{"data":{"all":{"edges":[{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"200 Stanford graduates walk out during Pichai's speech"},"content":{"text":"Google CEO Sundar Pichai faced protests and walkouts as he delivered the keynote address at Stanford University’s commencement, even though he skipped mentioning artificial intelligence to avoid getting booed, a report has said.  Roughly 200 students walked out of the ceremony to protest Google's ties to Israel and other grievances, the report from SFGate said. Though artificial intelligence may seem like a natural fit for graduates of the Stanford University located in the heart of Silicon Valley, every college commencement speaker this year got booed when they touched upon this subject. So Pichai spoke instead about his personal journey from India to Silicon Valley, recounting his early setbacks and struggles. He talked about his immigration to California, decision to drop out of his doctorate in favour of a master's degree, and struggles when he joined Google. \"Around 200 students walked out as Pichai took the stage, and smaller groups in the audience waved banners, blew whistles and waved Palestinian flags before also leaving mid-speech,\" the report said. Pro-Palestinian protesters protested against the company’s ties with the Israeli government, particularly 2021-deal Project Nimbus which had a $1.2 billion cloud-computing deal with the country. The ceremony continued after initial protests and Pichai’s anecdotes drew scattered applause and laughter. The walkouts follow other Stanford commencements over the last three years and student protests on Israel’s war in Gaza and the university’s crackdown on pro-Palestinian demonstrations on campus. Protesters staged a separate event “People’s Commencement” that featured activist Mahmoud Khalil as keynote speaker. Khalil was detained by US immigration authorities for over 100 days last year over pro-Palestinian campus activism in Columbia University. Former Google CEO Eric Schmidt was booed at the University of Arizona commencement last month when graduates booed as Schmidt said “AI is going to touch everything.”"},"img":{"url":"https://images.prismic.io/prad/a551ea4b-a95b-44f1-a8f7-612523fd354c_pichai.JPG?auto=format,compress"},"datetime":"2026-06-15T07:20:00+0000","embed":{"embed_url":null}},"uid":"200-stanford-graduates-walk-out-during-pichais-spe"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Vijay-Sangeetha Split Case Rescheduled"},"content":{"text":"The divorce case of Tamil Nadu Chief Minister and Tamilaga Vettri Kazhagam (TVK) President C. Joseph Vijay and his wife Sangeetha was adjourned once again on Monday after neither of them appeared before the Chengalpattu Family Court.   As the matter came up for hearing, both Vijay and Sangeetha remained absent, and their counsel represented them before the court.  In view of their non-appearance, the judge adjourned the case and posted it for further hearing on August 7.  The high-profile matrimonial dispute has witnessed repeated adjournments in recent months.  During earlier hearings, too, neither Vijay nor Sangeetha appeared in person before the court. On those occasions, both sides were represented by their lawyers, who informed the court about difficulties in attending the proceedings physically.  Sources familiar with the case said requests had been made seeking permission for the couple to participate in the proceedings through video conferencing. The plea reportedly cited security concerns and logistical challenges arising from Vijay’s position as Chief Minister and the public attention surrounding the case.  The family court had earlier deferred the matter to June 15 after considering submissions from both sides. However, with neither party appearing on Monday, the proceedings could not move forward, resulting in another postponement.  Sangeetha filed the divorce petition before the Chengalpattu Family Court in December 2025, seeking dissolution of her marriage with Vijay on the grounds of irreconcilable differences. In her petition, she also sought alimony and requested permission to continue residing in the couple’s residence at Neelankarai in Chennai.  The case has drawn considerable public and political attention due to Vijay’s status as the leader of the TVK and subsequently the Chief Minister. Every development in the proceedings has been closely followed by political observers and the media. With Monday’s adjournment, the matter will now be taken up nearly two months later, when the court is expected to consider the next steps in the proceedings. "},"img":{"url":"https://images.prismic.io/prad/ai-1EI1P9HI4UgC2_vijaysangeetha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-15T07:42:00+0000","embed":{"embed_url":null}},"uid":"vijay-sangeetha-split-case-rescheduled"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Nivetha's Shock Exit Confession"},"content":{"text":"Well known actress Nivetha Pethuraj, whose performance in legendary filmmaker Singeetham Srinivasa Rao's recent Telugu film 'Sing Geetham' has come in for praise, has now disclosed that she had contemplated quitting films in 2023.  Participating in a Thanksgiving meet organised by the film's makers, Nivetha Pethuraj began her speech by saying, \"In 2023, I decided to quit cinema. And I realised life takes you in all the wrong decisions and wrong paths just so you can land in a Singeetham Srinivas Rao's golden blockbuster.\" Thanking producer Nag Ashwin for bringing her \"back to life, basically\", the actress said, \"If it wasn't for Nag, I wouldn't be here. I would have just been in some Himalayas or something, just meditating. I wanted to choose a different life, but I'm back at it again. With a great bang, I believe. So, thank you so much.\" Stating that she was moved to tears while watching the film, the actress said, \"I watched the film day before yesterday, and I had tears in my eyes because this is something that is actually happening in the world right now. So, I hope there's a small takeaway from this film that when a newborn comes to this earth, we try to plant a sapling for every newborn. That will make a huge difference because of whatever is happening in this world right now. That's my only wish.\" Stating that she often went to a lot of musicals in London, Nivetha Pethuraj said, \"I was just hoping at least there is one musical concert that happens, you know, somewhere in India. And I couldn't believe that I was part of a musical film, which is history. So, I'm glad.\" The actress, who was full of gratitude for the opportunity, called the film's director, a director's director. She said,\"There's only one thing I can say about Sangeetam Srinivas Rao Garu. He's a director's director. That's it. There's nothing more about him. I'm so glad. Thank you so much for having me. Thank you so much for trusting in me.\" For the unaware, director Singeetham Srinivasa Rao's dream project 'Sing Geetham', envisioned as India’s first musical fantasy, released on June 12. The film, which has been produced by Nag Ashwin under the prestigious banners of Vyjayanthi Movies and Swapna Cinema, features actors Ayaan, Ahilya Bamroo, and Shalini Kondepudi in the lead."},"img":{"url":"https://images.prismic.io/prad%2F6c8819a0-b767-419d-a332-88be01b4d4b8_nivetha+pethuraj.jpg?auto=format%2Ccompress&rect=0%2C29%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-06-15T05:02:00+0000","embed":{"embed_url":null}},"uid":"nivethas-shock-exit-confession"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Mithun Chakraborty’s daughter gets engaged"},"content":{"text":"Veteran actor and politician Mithun Chakraborty’s daughter Dishani Chakraborty is now engaged to her beau Myles Mantzaris and will get married on December 6, 2026.  Dishani, in a collaborative post, shared a string of pictures from the proposal. In the images, Myles, who as per his Instagram bio is a steadicam operator and a colorist, is seen on his knee as he proposed to Dishani. Another image showed the daughter of the Disco Dancer star flaunting the big rock on her finger. The last photograph had the couple sharing a sweet kiss. For the caption, Dishani wrote: “06.12.2026 … The easiest forever I’ve ever known.” The post was liked by actress Celina Jaitly. Dishani is the adopted daughter of Mithun, who is married to actress Yogeeta Bali. He was first married actress Helena Luke in 1979. Four months later, the couple separated and filed for a divorce. Mithun and Yogeeta got married in 1979. They have four children, Mimoh, Ushmey, Namashi, and an adopted daughter Dishani. Talking about Mithun, he has a career spanning over five decades and has done 350 films. Tagged as \"Mahaguru\", he is a former Rajya Sabha Member of Parliament. He made his acting debut with art house drama Mrigayaa in 1976, directed by Mrinal Sen, for which he won his first National Film Award for Best Actor.ians He gained greater fame with the 1982 film Disco Dancer, Agneepath, Pati Patni Aur Tawaif Gunahon Ka Devta,Roti Kee Keemat, Trinetra, Shatranj, Tadipaar, Jung, Kaalia, Daadagiri, Guru, My Name Is Anthony Gonsalves, Housefull 2, The Tashkent Files and The Kashmir Files. The television show Dance India Dance, where Mithun was the Grand Master, also entered in the Limca Book of Records and the Guinness World Records. Mithun’s latest release is The Bengal Files directed by Vivek Agnihotri. It presents a storyline focused on the Direct Action Day and the Noakhali riots, depicting the violence and its aftermath as a genocide."},"img":{"url":"https://images.prismic.io/prad/ai-UEo1P9HI4UfUT_mithun.JPG?auto=format%2Ccompress&rect=0%2C2%2C512%2C252&w=2028&h=1000"},"datetime":"2026-06-15T03:57:00+0000","embed":{"embed_url":null}},"uid":"mithun-chakrabortys-daughter-gets-engaged"}},{"node":{"tags":["Entertainment","featured","four"],"data":{"third_party_url":null,"title":{"text":"Kartik-Sreeleela Romance Rumours Heat Up"},"content":{"text":"Bollywood’s chocolate boy Kartik Aaryan shared a birthday wish for his co-star and rumoured girlfriend Sreeleela, who has turned  25. Taking to the photo-sharing website, the “Shehzada” actor posted a photograph, where the actress was seen sitting behind Kartik, who was riding a bike. In the image, the two are seen smiling as they look into the bike's rearview mirror.  Kartik wrote as the caption, \"Happy Birthday Sree Sree.\"  Sreeleela then replied to the post, saying, \"Thank you sweetest.\"  Kartik and Sreeleela will soon be seen in filmmakerer Anurag Basu's forthcoming untitled romantic drama. Produced by T-Series, the film marks Sreeleela's Bollywood debut and is slated to release in late 2026.  Kartik was last seen in “Tu Meri Main Tera Main Tera Tu Meri”, a romantic comedy directed by Sameer Vidwans. The film also stars Ananya Panday Neena Gupta, Jackie Shroff and Tiku Talsania in supporting roles. Kartik also has comedy-adventure film ‘Naagzilla’, which is set to bow in cinemas on February 12. The film is directed by Mrighdeep Singh Lamba, who is known for the ‘Fukrey’ franchise. The film was earlier set to release on August 4, 2026. The film promises a world of shape-shifting snakes, rooted in Indian folklore.  It is produced by Karan Johar, Mahaveer Jain, Adar Poonawalla, Apoorva Mehta, Mrighdeep Singh Lamba, and Neetu M Jain. The actor had announced the film last year in April, as he took to his Instagram, and shared a striking motion poster that shows him shirtless, gazing over a cityscape from within a snake-filled lair. In the caption, Kartik wrote, “I’ve seen many human stories, now watch a story of naags. #Naagzilla - Naag lok ka Pehla Kaand... Fun phailaane Aa raha hu main, Preyamvadeshwar Pyare Chand... Naag Panchami par aapke nazdeeki SsSsinemas mein. 4 August 2026 ko”. Meanwhile, Kartik has been lying low since his name popped up in the controversy surrounding him allegedly chatting with a minor girl on photo-sharing app Snapchat. There were online claims suggesting that the actor allegedly texted a minor on Snapchat, but these accusations remain unverified and largely rooted in social media speculation."},"img":{"url":"https://images.prismic.io/prad/ai-ab41P9HI4Ufgu_sreekarthik.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-15T03:24:00+0000","embed":{"embed_url":null}},"uid":"kartik-sreeleela-romance-rumours-heat-up"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Shalini Ajith: A little bit of France, a whole lot of love!"},"content":{"text":"Actress Shalini, the wife of well known Tamil actor and racer Ajith Kumar, who is currently in France along with her family to watch her husband's racing team 'Ajith Kumar Racing' make history, has now put out a post on social media that indicates the happy space the family is currently in.  Taking to her Instagram page to post pictures of their happy family in France, Shalini wrote, \"A little bit of France, a whole lot of love!\" Meanwhile, Ajith Kumar's team, 'Ajith Kumar Racing', proudly completed its historic debut at the prestigious 24 Hours of Le Mans, becoming the first Indian team to compete at the iconic endurance racing event. Amidst an incredibly competitive grid of 62 cars and a challenging race environment, both Ajith Kumar Racing entries delivered commendable performances, successfully staying clear of major incidents and showcasing strong pace, consistency, and teamwork throughout the event. While Car 36 that belonged to the team ended with an overall position of P13, Car 16 had a class position of P9, meaning it had a top 10 finish. Securing a top 10 class finish on debut at Le Mans marks a significant milestone not only for Ajith Kumar Racing but also for Indian motorsport on the global stage. On the occasion, the racing team expressed its gratitude to the Automobile Club de l’Ouest (ACO), the organizers of the 24 Hours of Le Mans, \"for delivering an exceptional event and creating an unforgettable atmosphere for teams, drivers, and fans alike.\" Meanwhile, director Vijay, who is now directing the docu-film that will showcase actor Ajith Kumar's efforts on the racing track, has now thanked actor Ajith Kumar for inviting him to witness and capture the iconic 24 Hours of Le Mans.  Sources close to the actor confirmed to media that the docu-film A L Vijay is directing will be around 90 minutes long and will seek to inspire scores of youngsters to pursue their dreams."},"img":{"url":"https://images.prismic.io/prad/ai-SvI1P9HI4UfRW_ajithshalini.JPG?auto=format%2Ccompress&rect=0%2C10%2C449%2C221&w=2028&h=1000"},"datetime":"2026-06-15T05:15:00+0000","embed":{"embed_url":null}},"uid":"shalini-ajith-a-little-bit-of-france-a-whole-lot-o"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Trump declares Iran deal complete,"},"content":{"text":"US President Donald Trump announced that the United States and Iran had completed a deal that would reopen the Strait of Hormuz and end the US naval blockade, marking what he described as a major breakthrough after months of conflict that rattled global energy markets and raised fears of a wider regional war.  “The Deal with the Islamic Republic of Iran is now complete. Congratulations to all!” Trump said in a post on social media. The announcement came as international attention remained focused on the narrow waterway through which a substantial portion of the world's seaborne oil trade passes. The Strait of Hormuz has been at the centre of tensions between Washington and Tehran for months, with disruptions to shipping contributing to volatility in global energy prices. Trump said he was authorising the reopening of the waterway and lifting the US blockade that had been imposed during the conflict. “I hereby fully authorize the toll free opening of the Strait of Hormuz, and, simultaneously herewith, authorize the immediate removal of the United States Naval blockade,” he wrote. “Ships of the World, start your engines. Let the oil flow!” In a second post, Trump cast the agreement as a historic diplomatic achievement. “This Great Deal will bring Peace and Security to the whole Region,” he wrote. “Many presidents have tried to make Peace with Iran, and all have failed before me.” “The Leaders of the Region have, for the first time, found a President who can help them achieve real Peace,” he added. Trump said the agreement would be formally signed on Friday and linked the reopening of the Strait to efforts to remove mines from the waterway. “With the opening of the Strait upon the signing of the Deal on Friday, for purposes of mine removal, oil will flow on both ends again for the Region, and the World!” he said. The President did not disclose details of the agreement, and no official text was immediately released by the White House. His posts also did not address broader issues that have long divided Washington and Tehran, including Iran’s nuclear programme and US sanctions. However, Trump's statements suggested that the immediate focus of the agreement is restoring freedom of navigation through the Strait of Hormuz and removing barriers to commercial shipping. The announcement followed a day of intense diplomatic activity. Several international news organisations reported that US and Iranian negotiators had moved closer to an understanding after weeks of negotiations involving regional mediators. According to reporting by The Wall Street Journal, US and Iranian officials had indicated that a formal signing ceremony was expected later this week and that reopening the Strait of Hormuz and lifting the naval blockade formed the core of the arrangement. The newspaper reported that the two sides had agreed on an interim framework aimed at ending hostilities and creating space for further negotiations. The Washington Post similarly reported that the agreement would end the US blockade and reopen the Strait while leaving other major issues for future negotiations. The newspaper said discussions on Iran’s nuclear programme and sanctions relief were expected to continue in a separate phase of talks. The New York Times reported that the agreement was expected to halt fighting, reopen the Strait and remove the naval blockade while deferring more contentious questions to future negotiations. The newspaper described the accord as a cease-fire arrangement that could pave the way for broader talks between the two countries. Trump presented the agreement as evidence that his administration had succeeded where previous US presidents had fallen short."},"img":{"url":"https://images.prismic.io/prad/a6217d3e-6587-47fe-b814-f7f75e54aa2e_trump+tweet.JPG?auto=format,compress"},"datetime":"2026-06-15T00:36:00+0000","embed":{"embed_url":null}},"uid":"trump-declares-iran-deal-complete"}},{"node":{"tags":["Entertainment","featured","one"],"data":{"third_party_url":null,"title":{"text":"Peddi Storms Into Profit Zone"},"content":{"text":"Ram Charan’s sports action drama Peddi, directed by Buchi Babu Sana, is maintaining a strong run at the box office and continues to emerge as one of the biggest successes of the year. Released worldwide on June 4, the film opened to positive word-of-mouth and impressive collections across domestic and overseas markets. While the numbers witnessed a natural slowdown during weekdays after a blockbuster first week, the film regained momentum during its second weekend. According to trade estimates, Peddi delivered another solid performance on its 11th day, collecting around ₹9.20 crore net across India through more than 4,100 shows. With this, the film’s domestic tally has reportedly crossed ₹216 crore net and ₹256 crore gross within just 11 days. The film has also been performing exceptionally well in international markets, where it has generated significant revenue. Trade reports suggest that Peddi has grossed nearly ₹51.75 crore overseas so far, taking its worldwide gross collection close to ₹308 crore. Meanwhile, the makers have claimed that the film’s overall worldwide earnings have already touched the ₹393 crore mark. The Telugu states continue to be the backbone of the film’s success, contributing an estimated ₹195 crore gross. Strong occupancy levels in Andhra Pradesh and Telangana, coupled with repeat audience interest, have played a major role in sustaining the film’s box-office dominance well into its second week. Apart from the Telugu market, Peddi has registered respectable collections in other regions as well. Karnataka has emerged as the strongest contributor outside the home market, while Tamil Nadu, Kerala, and other parts of India have also added healthy numbers. In terms of theatrical share, the film has already generated over ₹147 crore from Andhra Pradesh and Telangana alone, with the Nizam region leading the chart. Several key territories have reportedly achieved breakeven status, putting the film firmly in the profit zone for distributors. With the second weekend injecting fresh energy into its theatrical run, Peddi is now eyeing bigger milestones and could eventually finish as one of the highest-grossing films of Ram Charan’s career. Industry observers believe the film still has enough momentum to continue its winning streak in the coming days."},"img":{"url":"https://images.prismic.io/prad/agsEQKYofJOwHUwb_pedditrai.JPG?auto=format,compress"},"datetime":"2026-06-15T06:42:00+0000","embed":{"embed_url":null}},"uid":"peddi-storms-into-profit-zone"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"‘Gadar’ vs ‘Dhurandhar’: Ameesha Shows Proof"},"content":{"text":"Bollywood actress Ameesha Patel is backing up her claims of her film ‘Gadar: Ek Prem Katha’ garnering a higher footfall than the box-office juggernaut ‘Dhurandhar’. On Sunday, the actress took to her X, formerly Twitter, and shared screenshots of her web and AI search. The search results read, “The Ranveer Singh-starrer ‘Dhurandhar’ recorded approximately 3.22 to 3.56 crore (32.2 to 35.6 million) domestic footfalls during its theatrical run, making it one of the most-watched Hindi films”. It further mentioned, “‘Dhurandhar 2’ reached over 4.3 crore total footfalls across all languages. The Hindi version alone crossed 4 crore footfalls. The original ‘Gadar: Ek Prem Katha’ recorded over 5.05 crore (50.5 million) theatrical footfalls in India during its initial release. Gadar 2 recorded an estimated 3.40 crore (34 million) to 3.50 crore theatrical footfalls in India”. The actress tweeted, “So blessed”. Her latest post comes after she claimed that ‘Gadar: Ek Prem Katha’ still rules supreme with its footfall. ‘Dhurandhar: The Revenge’, directed by Aditya Dhar and headlined by Ranveer Singh, has emerged as one of the biggest box-office successes in recent Indian cinema. The response has been overwhelmingly strong across markets. The film witnessed extremely high occupancy rates, multiple sold-out shows, cultivating a new market in dubbed versions, indicating pan-India appeal. Culturally, the ‘Dhurandhar’ franchise has evolved into a mass phenomenon. Its blend of hyper-stylized action, nationalism, and star power has resonated strongly with audiences, reflecting current cinematic trends. Viral moments, music, and even off-screen incidents have amplified its reach, turning it into more than just a film, a conversation driver. The sequel solidifies the franchise as a defining force in modern Bollywood spectacle cinema."},"img":{"url":"https://images.prismic.io/prad/aZ6MEcFoBIGEgwH9_ameeshapatel.JPG?auto=format,compress"},"datetime":"2026-06-14T12:08:00+0000","embed":{"embed_url":null}},"uid":"gadar-vs-dhurandhar-ameesha-shows-proof"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Is Aamir Khan not perfectionist?"},"content":{"text":"Filmmaker Vikram Bhatt, who has helmed the recently released film ‘Haunted 3D’, is in contention with the popular opinion on Bollywood superstar Aamir Khan. The director said that he doesn’t think the superstar is a perfectionist. However, the director said something profound, calling Aamir, a person, who constantly strives to be better. Vikram spoke with media during the promotions of the film in the city, and shared that while perfection is the final goal, Aamir constantly tries to be a better version of himself on screen which contradicts the very nature of perfection. He told IANS, “I just feel that he's been given this tag of perfectionist, but he's not a perfectionist. He just wants to do his best. And I think there's a difference between the two things. Because it's like, I know that I can do better. I know that this is not my best. And if I decide to settle and say fine for me versus a person who says, ‘Listen, I can do better. I know I can do better’. That is not a perfectionist. That is a person who's striving. That is a person who is wanting to give his best, not his perfection, but his best”. The two worked together on ‘Ghulam’, and the director said that they had many disagreements during the shoot but the point of those disagreements was to come up with something better. He further mentioned, “So just because someone doesn't treat their career and their profession as something that they are okay with passing off, even when they know that they haven't given a hundred percent. I would much prefer someone like Aamir. He and I had disagreements during the shoot. I said this is better and that is better. But it was always, he's always said yes and no. Or he has always argued with his directors when he saw that there's been some kind of a compromise. And it's a known compromise. See, sometimes you don't know better. You know, sometimes you don't know that, oh, you can have used a Mercedes for this scene, but you ended up using another car, which is not as luxurious”. “But when you know that it's available and that it should be this thing and you don't use it, that I think is something that irks him. Of course, as you say that this is, these views expressed are only of the speaker, which is me, and not necessarily what Aamir is or what he thinks of himself. But this is my understanding”, he added as he smiled."},"img":{"url":"https://images.prismic.io/prad/ZijldvPdc1huKulu_aamirkhan.JPG?auto=format,compress"},"datetime":"2026-06-14T09:30:00+0000","embed":{"embed_url":null}},"uid":"is-aamir-khan-not-perfectionist"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Amaravati is on full throttle, no hitting pause"},"content":{"text":"Andhra Pradesh’s Minister for Human Resources Development, Information Technology and Electronics, Nara Lokesh, said on Sunday that works for the development of the state capital Amaravati are in full swing.  “Amaravati is on full throttle-and there is no hitting pause,” posted Lokesh on ‘X’. He shared a video, highlighting the rapid pace of work on the ongoing projects in Amaravati. The works in Amaravati are on without a break, claims the voice in the video. It clarified that no work has stopped due to rains. “Amaravati is unstoppable,” it declares. It shows visuals of the works on iconic towers, Assembly, High Court, roads, reservoirs, MLA MLC Towers, AIS Towers, secretaries’ bungalows, GO Towers, NGO Towers, Group D Towers, Happy Nest, Ministers’ bungalows. The video appeals to people not to believe the false propaganda about Amaravati. Municipal Administration and Urban Development Minister P. Narayana on Saturday accused opposition YSR Congress Party (YSRCP) of spreading false information regarding Amaravati projects and asserted that such campaigns would further erode the party’s political support. He termed the YSRCP allegations that the state government buildings being constructed in Amaravati involved excessive expenditure as misleading. Referring to recent approval granted by the Union Cabinet for the construction of Central government offices in Amaravati, Narayana stated that the construction cost of the Central government residential complex would be Rs 3,945 per square foot, while Amaravati’s HappyNest housing project was being built at Rs 3,393 per square foot.  The construction cost of residential quarters for gazetted officers was estimated to be Rs 3,684 per square foot, he added. He noted that several buildings planned in Amaravati were iconic structures, which naturally involved higher construction costs.  The minister inspected ongoing infrastructure works in Amaravati, with a special focus on canal and drainage development projects aimed at improving flood management in the capital region. He reviewed the progress of bridge construction works across Kondaveeti Vagu and Palavagu. He said the projects were progressing at a rapid pace and would play a crucial role in ensuring smooth drainage during the monsoon season."},"img":{"url":"https://images.prismic.io/prad/acz_sJGXnQHGZKc7_amaravati.JPG?auto=format,compress"},"datetime":"2026-06-14T10:03:00+0000","embed":{"embed_url":null}},"uid":"amaravati-is-on-full-throttle-no-hitting-pause"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Lawrence Takes ‘Positive Decision’ on Politics"},"content":{"text":"Actor, choreographer and filmmaker Raghava Lawrence has strongly hinted at entering active politics in Tamil Nadu, stating that he has taken a “positive decision” after receiving overwhelming encouragement from the public and his fans. Lawrence’s remarks come amid growing speculation over his political future and reports that he could be considered as a candidate for the forthcoming Tiruchy East Assembly by-election. The bypoll was necessitated after Chief Minister C. Joseph Vijay vacated the constituency, having won both Perambur and Tiruchy East seats in the Assembly election and subsequently choosing to retain Perambur. Speaking to reporters on Sunday, Lawrence said he had recently sought public opinion on whether he should step into politics by releasing a video detailing the social service activities he has carried out over the years. According to the actor, the response from the public exceeded his expectations and played a key role in shaping his decision. “I uploaded a video highlighting the welfare initiatives and social service work that I have been involved in for many years. I asked people whether I should enter politics or continue serving society in my present capacity. The response was overwhelming,” he said. Lawrence noted that a large number of people urged him to take the political route and assured him of their support. “Many people encouraged me to join politics. I am happy that people have invited me to take that step. I have made a positive decision,” he said, without elaborating on the timing of his formal entry or the political platform he may choose. The actor, however, stopped short of making any official announcement regarding his political affiliation or electoral plans. His comments have nevertheless fuelled speculation that he could soon play a more direct role in Tamil Nadu politics. Known for his philanthropic activities, Lawrence has built a significant public profile beyond cinema through initiatives related to education, healthcare and support for underprivileged communities. Political observers believe that his social outreach and popularity among youth could make him a formidable entrant in the state’s evolving political landscape. With the Tiruchy East by-election expected to draw considerable attention, Lawrence’s latest remarks are likely to intensify discussions over his possible candidature and future political role."},"img":{"url":"https://images.prismic.io/prad/aMMDzGGNHVfTPEEW_lawrence.JPG?auto=format,compress"},"datetime":"2026-06-14T14:22:00+0000","embed":{"embed_url":null}},"uid":"lawrence-takes-positive-decision-on-politics"}},{"node":{"tags":["Editorial"],"data":{"third_party_url":null,"title":{"text":"How YSRCP Hijacked The Narrative"},"content":{"text":"“Woh jhoot bol raha tha bade saleeqe se / Main aitbaar na karta to aur kya karta” (He was telling the lie with such exquisite skill and elegance / What choice did I have but to believe it?)” This profound couplet by Waseem Barelvi perfectly mirrors Niccolò Machiavelli’s timeless political observation: “Everyone sees what you appear to be, few experience what you really are.” This intersection of poetry and politics precisely captures today's reality in Andhra Pradesh. The down-and-out YSRCP is sparing no propaganda to regain its political traction, pushing the ruling alliance government into a frantic scramble for counter-moves. Meanwhile, the complete silence maintained by the alliance partners strongly suggests that they are already getting ready to chalk out their own independent courses. Just two years into the term of the TDP-led alliance, the opposition YSRCP has engineered a potent anti-incumbency narrative. Through their “Vennu Potu Pai Thirugubaatu” (Revolt Against Betrayal) rallies and the sharp slogan “Schemulu Raddhu, Scamulu Muddhu” (No Schemes, Only Scams), they have seized the political initiative, dictating the terms of public discourse well ahead of schedule. Political science dictates that anti-incumbency requires a prolonged period of systemic governance failure to mature. YSRCP, however, is in a hurry to compress this timeline through targeted perception management. By branding the TDP-led alliance as inherently deceptive, the massive “Thirugubaatu” rallies have forced the ruling government into a perpetual state of damage control. This relentless pressure pushed the administration into a position of political expediency, draining critical energy that should otherwise be focused entirely on governance. The “Schemulu Raddu” slogan weaponized political rhetoric over administrative data. Whether welfare schemes have actually stalled or scams existed becomes secondary to the psychological impact of sheer repetition. Continuous, high-decibel media campaigns by the exuberant opposition have created an optical illusion of widespread public anger, forcing the government to defend its legitimacy rather than highlight its achievements. The true efficacy of YSRCP’s campaign lies in how effectively it ruffles the feathers of the alliance partners, exposing structural vulnerabilities within the ruling coalition, signs of which are already clearly visible. The internal strain broke into the open when Pawan Kalyan—the Deputy Chief Minister and an unpredictable, \"never know what he is up to\" kind of alliance partner, abruptly exited a recent Cabinet meeting. Regardless of the official \"back pain\" pretext, the exit was widely seen as an act of resentment over the JSP being treated as a mere rubber-stamp ally while the TDP makes unilateral policy decisions. When a senior partner consolidates power too tightly, diplomatic exits become the primary vehicle for expressing dissent. Simultaneously, the BJP has maintained a state of absolute, strategic silence. By refusing to actively deploy its machinery and might to neutralize YSRCP’s propaganda, both the national and state BJP leadership are keeping their future options fluid. Meanwhile, the catastrophic implosion of the TMC thousands of miles away has the potential to inflict severe headaches for the TDP leadership. As, once the rebel TMC MPs formally pledge their support to the NDA in the Lok Sabha, the mathematical power balance in New Delhi will shift dramatically. This newfound numerical cushion will drastically reduce the BJP's structural dependence on the TDP's parliamentary seats, effectively annulling the immense political leverage that the visionary leadership of the TDP has hitherto enjoyed. By choosing not to intervene in the state's narrative war, the BJP effectively weakens his domestic standing. This calculated silence also sends a strong, indirect message to the electorate that the opposition's allegations are not entirely without rhyme or reason. It forced a cornered TDP leadership to become entirely subservient to New Delhi, leaving them with no choice but to sing endless eulogies in praise of the BJP’s supreme command. If the YSRCP's campaign maintains its current momentum, the TDP-led alliance risks being destabilized not by an election, but by its own internal paranoia. Pawan Kalyan’s frustration with unilateral decision-making and the BJP’s calculated muteness indicate that the coalition is standing on volatile ground.  If Chandrababu Naidu fails to pivot toward a genuine, consensus-based leadership style, his allies may eventually look for the nearest exit, leaving the TDP to face the opposition's onslaught entirely alone. Unquestionably, the YSRCP's aggressive narrative-grab has pushed State’s CEO style CM into a classic “Ab Tera Kya Hoga, Kaaliya?” predicament. He now finds himself entirely cornered by the opposition's onslaught, while his own coalition partners stand by silently, like a mute, detached Samba watching the spectacle unfold from the sidelines. For now, as he engages himself in heaping endless eulogies on the supreme leader of the BJP, he seems to be submissively saying, “Sarkar, maine aapka namak khaaya hai”... But with the shifting power dynamics in New Delhi, the supreme leader's classic retort, the “Ab goli khao” moment, might not be very far off."},"img":{"url":"https://images.prismic.io/prad/ai5WRI1P9HI4UdOg_cbnpkjagan.JPG?auto=format,compress"},"datetime":"2026-06-14T06:30:00+0000","embed":{"embed_url":null}},"uid":"how-ysrcp-hijacked-the-narrative"}},{"node":{"tags":["Editorial"],"data":{"third_party_url":null,"title":{"text":"Hugs, Hype, And Hypocrisy"},"content":{"text":"“The strong do what they can and the weak suffer what they must” This timeless wisdom from ancient Greek historian Thucydides perfectly captures Washington’s imperial arrogance and India’s absolute strategic helplessness in the ongoing diplomatic theatrics surrounding the attacked Indian-flagged tankers. Even as both Trump and Iran trade blame over the strikes on oil tankers sailing under the Indian flag, US Secretary of State Marco Rubio’s State Department issued a blunt readout underscoring that “violations of the US blockade and the illicit transport of Iranian oil will not be tolerated.”. Though on surface the statement amounted to Washington publicly rejecting the thrust of India’s objections and forcefully defending the attacks, they actually illustrate a bitter truth of the deeply constrained diplomatic relations between the US and India and that India has been forced to assume the role of bystander, while its ships and sailors exposed to repeated attacks in the Gulf of Oman. This mess is a beautiful monument to American unilateralism, where Washington can casually run a private war and blockade an entire country while everyone else is expected to duck and cover. Meanwhile, the Indian Supreme Leader’s absolute, meditative silence is a masterclass in strategic submission, exposing just how thoroughly Indian foreign policy has been handcuffed and gagged by its desperate, breathless hug of Washington. True sovereignty demands the independence to call out hostile actions against one's citizens, regardless of the perpetrator's geopolitical stature. The summoning of the US Chargé d’Affaires twice and placing protests amounts to symbolic actions of damage control more aimed at deflecting public outrage than reprimand the US. On the other hand, by continually emphasizing that the attacked vessels were not Indian-owned, the Indian officials are using international legal technicalities to evade domestic accountability. The statement of US Secretary of State Marco Rubio reflects that these symbolic diplomatic actions have produced no visible effect from the US, manifesting neither apology for killing Indians, nor regret for the deaths, nor commitment to adjust rules of engagement nor assurance against future incidents. Entire diplomatic theatrics from India so far revealed India’s diplomatic constraints in dealing with the US. It reflects the explicit failure of Indian Supreme leader who claims great friendly relations with Trump to uphold its fundamental constitutional duty of safeguarding the lives of its citizens and India’s pusillanimous status to deal with its supposed “great friend”. The Indian Supreme Leader’s meditative muteness exposes a truly spectacular case of geopolitical split-personality disorder. At home, the regime treats the public to high-octane theatrical blockbusters fueled by aggressive nationalism, swift retaliation, and chest-thumping slogans like “Ghar mein ghus kar maarenge” (We will hunt you down in your own courtyard). Yet, the moment a Western superpower pulls the trigger, that fierce courtyard tiger instantly dissolves into a quiet, law-abiding house cat. This sudden transformation proves that the regime's legendary fury is strictly a selective luxury, shrewdly reserved for smaller neighbors whose thrashing can be easily packaged to boost the domestic political narrative. Ultimately, this ongoing crisis reveals that a celebrated Washington friendship is simply a license for India to quietly suffer the consequences of American unilateralism. While the US shamelessly flexes its superpower muscles in the Gulf of Oman, New Delhi is left standing completely cornered, clutching a useless, empty handbook on \"Sovereign Autonomy.\""},"img":{"url":"https://images.prismic.io/prad/ai5eco1P9HI4UdPu_moditrump.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-14T06:25:00+0000","embed":{"embed_url":null}},"uid":"hugs-hype-and-hypocrisy"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Vijay-Rashmika Keep Their Promise"},"content":{"text":"Keeping true to their words, beloved couple Vijay Deverakonda and Rashmika Mandanna will be rewarding the hardworking students of 9th and 10th grade from Achampet Mandal of Telangana, the place where Vijay's father was born. Making the exciting announcement on social media, VD took to his X (Earlier known as Twitter) handle and wrote, \"We are on our way to Thummanpet. The little village where my Father was born. In February - @iamRashmika and I had announced the beginning of a little dream of ours. To reward all the hardworking students of 9th and 10th grade from Achampet Mandal of Telangana. (sic).\" Rashmika also went on to express her happiness by resharing Vijay's post on her handle with red heart emojis. Refreshing your memory, after their traditional fairytale wedding in Udaipur in February this year, Vijay and Rashmika had announced their decision to support the education of Class 9 and 10 students in 44 government schools in Thummanpeta via the Deverakonda Foundation. As part of the initiative, they are reported to ensure that the fees of these students are paid on time, along with easy access to notebooks and other study materials, considerably easing the burden of the parents. This is also expected to prevent a lot of kids from dropping out of school due to a lack of financial resources. On the professional front, Vijay and Rashmika are all set to share screen space for the first time together as a married couple in the upcoming period drama, 'Ranabaali'. Previously, Rashmika and Vijay were seen together in the movies \"Geetha Govindam\" and \"Dear Comrade\", making 'Ranabaali' their third professional collaboration. Going by the sources, \"Ranabaali\" is inspired by real incidents from the 1850s that were never recorded in mainstream history books. The movie is likely to focus on the incidents that the British allegedly misrepresented in history."},"img":{"url":"https://images.prismic.io/prad/af9oXaYofJOwHCLR_vijayrash.JPG?auto=format,compress"},"datetime":"2026-06-14T06:03:00+0000","embed":{"embed_url":null}},"uid":"vijay-rashmika-keep-their-promise"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rakul’s ‘Tropic Like It’s Hot’ Moment"},"content":{"text":"Actress Rakul Preet Singh, on Sunday, took to social media to share glimpses from her New York vacation with Jackky Bhagnani. The ‘Mere Husband Ki Biwi’ actress added a fun twist to her post with the caption “Tropic like it’s hot.” The first image shows Rakul and Jackky twinning in white outfits as they strike a romantic pose together. The subsequent pictures feature the actress posing solo, offering glimpses of the property along with a peek into their exotic meals. Jackky Bhagnani had earlier shared a series of heartwarming glimpses from his trip to New York City on social media. He had posted pictures featuring Rakul, whom he affectionately referred to as his “most favourite person in the world.” The photos captured the couple enjoying quality time together during their getaway. Alongside the images, Jackky had written, “A few more glimpses from my favourite city with my most favourite person in the world @rakulpreet #NewYorkCity.” In the candid shots, Jackky and Rakul Preet were seen posing together, while he also shared a few solo pictures. One of the images showed the couple striking a playful, goofy pose. Earlier, the ‘De De Pyaar De 2’ actress had also given a glimpse of their relaxed holiday, highlighting their experience of trying different cuisines and soaking in the city’s vibrant food scene. Rakul had shared a series of photos and videos in which she was seen enjoying pizza, croissants, and other delicious snacks. Alongside the post, she had written, “A little bit of New York, a lot of good food, and the best kind of company.” For the unversed, Rakul Preet Singh and Jackky Bhagnani had tied the knot on February 21, 2024, in a lavish beachfront wedding at ITC Grand Goa, India. The couple had celebrated their union with a grand ceremony attended by several celebrities."},"img":{"url":"https://images.prismic.io/prad/ai5Ymo1P9HI4UdPh_rakul.JPG?auto=format,compress"},"datetime":"2026-06-14T06:42:00+0000","embed":{"embed_url":null}},"uid":"rakuls-tropic-like-its-hot-moment"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"When Amrish Puri slapped Smita Patil?"},"content":{"text":"Legendary actors Amrish Puri and Smita Patil gave memorable performances in filmmaker Shyam Benegal's \"Bhumika\". However, did you know that in one of the scenes from the film, Amrish Puri actually slapped Smita Patil, that too without her knowing, catching her completely off guard. During his appearance on the beloved talk show, \"Jeena Isi Ka Naam Hai,\" Amrish Puri shared the incident, saying, \"In the scene, I stop her from going outside, and she talks back to me. Unable to take this, I had to get up and slap her.\" He revealed that he asked director Shyam Benegal, \"Sir, what if I actually slap her?\" The filmmaker agreed to the idea immediately, and when Amrish Puri slapped Smita Patil during the scene, her reaction was absolutely organic. \"That reaction has to be seen in the film. That is a natural reaction\", Amrish Puri had said. Directed by Shyam Benegal, \"Bhumika\" features Smita Patil, Amol Palekar, Anant Nag, Naseeruddin Shah, and Amrish Puri in pivotal roles, along with others. The movie is a cinematic adaptation of the Marathi memoirs, \"Sangtye Aika\" of the well-known Marathi stage and screen actress of the 1940s, Hansa Wadkar. Smita Patil gave a memorable performance, perfectly showcasing her character's transformation from a vivacious teenager to a wiser but deeply wounded middle-aged woman. The project ended up bagging, not one but two National Film Awards. It was further invited to the Carthage Film Festival, Tunisia , in 1978, along with the Chicago Film Festival, where it was awarded the Golden Plaque in 1978, and also the 1986 Festival of Images in Algeria. It might be interesting to know that Amrish Puri and Smita Patil have starred in 16 movies together. Their first collaboration was in 1975 with the movie \"Nishaant\", and their last on-screen pairing was in 1988 in \"Waarish\"."},"img":{"url":"https://images.prismic.io/prad/e51118e7-9431-4390-bfee-8d14ec15deda_amrish+Puri.JPG?auto=format,compress"},"datetime":"2026-06-14T05:30:00+0000","embed":{"embed_url":null}},"uid":"when-amrish-puri-slapped-smita-patil"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Indian-Origin Man Fatally Stabbed in London"},"content":{"text":"A 26-year-old Indian-origin man has been killed in a knife attack in Southall, west London, the Metropolitan Police said, prompting a murder investigation and a fresh appeal for witnesses.  The victim has been identified as Gurbhej Singh, who was stabbed on North Road near the junction with Dormers Wells Lane. Police said on Saturday that Singh was attacked outside a shop at the junction of North Road and Dormers Wells Lane at around 00:30 hrs. According to the Metropolitan Police, officers were called on Wednesday by the London Ambulance Service after reports of a stabbing in the area. Police and paramedics arrived at the scene, where two injured men were found. Despite efforts by medical staff, Singh, who had suffered a knife wound, was pronounced dead at the scene. His family are being supported by specialist officers. A second man, believed to be in his 30s, was also found injured at the scene. He was taken to the hospital for treatment and has since been discharged. Police said seven men, aged between their early 20s and late 30s, were arrested at the scene on suspicion of murder. Following further investigation, six of them were released with no further action, while one man has been granted bail and is due to return at a later date. Investigators have urged members of the public to come forward with any information, including CCTV or mobile phone footage, as enquiries continue into the circumstances surrounding the attack. Detective Chief Inspector Alison Foxwell, of the Met’s Specialist Crime Command, said, “Homicide detectives continue to investigate Mr Singh’s tragic death and my thoughts remain with his family and loved ones.” Police continue to examine the sequence of events leading up to the stabbing, which took place shortly after midnight outside a shop in Southall. The motive behind the attack has not yet been established, and officers are working to identify all those involved. The Metropolitan Police have reiterated their appeal for witnesses, stressing that even small pieces of information could assist the ongoing investigation into the fatal stabbing."},"img":{"url":"https://images.prismic.io/prad/e65d5cc2-0d91-463a-8e82-6bcc9bef10eb_knifed.JPG?auto=format,compress"},"datetime":"2026-06-14T04:38:00+0000","embed":{"embed_url":null}},"uid":"indian-origin-man-fatally-stabbed-in-london"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Salman Khan sports new bold look"},"content":{"text":"Bollywood superstar Salman Khan sported a fresh look at a special event in the city on Saturday. The actor attended a special event commemorating the 25th anniversary of ‘Lagaan’. Salman trimmed down his hair, and sported a light stubble. He was dressed in all black. His look featured a pair of black torn denim, black t-shirt rounded with a black leather jacket. As the video spread on social media, the Internet was quick to react. One user commented, “Salman bhai full power”. Another user wrote, “Wanted look” referring to his blockbuster ‘Wanted’. A 3rd user wrote, “New Bold Look. This Eid 2027, witness the rise of a whole new era. Sharper. Stronger. Bolder. With unmatched charisma and larger-than-life action, Salman Khan is set to set the box office on fire”. However, not everyone agreed, as there were a few users who thought the actor lost the spark. A 4th user wrote, “He looks completely off”. Another user commented, “He is totally dead inside... his friend recently died”. Meanwhile, the makers of ‘Lagaan’ celebrated the 25th anniversary of the iconic film in the city on Saturday. Several prominent figures from the industry turned up for the event, including Kajol, Juhi Chawla, Mukesh Chhabra, Richa Chadha and Ali Fazal. The film starred Bollywood superstar Aamir Khan (the actor came on-board after being pursued by Ashutosh) and Gracy Singh. It clashed with the Sunny Deol-starrer ‘Gadar: Ek Prem Katha’ at the box-office, and also secured a nomination for the Best Foreign Language Film at the 74th Academy Awards. ‘Lagaan’ is considered a masterclass in filmmaking and is noted for breaking many prevalent rules of the box-office at the time. The film has been included as a case study in team building by many educational institutions. It also introduced a new style of mounting a film in Bollywood, moving into a streamlined approach by hiring professionals in each department. It wa the first film in Hindi cinema to use a sync sound."},"img":{"url":"https://images.prismic.io/prad/ai5mx41P9HI4UdP-_salman.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-13T20:15:00+0000","embed":{"embed_url":null}},"uid":"salman-khan-sports-new-bold-look"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"How Fashion was a 'do or die' situation for Kangana"},"content":{"text":"Kangana Ranaut has proved her mettle as an actor with some powerful performances over the years, one of them being her portrayal of Shonali Gujral, a once successful model who loses it all due to drugs. While interacting with veteran actor Anupam Kher during his talk show, \"The Anupam Kher Show – Kucch Bhi Ho Sakta Hai\", Kangana revealed that before \"Fashion\", she had only done lead roles in movies such as \"Gangster\" and \"Woh Lamhe,\" and her career graph was on a downward trajectory since. Keeping this in mind, Kangana decided to leave no stone unturned to prepare for her role in \"Fashion\" as she knew it was a make-or-break situation for her. \"I worked very hard for that role. I used to walk in heels even at home, practice smoking cigarettes, research on the use of drugs and their effects, and even met cocaine addicts.\" \"Somewhere I knew that this was my last chance, because if I was not able to perform in Fashion, I knew my career graph was only going down since Gangster,\" added the 'Queen' actress. However, as fate would have it, she ended up getting the National Award for 'Best Supporting Actress' for her performance in \"Fashion\". Not just her, but the lead, Priyanka Chopra, also got the 'Best Actress' during the 54th Filmfare Awards. Written and directed by Madhur Bhandarkar, the movie featured Priyanka Chopra, Kangana Ranaut, and Mugdha Godse in the lead, along with Arjan Bajwa, Samir Soni, and Arbaaz Khan as the ancillary cast. Meanwhile, Kangana was recently seen leading the movie \"Bharat Bhhagya Viddhaata\". Produced by PEN Studios, Manikarnika Films, and Paramhans Creations, along with Eunoia Films LLP and Floating Rocks Entertainment Pvt. Ltd, the movie features Girija Oak, Smita Tambe, Amrutha Namdev, Esha Dey, Priya Berde, Asha Shelar, Suhita Thatte, Rasika Aghase, Aditya Mishra, and Zahid Khan in key roles. \"Bharat Bhhagya Viddhaata\" was released in theatres on June 12."},"img":{"url":"https://images.prismic.io/prad/efa94e54-1c81-4573-b9c7-fc4520dcb5c3_kangana+Ranuat.JPG?auto=format,compress"},"datetime":"2026-06-14T03:37:00+0000","embed":{"embed_url":null}},"uid":"how-fashion-was-a-do-or-die-situation-for-kangana"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Oh Sukumari' Teaser"},"content":{"text":"'Oh Sukumari' Teaser"},"img":{"url":"https://images.prismic.io/prad/ai5rjY1P9HI4UdQP_ohsukumari.JPG?auto=format,compress"},"datetime":"2026-06-13T18:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Pq2ef7dI0ZI"}},"uid":"oh-sukumari-teaser"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Indian-origin tech leader Soma honoured in US Congress"},"content":{"text":"Indian-born technology executive and entrepreneur Sivaramakrishnan \"Soma\" Somasegar, who helped shape Microsoft's rise and later became a leading venture capitalist in the US Pacific Northwest, was honoured in the US House of Representatives this week for his contributions to technology, entrepreneurship and community service.  Speaking on the House floor, Congresswoman Suzan DelBene of Washington remembered Somasegar as \"an incredible technologist, entrepreneur, leader, and friend in our community.\" Born and raised in southern India, Somasegar moved to the United States to study at Louisiana State University before joining Microsoft in 1989. He went on to play a key role in the development of Windows NT, one of the most significant products in the company's history. DelBene said Somasegar's \"remarkable management skills, dedication, and work ethic\" helped him rise through Microsoft's ranks, eventually serving as Senior Vice President until 2015. \"I had the joy of getting to know him during our time at Microsoft together,\" she said. \"His infectious smile and warm presence brought energy to every room he entered.\" After leaving Microsoft, Somasegar joined Madrona Venture Group as a managing director, where he worked closely with entrepreneurs and emerging companies across the technology sector. DelBene said he \"guided countless startups and helped strengthen our region's innovation ecosystem.\" Somasegar was also active in community initiatives and sports. As a co-founder of the Seattle Orcas franchise, he helped bring professional cricket to the Pacific Northwest, expanding the sport's profile in a region with a growing South Asian population. The congresswoman also described him as \"a passionate advocate for women's empowerment,\" supporting organisations that worked to expand opportunity and equity. Much of her tribute focused on his family. DelBene said his wife, Akila, and their two daughters \"were the center of his world.\" \"He spoke of them often with great admiration, gratitude, and boundless pride,\" she said. \"Everything he accomplished was grounded in love for them. To know Soma was to know how much they shaped him, supported him, and inspired him.\" DelBene called on fellow lawmakers to honour Somasegar's legacy, saying his family, friends and colleagues would continue to cherish \"his kindness and wisdom for years to come.\" Somasegar's career mirrored the growing influence of Indian-origin professionals in the US technology industry. Over the past several decades, executives and engineers from India have played prominent roles in shaping Silicon Valley and the broader American innovation economy. His journey from southern India to senior leadership at Microsoft, venture investing and professional cricket reflected the expanding footprint of the Indian diaspora in the United States and its growing role in technology, business and public life. "},"img":{"url":"https://images.prismic.io/prad/ag63sqYofJOwHeRq_soma.JPG?auto=format,compress"},"datetime":"2026-06-13T01:30:00+0000","embed":{"embed_url":null}},"uid":"indian-origin-tech-leader-soma-honoured-in-us-cong"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Toronto Cheers Nora, Seats Stay Empty"},"content":{"text":"The maiden FIFA World Cup in Canada started on Friday with a star-studded second opening ceremony ahead of the Group B match between co-hosts Canada and Bosnia and Herzegovina in Toronto.  Bollywood actor and dancer Nora Fatehi was the headline attraction, performing the official World Cup song 'Siir Siir'. Canada is hosting the FIFA World Cup for the first time in history, and begin their highly-anticipated campaign against Bosnia and Herzegovina, who made it to the tournament by beating European giants Italy. The other performers who featured in the opening ceremony included Vegedream and Sanjoy, who took centre stage at the beautiful and majestic Toronto Stadium. The festivities in Toronto also featured performances from Jessie Reyez and Alessia Cara before the kick-off. Palestinian artist Elyanna also performed at the Opening Ceremony at BMO Field, Toronto. While some fans took to social media to criticise FIFA for another opening ceremony, which many fans found not exciting enough, a fair number of empty seats in the stadium in Toronto were also noted. Though the Aztecs Stadium in Mexico City was filled to the brim, the tournament's second fixture, South Korea versus Czechia at Estadio Akron in Guadalajara, witnessed noticeable swaths of unoccupied seats.   According to reports, a day before the tournament began, roughly 180,000 tickets remained posted across FIFA's official resale platforms. Approximately 15,000 group-stage tickets were still obtainable directly through FIFA's website. However, FIFA denied that the stadium in Guadalajara was empty. \"Official attendance figures reflect the number of tickets scanned, and spectators present within the stadium footprint, rather than visual assessments of seating occupancy at any given moment during the match. FIFA works closely with stadium authorities and ticketing teams to ensure all published figures are based on verified operational data,\" FIFA informed in a post by FIFA Media on X, formerly Twitter. \"Please note that, during last night’s match in Guadalajara, several ticketed fans could be seen standing in concourses rather than staying in their assigned seats throughout the match,\" the post said."},"img":{"url":"https://images.prismic.io/prad/aizrTo1P9HI4UaG5_noradance.JPG?auto=format%2Ccompress&rect=0%2C12%2C450%2C222&w=2028&h=1000"},"datetime":"2026-06-12T18:32:00+0000","embed":{"embed_url":null}},"uid":"toronto-cheers-nora-seats-stay-empty"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"When Johnny Lever pranked Anil Kapoor"},"content":{"text":"Did you know beloved comedian and actor Johnny Lever once pranked Anil Kapoor, leaving the 'Animal' actor absolutely nervous.  During his appearance on \"The Kapil Sharma Show\", when host Kapil Sharma asked the comedian if he had ever pranked anyone on the phone, he revealed that during the shoot of their movie \"Teazab\", he once called Anil Kapoor pretending to be veteran actor Shatrughan Sinha. He said to Anil Kapoor on the call, \"Anil, how are you? All good, where are you? Let's meet in the evening. Oh, so you have come to shoot for 'Tezaab', very good, very good. Let's meet in the evening.\" Meanwhile, a nervous Anil Kapoor was only replying with, \"Yes sir, yes sir\". Seeing the 'Mr India' actor in such a state, Johnny Lever could not help but laugh. At the end, he finally revealed to Anil Kapoor that he was not speaking to Shatrughan Sinha, but Johnny Lever, leaving the 'Subedaar' actor extremely annoyed. Made under the direction of N. Chandra, \"Tezaab\" starred Anil Kapoor and Madhuri Dixit in the lead. Additionally, Anupam Kher, Chunky Panday, Aruna Irani, Suparna Anand, Kiran Kumar, Annu Kapoor, Suresh Oberoi, and Tej Sapru also essayed ancillary roles in the drama. The music for the romantic entertainer has been scored by the acclaimed composer duo Laxmikant–Pyarelal. Released in the theatres on 11 November 1988, \"Tezaab\" turned out to be the highest-grossing Indian film of the year.  Up next, Anil Kapoor will be seen playing an important role in the eagerly awaited spy thriller \"Alpha\", co-starring Alia Bhatt, Bobby Deol, and Sharvari. Billed as the first female-led film in the YRF Spy Universe, the project is being made under the direction of Shiv Rawail. In addition to \"Alpha\", Anil Kapoor has also been roped in for Shah Rukh Khan's \"King,\" which will be helmed by Siddharth Anand."},"img":{"url":"https://images.prismic.io/prad/aizuIo1P9HI4UaJ5_aniljihnny.JPG?auto=format,compress"},"datetime":"2026-06-13T03:30:00+0000","embed":{"embed_url":null}},"uid":"when-johnny-lever-pranked-anil-kapoor"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"No Fresh Job Cuts at Meta in 2026"},"content":{"text":"Meta CEO Mark Zuckerberg has told employees that the company made “mistakes” in reshaping its workforce around artificial intelligence, adding that further company‑wide layoffs are not expected this year.  Zuckerberg pledged to provide greater stability as possible\" in terms of organisation changes going forward, multiple reports said. \"I don't want to over promise because the world is changing in ways that are out of our control,\" he said, adding that rapid advances in AI have created complex challenges and that Meta will “almost certainly make more” mistakes as it adapts. Zuckerberg said that the company's management is focused on finding new roles for employees reassigned to train AI models. In a restructuring in May, Meta had cut about 10 per cent of the workforce and moved roughly 7,000 staff into AI‑related initiatives. “By creating important new roles for people, this also allowed us to shrink the size of teams knowing that if we make mistakes in some places, then we could transfer some people back,” Zuckerberg wrote, in an internal memo to employees. He informed about the company's plans to increase investment in team-building initiatives, through higher budgets for offsites and corporate events. It will organise a large-scale hackathon in July to strengthen cross-team collaboration and development on its latest models. Meta has also taken note of concerns over the expansion of manager oversight responsibilities and plans to scale back the practice, he added. Meanwhile, major companies including Uber, Meta, Cloudflare, Intuit, PayPal, Cisco, Quora and Coinbase implemented mass layoffs this year. Several tech industry leaders have said that most white‑collar roles that rely on computers could be automated within the next 12 to 18 months. Generative AI is not causing widespread job displacement in India’s IT sector but is reorganising work, raising productivity and shifting demand toward hybrid skill sets, a recent report said."},"img":{"url":"https://images.prismic.io/prad/Z7rb757c43Q3gGjp_meta.JPG?auto=format,compress"},"datetime":"2026-06-13T04:53:00+0000","embed":{"embed_url":null}},"uid":"no-fresh-job-cuts-at-meta-in-2026"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Kangana's perspective on the 'Peddi' controversy "},"content":{"text":"Amid the ongoing debate surrounding Janhvi Kapoor's character in the film 'Peddi', renowned actor and politician Kangana Ranaut has expressed her views, emphasizing the importance of actresses voicing their concerns on set. In a recent interview while promoting her upcoming movie 'Bharat Bhhagya Viddhaata', Kangana highlighted the collaborative nature of filmmaking and the responsibility of female actors to address any discomfort they may feel with certain scenes.  She stressed the significance of providing a female perspective during the creative process, shedding light on the unintentional nature of objectification in cinema. Ranaut's comments coincide with the criticism directed at 'Peddi', particularly regarding the portrayal of Janhvi Kapoor's character and the depiction of romantic sequences.  Director Buchi Babu Sana has responded to the backlash, acknowledging the need to remove certain scenes from the film and issuing a public apology for any unintended objectification or disrespect towards female characters."},"img":{"url":"https://images.prismic.io/prad/ba455254-d3a2-4bf5-b2f0-949d8b19b3f8_kangana.JPG?auto=format,compress"},"datetime":"2026-06-12T19:01:00+0000","embed":{"embed_url":null}},"uid":"kanganas-perspective-on-the-peddi-controversy-"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Sabarimala gold scam accused dies while on bail"},"content":{"text":"Travancore Devaswom Board's former Administrative Officer and Sabarimala gold scam second accused Murari Babu died at a private hospital, where he was undergoing treatment for cancer, here on Saturday.  Murari Babu was under investigation in connection with the alleged theft of gold-plated panels from the Sabarimala temple’s door frames and 'Dwarapalaka' (guardian deity) sculptures. A native of Perunna in Changanassery, had died at Amrita Hospital after being diagnosed with cancer. The funeral will be held at his residence in Perunna at 3 pm on Saturday. The Special Investigation Team had been probing allegations that gold-plated panels removed from Sabarimala were allegedly misappropriated. Murari Babu, who was suspended from service after being named an accused, had claimed during questioning that the recording of the gold panels as copper was based on a letter from the temple priest. Born into a financially modest family, Murari Babu joined the police as a constable in 1994 but quit before completing training. He later joined the Travancore Devaswom Board in 1997 and rose through the ranks, serving at major temples including Ettumanoor, Vaikom, and Thirunakkara. The Vigilance wing had alleged that Murari Babu accumulated assets worth crores during his tenure in the TDB despite holding a low-level post. Investigators had also looked into the construction of a luxury house at his ancestral property in Changanassery. Several other controversies had also surrounded his tenure. Vigilance had probed alleged irregularities in elephant contracts during major temple festivals and cases involving missing gold and silver articles from temple premises. He had also faced allegations over the handling of a fire incident at the Ettumanoor temple and the fixing of gold-plated ornaments without approval. Despite a High Court directive against posting employees facing allegations in sensitive positions like Sabarimala, Murari Babu was later appointed Administrative Officer there. The Vigilance had also found that he allegedly communicated with a private company regarding gold-plating work on the Dwarapalaka sculptures without informing the Devaswom Board. His death came at a time when investigations and legal proceedings in the Sabarimala gold-related cases are still continuing."},"img":{"url":"https://images.prismic.io/prad/aMqwz2GNHVfTPUrM_sabarimala.JPG?auto=format,compress"},"datetime":"2026-06-13T04:09:00+0000","embed":{"embed_url":null}},"uid":"sabarimala-gold-scam-accused-dies-while-on-bail"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"10 Years Strong: Nivetha Gets #Mega158 Tribute"},"content":{"text":"Actress Nivetha Pethuraj has now shared a video clip of a cake cutting ceremony organised by the unit of Megastar Chiranjeevi's #Mega158 to celebrate the occasion of her completing 10 years in the film industry. Nivetha Pethuraj, who made her debut with director Nelson Venkatesan's 'Oru Naal Koothu', completed 10 years in the film industry recently. The unit of director Bobby Kolli's upcoming action entertainer, tentatively being referred to as #Mega158 and featuring Chiranjeevi in the lead, organised a cake-cutting ceremony on the sets to mark the occasion.  Now, Nivetha Pethuraj has shared the video clip of the cake cutting event on her Instagram page, which shows the actress feeding cake to her fellow team members including actress Anaswara Rajan.  It may be recalled that the unit had only recently wrapped up its schedule in Pollachi in Tamil Nadu. Taking to his X timeline to share an update on the film, director Bobby Kolli had said,\"An electrifying schedule of #Mega158 has been successfully completed in Pollachi, some spectacular moments that are shaping up beautifully. More exciting updates on the way... #ChiruBobby2 Produced by #VenkatKNarayana @KvnProductions Megastar @KChiruTweets #AnaswaraRajan @Nivetha_Tweets @MusicThaman @vijaykartikdop @AntonyLRuben @artkolla @LohithNK01 @saranyapotla.\" For the unaware, this schedule had begun in Pollachi only last week. Megastar Chiranjeevi and the main cast members of the film participated in this schedule during which key scenes of the film were shot. For the unaware, actress Anaswara Rajan was recently welcomed on board the unit of the film by its makers. Taking to their X timeline, KVN Productions, the firm producing the film, had said, \"A new wave of charm joins the MEGA storm. Welcoming the lovely #AnaswaraRajan to the world of #Mega158. #KVNTeluguDebut - #ChiruBobby2 Launched Grandly. A @dirbobby Film. Megastar @KChiruTweets #VenkatKNarayana @MusicThaman @vijaykartikdop @AntonyLRuben @artkolla @KvnProductions.\" The makers have already announced that ace music director Thaman will be scoring music for this film and that popular cinematographer Vijay Karthik Kannan, known for his impressive work in films like 'Jailer', 'Daaku Maharaj', and the upcoming 'Jailer 2', will be its cinematographer. Art direction for the film is being handled by Kolla Avinash and editing is by Antony Ruben. The film has been in the news ever since the time it was first announced on Chiranjeevi's birthday last year. Only recently, Megastar Chiranjeevi had released a video that showed him sweating it out in the gym to get into shape for the role he plays in the eagerly awaited film. Taking to his X timeline to share the video, Chiranjeevi had said, \"Every day is another opportunity to push beyond limits… Charged up and excited for another memorable journey with my dear @dirbobby for #Mega158. Opening Ceremony on May 21st.\" Megastar Chiranjeevi is joining forces once again with successful filmmaker Bobby Kolli for a high-voltage entertainer backed by the prestigious KVN Productions and produced by Venkat K Narayana. The footage Chiranjeevi shared showed him pushing boundaries with relentless intensity. It gave an indication of the transformative effort the star was investing to achieve a powerful new look for the role. The poster released by the makers to announce the project had an axe splitting a wall open, with traces of blood seen in the cracks on the wall. The poster had the tagline \"The blade that set the bloody benchmark.’ This is the second time that director Bobby is working with Megastar Chiranjeevi. The two had earlier worked together on action entertainer 'Waltair Veerayya'."},"img":{"url":"https://images.prismic.io/prad/ai0O041P9HI4UazP_nivetha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-13T05:55:00+0000","embed":{"embed_url":null}},"uid":"10-years-strong-nivetha-gets-mega158-tribute"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Another Setback for RC17?"},"content":{"text":"The excitement surrounding Ram Charan’s much-anticipated reunion with director Sukumar for RC17 may have hit an unexpected speed bump. Ever since the duo delivered the blockbuster Rangasthalam, fans have eagerly awaited their next collaboration. The project has already generated massive buzz, with reports suggesting that Sukumar has been actively working on the script, character designs, and key pre-production activities. Given the success of their previous outing, expectations for RC17 are sky-high, making any talk of delays a matter of concern among Mega fans. Meanwhile, Ram Charan is enjoying the success of his latest blockbuster, Peddi, which has emerged as one of the biggest hits of his career. The rural sports drama directed by Buchi Babu Sana has reportedly delivered a strong box-office performance and earned praise for Charan’s intense and transformative performance. Industry circles suggest that the actor underwent rigorous physical training and participated in demanding action and sports sequences during the film’s production. As a result, there are reports that he sustained minor injuries and is now focusing on recovery before committing to another major project. Adding to the speculation, industry buzz indicates that Ram Charan may undergo a minor medical procedure and could take an extended break based on doctors’ advice. If that happens, the start of RC17 could be pushed further than originally planned. While the film was expected to commence production by late 2026 or early 2027, fresh reports suggest the launch may now be postponed until mid-2027 or beyond. Although there has been no official confirmation from the actor or the makers, the possibility of a prolonged delay has already sparked concern among fans. If the timeline shifts significantly, audiences may have to wait much longer than expected to see Ram Charan return to the big screen after Peddi."},"img":{"url":"https://images.prismic.io/prad/ZgGzKMcYqOFdyEbi_RCSUKUMAR.JPG?auto=format,compress"},"datetime":"2026-06-13T06:30:00+0000","embed":{"embed_url":null}},"uid":"another-setback-for-rc17"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Fake Meenakshi Account Sparks Warning"},"content":{"text":"Actress Meenakshi Chaudhary, who is best known for her performance in the blockbuster film 'Lucky Baskhar', has now cautioned her fans and followers on Instagram about an imposter looking to con people by pretending to be her.  Posting the imposter's phone number on her Instagram stories section, the actress wrote, \"Please report if you are getting a message or call from this number. This is not me. Thank you to all who shared this information.\" Meanwhile, on the work front, the actress has a number of interesting projects lined up. Notable among these is her upcoming film with Naga Chaitanya called 'Vrushakarma', which has triggered huge expectations among fans and film buffs.  The film, a mythological thriller, is being directed by Karthik Dandu and was being tentatively referred to as #NC24 before being named 'Vrushakarma'.  The makers of the film have already revealed actress Meenakshi Chaudhary's look in the film. They have also disclosed that she plays a character called Daksha in the film. Naga Chaitanya, who had disclosed details of this project in an interview to a YouTube channel some months ago, had said that this film would be a mythological thriller. \"This will be a very heavy VFX-based cinema and I am very excited about this project,\" Naga Chaitanya had said. The actor went on to point out that he had not done a film with this kind of span in his 15-year film career. \"This film will be in the zone of adventure, treasure hunting,\" the actor had said. Directed by Karthik Dandu, the film is being produced by BVSN Prasad. The film's story has been penned by director Sukumar. The film has cinematography by Neil D Cunha and music by Ajaneesh Loknath. Editing for the film is by National award winning editor Navin Nooli while Art direction is by Sri Nagendra Tangala, who also handled the art direction of 'Thandel'."},"img":{"url":"https://images.prismic.io/prad/0d67a5e3-01b5-4832-81c3-07b974e1b557_meenakshi+choudary.JPG?auto=format,compress"},"datetime":"2026-06-13T07:45:00+0000","embed":{"embed_url":null}},"uid":"fake-meenakshi-account-sparks-warning"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Vijay-Sangeetha Split Case Rescheduled"},"content":{"text":"The divorce case of Tamil Nadu Chief Minister and Tamilaga Vettri Kazhagam (TVK) President C. Joseph Vijay and his wife Sangeetha was adjourned once again on Monday after neither of them appeared before the Chengalpattu Family Court.   As the matter came up for hearing, both Vijay and Sangeetha remained absent, and their counsel represented them before the court.  In view of their non-appearance, the judge adjourned the case and posted it for further hearing on August 7.  The high-profile matrimonial dispute has witnessed repeated adjournments in recent months.  During earlier hearings, too, neither Vijay nor Sangeetha appeared in person before the court. On those occasions, both sides were represented by their lawyers, who informed the court about difficulties in attending the proceedings physically.  Sources familiar with the case said requests had been made seeking permission for the couple to participate in the proceedings through video conferencing. The plea reportedly cited security concerns and logistical challenges arising from Vijay’s position as Chief Minister and the public attention surrounding the case.  The family court had earlier deferred the matter to June 15 after considering submissions from both sides. However, with neither party appearing on Monday, the proceedings could not move forward, resulting in another postponement.  Sangeetha filed the divorce petition before the Chengalpattu Family Court in December 2025, seeking dissolution of her marriage with Vijay on the grounds of irreconcilable differences. In her petition, she also sought alimony and requested permission to continue residing in the couple’s residence at Neelankarai in Chennai.  The case has drawn considerable public and political attention due to Vijay’s status as the leader of the TVK and subsequently the Chief Minister. Every development in the proceedings has been closely followed by political observers and the media. With Monday’s adjournment, the matter will now be taken up nearly two months later, when the court is expected to consider the next steps in the proceedings. "},"img":{"url":"https://images.prismic.io/prad/ai-1EI1P9HI4UgC2_vijaysangeetha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-15T07:42:00+0000","embed":{"embed_url":null}},"uid":"vijay-sangeetha-split-case-rescheduled"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"200 Stanford graduates walk out during Pichai's speech"},"content":{"text":"Google CEO Sundar Pichai faced protests and walkouts as he delivered the keynote address at Stanford University’s commencement, even though he skipped mentioning artificial intelligence to avoid getting booed, a report has said.  Roughly 200 students walked out of the ceremony to protest Google's ties to Israel and other grievances, the report from SFGate said. Though artificial intelligence may seem like a natural fit for graduates of the Stanford University located in the heart of Silicon Valley, every college commencement speaker this year got booed when they touched upon this subject. So Pichai spoke instead about his personal journey from India to Silicon Valley, recounting his early setbacks and struggles. He talked about his immigration to California, decision to drop out of his doctorate in favour of a master's degree, and struggles when he joined Google. \"Around 200 students walked out as Pichai took the stage, and smaller groups in the audience waved banners, blew whistles and waved Palestinian flags before also leaving mid-speech,\" the report said. Pro-Palestinian protesters protested against the company’s ties with the Israeli government, particularly 2021-deal Project Nimbus which had a $1.2 billion cloud-computing deal with the country. The ceremony continued after initial protests and Pichai’s anecdotes drew scattered applause and laughter. The walkouts follow other Stanford commencements over the last three years and student protests on Israel’s war in Gaza and the university’s crackdown on pro-Palestinian demonstrations on campus. Protesters staged a separate event “People’s Commencement” that featured activist Mahmoud Khalil as keynote speaker. Khalil was detained by US immigration authorities for over 100 days last year over pro-Palestinian campus activism in Columbia University. Former Google CEO Eric Schmidt was booed at the University of Arizona commencement last month when graduates booed as Schmidt said “AI is going to touch everything.”"},"img":{"url":"https://images.prismic.io/prad/a551ea4b-a95b-44f1-a8f7-612523fd354c_pichai.JPG?auto=format,compress"},"datetime":"2026-06-15T07:20:00+0000","embed":{"embed_url":null}},"uid":"200-stanford-graduates-walk-out-during-pichais-spe"}},{"node":{"data":{"title":{"text":"Trump declares Iran deal complete,"},"content":{"text":"US President Donald Trump announced that the United States and Iran had completed a deal that would reopen the Strait of Hormuz and end the US naval blockade, marking what he described as a major breakthrough after months of conflict that rattled global energy markets and raised fears of a wider regional war.  “The Deal with the Islamic Republic of Iran is now complete. Congratulations to all!” Trump said in a post on social media. The announcement came as international attention remained focused on the narrow waterway through which a substantial portion of the world's seaborne oil trade passes. The Strait of Hormuz has been at the centre of tensions between Washington and Tehran for months, with disruptions to shipping contributing to volatility in global energy prices. Trump said he was authorising the reopening of the waterway and lifting the US blockade that had been imposed during the conflict. “I hereby fully authorize the toll free opening of the Strait of Hormuz, and, simultaneously herewith, authorize the immediate removal of the United States Naval blockade,” he wrote. “Ships of the World, start your engines. Let the oil flow!” In a second post, Trump cast the agreement as a historic diplomatic achievement. “This Great Deal will bring Peace and Security to the whole Region,” he wrote. “Many presidents have tried to make Peace with Iran, and all have failed before me.” “The Leaders of the Region have, for the first time, found a President who can help them achieve real Peace,” he added. Trump said the agreement would be formally signed on Friday and linked the reopening of the Strait to efforts to remove mines from the waterway. “With the opening of the Strait upon the signing of the Deal on Friday, for purposes of mine removal, oil will flow on both ends again for the Region, and the World!” he said. The President did not disclose details of the agreement, and no official text was immediately released by the White House. His posts also did not address broader issues that have long divided Washington and Tehran, including Iran’s nuclear programme and US sanctions. However, Trump's statements suggested that the immediate focus of the agreement is restoring freedom of navigation through the Strait of Hormuz and removing barriers to commercial shipping. The announcement followed a day of intense diplomatic activity. Several international news organisations reported that US and Iranian negotiators had moved closer to an understanding after weeks of negotiations involving regional mediators. According to reporting by The Wall Street Journal, US and Iranian officials had indicated that a formal signing ceremony was expected later this week and that reopening the Strait of Hormuz and lifting the naval blockade formed the core of the arrangement. The newspaper reported that the two sides had agreed on an interim framework aimed at ending hostilities and creating space for further negotiations. The Washington Post similarly reported that the agreement would end the US blockade and reopen the Strait while leaving other major issues for future negotiations. The newspaper said discussions on Iran’s nuclear programme and sanctions relief were expected to continue in a separate phase of talks. The New York Times reported that the agreement was expected to halt fighting, reopen the Strait and remove the naval blockade while deferring more contentious questions to future negotiations. The newspaper described the accord as a cease-fire arrangement that could pave the way for broader talks between the two countries. Trump presented the agreement as evidence that his administration had succeeded where previous US presidents had fallen short."},"img":{"url":"https://images.prismic.io/prad/a6217d3e-6587-47fe-b814-f7f75e54aa2e_trump+tweet.JPG?auto=format,compress"},"datetime":"2026-06-15T00:36:00+0000","embed":{"embed_url":null}},"uid":"trump-declares-iran-deal-complete"}},{"node":{"data":{"title":{"text":"Amaravati is on full throttle, no hitting pause"},"content":{"text":"Andhra Pradesh’s Minister for Human Resources Development, Information Technology and Electronics, Nara Lokesh, said on Sunday that works for the development of the state capital Amaravati are in full swing.  “Amaravati is on full throttle-and there is no hitting pause,” posted Lokesh on ‘X’. He shared a video, highlighting the rapid pace of work on the ongoing projects in Amaravati. The works in Amaravati are on without a break, claims the voice in the video. It clarified that no work has stopped due to rains. “Amaravati is unstoppable,” it declares. It shows visuals of the works on iconic towers, Assembly, High Court, roads, reservoirs, MLA MLC Towers, AIS Towers, secretaries’ bungalows, GO Towers, NGO Towers, Group D Towers, Happy Nest, Ministers’ bungalows. The video appeals to people not to believe the false propaganda about Amaravati. Municipal Administration and Urban Development Minister P. Narayana on Saturday accused opposition YSR Congress Party (YSRCP) of spreading false information regarding Amaravati projects and asserted that such campaigns would further erode the party’s political support. He termed the YSRCP allegations that the state government buildings being constructed in Amaravati involved excessive expenditure as misleading. Referring to recent approval granted by the Union Cabinet for the construction of Central government offices in Amaravati, Narayana stated that the construction cost of the Central government residential complex would be Rs 3,945 per square foot, while Amaravati’s HappyNest housing project was being built at Rs 3,393 per square foot.  The construction cost of residential quarters for gazetted officers was estimated to be Rs 3,684 per square foot, he added. He noted that several buildings planned in Amaravati were iconic structures, which naturally involved higher construction costs.  The minister inspected ongoing infrastructure works in Amaravati, with a special focus on canal and drainage development projects aimed at improving flood management in the capital region. He reviewed the progress of bridge construction works across Kondaveeti Vagu and Palavagu. He said the projects were progressing at a rapid pace and would play a crucial role in ensuring smooth drainage during the monsoon season."},"img":{"url":"https://images.prismic.io/prad/acz_sJGXnQHGZKc7_amaravati.JPG?auto=format,compress"},"datetime":"2026-06-14T10:03:00+0000","embed":{"embed_url":null}},"uid":"amaravati-is-on-full-throttle-no-hitting-pause"}},{"node":{"data":{"title":{"text":"No Fresh Job Cuts at Meta in 2026"},"content":{"text":"Meta CEO Mark Zuckerberg has told employees that the company made “mistakes” in reshaping its workforce around artificial intelligence, adding that further company‑wide layoffs are not expected this year.  Zuckerberg pledged to provide greater stability as possible\" in terms of organisation changes going forward, multiple reports said. \"I don't want to over promise because the world is changing in ways that are out of our control,\" he said, adding that rapid advances in AI have created complex challenges and that Meta will “almost certainly make more” mistakes as it adapts. Zuckerberg said that the company's management is focused on finding new roles for employees reassigned to train AI models. In a restructuring in May, Meta had cut about 10 per cent of the workforce and moved roughly 7,000 staff into AI‑related initiatives. “By creating important new roles for people, this also allowed us to shrink the size of teams knowing that if we make mistakes in some places, then we could transfer some people back,” Zuckerberg wrote, in an internal memo to employees. He informed about the company's plans to increase investment in team-building initiatives, through higher budgets for offsites and corporate events. It will organise a large-scale hackathon in July to strengthen cross-team collaboration and development on its latest models. Meta has also taken note of concerns over the expansion of manager oversight responsibilities and plans to scale back the practice, he added. Meanwhile, major companies including Uber, Meta, Cloudflare, Intuit, PayPal, Cisco, Quora and Coinbase implemented mass layoffs this year. Several tech industry leaders have said that most white‑collar roles that rely on computers could be automated within the next 12 to 18 months. Generative AI is not causing widespread job displacement in India’s IT sector but is reorganising work, raising productivity and shifting demand toward hybrid skill sets, a recent report said."},"img":{"url":"https://images.prismic.io/prad/Z7rb757c43Q3gGjp_meta.JPG?auto=format,compress"},"datetime":"2026-06-13T04:53:00+0000","embed":{"embed_url":null}},"uid":"no-fresh-job-cuts-at-meta-in-2026"}},{"node":{"data":{"title":{"text":"Sabarimala gold scam accused dies while on bail"},"content":{"text":"Travancore Devaswom Board's former Administrative Officer and Sabarimala gold scam second accused Murari Babu died at a private hospital, where he was undergoing treatment for cancer, here on Saturday.  Murari Babu was under investigation in connection with the alleged theft of gold-plated panels from the Sabarimala temple’s door frames and 'Dwarapalaka' (guardian deity) sculptures. A native of Perunna in Changanassery, had died at Amrita Hospital after being diagnosed with cancer. The funeral will be held at his residence in Perunna at 3 pm on Saturday. The Special Investigation Team had been probing allegations that gold-plated panels removed from Sabarimala were allegedly misappropriated. Murari Babu, who was suspended from service after being named an accused, had claimed during questioning that the recording of the gold panels as copper was based on a letter from the temple priest. Born into a financially modest family, Murari Babu joined the police as a constable in 1994 but quit before completing training. He later joined the Travancore Devaswom Board in 1997 and rose through the ranks, serving at major temples including Ettumanoor, Vaikom, and Thirunakkara. The Vigilance wing had alleged that Murari Babu accumulated assets worth crores during his tenure in the TDB despite holding a low-level post. Investigators had also looked into the construction of a luxury house at his ancestral property in Changanassery. Several other controversies had also surrounded his tenure. Vigilance had probed alleged irregularities in elephant contracts during major temple festivals and cases involving missing gold and silver articles from temple premises. He had also faced allegations over the handling of a fire incident at the Ettumanoor temple and the fixing of gold-plated ornaments without approval. Despite a High Court directive against posting employees facing allegations in sensitive positions like Sabarimala, Murari Babu was later appointed Administrative Officer there. The Vigilance had also found that he allegedly communicated with a private company regarding gold-plating work on the Dwarapalaka sculptures without informing the Devaswom Board. His death came at a time when investigations and legal proceedings in the Sabarimala gold-related cases are still continuing."},"img":{"url":"https://images.prismic.io/prad/aMqwz2GNHVfTPUrM_sabarimala.JPG?auto=format,compress"},"datetime":"2026-06-13T04:09:00+0000","embed":{"embed_url":null}},"uid":"sabarimala-gold-scam-accused-dies-while-on-bail"}},{"node":{"data":{"title":{"text":"Hyd's Streets Transformed into Rivers"},"content":{"text":"Hyderabad is currently grappling with severe disruption as torrential rains inundate the city, reminiscent of the deluge experienced earlier this month. On Friday, the downpour unleashed over 40 mm of rain in various regions within a matter of hours, causing widespread waterlogging and significant traffic chaos. This latest spell of monsoon rain closely follows the intense precipitation recorded on June 9, marking a critical point in the season. Areas such as Mailardevpally and Golkonda reported peak rainfall of 45.3 mm and 44.8 mm, respectively, further exacerbating the already challenging conditions for daily commuters. The aftermath of the downpour has left several key thoroughfares submerged, notably including the SR Nagar–Balkampet Road Underbridge and stretches around Mehdipatnam Function Hall. Traffic has come to a standstill in numerous locations due to accumulated water, particularly on routes leading to Panjagutta Flyover and Masab Tank Junction. Compounding the traffic situation, an uprooted tree near Vengalrao Park has obstructed critical roads, prompting swift responses from traffic police and Disaster Response Force (DRF) teams tasked with clearing the chaos and assisting stranded motorists. As evening approaches, the situation threatens to worsen, with rush-hour congestion becoming a norm rather than an exception. The Indian Meteorological Department (IMD) has issued warnings for further thunderstorms and isolated lightning strikes across several districts in Telangana, suggesting that the monsoon's grip on the region is far from over. Forecasts indicate a continuation of volatile weather patterns in the coming days, with potential for more rain and gusty winds expected to complicate an already precarious situation. The monsoon season has historically brought both relief and peril, with cities like Hyderabad often straddling this fine line as infrastructure struggles to cope with the onslaught of rain. As the city anticipates further rain, the resilience of its infrastructure and emergency response capabilities is under scrutiny. While the Telangana Development Planning Society (TDPS) has provided crucial rainfall data, the focus now shifts to the city's ability to manage the immediate fallout from this latest weather event. With many citizens left to navigate treacherous conditions, the need for efficient urban planning and disaster preparedness has never been more pressing, a call to action for local authorities to reinforce infrastructure and response mechanisms amid the relentless monsoon."},"img":{"url":"https://images.prismic.io/prad/2bf55b27-593f-43b2-b3f6-1b54eed9ad6f_hyderabad+rains.jpg?auto=format%2Ccompress&rect=0%2C32%2C3300%2C1627&w=2028&h=1000"},"datetime":"2026-06-13T10:11:00+0000","embed":{"embed_url":null}},"uid":"hyds-streets-transformed-into-rivers"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Vijay-Sangeetha Split Case Rescheduled"},"content":{"text":"The divorce case of Tamil Nadu Chief Minister and Tamilaga Vettri Kazhagam (TVK) President C. Joseph Vijay and his wife Sangeetha was adjourned once again on Monday after neither of them appeared before the Chengalpattu Family Court.   As the matter came up for hearing, both Vijay and Sangeetha remained absent, and their counsel represented them before the court.  In view of their non-appearance, the judge adjourned the case and posted it for further hearing on August 7.  The high-profile matrimonial dispute has witnessed repeated adjournments in recent months.  During earlier hearings, too, neither Vijay nor Sangeetha appeared in person before the court. On those occasions, both sides were represented by their lawyers, who informed the court about difficulties in attending the proceedings physically.  Sources familiar with the case said requests had been made seeking permission for the couple to participate in the proceedings through video conferencing. The plea reportedly cited security concerns and logistical challenges arising from Vijay’s position as Chief Minister and the public attention surrounding the case.  The family court had earlier deferred the matter to June 15 after considering submissions from both sides. However, with neither party appearing on Monday, the proceedings could not move forward, resulting in another postponement.  Sangeetha filed the divorce petition before the Chengalpattu Family Court in December 2025, seeking dissolution of her marriage with Vijay on the grounds of irreconcilable differences. In her petition, she also sought alimony and requested permission to continue residing in the couple’s residence at Neelankarai in Chennai.  The case has drawn considerable public and political attention due to Vijay’s status as the leader of the TVK and subsequently the Chief Minister. Every development in the proceedings has been closely followed by political observers and the media. With Monday’s adjournment, the matter will now be taken up nearly two months later, when the court is expected to consider the next steps in the proceedings. "},"img":{"url":"https://images.prismic.io/prad/ai-1EI1P9HI4UgC2_vijaysangeetha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-15T07:42:00+0000","embed":{"embed_url":null}},"uid":"vijay-sangeetha-split-case-rescheduled"}},{"node":{"data":{"title":{"text":"Nivetha's Shock Exit Confession"},"content":{"text":"Well known actress Nivetha Pethuraj, whose performance in legendary filmmaker Singeetham Srinivasa Rao's recent Telugu film 'Sing Geetham' has come in for praise, has now disclosed that she had contemplated quitting films in 2023.  Participating in a Thanksgiving meet organised by the film's makers, Nivetha Pethuraj began her speech by saying, \"In 2023, I decided to quit cinema. And I realised life takes you in all the wrong decisions and wrong paths just so you can land in a Singeetham Srinivas Rao's golden blockbuster.\" Thanking producer Nag Ashwin for bringing her \"back to life, basically\", the actress said, \"If it wasn't for Nag, I wouldn't be here. I would have just been in some Himalayas or something, just meditating. I wanted to choose a different life, but I'm back at it again. With a great bang, I believe. So, thank you so much.\" Stating that she was moved to tears while watching the film, the actress said, \"I watched the film day before yesterday, and I had tears in my eyes because this is something that is actually happening in the world right now. So, I hope there's a small takeaway from this film that when a newborn comes to this earth, we try to plant a sapling for every newborn. That will make a huge difference because of whatever is happening in this world right now. That's my only wish.\" Stating that she often went to a lot of musicals in London, Nivetha Pethuraj said, \"I was just hoping at least there is one musical concert that happens, you know, somewhere in India. And I couldn't believe that I was part of a musical film, which is history. So, I'm glad.\" The actress, who was full of gratitude for the opportunity, called the film's director, a director's director. She said,\"There's only one thing I can say about Sangeetam Srinivas Rao Garu. He's a director's director. That's it. There's nothing more about him. I'm so glad. Thank you so much for having me. Thank you so much for trusting in me.\" For the unaware, director Singeetham Srinivasa Rao's dream project 'Sing Geetham', envisioned as India’s first musical fantasy, released on June 12. The film, which has been produced by Nag Ashwin under the prestigious banners of Vyjayanthi Movies and Swapna Cinema, features actors Ayaan, Ahilya Bamroo, and Shalini Kondepudi in the lead."},"img":{"url":"https://images.prismic.io/prad%2F6c8819a0-b767-419d-a332-88be01b4d4b8_nivetha+pethuraj.jpg?auto=format%2Ccompress&rect=0%2C29%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-06-15T05:02:00+0000","embed":{"embed_url":null}},"uid":"nivethas-shock-exit-confession"}},{"node":{"data":{"title":{"text":"Mithun Chakraborty’s daughter gets engaged"},"content":{"text":"Veteran actor and politician Mithun Chakraborty’s daughter Dishani Chakraborty is now engaged to her beau Myles Mantzaris and will get married on December 6, 2026.  Dishani, in a collaborative post, shared a string of pictures from the proposal. In the images, Myles, who as per his Instagram bio is a steadicam operator and a colorist, is seen on his knee as he proposed to Dishani. Another image showed the daughter of the Disco Dancer star flaunting the big rock on her finger. The last photograph had the couple sharing a sweet kiss. For the caption, Dishani wrote: “06.12.2026 … The easiest forever I’ve ever known.” The post was liked by actress Celina Jaitly. Dishani is the adopted daughter of Mithun, who is married to actress Yogeeta Bali. He was first married actress Helena Luke in 1979. Four months later, the couple separated and filed for a divorce. Mithun and Yogeeta got married in 1979. They have four children, Mimoh, Ushmey, Namashi, and an adopted daughter Dishani. Talking about Mithun, he has a career spanning over five decades and has done 350 films. Tagged as \"Mahaguru\", he is a former Rajya Sabha Member of Parliament. He made his acting debut with art house drama Mrigayaa in 1976, directed by Mrinal Sen, for which he won his first National Film Award for Best Actor.ians He gained greater fame with the 1982 film Disco Dancer, Agneepath, Pati Patni Aur Tawaif Gunahon Ka Devta,Roti Kee Keemat, Trinetra, Shatranj, Tadipaar, Jung, Kaalia, Daadagiri, Guru, My Name Is Anthony Gonsalves, Housefull 2, The Tashkent Files and The Kashmir Files. The television show Dance India Dance, where Mithun was the Grand Master, also entered in the Limca Book of Records and the Guinness World Records. Mithun’s latest release is The Bengal Files directed by Vivek Agnihotri. It presents a storyline focused on the Direct Action Day and the Noakhali riots, depicting the violence and its aftermath as a genocide."},"img":{"url":"https://images.prismic.io/prad/ai-UEo1P9HI4UfUT_mithun.JPG?auto=format%2Ccompress&rect=0%2C2%2C512%2C252&w=2028&h=1000"},"datetime":"2026-06-15T03:57:00+0000","embed":{"embed_url":null}},"uid":"mithun-chakrabortys-daughter-gets-engaged"}},{"node":{"data":{"title":{"text":"Kartik-Sreeleela Romance Rumours Heat Up"},"content":{"text":"Bollywood’s chocolate boy Kartik Aaryan shared a birthday wish for his co-star and rumoured girlfriend Sreeleela, who has turned  25. Taking to the photo-sharing website, the “Shehzada” actor posted a photograph, where the actress was seen sitting behind Kartik, who was riding a bike. In the image, the two are seen smiling as they look into the bike's rearview mirror.  Kartik wrote as the caption, \"Happy Birthday Sree Sree.\"  Sreeleela then replied to the post, saying, \"Thank you sweetest.\"  Kartik and Sreeleela will soon be seen in filmmakerer Anurag Basu's forthcoming untitled romantic drama. Produced by T-Series, the film marks Sreeleela's Bollywood debut and is slated to release in late 2026.  Kartik was last seen in “Tu Meri Main Tera Main Tera Tu Meri”, a romantic comedy directed by Sameer Vidwans. The film also stars Ananya Panday Neena Gupta, Jackie Shroff and Tiku Talsania in supporting roles. Kartik also has comedy-adventure film ‘Naagzilla’, which is set to bow in cinemas on February 12. The film is directed by Mrighdeep Singh Lamba, who is known for the ‘Fukrey’ franchise. The film was earlier set to release on August 4, 2026. The film promises a world of shape-shifting snakes, rooted in Indian folklore.  It is produced by Karan Johar, Mahaveer Jain, Adar Poonawalla, Apoorva Mehta, Mrighdeep Singh Lamba, and Neetu M Jain. The actor had announced the film last year in April, as he took to his Instagram, and shared a striking motion poster that shows him shirtless, gazing over a cityscape from within a snake-filled lair. In the caption, Kartik wrote, “I’ve seen many human stories, now watch a story of naags. #Naagzilla - Naag lok ka Pehla Kaand... Fun phailaane Aa raha hu main, Preyamvadeshwar Pyare Chand... Naag Panchami par aapke nazdeeki SsSsinemas mein. 4 August 2026 ko”. Meanwhile, Kartik has been lying low since his name popped up in the controversy surrounding him allegedly chatting with a minor girl on photo-sharing app Snapchat. There were online claims suggesting that the actor allegedly texted a minor on Snapchat, but these accusations remain unverified and largely rooted in social media speculation."},"img":{"url":"https://images.prismic.io/prad/ai-ab41P9HI4Ufgu_sreekarthik.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-15T03:24:00+0000","embed":{"embed_url":null}},"uid":"kartik-sreeleela-romance-rumours-heat-up"}},{"node":{"data":{"title":{"text":"Shalini Ajith: A little bit of France, a whole lot of love!"},"content":{"text":"Actress Shalini, the wife of well known Tamil actor and racer Ajith Kumar, who is currently in France along with her family to watch her husband's racing team 'Ajith Kumar Racing' make history, has now put out a post on social media that indicates the happy space the family is currently in.  Taking to her Instagram page to post pictures of their happy family in France, Shalini wrote, \"A little bit of France, a whole lot of love!\" Meanwhile, Ajith Kumar's team, 'Ajith Kumar Racing', proudly completed its historic debut at the prestigious 24 Hours of Le Mans, becoming the first Indian team to compete at the iconic endurance racing event. Amidst an incredibly competitive grid of 62 cars and a challenging race environment, both Ajith Kumar Racing entries delivered commendable performances, successfully staying clear of major incidents and showcasing strong pace, consistency, and teamwork throughout the event. While Car 36 that belonged to the team ended with an overall position of P13, Car 16 had a class position of P9, meaning it had a top 10 finish. Securing a top 10 class finish on debut at Le Mans marks a significant milestone not only for Ajith Kumar Racing but also for Indian motorsport on the global stage. On the occasion, the racing team expressed its gratitude to the Automobile Club de l’Ouest (ACO), the organizers of the 24 Hours of Le Mans, \"for delivering an exceptional event and creating an unforgettable atmosphere for teams, drivers, and fans alike.\" Meanwhile, director Vijay, who is now directing the docu-film that will showcase actor Ajith Kumar's efforts on the racing track, has now thanked actor Ajith Kumar for inviting him to witness and capture the iconic 24 Hours of Le Mans.  Sources close to the actor confirmed to media that the docu-film A L Vijay is directing will be around 90 minutes long and will seek to inspire scores of youngsters to pursue their dreams."},"img":{"url":"https://images.prismic.io/prad/ai-SvI1P9HI4UfRW_ajithshalini.JPG?auto=format%2Ccompress&rect=0%2C10%2C449%2C221&w=2028&h=1000"},"datetime":"2026-06-15T05:15:00+0000","embed":{"embed_url":null}},"uid":"shalini-ajith-a-little-bit-of-france-a-whole-lot-o"}},{"node":{"data":{"title":{"text":"Peddi Storms Into Profit Zone"},"content":{"text":"Ram Charan’s sports action drama Peddi, directed by Buchi Babu Sana, is maintaining a strong run at the box office and continues to emerge as one of the biggest successes of the year. Released worldwide on June 4, the film opened to positive word-of-mouth and impressive collections across domestic and overseas markets. While the numbers witnessed a natural slowdown during weekdays after a blockbuster first week, the film regained momentum during its second weekend. According to trade estimates, Peddi delivered another solid performance on its 11th day, collecting around ₹9.20 crore net across India through more than 4,100 shows. With this, the film’s domestic tally has reportedly crossed ₹216 crore net and ₹256 crore gross within just 11 days. The film has also been performing exceptionally well in international markets, where it has generated significant revenue. Trade reports suggest that Peddi has grossed nearly ₹51.75 crore overseas so far, taking its worldwide gross collection close to ₹308 crore. Meanwhile, the makers have claimed that the film’s overall worldwide earnings have already touched the ₹393 crore mark. The Telugu states continue to be the backbone of the film’s success, contributing an estimated ₹195 crore gross. Strong occupancy levels in Andhra Pradesh and Telangana, coupled with repeat audience interest, have played a major role in sustaining the film’s box-office dominance well into its second week. Apart from the Telugu market, Peddi has registered respectable collections in other regions as well. Karnataka has emerged as the strongest contributor outside the home market, while Tamil Nadu, Kerala, and other parts of India have also added healthy numbers. In terms of theatrical share, the film has already generated over ₹147 crore from Andhra Pradesh and Telangana alone, with the Nizam region leading the chart. Several key territories have reportedly achieved breakeven status, putting the film firmly in the profit zone for distributors. With the second weekend injecting fresh energy into its theatrical run, Peddi is now eyeing bigger milestones and could eventually finish as one of the highest-grossing films of Ram Charan’s career. Industry observers believe the film still has enough momentum to continue its winning streak in the coming days."},"img":{"url":"https://images.prismic.io/prad/agsEQKYofJOwHUwb_pedditrai.JPG?auto=format,compress"},"datetime":"2026-06-15T06:42:00+0000","embed":{"embed_url":null}},"uid":"peddi-storms-into-profit-zone"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Is Your Soda Habit Causing Hair Loss?"},"content":{"text":"Are your beloved sodas harming your hair? While soft drinks have long been criticized for their impact on weight, diabetes, and heart health, a new concern has emerged regarding their potential effects on hair. The discussion gained traction after hair transplant surgeon Dr. Abhishek Pilani highlighted the issue on Raj Shamani's Figuring Out podcast.  According to Dr. Pilani, regular consumption of sugary cold drinks may create conditions within the body that are not conducive to healthy hair growth. While consuming one soda is unlikely to cause sudden hair loss, a study published in the journal Nutrients in 2023 found a link between higher consumption of sugar-sweetened beverages and male-pattern hair loss in young men. However, it's essential to note that the study established a correlation, not causation. The potential connection between soft drinks and hair health lies in the impact of high-sugar beverages on overall health.  Excessive sugar consumption can lead to repeated spikes in blood sugar and insulin levels, potentially contributing to inflammation and metabolic issues that affect the body, including hair growth. However, hair loss is rarely attributed to a single factor and is typically the result of various elements accumulating over time, including genetics, hormones, nutrition, lifestyle, and overall health. Healthy hair growth relies on a balanced intake of nutrients such as iron, protein, zinc, vitamin D, and B vitamins. While soft drinks don't directly deplete these nutrients, excessive consumption may lead to healthier options being replaced.  The concern lies in long-term habits rather than occasional consumption. The normal range of daily hair loss is between 50 and 100 strands, but concerns arise when lost hairs aren't adequately replaced. While soft drinks may not directly cause hair loss, their impact on overall health could potentially affect hair growth. Instead of fixating on individual cans of soda, experts emphasize the importance of considering overall lifestyle factors such as sleep, stress management, balanced nutrition, and reduced sugar intake. Ultimately, addressing concerns about hair health may begin with dietary and lifestyle adjustments."},"img":{"url":"https://images.prismic.io/prad/aDbfAydWJ-7kSniS_jucessoda.JPG?auto=format,compress"},"datetime":"2026-06-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"is-your-soda-habit-causing-hair-loss"}},{"node":{"data":{"title":{"text":"Recognizing the Early Signs of Ovarian Cancer"},"content":{"text":"Ovarian cancer is a significant concern for women in India, being the third most common cancer among them. However, many women with ovarian cancer often experience symptoms for several months before receiving a proper diagnosis. In India, a staggering 70 to 80 percent of ovarian cancer patients are diagnosed at advanced stages, mainly because the early signs are easily mistaken for other health issues. Oncologists have dubbed ovarian cancer as a 'silent disease' due to its subtle progression without clear, alarming symptoms.  Dr. Sampada Desai, a Consultant Gynaecological Cancer and Robotic Surgeon, emphasizes that ovarian cancer does not remain silent but instead 'whispers' through nonspecific symptoms such as upper abdominal discomfort, bloating, feeling full too early, and digestive problems, which are often mistaken for other conditions. Persistent bloating and extreme fullness even after consuming small portions of food, coupled with lower abdominal or pelvic pain, should prompt a visit to the doctor. Changes in menstrual patterns, irregular bleeding, or any bleeding post-menopause also warrant attention.  It is crucial for individuals experiencing these symptoms to keep a record for a month and consult a gynecologic oncologist if any symptoms persist for more than two weeks or occur frequently. Women with a family history of ovarian, breast, or colon cancer should be particularly vigilant, as they have a higher genetic predisposition to cancer. Early detection is key, as there are no routine screening tests for ovarian cancer. Clinical examination, ultrasonography, and blood tests may be part of the evaluation for potential ovarian cancer. Recognizing the subtle signs and listening to the 'whisper' of ovarian cancer may significantly aid in early detection and improved survival rates."},"img":{"url":"https://images.prismic.io/prad/aigpQAeQX7-eXEpI_overaincancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T18:42:00+0000","embed":{"embed_url":null}},"uid":"recognizing-the-early-signs-of-ovarian-cancer"}},{"node":{"data":{"title":{"text":"How Thyroid Health Affects Fertility"},"content":{"text":"For women trying to conceive, the road to pregnancy can be fraught with challenges. While the reasons for delayed conception may not always be obvious, thyroid health could be a significant factor. As the world marks World Thyroid Day on May 25, experts emphasize the often overlooked influence of hypothyroidism on reproductive health. Dr. Alimileti Jhansi Rani, a Fertility Specialist at Birla Fertility & IVF Hyderabad, stresses the critical role of the thyroid in reproductive health.  Research has shown that hypothyroidism can disrupt ovulation, menstruation, and hormonal regulation, leading to fertility struggles and potential complications during pregnancy. It's important to note that even 'normal' thyroid levels may not be ideal for conception, with specialists recommending optimized levels for fertility. Treatment and lifestyle changes, including medication, proper nutrition, stress management, and monitoring menstrual and ovulation patterns, can significantly improve the chances of conception.  Additionally, testing for thyroid antibodies can provide valuable insights, especially for women facing recurrent miscarriages or fertility challenges. Understanding the impact of thyroid health on fertility and seeking timely medical guidance can save valuable time for women struggling to conceive."},"img":{"url":"https://images.prismic.io/prad/1c687669-969a-426e-b643-acc2ccc20607_thyroid.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","embed":{"embed_url":null}},"uid":"how-thyroid-health-affects-fertility"}},{"node":{"data":{"title":{"text":"Shortness of Breath? Take It Seriously"},"content":{"text":"Feeling winded when doing everyday tasks like climbing stairs may seem normal, but according to Dr. Rajesh Rajani, Consultant Interventional Cardiologist, it can be a red flag for an underlying heart problem. Many people dismiss breathlessness as a sign of aging or lack of fitness, but this could be dangerous thinking. The gradual decline in your ability to perform tasks without getting breathless may go unnoticed, leading to delayed diagnosis of potential heart issues.  Dr. Rajani warns that breathlessness should not be normalized, as it could indicate serious heart conditions such as blocked arteries, heart valve disease, irregular heart rhythms, or weakening of the heart muscles. Recognizing and evaluating these symptoms early can help identify underlying health risks and prevent more serious complications later. It's crucial not to make excuses for these symptoms and to seek medical advice if you experience increasing shortness of breath.  This article provides insights from Dr. Rajesh Rajani, shedding light on why breathlessness should not be ignored and how it can signify an underlying heart condition."},"img":{"url":"https://images.prismic.io/prad/agwbIKYofJOwHWqT_breath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T18:56:00+0000","embed":{"embed_url":null}},"uid":"dont-ignore-it-when-shortness-of-breath-signals-a-serious-health-concern-mpcc9z9u"}},{"node":{"data":{"title":{"text":"Hantavirus Panic Hits US Passengers"},"content":{"text":"In a troubling development, two American passengers from the MV Hondius have raised alarm as they are transported back to the United States with potential hantavirus infections. The Department of Health and Human Services confirmed on Sunday evening that among the 17 evacuees, one individual is exhibiting mild symptoms, while another has tested 'mildly PCR positive' for the Andes strain of the virus. This evacuation comes amidst a backdrop of heightened awareness surrounding hantavirus, which can lead to severe respiratory complications. The cruise ship, which embarked from Argentina in April and traversed the South Atlantic, has been linked to a disturbing cluster of hantavirus cases, including three fatalities. The initial case involved a Dutch passenger who fell ill shortly after boarding, leading to a tragic sequence of events that resulted in both his and his wife’s deaths, as well as that of a German traveler. The virus's unusual capability for human-to-human transmission—particularly the Andes strain—underscores the urgency of the situation, as it typically spreads through contact with infected rodent excreta. Health experts are particularly concerned about this outbreak due to its rarity, with hantaviruses generally transmitting through animal vectors rather than person-to-person contact. The Andes virus, however, poses a unique threat, necessitating close interactions for transmission to occur. A Swiss tour guide who disembarked in Saint Helena and later tested positive suggests that the virus may have circulated among passengers during the voyage. Such developments have prompted increased scrutiny and rigorous monitoring protocols for those who interacted with affected individuals. The 17 American passengers are currently en route to the University of Nebraska Medical Center, which is equipped to handle potential hantavirus cases. The facility will conduct thorough clinical assessments, with asymptomatic individuals expected to monitor their health at home for a full 42 days—the incubation period for the virus. While health officials have classified most passengers as low-risk, the careful tracking and oversight reflect a cautious approach in the face of a potentially serious health crisis, emphasizing both preparedness and the importance of public health vigilance in mitigating outbreaks."},"img":{"url":"https://images.prismic.io/prad/agHlCKYofJOwHFHL_hantavirus.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-11T05:02:00+0000","embed":{"embed_url":null}},"uid":"hantavirus-alert-us-passengers-evacuated-amid-growing-health-concerns-mp19tz46"}},{"node":{"data":{"title":{"text":"Summer Chill or Skin Kill: The Hidden Perils of AC"},"content":{"text":"As temperatures soar, air conditioning becomes a refuge from the sweltering heat, yet it carries an unsuspected consequence for our skin. The very mechanism that cools our living spaces—lowering humidity levels—has a detrimental effect on skin health. Prolonged exposure to air-conditioned environments can lead to significant dehydration, disrupting the skin's natural barrier and causing a range of issues including heightened sensitivity, flakiness, and even unexpected breakouts. This paradox highlights a critical need for awareness in our skincare routines during the sweltering summer months. The science behind air conditioning reveals a stark reality: the cooling process strips moisture from the air, which in turn accelerates water loss from the skin. This dehydration can affect all skin types, whether oily, dry, or combination. A common misconception is that hydrated skin will always appear visibly dry; in many cases, a lack of moisture can trigger the skin to produce excess oil in a compensatory manner, resulting in clogged pores and acne. This cycle underscores the importance of recognizing air conditioning as a double-edged sword, necessary for comfort yet detrimental to skin vitality. The skin barrier serves as the body’s frontline defense against external aggressors. When faced with the relentless assault of dry air, this barrier struggles to maintain its integrity, leading to issues like increased sensitivity and irritation. Individuals may notice fine lines becoming more pronounced, and persistent redness developing as their skin reacts to the new environment. The long-term implications are unsettling; a compromised skin barrier not only invites dryness but also exposes the skin to pollution and UV damage once individuals venture outside. Understanding this connection is crucial for anyone reliant on air conditioning for comfort. To counteract these adverse effects, skincare strategies must adapt to this summer challenge. Prioritizing deep hydration is essential—switching to lightweight moisturizers infused with hydrating ingredients like hyaluronic acid can help replenish lost moisture without clogging pores. Layering products, such as applying a hydrating serum followed by a moisturizer, creates an additional shield against dry air. Moreover, maintaining internal hydration through adequate water intake and using a humidifier can enhance skin resilience. As the demand for comfort clashes with the need for skin health, it is imperative to strike a balance that ensures both can coexist harmoniously during the hottest months of the year."},"img":{"url":"https://images.prismic.io/prad/afhRDcBOoF08xkN5_skin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-03T02:53:00+0000","embed":{"embed_url":null}},"uid":"summer-chill-or-skin-kill-the-hidden-perils-of-air-conditioning-moq2k7ge"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Indian-Origin Man Fatally Stabbed in London"},"content":{"text":"A 26-year-old Indian-origin man has been killed in a knife attack in Southall, west London, the Metropolitan Police said, prompting a murder investigation and a fresh appeal for witnesses.  The victim has been identified as Gurbhej Singh, who was stabbed on North Road near the junction with Dormers Wells Lane. Police said on Saturday that Singh was attacked outside a shop at the junction of North Road and Dormers Wells Lane at around 00:30 hrs. According to the Metropolitan Police, officers were called on Wednesday by the London Ambulance Service after reports of a stabbing in the area. Police and paramedics arrived at the scene, where two injured men were found. Despite efforts by medical staff, Singh, who had suffered a knife wound, was pronounced dead at the scene. His family are being supported by specialist officers. A second man, believed to be in his 30s, was also found injured at the scene. He was taken to the hospital for treatment and has since been discharged. Police said seven men, aged between their early 20s and late 30s, were arrested at the scene on suspicion of murder. Following further investigation, six of them were released with no further action, while one man has been granted bail and is due to return at a later date. Investigators have urged members of the public to come forward with any information, including CCTV or mobile phone footage, as enquiries continue into the circumstances surrounding the attack. Detective Chief Inspector Alison Foxwell, of the Met’s Specialist Crime Command, said, “Homicide detectives continue to investigate Mr Singh’s tragic death and my thoughts remain with his family and loved ones.” Police continue to examine the sequence of events leading up to the stabbing, which took place shortly after midnight outside a shop in Southall. The motive behind the attack has not yet been established, and officers are working to identify all those involved. The Metropolitan Police have reiterated their appeal for witnesses, stressing that even small pieces of information could assist the ongoing investigation into the fatal stabbing."},"img":{"url":"https://images.prismic.io/prad/e65d5cc2-0d91-463a-8e82-6bcc9bef10eb_knifed.JPG?auto=format,compress"},"datetime":"2026-06-14T04:38:00+0000","embed":{"embed_url":null}},"uid":"indian-origin-man-fatally-stabbed-in-london"}},{"node":{"data":{"title":{"text":"Indian-origin tech leader Soma honoured in US Congress"},"content":{"text":"Indian-born technology executive and entrepreneur Sivaramakrishnan \"Soma\" Somasegar, who helped shape Microsoft's rise and later became a leading venture capitalist in the US Pacific Northwest, was honoured in the US House of Representatives this week for his contributions to technology, entrepreneurship and community service.  Speaking on the House floor, Congresswoman Suzan DelBene of Washington remembered Somasegar as \"an incredible technologist, entrepreneur, leader, and friend in our community.\" Born and raised in southern India, Somasegar moved to the United States to study at Louisiana State University before joining Microsoft in 1989. He went on to play a key role in the development of Windows NT, one of the most significant products in the company's history. DelBene said Somasegar's \"remarkable management skills, dedication, and work ethic\" helped him rise through Microsoft's ranks, eventually serving as Senior Vice President until 2015. \"I had the joy of getting to know him during our time at Microsoft together,\" she said. \"His infectious smile and warm presence brought energy to every room he entered.\" After leaving Microsoft, Somasegar joined Madrona Venture Group as a managing director, where he worked closely with entrepreneurs and emerging companies across the technology sector. DelBene said he \"guided countless startups and helped strengthen our region's innovation ecosystem.\" Somasegar was also active in community initiatives and sports. As a co-founder of the Seattle Orcas franchise, he helped bring professional cricket to the Pacific Northwest, expanding the sport's profile in a region with a growing South Asian population. The congresswoman also described him as \"a passionate advocate for women's empowerment,\" supporting organisations that worked to expand opportunity and equity. Much of her tribute focused on his family. DelBene said his wife, Akila, and their two daughters \"were the center of his world.\" \"He spoke of them often with great admiration, gratitude, and boundless pride,\" she said. \"Everything he accomplished was grounded in love for them. To know Soma was to know how much they shaped him, supported him, and inspired him.\" DelBene called on fellow lawmakers to honour Somasegar's legacy, saying his family, friends and colleagues would continue to cherish \"his kindness and wisdom for years to come.\" Somasegar's career mirrored the growing influence of Indian-origin professionals in the US technology industry. Over the past several decades, executives and engineers from India have played prominent roles in shaping Silicon Valley and the broader American innovation economy. His journey from southern India to senior leadership at Microsoft, venture investing and professional cricket reflected the expanding footprint of the Indian diaspora in the United States and its growing role in technology, business and public life. "},"img":{"url":"https://images.prismic.io/prad/ag63sqYofJOwHeRq_soma.JPG?auto=format,compress"},"datetime":"2026-06-13T01:30:00+0000","embed":{"embed_url":null}},"uid":"indian-origin-tech-leader-soma-honoured-in-us-cong"}},{"node":{"data":{"title":{"text":"US States hail court win against H-1B fee"},"content":{"text":"State attorneys general across the United States welcomed a federal court ruling striking down the Trump administration’s $100,000 fee on new H-1B visa petitions, calling it a victory for employers, universities, healthcare providers and research institutions that rely on highly skilled foreign workers.  A day earlier, US District Court in Massachusetts issued a final ruling vacating the fee, which had been imposed on all new H-1B petitions filed after September 21, 2025. A multistate coalition had challenged the policy, arguing that the administration lacked congressional authorisation to impose the charge. Washington Attorney General Nick Brown said the ruling would help protect the state's ability to attract specialised talent. “This win helps keep our state at the forefront of highly specialized research that drives our world’s most dynamic industries,” Brown said. “Unchecked, this illegal tax would have massively increased costs for Washington state agencies, public universities, and public colleges,” he added. Brown's office said nearly 500 H-1B visa holders are employed across more than 30 Washington state agencies, public universities and colleges. Officials argued that the fee would have made it difficult for educational institutions to fill critical positions, particularly in artificial intelligence, cybersecurity and medical fields. California Attorney General Rob Bonta, whose office led the multistate challenge, said the court had delivered a decisive rejection of the policy. “The judgment is in! The Trump Administration’s unlawful and costly $100,000 tax has been struck down. This tax was an attack on America’s ability to attract and retain the high-skilled talent that strengthens our economy and helps us meet critical workforce needs,” Bonta said. “California remains open for business, open to talent, and committed to ensuring our communities have essential services — from healthcare to education — that depend on a strong, skilled workforce,” he added. Connecticut Attorney General William Tong also praised the ruling, describing the fee as an unfair burden on employers. “We just stopped Donald Trump’s crude attempt to hawk the American Dream to the highest bidder. Trump’s outrageous fees were a steep burden for Connecticut employers across the public and private sector who rely on skilled H-1B workers for difficult, vital positions,” Tong said. “We sued, we won, and we’re going to keep fighting to protect a fair and lawful immigration process,” he added. State officials argued that the fee created a costly barrier for employers seeking workers in specialised occupations, including teachers, physicians, researchers and nurses. They said the policy risked worsening labour shortages and disrupting essential public services. According to the coalition, employers had previously paid between $960 and $7,595 in regulatory and statutory fees for H-1B visas before the $100,000 charge was introduced. The states also highlighted the economic contribution of H-1B workers and their families, citing estimates that they contribute $86 billion annually to the US economy, pay $35 billion in federal and payroll taxes, and another $11 billion in state and local taxes."},"img":{"url":"https://images.prismic.io/prad%2F6d9a84a3-bdac-4f8f-957e-c069d3c27d4f_h1b.jpg?auto=format,compress&rect=0,67,1920,947&w=2028&h=1000"},"datetime":"2026-06-09T20:05:00+0000","embed":{"embed_url":null}},"uid":"us-states-hail-court-win-against-h-1b-fee"}},{"node":{"data":{"title":{"text":"Indian mangoes spark summer rush across US"},"content":{"text":"From Seattle to Los Angeles and from New Jersey to Washington DC, Indian mangoes are triggering a summer buying frenzy across the United States, with shipments selling out within hours at major retailers as demand surges for varieties such as Kesar, Alphonso and Langra.  India's Ambassador to the US Vinay Kwatra says the fruit's growing popularity reflects both diaspora nostalgia and widening American appreciation for Indian produce. For decades, Indian Americans returning from summer visits home would carry memories of Alphonso, Kesar, Langra and Dussehri mangoes. Today, many of those same varieties are appearing in mainstream American retail stores, bringing a taste of India to consumers thousands of miles away. \"You know, we all have a sense of diaspora, particularly in the US a sense of summer nostalgia as I call it when it comes to mango. Summer vacations remind us of the times when, we will enjoy mango and the deliciousness of this fruit to our heart's content,\" Kwatra told IANS ahead of a mango festival being organised by the Embassy of India in Washington later this month. That nostalgia is now finding its way into American supermarkets. \"But we are now facing a very, very happy situation where this nostalgia is now available with American retailers,” he said. The latest sign of Indian mangoes' growing popularity came in Seattle, where the Consulate General of India hosted the second edition of \"Mango Magic\", a promotion and tasting event that brought together more than 100 importers, distributors and senior representatives from major retailers, including Costco. Guests sampled seven premium varieties of Indian mangoes — Alphonso and Kesar from Maharashtra, Banganpalli and Himayat from Andhra Pradesh, Langra and Dussehri from Uttar Pradesh, and Rajapuri from Gujarat. Washington State Lieutenant Governor Denny Heck welcomed the introduction of a wider range of Indian mangoes to Washington State. State senators, diplomats and business leaders attended the event, which was organised in partnership with the Agricultural and Processed Food Products Export Development Authority (APEDA). In May, Costco imported its first tranche of Indian Kesar mangoes to stores in Greater Seattle, Las Vegas, New Jersey and Greater Los Angeles. Costco representatives have reported that \"all the Indian mangoes were sold out from these locations within two hours of their arrival on the shelves\". That rapid sell-out has become a recurring theme in conversations surrounding Indian mangoes. \"People tell me that when Costco first introduced Mango and … within a couple of hours, the shelves all emptied out. Such was the popularity of the fruit,\" Kwatra said. Consumers have taken notice. Social media posts have tracked arrivals of Kesar mangoes at Costco locations across California, Washington State and New Jersey, with shoppers sharing photos and urging friends to visit stores before supplies disappear. One customer described Indian Kesar mangoes as an \"iconic Indian summer favorite\", while others posted that Indian mangoes were \"unmatched in taste\". The ambassador said the enthusiasm extends beyond the Indian diaspora. \"I can tell you from my personal experience that the mango that we have shared here with our colleagues in the US administration, in the Congress, universal feedback has been that this is the most delicious kind of mango they have ever tasted in their lives,\" he said. India is the world's largest producer of mangoes, with annual production exceeding 26 million metric tonnes and more than 1,000 named varieties. Exports of Indian mangoes to the United States, which resumed in 2007 after an 18-year suspension, have expanded steadily over the past decade. Exports of Indian mangoes to the US reached $10 million in FY2023-24, up from $4.36 million in the previous fiscal year. With the US mango import market crossing $1 billion in value in 2025 and continuing to grow, Indian exporters increasingly see an opportunity to introduce regional varieties to a wider American audience."},"img":{"url":"https://images.prismic.io/prad/Zrz2ZEaF0TcGI7_5_mangojuice.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-09T19:31:00+0000","embed":{"embed_url":null}},"uid":"indian-mangoes-spark-summer-rush-across-us"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'Oh Sukumari' Teaser"},"img":{"url":"https://images.prismic.io/prad/ai5rjY1P9HI4UdQP_ohsukumari.JPG?auto=format,compress"},"datetime":"2026-06-13T18:30:00+0000","third_party_url":null},"uid":"oh-sukumari-teaser"}},{"node":{"data":{"title":{"text":"#NBK111 Glimpse"},"img":{"url":"https://images.prismic.io/prad/aiqJBalQnVZVENEs_NBK111.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-10T18:30:00+0000","third_party_url":null},"uid":"nbk111-glimpse"}},{"node":{"data":{"title":{"text":"SlumDog - 33 Temple Road Teaser"},"img":{"url":"https://images.prismic.io/prad/aWoY2wIvOtkhBpL2_slumdog.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T12:53:00+0000","third_party_url":null},"uid":"slumdog---33-temple-road-teaser"}},{"node":{"data":{"title":{"text":"'Toxic' Movie BTS Video"},"img":{"url":"https://images.prismic.io/prad/aiaXXweQX7-eW9Tg_toxicbts.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T05:20:00+0000","third_party_url":null},"uid":"toxic-movie-bts-video"}},{"node":{"data":{"title":{"text":"Bigg Boss Telugu 10 Promo"},"img":{"url":"https://images.prismic.io/prad/aiV9TQeQX7-eW8eA_BB10.JPG?auto=format,compress"},"datetime":"2026-06-07T12:16:00+0000","third_party_url":null},"uid":"bigg-boss-telugu-10-promo"}},{"node":{"data":{"title":{"text":"Massa Massa Lyrical Video"},"img":{"url":"https://images.prismic.io/prad/ah_G4weQX7-eWo33_massamassasong.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-02T19:17:00+0000","third_party_url":null},"uid":"massa-massa-lyrical-video"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"How YSRCP Hijacked The Narrative"},"img":{"url":"https://images.prismic.io/prad/ai5WRI1P9HI4UdOg_cbnpkjagan.JPG?auto=format,compress"},"datetime":"2026-06-14T06:30:00+0000","third_party_url":null},"uid":"how-ysrcp-hijacked-the-narrative"}},{"node":{"data":{"title":{"text":"Hugs, Hype, And Hypocrisy"},"img":{"url":"https://images.prismic.io/prad/ai5eco1P9HI4UdPu_moditrump.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-14T06:25:00+0000","third_party_url":null},"uid":"hugs-hype-and-hypocrisy"}},{"node":{"data":{"title":{"text":"Mega DSC: How A 'Mega' Move Became A 'Mega' Mess"},"img":{"url":"https://images.prismic.io/prad/aiu7LalQnVZVEQ7o_megadscapjagancbn.JPG?auto=format,compress"},"datetime":"2026-06-12T06:54:00+0000","third_party_url":null},"uid":"mega-dsc-how-a-mega-move-became-a-mega-mess"}},{"node":{"data":{"title":{"text":"Disintegration Of TMC: A Warning For CBN?"},"img":{"url":"https://images.prismic.io/prad/aipz_alQnVZVEMr5_mocbma.JPG?auto=format,compress"},"datetime":"2026-06-11T07:38:00+0000","third_party_url":null},"uid":"disintegration-of-tmc-a-warning-for-cbn"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Peddi Storms Into Profit Zone"},"content":{"text":"Ram Charan’s sports action drama Peddi, directed by Buchi Babu Sana, is maintaining a strong run at the box office and continues to emerge as one of the biggest successes of the year. Released worldwide on June 4, the film opened to positive word-of-mouth and impressive collections across domestic and overseas markets. While the numbers witnessed a natural slowdown during weekdays after a blockbuster first week, the film regained momentum during its second weekend. According to trade estimates, Peddi delivered another solid performance on its 11th day, collecting around ₹9.20 crore net across India through more than 4,100 shows. With this, the film’s domestic tally has reportedly crossed ₹216 crore net and ₹256 crore gross within just 11 days. The film has also been performing exceptionally well in international markets, where it has generated significant revenue. Trade reports suggest that Peddi has grossed nearly ₹51.75 crore overseas so far, taking its worldwide gross collection close to ₹308 crore. Meanwhile, the makers have claimed that the film’s overall worldwide earnings have already touched the ₹393 crore mark. The Telugu states continue to be the backbone of the film’s success, contributing an estimated ₹195 crore gross. Strong occupancy levels in Andhra Pradesh and Telangana, coupled with repeat audience interest, have played a major role in sustaining the film’s box-office dominance well into its second week. Apart from the Telugu market, Peddi has registered respectable collections in other regions as well. Karnataka has emerged as the strongest contributor outside the home market, while Tamil Nadu, Kerala, and other parts of India have also added healthy numbers. In terms of theatrical share, the film has already generated over ₹147 crore from Andhra Pradesh and Telangana alone, with the Nizam region leading the chart. Several key territories have reportedly achieved breakeven status, putting the film firmly in the profit zone for distributors. With the second weekend injecting fresh energy into its theatrical run, Peddi is now eyeing bigger milestones and could eventually finish as one of the highest-grossing films of Ram Charan’s career. Industry observers believe the film still has enough momentum to continue its winning streak in the coming days."},"img":{"url":"https://images.prismic.io/prad/agsEQKYofJOwHUwb_pedditrai.JPG?auto=format,compress"},"datetime":"2026-06-15T06:42:00+0000","embed":{"embed_url":null}},"uid":"peddi-storms-into-profit-zone"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Vijay-Sangeetha Split Case Rescheduled"},"content":{"text":"The divorce case of Tamil Nadu Chief Minister and Tamilaga Vettri Kazhagam (TVK) President C. Joseph Vijay and his wife Sangeetha was adjourned once again on Monday after neither of them appeared before the Chengalpattu Family Court.   As the matter came up for hearing, both Vijay and Sangeetha remained absent, and their counsel represented them before the court.  In view of their non-appearance, the judge adjourned the case and posted it for further hearing on August 7.  The high-profile matrimonial dispute has witnessed repeated adjournments in recent months.  During earlier hearings, too, neither Vijay nor Sangeetha appeared in person before the court. On those occasions, both sides were represented by their lawyers, who informed the court about difficulties in attending the proceedings physically.  Sources familiar with the case said requests had been made seeking permission for the couple to participate in the proceedings through video conferencing. The plea reportedly cited security concerns and logistical challenges arising from Vijay’s position as Chief Minister and the public attention surrounding the case.  The family court had earlier deferred the matter to June 15 after considering submissions from both sides. However, with neither party appearing on Monday, the proceedings could not move forward, resulting in another postponement.  Sangeetha filed the divorce petition before the Chengalpattu Family Court in December 2025, seeking dissolution of her marriage with Vijay on the grounds of irreconcilable differences. In her petition, she also sought alimony and requested permission to continue residing in the couple’s residence at Neelankarai in Chennai.  The case has drawn considerable public and political attention due to Vijay’s status as the leader of the TVK and subsequently the Chief Minister. Every development in the proceedings has been closely followed by political observers and the media. With Monday’s adjournment, the matter will now be taken up nearly two months later, when the court is expected to consider the next steps in the proceedings. "},"img":{"url":"https://images.prismic.io/prad/ai-1EI1P9HI4UgC2_vijaysangeetha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-15T07:42:00+0000","embed":{"embed_url":null}},"uid":"vijay-sangeetha-split-case-rescheduled"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Shalini Ajith: A little bit of France, a whole lot of love!"},"content":{"text":"Actress Shalini, the wife of well known Tamil actor and racer Ajith Kumar, who is currently in France along with her family to watch her husband's racing team 'Ajith Kumar Racing' make history, has now put out a post on social media that indicates the happy space the family is currently in.  Taking to her Instagram page to post pictures of their happy family in France, Shalini wrote, \"A little bit of France, a whole lot of love!\" Meanwhile, Ajith Kumar's team, 'Ajith Kumar Racing', proudly completed its historic debut at the prestigious 24 Hours of Le Mans, becoming the first Indian team to compete at the iconic endurance racing event. Amidst an incredibly competitive grid of 62 cars and a challenging race environment, both Ajith Kumar Racing entries delivered commendable performances, successfully staying clear of major incidents and showcasing strong pace, consistency, and teamwork throughout the event. While Car 36 that belonged to the team ended with an overall position of P13, Car 16 had a class position of P9, meaning it had a top 10 finish. Securing a top 10 class finish on debut at Le Mans marks a significant milestone not only for Ajith Kumar Racing but also for Indian motorsport on the global stage. On the occasion, the racing team expressed its gratitude to the Automobile Club de l’Ouest (ACO), the organizers of the 24 Hours of Le Mans, \"for delivering an exceptional event and creating an unforgettable atmosphere for teams, drivers, and fans alike.\" Meanwhile, director Vijay, who is now directing the docu-film that will showcase actor Ajith Kumar's efforts on the racing track, has now thanked actor Ajith Kumar for inviting him to witness and capture the iconic 24 Hours of Le Mans.  Sources close to the actor confirmed to media that the docu-film A L Vijay is directing will be around 90 minutes long and will seek to inspire scores of youngsters to pursue their dreams."},"img":{"url":"https://images.prismic.io/prad/ai-SvI1P9HI4UfRW_ajithshalini.JPG?auto=format%2Ccompress&rect=0%2C10%2C449%2C221&w=2028&h=1000"},"datetime":"2026-06-15T05:15:00+0000","embed":{"embed_url":null}},"uid":"shalini-ajith-a-little-bit-of-france-a-whole-lot-o"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Kartik-Sreeleela Romance Rumours Heat Up"},"content":{"text":"Bollywood’s chocolate boy Kartik Aaryan shared a birthday wish for his co-star and rumoured girlfriend Sreeleela, who has turned  25. Taking to the photo-sharing website, the “Shehzada” actor posted a photograph, where the actress was seen sitting behind Kartik, who was riding a bike. In the image, the two are seen smiling as they look into the bike's rearview mirror.  Kartik wrote as the caption, \"Happy Birthday Sree Sree.\"  Sreeleela then replied to the post, saying, \"Thank you sweetest.\"  Kartik and Sreeleela will soon be seen in filmmakerer Anurag Basu's forthcoming untitled romantic drama. Produced by T-Series, the film marks Sreeleela's Bollywood debut and is slated to release in late 2026.  Kartik was last seen in “Tu Meri Main Tera Main Tera Tu Meri”, a romantic comedy directed by Sameer Vidwans. The film also stars Ananya Panday Neena Gupta, Jackie Shroff and Tiku Talsania in supporting roles. Kartik also has comedy-adventure film ‘Naagzilla’, which is set to bow in cinemas on February 12. The film is directed by Mrighdeep Singh Lamba, who is known for the ‘Fukrey’ franchise. The film was earlier set to release on August 4, 2026. The film promises a world of shape-shifting snakes, rooted in Indian folklore.  It is produced by Karan Johar, Mahaveer Jain, Adar Poonawalla, Apoorva Mehta, Mrighdeep Singh Lamba, and Neetu M Jain. The actor had announced the film last year in April, as he took to his Instagram, and shared a striking motion poster that shows him shirtless, gazing over a cityscape from within a snake-filled lair. In the caption, Kartik wrote, “I’ve seen many human stories, now watch a story of naags. #Naagzilla - Naag lok ka Pehla Kaand... Fun phailaane Aa raha hu main, Preyamvadeshwar Pyare Chand... Naag Panchami par aapke nazdeeki SsSsinemas mein. 4 August 2026 ko”. Meanwhile, Kartik has been lying low since his name popped up in the controversy surrounding him allegedly chatting with a minor girl on photo-sharing app Snapchat. There were online claims suggesting that the actor allegedly texted a minor on Snapchat, but these accusations remain unverified and largely rooted in social media speculation."},"img":{"url":"https://images.prismic.io/prad/ai-ab41P9HI4Ufgu_sreekarthik.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-15T03:24:00+0000","embed":{"embed_url":null}},"uid":"kartik-sreeleela-romance-rumours-heat-up"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Dhurandhar‍‌‍‍‌‍‌‍‍‌'"},"content":{"text":"Dhurandhar hits the audience like a cyclone—untamed, persistent, and spectacularly dhamakedaar. Aditya Dhar's latest triumph is far from just a movie; it is a once-in-a-lifetime experience, a cinematic event of the year that completely breaks the clutter of Indian espionage thrillers. With Indian heart and international standard, Dhar weaves a story full of human touch, intricacy, and spark, reaffirming that he belongs among the very few directors capable of conceiving on a grand scale while still keeping the story deeply character-driven.  Drawing inspiration from the IC-814 hijacking and the 2001 Parliament attack, the film sets the stage on a historic backdrop without wasting a moment. Dhar then skillfully expands the narrative to show the political tremors that pushed the Indian intelligence system beyond its limits. Madhavan as IB Chief Ajay Sanyal is the rock on which the story stands. His portrayal, full of precision and gravitas, earns seeti maar reactions in every scene. The dialogues are crisp, the energy is infectious, and the immersion into this high-stakes world is so real that it grips from the first frame.  One of the most striking elements is the use of archival footage, including 9/11 and other terror attacks, interspersed with chilling audio of attackers plotting against India. These sequences evoke patriotism without jingoism, reminding the audience of the stakes while highlighting India’s strategic resilience. It’s a cinematic call to awareness and courage that makes the story even more gripping.  Ranveer Singh delivers arguably his career-best performance—raw, gritty, massy, and explosively powerful. Hamza is hurt, angry, unpredictable, yet inexplicably charming. The transformation from a rage-driven youth to a cold, calculated underworld operative is executed with staggering emotional finesse. Ranveer doesn’t just perform; he literally “blows up” the screen, particularly in the latter half, becoming almost synonymous with the storyline—a 10/10 hardcore action avatar.  The supporting cast matches this energy brilliantly. Akshaye Khanna, as Rehman Dakait, is eerie, sparkling, and dreadful—a mind-is-the-weapon villain whose expressions and timing make him unforgettable. Sanjay Dutt is pure cannon fire as SP Chaudhary Aslam, “The Jinn,” bringing raw toughness to every frame. Arjun Rampal’s Major Iqbal commands attention with his silent menace, while Sara Arjun impresses in her star-studded debut. Every actor is fully into their character, creating a dangerously immersive atmosphere.  The film’s pace is relentless, thanks to Aditya Dhar’s mastery over tempo. And crucially, despite its 214-minute runtime, the length never feels distracting. Every scene is deliberate, every beat perfect, making the infiltration plan genuinely nerve-wracking. The background music is another major highlight—the BGM keeps the energy flowing continuously, never letting the audience feel a dull moment. The soundtrack is one of the strongest pillars of the film, arguably the album of the year or even the decade, turning tension, discovery, and climax into cinematic thunder.  Violence is used sparingly—just three sequences are truly explicit, each dramatically justified. The real intensity comes from the emotional stakes, character development, and political intrigue. The first half showcases masterful world-building, with the interval delivering pure goosebumps and doubling audience excitement. Post-interval, conspiracies intertwine, political power shifts, and Hamza consolidates the mafia core through strategy, betrayal, and even a calculated marriage, setting up a perfect stage for the explosive Part Two coming Eid 2026.  Jyoti Deshpande, Lokesh Dhar, and Aditya Dhar, backed by B62 Studios and Jio Studios, leave no stone unturned in creating a universe that is vast, real, and cinematically rich. Their unwavering support for large sets, hard action, bold storytelling, and a stellar ensemble cast shines in every frame, elevating Indian genre cinema to new heights.  Dhurandhar is a genre-defining spectacle that combines ferocious execution, meticulous craft, and unforgettable impact. With Aditya Dhar’s finest direction and Ranveer Singh’s career-best performance, it makes a solid case for being one of the boldest, most compelling thrillers of the year. The game is set, the pieces are moving, and the wait for Part Two is fervent—completely justified by the high stakes, breathtaking performances, and mind-blowing storytelling.  Cast: Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others  Director/Writer: Aditya Dhar"},"img":{"url":"https://images.prismic.io/prad/aTK2Z3NYClf9n2ee_dhurandar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-12-05T08:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=BKOVzHcjEIo"}},"uid":"review-dhurandhar"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఆంధ్రాకింగ్‌ తాలూకా' రివ్యూ... ఫ్యాన్స్‌ మూవీ"},"content":{"text":"రామ్‌ వరుస విజయాలతో ఎనర్జిటిక్ స్టార్‌ ఇమేజ్‌ని సొంతం చేసుకుని కెరీర్‌ ఆరంభంలో అందరి దృష్టిని ఆకర్షించాడు. కానీ గత కొంత కాలంగా ఆయన పూర్తిగా గాడి తప్పినట్లుగా కనిపిస్తున్నాడు. ఏమాత్రం ఆకట్టుకోని కథ, కథనాలను, దర్శకులను ఎంపిక చేసుకోవడంతో ఆయనకు వరుస ఫ్లాప్‌లు తప్పలేదు. ఇస్మార్ట్‌ శంకర్ తర్వాత రామ్‌ ఒక మంచి హిట్‌ కోసం ఎదురు చూస్తున్నాడు. ఆ హిట్‌ ఈ సినిమాతో వచ్చిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ :  సూర్య(ఉపేంద్ర) తెలుగు సినిమా ఇండస్ట్రీలో స్టార్‌ హీరో. అభిమానులు ఆయన్ను ఆంధ్రా కింగ్‌ అనే బిరుదుతో పిలుచుకుంటూ ఉంటారు. వరుస విజయాలు దక్కించుకుంటూ వచ్చిన సూర్యకు వందవ సినిమాకు ముందు కెరీర్‌ పరంగా ఒడిదొడుకులు ఎదుర్కోవాల్సి వస్తుంది. వరుస ఫ్లాప్స్‌ పడటంతో సూర్య ను విమర్శించే వారు, తిట్టేవారు ఎక్కువ అవుతారు. ఆయన పనైపోయిందని విమర్శిస్తూ ఉంటారు. ఆ సమయంలో సూర్య 100వ సినిమాను మొదలు పెడతాడు.  సినిమాపై అంచనాలు లేకపోవడం, అసలు సూర్య సినిమాను ఎవరు చూస్తారు అని జనాలు అనుకుంటూ ఉండటంతో ఆ సినిమా ఆర్థిక సమస్యలు ఎదుర్కొంటుంది. సినిమా పూర్తి చేయడానికి రూ.3 కోట్లు అవసరం అవుతుంది. ఆ సమయంలో సూర్యను అమితంగా అభిమానించే సాగర్‌ (రామ్‌) ముందుకు వస్తాడు. తాను ఎంతో కష్టపడి సంపాదించిన ఆస్తిని అమ్మి, ఆ డబ్బును తన అభిమాన హీరో, ఆంధ్రాకింగ్‌ సూర్యకి చేరేలా చేస్తాడు.  తీవ్ర ఆర్థిక ఇబ్బందుల్లో ఉన్న సూర్య తన అకౌంట్‌లో పడ్డ రూ.3 కోట్లు చూసి షాక్‌ అవుతాడు. ఆ డబ్బును తన అభిమాని అయిన సాగర్‌ పంపించినట్లు తెలిసి షాక్‌ అవుతాడు. తన అభిమానిని కలుసుకునేందుకు సూర్య బయలుజేరుతాడు. ఆ క్రమంలో సాగర్‌ గురించి పలు విషయాలను సూర్య తెలుసుకుంటాడు. ఒక అభిమానిని స్టార్‌ హీరో ఎలా కలుసుకున్నాడు? ఆ తర్వాత ఏం జరిగింది? అనేది కథ. నటీనటుల నటన :  రామ్‌ మొత్తం బాధ్యత తన భుజాలపై వేసుకున్నాడు. ఎప్పటిలాగే ఈ సినిమాతో మరోసారి తన ఎనర్జిటిక్ పెర్ఫార్మెన్స్‌ను చూపించాడు. సాగర్‌ పాత్రకి రామ్‌ ఎంత వరకు చేయాలో అంతకు మించి చేసినట్లుగా అనిపించింది. ఒక పాత్రను చాలా నమ్మడం వల్లే రామ్‌ ఈ స్థాయిలో కష్టపడి ఉంటాడు అనిపించింది. అతడి లుక్‌, డైలాగ్‌ డెలివరీ, యాక్షన్‌ సీన్స్ లో ఆయన ప్రజెన్స్ ఇలా ప్రతి ఒక్క ఎలిమెంట్‌లోనూ రామ్‌ ఆకట్టుకున్నాడు. అందుకే అతడు ఒక ఫ్యాన్  గా సరిగ్గా సెట్‌ అయ్యి, సినిమాను మోశాడు. సూపర్‌ స్టార్‌గా నటించిన ఉపేంద్ర తన పాత్రకు న్యాయం చేశాడు. ఒక అభిమాని కోసం వెతుక్కుంటూ వెళ్తున్న సీన్స్ లో అతడి భావోద్వేగం కనిపించింది. సినిమా కోసం అతడు పడే తపన, అతడు పడే కష్టం తాలూక డిటైల్స్ ను ఉపేంద్ర చక్కగా చూపడం జరిగింది. హీరోయిన్‌గా నటించిన భాగ్యశ్రీ బోర్సేకి తన ప్రతిభ మొత్తం చూపించే అవకాశం దక్కలేదు. అయితే ఆమె ఉన్నంతలో అందంగా కనిపించడంతో పాటు, నటనతో ఆకట్టుకుంది. ఇతర నటీనటులు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ :  పాటల గురించి ప్రత్యేకంగా చర్చ జరిగింది. కొత్త సంగీత దర్శకులు కుమ్మేశారు అంటూ అంతా తెగ మాట్లాడారు. కానీ వారి నుంచి వచ్చిన సంగీతం కొత్తగా ఉంది కానీ ఆకట్టుకునే విధంగా మాత్రం లేదు. ఇలాంటి సినిమాలకు పాత సంగీత దర్శకులు అయితే న్యాయం చేసేవారు అనిపిస్తుంది. కాని రామ్‌ కి మాత్రం ఎందుకో వీరు నచ్చారు. ఆయన నిర్ణయం తప్పు అని తేలింది.  ఇక దర్శకుడు మహేష్‌ ఎంపిక చేసుకున్న కథ విషయంలో ఎలాంటి తప్పు లేదు. ముఖ్యంగా స్టోరీ లైన్ మంచి పాయింట్‌. కానీ దాన్ని మలచిన తీరు బాగాలేదు. ముఖ్యంగా స్క్రీన్‌ ప్లే విషయంలో సాగతీసినట్లుగా అనిపించింది. ఎడిటింగ్‌ కి ఇంకా చాలా స్కోప్ ఉంది. ఎందుకో చాలా సీన్స్‌ను అలాగే వదిలేశాడు. నిర్మాణాత్మక విలువలు బాగానే ఉన్నాయి. సినిమాటోగ్రాఫీ అప్పటి నేటివిటీకి దగ్గరగా ప్రేక్షకులను తీసుకు వెళ్లడంలో సక్సెస్ అయిందని చెప్పాలి.  విశ్లేషణ :  రామ్‌ దాదాపు ఏడాది  గ్యాప్ తీసుకుని, వందల కొద్ది కథలు విని, పదుల కొద్ది కథలు పక్కన పెట్టుకుని, చివరకు ఈ కథను ఎంపిక చేసుకున్నాడు అని ఆయన సన్నిహితులు అంటున్నారు. అయితే ఇలాంటి కథను ఆయన ఎలా ఒప్పుకున్నాడు అంటూ చాలా మంది ఆశ్చర్యం వ్యక్తం చేస్తున్నారు. స్టోరీ లైన్‌ బాగుంటే సరిపోతుందా, కథ, కథనం విషయంలో దీన్ని ఎంత వరకు ప్రేక్షకులకు ఆకట్టుకునే విధంగా తీసుకు రాగలరు అనే విషయంను ఆయన చూసుకోలేదు అనిపిస్తుంది.  రామ్‌ సాధారణంగానే ఎనర్జిటిక్‌ పెర్ఫార్మెన్స్‌ తో ఆకట్టుకుంటాడు. ఈ సినిమాలోనూ మరోసారి తన సత్తా చాటాడు. కానీ సినిమాలోని ఆయన పాత్ర ఉన్నంత పవర్‌ ఫుల్‌గా స్క్రీన్‌ ప్లే లేదు. గ్రామీన ప్రాంతంలో ఉండే ప్రేమ కథను చూపించే ప్రయత్నం చేశారు. ఆ కథను ఇంకాస్త ఎక్కువ చూపించినా బాగుండేది. హీరో, అభిమాని మధ్య ఉండే సీన్స్ చాలా తక్కువగా ఉన్నాయి. ప్రేక్షకులు ఆశించిన ఎలిమెంట్స్ ఈ సినిమాలో చాలా తక్కువగా ఉన్నాయి. అందుకే సినిమా రెగ్యులర్‌ ప్రేక్షకులను ఆకట్టుకోవడంలో విఫలం అవుతుంది. కానీ తమను తాము ఒక హీరోకు అభిమాని అని చెప్పుకునే వారికి మాత్రం తప్పకుండా ఈ సినిమా నచ్చుతుంది.  ప్లస్ పాయింట్స్ :  రామ్‌ నటన, స్టోరీలైన్‌, కొన్ని ఎమోషనల్‌ సీన్స్‌ మైనస్ పాయింట్స్ :  ఫస్ట్‌ హాఫ్‌ చాలా స్లోగా సాగింది స్క్రీన్‌ ప్లే, ప్రేమ కథ ఇంకాస్త ఉండాల్సింది. చివరగా... ఫ్యాన్‌గా ఆంధ్రాకింగ్‌ను ఆకట్టుకున్న సాగర్‌, ప్రేక్షకులను ఆకట్టుకోవడం కష్టమే. బ్యానర్ : మైత్రి మూవీ మేకర్స్‌ నిర్మాత : నవీన్‌ యెర్నేని, వై రవి శంకర్‌ దర్శకత్వం : మహేష్‌ బాబు పి సంగీతం : వివేక్‌-మెర్విన్‌ తారాగణం : రామ్‌ పోతినేని, భాగ్యశ్రీ బోర్సే, ఉపేంద్ర తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aSgr23NYClf9nheC_AKT1.JPG?auto=format,compress"},"datetime":"2025-11-27T08:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=oeY828c-AXo"}},"uid":"review-andhra-king-talooka---fans-movie"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}