{"data":{"all":{"edges":[{"node":{"tags":["Health"],"data":{"third_party_url":null,"title":{"text":"Are Milk Mixes and Gummies Really Essential for Kids?"},"content":{"text":"In light of World Health Day's theme 'Together For Health. Stand With Science', concerns have been raised by doctors over the promotion of milk/energy mixes and multivitamin gummies for children's growth by 'mom influencers' on social media. These products are being endorsed without scientific backing, leading to potential risks.  Health experts caution that many milk mixes are sugary, ultra-processed powders, while multivitamin supplements should only be given when prescribed, preferably in syrup or chewable tablet form. Gummies, often promoted as supplements, pose a higher risk of dental decay.  Dr. L Swapna, head of Neonatology at Niloufer Hospital, emphasized that these products are misleading parents about children's nutritional needs. She highlighted the risk of dental cavities and early-onset obesity associated with these products. Additionally, gummies are seen as candy-like supplements that can contribute to tooth decay and unhealthy eating habits, offering little beyond a balanced diet.  Dr. Swapna stressed the importance of using multivitamins only for specific deficiencies under a doctor's guidance, as over-reliance can lead to dietary limitations. She also emphasized the misleading claims about the need for extra protein in children's diets, stating that a balanced diet consisting of natural, home-cooked foods is sufficient. Paediatrician Dr. Sivaranjani Santosh echoed the need for stricter regulation of marketing practices for such products. Overall, the emphasis remains on the importance of a balanced diet rooted in evidence-based choices, rather than succumbing to influencer-driven trends."},"img":{"url":"https://images.prismic.io/prad/adVECezlhpBNhbBY_milkmixes.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T14:41:19+0000","embed":{"embed_url":null}},"uid":"are-milk-mixes-and-gummies-really-essential-for-kids-expert-doctors-weigh-in-mnoq8y9d"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Salman gets relief from court"},"content":{"text":"Actor Salman Khan has received relief from the Rajasthan High Court, which has stayed the bailable warrant issued against him by the Jaipur District Consumer Commission-II.  The order was passed by a bench of Justice Anoop Singhi while hearing petitions filed by Khan and others. With the High Court’s intervention, Khan is no longer required to appear before the Commission on April 13, a date earlier set as a final opportunity, failing which arrest warrants were to be issued. The Consumer Commission had issued bailable warrants against Salman Khan on four occasions, though they were not successfully served.  During a recent hearing, the Commission had expressed strong displeasure and warned of stricter action in case of non-compliance. The case stems from a complaint filed by Yogendra Singh Badiyal, alleging misleading advertisements by Rajshree Pan Masala and its brand ambassador Salman Khan. The products were promoted as “saffron-infused cardamom” and “saffron-infused pan masala.”  On January 6, 2026, the Commission had imposed an interim ban on the promotion and advertisement of these products.  However, advertisements reportedly continued on January 9, including hoardings across Jaipur, Kota, and other cities, which the Commission viewed as a violation of its order. The Commission had observed that celebrity status does not place anyone above the law and noted that repeated non-appearance despite warrants undermines public confidence in the justice system. It had even directed the Director General of Police to form a task force to serve the warrant in Mumbai, but the process remained unsuccessful. Senior Advocates R.P. Singh and G.S. Bafna, along with Advocates Divesh Sharma, Varun Singh, and Shivangshu Naval, appeared for Rajshree Pan Masala and Salman Khan."},"img":{"url":"https://images.prismic.io/prad/7c4ae2c9-0b15-4cbd-b183-ecc3e0cb3a2f_salman+khan.JPG?auto=format,compress"},"datetime":"2026-04-07T14:39:00+0000","embed":{"embed_url":null}},"uid":"salman-gets-relief-from-court"}},{"node":{"tags":["politics","featured","two"],"data":{"third_party_url":null,"title":{"text":"Vijay's dual nominations cleared"},"content":{"text":"Actor-turned-politician Vijay, leader of the Tamilaga Vettri Kazhagam (TVK), has successfully secured acceptance of his nomination papers from both Perambur in Chennai and Tiruchirappalli East constituencies for the 2026 Tamil Nadu Assembly elections, following the submission of revised affidavits to address discrepancies.   Vijay had originally filed his nomination from Perambur at Dr Ambedkar Government Arts College in Vyasarpadi on March 30, and later submitted papers for Tiruchirappalli East on April 2. However, scrutiny of his affidavits revealed inconsistencies that quickly became a talking point in political and social circles.  In his Tiruchirappalli East nomination, Vijay had declared two criminal cases against him. In contrast, the affidavit submitted for Perambur stated that no criminal cases were pending.  Additionally, his age was listed differently in the two filings -- 52 years in Perambur and 51 years in Tiruchirappalli East -- raising questions about the accuracy of the submissions.  The discrepancies sparked widespread discussion on social media, with some observers suggesting that the Perambur nomination could face rejection if corrections were not made promptly. Responding swiftly, Vijay submitted a revised affidavit for the Perambur constituency on April 4. The updated document aligned the disclosures with those made in the Tiruchirappalli East filing, including details of the criminal cases.  One case pertains to a protest-related incident in Kolathur, where a large gathering allegedly caused public inconvenience, leading to a police case at Peravallur station. Another case relates to an incident in Madurai on August 21 last year, where a security-related altercation during a public event reportedly led to injuries and a subsequent complaint.  The revised affidavit also corrected his age to 51 years in the Perambur filing.  The updated documents were submitted to the Returning Officer by party representatives, including legal counsel.  Election officials confirmed that since the errors were rectified within the permissible time, there was no ground for rejection. Despite objections raised by the DMK and some independent candidates during scrutiny, Vijay’s nominations from both constituencies were accepted.  Meanwhile, nominations of key leaders, including Chief Minister M. K. Stalin from Kolathur, Deputy Chief Minister Udhayanidhi Stalin from Chepauk-Thiruvallikeni, and BJP leader Nainar Nagendran from Sattur, were also accepted, along with several other prominent candidates across the state."},"img":{"url":"https://images.prismic.io/prad/Z7mRAJ7c43Q3gGHC_TVK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T14:30:00+0000","embed":{"embed_url":null}},"uid":"vijays-dual-nominations-cleared"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Trump: Whole civilization will die tonight"},"content":{"text":"US President Donald Trump on Tuesday warned that “a whole civilization will die tonight, never to be brought back again” as he signalled a “complete and total regime change” in Iran, framing the unfolding crisis as one of the most consequential moments in modern global history.  In a post on his social media platform, Trump struck a stark and urgent tone, suggesting both imminent destruction and the possibility of political transformation. “A whole civilization will die tonight, never to be brought back again. I don’t want that to happen, but it probably will,” he wrote. He then pointed to what he described as a decisive shift in Iran’s leadership. “However, now that we have complete and total regime change, where different, smarter, and less radicalized minds prevail, maybe something revolutionarily wonderful can happen, who knows?” Trump said. The remarks come amid an escalating US-Iran confrontation that has intensified over the past several days, with military operations expanding and diplomatic signals narrowing. Trump framed the moment as historic in scale. “We will find out tonight, one of the most important moments in the long and complex history of the World,” he said. He also delivered a sweeping critique of Iran’s leadership since the Islamic Revolution. “47 years of extortion, corruption, and death, will finally end,” Trump added. He closed his message with a direct appeal: “God Bless the Great People of Iran!” The statement follows a series of developments in recent days, including US military strikes on Iranian-linked targets and mounting pressure on Tehran over its control of key regional waterways and infrastructure. Washington has signalled that it is prepared to escalate further if its demands are not met, particularly on ensuring the free flow of global energy supplies through critical maritime routes. Iran, however, has shown no indication of backing down, maintaining a defiant posture and warning of retaliation against US interests and regional assets."},"img":{"url":"https://images.prismic.io/prad/3359d4b1-f548-42d3-b969-1552b7b5692c_trump.JPG?auto=format,compress"},"datetime":"2026-04-07T14:00:00+0000","embed":{"embed_url":null}},"uid":"trump-warns-iran-whole-civilization-will-die-tonight"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Akshay Rocks 'Bhooth Bangla' Trailer Launch"},"content":{"text":"The Bhooth Bangla trailer launch was a star-studded event with the presence of Akshay Kumar, Tabu, Wamiqa Gabbi, Mithila Palkar, Rajpal Yadav, Paresh Rawal, Rajesh Sharma, director Priyadarshan, and producer Ekta Kapoor. Akshay Kumar stole the show with his unconventional style as he appeared on stage wearing torn clothes, which immediately garnered attention.  He humorously attributed the state of his attire to the ghosts, saying, 'This is what the ghosts have done to me. When a man produces a film, this is the state of affairs!' His charismatic presence and witty remarks added to the fun of the event. Akshay introduced the cast in his own inimitable style, drawing laughter from the audience.  Ekta Kapoor's delayed arrival prompted humorous exchanges among the cast, with Tabu joking about her usual absence at trailer launches. Ekta Kapoor retorted with her own brand of humor, stating her presence is unnecessary when a film has big stars. Director Priyadarshan distinguished Bhooth Bangla as not just a horror comedy, but also a fantasy. The film is set to release in cinemas on April 17, with paid previews starting from 9:00 pm on April 16."},"img":{"url":"https://images.prismic.io/prad/adVFYOzlhpBNhbBw_akshay.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T13:02:39+0000","embed":{"embed_url":null}},"uid":"akshay-kumar-rocks-bhooth-bangla-trailer-launch-with-unconventional-style-and-hu-mnomq2e7"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Tragic End for Rising Star"},"content":{"text":"In a deeply unsettling development, actress Subashini Balasubramaniyam, best known for her role in the acclaimed Tamil serial *Kayal*, was discovered deceased in her Chennai residence on April 6, 2026. The news has sent shockwaves through the entertainment community and her fanbase, leaving many in disbelief over the untimely demise of a talent poised for significant acclaim. Initial police reports indicate the possibility of suicide, stemming from alleged emotional turmoil following a personal dispute with her husband during a video call. Subashini’s sudden death has not only left her loved ones in mourning but also raises pressing questions about the mental health challenges faced by individuals in the public eye. Sources reveal that she had been grappling with personal issues that could have contributed to her distress, intensifying the tragedy of a life that was just beginning to flourish. Friends, fans, and colleagues have expressed their sorrow and disbelief, taking to social media to share fond memories and heartfelt tributes that underscore her potential and the brightness she brought to her craft. Originally hailing from Sri Lanka, Subashini made her way to Chennai with dreams of making a mark in the film industry. Her journey was fraught with the typical struggles of an aspiring actress, but her perseverance led to her breakthrough role in *Kayal*, which garnered her critical acclaim and a devoted fan following. Those who knew her described her as a dedicated performer, whose commitment to her art was evident in every performance. The actress's career trajectory had recently begun to ascend, marking her as a promising figure in Tamil television. In the wake of this tragedy, authorities continue to investigate the circumstances surrounding her death, with friends and family urging for privacy as they navigate their grief. As discussions around mental health gain momentum, this incident shines a light on the often-hidden struggles faced by artists within the entertainment industry. The loss of Subashini serves as a poignant reminder of the pressures that come with fame, prompting a critical examination of the support systems available to those in the limelight and the importance of addressing emotional well-being in an often unforgiving environment."},"img":{"url":"https://images.prismic.io/prad/adVC6OzlhpBNhbBD_subhashini.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T13:02:37+0000","embed":{"embed_url":null}},"uid":"tragic-end-for-rising-star-kayal-actress-subashini-found-dead-in-chennai-mnomq0h6"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Warner faces legal trouble"},"content":{"text":"Former Australian opener David Warner has landed in legal trouble after being charged with drink driving on Sunday. The incident occurred in the suburb of Maroubra during a routine roadside breath-testing operation.  According to a report in news.com.au, the 39-year-old had stopped and parked his vehicle just before reaching the testing checkpoint. However, police officers approached his car and conducted a breath analysis, which confirmed that he was over the legal alcohol limit. Warner was subsequently taken into custody and transported to Maroubra Police Station, where his blood alcohol reading was recorded at 0.104. He has since been charged and is scheduled to appear in court next month. “About 5:30 pm today (Sunday 5 April 2026), police were conducting stationary random breath testing on Malabar Road, Maroubra. A van was seen to allegedly stop short of the testing site and park. Officers attached to Traffic and Highway Patrol Command approached the vehicle and subjected the driver – a 39-year-old man – to roadside testing, which returned a positive result. He was arrested and taken to Maroubra Police Station, where a second test allegedly returned a reading of 0.104,\" the police statement read as per the report. “The man was issued with a Field Court Attendance Notice for driving with middle-range PCA to appear before the Downing Centre Local Court on Thursday, 7 May 2026,” it added. The development comes at a time when Warner remains actively involved in franchise cricket despite retiring from international cricket in 2024. He is currently leading Karachi Kings in the Pakistan Super League (PSL) 2026 and had briefly returned to Australia during a break between matches. Widely regarded as one of Australia’s most explosive opening batters, Warner has continued to make an impact in domestic T20 competitions, including the Big Bash League (BBL). He recently enjoyed a remarkable season with the Sydney Thunder, finishing as the tournament’s leading run-scorer. Warner amassed an impressive 433 runs in just eight matches, significantly outperforming his teammates. Meanwhile, his PSL side Karachi Kings are currently second in the points table with three wins on the bounce. The team will next take on Peshawar Zalmi on Thursday, April 9, at the National Stadium in Karachi."},"img":{"url":"https://images.prismic.io/prad/Z9_ZzndAxsiBvxVX_warner.JPG?auto=format,compress"},"datetime":"2026-04-07T11:00:00+0000","embed":{"embed_url":null}},"uid":"warner-faces-legal-trouble"}},{"node":{"tags":["Entertainment","featured","four"],"data":{"third_party_url":null,"title":{"text":"'Karna' Battles Major Financial Setbacks"},"content":{"text":"In a disheartening turn of events for Indian cinema, Rakeysh Omprakash Mehra's ambitious project, 'Karna,' has reportedly encountered substantial financial obstacles, raising questions about its viability. The film, intended to be a grand two-part epic featuring Tamil superstar Suriya in the lead role, has been temporarily shelved as Mehra grapples with securing the staggering budget of 600 crores necessary for its production. The director, acclaimed for his previous works such as 'Rang De Basanti' and 'Bhaag Milkha Bhaag,' has invested years into meticulous research and development to bring the legendary figure of Karna to the silver screen with both historical accuracy and cinematic grandeur, but financial realities are now imposing severe constraints on his vision. Sources indicate that Excel Entertainment, the production house led by Farhan Akhtar and Ritesh Sidhwani, is reconsidering their involvement in the project as escalating costs threaten to eclipse initial projections. The team has reportedly urged Mehra to significantly cut the budget or risk abandoning the film altogether. As the industry continues to witness a growing divide between high-budget projects funded by South Indian production houses and Bollywood's struggles to match such ambitions, the prospects for 'Karna' appear increasingly bleak. With the financial landscape shifting, the pressure mounts on Mehra to either recalibrate his grand vision or explore alternative funding avenues. The plight of 'Karna' mirrors the difficulties faced by other mythological projects in Bollywood, notably Vicky Kaushal and Aditya Dhar's 'The Immortal Ashwatthama,' which was shelved due to similar financial constraints. This troubling trend raises concerns about the industry's ability to support high-concept narratives rooted in Indian mythology, particularly when the lead actor's recent box office performance can significantly influence investor confidence. Suriya's latest film, 'Kanguva,' underperformed critically and commercially, casting a long shadow over the potential for 'Karna' to attract the backing it needs in a market that is becoming increasingly risk-averse. As Mehra navigates these treacherous waters, he is faced with the daunting choice of compromising on his artistic vision or seeking out new producers willing to take a gamble on his dream project. The outcome remains uncertain, as the complexities of financing such a monumental undertaking in the current economic climate loom large. The challenges faced by 'Karna' highlight significant shifts in the film industry, revealing the precarious balance between creative ambition and financial feasibility. The fate of this epic narrative, steeped in the rich tapestry of Indian mythology, hangs in the balance as stakeholders weigh their options in a landscape fraught with risk."},"img":{"url":"https://images.prismic.io/prad/adTfvJGXnQHGZUDW_karna.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T09:41:00+0000","embed":{"embed_url":null}},"uid":"rakeysh-omprakash-mehras-karna-battles-major-financial-setbacks-as-production-fa-mnohophl"}},{"node":{"tags":["politics","featured","three"],"data":{"third_party_url":null,"title":{"text":"Cross-State War of Words: RR vs Vijayan"},"content":{"text":"A sharp and unusually personal war of words between the Telangana Chief Minister A. Revanth Reddy and his Kerala counterpart Pinarayi Vijayan escalated on Tuesday, turning into a full-blown political slugfest that has drawn national attention. The exchange was triggered by Reddy, who opened the salvo with a pointed \"po mone Vijaya\" (go away, Vijayan), a remark that quickly went viral and set the tone for an increasingly bitter back and forth. Doubling down, the Telangana Chief Minister on Tuesday said he viewed Vijayan's counterattacks as a \"blessing\" and insisted he was unfazed. He also accused Vijayan of insulting the people of Kerala and declared that \"his time is over\", before signing off with a curt \"bye bye Pinarayi\". Reddy claimed that the Kerala Chief Minister had failed to respond to key political questions, including allegations of aligning with Prime Minister Narendra Modi. While maintaining that he respected Vijayan's age and office, the Telangana Chief Minister took a swipe by describing PM Modi as Vijayan's \"brother\", a remark loaded with political insinuation. The controversy deepened after Vijayan's barb on Tuesday \"dash mone\" retort had already stirred debate over the tone of political discourse. Seeking to regain the narrative, the Kerala Chief Minister responded with a formal letter addressed to \"Dear Revanth Reddy\", in which he laid out Kerala's developmental achievements in a measured, if pointed, rebuttal. With Reddy having the first word and the last, the episode underscores a coarsening of political exchanges between the senior leaders. What might once have remained a regional spat has now evolved into a high decibel confrontation, reflecting the increasingly combative tenor of contemporary Indian politics, where even Chief Ministers are not above trading barbs that resonate far beyond their states. Reddy's arrival for the poll campaign in Kerala had generated intense interest, the second time after his barb had turned viral and now with Vijayan making it clear, a reply would be soon send, all eyes are on when it would happen as on Thursday the state goes to the polls to elect 140 new legislators."},"img":{"url":"https://images.prismic.io/prad/adTwoZGXnQHGZUWt_rrvijayan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T08:05:00+0000","embed":{"embed_url":null}},"uid":"cross-state-war-of-words-rr-vs-vijayan"}},{"node":{"tags":["Entertainment","featured","one"],"data":{"third_party_url":null,"title":{"text":"B'wood's Shift from Romance to Revenge"},"content":{"text":"In the past, Hindi cinema was synonymous with romantic dreams and emotional sagas. However, a notable transition has occurred in recent years. The era of love epitomized by characters like Raj and Rahul has given way to a new reign - that of the Angry Young Man. Films today are no longer centered around tender emotions or vulnerability, but rather revolve around themes of power and vengeance, as evidenced by blockbusters like 'Animal', 'KGF', 'Pushpa', and 'Dhurandhar The Revenge'. This shift isn't merely a cinematic trend; it reflects a cultural undercurrent.  The resurgence of the Angry Young Man archetype, championed by Amitabh Bachchan in the 1970s and 1980s, signifies a societal yearning for a hero who defies the system and battles injustice with unapologetic force. It's not just a narrative construct; it mirrors the simmering discontent and frustration among the masses. These films are not creating anger; they are capitalizing on an existing sentiment. Across the nation, a growing sense of disillusionment and a chasm between aspirations and reality have fueled a collective desire for empowerment and a thirst for retribution. The success of these movies cannot be brushed off as mere fan frenzy; it is indicative of a larger societal shift. While some may view these films as promoting toxic masculinity, it's important to recognize their resonance with audiences. They serve as a reflection of the evolving emotional fabric of our society, where the traditional portrayal of a gentle, affable hero is being overshadowed by a demand for formidable avengers. This cinematic transformation speaks volumes about an India that is grappling with impatience, frustration, and a growing appetite for retaliation. It's a revelation of the prevailing sentiments that extend far beyond the silver screen, illuminating the deeper societal undercurrents. The box office's endorsement of these narratives isn't just a testament to their entertainment value; it's a stark revelation of the prevailing societal pulse, one that is no longer infatuated with love but is consumed by the allure of retribution and power. This shift in cinematic narratives is a reflection of the nation's evolving emotions and desires."},"img":{"url":"https://images.prismic.io/prad/adTfJ5GXnQHGZUCw_romancetorage.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T07:02:44+0000","embed":{"embed_url":null}},"uid":"the-rise-of-the-angry-young-man-indias-shift-from-romance-to-revenge-in-bollywoo-mno9v7m3"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"BRS leaders placed under house arrest"},"content":{"text":"Bharat Rashtra Samithi (BRS) deputy leader in Telangana Legislative Assembly and former minister T. Harish Rao and several other party leaders were placed under house arrest on Tuesday to prevent them from leaving for Parigi in Vikarabad district, where they were planning to meet farmers affected by the industrial park project.  Former minister Sabitha Indra Reddy and several other leaders from the erstwhile Ranga Reddy and Vikarabad districts were placed under house arrest. Police stepped up security outside the house of Harish Rao to foil his plans to visit Parigi. Talking to media persons, Harish Rao condemned the detentions. He asked why the government was scared when they were just planning to stage a ‘dharna’ in a peaceful manner. “Is this the people’s government,” he asked. Meanwhile, BRS working president K.T. Rama Rao has condemned the house arrest of Harish Rao and other leaders. He termed the house arrests and detention as illegal. Former MLAs Mahesh Reddy, Narender Reddy and Menthuku Anand, Vikarabad district president and other leaders have also been detained. Rama Rao said that the house arrests and detentions of the leaders who were on their way to stand in solidarity with farmers fighting to protect their land, is a cowardly act by the government. He stated that attempts to stifle dissenting voices through the brute force of the police amounts to nothing less than the murder of democracy. Rama Rao strongly condemned the alleged forceful seizure of 1,200 acres of farmers' land in the Kadlapur and Rapolu villages of the Parigi constituency for establishing an industrial park. Rama Rao alleged that since coming to power, the Revanth Reddy government has cast aside the promises it made to the public and has instead set its sights on seizing the lands of the poor. He asserted that it is atrocious for a government, which Rama Rao alleged has already subjected farmers to immense hardship by failing to implement schemes such as ‘Rythu Bharosa’, farm loan waivers, the ‘Six Guarantees’, and other promises, to now embark on land acquisition drives in the name of industrial development. Rama Rao claimed that this government has failed to bring in a single industry over the past two-and-a-half years and displays an insatiable appetite for plundering land. He made it clear that arrests, imprisonment, and fabricated legal cases were nothing new to BRS leaders, noting that they have faced all such adversities since the days of the statehood movement while consistently standing firmly on the side of the people. He warned that no one would be intimidated by the government's bluster and threats, and that the struggle on behalf of the people would not cease."},"img":{"url":"https://images.prismic.io/prad/1d2a94b5-f7c9-4951-b2a0-daabe1f18d7d_BRS.JPG?auto=format,compress"},"datetime":"2026-04-07T06:15:00+0000","embed":{"embed_url":null}},"uid":"brs-leaders-placed-under-house-arrest"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Adivi Sesh pulls off real car drift for ‘Dacoit’"},"content":{"text":"Actor Adivi Sesh, who is geared up for the release of “Dacoit”, has spoken about the film’s high-speed car chases and said that drifting with professional gear is not something you get to do every day, and that it gives a massive adrenaline rush. Sesh chose to perform many of these moments himself, bringing an added level of authenticity to the scenes, talking about the experience, he said: \"Dacoit has some extremely intense car chase sequences, and many of them were filmed with me actually driving the car. Drifting with professional gear is not something you get to do every day, and honestly, it gives you a massive adrenaline rush.” He said that when you’re inside the car, “surrounded by cameras, stunt coordinators, and a very tightly planned setup, you realize how much precision is required to get it right.” “These are the kinds of action sequences where you can’t really afford too many retakes because every movement, every skid, every turn has been carefully designed,” said Sesh. The actor said that for him, the excitement comes from pushing myself to perform the shot as perfectly as possible. “I remember telling myself before some of these sequences that this has to happen in a single take. That focus actually heightens your senses, you become extremely aware of the speed, the timing, and the responsibility of delivering the moment exactly as envisioned.” “It’s thrilling but also deeply satisfying when you pull it off. Those are the moments that make action filmmaking so special,\" he concluded. Dacoit also stars Anurag Kashyap and Mrunal Thakur. The film is set to hit the silver screen on April 10. The film reportedly follows a convict, who did not commit any crime but is put behind the bars because of the betrayal by his better half."},"img":{"url":"https://images.prismic.io/prad/Z2pyI5bqstJ98zoC_mrunaldecoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T06:10:00+0000","embed":{"embed_url":null}},"uid":"adivi-sesh-pulls-off-real-car-drift-for-dacoit"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Pawan: Long-awaited aspiration of people fulfilled"},"content":{"text":"The long-awaited aspiration of the people of Andhra Pradesh has been fulfilled with Amaravati officially recognised as the state capital, said Deputy Chief Minister Pawan Kalyan on Tuesday.  Welcoming the gazette notification issued by the Government of India, Pawan Kalyan posted on ‘X’ that Amaravati is the capital of Andhra Pradesh. “Andhra Pradesh, no longer a state left without a capital… no longer a future held in uncertainty. April 6th will be etched in history as the day Amaravati was officially recognized as the capital of Andhra Pradesh. On this historic occasion, following the passage of the Bill in Parliament and the issuance of the Gazette Notification by the Government of India, and with the assent of the Hon’ble President of Bharat, this long-awaited aspiration of the people of Andhra Pradesh has finally been fulfilled,” the Jana Sena leader said. He thanked President Droupadi Murmu, Prime Minister Narendra Modi and Chief Minister Chandrababu Naidu for making this historic moment possible.  “This moment belongs to the farmers who sacrificed and to the people who stood unwavering in their resolve. After 12 long years of state separation, Andhra Pradesh finally has its capital officially recognized by the Government of India. Let us now move beyond the uncertainty and disruptions of the past, and come together to build Amaravati, the people’s capital, laying a strong foundation for future generations and steering our state towards the vision of Swarna Andhra 2047,” the Deputy CM added. Earlier, Chief Minister N. Chandrababu Naidu, on behalf of the people of Andhra Pradesh, expressed profound gratitude to President Droupadi Murmu for her assent to the Andhra Pradesh Reorganisation (Amendment) Act, 2026.  “I thank the Union Government led by Hon’ble Prime Minister Shri Narendra Modi Ji for his commitment to our state and his guidance, all MPs who supported the Bill, our state leaders, and every citizen who stood with us. This is a victory for my people of Andhra Pradesh, especially my farmers of Amaravati,” he said in a post late on Monday. The Chief Minister on Tuesday posted the gazette notification and wrote: “The capital of Andhra Pradesh is Amaravati”. State Minister for Human Resources Development and Information Technology Nara Lokesh, BJP MP Daggubati Purandeswari and several leaders of TDP, Jana Sena and BJP have hailed the gazette notification."},"img":{"url":"https://images.prismic.io/prad/aYHYO90YXLCxVTM3_pawankalyan.JPG?auto=format,compress"},"datetime":"2026-04-07T05:41:00+0000","embed":{"embed_url":null}},"uid":"pawan-long-awaited-aspiration-of-people-fulfilled"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Amaravati gets statutory status as AP capital"},"content":{"text":"Amaravati has received statutory status as the sole and permanent capital of Andhra Pradesh with the Government of India issuing a gazette notification on Monday. This followed after President Droupadi Murmu gave her assent to the Andhra Pradesh Reorganisation (Amendment) Bill, 2026, which was passed by the Parliament last week. As per the gazette notification issued by the Ministry of Law and Justice, the Andhra Pradesh Reorganisation (Amendment) Act, 2026, shall be deemed to have come into force on June 2, 2024. The Andhra Pradesh Reorganisation (Amendment) Act, 2026, amended the Andhra Pradesh Reorganisation Act, 2014. In the Andhra Pradesh Reorganisation Act, 2014, in section 5 (2), the words “and there shall be a new capital” have been replaced with “and Amaravati shall be the new capital”. The expression “Amaravati” includes the capital city areas notified under the provisions of the Andhra Pradesh Capital Region Development Authority Act, 2014, reads the explanation of the Act. The Parliament on April 2 gave its final approval to the Amendment Bill, officially designating Amaravati. The Rajya Sabha passed the bill through a voice vote, a day after the Lok Sabha cleared it. The enactment has ended years of uncertainty and political flip-flops over the capital issue that arose after the 2014 bifurcation of the erstwhile united Andhra Pradesh. It effectively rules out any future attempts to alter the capital’s status or revive the previous three-capital model. A total of 35 MPs in both Houses participated in the debate on the bill. Barring two MPs of the YSR Congress Party, all the MPs supported it. YSRCP opposed the bill on the grounds that it failed to address the concerns of farmers, who gave their lands for the development of the state capital. The foundation for Amaravati as the state capital was laid in 2015 when the Telugu Desam Party (TDP) was in power. However, after YSRCP came to power in 2019, it stopped all the projects in Amaravati and mooted the idea of three capitals. After the TDP-led NDA stormed to power in 2024, it decided to develop Amaravati as the only capital. The works were re-launched last year."},"img":{"url":"https://images.prismic.io/prad%2F872ab75d-1465-4840-ab63-98d574f8cce3_amaravatij.jpg?auto=format%2Ccompress&rect=0%2C68%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-04-06T18:04:00+0000","embed":{"embed_url":null}},"uid":"amaravati-gets-statutory-status-as-ap-capital"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"YSRCP complains to I&B Ministry against Telugu channel"},"content":{"text":"The YSR Congress Party (YSRCP) has lodged a complaint with the Ministry of Information and Broadcasting against a Telugu news channel for allegedly broadcasting defamatory and derogatory content.  In a letter to the Secretary, Ministry of Information and Broadcasting, on Monday, YSRCP MLC and party general secretary Lella Appireddy sought immediate intervention and appropriate action against ABN Andhra Jyothi, its anchor, editor, and management for allegedly broadcasting defamatory, derogatory, misleading, and unethical content through its electronic and digital platforms. “It is submitted that the said broadcast is a clear instance of abuse of media freedom, wherein the channel has indulged in dissemination of content that is false, unverified, malicious, and intended to malign the reputation of the former Chief Minister of Andhra Pradesh, Y. S. Jagan Mohan Reddy, and the YSR Congress Party. The programme is not a fair journalistic exercise but a motivated and one-sided narrative presented with deliberate intent to create hatred, ridicule, and prejudice in the minds of viewers,” wrote the YSRCP leader. The MLC cited allegedly objectionable and defamatory language used by the anchor while describing members and supporters of the YSR Congress Party. The YSRCP quoted the anchor as saying that party supporters would “blindly believe” anything said by Jagan Mohan Reddy and used language the party described as abusive and derogatory. He submitted that the broadcast contains repeated usage of expressions portraying the leadership and members of the party as lacking intelligence and rationality, referring to them in terms such as persons having no intellect or wisdom, and describing political positions as “insane” or “mad” proposals. The anchor has also allegedly depicted the leadership as a group of “mad persons”, which, the letter stated, demonstrates the reckless, abusive, and defamatory nature of the telecast. Meanwhile, YSRCP state spokesperson Karumuri Venkata Reddy alleged that sections of the “yellow media”, particularly ABN Andhra Jyothi, are deliberately spreading misinformation to divert public attention from the growing support for Y. S. Jagan Mohan Reddy’s MAVIGUN (Machilipatnam, Vijayawada and Guntur) capital corridor proposal. He claimed that the MAVIGUN corridor is gaining widespread acceptance as a practical, low-cost capital alternative with strong infrastructure advantages, including port access, national highways, railway junctions, and proximity to an international airport.  He noted that while Amaravati would require massive expenditure of around Rs 2 lakh crore to build basic infrastructure, the MAVIGUN region could be developed into a competitive urban hub at a fraction of that cost, making it a viable growth engine, as supported by economic experts."},"img":{"url":"https://images.prismic.io/prad/8872b107-ccc9-4d39-bec1-1540f8c7edf9_YS+Jagan.JPG?auto=format,compress"},"datetime":"2026-04-06T15:57:00+0000","embed":{"embed_url":null}},"uid":"ysrcp-complains-to-ib-ministry-against-telugu-channel"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"BJP captures Khanapur municipality"},"content":{"text":"The Bharatiya Janata Party (BJP) secured the post of chairperson of Khanapur municipality in Telangana with the support of the Bharat Rashtra Samithi (BRS).  The election for the municipal chairperson of Khanapur in Nirmal district was held amid tight security on Sunday. BJP candidate Ankham Mounika was elected as the chairperson after she received the backing of both BJP and BRS councillors. Both the parties entered into an agreement for the post of chairperson and vice-chairperson. Under the agreement, BRS candidate Mohammad Shoaib was elected as the vice-chairperson. Khanapur was one of the municipalities which had thrown a fractured verdict in the urban local body polls held in February. In the 12-member municipal council, BRS and BJP had bagged four seats each while ruling Congress party had secured three seats. An independent was also elected as councillor. With the support of the independent and an ex-officio vote, Congress’ strength rose to five. One of the BRS councillors had also declared support to Congress. Thus the Congress candidate had a total strength of six. However, with the support of three councillors BRS, the BJP secured the post of chairperson and in return BJP helped BRS candidate get elected as vice-chairperson. With this, the BJP has captured power in the second municipality in the state. Reacting to BJP-BRS deal, Congress MLA from Khanapur, Vedma Bhojju termed it ‘love jihad’. He alleged that the two parties threatened the councillors to win the election. BJP state president N. Ramchander Rao claimed that lotus bloomed in Khanapur despite misuse of power and undemocratic tactics adopted by Congress. “This triumph is truly special because it came in the face of every undemocratic tactic employed by the Congress MLA to try and stop the BJP. Yet, our dedicated karyakartas stood firm and the lotus bloomed with pride,” the BJP leader posted on ‘X’. Khanapur was one of the three municipalities where the election of chairpersons and vice-chairpersons could not be completed last month due to fractured mandate. Main opposition BRS on Saturday bagged the posts of chairpersons and vice-chairpersons Ibrahimpatnam and Kyathanpally municipalities. In Ibrahimpatnam municipality, BRS councillor T. Sudershan Reddy was elected as chairman, while Muthyala Shyamala Bhaskar of the BJP was chosen as vice-chairperson. The BRS-CPI combine wrested control of the Kyathanpalli municipality in Mancherial district. G. Sandhya Rani of BRS and M. Saritha of CPI won as chairperson and vice-chairperson of the civic body respectively. The ruling Congress government had captured power in more than 90 out of 115 municipalities and six out of seven municipal corporations in February."},"img":{"url":"https://images.prismic.io/prad/19025e18-76c0-4333-83fd-f49527dda71e_Jharkand+BJP.jpg?auto=format,compress"},"datetime":"2026-04-06T14:24:00+0000","embed":{"embed_url":null}},"uid":"bjp-captures-khanapur-municipality-with-brs-support"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Harish Exposes Alleged Rs.7000 Crore Scam"},"content":{"text":"Senior leader of the BRS party, T Harish Rao, has made startling allegations of a massive land grab in Nadergul, involving approximately 373 acres of government-owned land estimated to be worth nearly Rs 7,000 crore. Rao addressed the media at Telangana Bhavan, where he accused influential Congress leaders and politically affiliated entities of unlawfully attempting to seize control of the land.  According to Rao, the disputed land has long been established as government property, with documented acknowledgements dating back to the undivided Andhra Pradesh period. He also referenced legal findings, including a 2005 declaration by the RDO affirming the government's ownership of the land, as well as subsequent court rulings upholding the invalidity of related sale transactions, including a recent 2022 high court order. Despite the matter being sub judice with the Supreme Court, Rao highlighted that no stay has been granted, thereby allowing the high court judgment to remain in effect. Additionally, Rao alleged that approximately 600 underprivileged farmers, including female cultivators who have toiled on the land for generations, are facing intimidation tactics, fencing off of their access, destruction of borewells, and pressure from the police. He claimed that nominal compensation offers are being made to coerce them into vacating the area.  Furthermore, Rao raised concerns about environmental violations, citing encroachment on parts of the land falling within the Full Tank Level (FTL) and buffer zone of Lachamma Kunta, and damage to feeder channels connected to water bodies. He questioned the inaction of HYDRAA and district authorities despite complaints from the affected farmers. Demanding immediate intervention, Rao urged Chief Minister Revanth Reddy to take action, including the demolition of illegal structures, restoration of farmers' access, and the apprehension of those responsible. He also issued a warning that BRS leaders would personally visit the site if necessary action is not taken."},"img":{"url":"https://images.prismic.io/prad%2Fe79fe12d-fde1-45f1-a754-1178ac1d3c3f_harish+rao.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-04-06T12:01:50+0000","embed":{"embed_url":null}},"uid":"senior-brs-leader-exposes-alleged-rs-7000-crore-land-scam-in-nadergul-mnn54087"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Mrunal says \"NO\" to lucrative proposals"},"content":{"text":"In a notable stance against the allure of big-budget Bollywood projects, actress Mrunal Thakur has articulated her commitment to maintaining the high standards she has established through her recent successes. Following the critical acclaim of her performances in ‘Sita Ramam’ and ‘Hi Nanna,’ Thakur is opting to reject major film offers that do not align with her artistic vision. Speaking during the trailer launch of her new film ‘Dacoit’ alongside co-star Adivi Sesh, she expressed the emotional weight of these decisions, stating, \"With a big, heavy heart, I have to say no\" to lucrative proposals that fail to resonate with her artistic benchmarks. At the ‘Dacoit’ trailer event, Thakur elaborated on her selective approach, revealing that the roles of Sita Mahalakshmi and Yashna have set a significant precedent for her future projects. She emphasized that the pressure of living up to these characters compels her to prioritize scripts that possess depth and integrity over mere commercial viability. This dedication to her craft speaks volumes about the evolving landscape of Indian cinema, where actors are increasingly aware of their influence and responsibilities in shaping narratives that matter. Thakur’s decision-making process is not just personal but reflects a broader trend in the film industry, where the quality of storytelling is increasingly taking precedence over star power and box office potential. Her mantra, “Laalach buri bala hai” (greed is a bad thing), underscores her belief that compromising artistic integrity for financial gain is not worth the trade-off. By waiting for projects that truly resonate with her values, she hopes to inspire both filmmakers and audiences to appreciate cinema that is not just entertaining, but also meaningful. As anticipation builds for ‘Dacoit,’ which is poised to explore themes of betrayal and revenge, early feedback from industry stalwarts like Mahesh Babu and Vijay Deverakonda has been overwhelmingly positive. The film, which chronicles the journey of a man unjustly imprisoned and his grappling with the consequences of betrayal, aligns with Thakur's commitment to compelling narratives. The buzz surrounding the film, amplified by its gripping trailer, signifies that Thakur's selective strategy is not only a personal choice but one that could redefine success in the cinematic landscape."},"img":{"url":"https://images.prismic.io/prad/acOzYZGXnQHGY8iR_mrunalsesh.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-06T12:01:30+0000","embed":{"embed_url":null}},"uid":"mrunal-thakur-prioritizes-quality-over-quantity-in-film-choices-mnn53km8"}},{"node":{"tags":["Editorial"],"data":{"third_party_url":null,"title":{"text":"Amaravati: AP's Forever-Project Or It's Biggest Political Prop?"},"content":{"text":"\"History reminds us that historical cities like Rome were built for public purpose, not political branding; unlike modern 'prop-cities,' their growth was a commitment to lasting utility rather than a temporary vehicle for electoral gains or graft” Finally, after a 12-year saga that felt like a magician pulling a world-class city out of an empty hat, Andhra Pradesh has officially declared Amaravati as its one true capital. But this time, there’s a twist: a layer of parliamentary irony. In a strange constitutional first, the state, the supposed master of its own geography, had to seek a \"babysitter\" in the Union Parliament to give its capital statutory permanence, effectively locking and fixing the furniture to the floor so future governments, if any, can't move it again. This journey has been less \"urban planning\" and more \"political illusion\" or rather a “fantasy ride on a wooden horse.\" First, it was an \"El Dorado\" on paper; then, a \"three-capital\" punchline; now, it is back as the sole capital. For a decade, the public, taxpayers and farmers have watched this high-stakes juggle, wondering if they are looking at a ‘Mahismathi’, a Rajamouli’s graphic imagery in the making or just an expensive, green-screen projection serving as an electoral platform. Yet, even with legislative immunity, the drama refuses to hit the closing credits. Opposition leader YS Jagan continues his \"Dennis the Menace\", the rule breaking kid routine, pulling a new trick from his pocket: the MAVIGUN corridor. This proposal acts like a mischievous slingshot aimed directly at the government’s ₹2 lakh crore glass house, reigniting the debate over whether Amaravati is a blueprint for progress or a sophisticated scheme for corruption or a perennial prop for electoral politics. While his proposal initially evoked ridicule, painting Jagan as a captain who has lost his map and backed himself into a political cul-de-sac, it has successfully triggered a populist math problem. While the government doubles down on a ₹2 lakh crore greenfield dream, his 110-km urban stretch claims to save ₹1.9 lakh crore by upgrading existing infrastructure. The YSRCP’s dilemma is clear: they are currently ridiculed as \"lost,\" and their leader a “fool”, for the deep-seated scepticism that took root following his previous, ill-fated Three Capital policy, despite of which, they have a potential populist trap ready if they can pivot from mischief to solid political programme. If they can manage a coherent campaign, they might successfully frame Amaravati as a debt trap, a scheme for corruption and a permanent political prop. If it has the will and wherewithal, it could posit itself to expose how the government is turning the project into a resource for electoral funding, and how the taxpayers would be left wondering if they were investing in a monument of progress or just footing an astronomical bill for a city that exists mostly in speeches and graphics. The climate is conducive for such a massive calculated campaign, as the state’s debt climbs toward a staggering ₹7.11 lakh crore, the real magic trick might not be building a city out of thin air, but finding a way to pay for it before the next generation disappears under the bill. Disclaimer: The financial figures cited, including the ₹2 lakh crore project estimate and the projected ₹7.11 lakh crore state debt, are based on current legislative proposals, opposition claims, and 2026-27 budgetary projections. Actual costs and savings may fluctuate based on market conditions, interest rates, and future policy shifts."},"img":{"url":"https://images.prismic.io/prad/adONfZGXnQHGZR-z_jagancbnamaravati.JPG?auto=format,compress"},"datetime":"2026-04-06T09:11:00+0000","embed":{"embed_url":null}},"uid":"amaravati-andhras-forever-project-or-its-biggest-political-prop"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Bhooth Bangla' Trailer"},"content":{"text":"'Bhooth Bangla' Trailer"},"img":{"url":"https://images.prismic.io/prad/adORJZGXnQHGZR_Y_bb.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-06T08:56:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=XW1RkKiRnsg"}},"uid":"bhooth-bangla-trailer"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"A Family Celebrates Daughter's Divorce Homecoming"},"content":{"text":"In a remarkable departure from traditional norms, a family in Meerut, Uttar Pradesh, made a bold statement by joyously celebrating their daughter's divorce. The family welcomed Pranita Vashistha home with drums, garlands, and sweets, challenging the stigma surrounding divorce. Pranita, who had endured mental, physical, and emotional distress during her marriage, emphasized the importance of women standing up for themselves and becoming strong, educated, and independent.  After a family court granted her divorce, the family turned the occasion into a celebration of a 'new beginning'. This gesture aims to challenge societal taboos around divorce and promote a supportive approach towards women seeking dignity and freedom. Retired judge Gyanendra Kumar Sharma, Pranita's father, emphasized that his daughter's happiness and dignity take precedence over societal expectations, sending a powerful message against stigma.  Pranita's resilience and her family's unwavering support serve as an inspiration and catalyst for societal change. The family's celebration is a testament to the strength and independence of women in the face of adversity."},"img":{"url":"https://images.prismic.io/prad%2F2b396f64-fb9b-4b47-8961-a2a87a6b7fae_divorce2.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-04-06T07:01:00+0000","embed":{"embed_url":null}},"uid":"meerut-family-breaks-social-norms-by-celebrating-daughters-divorce-homecoming-mnn53wjb"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"PK: BJP continues its journey with clarity of vision"},"content":{"text":"Guided by the core ideals of nationalism, service, and unwavering commitment to the people, the Bharatiya Janata Party continues its journey with clarity of vision and strength of purpose, said Andhra Pradesh Deputy Chief Minister Pawan Kalyan.  The Jana Sena Party leader greeted the BJP on its 47th foundation day on Monday. Though a social media post, he extended heartfelt wishes to Leader of the BJP Parliamentary Party and Prime Minister Narendra Modi, the party’s National President Nitin Nabin, Union Home Minister Amit Shah, state BJP President PVN Madhav and all leaders and dedicated workers of the party. The actor-politician stated that inspired by the visionary leadership of great stalwarts like former Prime Minister Atal Bihari Vajpayee and senior leader L.K. Advani, and strengthened by the resolute leadership of PM Modi, the party has emerged as the world’s largest political organisation. Under the leadership of the BJP, the NDA government has consistently delivered decisive governance and impactful policies, even during challenging times, leaving a strong and lasting imprint on India’s development journey, Pawan Kalyan said. May the BJP continue to advance its vision of a 'Viksit Bharat', guiding the nation towards greater progress, prosperity, and global leadership, he added. Meanwhile, Union Minister for Coal and Mines, G. Kishan Reddy, conveyed heartfelt greetings to the entire BJP family on the party’s 47th foundation day. “I pay my tributes to the founding members and countless workers whose selfless dedication and sacrifices have strengthened the party and its mission of nation-building,” he said. Kishan Reddy unfurled the BJP flag at his residence in Kachiguda, Hyderabad to mark the party’s foundation day. Union Minister of State for Home Affairs, Bandi Sanjay Kumar, greeted BJP workers on the occasion of the party’s foundation say. “Salute to every 'karyakarta' who strengthened this organisation with hard work, sacrifice, and commitment,” Bandi Sanjay posted on X. He said that under the leadership of PM Modi, the BJP is firmly moving towards a 'Viksit Bharat' and 'Atmanirbhar Bharat'."},"img":{"url":"https://images.prismic.io/prad/adOj4pGXnQHGZSCp_pawan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-06T06:15:00+0000","embed":{"embed_url":null}},"uid":"pk-bjp-continues-its-journey-with-clarity-of-vision"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Prabhu Deva enjoys simple village life"},"content":{"text":"Renowned dancer, choreographer, and filmmaker Prabhu Deva seems to be enjoying a quiet and simple life in the village away from the hustle and bustle of daily city life.  The dancer recently gave his fans a glimpse into his quiet and grounded life in his village and shared a video of the same on his social media account. In the video, Prabhu Deva is seen sitting on the floor with his legs crossed at the entrance of a modest village home. He is dressed in a simple white kurta and dark pants and is seen enjoying a fresh coconut. The actor, holding half of the coconut shell in one hand, is seen using a small scrap piece to scoop out the soft malai, devouring it all. In the other part of the video, Prabhu Deva is seen lying down right outside the house, at the entrance platform resting under the open sky. With no air conditioning or even a fan, the dancer seems to be enjoying the natural cool breeze and indulging in a power nap. He captioned the post as, “Village life”, with a red heart emoticon. Talking about Prabhu Deva's career the ace choreographer has been a part of the entertainment industry for over three decades. Reportedly, the dancer was once a background dancer and through his immense struggle climbed up the success ladder and established himself as one of the finest choreographers in the industry. His collaboration with Bollywood superstar Madhuri Dixit for the song, Que Sera Sera from Pukar remains legendary. Along with his successful stint as a choreographer, Prabhu Deva also ventured into filmmaking. He went on to direct Hindi films like Wanted starring Salman Khan, Rowdy Rathore starring Akshay Kumar, and R… Rajkumar featuring Shahid Kapoor. All movies including their respective music tracks went on to become hits. Prabhu Deva has also started opposite Bollywood actress Kajol in the movie Sapne."},"img":{"url":"https://images.prismic.io/prad/adN18pGXnQHGZR5Z_prabhudeva.JPG?auto=format,compress"},"datetime":"2026-04-06T05:42:00+0000","embed":{"embed_url":null}},"uid":"prabhu-deva-enjoys-simple-village-life"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Age is just a number for Malaika Arora"},"content":{"text":"Bollywood diva Malaika Arora Khan has spoken about owning her age and said that she wears it like a badge as it is just a number.  The diva spoke candidly about ageing on the show “Famously Fit with Sophie,” hosted by Sophie Choudry on Amazon MX. In the episode, Malaika talked about her pragmatic approach to fitness, consistency and hitting the pause button and listening to her body. Not shying away from owning her age, Malaika said in the show, “Just wear it as a badge, age gracefully, and don’t get caught up in it. It’s just a number. No matter what age you are, whether 20 or 60, you are amazing.” She went on to encourage women to embrace themselves at every stage. Giving a peep into celebrity life, she shared takes on fitness fads and cheeky take on what’s actually ‘clean’ and what’s just packaged hype. The episode will also showcase her foodie side and how it led her into the restaurant space. Famously Fit with Sophie is now streaming for free exclusively on Amazon MX Player. Talking about Sophiee, she is a singer, actress, VJ and TV host. She started her career by lending her vocal prowess as a backup singer to 90’s popular artists such as Shweta Shetty and Alisha Chinai. She went on to start an all-girls band in 2000 titled Sansara. After moving to Mumbaim she started hosting shows as she became a VJ. Talking about her album, it featured tracks such as \"Jadugar Saiyaan\", \"Zuby Zuby\", \"Ek Pardesi Mera Dil Le Gaya\", \"Ghar Aaya Mera Pardesi\", \"Dil Ke Armaan\", and \"Bachke Rehna Re Baba\". But it was her revamped version of the song “Mera Babu Chail Chabila” that turned out to be a chartbuster. She also tried her hand at acting. In 2005, she made her debut in Shaadi No.1 directed by David Dhawan among many other."},"img":{"url":"https://images.prismic.io/prad/aNO0NZ5xUNkB1DE4_malaika.JPG?auto=format,compress"},"datetime":"2026-04-06T04:46:00+0000","embed":{"embed_url":null}},"uid":"age-is-just-a-number-for-malaika-arora"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"When Sanjay Dutt called father 'Hitler'"},"content":{"text":"Legendary actor Sunil Dutt directed his actor son, Sanjay Dutt in his debut drama \"Rocky\". During an episode of the celebrity talk show, \"Jeena Isi Ka Naam Hai\", Sanjay recalled how his father was like a 'Hitler' on the set. Sanjay shared, \"Dad was very strict. Once he had said something, you can't just go and ask him, \"What if I do this in a different way?\". He was like Hitler on the set.\" He remembered an incident from their shoot diaries in Kashmir. \"Dad had already placed the shot, and his assistant came to me and said, \"Go and eat your food\". When I told him, \"But it is not break yet\", he said, \"no it is break time, go and eat\", Sanjay shared. As Sanju was having his food in the restaurant, people came running and told him, \"Dutt Sahab is shouting.\" When Sanjay came back on the set, he got a massive scolding from his father. \"How dare you go and eat when the entire unit is standing here? Have you become a star already?,\" Sunil Dutt had said. When Sunil Dutt later asked his assistant, \"Did you tell him to go and have food?\", he simply denied. \"Rocky\" was released back in 1981, marking the acting debut of Sanjay Dutt. Written by Bharat B. Bhalla and Dr. Rahi Masoom Reza, and produced by Amarjeet, the movie also stars Tina Munim, Reena Roy, Amjad Khan, Raakhee, Ranjeet, Shakti Kapoor, and Aruna Irani in significant roles, along with others. Besides directing the drama. Sunil Dutt also made a cameo appearance in \"Rocky\". The later portions of the drama were helmed by Raj Khosla, who took over the charge as director after Sunil Dutt had to travel due to his wife Nargis Dutt's cancer. The film was released only a few days after the demise of Nargis Dutt."},"img":{"url":"https://images.prismic.io/prad/aELFBLh8WN-LVuzL_sanjaysunil.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-06T04:27:00+0000","embed":{"embed_url":null}},"uid":"when-sanjay-dutt-called-father-hitler-on-the-set"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Boney Kapoor's ‘happy memories’"},"content":{"text":"Film producer Boney Kapoor took a nostalgic trip down memory lane on Sunday evening as he shared a throwback picture that featured his late superstar wife Sridevi and their daughter Jahnvi Kapoor, who seems to be four months old. The picture appears to be from a family vacation dating back to the year 1997. Sridevi, in the picture, is seen dressed in a bright red outfit with a black jacket. She is seen holding little Janhvi in her arms tightly. Boney Kapoor is seen standing besides them. The picture seems to have been clicked candidly. Sharing the picture on a social media account Boney Kapoor wrote, “Happy memories In Rino city in the state of Neveda USA 1997 July.” Talking about Jahnvi Kapoor, the actress was born on the 6th of March 1997 to her star parents Sridevi and Boney Kapoor. Talking about the couple, they tied the knot in 1996. It had been long reported that Sridevi was already pregnant with Jahnvi at the time of their wedding. For the uninitiated, Boney Kapoor was previously married to Mona Kapoor with whom he has two children, Arjun Kapoor and Anshula Kapoor. After many years of marriage with Mona, Boney Kapoor went on to tie the knot with Sridevi. Talking about Sridevi, the legendary actress was a superstar back in the 1980 and 90's era of Bollywood. The actress went on to deliver back to back superhit movies like Chandni, ChaalBaaz, Mr India, Lamhe and many more. Sridevi took a sabbatical from movies to focus on her family life. After Janhvi, Sridevi and Boney Kapoor also welcomed their second daughter Khushi Kapoor. Sridevi made her come back to Bollywood with her 2012 superhit movie English Vinglish. In a tragic turn off events, Sridevi passed away in February 2018 after reportedly slipping in the bathtub of a hotel in Dubai, where she had gone to attend a family wedding."},"img":{"url":"https://images.prismic.io/prad/adNvkpGXnQHGZR3M_boneysridevi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-06T02:32:00+0000","embed":{"embed_url":null}},"uid":"boney-kapoors-happy-memories"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Trump threats on Iran draw backlash, legal concerns"},"content":{"text":"The latest threat by US President Donald Trump to strike Iranian civilian infrastructure has triggered a domestic backlash with legal experts warning that such actions could violate international law, as tensions with Tehran escalate over the Strait of Hormuz.  Trump warned that the United States could target Iran’s power plants and bridges if Tehran does not reopen the Strait of Hormuz, according to multiple media reports. “Tuesday will be Power Plant Day, and Bridge Day, all wrapped up in one, in Iran,” Trump wrote on Truth Social, as first reported by Politico. “There will be nothing like it!!! Open the Fuckin’ Strait, you crazy bastards, or you’ll be living in Hell – JUST WATCH!” The remarks marked a sharp escalation as tensions rise over the strategic waterway, a key route for global oil shipments. Trump also set a deadline for Iran to reopen the strait. According to CNN, he “appeared to set a new deadline for Iran to reopen the Strait of Hormuz,” warning of possible strikes if Tehran fails to act. The White House sought to limit the fallout. Press secretary Karoline Leavitt said the United States “will always act within the confines of the law,” Politico reported. Legal experts said targeting civilian infrastructure raises serious concerns under international humanitarian law. According to The New York Times, facilities such as power plants and transport systems “are the foundations of civilian life in Iran,” and their destruction “in most cases would be considered a war crime under international law.” International law prohibits attacks on civilian objects unless they are used for military purposes and the expected military gain outweighs harm to civilians. A legal expert told The Washington Post that “a threat to attack all bridges or power plants or to attack them without distinguishing between lawful and unlawful targets would be a threat to commit war crimes.” The comments have drawn criticism from lawmakers in both parties. Senator Chris Murphy called Trump’s remarks “completely, utterly unhinged,” according to The New York Times. Representative Don Bacon, a Republican, said Americans “don’t want their president to be profane and vulgar,” adding that “part of leadership is self-control.” House Minority Leader Hakeem Jeffries said the administration had drawn the United States into a “reckless war of choice without any plan,” the report said. Some Republicans defended the administration. Representative Mike Lawler described the military campaign as an “incredible operation,” according to The New York Times. Iran has rejected US pressure. A senior Iranian official said the Strait of Hormuz “will remain blocked until Iran receives pay for war damages,” CNN reported. Trump has continued to escalate his rhetoric. In an interview with The Wall Street Journal, he said Iran could lose “every power plant and every other plant they have in the whole country” if it does not comply. “If they don’t do something by Tuesday evening, they won’t have any power plants and they won’t have any bridges standing,” Trump said, according to the newspaper. The remarks have raised concerns among US allies. According to The Washington Post, the statements caused “whiplash for allies” as Washington also pursues diplomatic efforts. Analysts said the approach reflects a mix of pressure and negotiation but carries risks of escalation. “The administration’s language and actions could have far-reaching consequences,” The New York Times reported, warning that such rhetoric may weaken international norms. The Pentagon has not confirmed any plans to target civilian infrastructure. Officials have referred questions to US Central Command. Trump has defended his strategy, saying pressure on Iran is necessary. He also suggested that negotiations could still take place. “We have it under control, seriously under control,” Trump said in remarks cited by Fox News. The standoff centres on the Strait of Hormuz, through which about a fifth of global oil passes. Any disruption there can affect energy markets and global trade. The current tensions mark one of the most serious phases in US-Iran relations in recent years, combining military pressure, economic risks and sharp rhetoric. Past conflicts have shown that threats against civilian infrastructure can draw international scrutiny and increase the risk of wider escalation. Analysts say the situation remains fluid as diplomatic and military pressures continue to build."},"img":{"url":"https://images.prismic.io/prad/a6217d3e-6587-47fe-b814-f7f75e54aa2e_trump+tweet.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-06T02:15:00+0000","embed":{"embed_url":null}},"uid":"trump-threats-on-iran-draw-backlash-legal-concerns"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Shocking Hit-and-Run Killed Newlywed Woman"},"content":{"text":"In a harrowing incident that has sent shockwaves through Hyderabad, a late-night joyride turned deadly when a speeding goods carrier collided with a scooter, dragging it nearly two kilometers. The tragic accident occurred around 11:30 PM near the Mindspace underpass in Madhapur, resulting in the death of 22-year-old Haniya Ayesha and leaving her husband, 26-year-old Abdul Basith, seriously injured. The couple, originally from Kerala, were returning home after a movie outing when their lives were irrevocably altered by a reckless driver. Details surrounding the accident reveal a reckless disregard for human life, as the truck's driver, identified as Arif, allegedly operated the vehicle at high speed and in a negligent manner. The force of the impact threw the newlywed couple onto the road, with their scooter becoming entangled beneath the truck. In a shocking display of negligence, the driver failed to stop, continuing to drag the motorcycle while the couple fought for their lives on the asphalt. It was only after vigilant locals spotted the sparks flying from the dragging vehicle that they sprang into action, chasing down the truck and stopping it near the Jubilee checkpoint. The incident has raised critical questions about road safety and the enforcement of traffic regulations in Hyderabad, where incidents of reckless driving seem to be on the rise. Witnesses reported that the driver fled the scene, leaving his cleaner behind, who was subsequently detained by the enraged crowd. This reaction underscores the community's growing frustration with the seeming impunity of reckless drivers, especially those operating heavy vehicles in urban areas, and highlights the urgent need for stricter penalties and accountability measures. The aftermath of this tragic event has left a young family shattered and sparked a renewed discourse around road safety in India. Authorities have since confiscated both the truck and the scooter while they continue their search for the absconding driver. Meanwhile, Abdul Basith remains hospitalized, grappling with his injuries and the loss of his wife, as the police initiate a formal investigation into the circumstances leading to this devastating incident. The couple's plans for a bright future together have been abruptly snuffed out, leaving a community mourning the loss of a promising life cut short by reckless driving."},"img":{"url":"https://images.prismic.io/prad/e7bfd63c-d78c-4268-979e-450aac768d29_dubai+accident.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-06T00:01:00+0000","embed":{"embed_url":null}},"uid":"tragedy-strikes-newlywed-woman-killed-in-shocking-hit-and-run-incident-in-hydera-mnn53qy4"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Google's $15B Project in AP Set to Begin"},"content":{"text":"Google is all set to kick off its ambitious data centre project in Andhra Pradesh, six months after the signing of a memorandum of understanding (MoU) with the state government. The groundbreaking ceremony for the 1 GW capacity data centre hub will take place on April 28, with the presence of Andhra Pradesh Chief Minister N Chandrababu Naidu and top Google executives including Thomas Kurian.  This massive project, involving a $15 billion investment, marks the largest single foreign direct investment in India. The data centre hub will encompass three campuses near Visakhapatnam, at Adavivaram village, Tarluvada village, and Rambilli. The land has been allocated to Raiden Infotech India Private Limited, Google's subsidiary, which is spearheading the project. The three data centres are expected to be operational by July 2028 and will require the installation of high-capacity submarine cables, cable landing stations, and telecommunications infrastructure.  Adani Infra (India) Limited is partnering with Raiden Infotech India for this endeavor, with the Andhra Pradesh Industrial Infrastructure Corporation (APIIC) approving the land allotment for the data centre hub. Google's expansion into Andhra Pradesh signifies a significant milestone as it currently operates data centres in 11 countries and the Visakhapatnam cluster is anticipated to be Asia's largest."},"img":{"url":"https://images.prismic.io/prad/6cc5f947-8f57-43e6-a749-f5c4ac791fa1_data+centre.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-05T19:01:00+0000","embed":{"embed_url":null}},"uid":"googles-15-billion-data-centre-project-in-andhra-pradesh-set-to-begin-mnn53sv9"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Dacoit' Trailer"},"content":{"text":"'Dacoit' Trailer"},"img":{"url":"https://images.prismic.io/prad/aUPnHXNYClf9oY_O_dacoit.JPG?auto=format,compress&rect=0,2,2020,996&w=2028&h=1000"},"datetime":"2026-04-05T18:49:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=8Y_D7-GCcxY"}},"uid":"dacoit-trailer"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Vijay's dual nominations cleared"},"content":{"text":"Actor-turned-politician Vijay, leader of the Tamilaga Vettri Kazhagam (TVK), has successfully secured acceptance of his nomination papers from both Perambur in Chennai and Tiruchirappalli East constituencies for the 2026 Tamil Nadu Assembly elections, following the submission of revised affidavits to address discrepancies.   Vijay had originally filed his nomination from Perambur at Dr Ambedkar Government Arts College in Vyasarpadi on March 30, and later submitted papers for Tiruchirappalli East on April 2. However, scrutiny of his affidavits revealed inconsistencies that quickly became a talking point in political and social circles.  In his Tiruchirappalli East nomination, Vijay had declared two criminal cases against him. In contrast, the affidavit submitted for Perambur stated that no criminal cases were pending.  Additionally, his age was listed differently in the two filings -- 52 years in Perambur and 51 years in Tiruchirappalli East -- raising questions about the accuracy of the submissions.  The discrepancies sparked widespread discussion on social media, with some observers suggesting that the Perambur nomination could face rejection if corrections were not made promptly. Responding swiftly, Vijay submitted a revised affidavit for the Perambur constituency on April 4. The updated document aligned the disclosures with those made in the Tiruchirappalli East filing, including details of the criminal cases.  One case pertains to a protest-related incident in Kolathur, where a large gathering allegedly caused public inconvenience, leading to a police case at Peravallur station. Another case relates to an incident in Madurai on August 21 last year, where a security-related altercation during a public event reportedly led to injuries and a subsequent complaint.  The revised affidavit also corrected his age to 51 years in the Perambur filing.  The updated documents were submitted to the Returning Officer by party representatives, including legal counsel.  Election officials confirmed that since the errors were rectified within the permissible time, there was no ground for rejection. Despite objections raised by the DMK and some independent candidates during scrutiny, Vijay’s nominations from both constituencies were accepted.  Meanwhile, nominations of key leaders, including Chief Minister M. K. Stalin from Kolathur, Deputy Chief Minister Udhayanidhi Stalin from Chepauk-Thiruvallikeni, and BJP leader Nainar Nagendran from Sattur, were also accepted, along with several other prominent candidates across the state."},"img":{"url":"https://images.prismic.io/prad/Z7mRAJ7c43Q3gGHC_TVK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T14:30:00+0000","embed":{"embed_url":null}},"uid":"vijays-dual-nominations-cleared"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Vijay's dual nominations cleared"},"content":{"text":"Actor-turned-politician Vijay, leader of the Tamilaga Vettri Kazhagam (TVK), has successfully secured acceptance of his nomination papers from both Perambur in Chennai and Tiruchirappalli East constituencies for the 2026 Tamil Nadu Assembly elections, following the submission of revised affidavits to address discrepancies.   Vijay had originally filed his nomination from Perambur at Dr Ambedkar Government Arts College in Vyasarpadi on March 30, and later submitted papers for Tiruchirappalli East on April 2. However, scrutiny of his affidavits revealed inconsistencies that quickly became a talking point in political and social circles.  In his Tiruchirappalli East nomination, Vijay had declared two criminal cases against him. In contrast, the affidavit submitted for Perambur stated that no criminal cases were pending.  Additionally, his age was listed differently in the two filings -- 52 years in Perambur and 51 years in Tiruchirappalli East -- raising questions about the accuracy of the submissions.  The discrepancies sparked widespread discussion on social media, with some observers suggesting that the Perambur nomination could face rejection if corrections were not made promptly. Responding swiftly, Vijay submitted a revised affidavit for the Perambur constituency on April 4. The updated document aligned the disclosures with those made in the Tiruchirappalli East filing, including details of the criminal cases.  One case pertains to a protest-related incident in Kolathur, where a large gathering allegedly caused public inconvenience, leading to a police case at Peravallur station. Another case relates to an incident in Madurai on August 21 last year, where a security-related altercation during a public event reportedly led to injuries and a subsequent complaint.  The revised affidavit also corrected his age to 51 years in the Perambur filing.  The updated documents were submitted to the Returning Officer by party representatives, including legal counsel.  Election officials confirmed that since the errors were rectified within the permissible time, there was no ground for rejection. Despite objections raised by the DMK and some independent candidates during scrutiny, Vijay’s nominations from both constituencies were accepted.  Meanwhile, nominations of key leaders, including Chief Minister M. K. Stalin from Kolathur, Deputy Chief Minister Udhayanidhi Stalin from Chepauk-Thiruvallikeni, and BJP leader Nainar Nagendran from Sattur, were also accepted, along with several other prominent candidates across the state."},"img":{"url":"https://images.prismic.io/prad/Z7mRAJ7c43Q3gGHC_TVK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T14:30:00+0000","embed":{"embed_url":null}},"uid":"vijays-dual-nominations-cleared"}},{"node":{"data":{"title":{"text":"Trump: Whole civilization will die tonight"},"content":{"text":"US President Donald Trump on Tuesday warned that “a whole civilization will die tonight, never to be brought back again” as he signalled a “complete and total regime change” in Iran, framing the unfolding crisis as one of the most consequential moments in modern global history.  In a post on his social media platform, Trump struck a stark and urgent tone, suggesting both imminent destruction and the possibility of political transformation. “A whole civilization will die tonight, never to be brought back again. I don’t want that to happen, but it probably will,” he wrote. He then pointed to what he described as a decisive shift in Iran’s leadership. “However, now that we have complete and total regime change, where different, smarter, and less radicalized minds prevail, maybe something revolutionarily wonderful can happen, who knows?” Trump said. The remarks come amid an escalating US-Iran confrontation that has intensified over the past several days, with military operations expanding and diplomatic signals narrowing. Trump framed the moment as historic in scale. “We will find out tonight, one of the most important moments in the long and complex history of the World,” he said. He also delivered a sweeping critique of Iran’s leadership since the Islamic Revolution. “47 years of extortion, corruption, and death, will finally end,” Trump added. He closed his message with a direct appeal: “God Bless the Great People of Iran!” The statement follows a series of developments in recent days, including US military strikes on Iranian-linked targets and mounting pressure on Tehran over its control of key regional waterways and infrastructure. Washington has signalled that it is prepared to escalate further if its demands are not met, particularly on ensuring the free flow of global energy supplies through critical maritime routes. Iran, however, has shown no indication of backing down, maintaining a defiant posture and warning of retaliation against US interests and regional assets."},"img":{"url":"https://images.prismic.io/prad/3359d4b1-f548-42d3-b969-1552b7b5692c_trump.JPG?auto=format,compress"},"datetime":"2026-04-07T14:00:00+0000","embed":{"embed_url":null}},"uid":"trump-warns-iran-whole-civilization-will-die-tonight"}},{"node":{"data":{"title":{"text":"Warner faces legal trouble"},"content":{"text":"Former Australian opener David Warner has landed in legal trouble after being charged with drink driving on Sunday. The incident occurred in the suburb of Maroubra during a routine roadside breath-testing operation.  According to a report in news.com.au, the 39-year-old had stopped and parked his vehicle just before reaching the testing checkpoint. However, police officers approached his car and conducted a breath analysis, which confirmed that he was over the legal alcohol limit. Warner was subsequently taken into custody and transported to Maroubra Police Station, where his blood alcohol reading was recorded at 0.104. He has since been charged and is scheduled to appear in court next month. “About 5:30 pm today (Sunday 5 April 2026), police were conducting stationary random breath testing on Malabar Road, Maroubra. A van was seen to allegedly stop short of the testing site and park. Officers attached to Traffic and Highway Patrol Command approached the vehicle and subjected the driver – a 39-year-old man – to roadside testing, which returned a positive result. He was arrested and taken to Maroubra Police Station, where a second test allegedly returned a reading of 0.104,\" the police statement read as per the report. “The man was issued with a Field Court Attendance Notice for driving with middle-range PCA to appear before the Downing Centre Local Court on Thursday, 7 May 2026,” it added. The development comes at a time when Warner remains actively involved in franchise cricket despite retiring from international cricket in 2024. He is currently leading Karachi Kings in the Pakistan Super League (PSL) 2026 and had briefly returned to Australia during a break between matches. Widely regarded as one of Australia’s most explosive opening batters, Warner has continued to make an impact in domestic T20 competitions, including the Big Bash League (BBL). He recently enjoyed a remarkable season with the Sydney Thunder, finishing as the tournament’s leading run-scorer. Warner amassed an impressive 433 runs in just eight matches, significantly outperforming his teammates. Meanwhile, his PSL side Karachi Kings are currently second in the points table with three wins on the bounce. The team will next take on Peshawar Zalmi on Thursday, April 9, at the National Stadium in Karachi."},"img":{"url":"https://images.prismic.io/prad/Z9_ZzndAxsiBvxVX_warner.JPG?auto=format,compress"},"datetime":"2026-04-07T11:00:00+0000","embed":{"embed_url":null}},"uid":"warner-faces-legal-trouble"}},{"node":{"data":{"title":{"text":"Cross-State War of Words: RR vs Vijayan"},"content":{"text":"A sharp and unusually personal war of words between the Telangana Chief Minister A. Revanth Reddy and his Kerala counterpart Pinarayi Vijayan escalated on Tuesday, turning into a full-blown political slugfest that has drawn national attention. The exchange was triggered by Reddy, who opened the salvo with a pointed \"po mone Vijaya\" (go away, Vijayan), a remark that quickly went viral and set the tone for an increasingly bitter back and forth. Doubling down, the Telangana Chief Minister on Tuesday said he viewed Vijayan's counterattacks as a \"blessing\" and insisted he was unfazed. He also accused Vijayan of insulting the people of Kerala and declared that \"his time is over\", before signing off with a curt \"bye bye Pinarayi\". Reddy claimed that the Kerala Chief Minister had failed to respond to key political questions, including allegations of aligning with Prime Minister Narendra Modi. While maintaining that he respected Vijayan's age and office, the Telangana Chief Minister took a swipe by describing PM Modi as Vijayan's \"brother\", a remark loaded with political insinuation. The controversy deepened after Vijayan's barb on Tuesday \"dash mone\" retort had already stirred debate over the tone of political discourse. Seeking to regain the narrative, the Kerala Chief Minister responded with a formal letter addressed to \"Dear Revanth Reddy\", in which he laid out Kerala's developmental achievements in a measured, if pointed, rebuttal. With Reddy having the first word and the last, the episode underscores a coarsening of political exchanges between the senior leaders. What might once have remained a regional spat has now evolved into a high decibel confrontation, reflecting the increasingly combative tenor of contemporary Indian politics, where even Chief Ministers are not above trading barbs that resonate far beyond their states. Reddy's arrival for the poll campaign in Kerala had generated intense interest, the second time after his barb had turned viral and now with Vijayan making it clear, a reply would be soon send, all eyes are on when it would happen as on Thursday the state goes to the polls to elect 140 new legislators."},"img":{"url":"https://images.prismic.io/prad/adTwoZGXnQHGZUWt_rrvijayan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T08:05:00+0000","embed":{"embed_url":null}},"uid":"cross-state-war-of-words-rr-vs-vijayan"}},{"node":{"data":{"title":{"text":"BRS leaders placed under house arrest"},"content":{"text":"Bharat Rashtra Samithi (BRS) deputy leader in Telangana Legislative Assembly and former minister T. Harish Rao and several other party leaders were placed under house arrest on Tuesday to prevent them from leaving for Parigi in Vikarabad district, where they were planning to meet farmers affected by the industrial park project.  Former minister Sabitha Indra Reddy and several other leaders from the erstwhile Ranga Reddy and Vikarabad districts were placed under house arrest. Police stepped up security outside the house of Harish Rao to foil his plans to visit Parigi. Talking to media persons, Harish Rao condemned the detentions. He asked why the government was scared when they were just planning to stage a ‘dharna’ in a peaceful manner. “Is this the people’s government,” he asked. Meanwhile, BRS working president K.T. Rama Rao has condemned the house arrest of Harish Rao and other leaders. He termed the house arrests and detention as illegal. Former MLAs Mahesh Reddy, Narender Reddy and Menthuku Anand, Vikarabad district president and other leaders have also been detained. Rama Rao said that the house arrests and detentions of the leaders who were on their way to stand in solidarity with farmers fighting to protect their land, is a cowardly act by the government. He stated that attempts to stifle dissenting voices through the brute force of the police amounts to nothing less than the murder of democracy. Rama Rao strongly condemned the alleged forceful seizure of 1,200 acres of farmers' land in the Kadlapur and Rapolu villages of the Parigi constituency for establishing an industrial park. Rama Rao alleged that since coming to power, the Revanth Reddy government has cast aside the promises it made to the public and has instead set its sights on seizing the lands of the poor. He asserted that it is atrocious for a government, which Rama Rao alleged has already subjected farmers to immense hardship by failing to implement schemes such as ‘Rythu Bharosa’, farm loan waivers, the ‘Six Guarantees’, and other promises, to now embark on land acquisition drives in the name of industrial development. Rama Rao claimed that this government has failed to bring in a single industry over the past two-and-a-half years and displays an insatiable appetite for plundering land. He made it clear that arrests, imprisonment, and fabricated legal cases were nothing new to BRS leaders, noting that they have faced all such adversities since the days of the statehood movement while consistently standing firmly on the side of the people. He warned that no one would be intimidated by the government's bluster and threats, and that the struggle on behalf of the people would not cease."},"img":{"url":"https://images.prismic.io/prad/1d2a94b5-f7c9-4951-b2a0-daabe1f18d7d_BRS.JPG?auto=format,compress"},"datetime":"2026-04-07T06:15:00+0000","embed":{"embed_url":null}},"uid":"brs-leaders-placed-under-house-arrest"}},{"node":{"data":{"title":{"text":"Pawan: Long-awaited aspiration of people fulfilled"},"content":{"text":"The long-awaited aspiration of the people of Andhra Pradesh has been fulfilled with Amaravati officially recognised as the state capital, said Deputy Chief Minister Pawan Kalyan on Tuesday.  Welcoming the gazette notification issued by the Government of India, Pawan Kalyan posted on ‘X’ that Amaravati is the capital of Andhra Pradesh. “Andhra Pradesh, no longer a state left without a capital… no longer a future held in uncertainty. April 6th will be etched in history as the day Amaravati was officially recognized as the capital of Andhra Pradesh. On this historic occasion, following the passage of the Bill in Parliament and the issuance of the Gazette Notification by the Government of India, and with the assent of the Hon’ble President of Bharat, this long-awaited aspiration of the people of Andhra Pradesh has finally been fulfilled,” the Jana Sena leader said. He thanked President Droupadi Murmu, Prime Minister Narendra Modi and Chief Minister Chandrababu Naidu for making this historic moment possible.  “This moment belongs to the farmers who sacrificed and to the people who stood unwavering in their resolve. After 12 long years of state separation, Andhra Pradesh finally has its capital officially recognized by the Government of India. Let us now move beyond the uncertainty and disruptions of the past, and come together to build Amaravati, the people’s capital, laying a strong foundation for future generations and steering our state towards the vision of Swarna Andhra 2047,” the Deputy CM added. Earlier, Chief Minister N. Chandrababu Naidu, on behalf of the people of Andhra Pradesh, expressed profound gratitude to President Droupadi Murmu for her assent to the Andhra Pradesh Reorganisation (Amendment) Act, 2026.  “I thank the Union Government led by Hon’ble Prime Minister Shri Narendra Modi Ji for his commitment to our state and his guidance, all MPs who supported the Bill, our state leaders, and every citizen who stood with us. This is a victory for my people of Andhra Pradesh, especially my farmers of Amaravati,” he said in a post late on Monday. The Chief Minister on Tuesday posted the gazette notification and wrote: “The capital of Andhra Pradesh is Amaravati”. State Minister for Human Resources Development and Information Technology Nara Lokesh, BJP MP Daggubati Purandeswari and several leaders of TDP, Jana Sena and BJP have hailed the gazette notification."},"img":{"url":"https://images.prismic.io/prad/aYHYO90YXLCxVTM3_pawankalyan.JPG?auto=format,compress"},"datetime":"2026-04-07T05:41:00+0000","embed":{"embed_url":null}},"uid":"pawan-long-awaited-aspiration-of-people-fulfilled"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Salman gets relief from court"},"content":{"text":"Actor Salman Khan has received relief from the Rajasthan High Court, which has stayed the bailable warrant issued against him by the Jaipur District Consumer Commission-II.  The order was passed by a bench of Justice Anoop Singhi while hearing petitions filed by Khan and others. With the High Court’s intervention, Khan is no longer required to appear before the Commission on April 13, a date earlier set as a final opportunity, failing which arrest warrants were to be issued. The Consumer Commission had issued bailable warrants against Salman Khan on four occasions, though they were not successfully served.  During a recent hearing, the Commission had expressed strong displeasure and warned of stricter action in case of non-compliance. The case stems from a complaint filed by Yogendra Singh Badiyal, alleging misleading advertisements by Rajshree Pan Masala and its brand ambassador Salman Khan. The products were promoted as “saffron-infused cardamom” and “saffron-infused pan masala.”  On January 6, 2026, the Commission had imposed an interim ban on the promotion and advertisement of these products.  However, advertisements reportedly continued on January 9, including hoardings across Jaipur, Kota, and other cities, which the Commission viewed as a violation of its order. The Commission had observed that celebrity status does not place anyone above the law and noted that repeated non-appearance despite warrants undermines public confidence in the justice system. It had even directed the Director General of Police to form a task force to serve the warrant in Mumbai, but the process remained unsuccessful. Senior Advocates R.P. Singh and G.S. Bafna, along with Advocates Divesh Sharma, Varun Singh, and Shivangshu Naval, appeared for Rajshree Pan Masala and Salman Khan."},"img":{"url":"https://images.prismic.io/prad/7c4ae2c9-0b15-4cbd-b183-ecc3e0cb3a2f_salman+khan.JPG?auto=format,compress"},"datetime":"2026-04-07T14:39:00+0000","embed":{"embed_url":null}},"uid":"salman-gets-relief-from-court"}},{"node":{"data":{"title":{"text":"Akshay Rocks 'Bhooth Bangla' Trailer Launch"},"content":{"text":"The Bhooth Bangla trailer launch was a star-studded event with the presence of Akshay Kumar, Tabu, Wamiqa Gabbi, Mithila Palkar, Rajpal Yadav, Paresh Rawal, Rajesh Sharma, director Priyadarshan, and producer Ekta Kapoor. Akshay Kumar stole the show with his unconventional style as he appeared on stage wearing torn clothes, which immediately garnered attention.  He humorously attributed the state of his attire to the ghosts, saying, 'This is what the ghosts have done to me. When a man produces a film, this is the state of affairs!' His charismatic presence and witty remarks added to the fun of the event. Akshay introduced the cast in his own inimitable style, drawing laughter from the audience.  Ekta Kapoor's delayed arrival prompted humorous exchanges among the cast, with Tabu joking about her usual absence at trailer launches. Ekta Kapoor retorted with her own brand of humor, stating her presence is unnecessary when a film has big stars. Director Priyadarshan distinguished Bhooth Bangla as not just a horror comedy, but also a fantasy. The film is set to release in cinemas on April 17, with paid previews starting from 9:00 pm on April 16."},"img":{"url":"https://images.prismic.io/prad/adVFYOzlhpBNhbBw_akshay.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T13:02:39+0000","embed":{"embed_url":null}},"uid":"akshay-kumar-rocks-bhooth-bangla-trailer-launch-with-unconventional-style-and-hu-mnomq2e7"}},{"node":{"data":{"title":{"text":"Tragic End for Rising Star"},"content":{"text":"In a deeply unsettling development, actress Subashini Balasubramaniyam, best known for her role in the acclaimed Tamil serial *Kayal*, was discovered deceased in her Chennai residence on April 6, 2026. The news has sent shockwaves through the entertainment community and her fanbase, leaving many in disbelief over the untimely demise of a talent poised for significant acclaim. Initial police reports indicate the possibility of suicide, stemming from alleged emotional turmoil following a personal dispute with her husband during a video call. Subashini’s sudden death has not only left her loved ones in mourning but also raises pressing questions about the mental health challenges faced by individuals in the public eye. Sources reveal that she had been grappling with personal issues that could have contributed to her distress, intensifying the tragedy of a life that was just beginning to flourish. Friends, fans, and colleagues have expressed their sorrow and disbelief, taking to social media to share fond memories and heartfelt tributes that underscore her potential and the brightness she brought to her craft. Originally hailing from Sri Lanka, Subashini made her way to Chennai with dreams of making a mark in the film industry. Her journey was fraught with the typical struggles of an aspiring actress, but her perseverance led to her breakthrough role in *Kayal*, which garnered her critical acclaim and a devoted fan following. Those who knew her described her as a dedicated performer, whose commitment to her art was evident in every performance. The actress's career trajectory had recently begun to ascend, marking her as a promising figure in Tamil television. In the wake of this tragedy, authorities continue to investigate the circumstances surrounding her death, with friends and family urging for privacy as they navigate their grief. As discussions around mental health gain momentum, this incident shines a light on the often-hidden struggles faced by artists within the entertainment industry. The loss of Subashini serves as a poignant reminder of the pressures that come with fame, prompting a critical examination of the support systems available to those in the limelight and the importance of addressing emotional well-being in an often unforgiving environment."},"img":{"url":"https://images.prismic.io/prad/adVC6OzlhpBNhbBD_subhashini.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T13:02:37+0000","embed":{"embed_url":null}},"uid":"tragic-end-for-rising-star-kayal-actress-subashini-found-dead-in-chennai-mnomq0h6"}},{"node":{"data":{"title":{"text":"'Karna' Battles Major Financial Setbacks"},"content":{"text":"In a disheartening turn of events for Indian cinema, Rakeysh Omprakash Mehra's ambitious project, 'Karna,' has reportedly encountered substantial financial obstacles, raising questions about its viability. The film, intended to be a grand two-part epic featuring Tamil superstar Suriya in the lead role, has been temporarily shelved as Mehra grapples with securing the staggering budget of 600 crores necessary for its production. The director, acclaimed for his previous works such as 'Rang De Basanti' and 'Bhaag Milkha Bhaag,' has invested years into meticulous research and development to bring the legendary figure of Karna to the silver screen with both historical accuracy and cinematic grandeur, but financial realities are now imposing severe constraints on his vision. Sources indicate that Excel Entertainment, the production house led by Farhan Akhtar and Ritesh Sidhwani, is reconsidering their involvement in the project as escalating costs threaten to eclipse initial projections. The team has reportedly urged Mehra to significantly cut the budget or risk abandoning the film altogether. As the industry continues to witness a growing divide between high-budget projects funded by South Indian production houses and Bollywood's struggles to match such ambitions, the prospects for 'Karna' appear increasingly bleak. With the financial landscape shifting, the pressure mounts on Mehra to either recalibrate his grand vision or explore alternative funding avenues. The plight of 'Karna' mirrors the difficulties faced by other mythological projects in Bollywood, notably Vicky Kaushal and Aditya Dhar's 'The Immortal Ashwatthama,' which was shelved due to similar financial constraints. This troubling trend raises concerns about the industry's ability to support high-concept narratives rooted in Indian mythology, particularly when the lead actor's recent box office performance can significantly influence investor confidence. Suriya's latest film, 'Kanguva,' underperformed critically and commercially, casting a long shadow over the potential for 'Karna' to attract the backing it needs in a market that is becoming increasingly risk-averse. As Mehra navigates these treacherous waters, he is faced with the daunting choice of compromising on his artistic vision or seeking out new producers willing to take a gamble on his dream project. The outcome remains uncertain, as the complexities of financing such a monumental undertaking in the current economic climate loom large. The challenges faced by 'Karna' highlight significant shifts in the film industry, revealing the precarious balance between creative ambition and financial feasibility. The fate of this epic narrative, steeped in the rich tapestry of Indian mythology, hangs in the balance as stakeholders weigh their options in a landscape fraught with risk."},"img":{"url":"https://images.prismic.io/prad/adTfvJGXnQHGZUDW_karna.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T09:41:00+0000","embed":{"embed_url":null}},"uid":"rakeysh-omprakash-mehras-karna-battles-major-financial-setbacks-as-production-fa-mnohophl"}},{"node":{"data":{"title":{"text":"B'wood's Shift from Romance to Revenge"},"content":{"text":"In the past, Hindi cinema was synonymous with romantic dreams and emotional sagas. However, a notable transition has occurred in recent years. The era of love epitomized by characters like Raj and Rahul has given way to a new reign - that of the Angry Young Man. Films today are no longer centered around tender emotions or vulnerability, but rather revolve around themes of power and vengeance, as evidenced by blockbusters like 'Animal', 'KGF', 'Pushpa', and 'Dhurandhar The Revenge'. This shift isn't merely a cinematic trend; it reflects a cultural undercurrent.  The resurgence of the Angry Young Man archetype, championed by Amitabh Bachchan in the 1970s and 1980s, signifies a societal yearning for a hero who defies the system and battles injustice with unapologetic force. It's not just a narrative construct; it mirrors the simmering discontent and frustration among the masses. These films are not creating anger; they are capitalizing on an existing sentiment. Across the nation, a growing sense of disillusionment and a chasm between aspirations and reality have fueled a collective desire for empowerment and a thirst for retribution. The success of these movies cannot be brushed off as mere fan frenzy; it is indicative of a larger societal shift. While some may view these films as promoting toxic masculinity, it's important to recognize their resonance with audiences. They serve as a reflection of the evolving emotional fabric of our society, where the traditional portrayal of a gentle, affable hero is being overshadowed by a demand for formidable avengers. This cinematic transformation speaks volumes about an India that is grappling with impatience, frustration, and a growing appetite for retaliation. It's a revelation of the prevailing sentiments that extend far beyond the silver screen, illuminating the deeper societal undercurrents. The box office's endorsement of these narratives isn't just a testament to their entertainment value; it's a stark revelation of the prevailing societal pulse, one that is no longer infatuated with love but is consumed by the allure of retribution and power. This shift in cinematic narratives is a reflection of the nation's evolving emotions and desires."},"img":{"url":"https://images.prismic.io/prad/adTfJ5GXnQHGZUCw_romancetorage.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T07:02:44+0000","embed":{"embed_url":null}},"uid":"the-rise-of-the-angry-young-man-indias-shift-from-romance-to-revenge-in-bollywoo-mno9v7m3"}},{"node":{"data":{"title":{"text":"Adivi Sesh pulls off real car drift for ‘Dacoit’"},"content":{"text":"Actor Adivi Sesh, who is geared up for the release of “Dacoit”, has spoken about the film’s high-speed car chases and said that drifting with professional gear is not something you get to do every day, and that it gives a massive adrenaline rush. Sesh chose to perform many of these moments himself, bringing an added level of authenticity to the scenes, talking about the experience, he said: \"Dacoit has some extremely intense car chase sequences, and many of them were filmed with me actually driving the car. Drifting with professional gear is not something you get to do every day, and honestly, it gives you a massive adrenaline rush.” He said that when you’re inside the car, “surrounded by cameras, stunt coordinators, and a very tightly planned setup, you realize how much precision is required to get it right.” “These are the kinds of action sequences where you can’t really afford too many retakes because every movement, every skid, every turn has been carefully designed,” said Sesh. The actor said that for him, the excitement comes from pushing myself to perform the shot as perfectly as possible. “I remember telling myself before some of these sequences that this has to happen in a single take. That focus actually heightens your senses, you become extremely aware of the speed, the timing, and the responsibility of delivering the moment exactly as envisioned.” “It’s thrilling but also deeply satisfying when you pull it off. Those are the moments that make action filmmaking so special,\" he concluded. Dacoit also stars Anurag Kashyap and Mrunal Thakur. The film is set to hit the silver screen on April 10. The film reportedly follows a convict, who did not commit any crime but is put behind the bars because of the betrayal by his better half."},"img":{"url":"https://images.prismic.io/prad/Z2pyI5bqstJ98zoC_mrunaldecoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T06:10:00+0000","embed":{"embed_url":null}},"uid":"adivi-sesh-pulls-off-real-car-drift-for-dacoit"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Are Milk Mixes and Gummies Really Essential for Kids?"},"content":{"text":"In light of World Health Day's theme 'Together For Health. Stand With Science', concerns have been raised by doctors over the promotion of milk/energy mixes and multivitamin gummies for children's growth by 'mom influencers' on social media. These products are being endorsed without scientific backing, leading to potential risks.  Health experts caution that many milk mixes are sugary, ultra-processed powders, while multivitamin supplements should only be given when prescribed, preferably in syrup or chewable tablet form. Gummies, often promoted as supplements, pose a higher risk of dental decay.  Dr. L Swapna, head of Neonatology at Niloufer Hospital, emphasized that these products are misleading parents about children's nutritional needs. She highlighted the risk of dental cavities and early-onset obesity associated with these products. Additionally, gummies are seen as candy-like supplements that can contribute to tooth decay and unhealthy eating habits, offering little beyond a balanced diet.  Dr. Swapna stressed the importance of using multivitamins only for specific deficiencies under a doctor's guidance, as over-reliance can lead to dietary limitations. She also emphasized the misleading claims about the need for extra protein in children's diets, stating that a balanced diet consisting of natural, home-cooked foods is sufficient. Paediatrician Dr. Sivaranjani Santosh echoed the need for stricter regulation of marketing practices for such products. Overall, the emphasis remains on the importance of a balanced diet rooted in evidence-based choices, rather than succumbing to influencer-driven trends."},"img":{"url":"https://images.prismic.io/prad/adVECezlhpBNhbBY_milkmixes.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T14:41:19+0000","embed":{"embed_url":null}},"uid":"are-milk-mixes-and-gummies-really-essential-for-kids-expert-doctors-weigh-in-mnoq8y9d"}},{"node":{"data":{"title":{"text":"How Sleep Deprivation and Stress Elevate Seizure Risks"},"content":{"text":"Recent revelations from the medical community underscore a critical yet often overlooked correlation between sleep deprivation, stress, and the heightened risk of seizures. Experts assert that inadequate sleep and chronic stress do not merely detract from overall wellbeing; they actively destabilize the brain's electrical activity, making seizures more likely. This alarming relationship calls for a reevaluation of how individuals living with epilepsy manage their conditions, highlighting the importance of lifestyle factors that often go unrecognized in traditional treatment plans. The mechanics behind this connection are becoming clearer as researchers delve deeper into the brain's complex functioning. Sleep is not just a passive state; it is a period of vital restoration during which the brain recalibrates its electrical impulses and chemical balances. Dr. Vivek Barun emphasizes that insufficient rest increases neuronal excitability, thereby lowering the seizure threshold. Groundbreaking studies, including those from the National Institutes of Health, demonstrate that even a single night of poor sleep can significantly elevate the propensity for seizures, particularly in conditions like Juvenile Myoclonic Epilepsy, where disrupted sleep is often followed by morning seizures. Stress, frequently underestimated as a seizure trigger, compounds the issue and exacerbates the effects of sleep loss. Elevated cortisol levels, resulting from daily pressures, disrupt normal sleep patterns and can alter neurotransmitter balances in the brain. Dr. Praveen Gupta points out that chronic stress can create a feedback loop where poor sleep increases stress, and heightened stress impairs sleep, further destabilizing the individual’s neurological state. The cumulative effect of these factors often slips under the radar, as they manifest not through overt symptoms but rather through subtle shifts in daily habits and health. Moreover, the spectrum of seizure triggers extends beyond the obvious, masking themselves in seemingly benign daily activities. Habits such as late-night screen time, erratic meal schedules, and emotional fatigue contribute to a deteriorating health landscape that can lead to increased seizure activity. Dr. Gupta stresses the necessity of acknowledging these lifestyle components, asserting that effective epilepsy management must encompass both medical treatment and lifestyle modifications. By fostering a more comprehensive approach to managing health, patients can reclaim a sense of control over their conditions, moving beyond reliance on pharmacological interventions alone."},"img":{"url":"https://images.prismic.io/prad/360ab690-db05-40eb-851a-3a17c7a9b0a5_sleep.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-05T18:30:00+0000","embed":{"embed_url":null}},"uid":"unseen-triggers-how-sleep-deprivation-and-stress-elevate-seizure-risks-mnn53iby"}},{"node":{"data":{"title":{"text":"Breathing easy: Unmasking the silent crisis in lung health"},"content":{"text":"Despite the instinctive nature of breathing, many individuals are blissfully unaware that their lungs may be underperforming. Even when breathing feels normal, hidden deficiencies often lurk beneath the surface, with symptoms such as unexplained fatigue and mild breathlessness acting as subtle indicators that lung health is compromised. According to Dr. Harish Verma, Associate Director of Pulmonary Medicine and Critical Care at ShardaCare-Healthcity, the gap between merely breathing and breathing well can significantly impact overall health, energy levels, and immune function over time. This discrepancy serves as a crucial reminder that normalcy in respiration does not equate to optimal lung performance. The complexities of modern living exacerbate the challenge of maintaining lung health. Factors such as sedentary lifestyles, air pollution, and prolonged periods of inactivity can lead to a gradual decline in lung capacity and efficiency. Research from the National Institutes of Health has established a direct correlation between urban air pollution and diminished lung function across demographics, while the Ministry of Health and Family Welfare has raised alarms about rising respiratory issues tied to poor air quality. This insidious decline often occurs without immediate symptoms, allowing individuals to unknowingly neglect their lungs until more serious conditions develop. Moreover, the body communicates its distress through subtle, often overlooked signs. Symptoms such as unexplained fatigue, shortness of breath during minor exertions, and persistent coughing do not typically register as urgent health concerns yet collectively suggest that lung function may be faltering. The modern lifestyle, characterized by indoor pollution, stress, and inadequate physical activity, further complicates lung health. As these factors contribute to chronic respiratory issues, awareness and proactive measures become imperative for individuals seeking to reclaim their respiratory well-being. Improving lung function may hinge on consistent lifestyle changes rather than reactive treatments. Simple yet effective practices such as regular physical activity, deep breathing exercises, and enhancing indoor air quality can lead to significant improvements in lung capacity. Experts emphasize the importance of maintaining cardiovascular health, as compromised heart function can further hinder respiratory efficiency. With a clear understanding of the intricate relationship between heart and lung health, individuals can better appreciate the nuanced signals their bodies provide, ensuring that attention to lung function becomes a central aspect of their overall wellness strategy."},"img":{"url":"https://images.prismic.io/prad/9b1e08c5-cb92-457a-aa25-c12819d24d17_lungs.JPG?auto=format,compress"},"datetime":"2026-04-02T12:37:00+0000","embed":{"embed_url":null}},"uid":"breathing-easy-unmasking-the-silent-crisis-in-lung-health-mnhrcq7h"}},{"node":{"data":{"title":{"text":"Hidden Dangers of Kidney Damage"},"content":{"text":"Kidney disease represents a growing health crisis, often developing unnoticed until significant damage has occurred. Medical professionals emphasize that the kidneys can sustain substantial harm without presenting overt symptoms, making it crucial for individuals to remain vigilant about their renal health. Factors such as excessive salt intake, a diet high in processed foods, and the misuse of over-the-counter painkillers can exacerbate the risk, particularly for those with pre-existing conditions such as diabetes and hypertension. Experts warn that the lack of noticeable signs can lull many into a false sense of security, allowing the disease to progress unchecked. Dr. Sumiran Mahajan, a consultant nephrologist at KIMS Hospitals, highlights that preventive measures play a vital role in kidney health. Routine medical check-ups often reveal kidney issues before patients are aware of any problems. He notes that even seemingly minor habits, like excessive consumption of salty foods, can significantly strain these vital organs. The absence of symptoms in the early stages makes routine screenings and blood pressure and sugar level monitoring essential tools in combating this silent threat to health. The insidious nature of kidney disease is compounded by lifestyle choices and genetic predispositions. Dr. Nikhil Bhasin, a consultant nephrologist at Wockhardt Hospitals, explains that kidney damage can progress quietly due to the organ's remarkable ability to adapt, often until irreversible harm has occurred. Symptoms such as mild swelling in the extremities, fatigue, or changes in urination patterns may eventually arise, but are frequently dismissed as inconsequential. This unawareness extends to individuals with a family history of kidney problems, who may be at heightened risk yet remain uninformed of the implications. Health check-ups, including simple urine and blood tests, are imperative for early detection and intervention. These assessments can reveal potential issues long before severe damage occurs, allowing for timely lifestyle modifications and medical treatments. By prioritizing awareness and health monitoring, individuals can mitigate risks, but it requires a collective effort to educate the public about the silent yet significant dangers posed by kidney disease and the critical steps necessary for prevention."},"img":{"url":"https://images.prismic.io/prad/368e3acb-6528-4189-a652-46a6508305db_kidneys.JPG?auto=format,compress"},"datetime":"2026-03-31T17:23:13+0000","embed":{"embed_url":null}},"uid":"the-silent-epidemic-unveiling-the-hidden-dangers-of-kidney-damage-mnevy6wz"}},{"node":{"data":{"title":{"text":"Before You Try Fasting, Read This Truth"},"content":{"text":"Intermittent fasting is often seen as a popular weight loss method, but many individuals find themselves not shedding pounds despite skipping meals. Contrary to common belief, this approach can actually hinder weight loss efforts. When meals are skipped, the body enters a survival mode, causing a slowdown in metabolism and instability in blood sugar levels, leading to overeating later. Additionally, hormonal shifts and loss of muscle mass can further impede weight loss progress.  The body interprets skipped meals as a signal of scarcity, prompting it to conserve energy and reduce the rate at which calories are burned, ultimately lowering the resting metabolic rate. As a result, consuming very little food does not always lead to weight loss, as the body becomes more efficient at holding onto fat. Furthermore, irregular eating patterns can disrupt glucose control and appetite signals, leading to overeating and potentially negating any calorie deficit.  Hormones also play a significant role in weight loss, with skipped meals causing an increase in the hunger hormone ghrelin, elevated levels of the stress hormone cortisol, and reduced effectiveness of the fullness signal leptin. This combination promotes fat storage, particularly around the abdomen, while intensifying hunger. Notably, inadequate fuel intake not only leads to fat breakdown but also muscle loss, further slowing metabolism. Moreover, skipping meals disrupts the digestive system's rhythm, resulting in bloating, sluggish digestion, and poor nutrient absorption. To reset metabolism and achieve sustainable weight loss, it is crucial to establish regular eating intervals, incorporate protein and fiber in each meal, maintain adequate hydration, prioritize quality sleep, and engage in light physical activity.  Ultimately, the key to successful weight management lies in consistent, balanced eating patterns that foster trust and safety within the body."},"img":{"url":"https://images.prismic.io/prad/e6bc1887-82d2-42c7-ae3a-6c728b916016_keto+diet.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-29T19:00:00+0000","embed":{"embed_url":null}},"uid":"the-surprising-truth-about-intermittent-fasting-and-weight-loss-how-to-avoid-met-mnd2u98p"}},{"node":{"data":{"title":{"text":"Hyd Eateries Struggle with LPG Shortage"},"content":{"text":"Restaurants across Hyderabad are grappling with significant financial losses as a result of the ongoing LPG shortage. Many eateries have reported a staggering 40-45% decrease in revenue. The surge in commercial LPG cylinder prices, ranging between 4,000 and 7,000, has severely disrupted their daily operations. N Bharan, a restaurant chain owner, expressed the challenges they are facing, stating that they have resorted to using firewood and induction stoves due to the LPG shortage.  However, these alternatives have led to a nearly threefold increase in input costs. The cost of firewood has also doubled, further adding to their financial burden. As a result, the efficiency of food preparation has decreased, leading to longer wait times and reduced table turnover. This, in turn, has resulted in a decline in business for the eateries.  The National Restaurant Association of India (NRAI), Hyderabad Chapter, is exploring alternative solutions to help the industry cope with the crisis. They are considering a hybrid model that includes the use of piped gas to navigate through the uncertain duration of the current situation. The association aims to provide support to restaurants as they navigate through this challenging period."},"img":{"url":"https://images.prismic.io/prad/4d9d428d-d1e4-4969-b89a-e5e7386ece85_food.jpg?auto=format,compress&rect=0,139,1600,789&w=2028&h=1000"},"datetime":"2026-03-24T09:30:00+0000","embed":{"embed_url":null}},"uid":"hyderabad-eateries-struggle-with-lpg-shortage-facing-significant-losses-mn4q0pro"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Indian American makes Washington DC mayor ballot"},"content":{"text":"Rini Sampath, a Tamil Nadu-born candidate, has become the first South Asian person to secure a place on the ballot for Mayor of Washington, DC, marking a milestone in the city’s political history.  Sampath, who was born in Theni in India and moved to the United States at the age of seven, said the moment carried personal and broader community significance. “It’s so meaningful to me to be the first South Asian person to make the ballot for DC Mayor. I moved to the United States when I was seven years old in pursuit of the American dream, and I’m in this race to make sure that dream actually works for DC residents,” she said. Her campaign confirmed that more than 4,500 people signed her petition to qualify for the ballot. “I’m thrilled to have had over 4,500 people sign my petition to get me on the ballot for DC Mayor. South Asians contribute so much to our economy but see very little representation in government. I hope my candidacy inspires others to run and do good for their neighbours, and I hope you’ll join our campaign,” Sampath said. According to campaign material, Sampath is a 31-year-old government contractor who has lived in the US capital for over a decade. She has positioned her campaign around basic civic services and governance reforms. “As Mayor, my priority will be to make sure our city lives up to its basic commitments to our residents: Fill the potholes. Stop the catastrophic wastewater spill in the Potomac. Lower prices. Improve 911 wait times,” she said, outlining her agenda. Her campaign slogan underscores this focus, emphasising fixing basic services, strengthening neighbourhoods, and lowering the cost of living. In her campaign messaging, Sampath draws a contrast with what she describes as entrenched leadership in City Hall. “Why would you give a promotion to someone who has failed at the basic functions of their job?” she said, referring to the “current front runners in the DC Mayors race” as “political insiders who have served on the city council for years.” She added, “We all know DC government is broken,” pointing to recent snowstorms that left “streets and sidewalks… unpassable and dangerous,” with “trash piled up” and “waterlines burst because of aging infrastructure.” Sampath has also framed her candidacy as that of an outsider. “I’m not a politician. I’m not backed by any special interest groups. I’m a federal contractor who spent my career improving government programs and citizen services,” she said. “We need someone new. We need to go back to basics and fix our roads and sidewalks and city services.” Her personal story features prominently in her campaign narrative. Born in Tamil Nadu, she describes her roots as central to her public service motivation. “My grandfather has always been a driving force for me and a source of inspiration,” she said. She also credited her father’s decision to move the family to the United States, saying it shaped her outlook on opportunity and responsibility. Washington, DC operates under a mayor-council system, where the mayor serves as the chief executive of the District. The Democratic primary is often decisive in the city, given the party’s strong voter base. Sampath’s entry into the race reflects a broader trend of increasing political participation by Indian Americans and other South Asian communities in US local and national politics. While representation at higher levels has grown in recent years, including in Congress and state offices, mayoral races in major US cities have seen fewer candidates from the community."},"img":{"url":"https://images.prismic.io/prad/adDYk5GXnQHGZQ_P_ranisampath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-04T02:23:00+0000","embed":{"embed_url":null}},"uid":"indian-american-makes-washington-dc-mayor-ballot"}},{"node":{"data":{"title":{"text":"US citizenship case worries H-1B families"},"content":{"text":"A US Supreme Court case on birthright citizenship has raised concerns among Indian professionals on H-1B visas and other temporary permits.  The Trump administration told the court that children born to “temporary visitors” may not automatically be US citizens. Solicitor General John Sauer said the Constitution requires “direct and immediate allegiance” to the United States, not just birth on its soil. He argued that children of people on temporary visas do not meet that test. That position could affect thousands of Indian families. Indians form the largest group of H-1B visa holders in the US. Many live in the country for years while waiting for green cards. They build careers and raise families. Their children are often born in the US and treated as citizens under the current law. The government’s argument challenges that long-standing practice. Sauer said the phrase “subject to the jurisdiction thereof” should be read as requiring allegiance tied to lawful residence. He said the rule should not apply to those who are in the country only temporarily. Several justices questioned how such a policy would work. They asked how officials would determine a child’s citizenship at birth. They also asked if parents’ immigration status would need to be checked in each case. The government said the system would rely on “objectively verifiable” immigration data. That suggests visa status could decide whether a child is a citizen. Lawyers opposing the administration warned that the move would overturn settled law. They pointed to the 1898 ruling in United States v. Wong Kim Ark. That case held that most children born in the US are citizens, regardless of their parents’ status. They said the Constitution creates a clear rule. “Everyone born here is a citizen alike,” counsel told the court. For Indian families, the stakes are high. H-1B visa holders often face long delays in getting permanent residency. During that time, their US-born children enjoy full citizenship rights. A change in the law could create uncertainty. It could affect access to education, jobs and government benefits. The court also discussed whether any ruling would apply only in the future. The government said its policy would be prospective. But challengers warned that the logic could put the status of many people in doubt. The case comes as immigration remains a key political issue in the US. The administration argued that current rules act as a “pull factor” for illegal immigration. The 14th Amendment, adopted in 1868, grants citizenship to all persons born in the United States and subject to its jurisdiction. It was meant to ensure citizenship for freed slaves after the Civil War. For more than a century, the US has followed a broad birthright citizenship rule. The court’s decision could reshape that principle and have direct consequences for Indian professionals and their families."},"img":{"url":"https://images.prismic.io/prad/9706436b-2277-4f44-ba60-6cc43c85127f_USCIS.JPG?auto=format,compress"},"datetime":"2026-04-02T02:25:00+0000","embed":{"embed_url":null}},"uid":"us-citizenship-case-worries-h-1b-families"}},{"node":{"data":{"title":{"text":"Trump's visa curbs hit India hard"},"content":{"text":"Legal immigration to the United States has dropped sharply in the first eight months of 2025, with India and China among the hardest hit as the Trump administration tightened visa policies, The Washington Post reported.  The State Department issued about 250,000 fewer visas from January to August 2025 than during the same period in 2024, according to the report. Overall approvals for permanent resident and temporary visas fell by 11 per cent, based on official data released in early March, the daily said. The decline covers visas for students, workers, and family members of US citizens and legal residents. Tourist visas also dropped during the same period. India and China saw some of the steepest declines. Visas for their nationals fell by about 84,000, the report said. The drop was driven largely by fewer student, worker, and family-related visas, The Washington Post said. International students were among the worst affected. Student visas fell by more than 30 per cent in the first eight months of 2025. Exchange visitor visas also declined sharply, dropping by nearly 30,000. Visa approvals for permanent residency, or green cards, also decreased. The largest declines were seen in visas for workers, certain relatives, and nationals from countries such as Afghanistan and Iraq. Officials and analysts linked the decline to a combination of policy changes and administrative factors. These include a travel ban on 19 countries, a temporary pause on student visa interviews, and expanded vetting requirements, including social media checks, the daily said. Staffing cuts at the State Department also reduced processing capacity. Fewer consular appointments and longer wait times were reported at several high-demand locations. “A visa is a privilege, not a right. Unlike the Biden administration, President Trump is not willing to compromise the safety of American citizens to allow mass migration of unvetted foreign nationals into our country,” State Department spokesman Tommy Pigott said, according to the report. White House spokeswoman Abigail Jackson said, “President Trump was elected with a resounding mandate to put American citizens first, and every policy decision he’s made has reflected that priority.” Analysts said both policy and demand factors may be driving the decline. “We don’t have a separation of how much of this decline is caused by demand and how much is caused by policy, and they’re obviously both putting downward pressure on the number of visas that are issued,” said Cecilia Esterline of the Niskanen Center. Critics argue the restrictions risk harming the US economy and global competitiveness. “There’s no policy more important to the present and future of the US economy than immigration,” said Jason Furman of Harvard University. “When we restrict immigration, we don’t just shortchange labor force growth today, we also reduce innovation and productivity growth in the future.”"},"img":{"url":"https://images.prismic.io/prad%2Fc8ca36a7-3775-4d07-91ef-ef2592306a21_visa.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-03-23T03:10:00+0000","embed":{"embed_url":null}},"uid":"trumps-visa-curbs-hit-india-hard"}},{"node":{"data":{"title":{"text":"Death of Indian national in Riyadh confirmed "},"content":{"text":"India on Friday confirmed the death of an Indian national on March 18 in Riyadh due to the ongoing West Asia conflict.  The Indian Embassy in Saudi Arabia stated that it remains in touch with the family and local authorities and assured all possible assistance. \"The Embassy of India expresses its deepest condolences on the tragic demise of an Indian national in Riyadh due to recent events on March 18th. The Embassy is in touch with the family and local authorities. We remain committed to extending all possible assistance in this matter,\" Indian Embassy in Saudi Arabia posted on X. The Indian national's death has been confirmed amid the ongoing conflict in West Asia which erupted on February 28 after US-Israeli strikes on Iran, which killed Supreme Leader Ayatollah Ali Khamenei and top military officials. On March 15, the Indian Embassy urged Indian nationals in Saudi Arabia to remain vigilant and follow safety guidelines and advisories issued by the local authorities and the embassy. It mentioned that Embassy of India in Riyadh and the Consulate in Jeddah and its outsourced services through Visa Facilitation Services (VFS) continue to function normally. In a statement on X, Indian Embassy in Saudi Arabia stated, \"In view of the prevailing situation in the region and the Kingdom of Saudi Arabia, all Indian Nationals currently in the Kingdom of Saudi Arabia are advised to continue to remain vigilant, strictly adhere to the safety guidelines prevalent in the Kingdom of Saudi Arabia and follow advisories issued by the local authorities and the Embassy. In particular, Indian nationals should refrain from circulating or reposting any videos or news related to ongoing events.\" \"The Embassy of India, Riyadh and the Consulate in Jeddah and its outsourced services through VFS, are continuing to function normally and will issue updates and advisories as and when necessary. Consular Camps are being undertaken on a regular basis,\" it added. According to the statement, Indian and Saudi air carriers continue operating regular schedules to Indian destinations from Jeddah and Madinah. While Saudi carriers continue to operate from Riyadh and Dammam to Indian destinations, Indian carriers have resumed operations from Riyadh, according to the statement. The embassy stated that Indian nationals who want to travel to India may avail any of these flights after checking availability. It also issued 24x7 helpline numbers for Indian nationals to contact embassy in case of emergency."},"img":{"url":"https://images.prismic.io/prad/c0527535-c777-4aed-bdf4-b77fcb1dca17_suicide.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-20T11:59:00+0000","embed":{"embed_url":null}},"uid":"india-confirms-death-of-indian-national-in-riyadh"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'Bhooth Bangla' Trailer"},"img":{"url":"https://images.prismic.io/prad/adORJZGXnQHGZR_Y_bb.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-06T08:56:00+0000","third_party_url":null},"uid":"bhooth-bangla-trailer"}},{"node":{"data":{"title":{"text":"'Dacoit' Trailer"},"img":{"url":"https://images.prismic.io/prad/aUPnHXNYClf9oY_O_dacoit.JPG?auto=format,compress&rect=0,2,2020,996&w=2028&h=1000"},"datetime":"2026-04-05T18:49:00+0000","third_party_url":null},"uid":"dacoit-trailer"}},{"node":{"data":{"title":{"text":"'Biker' Movie Making Video"},"img":{"url":"https://images.prismic.io/prad/ac1WBZGXnQHGZLUI_bikermovie.JPG?auto=format,compress"},"datetime":"2026-04-01T15:29:00+0000","third_party_url":null},"uid":"biker-movie-making-video"}},{"node":{"data":{"title":{"text":"Ramayana Trailer"},"img":{"url":"https://images.prismic.io/prad/ac48yZGXnQHGZMlc_raneerRAMA.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-01T07:48:00+0000","third_party_url":null},"uid":"ramayana-trailer"}},{"node":{"data":{"title":{"text":"Peddi Pehelwan Glimpse"},"img":{"url":"https://images.prismic.io/prad/acY1nJGXnQHGZB18_peddipehelwan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-27T04:45:00+0000","third_party_url":null},"uid":"peddi-pehelwan-glimpse"}},{"node":{"data":{"title":{"text":"Dethadi - TEASER"},"img":{"url":"https://images.prismic.io/prad/acOoNpGXnQHGY8au_Dethadi.png?auto=format,compress&rect=0,204,449,221&w=2028&h=1000"},"datetime":"2026-03-24T18:30:00+0000","third_party_url":null},"uid":"dethadi---special-teaser"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Amaravati: AP's Forever-Project Or It's Biggest Political Prop?"},"img":{"url":"https://images.prismic.io/prad/adONfZGXnQHGZR-z_jagancbnamaravati.JPG?auto=format,compress"},"datetime":"2026-04-06T09:11:00+0000","third_party_url":null},"uid":"amaravati-andhras-forever-project-or-its-biggest-political-prop"}},{"node":{"data":{"title":{"text":"Hormuz Block: The Great Bystanders Club"},"img":{"url":"https://images.prismic.io/prad/ac9z3JGXnQHGZPiF_hormuz.JPG?auto=format,compress"},"datetime":"2026-04-03T08:01:00+0000","third_party_url":null},"uid":"hormuz-block-the-great-bystanders-club"}},{"node":{"data":{"title":{"text":"MAVIGUN: Now, The Joke Is on Jagan?"},"img":{"url":"https://images.prismic.io/prad/c46db5a0-655c-46df-b867-84fa8f744bfa_jagan+amaravati.JPG?auto=format,compress"},"datetime":"2026-04-02T07:24:00+0000","third_party_url":null},"uid":"mavigun-now-the-joke-is-on-ys-jagan"}},{"node":{"data":{"title":{"text":"The Spark Beneath The Slab?"},"img":{"url":"https://images.prismic.io/prad/acuEbJGXnQHGZHmy_amitshahmaoists.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-31T08:23:00+0000","third_party_url":null},"uid":"the-spark-beneath-the-slab"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-07-26T17:32:57+0000","data":{"title":{"text":"Priyanka Jawalkar Spicy Stills"},"content":{"text":"Priyanka Jawalkar is an Indian actress and model who works in Telugu cinema. She made her acting debut with Kala Varam Aaye. She then appeared in Taxiwala and Thimmarusu. Jawalkar received Filmfare Award for Best Supporting Actress – Telugu nomination for her performance in Gamanam."},"img":{"url":"https://images.prismic.io/prad/aIT6gFGsbswqTR74_priya2028.JPG?auto=format,compress"}},"uid":"priyanka-jawalkar-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-07-15T10:41:36+0000","data":{"title":{"text":"Shraddha Das Spicy Black Pics"},"content":{"text":"Shraddha Das is an Indian actress and model who predominantly appears in Telugu, Hindi, Bengali, and Kannada language films. She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/aHYvrEMqNJQqH6cL_shradda2028.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-sari-pics"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"B'wood's Shift from Romance to Revenge"},"content":{"text":"In the past, Hindi cinema was synonymous with romantic dreams and emotional sagas. However, a notable transition has occurred in recent years. The era of love epitomized by characters like Raj and Rahul has given way to a new reign - that of the Angry Young Man. Films today are no longer centered around tender emotions or vulnerability, but rather revolve around themes of power and vengeance, as evidenced by blockbusters like 'Animal', 'KGF', 'Pushpa', and 'Dhurandhar The Revenge'. This shift isn't merely a cinematic trend; it reflects a cultural undercurrent.  The resurgence of the Angry Young Man archetype, championed by Amitabh Bachchan in the 1970s and 1980s, signifies a societal yearning for a hero who defies the system and battles injustice with unapologetic force. It's not just a narrative construct; it mirrors the simmering discontent and frustration among the masses. These films are not creating anger; they are capitalizing on an existing sentiment. Across the nation, a growing sense of disillusionment and a chasm between aspirations and reality have fueled a collective desire for empowerment and a thirst for retribution. The success of these movies cannot be brushed off as mere fan frenzy; it is indicative of a larger societal shift. While some may view these films as promoting toxic masculinity, it's important to recognize their resonance with audiences. They serve as a reflection of the evolving emotional fabric of our society, where the traditional portrayal of a gentle, affable hero is being overshadowed by a demand for formidable avengers. This cinematic transformation speaks volumes about an India that is grappling with impatience, frustration, and a growing appetite for retaliation. It's a revelation of the prevailing sentiments that extend far beyond the silver screen, illuminating the deeper societal undercurrents. The box office's endorsement of these narratives isn't just a testament to their entertainment value; it's a stark revelation of the prevailing societal pulse, one that is no longer infatuated with love but is consumed by the allure of retribution and power. This shift in cinematic narratives is a reflection of the nation's evolving emotions and desires."},"img":{"url":"https://images.prismic.io/prad/adTfJ5GXnQHGZUCw_romancetorage.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T07:02:44+0000","embed":{"embed_url":null}},"uid":"the-rise-of-the-angry-young-man-indias-shift-from-romance-to-revenge-in-bollywoo-mno9v7m3"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Vijay's dual nominations cleared"},"content":{"text":"Actor-turned-politician Vijay, leader of the Tamilaga Vettri Kazhagam (TVK), has successfully secured acceptance of his nomination papers from both Perambur in Chennai and Tiruchirappalli East constituencies for the 2026 Tamil Nadu Assembly elections, following the submission of revised affidavits to address discrepancies.   Vijay had originally filed his nomination from Perambur at Dr Ambedkar Government Arts College in Vyasarpadi on March 30, and later submitted papers for Tiruchirappalli East on April 2. However, scrutiny of his affidavits revealed inconsistencies that quickly became a talking point in political and social circles.  In his Tiruchirappalli East nomination, Vijay had declared two criminal cases against him. In contrast, the affidavit submitted for Perambur stated that no criminal cases were pending.  Additionally, his age was listed differently in the two filings -- 52 years in Perambur and 51 years in Tiruchirappalli East -- raising questions about the accuracy of the submissions.  The discrepancies sparked widespread discussion on social media, with some observers suggesting that the Perambur nomination could face rejection if corrections were not made promptly. Responding swiftly, Vijay submitted a revised affidavit for the Perambur constituency on April 4. The updated document aligned the disclosures with those made in the Tiruchirappalli East filing, including details of the criminal cases.  One case pertains to a protest-related incident in Kolathur, where a large gathering allegedly caused public inconvenience, leading to a police case at Peravallur station. Another case relates to an incident in Madurai on August 21 last year, where a security-related altercation during a public event reportedly led to injuries and a subsequent complaint.  The revised affidavit also corrected his age to 51 years in the Perambur filing.  The updated documents were submitted to the Returning Officer by party representatives, including legal counsel.  Election officials confirmed that since the errors were rectified within the permissible time, there was no ground for rejection. Despite objections raised by the DMK and some independent candidates during scrutiny, Vijay’s nominations from both constituencies were accepted.  Meanwhile, nominations of key leaders, including Chief Minister M. K. Stalin from Kolathur, Deputy Chief Minister Udhayanidhi Stalin from Chepauk-Thiruvallikeni, and BJP leader Nainar Nagendran from Sattur, were also accepted, along with several other prominent candidates across the state."},"img":{"url":"https://images.prismic.io/prad/Z7mRAJ7c43Q3gGHC_TVK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T14:30:00+0000","embed":{"embed_url":null}},"uid":"vijays-dual-nominations-cleared"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Cross-State War of Words: RR vs Vijayan"},"content":{"text":"A sharp and unusually personal war of words between the Telangana Chief Minister A. Revanth Reddy and his Kerala counterpart Pinarayi Vijayan escalated on Tuesday, turning into a full-blown political slugfest that has drawn national attention. The exchange was triggered by Reddy, who opened the salvo with a pointed \"po mone Vijaya\" (go away, Vijayan), a remark that quickly went viral and set the tone for an increasingly bitter back and forth. Doubling down, the Telangana Chief Minister on Tuesday said he viewed Vijayan's counterattacks as a \"blessing\" and insisted he was unfazed. He also accused Vijayan of insulting the people of Kerala and declared that \"his time is over\", before signing off with a curt \"bye bye Pinarayi\". Reddy claimed that the Kerala Chief Minister had failed to respond to key political questions, including allegations of aligning with Prime Minister Narendra Modi. While maintaining that he respected Vijayan's age and office, the Telangana Chief Minister took a swipe by describing PM Modi as Vijayan's \"brother\", a remark loaded with political insinuation. The controversy deepened after Vijayan's barb on Tuesday \"dash mone\" retort had already stirred debate over the tone of political discourse. Seeking to regain the narrative, the Kerala Chief Minister responded with a formal letter addressed to \"Dear Revanth Reddy\", in which he laid out Kerala's developmental achievements in a measured, if pointed, rebuttal. With Reddy having the first word and the last, the episode underscores a coarsening of political exchanges between the senior leaders. What might once have remained a regional spat has now evolved into a high decibel confrontation, reflecting the increasingly combative tenor of contemporary Indian politics, where even Chief Ministers are not above trading barbs that resonate far beyond their states. Reddy's arrival for the poll campaign in Kerala had generated intense interest, the second time after his barb had turned viral and now with Vijayan making it clear, a reply would be soon send, all eyes are on when it would happen as on Thursday the state goes to the polls to elect 140 new legislators."},"img":{"url":"https://images.prismic.io/prad/adTwoZGXnQHGZUWt_rrvijayan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T08:05:00+0000","embed":{"embed_url":null}},"uid":"cross-state-war-of-words-rr-vs-vijayan"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"'Karna' Battles Major Financial Setbacks"},"content":{"text":"In a disheartening turn of events for Indian cinema, Rakeysh Omprakash Mehra's ambitious project, 'Karna,' has reportedly encountered substantial financial obstacles, raising questions about its viability. The film, intended to be a grand two-part epic featuring Tamil superstar Suriya in the lead role, has been temporarily shelved as Mehra grapples with securing the staggering budget of 600 crores necessary for its production. The director, acclaimed for his previous works such as 'Rang De Basanti' and 'Bhaag Milkha Bhaag,' has invested years into meticulous research and development to bring the legendary figure of Karna to the silver screen with both historical accuracy and cinematic grandeur, but financial realities are now imposing severe constraints on his vision. Sources indicate that Excel Entertainment, the production house led by Farhan Akhtar and Ritesh Sidhwani, is reconsidering their involvement in the project as escalating costs threaten to eclipse initial projections. The team has reportedly urged Mehra to significantly cut the budget or risk abandoning the film altogether. As the industry continues to witness a growing divide between high-budget projects funded by South Indian production houses and Bollywood's struggles to match such ambitions, the prospects for 'Karna' appear increasingly bleak. With the financial landscape shifting, the pressure mounts on Mehra to either recalibrate his grand vision or explore alternative funding avenues. The plight of 'Karna' mirrors the difficulties faced by other mythological projects in Bollywood, notably Vicky Kaushal and Aditya Dhar's 'The Immortal Ashwatthama,' which was shelved due to similar financial constraints. This troubling trend raises concerns about the industry's ability to support high-concept narratives rooted in Indian mythology, particularly when the lead actor's recent box office performance can significantly influence investor confidence. Suriya's latest film, 'Kanguva,' underperformed critically and commercially, casting a long shadow over the potential for 'Karna' to attract the backing it needs in a market that is becoming increasingly risk-averse. As Mehra navigates these treacherous waters, he is faced with the daunting choice of compromising on his artistic vision or seeking out new producers willing to take a gamble on his dream project. The outcome remains uncertain, as the complexities of financing such a monumental undertaking in the current economic climate loom large. The challenges faced by 'Karna' highlight significant shifts in the film industry, revealing the precarious balance between creative ambition and financial feasibility. The fate of this epic narrative, steeped in the rich tapestry of Indian mythology, hangs in the balance as stakeholders weigh their options in a landscape fraught with risk."},"img":{"url":"https://images.prismic.io/prad/adTfvJGXnQHGZUDW_karna.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-07T09:41:00+0000","embed":{"embed_url":null}},"uid":"rakeysh-omprakash-mehras-karna-battles-major-financial-setbacks-as-production-fa-mnohophl"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Dhurandhar‍‌‍‍‌‍‌‍‍‌'"},"content":{"text":"Dhurandhar hits the audience like a cyclone—untamed, persistent, and spectacularly dhamakedaar. Aditya Dhar's latest triumph is far from just a movie; it is a once-in-a-lifetime experience, a cinematic event of the year that completely breaks the clutter of Indian espionage thrillers. With Indian heart and international standard, Dhar weaves a story full of human touch, intricacy, and spark, reaffirming that he belongs among the very few directors capable of conceiving on a grand scale while still keeping the story deeply character-driven.  Drawing inspiration from the IC-814 hijacking and the 2001 Parliament attack, the film sets the stage on a historic backdrop without wasting a moment. Dhar then skillfully expands the narrative to show the political tremors that pushed the Indian intelligence system beyond its limits. Madhavan as IB Chief Ajay Sanyal is the rock on which the story stands. His portrayal, full of precision and gravitas, earns seeti maar reactions in every scene. The dialogues are crisp, the energy is infectious, and the immersion into this high-stakes world is so real that it grips from the first frame.  One of the most striking elements is the use of archival footage, including 9/11 and other terror attacks, interspersed with chilling audio of attackers plotting against India. These sequences evoke patriotism without jingoism, reminding the audience of the stakes while highlighting India’s strategic resilience. It’s a cinematic call to awareness and courage that makes the story even more gripping.  Ranveer Singh delivers arguably his career-best performance—raw, gritty, massy, and explosively powerful. Hamza is hurt, angry, unpredictable, yet inexplicably charming. The transformation from a rage-driven youth to a cold, calculated underworld operative is executed with staggering emotional finesse. Ranveer doesn’t just perform; he literally “blows up” the screen, particularly in the latter half, becoming almost synonymous with the storyline—a 10/10 hardcore action avatar.  The supporting cast matches this energy brilliantly. Akshaye Khanna, as Rehman Dakait, is eerie, sparkling, and dreadful—a mind-is-the-weapon villain whose expressions and timing make him unforgettable. Sanjay Dutt is pure cannon fire as SP Chaudhary Aslam, “The Jinn,” bringing raw toughness to every frame. Arjun Rampal’s Major Iqbal commands attention with his silent menace, while Sara Arjun impresses in her star-studded debut. Every actor is fully into their character, creating a dangerously immersive atmosphere.  The film’s pace is relentless, thanks to Aditya Dhar’s mastery over tempo. And crucially, despite its 214-minute runtime, the length never feels distracting. Every scene is deliberate, every beat perfect, making the infiltration plan genuinely nerve-wracking. The background music is another major highlight—the BGM keeps the energy flowing continuously, never letting the audience feel a dull moment. The soundtrack is one of the strongest pillars of the film, arguably the album of the year or even the decade, turning tension, discovery, and climax into cinematic thunder.  Violence is used sparingly—just three sequences are truly explicit, each dramatically justified. The real intensity comes from the emotional stakes, character development, and political intrigue. The first half showcases masterful world-building, with the interval delivering pure goosebumps and doubling audience excitement. Post-interval, conspiracies intertwine, political power shifts, and Hamza consolidates the mafia core through strategy, betrayal, and even a calculated marriage, setting up a perfect stage for the explosive Part Two coming Eid 2026.  Jyoti Deshpande, Lokesh Dhar, and Aditya Dhar, backed by B62 Studios and Jio Studios, leave no stone unturned in creating a universe that is vast, real, and cinematically rich. Their unwavering support for large sets, hard action, bold storytelling, and a stellar ensemble cast shines in every frame, elevating Indian genre cinema to new heights.  Dhurandhar is a genre-defining spectacle that combines ferocious execution, meticulous craft, and unforgettable impact. With Aditya Dhar’s finest direction and Ranveer Singh’s career-best performance, it makes a solid case for being one of the boldest, most compelling thrillers of the year. The game is set, the pieces are moving, and the wait for Part Two is fervent—completely justified by the high stakes, breathtaking performances, and mind-blowing storytelling.  Cast: Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others  Director/Writer: Aditya Dhar"},"img":{"url":"https://images.prismic.io/prad/aTK2Z3NYClf9n2ee_dhurandar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-12-05T08:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=BKOVzHcjEIo"}},"uid":"review-dhurandhar"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఆంధ్రాకింగ్‌ తాలూకా' రివ్యూ... ఫ్యాన్స్‌ మూవీ"},"content":{"text":"రామ్‌ వరుస విజయాలతో ఎనర్జిటిక్ స్టార్‌ ఇమేజ్‌ని సొంతం చేసుకుని కెరీర్‌ ఆరంభంలో అందరి దృష్టిని ఆకర్షించాడు. కానీ గత కొంత కాలంగా ఆయన పూర్తిగా గాడి తప్పినట్లుగా కనిపిస్తున్నాడు. ఏమాత్రం ఆకట్టుకోని కథ, కథనాలను, దర్శకులను ఎంపిక చేసుకోవడంతో ఆయనకు వరుస ఫ్లాప్‌లు తప్పలేదు. ఇస్మార్ట్‌ శంకర్ తర్వాత రామ్‌ ఒక మంచి హిట్‌ కోసం ఎదురు చూస్తున్నాడు. ఆ హిట్‌ ఈ సినిమాతో వచ్చిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ :  సూర్య(ఉపేంద్ర) తెలుగు సినిమా ఇండస్ట్రీలో స్టార్‌ హీరో. అభిమానులు ఆయన్ను ఆంధ్రా కింగ్‌ అనే బిరుదుతో పిలుచుకుంటూ ఉంటారు. వరుస విజయాలు దక్కించుకుంటూ వచ్చిన సూర్యకు వందవ సినిమాకు ముందు కెరీర్‌ పరంగా ఒడిదొడుకులు ఎదుర్కోవాల్సి వస్తుంది. వరుస ఫ్లాప్స్‌ పడటంతో సూర్య ను విమర్శించే వారు, తిట్టేవారు ఎక్కువ అవుతారు. ఆయన పనైపోయిందని విమర్శిస్తూ ఉంటారు. ఆ సమయంలో సూర్య 100వ సినిమాను మొదలు పెడతాడు.  సినిమాపై అంచనాలు లేకపోవడం, అసలు సూర్య సినిమాను ఎవరు చూస్తారు అని జనాలు అనుకుంటూ ఉండటంతో ఆ సినిమా ఆర్థిక సమస్యలు ఎదుర్కొంటుంది. సినిమా పూర్తి చేయడానికి రూ.3 కోట్లు అవసరం అవుతుంది. ఆ సమయంలో సూర్యను అమితంగా అభిమానించే సాగర్‌ (రామ్‌) ముందుకు వస్తాడు. తాను ఎంతో కష్టపడి సంపాదించిన ఆస్తిని అమ్మి, ఆ డబ్బును తన అభిమాన హీరో, ఆంధ్రాకింగ్‌ సూర్యకి చేరేలా చేస్తాడు.  తీవ్ర ఆర్థిక ఇబ్బందుల్లో ఉన్న సూర్య తన అకౌంట్‌లో పడ్డ రూ.3 కోట్లు చూసి షాక్‌ అవుతాడు. ఆ డబ్బును తన అభిమాని అయిన సాగర్‌ పంపించినట్లు తెలిసి షాక్‌ అవుతాడు. తన అభిమానిని కలుసుకునేందుకు సూర్య బయలుజేరుతాడు. ఆ క్రమంలో సాగర్‌ గురించి పలు విషయాలను సూర్య తెలుసుకుంటాడు. ఒక అభిమానిని స్టార్‌ హీరో ఎలా కలుసుకున్నాడు? ఆ తర్వాత ఏం జరిగింది? అనేది కథ. నటీనటుల నటన :  రామ్‌ మొత్తం బాధ్యత తన భుజాలపై వేసుకున్నాడు. ఎప్పటిలాగే ఈ సినిమాతో మరోసారి తన ఎనర్జిటిక్ పెర్ఫార్మెన్స్‌ను చూపించాడు. సాగర్‌ పాత్రకి రామ్‌ ఎంత వరకు చేయాలో అంతకు మించి చేసినట్లుగా అనిపించింది. ఒక పాత్రను చాలా నమ్మడం వల్లే రామ్‌ ఈ స్థాయిలో కష్టపడి ఉంటాడు అనిపించింది. అతడి లుక్‌, డైలాగ్‌ డెలివరీ, యాక్షన్‌ సీన్స్ లో ఆయన ప్రజెన్స్ ఇలా ప్రతి ఒక్క ఎలిమెంట్‌లోనూ రామ్‌ ఆకట్టుకున్నాడు. అందుకే అతడు ఒక ఫ్యాన్  గా సరిగ్గా సెట్‌ అయ్యి, సినిమాను మోశాడు. సూపర్‌ స్టార్‌గా నటించిన ఉపేంద్ర తన పాత్రకు న్యాయం చేశాడు. ఒక అభిమాని కోసం వెతుక్కుంటూ వెళ్తున్న సీన్స్ లో అతడి భావోద్వేగం కనిపించింది. సినిమా కోసం అతడు పడే తపన, అతడు పడే కష్టం తాలూక డిటైల్స్ ను ఉపేంద్ర చక్కగా చూపడం జరిగింది. హీరోయిన్‌గా నటించిన భాగ్యశ్రీ బోర్సేకి తన ప్రతిభ మొత్తం చూపించే అవకాశం దక్కలేదు. అయితే ఆమె ఉన్నంతలో అందంగా కనిపించడంతో పాటు, నటనతో ఆకట్టుకుంది. ఇతర నటీనటులు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ :  పాటల గురించి ప్రత్యేకంగా చర్చ జరిగింది. కొత్త సంగీత దర్శకులు కుమ్మేశారు అంటూ అంతా తెగ మాట్లాడారు. కానీ వారి నుంచి వచ్చిన సంగీతం కొత్తగా ఉంది కానీ ఆకట్టుకునే విధంగా మాత్రం లేదు. ఇలాంటి సినిమాలకు పాత సంగీత దర్శకులు అయితే న్యాయం చేసేవారు అనిపిస్తుంది. కాని రామ్‌ కి మాత్రం ఎందుకో వీరు నచ్చారు. ఆయన నిర్ణయం తప్పు అని తేలింది.  ఇక దర్శకుడు మహేష్‌ ఎంపిక చేసుకున్న కథ విషయంలో ఎలాంటి తప్పు లేదు. ముఖ్యంగా స్టోరీ లైన్ మంచి పాయింట్‌. కానీ దాన్ని మలచిన తీరు బాగాలేదు. ముఖ్యంగా స్క్రీన్‌ ప్లే విషయంలో సాగతీసినట్లుగా అనిపించింది. ఎడిటింగ్‌ కి ఇంకా చాలా స్కోప్ ఉంది. ఎందుకో చాలా సీన్స్‌ను అలాగే వదిలేశాడు. నిర్మాణాత్మక విలువలు బాగానే ఉన్నాయి. సినిమాటోగ్రాఫీ అప్పటి నేటివిటీకి దగ్గరగా ప్రేక్షకులను తీసుకు వెళ్లడంలో సక్సెస్ అయిందని చెప్పాలి.  విశ్లేషణ :  రామ్‌ దాదాపు ఏడాది  గ్యాప్ తీసుకుని, వందల కొద్ది కథలు విని, పదుల కొద్ది కథలు పక్కన పెట్టుకుని, చివరకు ఈ కథను ఎంపిక చేసుకున్నాడు అని ఆయన సన్నిహితులు అంటున్నారు. అయితే ఇలాంటి కథను ఆయన ఎలా ఒప్పుకున్నాడు అంటూ చాలా మంది ఆశ్చర్యం వ్యక్తం చేస్తున్నారు. స్టోరీ లైన్‌ బాగుంటే సరిపోతుందా, కథ, కథనం విషయంలో దీన్ని ఎంత వరకు ప్రేక్షకులకు ఆకట్టుకునే విధంగా తీసుకు రాగలరు అనే విషయంను ఆయన చూసుకోలేదు అనిపిస్తుంది.  రామ్‌ సాధారణంగానే ఎనర్జిటిక్‌ పెర్ఫార్మెన్స్‌ తో ఆకట్టుకుంటాడు. ఈ సినిమాలోనూ మరోసారి తన సత్తా చాటాడు. కానీ సినిమాలోని ఆయన పాత్ర ఉన్నంత పవర్‌ ఫుల్‌గా స్క్రీన్‌ ప్లే లేదు. గ్రామీన ప్రాంతంలో ఉండే ప్రేమ కథను చూపించే ప్రయత్నం చేశారు. ఆ కథను ఇంకాస్త ఎక్కువ చూపించినా బాగుండేది. హీరో, అభిమాని మధ్య ఉండే సీన్స్ చాలా తక్కువగా ఉన్నాయి. ప్రేక్షకులు ఆశించిన ఎలిమెంట్స్ ఈ సినిమాలో చాలా తక్కువగా ఉన్నాయి. అందుకే సినిమా రెగ్యులర్‌ ప్రేక్షకులను ఆకట్టుకోవడంలో విఫలం అవుతుంది. కానీ తమను తాము ఒక హీరోకు అభిమాని అని చెప్పుకునే వారికి మాత్రం తప్పకుండా ఈ సినిమా నచ్చుతుంది.  ప్లస్ పాయింట్స్ :  రామ్‌ నటన, స్టోరీలైన్‌, కొన్ని ఎమోషనల్‌ సీన్స్‌ మైనస్ పాయింట్స్ :  ఫస్ట్‌ హాఫ్‌ చాలా స్లోగా సాగింది స్క్రీన్‌ ప్లే, ప్రేమ కథ ఇంకాస్త ఉండాల్సింది. చివరగా... ఫ్యాన్‌గా ఆంధ్రాకింగ్‌ను ఆకట్టుకున్న సాగర్‌, ప్రేక్షకులను ఆకట్టుకోవడం కష్టమే. బ్యానర్ : మైత్రి మూవీ మేకర్స్‌ నిర్మాత : నవీన్‌ యెర్నేని, వై రవి శంకర్‌ దర్శకత్వం : మహేష్‌ బాబు పి సంగీతం : వివేక్‌-మెర్విన్‌ తారాగణం : రామ్‌ పోతినేని, భాగ్యశ్రీ బోర్సే, ఉపేంద్ర తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aSgr23NYClf9nheC_AKT1.JPG?auto=format,compress"},"datetime":"2025-11-27T08:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=oeY828c-AXo"}},"uid":"review-andhra-king-talooka---fans-movie"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'De De Pyaar De 2'"},"content":{"text":"It’s rare to find a film that makes you laugh, cry, and smile, all within the same heartbeat. De De Pyaar De 2 is that rare gem. The sequel not only lives up to the 2019 blockbuster but builds on it with heart, humour, and a story that feels deeply personal yet universally relatable. In a year full of thrillers and high-octane spectacles, De De Pyaar De 2 stands tall as the only true family entertainer of 2025. It’s a film about family — and one meant to be watched with family. Whether you’re a parent, a young adult, or a daughter who shares a special bond with her father, this one will speak to you in more ways than one. The film beautifully balances clap-and-whistle-worthy comedy with tear-jerking emotion, and even leaves you with a subtle but strong message about love, relationships, and what truly makes a man ‘man enough’ in today’s world. The protagonist Ajay Devgn is a delight, effortlessly switching between subtle humour and emotional restraint. His references to his own iconic films are a treat for fans and timed to perfection. It’s refreshing to see him return to a romantic-comedy space after a string of action-heavy roles. R. Madhavan, on the other hand, brings soul to the story. As a father navigating complex emotions, he’s a powerhouse of warmth and vulnerability. His scenes, especially with Ajay, are pure paisa vasool, seamlessly blending humour with heartfelt depth. Leading lady Rakul Preet Singh delivers her best performance yet, charming, confident, and absolutely radiant on screen. While Jaaved Jaffery leaves you rolling on the floor laughing everytime he comes on the screen, Meezaan’s entry in the second half is impactful; he looks effortlessly dashing and leaves a strong impression in a limited screen time. The supporting ensemble — Gautami, Ishita, and Suhasini Mulay, bring natural warmth and depth, rounding out the film’s emotional universe beautifully. Director Anshul Sharma infuses De De Pyaar De 2 with heart, humor, and a sense of effortless storytelling. His vision shines through every frame bringing together a powerhouse cast and allowing each performer to leave a lasting mark. Sharma orchestrates the film’s emotional beats and comic timing with remarkable finesse, blending warmth and wit in equal measure. With this film, he not only celebrates relationships and generations but also cements his place as a filmmaker who knows how to entertain while keeping the emotions genuine and grounded. Unlike many sequels that exist just to cash in on a franchise name, De De Pyaar De 2 feels like an organic continuation of the first. The callbacks are smart, not forced, and the story flows with sincerity and purpose. And just when you think you’ve seen it all, the last 20–30 minutes hit you with one of the most emotionally satisfying climaxes seen in recent times, an absolute rollercoaster of emotions that will leave you walking out with a full heart and a huge smile. De De Pyaar De 2 is the ultimate big-screen entertainer, funny, emotional, meaningful, and refreshingly vulnerable. It proves that films about family, love, and connection can still move audiences when told with honesty and heart. Director: Anshul Sharma,  Cast: Ajay Devgn, R. Madhavan, Rakul Preet Singh, Jaaved Jaaferi, Meezaan, Gautami Kapoor, Ishita Dutta and others "},"img":{"url":"https://images.prismic.io/prad/aRb8GLpReVYa4eVc_dedepyaarde2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-11-14T04:53:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=59aIp7SfIIk"}},"uid":"review-de-de-pyaar-de-2"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: ‘Jatadhara’ - A spiritual thriller unfolds"},"content":{"text":"Zee Studios and Prerna Arora produced Jatadhara represents an ambitious and compelling effort by directors Venkat Kalyan and Abhishek Jaiswal as they create a supernatural mythological thriller, one that dares bridge the gap between science, faith, and mysticism of old. Against the mysterious backdrop of the Anantha Padmanabha Swamy Temple and its treasures hidden within, the film is imbued with original Tantric rituals and chants enacted during filming-a rare thing in mainstream Indian cinema. The sense of dread and divinity pervades right from the first frame. The haunting visuals, the rhythmic chants, and symbolic imagery set off into a world where reality blends with the surreal. Credit goes to the two directors for knowing how to handle such a dense mythological theme with reverence and cinematic flair. Sudheer Babu plays Shiva, a skeptical ghost hunter whose journey from disbelief to spiritual awakening forms the emotional core of the story. His rugged screen presence, restrained intensity, and emotional range make this one of his most nuanced performances to date. The sequences where he confronts unseen forces — armed with both scientific logic and ritualistic tools — are genuinely gripping. Sonakshi Sinha, all set to mesmerize the Telugu audience for the first time, is just outstanding as Dhana Pisaachi, a vengeful spirit bound by greed and sorrow. With her commanding expressions, piercing gaze, and haunting poise, Sonakshi brings terror and tragedy on the screen. Her transformation into the demonic goddess is one of the talking points of the film and quite rightly so-she owns each frame. Divya Khossla carries grace throughout her role as Sitara, while Shilpa Shirodkar and Indira Krishna add depth and dignity to their key roles. The ensemble cast — Rajeev Kanakala, Ravi Prakash, and Subhalekha Sudhakar included — come together to add value to the narrative with realistic, down-to-earth performances. Written by Venkat Kalyan, the screenplay of Jatadhara weaves ancient lore with modern skepticism. The premise of the story-a forbidden ritual called Pisacha Bandhanam that ties spirits to guard lost treasures-is both fascinating and frightening. Kalyan ensures that every plot twist is rooted in belief systems familiar to Indian audiences, yet he approaches them with a contemporary lens. The dialogues by Sai Krishna Karne and Shyam Babu Meriga are sharp, spiritual, and thought-provoking. Lines like \"Faith is not what you see -- it's what you dare to feel\" stay with one long after the credits roll. They strike an even balance between philosophical weight and emotional immediacy to give the film a scriptural and cinematic hue at once. The biggest strength of Jatadhara is Sameer Kalyani's cinematography. The chiaroscuro lighting, the intricate interior of the temple, and aerial sweeps of the Kerala landscape infuse an otherworldly beauty upon this dark narrative. Every sequence of this ritual is framed like a painting-flickering lamps, swirling smoke, chanting shadows-pulling you into a hypnotic trance. The special effects should be applauded for delivering realistic supernatural imagery without excess. The scenes of Dhanapisachini’s manifestation are at once terrifying and beautiful, enhanced by practical effects that feel real and organic. The sound design amplifies the eeriness: low rumbles, faraway chants, and sudden silences are used to great effect to raise the tension. Composer Rajiv Raj manages an evocative score that fuses classical ragas with electronic undercurrents. His background music, particularly during the climactic confrontation, keeps the pulse racing. Despite the film's dark theme, music, and movement have been found in Jatadhara. “Shiva Stotram” and “Pallo Latke Again stand apart for their energy and depth. As the choreographer, Sandeep melds ritualistic movements with cinematic choreography, especially in the temple dance sequence featuring Divya Khossla, which radiates both devotion and intensity. The stunt choreography seamlessly integrates physical combat with supernatural powers, creating a dynamic action language that feels fresh. Sudheer Babu's ghost-hunting sequence, weapon combat scenes, and the final blood-drinking transformation sequence are all done with precision and conviction. The mix of martial arts and mystical symbolism makes these moments unforgettable. Jatadhara is a bold visual experiment in the form of a supernatural mythological thriller that refuses to play safe. It sincerely pursues faith versus reason, science versus ritual, and human will versus divine wrath with amazing scale. The outstanding visual brilliance of the film matches the strong performances and authentic spiritual texture. Co-directed by Venkat Kalyan and Abhishek Jaiswal, Jatadhara manages a fine balance between commercial spectacle and artistic expression. The result is that Jatadhara does what few films attempt; it turns mythology into a breathing, living cinematic experience, with its entrancing images, haunting music, and soulful performances that both thrill and leave one thoughtful. Director: Venkat Kalyan And Abhishek Jaiswal Starring : Sudheer Babu, Sonakshi Sinha, Divya Khossla, Shilpa Shirodkar, Indira Krishna, Rajeev Kanakala, Ravi Prakash, Rohit Pathak, Jhansi, Subhalekha Sudhakar"},"img":{"url":"https://images.prismic.io/prad/aQx6sbpReVYa4H3__jathadara.JPG?auto=format,compress"},"datetime":"2025-11-06T09:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=NcZNCaE4qEM"}},"uid":"review-jatadhara---a-spiritual-thriller-unfolds"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మాస్‌ జాతర' రివ్యూ... రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైనర్‌"},"content":{"text":"రవితేజ ఏదైనా సినిమా ప్రారంభిస్తే ఆరు నెలల్లోనే పూర్తి చేసి ప్రేక్షకుల ముందుకు తీసుకు రావడం మనం చూస్తూ ఉంటాం. కానీ ఈ సినిమా అనేక కారణాల వల్ల చాలా ఆలస్యం అయింది. ఈ ఏడాది సంక్రాంతికి రావాల్సిన సినిమా ఏడాది చివర్లో దీపావళి అయిన తర్వాత ప్రేక్షకుల ముందుకు వచ్చింది. సితార ఎంటర్‌టైన్‌మెంట్స్ బ్యానర్‌లో రూపొందిన సినిమా కావడంతో పాజిటివ్‌ బజ్ క్రియేట్‌ అయింది, అంతే కాకుండా రవితేజ ఈ సినిమాపై చాలా అంచనాలు పెంచే విధంగా ప్రచారం చేశాడు. మరి ఈ సినిమా ఎలా ఉంది అనేది ఈ రివ్యూలో చూద్దాం.  కథ : రైల్వే ఎస్‌ఐ అయిన లక్ష్మణ్‌(రవితేజ) ఎక్కడ ఉంటే అక్కడ రైల్వే విధులు మాత్రమే కాకుండా అన్ని రకాల కేసులను పరిస్కరిస్తూ ఉంటాడు. అలాంటి లక్ష్మణ్‌కి డ్రగ్స్‌ ఇష్టానుసారంగా పండిస్తూ, అదే జీవనాధారంగా జనాలు జీవిస్తున్న ఒక ప్రాంతంకు ట్రాన్స్‌ఫర్‌ అవుతుంది. అక్కడ శివుడు(నవీన్ చంద్ర) బలవంతంగా రైతులతో గంజాయి సాగు చేయిస్తూ దాన్ని కోల్‌కత్తాకు ట్రాన్స్‌పోర్ట్‌ చేస్తూ ఉంటాడు. శివుడు గంజాయి వ్యాపారంను నాశనం చేసేందుకు లక్ష్మణ్‌ సిద్దం అవుతాడు. శివుడు పెద్ద మొత్తంలో గంజాయిని కోల్‌కత్తా తరలించేందుకు సిద్ధం అయిన సమయంలో లక్ష్మణ్‌ దాన్ని దాచేస్తాడు. ఆ సరుకు కోసం శివుడు పిచ్చెక్కి పోతాడు. ఇద్దరి మధ్య పెద్ద యుద్దమే జరుగుతుంది. చివరకు ఏం జరిగింది అనేది సినిమా కథ.  నటీనటులు : రవితేజ ఎనర్జీ ఏమాత్రం తగ్గలేదు. అయితే ఆయన లుక్‌ విషయంలో మాత్రం కాస్త వయసు ఎక్కువ అయినట్లుగా అనిపించింది. వింటేజ్ రవితేజను చూస్తారు అంటూ పబ్లిసిటీ సమయంలో మేకర్స్ చెప్పారు. కానీ వింటేజ్ సీన్స్ పెద్దగా ఏమీ లేవు. ఒకటి రెండు నిమిషాలకే పరిమితం చేశారు. యాక్షన్‌ సీన్స్‌లో రవితేజ ఎనర్జీ కనిపించింది. అయితే డాన్స్‌ ల్లో శ్రీలీల ముందు రవితేజ ఆశించిన స్థాయిలో మెప్పించలేక పోయాడు అని చెప్పుకోక తప్పదు. ఓవరాల్‌గా మాస్‌ మహారాజా రవితేజ మాస్‌ జాతర తన భుజాలపై వేసుకుని నడిపించే ప్రయత్నం చేశాడు.  శ్రీలీల పాత్రకు పెద్దగా ప్రాధాన్యత లేదు. ఫస్ట్‌ హాఫ్‌ లో కొంత సమయం కనిపించినా, సెకండ్‌ హాఫ్‌ లో కొన్ని నిమిషాలు మాత్రమే ఆమె కనిపించింది. పాటలకు మాత్రమే పరిమితం అయిన పాత్ర అనిపించింది. ఉన్నంతలో మెప్పించింది. డాన్స్‌ల్లో తన ప్రతిభతో ఆకట్టుకుంది. రాజేంద్ర ప్రసాద్‌ తన పాత్రకు పూర్తి న్యాయం చేశాడు. హైపర్ ఆది తన రొటీన్‌ పంచ్‌ డైలాగ్స్ తో పర్వాలేదు అనిపించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి వారి పాత్రల్లో పర్వాలేదు అనిపించారు.  టెక్నికల్‌: దర్శకుడు భాను కథ విషయంలో ఇంకాస్త వర్కౌట్‌ చేస్తే బాగుండేది. రైల్వే పోలీస్‌ అనే లైన్‌ బాగానే ఉంది, కానీ గంజాయి చుట్టూ సాగే కథలు చాలానే ఉన్నాయి. ఇంకాస్త విభిన్నంగా కథను రాసుకుని ఉంటే బాగుండేది. కనీసం స్క్రీన్‌ప్లేతో అయినా మ్యాజిక్ చేసి ఉంటే బాగుండేది. డైలాగ్స్ కొన్ని యాప్ట్‌ కాలేదు. భీమ్స్ అందించిన పాటలు ఒకటి రెండు వింటూ ఉంటే బాగానే ఉన్నాయి. కానీ స్క్రీన్‌ ప్లే కు బ్రేక్‌లు వేసినట్లుగా అనిపించాయి.  ముఖ్యంగా సెకండ్‌ హాఫ్‌ లో వచ్చే పాటల ప్లేస్‌మెంట్‌ ఏమాత్రం సెట్‌ కాలేదు. అయితే బ్యాక్ గ్రౌండ్‌ స్కోర్‌ తో రవితేజ ఫ్యాన్స్‌కి, ఆయన ఎలివేషన్ సీన్స్‌ కి మంచి హైప్‌ వచ్చే విధంగా భీమ్స్ చేశాడు. సినిమాటోగ్రఫీ బాగుంది. ముఖ్యంగా యాక్షన్‌ సీన్స్ లో సినిమాటోగ్రఫీకి మంచి మార్కులు పడుతాయి. యాక్షన్ సీన్స్ నేచురాలిటీకి దగ్గరగా ఉండే విధంగా ప్లాన్‌ చేశారు. నిర్మాణాత్మక విలువలు బాగున్నాయి. ఎడిటింగ్‌లో జర్క్‌ లు ఉన్నాయి. కాస్త క్రిస్పీగా ఉండాల్సింది.  విశ్లేషణ : రవితేజ సినిమా అనగానే మాస్ ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకులు ఆసక్తిగా అప్పట్లో ఎదురు చూసేవారు. కానీ ఇప్పుడు రవితేజ గత చిత్రాల ఫలితాల నేపథ్యంలో ఈసారి అయినా రవితేజ హిట్‌ కొట్టేనా అని నీరసంగా, నిరుత్సాహంగా ఎదురు చూస్తున్న వారు ఉన్నారు. అయినా కూడా రవితేజలో ఎనర్జీ మాత్రం తగ్గలేదు. తన సినిమాల ఫలితంతో సబంధం లేదు అన్నట్లుగా వరుస సినిమాలు చేసుకుంటూ వెళ్తున్నాడు.  సితార వారి బ్యానర్ నుంచి సినిమా వస్తుంది అంటే మినిమం గ్యారెంటీ అనే నమ్మకం ఉండేది. అది కూడా ఈ మధ్య కాలంలో మెల్ల మెల్లగా పోతుంది. ఇలాంటి సమయంలో వచ్చిన మాస్‌ జాతర రవితేజ స్టార్‌డంను నిలబెట్టేనా, సితార వారి పరువు నిలుపుతుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. కానీ ఈ సినిమా పూర్తి స్థాయిలో ఆ పని చేయలేదు అని చెప్పక తప్పదు. రవితేజ మార్క్‌ ఎంటర్‌టైన్‌మెంట్‌తో ఫస్ట్‌ హాఫ్‌ సాఫీగా సాగింది. కానీ సెకండ్‌ హాఫ్‌ విషయంలో తీవ్రంగా నిరాశ పరిచాడు. ఒకటి రెండు యాక్షన్ సీన్స్‌ తప్ప సెకండ్‌ హాఫ్‌ లో చెప్పుకోవడానికి ఏమీ లేవు.  కథలో ట్విస్ట్‌లు లేవు, స్క్రీన్‌ ప్లే మొత్తం ముందే ఊహించేదిగా ఉంది. ఎక్కడా ఆసక్తికరంగా స్క్రీన్‌ ప్లే సాగిందే లేదు. ఆది కామెడీతో నవ్వించే ప్రయత్నం చేశారు. కానీ అది వర్కౌట్‌ కాలేదు. మొత్తంగా మాస్ జాతర ఆకట్టుకోలేక పోయిన యాక్షన్‌ జాతర.  ప్లస్‌ పాయింట్స్‌ : రవితేజ, ఫస్ట్‌ హాఫ్‌ కొన్ని సీన్స్‌.  మైనస్ పాయింట్స్ : కథ, కథనం, రొటీన్‌ కామెడీ, యాక్షన్‌, పాటల ప్లేస్‌మెంట్‌, రొటీన్‌ క్లైమాక్స్‌.  చివరగా... వింటేజ్‌ రవితేజను చూపిస్తారనుకుంటే రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైన్మెంట్‌ను చూపించాడు.  బ్యానర్ : సితార ఎంటర్‌టైన్‌మెంట్స్‌  నిర్మాత : నాగవంశీ  దర్శకత్వం : భాను భోగవరపు  సంగీతం : భీమ్స్‌ సిసిరోలియో  తారాగణం : రవితేజ, శ్రీలీల, నవీన్‌ చంద్ర, రాజేంద్ర ప్రసాద్‌, నరేష్‌, హైపర్‌ ఆది తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aQThSLpReVYa35Yx_massjathara.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-31T19:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Qm-wNxOcEL4"}},"uid":"mass-jathara-review-routine-action-entertainer"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: Thamma - A fiery blockbuster ride!"},"content":{"text":"Thamma is big-screen fun at its purest — a daring mix of folklore, family, fantasy, and fanfare of a full-blown franchise. With this new movie in the Maddock horror-verse, director Aditya Sarpotdar is taking Indian genre cinema to a whole new level. It’s all sorts of strange, clever, and wildly creative — yet, very relatable. While Stree was scary and subversive and Bhediya went into the wilds, Thamma conquers the territory by merging horror with love and, thus, leaving a cinematic experience that is totally different.  The story revolves around the forest of myths where the past is still alive and the ancient guardians are awakening. Not Thamma by any means, but it still manages to conjure up a bizarre fantasy universe complete with its own laws, curses, and consequences. Compared to other supernatural thrillers, this one is basically an emotional comedy with a dose of humor and the human instinct to save those whom we love even if it costs our lives. It doesn’t become scary but rather keeps its faith. The movie is funny but not farcical. It is also emotional without being overly dramatic.  One of the main characters is journalist protagonist Khurrana from a small town. His incidental supernatural experience leads to a series of events that is not in his capacity to grasp the enormity of it. In the first half, he is simply lovable and relatable but later on he becomes quite intense. Mandanna delivers an emotional performance that is also very down-to-earth. She has the fire as well as the delicate side of her nature and does not go for the usual stereotypical trope of horror comedy being over-the-top.  The continuing part is just an explosive work of art — it features fight, change of characters, and a breathtaking fight between Alok and Bhediya (Varun Dhawan). Special effects are of great quality and the confrontation between these two forces is signaling their underlying relationship which will definitely influence this cinematic universe storyline in the future. Such a moment of grandeur is the kind of moment in which you wish to applaud in a jam-packed hall, and subsequently, you are left with more questions than answers. How are these two characters related? I promise; the answer will be beyond your imagination.  On the subject of universe-building, the movie is full of Easter eggs and a few character recalls, but one highlights: the comeback of Sar Kata, the frightening character from Stree, who ominously appears, signaling the massive danger that lies ahead for the Maddock horror-verse. To be honest, the connection between Stree 2 and Thamma is quite strong, and by the time you get to the end, it’s only evident that it’s something huge that is on its way. The seeds of a mega-crossover have been dropped.  The acting, in general, is great. Paresh Rawal offers a great comic relief performance as the sarcastic and sharp-witted father while Nawazuddin Siddiqui dominates the movie with his intense and dark presence. The upward movement of his character feels like the dawn of something bigger and maybe a major factor in the future war of good vs. evil in this ever-expanding universe.  Following that is the comeback of Sathyaraj as Elvis, the idiosyncratic paranormal expert who got the nickname Hand of God. However, this time, he is not only here for the laughs — his arrival subtly changes the bigger picture. In a significant moment, Elvis points to a vital connection between Alok’s freshly changed Betaal and Bhediya, the one who was last seen grappling with Sar Kata in Stree 2. It’s a clever, low-key link that signals the coming events and the Maddock universe fans will instantly get the excitement of the bigger plot unfolding.  Moreover, the talked-about Nora Fatehi cameo is not only a glam reel but also an addition to the lore. Her unveiling provides a wonderful emotional connection to Stree and is a massive high point for long-time fans of the universe. Being a kind of fan service, it rewards attention and gives a totally different perspective to everything that we thought we knew about this world. Is she the one who opens the door to its secrets or something else?  Before the release, the buzz was mostly about item numbers and flashy visuals. However, Thamma, turn, defies the expectation. In the typical Maddock manner, every song in this movie has its function-character revelation, story advancement, or myth deepening. There are no unnecessary diversions, no hollow spectacles, only the narrative-driven songs that keep the emotional part of the story going. It is a very important revamp of the Bollywood horror formula and the result is great.  Director: Aditya Sarpotdar,  Cast: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Paresh Rawal, Sathyaraj, Fasial Malik, Geeta Aggarwal, Rachit Singh and others"},"img":{"url":"https://images.prismic.io/prad/aPddOLpReVYa3gmP_thamma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-21T05:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Mod_oXpftJA"}},"uid":"review-thamma---a-fiery-blockbuster-ride"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'తెలుసు కదా' రివ్యూ... ఎమోషనల్‌ ఎంటర్‌టైన్‌మెంట్‌"},"content":{"text":"డీజే టిల్లు సినిమా తర్వాత స్టార్‌ బాయ్‌గా ఒక్కసారిగా లైమ్‌ లైట్‌లోకి వచ్చిన సిద్దు జొన్నలగడ్డ ఆ తర్వాత బ్యాక్ టు బ్యాక్‌ సినిమాలతో ప్రేక్షకుల ముందుకు వచ్చాడు. టిల్లు స్క్వేర్‌ ఆకట్టుకుంది, కానీ ఇటీవల వచ్చిన జాక్ సినిమా మాత్రం నిరాశ పరిచింది. దాంతో సిద్దు తదుపరి సినిమా విషయంలో ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకుల్లో అంచనాలు ఉన్నాయి. విభిన్నమైన కాన్సెప్ట్‌తో తెలుసు కదా రూపొందినట్లు టీజర్‌, ట్రైలర్‌, ప్రమోషనల్‌ స్టఫ్‌ ను చూస్తే అర్థం అవుతుంది. ముఖ్యంగా ట్రైలర్‌ చూసిన తర్వాత కాస్త బోల్డ్‌ కంటెంట్‌ అనే అభిప్రాయం ఏర్పడింది. మరి సినిమా ఎలా ఉంది? సిద్దుకి మరో విజయం దక్కిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : అనాథ అయిన వరుణ్‌ (సిద్దు జొన్నలగడ్డ) తనకంటూ ఒక ఫ్యామిలీ ఉండాలి, పిల్లలు ఉండాలని కలలు కంటూ ఉంటాడు. చాలా నిజాయితీగా ఉంటూ రాగ కుమార్‌(శ్రీనిధి శెట్టి)ని ప్రాణంగా ప్రేమిస్తాడు. కానీ ఆమె బ్రేకప్‌ చేసి వెళ్లి పోవడంతో పెళ్లి చేసుకుని ఫ్యామిలీ ఏర్పాటు చేసుకోవాలి నిర్ణయించుకుంటాడు. మ్యాట్రిమోనీ ద్వారా అంజలి శర్మ(రాశి ఖన్నా) తో వరుణ్‌ కి పరిచయం అవుతుంది. ఆ పరిచయం ప్రేమగా మారి, పెళ్లి చేసుకుంటారు.  వరుణ్‌, అంజలి పెళ్లి చేసుకున్న తర్వాత చాలా పెద్ద షాకింగ్‌ విషయం తెలుస్తుంది, ఆ వెంటనే బ్రేకప్‌ చెప్పి వెళ్లి పోయిన రాగ సైతం వరుణ్‌ జీవితంలోకి వచ్చేందుకు రెడీ అవుతుంది.  అప్పుడు వరుణ్‌ ఏం చేశాడు? ఇంతకు పెళ్లి తర్వాత వరుణ్‌, అంజలికి తెలిసిన షాకింగ్‌ విషయం ఏంటి? ఈ ట్రయాంగిల్‌ స్టోరీ చివరకు ఏమైంది? అనేది సినిమా చూసి తెలుసుకోండి.  నటీనటుల నటన : ఎప్పటిలాగే సిద్దు జొన్నలగడ్డ మొత్తం బాధ్యత తన భుజాల మీద వేసుకుని సినిమాను మోసుకు వెళ్లాడు. ఆయన డైలాగ్‌ డెలివరి, ఎమోషనల్‌ సీన్స్‌, సెంటిమెంట్‌ సీన్స్‌, రొమాంటిక్ సీన్స్ ఇలా ప్రతి ఒక్కదాంట్లోనూ ఆకట్టుకున్నాడు. హీరోయిన్స్‌తో ఆయన చేసిన సన్నివేశాల్లో హీరోయిన్స్‌ ను కంటే ఆయన్ను చూడాలి అనిపించే విధంగా ఉంది. మొత్తంగా సిద్దు జొన్నలగడ్డ తెలుసు కదా బాధ్యత మొత్తం తీసుకుని సక్సెస్‌ అయ్యాడు. ఆయన డైలాగ్‌ డెలివరీ గతంతో పోల్చితే కాస్త మాస్‌ ఎలిమెంట్స్ తగ్గిందని చెప్పాలి. అయినా కూడా బాగుంది. సిద్దు లుక్ పరంగానూ ఆకట్టుకున్నాడు.  హీరోయిన్‌ శ్రీనిధి శెట్టి లుక్స్‌ పరంగా ఆకట్టుకుంది. యాక్టింగ్‌తోనూ మెప్పించింది. లవ్‌ సీన్స్‌తో పాటు, కొన్ని సెంటిమెంట్‌ సీన్స్‌లో శ్రీనిధి ఆకట్టుకుంది. సిద్దుకు సరైన జోడీ అన్నట్లుగా నటించింది. రొమాంటిక్ సీన్స్ విషయంలో కాస్త ఇబ్బంది పడ్డట్లుగా అనిపించినా ఓవరాల్‌గా తన పాత్రకు న్యాయం చేసింది. హీరోయిన్‌ రాశి ఖన్నా సైతం తన పాత్రకు న్యాయం చేసింది. సిద్దు ను వివాహం చేసుకున్న తర్వాత కొన్ని షాకింగ్ సంఘటనలు ఎదుర్కోవాల్సి వస్తుంది. ఆ సమయంలో ఆమె నటన బాగుంది. చాలా సహజంగా ఆ సీన్స్‌లో ఎమోషన్‌ పండించింది. ఓవరాల్‌గా రాశి ఖన్నా సైతం అంజలి పాత్రకు ప్రాణం పోసినట్లుగా నటించి మెప్పించింది. ఇక వైవా హర్ష కామెడీ ఇంకాస్త మెరుగ్గా ఉండాల్సింది. తనకు వచ్చిన అవకాశంను సద్వినియోగం చేసుకున్నాడు.  టెక్నికల్‌ : ఈ సినిమాకి సంగీతాన్ని అందించిన తమన్‌ పూర్తి స్థాయిలో సంతృప్తి పరిచాడు. రెండు పాటలు చాలా బాగున్నాయి. సినిమా విడుదలకు ముందే అవి మంచి విజయాన్ని సొంతం చేసుకున్న విషయం తెల్సిందే. సినిమాలో ఆ పాటలు చాలా బాగున్నాయి. ఇక బ్యాక్‌ గ్రౌండ్‌ స్కోర్‌తోనూ సినిమా స్థాయిని పెంచాడు. ఓవరాల్‌గా తమన్‌ అందించిన సంగీతం తెలుసు కదా కి ప్రధాన ఆకర్షణగా నిలిచింది అనడంలో సందేహం లేదు.  సినిమాటోగ్రఫీ బాగుంది. సినిమాను గ్రాండ్‌ గా చూపించడంలో సినిమాటోగ్రఫీ పని చేసింది. దర్శకురాలు నీరజ కోన స్క్రీన్‌ ప్లే విషయంలో ఇంకాస్త వినోదాన్ని జోడించి ఉంటే బాగుండేది. సినిమా సీరియస్ నోడ్‌ లో సాగినట్లు అనిపిస్తుంది. ఎడిటింగ్‌లో చిన్న చిన్న లోపాలు మినహా అంతా బాగానే ఉంది. ఆకట్టుకునే విధంగా డైలాగ్స్ ఉన్నాయి. నిర్మాణాత్మక విలువలు బాగున్నాయి. సినిమాలో ఉన్న ప్రతి నటీనటుడు ఔట్‌ ఫిట్‌ పాత్రకు తగ్గట్లుగా బాగున్నాయి.  విశ్లేషణ : స్టార్‌ బాయ్‌ సిద్దు జొన్నలగడ్డ మరోసారి తన నటనతో మెప్పించాడు. కేవలం తాను మాత్రమే చేయగలను అన్నట్లుగా వరుణ్ పాత్రలో నటించి మెప్పించాడు. సినిమా ప్రారంభం అయినప్పటి నుంచి చివరి వరకు పాత్ర నుంచి బయటకు రాకుండా ఆకట్టుకున్నాడు. ట్రైలర్‌ చూసిన సమయంలో వరుణ్‌ పాత్ర అంటే సిద్దు జొన్నలగడ్డను నెగటివ్‌ షేడ్స్‌ లో చూస్తామా అనిపించింది.  కానీ సినిమాలో ఆయన పాత్ర ప్రతి కుర్రాడికి కనెక్ట్‌ అయ్యే విధంగా ఉంది. మంచి ఎమోషనల్‌ సీన్స్ ఉన్నాయి, అయితే ఎంటర్‌టైన్‌మెంట్‌, రెగ్యులర్‌ మాస్‌ ఎలిమెంట్స్‌, యాక్షన్‌ సీన్స్ కోరుకున్న వారు మాత్రం కాస్త నిరుత్సాహం వ్యక్తం చేస్తారు. పక్కా కమర్షియల్‌ మూవీ అన్నట్లుగా లేదు. ఎమోషనల్‌ లవ్‌ కమ్‌ రొమాంటిక్ సీన్స్‌ లో సినిమా సాగింది. అందుకే సినిమా స్లోగా సాగింది అనిపిస్తుంది. ఓవరాల్‌గా సినిమా చూడదగ్గట్లుగా ఉంది.  ప్లస్ పాయింట్స్ : సిద్దు జొన్నలగడ్డ, తమన్ సంగీతం, కొన్ని లవ్‌, రొమాంటిక్ సీన్స్‌  మైనస్ పాయింట్స్ : సెకండ్‌ హాఫ్‌ లో స్లో కథనం, రెగ్యులర్‌ కమర్షియల్‌ ఎలిమెంట్స్ లేకపోవడం, మెయిన్‌ లీడ్‌ కాకుండా ఇతర నటీనటులకు ప్రాధాన్యత లేదు  చివరగా.. ఈతరం యూత్‌ ఇష్టపడే రోమ్‌కామ్‌ మూవీ ఇది. జస్ట్‌ టైం పాస్‌కి చూడాలి అనుకుంటే తప్పకుండా వెళ్లవచ్చు.  బ్యానర్ : పీపుల్స్ మీడియా ఫ్యాక్టరీ  నిర్మాత : టీజీ విశ్వప్రసాద్‌, కృతి ప్రసాద్‌  దర్శకత్వం : నీరజ కోన  సంగీతం : తమన్‌  తారాగణం : సిద్దు జొన్నలగడ్డ, రాశి ఖన్నా, శ్రీనిధి శెట్టి, వైవా హర్ష తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aPIUlZ5xUNkB2FbH_TK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-17T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=clB21Xnu_SU"}},"uid":"review-telusu-kada---emotional-entertainment"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మిత్ర మండలి' రివ్యూ - నవ్వించలేక పోయిన కామెడీ"},"content":{"text":"ఈ మధ్య కాలంలో చిన్న సినిమాలకు మంచి స్పందన లభిస్తుంది, ఆ సినిమాల్లో కామెడీ ఉంటే ప్రేక్షకులు బ్రహ్మరథం పడుతున్నారు. అందుకే మిత్ర మండలి సినిమా గురించి మొదటి నుంచి ప్రముఖంగా చర్చ జరుగుతోంది. ముఖ్యంగా ఈ సినిమాను బన్నీ వాసు సమర్పించేందుకు ముందుకు రావడంతో ఖచ్చితంగా కంటెంట్‌ ఉన్న సినిమా అనే అభిప్రాయం వ్యక్తం అయింది. కనుక సినిమా చూడాలని చాలా మంది అనుకున్నారు. మరి సినిమా ఆ స్థాయిలో ఉందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : కులం అంటే ప్రాణం ఇవ్వడానికి అయినా, తీయడానికి అయినా రెడీ అన్నంతగా కుల పిచ్చి ఉన్న నారాయణ (వీటీవీ గణేష్‌) కూతురు స్వేఛ్చ (నిహారిక) ఇంటి నుంచి పారిపోతుంది. కులంలో పరువు పోతుందని, రాజకీయ జీవితం దెబ్బ తింటుందనే ఉద్దేశంతో కూతురు బయటకు వెళ్లిన విషయం రహస్యంగా ఉంచుతాడు. అయితే తన కూతురు వెతకడానికి ఎస్సై సాగర్‌(వెన్నెల కిషోర్‌) కి పని అప్పజెప్పుతాడు. అతడు స్వేచ్చ పారిపోవడానికి నలుగురు కుర్రాళ్లు కారణం అని అనుమానిస్తాడు.  ఆ నలుగురు కుర్రాళ్లు స్వేచ్చ వల్ల ఎలాంటి ఇబ్బందులు ఎదుర్కొన్నారు అనేది ఈ సినిమా కథ. ఇంతకు స్వేచ్చ ఎటు వెళ్లి పోయింది? చివరకు ఏమైంది? అనేది సినిమా చూసి తెలుసుకోవాల్సిందే.  నటీనటుల నటన : ఈ సినిమాలో నటీనటులు చాలా మందే ఉన్నారు. వీటీవీ గణేష్‌ తన నటనతో నవ్వు తెప్పించే ప్రయత్నం చేశాడు. వెన్నెల కిషోర్‌ తనదైన శైలిలో కామెడీ పండించే ప్రయత్నం చేశారు. కానీ ఆయనది ఇందులో ఓవర్‌ యాక్షన్‌ అనిపించింది. వెన్నెల కిషోర్‌ పాత్ర పెద్దగా ఆకట్టుకోలేదు.  ప్రియదర్శి పాత్ర మెయిన్‌ లీడ్‌లా అనిపించినా కథలో ఆయన ప్రాధాన్యత అంతగా లేదనే చెప్పాలి. ఇంతకు ముందు ఆయన చేసిన సినిమాలతో పోల్చితే ఈ సినిమాలో ఆయన పాత్ర నిరాశను కలిగించింది. పాత్రకు తగ్గట్లుగా నటించాడు.  నిహారిక ఎన్‌ ఎం ఈ సినిమాలో కీలకంగా ఉంది. అయితే ఆమె నటన నేచురాలిటీకి దూరంగా ఉంది అనిపించింది. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ : ఆర్‌ ఆర్ ధ్రువన్‌ అందించిన బ్యాక్ గ్రౌండ్‌ స్కోర్‌ ఏమాత్రం ఆకట్టుకోలేదు. ఒక పాట పర్వాలేదు, కొన్ని సీన్స్‌ లో బ్యాక్ గ్రౌండ్‌ స్కోర్‌ పేలవంగా ఉండటంతో బోర్‌ అనిపించింది. సినిమాటోగ్రఫీ పర్వాలేదు అన్నట్లుగా ఉంది. కొన్ని సీన్స్‌ సాగతీసినట్లుగా ఉన్నాయి. ఎడిటింగ్‌ విషయంలో చాలా లోపాలు ఉన్నాయి.  దర్శకుడు కథను కామెడీగా చెప్పే ప్రయత్నం చేశాడు. కానీ కామెడీ పండించడంలో విఫలం అయ్యాడు. నిర్మాణాత్మక విలువలు పర్వాలేదు అన్నట్లుగా ఉన్నాయి. మాటలు కొన్ని సీన్స్‌లో బాగున్నాయి. కొన్ని సీన్స్‌ లో పరమ రొటీన్‌గా ఉన్నాయి.  విశ్లేషణ : చిన్న సినిమాలకు మంచి ఆధరణ ఉంటుందని, కామెడీ సినిమాలతో వస్తే తప్పకుండా ఆకట్టుకుంటుందని భావించి ఇలాంటి సినిమాలు తీస్తున్నారు. కానీ కామెడీ సినిమాల పేరుతో ప్రేక్షకుల ముందుకు వచ్చి కామెడీ లేకుండా సినిమాలను చేయడం ఏంటని ఈ సినిమాను చూస్తే అనిపిస్తుంది.  ఒకటి రెండు సీన్స్‌ తప్ప ఎక్కడా ఆకట్టుకోలేక పోయారు. సినిమా స్టోరీ లైన్ బాగానే ఉంది. కానీ దాన్ని పూర్తి కథగా మార్చిన తీరు మాత్రం బాగాలేదు. ఓవరాల్‌గా సినిమా ఏమాత్రం ఆకట్టుకోలేదు. నటీనటుల నటన బాగాలేదు, కథ ఏమాత్రం బాగాలేదు, అయినా కూడా కామెడీతో నెట్టుకు వస్తారు అనుకుంటే అది కూడా లేదు. కామెడీ లేకుండా కామెడీ సినిమాను చూసినట్లుగా అనిపించింది.  ప్లస్‌ పాయింట్స్ : సత్య కామెడీ తప్ప ఏమీ లేదు  మైనస్ పాయింట్స్ : కథ, స్క్రీన్‌ ప్లే, కామెడీ ఆశించిన స్థాయి లో లేకపోవడం, సెకండ్‌ హాఫ్‌  చివరగా.. మిత్ర మండలిలో కామెడీ లోపించింది  బ్యానర్ : సప్త అశ్వ మీడియా వర్క్స్, వైరా ఎంటర్‌టైన్‌మెంట్స్  నిర్మాత : కళ్యాణ్ మంతిన, భాను ప్రతాప, బన్నీ వాసు  దర్శకత్వం : విజయేందర్‌  సంగీతం : ఆర్‌ ఆర్‌ ధ్రువన్‌  తారాగణం : ప్రియదర్శి, నిహారిక ఎన్‌ఎం, ప్రసాద్‌ బెహరా, వెన్నెల కిషోర్‌, సత్య, వీటీ గణేష్‌, విష్ణు ఓ ఐ, రాగ్‌ మయూర్‌ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aPDW4J5xUNkB2C7l_MITHRAMANDALIREVIEW.JPG?auto=format,compress"},"datetime":"2025-10-16T09:28:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=hGXMm4Cx6Po"}},"uid":"review-mitramandali---comedy-less"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'కాంతార : చాప్టర్ 1' రివ్యూ... మంచి విజువల్‌ వండర్‌ మూవీ"},"content":{"text":"చిన్న సినిమాగా రూపొంది పాన్‌ ఇండియా రేంజ్‌లో భారీ విజయాన్ని సొంతం చేసుకున్న 'కాంతార' సినిమాకు ప్రీక్వెల్‌గా ఈ సినిమాను రూపొందించారు. సాధారణంగా సీక్వెల్‌ అంటే ప్రేక్షకులు ఆసక్తి చూపిస్తారు. కానీ కాంతారకు ప్రీక్వెల్‌ అన్నా కూడా ఆ సినిమా క్రియేట్‌ చేసిన ఇంపాక్ట్‌ కారణంగా చాలా ఆసక్తిగా ఎదురు చూస్తున్నారు. ఎప్పుడెప్పుడు సినిమా వస్తుందా అంటూ అంతా ఆసక్తిగా ఎదురు చూస్తున్నారు. ఎట్టకేలకు నేడు ప్రేక్షకుల ముందుకు వచ్చింది. మొదటి పార్ట్‌ ను చిన్న బడ్జెట్‌తో తీస్తే ఈ సినిమాను భారీ బడ్జెట్‌తో నిర్మించారు. ఈ ప్రీక్వెల్‌ ప్రేక్షకులను ఆకట్టుకుందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : ఈ కథ మొత్తం కాంతార ప్రాంతం చుట్టూ తిరుగుతూ ఉంటుంది. మొదటి పార్ట్‌ ఎక్కడైతే ముగిసిందో అక్కడే ఈ ప్రీక్వెల్‌ను ప్రారంభించారు. పంజుర్లి జాతర తర్వాత మాయం అయిన తన తండ్రి గురించి తెలుసుకునేందుకు శివ ప్రయత్నిస్తున్న సమయంలో ఆ ప్రాంతం గురించి పెద్ద చరిత్ర తెలుస్తుంది. అదే ఈ కాంతార ఏ లెజెండ్‌ కథ. రాజశేఖర్‌ అనే రాజు పరిపాలిస్తున్న రాజ్యంలో కాంతార ప్రాంతం ఉంటుంది. అయితే ఆ ప్రాంతంలోకి రాజుకు, రాజు సైన్యంకు వెళ్లేందుకు అనుమతి ఉండదు. ఎవరైనా కాంతార ప్రాంతంకు వెళ్లాలి అనుకున్న, ఆ ప్రాంతాన్ని స్వాదీనం చేసుకోవాలి అనుకున్న చనిపోవడం జరుగుతుంది.  కాంతార ప్రాంతాన్ని బెర్మి(రిషబ్‌ శెట్టి) పరిరక్షిస్తూ ఉంటాడు. తన ప్రాంతంలో ఉండే ఖరీదైన సుగంధాలను రాజ్యంలో అమ్మి వ్యాపారం చేయాలి అనుకుంటాడు. ఆ క్రమంలో రాకుమారి కనకావతి(రుక్మిణి వసంత్‌)ని కలుస్తాడు. అంతా సాఫీగా సాగుతున్న సమయంలో యువరాజు కులశేఖర(గుల్షన్‌ దేవయ్య) కాంతార ప్రాంతాన్ని ఆక్రమించేందుకు ప్రయత్నాలు మొదలు పెడతాడు. ఆ తర్వాత ఏం జరుగుతుంది? కులశేఖర, బెర్మిల మధ్య జరిగే యుద్దం ఎలాంటిది? రాజకుమారి కనకావతి పాత్ర ఏంటి? అనే విషయాలు తెలుసుకునేందుకు సినిమా చూడాల్సిందే.  నటీనటుల నటన : సినిమాలో ఎంతో మంది నటీనటులు ఉంటారు. వారిలో చాలా మందికి కీలక పాత్రలు లభించాయి. అయితే బెర్మి పాత్రలో కనిపించిన రిషబ్‌ శెట్టి మొత్తం కథను తన బుజాలపై వేసుకుని నడిపించాడు అనిపించింది. ఆయన మొదటి పార్ట్‌లో అద్భుతంగా నటించాడు అంటూ విమర్శకుల ప్రశంసలు దక్కించుకున్నాడు. కనుక ఇప్పుడు అంతకు మించి అనిపించుకునేందుకు రిషబ్‌ ఎంతగా కష్టపడ్డాడో క్లీయర్‌గా వెండి తెరపై కనిపిస్తోంది. ఆయన యాక్షన్‌ సీన్స్ మొదలుకుని, కొన్ని రొమాంటిక్‌ సీన్స్‌, దైవత్వంతో కూడిన సీన్స్ ఇలా అన్నింటిలోనూ రిషబ్‌ శెట్టి నటనతో మెప్పించాడు. అద్భుతమైన నటనతో ముఖ్యంగా క్లైమాక్స్‌ సన్నివేశాల్లో రిషబ్‌ శెట్టి మరోసారి కాంతార వరల్డ్‌లోకి తీసుకు వెళ్లాడు.  హీరోయిన్‌గా నటించిన రుక్మిణి వసంత్‌ కు ఇంటర్వెల్‌కు ముందు వరకు పెద్దగా నటనకు స్కోప్‌ లేదు. కానీ సెకండ్‌ హాఫ్‌ లో ఆమె తన నట విశ్వరూపం చూపించే విధంగా నటించింది. తన పాత్రకు పూర్తి న్యాయం చేసింది. రాజు పాత్రలో నటించిన జయరామ్‌ ఆకట్టుకున్నాడు. హుందాగా చాలా సెన్సిబుల్‌ నటనతో మెప్పించాడు. ఇక ఆయన కొడుకు పాత్రలో గుల్షన్‌ దేవయ సృష్టించిన విద్వంసం అంతా ఇంతా కాదు. సాధారణంగానే ఆయన విలనిజం బాగుంటుంది అంటూ విమర్శకులు సైతం ప్రశంసిస్తూ ఉంటారు. అలాంటి పాత్రను అంతకు మించి అన్నట్లుగా పోషించి ఆకట్టుకున్నాడు. సినిమాలో నటించిన ఇతర నటీనటులు సైతం వారి పాత్రల పరిధిలో చక్కని నటనతో ఆకట్టుకున్నారు.  టెక్నికల్‌ : ఈ సినిమాలో కథ, స్క్రీన్‌ ప్లే కంటే టెక్నికల్‌ అంశాలకు ప్రధాన పీట వేసినట్లుగా ఉంది. ముఖ్యంగా సినిమాటోగ్రఫీ, నేపథ్య సంగీతం అద్భుతంగా ఉండటంతో సినిమా విజువల్‌ వండర్‌ గా మారింది. అంతే కాకుండా ఈ మధ్య కాలంలో వీఎఫ్‌ఎక్స్‌ విషయంలో చాలా సినిమాలు విమర్శలు ఎదుర్కొంటున్న విషయం తెల్సిందే. కానీ ఈ సినిమా మాత్రం అందుకు భిన్నం అన్నట్లుగా నిలిచింది.  సినిమాలో వీఎఫ్‌ఎక్స్‌ వర్క్‌ అద్భుతంగా ఉన్నాయి. సినిమాలో ఆవిష్కరించిన కొత్త లోకంను కళ్ల ముందు వీఎఫ్ఎక్స్‌ తో అద్భుతంగా తీసుకు వచ్చి పెట్టడంలో అన్ని డిపార్ట్‌మెంట్స్ సక్సెస్‌ అయ్యాయి. దర్శకుడు కథ విషయంలోనే ఇంకాస్త వర్కౌట్‌ చేయాల్సి ఉంది. స్క్రీన్‌ ప్లేతో పాటు కొన్ని చోట్ల డైలాగ్స్ విషయంలో జాగ్రత్తను తీసుకోవాల్సింది. ఎడిటింగ్‌ లో చిన్న చిన్న లోపాలు మినహా పెద్దగా చెప్పుకునే తప్పులు ఏమీ లేవు. సినిమాను భారీ బడ్జెట్‌తో అద్భుతమైన ప్రొడక్షన్‌ వాల్యూస్‌తో నిర్మించారు.  విశ్లేషణ : కాంతార ప్రీక్వెల్‌ అనగానే కేవలం కన్నడ ప్రేక్షకులు మాత్రమే కాకుండా మొత్తం పాన్‌ ఇండియా ప్రేక్షకులు ఊగిపోయే పరిస్థితి ఉంది. అందుకే దర్శకుడు రిషబ్‌ శెట్టి ఒకటి కాదు రెండు కాదు ఏకంగా మూడు ఏళ్ల పాటు కష్టపడి ఈ సినిమాను రూపొందించడంతో పాటు నటించాడు. నటుడిగా నూటికి నూరు శాతం సక్సెస్‌ అయిన రిషబ్‌ శెట్టి దర్శకుడిగా మాత్రం కాస్త వెనక పడ్డాడు అనిపించింది. ఎందుకంటే కథ ఎంపిక విషయంలో ఆయన చాలా ఎక్కువ రీసెర్చ్‌ చేసినట్లుగా అనిపించింది. విన్న కథలు, ఉన్న పుకార్లు అన్నింటిని ఆయన ఇక్కడ చెప్పేందుకు చాలా ప్రయత్నించాడు.  సినిమా కథలో పాత కథలు ఎక్కువ అయ్యాయి. అంతే కాకుండా రియాల్టీకి చాలా దూరంగా వెళ్లి పోయింది. మొదటి పార్ట్‌తో పోల్చితే సినిమా ప్రొడక్షన్‌ వాల్యూస్‌, ఇతర సాంకేతిక పరిజ్ఞానం నూరు శాతం మెరుగ్గా ఉంది అనడంలో ఎలాంటి సందేహం లేదు. కానీ సినిమా కథ విషయంలో మొదటి పార్ట్‌తో పోల్చితే చాలా వీక్‌గా ఉంది. స్ట్రాంగ్‌ స్టోరీ లైన్‌తో ఇలాంటి మేకింగ్‌ చేసి ఉంటే మరో లెవల్‌ అన్నట్లుగా ఉండేది. ఇప్పుడు మాత్రం విజువల్‌ వండర్‌గా అనిపించే విధంగా తీశారు. మొదటి కాంతారను మైండ్‌ లో పెట్టుకోకుండా ఈ సినిమాను చూస్తే తప్పకుండా ప్రేక్షకులు ఎంజాయ్‌ చేయవచ్చు.  ప్లస్‌ పాయింట్స్ : రిషబ్‌ శెట్టి, హీరోయిన్‌, వీఎఫ్‌ఎక్స్ వర్క్‌, యాక్షన్‌ సీన్స్‌, కాంతార ప్రాంతం విజువల్స్‌  మైనస్‌ : కథ, స్క్రీన్‌ ప్లే, ఫస్ట్‌ హాఫ్‌ లో కొన్ని సీన్స్‌, అనవసర కామెడీ, చాలా సీన్స్ ల్యాగ్‌, కొన్ని పాత్రలకు ప్రాధాన్యత లేకపోవడం  చివరగా... కాస్త బోర్‌ అనిపించినా ఫైనల్‌గా ప్రీ క్లైమాక్స్‌, క్లైమాక్స్‌తో ఫీల్‌ మారిపోతుంది.  బ్యానర్ : హంబులే ఫిల్మ్స్‌  నిర్మాత : విజయ్‌ కిరగందూర్‌  దర్శకత్వం : రిషబ్ శెట్టి  సంగీతం : అజనీష్ లోకనాథ్‌  తారాగణం : రిషబ్‌ శెట్టి, రుక్మిణి వసంత్‌, రాకేష్ పూజారి, జయరామ్‌, గుల్షన్‌ దేవయ్య తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aN4-jZ5xUNkB1ZYP_kantarachapter1.JPG?auto=format,compress"},"datetime":"2025-10-02T08:20:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=axBF-4nNZ3s"}},"uid":"review-kantara-chapter-1....visual-wonder-movie"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఓజీ' రివ్యూ... ఫ్యాన్స్‌కి పైసా వసూల్‌ మూవీ"},"content":{"text":"పవన్‌ కళ్యాణ్‌ ను ఫ్యాన్స్ ఎలా చూడాలని ఆశ పడుతున్నారో అలా చూపించాను అంటూ దర్శకుడు సుజీత్‌ చేసిన ప్రకటన సినిమాపై అంచనాలు భారీగా పెంచింది. అంతే కాకుండా విభిన్నమైన ప్రమోషన్స్‌, పవన్‌ కళ్యాణ్‌ లుక్‌ ఓజీ పై అంచనాలు భారీగా పెంచిన విషయం తెల్సిందే. రికార్డ్‌ స్థాయి అడ్వాన్స్ బుకింగ్‌ నమోదు చేసిన ఓజీ సినిమా అభిమానులు ఆశించిన రేంజ్‌లో ఉందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : జపాన్‌ నుంచి కొన్ని పరిస్థితుల కారణంగా ముంబై వస్తాడు ఓజాస్‌ గంభీర(పవన్ కళ్యాణ్‌). ఆ వచ్చే ప్రయాణంలో సత్య దాదా(ప్రకాష్‌ రాజ్‌)కి చాలా పెద్ద సాయం చేస్తాడు. దాంతో ముంబైలో ఓజాస్‌ గంభీరను ఉపయోగించుకుని సత్య దాదా పెద్ద వ్యాపార సామ్రాజ్యంను ఏర్పాటు చేస్తాడు. కొన్నాళ్ల తర్వాత కొన్ని కారణాల వల్ల సత్య దాదాను వదిలి గంభీర దూరంగా వెళ్లి పోతాడు. సత్య దాదాకి చెందిన పోర్ట్‌ను ఓమి భావు(ఇమ్రాన్‌ హస్మి) ఆక్రమించుకునేందుకు ప్రయత్నించడంతో పాటు, సత్యదాదాను చంపేందుకు సిద్ధం అవుతాడు. దాంతో మళ్లీ గంభీర రంగంలోకి దిగుతాడు.  సత్య దాదాను గంభీర ఎలా కాపాడుతాడు? అసలు గంభీర జపాన్‌ నుంచి ఎందుకు వస్తాడు? ఈ గ్యాంగ్‌ వార్‌లో చివరికి పై చేయి సాధించింది ఎవరు? అనే విషయాలు తెలియాలంటే సినిమా చూడాల్సిందే.  నటీనటుల నటన : ఈ సినిమాలో పవన్‌ కళ్యాణ్‌ లుక్ విషయంలో దర్శకుడు సుజీత్‌ చాలా శ్రద్ద పెట్టినట్లుగా అనిపించింది. అందుకే గతంలో ఎప్పుడూ లేని విధంగా ఫ్యాన్స్‌ పవన్‌ లుక్‌ విషయంలో చాలా సంతృప్తిగా ఉన్నారు. రెగ్యులర్‌గా ఉండే లుక్‌ కాకుండా విభిన్నంగా కనిపించాడు. పీరియాడిక్‌ నేపథ్యం కావడంతో పాటు, గ్యాంగ్‌స్టర్ నేపథ్యం కావడం వల్ల పవన్‌ కళ్యాణ్‌ ను కొత్తగా చూడగలిగాం. ఆయన నటన గురించి ప్రత్యేకంగా చెప్పనక్కర్లేదు. యాక్షన్‌ సన్నివేశాల్లో అదరగొట్టాడు. తాను గన్‌ పడితే ఎలా ఉంటుందో పవన్‌ కళ్యాన్‌ మరోసారి చూపించాడు. ఓవరాల్‌గా ఫ్యాన్స్ కోసం పవన్‌ ఈ సినిమాలో చాలా కష్టపడ్డాడు అనడంలో నూటికి నూరు శాతం నిజం.  హీరోయిన్‌ ప్రియాంక అరుల్‌ మోహన్‌ పాత్ర నిడివి తక్కువగానే ఉంది. ఆమె పాత్రను మధ్యలోనే ముగించారు. ఉన్నంతలో పర్వాలేదు అనిపించింది. ప్రకాష్ రాజ్ పాత్రకు కథలో మంచి వెయిట్‌ ఉంది. ఇలాంటి పాత్రలు పడ్డప్పుడు ఆయన ప్రాణం పెట్టి నటిస్తాడు అంటారు. అన్నట్లుగానే ఆయన చాలా చక్కగా సినిమా కథను ముందుకు నడిపించడంలో తన నటనతో మెప్పించాడు. ఇమ్రాన్‌ హస్మి సైతం తన పాత్రకు పూర్తి న్యాయం చేశాడు. అయితే హీరో పాత్ర ముందు అన్ని పాత్రలు కూడా తేలిపోయాయి. హీరోకు ఇచ్చిన ఎలివేషన్ మరే పాత్రకు లేదు. అందుకే ఇతరుల నటన గురించి పెద్దగా చెప్పుకోవడానికి ఏమీ లేదు.  టెక్నికల్‌ : ఓజీ సినిమా సాంకేతిక బాధ్యత పూర్తిగా తమన్‌ తన భుజాలపై వేసుకున్నాడు అనడంలో సందేహం లేదు. దర్శకుడు సుజీత్‌ ఎలా అయితే ఫ్యాన్‌ బాయ్ మూమెంట్‌తో సినిమాను తీశాడో, అలాగే తమన్ ఈ సినిమాకు సంగీతాన్ని అందించాడు. కేవలం తమన్‌ సంగీతం వల్ల ఫస్ట్‌ హాఫ్‌ రేంజ్‌ రెండు మూడు రెట్లు పెరిగింది అనడంలో సందేహం లేదు. ఆయన బ్యాక్‌ గ్రౌండ్‌ స్కోర్‌ కి ఫ్యాన్స్ పిచెక్కి పోయారు. పవన్‌ ఫ్యాన్స్‌ కి హై తీసుకు వచ్చేందుకు తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్‌ స్కోర్‌ బద్దలు అయింది. సినిమా మొత్తంలోనూ తమన్‌ మ్యూజిక్‌ ఫ్యాన్స్‌కి హై తీసుకు వచ్చింది.  సినిమాటోగ్రఫీ సైతం బాగుంది. ముఖ్యంగా యాక్షన్ సన్నివేశాల్లో పవన్‌ కళ్యాణ్‌ను చూపించిన తీరుకు ఫ్యాన్స్‌ ఫిదా అవుతారు. ప్రతి ఫ్రేమ్‌లోనూ పవన్‌ కళ్యాణ్‌ లోని అన్ని యాంగిల్స్ బ్యూటీని సినిమాటోగ్రాఫర్ ఆవిష్కరించినట్లుగా అనిపిస్తూ ఉంటుంది. దర్శకుడు సుజీత్‌ తన దర్శకత్వం, స్క్రీన్‌ ప్లేతో మెప్పించాడు. అయితే కథ విషయంలో ఇంకాస్త వర్క్ చేయాల్సి ఉంది. ఎడిటింగ్‌ లో చిన్న చిన్న లోపాలు మినహా పెద్దగా ఇబ్బంది లేదు. నిర్మాణాత్మక విలువలు టాప్‌ నాచ్‌లో ఉన్నాయి.  విశ్లేషణ : పవన్‌ కళ్యాణ్‌ చాలా కాలంగా ఎదురు చూస్తున్న ఈ సినిమా వారికి పూర్తి స్థాయి సంతృప్తిని ఇచ్చే విధంగా ఉంది. పవన్‌ కళ్యాణ్‌ ను వెండి తెరపై చూసిన సమయంలో వారు పొందే అనుభూతి ఈ సినిమాతో రెట్టింపు పొందుతారు అనడంలో ఎలాంటి సందేహం లేదు. పవన్‌ ను స్క్రీన్‌ పై పవర్‌ హౌస్‌లా చూపిస్తున్న సమయంలో బ్యాక్‌ గ్రౌండ్‌ మ్యూజిక్‌ ఆ విజువల్స్ స్థాయిని పెంచేశాయి. తమన్‌ అందించిన సంగీతం ఫస్ట్‌ హాఫ్ లోని పవన్‌ ఇంట్రడక్షన్‌ సీన్ తో పాటు, ఇంటర్వెల్‌ బ్యాంగ్‌ సీన్‌కి ఫ్యాన్స్‌ ఫిదా అయ్యేలా ఉంది. పవన్‌ కనిపించిన ప్రతి సారి తమన్‌ రెచ్చి పోయాడు అనిపించింది. అయితే దర్శకుడు సుజీత్‌ కథ విషయంలో ఇంకాస్త వర్క్ చేయాల్సింది. అంతే కాకుండా పవన్‌ ఎలివేషన్స్‌ కాకుండా స్క్రీన్‌ ప్లే విషయంలోనూ జాగ్రత్తలు తీసుకుని ఉంటే బాగుండేది.  సినిమాలో చాలా మంది స్టార్స్ ఉన్నారు. కానీ వారందరి పాత్రలు తేలి పోయే విధంగా కేవలం పవన్‌ కళ్యాణ్ పాత్రను మాత్రమే ప్రతి సీన్‌లో హైలైట్‌ చేయడం జరిగింది. పవన్‌ పై తనకు ఉన్న అభిమానంతో ఈ సినిమాను తీసిన సుజీత్‌ అనుకున్నట్లుగానే ఫ్యాన్స్ కాలర్ ఎగరేసే విధంగా సీన్స్‌ను రాసుకున్నాడు, తీశాడు. అయితే పవన్ ఫ్యాన్స్ మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులు, ముఖ్యంగా ఫ్యామిలీ ఆడియన్స్‌ చూడాలంటే కాస్త ఆలోచించాల్సిందే. సినిమాకు ఏ సర్టిఫికెట్‌ ఇచ్చిన విషయం తెల్సిందే. రక్తపాతం ఏ స్థాయిలో ఉందో సెన్సార్‌ సర్టిఫికెట్‌ ను చూస్తే అర్థం అవుతుంది.  పవన్‌ కళ్యాణ్‌ పై అభిమానంతో గంభీర పాత్రను సుజీత్‌ అద్భుతంగా డిజైన్ చేశాడు, కానీ ఇతర విషయాల పట్ల ఆయన పూర్తి స్థాయిలో సక్సెస్‌ కాలేదని చెప్పక తప్పదు. పవన్‌ ఫ్యాన్స్ కి ఇది ఫుల్‌ మీల్స్‌. మరి ఇతర సినీ గోయర్స్‌కి ఎలా ఎక్కుతుంది అనేది చూడాలి.  ప్లస్‌ పాయింట్స్ : పవన్‌ కళ్యాణ్‌, తమన్‌ బ్యాక్‌గ్రౌండ్‌ మ్యూజిక్‌, యాక్షన్‌ సీన్స్‌, హీరో ఎలివేషన్స్‌  మైనస్ పాయింట్స్ : శృతి మించిన యాక్షన్‌, వీక్‌ స్టోరీ, హీరో కాకుండా ఇతర పాత్రలకు ప్రాధాన్యత లేకపోవడం, ఎమోషనల్‌ కనెక్షన్స్‌ లేదు, క్లైమాక్స్‌  చివరగా... పవన్‌ కళ్యాణ్‌ ఫ్యాన్స్ కోసం ఈ ఓజాస్‌ గంభీర.  బ్యానర్ : డివివి ఎంటర్‌టైన్‌మెంట్స్‌  నిర్మాత : డివివి దానయ్య  దర్శకత్వం : సాహో సుజీత్‌  సంగీతం : తమన్‌  తారాగణం : పవన్‌ కళ్యాణ్‌, ప్రియాంక అరుల్‌ మోహన్‌, 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