{"data":{"all":{"edges":[{"node":{"tags":["politics","featured","four"],"data":{"third_party_url":null,"title":{"text":"Hardik Signals Departure from MI?"},"content":{"text":"Hardik Pandya, the embattled captain of Mumbai Indians, is reportedly set to leave the franchise due to mental stress and exhaustion following a disappointing IPL season.  Pandya, who took over as captain in 2024, conveyed his decision to the team management mid-season, citing mental fatigue and a back injury. The 32-year-old's strained relationship with the franchise and lack of support from senior players have contributed to his decision. It remains uncertain whether Pandya will seek a trade deal with another team or enter the auction pool for the next season.  With Pandya's departure looming, Mumbai Indians face the task of appointing a new captain for the upcoming seasons, with Rohit Sharma and Tilak Varma emerging as potential candidates for the role."},"img":{"url":"https://images.prismic.io/prad/ahmtbAeQX7-eWcDu_hardik.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T10:15:00+0000","embed":{"embed_url":null}},"uid":"hardik-signals-departure-from-mi"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Revanth Declares NTR a National Icon"},"content":{"text":"Telangana Chief Minister A Revanth Reddy made a bold statement on Thursday, comparing Telugu cinema legend and former Andhra Pradesh Chief Minister, Nandamuri Taraka Rama Rao (NTR), to national icons such as BR Ambedkar and Indira Gandhi. During the unveiling of NTR’s statue at Maitrivanam junction in Ameerpet, Revanth emphasized NTR's transcendence of regional boundaries, asserting that NTR belongs to the entire Telugu community, irrespective of caste, religion, or region.  He linked the welfare agenda of the Congress government with the legacies of both Indira Gandhi and NTR, stating that their governance is a blend of Indiramma’s blessings and NTR’s inspiration. Revanth highlighted how several flagship welfare schemes of the present government drew inspiration from NTR’s initiatives, such as the 'Indiramma Indlu' housing scheme, the government’s fine rice distribution scheme, and the 'Indiramma sarees' initiative. He credited NTR with abolishing the ‘patel-patwari’ system and empowering Backward Classes politically.  In addition, he emphasized Indira Gandhi's efforts for the upliftment of SCs, STs, and minorities, while NTR ensured dignity and self-respect for weaker sections. In a political note, the chief minister remarked that even former chief minister K Chandrasekhar Rao began his political journey under NTR’s leadership."},"img":{"url":"https://images.prismic.io/prad/ahm2JQeQX7-eWcJL_NTR.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T10:52:00+0000","embed":{"embed_url":null}},"uid":"revanth-declares-ntr-a-national-icon"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Salman’s Black Buck Case Gets Film"},"content":{"text":"The poster of the upcoming film ‘Kaala Hiran’, which is based on the blackbuck poaching case involving Bollywood superstar Salman Khan, was unveiled on Friday. The film blends genres like courtroom drama and crime thriller, and will showcase the famous rivalry between Salman Khan and the dreaded gangster Lawrence Bishnoi in a cinematic way. The film has been shot in several cities of Uttar Pradesh including Sambhal, Moradabad. Talking about the film, producer Amti Jani said, “In 1998, in Kakani village of Jodhpur, in the case of the hunting of a black buck by Salman Khan, the drama of the courtroom, the crime, the thriller, the rivalry between Lawrence Bishnoi and Salman Khan, the whole sequence has been shot in the form of a movie. The film has been shot in Sambal, Moradabad, and other cities of Uttar Pradesh”. He further mentioned, “Bollywood actors who had come to Jodhpur, Saif Ali Khan, Salman Khan, Tabu, Sonali Bendre, Satish Shah and other people, were together during the shooting. The hunting that took place at that time, Salman Khan's arrest and the punishment has been shown in the film. And its poster was very much awaited. People were waiting for a long time for a cinematic story around Salman Khan, Lawrence Bishnoi and the case of deer hunting. On June 20, we are going to release its first look, the teaser”. Lawrence Bishnoi has been after Salman Khan in order to avenge the illegal hunting of the black buck, which is considered sacred by the Bishnoi community. Bishnoi has been going after those who are close to the superstar. In October 2024, politician Baba Siddique, who was close to Salman, was gunned down near his house in the Bandra area of Mumbai. Lawrence Bishnoi’s gang had claimed responsibility for the attack on the politician."},"img":{"url":"https://images.prismic.io/prad/7c4ae2c9-0b15-4cbd-b183-ecc3e0cb3a2f_salman+khan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T12:55:00+0000","embed":{"embed_url":null}},"uid":"salmans-black-buck-case-gets-film"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Vijay’s Big Bollywood Re-Entry Plan"},"content":{"text":"Tollywood star Vijay Deverakonda appears to be entering one of the busiest and most crucial phases of his career. With multiple projects lined up across industries, the actor is aggressively expanding his market beyond Telugu cinema. After making his Bollywood debut with Liger, Vijay is now reportedly planning a grand comeback in Hindi cinema with another prestigious pan-India project. The actor, known for experimenting with different genres and larger-than-life concepts, seems determined to strengthen his presence in the national market with carefully chosen films. Recently, Vijay Deverakonda was spotted at the Mumbai office of leading Bollywood production house Maddock Films, sparking major buzz in film circles. Industry reports suggest that acclaimed director Vikram Kumar, known for films like Manam and 24 as well as the web series Dhootha, has narrated a high-concept pan-India story to Vijay. Sources claim the actor was highly impressed by the emotional depth and commercial appeal of the script. Discussions about a collaboration between Vijay and Vikram Kumar have been circulating for months, and the latest developments indicate that the project is finally moving toward production. According to industry insiders, story discussions have already been completed, while financial negotiations and production formalities are currently in the final stages. An official announcement is expected soon. The film is reportedly being planned on a massive budget with a strong focus on both Telugu and Hindi markets. Meanwhile, Vijay already has an exciting lineup that includes Rowdy Janardhan directed by Ravikiran Kola, Ranabali with Rahul Sankrityan, and an emotional drama directed by Hi Nanna fame Shouryuv. With the possible addition of a Vikram Kumar–Maddock Films project, expectations among fans and trade circles have skyrocketed. The coming years could prove to be career-defining for Vijay Deverakonda as he continues to take bold and diverse cinematic decisions."},"img":{"url":"https://images.prismic.io/prad/adnbCp1ZCF7ETG4q_vdk.JPG?auto=format,compress"},"datetime":"2026-05-29T10:46:00+0000","embed":{"embed_url":null}},"uid":"vijays-big-bollywood-re-entry-plan"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Hema Malini to make singing debut"},"content":{"text":"Veteran actress and Member of Parliament Hema Malini is all set to add another milestone to her illustrious six-decade-long career.  The actress will be venturing into the singing space with her live performance on stage for the very first time during ‘The Dream Girl’s Diamond Jubilee Concert’, a special charity event being organised in aid of CINTAA (Cine & TV Artistes’ Association). Conceptualised on the format of ‘Legends Ki Kahani, Legends Ki Zubaani’, the grand musical evening will be held in Mumbai, on July 10. For the first time ever, Hema Malini’s cinematic journey will unfold live on stage through her own voice. The actress will be seen singing unforgettable songs from her films, and stories from the people who witnessed and shaped the golden era she continues to represent. Adding to the emotional celebration, the veteran actress will also perform a surprise song towards the finale of the concert. The evening will feature a 15-piece live orchestra travelling through the milestones of her life and career. A press conference announcing the concert was recently held at the CINTAA office in the presence of Poonam Dhillon, Padmini Kolhapure and RJ Anirudh Chawla, along with celebrated artistes Suresh Wadkar, Shabbir Kumar, Anu Malik and Vijeyta Pandit. The event also witnessed the presence of key CINTAA Executive Committee members including Upasana Singh, Sheeba Akashdeep, Deepak Parashar, Vikas Verma and Chandraprakash Thakur, among others, where the official trailer and concert poster were unveiled. Padmini Kolhapure, Poonam Dhillon and Anu Malik shared heartfelt anecdotes about Hema Malini and reflected on how she had been a part of their lives and journeys in more ways than one. Talking about the special occasion, Padmini Kolhapure said, “I will also be performing for Hema Ji and Dharam Ji. I haven’t decided on the song yet. I was discussing it with Anu Ji a while ago. I have very fond memories of Hema Ji. The first time I worked with her was on ‘Dream Girl’, and later, when I grew up, I worked with her again in ‘Ek Paheli’. She is so beautiful inside and out.” Padmini Kolhapure, Shabbir Kumar, Vijeyta Pandit, Anu Malik and Suresh Wadkar also performed memorable songs associated with Hema Malini’s cinematic journey during the press event, In a significant gesture, the evening will also support CINTAA, with a contribution on behalf of Hema Malini being announced towards the welfare of artists and workers from the entertainment fraternity. Celebrated artistes including Sudesh Bhosale, Kavita Krishnamurthy Subramaniam, Suresh Wadkar, Padmini Kolhapure, Anup Jalota, Anu Malik, Shabbir Kumar, Vijeyta Pandit and Purnima Shrestha will be lending their voice and presence to the evening. The Diamond Jubilee celebrations will also extend beyond the stage with a book on Hema Malini’s life, co-authored by Hema Malini and RJ Anirudh Chawla."},"img":{"url":"https://images.prismic.io/prad/ahl8hAeQX7-eWbbY_hema.JPG?auto=format%2Ccompress&rect=0%2C30%2C450%2C222&w=2028&h=1000"},"datetime":"2026-05-29T11:46:00+0000","embed":{"embed_url":null}},"uid":"hema-malini-to-make-singing-debut"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"KJo unfollows SRK, Alia, Kareena on Instagram"},"content":{"text":"Filmmaker Karan Johar's following list on Instagram has undergone a major change.  On Thursday, the netizens noticed that the 'Kabhi Khushi Kabhie Gham' maker went on an unfollowing spree, removing some big names from the industry, along with his close friends from the list. Karan has reportedly unfollowed his close friends Shah Rukh Khan, Kareena Kapoor Khan, Malaika Arora, and designer Manish Malhotra.  KJo has even unfollowed his proteges Varun Dhawan, Sidharth Malhotra, and Alia Bhatt, whom he launched together in \"Student Of The Year\". We can also no longer see Kartik Aaryan in the list of the people Karan is following on Insta, despite the fact that he is set to headline Karan Johar’s upcoming production \"Naagzilla\". What is interesting is that the filmmaker who has removed almost all the bigwigs from the industry from his Insta following list continues to follow Priyanka Chopra.  Except for Priyanka, the only prominent names on Karan's following list now are Dharma CEO Apoorva Mehta and business partner Adar Poonawalla. At the moment, KJo's account shows that he is only following 78 accounts, while enjoying 17 million followers on the photo-sharing app. The reason for Karan's latest move on social media is still not clear. The 'Kuch Kuch Hota Hain' maker is extremely active on the platform and keeps the netizens hooked with his enchanting updates, which at times also feature his kids, Roohi and Yash. The filmmaker also loves to use social media to share his views on the trending topics, along with the latest updates in Bollywood. On the professional front, Karan Johar recently produced Ananya Panday and Lakshya starrer \"Chand Mera Dil\". Released in theatres on 22nd May, the project opened to mixed reviews with a lukewarm run at the ticket counters. It must be noted that Karan has also unfollowed Ananya. Up next, he is working on \"Naagzilla\", featuring Kartik as the lead."},"img":{"url":"https://images.prismic.io/prad/ZeyPJnUurf2G3Ob2_KJo.JPG?auto=format,compress"},"datetime":"2026-05-28T15:42:00+0000","embed":{"embed_url":null}},"uid":"kjo-unfollows-srk-alia-kareena-on-instagram"}},{"node":{"tags":["Editorial","featured","one"],"data":{"third_party_url":null,"title":{"text":"Mahanadu: A Non-Stop Spectacle Of Vainglory And Vilification"},"content":{"text":"“There comes a time when the difference between lies and reality gets too big to hide with bragging” This profound statement suggests that when a leader or a party continuously boasts about grand achievements that do not exist, it eventually stops working. No matter how loud, eloquent, or aggressive the political speeches and grand rhetoric are, they cannot convince a hungry person that they are full. They cannot convince an unemployed youth that the economy is booming. This timeless wisdom that “truth ultimately forces its way through deception,” was on glaring display at the latest edition of Mahanadu, the annual conclave of the TDP. The event unfolded less as a platform for meaningful policy discussion and much more as a non-stop spectacle of vainglory and vilification. If one says that the event offered observers a masterclass in political theater, defined entirely by empty boastfulness and vicious attacks on opponents from the opening speech to the closing remarks, one may not be seen as cynical. It was simply the reality of the stage. The event was unsurprisingly big on slandering the opposition and magnifying self-praise. In displaying this aggressive confidence, the conclave organizers seemed completely unconcerned with the silent anti-incumbency brewing right outside their air-conditioned doors. They ignored the actual ground reality in the state. In fact, the entire discourse appeared as if there was absolutely nothing left to say other than indulging in self-praise and depreciating the opposition, precisely because there was nothing actually done on the ground. Delegates listened in vain for updates on the state of the union. There was no mention of the status of the grand promises made during the elections. Instead, what was on display was a highly produced \"Hybrid\" event—a flashy digital setup that seemed designed purely to signal a false intent of technological progress in governance. Whispers from the gathering suggested the conclave had its priorities beautifully sorted out, spending almost the entire time obsessing over the opposition while completely forgetting to talk about their own achievements, which are apparently none. It was a flawless mimicry of the BJP’s national leadership, its alliance partner, which has masterfully spent its entire 12-year governance acting as if Jawaharlal Nehru is still secretly running the country from beyond the grave. After all, why bother showcasing your own achievements when you can just blame the past and the opposition for everything? Ironically, this high-tech party was being held at a time when a silent discontent was rising rapidly across rural Andhra Pradesh. This restlessness is spreading across various sections of society, including the grassroots cadres of JSP, the TDP's own alliance partner. In the villages of Andhra Pradesh today, the brewing anger is not loud. There are no major protests clogging the streets yet. No national highways are blocked. No dramatic political confrontations are visible on television screens to alert the leadership. Yet, beneath the calm surface of rural Andhra, a quieter and far more politically dangerous sentiment is slowly taking shape. People are beginning to feel that the governance system no longer understands them or their daily struggles. While the speakers at Mahanadu made grand claims about the visionary governance of the TDP leadership, these claims failed to reflect reality. Observers are increasingly comparing the lightning speed of the government's policy declarations with the painfully slower pace of actual implementation on the ground. This widening gap between administrative intent and field-level experience is gradually destroying governance credibility across rural Andhra Pradesh. The opposition space is naturally likely to capitalize on these anxieties. They will do this by framing the issue emotionally rather than administratively. Powerful narratives are already taking root. Critics are suggesting that this \"visionary\" leadership is prioritizing grandiose, futuristic fantasies over real human beings. They are highlighting how the government is allocating massive lands to the crony capitalists for peanuts, while funding this supposed progress through heavily borrowed funds. Ultimately, shouting rhetoric around Artificial Intelligence and quantum-style installations to provide jobs does not work when people are looking for basic employment. These grand stories are failing over actual people's immediate concerns, and these emotional arguments have the potential to resonate strongly among a population tired of waiting for the future to arrive. So, as the curtains fall on another magnificent edition of Mahanadu, the leadership can head home satisfied with a job well done. After all, who needs real-world achievements when you have dazzling PowerPoint slides, and who needs to fulfill election promises when you can simply talk about Artificial Intelligence? The rural voters might be struggling with basic survival, but surely, they can feed their families on a healthy diet of visionary rhetoric and high-tech announcements. If they still feel hungry, they can always wash it down with cheap, quality liquor, the single election promise that this government seems to have fulfilled in letter and spirit, both literally and practically. As the party celebrates its flawless digital spectacle, they would do well to remember that while quantum installations look fantastic on a projector screen, real people eventually notice when the future they were promised never actually leaves the stage."},"img":{"url":"https://images.prismic.io/prad/ahlkEQeQX7-eWbI9_mahanadu2026.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T06:30:00+0000","embed":{"embed_url":null}},"uid":"mahanadu-a-non-stop-spectacle-of-vainglory-and-vil"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"BCCI Bans Smart Glasses in IPL"},"content":{"text":"The Board of Control for Cricket in India's Anti-Corruption and Security Unit (ACSU) has strictly prohibited the possession and use of 'Smart Goggles' or sunglasses within the Players and Match Officials Area (PMOA). The directive comes after it was brought to the attention of the anti-corruption watchdog that certain companies have been marketing and selling high-tech smart eyewear to players and team support staff, which are equipped with advanced communication features. According to an internal BCCI ACSU communication, these advanced wearable devices possess capabilities that pose a direct threat to the tournament's strict anti-corruption protocols. \"Kindly note that these devices are equipped with advanced communication features, including live streaming, sending and receiving text messages, as well as audio and video calling capabilities through mobile data or Wi-Fi networks. Accordingly, under the PMOA Minimum Standards, such goggles/glasses are classified both as an ‘Audio/Video Recording Device’ and a ‘Communication Device’. \"It is hereby notified that the possession and/or use of ‘Smart Goggles’ is strictly prohibited within the Players and Match Officials Area (PMOA),\" ASCU said in its directives issued to all IPL franchises. \"All players and support staff are directed to deposit such devices with the Security Liaison Officer (SLO), along with their mobile phones and smartwatches, upon entering the PMOA on match days,\" the directive added. The ACSU has mandated strict surrender protocols for players and support staff entering PMOA and warned that any complacency or failure to hand over the smart eyewear will result in penalties. \"Failure to deposit such devices shall be deemed a breach of the PMOA protocols and may result in penalties under the PMOA Minimum Standards for IPL 2026,\" it concluded. The PMOA is treated as a separate area from the rest of a stadium in terms of accreditation and security. Each entrance into the area will be manned by security staff at all times and access will only be permitted to players, player support staff, match officials, match official support personnel and a limited number of individuals who have been allocated specific accreditation for the area. As per IPL anti-corruption rules, mobile phones and other electronic communications equipment are not allowed to be used in the PMOA other than for a few members of the team. The team manager may use a phone in the dressing room area but not in the dugout. The analyst may use his computer at the analyst table. Player and support staff items i.e. phones, smart watches or any other communication devices, should be turned off and given to the team SLO for storage on arrival at the stadium. Accredited staff i.e. dressing room attendant, IPL Match Manager, catering staff etc may not take communication devices into the PMOA. Secure boxes will be available at every entrance to securely store device."},"img":{"url":"https://images.prismic.io/prad/ahltrgeQX7-eWbOP_smartglasses.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T07:43:00+0000","embed":{"embed_url":null}},"uid":"bcci-bans-smart-glasses-in-ipl"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Pinarayi Vijayan breaks silence on ED raid"},"content":{"text":"Breaking his silence for the first time after the Enforcement Directorate (ED) raid at his rented residence in Thiruvananthapuram two days ago, Leader of Opposition in Kerala Assembly Pinarayi Vijayan on Friday accused the Centre of using central agencies as political weapons against non-BJP governments and opposition leaders across the country.  Appearing before the media at the Kerala Legislative Assembly after Governor Rajendra Vishwanath Arlekar’s policy address, Vijayan looked visibly uneasy when questions shifted from the Assembly proceedings to the ED searches conducted at his residence while he was present there. In what was his first direct response to the raid, the former Chief Minister alleged that the ED was increasingly being deployed as a political tool to target rivals of the BJP government at the Centre. “Action is being taken against non-BJP governments. ED is being used as a tool against political adversaries,” Vijayan said, widening the attack beyond Kerala and linking it to national politics. In a pointed remark aimed at Congress, Vijayan accused the party of selectively supporting ED interventions depending on political convenience. “Congress supports such actions when they are not targeted and wants these agencies to be used against their own opponents like Arvind Kejriwal and M.K. Stalin,” he said. Vijayan further argued that the growing use of central investigative agencies against opposition leaders was against the democratic traditions the country had followed in the past. However, he remained guarded on specifics related to the ongoing probe involving his daughter Veena Vijayan in the controversial CMRL-Exalogic financial transactions case. Confirming reports that one of Veena Vijayan’s bank accounts had been frozen, Vijayan said only that “one bank account of Veena has been blocked”. He also disclosed that ED officials did not ask him any questions during the raid at his residence. Friday’s remarks marked Vijayan’s first political response after the ED action that has triggered intense political turbulence in Kerala. While attempting to frame the raid as part of a broader pattern of central agency ‘misuse’, Vijayan carefully avoided detailed comments on the substance of the allegations or the evidence being examined by investigators. Even so, the appearance made it clear that the ED probe has now moved from being merely a legal battle into the centre of Kerala’s evolving political confrontation."},"img":{"url":"https://images.prismic.io/prad/5b58858b-fbe6-442b-a52b-68c59cafdf30_vijayan.JPG?auto=format,compress"},"datetime":"2026-05-29T07:15:00+0000","embed":{"embed_url":null}},"uid":"pinarayi-vijayan-breaks-silence-on-ed-raid"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"HYDRAA Appoints 16 Transgenders"},"content":{"text":"In a novel initiative the Telangana government's Hyderabad Disaster Response and Asset Protection Agency (HYDRAA) has provided employment opportunities to 16 transgenders.  Eleven trans women and five trans men have joined HYDRAA, which has been in the news in recent times for removing encroachments on water bodies and government lands in and around Hyderabad. The new recruits said that employment at HYDRAA has brought a new light into their lives and the dignity bestowed by this job has instilled a deep sense of self-confidence within them. According to an official release on Friday, these 16 people are ready to perform their duties anywhere and at any time. They are actively participating in the removal of encroachments on lakes and drainage channels, and are at the forefront of protecting public parks and lands designated for community use in the state. Undeterred by the stature or influence of encroachers, they perform their duties fearlessly and play an integral role in safeguarding public assets in Telangana. They assert that the employment they secured at HYDRAA represents far more than just a means of livelihood; it signifies a newfound identity for their lives. They express that wearing the HYDRAA uniform is a matter of great honour for them and shared their immense joy at being designated the 'HYDRA Eagle Team' and being fully integrated into operational duties. The transgender team members played a pivotal role in successfully protecting 862 acres of government land in Ailapur, located in the Aminpur Mandal of Sangareddy district. Recently, they played an active role in saving the Edulakunta lake in Madhapur. They play a key role in tasks such as persuading the public, engaging with women to de-escalate tensions, and facilitating coordination between officials and the community. HYDRA officials say they have a natural ability to understand and empathise with people's emotions and have been commended for consistently achieving excellent results in their fieldwork. Transgenders currently working with HYDRAA are now providing financial support to their families. They are earning a steady monthly income, and their standing within society has improved. Most importantly, their self-confidence has been bolstered by the realisation that \"we, too, are capable of making a meaningful contribution through our work.\" “We were begging for a livelihood. In the past, wherever we went, we were subjected to ridicule. If we asked for work, we were turned away. But now, when we step out in uniform to perform our duties, everyone speaks to us with respect,” said Tanshi Rai. “Given the opportunity, transgender individuals can excel in any field. Our duties at HYDRAA serve as a living testament to this fact. At HYDRAA, everyone—from the officials to every other staff member—extends their full cooperation to us. We are treated as equals in the performance of our duties,” said Gayatri."},"img":{"url":"https://images.prismic.io/prad/ahlrrgeQX7-eWbMv_hydraatrans.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T09:34:00+0000","embed":{"embed_url":null}},"uid":"hydraa-appoints-16-transgenders"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Rahul Meeting Puts Spotlight on Sharmila"},"content":{"text":"Congress's Andhra Pradesh state President Y. S. Sharmila on Friday met senior party leader and Leader of Opposition Rahul Gandhi in the national capital amid reports that the high command is considering her name for nomination to the Rajya Sabha.  When media persons asked Sharmila about her name being circulated for nomination to the Rajya Sabha, she merely remarked that Rahul Gandhi knows better. When Sharmila came out after the meeting, media persons asked her about the discussion that took place. She evaded a reply when asked if her reported nomination to the Rajya Sabha was discussed. \"This discussion was about regular Andhra Pradesh political affairs,\" she said. When journalists continued their questions about her name being circulated for the nomination to the upper house of Parliament, she said: \"I am very sure Rahul Gandhi ji knows the best.\" Later, Sharmila said in a post on X that they discussed issues relating to the strengthening the party in the state. Sharmila said that she met Rahul Gandhi at his residence at 10 Janpath. \"We discussed various issues regarding the strengthening of the Congress party in Andhra Pradesh and received several suggestions from Mr. Rahul Gandhi,\" she said. Congress General Secretary, Organisation, K.C. Venugopal was also reported to be present during the meeting. The central leadership of the Congress party is reportedly considering the proposal to nominate Sharmila for the Rajya Sabha from Karnataka, where the party is in power. Elections to four Rajya Sabha seats from Karnataka are scheduled on June 18. Sharmila’s likely nomination to the Rajya Sabha is being seen as part of the strategy by the Congress high command to strengthen the party in Andhra Pradesh, where the party has had no MP or state legislator for more than a decade. Sharmila, sister of former Andhra Pradesh Chief Minister and YSR Congress Pary president Y. S. Jagan Mohan Reddy, was appointed state Congress President in January 2024 after she merged her YSR Telangana Party with the Congress. She led the party in the simultaneous elections to the state Assembly and Lok Sabha held in May 2024. However, for a third consecutive time, the Congress party drew a blank in both the Assembly and the Lok Sabha. The Congress party was virtually wiped out in 2014 as the party failed to win a single Assembly or Lok Sabha seat due to public anger over the bifurcation of the united Andhra Pradesh. The party lost several senior leaders who joined either the YSRCP or the TDP. The party failed to open its account in 2019 as well. There were hopes that Sharmila’s appointment as state party chief would change the party’s fortunes in 2024. However, it once again failed to open its account."},"img":{"url":"https://images.prismic.io/prad/ahlvsAeQX7-eWbPa_sharmilarahul.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T09:52:00+0000","embed":{"embed_url":null}},"uid":"rahul-meeting-puts-spotlight-on-sharmila"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ram Charan’s Game Plan Revealed"},"content":{"text":"Pan-India star Ram Charan hilariously shared that while academics were never really his strong suit, he made sure to shine on the field as he professed his love for sports.   Ram’s upcoming film “Peddi” is a sports action drama, where his character acts as a \"crossover athlete\" who aces three sports such as cricket, wrestling and sprinting. Talking about his love for sports in real life during a tete-a-tete with IANS, Ram, who is one of the highest-paid actors in Telugu cinema, shared that he went from captaining volleyball and basketball teams to playing cricket and participating in track and field events. “I used to love sports. I used to be a volleyball captain, probably the shortest basketball captain also. I used to play cricket. I used to do track and field. So, I used to love sports. I mean, my grades were not so great. So, I must be excelling in one of them, right?,” Ram Charan told. The 41-year-old star, who is recognised for his impeccable dancing skills, pushed himself physically and mentally to ace his role in Peddi, which also led to an injury. The actor was seen with a bandaged wrist during the interview and shared that he sustained the injury while shooting a scene. Asked how much is too much for an actor to invest in a role? Ram, whose tryst with cinema began in 2007 with Chirutha, said: “I think it's wonderful the way we all prepared for this role, her role and mine especially. It's about two and a half years ago was my last film and now we're back with Peddi, bigger, stronger and more confident,” replied a very calm Ram. The Telugu film Peddi is directed by Buchi Babu Sana. The film also stars Boman Irani, Shiva Rajkumar, Janhvi Kapoor, Jagapathi Babu and Divyenndu. The film is finally releasing on June 4."},"img":{"url":"https://images.prismic.io/prad/ahl0fQeQX7-eWbS5_rc.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T05:12:00+0000","embed":{"embed_url":null}},"uid":"ram-charans-game-plan-revealed"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Indian-American teen wins spelling bee title"},"content":{"text":"Indian-American teenager Shrey Parikh won the 2026 Scripps National Spelling Bee, correctly spelling 32 words in a spell-off to claim the championship and set a new competition record.  The 14-year-old eighth-grader from San Bernardino, California, secured the title with the word \"bromocriptine\", defined by organisers as \"a polypeptide alkaloid that is a derivative of ergot and mimics the activity of dopamine\". Parikh, representing the San Bernardino County Superintendent of Schools, in California emerged victorious following the third spell-off in the Bee's history. His total of 32 correctly spelled words established a new spell-off record. The champion attends Day Creek Intermediate School in California and entered this year's contest with considerable experience on the national stage. According to his official Scripps National Spelling Bee biography, Parikh first competed in the national Bee in 2022, when he tied for 89th place. He returned in 2024 and finished tied for third place before capturing the title this year. The victory capped years of preparation for the young speller, who has developed interests well beyond language and vocabulary competitions. His official biography describes a student who enjoys tennis, reading, mathematics and chess. He also plays percussion in his school band and has performed on instruments including the snare drum, bass drum, timpani, toms, triangle, glockenspiel and marimba. Parikh spends much of his free time solving mathematics problems or spending time with his brother and sister, according to the biography. One of his proudest recent achievements was qualifying for the California state Mathcounts competition this year. The biography also notes his strong connection to India. Parikh has travelled to many countries and particularly enjoys visiting India to spend time with his grandparents. The Scripps National Spelling Bee is one of the most prestigious academic competitions in the United States. It brings together top young spellers from across the country and several international locations after they advance through local and regional contests. Founded in 1925, the competition tests spelling, vocabulary and language skills through multiple rounds of increasingly difficult words. Participants must generally be no older than 15 and may not have progressed beyond the eighth grade. Students of Indian origin have been among the most successful competitors in the Bee over the past two decades, winning a large share of national titles and regularly dominating the final rounds. Their success has made the annual competition a closely followed event in Indian-American communities across the United States. Parikh now joins a distinguished list of champions whose victories have become part of the Bee's long tradition of academic excellence and perseverance. "},"img":{"url":"https://images.prismic.io/prad/ahl3nQeQX7-eWbVu_ShreyParikh.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T03:10:00+0000","embed":{"embed_url":null}},"uid":"indian-american-teen-wins-spelling-bee-title"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Janhvi’s Limitless Passion for Cinema"},"content":{"text":"Since making her debut with Dhadak in 2018, Janhvi Kapoor has been trying to prove her mettle through a diverse range of projects. Be it “Gunjan Saxena: The Kargil Girl” or  “Mili”, “Bawaal” to her latest “Peddi”, the actress believes strong stories deserve complete dedication. Asked Janhvi, who will be seen starring alongside Ram Charan in “Peddi”, how much is too much for an actor to invest in a role. Pat came the reply from the doe-eyed beauty, who made her Telugu debut in Jr. NTR’s 2024’s action drama Devara: Part 1, to media: “Oh, I think nothing is too much.” The 29-year-old actress, who has worked on stunt-heavy sequences head-on in some of her films, added: “I think for your art, if you feel convinced and if you feel strongly about the story and your role and the message, then give your life for it.” Her next is “Peddi”, a sports action drama film by Buchi Babu Sana. The film features Ram as a \"crossover athlete\" who transitions between the three difficult sports including cricket, wrestling and sprinting. Asked if she is a sports enthusiast, Janhvi, who is the daughter of the late superstar Sridevi and producer Boney Kapoor, said: “I actually, I wasn't very athletically inclined. I used to enjoy dancing though, always.” The Telugu film Peddi is directed by Buchi Babu Sana. The film also stars Boman Irani, Shiva Rajkumar, Janhvi Kapoor, Jagapathi Babu and Divyenndu. The film is finally releasing on June 4. In the Bollywood front, Janhvi was last seen in Sunny Sanskari Ki Tulsi Kumari by Shashank Khaitan. It also stars Varun Dhawan, Sanya Malhotra, Rohit Saraf, Maniesh Paul and Akshay Oberoi. The film followed Sunny and Tulsi, who are heartbroken after their partners, Ananya and Vikram, abandon them to marry each other. Sunny and Tulsi then team up to crash the wedding of their former lovers."},"img":{"url":"https://images.prismic.io/prad/Z5PGz5bqstJ991Hm_janhvi.JPG?auto=format,compress"},"datetime":"2026-05-29T06:15:00+0000","embed":{"embed_url":null}},"uid":"janhvis-limitless-passion-for-cinema"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Kangana’s 'BBV' pays tribute to unsung heroes"},"content":{"text":"The makers of Kangana Ranaut-starrer \"Bharat Bhhagya Viddhaata\" dropped a powerful motion poster from the drama on Thursday.  Titled \"The Unseen Heroes\", the poster is a tribute to the unsung heroes of the country, who are always around us but are rarely acknowledged. It goes on to honour the nurses, ward boys, cleaners, lift operators, security staff, and administrators, who showed immense courage during the 2008 Mumbai terror attacks.  Shedding light on her next, Kangana said, \"Bharat Bhhagya Viddhaata is a salutation to those invisible souls who, when pushed into crisis, rise to stand as the ultimate shield of humanity and harmony. When disaster strikes, our collective instinct is to look toward armed uniforms or state authorities for salvation. But this film tributes the uniforms nobody notices until the world is burning—the blood-stained aprons, the sterile hospital scrubs, the frayed civilian clothes. True courage does not wait for a badge, permission, or the promise of a medal.\" Talking about the motion poster, the 'Queen' actress went on to add, \"Every single frame of this motion poster compels us to look into the eyes of people who surrendered everything they had without ever demanding an audience. I feel a profound honour in being part of a film that carries their truth to the world.\" The writer and director, Manoj Tapadia, shared, \"In contemporary cinema, the easiest thing to capture on camera is the explosive loudness of the gunfire, the destruction, and the panic. From day one, I challenged our creative team to capture something infinitely more complex: the silence of bravery. We wanted to document that microscopic, split-second window where a common civilian looks at mortal danger, subdues their own survival instinct, and decides to become a human shield.\" Along with Kangana, the ensemble cast of the project includes Girija Oak, Smita Tambe, Amrutha Namdev, Esha Dey, Priya Berde, Asha Shelar, Suhita Thatte, Rasika Aghase, Aditya Mishra, and Zahid Khan in key roles, along with others. Produced by Pen Studios, Manikarnika Films, Paramhans Creations, in collaboration with Eunoia Films LLP, and Floating Rocks Entertainment Pvt. Ltd \"Bharat Bhhagya Viddhaata\" is set for a theatrical release on June 12."},"img":{"url":"https://images.prismic.io/prad/ahgplrK9tuLqEN-a_BBV.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-28T09:40:00+0000","embed":{"embed_url":null}},"uid":"kanganas-bbv-pays-tribute-to-unsung-heroes"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"ISI’s new-age spy recruitment exposed"},"content":{"text":"The number of arrests in connection with ISI-backed espionage cases has gone up substantially in the last one year. The ISI has been resorting to various tactics to appoint spies in India, who in turn are paid or blackmailed to provide sensitive information from the country.  An Intelligence Bureau official said that there are a bunch of recruiters and handlers based out of Pakistan whose primary job is to monitor those making reels on social media. These persons understand the mindset of most of these people and are taking advantage of that to trap or lure them into becoming spies for Pakistan. These persons who make reels only care about engagement. This is something that the ISI has been using to trap such persons. Scores of fake accounts are created on these social media sites and these accounts are used to keep the engagement high. The handlers often indulge in conversations with these persons making reels. After a certain period of time, they are offered engagement and most of the times, these persons fall for it. The fake accounts are then put to use to boost the engagement of these persons. Another official said that these persons who are set to be trapped are not told at first about what they should be doing. By luring them with more followers, they are told to shoot videos of specific locations and share it with them. Many innocently follow orders and by the time they realise what is happening, it is too late. Following this, these persons are offered small sums of money and asked to share information about sensitive locations, the official added. Officials say that this is similar to the influencer network that the ISI had built up. While both modus operandi remain similar, the payments that are made to the influencers when compared to the smaller players making reels, is higher. The influencers already have large engagements and hence it is the money that is used to lure them. In the case of the smaller players, it is likes and engagement that sets the bait, officials say. Take the case of Zaid Khan, a resident of Uttar Pradesh who was arrested by the Telangana police on charges of spying. During his questioning, he told the police that he would constantly post reels on social media. Two persons Rana Hussain and Avid began following him and liking his reels. Over a period of time they began speaking to him via social media. With his engagement growing, he agreed to work for the duo. He was asked to collect the mobile number of Uttar Pradesh Chief Minister Yogi Adityanath’s Personal Assistant. He was also asked to gather information about various Cabinet ministers in UP. Apart from engagement, Zaid Khan was also promised a pistol. For this, he was asked to put up posters in UP in the name of a Pakistan-based don. An official added that most of these persons who are making reels do not understand the gravity of the situation. Zaid may have wanted the pistol to make a reel posing with it, an official said while adding that the matter is still under investigation. The official added that these persons who make reels are so blinded by engagement that on many occasions they do not even weigh the pros and cons of their actions. The ISI has understood the obsession of these people and is taking complete advantage of this. The Intelligence agencies, apart from monitoring social media accounts of influencers are also now keeping close tabs on ordinary persons making reels with the sole intention of boosting engagement. The ISI is using every tool at its disposal to build a massive espionage network in India. This push has only gone up multifold post 'Operation Sindoor' as the operation carried out by the Indian armed forces embarrassed Pakistan no end. Now it wants as much information on India’s Defence sector, so that it could be used as a tool to embarrass the armed forces, an official said."},"img":{"url":"https://images.prismic.io/prad/5425df4b-cb52-4289-98b5-a793058bac1d_ISIS.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-28T09:15:00+0000","embed":{"embed_url":null}},"uid":"isis-new-age-spy-recruitment-exposed"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Azim Premji gets clean chit"},"content":{"text":"The Allahabad High Court has dismissed criminal proceedings against Wipro Chairman Azim Premji in a case involving alleged violations of labour laws at the company's Ghaziabad office. The court ruled that top executives, including Premji, cannot be held criminally liable for technical violations without direct involvement.  The case originated from a complaint filed by the labour department, but the high court found that the magistrate had not properly examined the factual aspects before issuing the summons. Justice Jafeer Ahmad passed the order, setting aside the summons and providing relief to Azim Premji and other senior company officials.  The complaint failed to specify the chairman's role in the day-to-day functioning of the company or in ensuring labour law compliance, leading to the dismissal of the criminal proceedings. This judgment highlights the requirement for specific evidence of direct involvement before holding top executives accountable for technical violations of labour laws."},"img":{"url":"https://images.prismic.io/prad%2F783d3eef-dddf-4903-9972-e41dc2acd667_ajim+premji+teaxt.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-05-28T10:28:00+0000","embed":{"embed_url":null}},"uid":"azim-premji-gets-clean-chit"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Non-tribals grab 20,000 tribal acres in TG"},"content":{"text":"In a troubling development that highlights systemic failures in land governance, nearly 20,000 acres of land in Telangana's designated tribal agency areas have shifted into non-tribal hands, despite constitutional protections designed to safeguard tribal land. This alarming trend reveals significant gaps in the enforcement of the Land Transfer Regulation (LTR) Act, which was intended to prevent the alienation of tribal land and shield vulnerable communities from exploitation. Official documents from the tribal welfare department indicate that 714 cases of alleged LTR violations—covering approximately 4,700 acres—are currently pending review at various judicial levels, including the Telangana High Court and the Supreme Court. However, observers warn that these figures likely represent only a fraction of the true scale of land transactions occurring within the state’s four Integrated Tribal Development Agency (ITDA) regions. Introduced in 1970, the LTR Act—commonly referred to as the 1/70 Act—prohibits land transfers from tribals to non-tribals and between non-tribals in agency areas. Originally enacted to protect tribal communities from land dispossession and to uphold their rights, the law's effectiveness has been undermined by informal land transactions and a lack of rigorous oversight. Data reveals that the ITDA Bhadrachalam region is at the forefront of this issue, accounting for 382 pending cases involving 2,770 acres. Other regions, including ITDA Eturnagaram, Utnoor, and Nagarkurnool, report similar patterns of land dispossession, indicating a pervasive crisis that transcends individual districts. Legal experts assert that a substantial portion of land transactions occur outside formal channels, complicating efforts to monitor and enforce the LTR Act. Informal agreements, often executed on plain paper, leave tribal families in precarious positions where ownership is difficult to establish in the face of legal challenges. Economic pressures—stemming from financial hardship or personal emergencies—often coerce tribal individuals into selling their land, while non-tribal buyers are attracted by the potential for lucrative investments. The existing regulations do permit certain land transfers amongst tribals and specific verifiable transactions involving non-tribals, yet the prevailing conditions have enabled widespread illegal transfers that threaten the very fabric of tribal land rights. Land rights advocate M. Suneel Kumar has identified the historical context of these violations, citing a staggering 76,000 acres linked to LTR infringements in cases pending across the erstwhile unified Andhra Pradesh from 1959 to 2004, with a striking 90% of those cases dismissed due to proving challenges. The 2006 Koneru Ranga Rao Commission report further revealed that an estimated 51% of tribal lands were already under the control of non-tribals. In light of these developments, local activists, including Adivasi Lawyers Association Telangana state committee leader Sunnam Ramesh, have called for a comprehensive investigation into ongoing illegal transactions, alleging that complicity from officials and political figures exacerbates the erosion of tribal land rights."},"img":{"url":"https://images.prismic.io/prad/d976f646-cb1b-43f9-b1e6-a7b8381ff09a_land+auction.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-28T10:34:00+0000","embed":{"embed_url":null}},"uid":"non-tribals-grab-20000-tribal-acres-in-tg"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Hyd Faces Deepening Groundwater Crisis"},"content":{"text":"Hyderabad has been identified as the worst-hit metro for groundwater depletion in India, surpassing even Delhi and Mumbai, according to the Dynamic Groundwater Resource Assessment Report 2025 released by the Union ministry of Jal Shakti. Greater Hyderabad, including parts of Rangareddy and Medchal-Malkajgiri districts, has 26 critical or over-exploited groundwater extraction units, the highest among all Indian metros.  In comparison, Delhi, with a population nearly three times that of Hyderabad, has 21 such units. Bengaluru, with a comparable population, has only 16 units in these categories. The spread of critical and over-exploited groundwater zones in Greater Hyderabad is more extensive than in several large states, including Andhra Pradesh, Bihar, and Maharashtra, each with fewer such units. The report classifies regions extracting less than 70% of available groundwater annually as 'safe', 71-90% as 'semi-critical', 90-100% as 'critical', and anything above 100% as 'over-exploited'.  None of the 16 units in Hyderabad district falls under the 'safe' category; only one is 'semi-critical', while the remaining 15 are 'critical' or 'over-exploited' due to excessive groundwater extraction. Over-exploited areas in Greater Hyderabad include Khairatabad, Ameerpet, Himayatnagar, Bachupally, Serilingampally, Hayathnagar, and Saroornagar. The crisis is attributed to rampant borewell drilling and rapid construction activity across the urban expanse of Greater Hyderabad. Despite receiving annual rainfall of 900 mm to 1,000 mm, inadequate open spaces and green cover for groundwater percolation result in a significant portion of rainwater flowing directly into drains.  This, combined with poor recharge practices, has led to water tables falling to depths of 20 meters and beyond. Other metros like Bengaluru have managed to partially contain groundwater stress by establishing thousands of percolation wells, while Delhi has imposed stricter curbs on illegal groundwater extraction and improved access to piped water supply. Hyderabad's unique geological challenge of rocky terrain, coupled with poor implementation of rainwater harvesting systems, further exacerbates the crisis. Illegal borewells, which far outnumber the official count, add pressure to the already strained groundwater table.  The report also highlights that a significant portion of Telangana has moved out of the safe groundwater category, with fluoride contamination detected in several localities in Hyderabad. The study paints a bleak picture of the groundwater situation in Hyderabad, calling for urgent and effective measures to address the crisis."},"img":{"url":"https://images.prismic.io/prad/ahhWbrK9tuLqEOnH_groundwater.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-28T11:51:00+0000","embed":{"embed_url":null}},"uid":"hyd-faces-deepening-groundwater-crisis"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Suriya’s much-awaited film sets release date"},"content":{"text":"The makers of director Venky Atluri’s much awaited film,  ‘Vishwanath & Sons’, featuring actor Suriya in the lead, on Thursday announced  that the family entertainer would hit screens worldwide on August 14 this year.  Sithara Entertainments, the production house producing the film, took to its social media timelines to make the announcement. It wrote, \"Dear Anbaana Fans, here’s our little note to keep the celebrations going. Make way for #VishwanathAndSons. Arriving to conquer cinemas worldwide on AUGUST 14th, 2026 #VASonAUG14th.\" Directed by blockbuster filmmaker Venky Atluri and produced by Suryadevara Naga Vamsi & Sai Soujanya, the film is expected to offer audiences wholesome entertainment, packed with emotions, humour and heartwarming family moments. The film has created tremendous excitement among audiences ever since the makers released a teaser. The teaser introduces Sanjay Vishwanath, an international pistol shooter who continues to chase his dreams even in his 40s. Suriya appears in a layered role, portraying both fatherly warmth and emotional depth. His stylish presence and the impactful dialogues penned by Venky Atluri bring back shades reminiscent of his iconic performances. Adding freshness to the narrative is Mamitha Baiju, who brings vibrant and charming energy to the film. The teaser hints at an unconventional love story involving a noticeable age gap. With Venky Atluri’s sensibility in storytelling, the film is expected to handle this aspect with depth and emotional maturity. The first look posters featuring Suriya alongside a child brought back the actor’s vintage charm and instantly connected with family audiences. After delivering back-to-back successful films like SIR/Vaathi and Lucky Baskhar, director Venky Atluri once again promises a feel-good emotional entertainer with strong family values and memorable storytelling. The film also stars Radhika Sarathkumar and Raveena Tandon in key roles. The film has music by G. V. Prakash Kumar and cinematography by Nimish Ravi. Editing for the film is by Navin Nooli and production design by Banglan. The film is to be distributed in Tamil Nadu by Think Studios, ensuring a strong theatrical release across the state."},"img":{"url":"https://images.prismic.io/prad/ahgA9bK9tuLqENie_vishwanathandsons.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-28T07:27:00+0000","embed":{"embed_url":null}},"uid":"suriyas-much-awaited-film-sets-release-date"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Shamita fires back at single-status troll"},"content":{"text":"Actress Shamita Shetty hit back at a troll who questioned her single status at the age of 47.  Exposing the user, Shamita shared a screenshot of the comments on her Instagram story. Not just that, she even asked the user named Pankaj Mittal to unfollow her. The first comment shared by the 'Mohabbatein' actress read, \"Aapki age ho gayi hai pehle wali baat nahi rahi. (You have grown old now; you are not the same as before).\" Giving a biffing reply, Shamita penned, \"Yes.\" She further added that it is natural to look different with time.  \"Yes I will look different.. Things change with time, it's the natural way of life..nothing stays forever including physical appearance! BUT For my age I'm healthy, fit and happy with a grateful heart for all that the almight has given me...n that's all that matters to me.(sic).\" Shamita further went on to share the second comment, which said, “Agar shaadi time par kar leti toh aapke bache aaj bade ho gaye hote. (If you had gotten married on time, your children would have grown up by now). Furious at this, Shamita asked the user what exactly he feels he has achieved by getting married. She further pointed out the common practise in society of age shaming a single woman. She shared, “Aapne shaadi karke kya ukhaad liya hai bhai? Most importantly, why the hell do you follow us single women to age-shame us and inflict us with your patriarchal, cave-man-like, male-centric thought process? Please do me a favour and unfollow me pronto!” Shamita is known for her work in movies such as \"Mohabbatein\", \"Zeher\", \"Bewafaa\", and \"Cash\", to name just a few. She has further been a part of popular reality shows like \"Bigg Boss 15\", \"Khatron Ke Khiladi 9\", and \"Jhalaka Dikhhla Jaa 8\". Shamita last graced the screen with the web show, \"The Tenant\".ians"},"img":{"url":"https://images.prismic.io/prad/5bfb4379-d434-4289-a6a5-a12612b08a1e_shamita+shetty.JPG?auto=format,compress"},"datetime":"2026-05-27T17:11:00+0000","embed":{"embed_url":null}},"uid":"shamita-fires-back-at-single-status-troll"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Neel’s risky bet: Jr NTR as Luger"},"content":{"text":"The collaboration between director Prashanth Neel and actor Jr NTR has sparked immense excitement in the Indian film industry with their upcoming project, Dragon. The latest revelation from Prashanth Neel about Jr NTR's character in the film has further piqued the interest of fans. Known for creating intense and larger-than-life characters in movies like KGF and Salaar, Prashanth Neel has disclosed that Dragon will introduce perhaps his darkest protagonist to date. Jr NTR will portray the morally layered and psychologically complex character named Luger, a role that the director acknowledges as both risky and emotionally demanding.  Speaking about the ambitious role and Jr NTR's willingness to embrace it, Prashanth Neel mentioned, 'This is probably one of the most difficult decisions NTR had to take as an actor. The character, Luger, is far darker than anything I've written before, and for a star of his magnitude to accept such a risky role is incredibly brave.' The filmmaker's statement has ignited intense online discussions, especially among fans eager to see Jr NTR in a completely different space after the global success of RRR and his recent commercial entertainers. Industry insiders anticipate that Dragon could showcase a more emotionally intense and darker side of the actor than audiences have previously witnessed.  Prashanth Neel's films are renowned for balancing scale with emotionally driven storytelling, and Dragon seems to be following the same path. The teaser indicates that the film will not only feature stylized action and high-voltage drama but will also deeply explore the psyche of its central character. Apart from Jr NTR, the film also features Anil Kapoor, Ashutosh Rana, Sidhant Gupta, Biju Menon, and Rukmini Vasanth in pivotal roles. With expectations soaring around the Prashanth Neel - Jr NTR collaboration, Dragon is currently scheduled to release in theaters worldwide on June 11, 2027."},"img":{"url":"https://images.prismic.io/prad/ag1NnqYofJOwHaFp_dragon.JPG?auto=format,compress"},"datetime":"2026-05-27T20:25:00+0000","embed":{"embed_url":null}},"uid":"neels-risky-bet-jr-ntr-as-luger"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Revanth moves on Tummidihatti project"},"content":{"text":"The Telangana government has initiated discussions with Maharashtra on finalising the height and construction of the Tummidihatti Barrage across the Godavari River. Chief Minister A. Revanth Reddy has written a letter to his Maharashtra counterpart, Devendra Fadnavis, and requested that a schedule be finalised for talks with a delegation led by him from the Telangana government. As part of the B.R. Ambedkar Pranahita–Chevella Sujala Sravanthi Project, the state government has proposed constructing a barrage at Tummidihatti. Initially, it was intended to construct the barrage at a height of 152 metres. During an Inter-State Board meeting held on August 23, 2016, the Maharashtra government agreed to construct the barrage at Tummidihatti at a height of 148 metres. The Maharashtra government also assured that it would extend cooperation in obtaining the necessary clearances. Following the decision to expedite completion of the Pranahita–Chevella Project, the present government in Telangana recently reviewed the issue by holding a series of meetings with top officials and irrigation experts. Based on expert advice, the government concluded that an FRL (Full Reservoir Level) of 148 metres would be insufficient to meet North Telangana's water requirements. Consequently, CM Revanth Reddy mentioned in the letter to the Maharashtra Chief Minister that a fresh round of discussions on the height of the Tummidihatti barrage was important to address the irrigation and drinking water needs of Adilabad, Nizamabad, Karimnagar, and Medak districts. Further, the CM explained that the impact of submergence in Maharashtra would remain minimal even if the FRL were to slightly exceed 148 metres. It would be easier to bring water to Telangana through gravity if the FRL were increased, the Chief Minister asserted. The Congress government last year decided to revive the Pranahita–Chevella Project across the Godavari River in the erstwhile Adilabad district. It promised to correct the “historic mistake” committed by the previous Bharat Rashtra Samithi (BRS) regime, which merged the original Pranahita–Chevella project into the Kaleshwaram Lift Irrigation Scheme. Irrigation Minister N. Uttam Kumar Reddy had said on April 29 that the state government is committed to the construction of the Pranahita–Chevella Project. He said proposals have been prepared in line with the assurance given in the election manifesto. The government is making determined efforts to divert water from Tummidihatti to Yellampalli to irrigate lakhs of acres, while also examining alternative proposals for the same alignment."},"img":{"url":"https://images.prismic.io/prad/aM09lGGNHVfTPddg_rr.JPG?auto=format,compress"},"datetime":"2026-05-27T18:30:00+0000","embed":{"embed_url":null}},"uid":"revanth-moves-on-tummidihatti-project"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rakhi Sawant's journey from hardships to triumph "},"content":{"text":"Rakhi Sawant, the popular personality seen on the latest season of Bigg Boss Marathi, recently shared intriguing details about her life on a podcast with Bharti Singh and Harsh Limbachiyaa. She candidly spoke about her remarkable journey, including her struggles, plastic surgery, and more.  Rakhi revealed how she and her family faced hardships, with her mother's unwavering support leading them to a better life. She recounted her early days in the film industry, narrating how she overcame obstacles and eventually found success in Bollywood. Rakhi also disclosed details about undergoing plastic surgery at a young age to improve her chances in the industry.  Additionally, she spoke about the financial support she provided to her family and the challenges she encountered along the way. Rakhi's revelations shed light on the resilience and determination that shaped her extraordinary life."},"img":{"url":"https://images.prismic.io/prad/6f5d26b9-7505-443c-8874-642a6347178e_rakhi+sawanth.JPG?auto=format,compress"},"datetime":"2026-05-27T18:31:00+0000","embed":{"embed_url":null}},"uid":"rakhi-sawants-journey-from-hardships-to-triumph-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Crisis widens in AMMA; notices sent to four"},"content":{"text":"The Association of Malayalam Movie Artists (AMMA) has plunged into a fresh crisis with the organisation issuing show-cause notices to key office-bearers and executive committee members amid escalating allegations, public infighting and factionalism.  As part of the disciplinary proceedings, former Joint Secretary Ansiba Hassan, General Secretary Kukku Parameswaran and executive committee members Tiny Tom and Lakshmi Priya have been directed to appear before the executive committee. Ansiba has specifically been asked to appear between June 1 and 3 and submit evidence supporting the allegations she raised before resigning from her post. The crisis has exposed deep divisions within the organisation, with AMMA president Shweta Menon and General Secretary Kukku Parameswaran reportedly heading rival camps. Groupism and public sparring among office-bearers have severely disrupted the functioning of the actors’ body, once considered one of the strongest industry organisations in Malayalam cinema. Though efforts are reportedly underway to resolve the standoff through internal discussions, insiders say the conflict has now escalated beyond informal reconciliation after several members openly levelled accusations against one another in public. Senior Malayalam stars Mammootty and Mohanlal are understood to be closely monitoring the developments, but both have so far chosen not to directly intervene. A major decision regarding the future of the present governing body is expected at the AMMA general body meeting scheduled next month. The controversy intensified after Ansiba Hassan accused actor Tiny Tom of racial abuse, personal attacks and public humiliation. Ansiba alleged that Tiny Tom repeatedly targeted her and referred to her using terms such as religious extremist and jihadi. The actress is now preparing to initiate legal proceedings against Tiny Tom after reportedly receiving legal advice that her complaint has sufficient grounds. Actress Nina Kurup and others are likely to be cited as witnesses in the case. Adding to the pressure on Tiny Tom, actress Nina Kurup had earlier submitted a complaint to AMMA alleging that he publicly humiliated her during rehearsals for an AMMA family event and used abusive and obscene language. She also alleged intimidation and inappropriate behaviour, demanding a detailed enquiry into what she described as repeated misconduct. Meanwhile, Ansiba has also filed complaints against the police before the Chief Minister and the DGP, alleging that she was mistreated at a police station based on what she termed a false complaint filed by actress Lakshmi Priya. Ansiba has demanded that an independent committee, instead of the current executive committee, investigate her complaints. She has proposed a neutral panel comprising actors Ramesh Pisharody (now a Congress MLA), Mala Parvathy and Dhyan Sreenivasan. With internal divisions widening and allegations continuing to surface, the turmoil inside AMMA has now become another fresh headache for the egotistical Malayalam film industry."},"img":{"url":"https://images.prismic.io/prad/ZswocUaF0TcGJYiU_AMMA.JPG?auto=format,compress"},"datetime":"2026-05-28T07:22:00+0000","embed":{"embed_url":null}},"uid":"crisis-widens-in-amma-notices-sent-to-four"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Siddaramaiah steps down as K'taka CM"},"content":{"text":"Karnataka Chief Minister Siddaramaiah, regarded as the Congress’s tallest mass leader in recent times, submitted his resignation to the Governor at Lok Bhavan here on Thursday, bringing an end to his tenure as the state’s longest-serving Chief Minister.  The development also brought the curtain down on weeks of intense political drama and speculation surrounding a possible leadership change in Karnataka.  Siddaramaiah submitted his resignation to the Governor's Secretary in the presence of Deputy Chief Minister D.K. Shivakumar, all cabinet ministers and other prominent party leaders. Later, addressing a joint press conference in Bengaluru alongside Shivakumar and Home Minister G. Parameshwara, Siddaramaiah said: “I have submitted my resignation from the Chief Minister’s post to the Governor’s Secretary.” \"The Governor was not in town, and officials informed me that he would return by tonight. Against this background, I have submitted my resignation letter to the Governor’s Secretary. I have always said, both inside and outside the Assembly, that whenever the high command directs me, I will tender my resignation. Two days ago, the high command asked me to step down and, keeping my word, I am submitting my resignation.\" Siddaramaiah, 78, now joins an elite group of Karnataka politicians who have occupied the Chief Minister’s post more than once, including S. Nijalingappa, Veerendra Patil, D. Devaraj Urs, Ramakrishna Hegde, H.D. Kumaraswamy, and B.S. Yediyurappa. Born in August 1947 in Siddaramanahundi village of Mysuru district, Siddaramaiah rose from humble beginnings to become one of Karnataka’s most influential political leaders. As a child, he tended cattle and began his formal education directly from Class 4. He later completed a law degree before entering politics. His father, Siddarame Gowda, had unsuccessfully contested Gram Panchayat elections and reportedly advised Siddaramaiah not to trust people in politics. However, Siddaramaiah went on to successfully contest and win a Taluk Board election, marking the beginning of his long political journey. Over the course of his career, Siddaramaiah contested 12 Assembly elections and won nine of them. He also holds the record for presenting 17 state budgets. JD-S supremo and former Prime Minister H.D. Deve Gowda is widely regarded as Siddaramaiah’s political mentor, who helped shape him into a mass leader. However, ideological and political differences later led Siddaramaiah to part ways with Deve Gowda and the Janata Dal. He subsequently joined the Congress and went on to become a two-term Chief Minister and Karnataka’s longest-serving CM. Siddaramaiah is known for several major welfare and social justice initiatives during his political career. His decisions on internal reservation, reservation for oppressed communities in government tenders, and providing large-scale representation to backward and oppressed classes in the cabinet have often been described by supporters as path-breaking measures. He also emerged as one of the Congress's strongest critics of the BJP, RSS, Hindutva politics, Prime Minister Narendra Modi and Union Home Minister Amit Shah. At the same time, Siddaramaiah has often faced criticism from political opponents, who accused him of pursuing appeasement politics. Siddaramaiah’s political journey spans nearly five decades and includes several major turning points. He first contested the Assembly election in 1978 from the Chamundeshwari constituency on the ticket of the Lok Dal led by former PM Charan Singh, but lost. In 1983, he won from Chamundeshwari as an Independent candidate. He later became the Transport Minister in the S.R. Bommai cabinet in 1988. However, in 1989, he lost the Assembly election from Chamundeshwari. In 1991, he contested the Lok Sabha election from Koppal but suffered defeat. In 1992, Siddaramaiah joined the Janata Dal following the merger of the Samajwadi Janata Party. His political career gained momentum in 1994 when he won from Chamundeshwari for the third time and became Finance Minister in the Deve Gowda cabinet. In 1996, he was elevated as Deputy Chief Minister in the late J.H. Patel government. He secured his fourth victory from Chamundeshwari in 2004. A major turning point came in 2005 when Siddaramaiah launched the AHINDA movement and was later expelled from the JD-S. In 2006, he joined the Congress in the presence of its then-President Sonia Gandhi and won a by-election by a narrow margin of 257 votes. In 2008, he won from Varuna and became MLA for the sixth time. Siddaramaiah reached the peak of his political career in 2013 when he took the oath as the Chief Minister of Karnataka on May 13. In the 2018 Assembly elections, he won from the Badami constituency while losing from Chamundeshwari. Later in 2018, after the formation of the Congress-JD-S coalition government, he was appointed chairman of the coordination committee between the two parties. Later, he served as the opposition leader in 2019.   With Siddaramaiah stepping down from office, Karnataka politics now enters a new phase, even as his supporters describe his tenure as one of the most influential and transformative periods in the state’s political history."},"img":{"url":"https://images.prismic.io/prad/ahgb47K9tuLqENz1_sidda.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-28T06:54:00+0000","embed":{"embed_url":null}},"uid":"siddaramaiah-steps-down-as-ktaka-cm"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Jagapathi Babu: ‘Peddi’ role Appalasoori is my best "},"content":{"text":"Stating that his role, Appalasoori, in Mega Power Star Ram Charan's upcoming rural action drama 'Peddi' was the one he liked the most with regard to performance and get up,  well known south Indian star Jagapathi Babu has now said that his role in this film topped the list of six roles that came to his mind from the scores of roles he had played.  When asked about the look of his character, which appeared to be very new, Jagapathi Babu said, \"The entire credit for this must go to director Buchi Babu. He wanted the character to be that way. Appalasoori's look was designed with special care by National Award winning makeup artist Rasheed. I realized that this character was going to be amazing the very first time I wore that getup.\" Stating that he felt lucky to have got the role, the actor said, \"Emotionally, in terms of performance, in terms of getup, this is the role that I like the most. Doing this role in Ram Charan's film gave me even more joy. I have done many films after 'Legend'. But there are six that I remember. Appalasoori's performance in 'Peddi' is number one on that list.\" For the unaware, Jagapathi Babu has already completed dubbing for his portions in the film. The film has triggered huge expectations among fans and film buffs ever since it was first announced. A gripping and exciting trailer of the film that was released recently has only added to the excitement. The 'Peddi' trailer unfolds a sweeping rural tapestry dominated by sweat, struggle, and an undying love for sport. The protagonist, Peddi (played by Ram Charan), is a multi-talented athlete who earns his livelihood through sheer physical might. Whether it’s cricket, wrestling, or sprinting, his life is defined by the grit and passion he pours into every discipline. Adored by the children and respected by the villagers, his rapid rise draws envy, especially from a domineering landlord whose pride refuses to share the spotlight. Ram Charan appears in a fiercely athletic avatar, showcasing exceptional physical conditioning that grounds the film’s demanding sports segments. The trailer fluidly shifts between sporting worlds-- from Charan swinging a rugged cricket bat under blazing floodlights to engaging in visceral mud-wrestling bouts. His transformation into Peddi is both chiseled and emotionally layered. Janhvi Kapoor brings elegant warmth to her role, blending traditional charm with expressive nuance. The trailer further teases a powerful supporting cast- Shiva Rajkumar, Jagapathi Babu, Divyenndu, and Boman Irani, each adding weight and intrigue to the drama. The film is slated to hit screens on June 4 this year."},"img":{"url":"https://images.prismic.io/prad/aY284N0YXLCxVuHa_jagapathibabupeddi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-28T05:13:00+0000","embed":{"embed_url":null}},"uid":"jagapathi-babu-peddi-role-appalasoori-is-my-best-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Sai Pallavi's ‘beautiful’ family time in Spring"},"content":{"text":"Southern star Sai Pallavi shared a heartwarming glimpse into her springtime family moments and calling the season “beautiful” because of their presence in her life. Pallavi shared a reel video featuring all the fun time she spent with her parents, grandparents, and her sister. For the caption, she wrote: “My Delilah! Spring is when you’re here. Thank you for making our lives beautiful.” Pallavi also added the song Plain White T's iconic 2005 track Hey There Delilah, which was nominated at the 50th Grammy Awards in 2008 for Song of the Year, as the background score for her video montage.  Pallavi started her acting journey with uncredited roles and dance show appearances. However, she gained the spotlight with the 2015 Malayalam film Premam.  Pallavi has starred in the films Kali, Middle Class Abbayi, Maari 2, Paava Kadhaigal, Love Story, Shyam Singha Roy, Gargi, Amaran and Thandel. Her song \"Rowdy Baby\" is the first South Indian video song to reach one billion views on YouTube.  She was last seen in the Hindi film Ek Din, a romantic drama film directed by Sunil Pandey. It also stars Junaid Khan in the lead roles. It is a remake of the 2016 Thai film One Day.  As per the synopsis, a wish-granting bell gives the reserved and lovestruck Rohan a single precious day to be with his beloved Meera. She will next be seen in the upcoming magnum opus “Ramayana: Part 1” starring Ranbir Kapoor and Yash. The run-time of the asset is heavily dominated by CGI, done extremely tastefully by Prime Focus and Academy Award-winning DNEG, the latter scoring the Oscar for Best VFX for ‘Dune’. The film features a galaxy of stars with Ranbir in the role of Lord Ram, and Yash essaying Raavan, and actress Sai Pallavi playing Goddess Sita.  Sunny Deol portrays Lord Hanuman, Amitabh Bachchan will play Jatayu and Lara Dutt will be seen as Kaikeyi. Two music titans, Hans Zimmer and A. R. Rahman are joining forces for the film. ‘Ramayana’ is a two-part live-action cinematic universe being reimagined on the scale of the biggest tentpoles produced to date. The film also features Hollywood’s top stunt directors Terry Notary (Avengers, Planet of the Apes) and Guy Norris (Mad Max: Fury Road, Furiosa), choreographing the epic battles between gods and demons. ‘Ramayana’ is being filmed for IMAX and will be released worldwide with Part 1 releasing in Diwali 2026 and Part 2 in Diwali 2027."},"img":{"url":"https://images.prismic.io/prad/ahf7s7K9tuLqENf3_saipallavi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-28T04:15:00+0000","embed":{"embed_url":null}},"uid":"sai-pallavis-beautiful-family-time-in-spring"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"JLo still gets anxious over kissing scenes"},"content":{"text":"Actress-singer Jennifer Lopez has shared that filming kissing scenes on set still feels “a bit nerve-racking” after all these years. The actress-singer attended the premiere of her and Brett Goldstein's new romantic comedy, Office Romance’ at Hollywood's Egyptian Theatre recently, reports ‘People’ magazine. She told ‘People’, “I've been doing this a long time. I want to say that I was fine, but it's always a thing. It's like, ‘Okay, I have to kiss this person that I don't know and I'm just getting to know you.' You get a little nervous, that's all”. Acknowledging the fact that the bright lights and huge cameras can add to the pressure, Goldstein, 45, insists that the secret to shaking off the nerves is to “just go for it” without giving it a second thought. In the new Netflix movie, JLo plays Jackie Cruz, a CEO at a major company who falls for her recently hired employee, Daniel Blanchflower, played by Goldstein. As per ‘People’, their secret love affair is in full swing when Jackie and Daniel decide to stop playing by the rules and start following their hearts. While speaking about working with the Ted Lasso star at the Netflix Upfront earlier this month, JLo said that they had \"great chemistry” from the moment they met. She further mentioned, “I expected more of a rough guy, but you get this kind, gentle but also very smart person that is so charming. That was a surprise, I think”. “I was a huge fan of his from him doing Ted Lasso. Roy Kent, that's one of my favorite characters. I thought he was going to be more like the character, but he was so soft-spoken and sweet and totally different”, she added. For his part, Goldstein previously said that he and co-writer Joe Kelly wrote the rom-com specifically with JLo in mind during a train ride as they filmed Ted Lasso's third season."},"img":{"url":"https://images.prismic.io/prad/ZkNI5iol0Zci9GpK_jenniferlopez.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T22:20:00+0000","embed":{"embed_url":null}},"uid":"jlo-still-gets-anxious-over-kissing-scenes"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"CBN demands Bharat Ratna for NTR"},"content":{"text":"Andhra Pradesh Chief Minister and Telugu Desam Party president N. Chandrababu Naidu on Thursday urged the Centre to confer the Bharat Ratna on former chief minister and TDP founder NT Rama Rao, saying the legendary actor-politician remains a permanent symbol of Telugu self-respect.  Speaking at the TDP’s annual conclave, Mahanadu, held on the occasion of NTR’s 103rd birth anniversary, Chandrababu moved a resolution demanding the country’s highest civilian honour for the late leader. The resolution was unanimously adopted by the gathering. “It is the collective demand of all of us that the late NTR, who became a shining light for Telugu people, be awarded the Bharat Ratna,” Chandrababu said. “I request that Bharat Ratna be awarded to the great leader who ushered in major transformations in Indian politics,” he said. Describing NTR as an unmatched personality in Telugu public life, Chandrababu said his legacy would endure as long as the Telugu community existed. “NTR’s birth anniversary is a festival day for all Telugu people,” he said. Recalling NTR’s journey from a farmer’s son and government employee to film icon and chief minister of the undivided Andhra Pradesh, Chandrababu said he created history both in cinema and politics. “Unless NTR is born again, no one can match his discipline and stature. Wherever he was, he always lived for the self-respect of Telugu people,” he said. Chandrababu noted that NTR entered politics after a successful film career and became chief minister within nine months of launching the TDP. He also highlighted the party’s role in national politics despite being a regional outfit. “NTR’s governance stood as a support system for farmers, assurance for women, protection for workers and guidance for youth,” he said, adding that the TDP flag symbolised support for women, confidence for youth and assurance for farmers. The Andhra Pradesh Chief Minister also backed TDP national general secretary Nara Lokesh’s proposal for 33 per cent reservation for women and urged the Centre to implement it nationwide."},"img":{"url":"https://images.prismic.io/prad/ahf3JbK9tuLqENdy_ntr.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-28T06:52:00+0000","embed":{"embed_url":null}},"uid":"cbn-demands-bharat-ratna-for-ntr"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Salman’s Black Buck Case Gets Film"},"content":{"text":"The poster of the upcoming film ‘Kaala Hiran’, which is based on the blackbuck poaching case involving Bollywood superstar Salman Khan, was unveiled on Friday. The film blends genres like courtroom drama and crime thriller, and will showcase the famous rivalry between Salman Khan and the dreaded gangster Lawrence Bishnoi in a cinematic way. The film has been shot in several cities of Uttar Pradesh including Sambhal, Moradabad. Talking about the film, producer Amti Jani said, “In 1998, in Kakani village of Jodhpur, in the case of the hunting of a black buck by Salman Khan, the drama of the courtroom, the crime, the thriller, the rivalry between Lawrence Bishnoi and Salman Khan, the whole sequence has been shot in the form of a movie. The film has been shot in Sambal, Moradabad, and other cities of Uttar Pradesh”. He further mentioned, “Bollywood actors who had come to Jodhpur, Saif Ali Khan, Salman Khan, Tabu, Sonali Bendre, Satish Shah and other people, were together during the shooting. The hunting that took place at that time, Salman Khan's arrest and the punishment has been shown in the film. And its poster was very much awaited. People were waiting for a long time for a cinematic story around Salman Khan, Lawrence Bishnoi and the case of deer hunting. On June 20, we are going to release its first look, the teaser”. Lawrence Bishnoi has been after Salman Khan in order to avenge the illegal hunting of the black buck, which is considered sacred by the Bishnoi community. Bishnoi has been going after those who are close to the superstar. In October 2024, politician Baba Siddique, who was close to Salman, was gunned down near his house in the Bandra area of Mumbai. Lawrence Bishnoi’s gang had claimed responsibility for the attack on the politician."},"img":{"url":"https://images.prismic.io/prad/7c4ae2c9-0b15-4cbd-b183-ecc3e0cb3a2f_salman+khan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T12:55:00+0000","embed":{"embed_url":null}},"uid":"salmans-black-buck-case-gets-film"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Hardik Signals Departure from MI?"},"content":{"text":"Hardik Pandya, the embattled captain of Mumbai Indians, is reportedly set to leave the franchise due to mental stress and exhaustion following a disappointing IPL season.  Pandya, who took over as captain in 2024, conveyed his decision to the team management mid-season, citing mental fatigue and a back injury. The 32-year-old's strained relationship with the franchise and lack of support from senior players have contributed to his decision. It remains uncertain whether Pandya will seek a trade deal with another team or enter the auction pool for the next season.  With Pandya's departure looming, Mumbai Indians face the task of appointing a new captain for the upcoming seasons, with Rohit Sharma and Tilak Varma emerging as potential candidates for the role."},"img":{"url":"https://images.prismic.io/prad/ahmtbAeQX7-eWcDu_hardik.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T10:15:00+0000","embed":{"embed_url":null}},"uid":"hardik-signals-departure-from-mi"}},{"node":{"data":{"title":{"text":"Revanth Declares NTR a National Icon"},"content":{"text":"Telangana Chief Minister A Revanth Reddy made a bold statement on Thursday, comparing Telugu cinema legend and former Andhra Pradesh Chief Minister, Nandamuri Taraka Rama Rao (NTR), to national icons such as BR Ambedkar and Indira Gandhi. During the unveiling of NTR’s statue at Maitrivanam junction in Ameerpet, Revanth emphasized NTR's transcendence of regional boundaries, asserting that NTR belongs to the entire Telugu community, irrespective of caste, religion, or region.  He linked the welfare agenda of the Congress government with the legacies of both Indira Gandhi and NTR, stating that their governance is a blend of Indiramma’s blessings and NTR’s inspiration. Revanth highlighted how several flagship welfare schemes of the present government drew inspiration from NTR’s initiatives, such as the 'Indiramma Indlu' housing scheme, the government’s fine rice distribution scheme, and the 'Indiramma sarees' initiative. He credited NTR with abolishing the ‘patel-patwari’ system and empowering Backward Classes politically.  In addition, he emphasized Indira Gandhi's efforts for the upliftment of SCs, STs, and minorities, while NTR ensured dignity and self-respect for weaker sections. In a political note, the chief minister remarked that even former chief minister K Chandrasekhar Rao began his political journey under NTR’s leadership."},"img":{"url":"https://images.prismic.io/prad/ahm2JQeQX7-eWcJL_NTR.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T10:52:00+0000","embed":{"embed_url":null}},"uid":"revanth-declares-ntr-a-national-icon"}},{"node":{"data":{"title":{"text":"BCCI Bans Smart Glasses in IPL"},"content":{"text":"The Board of Control for Cricket in India's Anti-Corruption and Security Unit (ACSU) has strictly prohibited the possession and use of 'Smart Goggles' or sunglasses within the Players and Match Officials Area (PMOA). The directive comes after it was brought to the attention of the anti-corruption watchdog that certain companies have been marketing and selling high-tech smart eyewear to players and team support staff, which are equipped with advanced communication features. According to an internal BCCI ACSU communication, these advanced wearable devices possess capabilities that pose a direct threat to the tournament's strict anti-corruption protocols. \"Kindly note that these devices are equipped with advanced communication features, including live streaming, sending and receiving text messages, as well as audio and video calling capabilities through mobile data or Wi-Fi networks. Accordingly, under the PMOA Minimum Standards, such goggles/glasses are classified both as an ‘Audio/Video Recording Device’ and a ‘Communication Device’. \"It is hereby notified that the possession and/or use of ‘Smart Goggles’ is strictly prohibited within the Players and Match Officials Area (PMOA),\" ASCU said in its directives issued to all IPL franchises. \"All players and support staff are directed to deposit such devices with the Security Liaison Officer (SLO), along with their mobile phones and smartwatches, upon entering the PMOA on match days,\" the directive added. The ACSU has mandated strict surrender protocols for players and support staff entering PMOA and warned that any complacency or failure to hand over the smart eyewear will result in penalties. \"Failure to deposit such devices shall be deemed a breach of the PMOA protocols and may result in penalties under the PMOA Minimum Standards for IPL 2026,\" it concluded. The PMOA is treated as a separate area from the rest of a stadium in terms of accreditation and security. Each entrance into the area will be manned by security staff at all times and access will only be permitted to players, player support staff, match officials, match official support personnel and a limited number of individuals who have been allocated specific accreditation for the area. As per IPL anti-corruption rules, mobile phones and other electronic communications equipment are not allowed to be used in the PMOA other than for a few members of the team. The team manager may use a phone in the dressing room area but not in the dugout. The analyst may use his computer at the analyst table. Player and support staff items i.e. phones, smart watches or any other communication devices, should be turned off and given to the team SLO for storage on arrival at the stadium. Accredited staff i.e. dressing room attendant, IPL Match Manager, catering staff etc may not take communication devices into the PMOA. Secure boxes will be available at every entrance to securely store device."},"img":{"url":"https://images.prismic.io/prad/ahltrgeQX7-eWbOP_smartglasses.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T07:43:00+0000","embed":{"embed_url":null}},"uid":"bcci-bans-smart-glasses-in-ipl"}},{"node":{"data":{"title":{"text":"Pinarayi Vijayan breaks silence on ED raid"},"content":{"text":"Breaking his silence for the first time after the Enforcement Directorate (ED) raid at his rented residence in Thiruvananthapuram two days ago, Leader of Opposition in Kerala Assembly Pinarayi Vijayan on Friday accused the Centre of using central agencies as political weapons against non-BJP governments and opposition leaders across the country.  Appearing before the media at the Kerala Legislative Assembly after Governor Rajendra Vishwanath Arlekar’s policy address, Vijayan looked visibly uneasy when questions shifted from the Assembly proceedings to the ED searches conducted at his residence while he was present there. In what was his first direct response to the raid, the former Chief Minister alleged that the ED was increasingly being deployed as a political tool to target rivals of the BJP government at the Centre. “Action is being taken against non-BJP governments. ED is being used as a tool against political adversaries,” Vijayan said, widening the attack beyond Kerala and linking it to national politics. In a pointed remark aimed at Congress, Vijayan accused the party of selectively supporting ED interventions depending on political convenience. “Congress supports such actions when they are not targeted and wants these agencies to be used against their own opponents like Arvind Kejriwal and M.K. Stalin,” he said. Vijayan further argued that the growing use of central investigative agencies against opposition leaders was against the democratic traditions the country had followed in the past. However, he remained guarded on specifics related to the ongoing probe involving his daughter Veena Vijayan in the controversial CMRL-Exalogic financial transactions case. Confirming reports that one of Veena Vijayan’s bank accounts had been frozen, Vijayan said only that “one bank account of Veena has been blocked”. He also disclosed that ED officials did not ask him any questions during the raid at his residence. Friday’s remarks marked Vijayan’s first political response after the ED action that has triggered intense political turbulence in Kerala. While attempting to frame the raid as part of a broader pattern of central agency ‘misuse’, Vijayan carefully avoided detailed comments on the substance of the allegations or the evidence being examined by investigators. Even so, the appearance made it clear that the ED probe has now moved from being merely a legal battle into the centre of Kerala’s evolving political confrontation."},"img":{"url":"https://images.prismic.io/prad/5b58858b-fbe6-442b-a52b-68c59cafdf30_vijayan.JPG?auto=format,compress"},"datetime":"2026-05-29T07:15:00+0000","embed":{"embed_url":null}},"uid":"pinarayi-vijayan-breaks-silence-on-ed-raid"}},{"node":{"data":{"title":{"text":"HYDRAA Appoints 16 Transgenders"},"content":{"text":"In a novel initiative the Telangana government's Hyderabad Disaster Response and Asset Protection Agency (HYDRAA) has provided employment opportunities to 16 transgenders.  Eleven trans women and five trans men have joined HYDRAA, which has been in the news in recent times for removing encroachments on water bodies and government lands in and around Hyderabad. The new recruits said that employment at HYDRAA has brought a new light into their lives and the dignity bestowed by this job has instilled a deep sense of self-confidence within them. According to an official release on Friday, these 16 people are ready to perform their duties anywhere and at any time. They are actively participating in the removal of encroachments on lakes and drainage channels, and are at the forefront of protecting public parks and lands designated for community use in the state. Undeterred by the stature or influence of encroachers, they perform their duties fearlessly and play an integral role in safeguarding public assets in Telangana. They assert that the employment they secured at HYDRAA represents far more than just a means of livelihood; it signifies a newfound identity for their lives. They express that wearing the HYDRAA uniform is a matter of great honour for them and shared their immense joy at being designated the 'HYDRA Eagle Team' and being fully integrated into operational duties. The transgender team members played a pivotal role in successfully protecting 862 acres of government land in Ailapur, located in the Aminpur Mandal of Sangareddy district. Recently, they played an active role in saving the Edulakunta lake in Madhapur. They play a key role in tasks such as persuading the public, engaging with women to de-escalate tensions, and facilitating coordination between officials and the community. HYDRA officials say they have a natural ability to understand and empathise with people's emotions and have been commended for consistently achieving excellent results in their fieldwork. Transgenders currently working with HYDRAA are now providing financial support to their families. They are earning a steady monthly income, and their standing within society has improved. Most importantly, their self-confidence has been bolstered by the realisation that \"we, too, are capable of making a meaningful contribution through our work.\" “We were begging for a livelihood. In the past, wherever we went, we were subjected to ridicule. If we asked for work, we were turned away. But now, when we step out in uniform to perform our duties, everyone speaks to us with respect,” said Tanshi Rai. “Given the opportunity, transgender individuals can excel in any field. Our duties at HYDRAA serve as a living testament to this fact. At HYDRAA, everyone—from the officials to every other staff member—extends their full cooperation to us. We are treated as equals in the performance of our duties,” said Gayatri."},"img":{"url":"https://images.prismic.io/prad/ahlrrgeQX7-eWbMv_hydraatrans.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T09:34:00+0000","embed":{"embed_url":null}},"uid":"hydraa-appoints-16-transgenders"}},{"node":{"data":{"title":{"text":"Rahul Meeting Puts Spotlight on Sharmila"},"content":{"text":"Congress's Andhra Pradesh state President Y. S. Sharmila on Friday met senior party leader and Leader of Opposition Rahul Gandhi in the national capital amid reports that the high command is considering her name for nomination to the Rajya Sabha.  When media persons asked Sharmila about her name being circulated for nomination to the Rajya Sabha, she merely remarked that Rahul Gandhi knows better. When Sharmila came out after the meeting, media persons asked her about the discussion that took place. She evaded a reply when asked if her reported nomination to the Rajya Sabha was discussed. \"This discussion was about regular Andhra Pradesh political affairs,\" she said. When journalists continued their questions about her name being circulated for the nomination to the upper house of Parliament, she said: \"I am very sure Rahul Gandhi ji knows the best.\" Later, Sharmila said in a post on X that they discussed issues relating to the strengthening the party in the state. Sharmila said that she met Rahul Gandhi at his residence at 10 Janpath. \"We discussed various issues regarding the strengthening of the Congress party in Andhra Pradesh and received several suggestions from Mr. Rahul Gandhi,\" she said. Congress General Secretary, Organisation, K.C. Venugopal was also reported to be present during the meeting. The central leadership of the Congress party is reportedly considering the proposal to nominate Sharmila for the Rajya Sabha from Karnataka, where the party is in power. Elections to four Rajya Sabha seats from Karnataka are scheduled on June 18. Sharmila’s likely nomination to the Rajya Sabha is being seen as part of the strategy by the Congress high command to strengthen the party in Andhra Pradesh, where the party has had no MP or state legislator for more than a decade. Sharmila, sister of former Andhra Pradesh Chief Minister and YSR Congress Pary president Y. S. Jagan Mohan Reddy, was appointed state Congress President in January 2024 after she merged her YSR Telangana Party with the Congress. She led the party in the simultaneous elections to the state Assembly and Lok Sabha held in May 2024. However, for a third consecutive time, the Congress party drew a blank in both the Assembly and the Lok Sabha. The Congress party was virtually wiped out in 2014 as the party failed to win a single Assembly or Lok Sabha seat due to public anger over the bifurcation of the united Andhra Pradesh. The party lost several senior leaders who joined either the YSRCP or the TDP. The party failed to open its account in 2019 as well. There were hopes that Sharmila’s appointment as state party chief would change the party’s fortunes in 2024. However, it once again failed to open its account."},"img":{"url":"https://images.prismic.io/prad/ahlvsAeQX7-eWbPa_sharmilarahul.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T09:52:00+0000","embed":{"embed_url":null}},"uid":"rahul-meeting-puts-spotlight-on-sharmila"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Salman’s Black Buck Case Gets Film"},"content":{"text":"The poster of the upcoming film ‘Kaala Hiran’, which is based on the blackbuck poaching case involving Bollywood superstar Salman Khan, was unveiled on Friday. The film blends genres like courtroom drama and crime thriller, and will showcase the famous rivalry between Salman Khan and the dreaded gangster Lawrence Bishnoi in a cinematic way. The film has been shot in several cities of Uttar Pradesh including Sambhal, Moradabad. Talking about the film, producer Amti Jani said, “In 1998, in Kakani village of Jodhpur, in the case of the hunting of a black buck by Salman Khan, the drama of the courtroom, the crime, the thriller, the rivalry between Lawrence Bishnoi and Salman Khan, the whole sequence has been shot in the form of a movie. The film has been shot in Sambal, Moradabad, and other cities of Uttar Pradesh”. He further mentioned, “Bollywood actors who had come to Jodhpur, Saif Ali Khan, Salman Khan, Tabu, Sonali Bendre, Satish Shah and other people, were together during the shooting. The hunting that took place at that time, Salman Khan's arrest and the punishment has been shown in the film. And its poster was very much awaited. People were waiting for a long time for a cinematic story around Salman Khan, Lawrence Bishnoi and the case of deer hunting. On June 20, we are going to release its first look, the teaser”. Lawrence Bishnoi has been after Salman Khan in order to avenge the illegal hunting of the black buck, which is considered sacred by the Bishnoi community. Bishnoi has been going after those who are close to the superstar. In October 2024, politician Baba Siddique, who was close to Salman, was gunned down near his house in the Bandra area of Mumbai. Lawrence Bishnoi’s gang had claimed responsibility for the attack on the politician."},"img":{"url":"https://images.prismic.io/prad/7c4ae2c9-0b15-4cbd-b183-ecc3e0cb3a2f_salman+khan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T12:55:00+0000","embed":{"embed_url":null}},"uid":"salmans-black-buck-case-gets-film"}},{"node":{"data":{"title":{"text":"Vijay’s Big Bollywood Re-Entry Plan"},"content":{"text":"Tollywood star Vijay Deverakonda appears to be entering one of the busiest and most crucial phases of his career. With multiple projects lined up across industries, the actor is aggressively expanding his market beyond Telugu cinema. After making his Bollywood debut with Liger, Vijay is now reportedly planning a grand comeback in Hindi cinema with another prestigious pan-India project. The actor, known for experimenting with different genres and larger-than-life concepts, seems determined to strengthen his presence in the national market with carefully chosen films. Recently, Vijay Deverakonda was spotted at the Mumbai office of leading Bollywood production house Maddock Films, sparking major buzz in film circles. Industry reports suggest that acclaimed director Vikram Kumar, known for films like Manam and 24 as well as the web series Dhootha, has narrated a high-concept pan-India story to Vijay. Sources claim the actor was highly impressed by the emotional depth and commercial appeal of the script. Discussions about a collaboration between Vijay and Vikram Kumar have been circulating for months, and the latest developments indicate that the project is finally moving toward production. According to industry insiders, story discussions have already been completed, while financial negotiations and production formalities are currently in the final stages. An official announcement is expected soon. The film is reportedly being planned on a massive budget with a strong focus on both Telugu and Hindi markets. Meanwhile, Vijay already has an exciting lineup that includes Rowdy Janardhan directed by Ravikiran Kola, Ranabali with Rahul Sankrityan, and an emotional drama directed by Hi Nanna fame Shouryuv. With the possible addition of a Vikram Kumar–Maddock Films project, expectations among fans and trade circles have skyrocketed. The coming years could prove to be career-defining for Vijay Deverakonda as he continues to take bold and diverse cinematic decisions."},"img":{"url":"https://images.prismic.io/prad/adnbCp1ZCF7ETG4q_vdk.JPG?auto=format,compress"},"datetime":"2026-05-29T10:46:00+0000","embed":{"embed_url":null}},"uid":"vijays-big-bollywood-re-entry-plan"}},{"node":{"data":{"title":{"text":"Hema Malini to make singing debut"},"content":{"text":"Veteran actress and Member of Parliament Hema Malini is all set to add another milestone to her illustrious six-decade-long career.  The actress will be venturing into the singing space with her live performance on stage for the very first time during ‘The Dream Girl’s Diamond Jubilee Concert’, a special charity event being organised in aid of CINTAA (Cine & TV Artistes’ Association). Conceptualised on the format of ‘Legends Ki Kahani, Legends Ki Zubaani’, the grand musical evening will be held in Mumbai, on July 10. For the first time ever, Hema Malini’s cinematic journey will unfold live on stage through her own voice. The actress will be seen singing unforgettable songs from her films, and stories from the people who witnessed and shaped the golden era she continues to represent. Adding to the emotional celebration, the veteran actress will also perform a surprise song towards the finale of the concert. The evening will feature a 15-piece live orchestra travelling through the milestones of her life and career. A press conference announcing the concert was recently held at the CINTAA office in the presence of Poonam Dhillon, Padmini Kolhapure and RJ Anirudh Chawla, along with celebrated artistes Suresh Wadkar, Shabbir Kumar, Anu Malik and Vijeyta Pandit. The event also witnessed the presence of key CINTAA Executive Committee members including Upasana Singh, Sheeba Akashdeep, Deepak Parashar, Vikas Verma and Chandraprakash Thakur, among others, where the official trailer and concert poster were unveiled. Padmini Kolhapure, Poonam Dhillon and Anu Malik shared heartfelt anecdotes about Hema Malini and reflected on how she had been a part of their lives and journeys in more ways than one. Talking about the special occasion, Padmini Kolhapure said, “I will also be performing for Hema Ji and Dharam Ji. I haven’t decided on the song yet. I was discussing it with Anu Ji a while ago. I have very fond memories of Hema Ji. The first time I worked with her was on ‘Dream Girl’, and later, when I grew up, I worked with her again in ‘Ek Paheli’. She is so beautiful inside and out.” Padmini Kolhapure, Shabbir Kumar, Vijeyta Pandit, Anu Malik and Suresh Wadkar also performed memorable songs associated with Hema Malini’s cinematic journey during the press event, In a significant gesture, the evening will also support CINTAA, with a contribution on behalf of Hema Malini being announced towards the welfare of artists and workers from the entertainment fraternity. Celebrated artistes including Sudesh Bhosale, Kavita Krishnamurthy Subramaniam, Suresh Wadkar, Padmini Kolhapure, Anup Jalota, Anu Malik, Shabbir Kumar, Vijeyta Pandit and Purnima Shrestha will be lending their voice and presence to the evening. The Diamond Jubilee celebrations will also extend beyond the stage with a book on Hema Malini’s life, co-authored by Hema Malini and RJ Anirudh Chawla."},"img":{"url":"https://images.prismic.io/prad/ahl8hAeQX7-eWbbY_hema.JPG?auto=format%2Ccompress&rect=0%2C30%2C450%2C222&w=2028&h=1000"},"datetime":"2026-05-29T11:46:00+0000","embed":{"embed_url":null}},"uid":"hema-malini-to-make-singing-debut"}},{"node":{"data":{"title":{"text":"KJo unfollows SRK, Alia, Kareena on Instagram"},"content":{"text":"Filmmaker Karan Johar's following list on Instagram has undergone a major change.  On Thursday, the netizens noticed that the 'Kabhi Khushi Kabhie Gham' maker went on an unfollowing spree, removing some big names from the industry, along with his close friends from the list. Karan has reportedly unfollowed his close friends Shah Rukh Khan, Kareena Kapoor Khan, Malaika Arora, and designer Manish Malhotra.  KJo has even unfollowed his proteges Varun Dhawan, Sidharth Malhotra, and Alia Bhatt, whom he launched together in \"Student Of The Year\". We can also no longer see Kartik Aaryan in the list of the people Karan is following on Insta, despite the fact that he is set to headline Karan Johar’s upcoming production \"Naagzilla\". What is interesting is that the filmmaker who has removed almost all the bigwigs from the industry from his Insta following list continues to follow Priyanka Chopra.  Except for Priyanka, the only prominent names on Karan's following list now are Dharma CEO Apoorva Mehta and business partner Adar Poonawalla. At the moment, KJo's account shows that he is only following 78 accounts, while enjoying 17 million followers on the photo-sharing app. The reason for Karan's latest move on social media is still not clear. The 'Kuch Kuch Hota Hain' maker is extremely active on the platform and keeps the netizens hooked with his enchanting updates, which at times also feature his kids, Roohi and Yash. The filmmaker also loves to use social media to share his views on the trending topics, along with the latest updates in Bollywood. On the professional front, Karan Johar recently produced Ananya Panday and Lakshya starrer \"Chand Mera Dil\". Released in theatres on 22nd May, the project opened to mixed reviews with a lukewarm run at the ticket counters. It must be noted that Karan has also unfollowed Ananya. Up next, he is working on \"Naagzilla\", featuring Kartik as the lead."},"img":{"url":"https://images.prismic.io/prad/ZeyPJnUurf2G3Ob2_KJo.JPG?auto=format,compress"},"datetime":"2026-05-28T15:42:00+0000","embed":{"embed_url":null}},"uid":"kjo-unfollows-srk-alia-kareena-on-instagram"}},{"node":{"data":{"title":{"text":"Ram Charan’s Game Plan Revealed"},"content":{"text":"Pan-India star Ram Charan hilariously shared that while academics were never really his strong suit, he made sure to shine on the field as he professed his love for sports.   Ram’s upcoming film “Peddi” is a sports action drama, where his character acts as a \"crossover athlete\" who aces three sports such as cricket, wrestling and sprinting. Talking about his love for sports in real life during a tete-a-tete with IANS, Ram, who is one of the highest-paid actors in Telugu cinema, shared that he went from captaining volleyball and basketball teams to playing cricket and participating in track and field events. “I used to love sports. I used to be a volleyball captain, probably the shortest basketball captain also. I used to play cricket. I used to do track and field. So, I used to love sports. I mean, my grades were not so great. So, I must be excelling in one of them, right?,” Ram Charan told. The 41-year-old star, who is recognised for his impeccable dancing skills, pushed himself physically and mentally to ace his role in Peddi, which also led to an injury. The actor was seen with a bandaged wrist during the interview and shared that he sustained the injury while shooting a scene. Asked how much is too much for an actor to invest in a role? Ram, whose tryst with cinema began in 2007 with Chirutha, said: “I think it's wonderful the way we all prepared for this role, her role and mine especially. It's about two and a half years ago was my last film and now we're back with Peddi, bigger, stronger and more confident,” replied a very calm Ram. The Telugu film Peddi is directed by Buchi Babu Sana. The film also stars Boman Irani, Shiva Rajkumar, Janhvi Kapoor, Jagapathi Babu and Divyenndu. The film is finally releasing on June 4."},"img":{"url":"https://images.prismic.io/prad/ahl0fQeQX7-eWbS5_rc.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T05:12:00+0000","embed":{"embed_url":null}},"uid":"ram-charans-game-plan-revealed"}},{"node":{"data":{"title":{"text":"Janhvi’s Limitless Passion for Cinema"},"content":{"text":"Since making her debut with Dhadak in 2018, Janhvi Kapoor has been trying to prove her mettle through a diverse range of projects. Be it “Gunjan Saxena: The Kargil Girl” or  “Mili”, “Bawaal” to her latest “Peddi”, the actress believes strong stories deserve complete dedication. Asked Janhvi, who will be seen starring alongside Ram Charan in “Peddi”, how much is too much for an actor to invest in a role. Pat came the reply from the doe-eyed beauty, who made her Telugu debut in Jr. NTR’s 2024’s action drama Devara: Part 1, to media: “Oh, I think nothing is too much.” The 29-year-old actress, who has worked on stunt-heavy sequences head-on in some of her films, added: “I think for your art, if you feel convinced and if you feel strongly about the story and your role and the message, then give your life for it.” Her next is “Peddi”, a sports action drama film by Buchi Babu Sana. The film features Ram as a \"crossover athlete\" who transitions between the three difficult sports including cricket, wrestling and sprinting. Asked if she is a sports enthusiast, Janhvi, who is the daughter of the late superstar Sridevi and producer Boney Kapoor, said: “I actually, I wasn't very athletically inclined. I used to enjoy dancing though, always.” The Telugu film Peddi is directed by Buchi Babu Sana. The film also stars Boman Irani, Shiva Rajkumar, Janhvi Kapoor, Jagapathi Babu and Divyenndu. The film is finally releasing on June 4. In the Bollywood front, Janhvi was last seen in Sunny Sanskari Ki Tulsi Kumari by Shashank Khaitan. It also stars Varun Dhawan, Sanya Malhotra, Rohit Saraf, Maniesh Paul and Akshay Oberoi. The film followed Sunny and Tulsi, who are heartbroken after their partners, Ananya and Vikram, abandon them to marry each other. Sunny and Tulsi then team up to crash the wedding of their former lovers."},"img":{"url":"https://images.prismic.io/prad/Z5PGz5bqstJ991Hm_janhvi.JPG?auto=format,compress"},"datetime":"2026-05-29T06:15:00+0000","embed":{"embed_url":null}},"uid":"janhvis-limitless-passion-for-cinema"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"How Thyroid Health Affects Fertility"},"content":{"text":"For women trying to conceive, the road to pregnancy can be fraught with challenges. While the reasons for delayed conception may not always be obvious, thyroid health could be a significant factor. As the world marks World Thyroid Day on May 25, experts emphasize the often overlooked influence of hypothyroidism on reproductive health. Dr. Alimileti Jhansi Rani, a Fertility Specialist at Birla Fertility & IVF Hyderabad, stresses the critical role of the thyroid in reproductive health.  Research has shown that hypothyroidism can disrupt ovulation, menstruation, and hormonal regulation, leading to fertility struggles and potential complications during pregnancy. It's important to note that even 'normal' thyroid levels may not be ideal for conception, with specialists recommending optimized levels for fertility. Treatment and lifestyle changes, including medication, proper nutrition, stress management, and monitoring menstrual and ovulation patterns, can significantly improve the chances of conception.  Additionally, testing for thyroid antibodies can provide valuable insights, especially for women facing recurrent miscarriages or fertility challenges. Understanding the impact of thyroid health on fertility and seeking timely medical guidance can save valuable time for women struggling to conceive."},"img":{"url":"https://images.prismic.io/prad/1c687669-969a-426e-b643-acc2ccc20607_thyroid.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","embed":{"embed_url":null}},"uid":"how-thyroid-health-affects-fertility"}},{"node":{"data":{"title":{"text":"Shortness of Breath? Take It Seriously"},"content":{"text":"Feeling winded when doing everyday tasks like climbing stairs may seem normal, but according to Dr. Rajesh Rajani, Consultant Interventional Cardiologist, it can be a red flag for an underlying heart problem. Many people dismiss breathlessness as a sign of aging or lack of fitness, but this could be dangerous thinking. The gradual decline in your ability to perform tasks without getting breathless may go unnoticed, leading to delayed diagnosis of potential heart issues.  Dr. Rajani warns that breathlessness should not be normalized, as it could indicate serious heart conditions such as blocked arteries, heart valve disease, irregular heart rhythms, or weakening of the heart muscles. Recognizing and evaluating these symptoms early can help identify underlying health risks and prevent more serious complications later. It's crucial not to make excuses for these symptoms and to seek medical advice if you experience increasing shortness of breath.  This article provides insights from Dr. Rajesh Rajani, shedding light on why breathlessness should not be ignored and how it can signify an underlying heart condition."},"img":{"url":"https://images.prismic.io/prad/agwbIKYofJOwHWqT_breath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T18:56:00+0000","embed":{"embed_url":null}},"uid":"dont-ignore-it-when-shortness-of-breath-signals-a-serious-health-concern-mpcc9z9u"}},{"node":{"data":{"title":{"text":"Hantavirus Panic Hits US Passengers"},"content":{"text":"In a troubling development, two American passengers from the MV Hondius have raised alarm as they are transported back to the United States with potential hantavirus infections. The Department of Health and Human Services confirmed on Sunday evening that among the 17 evacuees, one individual is exhibiting mild symptoms, while another has tested 'mildly PCR positive' for the Andes strain of the virus. This evacuation comes amidst a backdrop of heightened awareness surrounding hantavirus, which can lead to severe respiratory complications. The cruise ship, which embarked from Argentina in April and traversed the South Atlantic, has been linked to a disturbing cluster of hantavirus cases, including three fatalities. The initial case involved a Dutch passenger who fell ill shortly after boarding, leading to a tragic sequence of events that resulted in both his and his wife’s deaths, as well as that of a German traveler. The virus's unusual capability for human-to-human transmission—particularly the Andes strain—underscores the urgency of the situation, as it typically spreads through contact with infected rodent excreta. Health experts are particularly concerned about this outbreak due to its rarity, with hantaviruses generally transmitting through animal vectors rather than person-to-person contact. The Andes virus, however, poses a unique threat, necessitating close interactions for transmission to occur. A Swiss tour guide who disembarked in Saint Helena and later tested positive suggests that the virus may have circulated among passengers during the voyage. Such developments have prompted increased scrutiny and rigorous monitoring protocols for those who interacted with affected individuals. The 17 American passengers are currently en route to the University of Nebraska Medical Center, which is equipped to handle potential hantavirus cases. The facility will conduct thorough clinical assessments, with asymptomatic individuals expected to monitor their health at home for a full 42 days—the incubation period for the virus. While health officials have classified most passengers as low-risk, the careful tracking and oversight reflect a cautious approach in the face of a potentially serious health crisis, emphasizing both preparedness and the importance of public health vigilance in mitigating outbreaks."},"img":{"url":"https://images.prismic.io/prad/agHlCKYofJOwHFHL_hantavirus.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T05:02:00+0000","embed":{"embed_url":null}},"uid":"hantavirus-alert-us-passengers-evacuated-amid-growing-health-concerns-mp19tz46"}},{"node":{"data":{"title":{"text":"Summer Chill or Skin Kill: The Hidden Perils of AC"},"content":{"text":"As temperatures soar, air conditioning becomes a refuge from the sweltering heat, yet it carries an unsuspected consequence for our skin. The very mechanism that cools our living spaces—lowering humidity levels—has a detrimental effect on skin health. Prolonged exposure to air-conditioned environments can lead to significant dehydration, disrupting the skin's natural barrier and causing a range of issues including heightened sensitivity, flakiness, and even unexpected breakouts. This paradox highlights a critical need for awareness in our skincare routines during the sweltering summer months. The science behind air conditioning reveals a stark reality: the cooling process strips moisture from the air, which in turn accelerates water loss from the skin. This dehydration can affect all skin types, whether oily, dry, or combination. A common misconception is that hydrated skin will always appear visibly dry; in many cases, a lack of moisture can trigger the skin to produce excess oil in a compensatory manner, resulting in clogged pores and acne. This cycle underscores the importance of recognizing air conditioning as a double-edged sword, necessary for comfort yet detrimental to skin vitality. The skin barrier serves as the body’s frontline defense against external aggressors. When faced with the relentless assault of dry air, this barrier struggles to maintain its integrity, leading to issues like increased sensitivity and irritation. Individuals may notice fine lines becoming more pronounced, and persistent redness developing as their skin reacts to the new environment. The long-term implications are unsettling; a compromised skin barrier not only invites dryness but also exposes the skin to pollution and UV damage once individuals venture outside. Understanding this connection is crucial for anyone reliant on air conditioning for comfort. To counteract these adverse effects, skincare strategies must adapt to this summer challenge. Prioritizing deep hydration is essential—switching to lightweight moisturizers infused with hydrating ingredients like hyaluronic acid can help replenish lost moisture without clogging pores. Layering products, such as applying a hydrating serum followed by a moisturizer, creates an additional shield against dry air. Moreover, maintaining internal hydration through adequate water intake and using a humidifier can enhance skin resilience. As the demand for comfort clashes with the need for skin health, it is imperative to strike a balance that ensures both can coexist harmoniously during the hottest months of the year."},"img":{"url":"https://images.prismic.io/prad/afhRDcBOoF08xkN5_skin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-03T02:53:00+0000","embed":{"embed_url":null}},"uid":"summer-chill-or-skin-kill-the-hidden-perils-of-air-conditioning-moq2k7ge"}},{"node":{"data":{"title":{"text":"Sun to Acquire US-Based Organon in $11.75 B"},"content":{"text":"India’s major drugmaker Sun Pharmaceutical Industries on Monday announced that it will acquire New York-listed Organon & Co in an all-cash deal valued at $11.75 billion, its biggest overseas acquisition to date.  Under the agreement, the pharmaceutical firm will acquire 100 per cent of Organon’s outstanding shares at $14 per share, translating into an enterprise valuation of $11.75 billion and an equity value of around $3.99 billion, the company said in an exchange filing. The company said the acquisition is aligned with its strategy to scale up its innovative medicines business while strengthening its presence in established brands and branded generics. The deal will also enable Sun Pharma to enter the biosimilars segment as a top global player. Following the acquisition, the combined entity is expected to be among the top 25 global pharmaceutical companies, with revenues of around $12.4 billion, while strengthening its position in women’s health and biosimilars. New Jersey-based Organon operates across women’s health, biosimilars, and established medicines, with a portfolio of over 70 products and a presence in more than 140 countries. The transaction, approved by the boards of both companies, expected to close in early 2027, subject to regulatory approvals and Organon shareholders’ approval. Sun Pharma plans to fund the deal through a mix of internal accruals and debt financing. For the year ended December 2025, Organon reported revenue of $6.2 billion and adjusted EBITDA of $1.9 billion. Commenting on the deal, Sun Pharma Executive Chairman Dilip Shanghvi said the acquisition would help build a stronger and more diversified platform, while Managing Director Kirti Ganorkar highlighted synergy and growth opportunities from the integration. Shares of Sun Pharma rose as much as 6.71 per cent to hit an intraday high of Rs 1,728.65 on the BSE in early trade on Monday."},"img":{"url":"https://images.prismic.io/prad/0559bc76-f082-4aef-b625-6c012ae1d136_sun+pharma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:34:00+0000","embed":{"embed_url":null}},"uid":"sun-pharma-to-acquire-us-based-organon-in-11.75-b"}},{"node":{"data":{"title":{"text":"Late-Night Eating May Harm Gut, Study Suggests"},"content":{"text":"Chronic stress can disrupt bowel functions and now, a new report on Thursday suggested that eating late at night amplifies these effects, with implications for both digestive health and the gut microbiome.  Researchers analysed data from more than 11,000 participants in the National Health and Nutrition Examination Survey in the US to examine links between chronic stress, late-night eating, and bowel dysfunction. Individuals with a high allostatic load score — the cumulative physiological stress as reflected in body mass index (BMI), cholesterol level, and blood pressure — who also reported eating more than 25 per cent of daily calories after 9 p.m. were 1.7 times more likely to experience constipation and diarrhoea than those with lower scores who did not eat late at night. \"It’s not just what you eat, but when you eat it,\" said Harika Dadigiri, resident physician at New York Medical College at Saint Mary’s and Saint Clare’s Hospital said the study’s lead author. \"And when we’re already under stress, that timing may deliver a ‘double hit’ to gut health,\" she added. Similarly, data from more than 4,000 participants in the American Gut Project found that people with both high stress levels and late-night eating habits were 2.5 times more likely to report bowel problems. These individuals had significantly lower gut microbiome diversity, suggesting that meal timing might magnify the impact of stress on the microbiome via the gut-brain axis — the two-way communication system involving nerves, hormones and gut bacteria. The findings highlight associations rather than cause-and-effect. Further research is needed to better understand how stress, eating patterns and gut health are connected, said the study. Dr Dadigiri is sympathetic to those who reach for late-night snacks after long, demanding days, and as a medical resident, she counts herself among them. \"Small, consistent habits, like maintaining a structured meal routine, may help promote more regular eating patterns and support digestive function over time,\" she said."},"img":{"url":"https://images.prismic.io/prad/49dee6c7-3424-4e38-92ca-36f8dd4d4197_stomach+cancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-23T00:50:00+0000","embed":{"embed_url":null}},"uid":"late-night-eating-may-harm-gut-study-suggests"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Indian-American teen wins spelling bee title"},"content":{"text":"Indian-American teenager Shrey Parikh won the 2026 Scripps National Spelling Bee, correctly spelling 32 words in a spell-off to claim the championship and set a new competition record.  The 14-year-old eighth-grader from San Bernardino, California, secured the title with the word \"bromocriptine\", defined by organisers as \"a polypeptide alkaloid that is a derivative of ergot and mimics the activity of dopamine\". Parikh, representing the San Bernardino County Superintendent of Schools, in California emerged victorious following the third spell-off in the Bee's history. His total of 32 correctly spelled words established a new spell-off record. The champion attends Day Creek Intermediate School in California and entered this year's contest with considerable experience on the national stage. According to his official Scripps National Spelling Bee biography, Parikh first competed in the national Bee in 2022, when he tied for 89th place. He returned in 2024 and finished tied for third place before capturing the title this year. The victory capped years of preparation for the young speller, who has developed interests well beyond language and vocabulary competitions. His official biography describes a student who enjoys tennis, reading, mathematics and chess. He also plays percussion in his school band and has performed on instruments including the snare drum, bass drum, timpani, toms, triangle, glockenspiel and marimba. Parikh spends much of his free time solving mathematics problems or spending time with his brother and sister, according to the biography. One of his proudest recent achievements was qualifying for the California state Mathcounts competition this year. The biography also notes his strong connection to India. Parikh has travelled to many countries and particularly enjoys visiting India to spend time with his grandparents. The Scripps National Spelling Bee is one of the most prestigious academic competitions in the United States. It brings together top young spellers from across the country and several international locations after they advance through local and regional contests. Founded in 1925, the competition tests spelling, vocabulary and language skills through multiple rounds of increasingly difficult words. Participants must generally be no older than 15 and may not have progressed beyond the eighth grade. Students of Indian origin have been among the most successful competitors in the Bee over the past two decades, winning a large share of national titles and regularly dominating the final rounds. Their success has made the annual competition a closely followed event in Indian-American communities across the United States. Parikh now joins a distinguished list of champions whose victories have become part of the Bee's long tradition of academic excellence and perseverance. "},"img":{"url":"https://images.prismic.io/prad/ahl3nQeQX7-eWbVu_ShreyParikh.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T03:10:00+0000","embed":{"embed_url":null}},"uid":"indian-american-teen-wins-spelling-bee-title"}},{"node":{"data":{"title":{"text":"H-1B: High-Paid, US Master’s Applicants Win Big"},"content":{"text":"The American H-1B visa system is witnessing a major transformation, and the latest selection numbers for fiscal year 2027 clearly show that the era of mass low-wage filings may be coming to an end. According to new data released by United States Citizenship and Immigration Services, a striking 71.5% of selected H-1B applicants this year hold a US master’s degree or higher — a sharp jump from 57% last year. At the same time, selections from the lowest wage category dropped dramatically to just 17.7%, signaling a deliberate shift toward attracting highly skilled and better-paid foreign professionals. The total number of registrations also plunged by nearly 38.5%, falling from over 343,000 to around 211,600 applications. The changes are largely driven by USCIS’s new wage-based weighted selection system, which replaced the old random lottery process. Under the revised model, applicants offered higher salaries receive stronger preference during selection, fundamentally altering how companies approach H-1B hiring. The agency has also continued using the beneficiary-centric registration system to prevent duplicate filings for the same candidate while simultaneously increasing registration fees and tightening scrutiny on low-wage applications. Immigration experts say the policy shift is aimed at discouraging misuse of the H-1B system by staffing firms and prioritizing genuinely skilled professionals in advanced sectors like technology, research, engineering, and artificial intelligence. For thousands of Indian students and tech workers dreaming of long-term careers in the United States, the new direction sends a clear message: American employers and immigration authorities are now rewarding specialization, advanced education, and higher compensation packages more than ever before. While the stricter system could reduce opportunities for entry-level applicants and outsourcing-driven hiring models, it may benefit candidates with stronger academic backgrounds and niche technical skills. The latest numbers also reflect the Trump administration’s broader push to reshape employment-based immigration around higher wages and “high-value talent,” making the H-1B race more competitive — but also more selective than ever before."},"img":{"url":"https://images.prismic.io/prad%2Fcf9b726b-0761-4f6a-bef9-41aa90a09c27_h1b+visa.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-05-24T09:59:00+0000","embed":{"embed_url":null}},"uid":"h-1b-high-paid-us-masters-applicants-win-big"}},{"node":{"data":{"title":{"text":"Congressman Blasts Trump’s GC Crackdown"},"content":{"text":"Indian-American Congressman Ami Bera sharply criticised the Trump administration’s new immigration policy that could force many Green Card applicants living legally in the United States to leave the country and complete the process abroad, calling it disruptive and harmful to families, workers and the American economy.  “I strongly oppose the Trump administration’s disruptive decision to require many students, temporary visa holders, and other individuals seeking green cards to leave the United States and return to their home countries while their applications are processed,” Bera said in a statement. “This policy creates unnecessary fear and uncertainty for families, workers, and employers who are following the law,” he said. The California Democrat’s remarks came after the US Citizenship and Immigration Services (USCIS) issued a policy memo declaring that adjustment of status inside the United States should be treated as an “extraordinary form of relief” rather than a routine immigration pathway. Under the new approach, immigration officers are instructed to consider applications on a “case-by-case basis,” with many applicants expected to pursue consular processing from their home country. USCIS spokesman Zach Kahler defended the policy, saying the administration was “returning to the original intent of the law.” “From now on, an alien who is in the US temporarily and wants a Green Card must return to their home country to apply, except in extraordinary circumstances,” Kahler said. The administration argues that the change would discourage visa overstays and reduce pressure on the immigration system. But Bera warned the move ignored the reality faced by many immigrants already caught in lengthy visa backlogs. “The Administration disregards the fact that many individuals seeking permanent residency are here legally and waiting for their cases to move through an already backlogged immigration system,” he said. Bera said the policy could particularly hurt highly skilled immigrants working in the United States through legal visa programmes. “America has long benefited from attracting top researchers, doctors, engineers, entrepreneurs, and innovators through our legal immigration system and worker visa programmes,” he said. “Forcing these individuals to leave the United States during the green card process will deprive our country of their innovation, their tax contributions, and the many ways they strengthen our economy and communities.” The congressman, whose parents immigrated from India, also framed the issue personally. “As the son of Indian immigrants, I know firsthand that our nation is strengthened by people who come here legally, work hard, and contribute to our communities,” Bera said. “We should be reducing processing delays and modernising our immigration system, not creating additional barriers for people who are following the rules.” Bera added that he expected the policy to face legal scrutiny. “I support legal challenges to this policy and expect the courts to halt its implementation,” he said. The policy has already triggered criticism from immigration advocacy groups and Democratic lawmakers, who argue that forcing applicants to leave the country during processing could separate families, interrupt careers and create uncertainty for employers. The issue is expected to resonate strongly among Indian nationals in the United States, particularly H-1B visa holders and international students. Indians form one of the largest groups waiting in employment-based Green Card backlogs and many rely on adjustment of status provisions to remain in the country while applications are processed."},"img":{"url":"https://images.prismic.io/prad/ahLQdLK9tuLqEGbq_AmiBera.png?auto=format,compress&rect=0,12,743,366&w=2028&h=1000"},"datetime":"2026-05-24T02:16:00+0000","embed":{"embed_url":null}},"uid":"congressman-blasts-trumps-gc-crackdown"}},{"node":{"data":{"title":{"text":"Green Card Shock: Indians May Be Forced to Leave US"},"content":{"text":"The Trump administration has unveiled a new immigration policy that could force many immigrants already living legally in the United States to leave the country and apply for permanent residency from abroad, triggering sharp criticism from immigrant advocates, Democratic lawmakers and local officials.  The new policy memo issued by the US Citizenship and Immigration Services (USCIS) reiterates that adjustment of status — the process through which eligible immigrants apply for Green Cards while remaining inside the United States — is “a matter of discretion and administrative grace” and not intended to replace regular consular processing abroad. USCIS said officers must consider applications on a “case-by-case basis” and weigh whether applicants deserve what the agency described as an “extraordinary form of relief.” “We’re returning to the original intent of the law to ensure aliens navigate our nation’s immigration system properly,” USCIS spokesman Zach Kahler said. “From now on, an alien who is in the US temporarily and wants a Green Card must return to their home country to apply, except in extraordinary circumstances,” he said. Kahler said the policy would help reduce overstays and allow USCIS to focus on “visas for victims of violent crime and human trafficking, naturalization applications, and other priorities.” The policy could have significant implications for temporary visa holders, including students, researchers, tourists and H-1B workers, many of whom traditionally adjust their status inside the United States after obtaining employer or family sponsorship. The USCIS memo argues that adjustment of status was “not designed to supersede the regular consular visa-issuing process.” It further states that aliens admitted temporarily are generally expected to depart the country once the purpose of their stay ends. Immigration advocacy group FWD.us condemned the move. “Today’s announcement is a stark, deeply harmful, upheaval of more than 70 years of legislative, administrative, and judicial precedent,” said FWD.us President Todd Schulte. “It will create chaos and impose massive costs on immigrants who have lived and worked legally in the United States for many years,” he said. Schulte accused the administration of trying to “make America a cruel place for immigrants” and said the policy would “massively disrupt our legal immigration system.” “The majority of people who are approved for green cards each year adjust their status from within the U.S., as provided under law since the 1950s,” he said. Rep. Grace Meng, Chair of the Congressional Asian Pacific American Caucus (CAPAC), also criticised the policy. “The Trump administration is once again proving that they are not going after the ‘worst of the worst.’ Instead, they are blatantly attacking legal immigration, with family separation at the center of its agenda,” Meng said. She warned that immigrants from more than 100 countries affected by Trump-era travel and immigrant visa restrictions could face separations lasting “for years, if not indefinitely.” Montgomery County Executive Marc Elrich said the policy would create fear and uncertainty among immigrant families and skilled workers. “These are our neighbors, coworkers, business owners, researchers, health care workers, teachers, and entrepreneurs,” Elrich said. “When the federal government treats legal immigrants as disposable or unwelcome, it weakens our ability to attract and retain the people who help drive innovation, create jobs, and strengthen our economy,” he added. Indian technology professionals have historically relied heavily on adjustment of status provisions because of long Green Card backlogs and country-specific visa caps. Immigration lawyers and advocacy groups have repeatedly warned that forcing applicants to leave the country during processing could disrupt jobs, family stability and long-term residency plans for thousands of Indian-origin families. "},"img":{"url":"https://images.prismic.io/prad/91d05705-c80f-4b7c-9364-539789be74b1_US+Green+Card.JPG?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-05-23T06:04:00+0000","embed":{"embed_url":null}},"uid":"green-card-shock-indians-may-be-forced-to-leave-us"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"#MEGA158 - Title Teaser"},"img":{"url":"https://images.prismic.io/prad/ahU7ZLK9tuLqEIUX_Mega158title.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T18:30:00+0000","third_party_url":null},"uid":"mega158---title-teaser"}},{"node":{"data":{"title":{"text":"Maa Inti Bangaaram - Trailer"},"img":{"url":"https://images.prismic.io/prad/ahU8eLK9tuLqEIUj_maaintibangaram.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T20:23:00+0000","third_party_url":null},"uid":"maa-inti-bangaaram---trailer"}},{"node":{"data":{"title":{"text":"Peddi: Hellallallo Song"},"img":{"url":"https://images.prismic.io/prad/ahBmxLK9tuLqEFI-_hellaaro.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-22T13:23:00+0000","third_party_url":null},"uid":"peddi-hellallallo-song"}},{"node":{"data":{"title":{"text":"#MEGA158 Opening Ceremony"},"img":{"url":"https://images.prismic.io/prad/ag7FE6YofJOwHeX1_mega158open.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T05:41:00+0000","third_party_url":null},"uid":"mega158-opening-ceremony"}},{"node":{"data":{"title":{"text":"Glimpse of Jr. NTR \"Dragon\""},"img":{"url":"https://images.prismic.io/prad/ag1BnaYofJOwHaEG_Dragon.png?auto=format%2Ccompress&rect=0%2C7%2C899%2C443&w=2028&h=1000"},"datetime":"2026-05-20T05:07:00+0000","third_party_url":null},"uid":"glimpse-of-jr.-ntr-dragon"}},{"node":{"data":{"title":{"text":"'Mashooqa' song from 'Cocktail 2'"},"img":{"url":"https://images.prismic.io/prad/agxLn6YofJOwHXNF_mashooqasong.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-19T08:38:00+0000","third_party_url":null},"uid":"mashooqa-song-from-cocktail-2"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Mahanadu: A Non-Stop Spectacle Of Vainglory And Vilification"},"img":{"url":"https://images.prismic.io/prad/ahlkEQeQX7-eWbI9_mahanadu2026.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T06:30:00+0000","third_party_url":null},"uid":"mahanadu-a-non-stop-spectacle-of-vainglory-and-vil"}},{"node":{"data":{"title":{"text":"Pawan Kalyan: Mishandling Caste Dynamics?"},"img":{"url":"https://images.prismic.io/prad/ahadBrK9tuLqELCz_PK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T06:28:00+0000","third_party_url":null},"uid":"pawan-kalyan-mishandling-caste-dynamics"}},{"node":{"data":{"title":{"text":"America First Visa Tool: An Economic Trap"},"img":{"url":"https://images.prismic.io/prad/ahP5UrK9tuLqEHIy_indus.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","third_party_url":null},"uid":"america-first-visa-tool-an-economic-trap"}},{"node":{"data":{"title":{"text":"CJP: Neither a Revolution nor a Threat!"},"img":{"url":"https://images.prismic.io/prad/ahLICrK9tuLqEGaZ_CockroackJantaParty.png?auto=format,compress&rect=0,33,756,373&w=2028&h=1000"},"datetime":"2026-05-23T23:42:00+0000","third_party_url":null},"uid":"cjp-neither-a-revolution-nor-a-threat"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Mahanadu: A Non-Stop Spectacle Of Vainglory And Vilification"},"content":{"text":"“There comes a time when the difference between lies and reality gets too big to hide with bragging” This profound statement suggests that when a leader or a party continuously boasts about grand achievements that do not exist, it eventually stops working. No matter how loud, eloquent, or aggressive the political speeches and grand rhetoric are, they cannot convince a hungry person that they are full. They cannot convince an unemployed youth that the economy is booming. This timeless wisdom that “truth ultimately forces its way through deception,” was on glaring display at the latest edition of Mahanadu, the annual conclave of the TDP. The event unfolded less as a platform for meaningful policy discussion and much more as a non-stop spectacle of vainglory and vilification. If one says that the event offered observers a masterclass in political theater, defined entirely by empty boastfulness and vicious attacks on opponents from the opening speech to the closing remarks, one may not be seen as cynical. It was simply the reality of the stage. The event was unsurprisingly big on slandering the opposition and magnifying self-praise. In displaying this aggressive confidence, the conclave organizers seemed completely unconcerned with the silent anti-incumbency brewing right outside their air-conditioned doors. They ignored the actual ground reality in the state. In fact, the entire discourse appeared as if there was absolutely nothing left to say other than indulging in self-praise and depreciating the opposition, precisely because there was nothing actually done on the ground. Delegates listened in vain for updates on the state of the union. There was no mention of the status of the grand promises made during the elections. Instead, what was on display was a highly produced \"Hybrid\" event—a flashy digital setup that seemed designed purely to signal a false intent of technological progress in governance. Whispers from the gathering suggested the conclave had its priorities beautifully sorted out, spending almost the entire time obsessing over the opposition while completely forgetting to talk about their own achievements, which are apparently none. It was a flawless mimicry of the BJP’s national leadership, its alliance partner, which has masterfully spent its entire 12-year governance acting as if Jawaharlal Nehru is still secretly running the country from beyond the grave. After all, why bother showcasing your own achievements when you can just blame the past and the opposition for everything? Ironically, this high-tech party was being held at a time when a silent discontent was rising rapidly across rural Andhra Pradesh. This restlessness is spreading across various sections of society, including the grassroots cadres of JSP, the TDP's own alliance partner. In the villages of Andhra Pradesh today, the brewing anger is not loud. There are no major protests clogging the streets yet. No national highways are blocked. No dramatic political confrontations are visible on television screens to alert the leadership. Yet, beneath the calm surface of rural Andhra, a quieter and far more politically dangerous sentiment is slowly taking shape. People are beginning to feel that the governance system no longer understands them or their daily struggles. While the speakers at Mahanadu made grand claims about the visionary governance of the TDP leadership, these claims failed to reflect reality. Observers are increasingly comparing the lightning speed of the government's policy declarations with the painfully slower pace of actual implementation on the ground. This widening gap between administrative intent and field-level experience is gradually destroying governance credibility across rural Andhra Pradesh. The opposition space is naturally likely to capitalize on these anxieties. They will do this by framing the issue emotionally rather than administratively. Powerful narratives are already taking root. Critics are suggesting that this \"visionary\" leadership is prioritizing grandiose, futuristic fantasies over real human beings. They are highlighting how the government is allocating massive lands to the crony capitalists for peanuts, while funding this supposed progress through heavily borrowed funds. Ultimately, shouting rhetoric around Artificial Intelligence and quantum-style installations to provide jobs does not work when people are looking for basic employment. These grand stories are failing over actual people's immediate concerns, and these emotional arguments have the potential to resonate strongly among a population tired of waiting for the future to arrive. So, as the curtains fall on another magnificent edition of Mahanadu, the leadership can head home satisfied with a job well done. After all, who needs real-world achievements when you have dazzling PowerPoint slides, and who needs to fulfill election promises when you can simply talk about Artificial Intelligence? The rural voters might be struggling with basic survival, but surely, they can feed their families on a healthy diet of visionary rhetoric and high-tech announcements. If they still feel hungry, they can always wash it down with cheap, quality liquor, the single election promise that this government seems to have fulfilled in letter and spirit, both literally and practically. As the party celebrates its flawless digital spectacle, they would do well to remember that while quantum installations look fantastic on a projector screen, real people eventually notice when the future they were promised never actually leaves the stage."},"img":{"url":"https://images.prismic.io/prad/ahlkEQeQX7-eWbI9_mahanadu2026.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T06:30:00+0000","embed":{"embed_url":null}},"uid":"mahanadu-a-non-stop-spectacle-of-vainglory-and-vil"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Vijay’s Big Bollywood Re-Entry Plan"},"content":{"text":"Tollywood star Vijay Deverakonda appears to be entering one of the busiest and most crucial phases of his career. With multiple projects lined up across industries, the actor is aggressively expanding his market beyond Telugu cinema. After making his Bollywood debut with Liger, Vijay is now reportedly planning a grand comeback in Hindi cinema with another prestigious pan-India project. The actor, known for experimenting with different genres and larger-than-life concepts, seems determined to strengthen his presence in the national market with carefully chosen films. Recently, Vijay Deverakonda was spotted at the Mumbai office of leading Bollywood production house Maddock Films, sparking major buzz in film circles. Industry reports suggest that acclaimed director Vikram Kumar, known for films like Manam and 24 as well as the web series Dhootha, has narrated a high-concept pan-India story to Vijay. Sources claim the actor was highly impressed by the emotional depth and commercial appeal of the script. Discussions about a collaboration between Vijay and Vikram Kumar have been circulating for months, and the latest developments indicate that the project is finally moving toward production. According to industry insiders, story discussions have already been completed, while financial negotiations and production formalities are currently in the final stages. An official announcement is expected soon. The film is reportedly being planned on a massive budget with a strong focus on both Telugu and Hindi markets. Meanwhile, Vijay already has an exciting lineup that includes Rowdy Janardhan directed by Ravikiran Kola, Ranabali with Rahul Sankrityan, and an emotional drama directed by Hi Nanna fame Shouryuv. With the possible addition of a Vikram Kumar–Maddock Films project, expectations among fans and trade circles have skyrocketed. The coming years could prove to be career-defining for Vijay Deverakonda as he continues to take bold and diverse cinematic decisions."},"img":{"url":"https://images.prismic.io/prad/adnbCp1ZCF7ETG4q_vdk.JPG?auto=format,compress"},"datetime":"2026-05-29T10:46:00+0000","embed":{"embed_url":null}},"uid":"vijays-big-bollywood-re-entry-plan"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Salman’s Black Buck Case Gets Film"},"content":{"text":"The poster of the upcoming film ‘Kaala Hiran’, which is based on the blackbuck poaching case involving Bollywood superstar Salman Khan, was unveiled on Friday. The film blends genres like courtroom drama and crime thriller, and will showcase the famous rivalry between Salman Khan and the dreaded gangster Lawrence Bishnoi in a cinematic way. The film has been shot in several cities of Uttar Pradesh including Sambhal, Moradabad. Talking about the film, producer Amti Jani said, “In 1998, in Kakani village of Jodhpur, in the case of the hunting of a black buck by Salman Khan, the drama of the courtroom, the crime, the thriller, the rivalry between Lawrence Bishnoi and Salman Khan, the whole sequence has been shot in the form of a movie. The film has been shot in Sambal, Moradabad, and other cities of Uttar Pradesh”. He further mentioned, “Bollywood actors who had come to Jodhpur, Saif Ali Khan, Salman Khan, Tabu, Sonali Bendre, Satish Shah and other people, were together during the shooting. The hunting that took place at that time, Salman Khan's arrest and the punishment has been shown in the film. And its poster was very much awaited. People were waiting for a long time for a cinematic story around Salman Khan, Lawrence Bishnoi and the case of deer hunting. On June 20, we are going to release its first look, the teaser”. Lawrence Bishnoi has been after Salman Khan in order to avenge the illegal hunting of the black buck, which is considered sacred by the Bishnoi community. Bishnoi has been going after those who are close to the superstar. In October 2024, politician Baba Siddique, who was close to Salman, was gunned down near his house in the Bandra area of Mumbai. Lawrence Bishnoi’s gang had claimed responsibility for the attack on the politician."},"img":{"url":"https://images.prismic.io/prad/7c4ae2c9-0b15-4cbd-b183-ecc3e0cb3a2f_salman+khan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T12:55:00+0000","embed":{"embed_url":null}},"uid":"salmans-black-buck-case-gets-film"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Hardik Signals Departure from MI?"},"content":{"text":"Hardik Pandya, the embattled captain of Mumbai Indians, is reportedly set to leave the franchise due to mental stress and exhaustion following a disappointing IPL season.  Pandya, who took over as captain in 2024, conveyed his decision to the team management mid-season, citing mental fatigue and a back injury. The 32-year-old's strained relationship with the franchise and lack of support from senior players have contributed to his decision. It remains uncertain whether Pandya will seek a trade deal with another team or enter the auction pool for the next season.  With Pandya's departure looming, Mumbai Indians face the task of appointing a new captain for the upcoming seasons, with Rohit Sharma and Tilak Varma emerging as potential candidates for the role."},"img":{"url":"https://images.prismic.io/prad/ahmtbAeQX7-eWcDu_hardik.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-29T10:15:00+0000","embed":{"embed_url":null}},"uid":"hardik-signals-departure-from-mi"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Dhurandhar‍‌‍‍‌‍‌‍‍‌'"},"content":{"text":"Dhurandhar hits the audience like a cyclone—untamed, persistent, and spectacularly dhamakedaar. Aditya Dhar's latest triumph is far from just a movie; it is a once-in-a-lifetime experience, a cinematic event of the year that completely breaks the clutter of Indian espionage thrillers. With Indian heart and international standard, Dhar weaves a story full of human touch, intricacy, and spark, reaffirming that he belongs among the very few directors capable of conceiving on a grand scale while still keeping the story deeply character-driven.  Drawing inspiration from the IC-814 hijacking and the 2001 Parliament attack, the film sets the stage on a historic backdrop without wasting a moment. Dhar then skillfully expands the narrative to show the political tremors that pushed the Indian intelligence system beyond its limits. Madhavan as IB Chief Ajay Sanyal is the rock on which the story stands. His portrayal, full of precision and gravitas, earns seeti maar reactions in every scene. The dialogues are crisp, the energy is infectious, and the immersion into this high-stakes world is so real that it grips from the first frame.  One of the most striking elements is the use of archival footage, including 9/11 and other terror attacks, interspersed with chilling audio of attackers plotting against India. These sequences evoke patriotism without jingoism, reminding the audience of the stakes while highlighting India’s strategic resilience. It’s a cinematic call to awareness and courage that makes the story even more gripping.  Ranveer Singh delivers arguably his career-best performance—raw, gritty, massy, and explosively powerful. Hamza is hurt, angry, unpredictable, yet inexplicably charming. The transformation from a rage-driven youth to a cold, calculated underworld operative is executed with staggering emotional finesse. Ranveer doesn’t just perform; he literally “blows up” the screen, particularly in the latter half, becoming almost synonymous with the storyline—a 10/10 hardcore action avatar.  The supporting cast matches this energy brilliantly. Akshaye Khanna, as Rehman Dakait, is eerie, sparkling, and dreadful—a mind-is-the-weapon villain whose expressions and timing make him unforgettable. Sanjay Dutt is pure cannon fire as SP Chaudhary Aslam, “The Jinn,” bringing raw toughness to every frame. Arjun Rampal’s Major Iqbal commands attention with his silent menace, while Sara Arjun impresses in her star-studded debut. Every actor is fully into their character, creating a dangerously immersive atmosphere.  The film’s pace is relentless, thanks to Aditya Dhar’s mastery over tempo. And crucially, despite its 214-minute runtime, the length never feels distracting. Every scene is deliberate, every beat perfect, making the infiltration plan genuinely nerve-wracking. The background music is another major highlight—the BGM keeps the energy flowing continuously, never letting the audience feel a dull moment. The soundtrack is one of the strongest pillars of the film, arguably the album of the year or even the decade, turning tension, discovery, and climax into cinematic thunder.  Violence is used sparingly—just three sequences are truly explicit, each dramatically justified. The real intensity comes from the emotional stakes, character development, and political intrigue. The first half showcases masterful world-building, with the interval delivering pure goosebumps and doubling audience excitement. Post-interval, conspiracies intertwine, political power shifts, and Hamza consolidates the mafia core through strategy, betrayal, and even a calculated marriage, setting up a perfect stage for the explosive Part Two coming Eid 2026.  Jyoti Deshpande, Lokesh Dhar, and Aditya Dhar, backed by B62 Studios and Jio Studios, leave no stone unturned in creating a universe that is vast, real, and cinematically rich. Their unwavering support for large sets, hard action, bold storytelling, and a stellar ensemble cast shines in every frame, elevating Indian genre cinema to new heights.  Dhurandhar is a genre-defining spectacle that combines ferocious execution, meticulous craft, and unforgettable impact. With Aditya Dhar’s finest direction and Ranveer Singh’s career-best performance, it makes a solid case for being one of the boldest, most compelling thrillers of the year. The game is set, the pieces are moving, and the wait for Part Two is fervent—completely justified by the high stakes, breathtaking performances, and mind-blowing storytelling.  Cast: Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others  Director/Writer: Aditya Dhar"},"img":{"url":"https://images.prismic.io/prad/aTK2Z3NYClf9n2ee_dhurandar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-12-05T08:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=BKOVzHcjEIo"}},"uid":"review-dhurandhar"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఆంధ్రాకింగ్‌ తాలూకా' రివ్యూ... ఫ్యాన్స్‌ మూవీ"},"content":{"text":"రామ్‌ వరుస విజయాలతో ఎనర్జిటిక్ స్టార్‌ ఇమేజ్‌ని సొంతం చేసుకుని కెరీర్‌ ఆరంభంలో అందరి దృష్టిని ఆకర్షించాడు. కానీ గత కొంత కాలంగా ఆయన పూర్తిగా గాడి తప్పినట్లుగా కనిపిస్తున్నాడు. ఏమాత్రం ఆకట్టుకోని కథ, కథనాలను, దర్శకులను ఎంపిక చేసుకోవడంతో ఆయనకు వరుస ఫ్లాప్‌లు తప్పలేదు. ఇస్మార్ట్‌ శంకర్ తర్వాత రామ్‌ ఒక మంచి హిట్‌ కోసం ఎదురు చూస్తున్నాడు. ఆ హిట్‌ ఈ సినిమాతో వచ్చిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ :  సూర్య(ఉపేంద్ర) తెలుగు సినిమా ఇండస్ట్రీలో స్టార్‌ హీరో. అభిమానులు ఆయన్ను ఆంధ్రా కింగ్‌ అనే బిరుదుతో పిలుచుకుంటూ ఉంటారు. వరుస విజయాలు దక్కించుకుంటూ వచ్చిన సూర్యకు వందవ సినిమాకు ముందు కెరీర్‌ పరంగా ఒడిదొడుకులు ఎదుర్కోవాల్సి వస్తుంది. వరుస ఫ్లాప్స్‌ పడటంతో సూర్య ను విమర్శించే వారు, తిట్టేవారు ఎక్కువ అవుతారు. ఆయన పనైపోయిందని విమర్శిస్తూ ఉంటారు. ఆ సమయంలో సూర్య 100వ సినిమాను మొదలు పెడతాడు.  సినిమాపై అంచనాలు లేకపోవడం, అసలు సూర్య సినిమాను ఎవరు చూస్తారు అని జనాలు అనుకుంటూ ఉండటంతో ఆ సినిమా ఆర్థిక సమస్యలు ఎదుర్కొంటుంది. సినిమా పూర్తి చేయడానికి రూ.3 కోట్లు అవసరం అవుతుంది. ఆ సమయంలో సూర్యను అమితంగా అభిమానించే సాగర్‌ (రామ్‌) ముందుకు వస్తాడు. తాను ఎంతో కష్టపడి సంపాదించిన ఆస్తిని అమ్మి, ఆ డబ్బును తన అభిమాన హీరో, ఆంధ్రాకింగ్‌ సూర్యకి చేరేలా చేస్తాడు.  తీవ్ర ఆర్థిక ఇబ్బందుల్లో ఉన్న సూర్య తన అకౌంట్‌లో పడ్డ రూ.3 కోట్లు చూసి షాక్‌ అవుతాడు. ఆ డబ్బును తన అభిమాని అయిన సాగర్‌ పంపించినట్లు తెలిసి షాక్‌ అవుతాడు. తన అభిమానిని కలుసుకునేందుకు సూర్య బయలుజేరుతాడు. ఆ క్రమంలో సాగర్‌ గురించి పలు విషయాలను సూర్య తెలుసుకుంటాడు. ఒక అభిమానిని స్టార్‌ హీరో ఎలా కలుసుకున్నాడు? ఆ తర్వాత ఏం జరిగింది? అనేది కథ. నటీనటుల నటన :  రామ్‌ మొత్తం బాధ్యత తన భుజాలపై వేసుకున్నాడు. ఎప్పటిలాగే ఈ సినిమాతో మరోసారి తన ఎనర్జిటిక్ పెర్ఫార్మెన్స్‌ను చూపించాడు. సాగర్‌ పాత్రకి రామ్‌ ఎంత వరకు చేయాలో అంతకు మించి చేసినట్లుగా అనిపించింది. ఒక పాత్రను చాలా నమ్మడం వల్లే రామ్‌ ఈ స్థాయిలో కష్టపడి ఉంటాడు అనిపించింది. అతడి లుక్‌, డైలాగ్‌ డెలివరీ, యాక్షన్‌ సీన్స్ లో ఆయన ప్రజెన్స్ ఇలా ప్రతి ఒక్క ఎలిమెంట్‌లోనూ రామ్‌ ఆకట్టుకున్నాడు. అందుకే అతడు ఒక ఫ్యాన్  గా సరిగ్గా సెట్‌ అయ్యి, సినిమాను మోశాడు. సూపర్‌ స్టార్‌గా నటించిన ఉపేంద్ర తన పాత్రకు న్యాయం చేశాడు. ఒక అభిమాని కోసం వెతుక్కుంటూ వెళ్తున్న సీన్స్ లో అతడి భావోద్వేగం కనిపించింది. సినిమా కోసం అతడు పడే తపన, అతడు పడే కష్టం తాలూక డిటైల్స్ ను ఉపేంద్ర చక్కగా చూపడం జరిగింది. హీరోయిన్‌గా నటించిన భాగ్యశ్రీ బోర్సేకి తన ప్రతిభ మొత్తం చూపించే అవకాశం దక్కలేదు. అయితే ఆమె ఉన్నంతలో అందంగా కనిపించడంతో పాటు, నటనతో ఆకట్టుకుంది. ఇతర నటీనటులు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ :  పాటల గురించి ప్రత్యేకంగా చర్చ జరిగింది. కొత్త సంగీత దర్శకులు కుమ్మేశారు అంటూ అంతా తెగ మాట్లాడారు. కానీ వారి నుంచి వచ్చిన సంగీతం కొత్తగా ఉంది కానీ ఆకట్టుకునే విధంగా మాత్రం లేదు. ఇలాంటి సినిమాలకు పాత సంగీత దర్శకులు అయితే న్యాయం చేసేవారు అనిపిస్తుంది. కాని రామ్‌ కి మాత్రం ఎందుకో వీరు నచ్చారు. ఆయన నిర్ణయం తప్పు అని తేలింది.  ఇక దర్శకుడు మహేష్‌ ఎంపిక చేసుకున్న కథ విషయంలో ఎలాంటి తప్పు లేదు. ముఖ్యంగా స్టోరీ లైన్ మంచి పాయింట్‌. కానీ దాన్ని మలచిన తీరు బాగాలేదు. ముఖ్యంగా స్క్రీన్‌ ప్లే విషయంలో సాగతీసినట్లుగా అనిపించింది. ఎడిటింగ్‌ కి ఇంకా చాలా స్కోప్ ఉంది. ఎందుకో చాలా సీన్స్‌ను అలాగే వదిలేశాడు. నిర్మాణాత్మక విలువలు బాగానే ఉన్నాయి. సినిమాటోగ్రాఫీ అప్పటి నేటివిటీకి దగ్గరగా ప్రేక్షకులను తీసుకు వెళ్లడంలో సక్సెస్ అయిందని చెప్పాలి.  విశ్లేషణ :  రామ్‌ దాదాపు ఏడాది  గ్యాప్ తీసుకుని, వందల కొద్ది కథలు విని, పదుల కొద్ది కథలు పక్కన పెట్టుకుని, చివరకు ఈ కథను ఎంపిక చేసుకున్నాడు అని ఆయన సన్నిహితులు అంటున్నారు. అయితే ఇలాంటి కథను ఆయన ఎలా ఒప్పుకున్నాడు అంటూ చాలా మంది ఆశ్చర్యం వ్యక్తం చేస్తున్నారు. స్టోరీ లైన్‌ బాగుంటే సరిపోతుందా, కథ, కథనం విషయంలో దీన్ని ఎంత వరకు ప్రేక్షకులకు ఆకట్టుకునే విధంగా తీసుకు రాగలరు అనే విషయంను ఆయన చూసుకోలేదు అనిపిస్తుంది.  రామ్‌ సాధారణంగానే ఎనర్జిటిక్‌ పెర్ఫార్మెన్స్‌ తో ఆకట్టుకుంటాడు. ఈ సినిమాలోనూ మరోసారి తన సత్తా చాటాడు. కానీ సినిమాలోని ఆయన పాత్ర ఉన్నంత పవర్‌ ఫుల్‌గా స్క్రీన్‌ ప్లే లేదు. గ్రామీన ప్రాంతంలో ఉండే ప్రేమ కథను చూపించే ప్రయత్నం చేశారు. ఆ కథను ఇంకాస్త ఎక్కువ చూపించినా బాగుండేది. హీరో, అభిమాని మధ్య ఉండే సీన్స్ చాలా తక్కువగా ఉన్నాయి. ప్రేక్షకులు ఆశించిన ఎలిమెంట్స్ ఈ సినిమాలో చాలా తక్కువగా ఉన్నాయి. అందుకే సినిమా రెగ్యులర్‌ ప్రేక్షకులను ఆకట్టుకోవడంలో విఫలం అవుతుంది. కానీ తమను తాము ఒక హీరోకు అభిమాని అని చెప్పుకునే వారికి మాత్రం తప్పకుండా ఈ సినిమా నచ్చుతుంది.  ప్లస్ పాయింట్స్ :  రామ్‌ నటన, స్టోరీలైన్‌, కొన్ని ఎమోషనల్‌ సీన్స్‌ మైనస్ పాయింట్స్ :  ఫస్ట్‌ హాఫ్‌ చాలా స్లోగా సాగింది స్క్రీన్‌ ప్లే, ప్రేమ కథ ఇంకాస్త ఉండాల్సింది. చివరగా... ఫ్యాన్‌గా ఆంధ్రాకింగ్‌ను ఆకట్టుకున్న సాగర్‌, ప్రేక్షకులను ఆకట్టుకోవడం కష్టమే. బ్యానర్ : మైత్రి మూవీ మేకర్స్‌ నిర్మాత : నవీన్‌ యెర్నేని, వై రవి శంకర్‌ దర్శకత్వం : మహేష్‌ బాబు పి సంగీతం : వివేక్‌-మెర్విన్‌ తారాగణం : రామ్‌ పోతినేని, భాగ్యశ్రీ బోర్సే, ఉపేంద్ర తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aSgr23NYClf9nheC_AKT1.JPG?auto=format,compress"},"datetime":"2025-11-27T08:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=oeY828c-AXo"}},"uid":"review-andhra-king-talooka---fans-movie"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'De De Pyaar De 2'"},"content":{"text":"It’s rare to find a film that makes you laugh, cry, and smile, all within the same heartbeat. De De Pyaar De 2 is that rare gem. The sequel not only lives up to the 2019 blockbuster but builds on it with heart, humour, and a story that feels deeply personal yet universally relatable. In a year full of thrillers and high-octane spectacles, De De Pyaar De 2 stands tall as the only true family entertainer of 2025. It’s a film about family — and one meant to be watched with family. Whether you’re a parent, a young adult, or a daughter who shares a special bond with her father, this one will speak to you in more ways than one. The film beautifully balances clap-and-whistle-worthy comedy with tear-jerking emotion, and even leaves you with a subtle but strong message about love, relationships, and what truly makes a man ‘man enough’ in today’s world. The protagonist Ajay Devgn is a delight, effortlessly switching between subtle humour and emotional restraint. His references to his own iconic films are a treat for fans and timed to perfection. It’s refreshing to see him return to a romantic-comedy space after a string of action-heavy roles. R. Madhavan, on the other hand, brings soul to the story. As a father navigating complex emotions, he’s a powerhouse of warmth and vulnerability. His scenes, especially with Ajay, are pure paisa vasool, seamlessly blending humour with heartfelt depth. Leading lady Rakul Preet Singh delivers her best performance yet, charming, confident, and absolutely radiant on screen. While Jaaved Jaffery leaves you rolling on the floor laughing everytime he comes on the screen, Meezaan’s entry in the second half is impactful; he looks effortlessly dashing and leaves a strong impression in a limited screen time. The supporting ensemble — Gautami, Ishita, and Suhasini Mulay, bring natural warmth and depth, rounding out the film’s emotional universe beautifully. Director Anshul Sharma infuses De De Pyaar De 2 with heart, humor, and a sense of effortless storytelling. His vision shines through every frame bringing together a powerhouse cast and allowing each performer to leave a lasting mark. Sharma orchestrates the film’s emotional beats and comic timing with remarkable finesse, blending warmth and wit in equal measure. With this film, he not only celebrates relationships and generations but also cements his place as a filmmaker who knows how to entertain while keeping the emotions genuine and grounded. Unlike many sequels that exist just to cash in on a franchise name, De De Pyaar De 2 feels like an organic continuation of the first. The callbacks are smart, not forced, and the story flows with sincerity and purpose. And just when you think you’ve seen it all, the last 20–30 minutes hit you with one of the most emotionally satisfying climaxes seen in recent times, an absolute rollercoaster of emotions that will leave you walking out with a full heart and a huge smile. De De Pyaar De 2 is the ultimate big-screen entertainer, funny, emotional, meaningful, and refreshingly vulnerable. It proves that films about family, love, and connection can still move audiences when told with honesty and heart. Director: Anshul Sharma,  Cast: Ajay Devgn, R. Madhavan, Rakul Preet Singh, Jaaved Jaaferi, Meezaan, Gautami Kapoor, Ishita Dutta and others "},"img":{"url":"https://images.prismic.io/prad/aRb8GLpReVYa4eVc_dedepyaarde2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-11-14T04:53:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=59aIp7SfIIk"}},"uid":"review-de-de-pyaar-de-2"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: ‘Jatadhara’ - A spiritual thriller unfolds"},"content":{"text":"Zee Studios and Prerna Arora produced Jatadhara represents an ambitious and compelling effort by directors Venkat Kalyan and Abhishek Jaiswal as they create a supernatural mythological thriller, one that dares bridge the gap between science, faith, and mysticism of old. Against the mysterious backdrop of the Anantha Padmanabha Swamy Temple and its treasures hidden within, the film is imbued with original Tantric rituals and chants enacted during filming-a rare thing in mainstream Indian cinema. The sense of dread and divinity pervades right from the first frame. The haunting visuals, the rhythmic chants, and symbolic imagery set off into a world where reality blends with the surreal. Credit goes to the two directors for knowing how to handle such a dense mythological theme with reverence and cinematic flair. Sudheer Babu plays Shiva, a skeptical ghost hunter whose journey from disbelief to spiritual awakening forms the emotional core of the story. His rugged screen presence, restrained intensity, and emotional range make this one of his most nuanced performances to date. The sequences where he confronts unseen forces — armed with both scientific logic and ritualistic tools — are genuinely gripping. Sonakshi Sinha, all set to mesmerize the Telugu audience for the first time, is just outstanding as Dhana Pisaachi, a vengeful spirit bound by greed and sorrow. With her commanding expressions, piercing gaze, and haunting poise, Sonakshi brings terror and tragedy on the screen. Her transformation into the demonic goddess is one of the talking points of the film and quite rightly so-she owns each frame. Divya Khossla carries grace throughout her role as Sitara, while Shilpa Shirodkar and Indira Krishna add depth and dignity to their key roles. The ensemble cast — Rajeev Kanakala, Ravi Prakash, and Subhalekha Sudhakar included — come together to add value to the narrative with realistic, down-to-earth performances. Written by Venkat Kalyan, the screenplay of Jatadhara weaves ancient lore with modern skepticism. The premise of the story-a forbidden ritual called Pisacha Bandhanam that ties spirits to guard lost treasures-is both fascinating and frightening. Kalyan ensures that every plot twist is rooted in belief systems familiar to Indian audiences, yet he approaches them with a contemporary lens. The dialogues by Sai Krishna Karne and Shyam Babu Meriga are sharp, spiritual, and thought-provoking. Lines like \"Faith is not what you see -- it's what you dare to feel\" stay with one long after the credits roll. They strike an even balance between philosophical weight and emotional immediacy to give the film a scriptural and cinematic hue at once. The biggest strength of Jatadhara is Sameer Kalyani's cinematography. The chiaroscuro lighting, the intricate interior of the temple, and aerial sweeps of the Kerala landscape infuse an otherworldly beauty upon this dark narrative. Every sequence of this ritual is framed like a painting-flickering lamps, swirling smoke, chanting shadows-pulling you into a hypnotic trance. The special effects should be applauded for delivering realistic supernatural imagery without excess. The scenes of Dhanapisachini’s manifestation are at once terrifying and beautiful, enhanced by practical effects that feel real and organic. The sound design amplifies the eeriness: low rumbles, faraway chants, and sudden silences are used to great effect to raise the tension. Composer Rajiv Raj manages an evocative score that fuses classical ragas with electronic undercurrents. His background music, particularly during the climactic confrontation, keeps the pulse racing. Despite the film's dark theme, music, and movement have been found in Jatadhara. “Shiva Stotram” and “Pallo Latke Again stand apart for their energy and depth. As the choreographer, Sandeep melds ritualistic movements with cinematic choreography, especially in the temple dance sequence featuring Divya Khossla, which radiates both devotion and intensity. The stunt choreography seamlessly integrates physical combat with supernatural powers, creating a dynamic action language that feels fresh. Sudheer Babu's ghost-hunting sequence, weapon combat scenes, and the final blood-drinking transformation sequence are all done with precision and conviction. The mix of martial arts and mystical symbolism makes these moments unforgettable. Jatadhara is a bold visual experiment in the form of a supernatural mythological thriller that refuses to play safe. It sincerely pursues faith versus reason, science versus ritual, and human will versus divine wrath with amazing scale. The outstanding visual brilliance of the film matches the strong performances and authentic spiritual texture. Co-directed by Venkat Kalyan and Abhishek Jaiswal, Jatadhara manages a fine balance between commercial spectacle and artistic expression. The result is that Jatadhara does what few films attempt; it turns mythology into a breathing, living cinematic experience, with its entrancing images, haunting music, and soulful performances that both thrill and leave one thoughtful. Director: Venkat Kalyan And Abhishek Jaiswal Starring : Sudheer Babu, Sonakshi Sinha, Divya Khossla, Shilpa Shirodkar, Indira Krishna, Rajeev Kanakala, Ravi Prakash, Rohit Pathak, Jhansi, Subhalekha Sudhakar"},"img":{"url":"https://images.prismic.io/prad/aQx6sbpReVYa4H3__jathadara.JPG?auto=format,compress"},"datetime":"2025-11-06T09:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=NcZNCaE4qEM"}},"uid":"review-jatadhara---a-spiritual-thriller-unfolds"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మాస్‌ జాతర' రివ్యూ... రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైనర్‌"},"content":{"text":"రవితేజ ఏదైనా సినిమా ప్రారంభిస్తే ఆరు నెలల్లోనే పూర్తి చేసి ప్రేక్షకుల ముందుకు తీసుకు రావడం మనం చూస్తూ ఉంటాం. కానీ ఈ సినిమా అనేక కారణాల వల్ల చాలా ఆలస్యం అయింది. ఈ ఏడాది సంక్రాంతికి రావాల్సిన సినిమా ఏడాది చివర్లో దీపావళి అయిన తర్వాత ప్రేక్షకుల ముందుకు వచ్చింది. సితార ఎంటర్‌టైన్‌మెంట్స్ బ్యానర్‌లో రూపొందిన సినిమా కావడంతో పాజిటివ్‌ బజ్ క్రియేట్‌ అయింది, అంతే కాకుండా రవితేజ ఈ సినిమాపై చాలా అంచనాలు పెంచే విధంగా ప్రచారం చేశాడు. మరి ఈ సినిమా ఎలా ఉంది అనేది ఈ రివ్యూలో చూద్దాం.  కథ : రైల్వే ఎస్‌ఐ అయిన లక్ష్మణ్‌(రవితేజ) ఎక్కడ ఉంటే అక్కడ రైల్వే విధులు మాత్రమే కాకుండా అన్ని రకాల కేసులను పరిస్కరిస్తూ ఉంటాడు. అలాంటి లక్ష్మణ్‌కి డ్రగ్స్‌ ఇష్టానుసారంగా పండిస్తూ, అదే జీవనాధారంగా జనాలు జీవిస్తున్న ఒక ప్రాంతంకు ట్రాన్స్‌ఫర్‌ అవుతుంది. అక్కడ శివుడు(నవీన్ చంద్ర) బలవంతంగా రైతులతో గంజాయి సాగు చేయిస్తూ దాన్ని కోల్‌కత్తాకు ట్రాన్స్‌పోర్ట్‌ చేస్తూ ఉంటాడు. శివుడు గంజాయి వ్యాపారంను నాశనం చేసేందుకు లక్ష్మణ్‌ సిద్దం అవుతాడు. శివుడు పెద్ద మొత్తంలో గంజాయిని కోల్‌కత్తా తరలించేందుకు సిద్ధం అయిన సమయంలో లక్ష్మణ్‌ దాన్ని దాచేస్తాడు. ఆ సరుకు కోసం శివుడు పిచ్చెక్కి పోతాడు. ఇద్దరి మధ్య పెద్ద యుద్దమే జరుగుతుంది. చివరకు ఏం జరిగింది అనేది సినిమా కథ.  నటీనటులు : రవితేజ ఎనర్జీ ఏమాత్రం తగ్గలేదు. అయితే ఆయన లుక్‌ విషయంలో మాత్రం కాస్త వయసు ఎక్కువ అయినట్లుగా అనిపించింది. వింటేజ్ రవితేజను చూస్తారు అంటూ పబ్లిసిటీ సమయంలో మేకర్స్ చెప్పారు. కానీ వింటేజ్ సీన్స్ పెద్దగా ఏమీ లేవు. ఒకటి రెండు నిమిషాలకే పరిమితం చేశారు. యాక్షన్‌ సీన్స్‌లో రవితేజ ఎనర్జీ కనిపించింది. అయితే డాన్స్‌ ల్లో శ్రీలీల ముందు రవితేజ ఆశించిన స్థాయిలో మెప్పించలేక పోయాడు అని చెప్పుకోక తప్పదు. ఓవరాల్‌గా మాస్‌ మహారాజా రవితేజ మాస్‌ జాతర తన భుజాలపై వేసుకుని నడిపించే ప్రయత్నం చేశాడు.  శ్రీలీల పాత్రకు పెద్దగా ప్రాధాన్యత లేదు. ఫస్ట్‌ హాఫ్‌ లో కొంత సమయం కనిపించినా, సెకండ్‌ హాఫ్‌ లో కొన్ని నిమిషాలు మాత్రమే ఆమె కనిపించింది. పాటలకు మాత్రమే పరిమితం అయిన పాత్ర అనిపించింది. ఉన్నంతలో మెప్పించింది. డాన్స్‌ల్లో తన ప్రతిభతో ఆకట్టుకుంది. రాజేంద్ర ప్రసాద్‌ తన పాత్రకు పూర్తి న్యాయం చేశాడు. హైపర్ ఆది తన రొటీన్‌ పంచ్‌ డైలాగ్స్ తో పర్వాలేదు అనిపించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి వారి పాత్రల్లో పర్వాలేదు అనిపించారు.  టెక్నికల్‌: దర్శకుడు భాను కథ విషయంలో ఇంకాస్త వర్కౌట్‌ చేస్తే బాగుండేది. రైల్వే పోలీస్‌ అనే లైన్‌ బాగానే ఉంది, కానీ గంజాయి చుట్టూ సాగే కథలు చాలానే ఉన్నాయి. ఇంకాస్త విభిన్నంగా కథను రాసుకుని ఉంటే బాగుండేది. కనీసం స్క్రీన్‌ప్లేతో అయినా మ్యాజిక్ చేసి ఉంటే బాగుండేది. డైలాగ్స్ కొన్ని యాప్ట్‌ కాలేదు. భీమ్స్ అందించిన పాటలు ఒకటి రెండు వింటూ ఉంటే బాగానే ఉన్నాయి. కానీ స్క్రీన్‌ ప్లే కు బ్రేక్‌లు వేసినట్లుగా అనిపించాయి.  ముఖ్యంగా సెకండ్‌ హాఫ్‌ లో వచ్చే పాటల ప్లేస్‌మెంట్‌ ఏమాత్రం సెట్‌ కాలేదు. అయితే బ్యాక్ గ్రౌండ్‌ స్కోర్‌ తో రవితేజ ఫ్యాన్స్‌కి, ఆయన ఎలివేషన్ సీన్స్‌ కి మంచి హైప్‌ వచ్చే విధంగా భీమ్స్ చేశాడు. సినిమాటోగ్రఫీ బాగుంది. ముఖ్యంగా యాక్షన్‌ సీన్స్ లో సినిమాటోగ్రఫీకి మంచి మార్కులు పడుతాయి. యాక్షన్ సీన్స్ నేచురాలిటీకి దగ్గరగా ఉండే విధంగా ప్లాన్‌ చేశారు. నిర్మాణాత్మక విలువలు బాగున్నాయి. ఎడిటింగ్‌లో జర్క్‌ లు ఉన్నాయి. కాస్త క్రిస్పీగా ఉండాల్సింది.  విశ్లేషణ : రవితేజ సినిమా అనగానే మాస్ ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకులు ఆసక్తిగా అప్పట్లో ఎదురు చూసేవారు. కానీ ఇప్పుడు రవితేజ గత చిత్రాల ఫలితాల నేపథ్యంలో ఈసారి అయినా రవితేజ హిట్‌ కొట్టేనా అని నీరసంగా, నిరుత్సాహంగా ఎదురు చూస్తున్న వారు ఉన్నారు. అయినా కూడా రవితేజలో ఎనర్జీ మాత్రం తగ్గలేదు. తన సినిమాల ఫలితంతో సబంధం లేదు అన్నట్లుగా వరుస సినిమాలు చేసుకుంటూ వెళ్తున్నాడు.  సితార వారి బ్యానర్ నుంచి సినిమా వస్తుంది అంటే మినిమం గ్యారెంటీ అనే నమ్మకం ఉండేది. అది కూడా ఈ మధ్య కాలంలో మెల్ల మెల్లగా పోతుంది. ఇలాంటి సమయంలో వచ్చిన మాస్‌ జాతర రవితేజ స్టార్‌డంను నిలబెట్టేనా, సితార వారి పరువు నిలుపుతుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. కానీ ఈ సినిమా పూర్తి స్థాయిలో ఆ పని చేయలేదు అని చెప్పక తప్పదు. రవితేజ మార్క్‌ ఎంటర్‌టైన్‌మెంట్‌తో ఫస్ట్‌ హాఫ్‌ సాఫీగా సాగింది. కానీ సెకండ్‌ హాఫ్‌ విషయంలో తీవ్రంగా నిరాశ పరిచాడు. ఒకటి రెండు యాక్షన్ సీన్స్‌ తప్ప సెకండ్‌ హాఫ్‌ లో చెప్పుకోవడానికి ఏమీ లేవు.  కథలో ట్విస్ట్‌లు లేవు, స్క్రీన్‌ ప్లే మొత్తం ముందే ఊహించేదిగా ఉంది. ఎక్కడా ఆసక్తికరంగా స్క్రీన్‌ ప్లే సాగిందే లేదు. ఆది కామెడీతో నవ్వించే ప్రయత్నం చేశారు. కానీ అది వర్కౌట్‌ కాలేదు. మొత్తంగా మాస్ జాతర ఆకట్టుకోలేక పోయిన యాక్షన్‌ జాతర.  ప్లస్‌ పాయింట్స్‌ : రవితేజ, ఫస్ట్‌ హాఫ్‌ కొన్ని సీన్స్‌.  మైనస్ పాయింట్స్ : కథ, కథనం, రొటీన్‌ కామెడీ, యాక్షన్‌, పాటల ప్లేస్‌మెంట్‌, రొటీన్‌ క్లైమాక్స్‌.  చివరగా... వింటేజ్‌ రవితేజను చూపిస్తారనుకుంటే రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైన్మెంట్‌ను చూపించాడు.  బ్యానర్ : సితార ఎంటర్‌టైన్‌మెంట్స్‌  నిర్మాత : నాగవంశీ  దర్శకత్వం : భాను భోగవరపు  సంగీతం : భీమ్స్‌ సిసిరోలియో  తారాగణం : రవితేజ, శ్రీలీల, నవీన్‌ చంద్ర, రాజేంద్ర ప్రసాద్‌, నరేష్‌, హైపర్‌ ఆది తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aQThSLpReVYa35Yx_massjathara.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-31T19:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Qm-wNxOcEL4"}},"uid":"mass-jathara-review-routine-action-entertainer"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}