}},"uid":"review-epic"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Haiwaan'"},"content":{"text":"Haiwaan builds its strongest moments around two accomplished actors standing on opposite sides of a conflict. Directed by Priyadarshan, the psychological action crime thriller brings Akshay Kumar and Saif Ali Khan together after 18 years, and their reunion is easily one of the film’s biggest strengths. At its core, the film is a tense game of cat and mouse between a dangerous antagonist and a visually impaired man who must rely on instinct, intelligence and resilience to survive. Akshay Kumar is the first major talking point, delivering what could easily be described as one of his darkest and most menacing performances to date. As Parshuram, he does not play the villain in the conventional, loud Bollywood manner. Instead, there is an unsettling calmness to his performance. Akshay gives Parshuram a sense of conviction and unpredictability that makes it difficult to anticipate his next move. His body language, controlled expressions and measured intensity establish the character as genuinely dangerous. There is a quiet menace running through the performance, making Parshuram one of Akshay’s standout negative roles. Saif Ali Khan is equally compelling as Shyam, a visually impaired man who finds himself caught in an increasingly dangerous situation. What stands out about Saif’s performance is the restraint. He does not exaggerate the character’s blindness or turn it into a theatrical device. Instead, Shyam’s vulnerability exists alongside his intelligence, determination and heightened instincts. Saif allows us to understand the challenges Shyam faces without ever making him seem helpless. His performance becomes particularly effective in the confrontational scenes with Akshay. That brings us to the film’s biggest hook — the Akshay Kumar and Saif Ali Khan face-off. Their scenes provide some of Haiwaan’s most thrilling moments because the conflict is not merely physical; there is a strong psychological element to their encounters. Parshuram has physical menace, confidence and an apparent ability to control situations, while Shyam has to depend on instinct, intelligence and resilience. The contrast creates genuine tension. Their standoff gives Haiwaan its dramatic pulse and keeps the audience invested in their battle. A major surprise comes from Paahal Chaudhary, who emerges as one of the film’s biggest revelations. The young actor delivers an outstanding and remarkably assured performance. Paahal brings vulnerability and sincerity to the role without allowing the character to become merely a plot device. Her presence adds emotional stakes to the thriller and makes the audience more invested in what happens to the characters. She holds her own impressively alongside an established cast and becomes an important emotional centre of the story. The supporting cast adds further weight to the narrative. Saiyami Kher, Shriya Pilgaonkar and Boman Irani bring sincerity and conviction to their respective roles, while Sharib Hashmi is effective as the police officer and fits naturally into the investigative world of the film. The return of veteran actor Asrani is particularly heartwarming. He delivers another memorable performance, and his final on-screen appearance gives his presence an added emotional significance. Priyadarshan demonstrates once again why he remains such a dependable filmmaker when it comes to commercial storytelling. With Haiwaan marking his 98th film, he understands how to balance emotion, drama, suspense and mainstream entertainment without allowing one element to overpower the others. At 2 hours and 44 minutes, the film is certainly long, but it rarely feels as though the material is being unnecessarily stretched. The performances, confrontations and steady progression of the thriller keep the narrative moving. The background score deserves special mention for the role it plays in sustaining that momentum. The BGM consistently keeps the tension alive and gives the film the atmospheric quality required of a thriller. It works particularly well during confrontational sequences, adding anticipation without overpowering the performances. The soundscape works hand-in-hand with Priyadarshan’s direction and ensures that the film retains its thriller pulse. Pritam’s music is also integrated thoughtfully into the narrative. Mere Hero Hai Woh adds an emotional dimension, while Rangiyaara works particularly well during the travel portions. The songs complement the mood and allow the film to breathe while remaining connected to the narrative. They never feel completely disconnected from the storytelling. The fact that Haiwaan is adapted from Priyadarshan’s Malayalam thriller Oppam will naturally be known to audiences familiar with the original. However, the Hindi adaptation brings its own treatment, staging and commercial flavour to the material. The performances give the story fresh energy, while Priyadarshan’s direction ensures that it remains accessible as a Hindi theatrical thriller. Mohanlal’s special appearance, reprising his presence from the original, is also a welcome touch for fans of Oppam and provides a meaningful connection between the two films. The film also benefits from a clear central conflict. The screenplay does not bury the emotional stakes under unnecessary complications, allowing the audience to understand what is at risk while the suspense builds naturally. What makes the performances stand out is the contrast in their approaches. Akshay creates danger through stillness and unpredictability, while Saif creates tension through observation and restraint. That difference gives their scenes texture and prevents the conflict from becoming a routine hero-versus-villain battle. The audience is constantly waiting for the next move, which is where the film finds its strongest rhythm. For a film carrying the weight of a star reunion, Haiwaan also avoids becoming solely about that reunion. Akshay and Saif are undoubtedly the centre of attention, but the surrounding characters and emotional stakes are given enough room to matter. Haiwaan works because its strongest elements come together effectively. Akshay’s Parshuram provides the menace, Saif’s Shyam supplies the emotional and human core, and Paahal Chaudhary adds an unexpected layer of vulnerability. The supporting performances strengthen the world around them, while Priyadarshan keeps the suspense alive. The gripping background score further enhances the atmosphere, and the music sits naturally within the narrative. Haiwaan is a theatrical thriller that gets its most important ingredients right. Akshay Kumar gets one of his most compelling negative roles, Saif Ali Khan brings depth and restraint to a challenging character, and Paahal Chaudhary proves to be a genuine revelation. But it is the Akshay-Saif confrontation that remains the film’s beating heart.  Priyadarshan’s assured direction keeps the tension intact and successfully balances suspense, emotion, drama and mainstream entertainment. Haiwaan may draw from familiar material, but its performances, atmosphere and execution give it enough conviction to work as a satisfying big-screen experience. Director – Priyadarshan, Cast:  Saif Ali Khan, Akshay Kumar, Boman Irani, Shriya Pilgaonkar, Saiyami Kher, Mohanlal, Asrani, Sharib Hashmi And Others"},"img":{"url":"https://images.prismic.io/prad/pcf8OeUE1gPChq-9_HaiwaanJ.JPG?auto=format%2Ccompress&rect=0%2C42%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-11T05:04:00+0000","embed":{"embed_url":null}},"uid":"review-haiwaan"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Sardar 2’ "},"content":{"text":"Karthi has built a strong following across both Tamil and Telugu audiences, and the success of Sardar naturally created considerable anticipation for its sequel. With Sardar 2, director P. S. Mithran attempts to expand the franchise into a larger and more intense espionage-action space. The film carries forward the narrative from the first instalment while introducing a new threat and a fresh mission. On paper, the ingredients suggest a potentially engaging spy thriller. However, the execution falls short of the expectations created by its predecessor, with an uneven screenplay and excessive padding preventing the film from achieving the impact it aims for. Story: The sequel picks up from where Sardar left off. After reports emerge that Sardar, played by Karthi, has been shot dead in China, the focus shifts to his son Vijay, also portrayed by Karthi, who works as a RAW agent. Vijay does not enjoy much support from his superiors, but that does not stop him from taking matters into his own hands. He launches an unauthorised operation to rescue Walrus, played by Achyuth Kumar.  Although Vijay fails to save him, the mission leaves him with crucial information about a dangerous operation known as ‘DO’. His investigation leads him towards Black Dagger, played by S. J. Suryah, and a larger conspiracy that threatens the country. The mystery surrounding Black Dagger, his motives and the purpose of Operation DO forms the central conflict.  While the premise has the potential for a gripping espionage drama, the narrative takes too long to build momentum and struggles to maintain suspense. Performences: Karthi remains the film’s biggest asset. The actor handles the two contrasting shades of his characters with confidence, bringing gravitas to Sardar while giving Vijay a more youthful and jovial personality. The difference between the two roles allows Karthi to display considerable range, and his energetic performance keeps several sequences watchable even when the writing falters.  S. J. Suryah once again proves effective as a villain, bringing an unsettling intensity to Black Dagger and making some of his scenes genuinely menacing.  Malavika Mohanan has limited scope but makes an impression in the portions available to her, while Ashika Ranganath gets only a few opportunities to showcase her acting abilities.  Yogi Babu provides comic relief, though some of the humour feels artificially inserted into the otherwise serious narrative. c oy-e remaining cast members are adequate within their respective roles. Technical: The film does not consistently live up to its big-budget positioning. The background score is particularly disappointing, with similar musical patterns repeatedly used during the action sequences. At several points, the music becomes excessively loud and threatens to overpower the scenes instead of complementing them. The cinematography fares better, with certain sequences gaining visual appeal from the camera work.  The production design and overall scale are reasonably impressive, but these positives are undermined by the film’s editing. Several portions feel unnecessarily prolonged, particularly during the first half, and a tighter cut could have significantly improved the pacing. The second half makes a more determined attempt to generate intrigue and urgency, but the screenplay never quite develops the momentum required for a satisfying payoff. Analysis: The fundamental problem with Sardar 2 is that it arrives as the follow-up to a successful film. A sequel is expected not merely to continue the story but to raise the stakes and offer audiences something more compelling than what they have already seen. Here, the connection to the first film is maintained while the new storyline remains accessible even to those unfamiliar with the earlier instalment. Yet the basic espionage framework feels familiar, and the film needed sharper writing and more inventive storytelling to make its premise stand out. Instead, the slow stretches, forced comedy and inconsistent screenplay repeatedly take the edge off the narrative. Ultimately, Sardar 2 has a capable lead, an interesting central idea and a few effective performances, but it lacks the tight writing and controlled execution required for a high-impact spy thriller. Karthi’s dual-role performance is undoubtedly a plus, and the core storyline offers enough material for an engaging franchise film. However, the sequel never fully capitalises on those strengths. For audiences expecting a more powerful follow-up to Sardar, the film is likely to feel like a missed opportunity. Positives:  Karthi’s dual performance Basic storyline S. J. Suryah’s villainous act Negatives:  Slow first half Forced comedy Weak background score Uneven editing Inconsistent screenplay Final Verdict:  Sardar 2 has the scale, star power and premise of a promising spy-action franchise, but its lacklustre screenplay and uneven execution keep it from matching the impact of the original. Banner: Prince Pictures, IVY Entertainment Producers: S. Lakshman Kumar, Ishan Saksena Director: P. S. Mithran Music: Sam C. S. Cast: Karthi, Malavika Mohanan, S. J. Suryah, Ashika Ranganath, Yogi Babu and others "},"img":{"url":"https://images.prismic.io/prad/YJ_CQhIc2-axaebY_SARDARReview2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-10T07:32:00+0000","embed":{"embed_url":null}},"uid":"review-sardar-2-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Toxic'"},"content":{"text":"After delivering the massive success of KGF, Yash took considerable time before announcing his next project. He reportedly heard several scripts and met numerous filmmakers before finally joining hands with Geetu Mohandas for Toxic: A Fairy Tale for Grown-Ups. The collaboration itself raised eyebrows, with many wondering how Mohandas’ filmmaking sensibilities would blend with Yash’s larger-than-life action image. The result is an ambitious gangster action drama that aims for the scale and intensity of KGF, but struggles to match its emotional impact. Story: Set against the backdrop of Goa in 1947, the film revolves around a powerful drug and underworld network led by Salvador, a feared gang lord. Raya (Yash) and Ganga (Nayanthara), who are siblings, are among his most trusted associates. Ganga dreams of seeing her younger brother rise to the top of Goa’s drug empire. Raya’s life takes an unexpected turn when he falls in love with Salvador’s daughter, Rebecca (Tara Sutaria), and marries her. This eventually helps him become the head of the drug syndicate, fulfilling Ganga’s long-standing ambition. However, Raya later develops feelings for Nadia (Kiara Advani), a circus performer. Their relationship leads to Nadia’s pregnancy and creates a devastating conflict after Rebecca discovers the affair. Overcome by the situation, Rebecca takes her own life. The central conflict then revolves around Salvador’s reaction and Ganga’s desperate attempts to protect her brother from his wrath. Performances: Yash delivers a convincing performance as Raya and carries much of the film on his shoulders. However, the screenplay is so heavily centred on his character that several supporting roles fail to make a lasting impact. Some of his action sequences also feel exaggerated, with the hero overpowering villains almost effortlessly. While his emotional moments work reasonably well, the action lacks the grounded quality needed to make the violence feel convincing. Nayanthara gets a powerful character as Ganga, but the writing does not provide her with enough substantial scenes. She makes an impression whenever she appears, despite having limited material. Kiara Advani, unfortunately, has little scope to demonstrate her acting abilities, with her character largely confined to glamour and romance. Tara Sutaria fares better, delivering a natural performance in several emotional sequences. The remaining cast members are adequate within the limitations of their respective roles. Technical: Geetu Mohandas deserves credit for attempting a dark and ambitious gangster drama, but the execution falls short of the potential of the premise. The screenplay repeatedly relies on elaborate action sequences, seemingly assuming that Yash’s screen presence and large-scale set pieces alone will sustain the film. Considerably more attention is given to the protagonist than to the development of the supporting characters. The dubbing is another noticeable weakness, occasionally giving the film the feel of a dubbed production rather than a seamless multilingual project. The cinematography is impressive and succeeds in creating the required visual scale. However, the background score does not leave a strong impact. Ravi Basrur’s music fails to live up to expectations, while the songs struggle to connect because of their placement within the romantic portions. Editing is one of the film’s major drawbacks, particularly in the second half, where several sequences feel unnecessarily stretched. The production values, however, remain impressive and contribute to the film’s grand visual presentation. Analysis: The biggest challenge for Toxic was always going to be the enormous expectations surrounding Yash after KGF. Audiences naturally expected another high-octane action spectacle, and the film clearly attempts to recreate that larger-than-life formula. But KGF worked not merely because of its action; its emotional core gave the spectacle considerable weight. Toxic struggles in that department. The film repeatedly prioritises action, violence and glamour while failing to build sufficiently strong emotional connections with its characters. The result is a movie that looks ambitious but often feels emotionally hollow. The excessive romantic and adult-oriented content may also alienate a significant section of family audiences. Instead of complementing the gangster narrative, several such sequences feel unnecessarily provocative and distract from the core story. The film appears determined to push its mature tone, but the approach does not always feel organic to the narrative. Ultimately, Toxic showcases Yash’s immense screen presence and delivers a few visually striking action sequences, but it falls short of replicating the emotional resonance that made KGF such a phenomenon. The attempt to create another massive Yash action vehicle is evident, yet the absence of a compelling emotional backbone prevents the film from reaching its full potential. Plus Points: Yash’s performance Tara Sutaria’s natural acting A few well-executed action sequences Grand production values Impressive cinematography Minus Points: Weak story and screenplay Limited depth for supporting characters Excessive romance and adult content Over-the-top action in places Underwhelming music and background score Slow and stretched second half Dubbing issues Verdict: Toxic sets out to deliver another KGF-style action extravaganza but misses the emotional ingredient that made Yash’s previous blockbuster so effective. Despite its scale, star power and flashes of impressive action, the film struggles to create a satisfying overall impact. Final Take: Another KGF was attempted, but the emotion is missing. Banner: KVN Productions Producer: Venkat K. Narayana Director: Geethu Mohandas Music: Ravi Basrur Cast: Yash, Kiara Advani, Nayanthara, Huma Qureshi, Tara Sutaria, Rukmini Vasanth, Sudev and others"},"img":{"url":"https://images.prismic.io/prad/E2UJr6qTDfzc_kvt_TOXIC.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-26T07:45:00+0000","embed":{"embed_url":null}},"uid":"review-toxic"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Irumudi'"},"content":{"text":"It has been a long time since Mass Maharaja Ravi Teja scored a hit. At a time when his fans were also giving up hope on Ravi Teja, expectations have increased hugely on the film directed by Shiva Nirvana, who is known as a sensible director. A positive buzz has been created for Ravi Teja's film like never before and huge advance bookings have been registered. Let's see how this film is in this review. Story: Trinath (Ravi Teja) is a devotee of Ayyappa. He wears an Ayyappa garland every year. Trinath, who is very devoted when he wears a garland, cannot stop drinking when he does not have one. No matter how much he drinks, he takes good care of his wife Kaveri (Priya Bhavani Shankar) and daughter Manikantha (Baby Nakshatra), leads a happy life with them, and works in the banana plantation. Trinath, who lives in a village, loves his daughter. He takes care of every girl in the village and is the first to come to his aid if any danger comes to them. At such a time, a girl studying in high school is murdered. What changes does Trinath's life bring about with that murder? Why does Trinath swear to his daughter that he will stop drinking? What else does Trinath do for his daughter is the story of the film. Actors' Performance: Everyone who acted in the film acted very well. Ravi Teja, as always, acted with full energy and impressed. Especially in the action scenes and sentimental scenes with his daughter, Ravi Teja acted very well. Ravi Teja appeared for the first time in Ayyappa Mala. As expected, Ravi Teja impressed in the devotional scenes as well. Overall, he carried the film on his shoulders and carried it forward, impressing everyone including the fans. Heroine Priya Bhavani Shankar acted as if she had a good future. She was seen in a de-glamor look in this film. Still, she impressed in terms of looks. Apart from that, she impressed with her acting. In recent times, we have been seeing the level of importance given to the acting of heroines. It has been proven once again that heroines will create dust if they get roles that have potential for acting. There is no doubt that Baby Nakshatra has given life to the film. Ajay Ghosh and Sai Kumar impressed with their roles. Technical: Music director GV Prakash Kumar impressed with the background score. The theater was rocked by the song Mallepula Pallaki. However, it must be said that the credit does not go to GV Prakash. The other songs are mediocre. The more GV lifts the film with the background score, the more it lifts it. Director Shiva Nirvana's writing is good. Some dialogues are touching, while some scenes are like the best of Ravi Teja's career. Overall, the director has succeeded in all respects. There are no major mistakes in editing. It would have been even better if some scenes in the second half had been cut to three or four minutes. The cinematography is good. The beauty of the village has been shown well. There is no compromise in the structural values. Analysis: Director Shiva Nirvana has conveyed the point he wanted to convey with devotion and sentiments. The director has shown the injustice being done to girls in the current society well. Apart from that, there is no doubt that he has made a good decision in choosing Ravi Teja for this film and taking Ayyappa Mala as the backdrop. Ravi Teja has never done such roles in the past. That is why there is a concern about how he will be seen in this film, how the character will be, and how the film will be. After watching the film, it feels like we are seeing Trinath instead of Ravi Teja. The director has taken us into the film in a very short time. This film can be called a movie with good sentiment and devotion along with entertainment. Ravi Teja's films have been criticized for a long time in the industry. There is no doubt that this film is the answer to all of them. It went like an all-round movie. Plus points: Ravi Teja, Other Actors' Performances, Mallepula Pallaki Song, Action Sequences Minus points: Some Emotional Scenes Final Verdict:  Ravi Teja tied 'Irumudi' to Ayyappa and scored a hit Banner: Mythri Movie Makers Producer: Naveen Yerneni, Y Ravi Shankar Director: Shiva Nirvana Music: G.V. Prakash Kumar Cast: Ravi Teja, Priya Bhavani Shankar, Sai Kumar, Baby Nakshatra, Ajay Ghosh and others"},"img":{"url":"https://images.prismic.io/prad/HcTr2KkaiWO37ssK_irumudi.jpg?auto=format,compress"},"datetime":"2026-08-21T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-irumudi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Awarapan 2'"},"content":{"text":"Some characters become so closely associated with an actor that bringing them back after nearly two decades is a risky proposition. Shivam Pandit is one such character for Emraan Hashmi. Awarapan 2 takes that risk and, for the most part, understands why the 2007 film became a cult favourite. Directed by Nitin Kakkar, the film picks up the emotional thread of the original rather than simply recreating it. Shivam is still carrying the memory of Aaliyah when he comes across an abandoned infant girl at her grave. He takes her to an orphanage, quietly pays for her care and names her Aaliyah. When a couple later adopts the girl, Shivam convinces himself that giving her a family is the right thing to do. He soon discovers that they are connected to an international child-trafficking syndicate, and when Interpol tells him that Aaliyah has been abducted, the man who had walked away from the criminal world has no choice but to return. That premise gives Awarapan 2 a natural reason to bring Shivam back rather than forcing a reunion for nostalgia's sake. Interpol wants his help in taking down the syndicate, but Shivam's motivation is much more personal. His guilt over Aaliyah and his inability to protect her pull him back into the world he desperately wanted to leave behind. This is where the sequel expands the franchise. The first Awarapan was raw, intimate and deeply rooted in Shivam's personal transformation. The new film moves from that compact moral awakening into a larger crime thriller involving trafficking, organised crime, revenge and sacrifice. The scale is bigger, the action is more prominent and the storytelling is designed for a theatrical audience, but the emotional core remains Shivam's search for redemption. The narrative has moved from 2007 to 2026, and this genuinely feels like the next chapter rather than a film simply borrowing the name of a beloved original. A major part of that evolution comes from Vishesh Bhatt. As the co-producer of Awarapan and now the writer-producer behind Awarapan 2, Bhatt's vision of turning Awarapan into a franchise is central to the film. This isn't just a sequel made because the first film developed a cult following. There is a clear attempt to build the next chapter of Shivam Pandit's story while retaining the emotional and musical DNA of Vishesh Films. Bhatt's creative direction gives the film its larger ambition, with Kakkar and the entire team following that lead. The collaboration between Emraan Hashmi and Vishesh Films remains one of the film's strongest forces. Emraan, unsurprisingly, is the film's biggest strength, but the supporting characters deserve attention. Disha Patani plays Zara, a woman who becomes an unintentional victim of the criminal world surrounding her family. Her brother Zorawar, played by Puran Gabbi, is involved in the drug trade, and the film uses their relationship to show how crime can trap people who never chose that life. Patani gets a stronger dramatic focus and brings a vulnerability that gives Zara's portions emotional weight. Gabbi is one of the film's discoveries, bringing an unpredictability that makes Zorawar stand out without turning him into a standard gangster caricature. Shabana Azmi as Nafisa brings the expected gravitas, while Suvinder Vicky as Jaideep, Vijayant Kohli as Mehmood, Atul Kumar as Samarth and Aniruddh Rawal as Sikandar add further layers to the criminal and investigative world around Shivam. The music is where Awarapan 2 makes perhaps its most important connection with the original. Mithoon, Amaal Mallik and Jeet Gannguli carry forward the musical identity of the franchise, with lyrics by Sayeed Quadri and Rashmi Virag. The returning favourites \"Tera Mera Rishta\" and \"Toh Phir Aao\" have been reimagined by Mithoon, while \"Yeh Awarapan\", sung by Arijit Singh, adds another emotional layer. But the soundtrack is not simply a collection of songs designed to trigger nostalgia. The music is integral to the story. It carries Shivam's emotional state, builds the atmosphere and becomes part of the film's narrative language. This is also a soundtrack that deserves to be experienced in a theatre, where the sound design, scale of the compositions and visuals create a different audio-visual experience. The film also makes its marketing campaign look smarter once the story unfolds. Some of what has been shown and teased begins to make sense only after watching it, and there are elements of the narrative better experienced without knowing too much beforehand. Awarapan 2 is not merely selling the return of Emraan Hashmi or the nostalgia of its music. It is attempting to make audiences curious about what happened to Shivam and where his story goes next. The big-screen presentation adds to that appeal. Awarapan 2 succeeds because it respects where the franchise came from without pretending that cinema hasn't changed since 2007. It is bigger, more ambitious and more conventional as a thriller than the original, but it retains the grief, rage, sacrifice and search for redemption that made Shivam Pandit memorable. Vishesh Bhatt's franchise vision, Vishesh Films' creative identity, Nitin Kakkar's direction, Bilal Siddiqui's writing and Emraan Hashmi's return all work toward the same goal: taking Shivam's story forward rather than simply repeating it. Disha Patani gets a meaningful role, Puran Gabbi emerges as a genuine discovery, the supporting cast adds weight and the music remains an essential part of the experience. It may not have the same bleak intimacy as Awarapan, but that isn't what this film is trying to be. This is the 2026 chapter of Shivam Pandit's journey much bigger, louder and still carrying the same old wound. Director: Nitin Kakkar,  Cast: Emraan Hashmi, Disha Patani, Shabana Azmi, Puran Gabbi, Suvinder Vicky and others"},"img":{"url":"https://images.prismic.io/prad/nH0_7NckLLpkJ8vL_awarapan2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T04:07:00+0000","embed":{"embed_url":null}},"uid":"review-awarapan-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishwanath and Sons'"},"content":{"text":"Despite being a Tamil hero, Surya is a hero who has a good craze in Telugu. Telugu audiences have raised their expectations as soon as he says that he is working with a Telugu director. The film Surya, which was made in a Telugu production company and directed by a Telugu director, was promoted as a Telugu film. Let's see how this film, which has huge expectations among the audience, is doing in this review. Story: Sanjay Vishwanath (Surya) is a big businessman. Sanjay, who has everything, is not interested in marriage. But his mother (Radhika) insists on marriage and having a family. Sanjay becomes a father to a baby boy through surrogacy for his mother. While he is happy with Babu, unexpected developments take place. Babu develops serious health problems. Babu needs bone marrow. Then Sanjay goes to Maddy (Mamita Baiju), who is in the US. She has to give the bone marrow to Babu. 22-year-old Maddy, who came for Babu, falls in love with 42-year-old Sanjay. Where did that love lead? Who is Maddy really? You have to watch the movie to know these things. Performance: There is no need to mention the performance of the hero Surya. Millionaire Sanjay Vishwanath impressed in the role. Surya scored 100 out of 100 marks in showing that modesty. Surya impressed in a role that shows love while appearing serious in some scenes. Overall, there is no doubt that Sanjay Vishwanath brought the character to life. Fans enjoyed the shades of Surya's character. Surya impressed with his 40+ age look. Maddy's role is very crucial in the movie. The entire first half is based on that character. Mamita Baiju appeared in the role of an orphan with no one. Generally, any heroine would look good in the role of a naughty girl. But Mamita in the role of Maddy made me laugh, cry, and get angry. She was the main attraction of the film. It seemed that Maddy's role would have been better in the second half as well. Radhika impressed in the role of Sanjay's mother. She seemed to have transformed into a small child and acted. The other actors acted and impressed within the scope of their roles. Technical: It seemed that the music director focused more on the background score than on the songs. It must be said that his hard work was rewarded. Because the background score came out well. It led some scenes in an impressive way. Let's talk about cinematography. Generally, it is easy to show the beauty of the village, but to bring a rich family look, cinematography has more work. That work is good. It would have been better if the director had worked more on the second half. The structural values ​​are good. Editing needs to be improved in the second half. Plus points: Mamita Baiju Surya Entertainment Some sentimental scenes Minus points: Second half Fights Analysis: Director Venky seems to have come up with a mature story once again. However, this time, the addition of a love story made it a youthful entertainer. Especially in the first half, the scenes with the heroine should definitely make the audience fall in love. The scenes between the hero and heroine make you laugh on one side and cry on the other. Although the second half seemed to be a bit sentimental, it ended on a positive note. There is no doubt that if the first half was as entertaining as the second half, it would have been even better if it had been more entertaining along with sentiment. Overall, this film can be watched for the heroine Mamita Baiju and for the sentimental scenes. Finally... The first half is fun, the second half is balanced with emotion. Banner: Sitara Entertainments Producer: Suryadevara Nagavamsi Director: Venky Atluri Music: G.V. Prakash Kumar Cast: Surya, Mamita Baiju, Radhika Sarath Kumar, Raveena Tandon, Nassar, Sudha and others"},"img":{"url":"https://images.prismic.io/prad/ahgA9bK9tuLqENie_vishwanathandsons.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T07:46:00+0000","embed":{"embed_url":null}},"uid":"review-vishwanath-and-sons"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Korean Kanakaraju'"},"content":{"text":"Mega hero Varun Tej, who has been greeting the audience with a series of films, has once again come to the Telugu audience with a different concept. This time, he has come to the audience with a Korean ghost concept like never before. He has attracted everyone's attention by coming to the audience with a ghost concept.  A large-scale publicity program was organized before the release. With that, a huge buzz was created. Let's see if the movie lives up to that buzz in the review. Story: Kanakaraju (Varun Tej) from Penukonda area leads a smooth life. He falls in love with Chaitra (Rithika), who works for Kia car companies. An angry Kanakaraju has a fight with a local rowdy gang. At that time, in the wake of unforeseen developments, the ashes of a person from Korea arrive in India. They reach Penugonda. The soul of the deceased Korean man enters Kanakaraju's body. Why did that soul enter Kanakaraju's body and what happens next is the rest of the story. Actors' performance: Varun Tej seems to have done 100 percent justice to the character of Kanakaraju. There is no doubt that he acted as if the angry Kanakaraju was really in front of us, and there is no doubt that the way he spoke in Korean when the Korean soul entered him took Varun's acting to another level. Varun, who maintained a good physique to match the character, also impressed with his comedy timing. It is no exaggeration to say that Varun has never done this level of comedy before. Varun impressed with his acting in the action scenes, but he could not do much with his dance. Heroine Rithika impressed with her cute looks. However, despite the importance of her role in the story, she did not get much opportunity to appear in the screenplay. The scenes with Satya were good, but Satya's dominance is clearly visible in it. Rithika impressed in two or three scenes along with her cute beauty display.  Comedian Satya appeared on the screen more than the second hero. At the same time, he impressed with his comedy. Overall, Satya's comedy was the main attraction in the film. Those who played the rest of the characters did not seem to care. Technical: The songs provided by music director Thaman seemed mediocre, but the background score was good here and there. Thaman impressed in some horror scenes. Overall, it must be said that Thaman's work is not up to his level. It would have been better if the songs were two or three good. The cinematography seems to be okay. It seemed like the focus on action scenes was reduced in order to show Korean beauties. The heroine was shown as cute. More care should have been taken in the matter of hero elevation. It would have been better if director Gandhi had rewritten the story and given a different treatment to the screenplay. The production values ​​are good. There is a possibility of trimming some of the second-off scenes. Analysis: The main attraction of the movie is the concept. It seems that director Gandhi has not been completely successful in carrying out that concept with a proper screenplay. However, he has brought the movie to a close with comedy. It is commendable that the director has chosen Satya for that role with full faith. The comedy has the potential to make the movie closer to the family audience. Since there have been no movies with the concept of a Korean ghost movie so far, this movie is sure to feel new. Director Gandhi has a reputation for making different movies.. This movie is a continuation of that. Varun Tej has fully fulfilled the responsibility assigned to him. It would have been better if he had thought better about the screenplay and worked out the horror scenes. The graphics seem poor. It seems like it was made using AI technology. Plus points: Concept, Hero heroine, True comedy Minus points: Routine horror, Graphics, Korean language. Finally... A routine horror drama that will please mega fans Banner: UV Creations Director: Merlapaka Gandhi Producer: Vamsi, Pramod Music: Thaman Cast: Varun Tej, Rithika Nayak, Satya and others"},"img":{"url":"https://images.prismic.io/prad/Ui6FbufwpUs86SxR_KoreanKanakaraju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-07T06:59:00+0000","embed":{"embed_url":null}},"uid":"review-korean-kanakaraju"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Chennai Love Story'"},"content":{"text":"Small films are having a good time in Tollywood. The makers have been repeatedly saying that they are bringing this film to the audience as a content-oriented film, in the wake of the huge success of making content-oriented films. The makers who gave a super hit film like Baby have brought this film to the audience. Let's see how this film, which was released today, is like in the review. Story: Niv (Sri Gauri), who wanted to fall in love and get married, is unexpectedly cheated by her boyfriend Ajay (Trigun). He leaves her by saying that he loves another girl before the wedding. With that, Nivi turns into a lady Devadasu and becomes addicted to drinking. At that time, her friends take her to Chennai and try to change her a little. But her behavior does not change. That's when Steven Shankar (Kiran Abbavaram) steps into Chennai to show his mettle as a director. Friends help Shankar, an orphan, and allow him to stay in their room. The room is close to Nivi. At first, Shankar's words used to irritate Nivi. Slowly, she gets closer to him. Love blossoms between the two. But amidst unpredictable developments, their love runs into a problem. What is that problem and will the two meet again is the plot. Acting: Kiran Abbavaram impressed with his good acting, like in the past, he impressed with his looks as if he was the boy next door. Playing the role of an innocent person is not an easy thing. But Kiran Abbavaram played the role very easily. Kiran Abbavaram showed well in this role what an innocent person who steps into Chennai with an effort to impress the director would be like. There is no doubt that this heroine Gowry Priya  is the most crucial role in the story. She has done complete justice to her role. Siri Hanumanthu has once again impressed with her acting in a good role. She is likely to get more good roles in the future. Those who played other roles impressed within the scope of their roles. Technical: When the director thought that the story was being handled well, he tried to say something new by saying Atma Paramatma in the second half. It must be said that it failed. In terms of screenplay, the second half failed. The music was impressive, especially the background score was impressive. Manisharma once again showed his magic. Cinematography is good. There is no doubt that cinematography has definitely been useful in showing the beauty of Chennai. The dialogues are good. There are some flaws in the editing, and there is still work to be done in the second half. The structural values ​​are according to the story. Plus points: Hero, heroine acting, Manisharma's background score First off Minus points: Second half, Routine screenplay. Analysis: Producer Sai Rajesh has been making comments in several media conferences and interviews that this film is definitely a baby range cult love story, but it doesn't seem like it has any scenes. While you think that the first half of the film will be smooth and interesting, he made the second half boring by adding unnecessary elements. If the same love story had been continued simply, the second half would definitely have been a good talk. Hero Kiran Abbavaram impressed with his good performance. The audience will definitely appreciate him, and heroine Gauri also did full justice to her role. Gauri impressed in the role of a drunkard and Lady Devadasu, but it must be said that the screen did not match their performance. Overall, Chennai Love Story turned out to be an average love story. Finally... It makes feel like going all the way to Chennai for this love story Banner: Mass Movie Makers Producer: SKN, Sai Rajesh Director: Ravi Namburu Music: Mani Sharma Cast: Kiran Abbavaram, Gowri Priya, Siri and others"},"img":{"url":"https://images.prismic.io/prad/0yN9tZHPaAuq2hyg_CLS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T08:01:00+0000","embed":{"embed_url":null}},"uid":"review-chennai-love-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Jana Nayakudu' "},"content":{"text":"Expectations have increased among all sections of the audience on the film Jana Nayaku, which was advertised as the last film of Tamil superstar Vijay. Although it was not officially announced that it is a remake of the film Bhagwant Kesari, which came in the combo of Balakrishna and Anil Ravipudi, the makers have been unofficially saying it.  This film, which was delayed a lot due to Tamil Nadu politics, made a royal entry without any problems as Vijay became the CM of Tamil Nadu. And how is this film? Will the audience like this story again in Telugu? Let's see in this review. Story: Vetri Kondan's (Vijay) mother dies in jail. Out of humanity, the jailer releases Vetri Kondan on parole and sends him out to see his mother for the last time. When Vetri is sent out, the jailer gets into a big problem. Vetri Kondan learns that the jailer who helped him is in trouble, and goes to his house. In the wake of unexpected developments, the jailer dies. His only daughter, Viji (Mamita Baiju), becomes an orphan.  The jailer who helped him looks after his daughter and wants to make her an army officer. But Viji says she will not join the army out of fear. Why does Vetri want to send Viji to the army? Will Viji finally join the army? What difficulties will Vetri face in doing so? This is the story. Performance: There is no need to mention anything special about Superstar Vijay's performance. Just as Balakrishna adapted to the role in Bhagwant Kesari, there is no doubt that Vijay also adapted to the role of Vetri. The screenplay was such that the entire story of the film was carried on his shoulders. Even so, Vijay acted well in every scene without giving up. There is no doubt that he impressed with his comedy timing. His fans will enjoy the action scenes to the fullest. Now that he is the CM, he has tried to show Vijay in that angle as well, which is a feast for the eyes of the fans. Since this is Vijay's last film, it seems that he gave his best. Pooja Hegde, who played the heroine, does not have much screen presence. It must be said that Pooja Hegde's screen presence is less than what Kajal Aggarwal's role was in the original Telugu version. Mamita Baiju played the role of Viji, played by Srileela in Telugu and got good marks. It seemed that Mamita did Viji's role even better than Srileela. Along with impressive looks, the two heroines gave good expressions to suit their roles. However, Pooja Hegde's role did not get priority. Mamita impressed as much as she did. Bobby Deol impressed in terms of looks. It would have been better if he had been shown as a stronger and better villain. Since the villain role was not given priority in the story, Bobby Deol's performance became like water poured on ashes. Technical: Director H Vinod tried to make the Telugu story as it is and add Tamil flavor to the screenplay. He made the story without making many changes in the first half. However, when it came to the second half, he made many changes. The entire screenplay changed as if it was a new story. Vijay's character also left the audience in a bit of a quandary. There is nothing much to say about the music. Anirudh, as usual, gave a good background score to Vijay's film. But since the songs did not have much scope, Anirudh's work did not come out much.  The cinematography is good. The cinematography is definitely good in elevating the action scenes. There are errors in the editing. Some scenes in the second half, especially the villain scenes, could have been trimmed. It would have been better if the heroine scenes that are not part of the story were also trimmed a bit. The production values ​​are good. The story was produced with added weight without detracting from it. Plus points: Vijay, Some Action Scenes, Mamita Baiju Minus points: Story, screenplay, Being a familiar story, Second half, Villain role. Analysis: The film Jana Nayakkudu, which was supposed to be released early this year, did not see its release due to censor problems due to Tamil Nadu politics. Officials said that permission could not be given for the release of the film in the wake of the assembly elections. With Vijay becoming the CM, the film Jana Nayakkudu came plowing ahead without any problems and shook the Tamil box office. This movie has been seen in Telugu before. Even though it is known that this is a remake of Balakrishna Bhagwant Kesari, many enthusiasts booked in advance and watched the movie. The movie got a good opening in Telugu states.  It is undeniable that Jana Nayakkudu could not satisfy the Telugu audience completely. Tamil audience will think aha.. oh my for Vijay Elevations. Moreover, they will like it because it is a new story, but Telugu people do not have much to like about this movie, even though the second half seems to have changed a bit, it felt like it was forced. The political elements were not set in the story at all. There is action but no emotion. The magic is missing in the screenplay. Overall, Jana Nayakkudu does not have anything new that the Telugu audience will like much. Finally... A Tamil mass leader who cannot please Telugu people. Banner: KVN Productions Producer: Venkat K. Narayan Director: H Vinod Music: Anirudh Cast: Vijay, Pooja Hegde, Mamita Baiju, Sunil, Bobby Deol and others"},"img":{"url":"https://images.prismic.io/prad/8WXmx3hoavnPTLpj_jananayakudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-23T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-jana-nayakudu-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}