{"data":{"all":{"edges":[{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"T BJP Leader Assaults Principal for Teaching Urdu"},"content":{"text":"After a huge uproar, the Telangana Police on Monday took into custody a BJP leader in Armoor town of Nizamabad district for allegedly assaulting a school principal over the teaching of Urdu. Mandula Balu, president of BJP’s Armoor town unit, was taken into custody from a guest house in Ankapoor, reportedly belonging to Paidi Rakesh Reddy, the BJP MLA from the Armoor Assembly constituency. A posse of police personnel physically lifted Balu out of the guest house and whisked him away. Balu and his supporters tried to resist the police. The BJP leader termed the police action as cruel. Balu had slapped Amer Khan, the principal of Bharat Chandra School, on June 27. The BJP leader’s action in the presence of a police officer and the inaction by the police had triggered an outrage. The BJP leader and his supporters were irked over the teaching of Urdu at the private school. During an argument at the school, Balu slapped the principal and abused him. BJP leaders alleged that the Urdu teacher was also teaching Namaaz and other religious practices to Hindu students. The school management, headed by Hindus, denied this. They stated that Urdu was introduced as the second language as per a decision taken by the school management following requests from the parents of a section of students. School correspondent Mallayya said the Urdu teacher took a couple of classes and taught the Urdu alphabet. According to Amer Khan, the management was planning to have a separate block for the Urdu department. However, the newly appointed Urdu teacher wasn’t aware of this and took a combined class. Following objections from parents of non-Muslim students, Urdu classes were discontinued, but a local BJP leader, along with his supporters, barged into the school and manhandled the principal. Amer Khan alleged that following the incident, he was held at the police station till evening. Based on the complaint filed by school correspondent Mallayya, police registered an FIR against BJP leader Balu and others for criminal trespass, causing hurt and mischief. Tahsildar Satyanarayana of Armoor lodged a counter complaint under section 196 read with 3(5) of BNS (promoting enmity between groups) against the school principal and correspondent."},"img":{"url":"https://images.prismic.io/prad/aIx3qaTt2nPbZorY_slapped.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-29T12:14:00+0000","embed":{"embed_url":null}},"uid":"bjp-leader-assaults-principal-for-teaching-urdu"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Irumudi' is a devotional, foot-tapping"},"content":{"text":"The makers of director Shiva Nirvana's upcoming film, 'Irumudi', featuring actors Ravi Teja and Priya Bhavani Shankar in the lead, on Monday released the first single from the film, 'Irumudi Kattu', much to the delight of fans and film buffs.  The song is a devotional number that Ayyappa devotees are shown singing in the film. Set to tune by G V Prakash, the number has lyrics by Shiva Nirvana and Kalyan Chakravarthy. It has been rendered by Ananthu. The film, which happens to be Ravi Teja's 77th film and was therefore being tentatively referred to as #RT77 until it was titled 'Irumudi', is being produced by leading production house Mythri Movie Makers. The title 'Irumudi' carries deep spiritual significance, as it symbolizes a devotee’s sacred offering and surrender to Lord Ayyappa. Sources say director Shiva Nirvana has crafted a powerful script that fuses devotional depth, emotional weight, and mass appeal in equal measure. They further disclose that at the film's core will lie a strong father–daughter bond, that will offer Ravi Teja a character arc unlike anything that he's portrayed before. Besides playing a first-of-its-kind role, Ravi Teja, they say, has also undergone a transformation."},"img":{"url":"https://images.prismic.io/prad/mQZBOVYQB4dzpSch_IrumudiKattu.png?auto=format%2Ccompress&rect=0%2C77%2C450%2C222&w=2028&h=1000"},"datetime":"2026-06-29T07:27:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2gXNDr_6FcE&list=RD2gXNDr_6FcE&start_radio=1"}},"uid":"irumudi-is-a-devotional-foot-tapping"}},{"node":{"tags":["politics","featured","two"],"data":{"third_party_url":null,"title":{"text":"SIR Anxiety Linked to Hy Man's Suicide"},"content":{"text":"A 51-year-old man died by suicide allegedly due to fear of his name being deleted in the ongoing Special Intensive Revision (SIR) of electoral rolls and possible consequences for the family including two mentally challenged children.  Under severe mental distress over his name not found in 2002 voter list and anomalies in the documents, Sheikh Mujbil Rehman, a cab driver, hanged himself at his residence in Bharat Nagar, Borabanda in the early hours of Sunday. According to the family members, he was worried about the future of his wife and three children including two with intellectual disabilities. Showing copies of various documents Rehman had prepared, his nephew Imam told media that he he had spent Rs.1.5 lakh for the same. As he had different spellings of his name in different documents like Aadhaar and passport, he was anxious about the legal complications after deletion of his name from the voter list. Imam said Rehman was running around various offices for last one months to make corrections in the documents. There were also anomalies in the documents with regard to the date of birth. Rehman also did not find the name of his parents in 2002 list for mapping, further heightening his anxieties.  The deceased’s family members said he was mentally distressed after hearing from others about the possible consequences of deletion of name from voter list.  Rehman’s wife said he had been very tense for last few days as he was unable to make the required corrections in the documents and was worried that this may result in their two mentally unsound children losing their pension and the family losing benefits of other welfare schemes. According to her, he woke up around 2 a.m. and after drinking some water went to bed again. An hour later, he woke up again and when she enquired if he had to go for work, he did not reply and returned to bed.  She said around 4.30 a.m. their son woke up and cried loudly on seeing his father hanging.  Police registered a case and took up investigation.  Originally hailing from Karnataka, Rehman’s family had moved to Hyderabad much before his marriage 30 years ago. Door-to-door enumeration under SIR began across Telangana on June 25.  The Booth-Level Officers (BLOs) have distributed 1,43,17,635 enumeration forms across the state as on Sunday (June 28), covering 42.33 per cent of the voters."},"img":{"url":"https://images.prismic.io/prad/akI0jVbRV8_Qf9RY_Rehman.png?auto=format%2Ccompress&rect=0%2C5%2C449%2C221&w=2028&h=1000"},"datetime":"2026-06-29T07:00:00+0000","embed":{"embed_url":null}},"uid":"hyd-man-dies-by-suicide-over-fear-of-deletion-in-s"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Passport application fee to go up"},"content":{"text":"The Ministry of External Affairs has raised charges for passport-related services which will make getting a passport more expensive with effect from July 1, 2026.  The increased fee structure will be applicable for fresh passport applications, renewals, Tatkaal services, replacement of lost or damaged passports, police clearance certificates (PCC) and other passport-linked services. In the case of adults, the charges on a normal application for a fresh 36-page passport or renewal have been raised from the existing fee of Rs 1,500 to Rs 2,500. For a 60-page passport (adult, normal), the fee has been increased from Rs 2,000 to Rs 3,500. For a 36-page adult passport under the Tatkaal scheme, the fee has been raised from Rs 3,500 to Rs 5,000, while for a 60-page passport in the category, the fee has gone up from Rs 4,000 to Rs 6,000. The higher charges will apply from July 1, 2026, for applications submitted in India or abroad under the revised fee structure. Applicants seeking a replacement passport due to loss or damage will also have to pay higher charges of Rs 5,000 for a 36-page passport compared to Rs 3,000 earlier. In the case of a 60-page passport in this category, the fee has been hiked to Rs 6,000 from Rs 3,500 earlier.  For a 60-page adult passport replacement in the Tatkaal category, the fee has been raised from Rs 5,500 to Rs 8,500.  Passport services for children below 18 years will also become costlier. In the case of a 36-page fresh or reissue passport for minors (normal), the fee has been raised from Rs 1,000 to Rs 1,750. In the case of 36-page fresh or reissue passport for minors in the Tatkaal category, the fee has been increased from Rs 3,000 to Rs 4,250.  For the replacement of a lost or damaged passport for minors (normal) the new fee has been fixed at Rs 4,250 while in the Tatkaal category for minors, the new fee will be Rs 6,750. Charges for miscellaneous passport services, including police clearance certification (PCC) and other passport-related certificates, the fee has been increased from Rs 500 to Rs 750.  The revised structure also includes charges for services such as surrender certificates and other passport-linked documentation. Indian citizens applying for passport services outside India will follow a separate fee structure. For example, the fee for a fresh 36-page passport application abroad (normal) has been fixed at $125. The fee for the same passport application in the Tatkaal category will be $250.  The revised overseas fee structure will apply to Indian citizens seeking passport services through missions and consulates abroad. A 10 per cent discount on fresh passport applications will continue for children below eight years of age and senior citizens above 60 years. However, the discount will not apply to passport reissue applications."},"img":{"url":"https://images.prismic.io/prad/3a355e0a-3265-4c23-9216-29c9173f663b_passport.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-28T20:41:00+0000","embed":{"embed_url":null}},"uid":"passport-application-fee-to-go-up"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Mysaa: Rashmika's Handprints, Blood Hints "},"content":{"text":"The excitement around Rashmika Mandanna's upcoming action thriller Mysaa has intensified after director Rawindra Pulle shared a picture of himself wearing a shirt bearing the actress's handprints, teasing fans with the cryptic message: \"The blood marks are on their way!\" Rashmika joined the fun, joking that they should have mixed blood and umber powder into the artwork, further fueling curiosity around her intense character in the film. Rashmika plays a fierce tribal Gond woman in Mysaa, a role that reportedly demanded months of rigorous combat and stunt training in Bangkok. The actress has already completed a major shooting schedule in Kerala, where several high-octane action sequences were filmed. With the makers promising \"raw emotion, grit and brilliance,\" Mysaa is shaping up to be one of Rashmika's most ambitious and physically demanding films yet, ahead of its planned 2026 release."},"img":{"url":"https://images.prismic.io/prad/akIvAlbRV8_Qf9OU_Mysaa.png?auto=format,compress&rect=0,97,450,222&w=2028&h=1000"},"datetime":"2026-06-29T08:38:00+0000","embed":{"embed_url":null}},"uid":"mysaa-rashmikas-handprints-blood-hints-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Sanjay always in bad mood while shooting"},"content":{"text":"Urmila Matondkar recently shared a light-hearted behind-the-scenes memory about working with Sanjay Dutt during her appearance on India’s Best Dancer Season 5. She recalled that whenever a dance sequence came up in films, Sanjay Dutt would often be visibly reluctant and in a “bad mood,” repeatedly saying he didn’t want to do the steps or rehearse. However, she added that despite this resistance, he would quietly practice on his own and ultimately perform well on camera—surprising everyone with the final result. She described this as part of his personality, calling him the “original macho man” of the industry, but also someone who is easy and pleasant to work with."},"img":{"url":"https://images.prismic.io/prad%2Fbfcafc30-39d0-4633-b28e-92b5274225d7_urmila.jpg?auto=format%2Ccompress&rect=0%2C24%2C1024%2C505&w=2028&h=1000"},"datetime":"2026-06-29T08:46:00+0000","embed":{"embed_url":null}},"uid":"sanjay-always-in-bad-mood-while-shooting"}},{"node":{"tags":["Trending","featured","one"],"data":{"third_party_url":null,"title":{"text":"Fiancee Funded Lover with Groom's Money"},"content":{"text":"The shocking Ketan Agarwal murder case has taken a dramatic turn, with investigators alleging that his fiancée, Siya Goyal, took nearly Rs 1 crore from him under the pretext of wedding preparations and transferred the money to her alleged lover, Chetan Chaudhary. Police sources claim the funds were meant to help Chetan establish himself financially, while the duo allegedly planned to marry years after Ketan's death to avoid suspicion. Investigators also suspect that the murder was meticulously planned, with a secret signal allegedly used moments before Ketan was pushed off a cliff at Lohagad Fort. Call records reportedly show Siya spoke to Chetan shortly before the incident. Police believe the accused had even attempted to kill Ketan days earlier, making the case one of the most chilling and carefully orchestrated alleged murder conspiracies in recent times."},"img":{"url":"https://images.prismic.io/prad/akFe4FbRV8_Qf8Mu_KetanAgarwal.png?auto=format%2Ccompress&rect=0%2C27%2C449%2C221&w=2028&h=1000"},"datetime":"2026-06-29T08:35:00+0000","embed":{"embed_url":null}},"uid":"fiancee-funded-lover-with-grooms-money"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Sam Rushes Past Paparazzi Amid Pregnancy Buzz"},"content":{"text":"Samantha who recently sparked pregnancy buzz post a media spotting, was recently clicked in the city, where she chose to rush into her car and avoid any kind of interaction with the paparazzi stationed. The actress was seen walking away swiftly towards her luxury car while an assistant shielded her with an umbrella. Paparazzi stationed outside could be heard greeting the actress, but Samantha did not respond and quietly got into her vehicle before leaving. The sighting comes after Samantha recently confirmed that she is all set to embrace motherhood and is expecting her first baby. Speaking to the media during the success meet of Maa Inti Bangaaram on Wednesday, the actress said she will be taking a maternity break after wrapping up her current commitments. “After Maa Inti Bangaaram, I will have to take a small break, given my condition. I’ll have to take maternity leave. After that I’ll be back with another film for my fans,” Samantha said at the event. Reportedly, her baby is due in December this year. On the personal front, Samantha has been married to filmmaker Raj Nidimoru, one half of the acclaimed director duo Raj & DK, who created the hit streaming series 'The Family Man'. The couple married in December last year."},"img":{"url":"https://images.prismic.io/prad/ab945f0e-37ca-4c5d-a4ff-09a67c3aa59c_samantha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-29T08:47:00+0000","embed":{"embed_url":null}},"uid":"sam-rushes-past-paparazzi-amid-pregnancy-buzz"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"AP Leaders Unite in Paying Tribute to PV"},"content":{"text":"Andhra Pradesh Governor S. Abdul Nazeer, Chief Minister N. Chandrababu Naidu and Deputy Chief Minister Pawan Kalyan paid rich tributes to former Prime Minister P. V. Narasimha Rao on his 105th birth anniversary, recalling his services to the nation.  The Governor said Narasimha Rao was a visionary statesman who steered the country towards development through far-reaching economic reforms and made an enduring contribution to the nation's overall progress and development. Chief Minister Chandrababu Naidu stated that Narasimha Rao is remembered as a great leader who assumed the mantle of Prime Minister during a critical period for the nation, initiated economic reforms with foresight, and transformed the trajectory of India's development.  His visionary leadership and contributions to national progress will continue to inspire generations to come, said the Telugu Desam Party (TDP) national president. Deputy Chief Minister Pawan Kalyan paid “heartfelt tributes to one of India's most visionary statesmen, an exceptional scholar, former Chief Minister of the erstwhile united Andhra Pradesh, and former Prime Minister whose leadership transformed the course of our nation's history”. “At a defining moment, his courage, foresight, and landmark economic reforms opened new horizons for India's growth and global standing. His remarkable intellect, administrative excellence, and unwavering commitment to national progress remain an enduring source of inspiration,” Pawan Kalyan posted on ‘X’. “From the richness of Telugu literary heritage to the highest office of public service, Shri P. V. Narasimha Rao Garu exemplified wisdom, humility, and visionary leadership. His extraordinary legacy continues to inspire generations to serve the nation with knowledge, integrity, and unwavering dedication. May his extraordinary legacy continue to inspire every Indian to serve the nation with wisdom, integrity, and an unwavering commitment to progress,” added the Jana Sena leader. Former Chief Minister and YSR Congress Party president Y.S. Jagan Mohan Reddy said Narasimha Rao was a visionary who steered a nation facing an economic crisis onto the path of development through his reforms, breathing new life into the Indian economy.  Jagan Mohan Reddy said that his contributions to the country's progress during his tenure as Prime Minister remain unforgettable.  State Congress president Y. S. Sharmila also paid rich tributes to Narasimha Rao."},"img":{"url":"https://images.prismic.io/prad/akDrYVbRV8_Qf8D0_PVNarsimhaRao.png?auto=format%2Ccompress&rect=0%2C0%2C632%2C312&w=2028&h=1000"},"datetime":"2026-06-28T06:37:00+0000","embed":{"embed_url":null}},"uid":"ap-leaders-unite-in-paying-tribute-to-pv"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rohit Shetty Receives Fresh Gang Threat"},"content":{"text":"Months after the firing at his Juhu home, filmmaker Rohit Shetty has reportedly received a threat from the Lawrence Bishnoi gang, demanding Rs 20 crore as extortion money.  The threat was allegedly made through an audio clip, in which the accused reportedly said that if the director fails to pay the money, he will be the direct target this time. The reports suggest that in the audio clip, they further said that the firing at Rohit Shetty's Juhu house was only a trailer, and if he does not pay them, this time, the bullets would be directed at the filmmaker himself. Threatening the filmmaker through the audio clip, the Lawrence Bishnoi gang has allegedly ordered him to pay an extortion of Rs 20 crore. According to the police, on Saturday morning, Rohit Shetty's staff found an audio clip about 90 seconds long. The clip is believed to have the voice of Shubham Lonkar, a close aide of Lawrence, who is wanted in connection with the 2024 murder of leader Baba Siddiqui, along with the firing at Rohit Shetty's house in February 2026. A Mumbai Crime Branch official shared that Rahit Shetty's staff has handed over the audio to the police. As per the initial investigation, the voice in the clip is believed to be that of Shubham Lonkar. The clip has been sent for forensic examination."},"img":{"url":"https://images.prismic.io/prad/c2cdd08b-a8e5-45a9-9df2-d45a54e45c94_bishnoi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-28T09:44:00+0000","embed":{"embed_url":null}},"uid":"rohit-shetty-receives-fresh-gang-threat"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Kids Need Grandparents, Not Just Gadgets: CBN"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu on Sunday called for the revival of the traditional Indian joint family system.  Stating that the joint family system is one of the greatest strengths of India, he said grandparents and other family members helped shape children with values and emotional support. The Chief Minister was speaking after administering polio drops to children as part of the Pulse Polio Immunisation Programme at his official residence here. He interacted with children and their parents and enquired about their health, vaccination status and upbringing. He urged parents to ensure that children receive all government-recommended vaccinations on time to safeguard their health. Officials of the Health and Family Welfare Department informed the Chief Minister that the State aims to administer polio drops to approximately 4.92 million children below the age of five during the three-day Pulse Polio campaign beginning Sunday. During his interaction with families, the Chief Minister asked parents about the challenges of raising children, especially in households where both parents are working. He stressed that childcare should not be considered the mother's responsibility solely and called upon fathers to actively participate in raising children. \"Fathers and other family members must share the responsibility of bringing up children. Parenting should never be left entirely to mothers,\" he said. The Chief Minister observed that societal attitudes towards having children are changing and stressed that children should be viewed as a source of joy and strength rather than a burden. Reiterating the State government's commitment to encourage larger families, Chandrababu Naidu said the government is creating awareness among people on the importance of having two or more children and promoting a family-friendly social environment."},"img":{"url":"https://images.prismic.io/prad/aJ7pfaTt2nPbaWqN_cbn.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-28T05:56:00+0000","embed":{"embed_url":null}},"uid":"kids-need-grandparents-not-just-gadgets-cbn"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"What Went Wrong Between Aish and Rani?\""},"content":{"text":"Actress Aishwarya Rai Bachchan had once opened up about her friendship with Rani Mukerji. In a throwback interview, the ‘Taal’ actress spoke warmly about her bond with Rani, revealing how the two grew close while touring together for nearly 45 days on an international concert tour. Aishwarya recalled how their bond strengthened during an international world tour. During her old appearance in the show “Jeena Isi Ka Naam Hai,” Aishwarya revealed that spending nearly 45 days together while traveling, performing, and staying with their families helped them develop a close and comfortable equation. The ‘Devdas’ actress also dismissed the perception that actresses in the same industry cannot be friends, describing Rani as “very warm” and “very friendly.” Aishwarya said, “Two years ago, actually, we had met once. She's also a very warm girl. Very friendly. Very easy, also. We've got no hang-ups. It's really, really easy. And we were on the world tour together, our first world tour together, doing shows.” “During the shows, we got to live together for virtually 45 days. We were performing, we were working, we were staying together, and the bond grew from there. We were with our families. This was two and a half years ago, and we've kept in touch ever since and through it all. I mean, I know people find it very tough to believe that actresses in the same world can have all kinds of problems. But no.” Rani Mukerji was also expected to appear on the show alongside Aishwarya, but she was unable to attend due to ill health. Despite her absence, she made sure to be a part of the occasion by sending a heartfelt video message for Aishwarya. In her message, the In her message, the ‘Bunty Aur Babli’ actress stated, “You know I love you. I’m so sorry I couldn’t come for the show because you know I’m unwell. As you know, I’m always unwell and couldn’t make it to Delhi. But just to let you know that I love you and you mean a lot to me. I just love you Aish. I don’t think I need to say it. But because of everyone I have to say it on TV again. I just want to say one thing that we are going to be friends forever.” However, their friendship reportedly did not last long. The turning point came during the making of the 2003 film “Chalte Chalte.” Aishwarya Rai Bachchan was originally cast as the female lead opposite Shah Rukh Khan, but she was later replaced by Rani Mukerji. Over time, this incident created a rift between the two actresses, and they eventually drifted apart. What began as a promising friendship soon became one of Bollywood’s most talked-about fallouts."},"img":{"url":"https://images.prismic.io/prad/5a845dbf-5a67-4d25-b253-f03bfe691752_Aishwarya+Rai.jpg?auto=format%2Ccompress&rect=0%2C0%2C1024%2C505&w=2028&h=1000"},"datetime":"2026-06-28T09:50:00+0000","embed":{"embed_url":null}},"uid":"what-went-wrong-between-aish-and-rani"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Inside the Chilling Ketan Agarwal Murder Mystery"},"content":{"text":"As new details emerge in the Ketan Agarwal murder case, sources connected with the matter revealed that the accused Chetan Chaudhary, along with his alleged lover and the victim's fiancee Siya Goyal, purportedly \"masterminded\" the murder in order to stop the arranged marriage.  The FIR filed by Ketan's father, Vishal Devichand Agarwal, has reportedly alleged that both Chetan and Siya pushed his son off a cliff to his death, near Pune's Lohagad fort. According to reports, a major point of contention was a missed trip to Lohagad fort on June 4, which apparently made Siya highly agitated and persistently demanded that her fiance take her there. As per the detailed timeline of the murder conspiracy shared by sources from the day of the alleged crime, Chetan reportedly disabled his mobile data to stop cell towers from creating a geographic GPS trail of his route to the crime scene at around 7 am. An hour later, with the aim of misleading investigators into believing he never left his shop, he left his personal smartphone at his workplace and ordered his workers to answer all incoming calls. Around noon, he attempted to cover his tracks by borrowing an employee's mobile phone to handle necessary communications on his way to Lohagad fort. At 2 pm, while aiming to conceal his identity from security guards at the historical place, Chetan shadowed Ketan and Siya up the fort trail while wrapped in a thick winter hoodie despite the sweltering 33 degrees Celsius summer heat. This detail later led investigators to suspect him. Around half an hour later, upon reaching a secluded cliff near the Vinchu Kata ridge, Siya sat down as an alleged visual cue to her co-accused. Chetan then reportedly stepped out from hiding and pushed Ketan 400 feet to his death. After staying entirely off the digital grid for 10 hours and 40 minutes, Chetan switched on his internet at around 5.40 pm, confident that his calculated location cover-up was flawless. However, the plan backfired as investigators flagged Chetan's prolonged offline period while tracing his distinct winter attire on CCTV footage. They also confirmed with callers that someone else was answering his phone. Ketan left home on the morning of June 18, picked up Siya from the Kiwale bridge on the Pune-Mumbai highway, and finally headed to the fort. At 10.45 am, Siya Goyal called her fiancé's mother, claiming that he had accidentally fallen into a gorge at Lohagad Fort. Locals and the police found him in the gorge and took him to the hospital, where the doctors declared him dead. The family alleged that Siya's phone was constantly busy and that she frequently mentioned her \"friend\" Chetan, leading them to believe the two were involved in a romantic relationship. Earlier, the police investigation revealed that Siya may have killed her fiancé to get \"three years of freedom\". According to sources, Siya's lover, Chetan, had asked her to wait for at least three years for them to get married as he wanted to settle in his career. But Siya's wedding to Ketan had already been arranged and scheduled for November. The two then pushed Ketan into a valley at the Lohagad Fort near Maharashtra's Pune as a part of the conspiracy that let them \"buy time\", sources said."},"img":{"url":"https://images.prismic.io/prad/akFe4FbRV8_Qf8Mu_KetanAgarwal.png?auto=format,compress&rect=0,30,449,221&w=2028&h=1000"},"datetime":"2026-06-28T10:51:00+0000","embed":{"embed_url":null}},"uid":"inside-the-chilling-ketan-agarwal-murder-mystery"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Revanth Challenges opposition on performance"},"content":{"text":"Telangana Chief Minister A. Revanth Reddy said on Sunday that the state government is ready to hold a special session of the Assembly and Legislative Council to debate the performance of the 10 years of BRS rule, the BJP's 12-year dispensation at the Centre and the two-and-a-half years of Congress government in the state.  Addressing a public meeting after laying foundation stones for a slew of development projects in Nalgonda, the Chief Minister said that the government is ready to convene special sessions of the Legislative Assembly and the Legislative Council and debate the performance of the three political parties in power. He also dared BRS and BJP to debate on their manifestos. The Chief Minister demanded that the opposition parties write a letter to the Speaker and the Council Chairman for convening a special session. In a scathing attack on the Opposition for obstructing the Musi Rejuvenation Project, CM Revanth Reddy reaffirmed that he would complete the project. He warned that those who create hurdles for the Musi project will be dumped in the same river. He stated that pollution from the Musi River was causing women in Nalgonda to give birth to children with eye and limb deformities. The CM launched a broadside at BRS President K. Chandrasekhar Rao and BRS leaders K.T. Rama Rao and Harish Rao for spreading “canards” against the government. “Not a single woman was given a ministerial post during the first five-year rule of BRS, and women have not forgotten this,” he said. CM Revanth Reddy ridiculed the claims by BRS leaders that they will come back to power. “How should we deal with those who listen to private phone conversations between husbands and wives? Should such a monstrous sinner return to power? Should those who amassed crores by leaking question papers return? Should the leaders who had the poor beaten up for demanding ration cards return to power?” he asked. The Chief Minister also questioned the opposition for not constructing houses for the poor. “KCR built a 1,000-acre farmhouse in Gajwel, KTR in Janwada, and his daughter built farmhouses in Shankarpalli. Had houses been provided over the last 10 years, 25 lakh poor people would have received homes. The BRS leaders dreamt of only ‘Gadi’ (feudal mansions) and farmhouses. The Congress government provided 4.5 lakh houses to the poor. ‘Indiramma Houses' represent the self-respect of the poor,” he said. Revanth Reddy remarked that under the Congress rule, the poor are also eating the same fine rice that KCR and KTR consume. He also alleged that the BRS government did not issue a single ration card in 10 years. “Our government has distributed lakhs of ration cards. The previous government supplied coarse rice to the poor, which was used as fodder for cattle. Now, we are supplying fine rice—at an allocation of 6 kg per person—to 3.28 crore people at a cost of Rs 16,000 crore every year.”"},"img":{"url":"https://images.prismic.io/prad/ZlotmaWtHYXtT_E5_RevanthReddy.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-28T05:47:00+0000","embed":{"embed_url":null}},"uid":"revanth-challenges-opposition-on-performance"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"When Hrithik went missing"},"content":{"text":"Did you know, Bollywood actor Hrithik Roshan once went missing from his home.  As the 'War' actor appeared with his filmmaker father, Rakesh Roshan, on \"The Kapil Sharma Show\", the father and son duo narrated the incident when Hrithik left his parents extremely scared. Rakesh Roshan said, \"We came back home. He had returned from school, but wasn't at home. We checked all the rooms. Our bedroom was locked, and we had the keys. So, there was no question of his being in the bedroom. It had been 2-3 hours, but we couldn't find him. We even called the police.\" However, amidst all this commotion, no one knew that Hrithik was actually inside his parents' bedroom only, where he had sneaked in to watch 'Batman v Superman'. Hrithik shared, \"I was actually inside my parents' room. There was a small window. So, I opened it and went inside because I wanted to see 'Batman v Superman' cartoon and the VHS was inside. While watching the movie, I went to sleep, and when I woke up, I saw my mom walking outside that window, crying.\" Hrithik added that as he was wondering why his mother was crying, his mother suddenly looked at him from the window, sobbing. The 'Koi... Mil Gaya..' actor added that, relieved to have found him, his parents did not scold him but lovingly hugged him."},"img":{"url":"https://images.prismic.io/prad/b6fd020b-368a-49de-a2ee-fcfaa6045996_hrithik+roshan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-28T18:04:00+0000","embed":{"embed_url":null}},"uid":"when-hrithik-went-missing"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Indian mangoes prove a hit in Washington"},"content":{"text":"Hundreds of visitors queued up in Washington's popular Dupont Circle on Saturday afternoon to sample Indian mangoes at the annual Mango Festival, with many calling for wider availability of premium Indian varieties in the United States as organisers showcased the country's rich horticultural diversity. The festival, organised by the Embassy of India in Washington in collaboration with the Agricultural and Processed Food Products Export Development Authority (APEDA), the Department of Commerce and the Dupont Circle Business Improvement District, featured several popular Indian mango varieties, including Alphonso, Kesar, Dasheri, Langra, Banganapalli, Chausa, Malda and Rajapuri. Indian Ambassador to the US Vinay Mohan Kwatra said the festival has grown rapidly over the years and has become an annual attraction. The Ambassador said visitors had gathered not only for mangoes but also to experience Indian cuisine. \"If you go around Dupont Circle... you will find multiple... queues of people essentially wanting to taste the Indian mango. Indian rice is served alongside biryani here. Indian tea, Indian coffee... People are joyful. People are enjoying, we feel happy about it,\" Kwatra said. \"We need to have more quantities of mango coming in, but invariably they come, and they are sold even before they find the shelf space on the shelves,\" he said. Visitors echoed that sentiment after tasting the fruit. One attendee, who identified herself as Crystal, described the Rajapuri variety as her favourite. \"I've heard a lot of fantastic stories about Indian mangoes... this is so different, and it's like sweet and soft, and it's great. I love it,\" she said. Another visitor, David Woodhead, said tasting the fruit brought back memories of India. \"These mangoes, as soon as I tasted them, it's just like I sat on a time machine and went back to India... The flavour is so rich, and we can't get it at Costco. We can't get this in the US, and these mangoes are just different,\" he said. Indian mangoes offer flavours unavailable in commonly sold varieties, another visitor, Radha said. \"We do take the Mexican mangoes from the Indian store. But... they don't have the same flavour I just had... it'd be good if we had more of those. The flavours are really very distinct,\" the visitor said. An exporter participating in the festival said the overwhelming response had encouraged Indian suppliers to expand their offerings. Ravi Soni, one of the exporters, said his company currently exports only a handful of varieties but plans significant expansion. \"We've been supplying various varieties from India, trying to increase the number of varieties from just four to five to almost 15 to 20 next year,\" he said, adding that visitors should find \"much more affordable\" Indian mangoes and a wider selection in the coming year. India is the world's largest producer of mangoes and grows hundreds of varieties across different states, though only a limited number are exported due to phytosanitary requirements and the specialised treatment required before shipment. Premium varieties such as Alphonso, Kesar and Banganapalli enjoy a loyal following among the Indian diaspora and a growing number of American consumers. Exports of Indian mangoes to the United States have gradually expanded in recent years through APEDA and approved irradiation facilities. Promotional events such as the annual Mango Festival in Washington are intended to increase awareness of Indian produce, strengthen agricultural trade and deepen people-to-people ties between India and the United States."},"img":{"url":"https://images.prismic.io/prad/akDH2VbRV8_Qf8CE_mangoes.JPG?auto=format,compress"},"datetime":"2026-06-27T18:41:00+0000","embed":{"embed_url":null}},"uid":"indian-mangoes-prove-a-hit-in-washington"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Lawrence Gang Targets Rohit?"},"content":{"text":"Months after the firing at his Juhu home, filmmaker Rohit Shetty has reportedly received a threat from the Lawrence Bishnoi gang, demanding Rs 20 crore as extortion money.  The threat was allegedly made through an audio clip, in which the accused reportedly said that if the director fails to pay the money, he will be the direct target this time. The reports suggest that in the audio clip, they further said that the firing at Rohit Shetty's Juhu house was only a trailer, and if he does not pay them, this time, the bullets would be directed at the filmmaker himself. Threatening the filmmaker through the audio clip, the Lawrence Bishnoi gang has allegedly ordered him to pay an extortion of Rs 20 crore. According to the police, on Saturday morning, Rohit Shetty's staff found an audio clip about 90 seconds long. The clip is believed to have the voice of Shubham Lonkar, a close aide of Lawrence, who is wanted in connection with the 2024 murder of leader Baba Siddiqui, along with the firing at Rohit Shetty's house in February 2026. A Mumbai Crime Branch official shared that Rahit Shetty's staff has handed over the audio to the police. As per the initial investigation, the voice in the clip is believed to be that of Shubham Lonkar. The clip has been sent for forensic examination. Refreshing your memory, in February, five bullets were fired outside Rohit Shetty’s Juhu residence near Hasya Kalakar Mehmood Chowk.  The responsibility for the attack was claimed by the Lawrence gang. The shots were fired by a bike-borne Deepak Sharma, who was later arrested in Agra. The Mumbai Crime Branch filed a 1,624-page charge sheet in the firing incident in April. 15 accused were named in the charge-sheet, with Pravin Lonkar and Aarzo Bishnoi declared absconders."},"img":{"url":"https://images.prismic.io/prad/fa1b3bc2-f7d0-431e-b890-1b89b3c744bc_rohit+shetty.JPG?auto=format,compress"},"datetime":"2026-06-28T07:01:00+0000","embed":{"embed_url":null}},"uid":"lawrence-gang-targets-rohit"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Kareena tries her best to be like Karisma"},"content":{"text":"Actress Kareena Kapoor Khan once expressed deep admiration for her elder sister, Karisma Kapoor. During her old appearance in the talk show, “Jeena Isi Ka Naam Hai,” the Jab We Met actress revealed that she looks up to Karisma in every way and is constantly trying to emulate her. Bebo also praised her confidence, grace, and strong sense of self. Kareena’s heartfelt words highlighted the close bond between the sisters and reflected the immense respect she holds for Karisma both personally and professionally. In a video message, Kareena told Karisma, “The things I admire in you are endless. The list is just too long. Very few girls today have their head on their shoulders, know what they want out of life, and know exactly how to behave. I admire you for everything. ‘Admire’ is too mild a word for you because I don’t even know what to say. I just wish I could be like you in every way, and I am trying so hard. But I also admire you for the most important thing in my life, and that is for standing by me and being my strength, because without you I would not be able to go on even for a minute of the day.” During the show, host Farooq Sheikh also played a throwback video featuring Karisma and Kareena sitting together and enjoying a meal. In the heartwarming clip, Karisma was seen lovingly helping little Kareena, adding a nostalgic touch that beautifully captured their close sisterly bond. Both sisters share a very close bond, and Kareena Kapoor has often been vocal about her deep respect and admiration for her elder sister, Karisma Kapoor. Over the years, she has openly praised Karisma as her biggest inspiration and strength."},"img":{"url":"https://images.prismic.io/prad/Znqwb5bWFbowe1e6_kareenakarishma.JPG?auto=format,compress"},"datetime":"2026-06-28T05:14:00+0000","embed":{"embed_url":null}},"uid":"kareena-tries-her-best-to-be-like-karisma"}},{"node":{"tags":["Health"],"data":{"third_party_url":null,"title":{"text":"How Smoking Hurts Pregnancy!"},"content":{"text":"When planning to start a family, many couples focus on preparing for pregnancy by discussing nursery plans and choosing baby names. However, what often goes unnoticed is the detrimental impact of smoking on fertility and pregnancy. Cigarette smoke contains harmful chemicals that can damage reproductive cells in both men and women, making it harder to conceive and increasing the risk of pregnancy complications and poor outcomes for babies.  Dr. Vandana Bhatia, a Senior Fertility Specialist, emphasizes that smoking silently affects fertility, pregnancy, and the long-term development of the child. Both partners play a crucial role in protecting fertility as smoking can reduce sperm count, affect sperm movement, and damage egg quality, hormone levels, and ovarian reserve. Additionally, passive smoking also poses risks to fertility and pregnancy outcomes. Quitting smoking as a couple not only improves motivation and emotional support but also encourages healthier habits, leading to improved fertility and overall health.  The quality of eggs and sperm before conception significantly influences the health of the future child, making it essential for both parents to quit smoking before starting a family. Dr. Bhatia recommends practical steps for quitting smoking together, emphasizing that healthy choices are crucial in building a healthy family. Parenthood begins with the quiet promise of choosing health together, even before the first heartbeat is heard on an ultrasound."},"img":{"url":"https://images.prismic.io/prad/akDOG1bRV8_Qf8Cd_smokefertility.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T19:33:00+0000","embed":{"embed_url":null}},"uid":"how-smoking-hurts-pregnancy"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"OG: PK, Sujeeth & Thaman Spark Buzz!"},"content":{"text":"The excitement surrounding the OG Universe has reached a new high, with fans eagerly awaiting the next chapter of the franchise. Ever since the makers officially confirmed that the world of OG would expand beyond a single film, expectations have skyrocketed. Director Sujeeth is reportedly shaping an ambitious cinematic universe around the action entertainer, promising bigger stories, fresh characters, and high-octane moments. Every new update from the team has only added fuel to the anticipation, making OG one of the most talked-about upcoming projects among Pawan Kalyan's fanbase. Adding to the frenzy, music director S. Thaman recently shared a striking picture featuring himself, Pawan Kalyan, and Sujeeth posing with guns in a stylish action-inspired setup. The image instantly went viral, reminding fans of the iconic chemistry that made OG such a highly anticipated film. Thaman also hinted that a special surprise video is on the way, sending social media into overdrive with speculation. Fans believe the upcoming reveal could offer a major glimpse into the future of the OG Universe and its expanding storyline. Despite Pawan Kalyan's demanding political commitments, the creative team appears determined to keep the momentum alive with regular announcements and exclusive content. Industry circles suggest that pre-production work is progressing steadily, while Sujeeth continues to fine-tune the larger vision for the franchise. With Thaman teasing exciting promotional material and the trio reuniting once again, fans are convinced that the OG Universe is gearing up for something much bigger than expected, making every update a celebration for Pawan Kalyan enthusiasts."},"img":{"url":"https://images.prismic.io/prad/akDTY1bRV8_Qf8Cr_OGuniverse.JPG?auto=format,compress"},"datetime":"2026-06-28T02:55:00+0000","embed":{"embed_url":null}},"uid":"og-universe-heats-up-pk-sujeeth--thaman-spark-buzz"}},{"node":{"tags":["Entertainment","featured","four"],"data":{"third_party_url":null,"title":{"text":"Sunita reveals Govinda had many affairs! "},"content":{"text":"The wife of Bollywood actor Govinda, Sunita Ahuja is one of the contestants on the reality show 'Lock Upp: Sach Ya Saza'.  Making a powerful entrance, Sunita opened up about her marriage with Govinda. She revealed that Govinda had several affairs during their marriage. As part of the premiere episode, host Farah Khan read out a few headlines featuring Sunita. One of them was, “I want a son like Govinda, not a husband”. As Farah asked Sunita to elaborate, she was heard saying, \"Pyaar mein toh aapko har cheez bardasht karna chahiye. Chi Chi ne life mein itne affairs kiye, chalo hero heroine mein toh hote hi hain. Toh mujhe lagta hai itne saal jo maine Chi Chi ke saath nibhaya hai, I think uske jaisa beta hona chahiye (In love, you should be able to tolerate everything. Govinda had many affairs in his life; well, heroes and heroines do such things. I think since I stood by him for so many years, I deserve to have a son like him.\" After that, co-host Riteish Deshmukh read out another headline, saying \"Jab tak pati patni saath ho tab tak ankhiyon se goli maare. Par jab koi third party aa jaye to ghutnon par goli maare.\" Taking a hilarious jibe, Sunita said, \"Sun rahe ho Chi Chi toh sun lena bhaiya, kyunki ghutno pe goli tabhi lagti hai jab koi life mein aa jaati hai. Voh bhi maine jhooth nahi bola. Main toh Bombay mein thi nahi, kitne logon ne bola ki maine hi maar diya. Main toh Khatu Shyam mein thi. (If you're listening, then listen carefully. A bullet only hits you in the knee when someone comes into your life. I wasn't lying about that either. I wasn't even in Mumbai — so many people said I was the one who shot him. I was at Khatu Shyam.\" Govinda and Sunita Ahuja got married in 1987 but kept their marriage private for almost two years. They made their marriage public only after the birth of their daughter, Tina Ahuja. The couple also has a son named Yashvardhan Ahuja. "},"img":{"url":"https://images.prismic.io/prad/aKmiAmGNHVfTOOQK_govindasunitgha.JPG?auto=format,compress"},"datetime":"2026-06-28T07:32:00+0000","embed":{"embed_url":null}},"uid":"sunita-reveals-govinda-had-many-affairs-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Director Bhagyaraj laid to rest with state honours"},"content":{"text":"Veteran filmmaker, actor, and screenwriter K. Bhagyaraj was laid to rest with full State honours at the Besant Nagar Electric Crematorium here on Sunday, bringing to a close a career that left a lasting imprint on Tamil cinema.  A multi-faceted talent, Bhagyaraj excelled as a director, actor, screenplay writer, dialogue writer, and music composer. He earned widespread acclaim for portraying the lives of ordinary people with simplicity, humour, and emotional depth, creating films that resonated with audiences across generations. His distinctive storytelling style, marked by witty dialogues and relatable characters, made him one of the most influential filmmakers in Tamil cinema. Bhagyaraj made his directorial debut with Suvarilladha Chithirangal before going on to deliver several memorable classics, including Mouna Geethangal, Andha 7 Naatkal, and Mundhanai Mudichu. His films successfully blended romance, family drama and comedy, establishing a unique cinematic identity that inspired countless filmmakers. Born in Vellankoil in Erode district, Bhagyaraj passed away on Saturday following a cardiac arrest. He was 73. His mortal remains were kept at his residence in Nungambakkam, where members of the film fraternity, political leaders and thousands of admirers gathered to pay their final respects. The residence witnessed an outpouring of grief as fans and colleagues remembered the filmmaker’s immense contribution to Indian cinema. After the completion of the last rites at his residence, Bhagyaraj’s body was taken in a solemn funeral procession through the streets of Chennai to the Besant Nagar Electric Crematorium. Actors, including R. Parthiban and R. Sarathkumar, joined family members in carrying the casket during the procession. A floral tribute bearing the words, “With Love, Yours, Bhagyaraj,” accompanied the procession, along with a photograph of the late filmmaker with former Tamil Nadu Chief Minister M.G. Ramachandran (MGR), symbolising his enduring legacy and deep connect with Tamil cinema’s golden era. At the crematorium, Bhagyaraj was accorded full State honours. Following the ceremonial honours, his mortal remains were cremated in the presence of family members, colleagues and admirers, who bid an emotional farewell to one of Tamil cinema’s greatest storytellers. His legacy of timeless films, unforgettable characters and innovative screenwriting is expected to inspire generations of filmmakers and audiences alike."},"img":{"url":"https://images.prismic.io/prad/akDIiVbRV8_Qf8CF_bhagyarajaRIP.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-28T06:30:00+0000","embed":{"embed_url":null}},"uid":"director-bhagyaraj-laid-to-rest-with-state-honours"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rashmika's Shocking Twist in 'Raaka'?"},"content":{"text":"All eyes are on 'Raaka' (AA22), the highly anticipated pan-India entertainer starring Allu Arjun and directed by Atlee. While the makers are keeping every major detail under wraps, fresh industry buzz suggests that Rashmika Mandanna could reunite with the Icon Star after the phenomenal success of the Pushpa franchise. However, unlike their previous outings, this time the actress is reportedly set to surprise audiences with a completely different character that could redefine her on-screen image. According to reports circulating in film circles, Rashmika has been approached to play a character with strong negative shades, making her one of the film's biggest surprises. Instead of being just a romantic lead, she is said to portray a pivotal role that dramatically alters the course of the story. Sources also claim that she has already joined the ongoing high-voltage action schedule in Mumbai. Fans believe her inclusion is no coincidence, as the blockbuster success of Pushpa and Pushpa 2 has made the Allu Arjun–Rashmika pairing one of Indian cinema's most celebrated combinations. The film is also making headlines for its massive ensemble cast. Deepika Padukone is reportedly playing the primary female lead, while Mrunal Thakur and Janhvi Kapoor are also expected to feature in significant roles. Adding to the excitement, speculation continues that Shah Rukh Khan may make a powerful cameo appearance. Although none of these casting reports have been officially confirmed, the rumors have significantly raised expectations for Raaka, with fans eagerly awaiting an announcement from the makers in the coming weeks."},"img":{"url":"https://images.prismic.io/prad/Z-gbLndAxsiBwFS-_rashmika.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T13:12:00+0000","embed":{"embed_url":null}},"uid":"rashmikas-shocking-twist-in-raaka"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Tragedy Strikes T'gana Student in London"},"content":{"text":"In a heartbreaking incident, 25-year-old S. Srinath Reddy, a student hailing from Kamareddy district in Telangana, was discovered dead in London, casting a shadow over his family and the local community. Having relocated to the UK 14 months ago for higher education, Srinath's untimely death has raised alarm and prompted calls for swift action regarding the circumstances and repatriation of his remains. His father, Madhusudan Reddy, expressed profound grief and confusion, noting that the family had shared a seemingly normal conversation with him the night before his passing. Details surrounding the events leading up to Srinath's death are currently shrouded in uncertainty. On the night of June 22, he attended a birthday party, after which he was reported missing by family until the following morning when his roommate found him unresponsive. According to statements attributed to the roommate, there are indications that Srinath's death may have been a suicide, although concrete evidence and clarification remain pending. This tragic occurrence has not only devastated his family but also raised questions about the mental health resources available to international students navigating life far from home. Srinath Reddy's journey to London was emblematic of the aspirations of many Indian students seeking to further their education abroad, driven by the promise of global opportunities and personal growth. However, the challenges they face, including cultural adjustments, academic pressure, and potential isolation, are often underestimated. The psychological toll on students in foreign environments has become an increasingly urgent conversation, particularly in light of recent incidents involving young expatriates in similar circumstances. In a poignant plea to authorities, Madhusudan Reddy has urged both the Central and Telangana state governments to expedite the process of bringing his son's body home. As investigations unfold, the family and community seek answers and clarity in this tragic situation, emphasizing the need for improved support systems for students abroad. The loss of Srinath Reddy resonates deeply within the broader narrative of the challenges faced by young scholars in an increasingly interconnected world."},"img":{"url":"https://images.prismic.io/prad/akAOXFbRV8_Qf7xu_TSstudentUK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T16:15:00+0000","embed":{"embed_url":null}},"uid":"tragedy-strikes-tgana-student-in-london"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Jagan Sounds 85K Jobs Warning"},"content":{"text":"Former Andhra Pradesh Chief Minister and YSR Congress Party President Y.S. Jagan Mohan Reddy has launched a scathing attack on the state government's proposed \"Smart Kitchens\" initiative, alleging that it threatens to displace nearly 85,000 women who have long served as mid-day meal cooks in government schools.  In a sharp post on X, Jagan accused the administration of using the scheme as a cover to reward its own supporters while pushing thousands of women into joblessness. Many of these workers, he noted, have dedicated over two decades to ensuring nutritious meals for schoolchildren, yet now face an uncertain future. Adding to their plight, Jagan highlighted that salaries for the mid-day meal staff have not been paid for the past two months, deepening their financial distress. He recalled that during his tenure, the YSRCP government had raised the honorarium for these workers from ₹1,000 to ₹3,000 per month. He reminded the public that the current government had promised even greater support before the elections, but instead is now attempting to dismantle their livelihoods under the guise of modernisation. Jagan pledged that the YSR Congress Party would stand firmly with the mid-day meal workers and fight for their rights. He demanded the immediate release of pending wages and urged the government to fulfil its election commitments by increasing remuneration rather than stripping away the livelihood of thousands of women. “This is not just about wages; it is about dignity and survival,” Jagan asserted, warning that the government's move could devastate families dependent on these modest incomes. He emphasised that the women who have tirelessly served generations of schoolchildren deserve respect and security, not abandonment. The controversy over \"Smart Kitchens\" has now ignited a wider debate on governance priorities, with critics questioning whether technological upgrades should come at the cost of human welfare. For Jagan, the issue has become a rallying point to showcase his party's commitment to grassroots workers and to challenge what he calls the ruling government's hollow promises."},"img":{"url":"https://images.prismic.io/prad/ahbnAbK9tuLqELtg_jagan.JPG?auto=format,compress"},"datetime":"2026-06-27T14:40:00+0000","embed":{"embed_url":null}},"uid":"jagan-sounds-85k-jobs-warning"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rajamouli's Epic Journey Reveale"},"content":{"text":"In an illuminating interview, actor Prithviraj Sukumaran shared insightful anecdotes from the set of SS Rajamouli's highly anticipated film, Varanasi, starring Mahesh Babu. The production, which has garnered significant attention, is characterized by its impressive cast, including Priyanka Chopra and Sukumaran himself. While the film is shrouded in mystery, Prithviraj's revelations about the grueling demands of shooting have sparked intrigue. Notably, he recounted a single shot that necessitated an astonishing 90-plus takes, a testament to Rajamouli's unwavering commitment to perfection in filmmaking. Prithviraj recounted his experience of shooting a pivotal scene alongside Mahesh Babu, emphasizing the exhaustive process that lasted from morning until dusk. “This is not an exaggeration,” he emphasized, illustrating the relentless pursuit of cinematic excellence that Rajamouli demands. Their efforts were serialized over an entire day, with breaks only to refuel before returning to the relentless grind of refining the shot. Rajamouli’s insistence on reshooting the scene the following day further underscores his meticulous nature as a director, dedicated to achieving the highest standards of storytelling. The actor, who portrays the formidable antagonist Kumbha, expressed profound admiration for Rajamouli's work ethic. He characterized the director as a “pathbreaker,” whose approach to filmmaking likens to that of a young visionary who has patiently awaited decades for the chance to bring his grand narratives to life. Prithviraj’s observations of Rajamouli’s pre-shoot rituals indicate a well-oiled machine behind the scenes; he noted that when the cast arrived for a 7 a.m. call time, the set was impeccably organized, with multiple rehearsals already executed. This level of preparation speaks volumes about Rajamouli's dedication to his craft. Moreover, Prithviraj revealed a fascinating insight into Rajamouli’s daily routine, highlighting that the director often arrives on set well before dawn, a detail that showcases his unyielding commitment. According to Prithviraj, Rajamouli frequently remains the last to leave the set, illustrating a work ethic that is both inspiring and demanding. As anticipation builds for the film's release on April 7, 2027, the behind-the-scenes revelations only serve to heighten interest in this ambitious project, which promises to blend various genres and narratives, including historical and mythical elements that span centuries and cultures."},"img":{"url":"https://images.prismic.io/prad/aRW7h7pReVYa4bIW_rajamouli.JPG?auto=format,compress"},"datetime":"2026-06-27T15:47:00+0000","embed":{"embed_url":null}},"uid":"rajamoulis-epic-journey-reveale"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Legendary director and actor K Bhagyaraj passes away!"},"content":{"text":"One of India's finest screenplay writers and eminent Tamil film director and actor K Bhagyaraj passed away here on Saturday after suffering a major cardiac arrest.  He was 73. The veteran director and actor, who is considered to one of the legends of the Tamil film industry, is survived by his wife Poornima Bhagayaraj, son Shanthnu Bhagyaraj and daughter Saranya Bhagyaraj. Sources close to the actor said that Bhagyaraj complained of chest pain early in the morning and was rushed to a private hospital where he was declared dead. The shocking news of his death has plunged the entire Tamil film industry in gloom. What has compounded the pain is the fact that director Bhagyaraj's demise comes just 17 days after the passing away of his mentor K Bharathirajaa, another icon and trendsetter of Tamil cinema. Several eminent actors, directors, producers and film industry professionals cutting across the country have joined scores of fans in expressing their shock and grief over the sudden demise of the veteran director, considered to be a legend of Tamil cinema. Telugu star Venkatesh, who was among the first to express his condolences, wrote,\"Deeply saddened by the passing of Bhagyaraj Sir. His work transcended languages and touched the hearts of millions. I feel fortunate to have been a part of films like Sundarakanda and Abbaigaru, which were born from his remarkable storytelling. Indian cinema has lost one of its finest filmmakers. My heartfelt condolences to his family, friends, and countless admirers.\" Director M Rajesh, who has delivered several blockbusters in Tamil, expressed his condolences saying, \"RIP, Legend K. Bhagyaraj Sir. Your storytelling, humour and timeless screenplays have inspired generations of writers and directors. Your legacy will continue to live through your unforgettable films and the countless filmmakers you’ve influenced. Rest in peace sir.\" Krishnaswamy Bhagyaraj, who was born in Tamil Nadu on January 7, 1953, has worked in over 75 films, several of which were superhits. A trend-setter, Bhagyaraj was renowned for his script writing and directing abilities. He used his sharp sense of humour to make pertinent points on social issues and delivered entertainers that appealed to all classes of people. Several of his films including 'Andha 7 Naatkal' (which was remade as 'Woh Saat Din' in Hindi), Mundhaanai Mudichu, Thooral Ninnu Pochu, Darling Darling Darling, Idhu Namma Aalu, Indru Poi Naalai Vaa, Mouna Geethangal, and Rudra went on to emerge as superhits. In fact, many of his films were dubbed or remade in several other languages including Hindi, Kannada, Telugu and Oriya. Bhagyaraj, who was a brilliant actor and who played the lead in several films, was also a fantastic writer who had penned a number of interesting stories including the story for 'Oru Kaidhiyin Diary', which was directed by his mentor Bharathirajaa and which featured Kamal Haasan in the lead in Tamil. The film, which was remade in Hindi as 'Aakhree Rasta', featured Amitabh Bachchan in the lead, and was directed by K Bhagyaraj himself."},"img":{"url":"https://images.prismic.io/prad/aj9xWVbRV8_Qf7mi_bhagyaraj.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T05:45:00+0000","embed":{"embed_url":null}},"uid":"legendary-director-and-actor-k-bhagyaraj-passes-aw"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Karuppu': Missing the landmark 200 cr mark"},"content":{"text":"'Karuppu,' featuring the renowned actor Suriya and directed by RJ Balaji, has concluded its theatrical journey in Tamil Nadu, leaving an indelible mark on the film industry. The action-packed drama, which premiered on May 15, has emerged as one of the year's standout successes, showcasing Suriya's remarkable return to form with a significant commercial achievement that revitalizes his status in the Tamil film landscape. The film's exhilarating narrative and strong performances resonated powerfully with audiences, contributing to its stellar box office performance. As announced by the producers, 'Karuppu' has achieved a final gross of Rs 191 crore in Tamil Nadu, positioning it among the top-grossing Tamil films in history, though it narrowly missed reaching the coveted 200 crore milestone. The film's journey was marked by impressive initial earnings, including Rs 60 crore within its first three days and Rs 100 crore in its opening week. This momentum propelled it to a remarkable Rs 175 crore within 20 days of release, culminating in the final figure that, while impressive, left fans and analysts speculating about what could have been had it surpassed the 200 crore benchmark, a first for Suriya. The film's longevity at the box office can be attributed to strong word-of-mouth endorsements and continued audience interest, even after its streaming debut on June 12. Families and fans alike embraced 'Karuppu,' ensuring its extended run in theaters. Positive reviews and repeat viewings further solidified its performance, transforming what began as a typical release into a formidable box office contender that sustained its appeal across several weeks. This phenomenon underscores the evolving dynamics of film distribution and audience engagement in the digital age. Directed by RJ Balaji, with a musical score by Sai Abhyankkar, 'Karuppu' also stars Trisha in a leading role, showcasing a well-rounded cast that enhances its narrative depth. With a global box office collection exceeding Rs 340 crore, the film's achievements not only reflect the hard work and creativity of the team but also signify a rejuvenation of Suriya's career amidst a challenging cinematic landscape. The success of 'Karuppu' is a testament to the potential of Tamil cinema to captivate both local and international audiences, reinforcing its cultural significance in the broader entertainment industry."},"img":{"url":"https://images.prismic.io/prad/abvJtrbci2UF6Qf4_kuruppu.JPG?auto=format,compress"},"datetime":"2026-06-26T19:24:00+0000","embed":{"embed_url":null}},"uid":"karuppu-missing-the-landmark-200-cr-mark"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"‘The India Story: Slow Poison’ Teaser"},"content":{"text":"‘The India Story: Slow Poison’ Teaser"},"img":{"url":"https://images.prismic.io/prad/aj6bVlbRV8_Qf655_theindiastoryteasseer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-26T07:24:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dXRhS-uKQO8"}},"uid":"the-india-story-slow-poison-teaser"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Volkswagen's 100K Job Shock?"},"content":{"text":"German auto giant Volkswagen Group is considering one of the most extensive restructuring exercises in its history, with Chief Executive Officer Oliver Blume reportedly weighing plans that could result in up to 100,000 job cuts, the closure of multiple factories in Germany, and a significant reduction in investment spending.  According to a report by Manager Magazin, the proposed overhaul is awaiting approval from the company's board and would involve a 15 per cent reduction in Volkswagen's planned investments over the next five years. The move would lower the group's capital expenditure to slightly above €130 billion. As part of the restructuring effort, Volkswagen is also exploring the possibility of separating its core Volkswagen passenger car brand and its parts business into independent entities. The proposed changes are aimed at simplifying operations and improving efficiency as the automaker grapples with growing challenges in the global automotive market. The company has been facing increasing pressure from multiple fronts, including US tariffs, intensifying competition from Chinese electric vehicle manufacturers, and rising costs associated with its transition to electric mobility. CEO Oliver Blume has repeatedly emphasised the need for Volkswagen to sharpen its focus on its core automotive operations and enhance profitability. Reports suggest that production could eventually end at Volkswagen's Hanover, Zwickau and Emden plants, along with Audi's Neckarsulm facility, once existing vehicle programmes are completed. The latest proposals would go beyond Volkswagen's previously announced plan to cut around 50,000 jobs and could affect nearly 15 per cent of the group's global workforce, making it one of the largest restructuring efforts in the company's history. Volkswagen declined to comment directly on the reported internal plans but acknowledged that the entire group must undergo \"far-reaching change\" to remain competitive, the report said. Meanwhile, the company's works council and Germany's powerful IG Metall union have vowed to strongly oppose any attempts to shut factories or implement deeper workforce reductions, setting the stage for potential labour disputes if the proposals move forward."},"img":{"url":"https://images.prismic.io/prad/aj6kY1bRV8_Qf6-D_volkswagen.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-26T13:10:00+0000","embed":{"embed_url":null}},"uid":"volkswagens-100k-job-shock"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"SIR Anxiety Linked to Hy Man's Suicide"},"content":{"text":"A 51-year-old man died by suicide allegedly due to fear of his name being deleted in the ongoing Special Intensive Revision (SIR) of electoral rolls and possible consequences for the family including two mentally challenged children.  Under severe mental distress over his name not found in 2002 voter list and anomalies in the documents, Sheikh Mujbil Rehman, a cab driver, hanged himself at his residence in Bharat Nagar, Borabanda in the early hours of Sunday. According to the family members, he was worried about the future of his wife and three children including two with intellectual disabilities. Showing copies of various documents Rehman had prepared, his nephew Imam told media that he he had spent Rs.1.5 lakh for the same. As he had different spellings of his name in different documents like Aadhaar and passport, he was anxious about the legal complications after deletion of his name from the voter list. Imam said Rehman was running around various offices for last one months to make corrections in the documents. There were also anomalies in the documents with regard to the date of birth. Rehman also did not find the name of his parents in 2002 list for mapping, further heightening his anxieties.  The deceased’s family members said he was mentally distressed after hearing from others about the possible consequences of deletion of name from voter list.  Rehman’s wife said he had been very tense for last few days as he was unable to make the required corrections in the documents and was worried that this may result in their two mentally unsound children losing their pension and the family losing benefits of other welfare schemes. According to her, he woke up around 2 a.m. and after drinking some water went to bed again. An hour later, he woke up again and when she enquired if he had to go for work, he did not reply and returned to bed.  She said around 4.30 a.m. their son woke up and cried loudly on seeing his father hanging.  Police registered a case and took up investigation.  Originally hailing from Karnataka, Rehman’s family had moved to Hyderabad much before his marriage 30 years ago. Door-to-door enumeration under SIR began across Telangana on June 25.  The Booth-Level Officers (BLOs) have distributed 1,43,17,635 enumeration forms across the state as on Sunday (June 28), covering 42.33 per cent of the voters."},"img":{"url":"https://images.prismic.io/prad/akI0jVbRV8_Qf9RY_Rehman.png?auto=format%2Ccompress&rect=0%2C5%2C449%2C221&w=2028&h=1000"},"datetime":"2026-06-29T07:00:00+0000","embed":{"embed_url":null}},"uid":"hyd-man-dies-by-suicide-over-fear-of-deletion-in-s"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"T BJP Leader Assaults Principal for Teaching Urdu"},"content":{"text":"After a huge uproar, the Telangana Police on Monday took into custody a BJP leader in Armoor town of Nizamabad district for allegedly assaulting a school principal over the teaching of Urdu. Mandula Balu, president of BJP’s Armoor town unit, was taken into custody from a guest house in Ankapoor, reportedly belonging to Paidi Rakesh Reddy, the BJP MLA from the Armoor Assembly constituency. A posse of police personnel physically lifted Balu out of the guest house and whisked him away. Balu and his supporters tried to resist the police. The BJP leader termed the police action as cruel. Balu had slapped Amer Khan, the principal of Bharat Chandra School, on June 27. The BJP leader’s action in the presence of a police officer and the inaction by the police had triggered an outrage. The BJP leader and his supporters were irked over the teaching of Urdu at the private school. During an argument at the school, Balu slapped the principal and abused him. BJP leaders alleged that the Urdu teacher was also teaching Namaaz and other religious practices to Hindu students. The school management, headed by Hindus, denied this. They stated that Urdu was introduced as the second language as per a decision taken by the school management following requests from the parents of a section of students. School correspondent Mallayya said the Urdu teacher took a couple of classes and taught the Urdu alphabet. According to Amer Khan, the management was planning to have a separate block for the Urdu department. However, the newly appointed Urdu teacher wasn’t aware of this and took a combined class. Following objections from parents of non-Muslim students, Urdu classes were discontinued, but a local BJP leader, along with his supporters, barged into the school and manhandled the principal. Amer Khan alleged that following the incident, he was held at the police station till evening. Based on the complaint filed by school correspondent Mallayya, police registered an FIR against BJP leader Balu and others for criminal trespass, causing hurt and mischief. Tahsildar Satyanarayana of Armoor lodged a counter complaint under section 196 read with 3(5) of BNS (promoting enmity between groups) against the school principal and correspondent."},"img":{"url":"https://images.prismic.io/prad/aIx3qaTt2nPbZorY_slapped.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-29T12:14:00+0000","embed":{"embed_url":null}},"uid":"bjp-leader-assaults-principal-for-teaching-urdu"}},{"node":{"data":{"title":{"text":"SIR Anxiety Linked to Hy Man's Suicide"},"content":{"text":"A 51-year-old man died by suicide allegedly due to fear of his name being deleted in the ongoing Special Intensive Revision (SIR) of electoral rolls and possible consequences for the family including two mentally challenged children.  Under severe mental distress over his name not found in 2002 voter list and anomalies in the documents, Sheikh Mujbil Rehman, a cab driver, hanged himself at his residence in Bharat Nagar, Borabanda in the early hours of Sunday. According to the family members, he was worried about the future of his wife and three children including two with intellectual disabilities. Showing copies of various documents Rehman had prepared, his nephew Imam told media that he he had spent Rs.1.5 lakh for the same. As he had different spellings of his name in different documents like Aadhaar and passport, he was anxious about the legal complications after deletion of his name from the voter list. Imam said Rehman was running around various offices for last one months to make corrections in the documents. There were also anomalies in the documents with regard to the date of birth. Rehman also did not find the name of his parents in 2002 list for mapping, further heightening his anxieties.  The deceased’s family members said he was mentally distressed after hearing from others about the possible consequences of deletion of name from voter list.  Rehman’s wife said he had been very tense for last few days as he was unable to make the required corrections in the documents and was worried that this may result in their two mentally unsound children losing their pension and the family losing benefits of other welfare schemes. According to her, he woke up around 2 a.m. and after drinking some water went to bed again. An hour later, he woke up again and when she enquired if he had to go for work, he did not reply and returned to bed.  She said around 4.30 a.m. their son woke up and cried loudly on seeing his father hanging.  Police registered a case and took up investigation.  Originally hailing from Karnataka, Rehman’s family had moved to Hyderabad much before his marriage 30 years ago. Door-to-door enumeration under SIR began across Telangana on June 25.  The Booth-Level Officers (BLOs) have distributed 1,43,17,635 enumeration forms across the state as on Sunday (June 28), covering 42.33 per cent of the voters."},"img":{"url":"https://images.prismic.io/prad/akI0jVbRV8_Qf9RY_Rehman.png?auto=format%2Ccompress&rect=0%2C5%2C449%2C221&w=2028&h=1000"},"datetime":"2026-06-29T07:00:00+0000","embed":{"embed_url":null}},"uid":"hyd-man-dies-by-suicide-over-fear-of-deletion-in-s"}},{"node":{"data":{"title":{"text":"AP Leaders Unite in Paying Tribute to PV"},"content":{"text":"Andhra Pradesh Governor S. Abdul Nazeer, Chief Minister N. Chandrababu Naidu and Deputy Chief Minister Pawan Kalyan paid rich tributes to former Prime Minister P. V. Narasimha Rao on his 105th birth anniversary, recalling his services to the nation.  The Governor said Narasimha Rao was a visionary statesman who steered the country towards development through far-reaching economic reforms and made an enduring contribution to the nation's overall progress and development. Chief Minister Chandrababu Naidu stated that Narasimha Rao is remembered as a great leader who assumed the mantle of Prime Minister during a critical period for the nation, initiated economic reforms with foresight, and transformed the trajectory of India's development.  His visionary leadership and contributions to national progress will continue to inspire generations to come, said the Telugu Desam Party (TDP) national president. Deputy Chief Minister Pawan Kalyan paid “heartfelt tributes to one of India's most visionary statesmen, an exceptional scholar, former Chief Minister of the erstwhile united Andhra Pradesh, and former Prime Minister whose leadership transformed the course of our nation's history”. “At a defining moment, his courage, foresight, and landmark economic reforms opened new horizons for India's growth and global standing. His remarkable intellect, administrative excellence, and unwavering commitment to national progress remain an enduring source of inspiration,” Pawan Kalyan posted on ‘X’. “From the richness of Telugu literary heritage to the highest office of public service, Shri P. V. Narasimha Rao Garu exemplified wisdom, humility, and visionary leadership. His extraordinary legacy continues to inspire generations to serve the nation with knowledge, integrity, and unwavering dedication. May his extraordinary legacy continue to inspire every Indian to serve the nation with wisdom, integrity, and an unwavering commitment to progress,” added the Jana Sena leader. Former Chief Minister and YSR Congress Party president Y.S. Jagan Mohan Reddy said Narasimha Rao was a visionary who steered a nation facing an economic crisis onto the path of development through his reforms, breathing new life into the Indian economy.  Jagan Mohan Reddy said that his contributions to the country's progress during his tenure as Prime Minister remain unforgettable.  State Congress president Y. S. Sharmila also paid rich tributes to Narasimha Rao."},"img":{"url":"https://images.prismic.io/prad/akDrYVbRV8_Qf8D0_PVNarsimhaRao.png?auto=format%2Ccompress&rect=0%2C0%2C632%2C312&w=2028&h=1000"},"datetime":"2026-06-28T06:37:00+0000","embed":{"embed_url":null}},"uid":"ap-leaders-unite-in-paying-tribute-to-pv"}},{"node":{"data":{"title":{"text":"Kids Need Grandparents, Not Just Gadgets: CBN"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu on Sunday called for the revival of the traditional Indian joint family system.  Stating that the joint family system is one of the greatest strengths of India, he said grandparents and other family members helped shape children with values and emotional support. The Chief Minister was speaking after administering polio drops to children as part of the Pulse Polio Immunisation Programme at his official residence here. He interacted with children and their parents and enquired about their health, vaccination status and upbringing. He urged parents to ensure that children receive all government-recommended vaccinations on time to safeguard their health. Officials of the Health and Family Welfare Department informed the Chief Minister that the State aims to administer polio drops to approximately 4.92 million children below the age of five during the three-day Pulse Polio campaign beginning Sunday. During his interaction with families, the Chief Minister asked parents about the challenges of raising children, especially in households where both parents are working. He stressed that childcare should not be considered the mother's responsibility solely and called upon fathers to actively participate in raising children. \"Fathers and other family members must share the responsibility of bringing up children. Parenting should never be left entirely to mothers,\" he said. The Chief Minister observed that societal attitudes towards having children are changing and stressed that children should be viewed as a source of joy and strength rather than a burden. Reiterating the State government's commitment to encourage larger families, Chandrababu Naidu said the government is creating awareness among people on the importance of having two or more children and promoting a family-friendly social environment."},"img":{"url":"https://images.prismic.io/prad/aJ7pfaTt2nPbaWqN_cbn.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-28T05:56:00+0000","embed":{"embed_url":null}},"uid":"kids-need-grandparents-not-just-gadgets-cbn"}},{"node":{"data":{"title":{"text":"Inside the Chilling Ketan Agarwal Murder Mystery"},"content":{"text":"As new details emerge in the Ketan Agarwal murder case, sources connected with the matter revealed that the accused Chetan Chaudhary, along with his alleged lover and the victim's fiancee Siya Goyal, purportedly \"masterminded\" the murder in order to stop the arranged marriage.  The FIR filed by Ketan's father, Vishal Devichand Agarwal, has reportedly alleged that both Chetan and Siya pushed his son off a cliff to his death, near Pune's Lohagad fort. According to reports, a major point of contention was a missed trip to Lohagad fort on June 4, which apparently made Siya highly agitated and persistently demanded that her fiance take her there. As per the detailed timeline of the murder conspiracy shared by sources from the day of the alleged crime, Chetan reportedly disabled his mobile data to stop cell towers from creating a geographic GPS trail of his route to the crime scene at around 7 am. An hour later, with the aim of misleading investigators into believing he never left his shop, he left his personal smartphone at his workplace and ordered his workers to answer all incoming calls. Around noon, he attempted to cover his tracks by borrowing an employee's mobile phone to handle necessary communications on his way to Lohagad fort. At 2 pm, while aiming to conceal his identity from security guards at the historical place, Chetan shadowed Ketan and Siya up the fort trail while wrapped in a thick winter hoodie despite the sweltering 33 degrees Celsius summer heat. This detail later led investigators to suspect him. Around half an hour later, upon reaching a secluded cliff near the Vinchu Kata ridge, Siya sat down as an alleged visual cue to her co-accused. Chetan then reportedly stepped out from hiding and pushed Ketan 400 feet to his death. After staying entirely off the digital grid for 10 hours and 40 minutes, Chetan switched on his internet at around 5.40 pm, confident that his calculated location cover-up was flawless. However, the plan backfired as investigators flagged Chetan's prolonged offline period while tracing his distinct winter attire on CCTV footage. They also confirmed with callers that someone else was answering his phone. Ketan left home on the morning of June 18, picked up Siya from the Kiwale bridge on the Pune-Mumbai highway, and finally headed to the fort. At 10.45 am, Siya Goyal called her fiancé's mother, claiming that he had accidentally fallen into a gorge at Lohagad Fort. Locals and the police found him in the gorge and took him to the hospital, where the doctors declared him dead. The family alleged that Siya's phone was constantly busy and that she frequently mentioned her \"friend\" Chetan, leading them to believe the two were involved in a romantic relationship. Earlier, the police investigation revealed that Siya may have killed her fiancé to get \"three years of freedom\". According to sources, Siya's lover, Chetan, had asked her to wait for at least three years for them to get married as he wanted to settle in his career. But Siya's wedding to Ketan had already been arranged and scheduled for November. The two then pushed Ketan into a valley at the Lohagad Fort near Maharashtra's Pune as a part of the conspiracy that let them \"buy time\", sources said."},"img":{"url":"https://images.prismic.io/prad/akFe4FbRV8_Qf8Mu_KetanAgarwal.png?auto=format,compress&rect=0,30,449,221&w=2028&h=1000"},"datetime":"2026-06-28T10:51:00+0000","embed":{"embed_url":null}},"uid":"inside-the-chilling-ketan-agarwal-murder-mystery"}},{"node":{"data":{"title":{"text":"Revanth Challenges opposition on performance"},"content":{"text":"Telangana Chief Minister A. Revanth Reddy said on Sunday that the state government is ready to hold a special session of the Assembly and Legislative Council to debate the performance of the 10 years of BRS rule, the BJP's 12-year dispensation at the Centre and the two-and-a-half years of Congress government in the state.  Addressing a public meeting after laying foundation stones for a slew of development projects in Nalgonda, the Chief Minister said that the government is ready to convene special sessions of the Legislative Assembly and the Legislative Council and debate the performance of the three political parties in power. He also dared BRS and BJP to debate on their manifestos. The Chief Minister demanded that the opposition parties write a letter to the Speaker and the Council Chairman for convening a special session. In a scathing attack on the Opposition for obstructing the Musi Rejuvenation Project, CM Revanth Reddy reaffirmed that he would complete the project. He warned that those who create hurdles for the Musi project will be dumped in the same river. He stated that pollution from the Musi River was causing women in Nalgonda to give birth to children with eye and limb deformities. The CM launched a broadside at BRS President K. Chandrasekhar Rao and BRS leaders K.T. Rama Rao and Harish Rao for spreading “canards” against the government. “Not a single woman was given a ministerial post during the first five-year rule of BRS, and women have not forgotten this,” he said. CM Revanth Reddy ridiculed the claims by BRS leaders that they will come back to power. “How should we deal with those who listen to private phone conversations between husbands and wives? Should such a monstrous sinner return to power? Should those who amassed crores by leaking question papers return? Should the leaders who had the poor beaten up for demanding ration cards return to power?” he asked. The Chief Minister also questioned the opposition for not constructing houses for the poor. “KCR built a 1,000-acre farmhouse in Gajwel, KTR in Janwada, and his daughter built farmhouses in Shankarpalli. Had houses been provided over the last 10 years, 25 lakh poor people would have received homes. The BRS leaders dreamt of only ‘Gadi’ (feudal mansions) and farmhouses. The Congress government provided 4.5 lakh houses to the poor. ‘Indiramma Houses' represent the self-respect of the poor,” he said. Revanth Reddy remarked that under the Congress rule, the poor are also eating the same fine rice that KCR and KTR consume. He also alleged that the BRS government did not issue a single ration card in 10 years. “Our government has distributed lakhs of ration cards. The previous government supplied coarse rice to the poor, which was used as fodder for cattle. Now, we are supplying fine rice—at an allocation of 6 kg per person—to 3.28 crore people at a cost of Rs 16,000 crore every year.”"},"img":{"url":"https://images.prismic.io/prad/ZlotmaWtHYXtT_E5_RevanthReddy.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-28T05:47:00+0000","embed":{"embed_url":null}},"uid":"revanth-challenges-opposition-on-performance"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"'Irumudi' is a devotional, foot-tapping"},"content":{"text":"The makers of director Shiva Nirvana's upcoming film, 'Irumudi', featuring actors Ravi Teja and Priya Bhavani Shankar in the lead, on Monday released the first single from the film, 'Irumudi Kattu', much to the delight of fans and film buffs.  The song is a devotional number that Ayyappa devotees are shown singing in the film. Set to tune by G V Prakash, the number has lyrics by Shiva Nirvana and Kalyan Chakravarthy. It has been rendered by Ananthu. The film, which happens to be Ravi Teja's 77th film and was therefore being tentatively referred to as #RT77 until it was titled 'Irumudi', is being produced by leading production house Mythri Movie Makers. The title 'Irumudi' carries deep spiritual significance, as it symbolizes a devotee’s sacred offering and surrender to Lord Ayyappa. Sources say director Shiva Nirvana has crafted a powerful script that fuses devotional depth, emotional weight, and mass appeal in equal measure. They further disclose that at the film's core will lie a strong father–daughter bond, that will offer Ravi Teja a character arc unlike anything that he's portrayed before. Besides playing a first-of-its-kind role, Ravi Teja, they say, has also undergone a transformation."},"img":{"url":"https://images.prismic.io/prad/mQZBOVYQB4dzpSch_IrumudiKattu.png?auto=format%2Ccompress&rect=0%2C77%2C450%2C222&w=2028&h=1000"},"datetime":"2026-06-29T07:27:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2gXNDr_6FcE&list=RD2gXNDr_6FcE&start_radio=1"}},"uid":"irumudi-is-a-devotional-foot-tapping"}},{"node":{"data":{"title":{"text":"Mysaa: Rashmika's Handprints, Blood Hints "},"content":{"text":"The excitement around Rashmika Mandanna's upcoming action thriller Mysaa has intensified after director Rawindra Pulle shared a picture of himself wearing a shirt bearing the actress's handprints, teasing fans with the cryptic message: \"The blood marks are on their way!\" Rashmika joined the fun, joking that they should have mixed blood and umber powder into the artwork, further fueling curiosity around her intense character in the film. Rashmika plays a fierce tribal Gond woman in Mysaa, a role that reportedly demanded months of rigorous combat and stunt training in Bangkok. The actress has already completed a major shooting schedule in Kerala, where several high-octane action sequences were filmed. With the makers promising \"raw emotion, grit and brilliance,\" Mysaa is shaping up to be one of Rashmika's most ambitious and physically demanding films yet, ahead of its planned 2026 release."},"img":{"url":"https://images.prismic.io/prad/akIvAlbRV8_Qf9OU_Mysaa.png?auto=format,compress&rect=0,97,450,222&w=2028&h=1000"},"datetime":"2026-06-29T08:38:00+0000","embed":{"embed_url":null}},"uid":"mysaa-rashmikas-handprints-blood-hints-"}},{"node":{"data":{"title":{"text":"Sanjay always in bad mood while shooting"},"content":{"text":"Urmila Matondkar recently shared a light-hearted behind-the-scenes memory about working with Sanjay Dutt during her appearance on India’s Best Dancer Season 5. She recalled that whenever a dance sequence came up in films, Sanjay Dutt would often be visibly reluctant and in a “bad mood,” repeatedly saying he didn’t want to do the steps or rehearse. However, she added that despite this resistance, he would quietly practice on his own and ultimately perform well on camera—surprising everyone with the final result. She described this as part of his personality, calling him the “original macho man” of the industry, but also someone who is easy and pleasant to work with."},"img":{"url":"https://images.prismic.io/prad%2Fbfcafc30-39d0-4633-b28e-92b5274225d7_urmila.jpg?auto=format%2Ccompress&rect=0%2C24%2C1024%2C505&w=2028&h=1000"},"datetime":"2026-06-29T08:46:00+0000","embed":{"embed_url":null}},"uid":"sanjay-always-in-bad-mood-while-shooting"}},{"node":{"data":{"title":{"text":"Sam Rushes Past Paparazzi Amid Pregnancy Buzz"},"content":{"text":"Samantha who recently sparked pregnancy buzz post a media spotting, was recently clicked in the city, where she chose to rush into her car and avoid any kind of interaction with the paparazzi stationed. The actress was seen walking away swiftly towards her luxury car while an assistant shielded her with an umbrella. Paparazzi stationed outside could be heard greeting the actress, but Samantha did not respond and quietly got into her vehicle before leaving. The sighting comes after Samantha recently confirmed that she is all set to embrace motherhood and is expecting her first baby. Speaking to the media during the success meet of Maa Inti Bangaaram on Wednesday, the actress said she will be taking a maternity break after wrapping up her current commitments. “After Maa Inti Bangaaram, I will have to take a small break, given my condition. I’ll have to take maternity leave. After that I’ll be back with another film for my fans,” Samantha said at the event. Reportedly, her baby is due in December this year. On the personal front, Samantha has been married to filmmaker Raj Nidimoru, one half of the acclaimed director duo Raj & DK, who created the hit streaming series 'The Family Man'. The couple married in December last year."},"img":{"url":"https://images.prismic.io/prad/ab945f0e-37ca-4c5d-a4ff-09a67c3aa59c_samantha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-29T08:47:00+0000","embed":{"embed_url":null}},"uid":"sam-rushes-past-paparazzi-amid-pregnancy-buzz"}},{"node":{"data":{"title":{"text":"Rohit Shetty Receives Fresh Gang Threat"},"content":{"text":"Months after the firing at his Juhu home, filmmaker Rohit Shetty has reportedly received a threat from the Lawrence Bishnoi gang, demanding Rs 20 crore as extortion money.  The threat was allegedly made through an audio clip, in which the accused reportedly said that if the director fails to pay the money, he will be the direct target this time. The reports suggest that in the audio clip, they further said that the firing at Rohit Shetty's Juhu house was only a trailer, and if he does not pay them, this time, the bullets would be directed at the filmmaker himself. Threatening the filmmaker through the audio clip, the Lawrence Bishnoi gang has allegedly ordered him to pay an extortion of Rs 20 crore. According to the police, on Saturday morning, Rohit Shetty's staff found an audio clip about 90 seconds long. The clip is believed to have the voice of Shubham Lonkar, a close aide of Lawrence, who is wanted in connection with the 2024 murder of leader Baba Siddiqui, along with the firing at Rohit Shetty's house in February 2026. A Mumbai Crime Branch official shared that Rahit Shetty's staff has handed over the audio to the police. As per the initial investigation, the voice in the clip is believed to be that of Shubham Lonkar. The clip has been sent for forensic examination."},"img":{"url":"https://images.prismic.io/prad/c2cdd08b-a8e5-45a9-9df2-d45a54e45c94_bishnoi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-28T09:44:00+0000","embed":{"embed_url":null}},"uid":"rohit-shetty-receives-fresh-gang-threat"}},{"node":{"data":{"title":{"text":"What Went Wrong Between Aish and Rani?\""},"content":{"text":"Actress Aishwarya Rai Bachchan had once opened up about her friendship with Rani Mukerji. In a throwback interview, the ‘Taal’ actress spoke warmly about her bond with Rani, revealing how the two grew close while touring together for nearly 45 days on an international concert tour. Aishwarya recalled how their bond strengthened during an international world tour. During her old appearance in the show “Jeena Isi Ka Naam Hai,” Aishwarya revealed that spending nearly 45 days together while traveling, performing, and staying with their families helped them develop a close and comfortable equation. The ‘Devdas’ actress also dismissed the perception that actresses in the same industry cannot be friends, describing Rani as “very warm” and “very friendly.” Aishwarya said, “Two years ago, actually, we had met once. She's also a very warm girl. Very friendly. Very easy, also. We've got no hang-ups. It's really, really easy. And we were on the world tour together, our first world tour together, doing shows.” “During the shows, we got to live together for virtually 45 days. We were performing, we were working, we were staying together, and the bond grew from there. We were with our families. This was two and a half years ago, and we've kept in touch ever since and through it all. I mean, I know people find it very tough to believe that actresses in the same world can have all kinds of problems. But no.” Rani Mukerji was also expected to appear on the show alongside Aishwarya, but she was unable to attend due to ill health. Despite her absence, she made sure to be a part of the occasion by sending a heartfelt video message for Aishwarya. In her message, the In her message, the ‘Bunty Aur Babli’ actress stated, “You know I love you. I’m so sorry I couldn’t come for the show because you know I’m unwell. As you know, I’m always unwell and couldn’t make it to Delhi. But just to let you know that I love you and you mean a lot to me. I just love you Aish. I don’t think I need to say it. But because of everyone I have to say it on TV again. I just want to say one thing that we are going to be friends forever.” However, their friendship reportedly did not last long. The turning point came during the making of the 2003 film “Chalte Chalte.” Aishwarya Rai Bachchan was originally cast as the female lead opposite Shah Rukh Khan, but she was later replaced by Rani Mukerji. Over time, this incident created a rift between the two actresses, and they eventually drifted apart. What began as a promising friendship soon became one of Bollywood’s most talked-about fallouts."},"img":{"url":"https://images.prismic.io/prad/5a845dbf-5a67-4d25-b253-f03bfe691752_Aishwarya+Rai.jpg?auto=format%2Ccompress&rect=0%2C0%2C1024%2C505&w=2028&h=1000"},"datetime":"2026-06-28T09:50:00+0000","embed":{"embed_url":null}},"uid":"what-went-wrong-between-aish-and-rani"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"How Smoking Hurts Pregnancy!"},"content":{"text":"When planning to start a family, many couples focus on preparing for pregnancy by discussing nursery plans and choosing baby names. However, what often goes unnoticed is the detrimental impact of smoking on fertility and pregnancy. Cigarette smoke contains harmful chemicals that can damage reproductive cells in both men and women, making it harder to conceive and increasing the risk of pregnancy complications and poor outcomes for babies.  Dr. Vandana Bhatia, a Senior Fertility Specialist, emphasizes that smoking silently affects fertility, pregnancy, and the long-term development of the child. Both partners play a crucial role in protecting fertility as smoking can reduce sperm count, affect sperm movement, and damage egg quality, hormone levels, and ovarian reserve. Additionally, passive smoking also poses risks to fertility and pregnancy outcomes. Quitting smoking as a couple not only improves motivation and emotional support but also encourages healthier habits, leading to improved fertility and overall health.  The quality of eggs and sperm before conception significantly influences the health of the future child, making it essential for both parents to quit smoking before starting a family. Dr. Bhatia recommends practical steps for quitting smoking together, emphasizing that healthy choices are crucial in building a healthy family. Parenthood begins with the quiet promise of choosing health together, even before the first heartbeat is heard on an ultrasound."},"img":{"url":"https://images.prismic.io/prad/akDOG1bRV8_Qf8Cd_smokefertility.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T19:33:00+0000","embed":{"embed_url":null}},"uid":"how-smoking-hurts-pregnancy"}},{"node":{"data":{"title":{"text":"Even 1% Sleep Loss Could Heighten Dementia Risk"},"content":{"text":"A recent study published in JAMA Neurology has shed light on the potential link between minimal sleep loss and an increased risk of dementia. The research suggests that as little as a 1% reduction in deep sleep per year for individuals over 60 could translate to a 27% elevated risk of developing dementia. Deep sleep, also known as slow-wave sleep, plays a crucial role in the body's repair processes and the clearance of toxic proteins associated with dementia.  Associate Professor Matthew Pase from Monash University's Turner Institute for Brain and Mental Health emphasized the significance of deep sleep in supporting the aging brain and facilitating the removal of metabolic waste, including proteins linked to Alzheimer's disease. The study, which drew from the Framingham Heart Study, examined 346 participants over 60 years of age, tracking their sleep patterns and dementia development over a 17-year period. Even after adjusting for various factors, including age, genetic predisposition, and medication use, the findings consistently pointed to a 27% increased dementia risk for each percentage decrease in deep sleep annually.  It's important to note that the natural decline in deep sleep with age is gradual, peaking between 75 and 80 years old and then stabilizing. However, the cumulative effect of a 27% increase per percentage-point decrease underscores the long-term impact on dementia risk. While there's no straightforward solution to preserving deep sleep, maintaining consistent sleep schedules, avoiding alcohol before bedtime, creating a conducive sleep environment, and addressing conditions like sleep apnea can potentially support better sleep quality. Additionally, regular exercise has been linked to improved slow-wave sleep in older adults. Although these measures aren't a guarantee, the study highlights the importance of prioritizing deep sleep for brain health as individuals age."},"img":{"url":"https://images.prismic.io/prad/50a54145-f24c-4c83-80b9-e6d19ba52027_sleep.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T06:59:00+0000","embed":{"embed_url":null}},"uid":"even-1-sleep-loss-could-heighten-dementia-risk"}},{"node":{"data":{"title":{"text":"Is Your Soda Habit Causing Hair Loss?"},"content":{"text":"Are your beloved sodas harming your hair? While soft drinks have long been criticized for their impact on weight, diabetes, and heart health, a new concern has emerged regarding their potential effects on hair. The discussion gained traction after hair transplant surgeon Dr. Abhishek Pilani highlighted the issue on Raj Shamani's Figuring Out podcast.  According to Dr. Pilani, regular consumption of sugary cold drinks may create conditions within the body that are not conducive to healthy hair growth. While consuming one soda is unlikely to cause sudden hair loss, a study published in the journal Nutrients in 2023 found a link between higher consumption of sugar-sweetened beverages and male-pattern hair loss in young men. However, it's essential to note that the study established a correlation, not causation. The potential connection between soft drinks and hair health lies in the impact of high-sugar beverages on overall health.  Excessive sugar consumption can lead to repeated spikes in blood sugar and insulin levels, potentially contributing to inflammation and metabolic issues that affect the body, including hair growth. However, hair loss is rarely attributed to a single factor and is typically the result of various elements accumulating over time, including genetics, hormones, nutrition, lifestyle, and overall health. Healthy hair growth relies on a balanced intake of nutrients such as iron, protein, zinc, vitamin D, and B vitamins. While soft drinks don't directly deplete these nutrients, excessive consumption may lead to healthier options being replaced.  The concern lies in long-term habits rather than occasional consumption. The normal range of daily hair loss is between 50 and 100 strands, but concerns arise when lost hairs aren't adequately replaced. While soft drinks may not directly cause hair loss, their impact on overall health could potentially affect hair growth. Instead of fixating on individual cans of soda, experts emphasize the importance of considering overall lifestyle factors such as sleep, stress management, balanced nutrition, and reduced sugar intake. Ultimately, addressing concerns about hair health may begin with dietary and lifestyle adjustments."},"img":{"url":"https://images.prismic.io/prad/aDbfAydWJ-7kSniS_jucessoda.JPG?auto=format,compress"},"datetime":"2026-06-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"is-your-soda-habit-causing-hair-loss"}},{"node":{"data":{"title":{"text":"Recognizing the Early Signs of Ovarian Cancer"},"content":{"text":"Ovarian cancer is a significant concern for women in India, being the third most common cancer among them. However, many women with ovarian cancer often experience symptoms for several months before receiving a proper diagnosis. In India, a staggering 70 to 80 percent of ovarian cancer patients are diagnosed at advanced stages, mainly because the early signs are easily mistaken for other health issues. Oncologists have dubbed ovarian cancer as a 'silent disease' due to its subtle progression without clear, alarming symptoms.  Dr. Sampada Desai, a Consultant Gynaecological Cancer and Robotic Surgeon, emphasizes that ovarian cancer does not remain silent but instead 'whispers' through nonspecific symptoms such as upper abdominal discomfort, bloating, feeling full too early, and digestive problems, which are often mistaken for other conditions. Persistent bloating and extreme fullness even after consuming small portions of food, coupled with lower abdominal or pelvic pain, should prompt a visit to the doctor. Changes in menstrual patterns, irregular bleeding, or any bleeding post-menopause also warrant attention.  It is crucial for individuals experiencing these symptoms to keep a record for a month and consult a gynecologic oncologist if any symptoms persist for more than two weeks or occur frequently. Women with a family history of ovarian, breast, or colon cancer should be particularly vigilant, as they have a higher genetic predisposition to cancer. Early detection is key, as there are no routine screening tests for ovarian cancer. Clinical examination, ultrasonography, and blood tests may be part of the evaluation for potential ovarian cancer. Recognizing the subtle signs and listening to the 'whisper' of ovarian cancer may significantly aid in early detection and improved survival rates."},"img":{"url":"https://images.prismic.io/prad/aigpQAeQX7-eXEpI_overaincancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T18:42:00+0000","embed":{"embed_url":null}},"uid":"recognizing-the-early-signs-of-ovarian-cancer"}},{"node":{"data":{"title":{"text":"How Thyroid Health Affects Fertility"},"content":{"text":"For women trying to conceive, the road to pregnancy can be fraught with challenges. While the reasons for delayed conception may not always be obvious, thyroid health could be a significant factor. As the world marks World Thyroid Day on May 25, experts emphasize the often overlooked influence of hypothyroidism on reproductive health. Dr. Alimileti Jhansi Rani, a Fertility Specialist at Birla Fertility & IVF Hyderabad, stresses the critical role of the thyroid in reproductive health.  Research has shown that hypothyroidism can disrupt ovulation, menstruation, and hormonal regulation, leading to fertility struggles and potential complications during pregnancy. It's important to note that even 'normal' thyroid levels may not be ideal for conception, with specialists recommending optimized levels for fertility. Treatment and lifestyle changes, including medication, proper nutrition, stress management, and monitoring menstrual and ovulation patterns, can significantly improve the chances of conception.  Additionally, testing for thyroid antibodies can provide valuable insights, especially for women facing recurrent miscarriages or fertility challenges. Understanding the impact of thyroid health on fertility and seeking timely medical guidance can save valuable time for women struggling to conceive."},"img":{"url":"https://images.prismic.io/prad/1c687669-969a-426e-b643-acc2ccc20607_thyroid.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","embed":{"embed_url":null}},"uid":"how-thyroid-health-affects-fertility"}},{"node":{"data":{"title":{"text":"Shortness of Breath? Take It Seriously"},"content":{"text":"Feeling winded when doing everyday tasks like climbing stairs may seem normal, but according to Dr. Rajesh Rajani, Consultant Interventional Cardiologist, it can be a red flag for an underlying heart problem. Many people dismiss breathlessness as a sign of aging or lack of fitness, but this could be dangerous thinking. The gradual decline in your ability to perform tasks without getting breathless may go unnoticed, leading to delayed diagnosis of potential heart issues.  Dr. Rajani warns that breathlessness should not be normalized, as it could indicate serious heart conditions such as blocked arteries, heart valve disease, irregular heart rhythms, or weakening of the heart muscles. Recognizing and evaluating these symptoms early can help identify underlying health risks and prevent more serious complications later. It's crucial not to make excuses for these symptoms and to seek medical advice if you experience increasing shortness of breath.  This article provides insights from Dr. Rajesh Rajani, shedding light on why breathlessness should not be ignored and how it can signify an underlying heart condition."},"img":{"url":"https://images.prismic.io/prad/agwbIKYofJOwHWqT_breath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T18:56:00+0000","embed":{"embed_url":null}},"uid":"dont-ignore-it-when-shortness-of-breath-signals-a-serious-health-concern-mpcc9z9u"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Passport application fee to go up"},"content":{"text":"The Ministry of External Affairs has raised charges for passport-related services which will make getting a passport more expensive with effect from July 1, 2026.  The increased fee structure will be applicable for fresh passport applications, renewals, Tatkaal services, replacement of lost or damaged passports, police clearance certificates (PCC) and other passport-linked services. In the case of adults, the charges on a normal application for a fresh 36-page passport or renewal have been raised from the existing fee of Rs 1,500 to Rs 2,500. For a 60-page passport (adult, normal), the fee has been increased from Rs 2,000 to Rs 3,500. For a 36-page adult passport under the Tatkaal scheme, the fee has been raised from Rs 3,500 to Rs 5,000, while for a 60-page passport in the category, the fee has gone up from Rs 4,000 to Rs 6,000. The higher charges will apply from July 1, 2026, for applications submitted in India or abroad under the revised fee structure. Applicants seeking a replacement passport due to loss or damage will also have to pay higher charges of Rs 5,000 for a 36-page passport compared to Rs 3,000 earlier. In the case of a 60-page passport in this category, the fee has been hiked to Rs 6,000 from Rs 3,500 earlier.  For a 60-page adult passport replacement in the Tatkaal category, the fee has been raised from Rs 5,500 to Rs 8,500.  Passport services for children below 18 years will also become costlier. In the case of a 36-page fresh or reissue passport for minors (normal), the fee has been raised from Rs 1,000 to Rs 1,750. In the case of 36-page fresh or reissue passport for minors in the Tatkaal category, the fee has been increased from Rs 3,000 to Rs 4,250.  For the replacement of a lost or damaged passport for minors (normal) the new fee has been fixed at Rs 4,250 while in the Tatkaal category for minors, the new fee will be Rs 6,750. Charges for miscellaneous passport services, including police clearance certification (PCC) and other passport-related certificates, the fee has been increased from Rs 500 to Rs 750.  The revised structure also includes charges for services such as surrender certificates and other passport-linked documentation. Indian citizens applying for passport services outside India will follow a separate fee structure. For example, the fee for a fresh 36-page passport application abroad (normal) has been fixed at $125. The fee for the same passport application in the Tatkaal category will be $250.  The revised overseas fee structure will apply to Indian citizens seeking passport services through missions and consulates abroad. A 10 per cent discount on fresh passport applications will continue for children below eight years of age and senior citizens above 60 years. However, the discount will not apply to passport reissue applications."},"img":{"url":"https://images.prismic.io/prad/3a355e0a-3265-4c23-9216-29c9173f663b_passport.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-28T20:41:00+0000","embed":{"embed_url":null}},"uid":"passport-application-fee-to-go-up"}},{"node":{"data":{"title":{"text":"Tragedy Strikes T'gana Student in London"},"content":{"text":"In a heartbreaking incident, 25-year-old S. Srinath Reddy, a student hailing from Kamareddy district in Telangana, was discovered dead in London, casting a shadow over his family and the local community. Having relocated to the UK 14 months ago for higher education, Srinath's untimely death has raised alarm and prompted calls for swift action regarding the circumstances and repatriation of his remains. His father, Madhusudan Reddy, expressed profound grief and confusion, noting that the family had shared a seemingly normal conversation with him the night before his passing. Details surrounding the events leading up to Srinath's death are currently shrouded in uncertainty. On the night of June 22, he attended a birthday party, after which he was reported missing by family until the following morning when his roommate found him unresponsive. According to statements attributed to the roommate, there are indications that Srinath's death may have been a suicide, although concrete evidence and clarification remain pending. This tragic occurrence has not only devastated his family but also raised questions about the mental health resources available to international students navigating life far from home. Srinath Reddy's journey to London was emblematic of the aspirations of many Indian students seeking to further their education abroad, driven by the promise of global opportunities and personal growth. However, the challenges they face, including cultural adjustments, academic pressure, and potential isolation, are often underestimated. The psychological toll on students in foreign environments has become an increasingly urgent conversation, particularly in light of recent incidents involving young expatriates in similar circumstances. In a poignant plea to authorities, Madhusudan Reddy has urged both the Central and Telangana state governments to expedite the process of bringing his son's body home. As investigations unfold, the family and community seek answers and clarity in this tragic situation, emphasizing the need for improved support systems for students abroad. The loss of Srinath Reddy resonates deeply within the broader narrative of the challenges faced by young scholars in an increasingly interconnected world."},"img":{"url":"https://images.prismic.io/prad/akAOXFbRV8_Qf7xu_TSstudentUK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T16:15:00+0000","embed":{"embed_url":null}},"uid":"tragedy-strikes-tgana-student-in-london"}},{"node":{"data":{"title":{"text":"Indian Americans take priorities to Capitol Hill"},"content":{"text":"Nearly 200 Indian American delegates from 25 states are set to meet lawmakers and Congressional staff across the Capitol Hill on Tuesday as part of a major advocacy effort focused on strengthening the US-India partnership, advancing immigration reform and bolstering Indo-Pacific security. The initiative, organised by the Foundation for India and Indian Diaspora Studies (FIIDS), is expected to bring delegates to more than 125 elected offices during its fourth annual Capitol Hill Day. The meetings will focus on issues ranging from trade and security cooperation with India to critical minerals supply chains and the role of Indian Americans in the United States' economy, it said. \"This is a moment to translate influence into policy impact,\" said Khanderao Kand, FIIDS Chief of Policy and Strategy. \"Indian Americans contribute across technology, research, academia, hospitality, health care, small business, and agriculture, and our community is engaged in ensuring that Congress understands the issues that matter most to America's future,\" he added. FIIDS said delegates will advocate on five major policy areas: Indo-Pacific trade and security, the US-India strategic partnership, Indian American contributions and concerns, immigration reform for US innovation, and critical minerals supply-chain security. According to the organisation, the agenda reflects both the growing influence of Indian Americans in public life and broader concerns about US competitiveness, national security and democratic resilience. The advocacy meetings will be followed by the US-India Partnership Summit later on Tuesday. The event is expected to bring together diplomats, elected officials and policy leaders to discuss the future of bilateral cooperation. FIIDS said speakers are scheduled to include Deputy Assistant Secretary of State Bethany Morrison, Deputy Chief of Mission Ambassador Mangya Khampa and other diplomats, elected officials and leaders focused on strengthening US-India ties. The organisation's policy platform calls for greater Indo-Pacific resilience, stronger defence and technology cooperation between Washington and New Delhi, recognition of Indian American contributions, reforms to high-skilled immigration programmes and a long-term strategy for securing critical minerals supply chains. FIIDS said that these priorities are increasingly important to America's economic strength and strategic competitiveness in a rapidly evolving global environment. The organisation said this year's Capitol Hill Day reflects steady growth in participation. It reported nearly 70 delegates in 2023, about 132 in 2024 and around 145 in 2025. The nearly 200 delegates expected this year would make the 2026 gathering its largest till date."},"img":{"url":"https://images.prismic.io/prad/ajqZyFbRV8_Qfxb5_capital.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-23T12:36:00+0000","embed":{"embed_url":null}},"uid":"indian-americans-take-priorities-to-capitol-hill"}},{"node":{"data":{"title":{"text":"Usha Behind JD Vance’s Christian Return"},"content":{"text":"US Vice President JD Vance has credited his Indian American wife, Usha Vance, with helping shape his return to Christianity, saying her support in their interfaith marriage and her influence on his understanding of love, family and commitment played a crucial role in his spiritual journey.  In a candid interview with New York Times columnist Ross Douthat, Vance said his relationship with Usha transformed not only his personal life but also the way he viewed faith after years of atheism and spiritual uncertainty. “I had this epiphany — which is overstating it — but I realised that falling in love with Usha made me realise that there was actually something sacramental to love,” Vance said. The remarks came as Vance discussed his new memoir, Communion: Finding My Way Back to Faith, which traces his journey from a turbulent childhood and eventual loss of faith to his conversion to Catholicism. Vance said his early connection to Christianity weakened after the death of his grandmother, whom he described as the anchor of his religious life. “When my grandma died, that was my anchor to Christianity,” he said. “It’s really no coincidence that my grandma died and, like, two years later, I called myself an atheist.” For years, he drifted away from religion. He immersed himself in education, professional ambition and personal achievement. Looking back, he said those pursuits ultimately left him unfulfilled. “The thing I realised is that this kind of striving had made me pretty hollow,” he said. The turning point, he suggested, came through relationships rather than theology. Vance spoke extensively about Usha, whom he married before entering national politics. Although she does not share his Christian faith, he said her support became an important factor in his decision to return to religion. “I felt kind of guilty, actually, about returning to my faith with all the demands that come with me,” he said. He described the realities of raising a family while practising his faith, noting that his wife embraced responsibilities she had never expected. “I think about this every single Sunday when I take my 36-week-pregnant wife, who is herself not a Christian, and us and our three kids, and they’re late getting their shoes on, and they’re always misbehaved,” Vance said. “She did not sign up for this. She signed up to sleep in on Sundays and not have to deal with this.” Yet, he said, her response never wavered. “But she does it with incredible patience, and her being not just OK with that but supportive of that journey was like almost confirmation or a sign that it was OK for me to go down this pathway.” According to Vance, Usha fundamentally changed his understanding of marriage and relationships. “The thing about relationships, and I think all millennials experience this, because we all grew up in the same culture, is there was this sense in which there was nothing sacred about romance,” he said. That changed when he fell in love. “Usha, even though she’s not a Christian, she really changed how I thought about the union of man and woman together, and she changed how I thought about it. Without even realising it, I thought about it in a very, very Christian way.” Vance also credited Christian friends and families for helping guide him back to faith. Many of the people he most admired, he said, were Christians whose lives reflected values he increasingly wanted to emulate. “At some basic level, I had some really good friends who were really good people, and they showed me the truth of faith by the way that they conducted themselves in the world,” he said. Now 41, Vance said becoming a husband and father forced him to confront deeper questions about meaning, responsibility and purpose. Those questions eventually led him back to Christianity. Usha Vance, a lawyer and the daughter of Indian immigrants, has emerged as one of the most prominent Indian American figures in US public life since her husband's rise from senator to vice president. While largely remaining outside day-to-day political debates, she has become a familiar presence on the national stage."},"img":{"url":"https://images.prismic.io/prad/ZpZOMR5LeNNTxMAJ_UshaChilukuri.JPG?auto=format,compress"},"datetime":"2026-06-22T03:20:00+0000","embed":{"embed_url":null}},"uid":"usha-behind-jd-vances-christian-return"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"‘The India Story: Slow Poison’ Teaser"},"img":{"url":"https://images.prismic.io/prad/aj6bVlbRV8_Qf655_theindiastoryteasseer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-26T07:24:00+0000","third_party_url":null},"uid":"the-india-story-slow-poison-teaser"}},{"node":{"data":{"title":{"text":"Bahubali the TORCHBEARER"},"img":{"url":"https://images.prismic.io/prad/aj6o1VbRV8_Qf6_z_BBtorchbearer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-26T11:29:00+0000","third_party_url":null},"uid":"bahubali-the-torchbearer"}},{"node":{"data":{"title":{"text":"Dharman First Look Teaser"},"img":{"url":"https://images.prismic.io/prad/ajt9R1bRV8_QfynQ_dharman.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-24T19:12:00+0000","third_party_url":null},"uid":"dharman-first-look-teaser"}},{"node":{"data":{"title":{"text":"#OGUniverse"},"img":{"url":"https://images.prismic.io/prad/ajzkCFbRV8_Qf2-P_OG2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-24T20:17:00+0000","third_party_url":null},"uid":"oguniverse"}},{"node":{"data":{"title":{"text":"KATHI LANTI IDEA - #VenkyAnil5 #NKRAR2"},"img":{"url":"https://images.prismic.io/prad/ajjieFbRV8_QftqD_kathilantiide.JPG?auto=format,compress"},"datetime":"2026-06-21T18:30:00+0000","third_party_url":null},"uid":"kathi-lanti-idea---venkyanil5-nkrar2"}},{"node":{"data":{"title":{"text":"'Veera Jayadheera' song from 'Bharta Varsha'"},"img":{"url":"https://images.prismic.io/prad/ajZZuo1P9HI4Uwge_bharathvarsha.JPG?auto=format,compress&rect=0,2,2020,996&w=2028&h=1000"},"datetime":"2026-06-19T18:30:00+0000","third_party_url":null},"uid":"veera-jayadheera-song-from-bharta-varsha"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Indian Passport: A Proof For Geopolitical Trishanku?"},"img":{"url":"https://images.prismic.io/prad/aj5S-lbRV8_Qf6TC_passportelections.JPG?auto=format,compress"},"datetime":"2026-06-26T09:22:00+0000","third_party_url":null},"uid":"indian-passport-a-proof-for-geopolitical-trishanku"}},{"node":{"data":{"title":{"text":"Iran's Invite: A Diplomatic Googly?"},"img":{"url":"https://images.prismic.io/prad/aj0kNVbRV8_Qf4Ab_usiran.JPG?auto=format,compress"},"datetime":"2026-06-25T12:51:00+0000","third_party_url":null},"uid":"irans-invite-a-diplomatic-googly"}},{"node":{"data":{"title":{"text":"Real-Life Thrillers: When Saying 'No' Feels Harder Than Murder"},"img":{"url":"https://images.prismic.io/prad/ajvLQVbRV8_Qf0Eb_fianceemuder.JPG?auto=format,compress"},"datetime":"2026-06-24T10:19:00+0000","third_party_url":null},"uid":"real-life-thrillers-when-saying-no-feels-harder-th"}},{"node":{"data":{"title":{"text":"A Scam In The Name Of Lord Rama?"},"img":{"url":"https://images.prismic.io/prad/ajpy81bRV8_Qfwpd_ramtempleayodhya.JPG?auto=format,compress"},"datetime":"2026-06-23T07:25:00+0000","third_party_url":null},"uid":"a-scam-in-the-name-of-lord-rama"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aj-3gFbRV8_Qf7se_anasuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Fiancee Funded Lover with Groom's Money"},"content":{"text":"The shocking Ketan Agarwal murder case has taken a dramatic turn, with investigators alleging that his fiancée, Siya Goyal, took nearly Rs 1 crore from him under the pretext of wedding preparations and transferred the money to her alleged lover, Chetan Chaudhary. Police sources claim the funds were meant to help Chetan establish himself financially, while the duo allegedly planned to marry years after Ketan's death to avoid suspicion. Investigators also suspect that the murder was meticulously planned, with a secret signal allegedly used moments before Ketan was pushed off a cliff at Lohagad Fort. Call records reportedly show Siya spoke to Chetan shortly before the incident. Police believe the accused had even attempted to kill Ketan days earlier, making the case one of the most chilling and carefully orchestrated alleged murder conspiracies in recent times."},"img":{"url":"https://images.prismic.io/prad/akFe4FbRV8_Qf8Mu_KetanAgarwal.png?auto=format%2Ccompress&rect=0%2C27%2C449%2C221&w=2028&h=1000"},"datetime":"2026-06-29T08:35:00+0000","embed":{"embed_url":null}},"uid":"fiancee-funded-lover-with-grooms-money"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"SIR Anxiety Linked to Hy Man's Suicide"},"content":{"text":"A 51-year-old man died by suicide allegedly due to fear of his name being deleted in the ongoing Special Intensive Revision (SIR) of electoral rolls and possible consequences for the family including two mentally challenged children.  Under severe mental distress over his name not found in 2002 voter list and anomalies in the documents, Sheikh Mujbil Rehman, a cab driver, hanged himself at his residence in Bharat Nagar, Borabanda in the early hours of Sunday. According to the family members, he was worried about the future of his wife and three children including two with intellectual disabilities. Showing copies of various documents Rehman had prepared, his nephew Imam told media that he he had spent Rs.1.5 lakh for the same. As he had different spellings of his name in different documents like Aadhaar and passport, he was anxious about the legal complications after deletion of his name from the voter list. Imam said Rehman was running around various offices for last one months to make corrections in the documents. There were also anomalies in the documents with regard to the date of birth. Rehman also did not find the name of his parents in 2002 list for mapping, further heightening his anxieties.  The deceased’s family members said he was mentally distressed after hearing from others about the possible consequences of deletion of name from voter list.  Rehman’s wife said he had been very tense for last few days as he was unable to make the required corrections in the documents and was worried that this may result in their two mentally unsound children losing their pension and the family losing benefits of other welfare schemes. According to her, he woke up around 2 a.m. and after drinking some water went to bed again. An hour later, he woke up again and when she enquired if he had to go for work, he did not reply and returned to bed.  She said around 4.30 a.m. their son woke up and cried loudly on seeing his father hanging.  Police registered a case and took up investigation.  Originally hailing from Karnataka, Rehman’s family had moved to Hyderabad much before his marriage 30 years ago. Door-to-door enumeration under SIR began across Telangana on June 25.  The Booth-Level Officers (BLOs) have distributed 1,43,17,635 enumeration forms across the state as on Sunday (June 28), covering 42.33 per cent of the voters."},"img":{"url":"https://images.prismic.io/prad/akI0jVbRV8_Qf9RY_Rehman.png?auto=format%2Ccompress&rect=0%2C5%2C449%2C221&w=2028&h=1000"},"datetime":"2026-06-29T07:00:00+0000","embed":{"embed_url":null}},"uid":"hyd-man-dies-by-suicide-over-fear-of-deletion-in-s"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Sam Rushes Past Paparazzi Amid Pregnancy Buzz"},"content":{"text":"Samantha who recently sparked pregnancy buzz post a media spotting, was recently clicked in the city, where she chose to rush into her car and avoid any kind of interaction with the paparazzi stationed. The actress was seen walking away swiftly towards her luxury car while an assistant shielded her with an umbrella. Paparazzi stationed outside could be heard greeting the actress, but Samantha did not respond and quietly got into her vehicle before leaving. The sighting comes after Samantha recently confirmed that she is all set to embrace motherhood and is expecting her first baby. Speaking to the media during the success meet of Maa Inti Bangaaram on Wednesday, the actress said she will be taking a maternity break after wrapping up her current commitments. “After Maa Inti Bangaaram, I will have to take a small break, given my condition. I’ll have to take maternity leave. After that I’ll be back with another film for my fans,” Samantha said at the event. Reportedly, her baby is due in December this year. On the personal front, Samantha has been married to filmmaker Raj Nidimoru, one half of the acclaimed director duo Raj & DK, who created the hit streaming series 'The Family Man'. The couple married in December last year."},"img":{"url":"https://images.prismic.io/prad/ab945f0e-37ca-4c5d-a4ff-09a67c3aa59c_samantha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-29T08:47:00+0000","embed":{"embed_url":null}},"uid":"sam-rushes-past-paparazzi-amid-pregnancy-buzz"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Sunita reveals Govinda had many affairs! "},"content":{"text":"The wife of Bollywood actor Govinda, Sunita Ahuja is one of the contestants on the reality show 'Lock Upp: Sach Ya Saza'.  Making a powerful entrance, Sunita opened up about her marriage with Govinda. She revealed that Govinda had several affairs during their marriage. As part of the premiere episode, host Farah Khan read out a few headlines featuring Sunita. One of them was, “I want a son like Govinda, not a husband”. As Farah asked Sunita to elaborate, she was heard saying, \"Pyaar mein toh aapko har cheez bardasht karna chahiye. Chi Chi ne life mein itne affairs kiye, chalo hero heroine mein toh hote hi hain. Toh mujhe lagta hai itne saal jo maine Chi Chi ke saath nibhaya hai, I think uske jaisa beta hona chahiye (In love, you should be able to tolerate everything. Govinda had many affairs in his life; well, heroes and heroines do such things. I think since I stood by him for so many years, I deserve to have a son like him.\" After that, co-host Riteish Deshmukh read out another headline, saying \"Jab tak pati patni saath ho tab tak ankhiyon se goli maare. Par jab koi third party aa jaye to ghutnon par goli maare.\" Taking a hilarious jibe, Sunita said, \"Sun rahe ho Chi Chi toh sun lena bhaiya, kyunki ghutno pe goli tabhi lagti hai jab koi life mein aa jaati hai. Voh bhi maine jhooth nahi bola. Main toh Bombay mein thi nahi, kitne logon ne bola ki maine hi maar diya. Main toh Khatu Shyam mein thi. (If you're listening, then listen carefully. A bullet only hits you in the knee when someone comes into your life. I wasn't lying about that either. I wasn't even in Mumbai — so many people said I was the one who shot him. I was at Khatu Shyam.\" Govinda and Sunita Ahuja got married in 1987 but kept their marriage private for almost two years. They made their marriage public only after the birth of their daughter, Tina Ahuja. The couple also has a son named Yashvardhan Ahuja. "},"img":{"url":"https://images.prismic.io/prad/aKmiAmGNHVfTOOQK_govindasunitgha.JPG?auto=format,compress"},"datetime":"2026-06-28T07:32:00+0000","embed":{"embed_url":null}},"uid":"sunita-reveals-govinda-had-many-affairs-"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}