{"data":{"all":{"edges":[{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Jagan Fears Bengal Style Vote Deletion in AP"},"content":{"text":"Expressing concern over the large-scale deletion of votes during the Special Intensive Revision (SIR), former Andhra Pradesh Chief Minister Y. S. Jagan Mohan Reddy blamed the exercise for the defeat of leaders like Mamata Banerjee and MK Stalin in their respective Assembly segments in West Bengal and Tamil Nadu. With SIR set to be undertaken in Andhra Pradesh, the YSR Congress Party leader cautioned party leaders to remain alert. Addressing YSRCP leaders at the party’s central office at Tadepalli, he said several political parties across the country had raised fears over large-scale deletion of votes allegedly impacting election results in states like West Bengal and Tamil Nadu. He claimed that even the removal of a small number of genuine votes in every village could significantly affect constituency-level outcomes. Jagan Mohan Reddy said that in West Bengal, 91 lakh votes were deleted, while in Tamil Nadu, 94 lakh votes were removed during SIR. He said in the Bhabanipur constituency in West Bengal, 45,982 votes were deleted during SIR, and Mamata Banerjee lost the election by 15,000 votes. Similarly, in the Kolathur constituency in Tamil Nadu, 71,000 voters were removed. He pointed out that Stalin lost the election by 8,000 votes. He urged the party cadres to closely monitor bogus and duplicate votes linked to the Telugu Desam Party (TDP). Citing Kuppam, represented by Chief Minister N. Chandrababu Naidu, as an example, he said there were thousands of suspicious votes with repeated names and identical family details in the voter lists. Accusing the Chandrababu Naidu-led coalition government in Andhra Pradesh of betraying public trust and failing to fulfil its election promises, Jagan Mohan Reddy announced a statewide protest campaign from June 4 to June 12 under the title “Two years of backstabbing”. He asked party cadre to carefully scrutinise electoral rolls, identify fake votes and strengthen the party at the grassroots level by taking the “Two years of backstabbing” booklet to every household and creating awareness on the government’s failures and false promises. Jagan said the protests would begin on June 4 at mandal centres across Andhra Pradesh. During the programmes, party leaders and workers will display Chandrababu Naidu’s election manifesto, guarantees and bonds given to people during the elections, and burn their copies as a mark of protest against the betrayal of public faith. He directed party in-charges to actively participate in the agitation at the mandal level. As part of the campaign, YSRCP will also organise town hall meetings at constituency headquarters on either June 8 or June 9. Farmers, women, youth and representatives from various sections of society will participate in discussions on the two years of anti-people governance, broken promises and administrative failures under the coalition government. The final phase of the agitation will be held on June 12 with large-scale rallies in all constituency centres across the state. Jagan Mohan Reddy said the programmes are aimed at exposing the government’s failure to improve people’s living standards despite making several promises before elections. The former CM added that he would personally monitor the conduct of the protest programmes across the state. The YSRCP chief also asked party leaders to prepare strongly for the upcoming local body elections. Referring to recent local body by-elections, he stated that the ruling coalition had misused official machinery and police to intimidate YSRCP leaders and workers. Despite such pressures, he said the party should treat the local body elections as prestigious and stand united against the ruling party’s conspiracies."},"img":{"url":"https://images.prismic.io/prad/ahbnAbK9tuLqELtg_jagan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T12:25:00+0000","embed":{"embed_url":null}},"uid":"jagan-fears-bengal-style-vote-deletion-in-ap"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"'Peddi' shocks Japan fans"},"content":{"text":"Global star Ram Charan’s upcoming pan-India sports action drama Peddi, directed by Buchi Babu Sana, is carrying massive buzz ahead of its worldwide release on June 4. The film has generated strong excitement not just in India but overseas too, especially in Japan where Ram Charan enjoys a huge fan base after the blockbuster success of RRR. Fans in Japan were eagerly waiting to experience Peddi on day one alongside Indian audiences. The makers were reportedly planning a simultaneous Japan release to cash in on Ram Charan’s growing international popularity. Japanese moviegoers and Indian fans living there were thrilled with the idea, expecting another grand theatrical celebration after RRR’s craze. But in a surprising last-minute development, the team is said to have dropped the same-day Japan release plans due to unavoidable reasons. As of now, Peddi will not hit Japanese screens on June 4, leaving fans shocked and disappointed. Industry insiders believe a same-day Japan release could have boosted the film’s international box office in a big way. Starring Janhvi Kapoor as the female lead, the film also features Shiva Rajkumar, Jagapathi Babu, Divyenndu and Boman Irani in key roles. With music by A. R. Rahman, Peddi continues to build strong hype — but the Japan postponement has now become an unexpected talking point around the film."},"img":{"url":"https://images.prismic.io/prad/Z_JPkHdAxsiBwXL0_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T07:36:00+0000","embed":{"embed_url":null}},"uid":"peddi-shocks-japan-fans"}},{"node":{"tags":["politics","featured","four"],"data":{"third_party_url":null,"title":{"text":"Lokesh’s new poll formula for women in TDP"},"content":{"text":"In a significant move, the Telugu Desam Party (TDP) national working president Nara Lokesh on Wednesday proposed 33 per cent reservation for women in TDP for the 2029 elections. He made the proposal on the first day of Mahanadu, the annual conclave of the TDP. He declared that whether the women’s reservation bill is passed or not passed in the Parliament, the party would allot 33 per cent of the tickets to women. In what is claimed to be the first of its kind move by any political party in the country, Lokesh made the announcement in his maiden address at Mahanadu as the national working president of the party. Lokesh, who is the son of TDP national president and Andhra Pradesh Chief Minister N. Chandrababu Naidu, said that the next era of Indian politics must belong to women's leadership. “Women must not remain mere beneficiaries in politics. They must become decision-makers and leaders shaping India’s future. TDP will lead from the front. This is not a slogan - it is our commitment,” he said. The proposal is likely to be passed by Mahanadu after a debate. With this year’s Mahanadu themed around “Stree Shakti”, the announcement is being seen as a major political and ideological commitment towards women-led leadership and gender equality in Indian politics. The party has also recently elevated women's representation within its own organisational structure by appointing MP Byreddy Shabari as its first woman National General Secretary, a move widely seen as part of the party’s broader push towards strengthening women's leadership. The party said in a statement that over the last few years, Lokesh has consistently focused on women's empowerment across sectors, from introducing progressive changes in education and textbooks to repeatedly advocating respect and dignity for women within political and social spaces. Lokesh said he strongly believes that the next era of Indian politics must belong to women's leadership. He said the NDA government had already taken a historic step by bringing the Women’s Reservation Bill and stressed that women must not remain mere beneficiaries of welfare schemes but should become active decision-makers in governance and politics. He said opposition parties had attempted to create obstacles to women's empowerment by rejecting the Women’s Reservation Bill. In contrast, he asserted that the Telugu Desam Party believes in empowerment both in principle and in practice. Lokesh, who is also a state minister, stated that the country needs more women lawmakers, women leaders and women policymakers. He said the future of the Telugu Desam Party would be led shoulder to shoulder by women and termed the proposal as the party’s resolve, responsibility and commitment towards building a stronger and more inclusive political future. Lokesh addressed the conclave, which began at TDP’s central office in Mangalagiri, Andhra Pradesh. “Whether offline or online... Mahanadu is always a massive gathering. Ours is always the policy of \"Nation First\". That's why, following the Prime Minister's guidance, we're conducting Mahanadu in a hybrid format,” he said. The two-day Mahanadu began with the address by TDP national president and Chief Minister Chandrababu Naidu. TDP state president Palla Srinivasa Rao, politburo members, ministers and other top leaders are attending the Mahanadu."},"img":{"url":"https://images.prismic.io/prad/ahbkwbK9tuLqELsQ_lokesh.JPG?auto=format%2Ccompress&rect=0%2C162%2C450%2C222&w=2028&h=1000"},"datetime":"2026-05-27T10:34:00+0000","embed":{"embed_url":null}},"uid":"lokeshs-new-poll-formula-for-women-in-tdp"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"ED Team Attacked Outside Kerala CM's home"},"content":{"text":"Tension flared outside the rented residence of veteran CPI-M leader and former Kerala Chief Minister Pinarayi Vijayan, in the wake of the Enforcement Department raids on Wednesday, as angry party workers allegedly attacked vehicles carrying agency officials soon after the searches ended.  Three vehicles accompanying the ED team were damaged in the violence, while central security personnel, drivers and a few police officials sustained injuries as protesters went on a rampage outside the house. According to eyewitnesses, CPI-M workers and sympathisers who had gathered near the residence waylaid the convoy as the ED officials were leaving after the raid. Protesters allegedly smashed the windowpanes of the vehicles using sticks and stones, even as police personnel present at the scene initially remained passive spectators. One of the drivers accompanying the ED team suffered injuries to his eye after shards of broken glass hit him during the attack. Another driver was also injured in the violence. A few police personnel deployed in the area also suffered minor injuries while attempting to bring the situation under control. Despite the attack, the ED officials managed to drive away from the spot and later reached the local police station, where statements were recorded regarding the incident. Soon after the convoy escaped, the police swung into action and began rounding up protesters involved in the violence. Several CPI-M workers reportedly rushed into a nearby local party office to evade arrest. Police personnel later surrounded the office as part of the crackdown. The attack took place in the presence of several senior CPI-M leaders who had gathered outside the residence during the course of the ED raid. The incident triggered high drama in the state capital and further escalated political tensions surrounding the ongoing Enforcement Directorate probe linked to the alleged CMRL-Exalogic financial transactions case. The violence has also raised serious questions over the police response, with visuals from the scene reportedly showing officers failing to immediately intervene when the vehicles were being vandalised."},"img":{"url":"https://images.prismic.io/prad/ahbOKLK9tuLqELg4_Attack.png?auto=format,compress&rect=0,67,657,324&w=2028&h=1000"},"datetime":"2026-05-27T10:56:00+0000","embed":{"embed_url":null}},"uid":"ed-team-attacked-outside-kerala-cms-home"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Arjun Das shuts down engagement rumours"},"content":{"text":"The team of one of south India's fastest rising stars, actor Arjun Das, has trashed rumours on the actor's engagement that are now doing the rounds on social media. Yuvraaj, the publicist of the actor, took to his X timeline to trash rumours on the actor's engagement. He wrote, \"Dear all, This to clarify that there is no truth in rumours doing the rounds on actor @iam_arjundas's wedding. Request friends from the media to please check with us and verify facts before putting out such news reports.\" Earlier in the day, social media was abuzz with rumours that the actor was to get engaged later this week in a closed ceremony that would be attended by only close family and friends. The rumour mills worked overtime to suggest that the actor's wedding too would be a closed affair.  However, the actor's team has now clarified that there was absolutely no truth in such baseless rumours. Meanwhile, actor Arjun Das is now gearing up for the release of his upcoming film 'Con City', which is slated to hit screens worldwide on June 26 this year. The film, directed by Harish Durairaj, is a comedy family entertainer that features actors Arjun Das and Anna Ben in the lead. The makers have already disclosed the characters played by Arjun Das, Anna Ben, Yogi Babu, Arul Doss, Abdul Razzak, Shahji Chen, Ponvannan, Sathanand, Rage Esakki, Madhan Dakshinamoorthy, Imman Annachi, Ramesh Thilak, Thambi Ramaiah and Bharadwaj Rangan in their film. A teaser that the makers had released earlier has triggered huge interest in the film. The teaser opens with Arjun Das getting threatened over phone by a money lender. He questions Arjun Das on why he had stopped picking up his calls. From the phone conversation that Arjun Das has with this person, it becomes evident that Arjun Das has fled with his family after locking his home. The money lender threatens him saying, \"Do you think I can't find you? If you think you can cheat me of my money, no matter where you run to, I will come and cut your family members to pieces before your eyes.\" Arjun Das sternly tells him he won't pay and asks him to do what he can. Soon after the conversation, Arjun Das loses his temper and starts hurling things he can lay his hands on in anger. When he picks up a small handy machine which looks like a receipt printer in a grocery store to hurl it, lighting strikes and it happens to touch the machine in Arjun Das's hand. Soon after, everytime, he presses a button for a receipt, 500 Rupee notes begin to come out of the machine. Soon, Arjun Das is in a position to repay the money lender. But it is not just Arjun Das who has found out that he has a machine that can cough up money... Written and directed by Harish Durairaj, the film, apart from Arjun Das and Anna Ben, also features Yogi Babu, Vadivukkarasi, Imman Annachi and Akhilan in pivotal roles. On the technical front, the film has music by Sean Roldan and cinematography by Aravind Viswanathan. Editing for the film is by Arul Moses A while production design is by Raj Kamal. Costumes in the film have been designed by Navaa Rambo Rajkumar while lyrics for the songs in the film have been penned by Mohan Rajan. While the dances in the film have been choreographed by Santhosh, the fight sequences have been choreographed by Action Sandhosh."},"img":{"url":"https://images.prismic.io/prad/ahbD4bK9tuLqELcs_arjundas.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T07:54:00+0000","embed":{"embed_url":null}},"uid":"arjun-das-shuts-down-engagement-rumours"}},{"node":{"tags":["politics","featured","four"],"data":{"third_party_url":null,"title":{"text":"Byju Raveendran Jailed"},"content":{"text":"Edtech firm Byju’s founder Byju Raveendran has been sentenced to six months in jail by a Singapore court for contempt after allegedly failing to comply with multiple court orders related to his assets, a report has said.  Bloomberg reported that the Singapore court directed Raveendran to surrender to authorities, pay legal costs of S$90,000 ($70,500) and furnish documents proving his ownership of Beeaar Investco Pte, a corporate entity that held shares in a related company. Byju’s was yet to comment on the report. The development marks the latest setback for the embattled founder, who is facing legal and financial scrutiny from investors and lenders across multiple jurisdictions, including the US, where creditors are seeking to recover losses tied to a soured $1.2 billion loan. The legal action in Singapore has been initiated by a subsidiary of Qatar Investment Authority, which had invested in the company during a period when Byju’s was cutting jobs and restructuring operations, according to the report. Moreover, Qatar Holdings was represented by law firm Drew & Napier, while Byju’s Investments was represented by Fervent Chambers in the matter. The development comes months after the Delaware Court in December 2025 reversed its earlier $1 billion judgment against Raveendran after reviewing fresh submissions filed through a motion seeking correction of a November 20 ruling. The Delaware Court had then observed that damages had not been properly determined and ordered a fresh phase of proceedings to decide whether any damages were owed. Raveendran’s legal team had alleged that GLAS Trust and lenders withheld or misrepresented key information during proceedings, which they claimed contributed to the collapse of the edtech business and erosion of enterprise value."},"img":{"url":"https://images.prismic.io/prad/c0c739db-d9b4-4369-859e-2c33aa42f071_Byjus+Ravichandran.JPG?auto=format,compress"},"datetime":"2026-05-27T03:54:00+0000","embed":{"embed_url":null}},"uid":"byju-raveendran-jailed"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"ED raids former Kerala CM’s home"},"content":{"text":"Senior CPI(M) Politburo member and former Kerala Chief Minister Pinarayi Vijayan came under the scanner of the Enforcement Directorate (ED) on Wednesday after central agency sleuths arrived at his Thiruvananthapuram residence in connection with the high-profile CMRL-Exalogic monthly payment case.  The ED has already recorded the statement of Vijayan’s daughter, Veena Vijayan, whose IT firm, Exalogic Solutions, is at the centre of the controversy. While Pinarayi Vijayan has not been questioned so far, indications are that investigators may also record his statement as the probe progresses. The coordinated operation began around 6 a.m., barely a day after the Kerala High Court allowed the ED to proceed with its investigation into the alleged financial transactions between CMRL and Exalogic. ED teams simultaneously carried out searches at 10 locations across Kerala, including Vijayan’s rented residence near Bakery Junction in Thiruvananthapuram, where Veena Vijayan also resides. Searches were also conducted at the offices of CMRL and at premises linked to senior company officials, including Managing Director Sasidharan Kartha. Investigators are understood to be examining digital devices, financial documents and transaction records connected to the alleged monthly payments. The ED sleuths also knocked on the doors of the residence of Beypore CPI(M) legislator P.A. Mohammed Riyas, Veena Vijayan’s husband. The ED probe stems from allegations that Exalogic Solutions received substantial payments from the mining company CMRL without providing any legitimate services in return. Earlier findings by the Serious Fraud Investigation Office (SFIO) and observations made during Income Tax proceedings had pointed to suspicious financial arrangements described as “monthly retainers”. On Tuesday, the Kerala High Court dismissed petitions filed by CMRL and its officials seeking to quash the ED investigation. The court observed that there were prima facie indications of money laundering and refused to interfere with the agency’s proceedings, effectively clearing the path for Wednesday’s raids and questioning. The development marks one of the most significant investigations faced by a senior CPI(M) leader in recent years. While the Left Front has consistently described the case as politically motivated, the ED’s move to raid the residence of a Politburo member and former Chief Minister has sharply escalated the political stakes in Kerala. Investigators are also examining whether the transactions violated provisions of the Prevention of Money Laundering Act (PMLA), apart from possible tax and foreign exchange violations. More summons and questioning of key figures linked to the case are expected in the coming days."},"img":{"url":"https://images.prismic.io/prad/f7a95054-4641-474f-acb7-5c626ad5c71f_vijayan.JPG?auto=format,compress"},"datetime":"2026-05-27T03:00:00+0000","embed":{"embed_url":null}},"uid":"ed-raids-former-kerala-cms-home"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Soha Ali Khan enjoys thrilling underwater lunch"},"content":{"text":"Actress Soha Ali Khan gave fans a glimpse of a dreamy underwater lunch experience with husband Kunal Kemmu and daughter Inaaya during their vacation, seemingly in the Maldives.  Sharing the videos on her social media account on Tuesday, Soha showed the family enjoying a unique lunch inside an underwater restaurant surrounded by marine life and stunning ocean views. In one of the videos, sharks and fishes could be seen swimming above the glass tunnel restaurant as guests enjoyed their meals. Another clip featured little Inaaya walking inside the beautiful underwater dining space wearing a hat. Soha captured the magical family moment. Sharing the videos, she wrote, “Lunch was a truly immersive experience.” The special outing appeared to be part of Kunal Kemmu’s birthday celebrations. The actor celebrated his birthday on May 25. Soha had earlier shared a heartfelt birthday post for him on social media. Calling him her “favourite human,” Soha had posted pictures from an intimate celebration and wrote, “Happy birthday to my favourite human @kunalkemmu.” Kareena Kapoor Khan, Kunal’s sister-in-law, had also wished him on social media with a warm note. Sharing a monochrome family picture, Kareena wrote, “Happy birthday dear Kunal. So looking forward to Vibe. You will kill it… wish you the bestest always.”  Talking about Kunal Kemmu, the actor began his career as a child actor and featured in films like ‘Zakhm’, ‘Raja Hindustani’, ‘Hum Hain Rahi Pyar Ke’ and others. He later made a successful transition into lead roles with films such as ‘Kalyug’, ‘Dhol’, ‘Go Goa Gone’, ‘Golmaal 3’, ‘Lootcase’ and others. Apart from acting, Kunal also turned director with ‘Madgaon Express’, which received appreciation from audiences. The actor is now gearing up for his upcoming directorial venture ‘Vibe’."},"img":{"url":"https://images.prismic.io/prad/ahaXgbK9tuLqELBN_sohacopy.jpg?auto=format,compress"},"datetime":"2026-05-27T04:00:00+0000","embed":{"embed_url":null}},"uid":"soha-ali-khan-enjoys-thrilling-underwater-lunch"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Gulshan Devaiah's character in 'MIB' out"},"content":{"text":"The makers of director Nandini Reddy's upcoming action drama, 'Maa Inti Bangaaram', featuring actress Samantha Ruth Prabhu in the lead, on Wednesday revealed the character actor Gulshan Devaiah plays in the film.  Tralala Moving Pictures, the production house producing the film, took to its social media timelines to share the first look poster of Gulshan Devaiah in the film and said, \"Composed yet chaotic. Meet the talented @gulshandevaiah78 as ‘KARUNA’ from #MaaIntiBangaaram. #MiB A Mass Family Entertainer with a Fresh Twist.#MiBTrailer Out Now!\" A trailer of the film released by the makers has added to the delight of fans and film buffs. The trailer released shows Samantha arriving at her boyfriend's place. She is met with a lot of questions that include, \"I think I've seen you before.\" \"What is your name?\" and \"where are you from?\" However, she asks a loaded question in reply. \"Do you know who I really am?\" The trailer gives the impression that her partner, who fell in love with her, waited for her for two years and that she has now joined him at his place.   His family members ask her about what her caste is, whether she knows to cook and has how many siblings. However, these questions make her feel like she is being grilled like a criminal. She is then introduced to Anusuya, the younger daughter-in-law of the house. Anusuya is referred to as \"maa inti Bangaram\" (the gold of our house) by the other members of the household. \"A daughter-in-law is expected to have many qualities to be seen as the ideal woman. She should be beautiful, lean, well behaved, should cook and sing,\" she laments and then declares, \"I have none of those qualities. But I have one quality. I can risk everything to keep my family safe.\" We then see Samantha bashing up baddies, left, right and centre. The trailer gives the impression that the film is full of action sequences. At one point, she is seen delivering a threat to a bad guy. \"Why did you talk to him like that?\" asks a woman and Samantha replies, \"Be it a hero or a housewife, when the dialogue lands right, it can scare anyone.\" It is evident that she has a past which she has hidden from her present family in the film. And her past has had her throwing punches and delivering kicks! 'Maa Inti Bangaaram' is a family action comedy drama created by Raj Nidimoru and directed by Nandini Reddy. The film stars Diganth and Gulshan Devaiah in key roles, with a supporting cast featuring Sree Mukhi, Gautami, Anand, Lakshmi, Srinivas Gavireddy, and Manjusha. Samantha's Tralala Moving Pictures has produced this film. The actress, in January, had said that the world of her upcoming film is rooted and emotional with a narrative style dedicated to keeping family first, whilst maintaining its quirky, edgy energy. Samantha had said: “Maa Inti Bangaaram tells the story of a woman whose strength comes as much from her vulnerability as from her courage. Playing this character and nurturing this film as a producer has been an incredibly fulfilling journey for me.” In the film, the actress has done most of the action sequences in a saree. A source close to the film had previously shared: “After ‘The Family Man’ and ‘Citadel’, Samantha wanted to challenge herself further. In Maa Inti Bangaram, she’s doing most of the action herself, and doing it in a saree. It’s physically demanding and visually powerful, a portrayal audiences rarely get to see”."},"img":{"url":"https://images.prismic.io/prad/ahaZq7K9tuLqELB7_gulshandevaiah.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T06:42:00+0000","embed":{"embed_url":null}},"uid":"gulshan-devaiahs-character-in-mib-out"}},{"node":{"tags":["politics","featured","two"],"data":{"third_party_url":null,"title":{"text":"Dharmapuri Arvind’s bombshell on RR?"},"content":{"text":"BJP MP Dharmapuri Arvind on Wednesday made a startling claim that he had information suggesting Telangana Chief Minister A. Revanth Reddy had once considered joining the Bharatiya Janata Party (BJP) before moving from the Telugu Desam Party (TDP) to Congress, while asserting that such a leader \"cannot be loyal to anybody\".  The remarks came a day after Arvind alleged that Revanth Reddy could eventually do a \"Suvendu Adhikari\" to the Congress party. He had also suggested that CM Reddy might have some sort of understanding or connection with Prime Minister Narendra Modi. \"I am a small worker in the BJP, so I do not have complete details. But just like how Suvendu Adhikari aligned with the BJP in West Bengal, Revanth Reddy might also be trying to build a similar relationship with PM Modi,\" Arvind had said, while referring to PM Modi's recent remarks at a public event in Hyderabad. Reacting further to the issue while speaking to media, Arvind stated Revanth Reddy had switched multiple political parties in the past, and therefore, his future political position remained uncertain. \"It is the Revanth model. I will not say Assam model, West Bengal model, or some other model. Revanth was in BRS. He moved to TDP. He moved to Congress. In between, I have certain information... before moving to Congress, he was considering the BJP. So, such a person cannot be loyal to anybody. We never know. He might take up another party,\" Arvind said. When asked whether the BJP would accept Revanth Reddy if he were to join the party in the future, the BJP MP said the matter would entirely depend on the party leadership. \"That is up to the party high command. I cannot commit. But generally, the Bharatiya Janata Party is a huge party. And when certain people come, they accept; mostly, they accept. But at the end of the day, it is the party high command's decision,\" he added. Arvind also criticised the Revanth Reddy-led Telangana government over the removal of a hired Telangana State Road Transport Corporation (TGSRTC) bus driver, identified as B. Ashok, from duty at the Jagtial depot on May 26. The action was taken after the driver allegedly advised local Congress leaders protesting against fuel prices to instead focus on the procurement of paddy and maize from distressed farmers. The BJP MP accused the Congress government in Telangana of acting with \"arrogance\" and \"high-handedness\" against the RTC driver. \"He was suggesting to the Congress leaders who were agitating on the road. He was advising them to focus on speeding up the process of paddy procurement, and also paying a reasonable price to the maize farmer. He was not criticising anybody. He was just suggesting. Maybe he got a farming background or is a sympathiser of a farmer,\" Arvind said. \"The Congress government dealt with him with high-handedness and arrogance. Removing him from duty is uncalled for. And we will not appreciate this move of the Congress party. We will stand by the driver personally. Party-wise, we will stand by the driver,\" he added. The BJP MP also attacked the Congress over criticism directed at the Centre regarding rising fuel prices and alleged that Telangana had among the highest fuel prices in the country because of state-level taxes. \"I have the prices of various states across the nation. Telangana is the highest. The price is Rs 115.70 per litre. Kerala, another Congress-ruled state, has a Rs 112.30 per litre. Karnataka, Rs 107.70 per litre. Tamil Nadu, Rs 105.60 per litre. Compared to Delhi-ruled states -- Delhi, Rs 99.5; Gujarat, Rs 99.1; UP, Rs 99.5; Haryana, Rs 99.7,\" Arvind claimed. He further said that the Central government had already reduced fuel prices earlier and urged the Telangana government to cut VAT on petroleum products. \"Already, the Central government has reduced Rs 10 in March. So, it is up to the state government to take a step forward and reduce prices, the duty prices, which... the VAT amount. They are collecting the highest in the country. So, I suggest the state government reduce its duty on fuel,\" the BJP MP added."},"img":{"url":"https://images.prismic.io/prad/ahaVuLK9tuLqEK___dharmarr.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T04:10:00+0000","embed":{"embed_url":null}},"uid":"dharmapuri-arvinds-bombshell-on-rr"}},{"node":{"tags":["Editorial","featured","one"],"data":{"third_party_url":null,"title":{"text":"Pawan Kalyan: Mishandling Caste Dynamics?"},"content":{"text":"\"Charismatic authority is naturally unstable. The leader’s authority is maintained solely by proof of his power. If he fails to benefit his followers, his charismatic authority vanishes”- Max Weber, Political Scientist In the above Weberian terms, a charismatic leader maintains loyalty only as long as they deliver tangible victories or a credible hope of empowerment. The moment a leader publicly abdicates ambition and announces they do not care for the very power needed to achieve their followers' long-held aspirations, they violate the unspoken contract of charismatic leadership. This structural breakdown is precisely what is echoing through the volatile landscape of emerging caste politics in Andhra Pradesh. Political pundits love a grand narrative where actors trademark their onscreen heroism for real-world votes. Currently, South Indian politics is running a fascinating double-feature on how to handle, or completely mishandle, caste dynamics. In Tamil Nadu, the script is fresh and hopeful. Movie star Vijay’s new party, TVK, has emerged as an alternative to traditional Dravidian politics. The intellectual elite have polished their glasses and declared this the \"Next Big Thing,\" painting Vijay as the new champion of Dalit assertion. While the Dravidian movement historically uplifted the Backward Classes, it left others waiting at the door. Whether Vijay can actually deliver on social justice remains to be seen, but for now, the trailer looks great and the audience is buying tickets. Across the border in Andhra Pradesh, the blockbuster evolution of Pawan Kalyan and his JSP is falling apart in the second half. Somehow, Kalyan managed to find political relevance after a decade of drifting How? By jumping straight into an alliance with the TDP, a party traditionally dominated by Kamma leadership and historically at loggerheads with his own Kapu base. To complete this ideological masterpiece, he rubbed shoulders with the BJP, a party that thrives on polarization politics. It is a spectacular cinematic crossover where the hero, instead of fighting the villains, decides to co-sign their movie just to stay on the poster. Despite merely appearing on the posters, the emerging narrative around Kalyan and the Kapu community, a massive voting bloc that desperately wanted him to be their political messiah, is gaining traction for all the wrong reasons. Instead of a smooth screenplay, his supporters are getting wild plot twists. He recently looked at his loyal audience and announced, “I am not here for any single caste, I didn’t start this party just for Kapus, and I don’t really care about becoming Chief Minister.” To the average Kapu voter who spent years yelling his name in theaters and polling booths, this sounded less like statesmanship and more like a director canceling the movie halfway through production. The political prognosis for Pawan Kalyan is a textbook lesson in how to turn a golden opportunity into a collective sigh of frustration. By frequently shifting his stance, Kalyan is actively choosing to miss his moment of maximum strength. His entire political elevation was built on his massive cinematic image rather than a foundational ideology. This is evident in his recent altercations with Kapu leaders, proving he prefers delivering short, \"vibe-worthy\" high moments over a coherent strategy. This quick-fix tactic offers zero strategic consolidation. By refusing to anchor himself as an independent, unyielding force for the people who back him, he is leaving the Kapu community stranded and frustrated—a scenario ripe for revolt. Pawan Kalyan's identity crisis is the gift that keeps on giving. By telling his fans he isn't a \"caste leader\" and doesn't care about the Chief Minister’s chair, he hasn’t just deflated his own balloon; he has invited everyone else to scavenge the remains. For the YSRCP, Kalyan's detached-hero routine is a political jackpot; they simply have to repeat his own words back to the voters. On the other hand, Chandrababu Naidu (CBN) did not survive four decades in politics by being emotional. As a master political corporate manager, he views Kalyan's public declarations of humility not as high morality, but as a signed waiver of political ambition. CBN will use Kalyan’s \"no caste\" speech as the perfect shield. Whenever Kapu leaders demand a bigger slice of power or reservations, he can simply smile and say, \"But your leader himself said we must rise above caste politics.\" By keeping Kalyan wrapped in the velvet blanket of the \"Selfless Deputy,\" CBN may ensure that the JSP remains a permanently subordinate franchise. Kalyan gets the applause and the vibe-worthy moments, while he holds the remote control. While CBN plays the wily puppet master and YSRCP circles like hungry vultures, the BJP central leadership views the internal friction with the calm satisfaction of a corporation watching its two local franchisees exhaust each other. The BJP’s Apara Chanakyas know the JSP rests on a shaky foundation of cinematic euphoria rather than grassroots organization. Every time Kalyan fights with Kapu leaders or complains about coalition pressures, he becomes isolated, causing his political stock to dip. The BJP may happily latch onto this, ready to dictate terms to a politically isolated star in future negotiations. By letting CBN systematically suppress Kalyan’s independent growth, the alliance may create a pressure cooker of resentment among JSP cadres. When that frustration eventually boils over, those Kapu voters might look for an alternative in a national force rather than a tested regional player like YSRCP to give them the political relevance they have long aspired to. The BJP clearly senses this opportunity hidden within the present frustration of the Kapus against Pawan Kalyan’s intriguing politics. Thus, Kapu frustration has a potential to simmer. In politics, just like in cinema, if you keep changing the plot and telling your core audience that you don't actually want the lead role, eventually, they will leave the theater and look for another show."},"img":{"url":"https://images.prismic.io/prad/ahadBrK9tuLqELCz_PK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T06:28:00+0000","embed":{"embed_url":null}},"uid":"pawan-kalyan-mishandling-caste-dynamics"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Bhagyashrii’s promise to Kamal Haasan!"},"content":{"text":"Actress Bhagyashrii Borse, who plays the female lead in actor Sivakarthikeyan's next Tamil film, 'Seyon', which is being produced by actor Kamal Haasan's Raaj Kamal Films International, has now penned a heartfelt post of gratitude to actor Kamal Haasan, in which she has said that she would make him proud. Taking to her Instagram page to post a picture of herself with the actor, producer and parliamentarian Kamal Haasan, the actress wrote, \"Dearest @ikamalhaasan sir, The little girl in me who watched you growing up.. was jumping with joy the second you placed your hands on my shoulders and wished me luck. Honoured to be associated with RKFI and promise to make you proud. #Seyon.\" For the unaware, 'Seyon' is being directed by Sivakumar Murugesan and will feature actor Sivakarthikeyan in the lead along with actress Bhagyashrii Borse. The makers had welcomed the actress on board the unit of the film on her birthday on May 6 this year.  The film is being produced by Kamal Haasan's RaajKamal Films International and Turmeric Media. Taking to its X timeline to greet the actress, Raaj Kamal Films International (RKFI) had said, \"A birthday to remember and a journey to look forward to! Wishing #BhagyashriBorse A very Happy Birthday as she joins the #Seyon Family #HappyBirthdayBhagyashri.\" The film has triggered huge interest in fans and film buffs ever since the makers released a glimpse video from the film called \"The Celebration\" earlier this year."},"img":{"url":"https://images.prismic.io/prad/ahabUrK9tuLqELCF_borsekamal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T07:00:00+0000","embed":{"embed_url":null}},"uid":"bhagyashriis-promise-to-kamal-haasan"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Parliamentary Panel Summons Tech Giants"},"content":{"text":"The Parliamentary Standing Committee on Communications and Information Technology, led by Chairman Nishikant Dubey, has announced plans to summon major digital and social media platforms such as Meta Platforms, X, Google, and Amazon. This move comes as part of the committee's ongoing investigation into net neutrality and equal internet access. Dubey emphasized the importance of ensuring that all 140 crore internet users in the country have equal rights under consumer protection laws.  Following the committee's recent meeting on May 26, Dubey stated that they are scrutinizing whether telecom operators and digital platforms are offering preferential access to specific user categories, including post-paid subscribers and paying customers on online platforms. The agenda for the Parliamentary panel meeting included a briefing by the Department of Telecommunications and the Telecom Regulatory Authority of India (TRAI) on 'Quality of Service Standards and Consumer Protection in Telecom Sector,' with a specific focus on net neutrality.  Dubey clarified that the committee has not reached any conclusions yet and further discussions will continue in the following weeks. He highlighted the significance of net neutrality, stressing that all consumers, encompassing the 140 crore internet users, should be entitled to equal rights under Consumer Protection Rights. Dubey also addressed concerns regarding prepaid and post-paid consumers, indicating that while the government determines the licensing conditions of the network, certain companies may be inclined to provide more convenience to post-paid users. However, he emphasized that the committee has not yet concluded on this matter."},"img":{"url":"https://images.prismic.io/prad/a9b06277-5d3b-4117-bdb5-eb05d47edde2_googlemeta.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-26T18:55:00+0000","embed":{"embed_url":null}},"uid":"parliamentary-panel-summons-tech-giants"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Top Maoist leader surrendered"},"content":{"text":"In another blow to the banned CPI (Maoist), its Central Committee Member Pasunoori Narahari and his wife Medara Danamma surrendered before Telangana Police on Tuesday. Director General of Police C.V. Anand produced the senior underground leaders of the Maoist outfit before the media. Pasunoori Narahari alias Vishwanath alias Salai Da is the Bihar-Jharkhand Special Area Committee (BJSAC) secretary, while Danamma alias Latha alias Poonam alias Joba is a State Committee Member (SCM). The DGP said that with their surrender, the last surviving Eastern Regional Bureau of CPI (Maoist) is on the verge of collapse. A native of Telangana’s Hanumakonda district, 64-year-old Narahari joined the Radical Students Union (RSU) while studying in the first year of his degree course. In 1988, he married Danamma of Guntur district. According to police, in 1982, under the influence and at the behest of late Puli Anjaiah, then CPI (ML) People’s War AP State Committee Secretary, he formally joined CPI (ML) People’s War and became part of the Kunta Dalam operating in Sukma district, Chhattisgarh. In 2006, he was promoted to the rank of State Committee Member (SCM) and joined the Bihar-Jharkhand Special Area Committee (BJSAC) as an SZC Member, where he remained until 2010. He served as head of the Technical Department team, a seven-member unit under the BJSAC, until 2014. In 2014, he was transferred to the Bihar State Committee, where he served as the in-charge of the Gaya District Organisation until 2017. In 2017, he was promoted to Central Committee Member under the Eastern Regional Bureau (ERB). Police said he possessed extensive expertise in the manufacturing and maintenance of firearms, mortars, rockets, rocket-propelled grenades, grenades, and booby traps. He also imparted training to Maoist cadres in weapons production, repair, and maintenance, while simultaneously handling technical and organisational responsibilities at senior levels. Danamma, 55, joined the Maoist movement after her marriage to Narahari. In 1997, she joined the Technical Department Team in South Bastar, Dandakaranya, Chhattisgarh. In 2000, she was promoted to DCM and transferred to the Nagpur Technical Department Team. She was arrested in Nagpur in 2004. After her release from jail on bail in 2011, she again joined the party. From 2011 to 2012, she served as a DVC Member on the Bihar-Jharkhand Special Area Committee (BJSAC). In 2018, she was promoted to SCM in BJSAC during a special plenum meeting. The DGP said that as per the Telangana government’s rehabilitation policy, the total eligible reward amount of Rs 25 lakh to Narahari and Rs 20 lakh to Danamma had been handed over to them through demand drafts. In addition, they will receive further benefits in accordance with the rehabilitation policy for surrendered cadres. C.V. Anand said that the health of all Maoist cadres who surrendered in Telangana, irrespective of their native place, is being duly taken care of. As assured by Chief Minister A. Revanth Reddy, health cards for all cadres who surrendered between 2024 and 2026 in Telangana are currently being processed and will be issued shortly. The DGP revealed that 822 cadres of CPI (Maoist), including five Central Committee Members and 23 State Committee Members, have surrendered since 2024. He said the Telangana Police, through the dedicated and coordinated efforts of the Special Intelligence Branch, demonstrated exceptional commitment and strategic effectiveness in 2026, achieving remarkable success in countering Left-wing extremism. During 2026, a total of 264 underground CPI (Maoist) cadres have surrendered in Telangana, reflecting the growing trust in the government’s rehabilitation policies and the sustained pressure created by security forces, he said. In addition, 238 firearms have been recovered in Telangana in 2026 alone, marking a significant depletion of the group’s armed strength. Overall, the efforts of the Telangana Greyhounds and district police, led by the Special Intelligence Branch in 2026, mark a decisive turning point in the fight against extremism. The surrender of senior cadres, including top leadership earlier in 2026, has already pushed Maoism to its last stage of survival, he said. The police chief said only three active underground cadres from Telangana are presently serving in different formations of the CPI (Maoist) outside Telangana. They include Central Committee Member Muppala Laxman Rao alias Ganapathi. He appealed to them to give up armed struggle, join the mainstream, and avail themselves of the benefits of the Telangana government’s surrender and rehabilitation policy."},"img":{"url":"https://images.prismic.io/prad/ahWtXrK9tuLqEJ5B_maonarahari.JPG?auto=format%2Ccompress&rect=0%2C31%2C450%2C222&w=2028&h=1000"},"datetime":"2026-05-26T13:25:00+0000","embed":{"embed_url":null}},"uid":"top-maoist-leader-surrendered"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Arjun Sarja discusses his political aspirations "},"content":{"text":"Renowned actor Arjun Sarja, known for his directorial venture Seetha Payanam, is currently preparing for the release of the much-anticipated film 'Blast', directed by Subash K Raj and featuring Abhirami and Preity Mukhundhan in lead roles. During a recent interview with Behindwoods, Arjun shared insights on his potential entry into politics and his admiration for political figures like Prime Minister Narendra Modi and Tamil Nadu Chief Minister Vijay.  When questioned about his political aspirations, Arjun expressed the importance of possessing political knowledge before entering the field, emphasizing his desire to serve the people through charity and benevolent endeavors. While refraining from commenting on fellow actor Prakash Raj's political involvement, Arjun praised CM Vijay for his genuine intentions in politics. Additionally, 'Blast' is set to showcase Arjun and his co-stars as an underrated middle-class family with martial arts skills, navigating through encounters with a formidable gang while striving to protect themselves.  The film also marks composer Ravi Basrur's Tamil debut, with a talented technical team onboard. 'Blast' is produced by AGS Entertainment and promises to captivate audiences with its compelling narrative and dynamic performances."},"img":{"url":"https://images.prismic.io/prad/ahXgxrK9tuLqEKUf_arjunsarja.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-26T11:05:00+0000","embed":{"embed_url":null}},"uid":"arjun-sarja-discusses-his-political-aspirations-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Drishyam 3' sets the box office on fire"},"content":{"text":"Mohanlal has once again etched his name in the annals of Malayalam cinema's box office history with the phenomenal success of Drishyam 3, which has crossed the Rs 150 crore mark worldwide within just five days of its release. Despite garnering mixed reactions from audiences, the crime thriller, written and directed by Jeethu Joseph, has emerged as a major commercial triumph for the veteran superstar. According to the latest estimates from Indian box office tracker Sacnilk.com, Drishyam 3 has grossed approximately Rs 156.14 crore worldwide, with Rs 71.74 crore gross in India and Rs 84.40 crore overseas. The film's net collection in India currently stands at Rs 61.80 crore. Despite the anticipated drop after the opening weekend, the film collected Rs 8.51 crore gross on its first Monday, indicating a steady hold. Drishyam 3 witnessed a 50% drop from its opening-day figures and roughly 30% from Friday's numbers, which is considered a strong trend for a film with mixed reception.  A significant highlight of Drishyam 3's success lies in its performance in international markets, where it has contributed over 54% of the total worldwide gross, underscoring Mohanlal's enduring appeal among the Malayalam diaspora audience globally. With this achievement, Mohanlal becomes the only Malayalam actor with three films in the Rs 150 crore club worldwide. His earlier releases, Thudarum and L2: Empuraan, also crossed the milestone, with both films eventually entering the Rs 200 crore club. Drishyam 3 has rapidly climbed to the eighth position in the list of highest-grossing Malayalam films of all time worldwide within just five days of its release, surpassing Aavesham and closing in on Aadujeevitham (The Goat Life).  Released on May 21, Drishyam 3 continues the story of Georgekutty (Mohanlal) following the events of the second installment. While some viewers felt that the third chapter does not recreate the shock value of the earlier films, audiences have largely lauded Jeethu's writing, emotional approach, and Mohanlal's performance. The film also stars Meena, Ansiba Hassan, Esther Anil, Siddique, Murali Gopy, and Asha Sharath in pivotal roles. Trade analysts anticipate the third installment to comfortably cross Rs 200 crore during its second weekend if it maintains the current momentum at the box office."},"img":{"url":"https://images.prismic.io/prad/aS8L8HNYClf9ntXj_drishyam3.JPG?auto=format,compress"},"datetime":"2026-05-26T11:59:00+0000","embed":{"embed_url":null}},"uid":"drishyam-3-sets-the-box-office-on-fire"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Court sends Bandi Bhageerath to police custody"},"content":{"text":"A city court on Tuesday sent Union Minister of State for Home Affairs Bandi Sanjay Kumar’s son, Bandi Bhageerath, to police custody for three days in a POCSO case. The trial court in Malkajgiri pronounced orders on the prosecution's petition. Though the police sought custody for a week, the court granted custody for three days. Pet Basheerabad police will take custody of Bhageerath, who is currently lodged in Cherlapalli Jail. Bhageerath’s counsel, Karunasagar, opposed the petition for police custody. During arguments on the petition, he also requested the court that, if the petition were allowed, the police be directed to conduct the interrogation between 10 a.m. and 5.30 p.m., and that a medical examination be conducted before and after the interrogation. The counsel also sought directions to the police not to use any coercive methods during the course of interrogation. A case under the Protection of Children from Sexual Offences (POCSO) Act was registered against Bhageerath at Pet Basheerabad Police Station on May 8, following allegations that he sexually assaulted a minor girl. The case was booked under Section 11 read with Section 12 of the POCSO Act and Sections 74 and 75 of the Bharatiya Nyaya Sanhita (BNS). After the investigating officer spoke to the victim, the police invoked harsher provisions of the POCSO Act. Section 5(1), read with Section 6, was added to the FIR. Bhageerath was served a notice by the police directing him to appear before the investigating officer on May 13. He did not appear but sent a letter to the investigating officer seeking two days’ time to appear. After the High Court refused to grant him interim protection, he was arrested by the police on the night of May 16. However, Bandi Sanjay claimed that his son had surrendered before the police. He said two lawyers accompanied Bhageerath when he surrendered before the police. Police stated that he admitted to having committed the offence of sexually assaulting a minor girl, after which he was arrested. Bhageerath was produced before a magistrate the same night and remanded to judicial custody for 14 days."},"img":{"url":"https://images.prismic.io/prad/agHhXKYofJOwHFDe_bandison.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-26T14:30:00+0000","embed":{"embed_url":null}},"uid":"court-sends-bandi-bhageerath-to-police-custody"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"TG tahsildar caught accepting 2 lakh bribe"},"content":{"text":"Telangana’s Anti-Corruption Bureau (ACB) on Tuesday caught a tahsildar red-handed while accepting a bribe of Rs 2 lakh. T. Suchitra, Tahsildar & Executive Magistrate and Joint Sub-Registrar, Shamirpet Mandal, Medchal Malkajgiri district, had allegedly demanded a Rs 30 lakh bribe for clearing the conversion of 30 acres of agricultural land. ACB officials said Rs 2 lakh was accepted as part payment through her private driver, V. Nagesh. She had allegedly demanded the bribe to do the official favour of processing and approving applications for NALA conversion of 30 acres of agricultural land. The tainted bribe amount of Rs 2 lakh was recovered from the possession of the accused officer’s private driver, the ACB said in a release. The anti-graft agency said she performed her duty improperly and dishonestly to obtain an undue advantage. Both were arrested and produced before the Additional Special Judge for SPE & ACB cases at Nampally for judicial remand. The case is under investigation. The complainant's details have been withheld for security reasons. In another case, Kammari Brahmaiah, Mandal Surveyor of Waddepally Mandal in Jogulamba Gadwal district, was caught red-handed while accepting a bribe of Rs 10,000. According to the ACB, he had demanded Rs 15,000 as a reward for conducting a survey of the land pertaining to the complainant’s parents. Earlier, on May 6, the accused officer allegedly demanded and accepted Rs 5,000 in cash as an advance. The tainted bribe amount of Rs 10,000 was recovered from the accused officer's possession. Thus, the accused officer performed his duty improperly and dishonestly to obtain undue advantage, the ACB said. The accused officer was arrested and produced before the Additional Special Judge for SPE & ACB cases, Nampally, for judicial remand. The case is under investigation. The details of the complainant have been withheld for security reasons, the agency said. The ACB said that in case of any demand for a bribe by a public servant, people are requested to contact the toll-free number 1064 for action under the law."},"img":{"url":"https://images.prismic.io/prad/dca4c7f3-786c-4df0-b6d0-279fab09fe63_bribe.JPG?auto=format,compress"},"datetime":"2026-05-26T13:48:00+0000","embed":{"embed_url":null}},"uid":"tg-tahsildar-caught-accepting-2-lakh-bribe"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Vijayawada Airport on Ebola Alert"},"content":{"text":"Authorities at Vijayawada International Airport in Andhra Pradesh began preventive screening of international passengers for Ebola on Tuesday.  This came after the Union Ministry for Health and Family Welfare declared an alert in view of the Ebola virus in several African countries.  An official at Vijayawada airport said that preventive screening for Ebola has been started for international passengers. All international passengers have been requested to fill out a self-declaration form for travel history after arrival.  The official said the screening was taken up as per the guidelines of the Ministry of Health and Family Welfare. State Minister for Medical and Health, Satyakumar Yadav, on Sunday announced that necessary precautionary measures have been implemented in the state in light of the widespread prevalence, rising case counts, and increased mortality rates associated with the Ebola virus across several African nations.  He expressed particular concern regarding the high rate of Ebola virus transmission in countries such as Congo, Uganda, and South Sudan.  Following warnings issued by the World Health Organisation, as well as specific guidelines, advice, and recommendations received from the Central government, the state minister declared that the Medical and Health Department is fully prepared to effectively combat the spread of the Ebola virus and manage potential cases.  He announced that measures are being taken to ensure close coordination between airport authorities and the Medical and Health Department officials of the respective districts.  This coordination aims to facilitate screening and diagnostic testing for travellers and tourists arriving in the state from the Congo, Uganda and Sudan via the international airports in Visakhapatnam, Tirupati, and Vijayawada.  Officials said that individuals exhibiting symptoms of the virus would be immediately placed under quarantine, and medical examinations would be promptly conducted on those who have been in close contact with them.  Dedicated isolation wards, each equipped with 15 beds, are being established in hospitals located in cities that host international airports."},"img":{"url":"https://images.prismic.io/prad/ahV4wrK9tuLqEJR6_ebolascreening.JPG?auto=format%2Ccompress&rect=0%2C31%2C450%2C222&w=2028&h=1000"},"datetime":"2026-05-26T10:15:00+0000","embed":{"embed_url":null}},"uid":"vijayawada-airport-on-ebola-alert"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"#MEGA158 - Title Teaser"},"content":{"text":null},"img":{"url":"https://images.prismic.io/prad/ahU7ZLK9tuLqEIUX_Mega158title.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T18:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=py03-EKYF-8"}},"uid":"mega158---title-teaser"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"AMMA Row Turns Nasty, Demand for New Polls"},"content":{"text":"The simmering internal feud within the Malayalam film actors’ association AMMA has exploded into a full-blown public controversy, with a section of the members openly attacking the organisation’s leadership and demanding accountability over its finances and functioning.  Soon after the Hema Committee became a public document, the affairs of AMMA went into a spin and saw the team led by Mohanlal and Siddique making way for a new leadership led by women like Swetha Menon and Kukku Paramesweran. But after a period of lull under the new leadership the big fat egos on which the industry thrives, have again caused ripples. Mala Parvathy demanded that AMMA’s income and expenditure accounts be made public. “The money was earned using the faces of great actors. Its accounts should be made public,” she said, while urging senior actors to step in and resolve the worsening crisis. The actor further revealed that treasurer Unni Sivapal had been entrusted with clarifying the accounts, but members were never given satisfactory explanations regarding the financial details. The controversy intensified further after veteran actor Mallika Sukumaran launched a scathing attack against the AMMA leadership, demanding the dissolution of the executive committee and fresh elections. “It has become such a shame that one cannot even walk outside,” Mallika said, describing the situation within the organisation as deeply embarrassing for the Malayalam film industry. Mallika is the mother of upcoming superstar Prithviraj and his actor brother Indrajith. She urged superstars Mammootty and Mohanlal to intervene and restore normalcy within the association. Mallika also accused AMMA General Secretary Kukku Paramesweran of spreading defamatory remarks against her and questioned the lack of transparency in the organisation’s functioning. “Why are there so many CCTV cameras in the AMMA office? Everything is being done secretly and behind closed doors,” she alleged. She further dismissed actor Swetha Menon claiming ignorance about the controversy, while alleging that someone has poisoned the mind of actor Ansiba Hassan. According to Mallika, actor Tiny Tom was among those who had earlier recommended including Ansiba and Sarayu Mohan in the committee. The escalating public spat has once again exposed the deepening cracks within one of Malayalam cinema’s most influential organisations, with mounting pressure now building on its leadership to come clean on both financial and administrative matters. Even though calls for Mammootty and Mohanlal to intervene have been made, it’s unlikely if they or any of the seniors who nurtured the organisation would come forward."},"img":{"url":"https://images.prismic.io/prad/ZswocUaF0TcGJYiU_AMMA.JPG?auto=format,compress"},"datetime":"2026-05-26T06:15:00+0000","embed":{"embed_url":null}},"uid":"amma-row-turns-nasty-demand-for-new-polls"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Mouni Roy puts up a post missing ‘little sister’ Disha"},"content":{"text":"Actress Mouni Roy recently shared an adorable picture with her close friend Disha Patani on her social media account, calling her as her “little sister.”  However, soon after the actress deleted the post for reasons not known. In the now-deleted post, Mouni Roy shared a glamorous picture posing with Disha Patani. Mouni looked stunning in a black cut-out mini outfit paired with sneakers, while Disha opted for a sporty and casual look featuring a white sports bra, oversized denims and a white cap. Sharing the picture, Mouni had written, “Missing my lil sister! Come back soon x @dishapatani.” For the uninitiated, Mouni Roy and Disha Patani are known to share a very close friendship in the industry. The actresses are often seen vacationing together at exotic international destinations and share glamorous and stylish pictures from their trips on social media. Recently, Disha Patani had found herself at the centre of online trolling after reports of Mouni Roy’s separation and divorce from businessman Suraj Nambiar surfaced online. Several social media users had baselessly accused Disha of being the reason behind the reported rift between Mouni and Suraj. Disha had reportedly disabled the comment section on her social media posts after receiving heavy criticism and hate messages from netizens. On May 18, Suraj had then taken to his social media account, putting an end to the chatter around their separation. Suraj had shared a strong statement clarifying that there is “no alimony, no dispute, and no third party involved” in his separation from Mouni. Taking to his social media account, Suraj wrote \"Recent baseless reports surrounding our separation have been made in bad taste and are absolutely malicious. Let me set the record straight once and for all. There is no alimony. There are no disputes. There is no third party involved.” He added, “Mouni and I chose to part ways together, with mutual respect and with full consideration for each other's wellbeing. That is the truth. Everything else being reported is fiction, and in some cases, a deliberate attempt to vilify two people who have done nothing but ask to be left alone.” He further added, “I want to state this clearly and finally: there is no truth to any of the claims being made about either of us, or about any third party. Dragging other people into this is not cool. Specially innocent friends who have nothing to do with this. Mouni and I have both conducted ourselves with dignity through this period and we expect that same dignity to be extended to us by those reporting on it.” Suraj further write, “Media houses have chosen to fabricate narratives that do not exist. These reports have been published without a shred of verification, which is highly unfair. I am calling this out clearly and directly, because staying silent in the face of deliberate misinformation is not something I am willing to do.” “Our joint statement said everything that needed to be said. I request everyone to honour it and to allow both of us the space to move forward in peace. Thank you,” he concluded."},"img":{"url":"https://images.prismic.io/prad/ahVcmrK9tuLqEI32_mounisister.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-26T08:25:00+0000","embed":{"embed_url":null}},"uid":"mouni-roy-puts-up-a-post-missing-little-sister-dis"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Jagapathi Babu completes dubbing for Peddi!"},"content":{"text":"Actor Jagapathi Babu, who plays the role of Appalasoori in director Buchi Babu Sana's eagerly awaited rural action drama 'Peddi', featuring actor Ram Charan in the lead, has now completed dubbing for his portions in the film. Taking to its X timeline, Vriddhi Cinemas, the production house producing the film, wrote, \"Watch our @IamJagguBhai turn into #Appalasoori, just like magic. @IamJagguBhai completes his dub for #PEDDI. #PEDDI in cinemas worldwide on 4th June. #GetReadyForPeddi.\" The film has triggered huge expectations among fans and film buffs ever since it was first announced.  A gripping and exciting trailer of the film that was released recently has only added to the excitement. The 'Peddi' trailer unfolds a sweeping rural tapestry dominated by sweat, struggle, and an undying love for sport. The protagonist, Peddi (played by Ram Charan), is a multi-talented athlete who earns his livelihood through sheer physical might. Whether it’s cricket, wrestling, or sprinting, his life is defined by the grit and passion he pours into every discipline. Adored by the children and respected by the villagers, his rapid rise draws envy, especially from a domineering landlord whose pride refuses to share the spotlight. Director Buchi Babu Sana shapes this larger-than-life universe with remarkable clarity. The trailer pulses like a heartbeat- gentle in its silence, thunderous in its bursts of action. Instead of relying on familiar sports-drama patterns, Peddi injects its sporting sequences with raw intensity and life-or-death stakes. Massive clashes on railway platforms, gravity-defying stunts, and adrenaline-fueled fights hint at a world where sport and survival are inseparable. One standout stretch is the seamless fusion of cricket and wrestling, an audacious, high-impact sequence that instantly grabs attention. Ram Charan appears in a fiercely athletic avatar, showcasing exceptional physical conditioning that grounds the film’s demanding sports segments. The trailer fluidly shifts between sporting worlds-- from Charan swinging a rugged cricket bat under blazing floodlights to engaging in visceral mud-wrestling bouts. His transformation into Peddi is both chiseled and emotionally layered. Janhvi Kapoor brings elegant warmth to her role, blending traditional charm with expressive nuance. The trailer further teases a powerful supporting cast- Shiva Rajkumar, Jagapathi Babu, Divyenndu, and Boman Irani, each adding weight and intrigue to the drama. The film is slated to hit screens on June 4 this year."},"img":{"url":"https://images.prismic.io/prad/aY284N0YXLCxVuHa_jagapathibabupeddi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-26T06:30:00+0000","embed":{"embed_url":null}},"uid":"jagapathi-babu-completes-dubbing-for-peddi"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"Maa Inti Bangaaram - Trailer"},"content":{"text":"Maa Inti Bangaaram - Trailer"},"img":{"url":"https://images.prismic.io/prad/ahU8eLK9tuLqEIUj_maaintibangaram.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T20:23:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=B9d-wISnm8s"}},"uid":"maa-inti-bangaaram---trailer"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Karthi: I live and strive to win your hearts"},"content":{"text":"Actor Karthi, who was flooded with wishes and greetings on his birthday on Monday, has now penned a note of gratitude to all his fans in which he has said that he lives and strives to win their hearts and make them proud.  Taking to his X timeline to share the note of gratitude, Karthi wrote, \"How do I thank my brothers and sisters who continue to shower me with so much love and blessings? I live and strive to win your hearts and make you proud. Thank you once again for overwhelming me with your kindness and affection.\" He also thanked the media for their support on the occasion. He wrote, \"My sincere thanks to my colleagues and respected friends from the media for all your wishes and support. Forever grateful!\" He then addressed his fans saying, \"And to my dear fans, who chose to celebrate my birthday through so many acts of goodness. A big thank you from the bottom of my heart. Your love means everything to me.\" On Monday, well known production house Sithara Entertainments, which is now producing the actor's eagerly awaited next film being directed by Kalyan Shankar, had disclosed that shooting for the film was progressing at a brisk pace. The bilingual Tamil-Telugu film has Meenakshi Chaudhary playing the female lead. The film, tentatively titled #Karthi30, was launched with a grand pooja ceremony recently. On the occasion of actor Karthi's birthday on Monday, Sithara Entertainments had taken to its X timeline to wish the actor a happy birthday. It had also announced that shooting for their film was progressing at a brisk pace. It wrote, \"Wishing the ever-energetic and lovable @Karthi_Offl a very happy birthday. Excited to bring him to audiences in a brand new entertainer you never saw coming. #Karthi30 shoot is progressing in full swing. Title & First Look coming soon.#HappyBirthdayKarthi.\" Sources close to the unit of the film say the team is currently filming key sequences."},"img":{"url":"https://images.prismic.io/prad/ahVVqbK9tuLqEIsV_karthi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-26T08:11:00+0000","embed":{"embed_url":null}},"uid":"karthi-i-live-and-strive-to-win-your-hearts"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Why DSP Accepted ‘Yellamma’?"},"content":{"text":"Well known music director Devi Sri Prasad on Tuesday disclosed why he had said \"yes\" to director Venu Yeldandi's upcoming film 'Yellamma', which incidentally will mark his acting debut.   Taking to his X timeline, Devi Sri Prasad shared a video clip put out by T Series that showed him paying a visit to his native place and wrote, \"Here is an Exciting video for you all. With Musical Love... The amazing traditions & culture that filled the passion of folk arts in me since childhood. The celebrations of “AMMORU JAATHARA” in my dad’s village Vedurupaka... The reason why I said “YES to YELLAMMA”. In the video, Devi Sri Prasad is seen visiting his dad's birthplace Vedurupaka. The top music director-turned-actor is heard saying that his dad would often take them from Chennai to the village during their childhood so that they could inhale the purity of nature.  The video also has visuals of Devi Sri Prasad's beautiful home in the village. The music director says, \"... The village where we built a beautiful house so that we stayed connected to our roots and our people. The village that taught me the beauty of culture, folk arts and divinity. It extremely inspired me. Which is what made me say yes to Yellamma.\" For the unaware, Venu Yeldandi, the director of 'Yellamma', which will mark the acting debut of well known music director Devi Sri Prasad, had disclosed earlier that the first discussion session that he had with music director-turned-actor Devi Sri Prasad for the film had lasted a whopping eight hours. Taking to his social media timelines, director Venu Yeldandi had posted a picture of himself with Devi Sri Prasad during the session and said, \"The first meeting with DSP Sir...it was 8 hours long discussion....\" The film has triggered huge interest as music director Devi Sri Prasad makes his acting debut with it. In fact, the music director turned actor had penned a lengthy note of gratitude on the day the makers chose to release a glimpse from the film. Taking to his social media timelines, Devi Sri Prasad had said,\"THEN..with the blessings of “DEVI” (Goddess), my musical debut started and earned me an eternal place in all your hearts and made me one among your families.I am always grateful to each and everyone of you for all the love you have been showering on me always.\" He went on to say, \"Now...Again...with the blessings of “YELLAMMA” (Goddess), a new journey, a divine opportunity of getting more close to your hearts, begins. Hope you all give me more love and blessings and be with me in every step.#YELLAMMA my acting debut.\" The actor further went on to express his gratitude to a number of people in the post. He wrote, \"My heartfelt thanks to my producer Dil Raju Garu and my director Venu Yeldandi sir @VenuYeldandi9 for putting so much trust in me which made me say “Yes” and take up this blessed step ahead.It is going to be exciting.\" He ended the note saying, \"#SVC61 @VenuYeldandi9 #DilRaju #Shirish @svc_official @dopvenu @Tseries @tseriessouth @wallsandtrends. With my father’s, mother’s and my Guru Mandolin U Shrinivas anna’s blessings #YellammaGlimpse out now.\" The makers, while releasing a glimpse video from the film, went on to say, \"This is faith.This is tradition. And resistance born from the soil. #Yellamma Glimpse out now. Presenting Rockstar DSP who has always rocked your hearts with blockbuster music now in a new avatar.\" The film, which is being produced by Shrish, has music by Devi Sri Prasad himself who plays a character called Parshi in the film. The film, which will have cinematography by Acharya Venu, is being presented by Dil Raju."},"img":{"url":"https://images.prismic.io/prad/Z0Q0ia8jQArT1Qpp_dspkissak.JPG?auto=format,compress"},"datetime":"2026-05-26T09:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=JRjAB63C7BY"}},"uid":"why-dsp-accepted-yellamma"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"AI Fear Overblown?"},"content":{"text":"OpenAI CEO Sam Altman on Tuesday said the rapid rise of artificial intelligence is unlikely to trigger the kind of global jobs apocalypse that many feared, admitting that his earlier concerns about massive white-collar job losses may have been overstated.  Speaking at a conference hosted by Commonwealth Bank of Australia in Sydney, Altman said he had initially expected AI to eliminate a far greater number of entry-level white-collar jobs after the launch of ChatGPT in 2022. However, he acknowledged that the impact on employment has so far been less severe than anticipated. “I’m delighted to be wrong about this,” Altman said during a conversation with CBA Chief Executive Matt Comyn. “I thought there would have been more impact on entry-level white-collar jobs being eliminated by now than has actually happened,” he mentioned. Altman said OpenAI had been “roughly right” about the pace of technological progress in AI, but “pretty wrong” about the social and economic consequences. According to him, early fears around job destruction were driven by what appeared to be a genuine risk at the time. “People are like ‘oh you could have saved the world a lot of fear mongering and a lot of doom and gloom,’ but at the time I was like ‘I see this is a real risk we should probably talk about it,’ and it still may,” he said. His remarks come at a time when several global firms, including HSBC, Amazon, Standard Chartered and Commonwealth Bank of Australia, have acknowledged that some roles within their organisations are being replaced or reshaped by AI-driven tools and automation. Altman, however, said he has increasingly realised that human interaction remains an essential part of many jobs and cannot easily be replicated by machines. He shared a personal example of experimenting with AI-generated replies for Slack and email messages before eventually returning to responding himself. “I had it reply to messages, saying ‘this is Sam’s AI,’ and it was an amazing example to me of we really do care about people,” he said. “We really do care about our interactions with people,” Altman added."},"img":{"url":"https://images.prismic.io/prad/agxCXqYofJOwHXH3_AIWP.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-26T08:57:00+0000","embed":{"embed_url":null}},"uid":"ai-fear-overblown"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Ahmedabad medical student missing in Georgia for 12 days"},"content":{"text":"A family from Ahmedabad has appealed for urgent intervention from Prime Minister Narendra Modi and the Gujarat government after their 23-year-old son, a medical student in Georgia, went missing 12 days ago amid allegations of harassment by his landlord and roommates.  Dhvanit Rajdeep, a resident of Virat Nagar in Ahmedabad, was studying medicine in the ninth semester at the Caucasus International University. According to his family, he was last in contact with them on May 14 before his phone suddenly got disconnected and has remained switched off since. Speaking to media, his father, Dr Mayur Kumar Rajdeep, alleged that Dhvanit had been facing sustained mental harassment at the rented flat where he had been staying. \"Dhvanit was studying medicine in the ninth semester in Georgia. He had recently rented a flat belonging to a local Georgian resident. His roommates were mentally harassing him in different ways -- taking away his tiffin, not letting him study, and creating various disturbances,\" he said. He further alleged that after his son decided to shift to another accommodation and had already moved part of his belongings, tensions escalated. \"My son had shifted half of his belongings to another flat the previous day. But after that, Anil (his flatmate) started threatening him. He was told that they knew where he was moving and would come there and kill him. He also received death threats through messages. After that, Anil demanded money from my son,\" he said. Dr Rajdeep claimed Dhvanit later went back to the previous flat to collect the remaining belongings and return the keys. \"He went there to give money, collect his belongings and hand over the key. Even there, he was mentally harassed. Finally, he called me and told me that despite giving money, he was still being harassed,\" he said. The family has also alleged that Dhvanit was forced to transfer around $6,500 dollars from his account while being confined in a room and deprived of access to his phone. Dr Rajdeep said they informed Indian embassy officials and university authorities immediately after losing contact with him. \"We have immediately informed the Indian embassy and the university authorities. Our elder son has also travelled to Georgia to search for him,\" he added. Dhvanit's mother, Dharmishtha Rajdeep, made an emotional appeal to authorities. \"I last spoke with my son on the 13th. The next day, he spoke to my husband. When I spoke to him, he told me he had reached the new flat with his luggage. We last had contact on the 14th. Since then, we have had no communication. I only request the government to take up the matter with the Georgian government,\" she said. \"Our only demand is that my son be brought back quickly. He was a scholar and worked very hard. He was supposed to return in September after completing his medical degree. I humbly request the Gujarat government to bring my son back as soon as possible,\" she added. The family said Dhvanit's elder brother, Mihir Rajdeep, has reached Georgia from Canada and has been coordinating with police and university officials there. According to the family, despite assistance from the Indian Embassy and outreach by local political leaders, they have not received any concrete update so far and claim that the local police and administration in Georgia have not taken sufficient action against those named in the complaint. With no trace of the student nearly two weeks after he went missing, the family has now urged both the Centre and the Gujarat government to intensify diplomatic efforts and ensure his safe return."},"img":{"url":"https://images.prismic.io/prad/bdca0ca2-4f9d-460c-934e-dd3bbe3954e3_missing+boy.JPG?auto=format,compress"},"datetime":"2026-05-26T09:09:00+0000","embed":{"embed_url":null}},"uid":"ahmedabad-medical-student-missing-in-georgia-for-1"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Raashii Khanna: 'Working out for me is like therapy'"},"content":{"text":"Actress Raashii Khanna revealed that for her, working out is like therapy, helping her get rid of all the negativity.  During the latest vlog on her YouTube channel, the 'Farzi' actress admitted that for her, the meaning of fitness has changed over time. Raashii added that, for her, fitness is not about how you look, but how it helps in day-to-day life. The 'Sardar' actress shared, \"The meaning of fitness for me has changed over time. Working out for me is like therapy; if I don't do it, I think I will accumulate all the negativity in life. Prayer and meditation internally help you; it is very important. Fitness for me is like a whole journey, not only how you look, but also about your thought process and how you are feeling on a day-to-day basis. It's wholesome, introduce a little prayer and meditation in your life, it really helps.\" Raashii further advised all the women to stop comparing themselves with others and simply focus on becoming the best version of themselves. She admitted that in the beginning of her fitness journey, she was focused on just being thin. \"I would like to say to all girls, take one step at a time, make that effort of doing something physical, and stop comparing yourself to anyone else. Everybody's body is unique. A mistake I made in the beginning was that I wanted to be thin and leaner, please don't follow trends, rather be the strongest version of yourself,\" she went on to add. Work-wise, Raashii will be seen reprising her role as Megha in season two of the beloved series \"Farzi\", with Shahid Kapoor and Vijay Sethupathi as the leads. Moreover, her exciting lineup further includes \"Talakhon Mein Ek\" alongside Vikrant Massey and \"Bridge\" with R. Madhavan. Raashii has also been roped in for Anees Bazmee's untitled next, where she will be sharing the screen with Akshay Kumar and Vidya Balan."},"img":{"url":"https://images.prismic.io/prad/5059a3a7-3bec-4d02-b7bc-410dbdce0d39_Raashi+Khanna++%2851%29.jpg?auto=format%2Ccompress&rect=0%2C46%2C800%2C394&w=2028&h=1000"},"datetime":"2026-05-26T09:42:00+0000","embed":{"embed_url":null}},"uid":"raashii-khanna-working-out-for-me-is-like-therapy"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Three AIADMK MLAs resign, join TVK"},"content":{"text":"In a fresh political development that could reshape Tamil Nadu’s post-election landscape, three AIADMK MLAs — Madurantakam MLA Maragatham Kumaravel, Dharapuram MLA Sathyabama, and Perundurai MLA Jayakumar — resigned from the Assembly on Monday and later joined the ruling TVK.  The resignations have intensified speculation about further defections and the possibility of multiple Assembly by-elections in the state.  The three legislators, considered close to the AIADMK faction led by former ministers C.V. Shanmugam and S.P. Velumani, submitted their resignation letters to  Assembly Speaker J.C.D. Prabhakar.  Soon after handing over their resignation letters, the MLAs reportedly met Minister Aadhav Arjuna and formally joined the TVK.  The development comes amid continuing political shifts in Tamil Nadu following the Assembly election results, which have kept the state’s political arena active and uncertain. The TVK, led by Chief Minister Joseph Vijay, had contested 233 constituencies and initially secured 107 seats after Vijay vacated the Tiruchy East constituency.  However, the party fell short of the majority mark of 118 seats required to form the government and subsequently sought support from parties in the DMK-led alliance.  Following negotiations, the Congress aligned with the TVK and was accommodated in the government with two ministerial berths. Other parties, including the VCK and the IUML, also became part of the TVK-led government, while the CPI and the CPI-M extended unconditional support from outside the government.  At the same time, around 25 AIADMK MLAs aligned with the faction led by C.V. Shanmugam and S.P. Velumani had adopted a favourable stance towards the TVK government, triggering speculation about a possible split within the AIADMK. However, the Velumani faction was eventually not accommodated in the cabinet.  Reports later suggested that reconciliation efforts had begun between the faction and AIADMK General Secretary Edappadi K. Palaniswami. With Vijay having already vacated the Tiruchy East seat, the resignations of the three MLAs are expected to increase the number of vacant Assembly constituencies in Tamil Nadu to four.  Political observers are now closely watching whether more MLAs from the Velumani-Shanmugam camp may take a similar path in the coming days. "},"img":{"url":"https://images.prismic.io/prad/ahQqEbK9tuLqEHYA_aiadmktvk.JPG?auto=format,compress"},"datetime":"2026-05-25T10:32:00+0000","embed":{"embed_url":null}},"uid":"three-aiadmk-mlas-resign-join-tvk"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Pawan Kalyan: Mishandling Caste Dynamics?"},"content":{"text":"\"Charismatic authority is naturally unstable. The leader’s authority is maintained solely by proof of his power. If he fails to benefit his followers, his charismatic authority vanishes”- Max Weber, Political Scientist In the above Weberian terms, a charismatic leader maintains loyalty only as long as they deliver tangible victories or a credible hope of empowerment. The moment a leader publicly abdicates ambition and announces they do not care for the very power needed to achieve their followers' long-held aspirations, they violate the unspoken contract of charismatic leadership. This structural breakdown is precisely what is echoing through the volatile landscape of emerging caste politics in Andhra Pradesh. Political pundits love a grand narrative where actors trademark their onscreen heroism for real-world votes. Currently, South Indian politics is running a fascinating double-feature on how to handle, or completely mishandle, caste dynamics. In Tamil Nadu, the script is fresh and hopeful. Movie star Vijay’s new party, TVK, has emerged as an alternative to traditional Dravidian politics. The intellectual elite have polished their glasses and declared this the \"Next Big Thing,\" painting Vijay as the new champion of Dalit assertion. While the Dravidian movement historically uplifted the Backward Classes, it left others waiting at the door. Whether Vijay can actually deliver on social justice remains to be seen, but for now, the trailer looks great and the audience is buying tickets. Across the border in Andhra Pradesh, the blockbuster evolution of Pawan Kalyan and his JSP is falling apart in the second half. Somehow, Kalyan managed to find political relevance after a decade of drifting How? By jumping straight into an alliance with the TDP, a party traditionally dominated by Kamma leadership and historically at loggerheads with his own Kapu base. To complete this ideological masterpiece, he rubbed shoulders with the BJP, a party that thrives on polarization politics. It is a spectacular cinematic crossover where the hero, instead of fighting the villains, decides to co-sign their movie just to stay on the poster. Despite merely appearing on the posters, the emerging narrative around Kalyan and the Kapu community, a massive voting bloc that desperately wanted him to be their political messiah, is gaining traction for all the wrong reasons. Instead of a smooth screenplay, his supporters are getting wild plot twists. He recently looked at his loyal audience and announced, “I am not here for any single caste, I didn’t start this party just for Kapus, and I don’t really care about becoming Chief Minister.” To the average Kapu voter who spent years yelling his name in theaters and polling booths, this sounded less like statesmanship and more like a director canceling the movie halfway through production. The political prognosis for Pawan Kalyan is a textbook lesson in how to turn a golden opportunity into a collective sigh of frustration. By frequently shifting his stance, Kalyan is actively choosing to miss his moment of maximum strength. His entire political elevation was built on his massive cinematic image rather than a foundational ideology. This is evident in his recent altercations with Kapu leaders, proving he prefers delivering short, \"vibe-worthy\" high moments over a coherent strategy. This quick-fix tactic offers zero strategic consolidation. By refusing to anchor himself as an independent, unyielding force for the people who back him, he is leaving the Kapu community stranded and frustrated—a scenario ripe for revolt. Pawan Kalyan's identity crisis is the gift that keeps on giving. By telling his fans he isn't a \"caste leader\" and doesn't care about the Chief Minister’s chair, he hasn’t just deflated his own balloon; he has invited everyone else to scavenge the remains. For the YSRCP, Kalyan's detached-hero routine is a political jackpot; they simply have to repeat his own words back to the voters. On the other hand, Chandrababu Naidu (CBN) did not survive four decades in politics by being emotional. As a master political corporate manager, he views Kalyan's public declarations of humility not as high morality, but as a signed waiver of political ambition. CBN will use Kalyan’s \"no caste\" speech as the perfect shield. Whenever Kapu leaders demand a bigger slice of power or reservations, he can simply smile and say, \"But your leader himself said we must rise above caste politics.\" By keeping Kalyan wrapped in the velvet blanket of the \"Selfless Deputy,\" CBN may ensure that the JSP remains a permanently subordinate franchise. Kalyan gets the applause and the vibe-worthy moments, while he holds the remote control. While CBN plays the wily puppet master and YSRCP circles like hungry vultures, the BJP central leadership views the internal friction with the calm satisfaction of a corporation watching its two local franchisees exhaust each other. The BJP’s Apara Chanakyas know the JSP rests on a shaky foundation of cinematic euphoria rather than grassroots organization. Every time Kalyan fights with Kapu leaders or complains about coalition pressures, he becomes isolated, causing his political stock to dip. The BJP may happily latch onto this, ready to dictate terms to a politically isolated star in future negotiations. By letting CBN systematically suppress Kalyan’s independent growth, the alliance may create a pressure cooker of resentment among JSP cadres. When that frustration eventually boils over, those Kapu voters might look for an alternative in a national force rather than a tested regional player like YSRCP to give them the political relevance they have long aspired to. The BJP clearly senses this opportunity hidden within the present frustration of the Kapus against Pawan Kalyan’s intriguing politics. Thus, Kapu frustration has a potential to simmer. In politics, just like in cinema, if you keep changing the plot and telling your core audience that you don't actually want the lead role, eventually, they will leave the theater and look for another show."},"img":{"url":"https://images.prismic.io/prad/ahadBrK9tuLqELCz_PK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T06:28:00+0000","embed":{"embed_url":null}},"uid":"pawan-kalyan-mishandling-caste-dynamics"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Jagan Fears Bengal Style Vote Deletion in AP"},"content":{"text":"Expressing concern over the large-scale deletion of votes during the Special Intensive Revision (SIR), former Andhra Pradesh Chief Minister Y. S. Jagan Mohan Reddy blamed the exercise for the defeat of leaders like Mamata Banerjee and MK Stalin in their respective Assembly segments in West Bengal and Tamil Nadu. With SIR set to be undertaken in Andhra Pradesh, the YSR Congress Party leader cautioned party leaders to remain alert. Addressing YSRCP leaders at the party’s central office at Tadepalli, he said several political parties across the country had raised fears over large-scale deletion of votes allegedly impacting election results in states like West Bengal and Tamil Nadu. He claimed that even the removal of a small number of genuine votes in every village could significantly affect constituency-level outcomes. Jagan Mohan Reddy said that in West Bengal, 91 lakh votes were deleted, while in Tamil Nadu, 94 lakh votes were removed during SIR. He said in the Bhabanipur constituency in West Bengal, 45,982 votes were deleted during SIR, and Mamata Banerjee lost the election by 15,000 votes. Similarly, in the Kolathur constituency in Tamil Nadu, 71,000 voters were removed. He pointed out that Stalin lost the election by 8,000 votes. He urged the party cadres to closely monitor bogus and duplicate votes linked to the Telugu Desam Party (TDP). Citing Kuppam, represented by Chief Minister N. Chandrababu Naidu, as an example, he said there were thousands of suspicious votes with repeated names and identical family details in the voter lists. Accusing the Chandrababu Naidu-led coalition government in Andhra Pradesh of betraying public trust and failing to fulfil its election promises, Jagan Mohan Reddy announced a statewide protest campaign from June 4 to June 12 under the title “Two years of backstabbing”. He asked party cadre to carefully scrutinise electoral rolls, identify fake votes and strengthen the party at the grassroots level by taking the “Two years of backstabbing” booklet to every household and creating awareness on the government’s failures and false promises. Jagan said the protests would begin on June 4 at mandal centres across Andhra Pradesh. During the programmes, party leaders and workers will display Chandrababu Naidu’s election manifesto, guarantees and bonds given to people during the elections, and burn their copies as a mark of protest against the betrayal of public faith. He directed party in-charges to actively participate in the agitation at the mandal level. As part of the campaign, YSRCP will also organise town hall meetings at constituency headquarters on either June 8 or June 9. Farmers, women, youth and representatives from various sections of society will participate in discussions on the two years of anti-people governance, broken promises and administrative failures under the coalition government. The final phase of the agitation will be held on June 12 with large-scale rallies in all constituency centres across the state. Jagan Mohan Reddy said the programmes are aimed at exposing the government’s failure to improve people’s living standards despite making several promises before elections. The former CM added that he would personally monitor the conduct of the protest programmes across the state. The YSRCP chief also asked party leaders to prepare strongly for the upcoming local body elections. Referring to recent local body by-elections, he stated that the ruling coalition had misused official machinery and police to intimidate YSRCP leaders and workers. Despite such pressures, he said the party should treat the local body elections as prestigious and stand united against the ruling party’s conspiracies."},"img":{"url":"https://images.prismic.io/prad/ahbnAbK9tuLqELtg_jagan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T12:25:00+0000","embed":{"embed_url":null}},"uid":"jagan-fears-bengal-style-vote-deletion-in-ap"}},{"node":{"data":{"title":{"text":"Lokesh’s new poll formula for women in TDP"},"content":{"text":"In a significant move, the Telugu Desam Party (TDP) national working president Nara Lokesh on Wednesday proposed 33 per cent reservation for women in TDP for the 2029 elections. He made the proposal on the first day of Mahanadu, the annual conclave of the TDP. He declared that whether the women’s reservation bill is passed or not passed in the Parliament, the party would allot 33 per cent of the tickets to women. In what is claimed to be the first of its kind move by any political party in the country, Lokesh made the announcement in his maiden address at Mahanadu as the national working president of the party. Lokesh, who is the son of TDP national president and Andhra Pradesh Chief Minister N. Chandrababu Naidu, said that the next era of Indian politics must belong to women's leadership. “Women must not remain mere beneficiaries in politics. They must become decision-makers and leaders shaping India’s future. TDP will lead from the front. This is not a slogan - it is our commitment,” he said. The proposal is likely to be passed by Mahanadu after a debate. With this year’s Mahanadu themed around “Stree Shakti”, the announcement is being seen as a major political and ideological commitment towards women-led leadership and gender equality in Indian politics. The party has also recently elevated women's representation within its own organisational structure by appointing MP Byreddy Shabari as its first woman National General Secretary, a move widely seen as part of the party’s broader push towards strengthening women's leadership. The party said in a statement that over the last few years, Lokesh has consistently focused on women's empowerment across sectors, from introducing progressive changes in education and textbooks to repeatedly advocating respect and dignity for women within political and social spaces. Lokesh said he strongly believes that the next era of Indian politics must belong to women's leadership. He said the NDA government had already taken a historic step by bringing the Women’s Reservation Bill and stressed that women must not remain mere beneficiaries of welfare schemes but should become active decision-makers in governance and politics. He said opposition parties had attempted to create obstacles to women's empowerment by rejecting the Women’s Reservation Bill. In contrast, he asserted that the Telugu Desam Party believes in empowerment both in principle and in practice. Lokesh, who is also a state minister, stated that the country needs more women lawmakers, women leaders and women policymakers. He said the future of the Telugu Desam Party would be led shoulder to shoulder by women and termed the proposal as the party’s resolve, responsibility and commitment towards building a stronger and more inclusive political future. Lokesh addressed the conclave, which began at TDP’s central office in Mangalagiri, Andhra Pradesh. “Whether offline or online... Mahanadu is always a massive gathering. Ours is always the policy of \"Nation First\". That's why, following the Prime Minister's guidance, we're conducting Mahanadu in a hybrid format,” he said. The two-day Mahanadu began with the address by TDP national president and Chief Minister Chandrababu Naidu. TDP state president Palla Srinivasa Rao, politburo members, ministers and other top leaders are attending the Mahanadu."},"img":{"url":"https://images.prismic.io/prad/ahbkwbK9tuLqELsQ_lokesh.JPG?auto=format%2Ccompress&rect=0%2C162%2C450%2C222&w=2028&h=1000"},"datetime":"2026-05-27T10:34:00+0000","embed":{"embed_url":null}},"uid":"lokeshs-new-poll-formula-for-women-in-tdp"}},{"node":{"data":{"title":{"text":"ED Team Attacked Outside Kerala CM's home"},"content":{"text":"Tension flared outside the rented residence of veteran CPI-M leader and former Kerala Chief Minister Pinarayi Vijayan, in the wake of the Enforcement Department raids on Wednesday, as angry party workers allegedly attacked vehicles carrying agency officials soon after the searches ended.  Three vehicles accompanying the ED team were damaged in the violence, while central security personnel, drivers and a few police officials sustained injuries as protesters went on a rampage outside the house. According to eyewitnesses, CPI-M workers and sympathisers who had gathered near the residence waylaid the convoy as the ED officials were leaving after the raid. Protesters allegedly smashed the windowpanes of the vehicles using sticks and stones, even as police personnel present at the scene initially remained passive spectators. One of the drivers accompanying the ED team suffered injuries to his eye after shards of broken glass hit him during the attack. Another driver was also injured in the violence. A few police personnel deployed in the area also suffered minor injuries while attempting to bring the situation under control. Despite the attack, the ED officials managed to drive away from the spot and later reached the local police station, where statements were recorded regarding the incident. Soon after the convoy escaped, the police swung into action and began rounding up protesters involved in the violence. Several CPI-M workers reportedly rushed into a nearby local party office to evade arrest. Police personnel later surrounded the office as part of the crackdown. The attack took place in the presence of several senior CPI-M leaders who had gathered outside the residence during the course of the ED raid. The incident triggered high drama in the state capital and further escalated political tensions surrounding the ongoing Enforcement Directorate probe linked to the alleged CMRL-Exalogic financial transactions case. The violence has also raised serious questions over the police response, with visuals from the scene reportedly showing officers failing to immediately intervene when the vehicles were being vandalised."},"img":{"url":"https://images.prismic.io/prad/ahbOKLK9tuLqELg4_Attack.png?auto=format,compress&rect=0,67,657,324&w=2028&h=1000"},"datetime":"2026-05-27T10:56:00+0000","embed":{"embed_url":null}},"uid":"ed-team-attacked-outside-kerala-cms-home"}},{"node":{"data":{"title":{"text":"Byju Raveendran Jailed"},"content":{"text":"Edtech firm Byju’s founder Byju Raveendran has been sentenced to six months in jail by a Singapore court for contempt after allegedly failing to comply with multiple court orders related to his assets, a report has said.  Bloomberg reported that the Singapore court directed Raveendran to surrender to authorities, pay legal costs of S$90,000 ($70,500) and furnish documents proving his ownership of Beeaar Investco Pte, a corporate entity that held shares in a related company. Byju’s was yet to comment on the report. The development marks the latest setback for the embattled founder, who is facing legal and financial scrutiny from investors and lenders across multiple jurisdictions, including the US, where creditors are seeking to recover losses tied to a soured $1.2 billion loan. The legal action in Singapore has been initiated by a subsidiary of Qatar Investment Authority, which had invested in the company during a period when Byju’s was cutting jobs and restructuring operations, according to the report. Moreover, Qatar Holdings was represented by law firm Drew & Napier, while Byju’s Investments was represented by Fervent Chambers in the matter. The development comes months after the Delaware Court in December 2025 reversed its earlier $1 billion judgment against Raveendran after reviewing fresh submissions filed through a motion seeking correction of a November 20 ruling. The Delaware Court had then observed that damages had not been properly determined and ordered a fresh phase of proceedings to decide whether any damages were owed. Raveendran’s legal team had alleged that GLAS Trust and lenders withheld or misrepresented key information during proceedings, which they claimed contributed to the collapse of the edtech business and erosion of enterprise value."},"img":{"url":"https://images.prismic.io/prad/c0c739db-d9b4-4369-859e-2c33aa42f071_Byjus+Ravichandran.JPG?auto=format,compress"},"datetime":"2026-05-27T03:54:00+0000","embed":{"embed_url":null}},"uid":"byju-raveendran-jailed"}},{"node":{"data":{"title":{"text":"ED raids former Kerala CM’s home"},"content":{"text":"Senior CPI(M) Politburo member and former Kerala Chief Minister Pinarayi Vijayan came under the scanner of the Enforcement Directorate (ED) on Wednesday after central agency sleuths arrived at his Thiruvananthapuram residence in connection with the high-profile CMRL-Exalogic monthly payment case.  The ED has already recorded the statement of Vijayan’s daughter, Veena Vijayan, whose IT firm, Exalogic Solutions, is at the centre of the controversy. While Pinarayi Vijayan has not been questioned so far, indications are that investigators may also record his statement as the probe progresses. The coordinated operation began around 6 a.m., barely a day after the Kerala High Court allowed the ED to proceed with its investigation into the alleged financial transactions between CMRL and Exalogic. ED teams simultaneously carried out searches at 10 locations across Kerala, including Vijayan’s rented residence near Bakery Junction in Thiruvananthapuram, where Veena Vijayan also resides. Searches were also conducted at the offices of CMRL and at premises linked to senior company officials, including Managing Director Sasidharan Kartha. Investigators are understood to be examining digital devices, financial documents and transaction records connected to the alleged monthly payments. The ED sleuths also knocked on the doors of the residence of Beypore CPI(M) legislator P.A. Mohammed Riyas, Veena Vijayan’s husband. The ED probe stems from allegations that Exalogic Solutions received substantial payments from the mining company CMRL without providing any legitimate services in return. Earlier findings by the Serious Fraud Investigation Office (SFIO) and observations made during Income Tax proceedings had pointed to suspicious financial arrangements described as “monthly retainers”. On Tuesday, the Kerala High Court dismissed petitions filed by CMRL and its officials seeking to quash the ED investigation. The court observed that there were prima facie indications of money laundering and refused to interfere with the agency’s proceedings, effectively clearing the path for Wednesday’s raids and questioning. The development marks one of the most significant investigations faced by a senior CPI(M) leader in recent years. While the Left Front has consistently described the case as politically motivated, the ED’s move to raid the residence of a Politburo member and former Chief Minister has sharply escalated the political stakes in Kerala. Investigators are also examining whether the transactions violated provisions of the Prevention of Money Laundering Act (PMLA), apart from possible tax and foreign exchange violations. More summons and questioning of key figures linked to the case are expected in the coming days."},"img":{"url":"https://images.prismic.io/prad/f7a95054-4641-474f-acb7-5c626ad5c71f_vijayan.JPG?auto=format,compress"},"datetime":"2026-05-27T03:00:00+0000","embed":{"embed_url":null}},"uid":"ed-raids-former-kerala-cms-home"}},{"node":{"data":{"title":{"text":"Dharmapuri Arvind’s bombshell on RR?"},"content":{"text":"BJP MP Dharmapuri Arvind on Wednesday made a startling claim that he had information suggesting Telangana Chief Minister A. Revanth Reddy had once considered joining the Bharatiya Janata Party (BJP) before moving from the Telugu Desam Party (TDP) to Congress, while asserting that such a leader \"cannot be loyal to anybody\".  The remarks came a day after Arvind alleged that Revanth Reddy could eventually do a \"Suvendu Adhikari\" to the Congress party. He had also suggested that CM Reddy might have some sort of understanding or connection with Prime Minister Narendra Modi. \"I am a small worker in the BJP, so I do not have complete details. But just like how Suvendu Adhikari aligned with the BJP in West Bengal, Revanth Reddy might also be trying to build a similar relationship with PM Modi,\" Arvind had said, while referring to PM Modi's recent remarks at a public event in Hyderabad. Reacting further to the issue while speaking to media, Arvind stated Revanth Reddy had switched multiple political parties in the past, and therefore, his future political position remained uncertain. \"It is the Revanth model. I will not say Assam model, West Bengal model, or some other model. Revanth was in BRS. He moved to TDP. He moved to Congress. In between, I have certain information... before moving to Congress, he was considering the BJP. So, such a person cannot be loyal to anybody. We never know. He might take up another party,\" Arvind said. When asked whether the BJP would accept Revanth Reddy if he were to join the party in the future, the BJP MP said the matter would entirely depend on the party leadership. \"That is up to the party high command. I cannot commit. But generally, the Bharatiya Janata Party is a huge party. And when certain people come, they accept; mostly, they accept. But at the end of the day, it is the party high command's decision,\" he added. Arvind also criticised the Revanth Reddy-led Telangana government over the removal of a hired Telangana State Road Transport Corporation (TGSRTC) bus driver, identified as B. Ashok, from duty at the Jagtial depot on May 26. The action was taken after the driver allegedly advised local Congress leaders protesting against fuel prices to instead focus on the procurement of paddy and maize from distressed farmers. The BJP MP accused the Congress government in Telangana of acting with \"arrogance\" and \"high-handedness\" against the RTC driver. \"He was suggesting to the Congress leaders who were agitating on the road. He was advising them to focus on speeding up the process of paddy procurement, and also paying a reasonable price to the maize farmer. He was not criticising anybody. He was just suggesting. Maybe he got a farming background or is a sympathiser of a farmer,\" Arvind said. \"The Congress government dealt with him with high-handedness and arrogance. Removing him from duty is uncalled for. And we will not appreciate this move of the Congress party. We will stand by the driver personally. Party-wise, we will stand by the driver,\" he added. The BJP MP also attacked the Congress over criticism directed at the Centre regarding rising fuel prices and alleged that Telangana had among the highest fuel prices in the country because of state-level taxes. \"I have the prices of various states across the nation. Telangana is the highest. The price is Rs 115.70 per litre. Kerala, another Congress-ruled state, has a Rs 112.30 per litre. Karnataka, Rs 107.70 per litre. Tamil Nadu, Rs 105.60 per litre. Compared to Delhi-ruled states -- Delhi, Rs 99.5; Gujarat, Rs 99.1; UP, Rs 99.5; Haryana, Rs 99.7,\" Arvind claimed. He further said that the Central government had already reduced fuel prices earlier and urged the Telangana government to cut VAT on petroleum products. \"Already, the Central government has reduced Rs 10 in March. So, it is up to the state government to take a step forward and reduce prices, the duty prices, which... the VAT amount. They are collecting the highest in the country. So, I suggest the state government reduce its duty on fuel,\" the BJP MP added."},"img":{"url":"https://images.prismic.io/prad/ahaVuLK9tuLqEK___dharmarr.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T04:10:00+0000","embed":{"embed_url":null}},"uid":"dharmapuri-arvinds-bombshell-on-rr"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"'Peddi' shocks Japan fans"},"content":{"text":"Global star Ram Charan’s upcoming pan-India sports action drama Peddi, directed by Buchi Babu Sana, is carrying massive buzz ahead of its worldwide release on June 4. The film has generated strong excitement not just in India but overseas too, especially in Japan where Ram Charan enjoys a huge fan base after the blockbuster success of RRR. Fans in Japan were eagerly waiting to experience Peddi on day one alongside Indian audiences. The makers were reportedly planning a simultaneous Japan release to cash in on Ram Charan’s growing international popularity. Japanese moviegoers and Indian fans living there were thrilled with the idea, expecting another grand theatrical celebration after RRR’s craze. But in a surprising last-minute development, the team is said to have dropped the same-day Japan release plans due to unavoidable reasons. As of now, Peddi will not hit Japanese screens on June 4, leaving fans shocked and disappointed. Industry insiders believe a same-day Japan release could have boosted the film’s international box office in a big way. Starring Janhvi Kapoor as the female lead, the film also features Shiva Rajkumar, Jagapathi Babu, Divyenndu and Boman Irani in key roles. With music by A. R. Rahman, Peddi continues to build strong hype — but the Japan postponement has now become an unexpected talking point around the film."},"img":{"url":"https://images.prismic.io/prad/Z_JPkHdAxsiBwXL0_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T07:36:00+0000","embed":{"embed_url":null}},"uid":"peddi-shocks-japan-fans"}},{"node":{"data":{"title":{"text":"Arjun Das shuts down engagement rumours"},"content":{"text":"The team of one of south India's fastest rising stars, actor Arjun Das, has trashed rumours on the actor's engagement that are now doing the rounds on social media. Yuvraaj, the publicist of the actor, took to his X timeline to trash rumours on the actor's engagement. He wrote, \"Dear all, This to clarify that there is no truth in rumours doing the rounds on actor @iam_arjundas's wedding. Request friends from the media to please check with us and verify facts before putting out such news reports.\" Earlier in the day, social media was abuzz with rumours that the actor was to get engaged later this week in a closed ceremony that would be attended by only close family and friends. The rumour mills worked overtime to suggest that the actor's wedding too would be a closed affair.  However, the actor's team has now clarified that there was absolutely no truth in such baseless rumours. Meanwhile, actor Arjun Das is now gearing up for the release of his upcoming film 'Con City', which is slated to hit screens worldwide on June 26 this year. The film, directed by Harish Durairaj, is a comedy family entertainer that features actors Arjun Das and Anna Ben in the lead. The makers have already disclosed the characters played by Arjun Das, Anna Ben, Yogi Babu, Arul Doss, Abdul Razzak, Shahji Chen, Ponvannan, Sathanand, Rage Esakki, Madhan Dakshinamoorthy, Imman Annachi, Ramesh Thilak, Thambi Ramaiah and Bharadwaj Rangan in their film. A teaser that the makers had released earlier has triggered huge interest in the film. The teaser opens with Arjun Das getting threatened over phone by a money lender. He questions Arjun Das on why he had stopped picking up his calls. From the phone conversation that Arjun Das has with this person, it becomes evident that Arjun Das has fled with his family after locking his home. The money lender threatens him saying, \"Do you think I can't find you? If you think you can cheat me of my money, no matter where you run to, I will come and cut your family members to pieces before your eyes.\" Arjun Das sternly tells him he won't pay and asks him to do what he can. Soon after the conversation, Arjun Das loses his temper and starts hurling things he can lay his hands on in anger. When he picks up a small handy machine which looks like a receipt printer in a grocery store to hurl it, lighting strikes and it happens to touch the machine in Arjun Das's hand. Soon after, everytime, he presses a button for a receipt, 500 Rupee notes begin to come out of the machine. Soon, Arjun Das is in a position to repay the money lender. But it is not just Arjun Das who has found out that he has a machine that can cough up money... Written and directed by Harish Durairaj, the film, apart from Arjun Das and Anna Ben, also features Yogi Babu, Vadivukkarasi, Imman Annachi and Akhilan in pivotal roles. On the technical front, the film has music by Sean Roldan and cinematography by Aravind Viswanathan. Editing for the film is by Arul Moses A while production design is by Raj Kamal. Costumes in the film have been designed by Navaa Rambo Rajkumar while lyrics for the songs in the film have been penned by Mohan Rajan. While the dances in the film have been choreographed by Santhosh, the fight sequences have been choreographed by Action Sandhosh."},"img":{"url":"https://images.prismic.io/prad/ahbD4bK9tuLqELcs_arjundas.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T07:54:00+0000","embed":{"embed_url":null}},"uid":"arjun-das-shuts-down-engagement-rumours"}},{"node":{"data":{"title":{"text":"Soha Ali Khan enjoys thrilling underwater lunch"},"content":{"text":"Actress Soha Ali Khan gave fans a glimpse of a dreamy underwater lunch experience with husband Kunal Kemmu and daughter Inaaya during their vacation, seemingly in the Maldives.  Sharing the videos on her social media account on Tuesday, Soha showed the family enjoying a unique lunch inside an underwater restaurant surrounded by marine life and stunning ocean views. In one of the videos, sharks and fishes could be seen swimming above the glass tunnel restaurant as guests enjoyed their meals. Another clip featured little Inaaya walking inside the beautiful underwater dining space wearing a hat. Soha captured the magical family moment. Sharing the videos, she wrote, “Lunch was a truly immersive experience.” The special outing appeared to be part of Kunal Kemmu’s birthday celebrations. The actor celebrated his birthday on May 25. Soha had earlier shared a heartfelt birthday post for him on social media. Calling him her “favourite human,” Soha had posted pictures from an intimate celebration and wrote, “Happy birthday to my favourite human @kunalkemmu.” Kareena Kapoor Khan, Kunal’s sister-in-law, had also wished him on social media with a warm note. Sharing a monochrome family picture, Kareena wrote, “Happy birthday dear Kunal. So looking forward to Vibe. You will kill it… wish you the bestest always.”  Talking about Kunal Kemmu, the actor began his career as a child actor and featured in films like ‘Zakhm’, ‘Raja Hindustani’, ‘Hum Hain Rahi Pyar Ke’ and others. He later made a successful transition into lead roles with films such as ‘Kalyug’, ‘Dhol’, ‘Go Goa Gone’, ‘Golmaal 3’, ‘Lootcase’ and others. Apart from acting, Kunal also turned director with ‘Madgaon Express’, which received appreciation from audiences. The actor is now gearing up for his upcoming directorial venture ‘Vibe’."},"img":{"url":"https://images.prismic.io/prad/ahaXgbK9tuLqELBN_sohacopy.jpg?auto=format,compress"},"datetime":"2026-05-27T04:00:00+0000","embed":{"embed_url":null}},"uid":"soha-ali-khan-enjoys-thrilling-underwater-lunch"}},{"node":{"data":{"title":{"text":"Gulshan Devaiah's character in 'MIB' out"},"content":{"text":"The makers of director Nandini Reddy's upcoming action drama, 'Maa Inti Bangaaram', featuring actress Samantha Ruth Prabhu in the lead, on Wednesday revealed the character actor Gulshan Devaiah plays in the film.  Tralala Moving Pictures, the production house producing the film, took to its social media timelines to share the first look poster of Gulshan Devaiah in the film and said, \"Composed yet chaotic. Meet the talented @gulshandevaiah78 as ‘KARUNA’ from #MaaIntiBangaaram. #MiB A Mass Family Entertainer with a Fresh Twist.#MiBTrailer Out Now!\" A trailer of the film released by the makers has added to the delight of fans and film buffs. The trailer released shows Samantha arriving at her boyfriend's place. She is met with a lot of questions that include, \"I think I've seen you before.\" \"What is your name?\" and \"where are you from?\" However, she asks a loaded question in reply. \"Do you know who I really am?\" The trailer gives the impression that her partner, who fell in love with her, waited for her for two years and that she has now joined him at his place.   His family members ask her about what her caste is, whether she knows to cook and has how many siblings. However, these questions make her feel like she is being grilled like a criminal. She is then introduced to Anusuya, the younger daughter-in-law of the house. Anusuya is referred to as \"maa inti Bangaram\" (the gold of our house) by the other members of the household. \"A daughter-in-law is expected to have many qualities to be seen as the ideal woman. She should be beautiful, lean, well behaved, should cook and sing,\" she laments and then declares, \"I have none of those qualities. But I have one quality. I can risk everything to keep my family safe.\" We then see Samantha bashing up baddies, left, right and centre. The trailer gives the impression that the film is full of action sequences. At one point, she is seen delivering a threat to a bad guy. \"Why did you talk to him like that?\" asks a woman and Samantha replies, \"Be it a hero or a housewife, when the dialogue lands right, it can scare anyone.\" It is evident that she has a past which she has hidden from her present family in the film. And her past has had her throwing punches and delivering kicks! 'Maa Inti Bangaaram' is a family action comedy drama created by Raj Nidimoru and directed by Nandini Reddy. The film stars Diganth and Gulshan Devaiah in key roles, with a supporting cast featuring Sree Mukhi, Gautami, Anand, Lakshmi, Srinivas Gavireddy, and Manjusha. Samantha's Tralala Moving Pictures has produced this film. The actress, in January, had said that the world of her upcoming film is rooted and emotional with a narrative style dedicated to keeping family first, whilst maintaining its quirky, edgy energy. Samantha had said: “Maa Inti Bangaaram tells the story of a woman whose strength comes as much from her vulnerability as from her courage. Playing this character and nurturing this film as a producer has been an incredibly fulfilling journey for me.” In the film, the actress has done most of the action sequences in a saree. A source close to the film had previously shared: “After ‘The Family Man’ and ‘Citadel’, Samantha wanted to challenge herself further. In Maa Inti Bangaram, she’s doing most of the action herself, and doing it in a saree. It’s physically demanding and visually powerful, a portrayal audiences rarely get to see”."},"img":{"url":"https://images.prismic.io/prad/ahaZq7K9tuLqELB7_gulshandevaiah.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T06:42:00+0000","embed":{"embed_url":null}},"uid":"gulshan-devaiahs-character-in-mib-out"}},{"node":{"data":{"title":{"text":"Bhagyashrii’s promise to Kamal Haasan!"},"content":{"text":"Actress Bhagyashrii Borse, who plays the female lead in actor Sivakarthikeyan's next Tamil film, 'Seyon', which is being produced by actor Kamal Haasan's Raaj Kamal Films International, has now penned a heartfelt post of gratitude to actor Kamal Haasan, in which she has said that she would make him proud. Taking to her Instagram page to post a picture of herself with the actor, producer and parliamentarian Kamal Haasan, the actress wrote, \"Dearest @ikamalhaasan sir, The little girl in me who watched you growing up.. was jumping with joy the second you placed your hands on my shoulders and wished me luck. Honoured to be associated with RKFI and promise to make you proud. #Seyon.\" For the unaware, 'Seyon' is being directed by Sivakumar Murugesan and will feature actor Sivakarthikeyan in the lead along with actress Bhagyashrii Borse. The makers had welcomed the actress on board the unit of the film on her birthday on May 6 this year.  The film is being produced by Kamal Haasan's RaajKamal Films International and Turmeric Media. Taking to its X timeline to greet the actress, Raaj Kamal Films International (RKFI) had said, \"A birthday to remember and a journey to look forward to! Wishing #BhagyashriBorse A very Happy Birthday as she joins the #Seyon Family #HappyBirthdayBhagyashri.\" The film has triggered huge interest in fans and film buffs ever since the makers released a glimpse video from the film called \"The Celebration\" earlier this year."},"img":{"url":"https://images.prismic.io/prad/ahabUrK9tuLqELCF_borsekamal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T07:00:00+0000","embed":{"embed_url":null}},"uid":"bhagyashriis-promise-to-kamal-haasan"}},{"node":{"data":{"title":{"text":"Arjun Sarja discusses his political aspirations "},"content":{"text":"Renowned actor Arjun Sarja, known for his directorial venture Seetha Payanam, is currently preparing for the release of the much-anticipated film 'Blast', directed by Subash K Raj and featuring Abhirami and Preity Mukhundhan in lead roles. During a recent interview with Behindwoods, Arjun shared insights on his potential entry into politics and his admiration for political figures like Prime Minister Narendra Modi and Tamil Nadu Chief Minister Vijay.  When questioned about his political aspirations, Arjun expressed the importance of possessing political knowledge before entering the field, emphasizing his desire to serve the people through charity and benevolent endeavors. While refraining from commenting on fellow actor Prakash Raj's political involvement, Arjun praised CM Vijay for his genuine intentions in politics. Additionally, 'Blast' is set to showcase Arjun and his co-stars as an underrated middle-class family with martial arts skills, navigating through encounters with a formidable gang while striving to protect themselves.  The film also marks composer Ravi Basrur's Tamil debut, with a talented technical team onboard. 'Blast' is produced by AGS Entertainment and promises to captivate audiences with its compelling narrative and dynamic performances."},"img":{"url":"https://images.prismic.io/prad/ahXgxrK9tuLqEKUf_arjunsarja.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-26T11:05:00+0000","embed":{"embed_url":null}},"uid":"arjun-sarja-discusses-his-political-aspirations-"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"How Thyroid Health Affects Fertility"},"content":{"text":"For women trying to conceive, the road to pregnancy can be fraught with challenges. While the reasons for delayed conception may not always be obvious, thyroid health could be a significant factor. As the world marks World Thyroid Day on May 25, experts emphasize the often overlooked influence of hypothyroidism on reproductive health. Dr. Alimileti Jhansi Rani, a Fertility Specialist at Birla Fertility & IVF Hyderabad, stresses the critical role of the thyroid in reproductive health.  Research has shown that hypothyroidism can disrupt ovulation, menstruation, and hormonal regulation, leading to fertility struggles and potential complications during pregnancy. It's important to note that even 'normal' thyroid levels may not be ideal for conception, with specialists recommending optimized levels for fertility. Treatment and lifestyle changes, including medication, proper nutrition, stress management, and monitoring menstrual and ovulation patterns, can significantly improve the chances of conception.  Additionally, testing for thyroid antibodies can provide valuable insights, especially for women facing recurrent miscarriages or fertility challenges. Understanding the impact of thyroid health on fertility and seeking timely medical guidance can save valuable time for women struggling to conceive."},"img":{"url":"https://images.prismic.io/prad/1c687669-969a-426e-b643-acc2ccc20607_thyroid.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","embed":{"embed_url":null}},"uid":"how-thyroid-health-affects-fertility"}},{"node":{"data":{"title":{"text":"Shortness of Breath? Take It Seriously"},"content":{"text":"Feeling winded when doing everyday tasks like climbing stairs may seem normal, but according to Dr. Rajesh Rajani, Consultant Interventional Cardiologist, it can be a red flag for an underlying heart problem. Many people dismiss breathlessness as a sign of aging or lack of fitness, but this could be dangerous thinking. The gradual decline in your ability to perform tasks without getting breathless may go unnoticed, leading to delayed diagnosis of potential heart issues.  Dr. Rajani warns that breathlessness should not be normalized, as it could indicate serious heart conditions such as blocked arteries, heart valve disease, irregular heart rhythms, or weakening of the heart muscles. Recognizing and evaluating these symptoms early can help identify underlying health risks and prevent more serious complications later. It's crucial not to make excuses for these symptoms and to seek medical advice if you experience increasing shortness of breath.  This article provides insights from Dr. Rajesh Rajani, shedding light on why breathlessness should not be ignored and how it can signify an underlying heart condition."},"img":{"url":"https://images.prismic.io/prad/agwbIKYofJOwHWqT_breath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T18:56:00+0000","embed":{"embed_url":null}},"uid":"dont-ignore-it-when-shortness-of-breath-signals-a-serious-health-concern-mpcc9z9u"}},{"node":{"data":{"title":{"text":"Hantavirus Panic Hits US Passengers"},"content":{"text":"In a troubling development, two American passengers from the MV Hondius have raised alarm as they are transported back to the United States with potential hantavirus infections. The Department of Health and Human Services confirmed on Sunday evening that among the 17 evacuees, one individual is exhibiting mild symptoms, while another has tested 'mildly PCR positive' for the Andes strain of the virus. This evacuation comes amidst a backdrop of heightened awareness surrounding hantavirus, which can lead to severe respiratory complications. The cruise ship, which embarked from Argentina in April and traversed the South Atlantic, has been linked to a disturbing cluster of hantavirus cases, including three fatalities. The initial case involved a Dutch passenger who fell ill shortly after boarding, leading to a tragic sequence of events that resulted in both his and his wife’s deaths, as well as that of a German traveler. The virus's unusual capability for human-to-human transmission—particularly the Andes strain—underscores the urgency of the situation, as it typically spreads through contact with infected rodent excreta. Health experts are particularly concerned about this outbreak due to its rarity, with hantaviruses generally transmitting through animal vectors rather than person-to-person contact. The Andes virus, however, poses a unique threat, necessitating close interactions for transmission to occur. A Swiss tour guide who disembarked in Saint Helena and later tested positive suggests that the virus may have circulated among passengers during the voyage. Such developments have prompted increased scrutiny and rigorous monitoring protocols for those who interacted with affected individuals. The 17 American passengers are currently en route to the University of Nebraska Medical Center, which is equipped to handle potential hantavirus cases. The facility will conduct thorough clinical assessments, with asymptomatic individuals expected to monitor their health at home for a full 42 days—the incubation period for the virus. While health officials have classified most passengers as low-risk, the careful tracking and oversight reflect a cautious approach in the face of a potentially serious health crisis, emphasizing both preparedness and the importance of public health vigilance in mitigating outbreaks."},"img":{"url":"https://images.prismic.io/prad/agHlCKYofJOwHFHL_hantavirus.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T05:02:00+0000","embed":{"embed_url":null}},"uid":"hantavirus-alert-us-passengers-evacuated-amid-growing-health-concerns-mp19tz46"}},{"node":{"data":{"title":{"text":"Summer Chill or Skin Kill: The Hidden Perils of AC"},"content":{"text":"As temperatures soar, air conditioning becomes a refuge from the sweltering heat, yet it carries an unsuspected consequence for our skin. The very mechanism that cools our living spaces—lowering humidity levels—has a detrimental effect on skin health. Prolonged exposure to air-conditioned environments can lead to significant dehydration, disrupting the skin's natural barrier and causing a range of issues including heightened sensitivity, flakiness, and even unexpected breakouts. This paradox highlights a critical need for awareness in our skincare routines during the sweltering summer months. The science behind air conditioning reveals a stark reality: the cooling process strips moisture from the air, which in turn accelerates water loss from the skin. This dehydration can affect all skin types, whether oily, dry, or combination. A common misconception is that hydrated skin will always appear visibly dry; in many cases, a lack of moisture can trigger the skin to produce excess oil in a compensatory manner, resulting in clogged pores and acne. This cycle underscores the importance of recognizing air conditioning as a double-edged sword, necessary for comfort yet detrimental to skin vitality. The skin barrier serves as the body’s frontline defense against external aggressors. When faced with the relentless assault of dry air, this barrier struggles to maintain its integrity, leading to issues like increased sensitivity and irritation. Individuals may notice fine lines becoming more pronounced, and persistent redness developing as their skin reacts to the new environment. The long-term implications are unsettling; a compromised skin barrier not only invites dryness but also exposes the skin to pollution and UV damage once individuals venture outside. Understanding this connection is crucial for anyone reliant on air conditioning for comfort. To counteract these adverse effects, skincare strategies must adapt to this summer challenge. Prioritizing deep hydration is essential—switching to lightweight moisturizers infused with hydrating ingredients like hyaluronic acid can help replenish lost moisture without clogging pores. Layering products, such as applying a hydrating serum followed by a moisturizer, creates an additional shield against dry air. Moreover, maintaining internal hydration through adequate water intake and using a humidifier can enhance skin resilience. As the demand for comfort clashes with the need for skin health, it is imperative to strike a balance that ensures both can coexist harmoniously during the hottest months of the year."},"img":{"url":"https://images.prismic.io/prad/afhRDcBOoF08xkN5_skin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-03T02:53:00+0000","embed":{"embed_url":null}},"uid":"summer-chill-or-skin-kill-the-hidden-perils-of-air-conditioning-moq2k7ge"}},{"node":{"data":{"title":{"text":"Sun to Acquire US-Based Organon in $11.75 B"},"content":{"text":"India’s major drugmaker Sun Pharmaceutical Industries on Monday announced that it will acquire New York-listed Organon & Co in an all-cash deal valued at $11.75 billion, its biggest overseas acquisition to date.  Under the agreement, the pharmaceutical firm will acquire 100 per cent of Organon’s outstanding shares at $14 per share, translating into an enterprise valuation of $11.75 billion and an equity value of around $3.99 billion, the company said in an exchange filing. The company said the acquisition is aligned with its strategy to scale up its innovative medicines business while strengthening its presence in established brands and branded generics. The deal will also enable Sun Pharma to enter the biosimilars segment as a top global player. Following the acquisition, the combined entity is expected to be among the top 25 global pharmaceutical companies, with revenues of around $12.4 billion, while strengthening its position in women’s health and biosimilars. New Jersey-based Organon operates across women’s health, biosimilars, and established medicines, with a portfolio of over 70 products and a presence in more than 140 countries. The transaction, approved by the boards of both companies, expected to close in early 2027, subject to regulatory approvals and Organon shareholders’ approval. Sun Pharma plans to fund the deal through a mix of internal accruals and debt financing. For the year ended December 2025, Organon reported revenue of $6.2 billion and adjusted EBITDA of $1.9 billion. Commenting on the deal, Sun Pharma Executive Chairman Dilip Shanghvi said the acquisition would help build a stronger and more diversified platform, while Managing Director Kirti Ganorkar highlighted synergy and growth opportunities from the integration. Shares of Sun Pharma rose as much as 6.71 per cent to hit an intraday high of Rs 1,728.65 on the BSE in early trade on Monday."},"img":{"url":"https://images.prismic.io/prad/0559bc76-f082-4aef-b625-6c012ae1d136_sun+pharma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:34:00+0000","embed":{"embed_url":null}},"uid":"sun-pharma-to-acquire-us-based-organon-in-11.75-b"}},{"node":{"data":{"title":{"text":"Late-Night Eating May Harm Gut, Study Suggests"},"content":{"text":"Chronic stress can disrupt bowel functions and now, a new report on Thursday suggested that eating late at night amplifies these effects, with implications for both digestive health and the gut microbiome.  Researchers analysed data from more than 11,000 participants in the National Health and Nutrition Examination Survey in the US to examine links between chronic stress, late-night eating, and bowel dysfunction. Individuals with a high allostatic load score — the cumulative physiological stress as reflected in body mass index (BMI), cholesterol level, and blood pressure — who also reported eating more than 25 per cent of daily calories after 9 p.m. were 1.7 times more likely to experience constipation and diarrhoea than those with lower scores who did not eat late at night. \"It’s not just what you eat, but when you eat it,\" said Harika Dadigiri, resident physician at New York Medical College at Saint Mary’s and Saint Clare’s Hospital said the study’s lead author. \"And when we’re already under stress, that timing may deliver a ‘double hit’ to gut health,\" she added. Similarly, data from more than 4,000 participants in the American Gut Project found that people with both high stress levels and late-night eating habits were 2.5 times more likely to report bowel problems. These individuals had significantly lower gut microbiome diversity, suggesting that meal timing might magnify the impact of stress on the microbiome via the gut-brain axis — the two-way communication system involving nerves, hormones and gut bacteria. The findings highlight associations rather than cause-and-effect. Further research is needed to better understand how stress, eating patterns and gut health are connected, said the study. Dr Dadigiri is sympathetic to those who reach for late-night snacks after long, demanding days, and as a medical resident, she counts herself among them. \"Small, consistent habits, like maintaining a structured meal routine, may help promote more regular eating patterns and support digestive function over time,\" she said."},"img":{"url":"https://images.prismic.io/prad/49dee6c7-3424-4e38-92ca-36f8dd4d4197_stomach+cancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-23T00:50:00+0000","embed":{"embed_url":null}},"uid":"late-night-eating-may-harm-gut-study-suggests"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"H-1B: High-Paid, US Master’s Applicants Win Big"},"content":{"text":"The American H-1B visa system is witnessing a major transformation, and the latest selection numbers for fiscal year 2027 clearly show that the era of mass low-wage filings may be coming to an end. According to new data released by United States Citizenship and Immigration Services, a striking 71.5% of selected H-1B applicants this year hold a US master’s degree or higher — a sharp jump from 57% last year. At the same time, selections from the lowest wage category dropped dramatically to just 17.7%, signaling a deliberate shift toward attracting highly skilled and better-paid foreign professionals. The total number of registrations also plunged by nearly 38.5%, falling from over 343,000 to around 211,600 applications. The changes are largely driven by USCIS’s new wage-based weighted selection system, which replaced the old random lottery process. Under the revised model, applicants offered higher salaries receive stronger preference during selection, fundamentally altering how companies approach H-1B hiring. The agency has also continued using the beneficiary-centric registration system to prevent duplicate filings for the same candidate while simultaneously increasing registration fees and tightening scrutiny on low-wage applications. Immigration experts say the policy shift is aimed at discouraging misuse of the H-1B system by staffing firms and prioritizing genuinely skilled professionals in advanced sectors like technology, research, engineering, and artificial intelligence. For thousands of Indian students and tech workers dreaming of long-term careers in the United States, the new direction sends a clear message: American employers and immigration authorities are now rewarding specialization, advanced education, and higher compensation packages more than ever before. While the stricter system could reduce opportunities for entry-level applicants and outsourcing-driven hiring models, it may benefit candidates with stronger academic backgrounds and niche technical skills. The latest numbers also reflect the Trump administration’s broader push to reshape employment-based immigration around higher wages and “high-value talent,” making the H-1B race more competitive — but also more selective than ever before."},"img":{"url":"https://images.prismic.io/prad%2Fcf9b726b-0761-4f6a-bef9-41aa90a09c27_h1b+visa.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-05-24T09:59:00+0000","embed":{"embed_url":null}},"uid":"h-1b-high-paid-us-masters-applicants-win-big"}},{"node":{"data":{"title":{"text":"Congressman Blasts Trump’s GC Crackdown"},"content":{"text":"Indian-American Congressman Ami Bera sharply criticised the Trump administration’s new immigration policy that could force many Green Card applicants living legally in the United States to leave the country and complete the process abroad, calling it disruptive and harmful to families, workers and the American economy.  “I strongly oppose the Trump administration’s disruptive decision to require many students, temporary visa holders, and other individuals seeking green cards to leave the United States and return to their home countries while their applications are processed,” Bera said in a statement. “This policy creates unnecessary fear and uncertainty for families, workers, and employers who are following the law,” he said. The California Democrat’s remarks came after the US Citizenship and Immigration Services (USCIS) issued a policy memo declaring that adjustment of status inside the United States should be treated as an “extraordinary form of relief” rather than a routine immigration pathway. Under the new approach, immigration officers are instructed to consider applications on a “case-by-case basis,” with many applicants expected to pursue consular processing from their home country. USCIS spokesman Zach Kahler defended the policy, saying the administration was “returning to the original intent of the law.” “From now on, an alien who is in the US temporarily and wants a Green Card must return to their home country to apply, except in extraordinary circumstances,” Kahler said. The administration argues that the change would discourage visa overstays and reduce pressure on the immigration system. But Bera warned the move ignored the reality faced by many immigrants already caught in lengthy visa backlogs. “The Administration disregards the fact that many individuals seeking permanent residency are here legally and waiting for their cases to move through an already backlogged immigration system,” he said. Bera said the policy could particularly hurt highly skilled immigrants working in the United States through legal visa programmes. “America has long benefited from attracting top researchers, doctors, engineers, entrepreneurs, and innovators through our legal immigration system and worker visa programmes,” he said. “Forcing these individuals to leave the United States during the green card process will deprive our country of their innovation, their tax contributions, and the many ways they strengthen our economy and communities.” The congressman, whose parents immigrated from India, also framed the issue personally. “As the son of Indian immigrants, I know firsthand that our nation is strengthened by people who come here legally, work hard, and contribute to our communities,” Bera said. “We should be reducing processing delays and modernising our immigration system, not creating additional barriers for people who are following the rules.” Bera added that he expected the policy to face legal scrutiny. “I support legal challenges to this policy and expect the courts to halt its implementation,” he said. The policy has already triggered criticism from immigration advocacy groups and Democratic lawmakers, who argue that forcing applicants to leave the country during processing could separate families, interrupt careers and create uncertainty for employers. The issue is expected to resonate strongly among Indian nationals in the United States, particularly H-1B visa holders and international students. Indians form one of the largest groups waiting in employment-based Green Card backlogs and many rely on adjustment of status provisions to remain in the country while applications are processed."},"img":{"url":"https://images.prismic.io/prad/ahLQdLK9tuLqEGbq_AmiBera.png?auto=format,compress&rect=0,12,743,366&w=2028&h=1000"},"datetime":"2026-05-24T02:16:00+0000","embed":{"embed_url":null}},"uid":"congressman-blasts-trumps-gc-crackdown"}},{"node":{"data":{"title":{"text":"Green Card Shock: Indians May Be Forced to Leave US"},"content":{"text":"The Trump administration has unveiled a new immigration policy that could force many immigrants already living legally in the United States to leave the country and apply for permanent residency from abroad, triggering sharp criticism from immigrant advocates, Democratic lawmakers and local officials.  The new policy memo issued by the US Citizenship and Immigration Services (USCIS) reiterates that adjustment of status — the process through which eligible immigrants apply for Green Cards while remaining inside the United States — is “a matter of discretion and administrative grace” and not intended to replace regular consular processing abroad. USCIS said officers must consider applications on a “case-by-case basis” and weigh whether applicants deserve what the agency described as an “extraordinary form of relief.” “We’re returning to the original intent of the law to ensure aliens navigate our nation’s immigration system properly,” USCIS spokesman Zach Kahler said. “From now on, an alien who is in the US temporarily and wants a Green Card must return to their home country to apply, except in extraordinary circumstances,” he said. Kahler said the policy would help reduce overstays and allow USCIS to focus on “visas for victims of violent crime and human trafficking, naturalization applications, and other priorities.” The policy could have significant implications for temporary visa holders, including students, researchers, tourists and H-1B workers, many of whom traditionally adjust their status inside the United States after obtaining employer or family sponsorship. The USCIS memo argues that adjustment of status was “not designed to supersede the regular consular visa-issuing process.” It further states that aliens admitted temporarily are generally expected to depart the country once the purpose of their stay ends. Immigration advocacy group FWD.us condemned the move. “Today’s announcement is a stark, deeply harmful, upheaval of more than 70 years of legislative, administrative, and judicial precedent,” said FWD.us President Todd Schulte. “It will create chaos and impose massive costs on immigrants who have lived and worked legally in the United States for many years,” he said. Schulte accused the administration of trying to “make America a cruel place for immigrants” and said the policy would “massively disrupt our legal immigration system.” “The majority of people who are approved for green cards each year adjust their status from within the U.S., as provided under law since the 1950s,” he said. Rep. Grace Meng, Chair of the Congressional Asian Pacific American Caucus (CAPAC), also criticised the policy. “The Trump administration is once again proving that they are not going after the ‘worst of the worst.’ Instead, they are blatantly attacking legal immigration, with family separation at the center of its agenda,” Meng said. She warned that immigrants from more than 100 countries affected by Trump-era travel and immigrant visa restrictions could face separations lasting “for years, if not indefinitely.” Montgomery County Executive Marc Elrich said the policy would create fear and uncertainty among immigrant families and skilled workers. “These are our neighbors, coworkers, business owners, researchers, health care workers, teachers, and entrepreneurs,” Elrich said. “When the federal government treats legal immigrants as disposable or unwelcome, it weakens our ability to attract and retain the people who help drive innovation, create jobs, and strengthen our economy,” he added. Indian technology professionals have historically relied heavily on adjustment of status provisions because of long Green Card backlogs and country-specific visa caps. Immigration lawyers and advocacy groups have repeatedly warned that forcing applicants to leave the country during processing could disrupt jobs, family stability and long-term residency plans for thousands of Indian-origin families. "},"img":{"url":"https://images.prismic.io/prad/91d05705-c80f-4b7c-9364-539789be74b1_US+Green+Card.JPG?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-05-23T06:04:00+0000","embed":{"embed_url":null}},"uid":"green-card-shock-indians-may-be-forced-to-leave-us"}},{"node":{"data":{"title":{"text":"Tougher Student Visa Rules Could Cost US Billions"},"content":{"text":"A bipartisan group of US lawmakers has urged the Trump administration to retain the existing visa framework for international students and scholars, warning that proposed restrictions could damage America’s technological edge, economic competitiveness and research leadership.  In a letter sent to Homeland Security Secretary Markwayne Mullin and Office of Management and Budget Director Russ Vought, four members of Congress cautioned against replacing the current “Duration of Status” system for F-1 and J-1 visa holders with a fixed four-year admission period. The letter was signed by Representatives Sam Liccardo, Jay Obernolte, Maria Salazar and Raja Krishnamoorthi. The lawmakers said the current system provides flexibility for “long-term study, research, and workforce development in the United States,” especially in science, technology, engineering and mathematics programmes where doctoral studies often last beyond six years. “International students play a key role in driving US competitiveness in advanced manufacturing, medical research, and other emerging technologies,” the lawmakers wrote. “If we evict them, they will return home to help foreign companies — in countries like China — compete against us.” In their three-page letter, the Congressmen argued that a four-year cap would force many students to seek repeated visa extensions, leading to “unnecessary administrative burdens, processing delays, and disruptions to academic continuity”. They also cited survey data showing that nearly half of international graduate students and postdoctoral researchers would not have chosen to study in the United States if such a fixed admission period had existed. The letter stressed the economic contribution of foreign students to the US economy. International students contribute about $43 billion annually to local economies and support more than 355,000 American jobs, they said. “Building American businesses, goods, and job pipelines requires a team of vetted international scholars, students, and citizens who share a commitment to protecting and expanding America’s economic and technological prowess,” the members wrote. The lawmakers warned that a decline in foreign STEM graduates could significantly weaken the US workforce. “If the United States experiences even a one-third decline in foreign STEM graduates, the country could lose 6 to 11 per cent of its high-skilled STEM workforce,” the letter said. It added that such a decline could reduce US GDP by “$240 to $481 billion annually within a decade”. The members acknowledged that the administration wants stronger oversight of foreign students and to prevent “foreign adversaries from exploiting the country’s universities”. But they argued that international students are already “among the most thoroughly vetted and continuously monitored nonimmigrant populations”. The lawmakers pointed to the Student and Exchange Visitor Information System, or SEVIS, which provides the Department of Homeland Security with “continuous, real-time monitoring” of foreign students and exchange visitors. “We respectfully ask you to preserve Duration of Status and ensure efficient visa processing policies that support a stable environment for international students and scholars,” the letter said."},"img":{"url":"https://images.prismic.io/prad/ahFFgrK9tuLqEGF9_Mullin.jpg?auto=format%2Ccompress&rect=0%2C55%2C400%2C197&w=2028&h=1000"},"datetime":"2026-05-23T06:13:00+0000","embed":{"embed_url":null}},"uid":"tougher-student-visa-rules-could-cost-us-billions"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"#MEGA158 - Title Teaser"},"img":{"url":"https://images.prismic.io/prad/ahU7ZLK9tuLqEIUX_Mega158title.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T18:30:00+0000","third_party_url":null},"uid":"mega158---title-teaser"}},{"node":{"data":{"title":{"text":"Maa Inti Bangaaram - Trailer"},"img":{"url":"https://images.prismic.io/prad/ahU8eLK9tuLqEIUj_maaintibangaram.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T20:23:00+0000","third_party_url":null},"uid":"maa-inti-bangaaram---trailer"}},{"node":{"data":{"title":{"text":"Peddi: Hellallallo Song"},"img":{"url":"https://images.prismic.io/prad/ahBmxLK9tuLqEFI-_hellaaro.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-22T13:23:00+0000","third_party_url":null},"uid":"peddi-hellallallo-song"}},{"node":{"data":{"title":{"text":"#MEGA158 Opening Ceremony"},"img":{"url":"https://images.prismic.io/prad/ag7FE6YofJOwHeX1_mega158open.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T05:41:00+0000","third_party_url":null},"uid":"mega158-opening-ceremony"}},{"node":{"data":{"title":{"text":"Glimpse of Jr. NTR \"Dragon\""},"img":{"url":"https://images.prismic.io/prad/ag1BnaYofJOwHaEG_Dragon.png?auto=format%2Ccompress&rect=0%2C7%2C899%2C443&w=2028&h=1000"},"datetime":"2026-05-20T05:07:00+0000","third_party_url":null},"uid":"glimpse-of-jr.-ntr-dragon"}},{"node":{"data":{"title":{"text":"'Mashooqa' song from 'Cocktail 2'"},"img":{"url":"https://images.prismic.io/prad/agxLn6YofJOwHXNF_mashooqasong.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-19T08:38:00+0000","third_party_url":null},"uid":"mashooqa-song-from-cocktail-2"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Pawan Kalyan: Mishandling Caste Dynamics?"},"img":{"url":"https://images.prismic.io/prad/ahadBrK9tuLqELCz_PK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T06:28:00+0000","third_party_url":null},"uid":"pawan-kalyan-mishandling-caste-dynamics"}},{"node":{"data":{"title":{"text":"America First Visa Tool: An Economic Trap"},"img":{"url":"https://images.prismic.io/prad/ahP5UrK9tuLqEHIy_indus.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","third_party_url":null},"uid":"america-first-visa-tool-an-economic-trap"}},{"node":{"data":{"title":{"text":"CJP: Neither a Revolution nor a Threat!"},"img":{"url":"https://images.prismic.io/prad/ahLICrK9tuLqEGaZ_CockroackJantaParty.png?auto=format,compress&rect=0,33,756,373&w=2028&h=1000"},"datetime":"2026-05-23T23:42:00+0000","third_party_url":null},"uid":"cjp-neither-a-revolution-nor-a-threat"}},{"node":{"data":{"title":{"text":"The Sweet Smell Of Distraction"},"img":{"url":"https://images.prismic.io/prad/ag7An6YofJOwHeV3_modimeloni.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T06:21:00+0000","third_party_url":null},"uid":"the-sweet-smell-of-distraction"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Pawan Kalyan: Mishandling Caste Dynamics?"},"content":{"text":"\"Charismatic authority is naturally unstable. The leader’s authority is maintained solely by proof of his power. If he fails to benefit his followers, his charismatic authority vanishes”- Max Weber, Political Scientist In the above Weberian terms, a charismatic leader maintains loyalty only as long as they deliver tangible victories or a credible hope of empowerment. The moment a leader publicly abdicates ambition and announces they do not care for the very power needed to achieve their followers' long-held aspirations, they violate the unspoken contract of charismatic leadership. This structural breakdown is precisely what is echoing through the volatile landscape of emerging caste politics in Andhra Pradesh. Political pundits love a grand narrative where actors trademark their onscreen heroism for real-world votes. Currently, South Indian politics is running a fascinating double-feature on how to handle, or completely mishandle, caste dynamics. In Tamil Nadu, the script is fresh and hopeful. Movie star Vijay’s new party, TVK, has emerged as an alternative to traditional Dravidian politics. The intellectual elite have polished their glasses and declared this the \"Next Big Thing,\" painting Vijay as the new champion of Dalit assertion. While the Dravidian movement historically uplifted the Backward Classes, it left others waiting at the door. Whether Vijay can actually deliver on social justice remains to be seen, but for now, the trailer looks great and the audience is buying tickets. Across the border in Andhra Pradesh, the blockbuster evolution of Pawan Kalyan and his JSP is falling apart in the second half. Somehow, Kalyan managed to find political relevance after a decade of drifting How? By jumping straight into an alliance with the TDP, a party traditionally dominated by Kamma leadership and historically at loggerheads with his own Kapu base. To complete this ideological masterpiece, he rubbed shoulders with the BJP, a party that thrives on polarization politics. It is a spectacular cinematic crossover where the hero, instead of fighting the villains, decides to co-sign their movie just to stay on the poster. Despite merely appearing on the posters, the emerging narrative around Kalyan and the Kapu community, a massive voting bloc that desperately wanted him to be their political messiah, is gaining traction for all the wrong reasons. Instead of a smooth screenplay, his supporters are getting wild plot twists. He recently looked at his loyal audience and announced, “I am not here for any single caste, I didn’t start this party just for Kapus, and I don’t really care about becoming Chief Minister.” To the average Kapu voter who spent years yelling his name in theaters and polling booths, this sounded less like statesmanship and more like a director canceling the movie halfway through production. The political prognosis for Pawan Kalyan is a textbook lesson in how to turn a golden opportunity into a collective sigh of frustration. By frequently shifting his stance, Kalyan is actively choosing to miss his moment of maximum strength. His entire political elevation was built on his massive cinematic image rather than a foundational ideology. This is evident in his recent altercations with Kapu leaders, proving he prefers delivering short, \"vibe-worthy\" high moments over a coherent strategy. This quick-fix tactic offers zero strategic consolidation. By refusing to anchor himself as an independent, unyielding force for the people who back him, he is leaving the Kapu community stranded and frustrated—a scenario ripe for revolt. Pawan Kalyan's identity crisis is the gift that keeps on giving. By telling his fans he isn't a \"caste leader\" and doesn't care about the Chief Minister’s chair, he hasn’t just deflated his own balloon; he has invited everyone else to scavenge the remains. For the YSRCP, Kalyan's detached-hero routine is a political jackpot; they simply have to repeat his own words back to the voters. On the other hand, Chandrababu Naidu (CBN) did not survive four decades in politics by being emotional. As a master political corporate manager, he views Kalyan's public declarations of humility not as high morality, but as a signed waiver of political ambition. CBN will use Kalyan’s \"no caste\" speech as the perfect shield. Whenever Kapu leaders demand a bigger slice of power or reservations, he can simply smile and say, \"But your leader himself said we must rise above caste politics.\" By keeping Kalyan wrapped in the velvet blanket of the \"Selfless Deputy,\" CBN may ensure that the JSP remains a permanently subordinate franchise. Kalyan gets the applause and the vibe-worthy moments, while he holds the remote control. While CBN plays the wily puppet master and YSRCP circles like hungry vultures, the BJP central leadership views the internal friction with the calm satisfaction of a corporation watching its two local franchisees exhaust each other. The BJP’s Apara Chanakyas know the JSP rests on a shaky foundation of cinematic euphoria rather than grassroots organization. Every time Kalyan fights with Kapu leaders or complains about coalition pressures, he becomes isolated, causing his political stock to dip. The BJP may happily latch onto this, ready to dictate terms to a politically isolated star in future negotiations. By letting CBN systematically suppress Kalyan’s independent growth, the alliance may create a pressure cooker of resentment among JSP cadres. When that frustration eventually boils over, those Kapu voters might look for an alternative in a national force rather than a tested regional player like YSRCP to give them the political relevance they have long aspired to. The BJP clearly senses this opportunity hidden within the present frustration of the Kapus against Pawan Kalyan’s intriguing politics. Thus, Kapu frustration has a potential to simmer. In politics, just like in cinema, if you keep changing the plot and telling your core audience that you don't actually want the lead role, eventually, they will leave the theater and look for another show."},"img":{"url":"https://images.prismic.io/prad/ahadBrK9tuLqELCz_PK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T06:28:00+0000","embed":{"embed_url":null}},"uid":"pawan-kalyan-mishandling-caste-dynamics"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Dharmapuri Arvind’s bombshell on RR?"},"content":{"text":"BJP MP Dharmapuri Arvind on Wednesday made a startling claim that he had information suggesting Telangana Chief Minister A. Revanth Reddy had once considered joining the Bharatiya Janata Party (BJP) before moving from the Telugu Desam Party (TDP) to Congress, while asserting that such a leader \"cannot be loyal to anybody\".  The remarks came a day after Arvind alleged that Revanth Reddy could eventually do a \"Suvendu Adhikari\" to the Congress party. He had also suggested that CM Reddy might have some sort of understanding or connection with Prime Minister Narendra Modi. \"I am a small worker in the BJP, so I do not have complete details. But just like how Suvendu Adhikari aligned with the BJP in West Bengal, Revanth Reddy might also be trying to build a similar relationship with PM Modi,\" Arvind had said, while referring to PM Modi's recent remarks at a public event in Hyderabad. Reacting further to the issue while speaking to media, Arvind stated Revanth Reddy had switched multiple political parties in the past, and therefore, his future political position remained uncertain. \"It is the Revanth model. I will not say Assam model, West Bengal model, or some other model. Revanth was in BRS. He moved to TDP. He moved to Congress. In between, I have certain information... before moving to Congress, he was considering the BJP. So, such a person cannot be loyal to anybody. We never know. He might take up another party,\" Arvind said. When asked whether the BJP would accept Revanth Reddy if he were to join the party in the future, the BJP MP said the matter would entirely depend on the party leadership. \"That is up to the party high command. I cannot commit. But generally, the Bharatiya Janata Party is a huge party. And when certain people come, they accept; mostly, they accept. But at the end of the day, it is the party high command's decision,\" he added. Arvind also criticised the Revanth Reddy-led Telangana government over the removal of a hired Telangana State Road Transport Corporation (TGSRTC) bus driver, identified as B. Ashok, from duty at the Jagtial depot on May 26. The action was taken after the driver allegedly advised local Congress leaders protesting against fuel prices to instead focus on the procurement of paddy and maize from distressed farmers. The BJP MP accused the Congress government in Telangana of acting with \"arrogance\" and \"high-handedness\" against the RTC driver. \"He was suggesting to the Congress leaders who were agitating on the road. He was advising them to focus on speeding up the process of paddy procurement, and also paying a reasonable price to the maize farmer. He was not criticising anybody. He was just suggesting. Maybe he got a farming background or is a sympathiser of a farmer,\" Arvind said. \"The Congress government dealt with him with high-handedness and arrogance. Removing him from duty is uncalled for. And we will not appreciate this move of the Congress party. We will stand by the driver personally. Party-wise, we will stand by the driver,\" he added. The BJP MP also attacked the Congress over criticism directed at the Centre regarding rising fuel prices and alleged that Telangana had among the highest fuel prices in the country because of state-level taxes. \"I have the prices of various states across the nation. Telangana is the highest. The price is Rs 115.70 per litre. Kerala, another Congress-ruled state, has a Rs 112.30 per litre. Karnataka, Rs 107.70 per litre. Tamil Nadu, Rs 105.60 per litre. Compared to Delhi-ruled states -- Delhi, Rs 99.5; Gujarat, Rs 99.1; UP, Rs 99.5; Haryana, Rs 99.7,\" Arvind claimed. He further said that the Central government had already reduced fuel prices earlier and urged the Telangana government to cut VAT on petroleum products. \"Already, the Central government has reduced Rs 10 in March. So, it is up to the state government to take a step forward and reduce prices, the duty prices, which... the VAT amount. They are collecting the highest in the country. So, I suggest the state government reduce its duty on fuel,\" the BJP MP added."},"img":{"url":"https://images.prismic.io/prad/ahaVuLK9tuLqEK___dharmarr.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T04:10:00+0000","embed":{"embed_url":null}},"uid":"dharmapuri-arvinds-bombshell-on-rr"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Bhagyashrii’s promise to Kamal Haasan!"},"content":{"text":"Actress Bhagyashrii Borse, who plays the female lead in actor Sivakarthikeyan's next Tamil film, 'Seyon', which is being produced by actor Kamal Haasan's Raaj Kamal Films International, has now penned a heartfelt post of gratitude to actor Kamal Haasan, in which she has said that she would make him proud. Taking to her Instagram page to post a picture of herself with the actor, producer and parliamentarian Kamal Haasan, the actress wrote, \"Dearest @ikamalhaasan sir, The little girl in me who watched you growing up.. was jumping with joy the second you placed your hands on my shoulders and wished me luck. Honoured to be associated with RKFI and promise to make you proud. #Seyon.\" For the unaware, 'Seyon' is being directed by Sivakumar Murugesan and will feature actor Sivakarthikeyan in the lead along with actress Bhagyashrii Borse. The makers had welcomed the actress on board the unit of the film on her birthday on May 6 this year.  The film is being produced by Kamal Haasan's RaajKamal Films International and Turmeric Media. Taking to its X timeline to greet the actress, Raaj Kamal Films International (RKFI) had said, \"A birthday to remember and a journey to look forward to! Wishing #BhagyashriBorse A very Happy Birthday as she joins the #Seyon Family #HappyBirthdayBhagyashri.\" The film has triggered huge interest in fans and film buffs ever since the makers released a glimpse video from the film called \"The Celebration\" earlier this year."},"img":{"url":"https://images.prismic.io/prad/ahabUrK9tuLqELCF_borsekamal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-27T07:00:00+0000","embed":{"embed_url":null}},"uid":"bhagyashriis-promise-to-kamal-haasan"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Byju Raveendran Jailed"},"content":{"text":"Edtech firm Byju’s founder Byju Raveendran has been sentenced to six months in jail by a Singapore court for contempt after allegedly failing to comply with multiple court orders related to his assets, a report has said.  Bloomberg reported that the Singapore court directed Raveendran to surrender to authorities, pay legal costs of S$90,000 ($70,500) and furnish documents proving his ownership of Beeaar Investco Pte, a corporate entity that held shares in a related company. Byju’s was yet to comment on the report. The development marks the latest setback for the embattled founder, who is facing legal and financial scrutiny from investors and lenders across multiple jurisdictions, including the US, where creditors are seeking to recover losses tied to a soured $1.2 billion loan. The legal action in Singapore has been initiated by a subsidiary of Qatar Investment Authority, which had invested in the company during a period when Byju’s was cutting jobs and restructuring operations, according to the report. Moreover, Qatar Holdings was represented by law firm Drew & Napier, while Byju’s Investments was represented by Fervent Chambers in the matter. The development comes months after the Delaware Court in December 2025 reversed its earlier $1 billion judgment against Raveendran after reviewing fresh submissions filed through a motion seeking correction of a November 20 ruling. The Delaware Court had then observed that damages had not been properly determined and ordered a fresh phase of proceedings to decide whether any damages were owed. Raveendran’s legal team had alleged that GLAS Trust and lenders withheld or misrepresented key information during proceedings, which they claimed contributed to the collapse of the edtech business and erosion of enterprise value."},"img":{"url":"https://images.prismic.io/prad/c0c739db-d9b4-4369-859e-2c33aa42f071_Byjus+Ravichandran.JPG?auto=format,compress"},"datetime":"2026-05-27T03:54:00+0000","embed":{"embed_url":null}},"uid":"byju-raveendran-jailed"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Dhurandhar‍‌‍‍‌‍‌‍‍‌'"},"content":{"text":"Dhurandhar hits the audience like a cyclone—untamed, persistent, and spectacularly dhamakedaar. Aditya Dhar's latest triumph is far from just a movie; it is a once-in-a-lifetime experience, a cinematic event of the year that completely breaks the clutter of Indian espionage thrillers. With Indian heart and international standard, Dhar weaves a story full of human touch, intricacy, and spark, reaffirming that he belongs among the very few directors capable of conceiving on a grand scale while still keeping the story deeply character-driven.  Drawing inspiration from the IC-814 hijacking and the 2001 Parliament attack, the film sets the stage on a historic backdrop without wasting a moment. Dhar then skillfully expands the narrative to show the political tremors that pushed the Indian intelligence system beyond its limits. Madhavan as IB Chief Ajay Sanyal is the rock on which the story stands. His portrayal, full of precision and gravitas, earns seeti maar reactions in every scene. The dialogues are crisp, the energy is infectious, and the immersion into this high-stakes world is so real that it grips from the first frame.  One of the most striking elements is the use of archival footage, including 9/11 and other terror attacks, interspersed with chilling audio of attackers plotting against India. These sequences evoke patriotism without jingoism, reminding the audience of the stakes while highlighting India’s strategic resilience. It’s a cinematic call to awareness and courage that makes the story even more gripping.  Ranveer Singh delivers arguably his career-best performance—raw, gritty, massy, and explosively powerful. Hamza is hurt, angry, unpredictable, yet inexplicably charming. The transformation from a rage-driven youth to a cold, calculated underworld operative is executed with staggering emotional finesse. Ranveer doesn’t just perform; he literally “blows up” the screen, particularly in the latter half, becoming almost synonymous with the storyline—a 10/10 hardcore action avatar.  The supporting cast matches this energy brilliantly. Akshaye Khanna, as Rehman Dakait, is eerie, sparkling, and dreadful—a mind-is-the-weapon villain whose expressions and timing make him unforgettable. Sanjay Dutt is pure cannon fire as SP Chaudhary Aslam, “The Jinn,” bringing raw toughness to every frame. Arjun Rampal’s Major Iqbal commands attention with his silent menace, while Sara Arjun impresses in her star-studded debut. Every actor is fully into their character, creating a dangerously immersive atmosphere.  The film’s pace is relentless, thanks to Aditya Dhar’s mastery over tempo. And crucially, despite its 214-minute runtime, the length never feels distracting. Every scene is deliberate, every beat perfect, making the infiltration plan genuinely nerve-wracking. The background music is another major highlight—the BGM keeps the energy flowing continuously, never letting the audience feel a dull moment. The soundtrack is one of the strongest pillars of the film, arguably the album of the year or even the decade, turning tension, discovery, and climax into cinematic thunder.  Violence is used sparingly—just three sequences are truly explicit, each dramatically justified. The real intensity comes from the emotional stakes, character development, and political intrigue. The first half showcases masterful world-building, with the interval delivering pure goosebumps and doubling audience excitement. Post-interval, conspiracies intertwine, political power shifts, and Hamza consolidates the mafia core through strategy, betrayal, and even a calculated marriage, setting up a perfect stage for the explosive Part Two coming Eid 2026.  Jyoti Deshpande, Lokesh Dhar, and Aditya Dhar, backed by B62 Studios and Jio Studios, leave no stone unturned in creating a universe that is vast, real, and cinematically rich. Their unwavering support for large sets, hard action, bold storytelling, and a stellar ensemble cast shines in every frame, elevating Indian genre cinema to new heights.  Dhurandhar is a genre-defining spectacle that combines ferocious execution, meticulous craft, and unforgettable impact. With Aditya Dhar’s finest direction and Ranveer Singh’s career-best performance, it makes a solid case for being one of the boldest, most compelling thrillers of the year. The game is set, the pieces are moving, and the wait for Part Two is fervent—completely justified by the high stakes, breathtaking performances, and mind-blowing storytelling.  Cast: Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others  Director/Writer: Aditya Dhar"},"img":{"url":"https://images.prismic.io/prad/aTK2Z3NYClf9n2ee_dhurandar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-12-05T08:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=BKOVzHcjEIo"}},"uid":"review-dhurandhar"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఆంధ్రాకింగ్‌ తాలూకా' రివ్యూ... ఫ్యాన్స్‌ మూవీ"},"content":{"text":"రామ్‌ వరుస విజయాలతో ఎనర్జిటిక్ స్టార్‌ ఇమేజ్‌ని సొంతం చేసుకుని కెరీర్‌ ఆరంభంలో అందరి దృష్టిని ఆకర్షించాడు. కానీ గత కొంత కాలంగా ఆయన పూర్తిగా గాడి తప్పినట్లుగా కనిపిస్తున్నాడు. ఏమాత్రం ఆకట్టుకోని కథ, కథనాలను, దర్శకులను ఎంపిక చేసుకోవడంతో ఆయనకు వరుస ఫ్లాప్‌లు తప్పలేదు. ఇస్మార్ట్‌ శంకర్ తర్వాత రామ్‌ ఒక మంచి హిట్‌ కోసం ఎదురు చూస్తున్నాడు. ఆ హిట్‌ ఈ సినిమాతో వచ్చిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ :  సూర్య(ఉపేంద్ర) తెలుగు సినిమా ఇండస్ట్రీలో స్టార్‌ హీరో. అభిమానులు ఆయన్ను ఆంధ్రా కింగ్‌ అనే బిరుదుతో పిలుచుకుంటూ ఉంటారు. వరుస విజయాలు దక్కించుకుంటూ వచ్చిన సూర్యకు వందవ సినిమాకు ముందు కెరీర్‌ పరంగా ఒడిదొడుకులు ఎదుర్కోవాల్సి వస్తుంది. వరుస ఫ్లాప్స్‌ పడటంతో సూర్య ను విమర్శించే వారు, తిట్టేవారు ఎక్కువ అవుతారు. ఆయన పనైపోయిందని విమర్శిస్తూ ఉంటారు. ఆ సమయంలో సూర్య 100వ సినిమాను మొదలు పెడతాడు.  సినిమాపై అంచనాలు లేకపోవడం, అసలు సూర్య సినిమాను ఎవరు చూస్తారు అని జనాలు అనుకుంటూ ఉండటంతో ఆ సినిమా ఆర్థిక సమస్యలు ఎదుర్కొంటుంది. సినిమా పూర్తి చేయడానికి రూ.3 కోట్లు అవసరం అవుతుంది. ఆ సమయంలో సూర్యను అమితంగా అభిమానించే సాగర్‌ (రామ్‌) ముందుకు వస్తాడు. తాను ఎంతో కష్టపడి సంపాదించిన ఆస్తిని అమ్మి, ఆ డబ్బును తన అభిమాన హీరో, ఆంధ్రాకింగ్‌ సూర్యకి చేరేలా చేస్తాడు.  తీవ్ర ఆర్థిక ఇబ్బందుల్లో ఉన్న సూర్య తన అకౌంట్‌లో పడ్డ రూ.3 కోట్లు చూసి షాక్‌ అవుతాడు. ఆ డబ్బును తన అభిమాని అయిన సాగర్‌ పంపించినట్లు తెలిసి షాక్‌ అవుతాడు. తన అభిమానిని కలుసుకునేందుకు సూర్య బయలుజేరుతాడు. ఆ క్రమంలో సాగర్‌ గురించి పలు విషయాలను సూర్య తెలుసుకుంటాడు. ఒక అభిమానిని స్టార్‌ హీరో ఎలా కలుసుకున్నాడు? ఆ తర్వాత ఏం జరిగింది? అనేది కథ. నటీనటుల నటన :  రామ్‌ మొత్తం బాధ్యత తన భుజాలపై వేసుకున్నాడు. ఎప్పటిలాగే ఈ సినిమాతో మరోసారి తన ఎనర్జిటిక్ పెర్ఫార్మెన్స్‌ను చూపించాడు. సాగర్‌ పాత్రకి రామ్‌ ఎంత వరకు చేయాలో అంతకు మించి చేసినట్లుగా అనిపించింది. ఒక పాత్రను చాలా నమ్మడం వల్లే రామ్‌ ఈ స్థాయిలో కష్టపడి ఉంటాడు అనిపించింది. అతడి లుక్‌, డైలాగ్‌ డెలివరీ, యాక్షన్‌ సీన్స్ లో ఆయన ప్రజెన్స్ ఇలా ప్రతి ఒక్క ఎలిమెంట్‌లోనూ రామ్‌ ఆకట్టుకున్నాడు. అందుకే అతడు ఒక ఫ్యాన్  గా సరిగ్గా సెట్‌ అయ్యి, సినిమాను మోశాడు. సూపర్‌ స్టార్‌గా నటించిన ఉపేంద్ర తన పాత్రకు న్యాయం చేశాడు. ఒక అభిమాని కోసం వెతుక్కుంటూ వెళ్తున్న సీన్స్ లో అతడి భావోద్వేగం కనిపించింది. సినిమా కోసం అతడు పడే తపన, అతడు పడే కష్టం తాలూక డిటైల్స్ ను ఉపేంద్ర చక్కగా చూపడం జరిగింది. హీరోయిన్‌గా నటించిన భాగ్యశ్రీ బోర్సేకి తన ప్రతిభ మొత్తం చూపించే అవకాశం దక్కలేదు. అయితే ఆమె ఉన్నంతలో అందంగా కనిపించడంతో పాటు, నటనతో ఆకట్టుకుంది. ఇతర నటీనటులు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ :  పాటల గురించి ప్రత్యేకంగా చర్చ జరిగింది. కొత్త సంగీత దర్శకులు కుమ్మేశారు అంటూ అంతా తెగ మాట్లాడారు. కానీ వారి నుంచి వచ్చిన సంగీతం కొత్తగా ఉంది కానీ ఆకట్టుకునే విధంగా మాత్రం లేదు. ఇలాంటి సినిమాలకు పాత సంగీత దర్శకులు అయితే న్యాయం చేసేవారు అనిపిస్తుంది. కాని రామ్‌ కి మాత్రం ఎందుకో వీరు నచ్చారు. ఆయన నిర్ణయం తప్పు అని తేలింది.  ఇక దర్శకుడు మహేష్‌ ఎంపిక చేసుకున్న కథ విషయంలో ఎలాంటి తప్పు లేదు. ముఖ్యంగా స్టోరీ లైన్ మంచి పాయింట్‌. కానీ దాన్ని మలచిన తీరు బాగాలేదు. ముఖ్యంగా స్క్రీన్‌ ప్లే విషయంలో సాగతీసినట్లుగా అనిపించింది. ఎడిటింగ్‌ కి ఇంకా చాలా స్కోప్ ఉంది. ఎందుకో చాలా సీన్స్‌ను అలాగే వదిలేశాడు. నిర్మాణాత్మక విలువలు బాగానే ఉన్నాయి. సినిమాటోగ్రాఫీ అప్పటి నేటివిటీకి దగ్గరగా ప్రేక్షకులను తీసుకు వెళ్లడంలో సక్సెస్ అయిందని చెప్పాలి.  విశ్లేషణ :  రామ్‌ దాదాపు ఏడాది  గ్యాప్ తీసుకుని, వందల కొద్ది కథలు విని, పదుల కొద్ది కథలు పక్కన పెట్టుకుని, చివరకు ఈ కథను ఎంపిక చేసుకున్నాడు అని ఆయన సన్నిహితులు అంటున్నారు. అయితే ఇలాంటి కథను ఆయన ఎలా ఒప్పుకున్నాడు అంటూ చాలా మంది ఆశ్చర్యం వ్యక్తం చేస్తున్నారు. స్టోరీ లైన్‌ బాగుంటే సరిపోతుందా, కథ, కథనం విషయంలో దీన్ని ఎంత వరకు ప్రేక్షకులకు ఆకట్టుకునే విధంగా తీసుకు రాగలరు అనే విషయంను ఆయన చూసుకోలేదు అనిపిస్తుంది.  రామ్‌ సాధారణంగానే ఎనర్జిటిక్‌ పెర్ఫార్మెన్స్‌ తో ఆకట్టుకుంటాడు. ఈ సినిమాలోనూ మరోసారి తన సత్తా చాటాడు. కానీ సినిమాలోని ఆయన పాత్ర ఉన్నంత పవర్‌ ఫుల్‌గా స్క్రీన్‌ ప్లే లేదు. గ్రామీన ప్రాంతంలో ఉండే ప్రేమ కథను చూపించే ప్రయత్నం చేశారు. ఆ కథను ఇంకాస్త ఎక్కువ చూపించినా బాగుండేది. హీరో, అభిమాని మధ్య ఉండే సీన్స్ చాలా తక్కువగా ఉన్నాయి. ప్రేక్షకులు ఆశించిన ఎలిమెంట్స్ ఈ సినిమాలో చాలా తక్కువగా ఉన్నాయి. అందుకే సినిమా రెగ్యులర్‌ ప్రేక్షకులను ఆకట్టుకోవడంలో విఫలం అవుతుంది. కానీ తమను తాము ఒక హీరోకు అభిమాని అని చెప్పుకునే వారికి మాత్రం తప్పకుండా ఈ సినిమా నచ్చుతుంది.  ప్లస్ పాయింట్స్ :  రామ్‌ నటన, స్టోరీలైన్‌, కొన్ని ఎమోషనల్‌ సీన్స్‌ మైనస్ పాయింట్స్ :  ఫస్ట్‌ హాఫ్‌ చాలా స్లోగా సాగింది స్క్రీన్‌ ప్లే, ప్రేమ కథ ఇంకాస్త ఉండాల్సింది. చివరగా... ఫ్యాన్‌గా ఆంధ్రాకింగ్‌ను ఆకట్టుకున్న సాగర్‌, ప్రేక్షకులను ఆకట్టుకోవడం కష్టమే. బ్యానర్ : మైత్రి మూవీ మేకర్స్‌ నిర్మాత : నవీన్‌ యెర్నేని, వై రవి శంకర్‌ దర్శకత్వం : మహేష్‌ బాబు పి సంగీతం : వివేక్‌-మెర్విన్‌ తారాగణం : రామ్‌ పోతినేని, భాగ్యశ్రీ బోర్సే, ఉపేంద్ర తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aSgr23NYClf9nheC_AKT1.JPG?auto=format,compress"},"datetime":"2025-11-27T08:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=oeY828c-AXo"}},"uid":"review-andhra-king-talooka---fans-movie"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'De De Pyaar De 2'"},"content":{"text":"It’s rare to find a film that makes you laugh, cry, and smile, all within the same heartbeat. De De Pyaar De 2 is that rare gem. The sequel not only lives up to the 2019 blockbuster but builds on it with heart, humour, and a story that feels deeply personal yet universally relatable. In a year full of thrillers and high-octane spectacles, De De Pyaar De 2 stands tall as the only true family entertainer of 2025. It’s a film about family — and one meant to be watched with family. Whether you’re a parent, a young adult, or a daughter who shares a special bond with her father, this one will speak to you in more ways than one. The film beautifully balances clap-and-whistle-worthy comedy with tear-jerking emotion, and even leaves you with a subtle but strong message about love, relationships, and what truly makes a man ‘man enough’ in today’s world. The protagonist Ajay Devgn is a delight, effortlessly switching between subtle humour and emotional restraint. His references to his own iconic films are a treat for fans and timed to perfection. It’s refreshing to see him return to a romantic-comedy space after a string of action-heavy roles. R. Madhavan, on the other hand, brings soul to the story. As a father navigating complex emotions, he’s a powerhouse of warmth and vulnerability. His scenes, especially with Ajay, are pure paisa vasool, seamlessly blending humour with heartfelt depth. Leading lady Rakul Preet Singh delivers her best performance yet, charming, confident, and absolutely radiant on screen. While Jaaved Jaffery leaves you rolling on the floor laughing everytime he comes on the screen, Meezaan’s entry in the second half is impactful; he looks effortlessly dashing and leaves a strong impression in a limited screen time. The supporting ensemble — Gautami, Ishita, and Suhasini Mulay, bring natural warmth and depth, rounding out the film’s emotional universe beautifully. Director Anshul Sharma infuses De De Pyaar De 2 with heart, humor, and a sense of effortless storytelling. His vision shines through every frame bringing together a powerhouse cast and allowing each performer to leave a lasting mark. Sharma orchestrates the film’s emotional beats and comic timing with remarkable finesse, blending warmth and wit in equal measure. With this film, he not only celebrates relationships and generations but also cements his place as a filmmaker who knows how to entertain while keeping the emotions genuine and grounded. Unlike many sequels that exist just to cash in on a franchise name, De De Pyaar De 2 feels like an organic continuation of the first. The callbacks are smart, not forced, and the story flows with sincerity and purpose. And just when you think you’ve seen it all, the last 20–30 minutes hit you with one of the most emotionally satisfying climaxes seen in recent times, an absolute rollercoaster of emotions that will leave you walking out with a full heart and a huge smile. De De Pyaar De 2 is the ultimate big-screen entertainer, funny, emotional, meaningful, and refreshingly vulnerable. It proves that films about family, love, and connection can still move audiences when told with honesty and heart. Director: Anshul Sharma,  Cast: Ajay Devgn, R. Madhavan, Rakul Preet Singh, Jaaved Jaaferi, Meezaan, Gautami Kapoor, Ishita Dutta and others "},"img":{"url":"https://images.prismic.io/prad/aRb8GLpReVYa4eVc_dedepyaarde2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-11-14T04:53:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=59aIp7SfIIk"}},"uid":"review-de-de-pyaar-de-2"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: ‘Jatadhara’ - A spiritual thriller unfolds"},"content":{"text":"Zee Studios and Prerna Arora produced Jatadhara represents an ambitious and compelling effort by directors Venkat Kalyan and Abhishek Jaiswal as they create a supernatural mythological thriller, one that dares bridge the gap between science, faith, and mysticism of old. Against the mysterious backdrop of the Anantha Padmanabha Swamy Temple and its treasures hidden within, the film is imbued with original Tantric rituals and chants enacted during filming-a rare thing in mainstream Indian cinema. The sense of dread and divinity pervades right from the first frame. The haunting visuals, the rhythmic chants, and symbolic imagery set off into a world where reality blends with the surreal. Credit goes to the two directors for knowing how to handle such a dense mythological theme with reverence and cinematic flair. Sudheer Babu plays Shiva, a skeptical ghost hunter whose journey from disbelief to spiritual awakening forms the emotional core of the story. His rugged screen presence, restrained intensity, and emotional range make this one of his most nuanced performances to date. The sequences where he confronts unseen forces — armed with both scientific logic and ritualistic tools — are genuinely gripping. Sonakshi Sinha, all set to mesmerize the Telugu audience for the first time, is just outstanding as Dhana Pisaachi, a vengeful spirit bound by greed and sorrow. With her commanding expressions, piercing gaze, and haunting poise, Sonakshi brings terror and tragedy on the screen. Her transformation into the demonic goddess is one of the talking points of the film and quite rightly so-she owns each frame. Divya Khossla carries grace throughout her role as Sitara, while Shilpa Shirodkar and Indira Krishna add depth and dignity to their key roles. The ensemble cast — Rajeev Kanakala, Ravi Prakash, and Subhalekha Sudhakar included — come together to add value to the narrative with realistic, down-to-earth performances. Written by Venkat Kalyan, the screenplay of Jatadhara weaves ancient lore with modern skepticism. The premise of the story-a forbidden ritual called Pisacha Bandhanam that ties spirits to guard lost treasures-is both fascinating and frightening. Kalyan ensures that every plot twist is rooted in belief systems familiar to Indian audiences, yet he approaches them with a contemporary lens. The dialogues by Sai Krishna Karne and Shyam Babu Meriga are sharp, spiritual, and thought-provoking. Lines like \"Faith is not what you see -- it's what you dare to feel\" stay with one long after the credits roll. They strike an even balance between philosophical weight and emotional immediacy to give the film a scriptural and cinematic hue at once. The biggest strength of Jatadhara is Sameer Kalyani's cinematography. The chiaroscuro lighting, the intricate interior of the temple, and aerial sweeps of the Kerala landscape infuse an otherworldly beauty upon this dark narrative. Every sequence of this ritual is framed like a painting-flickering lamps, swirling smoke, chanting shadows-pulling you into a hypnotic trance. The special effects should be applauded for delivering realistic supernatural imagery without excess. The scenes of Dhanapisachini’s manifestation are at once terrifying and beautiful, enhanced by practical effects that feel real and organic. The sound design amplifies the eeriness: low rumbles, faraway chants, and sudden silences are used to great effect to raise the tension. Composer Rajiv Raj manages an evocative score that fuses classical ragas with electronic undercurrents. His background music, particularly during the climactic confrontation, keeps the pulse racing. Despite the film's dark theme, music, and movement have been found in Jatadhara. “Shiva Stotram” and “Pallo Latke Again stand apart for their energy and depth. As the choreographer, Sandeep melds ritualistic movements with cinematic choreography, especially in the temple dance sequence featuring Divya Khossla, which radiates both devotion and intensity. The stunt choreography seamlessly integrates physical combat with supernatural powers, creating a dynamic action language that feels fresh. Sudheer Babu's ghost-hunting sequence, weapon combat scenes, and the final blood-drinking transformation sequence are all done with precision and conviction. The mix of martial arts and mystical symbolism makes these moments unforgettable. Jatadhara is a bold visual experiment in the form of a supernatural mythological thriller that refuses to play safe. It sincerely pursues faith versus reason, science versus ritual, and human will versus divine wrath with amazing scale. The outstanding visual brilliance of the film matches the strong performances and authentic spiritual texture. Co-directed by Venkat Kalyan and Abhishek Jaiswal, Jatadhara manages a fine balance between commercial spectacle and artistic expression. The result is that Jatadhara does what few films attempt; it turns mythology into a breathing, living cinematic experience, with its entrancing images, haunting music, and soulful performances that both thrill and leave one thoughtful. Director: Venkat Kalyan And Abhishek Jaiswal Starring : Sudheer Babu, Sonakshi Sinha, Divya Khossla, Shilpa Shirodkar, Indira Krishna, Rajeev Kanakala, Ravi Prakash, Rohit Pathak, Jhansi, Subhalekha Sudhakar"},"img":{"url":"https://images.prismic.io/prad/aQx6sbpReVYa4H3__jathadara.JPG?auto=format,compress"},"datetime":"2025-11-06T09:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=NcZNCaE4qEM"}},"uid":"review-jatadhara---a-spiritual-thriller-unfolds"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మాస్‌ జాతర' రివ్యూ... రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైనర్‌"},"content":{"text":"రవితేజ ఏదైనా సినిమా ప్రారంభిస్తే ఆరు నెలల్లోనే పూర్తి చేసి ప్రేక్షకుల ముందుకు తీసుకు రావడం మనం చూస్తూ ఉంటాం. కానీ ఈ సినిమా అనేక కారణాల వల్ల చాలా ఆలస్యం అయింది. ఈ ఏడాది సంక్రాంతికి రావాల్సిన సినిమా ఏడాది చివర్లో దీపావళి అయిన తర్వాత ప్రేక్షకుల ముందుకు వచ్చింది. సితార ఎంటర్‌టైన్‌మెంట్స్ బ్యానర్‌లో రూపొందిన సినిమా కావడంతో పాజిటివ్‌ బజ్ క్రియేట్‌ అయింది, అంతే కాకుండా రవితేజ ఈ సినిమాపై చాలా అంచనాలు పెంచే విధంగా ప్రచారం చేశాడు. మరి ఈ సినిమా ఎలా ఉంది అనేది ఈ రివ్యూలో చూద్దాం.  కథ : రైల్వే ఎస్‌ఐ అయిన లక్ష్మణ్‌(రవితేజ) ఎక్కడ ఉంటే అక్కడ రైల్వే విధులు మాత్రమే కాకుండా అన్ని రకాల కేసులను పరిస్కరిస్తూ ఉంటాడు. అలాంటి లక్ష్మణ్‌కి డ్రగ్స్‌ ఇష్టానుసారంగా పండిస్తూ, అదే జీవనాధారంగా జనాలు జీవిస్తున్న ఒక ప్రాంతంకు ట్రాన్స్‌ఫర్‌ అవుతుంది. అక్కడ శివుడు(నవీన్ చంద్ర) బలవంతంగా రైతులతో గంజాయి సాగు చేయిస్తూ దాన్ని కోల్‌కత్తాకు ట్రాన్స్‌పోర్ట్‌ చేస్తూ ఉంటాడు. శివుడు గంజాయి వ్యాపారంను నాశనం చేసేందుకు లక్ష్మణ్‌ సిద్దం అవుతాడు. శివుడు పెద్ద మొత్తంలో గంజాయిని కోల్‌కత్తా తరలించేందుకు సిద్ధం అయిన సమయంలో లక్ష్మణ్‌ దాన్ని దాచేస్తాడు. ఆ సరుకు కోసం శివుడు పిచ్చెక్కి పోతాడు. ఇద్దరి మధ్య పెద్ద యుద్దమే జరుగుతుంది. చివరకు ఏం జరిగింది అనేది సినిమా కథ.  నటీనటులు : రవితేజ ఎనర్జీ ఏమాత్రం తగ్గలేదు. అయితే ఆయన లుక్‌ విషయంలో మాత్రం కాస్త వయసు ఎక్కువ అయినట్లుగా అనిపించింది. వింటేజ్ రవితేజను చూస్తారు అంటూ పబ్లిసిటీ సమయంలో మేకర్స్ చెప్పారు. కానీ వింటేజ్ సీన్స్ పెద్దగా ఏమీ లేవు. ఒకటి రెండు నిమిషాలకే పరిమితం చేశారు. యాక్షన్‌ సీన్స్‌లో రవితేజ ఎనర్జీ కనిపించింది. అయితే డాన్స్‌ ల్లో శ్రీలీల ముందు రవితేజ ఆశించిన స్థాయిలో మెప్పించలేక పోయాడు అని చెప్పుకోక తప్పదు. ఓవరాల్‌గా మాస్‌ మహారాజా రవితేజ మాస్‌ జాతర తన భుజాలపై వేసుకుని నడిపించే ప్రయత్నం చేశాడు.  శ్రీలీల పాత్రకు పెద్దగా ప్రాధాన్యత లేదు. ఫస్ట్‌ హాఫ్‌ లో కొంత సమయం కనిపించినా, సెకండ్‌ హాఫ్‌ లో కొన్ని నిమిషాలు మాత్రమే ఆమె కనిపించింది. పాటలకు మాత్రమే పరిమితం అయిన పాత్ర అనిపించింది. ఉన్నంతలో మెప్పించింది. డాన్స్‌ల్లో తన ప్రతిభతో ఆకట్టుకుంది. రాజేంద్ర ప్రసాద్‌ తన పాత్రకు పూర్తి న్యాయం చేశాడు. హైపర్ ఆది తన రొటీన్‌ పంచ్‌ డైలాగ్స్ తో పర్వాలేదు అనిపించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి వారి పాత్రల్లో పర్వాలేదు అనిపించారు.  టెక్నికల్‌: దర్శకుడు భాను కథ విషయంలో ఇంకాస్త వర్కౌట్‌ చేస్తే బాగుండేది. రైల్వే పోలీస్‌ అనే లైన్‌ బాగానే ఉంది, కానీ గంజాయి చుట్టూ సాగే కథలు చాలానే ఉన్నాయి. ఇంకాస్త విభిన్నంగా కథను రాసుకుని ఉంటే బాగుండేది. కనీసం స్క్రీన్‌ప్లేతో అయినా మ్యాజిక్ చేసి ఉంటే బాగుండేది. డైలాగ్స్ కొన్ని యాప్ట్‌ కాలేదు. భీమ్స్ అందించిన పాటలు ఒకటి రెండు వింటూ ఉంటే బాగానే ఉన్నాయి. కానీ స్క్రీన్‌ ప్లే కు బ్రేక్‌లు వేసినట్లుగా అనిపించాయి.  ముఖ్యంగా సెకండ్‌ హాఫ్‌ లో వచ్చే పాటల ప్లేస్‌మెంట్‌ ఏమాత్రం సెట్‌ కాలేదు. అయితే బ్యాక్ గ్రౌండ్‌ స్కోర్‌ తో రవితేజ ఫ్యాన్స్‌కి, ఆయన ఎలివేషన్ సీన్స్‌ కి మంచి హైప్‌ వచ్చే విధంగా భీమ్స్ చేశాడు. సినిమాటోగ్రఫీ బాగుంది. ముఖ్యంగా యాక్షన్‌ సీన్స్ లో సినిమాటోగ్రఫీకి మంచి మార్కులు పడుతాయి. యాక్షన్ సీన్స్ నేచురాలిటీకి దగ్గరగా ఉండే విధంగా ప్లాన్‌ చేశారు. నిర్మాణాత్మక విలువలు బాగున్నాయి. ఎడిటింగ్‌లో జర్క్‌ లు ఉన్నాయి. కాస్త క్రిస్పీగా ఉండాల్సింది.  విశ్లేషణ : రవితేజ సినిమా అనగానే మాస్ ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకులు ఆసక్తిగా అప్పట్లో ఎదురు చూసేవారు. కానీ ఇప్పుడు రవితేజ గత చిత్రాల ఫలితాల నేపథ్యంలో ఈసారి అయినా రవితేజ హిట్‌ కొట్టేనా అని నీరసంగా, నిరుత్సాహంగా ఎదురు చూస్తున్న వారు ఉన్నారు. అయినా కూడా రవితేజలో ఎనర్జీ మాత్రం తగ్గలేదు. తన సినిమాల ఫలితంతో సబంధం లేదు అన్నట్లుగా వరుస సినిమాలు చేసుకుంటూ వెళ్తున్నాడు.  సితార వారి బ్యానర్ నుంచి సినిమా వస్తుంది అంటే మినిమం గ్యారెంటీ అనే నమ్మకం ఉండేది. అది కూడా ఈ మధ్య కాలంలో మెల్ల మెల్లగా పోతుంది. ఇలాంటి సమయంలో వచ్చిన మాస్‌ జాతర రవితేజ స్టార్‌డంను నిలబెట్టేనా, సితార వారి పరువు నిలుపుతుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. కానీ ఈ సినిమా పూర్తి స్థాయిలో ఆ పని చేయలేదు అని చెప్పక తప్పదు. రవితేజ మార్క్‌ ఎంటర్‌టైన్‌మెంట్‌తో ఫస్ట్‌ హాఫ్‌ సాఫీగా సాగింది. కానీ సెకండ్‌ హాఫ్‌ విషయంలో తీవ్రంగా నిరాశ పరిచాడు. ఒకటి రెండు యాక్షన్ సీన్స్‌ తప్ప సెకండ్‌ హాఫ్‌ లో చెప్పుకోవడానికి ఏమీ లేవు.  కథలో ట్విస్ట్‌లు లేవు, స్క్రీన్‌ ప్లే మొత్తం ముందే ఊహించేదిగా ఉంది. ఎక్కడా ఆసక్తికరంగా స్క్రీన్‌ ప్లే సాగిందే లేదు. ఆది కామెడీతో నవ్వించే ప్రయత్నం చేశారు. కానీ అది వర్కౌట్‌ కాలేదు. మొత్తంగా మాస్ జాతర ఆకట్టుకోలేక పోయిన యాక్షన్‌ జాతర.  ప్లస్‌ పాయింట్స్‌ : రవితేజ, ఫస్ట్‌ హాఫ్‌ కొన్ని సీన్స్‌.  మైనస్ పాయింట్స్ : కథ, కథనం, రొటీన్‌ కామెడీ, యాక్షన్‌, పాటల ప్లేస్‌మెంట్‌, రొటీన్‌ క్లైమాక్స్‌.  చివరగా... వింటేజ్‌ రవితేజను చూపిస్తారనుకుంటే రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైన్మెంట్‌ను చూపించాడు.  బ్యానర్ : సితార ఎంటర్‌టైన్‌మెంట్స్‌  నిర్మాత : నాగవంశీ  దర్శకత్వం : భాను భోగవరపు  సంగీతం : భీమ్స్‌ సిసిరోలియో  తారాగణం : రవితేజ, శ్రీలీల, నవీన్‌ చంద్ర, రాజేంద్ర ప్రసాద్‌, నరేష్‌, హైపర్‌ ఆది తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aQThSLpReVYa35Yx_massjathara.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-31T19:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Qm-wNxOcEL4"}},"uid":"mass-jathara-review-routine-action-entertainer"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}