{"data":{"all":{"edges":[{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"Rebel Star #Prabhas for #SingGeetham"},"content":{"text":"Rebel Star #Prabhas for #SingGeetham"},"img":{"url":"https://images.prismic.io/prad/ajVnBo1P9HI4Uv6-_prabhassinggeetham.JPG?auto=format,compress"},"datetime":"2026-06-19T12:58:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=OQGLCo81dBE"}},"uid":"rebel-star-prabhas-for-singgeetham"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Charan Praises Samantha’s Fearless Spirit"},"content":{"text":"As Samantha Ruth Prabhu's latest outing \"Maa Inti Bangaaram\" reached the audience on June 19, Ram Charan penned an appreciation post for her, calling her a woman of extraordinary strength and conviction. Taking to his official X (Earlier known as Twitter) handle, Ram Charan praised Samantha, saying, \"Dearest @Samanthaprabhu2 you have always been a woman of extraordinary strength, grace and conviction (sic).\" Congratulating the team of \"Maa Inti Bangaaram\", the 'RRR' actor went on to add, \"Hearing great things about #MaaIntiBangaaram. Congratulations to you and the entire team on this well deserved success. So happy for all of you! (sic)\" Overwhelmed by these kind words of appreciation, Samantha penned,  \"Thank you, @AlwaysRamCharan. Your words mean the the world to me and the team of #MaaIntiBangaaram.\" Meanwhile, Samantha recently disclosed what made her fall in love with \"Maa Inti Bangaram\". She revealed that the \"resilience\" of the character Swarna made her fall for the film. Samantha was responding to a question during an interactive session with her fans on social media. Additionally, she disclosed that among all the characters she has played in Telugu movies, Swarna comes closest to the real Samantha. She was further asked about the high-octane action sequences in the film being realistic during a press conference. Reacting to this, Samantha said, \"If you see in the film, there are no slow motion sequences, no flying shots, no build up shots. It's extremely realistic. It's real punches. I too have suffered blows. I've bled. They are extremely realistic action sequences. I did all the action sequences myself. That is why everybody likes the action and it looks like I did it.\" Directed by B. V. Nandini Reddy and backed by Samantha, along with Raj Nidimoru and Himank Reddy Duvvuru under the banner of Tralala Moving Pictures, \"Maa Inti Bangaaram\" also features Gulshan Devaiah, Diganth Manchale, Gautami, and Sreemukhi in crucial roles."},"img":{"url":"https://images.prismic.io/prad/ajVXWo1P9HI4Uvv4_rcsam.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T13:51:00+0000","embed":{"embed_url":null}},"uid":"charan-praises-samanthas-fearless-spirit"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"Nagabandham Official Trailer"},"content":{"text":"Nagabandham Official Trailer"},"img":{"url":"https://images.prismic.io/prad/aQ8nk7pReVYa4Qwl_nagabandham.JPG?auto=format,compress"},"datetime":"2026-06-19T13:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=4YkbZTSoG2g"}},"uid":"nagabandham-official-trailer"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"At least 250,000 girls in UK gang raped by Pak link gangs"},"content":{"text":"At least 250,000 girls and likely more were subjected to gang rape, trafficking, torture, and coerced pregnancy over several decades, with the perpetrators overwhelmingly being of Pakistani Muslim heritage and the enabling institutions overwhelmingly of the British state, according to a 219-page report released by a privately funded parliamentary inquiry into organised child sexual exploitation in the United Kingdom (UK). The Rape Gang Inquiry, chaired by Reform UK MP Rupert Lowe and led operationally by survivor and advocate Sammy Woodhouse, was funded by over 20,000 donors. It did not have statutory powers, however, it included testimony from survivors, whistleblowers, politicians, and experts across multiple public hearings, according to a report in US-based South Asian TV network Diya TV. According to the report, the inquiry was started as the state and its institutions had \"failed catastrophically over decades.\" Police, social services, schools, the NHS, licensing authorities, and successive governments at local and national level allowed organised networks of men to operate with what the report termed as the “active or passive consent of the British state.” The report has included the first recorded case of Pakistani gang rape in UK in 1955, when four Bradford-based Pakistani men were charged with raping a 15-year-old girl from Middlesbrough. \"The 250,000 figure originates from a 2019 House of Lords statement by Lord Pearson of Rannoch, who extrapolated from the Jay Report’s findings in Rotherham — where at least 1,400 girls were abused between 1997 and 2013 — alongside comparable inquiries in Telford, Oxford, Rochdale, and elsewhere. The inquiry endorses this as a 'conservative estimate,' noting that the British state never systematically recorded the full scale of the abuse, that sexual violence of all kinds is typically under-reported, and that The Independent found nearly 19,000 children identified as sexual exploitation victims in England in a single year even amid institutional resistance to naming the problem,\" the Diya TV report stated. According to the inquiry, evidence of gang operations were found in at least 149 local authority districts in the UK. In court records and official inquiries, approximately 87 per cent of those convicted in group-based child sexual exploitation cases were Muslim names, it was reported. A 2017 Quilliam Foundation analysis of 264 convictions from 2005-2017 found that 84 per cent of offenders were South Asian, with the vast majority identified as Pakistani Muslim. Taj Hargey, an imam at the Oxford Islamic Congregation, estimated that approximately 95 per cent of gang members are Muslims, according to the report. The method of grooming involved same pattern with girls as young as 11 years old being befriended by a young Muslim man who treated them like adults and provided alcohol, drugs, and cigarettes. After weeks or months, girls were picked up from school gates, care homes, and streets in taxis and taken to houses, restaurants, and hotels where they were raped repeatedly by groups of men. In some cases, videos of girls were made for blackmail, they were beaten, burned with cigarettes and passed between perpetrators, made pregnant and forced to abort and trafficked overseas in some cases, including to Pakistan, where some were made to marry in Muslim marriage ceremony. Victims were told they were \"white trash\" or \"kuffar\" who should be punished for being non-Muslim, the report detailed. The testimony section of the report consists of over 100 pages, where dozens of survivors have shared abuse ordeals. One witness, identified as \"Chloe\", said she was first raped at 11 years of age after her father's death left her in the custody of an abusive step father. She was missing for six months at the age of 14 years and trafficked from \"house after house\" and \"guy after guy\" in the UK while her photographs were shared on television as a missing child. Officers who found her released the South Asian man she was with without any charge, Diya TV reported, citing the report. Later, she became anorexic, weighing five stone at age 18, after gang members who had kept her addicted her to heroin as a method of control. It also highlighted institutional failures across police, social services departments, the NHS, schools, and taxi licensing authorities. As per the report, police ignored repeated complaints from survivors, identified child rape victims as prostitutes, destroyed evidence, allowed known rapists to walk free on bail. NHS staff recorded genital injuries, sexually transmitted infections in children as young as 13 years, rape-caused pregnancies and suicide attempts and then sent back patients with their abusers without trauma care or safeguarding referrals. Schools excluded victims instead of protecting them and did not report about elderly men picking up girls at the gates. Taxi licensing authorities renewed permits for drivers who the inquiry said were the the logistical backbone of the networks."},"img":{"url":"https://images.prismic.io/prad%2F1e71fb32-c233-48e3-891d-c5091f28103a_rape.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-06-19T15:07:00+0000","embed":{"embed_url":null}},"uid":"at-least-250000-girls-in-uk-gang-raped-by-pak-link"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"RGV Eyes Daya Nayak Biopic?"},"content":{"text":"Renowned filmmaker Ram Gopal Varma is reportedly in discussions to helm a biographical film centered on the life of celebrated Mumbai encounter specialist, Daya Nayak. The project is currently in the early stages of development, with a focus on shaping the screenplay and determining the narrative approach. Sources suggest that a major studio is expected to back the film. Industry insiders have indicated a growing momentum around the idea of a Daya Nayak biopic, with efforts concentrated on crafting an impactful portrayal of Nayak's significant role in Mumbai's policing history.  Discussions have also surfaced on the potential connection of the proposed film to Varma's acclaimed 'Company' universe. There have been talks about integrating the biopic into the larger world of 'Company,' as Varma had previously explored the idea of a sequel focusing on encounter specialists. Notably, Daya Nayak was expected to lend his expertise as a consultant during the initial conversations. At present, it remains undecided whether the biopic will stand alone or become part of a broader cinematic universe.  This reported development coincides with Varma's return to the limelight with several ambitious projects, including the much-anticipated crime thriller 'Syndicate' and the announcement of 'Sarkar 4,' a political crime drama featuring Amitabh Bachchan and Abhishek Bachchan. Varma's creative vision continues to capture attention and inspire the industry, signaling an exciting phase for Indian cinema."},"img":{"url":"https://images.prismic.io/prad/6147f954-245f-41c0-8a1e-478565ac0e36_RGV.JPG?auto=format,compress"},"datetime":"2026-06-19T11:21:00+0000","embed":{"embed_url":null}},"uid":"rgv-eyes-daya-nayak-biopic"}},{"node":{"tags":["politics","featured","four"],"data":{"third_party_url":null,"title":{"text":"Jagan Secures Legal Win In T'gana HC"},"content":{"text":"In a significant ruling that underscores the complexities surrounding high-profile corruption cases, the Telangana High Court has dismissed appeals from the Enforcement Directorate (ED) challenging the release of properties linked to the controversial VANPIC quid pro quo investigation involving former Andhra Pradesh Chief Minister Y.S. Jagan Mohan Reddy. The ruling, handed down by a division bench, affirms a previous order from the Appellate Tribunal that found insufficient grounds for the ED's claims, marking a pivotal moment in an ongoing legal battle that has attracted considerable public and political attention. The ED's appeals were directed against several individuals and entities implicated in the case, notably Jagan Mohan Reddy and industrialist Nimmagadda Prasad. The allegations center around claims that Prasad received substantial benefits from the VANPIC project in exchange for a hefty investment of ₹854.50 crore into companies linked to Reddy. The high court's ruling not only leaves the properties attached by the ED intact but also highlights the tribunal's rationale that investments made prior to the project's inception cannot be construed as illicit benefits directly associated with the VANPIC project. The VANPIC case has been at the forefront of legal controversies in Andhra Pradesh, stemming from allegations of corruption that date back several years. The ED initiated action under the Prevention of Money Laundering Act (PMLA) following claims that the investment by Prasad constituted a quid pro quo, a notion severely challenged by the tribunal's findings. The tribunal meticulously reviewed the timeline of events, concluding that the investments were made long before any alleged wrongdoing took place, thus complicating the ED's narrative of corruption and illegality. Legal experts suggest that the high court's decision may reflect a broader judicial skepticism towards the ED's aggressive tactics in prosecuting alleged financial crimes, particularly those involving political figures. As this case continues to unfold, the implications of the ruling could resonate throughout India's legal landscape, potentially impacting how similar cases are pursued in the future. The ED's efforts to overturn the tribunal's findings have been met with robust judicial scrutiny, reinforcing the delicate balance between legal enforcement and the fundamental principles of justice."},"img":{"url":"https://images.prismic.io/prad/810d1863-6597-42fe-a381-561dedc41fcd_Jagan+Padayatra.JPG?auto=format,compress"},"datetime":"2026-06-19T11:01:00+0000","embed":{"embed_url":null}},"uid":"jagan-secures-legal-win-in-tgana-hc"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"PK opened JSP office in T'gana"},"content":{"text":"Jana Sena Party on Friday opened its Telangana state office with the party president and Andhra Pradesh Deputy Chief Minister Pawan Kalyan declaring that Jana Sena will accelerate its political journey in Telangana. Addressing the party leaders after inaugurating the party office in Manikonda, he said people’s problems should be the agenda of the party. He called upon the party cadres to work to fulfil Telangana’s aspirations and hopes. He said the first priority should be the nation’s integrity and unity. The Jana Sena chief claimed that he understands the soul of Telangana. “The soil here, the struggles, the sacrifices—all of these have inspired me. The caste-free struggles for rights led by the youth in Telangana are immensely valuable. This is a land of struggles… a blessed land. The Jana Sena movement began from the soil of Telangana,” he said. The actor-politician provided direction to the party cadres on how the party’s journey in Telangana should progress. He urged them to take the party’s principles and ideology to the people. He urged the senior leaders to guide the newcomers, so they understand the party’s ideology. Pawan Kalyan called on them to conduct ‘Janavani’ in Telangana to listen to people’s problems. “When someone comes to us to share their problem, we must first respect them. We must listen to their issue carefully. We must find a solution. Prepare a plan to conduct the Janavani programme in Telangana as well. Listen to people’s issues from all regions. Bring the problems of those who come to us to the attention of officials and public representatives so they can be resolved. If they still remain unresolved, let’s think about how to launch public movements. First, set up a platform to fully hear people’s issues. Ensure this works strongly in all regions,” he said. The Jana Sena leader said that the Telangana region is like the heart of India. He recalled that with the iron man Sardar Vallabhbhai Patel’s vision, a five-day Police Action took place in Hyderabad. He said party leaders must fight with their lives for such a region and its people. The spirit of struggle in Telangana should be an inspiration to the nation, he added. Pawan Kalyan stated that the Jana Sena movement has begun in Kerala, Tamil Nadu, and Karnataka as well."},"img":{"url":"https://images.prismic.io/prad/ajVt9Y1P9HI4Uv_B_PK.JPG?auto=format%2Ccompress&rect=0%2C21%2C571%2C282&w=2028&h=1000"},"datetime":"2026-06-19T16:28:00+0000","embed":{"embed_url":null}},"uid":"pk-opened-jsp-office-in-tgana"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"RaGa turns 56, has declared assets worth 20 cr"},"content":{"text":"The Leader of the Opposition in the Lok Sabha, Rahul Gandhi -- who turned 56 on Friday -- has assets worth Rs 20.4 crore, including stock investments, mutual funds, and sovereign gold bonds, according to his affidavit filed for the 2024 Lok Sabha elections.  The affidavit -- submitted to the Election Commission -- provides details of Gandhi's financial holdings as of March 15, 2024. According to the data, his total movable assets were valued at Rs 9.25 crore, while immovable assets stood at Rs 11.15 crore. Gandhi's direct equity investments in 24 listed companies were valued at about Rs 4.33 crore. In his portfolio, the largest stock holding in Pidilite Industries, worth Rs 42.27 lakh, followed by Bajaj Finance at Rs 35.89 lakh, Nestle India at Rs 35.67 lakh, Asian Paints at Rs 35.30 lakh and Titan Company at Rs 32.59 lakh. In addition, the portfolio includes holdings in Hindustan Unilever, ICICI Bank, Infosys, ITC, Tata Consultancy Services, LTIMindtree, Divi's Laboratories, Deepak Nitrite, GMM Pfaudler, Garware Technical Fibres, Alkyl Amines Chemicals, Fine Organic Industries, Suprajit Engineering, Mold-Tek Packaging, Tube Investments of India, Dr Lal PathLabs, Info Edge, Vinyl Chemicals and Vertoz Advertising. The affidavit further records 1,900 equity shares of Young Indian, the company linked to the National Herald publication valued at Rs 1.90 lakh. Apart from direct equities, Gandhi's mutual fund investments worth was about Rs 3.81 crore across seven schemes. In this category, his largest mutual fund holdings were in an HDFC small-cap fund, with Rs 1.24 crore and an ICICI Prudential Regular Savings Fund worth about Rs 1 crore. However, an HDFC Hybrid Debt Fund accounted for another Rs 79.01 lakh. Together, Gandhi's listed shares, mutual funds and sovereign gold bonds were valued at around Rs 8.32 crore. Moreover, the affidavit lists 220 units of Sovereign Gold Bonds from the 2020-21 series valued at Rs 15.21 lakh. His Public Provident Fund balance of Rs 61.52 lakh with SBI, bank deposits of Rs 26.25 lakh across SBI and HDFC Bank accounts and cash in hand of Rs 55,000. In terms of jewellery and gold weighing the data showed 333.30 grams, including net gold of 168.80 grams valued at Rs 4.20 lakh. Meanwhile, the affidavit does not list any motor vehicle in his name. On the immovable assets front, the largest component was commercial office space at Signature Towers in Gurugram, valued at Rs 9.05 crore. The affidavit states that the declared purchase cost of the two office units was Rs 7.93 crore. He declared an inherited share in agricultural land and a farmhouse building at Sultanpur in Mehrauli, New Delhi, jointly held with his sister Priyanka Gandhi Vadra. The property was valued at Rs 2.10 crore. The affidavit does not list any residential apartment in Gandhi's name. Gandhi's declared assets have increased steadily over the years. His total assets were valued at Rs 55.38 lakh in 2004, Rs 2.33 crore in 2009, Rs 9.40 crore in 2014 and Rs 15.89 crore in 2019. The Rs 20.40 crore declared in 2024 represents an increase of about 28 per cent over the assets reported in his 2019 election affidavit."},"img":{"url":"https://images.prismic.io/prad/ajUcrY1P9HI4UuS0_raga.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T10:15:00+0000","embed":{"embed_url":null}},"uid":"raga-turns-56-has-declared-assets-worth-20-cr"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Suspended Andhra cop booked for disappearance of youth"},"content":{"text":"Andhra Pradesh Police have booked a suspended police officer for the disappearance of a youth and his alleged death in custody.  On a complaint by Gade Vijaya Lakshmi, mother of Gade Sai Krishna (26), who has been missing for more than a month, a case of wrongful confinement, murder and causing disappearance of evidence against Nagaraju, suspended Circle Inspector of Krishna Lanka police station. The case has been registered under sections 127 (4), 127 (6), 103 (1) and 238 of Bharat Nyaya Sanhita (BNS). Vijaya Lakshmi alleged that her son was tortured and beaten to death in custody. They demanded that the Andhra Pradesh government order a judicial probe into the issue and book all those responsible for it. According to her, police had picked up Sai Krishna on May 9 for questioning in a case, and he had not returned since. She filed a Habeas Corpus petition in the High Court, which directed the Krishna Lanka police to produce the victim before it on June 15. As the police could not produce Sai Krishna, the High Court directed the police to produce him by June 29. Andhra Pradesh Chief Minister N. Chandrababu Naidu on June 17 ordered a probe by a senior Indian Police Service (IPS) officer into the case. He also ordered suspension of Circle Inspector Nagaraju. Meanwhile, East Godavari district Superintendent of Police, D. Narasimha Kishore, who has been tasked to lead the investigation, will arrive in Vijayawada later in the day. He will meet Director General of Police (DGP) Harish Kumar Gupta and Vijayawada Police Commissioner S.V. Rajashekar Babu. The SP will later visit Krishna Lanka police station to initiate the investigation. Former Chief Minister and YSR Congress Party president Y. S. Jagan Mohan Reddy, who visited Vijayawada and called on Vijaya Lakshmi on Thursday, demanded a probe by the Central Bureau of Investigation (CBI). He alleged that the case involved not only the suspended Circle Inspector but also senior police officials, including the Vijayawada Police Commissioner and the State DGP. The YSRCP chief said the incident had exposed the alarming state of law and order in Andhra Pradesh."},"img":{"url":"https://images.prismic.io/prad/3705413e-897c-4374-9ac4-8074c3e30bc7_FIR.JPG?auto=format,compress"},"datetime":"2026-06-19T03:55:00+0000","embed":{"embed_url":null}},"uid":"suspended-andhra-cop-booked-for-disappearance-of-y"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"‘Kala Hiran’ producer gets 2nd death threat"},"content":{"text":"‘Kala Hiran’ producer Amit Jani, who on June 18 had alleged that he is receiving threats from Pakistan ahead of the release of the film, has now claimed  that he received a second death threat within 24 hours, just hours after reporting an earlier threat to the police.  In a fresh complaint submitted to the police in Jodhpur, the producer took to X, where he shared a picture of the complaint letter and claimed that an unidentified caller threatened to kill him within three days. He wrote as the caption: “For the second time in 24 hours, I have been threatened with murder; the moment the first case was registered, the second threat arrived. I request @Igp_Jodhpur @CP_Jodhpur @RajPoliceHelp @PoliceRajasthan @RajPoliceHelp @RajGovOfficial @HMOIndia to kindly take the trouble of immediately registering a case and getting the person issuing this threat arrested.” The letter read: “Mujhe aaj Pakistani aatankvaadi Shahzad Brahmadag Bugti dwaara bhi dhamki di gayi thi, jiski soochna maine aapke thane mein darj karai hai. (Earlier today, I also received a threat from Pakistani terrorist Shahzad Brahmadag Bugti, regarding which I have already lodged a complaint at your police station.)” “Ek baar punah mujhe mere mobile number 9811999801 par raat 11:06 PM par 9735279983 se dhamki bhara call aaya hai. Dhamki dene wale ki aawaaz ko surakshit (record) kar liya gaya hai. Dhamki dene wala bata raha hai ki vah film actor Salman Khan ka fan hai aur vah mujhe agle teen din ke andar murder kar dega.” (Once again, I received a threatening phone call on my mobile number 9811999801 at 11:06 PM from the number 9735279983. The voice of the caller has been safely recorded. The caller claimed to be a fan of film actor Salman Khan and threatened to murder me within the next three days.) “Gyaatavya hai ki vigat no. 32 Ummed Heritage mein ruka hua hoon tatha aaj bhi teen ghante ke antaraal mein mujhe yah hatya ki doosri dhamki mili hai. (It is pertinent to mention that I am currently staying at No. 32, Ummed Heritage. This is the second death threat I have received today within a span of three hours.)” He requested the police to arrest the person issuing these threats and register a case on his complaint. “Kripya dhamki dene wale ko giraftar karne tatha mera mukadma darj karne ka kasht karein. Mujhe aashanka hai ki yah dhamki dene wala aatankvaadi bhi ho sakta hai aur aatankvaadi Shahzad Brahmadag Bugti ka gurga bhi ho sakta hai. Choonki mujhe maatra teen din ka samay diya gaya hai, isliye prarthana hai ki mukadma darj karte hue sheeghra iski giraftari karane ka kasht karein.” (I request you to kindly arrest the person issuing these threats and register a case on my complaint. I fear that the caller may be a terrorist or an associate of terrorist Shahzad Brahmadag Bugti. Since I have been given only three days' time, I earnestly request that a case be registered immediately and the accused be arrested at the earliest.) It was on June 18, when Jani took to X, formerly Twitter, and penned a long note in which he shared the details of the threat issued to him by a “Pakistani terrorist” as the latter sided with Bollywood superstar Salman Khan. He wrote, “I am receiving calls and messages late at night from Shahzad Bhatti, the declared Pakistani terrorist, threatening to kill me in a drone and grenade attack while taking Salman Khan's side. I have informed the Ministry of Home Affairs, Rajasthan Police, and CRPF officials. “Salman Khan is fighting on two fronts, on one side, there is a hearing today in the Delhi High Court against him for the ‘Kala Hiran’ case, on the other side, he has already orchestrated thousands of threats through his toolkit.” “Kala Hiran” is based on the blackbuck poaching case involving Bollywood superstar Salman Khan. Since, the film is inpisred from real life events, the producer has alleged tremendous pressure from the superstar to not release the film. He further mentioned, “When I didn't get scared by the threat that came in the name of D Company, now they have gotten declared terrorist Shahzad Bhatti to call and message me... SHAME ON YOUR STARDOM AND FAKE SLOGAN OF BEING HUMAN But I am not scared. Even if I am murdered, after my death, my team will release ‘Kala Hiran’ so that the world can see the Bishnoi community's saga of struggle and history of sacrifice (sic)”."},"img":{"url":"https://images.prismic.io/prad/ajUA2Y1P9HI4Ut44_kalahiran.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T04:30:00+0000","embed":{"embed_url":null}},"uid":"kala-hiran-producer-gets-2nd-death-threat"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"The Secret Behind Huma’s Long Route?"},"content":{"text":"Actress Huma Qureshi has revealed why she took the “longer route” on purpose in a recent social media post. Sharing a light-hearted video, she joked about being caught in a loop with the song ‘Kaun Hai Woh' playing on repeat. Huma captioned the post as, “Not sure if I’m taking the longer route on purpose, or if it’s just Kaun Hai Woh on repeat. #BabyDoDieDo #KaunHaiWoh.” In the video, the ‘Gangs of Wasseypur’ actress is seen driving the car and singing the song. Singer Mohit Chauhan has lent his voice to the track “Kaun Hai Woh” from Huma Qureshi-starrer “Baby Do Die Do.” The song has been composed by Arjun Iyer, with lyrics penned by Iyer and WB Sam. The romantic number portrays the growing love story between Huma Qureshi’s character Baby and Rachit Singh’s Siddhu, capturing the emotional depth and charm of their relationship. Speaking about the song, Mohit Chauhan shared in a statement, “What I loved most about ‘Kaun Hai Woh’ is the mystery woven into its melody. It doesn’t tell you everything upfront; instead, it invites you into Baby’s world one emotion at a time. There is a sense of curiosity and vulnerability in the song that I really connected with as a singer. I hope listeners enjoy discovering the many layers of the track and the love it represents.” The upcoming film stars Huma in the role of Baby Karmarkar, aka India’s first desi hitwoman. It also features Sikandar Kher, Chunky Panday, Rachit Singh, Marudha Shekhawat, Vidya Malvade, Arun Kushwah and Himanshu Malik. Directed by Nachiket Samant and produced by Saqib Saleem, the film is slated to hit theatres on 3rd July."},"img":{"url":"https://images.prismic.io/prad/ajT4i41P9HI4Ut01_huma.JPG?auto=format,compress"},"datetime":"2026-06-19T05:35:00+0000","embed":{"embed_url":null}},"uid":"the-secret-behind-humas-long-route"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Kajal Brings Soul To #NBK111!"},"content":{"text":"Director Gopichandh Malineni, who is now directing actor Nandamuri Balakrishna's next film tentatively titled #NBK111, on Friday penned a heartfelt birthday post for actress Kajal Aggarwal in which he thanked her for bringing \"heart, strength and soul\" to his film.  Taking to his X timeline to pen the birthday post to Kajal Aggarwal, Gopichandh Malineni wrote, \"Happy Birthday dearest @MsKajalAggarwal garu. Beyond the performer everyone admires, I have had the privilege of knowing the wonderful person behind it all. Thank you for bringing heart, strength and soul to #NBK111.\" A few days ago, the makers of the film had released a glimpse video of the film on the occasion of Balakrishna's birthday. Set against the turbulent backdrop of 1993 Bombay, the promo showed a dark and violent landscape. Into this world, Balakrishna was seen walking, carrying an intimidating blend of style, aggression, and authority. The glimpse video made it evident that director Gopichand Malineni had designed this film as a grand action saga. Balakrishna’s character in this film is being described as the \"King Of Chaos\". In May this year, the makers of the film had announced that actor Manchu Manoj had come on board the film. The announcement, which was made on the birthday of actor Manchu Manoj, created tremendous excitement across the industry, with fans calling it one of the biggest casting coups in recent times. Manoj Manchu had shared an emotional note on Instagram expressing his excitement about the film and the special bond he shares with both Balakrishna and Gopichand Malineni. “Some birthdays come as blessings. And this birthday has brought me one of the most special gifts I could have asked for... And finally... it's happening.A long awaited combination with our Lion NBK Balayya anna, under the direction of Gopichand Malineni Garu. A moment that makes this birthday all the more memorable and deeply personal for me. Among everything that lies ahead, this project will always remain especially close to my heart because of the bond and respect I share with both my Balayya anna and Gopichand Garu. Thank you all for the love and beautiful wishes. Among the exciting lineup ahead, one promise to all the fans — this time is going to be a solid treat on screen, and truly worth the wait,” he had said."},"img":{"url":"https://images.prismic.io/prad/ajT24o1P9HI4Ut0c_kajalaggarwal.JPG?auto=format%2Ccompress&rect=0%2C90%2C450%2C222&w=2028&h=1000"},"datetime":"2026-06-19T04:59:00+0000","embed":{"embed_url":null}},"uid":"kajal-brings-soul-to-nbk111"}},{"node":{"tags":["Editorial","featured","three"],"data":{"third_party_url":null,"title":{"text":"Thaagu - Vugoo Scheme: A New Economic Growth Discourse"},"content":{"text":"“మందు బాబులం మేము మందు బాబులం. మందు కొడితే మాకు మేమే మహారాజులం”( Alcoholics we are, proud alcoholics we stand, with a drink in our hand, we rule our own land)… The famous song from Gabbar Singh, incidentally starring the state's Deputy CM, Pawan Kalyan, seems all set to become Andhra Pradesh’s unofficial new state anthem. Forget about anthems of development; the state's youth may soon be rolling on the sand, singing about how alcohol makes them the rulers of their own world. This is the unfolding reality under the government’s new \"Beach Shacks\" policy, which critics argue plans to turn peaceful coastlines into loud party zones. Soon, the only waves visible on Andhra's beaches might be the ones made by intoxicated citizens stumbling around temporary sandcastles, completely numbed by state policy. Under the \"visionary,\" CEO-style leadership of Chief Minister N. Chandrababu Naidu, the state is undergoing a radical rebranding. Once positioned as a budding IT and industrial hub, parts of it are being repositioned as a paradise for the bottle. Coastlines once touted as potential “Silicon Valleys” are now being cleared for wine hubs. The government frames this as a new \"Economic Growth Discourse.\" In simple terms, it appears the state is trading its natural, pristine coastlines for free-flowing liquor counters on the beach. Critics have rightly branded this the “Thaagu-Vugoo” (Drink & Dance) scheme. While marketed under the grand corporate nomenclature of “Sampada Sristi” (Wealth Generation), it reads more like a desperate cover-up for a stagnant economy. Unable to generate sustainable employment for its youth, the administration is effectively transforming the unemployed into a demographic of consumers, letting them feel like \"kings on the sand\" courtesy of state-sponsored bars. Clearly, the state's leadership has a unique take on macroeconomics. If a high-quality workforce is key to growth, the administration's chosen method to improve youth well-being is serving them liquor on scenic beaches. The underlying strategy seems clear: keep the unemployed youth distracted so they forget their financial miseries. It serves as a potent distraction from the lack of structural development—a development that, as of now, remains a grand vision projected strictly on digital graphics. This political math isn't unique. Just as leaders globally use populist rhetoric to capture the public imagination, the administration here has deployed its own political \"Trump Card\"—a local version of \"MAGA\" (Make Alcohol Great Again). It is a calculated matrix: revenue generation on one hand, and tactical politics on the other. Yet, the actual economic reality remains grim. The bottom 40% of self-employed workers earn a miserable ₹174 a day in villages and ₹224 in towns (Based on reports of Periodic Labour Force Survey). While this falls below basic daily minimum wages, it is apparently deemed just enough to afford a quarter of liquor. The core issue is not a lack of people willing to work, but the government's systemic failure to create real, dignified jobs. In such a fractured job market, opening liquor shops on the beach may employ a fortunate few as bartenders, but it does nothing to structurally repair the economy. It is a cosmetic strategy that risks turning beautiful beaches into state-funded drinking dens under the guise of \"Goa-style\" tourism. When Chandrababu Naidu campaigned on the promise of “quality liquor at cheaper prices,” he was evolving both an electoral strategy and a revenue model. He was fully aware that alcohol culture quickly adapts to a \"bang-for-the-buck\" mentality, consuming the maximum amount of alcohol on scenic golden beaches at the minimum possible cost. The latest \"Beach Shacks\" move attempts to politically bypass the harmful social effects of liquor consumption to feed an insatiable appetite for state revenue. The administration is not torn between mitigating the public health impacts of drinking and maximizing its coffers; it has openly leaned into the fact that the more people drink, the more revenue flows. Ultimately, attempts to sway voters with cheap alcohol always seem to go down smoothly. Such policies allow the public to remain intoxicated, making it easier for the leadership to exploit them politically. In this new paradigm, it is liquor politics that keeps the constituency compliant, where a quality quarter bottle in hand, while strolling on the pristine sand beaches provides the temporary, sovereign illusion of ruling one's own land."},"img":{"url":"https://images.prismic.io/prad/ajT8oY1P9HI4Ut2Q_mandubeach.JPG?auto=format,compress"},"datetime":"2026-06-19T08:24:00+0000","embed":{"embed_url":null}},"uid":"thaagu---vugoo-scheme-a-new-economic-growth-discou"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Allu Arjun Gets Court Summons"},"content":{"text":"A city court on Friday issued summons to popular Tollywood actor Allu Arjun in the Sandhya Theatre stampede case. Allu Arjun has been directed to personally appear before the court on June 22. The actor is accused number 11 (A11) in the case relating to the stampede at the Sandhya Theatre on December 4, 2024. A woman was killed, and her son was critically injured in the stampede during the premiere show of 'Pushpa 2: The Rule'. Nampally Criminal Court has so far issued summons to 19 accused in the case. The police have named a total of 23 accused in the case. Individuals in the management of the theatre are named as the first 10 accused in the case. Eight bouncers of the actor are also listed as accused. The trial in the case will begin after the accused personally appear before the judge. On December 4, 2024, Allu Arjun attended a special screening of ‘Pushpa 2: The Rule’ at the Sandhya Theatre. The victim, M Revathi, had attended the premiere with her husband and their children. On the actor’s arrival, the crowd went crazy, leading to a stampede in the theatre. The woman died in the stampede while her son suffered serious injuries. The police booked the theatre management, Allu Arjun and his team for culpable homicide not amounting to murder. Allu Arjun was arrested on December 13, 2024, in the case. He was produced before the Nampally court, which remanded him to 14-day judicial custody. His lawyers approached the High Court, which granted him interim bail the same day. He was released from jail the next day. Later, the Nampally Court granted him regular bail. As part of the investigation into the stampede, the police interrogated Allu Arjun on December 24. He was questioned for three hours at Chikkadpally Police Station based on a 10-minute video prepared by the police by compiling CCTV footage of the incident. Police had filed a chargesheet against 23 accused in December last year."},"img":{"url":"https://images.prismic.io/prad/aYtqRN0YXLCxVqTk_alluarjun.JPG?auto=format,compress"},"datetime":"2026-06-19T09:25:00+0000","embed":{"embed_url":null}},"uid":"allu-arjun-gets-court-summons"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Electric failure led to AI 171 Boeing crash?"},"content":{"text":"The Federation of Indian Pilots (FIP) has challenged the official narrative related to the tragic crash of Air India Boeing Flight AI 171, just seconds after take-off from Ahmedabad airport on June 12, 2025, claiming that new simulator data points to a massive systemic electrical failure that caused the plane crash rather than pilot suicide.  Addressing a press conference, FIP President Captain C.S. Randhawa claimed that investigators ignored crucial technical evidence and intentionally sidelined India's foremost aviation experts to protect a predetermined conclusion. The official interim report into the disaster claimed that the flight crew deliberately cut off fuel supplies to the engines in a coordinated suicide pact. According to government investigators, the manual shutdown caused the aircraft's ram air turbine — a backup power system that deploys automatically during total power loss — to drop just four seconds later. However, Randhawa said that the FIP recently conducted exhaustive simulator tests replicating the exact weight, balance and weather conditions of the flight in question. The results, he stated, completely dismantle the official timeline. \"Our simulator tests prove that a manual fuel cut-off takes a full 18 seconds to drop that backup turbine. The official timeline of four seconds is physically and technically impossible under a manual shutdown scenario,\" he observed. The FIP argues that the backup turbine was deployed so rapidly because a catastrophic electrical failure crippled the aircraft before the engines stopped. This systemic glitch, the federation claims, is what actually tripped the engine switches and ultimately brought down the plane. FIP also said that the lone survivor of Flight 171 reported seeing the cabin lights flicker and dim right before the aircraft began its terminal descent -- a detail that perfectly aligns with the FIP's theory of a sudden, massive power failure. The pilots’ federation further stated that the aircraft involved in the crash reportedly had a documented history of unresolved electrical problems leading up to the fatal flight. The FIP alleged that government investigators intentionally sidelined Captain R.S. Sandhu, widely regarded as India's top Boeing 787 expert, from the actual investigative testing. \"They are ignoring the input of our most experienced pilot because his knowledge would completely disprove their 'pilot suicide' theory. It is easier to blame dead pilots who cannot defend themselves than to confront a major mechanical or software flaw,\" Randhawa alleged. The FIP confirmed it has formally submitted its simulator data and findings to both Boeing and government aviation authorities. The federation is demanding an immediate halt to the publication of the final accident report until the mathematical and technical discrepancies regarding the turbine deployment are fully investigated. FIP has also demanded the immediate reinstatement of Captain Sandhu to the official investigation team to ensure a transparent and unbiased review of the data."},"img":{"url":"https://images.prismic.io/prad/aE6iYLNJEFaPX-E9_AI171.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T09:33:00+0000","embed":{"embed_url":null}},"uid":"electric-failure-led-to-ai-171-boeing-crash"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"How 6 UBT MPs Switched to Shinde Camp!"},"content":{"text":"The political landscape of Maharashtra has been upended once again by a meticulously planned, highly confidential defection codenamed \"Operation Tiger\". Orchestrated by Maharashtra's political strategists, the operation successfully split the Shiv Sena-UBT Parliamentary wing, leaving Uddhav Thackeray with just three loyal Lok Sabha MPs out of nine. Despite a strict party whip issued to attend a crucial Parliamentary Party meeting on Thursday in Delhi, six MPs revolted, skipped the meeting, and formally moved to align themselves with Deputy Chief Minister and Shiv Sena Chief leader Eknath Shinde's faction. The Shinde faction insiders said that to avoid raising red flags within the Uddhav Thackeray-led faction, the six rebel MPs travelled from different locations, taking entirely separate routes and modes of transport to converge on the national capital. On June 16 at 1:30 a.m., rebel Shiv Sena-UBT MP Nagesh Patil Ashtikar arrived in Delhi via flight from Nanded. On the same day, Sanjay Deshmukh and Sanjay Bandu Jadhav arrived in the afternoon on separate flights from Nanded. In the evening, Bhausaheb Wakchaure reached Delhi via private jet from Hyderabad. In the night, Sanjay Dina Patil arrived with Minister Pratap Sarnaik. On June 17, at 3 a.m., Deputy Chief Minister Eknath Shinde arrived in Delhi via Mumbai-Jaipur route and at 4:30 a.m., Omprakashraje Nimbalkar arrived in Delhi via Pune. Upon their arrival, all six MPs were quietly checked into Delhi's five star hotel which served as the operational base. On the morning of June 17, the Shiv Sena-UBT split was formalised in consecutive, tightly scheduled meetings with Lok Sabha Speaker Om Birla. At 7 a.m. on Wednesday, rebel Shiv Sena-UBT MP Omprakashraje Nimbalkar met with Speaker Om Birla alone to set the groundwork. At 10:20 a.m. on the same day, the remaining five MPs joined Nimbalkar to hand over a signed, official resolution. In their formal submission to the Lok Sabha Speaker, the six MPs declared that the Shiv Sena-UBT had deviated significantly from its core ideological foundation, alleging that senior party leaders were actively attempting to merge the party into Congress. Saying that they had collectively decided to form a separate group, they officially requested to merge with Eknath Shinde's Shiv Sena faction and demanded that their seating arrangements in the Lok Sabha chamber be changed to reflect this shift. The critical turning point occurred late on the night of June 17. The Uddhav Thackeray group's Parliamentary leader, Arvind Sawant, had called for a \"Litmus Test\" meeting the following day to gauge the MPs' loyalty. To prevent any counter-negotiations or change of heart, Shrikant Shinde (Shiv Sena MP and the son of Deputy Chief Minister Eknath Shinde), who was managing the ground operations in Delhi, initiated a vital 30-minute late-night conference call between Deputy CM Eknath Shinde and the block of six MPs. During this call, specific anxieties surrounding high-profile MPs like Omprakashraje Nimbalkar (Dharashiv) and Sanjay Dina Patil (North East Mumbai) were resolved. Shrikant Shinde gave a firm assurance, saying: \"The Shiv Sena will stand solidly behind you.\" Following the call, and to ensure the rebel Shiv Sena-UBT MPs remained entirely out of reach of Uddhav Thackeray's emissaries, the six MPs were quietly moved at dawn on Thursday from their Delhi hotel to a secure location in Rajasthan's Jaipur. Immediately after submitting their letters, the rebel Shiv Sena-UBT MPs dispersed across the country to maintain a low profile. Nagesh Patil Ashtikar flew to Chennai, then travelled to Tirupati for darshan, Bhausaheb Waghchaure travelled to Varanasi, Sanjay Deshmukh and Sanjay Jadhav at Ayodhya, Sanjay Patil returned to Mumbai while Omprakash Raje travelled back to Pune. With six out of nine Lok Sabha MPs defecting, the Shinde faction holds a clear two-thirds majority of the Parliamentary Party, heavily tilting the legal scales in their favour under the anti-defection laws (the Tenth Schedule of the Indian Constitution). Aggrieved by the defiance of their party whip, the Uddhav Thackeray-led faction has announced plans to aggressively approach Speaker Om Birla to demand the immediate disqualification of the six members. Sources within the Shinde camp indicate that they are moving deliberately. No joint photographs or formal merger announcements will be made for the next 48 hours while legal teams vet potential counter-moves from the Opposition. A formal in-person meeting between Eknath Shinde and the six MPs is scheduled for June 20, where the official paperwork and reasons for their departure will be made public. Meanwhile, anticipating localised political backlash following sharp public warnings from Shiv Sena-UBT leader Sanjay Raut, police security has been significantly beefed up outside the residences of all six rebel MPs across Maharashtra."},"img":{"url":"https://images.prismic.io/prad/1efd80a9-32ea-4bc7-b76e-e383a46ccde1_uddhavshinde.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-18T11:30:00+0000","embed":{"embed_url":null}},"uid":"how-6-ubt-mps-switched-to-shinde-camp"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Jacqueline's Chilling New Chapter"},"content":{"text":"In a significant career shift, Jacqueline Fernandez is poised to make her mark in the horror genre with her upcoming film, marking a departure from her established roles in light-hearted comedies and dramas. The actress, who has been diligently searching for the right project to explore this darker facet of cinema, has reportedly found a script that resonates with her artistic aspirations. This venture promises to weave together elements of horror, emotion, and music, creating a multifaceted theatrical experience for audiences. While the specifics of the film's title and its director remain undisclosed, the anticipation surrounding this project is already palpable. The film is being produced by Khyati Madaan's Not Out Entertainment and is expected to be a grand production. Sources indicate that not only has a teaser been filmed, but a song has also been recorded, demonstrating the ambitious scope of this project. The film is slated to begin principal photography by the end of this month, with the cast currently engaging in workshops to hone their performances. Fernandez will lead the ensemble, joined by two male co-stars who have yet to be announced, further amplifying intrigue about the film's final lineup. This marks a notable milestone for Fernandez, as her prior experience in the horror genre was limited to the horror-comedy Bhoot Police. In that film, she showcased her ability to blend humor with fear, but this new project will be her first foray into a serious horror narrative. This transition reflects a broader trend in Bollywood, where established stars are looking to diversify their portfolios by tackling more complex, genre-defining roles. Fernandez's choice to embrace horror signifies her commitment to evolving as an actress and appealing to a wider audience. As Fernandez continues to carve her path in this challenging genre, her recent ventures also highlight her versatility. Having recently completed work on Housefull 5, and with Welcome To The Jungle on the horizon, she is maintaining a robust slate of films. The industry's eyes are now on her horror debut, which not only signals a personal evolution for the actress but also a strategic move within a genre that has been gaining traction in Indian cinema. As the project unfolds, the film community eagerly anticipates how Fernandez will navigate this new terrain and what it may mean for her future roles in the industry."},"img":{"url":"https://images.prismic.io/prad/aCsTUidWJ-7kSSs-_jacque2028.JPG?auto=format,compress"},"datetime":"2026-06-18T10:30:00+0000","embed":{"embed_url":null}},"uid":"jacquelines-chilling-new-chapter"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Producer's Explosive Allegation Against Salman"},"content":{"text":"Producer Amit Jani, who has bankrolled the upcoming film ‘Kala Hiran’, has alleged that he is receiving threats from Pakistan ahead of the release of the film. On Thursday, he took to his X, formerly Twitter, and penned a long note in which he shared the details of the threat issued to him by a “Pakistani terrorist” as the latter sided with Bollywood superstar Salman Khan. He wrote, “I am receiving calls and messages late at night from Shahzad Bhatti, the declared Pakistani terrorist, threatening to kill me in a drone and grenade attack while taking Salman Khan's side. I have informed the Ministry of Home Affairs, Rajasthan Police, and CRPF officials. Salman Khan is fighting on two fronts, on one side, there is a hearing today in the Delhi High Court against him for the ‘Kala Hiran’ case, on the other side, he has already orchestrated thousands of threats through his toolkit”. The film is based on the blackbuck poaching case involving Bollywood superstar Salman Khan. Since, the film is inpisred from real life events, the producer has alleged tremendous pressure from the superstar to not release the film. He further mentioned, “When I didn't get scared by the threat that came in the name of D Company, now they have gotten declared terrorist Shahzad Bhatti to call and message me... SHAME ON YOUR STARDOM AND FAKE SLOGAN OF BEING HUMAN But I am not scared. Even if I am murdered, after my death, my team will release ‘Kala Hiran’ so that the world can see the Bishnoi community's saga of struggle and history of sacrifice (sic)”. Earlier, the producer had alleged that he is initiating legal action against actor Govind Namdeo. The producer earlier took to his X, formerly Twitter, and shared a video in which he lashed out at the actor for making false statements, and saying that he worked on the film under the false pretext. Prior to this, the producer had alleged that he got a court notice from Salman, which the former tore in front of the camera."},"img":{"url":"https://images.prismic.io/prad/f2a9abfd-4554-44e1-9dbb-6f5ec03d2d44_salman+dabangg+3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-18T11:42:00+0000","embed":{"embed_url":null}},"uid":"producers-explosive-allegation-against-salman"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Samantha Breaks Silence on Weight Loss"},"content":{"text":"Samantha Ruth Prabhu, the acclaimed actress known for her dynamic roles in Indian cinema, has candidly opened up about her significant weight loss, attributing it to her battle with myositis, an autoimmune disorder that has severely impacted her health and dietary habits. In a recent interview while promoting her upcoming film, 'Maa Inti Bangaram', Prabhu addressed the relentless inquiries regarding her changing appearance, shedding light on the often-ignored realities faced by those living with chronic conditions. 'It’s not that I don’t want to eat; I can’t eat,' she stated, emphasizing the lack of understanding surrounding autoimmune illnesses and their profound effects on daily life. For two arduous years, Samantha took a hiatus from her successful acting career to prioritize her health, during which food became a major trigger for her myositis symptoms. She revealed that any food that upset her gastrointestinal health could exacerbate her condition, leading to a stringent and monotonous diet. 'During those years, my meals were not just limited; they were bland, repetitive—breakfast, lunch, and dinner were the same,' she shared, conveying the emotional and physical toll this dietary restriction took on her well-being. This period of enforced abstinence from a varied diet starkly contrasts the vibrant lifestyle one would associate with a thriving film star. Samantha's diagnosis, publicly disclosed in 2022 during promotional events for her film 'Yashoda', marked a turning point in her life and career. Since then, she has utilized her platform not only to raise awareness about myositis but also to advocate for greater empathy towards individuals grappling with similar health challenges. Her journey, characterized by resilience and vulnerability, has resonated with many. The actress’s story serves as a poignant reminder of the unseen battles that accompany chronic illnesses, urging both fans and the public to consider the complexities behind appearances that may seem simply cosmetic. In a heartwarming turn, Samantha shared that her health journey influenced the name of her beloved pet cat, Gelato. After enduring stringent dietary restrictions, gelato was among the first treats she could reintroduce into her meals, representing a small, joyful return to normalcy. 'It was the first thing I was allowed to add back into my diet,' she reflected, illustrating how even the simplest pleasures can become monumental in the face of hardship. As she prepares for the release of 'Maa Inti Bangaram', set for June 19, Samantha continues to champion awareness and understanding of autoimmune disorders while navigating her personal and professional life with remarkable strength."},"img":{"url":"https://images.prismic.io/prad/aDVolSdWJ-7kSkBU_sam.JPG?auto=format,compress"},"datetime":"2026-06-18T14:54:00+0000","embed":{"embed_url":null}},"uid":"samantha-breaks-silence-on-weight-loss"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Ed arrested ex-minister's son in Andhra"},"content":{"text":"In a significant development in Andhra Pradesh’s ongoing fight against corruption, the Enforcement Directorate (ED) has arrested Karumuri Sunil, the son of former state minister Karumuri Nageswara Rao, in connection with an alleged liquor transportation scam. Authorities allege that Sunil was instrumental in facilitating illicit activities linked to a sophisticated syndicate under investigation for violations of the Prevention of Money Laundering Act. This arrest highlights the intersection of politics and crime in a region long plagued by allegations of corruption, raising questions about the integrity of political connections in business dealings. The investigation reveals that Sunil purportedly leveraged his father’s influential connections to secure lucrative transportation sub-contracts for the liquor syndicate. Specifically, he is accused of acting as a conduit between the syndicate and local contractors, manipulating contracts to favor certain entities, including Sudarsana Constructions. Reports suggest that he maintained close ties with prominent figures in the Andhra Pradesh State Beverages Corporation Limited (APSBCL), enabling him to orchestrate the awarding of contracts under seemingly legitimate pretenses while facilitating illicit financial flows. The backdrop of this scandal is rooted in a broader scheme involving substantial cash transactions and alleged kickbacks. Investigators claim that monthly cash amounts between ₹50 lakh and ₹60 lakh were funneled to Raj Reddy, a key player in the syndicate, with around ₹20 lakh being redirected to D. Vasudeva Reddy, the managing director of APSBCL, as part of the corrupt arrangement. This web of deceit underscores the challenges faced by law enforcement in dismantling entrenched networks that exploit the intersection of governance and commerce for personal gain. Amid rising scrutiny, the ED is intensifying its probe into the financial mechanisms that underpin this alleged scam. It is currently examining multiple fund transfers executed via the Real-Time Gross Settlement (RTGS) system, which reportedly involved payments directed to Sunil and his family members from proceeds earned through these illicit contracts. As the investigation unfolds, the implications for both political accountability and public trust in governance remain profound, underscoring the necessity for transparency and integrity in public service."},"img":{"url":"https://images.prismic.io/prad%2F7a0b55ab-226f-452f-ad4f-8d6523baa0db_arrested.jpg?auto=format%2Ccompress&rect=0%2C54%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-06-18T11:23:00+0000","embed":{"embed_url":null}},"uid":"ed-arrested-ex-ministers-son-in-andhra"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Peddi' Shatters Records"},"content":{"text":"In a remarkable display of box office prowess, Ram Charan's action-packed drama 'Peddi' has eclipsed the ₹320 crore mark in global earnings by its 14th day of theatrical release. Despite the anticipated dip in ticket sales that often accompanies a second week, the film has proven resilient, continuing to captivate audiences both domestically and internationally. As reported by Sacnilk, the film garnered approximately ₹2.45 crore net in India on its 14th day, bringing its total net collection in the country to an impressive ₹226 crore. The film's gross revenue in India now stands at around ₹267.75 crore, showcasing its significant appeal across various demographics. Internationally, 'Peddi' has maintained its momentum, attracting viewers in overseas markets. On its 14th day, the film contributed an additional ₹0.25 crore abroad, amassing a commendable ₹52.45 crore in international grosses. This cumulative success across both domestic and international venues has propelled the film's worldwide gross earnings to approximately ₹320.20 crore, confirming its status as one of the standout cinematic offerings in recent months. Released on June 4, 2026, 'Peddi' opened to strong box office numbers, accumulating ₹193.55 crore net during its inaugural week, thereby setting a high bar for its subsequent performance. The film's trajectory at the box office can be attributed to its strong foundation in the Telugu film market, where it has consistently delivered the majority of its earnings. On Day 14, the Telugu version alone accounted for ₹2.03 crore net, while the Hindi adaptation contributed around ₹0.35 crore. Additionally, the Kannada and Tamil versions, though trailing in figures, have also played a role in broadening the film's reach. The second weekend witnessed a temporary resurgence in ticket sales, with higher numbers recorded over Saturday and Sunday, though weekday collections have returned to pre-weekend levels. Industry analysts are keenly observing the film's performance as it enters its third weekend, underscoring the importance of this period in determining its long-term box office trajectory. 'Peddi' features a stellar cast led by Ram Charan, with notable performances from Janhvi Kapoor, Shiva Rajkumar, and Boman Irani, among others. It is produced by Venkata Satish Kilaru under the banner of Vriddhi Cinemas, with co-production by Ishan Saksena. The collaboration with industry stalwarts such as Mythri Movie Makers and Sukumar Writings has further enriched the film's production quality. Musically, the film boasts a score by Academy Award-winning composer A.R. Rahman, accompanied by the expertise of cinematographer R. Rathnavelu and editor Navin Nooli. As audiences continue to flock to theaters, the industry remains vigilant in tracking 'Peddi's' box office journey, eager to see how far it can ascend in this competitive landscape."},"img":{"url":"https://images.prismic.io/prad/acYt1ZGXnQHGZByj_peddipehlwan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-18T15:56:00+0000","embed":{"embed_url":null}},"uid":"peddi-shatters-records"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Bombay HC allows Preity Zinta to sue online platforms"},"content":{"text":"Actress Preity Zinta has filed a plea alleging that various online platforms like Meta and Google created, uploaded and disseminated content on her generated from artificial intelligence (AI), thereby violating her personality rights and copyright and causing huge damage to her reputation and reputation. The actress also alleged violation of his moral rights under the Copyright Act, 1957. A single-judge bench of Justice Abhay Ahuja allowed her plea seeking patent permission, allowing the actress to file an injunction suit. The Bombay High Court also observed that since the objectionable activities and acts were organised on online platforms and many of the respondent parties had their offices outside Mumbai, some part of the trial was beyond the jurisdiction of the court. Granting the patent permission, the court said it will have the right to hear, examine and dispose of the suit. In recent years, the advent of AI has led to infringement of personality rights. Several actresses' personalities have been created by using AI to spread disinformation. Actors including Amitabh Bachchan, Anil Kapoor, Jackie Shroff, Arjun Kapoor, Varun Dhawan, Aishwarya Rai Bachchan, Abhishek Bachchan, Salman Khan, R. Madhavan, Hrithik Roshan, and Vivek Oberoi have successfully obtained court protection or injunctions enforcing personality/publicity rights. The earliest and most widely cited landmark victories were by Amitabh Bachchan, Anil Kapoor, and Jackie Shroff, whose cases helped establish and strengthen judicial recognition of celebrity personality rights in India. Meanwhile, on the professional front, the actress is gearing up for the release of her upcoming film ‘Batwara 1947’. The makers of the film recently unveiled the character posters of the core cast of the drama. The character posters show Shabana Azmi, Sunny Deol, Preity Zinta, Karan Deol, Ali Fazal, and Abhimanyu Singh in a fresh avatar. Made under the direction of the National Award-winning filmmaker, Rajkumar Santoshi, ‘Batwara 1947’ marks the reunion of Santoshi and Sunny after nearly three decades. These two previously collaborated on ‘Ghayal’, ‘Damini’, and ‘Ghatak’. Produced by Aamir Khan and Aparna Purohit under the banner of Aamir Khan Productions, the music for the movie has been composed by A. R. Rahman, while the lyrics are penned by Javed Akhtar. ‘Batwara 1947’ is expected to be out on Partition Day, August 14, 2026."},"img":{"url":"https://images.prismic.io/prad/aCYTgSdWJ-7kSK8M_preity.JPG?auto=format,compress"},"datetime":"2026-06-18T09:42:00+0000","embed":{"embed_url":null}},"uid":"bombay-hc-allows-preity-zinta-to-sue-online-platfo"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Vijay-Vaiko meet triggers buzz"},"content":{"text":"The MDMK appears set to part ways with the DMK-led Secular Progressive Alliance (SPA) and move closer to Chief Minister C. Joseph Vijay’s TVK government, amid indications of growing political engagement between the two sides.   Sources in the party said the MDMK is likely to formally announce its exit from the DMK alliance at its General Council meeting on June 27. The move would mark a major political realignment in Tamil Nadu, where several former DMK allies, including the VCK, IUML, CPI and CPI(M), have already extended support to the TVK-led dispensation. Unlike those parties, the MDMK could not openly back the new government as its two MLAs were elected on the DMK’s ‘Rising Sun’ symbol. Party leaders reportedly believe the only viable option is for the legislators to resign, contest by-elections and then extend support to the ruling alliance if re-elected. Both Vaiko and his son, Tiruchirapalli MP Durai Vaiko, have publicly expressed regret over contesting on the DMK symbol. Durai Vaiko recently remarked that the party was unable to support the TVK government due to the “misfortune” of having been elected on DMK tickets. Political activity over the past week has fuelled speculation about a possible shift. Public Works Minister Aadhav Arjuna met Vaiko at his Chennai residence on Tuesday, while the veteran leader met Chief Minister Vijay at the Secretariat on Wednesday. Though Vaiko dismissed reports of an impending alliance switch as speculation, sources said politics figured prominently during the 45-minute discussion with the Chief Minister. Adding to the political debate, Durai Vaiko also defended the TVK government against criticism over recent crimes against women in the state. Rejecting opposition attempts to link the incidents to a deterioration in law and order, he described such criticism as a “narrative” being built against the government. He argued that there had been no significant increase in crimes against women compared to the previous regime and noted that similar incidents had occurred during the DMK government as well. The MDMK had contested four seats on the DMK symbol in the April Assembly elections and won two. If its legislators resign, the number of vacancies in the Assembly would rise to eight, including the Tiruchirapalli (East) seat vacated by Chief Minister Vijay after assuming office."},"img":{"url":"https://images.prismic.io/prad/ajOSPo1P9HI4UqN8_vaikovijay.JPG?auto=format%2Ccompress&rect=0%2C22%2C450%2C222&w=2028&h=1000"},"datetime":"2026-06-18T04:38:00+0000","embed":{"embed_url":null}},"uid":"vijay-vaiko-meet-triggers-buzz"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Adah to make Marathi debut with ‘Gajra’ "},"content":{"text":"Bollywood actress Adah Sharma is all set to step into the world of Marathi cinema with the upcoming film titled Gajra, which is based on true events.  Adah shared a poster of her upcoming film on the photo-sharing website Instagram. The poster featured a close up image of a woman in a bridal avatar. Her face is smeared with blood streaks and splatters, suggesting violence and trauma. Adah wrote in the caption section: “GAJRA - my debut in Marathi ...need all your love and blessings! Adah Sharma in and as Gajra The Film by : Shreyas Jadhav @shreyash_thekingjd. Produced by : Amol Borkar @amol.zigzagpro A Devdutta Manisha Baji Musical @devduttabajimusic Inspired by true events Coming soon....2027.” The upcoming film is directed by Shreyas Jadhav will hit the screens next year in 2027. Her latest “Governor: The Silent Saviour,” which stars the National Award-winning actor Manoj Bajpayee in the lead. The film is inspired by the events surrounding the 1990 Indian economic crisis featuring the institutional framework between the Reserve Bank of India (RBI) and the Government of India (GoI). Produced by Vipul Amrutlal Shah under the banner Sunshine Pictures, \"Governor\" hit the screens on June 12. Adah is best known for her work in the Vidyut Jammwal-starrer “Commando” franchise. However, she shot to fame with her work in the blockbuster “The Kerala Story.” “The Kerala Story” told the story of Shalini, a former nursing student from Kerala, who later becomes the wife of a terrorist, testifying to her life story and her journey from being a naive girl to another victim of terrorism. Adah had made her acting debut with the 2008 Hindi horror film, 1920. She was then seen in films such as Hasee Toh Phasee, Heart Attack, S/O Satyamurthy and Kshanam."},"img":{"url":"https://images.prismic.io/prad/6e1a9f1b-a95f-47fb-a260-f90b24958134_adha+sharma.JPG?auto=format,compress"},"datetime":"2026-06-18T05:30:00+0000","embed":{"embed_url":null}},"uid":"adah-to-make-marathi-debut-with-gajra-"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Ex-PM Gujral's Son Duped in Cyber Scam"},"content":{"text":"Former Prime Minister, late Inder Kumar Gujral's son Naresh Gujral, himself a former Rajya Sabha MP of the Shiromani Akali Dal, has reportedly been defrauded of Rs. 7.8 crore in a cyber scam, police said on Thursday.  In a complaint filed with Delhi Police, Naresh Gujral, stated that a member of his staff received a WhatsApp message from a number displaying his profile picture. The scammer impersonated Naresh Gujral and communicated with the employee, eventually sending a bank account number. The employee was instructed to transfer Rs. 7.8 crore to that account via RTGS. Believing the request to be genuine, the employee completed the transaction. However, the WhatsApp number did not actually belong to Naresh Gujral. According to officials, a fraudster had simply used his profile picture to deceive the employee. Upon receiving the complaint, Delhi Police registered an electronic First Information Report (e-FIR) on Tuesday and formed a team to investigate the case. Police began tracing the scammer's mobile number and the bank account involved. By following the money trail, investigators have managed to freeze nearly Rs. 4 crore across various bank accounts. Police said this type of fraud is commonly known as a \"boss scam,\" in which criminals impersonate a company boss or senior executive and instruct employees to transfer money or carry out financial transactions. Earlier, the Cyber Police Station of Delhi Police's Shahdara District had busted an online investment fraud racket linked to transactions of approximately Rs 1.56 crore and arrested two persons for allegedly operating mule bank accounts used to route and conceal proceeds of cyber fraud. According to police, the accused were actively facilitating cybercriminals by providing and managing bank accounts used to receive the money obtained by cheating and transferring it further to obscure the financial trail. Several digital devices and incriminating evidence have been recovered during the operation. The complainant alleged that she was cheated out of Rs 21 lakh through an online investment scam."},"img":{"url":"https://images.prismic.io/prad/ajOtTI1P9HI4UqsN_ikgujralson.JPG?auto=format,compress"},"datetime":"2026-06-18T08:00:00+0000","embed":{"embed_url":null}},"uid":"ex-pm-gujrals-son-duped-in-cyber-scam"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'BATWARA 1947' Movie Teaser"},"content":{"text":"'BATWARA 1947' Movie Teaser"},"img":{"url":"https://images.prismic.io/prad/ajOgA41P9HI4UqZ9_batwara1947.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-18T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=DstkbSnWFf4"}},"uid":"batwara-1947-movie-teaser"}},{"node":{"tags":["Editorial"],"data":{"third_party_url":null,"title":{"text":"The G7 Photo: Fake Smiles And Missing Spines"},"content":{"text":"“Kuch to majbooriyan rahi hongi/Yun koi bewafa nahin hota/Ji bahut chahta hai sach bolen/Kya karen hausla nahin hota” (Some compulsions were there, no doubt/One is not unfaithful just like that/My heart aches to speak the truth/But oh! The courage I lack) The flashing cameras at the G7 summit caught a perfect moment of Bashir Badr’s poetic angst between the Indian Supreme Leader and the US President. Their meeting perfectly captured the essence of the couplet: \"My heart aches to speak the truth, but oh! The courage I lack.\" The Indian leader’s body language screamed that he desperately wanted to speak up, but his survival instincts reminded him that he completely lacked the spine, although his supporters might politely call it “diplomatic etiquette.” This helplessness was painful when it came to the recent killing of Indian sailors in the Gulf of Oman. Addressing this tragedy required real bravery, which neither leader brought to the table. Instead of discussing actual strategy, both men folded under the pressure of \"nameless compulsions\", a polite term for protecting their own political interests. They completely abandoned serious discussion, flashed fake smiles, and silently agreed that telling the truth was simply too terrifying to attempt. All these desperate theatrics feel hilariously familiar, thanks to a loyal domestic media that worked overtime to turn a routine photo-op into a historic victory. The entire focus and hype were on the Indian leader shaking hands with Trump and scurrying for prime real estate in the front row of the G7 group photo. Back home, television anchors and his IT cell warriors practically threw a national festival, tracking his physical coordinate positions on stage and hyping these brief photo sessions as proof of total global dominance. In reality, it looks exactly like walking into a local salon or a roadside astrologer’s office. You are instantly hit with a wall of dusty, framed photos showing the barber or fortune teller smiling widely next to movie stars who accidentally walked in years ago. The media's frantic coverage served the exact same goal: use a few seconds of close proximity to a superpower leader to trick the public back home into believing their man runs the world. When the dust settled, the actual diplomatic results were non-existent, no matter how much the news channels shouted otherwise. The Indian leader carefully brought up the safety of Indian sailors in the Strait of Hormuz but remained completely silent on the identity of the attackers, helplessly refusing to name the United States directly. Interestingly, these remarks did not appear in India's official readout. The MEA’s official summary completely erased his specific mentions of seafarers’ deaths and shipping disruptions in the Strait of Hormuz. Just like the leader himself, the ministry chose to hide behind generic, feel-good buzzwords like \"international trust\" and \"respect for international law.\" Furthermore, perfectly matching his earlier stance of avoiding any public reaction to the actual strikes, his statements at Evian conveniently failed to connect the deaths directly to the attacked Indian-crewed ships. Ultimately, his words were meticulously designed to be as vague and non-committal as possible, as if entirely intended to avoid hurting Trump’s ego. Instead of pushing for real answers, he praised Trump's peace efforts in West Asia. Trump effortlessly brushed these life-or-death security concerns under the rug, offering zero real assurances with a casual, “Yeah, I do” reply while describing seafaring as “a rough profession.” He added that the US and India “work together on it,” but noted that “this has been happening throughout time,” while firing back a wall of empty compliments that the domestic media immediately blasted as \"mega praise.\" Trump went even further by offering a patronizing public endorsement, claiming the US would protect India as long as the Supreme Leader remained in office. Instead of declaring that India is a strong nation capable of protecting itself, the Indian leader sat quietly, obediently smiling through the ridicule. By refusing to speak up, he almost endorsed Trump’s claims of playing the \"Big Brother\" role in forcing the ceasefire between India and Pakistan during Operation Sindoor. The silence was deafening. This is the same US president who cut aid to NATO nations, slapped heavy taxes on countries like India, and oversaw the killing of Indian seafarers. Yet, he claims to be India's friend, and India's leader simply listens without a word while news anchors celebrate it as a diplomatic masterstroke. To add insult to injury, this meeting happened on the exact same day Washington dropped \"Indo\" from the name of its Asian military command, completely erasing a title that India's media had long celebrated as a symbol of its global importance. This total silence from the Indian Supreme Leader was not just shocking; it exposed a massive, unnecessary diplomatic weakness. It stands out even more when compared to Iran's recent playbook. Iran lost almost its entire military leadership and suffered massive hits, yet they still showed enough muscle to force the US to sign a peace deal disguised as a simple MoU. India had the perfect chance to exploit Washington's diplomatic embarrassment and demand real accountability for its dead sailors. Instead, the Indian leader chose to practically beg for general seafarer safety in the Gulf region. Trump, with total confidence and zero remorse, casually shrugged off the plea. He essentially told India that these are rough times and bad things just happen to everyone, as if channeling his inner Shah Rukh Khan to remind the world that \"bade bade deshon mein, aisi chhoti chhoti baatein hoti rehti hain.\""},"img":{"url":"https://images.prismic.io/prad/ajOcv41P9HI4UqWr_moditrumpG7.JPG?auto=format,compress"},"datetime":"2026-06-18T06:42:00+0000","embed":{"embed_url":null}},"uid":"the-g7-photo-fake-smiles-and-missing-spines"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Janhvi's peaceful moments from her ‘happy place’"},"content":{"text":"Actress Janhvi Kapoor has shared a soothing glimpse of her “happy place.” Taking to Instagram, the ‘Dhadak’ actress posted photos that capture a space that holds special meaning for her. In the clip, Janhvi is seen playing with her dog, posing with her sister Khushi Kapoor, and enjoying an adventurous ride with Shikhar Pahariya. One candid shot showed the actress relaxing in the hills and blowing her hair with her mouth. For the caption, Janhvi wrote, “#happyplace @jasleenroyal obsessed with your song.” She also added Jasleen Royal’s song ‘Inaam’ as the background score for the video. On the professional front, Janhvi was last seen in Shashank Khaitan’s “Sunny Sanskari Ki Tulsi Kumari,” alongside Varun Dhawan, Sanya Malhotra, Rohit Saraf, Maniesh Paul, and Akshay Oberoi. She made her acting debut in 2018 with the romantic drama “Dhadak” and later went on to feature in films like “Gunjan Saxena: The Kargil Girl,” “Mili,” “Roohi,” “Ulajh,” “Mr. & Mrs. Mahi,” “Good Luck Jerry,” and “Devara: Part 1.” Most recently, Janhvi was seen in the film “Peddi” alongside Ram Charan. The sports action drama directed by Buchi Babu Sana featured Ram as a \"crossover athlete\" who transitions between the three difficult sports including cricket, wrestling and sprinting. Asked if she is a sports enthusiast, Janhvi, who is the daughter of the late superstar Sridevi and producer Boney Kapoor, said: “I actually, I wasn't very athletically inclined. I used to enjoy dancing though, always.” The film, which also starred Boman Irani, Shiva Rajkumar, Janhvi Kapoor, Jagapathi Babu and Divyenndu, was released on June 4. However, several parts of “Peddi,” particularly those depicting the heroine, faced strong criticism from both audiences and reviewers. The romantic storyline, in particular, was criticized for allegedly normalizing harassment and non-consensual behavior. In light of the backlash, the film’s director Buchi Babu Sana issued a clarification on social media. An excerpt from his post read, “As a filmmaker, I believe cinema should entertain, inspire, and connect with audiences. It should never make anyone feel uncomfortable or disrespected. We have heard the feedback regarding certain scenes in Peddi and have taken it seriously.” “I have always had immense respect for women, both on and off screen, and it was never our intention to objectify or disrespect any female character. If any part of the film has been perceived that way, we respect those sentiments, understand the concerns being raised, and sincerely apologize.”"},"img":{"url":"https://images.prismic.io/prad/ajOz2Y1P9HI4Uq9Y_janhvi.JPG?auto=format,compress"},"datetime":"2026-06-18T08:30:00+0000","embed":{"embed_url":null}},"uid":"janhvis-peaceful-moments-from-her-happy-place"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Venky–Kalyan Ram Film Kicks Off Grandly"},"content":{"text":"Ace director Anil Ravipudi's next film, tentatively being referred to as #VenkyAnil5 - #NKRAR2 and featuring actors Venkatesh and Nandamuri Kalyan Ram in the lead, went on floors with a traditional pooja ceremony here on Thursday.  The first clap for the film, the shooting of which is to start soon, was given by eminent producer Allu Aravind, who is the father of actor Allu Arjun. Shine Screen Studios, one of the production houses producing the film, took to its social media timelines to share pictures shot at the event. It wrote, \"The journey of #VenkyAnil5 - #NKRAR2 begins with a magnificent Pooja Ceremony. The grand Sankranthi entertainer was formally launched today with the presence of the industry dignitaries. Shoot begins soon.\" On the occasion, the makers of the film made it clear that actresses Keerthy Suresh and Krithi Shetty had come on board the unit of the film.  Only a few days ago, director Anil Ravipudi had welcomed National Award winning music director G V Prakash on board the film.  Anil Ravipudi had taken to his X timeline to post a hilarious video and said, \"I've always admired @gvprakash's ability to make music that connects instantly with audiences. Thrilled to welcome him on board for #VenkyAnil5 - #NKRAnil2. And we had a blast pulling off this fun concept...A big thank you to GV for trusting the idea, joining in wholeheartedly, and making it so much fun. Looking forward to making some beautiful memories together brother. Victory @VenkyMama garu @NANDAMURIKALYAN garu.\" The video that Anil Ravipudi posted opened with a nostalgic tribute to legendary filmmaker Jandhyala. The makers recreated an iconic scene from 'Aha Naa Pellanta', in which the characters were seen buried in the sand up to their necks. Sources close to the director have said that the film is likely to hit screens for the festival of Sankranthi in January, next year. This project is especially notable as it marks Anil Ravipudi’s fifth collaboration with Venkatesh, following blockbuster entertainers like 'F2', 'F3', 'Sankranthiki Vasthunnam', and an extended cameo in 'MSG'. It is also his second film with Kalyan Ram, after the sensational blockbuster 'Pataas'. Sources say the director has brought together stars from the Daggubati and Nandamuri families for this exciting new film to be made as a clean entertainer with a fresh and highly relatable storyline. Designed to connect with audiences of all age groups, the film is being planned as a perfect festive treat. Sources say it will seek to deliver a healthy mix of humour, emotions, and strong entertainment, staying true to Anil Ravipudi’s trademark style of wholesome cinema."},"img":{"url":"https://images.prismic.io/prad/ajOxsI1P9HI4Uq4B_venkykalyanramanil.JPG?auto=format,compress"},"datetime":"2026-06-18T06:25:00+0000","embed":{"embed_url":null}},"uid":"venkykalyan-ram-film-kicks-off-grandly"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"HC issues notice to 'Kerala Story 2' producer"},"content":{"text":"The Kerala High Court on Thursday issued an urgent notice to filmmaker Vipul Amrutlal Shah, producer of \"Kerala Story 2: Goes Beyond\", on a petition challenging the film’s certification and seeking removal of the word \"Kerala\" from its title.  A bench of Justice P.V. Kunhikrishnan, while hearing the plea, questioned whether the petition had become ineffective since the film had already been released and had been watched by a large number of people. The court, however, agreed to consider the matter after the petitioner pointed out that the film’s OTT release was still relevant. The counsel for the petitioner argued that the issue continued to survive as the movie was now available on digital platforms. The court also noted that the question of whether such a petition challenging a film certification was legally maintainable could be examined at the final hearing stage. The petition has been filed against the certification granted to the film, alleging that its content harms the reputation of Kerala and creates social disharmony. The petitioner has accused the producer of offences under provisions of the Bharatiya Nyaya Sanhita relating to promoting enmity between groups, acts prejudicial to national integration, and deliberate acts intended to hurt religious sentiments. The plea has also sought to implead Zee Entertainment Enterprises Limited, as the film was released on an OTT platform on May 1. The petitioner has submitted additional documents, including an email sent to the OTT platform’s grievance officer and screenshots from social media alleging that the film was being projected as a factual account and used to promote a narrative against Keralites and minority communities. The latest petition comes after an earlier round of litigation over the film’s release. Justice Bechu Kurian Thomas had earlier recused himself from hearing the matter. The movie was released after a Division Bench lifted an interim order that had temporarily stayed its release. Subsequently, earlier petitions were dismissed, and the High Court had also dismissed as infructuous appeals filed by the Centre and the producer. While dealing with those appeals, the Division Bench had left open the larger legal question raised by the Central Board of Film Certification and the Union government regarding the maintainability of private petitions challenging certification granted to a film on the ground that it allegedly damages the reputation of a state. The court will now examine the fresh plea, even as the film continues to remain available through digital release."},"img":{"url":"https://images.prismic.io/prad/aZdF5cFoBIGEgkcJ_Keralastory2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-18T09:55:00+0000","embed":{"embed_url":null}},"uid":"hc-issues-notice-to-kerala-story-2-producer"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Jagan Secures Legal Win In T'gana HC"},"content":{"text":"In a significant ruling that underscores the complexities surrounding high-profile corruption cases, the Telangana High Court has dismissed appeals from the Enforcement Directorate (ED) challenging the release of properties linked to the controversial VANPIC quid pro quo investigation involving former Andhra Pradesh Chief Minister Y.S. Jagan Mohan Reddy. The ruling, handed down by a division bench, affirms a previous order from the Appellate Tribunal that found insufficient grounds for the ED's claims, marking a pivotal moment in an ongoing legal battle that has attracted considerable public and political attention. The ED's appeals were directed against several individuals and entities implicated in the case, notably Jagan Mohan Reddy and industrialist Nimmagadda Prasad. The allegations center around claims that Prasad received substantial benefits from the VANPIC project in exchange for a hefty investment of ₹854.50 crore into companies linked to Reddy. The high court's ruling not only leaves the properties attached by the ED intact but also highlights the tribunal's rationale that investments made prior to the project's inception cannot be construed as illicit benefits directly associated with the VANPIC project. The VANPIC case has been at the forefront of legal controversies in Andhra Pradesh, stemming from allegations of corruption that date back several years. The ED initiated action under the Prevention of Money Laundering Act (PMLA) following claims that the investment by Prasad constituted a quid pro quo, a notion severely challenged by the tribunal's findings. The tribunal meticulously reviewed the timeline of events, concluding that the investments were made long before any alleged wrongdoing took place, thus complicating the ED's narrative of corruption and illegality. Legal experts suggest that the high court's decision may reflect a broader judicial skepticism towards the ED's aggressive tactics in prosecuting alleged financial crimes, particularly those involving political figures. As this case continues to unfold, the implications of the ruling could resonate throughout India's legal landscape, potentially impacting how similar cases are pursued in the future. The ED's efforts to overturn the tribunal's findings have been met with robust judicial scrutiny, reinforcing the delicate balance between legal enforcement and the fundamental principles of justice."},"img":{"url":"https://images.prismic.io/prad/810d1863-6597-42fe-a381-561dedc41fcd_Jagan+Padayatra.JPG?auto=format,compress"},"datetime":"2026-06-19T11:01:00+0000","embed":{"embed_url":null}},"uid":"jagan-secures-legal-win-in-tgana-hc"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"At least 250,000 girls in UK gang raped by Pak link gangs"},"content":{"text":"At least 250,000 girls and likely more were subjected to gang rape, trafficking, torture, and coerced pregnancy over several decades, with the perpetrators overwhelmingly being of Pakistani Muslim heritage and the enabling institutions overwhelmingly of the British state, according to a 219-page report released by a privately funded parliamentary inquiry into organised child sexual exploitation in the United Kingdom (UK). The Rape Gang Inquiry, chaired by Reform UK MP Rupert Lowe and led operationally by survivor and advocate Sammy Woodhouse, was funded by over 20,000 donors. It did not have statutory powers, however, it included testimony from survivors, whistleblowers, politicians, and experts across multiple public hearings, according to a report in US-based South Asian TV network Diya TV. According to the report, the inquiry was started as the state and its institutions had \"failed catastrophically over decades.\" Police, social services, schools, the NHS, licensing authorities, and successive governments at local and national level allowed organised networks of men to operate with what the report termed as the “active or passive consent of the British state.” The report has included the first recorded case of Pakistani gang rape in UK in 1955, when four Bradford-based Pakistani men were charged with raping a 15-year-old girl from Middlesbrough. \"The 250,000 figure originates from a 2019 House of Lords statement by Lord Pearson of Rannoch, who extrapolated from the Jay Report’s findings in Rotherham — where at least 1,400 girls were abused between 1997 and 2013 — alongside comparable inquiries in Telford, Oxford, Rochdale, and elsewhere. The inquiry endorses this as a 'conservative estimate,' noting that the British state never systematically recorded the full scale of the abuse, that sexual violence of all kinds is typically under-reported, and that The Independent found nearly 19,000 children identified as sexual exploitation victims in England in a single year even amid institutional resistance to naming the problem,\" the Diya TV report stated. According to the inquiry, evidence of gang operations were found in at least 149 local authority districts in the UK. In court records and official inquiries, approximately 87 per cent of those convicted in group-based child sexual exploitation cases were Muslim names, it was reported. A 2017 Quilliam Foundation analysis of 264 convictions from 2005-2017 found that 84 per cent of offenders were South Asian, with the vast majority identified as Pakistani Muslim. Taj Hargey, an imam at the Oxford Islamic Congregation, estimated that approximately 95 per cent of gang members are Muslims, according to the report. The method of grooming involved same pattern with girls as young as 11 years old being befriended by a young Muslim man who treated them like adults and provided alcohol, drugs, and cigarettes. After weeks or months, girls were picked up from school gates, care homes, and streets in taxis and taken to houses, restaurants, and hotels where they were raped repeatedly by groups of men. In some cases, videos of girls were made for blackmail, they were beaten, burned with cigarettes and passed between perpetrators, made pregnant and forced to abort and trafficked overseas in some cases, including to Pakistan, where some were made to marry in Muslim marriage ceremony. Victims were told they were \"white trash\" or \"kuffar\" who should be punished for being non-Muslim, the report detailed. The testimony section of the report consists of over 100 pages, where dozens of survivors have shared abuse ordeals. One witness, identified as \"Chloe\", said she was first raped at 11 years of age after her father's death left her in the custody of an abusive step father. She was missing for six months at the age of 14 years and trafficked from \"house after house\" and \"guy after guy\" in the UK while her photographs were shared on television as a missing child. Officers who found her released the South Asian man she was with without any charge, Diya TV reported, citing the report. Later, she became anorexic, weighing five stone at age 18, after gang members who had kept her addicted her to heroin as a method of control. It also highlighted institutional failures across police, social services departments, the NHS, schools, and taxi licensing authorities. As per the report, police ignored repeated complaints from survivors, identified child rape victims as prostitutes, destroyed evidence, allowed known rapists to walk free on bail. NHS staff recorded genital injuries, sexually transmitted infections in children as young as 13 years, rape-caused pregnancies and suicide attempts and then sent back patients with their abusers without trauma care or safeguarding referrals. Schools excluded victims instead of protecting them and did not report about elderly men picking up girls at the gates. Taxi licensing authorities renewed permits for drivers who the inquiry said were the the logistical backbone of the networks."},"img":{"url":"https://images.prismic.io/prad%2F1e71fb32-c233-48e3-891d-c5091f28103a_rape.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-06-19T15:07:00+0000","embed":{"embed_url":null}},"uid":"at-least-250000-girls-in-uk-gang-raped-by-pak-link"}},{"node":{"data":{"title":{"text":"Jagan Secures Legal Win In T'gana HC"},"content":{"text":"In a significant ruling that underscores the complexities surrounding high-profile corruption cases, the Telangana High Court has dismissed appeals from the Enforcement Directorate (ED) challenging the release of properties linked to the controversial VANPIC quid pro quo investigation involving former Andhra Pradesh Chief Minister Y.S. Jagan Mohan Reddy. The ruling, handed down by a division bench, affirms a previous order from the Appellate Tribunal that found insufficient grounds for the ED's claims, marking a pivotal moment in an ongoing legal battle that has attracted considerable public and political attention. The ED's appeals were directed against several individuals and entities implicated in the case, notably Jagan Mohan Reddy and industrialist Nimmagadda Prasad. The allegations center around claims that Prasad received substantial benefits from the VANPIC project in exchange for a hefty investment of ₹854.50 crore into companies linked to Reddy. The high court's ruling not only leaves the properties attached by the ED intact but also highlights the tribunal's rationale that investments made prior to the project's inception cannot be construed as illicit benefits directly associated with the VANPIC project. The VANPIC case has been at the forefront of legal controversies in Andhra Pradesh, stemming from allegations of corruption that date back several years. The ED initiated action under the Prevention of Money Laundering Act (PMLA) following claims that the investment by Prasad constituted a quid pro quo, a notion severely challenged by the tribunal's findings. The tribunal meticulously reviewed the timeline of events, concluding that the investments were made long before any alleged wrongdoing took place, thus complicating the ED's narrative of corruption and illegality. Legal experts suggest that the high court's decision may reflect a broader judicial skepticism towards the ED's aggressive tactics in prosecuting alleged financial crimes, particularly those involving political figures. As this case continues to unfold, the implications of the ruling could resonate throughout India's legal landscape, potentially impacting how similar cases are pursued in the future. The ED's efforts to overturn the tribunal's findings have been met with robust judicial scrutiny, reinforcing the delicate balance between legal enforcement and the fundamental principles of justice."},"img":{"url":"https://images.prismic.io/prad/810d1863-6597-42fe-a381-561dedc41fcd_Jagan+Padayatra.JPG?auto=format,compress"},"datetime":"2026-06-19T11:01:00+0000","embed":{"embed_url":null}},"uid":"jagan-secures-legal-win-in-tgana-hc"}},{"node":{"data":{"title":{"text":"PK opened JSP office in T'gana"},"content":{"text":"Jana Sena Party on Friday opened its Telangana state office with the party president and Andhra Pradesh Deputy Chief Minister Pawan Kalyan declaring that Jana Sena will accelerate its political journey in Telangana. Addressing the party leaders after inaugurating the party office in Manikonda, he said people’s problems should be the agenda of the party. He called upon the party cadres to work to fulfil Telangana’s aspirations and hopes. He said the first priority should be the nation’s integrity and unity. The Jana Sena chief claimed that he understands the soul of Telangana. “The soil here, the struggles, the sacrifices—all of these have inspired me. The caste-free struggles for rights led by the youth in Telangana are immensely valuable. This is a land of struggles… a blessed land. The Jana Sena movement began from the soil of Telangana,” he said. The actor-politician provided direction to the party cadres on how the party’s journey in Telangana should progress. He urged them to take the party’s principles and ideology to the people. He urged the senior leaders to guide the newcomers, so they understand the party’s ideology. Pawan Kalyan called on them to conduct ‘Janavani’ in Telangana to listen to people’s problems. “When someone comes to us to share their problem, we must first respect them. We must listen to their issue carefully. We must find a solution. Prepare a plan to conduct the Janavani programme in Telangana as well. Listen to people’s issues from all regions. Bring the problems of those who come to us to the attention of officials and public representatives so they can be resolved. If they still remain unresolved, let’s think about how to launch public movements. First, set up a platform to fully hear people’s issues. Ensure this works strongly in all regions,” he said. The Jana Sena leader said that the Telangana region is like the heart of India. He recalled that with the iron man Sardar Vallabhbhai Patel’s vision, a five-day Police Action took place in Hyderabad. He said party leaders must fight with their lives for such a region and its people. The spirit of struggle in Telangana should be an inspiration to the nation, he added. Pawan Kalyan stated that the Jana Sena movement has begun in Kerala, Tamil Nadu, and Karnataka as well."},"img":{"url":"https://images.prismic.io/prad/ajVt9Y1P9HI4Uv_B_PK.JPG?auto=format%2Ccompress&rect=0%2C21%2C571%2C282&w=2028&h=1000"},"datetime":"2026-06-19T16:28:00+0000","embed":{"embed_url":null}},"uid":"pk-opened-jsp-office-in-tgana"}},{"node":{"data":{"title":{"text":"RaGa turns 56, has declared assets worth 20 cr"},"content":{"text":"The Leader of the Opposition in the Lok Sabha, Rahul Gandhi -- who turned 56 on Friday -- has assets worth Rs 20.4 crore, including stock investments, mutual funds, and sovereign gold bonds, according to his affidavit filed for the 2024 Lok Sabha elections.  The affidavit -- submitted to the Election Commission -- provides details of Gandhi's financial holdings as of March 15, 2024. According to the data, his total movable assets were valued at Rs 9.25 crore, while immovable assets stood at Rs 11.15 crore. Gandhi's direct equity investments in 24 listed companies were valued at about Rs 4.33 crore. In his portfolio, the largest stock holding in Pidilite Industries, worth Rs 42.27 lakh, followed by Bajaj Finance at Rs 35.89 lakh, Nestle India at Rs 35.67 lakh, Asian Paints at Rs 35.30 lakh and Titan Company at Rs 32.59 lakh. In addition, the portfolio includes holdings in Hindustan Unilever, ICICI Bank, Infosys, ITC, Tata Consultancy Services, LTIMindtree, Divi's Laboratories, Deepak Nitrite, GMM Pfaudler, Garware Technical Fibres, Alkyl Amines Chemicals, Fine Organic Industries, Suprajit Engineering, Mold-Tek Packaging, Tube Investments of India, Dr Lal PathLabs, Info Edge, Vinyl Chemicals and Vertoz Advertising. The affidavit further records 1,900 equity shares of Young Indian, the company linked to the National Herald publication valued at Rs 1.90 lakh. Apart from direct equities, Gandhi's mutual fund investments worth was about Rs 3.81 crore across seven schemes. In this category, his largest mutual fund holdings were in an HDFC small-cap fund, with Rs 1.24 crore and an ICICI Prudential Regular Savings Fund worth about Rs 1 crore. However, an HDFC Hybrid Debt Fund accounted for another Rs 79.01 lakh. Together, Gandhi's listed shares, mutual funds and sovereign gold bonds were valued at around Rs 8.32 crore. Moreover, the affidavit lists 220 units of Sovereign Gold Bonds from the 2020-21 series valued at Rs 15.21 lakh. His Public Provident Fund balance of Rs 61.52 lakh with SBI, bank deposits of Rs 26.25 lakh across SBI and HDFC Bank accounts and cash in hand of Rs 55,000. In terms of jewellery and gold weighing the data showed 333.30 grams, including net gold of 168.80 grams valued at Rs 4.20 lakh. Meanwhile, the affidavit does not list any motor vehicle in his name. On the immovable assets front, the largest component was commercial office space at Signature Towers in Gurugram, valued at Rs 9.05 crore. The affidavit states that the declared purchase cost of the two office units was Rs 7.93 crore. He declared an inherited share in agricultural land and a farmhouse building at Sultanpur in Mehrauli, New Delhi, jointly held with his sister Priyanka Gandhi Vadra. The property was valued at Rs 2.10 crore. The affidavit does not list any residential apartment in Gandhi's name. Gandhi's declared assets have increased steadily over the years. His total assets were valued at Rs 55.38 lakh in 2004, Rs 2.33 crore in 2009, Rs 9.40 crore in 2014 and Rs 15.89 crore in 2019. The Rs 20.40 crore declared in 2024 represents an increase of about 28 per cent over the assets reported in his 2019 election affidavit."},"img":{"url":"https://images.prismic.io/prad/ajUcrY1P9HI4UuS0_raga.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T10:15:00+0000","embed":{"embed_url":null}},"uid":"raga-turns-56-has-declared-assets-worth-20-cr"}},{"node":{"data":{"title":{"text":"Suspended Andhra cop booked for disappearance of youth"},"content":{"text":"Andhra Pradesh Police have booked a suspended police officer for the disappearance of a youth and his alleged death in custody.  On a complaint by Gade Vijaya Lakshmi, mother of Gade Sai Krishna (26), who has been missing for more than a month, a case of wrongful confinement, murder and causing disappearance of evidence against Nagaraju, suspended Circle Inspector of Krishna Lanka police station. The case has been registered under sections 127 (4), 127 (6), 103 (1) and 238 of Bharat Nyaya Sanhita (BNS). Vijaya Lakshmi alleged that her son was tortured and beaten to death in custody. They demanded that the Andhra Pradesh government order a judicial probe into the issue and book all those responsible for it. According to her, police had picked up Sai Krishna on May 9 for questioning in a case, and he had not returned since. She filed a Habeas Corpus petition in the High Court, which directed the Krishna Lanka police to produce the victim before it on June 15. As the police could not produce Sai Krishna, the High Court directed the police to produce him by June 29. Andhra Pradesh Chief Minister N. Chandrababu Naidu on June 17 ordered a probe by a senior Indian Police Service (IPS) officer into the case. He also ordered suspension of Circle Inspector Nagaraju. Meanwhile, East Godavari district Superintendent of Police, D. Narasimha Kishore, who has been tasked to lead the investigation, will arrive in Vijayawada later in the day. He will meet Director General of Police (DGP) Harish Kumar Gupta and Vijayawada Police Commissioner S.V. Rajashekar Babu. The SP will later visit Krishna Lanka police station to initiate the investigation. Former Chief Minister and YSR Congress Party president Y. S. Jagan Mohan Reddy, who visited Vijayawada and called on Vijaya Lakshmi on Thursday, demanded a probe by the Central Bureau of Investigation (CBI). He alleged that the case involved not only the suspended Circle Inspector but also senior police officials, including the Vijayawada Police Commissioner and the State DGP. The YSRCP chief said the incident had exposed the alarming state of law and order in Andhra Pradesh."},"img":{"url":"https://images.prismic.io/prad/3705413e-897c-4374-9ac4-8074c3e30bc7_FIR.JPG?auto=format,compress"},"datetime":"2026-06-19T03:55:00+0000","embed":{"embed_url":null}},"uid":"suspended-andhra-cop-booked-for-disappearance-of-y"}},{"node":{"data":{"title":{"text":"Electric failure led to AI 171 Boeing crash?"},"content":{"text":"The Federation of Indian Pilots (FIP) has challenged the official narrative related to the tragic crash of Air India Boeing Flight AI 171, just seconds after take-off from Ahmedabad airport on June 12, 2025, claiming that new simulator data points to a massive systemic electrical failure that caused the plane crash rather than pilot suicide.  Addressing a press conference, FIP President Captain C.S. Randhawa claimed that investigators ignored crucial technical evidence and intentionally sidelined India's foremost aviation experts to protect a predetermined conclusion. The official interim report into the disaster claimed that the flight crew deliberately cut off fuel supplies to the engines in a coordinated suicide pact. According to government investigators, the manual shutdown caused the aircraft's ram air turbine — a backup power system that deploys automatically during total power loss — to drop just four seconds later. However, Randhawa said that the FIP recently conducted exhaustive simulator tests replicating the exact weight, balance and weather conditions of the flight in question. The results, he stated, completely dismantle the official timeline. \"Our simulator tests prove that a manual fuel cut-off takes a full 18 seconds to drop that backup turbine. The official timeline of four seconds is physically and technically impossible under a manual shutdown scenario,\" he observed. The FIP argues that the backup turbine was deployed so rapidly because a catastrophic electrical failure crippled the aircraft before the engines stopped. This systemic glitch, the federation claims, is what actually tripped the engine switches and ultimately brought down the plane. FIP also said that the lone survivor of Flight 171 reported seeing the cabin lights flicker and dim right before the aircraft began its terminal descent -- a detail that perfectly aligns with the FIP's theory of a sudden, massive power failure. The pilots’ federation further stated that the aircraft involved in the crash reportedly had a documented history of unresolved electrical problems leading up to the fatal flight. The FIP alleged that government investigators intentionally sidelined Captain R.S. Sandhu, widely regarded as India's top Boeing 787 expert, from the actual investigative testing. \"They are ignoring the input of our most experienced pilot because his knowledge would completely disprove their 'pilot suicide' theory. It is easier to blame dead pilots who cannot defend themselves than to confront a major mechanical or software flaw,\" Randhawa alleged. The FIP confirmed it has formally submitted its simulator data and findings to both Boeing and government aviation authorities. The federation is demanding an immediate halt to the publication of the final accident report until the mathematical and technical discrepancies regarding the turbine deployment are fully investigated. FIP has also demanded the immediate reinstatement of Captain Sandhu to the official investigation team to ensure a transparent and unbiased review of the data."},"img":{"url":"https://images.prismic.io/prad/aE6iYLNJEFaPX-E9_AI171.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T09:33:00+0000","embed":{"embed_url":null}},"uid":"electric-failure-led-to-ai-171-boeing-crash"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Charan Praises Samantha’s Fearless Spirit"},"content":{"text":"As Samantha Ruth Prabhu's latest outing \"Maa Inti Bangaaram\" reached the audience on June 19, Ram Charan penned an appreciation post for her, calling her a woman of extraordinary strength and conviction. Taking to his official X (Earlier known as Twitter) handle, Ram Charan praised Samantha, saying, \"Dearest @Samanthaprabhu2 you have always been a woman of extraordinary strength, grace and conviction (sic).\" Congratulating the team of \"Maa Inti Bangaaram\", the 'RRR' actor went on to add, \"Hearing great things about #MaaIntiBangaaram. Congratulations to you and the entire team on this well deserved success. So happy for all of you! (sic)\" Overwhelmed by these kind words of appreciation, Samantha penned,  \"Thank you, @AlwaysRamCharan. Your words mean the the world to me and the team of #MaaIntiBangaaram.\" Meanwhile, Samantha recently disclosed what made her fall in love with \"Maa Inti Bangaram\". She revealed that the \"resilience\" of the character Swarna made her fall for the film. Samantha was responding to a question during an interactive session with her fans on social media. Additionally, she disclosed that among all the characters she has played in Telugu movies, Swarna comes closest to the real Samantha. She was further asked about the high-octane action sequences in the film being realistic during a press conference. Reacting to this, Samantha said, \"If you see in the film, there are no slow motion sequences, no flying shots, no build up shots. It's extremely realistic. It's real punches. I too have suffered blows. I've bled. They are extremely realistic action sequences. I did all the action sequences myself. That is why everybody likes the action and it looks like I did it.\" Directed by B. V. Nandini Reddy and backed by Samantha, along with Raj Nidimoru and Himank Reddy Duvvuru under the banner of Tralala Moving Pictures, \"Maa Inti Bangaaram\" also features Gulshan Devaiah, Diganth Manchale, Gautami, and Sreemukhi in crucial roles."},"img":{"url":"https://images.prismic.io/prad/ajVXWo1P9HI4Uvv4_rcsam.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T13:51:00+0000","embed":{"embed_url":null}},"uid":"charan-praises-samanthas-fearless-spirit"}},{"node":{"data":{"title":{"text":"RGV Eyes Daya Nayak Biopic?"},"content":{"text":"Renowned filmmaker Ram Gopal Varma is reportedly in discussions to helm a biographical film centered on the life of celebrated Mumbai encounter specialist, Daya Nayak. The project is currently in the early stages of development, with a focus on shaping the screenplay and determining the narrative approach. Sources suggest that a major studio is expected to back the film. Industry insiders have indicated a growing momentum around the idea of a Daya Nayak biopic, with efforts concentrated on crafting an impactful portrayal of Nayak's significant role in Mumbai's policing history.  Discussions have also surfaced on the potential connection of the proposed film to Varma's acclaimed 'Company' universe. There have been talks about integrating the biopic into the larger world of 'Company,' as Varma had previously explored the idea of a sequel focusing on encounter specialists. Notably, Daya Nayak was expected to lend his expertise as a consultant during the initial conversations. At present, it remains undecided whether the biopic will stand alone or become part of a broader cinematic universe.  This reported development coincides with Varma's return to the limelight with several ambitious projects, including the much-anticipated crime thriller 'Syndicate' and the announcement of 'Sarkar 4,' a political crime drama featuring Amitabh Bachchan and Abhishek Bachchan. Varma's creative vision continues to capture attention and inspire the industry, signaling an exciting phase for Indian cinema."},"img":{"url":"https://images.prismic.io/prad/6147f954-245f-41c0-8a1e-478565ac0e36_RGV.JPG?auto=format,compress"},"datetime":"2026-06-19T11:21:00+0000","embed":{"embed_url":null}},"uid":"rgv-eyes-daya-nayak-biopic"}},{"node":{"data":{"title":{"text":"‘Kala Hiran’ producer gets 2nd death threat"},"content":{"text":"‘Kala Hiran’ producer Amit Jani, who on June 18 had alleged that he is receiving threats from Pakistan ahead of the release of the film, has now claimed  that he received a second death threat within 24 hours, just hours after reporting an earlier threat to the police.  In a fresh complaint submitted to the police in Jodhpur, the producer took to X, where he shared a picture of the complaint letter and claimed that an unidentified caller threatened to kill him within three days. He wrote as the caption: “For the second time in 24 hours, I have been threatened with murder; the moment the first case was registered, the second threat arrived. I request @Igp_Jodhpur @CP_Jodhpur @RajPoliceHelp @PoliceRajasthan @RajPoliceHelp @RajGovOfficial @HMOIndia to kindly take the trouble of immediately registering a case and getting the person issuing this threat arrested.” The letter read: “Mujhe aaj Pakistani aatankvaadi Shahzad Brahmadag Bugti dwaara bhi dhamki di gayi thi, jiski soochna maine aapke thane mein darj karai hai. (Earlier today, I also received a threat from Pakistani terrorist Shahzad Brahmadag Bugti, regarding which I have already lodged a complaint at your police station.)” “Ek baar punah mujhe mere mobile number 9811999801 par raat 11:06 PM par 9735279983 se dhamki bhara call aaya hai. Dhamki dene wale ki aawaaz ko surakshit (record) kar liya gaya hai. Dhamki dene wala bata raha hai ki vah film actor Salman Khan ka fan hai aur vah mujhe agle teen din ke andar murder kar dega.” (Once again, I received a threatening phone call on my mobile number 9811999801 at 11:06 PM from the number 9735279983. The voice of the caller has been safely recorded. The caller claimed to be a fan of film actor Salman Khan and threatened to murder me within the next three days.) “Gyaatavya hai ki vigat no. 32 Ummed Heritage mein ruka hua hoon tatha aaj bhi teen ghante ke antaraal mein mujhe yah hatya ki doosri dhamki mili hai. (It is pertinent to mention that I am currently staying at No. 32, Ummed Heritage. This is the second death threat I have received today within a span of three hours.)” He requested the police to arrest the person issuing these threats and register a case on his complaint. “Kripya dhamki dene wale ko giraftar karne tatha mera mukadma darj karne ka kasht karein. Mujhe aashanka hai ki yah dhamki dene wala aatankvaadi bhi ho sakta hai aur aatankvaadi Shahzad Brahmadag Bugti ka gurga bhi ho sakta hai. Choonki mujhe maatra teen din ka samay diya gaya hai, isliye prarthana hai ki mukadma darj karte hue sheeghra iski giraftari karane ka kasht karein.” (I request you to kindly arrest the person issuing these threats and register a case on my complaint. I fear that the caller may be a terrorist or an associate of terrorist Shahzad Brahmadag Bugti. Since I have been given only three days' time, I earnestly request that a case be registered immediately and the accused be arrested at the earliest.) It was on June 18, when Jani took to X, formerly Twitter, and penned a long note in which he shared the details of the threat issued to him by a “Pakistani terrorist” as the latter sided with Bollywood superstar Salman Khan. He wrote, “I am receiving calls and messages late at night from Shahzad Bhatti, the declared Pakistani terrorist, threatening to kill me in a drone and grenade attack while taking Salman Khan's side. I have informed the Ministry of Home Affairs, Rajasthan Police, and CRPF officials. “Salman Khan is fighting on two fronts, on one side, there is a hearing today in the Delhi High Court against him for the ‘Kala Hiran’ case, on the other side, he has already orchestrated thousands of threats through his toolkit.” “Kala Hiran” is based on the blackbuck poaching case involving Bollywood superstar Salman Khan. Since, the film is inpisred from real life events, the producer has alleged tremendous pressure from the superstar to not release the film. He further mentioned, “When I didn't get scared by the threat that came in the name of D Company, now they have gotten declared terrorist Shahzad Bhatti to call and message me... SHAME ON YOUR STARDOM AND FAKE SLOGAN OF BEING HUMAN But I am not scared. Even if I am murdered, after my death, my team will release ‘Kala Hiran’ so that the world can see the Bishnoi community's saga of struggle and history of sacrifice (sic)”."},"img":{"url":"https://images.prismic.io/prad/ajUA2Y1P9HI4Ut44_kalahiran.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T04:30:00+0000","embed":{"embed_url":null}},"uid":"kala-hiran-producer-gets-2nd-death-threat"}},{"node":{"data":{"title":{"text":"The Secret Behind Huma’s Long Route?"},"content":{"text":"Actress Huma Qureshi has revealed why she took the “longer route” on purpose in a recent social media post. Sharing a light-hearted video, she joked about being caught in a loop with the song ‘Kaun Hai Woh' playing on repeat. Huma captioned the post as, “Not sure if I’m taking the longer route on purpose, or if it’s just Kaun Hai Woh on repeat. #BabyDoDieDo #KaunHaiWoh.” In the video, the ‘Gangs of Wasseypur’ actress is seen driving the car and singing the song. Singer Mohit Chauhan has lent his voice to the track “Kaun Hai Woh” from Huma Qureshi-starrer “Baby Do Die Do.” The song has been composed by Arjun Iyer, with lyrics penned by Iyer and WB Sam. The romantic number portrays the growing love story between Huma Qureshi’s character Baby and Rachit Singh’s Siddhu, capturing the emotional depth and charm of their relationship. Speaking about the song, Mohit Chauhan shared in a statement, “What I loved most about ‘Kaun Hai Woh’ is the mystery woven into its melody. It doesn’t tell you everything upfront; instead, it invites you into Baby’s world one emotion at a time. There is a sense of curiosity and vulnerability in the song that I really connected with as a singer. I hope listeners enjoy discovering the many layers of the track and the love it represents.” The upcoming film stars Huma in the role of Baby Karmarkar, aka India’s first desi hitwoman. It also features Sikandar Kher, Chunky Panday, Rachit Singh, Marudha Shekhawat, Vidya Malvade, Arun Kushwah and Himanshu Malik. Directed by Nachiket Samant and produced by Saqib Saleem, the film is slated to hit theatres on 3rd July."},"img":{"url":"https://images.prismic.io/prad/ajT4i41P9HI4Ut01_huma.JPG?auto=format,compress"},"datetime":"2026-06-19T05:35:00+0000","embed":{"embed_url":null}},"uid":"the-secret-behind-humas-long-route"}},{"node":{"data":{"title":{"text":"Kajal Brings Soul To #NBK111!"},"content":{"text":"Director Gopichandh Malineni, who is now directing actor Nandamuri Balakrishna's next film tentatively titled #NBK111, on Friday penned a heartfelt birthday post for actress Kajal Aggarwal in which he thanked her for bringing \"heart, strength and soul\" to his film.  Taking to his X timeline to pen the birthday post to Kajal Aggarwal, Gopichandh Malineni wrote, \"Happy Birthday dearest @MsKajalAggarwal garu. Beyond the performer everyone admires, I have had the privilege of knowing the wonderful person behind it all. Thank you for bringing heart, strength and soul to #NBK111.\" A few days ago, the makers of the film had released a glimpse video of the film on the occasion of Balakrishna's birthday. Set against the turbulent backdrop of 1993 Bombay, the promo showed a dark and violent landscape. Into this world, Balakrishna was seen walking, carrying an intimidating blend of style, aggression, and authority. The glimpse video made it evident that director Gopichand Malineni had designed this film as a grand action saga. Balakrishna’s character in this film is being described as the \"King Of Chaos\". In May this year, the makers of the film had announced that actor Manchu Manoj had come on board the film. The announcement, which was made on the birthday of actor Manchu Manoj, created tremendous excitement across the industry, with fans calling it one of the biggest casting coups in recent times. Manoj Manchu had shared an emotional note on Instagram expressing his excitement about the film and the special bond he shares with both Balakrishna and Gopichand Malineni. “Some birthdays come as blessings. And this birthday has brought me one of the most special gifts I could have asked for... And finally... it's happening.A long awaited combination with our Lion NBK Balayya anna, under the direction of Gopichand Malineni Garu. A moment that makes this birthday all the more memorable and deeply personal for me. Among everything that lies ahead, this project will always remain especially close to my heart because of the bond and respect I share with both my Balayya anna and Gopichand Garu. Thank you all for the love and beautiful wishes. Among the exciting lineup ahead, one promise to all the fans — this time is going to be a solid treat on screen, and truly worth the wait,” he had said."},"img":{"url":"https://images.prismic.io/prad/ajT24o1P9HI4Ut0c_kajalaggarwal.JPG?auto=format%2Ccompress&rect=0%2C90%2C450%2C222&w=2028&h=1000"},"datetime":"2026-06-19T04:59:00+0000","embed":{"embed_url":null}},"uid":"kajal-brings-soul-to-nbk111"}},{"node":{"data":{"title":{"text":"Allu Arjun Gets Court Summons"},"content":{"text":"A city court on Friday issued summons to popular Tollywood actor Allu Arjun in the Sandhya Theatre stampede case. Allu Arjun has been directed to personally appear before the court on June 22. The actor is accused number 11 (A11) in the case relating to the stampede at the Sandhya Theatre on December 4, 2024. A woman was killed, and her son was critically injured in the stampede during the premiere show of 'Pushpa 2: The Rule'. Nampally Criminal Court has so far issued summons to 19 accused in the case. The police have named a total of 23 accused in the case. Individuals in the management of the theatre are named as the first 10 accused in the case. Eight bouncers of the actor are also listed as accused. The trial in the case will begin after the accused personally appear before the judge. On December 4, 2024, Allu Arjun attended a special screening of ‘Pushpa 2: The Rule’ at the Sandhya Theatre. The victim, M Revathi, had attended the premiere with her husband and their children. On the actor’s arrival, the crowd went crazy, leading to a stampede in the theatre. The woman died in the stampede while her son suffered serious injuries. The police booked the theatre management, Allu Arjun and his team for culpable homicide not amounting to murder. Allu Arjun was arrested on December 13, 2024, in the case. He was produced before the Nampally court, which remanded him to 14-day judicial custody. His lawyers approached the High Court, which granted him interim bail the same day. He was released from jail the next day. Later, the Nampally Court granted him regular bail. As part of the investigation into the stampede, the police interrogated Allu Arjun on December 24. He was questioned for three hours at Chikkadpally Police Station based on a 10-minute video prepared by the police by compiling CCTV footage of the incident. Police had filed a chargesheet against 23 accused in December last year."},"img":{"url":"https://images.prismic.io/prad/aYtqRN0YXLCxVqTk_alluarjun.JPG?auto=format,compress"},"datetime":"2026-06-19T09:25:00+0000","embed":{"embed_url":null}},"uid":"allu-arjun-gets-court-summons"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Is Your Soda Habit Causing Hair Loss?"},"content":{"text":"Are your beloved sodas harming your hair? While soft drinks have long been criticized for their impact on weight, diabetes, and heart health, a new concern has emerged regarding their potential effects on hair. The discussion gained traction after hair transplant surgeon Dr. Abhishek Pilani highlighted the issue on Raj Shamani's Figuring Out podcast.  According to Dr. Pilani, regular consumption of sugary cold drinks may create conditions within the body that are not conducive to healthy hair growth. While consuming one soda is unlikely to cause sudden hair loss, a study published in the journal Nutrients in 2023 found a link between higher consumption of sugar-sweetened beverages and male-pattern hair loss in young men. However, it's essential to note that the study established a correlation, not causation. The potential connection between soft drinks and hair health lies in the impact of high-sugar beverages on overall health.  Excessive sugar consumption can lead to repeated spikes in blood sugar and insulin levels, potentially contributing to inflammation and metabolic issues that affect the body, including hair growth. However, hair loss is rarely attributed to a single factor and is typically the result of various elements accumulating over time, including genetics, hormones, nutrition, lifestyle, and overall health. Healthy hair growth relies on a balanced intake of nutrients such as iron, protein, zinc, vitamin D, and B vitamins. While soft drinks don't directly deplete these nutrients, excessive consumption may lead to healthier options being replaced.  The concern lies in long-term habits rather than occasional consumption. The normal range of daily hair loss is between 50 and 100 strands, but concerns arise when lost hairs aren't adequately replaced. While soft drinks may not directly cause hair loss, their impact on overall health could potentially affect hair growth. Instead of fixating on individual cans of soda, experts emphasize the importance of considering overall lifestyle factors such as sleep, stress management, balanced nutrition, and reduced sugar intake. Ultimately, addressing concerns about hair health may begin with dietary and lifestyle adjustments."},"img":{"url":"https://images.prismic.io/prad/aDbfAydWJ-7kSniS_jucessoda.JPG?auto=format,compress"},"datetime":"2026-06-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"is-your-soda-habit-causing-hair-loss"}},{"node":{"data":{"title":{"text":"Recognizing the Early Signs of Ovarian Cancer"},"content":{"text":"Ovarian cancer is a significant concern for women in India, being the third most common cancer among them. However, many women with ovarian cancer often experience symptoms for several months before receiving a proper diagnosis. In India, a staggering 70 to 80 percent of ovarian cancer patients are diagnosed at advanced stages, mainly because the early signs are easily mistaken for other health issues. Oncologists have dubbed ovarian cancer as a 'silent disease' due to its subtle progression without clear, alarming symptoms.  Dr. Sampada Desai, a Consultant Gynaecological Cancer and Robotic Surgeon, emphasizes that ovarian cancer does not remain silent but instead 'whispers' through nonspecific symptoms such as upper abdominal discomfort, bloating, feeling full too early, and digestive problems, which are often mistaken for other conditions. Persistent bloating and extreme fullness even after consuming small portions of food, coupled with lower abdominal or pelvic pain, should prompt a visit to the doctor. Changes in menstrual patterns, irregular bleeding, or any bleeding post-menopause also warrant attention.  It is crucial for individuals experiencing these symptoms to keep a record for a month and consult a gynecologic oncologist if any symptoms persist for more than two weeks or occur frequently. Women with a family history of ovarian, breast, or colon cancer should be particularly vigilant, as they have a higher genetic predisposition to cancer. Early detection is key, as there are no routine screening tests for ovarian cancer. Clinical examination, ultrasonography, and blood tests may be part of the evaluation for potential ovarian cancer. Recognizing the subtle signs and listening to the 'whisper' of ovarian cancer may significantly aid in early detection and improved survival rates."},"img":{"url":"https://images.prismic.io/prad/aigpQAeQX7-eXEpI_overaincancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T18:42:00+0000","embed":{"embed_url":null}},"uid":"recognizing-the-early-signs-of-ovarian-cancer"}},{"node":{"data":{"title":{"text":"How Thyroid Health Affects Fertility"},"content":{"text":"For women trying to conceive, the road to pregnancy can be fraught with challenges. While the reasons for delayed conception may not always be obvious, thyroid health could be a significant factor. As the world marks World Thyroid Day on May 25, experts emphasize the often overlooked influence of hypothyroidism on reproductive health. Dr. Alimileti Jhansi Rani, a Fertility Specialist at Birla Fertility & IVF Hyderabad, stresses the critical role of the thyroid in reproductive health.  Research has shown that hypothyroidism can disrupt ovulation, menstruation, and hormonal regulation, leading to fertility struggles and potential complications during pregnancy. It's important to note that even 'normal' thyroid levels may not be ideal for conception, with specialists recommending optimized levels for fertility. Treatment and lifestyle changes, including medication, proper nutrition, stress management, and monitoring menstrual and ovulation patterns, can significantly improve the chances of conception.  Additionally, testing for thyroid antibodies can provide valuable insights, especially for women facing recurrent miscarriages or fertility challenges. Understanding the impact of thyroid health on fertility and seeking timely medical guidance can save valuable time for women struggling to conceive."},"img":{"url":"https://images.prismic.io/prad/1c687669-969a-426e-b643-acc2ccc20607_thyroid.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","embed":{"embed_url":null}},"uid":"how-thyroid-health-affects-fertility"}},{"node":{"data":{"title":{"text":"Shortness of Breath? Take It Seriously"},"content":{"text":"Feeling winded when doing everyday tasks like climbing stairs may seem normal, but according to Dr. Rajesh Rajani, Consultant Interventional Cardiologist, it can be a red flag for an underlying heart problem. Many people dismiss breathlessness as a sign of aging or lack of fitness, but this could be dangerous thinking. The gradual decline in your ability to perform tasks without getting breathless may go unnoticed, leading to delayed diagnosis of potential heart issues.  Dr. Rajani warns that breathlessness should not be normalized, as it could indicate serious heart conditions such as blocked arteries, heart valve disease, irregular heart rhythms, or weakening of the heart muscles. Recognizing and evaluating these symptoms early can help identify underlying health risks and prevent more serious complications later. It's crucial not to make excuses for these symptoms and to seek medical advice if you experience increasing shortness of breath.  This article provides insights from Dr. Rajesh Rajani, shedding light on why breathlessness should not be ignored and how it can signify an underlying heart condition."},"img":{"url":"https://images.prismic.io/prad/agwbIKYofJOwHWqT_breath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T18:56:00+0000","embed":{"embed_url":null}},"uid":"dont-ignore-it-when-shortness-of-breath-signals-a-serious-health-concern-mpcc9z9u"}},{"node":{"data":{"title":{"text":"Hantavirus Panic Hits US Passengers"},"content":{"text":"In a troubling development, two American passengers from the MV Hondius have raised alarm as they are transported back to the United States with potential hantavirus infections. The Department of Health and Human Services confirmed on Sunday evening that among the 17 evacuees, one individual is exhibiting mild symptoms, while another has tested 'mildly PCR positive' for the Andes strain of the virus. This evacuation comes amidst a backdrop of heightened awareness surrounding hantavirus, which can lead to severe respiratory complications. The cruise ship, which embarked from Argentina in April and traversed the South Atlantic, has been linked to a disturbing cluster of hantavirus cases, including three fatalities. The initial case involved a Dutch passenger who fell ill shortly after boarding, leading to a tragic sequence of events that resulted in both his and his wife’s deaths, as well as that of a German traveler. The virus's unusual capability for human-to-human transmission—particularly the Andes strain—underscores the urgency of the situation, as it typically spreads through contact with infected rodent excreta. Health experts are particularly concerned about this outbreak due to its rarity, with hantaviruses generally transmitting through animal vectors rather than person-to-person contact. The Andes virus, however, poses a unique threat, necessitating close interactions for transmission to occur. A Swiss tour guide who disembarked in Saint Helena and later tested positive suggests that the virus may have circulated among passengers during the voyage. Such developments have prompted increased scrutiny and rigorous monitoring protocols for those who interacted with affected individuals. The 17 American passengers are currently en route to the University of Nebraska Medical Center, which is equipped to handle potential hantavirus cases. The facility will conduct thorough clinical assessments, with asymptomatic individuals expected to monitor their health at home for a full 42 days—the incubation period for the virus. While health officials have classified most passengers as low-risk, the careful tracking and oversight reflect a cautious approach in the face of a potentially serious health crisis, emphasizing both preparedness and the importance of public health vigilance in mitigating outbreaks."},"img":{"url":"https://images.prismic.io/prad/agHlCKYofJOwHFHL_hantavirus.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T05:02:00+0000","embed":{"embed_url":null}},"uid":"hantavirus-alert-us-passengers-evacuated-amid-growing-health-concerns-mp19tz46"}},{"node":{"data":{"title":{"text":"Summer Chill or Skin Kill: The Hidden Perils of AC"},"content":{"text":"As temperatures soar, air conditioning becomes a refuge from the sweltering heat, yet it carries an unsuspected consequence for our skin. The very mechanism that cools our living spaces—lowering humidity levels—has a detrimental effect on skin health. Prolonged exposure to air-conditioned environments can lead to significant dehydration, disrupting the skin's natural barrier and causing a range of issues including heightened sensitivity, flakiness, and even unexpected breakouts. This paradox highlights a critical need for awareness in our skincare routines during the sweltering summer months. The science behind air conditioning reveals a stark reality: the cooling process strips moisture from the air, which in turn accelerates water loss from the skin. This dehydration can affect all skin types, whether oily, dry, or combination. A common misconception is that hydrated skin will always appear visibly dry; in many cases, a lack of moisture can trigger the skin to produce excess oil in a compensatory manner, resulting in clogged pores and acne. This cycle underscores the importance of recognizing air conditioning as a double-edged sword, necessary for comfort yet detrimental to skin vitality. The skin barrier serves as the body’s frontline defense against external aggressors. When faced with the relentless assault of dry air, this barrier struggles to maintain its integrity, leading to issues like increased sensitivity and irritation. Individuals may notice fine lines becoming more pronounced, and persistent redness developing as their skin reacts to the new environment. The long-term implications are unsettling; a compromised skin barrier not only invites dryness but also exposes the skin to pollution and UV damage once individuals venture outside. Understanding this connection is crucial for anyone reliant on air conditioning for comfort. To counteract these adverse effects, skincare strategies must adapt to this summer challenge. Prioritizing deep hydration is essential—switching to lightweight moisturizers infused with hydrating ingredients like hyaluronic acid can help replenish lost moisture without clogging pores. Layering products, such as applying a hydrating serum followed by a moisturizer, creates an additional shield against dry air. Moreover, maintaining internal hydration through adequate water intake and using a humidifier can enhance skin resilience. As the demand for comfort clashes with the need for skin health, it is imperative to strike a balance that ensures both can coexist harmoniously during the hottest months of the year."},"img":{"url":"https://images.prismic.io/prad/afhRDcBOoF08xkN5_skin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-03T02:53:00+0000","embed":{"embed_url":null}},"uid":"summer-chill-or-skin-kill-the-hidden-perils-of-air-conditioning-moq2k7ge"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Indian American lawmakers condemn anti-India act in Texas"},"content":{"text":"Six Indian American members of the US Congress have strongly condemned the tearing of an Indian flag during an immigration-related protest outside Frisco City Hall in Texas and expressed solidarity with the Indian American community amid growing concerns over xenophobia and anti-India rhetoric.  Representatives Raja Krishnamoorthi, Ami Bera, Pramila Jayapal, Ro Khanna, Shri Thanedar and Suhas Subramanyam issued a joint statement after a demonstrator tore the Indian flag during a protest that included anti-India chants and rhetoric. The incident gained widespread attention on social media and sparked strong reactions from Indian Americans across the United States. “We strongly support the constitutional right to freedom of expression for all Americans. At the same time, we condemn the tearing of an Indian flag outside Frisco City Hall alongside hateful anti-India rhetoric, which continues to fuel anti-Indian violence and xenophobia. Acts of hate and intimidation targeting any community are unacceptable and have no place in our country,” the lawmakers said. The lawmakers said the incident went beyond political expression and had raised concerns among Indian Americans about their safety and acceptance in the country. “The Indian American community is an important part of our nation and deserves to feel safe and respected. As Indian Americans and South Asian Americans face harassment, xenophobia, and hateful rhetoric, leaders must speak clearly: hate targeting any community cannot be tolerated or ignored,” the statement said. The members of Congress also reaffirmed their support for Indian Americans in Texas and across the United States. “We stand in solidarity with the Indian American community in Frisco and across the country. Everyone deserves to live with dignity and safety, free from fear, harassment, and discrimination,” they said. The six lawmakers represent the largest-ever group of Indian American members serving simultaneously in the US House of Representatives. Collectively, they have frequently spoken on issues affecting immigrant communities, civil rights and the growing Indian American population in the United States. Indian Americans today number more than five million people and represent one of the most educated and economically successful ethnic communities in the United States. The community has steadily increased its political influence, with growing representation in Congress, state legislatures, local government and senior positions in business and technology. Frisco, located north of Dallas, has experienced rapid demographic growth over the past two decades and is home to a large Indian American population. The city has become a prominent centre for professionals working in technology, healthcare, finance and other sectors, reflecting the broader expansion of the Indian diaspora across Texas and the United States."},"img":{"url":"https://images.prismic.io/prad/ajD22Y1P9HI4UjUK_indianamericans.JPG?auto=format%2Ccompress&rect=0%2C147%2C550%2C271&w=2028&h=1000"},"datetime":"2026-06-16T02:32:00+0000","embed":{"embed_url":null}},"uid":"indian-american-lawmakers-condemn-anti-india-act-i"}},{"node":{"data":{"title":{"text":"Indian-Origin Man Fatally Stabbed in London"},"content":{"text":"A 26-year-old Indian-origin man has been killed in a knife attack in Southall, west London, the Metropolitan Police said, prompting a murder investigation and a fresh appeal for witnesses.  The victim has been identified as Gurbhej Singh, who was stabbed on North Road near the junction with Dormers Wells Lane. Police said on Saturday that Singh was attacked outside a shop at the junction of North Road and Dormers Wells Lane at around 00:30 hrs. According to the Metropolitan Police, officers were called on Wednesday by the London Ambulance Service after reports of a stabbing in the area. Police and paramedics arrived at the scene, where two injured men were found. Despite efforts by medical staff, Singh, who had suffered a knife wound, was pronounced dead at the scene. His family are being supported by specialist officers. A second man, believed to be in his 30s, was also found injured at the scene. He was taken to the hospital for treatment and has since been discharged. Police said seven men, aged between their early 20s and late 30s, were arrested at the scene on suspicion of murder. Following further investigation, six of them were released with no further action, while one man has been granted bail and is due to return at a later date. Investigators have urged members of the public to come forward with any information, including CCTV or mobile phone footage, as enquiries continue into the circumstances surrounding the attack. Detective Chief Inspector Alison Foxwell, of the Met’s Specialist Crime Command, said, “Homicide detectives continue to investigate Mr Singh’s tragic death and my thoughts remain with his family and loved ones.” Police continue to examine the sequence of events leading up to the stabbing, which took place shortly after midnight outside a shop in Southall. The motive behind the attack has not yet been established, and officers are working to identify all those involved. The Metropolitan Police have reiterated their appeal for witnesses, stressing that even small pieces of information could assist the ongoing investigation into the fatal stabbing."},"img":{"url":"https://images.prismic.io/prad/e65d5cc2-0d91-463a-8e82-6bcc9bef10eb_knifed.JPG?auto=format,compress"},"datetime":"2026-06-14T04:38:00+0000","embed":{"embed_url":null}},"uid":"indian-origin-man-fatally-stabbed-in-london"}},{"node":{"data":{"title":{"text":"Indian-origin tech leader Soma honoured in US Congress"},"content":{"text":"Indian-born technology executive and entrepreneur Sivaramakrishnan \"Soma\" Somasegar, who helped shape Microsoft's rise and later became a leading venture capitalist in the US Pacific Northwest, was honoured in the US House of Representatives this week for his contributions to technology, entrepreneurship and community service.  Speaking on the House floor, Congresswoman Suzan DelBene of Washington remembered Somasegar as \"an incredible technologist, entrepreneur, leader, and friend in our community.\" Born and raised in southern India, Somasegar moved to the United States to study at Louisiana State University before joining Microsoft in 1989. He went on to play a key role in the development of Windows NT, one of the most significant products in the company's history. DelBene said Somasegar's \"remarkable management skills, dedication, and work ethic\" helped him rise through Microsoft's ranks, eventually serving as Senior Vice President until 2015. \"I had the joy of getting to know him during our time at Microsoft together,\" she said. \"His infectious smile and warm presence brought energy to every room he entered.\" After leaving Microsoft, Somasegar joined Madrona Venture Group as a managing director, where he worked closely with entrepreneurs and emerging companies across the technology sector. DelBene said he \"guided countless startups and helped strengthen our region's innovation ecosystem.\" Somasegar was also active in community initiatives and sports. As a co-founder of the Seattle Orcas franchise, he helped bring professional cricket to the Pacific Northwest, expanding the sport's profile in a region with a growing South Asian population. The congresswoman also described him as \"a passionate advocate for women's empowerment,\" supporting organisations that worked to expand opportunity and equity. Much of her tribute focused on his family. DelBene said his wife, Akila, and their two daughters \"were the center of his world.\" \"He spoke of them often with great admiration, gratitude, and boundless pride,\" she said. \"Everything he accomplished was grounded in love for them. To know Soma was to know how much they shaped him, supported him, and inspired him.\" DelBene called on fellow lawmakers to honour Somasegar's legacy, saying his family, friends and colleagues would continue to cherish \"his kindness and wisdom for years to come.\" Somasegar's career mirrored the growing influence of Indian-origin professionals in the US technology industry. Over the past several decades, executives and engineers from India have played prominent roles in shaping Silicon Valley and the broader American innovation economy. His journey from southern India to senior leadership at Microsoft, venture investing and professional cricket reflected the expanding footprint of the Indian diaspora in the United States and its growing role in technology, business and public life. "},"img":{"url":"https://images.prismic.io/prad/ag63sqYofJOwHeRq_soma.JPG?auto=format,compress"},"datetime":"2026-06-13T01:30:00+0000","embed":{"embed_url":null}},"uid":"indian-origin-tech-leader-soma-honoured-in-us-cong"}},{"node":{"data":{"title":{"text":"US States hail court win against H-1B fee"},"content":{"text":"State attorneys general across the United States welcomed a federal court ruling striking down the Trump administration’s $100,000 fee on new H-1B visa petitions, calling it a victory for employers, universities, healthcare providers and research institutions that rely on highly skilled foreign workers.  A day earlier, US District Court in Massachusetts issued a final ruling vacating the fee, which had been imposed on all new H-1B petitions filed after September 21, 2025. A multistate coalition had challenged the policy, arguing that the administration lacked congressional authorisation to impose the charge. Washington Attorney General Nick Brown said the ruling would help protect the state's ability to attract specialised talent. “This win helps keep our state at the forefront of highly specialized research that drives our world’s most dynamic industries,” Brown said. “Unchecked, this illegal tax would have massively increased costs for Washington state agencies, public universities, and public colleges,” he added. Brown's office said nearly 500 H-1B visa holders are employed across more than 30 Washington state agencies, public universities and colleges. Officials argued that the fee would have made it difficult for educational institutions to fill critical positions, particularly in artificial intelligence, cybersecurity and medical fields. California Attorney General Rob Bonta, whose office led the multistate challenge, said the court had delivered a decisive rejection of the policy. “The judgment is in! The Trump Administration’s unlawful and costly $100,000 tax has been struck down. This tax was an attack on America’s ability to attract and retain the high-skilled talent that strengthens our economy and helps us meet critical workforce needs,” Bonta said. “California remains open for business, open to talent, and committed to ensuring our communities have essential services — from healthcare to education — that depend on a strong, skilled workforce,” he added. Connecticut Attorney General William Tong also praised the ruling, describing the fee as an unfair burden on employers. “We just stopped Donald Trump’s crude attempt to hawk the American Dream to the highest bidder. Trump’s outrageous fees were a steep burden for Connecticut employers across the public and private sector who rely on skilled H-1B workers for difficult, vital positions,” Tong said. “We sued, we won, and we’re going to keep fighting to protect a fair and lawful immigration process,” he added. State officials argued that the fee created a costly barrier for employers seeking workers in specialised occupations, including teachers, physicians, researchers and nurses. They said the policy risked worsening labour shortages and disrupting essential public services. According to the coalition, employers had previously paid between $960 and $7,595 in regulatory and statutory fees for H-1B visas before the $100,000 charge was introduced. The states also highlighted the economic contribution of H-1B workers and their families, citing estimates that they contribute $86 billion annually to the US economy, pay $35 billion in federal and payroll taxes, and another $11 billion in state and local taxes."},"img":{"url":"https://images.prismic.io/prad%2F6d9a84a3-bdac-4f8f-957e-c069d3c27d4f_h1b.jpg?auto=format,compress&rect=0,67,1920,947&w=2028&h=1000"},"datetime":"2026-06-09T20:05:00+0000","embed":{"embed_url":null}},"uid":"us-states-hail-court-win-against-h-1b-fee"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"Rebel Star #Prabhas for #SingGeetham"},"img":{"url":"https://images.prismic.io/prad/ajVnBo1P9HI4Uv6-_prabhassinggeetham.JPG?auto=format,compress"},"datetime":"2026-06-19T12:58:00+0000","third_party_url":null},"uid":"rebel-star-prabhas-for-singgeetham"}},{"node":{"data":{"title":{"text":"Nagabandham Official Trailer"},"img":{"url":"https://images.prismic.io/prad/aQ8nk7pReVYa4Qwl_nagabandham.JPG?auto=format,compress"},"datetime":"2026-06-19T13:42:00+0000","third_party_url":null},"uid":"nagabandham-official-trailer"}},{"node":{"data":{"title":{"text":"'BATWARA 1947' Movie Teaser"},"img":{"url":"https://images.prismic.io/prad/ajOgA41P9HI4UqZ9_batwara1947.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-18T06:15:00+0000","third_party_url":null},"uid":"batwara-1947-movie-teaser"}},{"node":{"data":{"title":{"text":"'ALPHA' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/ajJheI1P9HI4Umx2_alphatrailer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-17T07:30:00+0000","third_party_url":null},"uid":"alpha-movie-trailer"}},{"node":{"data":{"title":{"text":"'Oh Sukumari' Teaser"},"img":{"url":"https://images.prismic.io/prad/ai5rjY1P9HI4UdQP_ohsukumari.JPG?auto=format,compress"},"datetime":"2026-06-13T18:30:00+0000","third_party_url":null},"uid":"oh-sukumari-teaser"}},{"node":{"data":{"title":{"text":"#NBK111 Glimpse"},"img":{"url":"https://images.prismic.io/prad/aiqJBalQnVZVENEs_NBK111.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-10T18:30:00+0000","third_party_url":null},"uid":"nbk111-glimpse"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Thaagu - Vugoo Scheme: A New Economic Growth Discourse"},"img":{"url":"https://images.prismic.io/prad/ajT8oY1P9HI4Ut2Q_mandubeach.JPG?auto=format,compress"},"datetime":"2026-06-19T08:24:00+0000","third_party_url":null},"uid":"thaagu---vugoo-scheme-a-new-economic-growth-discou"}},{"node":{"data":{"title":{"text":"The G7 Photo: Fake Smiles And Missing Spines"},"img":{"url":"https://images.prismic.io/prad/ajOcv41P9HI4UqWr_moditrumpG7.JPG?auto=format,compress"},"datetime":"2026-06-18T06:42:00+0000","third_party_url":null},"uid":"the-g7-photo-fake-smiles-and-missing-spines"}},{"node":{"data":{"title":{"text":"How YSRCP Hijacked The Narrative"},"img":{"url":"https://images.prismic.io/prad/ai5WRI1P9HI4UdOg_cbnpkjagan.JPG?auto=format,compress"},"datetime":"2026-06-14T06:30:00+0000","third_party_url":null},"uid":"how-ysrcp-hijacked-the-narrative"}},{"node":{"data":{"title":{"text":"Hugs, Hype, And Hypocrisy"},"img":{"url":"https://images.prismic.io/prad/ai5eco1P9HI4UdPu_moditrump.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-14T06:25:00+0000","third_party_url":null},"uid":"hugs-hype-and-hypocrisy"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}}]},"one":{"edges":[]},"two":{"edges":[]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Thaagu - Vugoo Scheme: A New Economic Growth Discourse"},"content":{"text":"“మందు బాబులం మేము మందు బాబులం. మందు కొడితే మాకు మేమే మహారాజులం”( Alcoholics we are, proud alcoholics we stand, with a drink in our hand, we rule our own land)… The famous song from Gabbar Singh, incidentally starring the state's Deputy CM, Pawan Kalyan, seems all set to become Andhra Pradesh’s unofficial new state anthem. Forget about anthems of development; the state's youth may soon be rolling on the sand, singing about how alcohol makes them the rulers of their own world. This is the unfolding reality under the government’s new \"Beach Shacks\" policy, which critics argue plans to turn peaceful coastlines into loud party zones. Soon, the only waves visible on Andhra's beaches might be the ones made by intoxicated citizens stumbling around temporary sandcastles, completely numbed by state policy. Under the \"visionary,\" CEO-style leadership of Chief Minister N. Chandrababu Naidu, the state is undergoing a radical rebranding. Once positioned as a budding IT and industrial hub, parts of it are being repositioned as a paradise for the bottle. Coastlines once touted as potential “Silicon Valleys” are now being cleared for wine hubs. The government frames this as a new \"Economic Growth Discourse.\" In simple terms, it appears the state is trading its natural, pristine coastlines for free-flowing liquor counters on the beach. Critics have rightly branded this the “Thaagu-Vugoo” (Drink & Dance) scheme. While marketed under the grand corporate nomenclature of “Sampada Sristi” (Wealth Generation), it reads more like a desperate cover-up for a stagnant economy. Unable to generate sustainable employment for its youth, the administration is effectively transforming the unemployed into a demographic of consumers, letting them feel like \"kings on the sand\" courtesy of state-sponsored bars. Clearly, the state's leadership has a unique take on macroeconomics. If a high-quality workforce is key to growth, the administration's chosen method to improve youth well-being is serving them liquor on scenic beaches. The underlying strategy seems clear: keep the unemployed youth distracted so they forget their financial miseries. It serves as a potent distraction from the lack of structural development—a development that, as of now, remains a grand vision projected strictly on digital graphics. This political math isn't unique. Just as leaders globally use populist rhetoric to capture the public imagination, the administration here has deployed its own political \"Trump Card\"—a local version of \"MAGA\" (Make Alcohol Great Again). It is a calculated matrix: revenue generation on one hand, and tactical politics on the other. Yet, the actual economic reality remains grim. The bottom 40% of self-employed workers earn a miserable ₹174 a day in villages and ₹224 in towns (Based on reports of Periodic Labour Force Survey). While this falls below basic daily minimum wages, it is apparently deemed just enough to afford a quarter of liquor. The core issue is not a lack of people willing to work, but the government's systemic failure to create real, dignified jobs. In such a fractured job market, opening liquor shops on the beach may employ a fortunate few as bartenders, but it does nothing to structurally repair the economy. It is a cosmetic strategy that risks turning beautiful beaches into state-funded drinking dens under the guise of \"Goa-style\" tourism. When Chandrababu Naidu campaigned on the promise of “quality liquor at cheaper prices,” he was evolving both an electoral strategy and a revenue model. He was fully aware that alcohol culture quickly adapts to a \"bang-for-the-buck\" mentality, consuming the maximum amount of alcohol on scenic golden beaches at the minimum possible cost. The latest \"Beach Shacks\" move attempts to politically bypass the harmful social effects of liquor consumption to feed an insatiable appetite for state revenue. The administration is not torn between mitigating the public health impacts of drinking and maximizing its coffers; it has openly leaned into the fact that the more people drink, the more revenue flows. Ultimately, attempts to sway voters with cheap alcohol always seem to go down smoothly. Such policies allow the public to remain intoxicated, making it easier for the leadership to exploit them politically. In this new paradigm, it is liquor politics that keeps the constituency compliant, where a quality quarter bottle in hand, while strolling on the pristine sand beaches provides the temporary, sovereign illusion of ruling one's own land."},"img":{"url":"https://images.prismic.io/prad/ajT8oY1P9HI4Ut2Q_mandubeach.JPG?auto=format,compress"},"datetime":"2026-06-19T08:24:00+0000","embed":{"embed_url":null}},"uid":"thaagu---vugoo-scheme-a-new-economic-growth-discou"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Jagan Secures Legal Win In T'gana HC"},"content":{"text":"In a significant ruling that underscores the complexities surrounding high-profile corruption cases, the Telangana High Court has dismissed appeals from the Enforcement Directorate (ED) challenging the release of properties linked to the controversial VANPIC quid pro quo investigation involving former Andhra Pradesh Chief Minister Y.S. Jagan Mohan Reddy. The ruling, handed down by a division bench, affirms a previous order from the Appellate Tribunal that found insufficient grounds for the ED's claims, marking a pivotal moment in an ongoing legal battle that has attracted considerable public and political attention. The ED's appeals were directed against several individuals and entities implicated in the case, notably Jagan Mohan Reddy and industrialist Nimmagadda Prasad. The allegations center around claims that Prasad received substantial benefits from the VANPIC project in exchange for a hefty investment of ₹854.50 crore into companies linked to Reddy. The high court's ruling not only leaves the properties attached by the ED intact but also highlights the tribunal's rationale that investments made prior to the project's inception cannot be construed as illicit benefits directly associated with the VANPIC project. The VANPIC case has been at the forefront of legal controversies in Andhra Pradesh, stemming from allegations of corruption that date back several years. The ED initiated action under the Prevention of Money Laundering Act (PMLA) following claims that the investment by Prasad constituted a quid pro quo, a notion severely challenged by the tribunal's findings. The tribunal meticulously reviewed the timeline of events, concluding that the investments were made long before any alleged wrongdoing took place, thus complicating the ED's narrative of corruption and illegality. Legal experts suggest that the high court's decision may reflect a broader judicial skepticism towards the ED's aggressive tactics in prosecuting alleged financial crimes, particularly those involving political figures. As this case continues to unfold, the implications of the ruling could resonate throughout India's legal landscape, potentially impacting how similar cases are pursued in the future. The ED's efforts to overturn the tribunal's findings have been met with robust judicial scrutiny, reinforcing the delicate balance between legal enforcement and the fundamental principles of justice."},"img":{"url":"https://images.prismic.io/prad/810d1863-6597-42fe-a381-561dedc41fcd_Jagan+Padayatra.JPG?auto=format,compress"},"datetime":"2026-06-19T11:01:00+0000","embed":{"embed_url":null}},"uid":"jagan-secures-legal-win-in-tgana-hc"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment","featured","two"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment","featured","one"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}