{"data":{"all":{"edges":[{"node":{"tags":["Health","featured","four"],"data":{"third_party_url":null,"title":{"text":"Sun Pharma to Acquire US-Based Organon in $11.75 B"},"content":{"text":"India’s major drugmaker Sun Pharmaceutical Industries on Monday announced that it will acquire New York-listed Organon & Co in an all-cash deal valued at $11.75 billion, its biggest overseas acquisition to date.  Under the agreement, the pharmaceutical firm will acquire 100 per cent of Organon’s outstanding shares at $14 per share, translating into an enterprise valuation of $11.75 billion and an equity value of around $3.99 billion, the company said in an exchange filing. The company said the acquisition is aligned with its strategy to scale up its innovative medicines business while strengthening its presence in established brands and branded generics. The deal will also enable Sun Pharma to enter the biosimilars segment as a top global player. Following the acquisition, the combined entity is expected to be among the top 25 global pharmaceutical companies, with revenues of around $12.4 billion, while strengthening its position in women’s health and biosimilars. New Jersey-based Organon operates across women’s health, biosimilars, and established medicines, with a portfolio of over 70 products and a presence in more than 140 countries. The transaction, approved by the boards of both companies, expected to close in early 2027, subject to regulatory approvals and Organon shareholders’ approval. Sun Pharma plans to fund the deal through a mix of internal accruals and debt financing. For the year ended December 2025, Organon reported revenue of $6.2 billion and adjusted EBITDA of $1.9 billion. Commenting on the deal, Sun Pharma Executive Chairman Dilip Shanghvi said the acquisition would help build a stronger and more diversified platform, while Managing Director Kirti Ganorkar highlighted synergy and growth opportunities from the integration. Shares of Sun Pharma rose as much as 6.71 per cent to hit an intraday high of Rs 1,728.65 on the BSE in early trade on Monday."},"img":{"url":"https://images.prismic.io/prad/0559bc76-f082-4aef-b625-6c012ae1d136_sun+pharma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:34:00+0000","embed":{"embed_url":null}},"uid":"sun-pharma-to-acquire-us-based-organon-in-11.75-b"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Farah Khan’s Painful Journey Before Stardom"},"content":{"text":"In the upcoming episode of Wheel of Fortune, host and Bollywood superstar Akshay Kumar shared an emotional yet inspiring anecdote about ace choreographer turned filmmaker Farah Khan about a heartbreaking incident from her childhood. He highlighted her deep love for films since childhood, giving everyone a glimpse into her early struggles. Revealing about the incident, Akshay said, “Bachpan se hi Farah ko films dekhne ka bahut shauk tha. Jab tujhe koi film pasand aati thi, toh uska record kharidti thi. \" He further added, “Phir inke saath ek haadsa hua inke father ne ek film produce ki thi, lekin woh chali nahi. Uske baad inhe apne saare records bechne pade.” Correcting him, Farah said, “Pehle record player becha tha.” Akshay continued, “Haan, pehle record player becha, phir saare records. Aur aaj dekho yeh itni mehnat karke khud records todti hai!” Farah has often spoken about her childhood days filled with struggle and almost no money post her father's demise. For the uninitiated, Farah Khan's father, Kamran Khan was a former stuntman who later turned filmmaker. He fell into severe poverty after his film Aisa Bhi Hota Hai flopped and a big-budget project collapsed. After facing immense failure, he struggled with alcoholism, which caused intense tension in the household. Farah Khan went on to venture into Bollywood as a background dancer. She later went on to become a superhit choreographer followed by her immensely successful stint as a director. She has been the brainchild behind blockbuster movies like Main Hoon Na, Om Shanti Om, and others."},"img":{"url":"https://images.prismic.io/prad/d8f9159e-41fc-4cd6-93b7-b0648e047718_farahan+akthar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:28:00+0000","embed":{"embed_url":null}},"uid":"farah-khans-painful-journey-before-stardom"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Kash Patel Could Be Next to Exit Administration!"},"content":{"text":"Amid growing speculation over his future in the Donald Trump administration, reports suggest that Kash Patel could be the next senior official to exit the cabinet. According to a recent report by Politico, questions have reportedly surfaced within White House circles regarding Patel’s future, leading to increasing internal concerns. The speculation has intensified this week over which senior Trump administration official could be the next to depart, especially after the removal of the US Navy Secretary with Trump’s approval. A senior White House official, speaking on condition of anonymity, reportedly indicated that Patel may be next in line for a possible ouster, saying, “It’s only a matter of time.” The official cited several concerns behind the speculation, including growing negative media coverage surrounding Patel, which was described as “not a good look for a Cabinet secretary.” Reports also claimed that Trump has become increasingly frustrated over distractions caused by the controversy. The developments come amid wider political discussions in Washington about possible reshuffles in key administrative positions. However, the White House has not officially confirmed any decision regarding Patel’s status."},"img":{"url":"https://images.prismic.io/prad/aMrl-mGNHVfTPVZH_kashpatel.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:16:00+0000","embed":{"embed_url":null}},"uid":"kash-patel-could-be-next-to-exit-administration"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Azharuddin, Kodandaram take oath as MLCs"},"content":{"text":"Telangana Minister for Minority Welfare Mohammad Azharuddin and Professor M. Kodandaram Reddy on Monday took oath as members of the state's Legislative Council.  Council Chairman G. Sukhender Reddy administered the oath to them at an event held in the Assembly building. Chief Minister A. Revanth Reddy, his Cabinet colleagues, state Congress president Mahesh Kumar Goud and other leaders of the ruling Congress party attended the event. Governor Shiv Pratap Shukla on Sunday nominated Azharuddin and Kodandaram as members of the Legislative Council under the Governor’s quota. However, the nominations will be subject to the final outcome of all the appeals pending in this regard, reads the notification issued by the state government. According to the notification, Azharuddin and Kodandaram have been nominated in place of D. Rajeshwar Rao and Farooq Hussain, whose term expired on May 27, 2023. Azharuddin’s nomination as MLC came as a huge relief for the former Indian cricket captain and the ruling Congress party. Sworn in as the minister on October 31, 2025, Azharuddin was constitutionally required to get elected to either the Assembly or the Council by April 30 to continue in the Cabinet. Kodandaram, a key figure in the movement for statehood to Telangana, is the leader of Telangana Jana Samithi (TJS), which had supported the Congress party in the 2023 elections. The nominations ended a long period of uncertainty. The Telangana Cabinet had recommended the names of Azharuddin and Kodandaram for nomination to the Council under the Governor’s quota on August 30, 2025.  However, the Governor has not cleared the nominations due to a case pending in the Supreme Court. Chief Minister A. Revanth Reddy had met the Governor on April 19 to request him to approve the pending nominations. Last month, the Chief Minister had cited the Supreme Court’s observation that it had no objection in the matter and that the state government was free to pursue the issue with the Governor for clearance. The Cabinet’s decision to nominate them as MLCs in August last year came two weeks after the Supreme Court stayed the appointment of Kodandaram and Amer Ali Khan as MLCs under the Governor’s quota. Both Kodandaram and Amer Ali Khan were sworn in as MLCs in 2024. The apex court gave a stay on a petition filed by Bharat Rashtra Samithi (BRS) leaders Dasoju Sravan and Kurra Satyanarayana, challenging the nominations made by the state government. Kodandaram and Amer Ali Khan were nominated as MLCs in January 2024, but the High Court set aside the nomination in March on petitions by Dasoju Sravan and Kurra Satyanarayana, whose nomination as MLCs was recommended by the previous government of BRS in July 2023. The same was rejected by then-Governor Tamilisai Soundararajan on the grounds that the two were “politically aligned persons”. The High Court had quashed the Governor’s decision, holding that the Governor can only return the government’s recommendation for reconsideration. Following the High Court order, the BRS leaders had requested the Governor to nominate them as MLCs. However, as the BRS had lost power to Congress, the Governor rejected the request. Sravan and Satyanarayana had challenged the Governor’s refusal in the Supreme Court."},"img":{"url":"https://images.prismic.io/prad/aLM8BGGNHVfTOdxI_azharkodanda.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:13:00+0000","embed":{"embed_url":null}},"uid":"azharuddin-kodandaram-take-oath-as-mlcs"}},{"node":{"tags":["politics","featured","one"],"data":{"third_party_url":null,"title":{"text":"Raghav Calls AAP ‘Toxic’"},"content":{"text":"Rajya Sabha member Raghav Chadha on Monday took to social media to explain the reasons behind his exit from the Aam Aadmi Party (AAP), alleging that the party had turned \"toxic\", while asserting that his decision to join the Bharatiya Janata Party (BJP) would help him implement the causes he supports more effectively. The development follows a major political shift last week when Chadha announced his resignation from AAP along with six other Rajya Sabha MPs -- Swati Maliwal, Harbhajan Singh, Sandeep Pathak, Ashok Mittal, Rajinder Gupta and Vikram Sahni -- all of whom have announced their decision to merge with the BJP. In the video, Chadha expressed gratitude to those extending their support and said he wanted to address questions regarding his decision to leave the party. \"Some of you wish to know the reasons behind this decision of mine. Before joining politics, I was a practising Chartered Accountant. However, I left my career to join politics and became a founding member of a party. This is a party to which I dedicated 15 years -- the prime of my youth; a party I nurtured with my own blood, sweat, and immense hard work,\" he said. However, he stated that the party has changed significantly over time. \"However, he said that today, this party is no longer the party it once was, adding that it now suffers from a toxic work environment.\" \"You are prevented from doing your work; you are stopped from speaking in Parliament; and today, this political party has fallen into the clutches of a select few individuals who are both corrupt and compromised. These are people who no longer work for the nation, but rather for their own personal gain,\" Chadha added. Reflecting on his internal dilemma over the past few years, he said he increasingly felt he might be \"the right man in the wrong party\". \"Consequently, I was left with only three options. The first option was to quit politics entirely; the second was to remain in this party and attempt to set things right -- something that, as it turned out, was not possible. And the third option was to channel my energy and experience into practising positive politics -- to join a different platform, to align myself with another political party, and to engage in constructive political work.\"  \"Therefore, and I did not do this alone; it was not just one, two, three, four, five, or even six other MPs, but a total of seven MPs who collectively took the decision to sever our ties with this political party,\" he said. Chadha further defended the collective decision taken by the group, questioning criticism of their move.  \"A single individual might be mistaken; two individuals might be mistaken; but seven people cannot all be wrong. And what of the countless others -- the educated, erudite individuals who once believed in the vision of this political party, and who have since left? Could all of them possibly be wrong?\" he asked. Drawing a parallel with workplace environments, he added, \"Think of it this way: for those of you who work in offices -- if your workplace were to become a toxic environment, how much work would you actually be able to accomplish? Would you even be able to function there? If you were hindered from doing your job, if your hard work were stifled, and if you were silenced -- what would you do? In such a situation, the right decision is to leave that workplace. Perhaps that is exactly what we did.\" He also assured the public that his political priorities would remain unchanged.  \"Many of you have also asked me whether I will continue to champion your causes -- the ordinary problems faced by ordinary citizens -- or if I will stop. I want to assure you that I will continue to raise your issues consistently, with renewed energy, and with great passion. And the best part is that now, we will also be able to find solutions to those problems and ensure that they are actually implemented,\" Chadha added."},"img":{"url":"https://images.prismic.io/prad/ebc20881-3518-4c54-b71f-3db5cdc9b584_raghav+chadha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:09:00+0000","embed":{"embed_url":null}},"uid":"raghav-calls-aap-toxic"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Manoj Bajpayee Is RBI Governor Who Saves Nation"},"content":{"text":"The new posters of the upcoming film ‘Governor: The Silent Saviour’ starring Manoj Bajpayee were unveiled on Monday a few days after his birthday. On Monday, Manoj took to his Instagram, and shared a joint post with the film’s team. They wrote in the caption, “This was a war. There were no armies. Just one man… who refused to let a nation fall. GOVERNOR - The Silent Saviour in cinemas on 12th June, 2026”. The new poster takes the audience deeper into the world of the intense drama. They also feature Adah Sharma. Apart from the face reveal of the cast, the posters also come with impactful taglines that read, \"Ab Bari Meri Hai\", \"I Will Not Let India Fail\", and \"India Is On The Verge Of Bankruptcy, He Saw It Coming”. While different posters showcase the varied shades of National Award-winning actor Manoj Bajpayee, they truly speak volumes about the intense drama set to unfold on screen. The story is inspired by a real former governor who passed away recently, and the film carries a strong “national crisis” theme. The film is reportedly inspired by S. Venkitaramanan, who served as RBI Governor during India’s 1991 economic crisis and was closely associated with the country’s financial rescue period. However, the makers are yet to corroborate the above claims, and confirm if it’s indeed based on him. ‘Governor: The Silent Saviour’ is set to release on June 12, 2026."},"img":{"url":"https://images.prismic.io/prad/ae8Yp8BOoF08xUZb_Governor.png?auto=format%2Ccompress&rect=0%2C149%2C450%2C222&w=2028&h=1000"},"datetime":"2026-04-27T08:05:00+0000","embed":{"embed_url":null}},"uid":"manoj-bajpayee-is-rbi-governor-who-saves-nation"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Adah Sharma Calls Manoj Bajpayee ‘Awesome’"},"content":{"text":"Actress Adah Sharma, who will be seen sharing screen space with Manoj Bajpayee in the upcoming film “Governor”, has shared that she is very happy to work with him and  tagged the National Award-winning actor as “awesome.” Talking about working with Manoj for the very first time, Adah told IANS: “He is the face of the film. He plays the governor in Governor, and he is awesome .” “I'm very happy to share screen space with him. We have an excellent director who is also a fab actor, Chinmay Mandlekar. There's a nice surprise to my character also, and it's something I haven't done before,” said Adah without revealing many details about her character from the upcoming movie. It was on Manoj’s birthday on April 23 when the film’s poster was revealed. Filmmaker Vipul Amrutlal Shah has unveiled the poster on Governor: The Silent Saviour is presented by Sunshine Pictures. Produced by Vipul Amrutlal Shah and directed by Chinmay Mandlekar, the film is co-produced by Aashin A. Shah and written by Suvendu Bhattacharyjee, Saurabh Bharat, Ravi Asrani, and Vipul Amrutlal Shah. The 33-year-old actress stepped into the world of glitz and glamour in 2008 with 1920, a horror movie. She was then seen in films such as Hasee Toh Phasee, Commando, Heart Attack, S/O Satyamurthy and Kshanam. She shot to major fame with her work in the 2023 film The Kerala Story."},"img":{"url":"https://images.prismic.io/prad/11d63b78-d97b-4be1-8ff0-f1170e741f5a_adah+sharma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T03:40:00+0000","embed":{"embed_url":null}},"uid":"adah-sharma-calls-manoj-bajpayee-awesome"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"Aamir in tears during special event of son film"},"content":{"text":null},"img":{"url":"https://images.prismic.io/prad/aBhsaPIqRLdaB3E3_aamir.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T03:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=FSj9-7X96So"}},"uid":"aamir-in-tears-during-special-event-of-son-film"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Akshay’s Prank Left Jacqueline in Tears"},"content":{"text":"The upcoming episode of the quiz reality show Wheels of Fortune, will see Bollywood actress Jacqueline Fernandez recalling the time when Bollywood superstar Akshay Kumar left her traumatised.  The actress elaborated on a prank played on her by Akshay Kumar from the early days of her career in Bollywood. During the game show, host and superstar Akshay asked Jacqueline, “Aapko 17 saal ho gaye hain industry main, kabhi aapse kisine galat baat ki hai?” To everyone’s surprise, Jacqueline laughed and replied, “Yes, bahut!” A curious Akshay asked her to elaborate, to which Jacqueline recalled an incident from her first item song, “Mera pehla item song ‘Dhanno’ tha in ‘Housefull’, aur us, waqt Akshay ne mere saath bahut ganda prank kiya tha. It actually gave me trauma!” She further explained, “Set par kaafi security thi bodyguards aur log khade the. Mujhe laga police hai, toh maine casually pooch liya ki itni security kyun hai. Thodi der baad Akshay mere paas aake bolte hain, ‘Jacqueline, tumne kuch galat kiya hai kya? Police tumhare liye aayi hain. Song ke baad tumhe station le jayenge.” She further added, “Main poore song ke dauraan itni darr gayi thi, mujhe samajh hi nahi aa raha tha maine aisa kya kiya hain.” Realising the impact of his prank, Akshay apologised and said, “Agar maine aisa kiya tha, toh main sorry bolta hoon.” He further added, “Insaan ko haste-khelte rehna chahiye, thodi masti karte rehna chahiye. Prank bhi karne chahiye, but sirf tab tak jab tak kisi ko dukh na ho. Agar kisi ko dukh nahi hua, toh masti chalte rehni chahiye.” Talking about the song Dhanno, it featured in the movie Housefull that starred Akshay Kumar, Arjun Rampal, Deepika Padukone, Lara Dutta, Riteish Deshmukh, Boman Irani, Randhir Kapoor. The song was picturised on Jacqueline Fernandez who played a special appearance just for the song."},"img":{"url":"https://images.prismic.io/prad/4ff2fb80-b360-4cfc-a2b8-9a2de0604b28_jackqline+fernandez.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T03:22:00+0000","embed":{"embed_url":null}},"uid":"akshays-prank-left-jacqueline-in-tears"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"From Bihar to Hollywood: Neetu’s story inspires"},"content":{"text":"Actress Neetu Chandra, in an exclusive conversation with IANS, has opened up about her journey from being a simple girl in Bihar to Hollywood.  The actress highlighted that her focus has always been on meaningful work rather than other razzmatazz and ‘unnecessary’ superficial aspects of stardom. Addressing the perception around her taking a break, she clarified, “I didn’t take any break. I keep looking for good films. It takes time.” She added, “You don’t realise that a girl who comes from Bihar, it must have taken so much time for her to reach Hollywood, coming from nowhere.” Reflecting on her journey, she added, “I am standing at that place again today where I am able to meet you all again. I don’t have time for airport looks. I have time to focus on my next project. I invest my time in choosing the right work so that I can always bring something meaningful to the audience.” Talking about her struggles, Neetu elaborated, “It takes a lot of time. You have to realise that it takes a lot of strength to stand alone. A girl from a middle-class joint family travelling the world and reaching here, it is not easy to fight alone.” Neetu further emphasised that her purpose in life and on the work front has always been clear. “My purpose of life, my goal, has always been to keep doing good work and continue receiving the love of the audience. I am here because of that love.” Talking about Neetu Chandra, the actress is known for films like Garam Masala, Traffic Signal and Oye Lucky! Lucky Oye! amongst others. She is now all set to share screen space with Sanjay Dutt in the upcoming movie Khalnayak 2."},"img":{"url":"https://images.prismic.io/prad%2F8d6d63a4-2b4b-4d91-91b4-520f0d9e5690_neethu+chandra.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-04-27T02:30:00+0000","embed":{"embed_url":null}},"uid":"from-bihar-to-hollywood-neetus-story-inspires"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Usha Vance Says She Is J. D.’s Trusted Advisor"},"content":{"text":"Usha Vance has revealed that she considers herself a trusted advisor to her husband, J. D. Vance, especially on matters that are personally important to him. In an interview with NBC News, Usha, the first Indian-American Second Lady of the United States, said that while she and her husband do not always agree on every issue, their differences often lead to productive and open-minded discussions. She explained that understanding her husband’s priorities is essential for her support. “I want to be supportive of him, and if I don’t really know what’s going on, then I can’t do that,” she said. Usha clarified that she does not serve in any official or professional role within the vice president’s office. Instead, she offers personal guidance as someone who deeply cares for her husband and wants him to succeed. Although Vice President Vance has a full team of policy advisors, Usha said he often turns to her when dealing with issues that are intensely personal or especially meaningful to him. On the possibility of a 2028 presidential run, Usha said it is not currently a major topic in their household. She noted that her husband is presently focused on the upcoming mid-term elections and that she expects to have a clearer idea about any presidential plans sometime in 2027."},"img":{"url":"https://images.prismic.io/prad/Zpz3ix5LeNNTxU8u_ushavance.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T23:21:00+0000","embed":{"embed_url":null}},"uid":"usha-vance-says-she-is-j.-d.s-trusted-advisor"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Harbhajan’s Security Removed After AAP Exit"},"content":{"text":"Former Indian cricketer and Rajya Sabha MP Harbhajan Singh has landed at the centre of a political storm after switching from Aam Aadmi Party to Bharatiya Janata Party. Soon after his move, the Punjab Police withdrew the security cover provided to him at his residence in Jalandhar, triggering sharp political reactions. The security detail of around 9–10 Punjab Police personnel was removed from Singh’s Chhotti Baradari residence on Saturday. By Sunday, personnel from the Central Reserve Police Force were seen deployed outside his house. The development quickly became a talking point in Punjab politics. Meanwhile, AAP workers staged protests outside the homes of Harbhajan Singh and other leaders who defected to the BJP, branding them as “traitors.” Demonstrations were reported in Ludhiana and Jalandhar against Harbhajan Singh, Ashok Mittal, and Rajinder Gupta. Punjab Chief Minister Bhagwant Mann strongly criticised the defectors, accusing them of betraying the people of Punjab. He labelled the seven leaders who switched sides as “gaddars” and alleged that the BJP was trying to weaken Punjab’s mandate. The political exodus from AAP to BJP reportedly included Raghav Chadha, Sandeep Pathak, Harbhajan Singh, Ashok Mittal, Rajinder Gupta, Swati Maliwal, and Vikramjit Sahney. Chadha claimed that AAP had moved away from its original principles, values, and morals, prompting his decision to join the BJP."},"img":{"url":"https://images.prismic.io/prad%2F8bdfbd4f-b6a8-4ed8-909c-106276603cf4_harbhajan.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-04-26T16:47:13+0000","embed":{"embed_url":null}},"uid":"harbhajans-security-removed-after-aap-exit"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Priyanka Chopra Kiss Row Explodes Again"},"content":{"text":"Veteran actor Annu Kapoor has revisited the controversy surrounding his past comments about Priyanka Chopra refusing to kiss him in the 2011 film 7 Khoon Maaf. Kapoor clarified that his statement at the time was made out of frustration after repeated media questions during the film’s release. The actor explained that his remark stemmed from the perception that he was not seen as a conventional “hero” in Bollywood. Kapoor said he had been informed about Priyanka’s hesitation regarding the intimate scene and had even suggested that it be removed, respecting her comfort and decision. Directed by Vishal Bhardwaj, 7 Khoon Maaf became widely discussed not only for its unique storyline and stellar cast, but also for conversations around consent and comfort in the film industry. Priyanka Chopra had earlier objected to Kapoor’s remarks, saying she was uncomfortable with how the matter was presented publicly. Based on Ruskin Bond’s book Susanna’s Seven Husbands, the film featured an ensemble cast including Irrfan Khan, Naseeruddin Shah, John Abraham, Neil Nitin Mukesh, and Alexander Dyachenko."},"img":{"url":"https://images.prismic.io/prad/abqHubbci2UF6LT2_PriyankaNick.png?auto=format,compress&rect=0,41,831,410&w=2028&h=1000"},"datetime":"2026-04-26T16:46:00+0000","embed":{"embed_url":null}},"uid":"priyanka-chopra-kiss-row-explodes-again"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Caltech graduate named suspect in DC shooting"},"content":{"text":"The man accused of opening fire at the White House Correspondents’ Dinner has emerged as a highly educated but deeply puzzling figure, with a background that has shocked those who knew him. Cole Thomas Allen, 31, of Torrance, California, has been identified by authorities as the suspect in the shooting that wounded a Secret Service officer and triggered a massive security response. Allen is a graduate of the California Institute of Technology, one of the most prestigious scientific institutions in the United States. He earned a degree in mechanical engineering in 2017 and later completed a master’s degree in computer science in 2025. He worked as a tutor at a private education company, where he was recognised as “teacher of the month” in December 2024, according to a company post. Allen also pursued interests in software and game development, creating physics-based video games and describing himself as an independent developer. Those who knew him expressed disbelief. “I’m in shock,” said George Daghlian, a former classmate. “I’m so sorry to hear that.” A former teammate described him as “borderline genius” and said he was “really, really smart,” adding that Allen “didn’t have to study. It would just come to him.” The same person said Allen was “probably the most gentle person on the team,” making the allegations even more surprising. Authorities say Allen legally purchased firearms in recent years, including a shotgun and a semi-automatic pistol. He is believed to have travelled by train from California to Washington via Chicago before checking into the hotel where the dinner was being held. Investigators have said he was carrying multiple weapons when he rushed a security checkpoint and opened fire. Officials have not confirmed a motive but said preliminary findings suggest he may have been targeting members of the Trump administration. The suspect has been described by Trump as a “lone wolf” and a “very sick person.” Allen is expected to face federal charges, including assault on a federal officer and firearm-related offences, with additional charges possible. The incident has raised broader questions about how individuals with no prior criminal record and strong academic backgrounds can become involved in acts of violence. Mass shootings in the United States have often involved individuals with varied personal histories, and investigators typically examine psychological, ideological and social factors in such cases. Authorities said the investigation into Allen’s background, online activity and motivations is ongoing."},"img":{"url":"https://images.prismic.io/prad/ae5CZsBOoF08xTcW_dcshooting.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T15:30:00+0000","embed":{"embed_url":null}},"uid":"caltech-graduate-named-suspect-in-dc-shooting"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Mehreen Pirzadaa Takes the Plunge"},"content":{"text":"Actress Mehreen Pirzadaa is finally married. The 'F3' actress tied the knot on Sunday in the presence of her family and friends. Both she and the groom were seen twinning in matching blush-pink attire as they exchanged wedding vows.  She made for a beautiful bride in a stunning lehenga with intricate sequin work. She completed her bridal look with a layered stone necklace, paired with complementary earrings and mangtika. She kept her makeup on the lighter side with her veil-covered hair left open. Sharing the exciting news on social media, Mehreen posted some love-struck wedding photos with the groom and simply captioned them \"26.04.26,\" followed by infinity, red heart, and evil eye emoticons. She further added the hashtag, \"#ArshDiMehr\", an amalgamation of the bride and groom's names. Her Insta Stories further include glimpses from their other wedding festivities. As soon as the news reached social media, wishes started pouring in for the newlyweds. 'KFG' actress Srinidhi Shetty wrote in the comment section, \"Congratulationssss babe...love n only loveee.\" Sonal Chauhan added, \"Omg. Congratulations\". A lot is not known about the groom as Mehreen had been hush-hush about her relationship status. On the work front, Mehreen was last seen in the 2023 period crime thriller \"Sultan of Delhi,\" written by Suparn Verma and directed by Milan Luthria. Along with Mehreen, the project enjoyed an ensemble cast with Tahir Raj Bhasin, Mouni Roy, Anjum Sharma, Vinay Pathak, Anupriya Goenka, Nishant Dahiya, and Harleen Sethi in prominent roles. Produced by Namit Sharma under the banner of Reliance Entertainment, \"Sultan of Delhi\" premiered on Disney+ Hotstar on 13 October 2023. Moreover, she also played the lead in the Tamil entertainer, \"Indira\" directed by debutant director Sabarish Nanda. With Vasanth Ravi as the lead, the drama also featured Sunil, Anikha Surendran, Rajkumar, Sumesh Moor, and Kalyan in significant roles."},"img":{"url":"https://images.prismic.io/prad/ae4838BOoF08xTb-_mehreen.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T15:27:00+0000","embed":{"embed_url":null}},"uid":"mehreen-pirzadaa-takes-the-plunge"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Zaheer has been teasing Sonakshi since 2017"},"content":{"text":"Actress Sonakshi Sinha has now shared proof that her husband, Zaheer Iqbal, has been teasing her ever since 2017.  On Sunday, the 'Dabangg' actress uploaded a throwback video where Zaheer is capturing her while she runs on the treadmill. While Sonakshi is trying to hide the shorts she has been wearing with her hands, Zaheer starts playfully making fun of her choice of athleisure. \"Are they shots? These are called kachchas,\" joked Zaheer. Posting the clip on the photo-sharing app, Sonakshi wrote, \"Proof he’s been doing this since 2017…(sic).\" Sonakshi and Zaheer keep providing peeks into their fun banter on social media, making them one of the most beloved couples on the platform. Recently, Sonakshi shared another post in which Zaheer expressed his regret for not listening to her advice. The clip had the 'Ittefaq' actress playfully teasing Zaheer for not listening to her. In an adorable moment from what seems to be an international holiday, Zaheer admitted on camera that he should have listened to his wife. Zaheer explained that despite Sonakshi's warning, he still chose to sit on a platform that turned out to be wet. As a result, his pants were completely spoiled during the outing. Zaheer even promised that he would never ignore his wife's advice again. “Never again in my life, will I not listen to my wife,” said Zaheer. For the uninitiated, Sonakshi and Zaheer tied the knot on June 23, 2024, after being in a relationship for 7 long years. The lovebirds got married in an intimate wedding ceremony at Sonakshi’s Mumbai home in the presence of close family members and friends. If the reports are to be believed, Sonakshi and Zaheer fell in love during the shoot of the movie \"Double XL\", which also stars actress Huma Qureshi."},"img":{"url":"https://images.prismic.io/prad/aPnmMrpReVYa3l8B_sonakshizaheer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T14:29:00+0000","embed":{"embed_url":null}},"uid":"zaheer-has-been-teasing-sonakshi-since-2017"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Anna Hazare Explodes on Party Switchers"},"content":{"text":"In light of politicians changing parties after election victories, veteran social activist Anna Hazare on Sunday called for the introduction and implementation of legislation that would prohibit leaders elected under the banner of a specific political party from defecting. He also urged the public to deliberate thoughtfully before voting for a particular leader.  His response came in the wake of a significant political upheaval triggered by the defection of seven Rajya Sabha members from the Aam Aadmi Party (AAP) to the Bharatiya Janata Party (BJP), which includes the recently removed Deputy Leader of the Upper House, Raghav Chadha. Speaking to IANS, Hazare emphasised that nowhere in the Constitution is there any mention of parties or factions. \"The Constitution always focuses on the welfare of society and the nation. It does not mention any political party. Today, disputes and conflicts in society are increasing because of such factions and political parties,\" he said. He alleged that leaders who switch parties do so out of 'selfishness'. The social activist said, \"People switch from one party to another, thinking about their own interests, moving to wherever they find benefits for themselves.\" Calling for the implementation of the law, he said: \"A strict law should be enacted that would prevent elected leaders from switching into other parties. The country functions on the basis of laws. If such a law is implemented, mistakes like these will not occur.\" \"With such a law in place, people will not be able to switch parties,\" he reiterated. Hazare mentioned that society and the people should think about those leaders who recently switched from the AAP to the BJP. He urged voters to be careful while casting their votes. \"That is why voters are supreme, and it is up to them to decide whom to vote for, the right person or the wrong one. If voters make a thoughtful decision, the irregularities plaguing all parties and factions can be rectified,\" Hazare asserted. Moreover, he alleged that certain politicians don't think about the country and society and rather focus on gaining money and power. \"A vicious cycle of power leading to money, and money leading back to power, continues, and this is the root cause of these transgressions,\" he stressed."},"img":{"url":"https://images.prismic.io/prad/46c85df2-8d0e-479f-ab8c-404472e64c3d_anna+hazzare.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T13:12:00+0000","embed":{"embed_url":null}},"uid":"anna-hazare-explodes-on-party-switchers"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Shraddha All Praises for rumoured beau"},"content":{"text":"Actress Shraddha Kapoor has been in the limelight for her alleged relationship with Rahul Mody for some time now.  While the two have never openly commented on their relationship status, they are often captured by the shutterbugs together. On Sunday, Shraddha showered praises on her rumoured beau through her latest post on social media. Taking to the Stories section of her official Instagram handle, Shraddha remarked on the latest advertisement by Rahul Mody featuring 'Saiyaara' actress Aneet Padda. Praising Aneet, the 'Stree' actress wrote, \"Cuteness + best acting ka perfect mishran = @aneetpadda (sic)\" Calling Rahul Mody \"talented\", Shraddha went on to write, \"Aur cuteness se yaad aya, yeh writer-director kitna talented hain uff @modyrahulmody.(sic)\" The speculations of Shraddha and Rahul being in a relationship started doing the rounds back in early 2024 after the alleged lovebirds were spotted leaving a dinner date in Mumbai together.  After that, these two have been spotted together on multiple occasions. They even attended the lavish pre-wedding festivities of Anant Ambani and Radhika Merchant together. In June last year, Shraddha decided to make her relationship with her writer beau Instagram official."},"img":{"url":"https://images.prismic.io/prad/1e55f99c-1091-4f49-b31b-184180869e4a_shradda+kapoor.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T13:03:00+0000","embed":{"embed_url":null}},"uid":"shraddha-all-praises-for-rumoured-beau"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Big Relief for NRIs: Iran Airspace Reopens"},"content":{"text":"Iran's airspace is partially open for cargo and chartered flights, but Indian nationals are advised to avoid travelling to the country, and those already there are urged to leave via the land border, with the embassy’s support, the Ministry of External Affairs said on Sunday.  So far, the Indian embassy in Tehran has facilitated the movement of 2,445 Indian nationals out of Iran through land border routes, the statement said. Israel's airspace is open, and limited flight operations have resumed to destinations in the region, which can be used for onward travel to India. In the UAE, airlines continue to operate limited commercial flights to India based on operational and safety considerations, with around 110 flights expected between the UAE and India on Sunday. Flights continue to operate from various airports in Saudi Arabia and Oman to destinations in India. With Qatar airspace partially open, Qatar Airways is also operating flights to various destinations in India. The Kuwait airspace is open. Jazeera Airways and Kuwait Airways have resumed limited flight operations from Kuwait to India. Bahrain airspace is also open, and Gulf Air is operating flights from Bahrain to various destinations in India. Besides, Iraq's airspace is open with limited flight operations to destinations in the region, which can be used for onward travel to India. Indian missions remain actively engaged with the Indian community, including the various associations, organisations, professional groups, Indian companies and other stakeholders in the region. The government is according high priority to the welfare of Indian seafarers in the region. Indian missions are extending all assistance to the Indian crew members on vessels in the region, including coordination with the local authorities and agencies, extending consular assistance and facilitating requests to return to India. Since 28 February, around 12,96,000 passengers have travelled from the region to India. Indian missions and posts continue to operate round-the-clock helplines and are proactively assisting Indian nationals. They remain in close contact with the local governments. Updated advisories are being issued regularly, including information on local government guidelines, flight and travel situations and consular services and various welfare measures being undertaken to support the Indian community, the statement added."},"img":{"url":"https://images.prismic.io/prad/aEqqT7NJEFaPX5X8_AI1717.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T12:58:00+0000","embed":{"embed_url":null}},"uid":"big-relief-for-nris-iran-airspace-reopens"}},{"node":{"tags":["Editorial"],"data":{"third_party_url":null,"title":{"text":"Fall of political promise - AAP’s journey in power"},"content":{"text":"Financial scams -- chit funds, Ponzi schemes -- have victims who lose their savings, but when a political movement built on honesty and hope begins to crumble, the loss is far deeper. Because what is taken away is not just wealth, but trust in the very idea of change. Politics, at its best, is supposed to be different. It is not meant to serve. That is why the rise of the India Against Corruption movement in 2011 felt like a turning point. The country was weary. The UPA-2 government was battling one corruption scandal after another, and public anger had been building for years. Right into that moment stepped Anna Hazare -- quiet, austere, and invoking a language of protest that people understood. What followed was not just another agitation. It became a national moment. Streets filled up, social media carried the message further, and for once, the middle class -- often accused of staying on the sidelines -- showed up in large numbers. The movement felt organic. It was less about ideology and more about a shared frustration. Around Hazare gathered a group that gave the movement direction -- Arvind Kejriwal, Kiran Bedi, Prashant Bhushan, Yogendra Yadav, Kumar Vishwas, and others. Hazare's 12-day fast forced the government to respond, and for a brief stretch, it felt as if something real might come out of it. There was, in that moment, a sense of possibility that is rare in public life. The shift, however, came when the movement entered politics. Hazare was not convinced -- he believed its strength lay in staying outside the system. But Kejriwal took a different call. In 2012, the Aam Aadmi Party was formed, carrying forward the language of the movement into the electoral arena. The appeal was immediate. A party of the \"common man\", promising clean governance and accessibility, struck a chord across sections. The broom became more than a symbol -- it became a shorthand for expectation. And then came the results. After a brief 49-day government, AAP returned in 2015 with a mandate that was almost absolute -- 67 out of 70 seats in Delhi. It was the kind of victory that leaves little space for doubt. Congress disappeared from the map, the BJP was reduced to three, and Kejriwal took office with enormous goodwill. For many, this felt like validation -- that politics could still surprise, that change was not just a slogan. But this is also where the story begins to turn. Differences within the party started surfacing. Leaders who had been central to the movement began raising concerns -- about how decisions were being made, about the space for disagreement. Yogendra Yadav and Prashant Bhushan were among the first to be pushed out after questioning the leadership. They spoke openly about the party drifting away from its original ideals. They were not the last. Over time, familiar faces kept dropping off -- Kumar Vishwas, Shazia Ilmi, Kapil Mishra, Ashutosh, among others. The reasons differed, but the pattern did not. The party began to look less like a collective and more like a tightly held structure under one person, where dissent appeared to have little room. But, it did not succumb; electorally, it held its ground. In 2020, AAP returned to power in Delhi with another strong mandate. With this electoral confidence, in 2022, it expanded into Punjab with a sweeping victory and formed a government under Bhagwant Mann. The party even began testing the waters in other states, such as Goa and Gujarat. From the outside, it still looked like a success story. But the questions were getting harder to ignore. Allegations -- political, legal, administrative -- started piling up. The party's handling of difficult moments -- including ministers/leaders getting entangled in various criminal cases, the 2020 Delhi riots and the Covid crisis -- was questioned. Then came the excise policy case, bringing Kejriwal and senior leaders like Manish Sisodia into major legal trouble. Both were arrested and jailed. For a party that had built itself on moral clarity, this was damaging in a way that went beyond politics. The image began to shift. The distance between what was promised and what was being seen grew wider. Even issues like the controversy around official residences fed into that perception. And then came the setback that made it impossible to ignore. It could not win any of the seven Lok Sabha seats in Delhi. Also, the 2025 Delhi elections did not go the way the party had expected. A party that once seemed unshakeable in the national capital lost ground. People who overwhelmingly repeatedly voted for Kejriwal expressed their anger by booing him out of the New Delhi Assembly seat -- which had been his stronghold since the last three elections. For Kejriwal, it was not just an electoral loss -- it was a signal. Public trust, once dented, does not quietly return and should not be taken for granted. Since then, more cracks have shown. Leaders have left. Some have spoken. Others have simply walked away. What was once projected as a shared movement now appears fragile. AAP was not meant to be just another political party. It was a belief that politics could be cleaner, more accountable, transparent, and less cynical. People did not just vote for it; they invested in it. And that is why the disillusionment feels personal. When a financial scam collapses, people lose money. When a political promise collapses, they lose faith. And faith, once shaken, does not return easily. The story is still unfolding. Politics rarely ends neatly, and comebacks are always possible. But for those who once stood in protest grounds, believing they were part of something different, the question has not really gone away. Not loudly, not dramatically -- but quietly, and persistently: Was it a movement that lost its way? Or was it something else all along that aam aadami could not comprehend initially?"},"img":{"url":"https://images.prismic.io/prad/4567d279-680b-443f-a359-c6918f903735_AAP.JPG?auto=format%2Ccompress&rect=0%2C34%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-04-26T09:46:00+0000","embed":{"embed_url":null}},"uid":"fall-of-political-promise---aaps-journey-in-power"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Aadi Sai Kumar: Feel for the bowlers this IPL"},"content":{"text":"Pointing out the margins for error were very small for bowlers, Telugu actor Aadi Sai Kumar, who is also an ardent cricket fan, has now expressed sympathy for the bowlers participating in this season of the Indian Premier League (IPL). Taking to his X timeline to pen his thoughts on the predicament faced by the bowlers on a day when two high scoring games were played, Aadi Saikumar wrote, \"Feel for the bowlers this IPL. Flat wickets… nothing for pace, nothing for spin.Margins are so small — one no-ball, one free hit. Who would want to be a bowler in this format? Short boundaries impact players too.\" He further went on to observe, \"Game will be interesting if there is balance with Bat and ball. Yes, high scoring is good but still miss those mid 170 scores.\" On the work front, Aadi Sai Kumar will next work with director Phani Krishna Siriki on 'Sairabanu'. Well known producer Razesh Danda, fresh off the sensational success of 'K-Ramp', is to bankroll the film under the Hasya Movies banner, with Krishnakanth Paruchuri as co-producer. Bandhavi Sridhar has been roped in as the female lead opposite Aadi Sai Kumar for this film. Sources say that Aadi Sai Kumar, who scored the biggest blockbuster of his career with 'Shambhala', is now steering towards concept-driven films with strong commercial appeal. Hasya Movies took to its social media timelines recently to announce the title of the film. Sharing the title poster, it wrote, \"A formal beginning... to a love story that breaks every boundary. #SairaBanu Pooja Ceremony commenced today. Clap by @Kiran_Abbavaram. Camera switched on by @RamAbbaraju. @saikumaractor garu Script handover by @konavenkat99 @JainsNani. First shot direction @filmsyogi. Shoot begins soon.\" Sources claim that Phani Krishna Siriki has crafted a unique Hindu–Muslim love story laced with humour, with the narrative unfolding in Rajahmundry and Hyderabad.  Backed by a strong technical team, the film aims to be a rich visual and emotional experience. The film is to have cinematography by Raam Reddy and music by Shekar Chandra. Chota K Prasad is to handle the editing of this film while Brahma Kadali will serve as the production designer."},"img":{"url":"https://images.prismic.io/prad/81255ef9-866f-4b79-90e5-422f72e6604b_aadi.JPG?auto=format,compress"},"datetime":"2026-04-26T09:18:00+0000","embed":{"embed_url":null}},"uid":"aadi-sai-kumar-feel-for-the-bowlers-this-ipl"}},{"node":{"tags":["Trending"],"data":{"third_party_url":null,"title":{"text":"Top 7 firms lose over 2 lakh cr in market cap"},"content":{"text":"The combined market valuation of seven of India’s top-10 most valued companies eroded by over Rs 2 lakh crore last week, with Reliance Industries and Tata Consultancy Services (TCS) emerging as the biggest laggards.  The downturn came in line with a bearish trend on Dalal Street, where the Sensex plunged 1,829.33 points, or 2.33 per cent, while the Nifty declined 455.6 points, or 1.87 per cent during the week. Market sentiment remained under pressure after two consecutive weeks of gains. According to market experts, the decline was driven by rising geopolitical tensions and weak earnings commentary from IT majors. “Global developments continued to dictate market direction, particularly the uncertainty surrounding the West Asia crisis, which has kept crude oil prices elevated amid fears of supply disruptions,” he noted. Amid this backdrop, the combined market capitalisation of seven of the top-10 firms dropped by Rs 2,05,343.06 crore. Tata Consultancy Services saw the sharpest decline, with its valuation falling by Rs 66,699.44 crore to Rs 8,67,364.12 crore. Reliance Industries followed closely, losing Rs 50,670.34 crore in market value to Rs 17,96,647.50 crore. HDFC Bank’s valuation declined by Rs 23,090.05 crore to Rs 12,08,225.48 crore, while Life Insurance Corporation of India (LIC) saw its market cap drop by Rs 19,670.75 crore to Rs 5,13,020.56 crore. Bharti Airtel also witnessed a fall of Rs 19,406.59 crore, taking its valuation to Rs 11,05,718.62 crore. ICICI Bank’s market capitalisation slipped by Rs 14,663.27 crore to Rs 9,50,345.40 crore, and Larsen and Toubro’s valuation declined by Rs 11,142.62 crore to Rs 5,52,171.88 crore. However, not all companies ended the week in the red. Hindustan Unilever added Rs 20,652.91 crore to reach a valuation of Rs 5,47,219.80 crore. State Bank of India also gained Rs 19,522.76 crore, pushing its market cap to Rs 10,16,752.53 crore, while Bajaj Finance saw an increase of Rs 8,253.64 crore to Rs 5,73,690.81 crore. Despite the weekly losses, Reliance Industries retained its position as India’s most valued company, followed by HDFC Bank, Bharti Airtel, State Bank of India, ICICI Bank, TCS, Bajaj Finance, Larsen & Toubro, Hindustan Unilever and LIC."},"img":{"url":"https://images.prismic.io/prad/5bd36aa7-c85b-4576-bf77-648a023b347e_tock+market.JPG?auto=format,compress"},"datetime":"2026-04-26T08:26:00+0000","embed":{"embed_url":null}},"uid":"top-7-firms-lose-over-2-lakh-cr-in-market-cap"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rakul Brushes Aside Jackky’s ‘Situationship’ Joke"},"content":{"text":"Producer and actor Jackky Bhagnani raised a lot of eyebrows as he called his marriage with actress Rakul Preet Singh a ‘situationship’.  Now, in her latest social media post, Rakul has urged all to just 'laugh about and move on' from the statement. She shared a fun video on her Instagram Stories where she can be seen mockingly scolding Jackky for making the controversial remark. The 'Runway 34' actress was heard saying, \"How many times have I told him that we are Millennials, there is no need to act like Gen Z.\" Jackky insisted that he did not intend to make the statement in the manner in which it was taken. \"I am sorry. But I did not mean it like that,\" he replied. To this, Rakul said, \"I know, but the world needs to know. It's okay. Considering you guys are not stopping, we thought we would also have a laugh about it.\" The clip further had the text, \"Hogaya AAP log ka bhi ab...laugh about it and move on...\", followed by a red heart emoji. Recently, Rakul and Jackky opened up about why they got married to each other. During the conversation, the filmmaker said, “Rakul and I are married, but we are like in a situationship, which is, of course, we are exclusive to each other because that’s why we are married. But the most important thing is that I can talk to her about anything.\" Later on, clearing the air surrounding the viral statement, Rakul penned on the Stories section of her Instagram, “We had a great laugh today about how one line from an hour-long conversation can suddenly become the headline. Funny... until it’s not. Context matters. Nuance matters. Conversation deserve better than being reduced to clickbait. Maybe it’s time platforms take a little more responsibility for the narratives they create.”"},"img":{"url":"https://images.prismic.io/prad/65d47a176df829d21997fb59_rakuljacjjy.JPG?auto=format,compress"},"datetime":"2026-04-26T07:29:00+0000","embed":{"embed_url":null}},"uid":"rakul-brushes-aside-jackkys-situationship-joke"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Hansika Masters Hyderabadi Urdu"},"content":{"text":"Actress Hansika Motwani, who is a part of the web series 'Gully', has now given details of her preparation process for the series and revealed how working on the dialogue became a key part of her performance. For the unaware, Hansika Motwani is all set to make her OTT debut with the upcoming series 'Gully', which is to be streamed on Prime Video. Hansika will be seen playing the role of Layla, a character that promises to showcase her in a completely new light. Giving out details, Hansika clarified that she did not work with a dialogue coach but instead relied on her own preparation and the support of her team to get her lines right.  “For the dialogue part, I didn’t have a dialogue coach. I worked on it myself, but we did sit together as a team and had workshops to get it right. Since the story is based in Hyderabad, around Charminar, I wanted to be more sure of my lines and understand the dialect properly,” she said. She added that the process required consistent practice and attention to detail, especially to get the tone and pronunciation correct. “It was something new and something that I have not explored before. It turned out to be a really good experience, especially understanding the dialect and getting it right for the character. When you’re working with a dialect like this, even a small mistake stands out, so I really wanted to be precise and do justice to the language,” she shared. For Hansika, getting the nuances correct was essential to staying true to the world of the story.  The makers of 'Gully' describe the series as a \"modern-day-western, set on the mean streets of Old City, Hyderabad in which lives of criminals, police and cricket players clash on the eve of a high-stakes gully cricket match.\" According to a source, “Hansika’s character Layla embodies the essence of Hyderabad’s regal heritage. The look blends soft elegance with unyielding strength, reflecting the Nawabi spirit where women carried power with poise and balanced beauty with intelligence.” The role is being described as a major shift from what audiences have seen of the actress so far."},"img":{"url":"https://images.prismic.io/prad/37ab30d3-5395-498c-8e4a-8cd07b20371f_Hansika+Motwani+%2811%29.JPG?auto=format%2Ccompress&rect=0%2C81%2C1600%2C789&w=2028&h=1000"},"datetime":"2026-04-26T07:22:00+0000","embed":{"embed_url":null}},"uid":"hansika-masters-hyderabadi-urdu"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Win or lose, Delhi fans have just one hero - Kohli"},"content":{"text":"Results may matter on the points table, but for thousands expected to pour into Arun Jaitley Stadium on Monday evening, there is only one reason to be there — Virat Kohli.   Whether Delhi Capitals win or lose seems secondary for many supporters ahead of their high-voltage IPL clash against Royal Challengers Bengaluru. The capital is ready to welcome home its favourite cricketing icon, with fans eager to witness Kohli in action once again on familiar turf. Delhi Capitals enter the contest after being outplayed by Punjab Kings on Saturday, but that setback is unlikely to affect the turnout. If anything, anticipation has only grown stronger with Kohli’s arrival in the city. Outside the stadium and across the streets of Delhi, one emotion dominates — Kohli fever. Young fans speaking ahead of the match made it clear that the evening is less about teams and more about the man who has inspired a generation. “Delhi Capitals is our team, but Virat Kohli is our emotion,” said one college student, proudly wearing a DC jersey. Another fan added, “We just want to see him bat live. Even one cover drive from Virat is worth coming to the stadium.” Such is Kohli’s pull that loyalties may be divided in the stands, with blue and red jerseys mixing with chants reserved for the batting superstar. Whenever Kohli walks out to bat, the noise is expected to rise several decibels. The former RCB captain continues to command unmatched fan following wherever he plays, but Delhi remains special. It is the city where his cricketing journey began, and every return feels like a homecoming. For Delhi Capitals, Monday’s clash could be crucial in their campaign. For the fans, however, it is a chance to watch a modern legend up close. As the sun sets over Arun Jaitley Stadium, one thing appears certain — the loudest cheers may not depend on the scoreboard, but on the arrival of Virat Kohli at the crease. "},"img":{"url":"https://images.prismic.io/prad/dd29b26a-3d80-4fd0-a4d0-aeb6e0181ddf_kohli.JPG?auto=format,compress"},"datetime":"2026-04-26T06:51:00+0000","embed":{"embed_url":null}},"uid":"win-or-lose-delhi-fans-have-just-one-hero---kohli"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"'Dangerous profession': Trump reflects after shooting"},"content":{"text":"US President Donald Trump has described the presidency as a “dangerous profession” and said he would not allow violence to deter him, hours after a gunman was stopped near the White House Correspondents’ Association dinner.  In an extended interaction with reporters at the White House on Saturday night, Trump struck a reflective tone, recounting the moments after shots were fired and placing the episode within a broader pattern of threats against political leaders. “It’s always shocking when something like this happens,” he said. “I was totally shocked that something happened.” Trump said the incident unfolded rapidly, leaving little time to react. “I was watching to see what was happening… probably should have gone down even faster,” he said, adding that the first lady “knew immediately what happened” as security personnel moved in. He said he initially mistook the sound of gunfire for something less serious. “I thought it was a tray going down… it was a pretty loud noise… but it was a gun,” he said, noting that some people grasped the situation faster than others. The president emphasised that the threat was contained before it could reach him or the main gathering. “He hadn’t breached the area at all,” Trump said, adding that the attacker was stopped at a distance. Despite the disruption, Trump said he was reluctant to leave the venue. “I fought like hell to stay”, he said, explaining that he did not want “these sick people… to change the fabric of our life.” He said the decision to evacuate was driven by security protocol rather than personal choice. “They didn’t want to take a chance… and I understand,” he said. Trump used the moment to underscore what he sees as the risks associated with leadership. “It’s a dangerous profession,” he said, comparing the presidency to other high-risk occupations before concluding that the role carries uniquely high levels of threat. “But I don’t view it that way. Look, I’m here to do a job. It’s part of the job,” he said, adding that he remained committed to his agenda despite the risks. When asked why such incidents continue to occur, Trump offered a broader interpretation. “I’ve studied assassinations,” he said. “The most impactful people… the people who make the biggest impact, they are the ones they go after.” “There are a lot of people who are not happy about that,” he said, linking political success with heightened vulnerability. At the same time, Trump sought to downplay speculation about motive, saying investigators would determine whether the attacker acted alone. “They seemed to think he was a lone wolf, and I feel that too,” he said. The president also addressed concerns about political violence more broadly, acknowledging the risks but rejecting the idea of scaling back public engagement. “If you want to do a great job… it comes with a territory,” he said. He noted that no country is immune. “There’s great violence… all over the world,” he said, adding that leadership positions often carry inherent danger regardless of geography. Trump said he had not received any prior warning about the incident. “We had no idea”, he said, though he noted that security resources were deployed throughout the venue. The president praised the coordination of agencies on the ground, saying the response prevented a more serious outcome. “They acted incredibly”, he said, referring to law enforcement and Secret Service personnel. The president also reflected on the emotional impact of the episode, particularly on the first lady. He described the event as “a rather traumatic experience for her”, while thanking her for her support. Despite the disruption, Trump signalled his intent to resume normal activity quickly. He confirmed plans to hold the correspondents’ dinner again within 30 days, saying the administration would not allow violence to disrupt public events. “We’re not going to cancel things out… we can’t do that,” he said. Trump also issued a broader appeal for unity, urging Americans to address differences peacefully. “We have to resolve our differences,” he said, calling on “Republicans, Democrats and independents” to work together. He said the moment briefly revealed a sense of collective resolve. “I saw a room that was just totally unified… it was very beautiful to see,” he said. The president concluded by reiterating his confidence in security forces and his determination to continue his duties. “I take it as it is,” he said. “I do it for the country.” The remarks came after law enforcement confirmed the suspect had been taken into custody and an investigation was underway, with officials working to determine the motive and any potential links."},"img":{"url":"https://images.prismic.io/prad/a6217d3e-6587-47fe-b814-f7f75e54aa2e_trump+tweet.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T04:12:00+0000","embed":{"embed_url":null}},"uid":"dangerous-profession-trump-reflects-after-shooting"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rashmika’s 'Mysaa' Enters Action Mode in Kerala"},"content":{"text":"The unit of director Rawindra Pulle's eagerly awaited action thriller 'Mysaa', featuring actress Rashmika Mandanna in the lead, has now begun its much-awaited 15-day action schedule in Kerala. Sources close to the unit say that stunt master Kecha Khampakdi has choreographed some high voltage action sequences for this film which are to be shot in this schedule. Rashmika is expected to perform some high intensity action sequences during this schedule along with key actors in the film. It may be recalled that IANS had reported earlier that the actress had been training hard at an intensive stunt and combat bootcamp in Bangkok, Thailand to perform in the sequences that were to be filmed during this 16-day action schedule. Sources in the unit had disclosed that the actress had trained for over eight hours everyday For 'Mysaa' in Bangkok. For the unaware, Rashmika plays a tribal Gond girl- a character that demands emotional vulnerability as much as physical ferocity -- in the film. With international action director Andy Long supervising the stunts, sources say the film is shaping up to set a new benchmark for female-led action in Indian cinema. Sources had disclosed that after being deeply moved by the script, Rashmika chose to rebuild herself physically and mentally for the role. Determined to deliver an action performance that felt raw and real, Rashmika had flown to Bangkok and immersed herself in an intensive stunt and combat bootcamp. Her daily routine there was nothing short of brutal, informed a source, who added that the actress trained for nearly eight hours every day, learning advanced stunt techniques, hand-to-hand combat, and high-speed action coordination under globally renowned experts. Now that Rashmika was back, the unit had begun the action schedule in Kerala. The film, apart from Rashmika, also features Eshwari Rao, Guru Somasundaram, and Rao Ramesh in pivotal roles. On the technical front, cinematography for the film is by Shreyaas P Krishna while music is by Jakes Bejoy. International stunt choreographer Andy Long is overseeing the action for this ambitious entertainer."},"img":{"url":"https://images.prismic.io/prad/aF5W13fc4bHWixpF_mysaa.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T01:47:00+0000","embed":{"embed_url":null}},"uid":"rashmikas-mysaa-enters-action-mode-in-kerala"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Gunshots at White House; Trump evacuated safely"},"content":{"text":"US President Donald Trump and several senior US officials were evacuated from the annual White House Correspondents' Dinner on Saturday night after multiple gunshots were reported. There were no immediate reports of injuries.  Secret Service agents and other security personnel rushed into the banquet hall as panic spread among attendees. Guests reportedly took cover under tables while security officers urged people to duck. Following the incident, Trump shared an update on social media, confirming that the situation had been brought under control and praising the swift response of security agencies. He indicated that the suspect had been apprehended and said any decision regarding the continuation of the event would be made by law enforcement authorities. “Quite an evening in D.C. Secret Service and Law Enforcement did a fantastic job. They acted quickly and bravely. The shooter has been apprehended, and I have recommended that we “LET THE SHOW GO ON\" but, will entirely be guided by Law Enforcement. They will make a decision shortly. Regardless of that decision, the evening will be much different than planned, and we'll just, plain, have to do it again,” Trump posted on Truth Social. Several individuals present at the event said they heard what sounded like five to eight gunshots. The hall, packed with hundreds of journalists, celebrities, and political leaders awaiting the President’s address, was quickly evacuated. National Guard personnel were deployed inside the venue, and attendees were escorted out but not allowed to re-enter. Security remained extremely tight in the surrounding area. Authorities have not yet confirmed the exact nature of the incident. A law enforcement official said a shooter was involved, though further details were not immediately available. Among those seated at the head table were Trump, First Lady Melania Trump, Vice President J.D. Vance, and several Cabinet members. All key officials were reported safe. According to CNN, the US President is safe, while another administration official confirmed that Cabinet members were also unharmed. The dinner marked Trump’s first appearance as president at the annual White House Correspondents’ Association event in Washington, bringing renewed focus to his administration’s often tense relationship with the media. The gathering included journalists, political figures, celebrities, and international representatives, as well as entertainment segments featuring acts such as Triumph the Insult Comic Dog. Investigations into the incident are ongoing, with authorities expected to release more details as they continue to assess the situation. Jamie Raskin, a Democratic congressman who was attending the dinner, said he did not see a shooter but described the chaos, stating, “I think a Secret Service agent threw me to the ground and on top of some other people and people were screaming and yelling”."},"img":{"url":"https://images.prismic.io/prad/ae3Ju8BOoF08xTTp_gunshots.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T01:25:00+0000","embed":{"embed_url":null}},"uid":"gunshots-at-white-house-trump-evacuated-safely"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Gaayapadda Simham' Trailer"},"content":{"text":"'Gaayapadda Simham' Trailer"},"img":{"url":"https://images.prismic.io/prad/aYctbd0YXLCxViY6_ghayapaddasimham.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-25T19:22:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=wECp0mEK1Rs"}},"uid":"gaayapadda-simham-trailer"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Iconic character Ballu is ‘big challenge’ for Dutt"},"content":{"text":"Filmmaker Subhash Ghai, who helmed the 1993 film “Khalnayak”, has heaped praise Sanjay Dutt for bringing back the action crime movie and said that playing the iconic character of Ballu Balram is a “bigger challenge” for the Bollywood star and he’s sure he will prove it again.  It was on Friday, when Sanjay announced that Khalnayak Returns will be a ‘fresh interpretation’ of the 1993 original, which also stars Madhuri Dixit Nene and Jackie Shroff. Taking to Instagram, Subhash, who directed the original film, first shared the poster of the upcoming movie and wrote: “We all at mukta arts ltd are happy to see that dear sanjoo is back with #KHALNAYAK RETURNS with an impactful teaser shown to media yesterday with all ovation.” “Playing iconic character of Ballu Balram is a bigger challenge for sanjay dutt n I m sure he will prove it again. My all blessings to him n his team all over,” he added. Khal Nayak also stars Anupam Kher and Rakhee Gulzar. The film's plot follows two police officers, Ram and Ganga, as they attempt to apprehend escaped criminal Ballu. Sanjay has acquired the rights to his film ‘Khal Nayak’ and called it a long-cherished dream to revive the film’s legacy. Talking about the collaboration, Sanjay on Friday said in a statement: “‘Khal Nayak’ is a film that is close to my heart and even today it’s remembered with fondness. It’s been a long-cherished dream of mine to be able to revive this film and hence we have legally acquired the rights for it.” She thanked Ghai and the team of Mukta Arts for entrusting him with this legacy. “With Jyoti on board and Jio Studios presenting the film and partners like my dear sister Aksha, we are looking forward to creating something truly special for both longtime fans and a new generation”."},"img":{"url":"https://images.prismic.io/prad/aeycg8BOoF08xTEA_bhallu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-25T16:32:00+0000","embed":{"embed_url":null}},"uid":"iconic-character-ballu-is-big-challenge-for-sanjay-dutt"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Raghav Calls AAP ‘Toxic’"},"content":{"text":"Rajya Sabha member Raghav Chadha on Monday took to social media to explain the reasons behind his exit from the Aam Aadmi Party (AAP), alleging that the party had turned \"toxic\", while asserting that his decision to join the Bharatiya Janata Party (BJP) would help him implement the causes he supports more effectively. The development follows a major political shift last week when Chadha announced his resignation from AAP along with six other Rajya Sabha MPs -- Swati Maliwal, Harbhajan Singh, Sandeep Pathak, Ashok Mittal, Rajinder Gupta and Vikram Sahni -- all of whom have announced their decision to merge with the BJP. In the video, Chadha expressed gratitude to those extending their support and said he wanted to address questions regarding his decision to leave the party. \"Some of you wish to know the reasons behind this decision of mine. Before joining politics, I was a practising Chartered Accountant. However, I left my career to join politics and became a founding member of a party. This is a party to which I dedicated 15 years -- the prime of my youth; a party I nurtured with my own blood, sweat, and immense hard work,\" he said. However, he stated that the party has changed significantly over time. \"However, he said that today, this party is no longer the party it once was, adding that it now suffers from a toxic work environment.\" \"You are prevented from doing your work; you are stopped from speaking in Parliament; and today, this political party has fallen into the clutches of a select few individuals who are both corrupt and compromised. These are people who no longer work for the nation, but rather for their own personal gain,\" Chadha added. Reflecting on his internal dilemma over the past few years, he said he increasingly felt he might be \"the right man in the wrong party\". \"Consequently, I was left with only three options. The first option was to quit politics entirely; the second was to remain in this party and attempt to set things right -- something that, as it turned out, was not possible. And the third option was to channel my energy and experience into practising positive politics -- to join a different platform, to align myself with another political party, and to engage in constructive political work.\"  \"Therefore, and I did not do this alone; it was not just one, two, three, four, five, or even six other MPs, but a total of seven MPs who collectively took the decision to sever our ties with this political party,\" he said. Chadha further defended the collective decision taken by the group, questioning criticism of their move.  \"A single individual might be mistaken; two individuals might be mistaken; but seven people cannot all be wrong. And what of the countless others -- the educated, erudite individuals who once believed in the vision of this political party, and who have since left? Could all of them possibly be wrong?\" he asked. Drawing a parallel with workplace environments, he added, \"Think of it this way: for those of you who work in offices -- if your workplace were to become a toxic environment, how much work would you actually be able to accomplish? Would you even be able to function there? If you were hindered from doing your job, if your hard work were stifled, and if you were silenced -- what would you do? In such a situation, the right decision is to leave that workplace. Perhaps that is exactly what we did.\" He also assured the public that his political priorities would remain unchanged.  \"Many of you have also asked me whether I will continue to champion your causes -- the ordinary problems faced by ordinary citizens -- or if I will stop. I want to assure you that I will continue to raise your issues consistently, with renewed energy, and with great passion. And the best part is that now, we will also be able to find solutions to those problems and ensure that they are actually implemented,\" Chadha added."},"img":{"url":"https://images.prismic.io/prad/ebc20881-3518-4c54-b71f-3db5cdc9b584_raghav+chadha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:09:00+0000","embed":{"embed_url":null}},"uid":"raghav-calls-aap-toxic"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Azharuddin, Kodandaram take oath as MLCs"},"content":{"text":"Telangana Minister for Minority Welfare Mohammad Azharuddin and Professor M. Kodandaram Reddy on Monday took oath as members of the state's Legislative Council.  Council Chairman G. Sukhender Reddy administered the oath to them at an event held in the Assembly building. Chief Minister A. Revanth Reddy, his Cabinet colleagues, state Congress president Mahesh Kumar Goud and other leaders of the ruling Congress party attended the event. Governor Shiv Pratap Shukla on Sunday nominated Azharuddin and Kodandaram as members of the Legislative Council under the Governor’s quota. However, the nominations will be subject to the final outcome of all the appeals pending in this regard, reads the notification issued by the state government. According to the notification, Azharuddin and Kodandaram have been nominated in place of D. Rajeshwar Rao and Farooq Hussain, whose term expired on May 27, 2023. Azharuddin’s nomination as MLC came as a huge relief for the former Indian cricket captain and the ruling Congress party. Sworn in as the minister on October 31, 2025, Azharuddin was constitutionally required to get elected to either the Assembly or the Council by April 30 to continue in the Cabinet. Kodandaram, a key figure in the movement for statehood to Telangana, is the leader of Telangana Jana Samithi (TJS), which had supported the Congress party in the 2023 elections. The nominations ended a long period of uncertainty. The Telangana Cabinet had recommended the names of Azharuddin and Kodandaram for nomination to the Council under the Governor’s quota on August 30, 2025.  However, the Governor has not cleared the nominations due to a case pending in the Supreme Court. Chief Minister A. Revanth Reddy had met the Governor on April 19 to request him to approve the pending nominations. Last month, the Chief Minister had cited the Supreme Court’s observation that it had no objection in the matter and that the state government was free to pursue the issue with the Governor for clearance. The Cabinet’s decision to nominate them as MLCs in August last year came two weeks after the Supreme Court stayed the appointment of Kodandaram and Amer Ali Khan as MLCs under the Governor’s quota. Both Kodandaram and Amer Ali Khan were sworn in as MLCs in 2024. The apex court gave a stay on a petition filed by Bharat Rashtra Samithi (BRS) leaders Dasoju Sravan and Kurra Satyanarayana, challenging the nominations made by the state government. Kodandaram and Amer Ali Khan were nominated as MLCs in January 2024, but the High Court set aside the nomination in March on petitions by Dasoju Sravan and Kurra Satyanarayana, whose nomination as MLCs was recommended by the previous government of BRS in July 2023. The same was rejected by then-Governor Tamilisai Soundararajan on the grounds that the two were “politically aligned persons”. The High Court had quashed the Governor’s decision, holding that the Governor can only return the government’s recommendation for reconsideration. Following the High Court order, the BRS leaders had requested the Governor to nominate them as MLCs. However, as the BRS had lost power to Congress, the Governor rejected the request. Sravan and Satyanarayana had challenged the Governor’s refusal in the Supreme Court."},"img":{"url":"https://images.prismic.io/prad/aLM8BGGNHVfTOdxI_azharkodanda.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:13:00+0000","embed":{"embed_url":null}},"uid":"azharuddin-kodandaram-take-oath-as-mlcs"}},{"node":{"data":{"title":{"text":"Raghav Calls AAP ‘Toxic’"},"content":{"text":"Rajya Sabha member Raghav Chadha on Monday took to social media to explain the reasons behind his exit from the Aam Aadmi Party (AAP), alleging that the party had turned \"toxic\", while asserting that his decision to join the Bharatiya Janata Party (BJP) would help him implement the causes he supports more effectively. The development follows a major political shift last week when Chadha announced his resignation from AAP along with six other Rajya Sabha MPs -- Swati Maliwal, Harbhajan Singh, Sandeep Pathak, Ashok Mittal, Rajinder Gupta and Vikram Sahni -- all of whom have announced their decision to merge with the BJP. In the video, Chadha expressed gratitude to those extending their support and said he wanted to address questions regarding his decision to leave the party. \"Some of you wish to know the reasons behind this decision of mine. Before joining politics, I was a practising Chartered Accountant. However, I left my career to join politics and became a founding member of a party. This is a party to which I dedicated 15 years -- the prime of my youth; a party I nurtured with my own blood, sweat, and immense hard work,\" he said. However, he stated that the party has changed significantly over time. \"However, he said that today, this party is no longer the party it once was, adding that it now suffers from a toxic work environment.\" \"You are prevented from doing your work; you are stopped from speaking in Parliament; and today, this political party has fallen into the clutches of a select few individuals who are both corrupt and compromised. These are people who no longer work for the nation, but rather for their own personal gain,\" Chadha added. Reflecting on his internal dilemma over the past few years, he said he increasingly felt he might be \"the right man in the wrong party\". \"Consequently, I was left with only three options. The first option was to quit politics entirely; the second was to remain in this party and attempt to set things right -- something that, as it turned out, was not possible. And the third option was to channel my energy and experience into practising positive politics -- to join a different platform, to align myself with another political party, and to engage in constructive political work.\"  \"Therefore, and I did not do this alone; it was not just one, two, three, four, five, or even six other MPs, but a total of seven MPs who collectively took the decision to sever our ties with this political party,\" he said. Chadha further defended the collective decision taken by the group, questioning criticism of their move.  \"A single individual might be mistaken; two individuals might be mistaken; but seven people cannot all be wrong. And what of the countless others -- the educated, erudite individuals who once believed in the vision of this political party, and who have since left? Could all of them possibly be wrong?\" he asked. Drawing a parallel with workplace environments, he added, \"Think of it this way: for those of you who work in offices -- if your workplace were to become a toxic environment, how much work would you actually be able to accomplish? Would you even be able to function there? If you were hindered from doing your job, if your hard work were stifled, and if you were silenced -- what would you do? In such a situation, the right decision is to leave that workplace. Perhaps that is exactly what we did.\" He also assured the public that his political priorities would remain unchanged.  \"Many of you have also asked me whether I will continue to champion your causes -- the ordinary problems faced by ordinary citizens -- or if I will stop. I want to assure you that I will continue to raise your issues consistently, with renewed energy, and with great passion. And the best part is that now, we will also be able to find solutions to those problems and ensure that they are actually implemented,\" Chadha added."},"img":{"url":"https://images.prismic.io/prad/ebc20881-3518-4c54-b71f-3db5cdc9b584_raghav+chadha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:09:00+0000","embed":{"embed_url":null}},"uid":"raghav-calls-aap-toxic"}},{"node":{"data":{"title":{"text":"Harbhajan’s Security Removed After AAP Exit"},"content":{"text":"Former Indian cricketer and Rajya Sabha MP Harbhajan Singh has landed at the centre of a political storm after switching from Aam Aadmi Party to Bharatiya Janata Party. Soon after his move, the Punjab Police withdrew the security cover provided to him at his residence in Jalandhar, triggering sharp political reactions. The security detail of around 9–10 Punjab Police personnel was removed from Singh’s Chhotti Baradari residence on Saturday. By Sunday, personnel from the Central Reserve Police Force were seen deployed outside his house. The development quickly became a talking point in Punjab politics. Meanwhile, AAP workers staged protests outside the homes of Harbhajan Singh and other leaders who defected to the BJP, branding them as “traitors.” Demonstrations were reported in Ludhiana and Jalandhar against Harbhajan Singh, Ashok Mittal, and Rajinder Gupta. Punjab Chief Minister Bhagwant Mann strongly criticised the defectors, accusing them of betraying the people of Punjab. He labelled the seven leaders who switched sides as “gaddars” and alleged that the BJP was trying to weaken Punjab’s mandate. The political exodus from AAP to BJP reportedly included Raghav Chadha, Sandeep Pathak, Harbhajan Singh, Ashok Mittal, Rajinder Gupta, Swati Maliwal, and Vikramjit Sahney. Chadha claimed that AAP had moved away from its original principles, values, and morals, prompting his decision to join the BJP."},"img":{"url":"https://images.prismic.io/prad%2F8bdfbd4f-b6a8-4ed8-909c-106276603cf4_harbhajan.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-04-26T16:47:13+0000","embed":{"embed_url":null}},"uid":"harbhajans-security-removed-after-aap-exit"}},{"node":{"data":{"title":{"text":"Caltech graduate named suspect in DC shooting"},"content":{"text":"The man accused of opening fire at the White House Correspondents’ Dinner has emerged as a highly educated but deeply puzzling figure, with a background that has shocked those who knew him. Cole Thomas Allen, 31, of Torrance, California, has been identified by authorities as the suspect in the shooting that wounded a Secret Service officer and triggered a massive security response. Allen is a graduate of the California Institute of Technology, one of the most prestigious scientific institutions in the United States. He earned a degree in mechanical engineering in 2017 and later completed a master’s degree in computer science in 2025. He worked as a tutor at a private education company, where he was recognised as “teacher of the month” in December 2024, according to a company post. Allen also pursued interests in software and game development, creating physics-based video games and describing himself as an independent developer. Those who knew him expressed disbelief. “I’m in shock,” said George Daghlian, a former classmate. “I’m so sorry to hear that.” A former teammate described him as “borderline genius” and said he was “really, really smart,” adding that Allen “didn’t have to study. It would just come to him.” The same person said Allen was “probably the most gentle person on the team,” making the allegations even more surprising. Authorities say Allen legally purchased firearms in recent years, including a shotgun and a semi-automatic pistol. He is believed to have travelled by train from California to Washington via Chicago before checking into the hotel where the dinner was being held. Investigators have said he was carrying multiple weapons when he rushed a security checkpoint and opened fire. Officials have not confirmed a motive but said preliminary findings suggest he may have been targeting members of the Trump administration. The suspect has been described by Trump as a “lone wolf” and a “very sick person.” Allen is expected to face federal charges, including assault on a federal officer and firearm-related offences, with additional charges possible. The incident has raised broader questions about how individuals with no prior criminal record and strong academic backgrounds can become involved in acts of violence. Mass shootings in the United States have often involved individuals with varied personal histories, and investigators typically examine psychological, ideological and social factors in such cases. Authorities said the investigation into Allen’s background, online activity and motivations is ongoing."},"img":{"url":"https://images.prismic.io/prad/ae5CZsBOoF08xTcW_dcshooting.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T15:30:00+0000","embed":{"embed_url":null}},"uid":"caltech-graduate-named-suspect-in-dc-shooting"}},{"node":{"data":{"title":{"text":"Anna Hazare Explodes on Party Switchers"},"content":{"text":"In light of politicians changing parties after election victories, veteran social activist Anna Hazare on Sunday called for the introduction and implementation of legislation that would prohibit leaders elected under the banner of a specific political party from defecting. He also urged the public to deliberate thoughtfully before voting for a particular leader.  His response came in the wake of a significant political upheaval triggered by the defection of seven Rajya Sabha members from the Aam Aadmi Party (AAP) to the Bharatiya Janata Party (BJP), which includes the recently removed Deputy Leader of the Upper House, Raghav Chadha. Speaking to IANS, Hazare emphasised that nowhere in the Constitution is there any mention of parties or factions. \"The Constitution always focuses on the welfare of society and the nation. It does not mention any political party. Today, disputes and conflicts in society are increasing because of such factions and political parties,\" he said. He alleged that leaders who switch parties do so out of 'selfishness'. The social activist said, \"People switch from one party to another, thinking about their own interests, moving to wherever they find benefits for themselves.\" Calling for the implementation of the law, he said: \"A strict law should be enacted that would prevent elected leaders from switching into other parties. The country functions on the basis of laws. If such a law is implemented, mistakes like these will not occur.\" \"With such a law in place, people will not be able to switch parties,\" he reiterated. Hazare mentioned that society and the people should think about those leaders who recently switched from the AAP to the BJP. He urged voters to be careful while casting their votes. \"That is why voters are supreme, and it is up to them to decide whom to vote for, the right person or the wrong one. If voters make a thoughtful decision, the irregularities plaguing all parties and factions can be rectified,\" Hazare asserted. Moreover, he alleged that certain politicians don't think about the country and society and rather focus on gaining money and power. \"A vicious cycle of power leading to money, and money leading back to power, continues, and this is the root cause of these transgressions,\" he stressed."},"img":{"url":"https://images.prismic.io/prad/46c85df2-8d0e-479f-ab8c-404472e64c3d_anna+hazzare.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T13:12:00+0000","embed":{"embed_url":null}},"uid":"anna-hazare-explodes-on-party-switchers"}},{"node":{"data":{"title":{"text":"Win or lose, Delhi fans have just one hero - Kohli"},"content":{"text":"Results may matter on the points table, but for thousands expected to pour into Arun Jaitley Stadium on Monday evening, there is only one reason to be there — Virat Kohli.   Whether Delhi Capitals win or lose seems secondary for many supporters ahead of their high-voltage IPL clash against Royal Challengers Bengaluru. The capital is ready to welcome home its favourite cricketing icon, with fans eager to witness Kohli in action once again on familiar turf. Delhi Capitals enter the contest after being outplayed by Punjab Kings on Saturday, but that setback is unlikely to affect the turnout. If anything, anticipation has only grown stronger with Kohli’s arrival in the city. Outside the stadium and across the streets of Delhi, one emotion dominates — Kohli fever. Young fans speaking ahead of the match made it clear that the evening is less about teams and more about the man who has inspired a generation. “Delhi Capitals is our team, but Virat Kohli is our emotion,” said one college student, proudly wearing a DC jersey. Another fan added, “We just want to see him bat live. Even one cover drive from Virat is worth coming to the stadium.” Such is Kohli’s pull that loyalties may be divided in the stands, with blue and red jerseys mixing with chants reserved for the batting superstar. Whenever Kohli walks out to bat, the noise is expected to rise several decibels. The former RCB captain continues to command unmatched fan following wherever he plays, but Delhi remains special. It is the city where his cricketing journey began, and every return feels like a homecoming. For Delhi Capitals, Monday’s clash could be crucial in their campaign. For the fans, however, it is a chance to watch a modern legend up close. As the sun sets over Arun Jaitley Stadium, one thing appears certain — the loudest cheers may not depend on the scoreboard, but on the arrival of Virat Kohli at the crease. "},"img":{"url":"https://images.prismic.io/prad/dd29b26a-3d80-4fd0-a4d0-aeb6e0181ddf_kohli.JPG?auto=format,compress"},"datetime":"2026-04-26T06:51:00+0000","embed":{"embed_url":null}},"uid":"win-or-lose-delhi-fans-have-just-one-hero---kohli"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Farah Khan’s Painful Journey Before Stardom"},"content":{"text":"In the upcoming episode of Wheel of Fortune, host and Bollywood superstar Akshay Kumar shared an emotional yet inspiring anecdote about ace choreographer turned filmmaker Farah Khan about a heartbreaking incident from her childhood. He highlighted her deep love for films since childhood, giving everyone a glimpse into her early struggles. Revealing about the incident, Akshay said, “Bachpan se hi Farah ko films dekhne ka bahut shauk tha. Jab tujhe koi film pasand aati thi, toh uska record kharidti thi. \" He further added, “Phir inke saath ek haadsa hua inke father ne ek film produce ki thi, lekin woh chali nahi. Uske baad inhe apne saare records bechne pade.” Correcting him, Farah said, “Pehle record player becha tha.” Akshay continued, “Haan, pehle record player becha, phir saare records. Aur aaj dekho yeh itni mehnat karke khud records todti hai!” Farah has often spoken about her childhood days filled with struggle and almost no money post her father's demise. For the uninitiated, Farah Khan's father, Kamran Khan was a former stuntman who later turned filmmaker. He fell into severe poverty after his film Aisa Bhi Hota Hai flopped and a big-budget project collapsed. After facing immense failure, he struggled with alcoholism, which caused intense tension in the household. Farah Khan went on to venture into Bollywood as a background dancer. She later went on to become a superhit choreographer followed by her immensely successful stint as a director. She has been the brainchild behind blockbuster movies like Main Hoon Na, Om Shanti Om, and others."},"img":{"url":"https://images.prismic.io/prad/d8f9159e-41fc-4cd6-93b7-b0648e047718_farahan+akthar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:28:00+0000","embed":{"embed_url":null}},"uid":"farah-khans-painful-journey-before-stardom"}},{"node":{"data":{"title":{"text":"Manoj Bajpayee Is RBI Governor Who Saves Nation"},"content":{"text":"The new posters of the upcoming film ‘Governor: The Silent Saviour’ starring Manoj Bajpayee were unveiled on Monday a few days after his birthday. On Monday, Manoj took to his Instagram, and shared a joint post with the film’s team. They wrote in the caption, “This was a war. There were no armies. Just one man… who refused to let a nation fall. GOVERNOR - The Silent Saviour in cinemas on 12th June, 2026”. The new poster takes the audience deeper into the world of the intense drama. They also feature Adah Sharma. Apart from the face reveal of the cast, the posters also come with impactful taglines that read, \"Ab Bari Meri Hai\", \"I Will Not Let India Fail\", and \"India Is On The Verge Of Bankruptcy, He Saw It Coming”. While different posters showcase the varied shades of National Award-winning actor Manoj Bajpayee, they truly speak volumes about the intense drama set to unfold on screen. The story is inspired by a real former governor who passed away recently, and the film carries a strong “national crisis” theme. The film is reportedly inspired by S. Venkitaramanan, who served as RBI Governor during India’s 1991 economic crisis and was closely associated with the country’s financial rescue period. However, the makers are yet to corroborate the above claims, and confirm if it’s indeed based on him. ‘Governor: The Silent Saviour’ is set to release on June 12, 2026."},"img":{"url":"https://images.prismic.io/prad/ae8Yp8BOoF08xUZb_Governor.png?auto=format%2Ccompress&rect=0%2C149%2C450%2C222&w=2028&h=1000"},"datetime":"2026-04-27T08:05:00+0000","embed":{"embed_url":null}},"uid":"manoj-bajpayee-is-rbi-governor-who-saves-nation"}},{"node":{"data":{"title":{"text":"Adah Sharma Calls Manoj Bajpayee ‘Awesome’"},"content":{"text":"Actress Adah Sharma, who will be seen sharing screen space with Manoj Bajpayee in the upcoming film “Governor”, has shared that she is very happy to work with him and  tagged the National Award-winning actor as “awesome.” Talking about working with Manoj for the very first time, Adah told IANS: “He is the face of the film. He plays the governor in Governor, and he is awesome .” “I'm very happy to share screen space with him. We have an excellent director who is also a fab actor, Chinmay Mandlekar. There's a nice surprise to my character also, and it's something I haven't done before,” said Adah without revealing many details about her character from the upcoming movie. It was on Manoj’s birthday on April 23 when the film’s poster was revealed. Filmmaker Vipul Amrutlal Shah has unveiled the poster on Governor: The Silent Saviour is presented by Sunshine Pictures. Produced by Vipul Amrutlal Shah and directed by Chinmay Mandlekar, the film is co-produced by Aashin A. Shah and written by Suvendu Bhattacharyjee, Saurabh Bharat, Ravi Asrani, and Vipul Amrutlal Shah. The 33-year-old actress stepped into the world of glitz and glamour in 2008 with 1920, a horror movie. She was then seen in films such as Hasee Toh Phasee, Commando, Heart Attack, S/O Satyamurthy and Kshanam. She shot to major fame with her work in the 2023 film The Kerala Story."},"img":{"url":"https://images.prismic.io/prad/11d63b78-d97b-4be1-8ff0-f1170e741f5a_adah+sharma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T03:40:00+0000","embed":{"embed_url":null}},"uid":"adah-sharma-calls-manoj-bajpayee-awesome"}},{"node":{"data":{"title":{"text":"Akshay’s Prank Left Jacqueline in Tears"},"content":{"text":"The upcoming episode of the quiz reality show Wheels of Fortune, will see Bollywood actress Jacqueline Fernandez recalling the time when Bollywood superstar Akshay Kumar left her traumatised.  The actress elaborated on a prank played on her by Akshay Kumar from the early days of her career in Bollywood. During the game show, host and superstar Akshay asked Jacqueline, “Aapko 17 saal ho gaye hain industry main, kabhi aapse kisine galat baat ki hai?” To everyone’s surprise, Jacqueline laughed and replied, “Yes, bahut!” A curious Akshay asked her to elaborate, to which Jacqueline recalled an incident from her first item song, “Mera pehla item song ‘Dhanno’ tha in ‘Housefull’, aur us, waqt Akshay ne mere saath bahut ganda prank kiya tha. It actually gave me trauma!” She further explained, “Set par kaafi security thi bodyguards aur log khade the. Mujhe laga police hai, toh maine casually pooch liya ki itni security kyun hai. Thodi der baad Akshay mere paas aake bolte hain, ‘Jacqueline, tumne kuch galat kiya hai kya? Police tumhare liye aayi hain. Song ke baad tumhe station le jayenge.” She further added, “Main poore song ke dauraan itni darr gayi thi, mujhe samajh hi nahi aa raha tha maine aisa kya kiya hain.” Realising the impact of his prank, Akshay apologised and said, “Agar maine aisa kiya tha, toh main sorry bolta hoon.” He further added, “Insaan ko haste-khelte rehna chahiye, thodi masti karte rehna chahiye. Prank bhi karne chahiye, but sirf tab tak jab tak kisi ko dukh na ho. Agar kisi ko dukh nahi hua, toh masti chalte rehni chahiye.” Talking about the song Dhanno, it featured in the movie Housefull that starred Akshay Kumar, Arjun Rampal, Deepika Padukone, Lara Dutta, Riteish Deshmukh, Boman Irani, Randhir Kapoor. The song was picturised on Jacqueline Fernandez who played a special appearance just for the song."},"img":{"url":"https://images.prismic.io/prad/4ff2fb80-b360-4cfc-a2b8-9a2de0604b28_jackqline+fernandez.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T03:22:00+0000","embed":{"embed_url":null}},"uid":"akshays-prank-left-jacqueline-in-tears"}},{"node":{"data":{"title":{"text":"From Bihar to Hollywood: Neetu’s story inspires"},"content":{"text":"Actress Neetu Chandra, in an exclusive conversation with IANS, has opened up about her journey from being a simple girl in Bihar to Hollywood.  The actress highlighted that her focus has always been on meaningful work rather than other razzmatazz and ‘unnecessary’ superficial aspects of stardom. Addressing the perception around her taking a break, she clarified, “I didn’t take any break. I keep looking for good films. It takes time.” She added, “You don’t realise that a girl who comes from Bihar, it must have taken so much time for her to reach Hollywood, coming from nowhere.” Reflecting on her journey, she added, “I am standing at that place again today where I am able to meet you all again. I don’t have time for airport looks. I have time to focus on my next project. I invest my time in choosing the right work so that I can always bring something meaningful to the audience.” Talking about her struggles, Neetu elaborated, “It takes a lot of time. You have to realise that it takes a lot of strength to stand alone. A girl from a middle-class joint family travelling the world and reaching here, it is not easy to fight alone.” Neetu further emphasised that her purpose in life and on the work front has always been clear. “My purpose of life, my goal, has always been to keep doing good work and continue receiving the love of the audience. I am here because of that love.” Talking about Neetu Chandra, the actress is known for films like Garam Masala, Traffic Signal and Oye Lucky! Lucky Oye! amongst others. She is now all set to share screen space with Sanjay Dutt in the upcoming movie Khalnayak 2."},"img":{"url":"https://images.prismic.io/prad%2F8d6d63a4-2b4b-4d91-91b4-520f0d9e5690_neethu+chandra.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-04-27T02:30:00+0000","embed":{"embed_url":null}},"uid":"from-bihar-to-hollywood-neetus-story-inspires"}},{"node":{"data":{"title":{"text":"Priyanka Chopra Kiss Row Explodes Again"},"content":{"text":"Veteran actor Annu Kapoor has revisited the controversy surrounding his past comments about Priyanka Chopra refusing to kiss him in the 2011 film 7 Khoon Maaf. Kapoor clarified that his statement at the time was made out of frustration after repeated media questions during the film’s release. The actor explained that his remark stemmed from the perception that he was not seen as a conventional “hero” in Bollywood. Kapoor said he had been informed about Priyanka’s hesitation regarding the intimate scene and had even suggested that it be removed, respecting her comfort and decision. Directed by Vishal Bhardwaj, 7 Khoon Maaf became widely discussed not only for its unique storyline and stellar cast, but also for conversations around consent and comfort in the film industry. Priyanka Chopra had earlier objected to Kapoor’s remarks, saying she was uncomfortable with how the matter was presented publicly. Based on Ruskin Bond’s book Susanna’s Seven Husbands, the film featured an ensemble cast including Irrfan Khan, Naseeruddin Shah, John Abraham, Neil Nitin Mukesh, and Alexander Dyachenko."},"img":{"url":"https://images.prismic.io/prad/abqHubbci2UF6LT2_PriyankaNick.png?auto=format,compress&rect=0,41,831,410&w=2028&h=1000"},"datetime":"2026-04-26T16:46:00+0000","embed":{"embed_url":null}},"uid":"priyanka-chopra-kiss-row-explodes-again"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Sun Pharma to Acquire US-Based Organon in $11.75 B"},"content":{"text":"India’s major drugmaker Sun Pharmaceutical Industries on Monday announced that it will acquire New York-listed Organon & Co in an all-cash deal valued at $11.75 billion, its biggest overseas acquisition to date.  Under the agreement, the pharmaceutical firm will acquire 100 per cent of Organon’s outstanding shares at $14 per share, translating into an enterprise valuation of $11.75 billion and an equity value of around $3.99 billion, the company said in an exchange filing. The company said the acquisition is aligned with its strategy to scale up its innovative medicines business while strengthening its presence in established brands and branded generics. The deal will also enable Sun Pharma to enter the biosimilars segment as a top global player. Following the acquisition, the combined entity is expected to be among the top 25 global pharmaceutical companies, with revenues of around $12.4 billion, while strengthening its position in women’s health and biosimilars. New Jersey-based Organon operates across women’s health, biosimilars, and established medicines, with a portfolio of over 70 products and a presence in more than 140 countries. The transaction, approved by the boards of both companies, expected to close in early 2027, subject to regulatory approvals and Organon shareholders’ approval. Sun Pharma plans to fund the deal through a mix of internal accruals and debt financing. For the year ended December 2025, Organon reported revenue of $6.2 billion and adjusted EBITDA of $1.9 billion. Commenting on the deal, Sun Pharma Executive Chairman Dilip Shanghvi said the acquisition would help build a stronger and more diversified platform, while Managing Director Kirti Ganorkar highlighted synergy and growth opportunities from the integration. Shares of Sun Pharma rose as much as 6.71 per cent to hit an intraday high of Rs 1,728.65 on the BSE in early trade on Monday."},"img":{"url":"https://images.prismic.io/prad/0559bc76-f082-4aef-b625-6c012ae1d136_sun+pharma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:34:00+0000","embed":{"embed_url":null}},"uid":"sun-pharma-to-acquire-us-based-organon-in-11.75-b"}},{"node":{"data":{"title":{"text":"Plastic particles may trigger liver disease risk"},"content":{"text":"There is clear evidence that exposure to micro and nanoplastics can trigger oxidative stress, fibrogenesis and inflammation in animals, features that resemble those of advanced liver disease in humans, researchers said on Thursday.  With the liver acting as the body’s first major firewall, processing and detoxifying everything humans consume, there is a clear potential for these particles to enable the transporting of microbial pathogens, antimicrobial resistance determinants, endocrine-disrupting chemicals, and carcinogenic additives into the human system, they emphasised in the Nature Reviews Gastroenterology & Hepatology journal. The article’s lead author, Shilpa Chokshi, Professor of Experimental Hepatology and Director of Centre of Environmental Hepatology, said that liver disease is rising globally and is now responsible for 1 in 25 deaths worldwide. “While established risk factors such as obesity and harmful alcohol use remain central, they do not fully explain the scale or pace of this increase. This has led us to consider additional environmental factors, including micro- and nanoplastics, which may interact with existing disease processes and amplify liver injury,” said Chokshi. There is already strong evidence that plastics can accumulate and cause harm in the livers of animals, raising an important question – why should humans be any different? In the review, the researchers highlighted critical methodological bottlenecks, key knowledge gaps and unmet research priorities, as well as a number of technical challenges that are presently hindering the search for further evidence of plastic-induced liver injury. Professor Chokshi that we now have a growing body of evidence that plastics can accumulate in human tissues and have been implicated in a range of medical conditions. “From my perspective, having spent over two decades developing therapeutics for liver disease, the liver acts as the body’s gatekeeper – processing and detoxifying what we are exposed to. In an increasingly plastic-laden world, where plastics are closely associated with our food, water and air, these exposures may not only reach the liver but also interact with existing disease processes and amplify harm,” Chokshi explained. If this is the case, it is something we need to investigate in much greater detail, said researchers. Professor Richard Thompson OBE FRS, Professor of Marine Biology at the University of Plymouth, said this is further evidence that plastic pollution is, without question, a global environmental and health challenge."},"img":{"url":"https://images.prismic.io/prad/aeng5cBOoF08xPTe_liver.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-23T08:45:00+0000","embed":{"embed_url":null}},"uid":"plastic-particles-may-trigger-liver-disease-risk"}},{"node":{"data":{"title":{"text":"Late-Night Eating May Harm Gut, Study Suggests"},"content":{"text":"Chronic stress can disrupt bowel functions and now, a new report on Thursday suggested that eating late at night amplifies these effects, with implications for both digestive health and the gut microbiome.  Researchers analysed data from more than 11,000 participants in the National Health and Nutrition Examination Survey in the US to examine links between chronic stress, late-night eating, and bowel dysfunction. Individuals with a high allostatic load score — the cumulative physiological stress as reflected in body mass index (BMI), cholesterol level, and blood pressure — who also reported eating more than 25 per cent of daily calories after 9 p.m. were 1.7 times more likely to experience constipation and diarrhoea than those with lower scores who did not eat late at night. \"It’s not just what you eat, but when you eat it,\" said Harika Dadigiri, resident physician at New York Medical College at Saint Mary’s and Saint Clare’s Hospital said the study’s lead author. \"And when we’re already under stress, that timing may deliver a ‘double hit’ to gut health,\" she added. Similarly, data from more than 4,000 participants in the American Gut Project found that people with both high stress levels and late-night eating habits were 2.5 times more likely to report bowel problems. These individuals had significantly lower gut microbiome diversity, suggesting that meal timing might magnify the impact of stress on the microbiome via the gut-brain axis — the two-way communication system involving nerves, hormones and gut bacteria. The findings highlight associations rather than cause-and-effect. Further research is needed to better understand how stress, eating patterns and gut health are connected, said the study. Dr Dadigiri is sympathetic to those who reach for late-night snacks after long, demanding days, and as a medical resident, she counts herself among them. \"Small, consistent habits, like maintaining a structured meal routine, may help promote more regular eating patterns and support digestive function over time,\" she said."},"img":{"url":"https://images.prismic.io/prad/49dee6c7-3424-4e38-92ca-36f8dd4d4197_stomach+cancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-23T00:50:00+0000","embed":{"embed_url":null}},"uid":"late-night-eating-may-harm-gut-study-suggests"}},{"node":{"data":{"title":{"text":"An Alarming Surge in Kidney Stones Among Children"},"content":{"text":"In a troubling trend that has emerged over recent years, pediatric urologists are increasingly diagnosing kidney stones in children, including infants, a condition once predominantly associated with adults. This shift represents a significant departure from earlier decades when bladder stones, primarily linked to malnutrition, were the principal concern in pediatric medicine. Experts in Hyderabad are sounding the alarm, attributing this rise to a combination of factors such as inadequate hydration, high-sodium diets, and a growing prevalence of genetic and metabolic disorders that predispose children to this painful condition. Dr. Mallikarjuna C, a leading consultant urologist at the Asian Institute of Nephrology and Urology, underscores the urgency of addressing this alarming trend. He notes that the demographic of patients has dramatically shifted, with cases of kidney stones now being diagnosed in children as young as one year old. This emerging health crisis calls for specialized treatment approaches, as the standard procedures may not suffice in younger patients. Extracorporeal Shock Wave Lithotripsy (ESWL), a non-invasive technique, is now considered a primary treatment option for small stones, highlighting the need for tailored medical interventions in a vulnerable population. Historically, pediatric kidney stones were a rarity, with medical literature focusing on bladder stones resulting from poor nutritional practices. As nutrition in Telangana has improved, the profile of related health issues has evolved, leading to an increased understanding of the multifaceted factors contributing to kidney stone formation. Dr. Kartheek Ganapathri, a consultant urologist at Aster Prime Hospital, points out that the increased visibility of kidney stones in children correlates with lifestyle changes, particularly concerning hydration and dietary habits that have shifted towards more processed foods high in sodium. This dietary evolution is compounded by environmental factors such as heat, which exacerbate dehydration. Further compounding this issue is the advancement in diagnostic techniques, which have made it easier for healthcare professionals to identify kidney stones in children early on. Dr. Sree Bhushan Raju, head of nephrology at Nizam's Institute of Medical Sciences, remarks on the growing number of cases reported in their rare diseases registry, with even parents from neighboring states seeking advice. This rise in diagnoses is not merely a reflection of increased incidence; rather, it highlights an urgent need for awareness about lifestyle risks and hydration among children, emphasizing the critical role of parents and caregivers in safeguarding their children's health against this painful ailment."},"img":{"url":"https://images.prismic.io/prad/aejbKMBOoF08xNo7_kidneystones.JPG?auto=format,compress"},"datetime":"2026-04-22T10:33:41+0000","embed":{"embed_url":null}},"uid":"a-rising-tide-an-alarming-surge-in-kidney-stones-among-children-mo9x09j2"}},{"node":{"data":{"title":{"text":"Why Your Waistline Matters More Than Your Weight"},"content":{"text":"In a groundbreaking shift in medical understanding, health experts are increasingly highlighting that body weight alone is not a reliable measure of health risk, particularly in the Indian demographic. Traditionally, Body Mass Index (BMI) has been the standard metric for assessing obesity and associated health risks. However, recent research has illuminated a more insidious danger lurking beneath the surface—visceral fat, the harmful fat that accumulates around the abdomen and poses significant threats to heart health and metabolic stability. This paradigm shift in focus underscores a vital truth: a normal BMI does not equate to low health risk, particularly among individuals who may appear fit yet harbor dangerous levels of abdominal fat. The traditional use of BMI has been criticized for its limitations; it primarily considers height and weight but fails to account for the distribution of fat within the body. Renowned endocrinologist Dr. Pramila Kalra from Ramaiah Memorial Hospital in Bengaluru articulates this concern, stating, \"Many patients may present with a normal BMI yet possess significant abdominal obesity, which BMI fails to capture.\" This oversight is particularly pronounced in South Asians, who are predisposed to storing fat around the midsection even at lower BMI levels. Thus, an individual with a seemingly healthy BMI may still be at a heightened risk of developing serious conditions like diabetes and cardiovascular diseases, necessitating a reevaluation of how we assess health risks. The implications of visceral fat extend beyond mere numbers on a scale. Unlike subcutaneous fat, which lies just beneath the skin, visceral fat is located deep within the abdominal cavity, enveloping vital organs such as the liver and heart. This type of fat is metabolically active, leading to inflammation, impaired insulin response, and elevated blood pressure—all factors that contribute to a cascade of chronic health issues. Dr. Varun Suryadevara, an endocrinologist at Apollo Hospitals, emphasizes the dire consequences of visceral fat accumulation, stating, \"This fat tissue can directly damage visceral organs, leading to metabolic complications that can be devastating.\" As such, the focus of health assessments is shifting from weight-centric views to a more nuanced understanding of where fat resides within the body. For effective risk management, health professionals are advocating for a simple yet effective metric: waist circumference, which offers a clearer picture of visceral fat levels. The recommended thresholds for Indian men and women are 90 cm and 80 cm, respectively. Dr. Kalra cautions against complacency in labeling individuals as healthy based solely on BMI, asserting that a larger waist measurement can indicate the same health threats as being classified as overweight. In today's increasingly sedentary lifestyle, characterized by extended hours of inactivity and diets rich in processed foods, even seemingly healthy individuals may face significant health risks associated with hidden abdominal obesity. This evolving understanding of body composition is critical in combating the rising tide of metabolic disorders that threaten public health, particularly in regions where genetic factors predispose populations to these risks."},"img":{"url":"https://images.prismic.io/prad%2Fa5427839-cde3-4171-9cae-d4724de8119a_weight.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-04-19T17:00:52+0000","embed":{"embed_url":null}},"uid":"the-hidden-threat-why-your-waistline-matters-more-than-your-weight-mo60imsl"}},{"node":{"data":{"title":{"text":"Anemia Linked to Rising Dementia Risk, Warn Experts"},"content":{"text":"Emerging research from Sweden has illuminated a troubling connection between anemia—a condition affecting more than 1.6 billion people worldwide—and the heightened risk of developing dementia. A significant study conducted by researchers at the Karolinska Institutet and Stockholm University, published in JAMA Network Open, tracked over 2,200 dementia-free older adults. The findings reveal that low hemoglobin levels not only correlate with elevated biomarkers indicating Alzheimer’s disease but also predict a greater likelihood of developing dementia over time. This intersection of anemia and neurological health underscores a critical area of concern for global health practitioners and policymakers. The researchers meticulously monitored participants over several years, measuring hemoglobin levels and assessing blood for key Alzheimer’s markers such as p-tau217 and amyloid-beta proteins. The results were telling; individuals presenting with anemia exhibited abnormal levels of these biomarkers at the outset of the study. Furthermore, those with low hemoglobin levels were found to be at an increased risk of dementia, particularly when combined with elevated Alzheimer’s disease indicators. This relationship suggests a complex interplay between oxygen deprivation, a consequence of anemia, and the pathological processes underlying neurodegenerative diseases. Historically, anemia has been viewed primarily as a blood disorder characterized by fatigue and pallor, often dismissed as a manageable condition with dietary interventions. Yet, the staggering prevalence of iron deficiency anemia globally, particularly in vulnerable populations, raises significant alarm. The latest data reveal disheartening trends; in India, for instance, two-thirds of children under five and over half of women aged 15 to 49 are affected by anemia, with these numbers on the rise despite extensive iron supplementation programs. In the United States, the picture is similarly concerning, with notable prevalence rates among premenopausal women and young children, highlighting the need for heightened awareness and intervention strategies across diverse demographics. The implications of this research extend beyond the clinical sphere, urging a reevaluation of how anemia is perceived and treated within healthcare systems. The study's lead researchers emphasize the necessity for increased clinical attention to anemia among older adults, positing that the detrimental effects on brain health could be mitigated with early intervention. As the global population ages and the prevalence of dementia continues to rise, addressing the often-overlooked issue of anemia could be crucial in the fight against cognitive decline. It is imperative that global health initiatives prioritize anemia screening and management to stave off its potentially devastating neurological consequences."},"img":{"url":"https://images.prismic.io/prad/54656ff7-b25b-47fe-91df-5635a59ee407_mental+health.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-18T11:39:18+0000","embed":{"embed_url":null}},"uid":"anemias-alarming-role-in-dementia-risk-a-global-health-crisis-unveiled-mo49l8si"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Kash Patel Could Be Next to Exit Administration!"},"content":{"text":"Amid growing speculation over his future in the Donald Trump administration, reports suggest that Kash Patel could be the next senior official to exit the cabinet. According to a recent report by Politico, questions have reportedly surfaced within White House circles regarding Patel’s future, leading to increasing internal concerns. The speculation has intensified this week over which senior Trump administration official could be the next to depart, especially after the removal of the US Navy Secretary with Trump’s approval. A senior White House official, speaking on condition of anonymity, reportedly indicated that Patel may be next in line for a possible ouster, saying, “It’s only a matter of time.” The official cited several concerns behind the speculation, including growing negative media coverage surrounding Patel, which was described as “not a good look for a Cabinet secretary.” Reports also claimed that Trump has become increasingly frustrated over distractions caused by the controversy. The developments come amid wider political discussions in Washington about possible reshuffles in key administrative positions. However, the White House has not officially confirmed any decision regarding Patel’s status."},"img":{"url":"https://images.prismic.io/prad/aMrl-mGNHVfTPVZH_kashpatel.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:16:00+0000","embed":{"embed_url":null}},"uid":"kash-patel-could-be-next-to-exit-administration"}},{"node":{"data":{"title":{"text":"Usha Vance Says She Is J. D.’s Trusted Advisor"},"content":{"text":"Usha Vance has revealed that she considers herself a trusted advisor to her husband, J. D. Vance, especially on matters that are personally important to him. In an interview with NBC News, Usha, the first Indian-American Second Lady of the United States, said that while she and her husband do not always agree on every issue, their differences often lead to productive and open-minded discussions. She explained that understanding her husband’s priorities is essential for her support. “I want to be supportive of him, and if I don’t really know what’s going on, then I can’t do that,” she said. Usha clarified that she does not serve in any official or professional role within the vice president’s office. Instead, she offers personal guidance as someone who deeply cares for her husband and wants him to succeed. Although Vice President Vance has a full team of policy advisors, Usha said he often turns to her when dealing with issues that are intensely personal or especially meaningful to him. On the possibility of a 2028 presidential run, Usha said it is not currently a major topic in their household. She noted that her husband is presently focused on the upcoming mid-term elections and that she expects to have a clearer idea about any presidential plans sometime in 2027."},"img":{"url":"https://images.prismic.io/prad/Zpz3ix5LeNNTxU8u_ushavance.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T23:21:00+0000","embed":{"embed_url":null}},"uid":"usha-vance-says-she-is-j.-d.s-trusted-advisor"}},{"node":{"data":{"title":{"text":"Big Relief for NRIs: Iran Airspace Reopens"},"content":{"text":"Iran's airspace is partially open for cargo and chartered flights, but Indian nationals are advised to avoid travelling to the country, and those already there are urged to leave via the land border, with the embassy’s support, the Ministry of External Affairs said on Sunday.  So far, the Indian embassy in Tehran has facilitated the movement of 2,445 Indian nationals out of Iran through land border routes, the statement said. Israel's airspace is open, and limited flight operations have resumed to destinations in the region, which can be used for onward travel to India. In the UAE, airlines continue to operate limited commercial flights to India based on operational and safety considerations, with around 110 flights expected between the UAE and India on Sunday. Flights continue to operate from various airports in Saudi Arabia and Oman to destinations in India. With Qatar airspace partially open, Qatar Airways is also operating flights to various destinations in India. The Kuwait airspace is open. Jazeera Airways and Kuwait Airways have resumed limited flight operations from Kuwait to India. Bahrain airspace is also open, and Gulf Air is operating flights from Bahrain to various destinations in India. Besides, Iraq's airspace is open with limited flight operations to destinations in the region, which can be used for onward travel to India. Indian missions remain actively engaged with the Indian community, including the various associations, organisations, professional groups, Indian companies and other stakeholders in the region. The government is according high priority to the welfare of Indian seafarers in the region. Indian missions are extending all assistance to the Indian crew members on vessels in the region, including coordination with the local authorities and agencies, extending consular assistance and facilitating requests to return to India. Since 28 February, around 12,96,000 passengers have travelled from the region to India. Indian missions and posts continue to operate round-the-clock helplines and are proactively assisting Indian nationals. They remain in close contact with the local governments. Updated advisories are being issued regularly, including information on local government guidelines, flight and travel situations and consular services and various welfare measures being undertaken to support the Indian community, the statement added."},"img":{"url":"https://images.prismic.io/prad/aEqqT7NJEFaPX5X8_AI1717.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-26T12:58:00+0000","embed":{"embed_url":null}},"uid":"big-relief-for-nris-iran-airspace-reopens"}},{"node":{"data":{"title":{"text":"US bill proposes 3 year suspension of H-1B visas"},"content":{"text":"A group of Republican lawmakers has introduced legislation to pause the issuance of H-1B visas for three years and overhaul the programme, arguing it has disadvantaged American workers.  The proposed “End H-1B Visa Abuse Act of 2026”, introduced by Eli Crane, seeks to reset the visa system before resuming it with stricter rules. “The federal government should work for hardworking citizens, not the profit margins of massive corporations. We owe it to the American people to prevent the broken H-1B system from boxing them out of jobs they are qualified to perform,” Crane said. He added the bill “would provide greater access to employment, strengthen protocols in the visa process, and prioritise the livelihoods of Americans.” The legislation has drawn support from several Republican lawmakers, including Brandon Gill, Paul Gosar and Andy Ogles. “I am proud to cosponsor Rep. Eli Crane’s efforts to reform and tighten our H-1B visa system, ensuring that our immigration system serves American workers first before foreigners,” Gill said. The bill proposes sweeping changes. It would cut the annual H-1B cap from 65,000 to 25,000 and eliminate exemptions. It would replace the lottery system with a wage-based selection process and set a minimum salary of $200,000 per year. Employers would be required to certify they cannot find a qualified American worker and confirm they have not carried out layoffs. The bill would also bar H-1B workers from holding multiple jobs and prohibit third-party staffing agencies from employing them. Further provisions include banning H-1B workers from bringing dependents, ending the Optional Practical Training (OPT) programme, and preventing visa holders from transitioning to permanent residency. “The H-1B program has been hijacked to replace American workers with cheaper foreign labor—plain and simple. This bill slams the brakes on a system that’s rigged against our own people and puts American jobs first again,” Gosar said. Ogles struck a sharper tone, saying: “American workers are being replaced, and cheap foreign labor is the cause. We will not bow down to the corporations, and we will not let Americans become strangers in their own country. End the H-1B scam.” The proposal also seeks to ensure nonimmigrant visas remain temporary by requiring holders to leave the United States before changing to another visa status and prohibiting federal agencies from sponsoring such workers. Rosemary Jenks, cofounder of the Immigration Accountability Project, described it as “the strongest H-1B bill that has ever been introduced in Congress”. “H-1B visas were sold to the American people as a short-term visa to fill temporary labor gaps while Americans are trained to take those jobs. This bill makes that a reality,” she said, citing provisions such as reducing caps, raising wage thresholds and ending third-party employment. The H-1B visa programme allows US companies to hire foreign workers in specialised occupations, particularly in technology and engineering sectors. Indian nationals have historically been the largest beneficiaries of these visas, forming a significant share of the high-skilled workforce in the United States. The programme has long been a point of political debate in Washington, with critics arguing it undercuts domestic wages, while industry groups maintain it fills critical skill shortages and supports innovation in the US economy."},"img":{"url":"https://images.prismic.io/prad/aNFVfZ5xUNkB0-bC_H1Bvisa.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-25T01:42:00+0000","embed":{"embed_url":null}},"uid":"us-bill-proposes-3-year-suspension-of-h-1b-visas"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"Aamir in tears during special event of son film"},"img":{"url":"https://images.prismic.io/prad/aBhsaPIqRLdaB3E3_aamir.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T03:31:00+0000","third_party_url":null},"uid":"aamir-in-tears-during-special-event-of-son-film"}},{"node":{"data":{"title":{"text":"'Gaayapadda Simham' Trailer"},"img":{"url":"https://images.prismic.io/prad/aYctbd0YXLCxViY6_ghayapaddasimham.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-25T19:22:00+0000","third_party_url":null},"uid":"gaayapadda-simham-trailer"}},{"node":{"data":{"title":{"text":"1st Glimpse from Salman New Movie"},"img":{"url":"https://images.prismic.io/prad/aesT-cBOoF08xRNm_salmanpaidipally.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-24T06:56:00+0000","third_party_url":null},"uid":"1st-glimpse-from-salman-new-movie"}},{"node":{"data":{"title":{"text":"‘Sapne vs Everyone 2’ Trailer Looks Explosive"},"img":{"url":"https://images.prismic.io/prad/aeoXscBOoF08xP3n_SapneVsEveryone.png?auto=format,compress&rect=0,30,449,221&w=2028&h=1000"},"datetime":"2026-04-22T20:02:00+0000","third_party_url":null},"uid":"sapne-vs-everyone-2-trailer-looks-explosive"}},{"node":{"data":{"title":{"text":"Indian Girl’s Powerful Speech Leaves Americans Surprised"},"img":{"url":"https://images.prismic.io/prad/aeghOcBOoF08xMVx_indian.png?auto=format,compress&rect=0,27,730,360&w=2028&h=1000"},"datetime":"2026-04-22T01:11:00+0000","third_party_url":null},"uid":"indian-girls-powerful-speech-leaves-americans-surprised"}},{"node":{"data":{"title":{"text":"Maa Inti Bangaaram: Thassadiya Song"},"img":{"url":"https://images.prismic.io/prad/aeHWGJ1ZCF7ETRjV_thassadiyasong.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-17T06:41:00+0000","third_party_url":null},"uid":"maa-inti-bangaaram-thassadiya-song"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"Fall of political promise - AAP’s journey in power"},"img":{"url":"https://images.prismic.io/prad/4567d279-680b-443f-a359-c6918f903735_AAP.JPG?auto=format%2Ccompress&rect=0%2C34%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-04-26T09:46:00+0000","third_party_url":null},"uid":"fall-of-political-promise---aaps-journey-in-power"}},{"node":{"data":{"title":{"text":"WB: The Choice Between Machar Jhal And Jhal Muri"},"img":{"url":"https://images.prismic.io/prad/aenwKMBOoF08xPem_westbengaljhal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-23T08:10:00+0000","third_party_url":null},"uid":"wb-the-choice-between-machar-jhal-and-jhal-muri"}},{"node":{"data":{"title":{"text":"BJP: Babu - Jagan - Pawan"},"img":{"url":"https://images.prismic.io/prad/aedbScBOoF08xK4P_bajapa.JPG?auto=format,compress"},"datetime":"2026-04-21T08:39:00+0000","third_party_url":null},"uid":"bjp-babu---jagan---pawan"}},{"node":{"data":{"title":{"text":"The Power To Act vs The Politics Of Apology"},"img":{"url":"https://images.prismic.io/prad/aeXGXJ1ZCF7ETWF5_mODIwoemn.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-20T06:23:00+0000","third_party_url":null},"uid":"the-power-to-act-vs-the-politics-of-apology"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aUGPy3NYClf9oSS3_ansuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-15T11:03:15+0000","data":{"title":{"text":"Nora Fatehi Glam Stills"},"content":{"text":"Nora Fatehi is a Canadian dancer and actress based in India. She has appeared in Hindi, Telugu and Malayalam films. Fatehi made her acting debut with the Hindi film Roar: Tigers of the Sundarbans."},"img":{"url":"https://images.prismic.io/prad/aJ8R_aTt2nPbaW3o_nora2028.JPG?auto=format,compress"}},"uid":"nora-fatehi-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-07-26T17:32:57+0000","data":{"title":{"text":"Priyanka Jawalkar Spicy Stills"},"content":{"text":"Priyanka Jawalkar is an Indian actress and model who works in Telugu cinema. She made her acting debut with Kala Varam Aaye. She then appeared in Taxiwala and Thimmarusu. Jawalkar received Filmfare Award for Best Supporting Actress – Telugu nomination for her performance in Gamanam."},"img":{"url":"https://images.prismic.io/prad/aIT6gFGsbswqTR74_priya2028.JPG?auto=format,compress"}},"uid":"priyanka-jawalkar-spicy-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Raghav Calls AAP ‘Toxic’"},"content":{"text":"Rajya Sabha member Raghav Chadha on Monday took to social media to explain the reasons behind his exit from the Aam Aadmi Party (AAP), alleging that the party had turned \"toxic\", while asserting that his decision to join the Bharatiya Janata Party (BJP) would help him implement the causes he supports more effectively. The development follows a major political shift last week when Chadha announced his resignation from AAP along with six other Rajya Sabha MPs -- Swati Maliwal, Harbhajan Singh, Sandeep Pathak, Ashok Mittal, Rajinder Gupta and Vikram Sahni -- all of whom have announced their decision to merge with the BJP. In the video, Chadha expressed gratitude to those extending their support and said he wanted to address questions regarding his decision to leave the party. \"Some of you wish to know the reasons behind this decision of mine. Before joining politics, I was a practising Chartered Accountant. However, I left my career to join politics and became a founding member of a party. This is a party to which I dedicated 15 years -- the prime of my youth; a party I nurtured with my own blood, sweat, and immense hard work,\" he said. However, he stated that the party has changed significantly over time. \"However, he said that today, this party is no longer the party it once was, adding that it now suffers from a toxic work environment.\" \"You are prevented from doing your work; you are stopped from speaking in Parliament; and today, this political party has fallen into the clutches of a select few individuals who are both corrupt and compromised. These are people who no longer work for the nation, but rather for their own personal gain,\" Chadha added. Reflecting on his internal dilemma over the past few years, he said he increasingly felt he might be \"the right man in the wrong party\". \"Consequently, I was left with only three options. The first option was to quit politics entirely; the second was to remain in this party and attempt to set things right -- something that, as it turned out, was not possible. And the third option was to channel my energy and experience into practising positive politics -- to join a different platform, to align myself with another political party, and to engage in constructive political work.\"  \"Therefore, and I did not do this alone; it was not just one, two, three, four, five, or even six other MPs, but a total of seven MPs who collectively took the decision to sever our ties with this political party,\" he said. Chadha further defended the collective decision taken by the group, questioning criticism of their move.  \"A single individual might be mistaken; two individuals might be mistaken; but seven people cannot all be wrong. And what of the countless others -- the educated, erudite individuals who once believed in the vision of this political party, and who have since left? Could all of them possibly be wrong?\" he asked. Drawing a parallel with workplace environments, he added, \"Think of it this way: for those of you who work in offices -- if your workplace were to become a toxic environment, how much work would you actually be able to accomplish? Would you even be able to function there? If you were hindered from doing your job, if your hard work were stifled, and if you were silenced -- what would you do? In such a situation, the right decision is to leave that workplace. Perhaps that is exactly what we did.\" He also assured the public that his political priorities would remain unchanged.  \"Many of you have also asked me whether I will continue to champion your causes -- the ordinary problems faced by ordinary citizens -- or if I will stop. I want to assure you that I will continue to raise your issues consistently, with renewed energy, and with great passion. And the best part is that now, we will also be able to find solutions to those problems and ensure that they are actually implemented,\" Chadha added."},"img":{"url":"https://images.prismic.io/prad/ebc20881-3518-4c54-b71f-3db5cdc9b584_raghav+chadha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:09:00+0000","embed":{"embed_url":null}},"uid":"raghav-calls-aap-toxic"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Manoj Bajpayee Is RBI Governor Who Saves Nation"},"content":{"text":"The new posters of the upcoming film ‘Governor: The Silent Saviour’ starring Manoj Bajpayee were unveiled on Monday a few days after his birthday. On Monday, Manoj took to his Instagram, and shared a joint post with the film’s team. They wrote in the caption, “This was a war. There were no armies. Just one man… who refused to let a nation fall. GOVERNOR - The Silent Saviour in cinemas on 12th June, 2026”. The new poster takes the audience deeper into the world of the intense drama. They also feature Adah Sharma. Apart from the face reveal of the cast, the posters also come with impactful taglines that read, \"Ab Bari Meri Hai\", \"I Will Not Let India Fail\", and \"India Is On The Verge Of Bankruptcy, He Saw It Coming”. While different posters showcase the varied shades of National Award-winning actor Manoj Bajpayee, they truly speak volumes about the intense drama set to unfold on screen. The story is inspired by a real former governor who passed away recently, and the film carries a strong “national crisis” theme. The film is reportedly inspired by S. Venkitaramanan, who served as RBI Governor during India’s 1991 economic crisis and was closely associated with the country’s financial rescue period. However, the makers are yet to corroborate the above claims, and confirm if it’s indeed based on him. ‘Governor: The Silent Saviour’ is set to release on June 12, 2026."},"img":{"url":"https://images.prismic.io/prad/ae8Yp8BOoF08xUZb_Governor.png?auto=format%2Ccompress&rect=0%2C149%2C450%2C222&w=2028&h=1000"},"datetime":"2026-04-27T08:05:00+0000","embed":{"embed_url":null}},"uid":"manoj-bajpayee-is-rbi-governor-who-saves-nation"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Farah Khan’s Painful Journey Before Stardom"},"content":{"text":"In the upcoming episode of Wheel of Fortune, host and Bollywood superstar Akshay Kumar shared an emotional yet inspiring anecdote about ace choreographer turned filmmaker Farah Khan about a heartbreaking incident from her childhood. He highlighted her deep love for films since childhood, giving everyone a glimpse into her early struggles. Revealing about the incident, Akshay said, “Bachpan se hi Farah ko films dekhne ka bahut shauk tha. Jab tujhe koi film pasand aati thi, toh uska record kharidti thi. \" He further added, “Phir inke saath ek haadsa hua inke father ne ek film produce ki thi, lekin woh chali nahi. Uske baad inhe apne saare records bechne pade.” Correcting him, Farah said, “Pehle record player becha tha.” Akshay continued, “Haan, pehle record player becha, phir saare records. Aur aaj dekho yeh itni mehnat karke khud records todti hai!” Farah has often spoken about her childhood days filled with struggle and almost no money post her father's demise. For the uninitiated, Farah Khan's father, Kamran Khan was a former stuntman who later turned filmmaker. He fell into severe poverty after his film Aisa Bhi Hota Hai flopped and a big-budget project collapsed. After facing immense failure, he struggled with alcoholism, which caused intense tension in the household. Farah Khan went on to venture into Bollywood as a background dancer. She later went on to become a superhit choreographer followed by her immensely successful stint as a director. She has been the brainchild behind blockbuster movies like Main Hoon Na, Om Shanti Om, and others."},"img":{"url":"https://images.prismic.io/prad/d8f9159e-41fc-4cd6-93b7-b0648e047718_farahan+akthar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:28:00+0000","embed":{"embed_url":null}},"uid":"farah-khans-painful-journey-before-stardom"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Sun Pharma to Acquire US-Based Organon in $11.75 B"},"content":{"text":"India’s major drugmaker Sun Pharmaceutical Industries on Monday announced that it will acquire New York-listed Organon & Co in an all-cash deal valued at $11.75 billion, its biggest overseas acquisition to date.  Under the agreement, the pharmaceutical firm will acquire 100 per cent of Organon’s outstanding shares at $14 per share, translating into an enterprise valuation of $11.75 billion and an equity value of around $3.99 billion, the company said in an exchange filing. The company said the acquisition is aligned with its strategy to scale up its innovative medicines business while strengthening its presence in established brands and branded generics. The deal will also enable Sun Pharma to enter the biosimilars segment as a top global player. Following the acquisition, the combined entity is expected to be among the top 25 global pharmaceutical companies, with revenues of around $12.4 billion, while strengthening its position in women’s health and biosimilars. New Jersey-based Organon operates across women’s health, biosimilars, and established medicines, with a portfolio of over 70 products and a presence in more than 140 countries. The transaction, approved by the boards of both companies, expected to close in early 2027, subject to regulatory approvals and Organon shareholders’ approval. Sun Pharma plans to fund the deal through a mix of internal accruals and debt financing. For the year ended December 2025, Organon reported revenue of $6.2 billion and adjusted EBITDA of $1.9 billion. Commenting on the deal, Sun Pharma Executive Chairman Dilip Shanghvi said the acquisition would help build a stronger and more diversified platform, while Managing Director Kirti Ganorkar highlighted synergy and growth opportunities from the integration. Shares of Sun Pharma rose as much as 6.71 per cent to hit an intraday high of Rs 1,728.65 on the BSE in early trade on Monday."},"img":{"url":"https://images.prismic.io/prad/0559bc76-f082-4aef-b625-6c012ae1d136_sun+pharma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-27T08:34:00+0000","embed":{"embed_url":null}},"uid":"sun-pharma-to-acquire-us-based-organon-in-11.75-b"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Bhartha Mahasayulaku Wignyapthi'"},"content":{"text":"Mass Maharaja Ravi Teja has been struggling with a series of flops. The recent film 'Mass Jathara' further disappointed his fans. Recovering quickly from that flop, Ravi Teja made this film at a very fast pace. Director Kishore Tirumala has crafted this film as a family entertainer. It was promoted as a good family entertainer for this Sankranthi season. Let's see in this review whether the film lives up to those expectations.  Story: Ram (Ravi Teja) and Balamani (Dimple Hayathi) are husband and wife. They lead a very harmonious life together. While their married life is going smoothly, due to some unexpected events, Ram unexpectedly meets Manasa Shetty (Ashika Ranganath) from Spain, and a physical relationship develops between them.  After returning from Spain, Ram is troubled by this incident. That's when Manasa comes to Hyderabad. This leads to more problems for Ram. Ram tries to tell Manasa that he is married. What happens in the end? How do the two women play games with Ram? That's the story of the film.  Actors' Performance: Ravi Teja, as always, impressed with his energetic performance. It has been proven once again that he can easily handle such roles. Although being caught between two women is a somewhat new subject for Ravi Teja, he was still captivating. With his trademark mannerisms, Ravi Teja was decent in creating humor through awkward situations and interactions between the two female leads. However, he failed to impress in the songs. In some scenes, his age was clearly visible. Overall, it must be said that Ravi Teja tried his best to deliver full-fledged entertainment.  Among the heroines, Dimple Hayathi deserves special mention. She played Ravi Teja's wife. Her character was portrayed as both traditional and beautiful. However, in some scenes, it feels like another actress would have been a better fit for this role than Dimple. There wasn't much scope for acting. Dimple was decent with what she had. Ashika impressed with her beauty. She played the role of a girl who takes revenge on the person who cheated her. Her character also had only moderate scope for acting. However, overall, Dimple Hayathi impressed in the role of Manasa that she was given.  Technical Aspects: Director Kishore Tirumala should have written a stronger story. He claimed to have managed with the screenplay despite the simple story. He tried to drive the narrative with entertainment. However, he should have presented the story in a more engaging way for the audience. Some dialogues were good, while others were very clichéd.  Bheems' music was average. The songs were not very impressive. The background score was also just average. The cinematography was average. The cinematography was good in some of the foreign location scenes. There were flaws in the editing. Some scenes in the second half feel dragged out. The production values ​​are in line with the story.  Analysis: From the beginning, the unit members have been saying that this film delivers the kind of entertainment that audiences expect from Ravi Teja. Many films have been made in the past about a man caught between two women. Director Kishore has tried to bring back the same story with a new backdrop. It must be said that the director has succeeded to a certain extent in making the film's screenplay entertaining.  Despite the routine story, he managed to evoke laughter in places with the screenplay he chose. He also kept the story moving forward without becoming boring. However, when there is a very strong family entertainer playing alongside it, this film needed to be even better. It needed to be a superior family entertainer. But since the film is only moderately entertaining, it remains to be seen how much the audience will support this film.  Plus Points: Some comedy scenes First half Serial song  Minus Points: Routine story Narrative Some scenes in the second half  Finally... A request to all husbands... A routine entertainer  Banner: SLV Cinemas  Producer: Sudhakar Cherukuri  Director: Kishore Tirumala  Music: Bheems Ceciroleo  Cast: Ravi Teja, Dimple Hayathi, Ashika Ranganath, Sunil, Tharak Ponnappa, Soni, Vennela Kishore, Satya, and others"},"img":{"url":"https://images.prismic.io/prad/aWYRSgIvOtkhBbFi_BMW.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-13T08:33:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=z7PJpctfx3Q"}},"uid":"review-bhartha-mahasayulaku-wignyapthi"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Mana Shankaravaraprasad Garu'"},"content":{"text":"After delivering the biggest blockbuster with 'Sankranthi Ki Vastunnam' alongside Venkatesh for Sankranthi 2025, Anil Ravipudi is being called the 'Sankranthi Director'. In this context, ever since the announcement that Anil would be coming with a film starring the Megastar for Sankranthi, everyone has been eagerly waiting to see how it would turn out. Moreover, with Venkatesh also in the film and every song released becoming a hit, the expectations increased even further. Let's see in this review whether Anil Ravipudi lived up to the expectations, continued his Sankranthi sentiment, and delivered a hit.  Story: Shankaravaraprasad (Chiranjeevi) is a National Security Officer. Due to certain reasons, he divorces his wife Shashirekha (Nayanthara). At the time of the divorce, they have two children. Shashirekha, who is one of the wealthiest women in the country, takes precautions to prevent Shankaravaraprasad from even meeting his children. After a long time, Shankaravaraprasad gets the opportunity to see his children. At that time, realizing that his children are longing for their father's love, he decides to get closer to Shashirekha again.  What does Shankaravaraprasad do for this? A certain circumstance leads him to become a security officer at Shashirekha's house. What is that circumstance? What happened in the end? Will the divorced couple reunite? This is the storyline of the film.  Actors' Performance: No amount of praise is enough for Megastar Chiranjeevi's performance. From the beginning, fans eagerly awaited seeing Chiranjeevi's vintage comedy in this film. They got exactly what they hoped for from Chiranjeevi. He entertained with his unique mannerisms, just like he did in his brother's film and some other movies. He impressed in dance, action, drama, and everything else. He was particularly outstanding in some of the comedy scenes. The director fully utilized Chiranjeevi's potential. It felt like Chiranjeevi completely surrendered to the director's vision.  Venkatesh impressed in his role. His look and body language were captivating as always. Venkatesh excelled, especially in the scenes with Chiranjeevi. It must be said that the film's second half definitely picked up because of Venkatesh's presence. The story revolves around Nayanthara's character, but she didn't get much scope to perform. The director designed her character to be serious throughout. Except for one or two scenes, there isn't much to say about Nayanthara's performance. However, she impressed with her look. As Chiranjeevi's leading lady and playing the role of the richest woman in the country, Nayanthara fit perfectly into the character. The other actors also performed well within the scope of their respective roles.  Technical Aspects: There is no doubt that the film, which is releasing for Sankranthi, became a super hit because of its musical success. Everyone doubted whether Bheem could deliver such songs and music again. Even Mega fans commented that Bheems was unnecessary. But unexpectedly, Bheem delivered music perfectly suited to Megastar Chiranjeevi's body language and Anil Ravipudi's screenplay and writing. Bheem's music became the main attraction of the film. He deserves credit for elevating the film not only with the songs but also with the background score.  Director Anil Ravipudi once again worked his magic with his screenplay. The story is very simple, and the premise he chose is also very simple, but he impressed with the screenplay woven around it, his direction, dialogues, and writing. It has been proven once again that Anil Ravipudi can create a sensation with his comedy. The cinematography is average. It must be said that such comedy films don't require exceptional cinematography. The cinematography is adequate for the film. Some scenes in the second half could have been trimmed. The production values ​​are quite good, in line with the story.  Analysis: With five films releasing for Sankranthi, especially with a pan-India superstar like Prabhas's Raja Saab also releasing, some expressed doubts about what kind of result our Manasankaravaraprasad would achieve. However, those who had faith in Anil Ravipudi's content and his comedy expressed the opinion from the beginning that Manasankaravaraprasad had a strong chance of being a big hit. And as expected, Anil Ravipudi has once again proven his mettle with this film.  Except for one or two scenes in the second half, the entire film was a full-fledged entertainer. Especially the comedy in the first half and the vintage songs featuring the Venky-Chiru combo in the second half are undoubtedly the highlights of the film. If a little more care had been taken with the second half, it would have been on another level. Even now, without a doubt, this film stands as a full-length entertainer for this Sankranthi.  For the fans and audience who were waiting to see what kind of comedy Anil Ravipudi would deliver with a megastar like Chiranjeevi, it can be said that the film provided entertaining content without any disappointment. With a couple of sentimental scenes, some action sequences, and songs, the film is good in all aspects.  Plus Points: Comedy, Chiranjeevi, Venky, Music, First Half  Minus Points: Some scenes in the second half  Finally... Just like Sankranthi 2025, there is no doubt that Sankranthi 2026 will also belong to Anil's entertainment.  Banner: Shine Screens, Gold Box Entertainments  Producers: Sahu Garapati, Sushmita Konidela  Director: Anil Ravipudi  Music: Bheems Ceciroleo  Cast: Chiranjeevi, Venkatesh, Nayanthara, Catherine Tresa, Sachin Khedekar, Sharath Saxena, Harshavardhan, Abhinav Gomatam and others"},"img":{"url":"https://images.prismic.io/prad/aWQCvAIvOtkhBRbE_MSVPG2.JPG?auto=format,compress"},"datetime":"2026-01-11T20:06:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=A4CbAkPb468"}},"uid":"review-mana-shankaravaraprasad-garu"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: The RajaSaab"},"content":{"text":"Ever since Baahubali made him a pan-India superstar, expectations around Prabhas have been sky-high. Naturally, fans expect every film of his to match that scale. At such a time, when it was announced that Prabhas would be doing a film with Maruthi, a director known mainly for small-budget entertainers, many fans openly opposed the combination. There were even protests urging Prabhas not to do the film. However, ignoring fan pressure, Prabhas listened to Maruthi’s story and went ahead with Raja Saab. So how did the film turn out? Did it live up to Maruthi’s claims, or did it end up being the disappointment fans feared? Let’s find out in this review. Story: Raju, aka Raja Saab (Prabhas), shares a deep emotional bond with his grandmother Gangadevi (Zarina Wahab). Though she belongs to a zamindar family, she chooses to live a simple life with her grandson. As age catches up with her, Gangadevi begins to suffer from health issues, particularly memory loss. She repeatedly tells Raju about her late husband Kanakaraju (Sanjay Dutt), who appears in her dreams, and asks him to find and bring him back. Raju’s search leads him to a deserted royal palace hidden deep inside the Narsapur forest. Once there, shocking events unfold. Raju realizes that Kanakaraju is trying to kill both Gangadevi and him. What is hidden inside the palace? Why would a man who is supposedly dead want to kill his own wife and grandson? These questions form the crux of the story. Performances: Prabhas shoulders the entire film. In recent times, he has faced criticism for weak screen presence and limited screen time in some films. However, in Raja Saab, Prabhas is present throughout and impresses with his comic timing. That said, his romantic scenes with the heroines feel underwhelming, as usual. He performs well in action sequences and especially shines in the emotional moments during the climax. After a long time, audiences get to see a somewhat fresh version of Prabhas. There was a lot of buzz around Sanjay Dutt’s role, but unfortunately, his character offers very little scope for performance. Zarina Wahab stands out in her key role and shares a good on-screen rapport with Prabhas. The comedy by Satya and Saptagiri works to an extent, while VTV Ganesh once again succeeds in making Telugu audiences laugh. However, many of these characters feel familiar, as if we’ve seen them in similar roles before. Technical Aspects: Director Maruthi seems to have completely lost grip on the story. In trying to present Prabhas in a comedy-oriented role, he fails to maintain control over the screenplay. Both the narration and direction lack clarity and consistency. Maruthi’s direction ends up being one of the biggest drawbacks. Thaman’s music is disappointing from the start. None of the songs released before the film made an impact. Fans who had high hopes for the background score will also be let down, as it works only in one or two scenes. Cinematography is average and not particularly noteworthy. The VFX are a major letdown—despite claims of heavy investment and long production time, the visuals do not reflect that effort. Production values, however, are decent. Analysis: Everyone knows Prabhas is no longer a small-time hero, but Raja Saab makes one wonder if Maruthi forgot that fact. Showing Prabhas’ comic side does not require reducing his stature. His star image doesn’t need to be compromised for comedy. Audiences expect to see him presented at his current level, but Maruthi seems to have completely missed the opportunity. It’s hard to understand why Prabhas agreed to this film and how he believed Maruthi could deliver a movie that matches his stature. If the sole intention was to make a comedy film, choosing Maruthi turns out to be a big mistake. The same errors Prabhas made with Radhe Shyam seem to have been repeated here. Films that don’t match his level or lack strong content will no longer be accepted by audiences. Despite being promoted as a horror-comedy, Raja Saab lacks both genuine horror and effective comedy. This film proves that such a genre may not suit Prabhas. Maruthi is likely to face heavy criticism. Prabhas, however, does his part, offering some consolation to fans. Those expecting Bujjigadu or Darling-level comedy will be disappointed, but die-hard fans may still enjoy a few entertaining moments. Plus Points: Prabhas One or two comedy scenes Thaman’s background score in a few scenes Minus Points: Story and screenplay Maruthi’s direction Weak VFX Film not matching Prabhas’ star image Final Verdict: This is not the kind of film that should be made with a pan-India star like Prabhas. Banner: People’s Media Factory\nProducer: T.G. Vishwa Prasad\nDirector: Maruthi\nMusic: Thaman\nCast: Prabhas, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Sanjay Dutt, Zarina Wahab, VTV Ganesh, Samuthirakani, Satya, Saptagiri, and others."},"img":{"url":"https://images.prismic.io/prad/aWDKmQIvOtkhBMzr_RSB.JPG?auto=format,compress"},"datetime":"2026-01-09T09:31:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=i-8w5yDwukA"}},"uid":"review-the-rajasaab"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Tu Meri Main Tera, Main Tera Tu Meri'"},"content":{"text":"Young heartthrob Kartik Aaryan and hot and glamorous Ananya Panday starrer Tu Meri Main Tera, Main Tera Tu Meri has finally hit the theatres. Let’s find out how the film fares.  The story revolves around Rehaan (Kartik Aaryan) and Rumi (Ananya Panday), who meet during a trip journey. As the trip progresses, the bond between them grows stronger. Before they even realise it, this closeness turns into love. Rehaan eventually proposes marriage to Rumi, but Rumi is worried about her father, played by Jackie Shroff. She fears that if she marries Rehaan and moves to the US, who will stay with her father in India—especially since her younger sister is also set to move to Canada after her marriage. Will Rehaan and Rumi be able to get married or not? For that, you’ll have to watch the film.  Directed by Sameer Vidwans, the film is handled with great finesse. His direction is impressive, and the screenplay is well-structured. The cinematography is visually appealing and adds freshness to the narrative. The first half of the film is stronger and more engaging compared to the second half. The music album is another highlight—almost all the songs are melodious and look beautiful on screen as well. The dialogues are witty and genuinely funny, keeping the audience entertained.  Talking about performances, Kartik Aaryan delivers a solid act. He brings charm and depth to the character of Rehaan with his powerful performance. Ananya Panday also does a commendable job, especially in several emotional scenes where she surprises with her expressive acting. Neena Gupta shines as Kartik Aaryan’s mother and plays her role with warmth and conviction. Jackie Shroff leaves a mark with his restrained yet impactful performance. The supporting cast also does justice to their respective roles.  Overall, Tu Meri Main Tera, Main Tera Tu Meri is a delightful romantic comedy. The film conveys a beautiful message—that while parents always compromise for their children, it is equally important for children to make compromises for their parents. If you are a young couple who values love along with family emotions, this film is definitely worth watching.  Director: Sameer Vidwans,  Producers: Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari   Cast: Kartik Aaryan, Ananya Panday, Neena Gupta, Jackie Shroff and others"},"img":{"url":"https://images.prismic.io/prad/aU12MHNYClf9opAS_tumerina.JPG?auto=format,compress"},"datetime":"2025-12-25T05:36:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jStzDYz2ajI"}},"uid":"review-tu-meri-main-tera-main-tera-tu-meri"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'అఖండ 2' రివ్యూ... ఫ్యాన్స్‌కి పూనకాలు"},"content":{"text":"నందమూరి బాలకృష్ణ, బోయపాటి కాంబో మూవీ అనగానే ఫ్యాన్స్‌కి మాత్రమే కాకుండా అన్ని వర్గాల ప్రేక్షకులకు ఆసక్తి ఉండటం చాలా సహజం. ఎందుకంటే వీరి కాంబోలో ఇప్పటికే సింహా, లెజెండ్‌, అఖండ వంటి సూపర్‌ హిట్‌ సినిమాలు వచ్చాయి. మూడు సినిమాలు సూపర్‌ హిట్‌ కావడంతో పాటు, అఖండకు సీక్వెల్‌గా రూపొందిన సినిమా కావడంతో అఖండ 2 పై అంచనాలు భారీగా ఉన్నాయి. మరి ఆ అంచనాలకు ఈ సినిమా తగ్గట్లుగా ఉందా? ఈ కాంబోలో నాల్గవ హిట్‌ నమోదు అయిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : సైనిక చర్య ద్వారా ఇండియాపై విజయాన్ని సొంతం చేసుకోలేక పోయిన శత్రు దేశంకు చెందిన దుర్మార్ఘులు కుట్రపూరితంగా ప్రవర్తించి, ఇండియాలోనే ఉంటూ అధికారం కోసం ఎంతకైనా తెగించే రాజకీయ నాయకుడి సహాయంతో వినాశనంకు ప్లాన్‌ చేస్తారు. అందుకు మహాకుంభమేళను ఎంపిక చేసుకుంటారు. వేలాది మంది ప్రాణాలు తీసేందుకు ఒక వైరస్‌ను క్రియేట్‌ చేస్తారు. దాంతో ఇండియా మొత్తం అల్లకల్లోలం అవుతుంది.  ఆ వైరస్‌కి వెంటనే వ్యాక్సిన్‌ను కనిపెట్టిన భారత శాస్త్రవేత్తలు దాన్ని జనాలకు ఇచ్చేందుకు ప్రయత్నం చేస్తారు. ఆ సమయంలో మరోసారి శత్రుదేశంకు చెందిన వారు దాడి చేస్తారు.  ఆ సమయంలో అఖండ(బాలకృష్ణ) ఆ వ్యాక్సిన్‌ను ఎలా రక్షించాడు? అసలు అఖండ ఏం చేస్తున్నాడు అనేది సినిమా కథాంశం.  నటీనటుల నటన : నందమూరి బాలకృష్ణ రెండు విభిన్నమైన పాత్రల్లో నటించి మెప్పించాడు. ముఖ్యంగా అఖండ పాత్రలో బాలయ్య లుక్ కి ఫ్యాన్స్ మతి పోవడం ఖాయం. గతంలోనే ఆయన అఖండ పాత్రలో అఘోరగా నటించి మెప్పించిన విషయం తెల్సిందే. ఇప్పుడు అంతకు మించి అన్నట్లుగా ఎక్కువ నిడివి ఉన్న పాత్రలో కనిపించాడు. బాలకృష్ణ అటువంటి గెటప్‌ లో కనిపించడమే గొప్ప విషయం అంటే, ఆ లుక్‌ తో చేసిన యాక్షన్‌ సీన్స్ నెవ్వర్‌ బిఫోర్‌ అన్నట్లుగా సాగాయి. మరో పాత్రలో ఫ్యామిలీ మ్యాన్‌ గా బాలకృష్ణ ఆకట్టుకున్నాడు. మొత్తంగా బాలకృష్ణ వన్‌మ్యాన్‌ షో అన్నట్లుగా నడిపించాడు.  హీరోయిన్‌ సంయుక్త మీనన్‌ ఒక్క పాటకే పరిమితం అయింది. ఒక యాక్షన్‌ సన్నివేశంలోనూ ఆమె కనిపించింది. అయితే ఆమె పాత్ర నిడివి కొంత మేరకు ఉండటం జరిగింది. అయితే ఉన్నంతలో గ్లామర్‌ తో అలరించింది. సినిమాలో మొదటి నుంచి కూడా హర్షాలి పాత్ర గురించి ప్రముఖంగా చెబుతూ వచ్చారు. అన్నట్లుగానే ఈ సినిమాలో ఆమె పాత్రకు వెయిట్‌ ఉంది. అయితే ఆమె స్క్రీన్‌ ప్రజెన్స్ ఎక్కువ సమయం ఏమీ లేదు. ఉన్నంతలో పర్వాలేదు అనిపించింది.  ఆది పినిశెట్టి విలన్‌గా ఆకట్టుకున్నాడు. సెకండ్‌ హాఫ్‌ లో వచ్చే అతడు క్రూరమైన మాయావిగా కనిపించి మెప్పించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో పర్వాలేదు అనిపించారు.  టెక్నికల్‌ : అఖండ సినిమా పేరు ఎత్తగానే ప్రతి ఒక్కరికీ ఆ సినిమా కోసం తమన్‌ ఇచ్చిన బ్యాక్ గ్రౌండ్ స్కోర్ గుర్తుకు వస్తుంది అనడంలో సందేహం లేదు. అందుకే అఖండ 2 సినిమాలో తమన్‌ ఇచ్చిన బ్యాక్‌గ్రౌండ్‌ స్కోర్ ఎలా ఉంటుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. సినిమా విడుదలకు ముందే టీజర్‌, గ్లిమ్స్‌, ట్రైలర్‌ లో తమన్‌ తన మ్యూజిక్‌ తో హైప్‌ క్రియేట్‌ చేయడంలో సక్సెస్‌ అయ్యాడు. అంతే కాకుండా ఒక పాటతోనూ మెప్పించాడు. బాలకృష్ణ మాస్ ఇమేజ్‌ కి తగ్గట్లుగా తమన్ బీజీఎం ఇవ్వడంతో సినిమా స్థాయి పెరిగింది. యాక్షన్ సన్నివేశాల్లో తమన్‌ మ్యూజిక్‌ కుర్చీ అంచున కూర్చోబెట్టింది అనడంలో సందేహం లేదు.  దర్శకుడు బోయపాటి శ్రీను ఈసారి కథ విషయంలో ఇంకాస్త ఎక్కువ శ్రద్ద పెట్టాల్సింది అనిపించింది. అఖండ 2 సినిమా కథ విషయంలో అసంతృప్తిగా ఉంది. ఇక స్క్రీన్‌ ప్లే విషయంలోనూ చాలా లోపాలు ఉన్నాయి. కథ చిన్న లైన్‌తోనే ఉన్నప్పటికీ స్క్రీన్‌ ప్లేను అందుకు తగ్గట్లుగా ఆకట్టుకునే విధంగా నడిపించాల్సిన అవసరం ఉంది. కానీ దర్శకుడు ఆ దిశగా కథను నడిపించడంలో విఫలం అయ్యాడు. వీఎఫ్‌ఎక్స్‌ మరీ పేలవంగా ఉంది. సినిమాటోగ్రఫీ బాగుంది. కొన్ని హిమాలయ షాట్స్ ను చక్కగా చూపించారు. నిర్మాణాత్మక విలువలు కథానుసారంగా బాగున్నాయి.  విశ్లేషణ : అనుకోని అవాంతరం కారణంగా ఆలస్యం అయిన అఖండ 2 సినిమా విషయంలో అభిమానులతో పాటు అన్ని వర్గాల వారు మొదటి నుంచి పాజిటివ్‌ హోప్‌ ను కలిగి ఉన్నారు. ఎప్పుడైతే అవాంతరాలు రావడం మొదలైందో అప్పటి నుంచే సినిమా పై అనుమానాలు వ్యక్తం అయ్యాయి. ఫలితం విషయంలో ఈసారి ఏమైనా తేడా కొట్టేనా అన్నట్లుగా కొందరు మాట్లాడుతూ వచ్చారు. అదే జరిగింది అనే అభిప్రాయం వ్యక్తం అవుతోంది. అభిమానులు బాలకృష్ణ కోసం అఖండ 2 సినిమాను చూసి ఎంజాయ్‌ చేయవచ్చు. కానీ రెగ్యులర్‌ ప్రేక్షకులు ఈ సినిమాను చూసి ఆనందించే ఎలిమెంట్స్ ఎక్కువగా లేవని చెప్పాలి. కథను సరిగ్గా చెప్పక పోవడంతో పాటు, స్క్రీన్‌ ప్లే విషయంలో నిరుత్సాహ పరిచారు.  తమన్‌ బ్యాక్‌ గ్రౌండ్‌ స్కోర్ బాగున్నా అందుకు తగ్గట్లుగా యాక్షన్ సీన్స్ పండలేదు. బాలయ్య యాక్షన్ సీన్స్ ను ఆయన అభిమానులు ఎంజాయ్‌ చేస్తారు, కానీ ఆయన మార్క్ డ్రామా, ఎమోషన్‌ సీన్స్ లేకపోవడంతో రెగ్యులర్‌ ప్రేక్షకులు బోర్‌ ఫీల్‌ అయ్యే అవకాశం ఉంది. ఒకటి రెండు సీన్స్ మినహా రెగ్యులర్‌ ఆడియన్స్ ను కట్టి పడేసే సీన్స్ లేవని చెప్పక తప్పదు. మరి థియేట్రికల్‌ రన్‌ లో ఫ్యాన్స్ తో పాటు ప్రేక్షకుల నుంచి ఎలాంటి స్పందన వస్తుందా అనేది చూడాలి.  ప్లస్ పాయింట్స్ :  బాలకృష్ణ,  తమన్ సంగీతం. కొన్ని యాక్షన్‌ సీన్స్‌. మైనస్ పాయింట్స్ :  కథ, కథనం, ఎమోషన్‌ లేకపోవడం, ఓవర్‌ స్టంట్స్‌. చివరగా... అఖండ 2 అభిమానుల వరకు మాత్రమే..! బ్యానర్ : 14 రీల్స్‌ ప్లస్‌ నిర్మాత : రామ్ ఆచంట, గోపీ ఆచంట దర్శకత్వం : బోయపాటి శ్రీను సంగీతం : తమన్‌ తారాగణం : బాలకృష్ణ, సంయుక్త మీనన్‌, హర్షాలి మల్హోత్ర, ఆది పినిశెట్టి, పూర్ణ, అయ్యప్ప పి శర్మ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aTsrEXNYClf9oFJC_Akhanda2.JPG?auto=format,compress"},"datetime":"2025-12-13T04:32:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=dL3T1yJxisc"}},"uid":"akhanda-2-review....poonakaalu-for-fans"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Dhurandhar‍‌‍‍‌‍‌‍‍‌'"},"content":{"text":"Dhurandhar hits the audience like a cyclone—untamed, persistent, and spectacularly dhamakedaar. Aditya Dhar's latest triumph is far from just a movie; it is a once-in-a-lifetime experience, a cinematic event of the year that completely breaks the clutter of Indian espionage thrillers. With Indian heart and international standard, Dhar weaves a story full of human touch, intricacy, and spark, reaffirming that he belongs among the very few directors capable of conceiving on a grand scale while still keeping the story deeply character-driven.  Drawing inspiration from the IC-814 hijacking and the 2001 Parliament attack, the film sets the stage on a historic backdrop without wasting a moment. Dhar then skillfully expands the narrative to show the political tremors that pushed the Indian intelligence system beyond its limits. Madhavan as IB Chief Ajay Sanyal is the rock on which the story stands. His portrayal, full of precision and gravitas, earns seeti maar reactions in every scene. The dialogues are crisp, the energy is infectious, and the immersion into this high-stakes world is so real that it grips from the first frame.  One of the most striking elements is the use of archival footage, including 9/11 and other terror attacks, interspersed with chilling audio of attackers plotting against India. These sequences evoke patriotism without jingoism, reminding the audience of the stakes while highlighting India’s strategic resilience. It’s a cinematic call to awareness and courage that makes the story even more gripping.  Ranveer Singh delivers arguably his career-best performance—raw, gritty, massy, and explosively powerful. Hamza is hurt, angry, unpredictable, yet inexplicably charming. The transformation from a rage-driven youth to a cold, calculated underworld operative is executed with staggering emotional finesse. Ranveer doesn’t just perform; he literally “blows up” the screen, particularly in the latter half, becoming almost synonymous with the storyline—a 10/10 hardcore action avatar.  The supporting cast matches this energy brilliantly. Akshaye Khanna, as Rehman Dakait, is eerie, sparkling, and dreadful—a mind-is-the-weapon villain whose expressions and timing make him unforgettable. Sanjay Dutt is pure cannon fire as SP Chaudhary Aslam, “The Jinn,” bringing raw toughness to every frame. Arjun Rampal’s Major Iqbal commands attention with his silent menace, while Sara Arjun impresses in her star-studded debut. Every actor is fully into their character, creating a dangerously immersive atmosphere.  The film’s pace is relentless, thanks to Aditya Dhar’s mastery over tempo. And crucially, despite its 214-minute runtime, the length never feels distracting. Every scene is deliberate, every beat perfect, making the infiltration plan genuinely nerve-wracking. The background music is another major highlight—the BGM keeps the energy flowing continuously, never letting the audience feel a dull moment. The soundtrack is one of the strongest pillars of the film, arguably the album of the year or even the decade, turning tension, discovery, and climax into cinematic thunder.  Violence is used sparingly—just three sequences are truly explicit, each dramatically justified. The real intensity comes from the emotional stakes, character development, and political intrigue. The first half showcases masterful world-building, with the interval delivering pure goosebumps and doubling audience excitement. Post-interval, conspiracies intertwine, political power shifts, and Hamza consolidates the mafia core through strategy, betrayal, and even a calculated marriage, setting up a perfect stage for the explosive Part Two coming Eid 2026.  Jyoti Deshpande, Lokesh Dhar, and Aditya Dhar, backed by B62 Studios and Jio Studios, leave no stone unturned in creating a universe that is vast, real, and cinematically rich. Their unwavering support for large sets, hard action, bold storytelling, and a stellar ensemble cast shines in every frame, elevating Indian genre cinema to new heights.  Dhurandhar is a genre-defining spectacle that combines ferocious execution, meticulous craft, and unforgettable impact. With Aditya Dhar’s finest direction and Ranveer Singh’s career-best performance, it makes a solid case for being one of the boldest, most compelling thrillers of the year. The game is set, the pieces are moving, and the wait for Part Two is fervent—completely justified by the high stakes, breathtaking performances, and mind-blowing storytelling.  Cast: Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others  Director/Writer: Aditya Dhar"},"img":{"url":"https://images.prismic.io/prad/aTK2Z3NYClf9n2ee_dhurandar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-12-05T08:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=BKOVzHcjEIo"}},"uid":"review-dhurandhar"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'ఆంధ్రాకింగ్‌ తాలూకా' రివ్యూ... ఫ్యాన్స్‌ మూవీ"},"content":{"text":"రామ్‌ వరుస విజయాలతో ఎనర్జిటిక్ స్టార్‌ ఇమేజ్‌ని సొంతం చేసుకుని కెరీర్‌ ఆరంభంలో అందరి దృష్టిని ఆకర్షించాడు. కానీ గత కొంత కాలంగా ఆయన పూర్తిగా గాడి తప్పినట్లుగా కనిపిస్తున్నాడు. ఏమాత్రం ఆకట్టుకోని కథ, కథనాలను, దర్శకులను ఎంపిక చేసుకోవడంతో ఆయనకు వరుస ఫ్లాప్‌లు తప్పలేదు. ఇస్మార్ట్‌ శంకర్ తర్వాత రామ్‌ ఒక మంచి హిట్‌ కోసం ఎదురు చూస్తున్నాడు. ఆ హిట్‌ ఈ సినిమాతో వచ్చిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ :  సూర్య(ఉపేంద్ర) తెలుగు సినిమా ఇండస్ట్రీలో స్టార్‌ హీరో. అభిమానులు ఆయన్ను ఆంధ్రా కింగ్‌ అనే బిరుదుతో పిలుచుకుంటూ ఉంటారు. వరుస విజయాలు దక్కించుకుంటూ వచ్చిన సూర్యకు వందవ సినిమాకు ముందు కెరీర్‌ పరంగా ఒడిదొడుకులు ఎదుర్కోవాల్సి వస్తుంది. వరుస ఫ్లాప్స్‌ పడటంతో సూర్య ను విమర్శించే వారు, తిట్టేవారు ఎక్కువ అవుతారు. ఆయన పనైపోయిందని విమర్శిస్తూ ఉంటారు. ఆ సమయంలో సూర్య 100వ సినిమాను మొదలు పెడతాడు.  సినిమాపై అంచనాలు లేకపోవడం, అసలు సూర్య సినిమాను ఎవరు చూస్తారు అని జనాలు అనుకుంటూ ఉండటంతో ఆ సినిమా ఆర్థిక సమస్యలు ఎదుర్కొంటుంది. సినిమా పూర్తి చేయడానికి రూ.3 కోట్లు అవసరం అవుతుంది. ఆ సమయంలో సూర్యను అమితంగా అభిమానించే సాగర్‌ (రామ్‌) ముందుకు వస్తాడు. తాను ఎంతో కష్టపడి సంపాదించిన ఆస్తిని అమ్మి, ఆ డబ్బును తన అభిమాన హీరో, ఆంధ్రాకింగ్‌ సూర్యకి చేరేలా చేస్తాడు.  తీవ్ర ఆర్థిక ఇబ్బందుల్లో ఉన్న సూర్య తన అకౌంట్‌లో పడ్డ రూ.3 కోట్లు చూసి షాక్‌ అవుతాడు. ఆ డబ్బును తన అభిమాని అయిన సాగర్‌ పంపించినట్లు తెలిసి షాక్‌ అవుతాడు. తన అభిమానిని కలుసుకునేందుకు సూర్య బయలుజేరుతాడు. ఆ క్రమంలో సాగర్‌ గురించి పలు విషయాలను సూర్య తెలుసుకుంటాడు. ఒక అభిమానిని స్టార్‌ హీరో ఎలా కలుసుకున్నాడు? ఆ తర్వాత ఏం జరిగింది? అనేది కథ. నటీనటుల నటన :  రామ్‌ మొత్తం బాధ్యత తన భుజాలపై వేసుకున్నాడు. ఎప్పటిలాగే ఈ సినిమాతో మరోసారి తన ఎనర్జిటిక్ పెర్ఫార్మెన్స్‌ను చూపించాడు. సాగర్‌ పాత్రకి రామ్‌ ఎంత వరకు చేయాలో అంతకు మించి చేసినట్లుగా అనిపించింది. ఒక పాత్రను చాలా నమ్మడం వల్లే రామ్‌ ఈ స్థాయిలో కష్టపడి ఉంటాడు అనిపించింది. అతడి లుక్‌, డైలాగ్‌ డెలివరీ, యాక్షన్‌ సీన్స్ లో ఆయన ప్రజెన్స్ ఇలా ప్రతి ఒక్క ఎలిమెంట్‌లోనూ రామ్‌ ఆకట్టుకున్నాడు. అందుకే అతడు ఒక ఫ్యాన్  గా సరిగ్గా సెట్‌ అయ్యి, సినిమాను మోశాడు. సూపర్‌ స్టార్‌గా నటించిన ఉపేంద్ర తన పాత్రకు న్యాయం చేశాడు. ఒక అభిమాని కోసం వెతుక్కుంటూ వెళ్తున్న సీన్స్ లో అతడి భావోద్వేగం కనిపించింది. సినిమా కోసం అతడు పడే తపన, అతడు పడే కష్టం తాలూక డిటైల్స్ ను ఉపేంద్ర చక్కగా చూపడం జరిగింది. హీరోయిన్‌గా నటించిన భాగ్యశ్రీ బోర్సేకి తన ప్రతిభ మొత్తం చూపించే అవకాశం దక్కలేదు. అయితే ఆమె ఉన్నంతలో అందంగా కనిపించడంతో పాటు, నటనతో ఆకట్టుకుంది. ఇతర నటీనటులు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ :  పాటల గురించి ప్రత్యేకంగా చర్చ జరిగింది. కొత్త సంగీత దర్శకులు కుమ్మేశారు అంటూ అంతా తెగ మాట్లాడారు. కానీ వారి నుంచి వచ్చిన సంగీతం కొత్తగా ఉంది కానీ ఆకట్టుకునే విధంగా మాత్రం లేదు. ఇలాంటి సినిమాలకు పాత సంగీత దర్శకులు అయితే న్యాయం చేసేవారు అనిపిస్తుంది. కాని రామ్‌ కి మాత్రం ఎందుకో వీరు నచ్చారు. ఆయన నిర్ణయం తప్పు అని తేలింది.  ఇక దర్శకుడు మహేష్‌ ఎంపిక చేసుకున్న కథ విషయంలో ఎలాంటి తప్పు లేదు. ముఖ్యంగా స్టోరీ లైన్ మంచి పాయింట్‌. కానీ దాన్ని మలచిన తీరు బాగాలేదు. ముఖ్యంగా స్క్రీన్‌ ప్లే విషయంలో సాగతీసినట్లుగా అనిపించింది. ఎడిటింగ్‌ కి ఇంకా చాలా స్కోప్ ఉంది. ఎందుకో చాలా సీన్స్‌ను అలాగే వదిలేశాడు. నిర్మాణాత్మక విలువలు బాగానే ఉన్నాయి. సినిమాటోగ్రాఫీ అప్పటి నేటివిటీకి దగ్గరగా ప్రేక్షకులను తీసుకు వెళ్లడంలో సక్సెస్ అయిందని చెప్పాలి.  విశ్లేషణ :  రామ్‌ దాదాపు ఏడాది  గ్యాప్ తీసుకుని, వందల కొద్ది కథలు విని, పదుల కొద్ది కథలు పక్కన పెట్టుకుని, చివరకు ఈ కథను ఎంపిక చేసుకున్నాడు అని ఆయన సన్నిహితులు అంటున్నారు. అయితే ఇలాంటి కథను ఆయన ఎలా ఒప్పుకున్నాడు అంటూ చాలా మంది ఆశ్చర్యం వ్యక్తం చేస్తున్నారు. స్టోరీ లైన్‌ బాగుంటే సరిపోతుందా, కథ, కథనం విషయంలో దీన్ని ఎంత వరకు ప్రేక్షకులకు ఆకట్టుకునే విధంగా తీసుకు రాగలరు అనే విషయంను ఆయన చూసుకోలేదు అనిపిస్తుంది.  రామ్‌ సాధారణంగానే ఎనర్జిటిక్‌ పెర్ఫార్మెన్స్‌ తో ఆకట్టుకుంటాడు. ఈ సినిమాలోనూ మరోసారి తన సత్తా చాటాడు. కానీ సినిమాలోని ఆయన పాత్ర ఉన్నంత పవర్‌ ఫుల్‌గా స్క్రీన్‌ ప్లే లేదు. గ్రామీన ప్రాంతంలో ఉండే ప్రేమ కథను చూపించే ప్రయత్నం చేశారు. ఆ కథను ఇంకాస్త ఎక్కువ చూపించినా బాగుండేది. హీరో, అభిమాని మధ్య ఉండే సీన్స్ చాలా తక్కువగా ఉన్నాయి. ప్రేక్షకులు ఆశించిన ఎలిమెంట్స్ ఈ సినిమాలో చాలా తక్కువగా ఉన్నాయి. అందుకే సినిమా రెగ్యులర్‌ ప్రేక్షకులను ఆకట్టుకోవడంలో విఫలం అవుతుంది. కానీ తమను తాము ఒక హీరోకు అభిమాని అని చెప్పుకునే వారికి మాత్రం తప్పకుండా ఈ సినిమా నచ్చుతుంది.  ప్లస్ పాయింట్స్ :  రామ్‌ నటన, స్టోరీలైన్‌, కొన్ని ఎమోషనల్‌ సీన్స్‌ మైనస్ పాయింట్స్ :  ఫస్ట్‌ హాఫ్‌ చాలా స్లోగా సాగింది స్క్రీన్‌ ప్లే, ప్రేమ కథ ఇంకాస్త ఉండాల్సింది. చివరగా... ఫ్యాన్‌గా ఆంధ్రాకింగ్‌ను ఆకట్టుకున్న సాగర్‌, ప్రేక్షకులను ఆకట్టుకోవడం కష్టమే. బ్యానర్ : మైత్రి మూవీ మేకర్స్‌ నిర్మాత : నవీన్‌ యెర్నేని, వై రవి శంకర్‌ దర్శకత్వం : మహేష్‌ బాబు పి సంగీతం : వివేక్‌-మెర్విన్‌ తారాగణం : రామ్‌ పోతినేని, భాగ్యశ్రీ బోర్సే, ఉపేంద్ర తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aSgr23NYClf9nheC_AKT1.JPG?auto=format,compress"},"datetime":"2025-11-27T08:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=oeY828c-AXo"}},"uid":"review-andhra-king-talooka---fans-movie"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'De De Pyaar De 2'"},"content":{"text":"It’s rare to find a film that makes you laugh, cry, and smile, all within the same heartbeat. De De Pyaar De 2 is that rare gem. The sequel not only lives up to the 2019 blockbuster but builds on it with heart, humour, and a story that feels deeply personal yet universally relatable. In a year full of thrillers and high-octane spectacles, De De Pyaar De 2 stands tall as the only true family entertainer of 2025. It’s a film about family — and one meant to be watched with family. Whether you’re a parent, a young adult, or a daughter who shares a special bond with her father, this one will speak to you in more ways than one. The film beautifully balances clap-and-whistle-worthy comedy with tear-jerking emotion, and even leaves you with a subtle but strong message about love, relationships, and what truly makes a man ‘man enough’ in today’s world. The protagonist Ajay Devgn is a delight, effortlessly switching between subtle humour and emotional restraint. His references to his own iconic films are a treat for fans and timed to perfection. It’s refreshing to see him return to a romantic-comedy space after a string of action-heavy roles. R. Madhavan, on the other hand, brings soul to the story. As a father navigating complex emotions, he’s a powerhouse of warmth and vulnerability. His scenes, especially with Ajay, are pure paisa vasool, seamlessly blending humour with heartfelt depth. Leading lady Rakul Preet Singh delivers her best performance yet, charming, confident, and absolutely radiant on screen. While Jaaved Jaffery leaves you rolling on the floor laughing everytime he comes on the screen, Meezaan’s entry in the second half is impactful; he looks effortlessly dashing and leaves a strong impression in a limited screen time. The supporting ensemble — Gautami, Ishita, and Suhasini Mulay, bring natural warmth and depth, rounding out the film’s emotional universe beautifully. Director Anshul Sharma infuses De De Pyaar De 2 with heart, humor, and a sense of effortless storytelling. His vision shines through every frame bringing together a powerhouse cast and allowing each performer to leave a lasting mark. Sharma orchestrates the film’s emotional beats and comic timing with remarkable finesse, blending warmth and wit in equal measure. With this film, he not only celebrates relationships and generations but also cements his place as a filmmaker who knows how to entertain while keeping the emotions genuine and grounded. Unlike many sequels that exist just to cash in on a franchise name, De De Pyaar De 2 feels like an organic continuation of the first. The callbacks are smart, not forced, and the story flows with sincerity and purpose. And just when you think you’ve seen it all, the last 20–30 minutes hit you with one of the most emotionally satisfying climaxes seen in recent times, an absolute rollercoaster of emotions that will leave you walking out with a full heart and a huge smile. De De Pyaar De 2 is the ultimate big-screen entertainer, funny, emotional, meaningful, and refreshingly vulnerable. It proves that films about family, love, and connection can still move audiences when told with honesty and heart. Director: Anshul Sharma,  Cast: Ajay Devgn, R. Madhavan, Rakul Preet Singh, Jaaved Jaaferi, Meezaan, Gautami Kapoor, Ishita Dutta and others "},"img":{"url":"https://images.prismic.io/prad/aRb8GLpReVYa4eVc_dedepyaarde2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-11-14T04:53:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=59aIp7SfIIk"}},"uid":"review-de-de-pyaar-de-2"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: ‘Jatadhara’ - A spiritual thriller unfolds"},"content":{"text":"Zee Studios and Prerna Arora produced Jatadhara represents an ambitious and compelling effort by directors Venkat Kalyan and Abhishek Jaiswal as they create a supernatural mythological thriller, one that dares bridge the gap between science, faith, and mysticism of old. Against the mysterious backdrop of the Anantha Padmanabha Swamy Temple and its treasures hidden within, the film is imbued with original Tantric rituals and chants enacted during filming-a rare thing in mainstream Indian cinema. The sense of dread and divinity pervades right from the first frame. The haunting visuals, the rhythmic chants, and symbolic imagery set off into a world where reality blends with the surreal. Credit goes to the two directors for knowing how to handle such a dense mythological theme with reverence and cinematic flair. Sudheer Babu plays Shiva, a skeptical ghost hunter whose journey from disbelief to spiritual awakening forms the emotional core of the story. His rugged screen presence, restrained intensity, and emotional range make this one of his most nuanced performances to date. The sequences where he confronts unseen forces — armed with both scientific logic and ritualistic tools — are genuinely gripping. Sonakshi Sinha, all set to mesmerize the Telugu audience for the first time, is just outstanding as Dhana Pisaachi, a vengeful spirit bound by greed and sorrow. With her commanding expressions, piercing gaze, and haunting poise, Sonakshi brings terror and tragedy on the screen. Her transformation into the demonic goddess is one of the talking points of the film and quite rightly so-she owns each frame. Divya Khossla carries grace throughout her role as Sitara, while Shilpa Shirodkar and Indira Krishna add depth and dignity to their key roles. The ensemble cast — Rajeev Kanakala, Ravi Prakash, and Subhalekha Sudhakar included — come together to add value to the narrative with realistic, down-to-earth performances. Written by Venkat Kalyan, the screenplay of Jatadhara weaves ancient lore with modern skepticism. The premise of the story-a forbidden ritual called Pisacha Bandhanam that ties spirits to guard lost treasures-is both fascinating and frightening. Kalyan ensures that every plot twist is rooted in belief systems familiar to Indian audiences, yet he approaches them with a contemporary lens. The dialogues by Sai Krishna Karne and Shyam Babu Meriga are sharp, spiritual, and thought-provoking. Lines like \"Faith is not what you see -- it's what you dare to feel\" stay with one long after the credits roll. They strike an even balance between philosophical weight and emotional immediacy to give the film a scriptural and cinematic hue at once. The biggest strength of Jatadhara is Sameer Kalyani's cinematography. The chiaroscuro lighting, the intricate interior of the temple, and aerial sweeps of the Kerala landscape infuse an otherworldly beauty upon this dark narrative. Every sequence of this ritual is framed like a painting-flickering lamps, swirling smoke, chanting shadows-pulling you into a hypnotic trance. The special effects should be applauded for delivering realistic supernatural imagery without excess. The scenes of Dhanapisachini’s manifestation are at once terrifying and beautiful, enhanced by practical effects that feel real and organic. The sound design amplifies the eeriness: low rumbles, faraway chants, and sudden silences are used to great effect to raise the tension. Composer Rajiv Raj manages an evocative score that fuses classical ragas with electronic undercurrents. His background music, particularly during the climactic confrontation, keeps the pulse racing. Despite the film's dark theme, music, and movement have been found in Jatadhara. “Shiva Stotram” and “Pallo Latke Again stand apart for their energy and depth. As the choreographer, Sandeep melds ritualistic movements with cinematic choreography, especially in the temple dance sequence featuring Divya Khossla, which radiates both devotion and intensity. The stunt choreography seamlessly integrates physical combat with supernatural powers, creating a dynamic action language that feels fresh. Sudheer Babu's ghost-hunting sequence, weapon combat scenes, and the final blood-drinking transformation sequence are all done with precision and conviction. The mix of martial arts and mystical symbolism makes these moments unforgettable. Jatadhara is a bold visual experiment in the form of a supernatural mythological thriller that refuses to play safe. It sincerely pursues faith versus reason, science versus ritual, and human will versus divine wrath with amazing scale. The outstanding visual brilliance of the film matches the strong performances and authentic spiritual texture. Co-directed by Venkat Kalyan and Abhishek Jaiswal, Jatadhara manages a fine balance between commercial spectacle and artistic expression. The result is that Jatadhara does what few films attempt; it turns mythology into a breathing, living cinematic experience, with its entrancing images, haunting music, and soulful performances that both thrill and leave one thoughtful. Director: Venkat Kalyan And Abhishek Jaiswal Starring : Sudheer Babu, Sonakshi Sinha, Divya Khossla, Shilpa Shirodkar, Indira Krishna, Rajeev Kanakala, Ravi Prakash, Rohit Pathak, Jhansi, Subhalekha Sudhakar"},"img":{"url":"https://images.prismic.io/prad/aQx6sbpReVYa4H3__jathadara.JPG?auto=format,compress"},"datetime":"2025-11-06T09:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=NcZNCaE4qEM"}},"uid":"review-jatadhara---a-spiritual-thriller-unfolds"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మాస్‌ జాతర' రివ్యూ... రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైనర్‌"},"content":{"text":"రవితేజ ఏదైనా సినిమా ప్రారంభిస్తే ఆరు నెలల్లోనే పూర్తి చేసి ప్రేక్షకుల ముందుకు తీసుకు రావడం మనం చూస్తూ ఉంటాం. కానీ ఈ సినిమా అనేక కారణాల వల్ల చాలా ఆలస్యం అయింది. ఈ ఏడాది సంక్రాంతికి రావాల్సిన సినిమా ఏడాది చివర్లో దీపావళి అయిన తర్వాత ప్రేక్షకుల ముందుకు వచ్చింది. సితార ఎంటర్‌టైన్‌మెంట్స్ బ్యానర్‌లో రూపొందిన సినిమా కావడంతో పాజిటివ్‌ బజ్ క్రియేట్‌ అయింది, అంతే కాకుండా రవితేజ ఈ సినిమాపై చాలా అంచనాలు పెంచే విధంగా ప్రచారం చేశాడు. మరి ఈ సినిమా ఎలా ఉంది అనేది ఈ రివ్యూలో చూద్దాం.  కథ : రైల్వే ఎస్‌ఐ అయిన లక్ష్మణ్‌(రవితేజ) ఎక్కడ ఉంటే అక్కడ రైల్వే విధులు మాత్రమే కాకుండా అన్ని రకాల కేసులను పరిస్కరిస్తూ ఉంటాడు. అలాంటి లక్ష్మణ్‌కి డ్రగ్స్‌ ఇష్టానుసారంగా పండిస్తూ, అదే జీవనాధారంగా జనాలు జీవిస్తున్న ఒక ప్రాంతంకు ట్రాన్స్‌ఫర్‌ అవుతుంది. అక్కడ శివుడు(నవీన్ చంద్ర) బలవంతంగా రైతులతో గంజాయి సాగు చేయిస్తూ దాన్ని కోల్‌కత్తాకు ట్రాన్స్‌పోర్ట్‌ చేస్తూ ఉంటాడు. శివుడు గంజాయి వ్యాపారంను నాశనం చేసేందుకు లక్ష్మణ్‌ సిద్దం అవుతాడు. శివుడు పెద్ద మొత్తంలో గంజాయిని కోల్‌కత్తా తరలించేందుకు సిద్ధం అయిన సమయంలో లక్ష్మణ్‌ దాన్ని దాచేస్తాడు. ఆ సరుకు కోసం శివుడు పిచ్చెక్కి పోతాడు. ఇద్దరి మధ్య పెద్ద యుద్దమే జరుగుతుంది. చివరకు ఏం జరిగింది అనేది సినిమా కథ.  నటీనటులు : రవితేజ ఎనర్జీ ఏమాత్రం తగ్గలేదు. అయితే ఆయన లుక్‌ విషయంలో మాత్రం కాస్త వయసు ఎక్కువ అయినట్లుగా అనిపించింది. వింటేజ్ రవితేజను చూస్తారు అంటూ పబ్లిసిటీ సమయంలో మేకర్స్ చెప్పారు. కానీ వింటేజ్ సీన్స్ పెద్దగా ఏమీ లేవు. ఒకటి రెండు నిమిషాలకే పరిమితం చేశారు. యాక్షన్‌ సీన్స్‌లో రవితేజ ఎనర్జీ కనిపించింది. అయితే డాన్స్‌ ల్లో శ్రీలీల ముందు రవితేజ ఆశించిన స్థాయిలో మెప్పించలేక పోయాడు అని చెప్పుకోక తప్పదు. ఓవరాల్‌గా మాస్‌ మహారాజా రవితేజ మాస్‌ జాతర తన భుజాలపై వేసుకుని నడిపించే ప్రయత్నం చేశాడు.  శ్రీలీల పాత్రకు పెద్దగా ప్రాధాన్యత లేదు. ఫస్ట్‌ హాఫ్‌ లో కొంత సమయం కనిపించినా, సెకండ్‌ హాఫ్‌ లో కొన్ని నిమిషాలు మాత్రమే ఆమె కనిపించింది. పాటలకు మాత్రమే పరిమితం అయిన పాత్ర అనిపించింది. ఉన్నంతలో మెప్పించింది. డాన్స్‌ల్లో తన ప్రతిభతో ఆకట్టుకుంది. రాజేంద్ర ప్రసాద్‌ తన పాత్రకు పూర్తి న్యాయం చేశాడు. హైపర్ ఆది తన రొటీన్‌ పంచ్‌ డైలాగ్స్ తో పర్వాలేదు అనిపించాడు. ఇతర పాత్రల్లో నటించిన వారు వారి వారి పాత్రల్లో పర్వాలేదు అనిపించారు.  టెక్నికల్‌: దర్శకుడు భాను కథ విషయంలో ఇంకాస్త వర్కౌట్‌ చేస్తే బాగుండేది. రైల్వే పోలీస్‌ అనే లైన్‌ బాగానే ఉంది, కానీ గంజాయి చుట్టూ సాగే కథలు చాలానే ఉన్నాయి. ఇంకాస్త విభిన్నంగా కథను రాసుకుని ఉంటే బాగుండేది. కనీసం స్క్రీన్‌ప్లేతో అయినా మ్యాజిక్ చేసి ఉంటే బాగుండేది. డైలాగ్స్ కొన్ని యాప్ట్‌ కాలేదు. భీమ్స్ అందించిన పాటలు ఒకటి రెండు వింటూ ఉంటే బాగానే ఉన్నాయి. కానీ స్క్రీన్‌ ప్లే కు బ్రేక్‌లు వేసినట్లుగా అనిపించాయి.  ముఖ్యంగా సెకండ్‌ హాఫ్‌ లో వచ్చే పాటల ప్లేస్‌మెంట్‌ ఏమాత్రం సెట్‌ కాలేదు. అయితే బ్యాక్ గ్రౌండ్‌ స్కోర్‌ తో రవితేజ ఫ్యాన్స్‌కి, ఆయన ఎలివేషన్ సీన్స్‌ కి మంచి హైప్‌ వచ్చే విధంగా భీమ్స్ చేశాడు. సినిమాటోగ్రఫీ బాగుంది. ముఖ్యంగా యాక్షన్‌ సీన్స్ లో సినిమాటోగ్రఫీకి మంచి మార్కులు పడుతాయి. యాక్షన్ సీన్స్ నేచురాలిటీకి దగ్గరగా ఉండే విధంగా ప్లాన్‌ చేశారు. నిర్మాణాత్మక విలువలు బాగున్నాయి. ఎడిటింగ్‌లో జర్క్‌ లు ఉన్నాయి. కాస్త క్రిస్పీగా ఉండాల్సింది.  విశ్లేషణ : రవితేజ సినిమా అనగానే మాస్ ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకులు ఆసక్తిగా అప్పట్లో ఎదురు చూసేవారు. కానీ ఇప్పుడు రవితేజ గత చిత్రాల ఫలితాల నేపథ్యంలో ఈసారి అయినా రవితేజ హిట్‌ కొట్టేనా అని నీరసంగా, నిరుత్సాహంగా ఎదురు చూస్తున్న వారు ఉన్నారు. అయినా కూడా రవితేజలో ఎనర్జీ మాత్రం తగ్గలేదు. తన సినిమాల ఫలితంతో సబంధం లేదు అన్నట్లుగా వరుస సినిమాలు చేసుకుంటూ వెళ్తున్నాడు.  సితార వారి బ్యానర్ నుంచి సినిమా వస్తుంది అంటే మినిమం గ్యారెంటీ అనే నమ్మకం ఉండేది. అది కూడా ఈ మధ్య కాలంలో మెల్ల మెల్లగా పోతుంది. ఇలాంటి సమయంలో వచ్చిన మాస్‌ జాతర రవితేజ స్టార్‌డంను నిలబెట్టేనా, సితార వారి పరువు నిలుపుతుందా అని అంతా ఆసక్తిగా ఎదురు చూశారు. కానీ ఈ సినిమా పూర్తి స్థాయిలో ఆ పని చేయలేదు అని చెప్పక తప్పదు. రవితేజ మార్క్‌ ఎంటర్‌టైన్‌మెంట్‌తో ఫస్ట్‌ హాఫ్‌ సాఫీగా సాగింది. కానీ సెకండ్‌ హాఫ్‌ విషయంలో తీవ్రంగా నిరాశ పరిచాడు. ఒకటి రెండు యాక్షన్ సీన్స్‌ తప్ప సెకండ్‌ హాఫ్‌ లో చెప్పుకోవడానికి ఏమీ లేవు.  కథలో ట్విస్ట్‌లు లేవు, స్క్రీన్‌ ప్లే మొత్తం ముందే ఊహించేదిగా ఉంది. ఎక్కడా ఆసక్తికరంగా స్క్రీన్‌ ప్లే సాగిందే లేదు. ఆది కామెడీతో నవ్వించే ప్రయత్నం చేశారు. కానీ అది వర్కౌట్‌ కాలేదు. మొత్తంగా మాస్ జాతర ఆకట్టుకోలేక పోయిన యాక్షన్‌ జాతర.  ప్లస్‌ పాయింట్స్‌ : రవితేజ, ఫస్ట్‌ హాఫ్‌ కొన్ని సీన్స్‌.  మైనస్ పాయింట్స్ : కథ, కథనం, రొటీన్‌ కామెడీ, యాక్షన్‌, పాటల ప్లేస్‌మెంట్‌, రొటీన్‌ క్లైమాక్స్‌.  చివరగా... వింటేజ్‌ రవితేజను చూపిస్తారనుకుంటే రొటీన్‌ యాక్షన్‌ ఎంటర్‌టైన్మెంట్‌ను చూపించాడు.  బ్యానర్ : సితార ఎంటర్‌టైన్‌మెంట్స్‌  నిర్మాత : నాగవంశీ  దర్శకత్వం : భాను భోగవరపు  సంగీతం : భీమ్స్‌ సిసిరోలియో  తారాగణం : రవితేజ, శ్రీలీల, నవీన్‌ చంద్ర, రాజేంద్ర ప్రసాద్‌, నరేష్‌, హైపర్‌ ఆది తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aQThSLpReVYa35Yx_massjathara.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-31T19:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Qm-wNxOcEL4"}},"uid":"mass-jathara-review-routine-action-entertainer"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: Thamma - A fiery blockbuster ride!"},"content":{"text":"Thamma is big-screen fun at its purest — a daring mix of folklore, family, fantasy, and fanfare of a full-blown franchise. With this new movie in the Maddock horror-verse, director Aditya Sarpotdar is taking Indian genre cinema to a whole new level. It’s all sorts of strange, clever, and wildly creative — yet, very relatable. While Stree was scary and subversive and Bhediya went into the wilds, Thamma conquers the territory by merging horror with love and, thus, leaving a cinematic experience that is totally different.  The story revolves around the forest of myths where the past is still alive and the ancient guardians are awakening. Not Thamma by any means, but it still manages to conjure up a bizarre fantasy universe complete with its own laws, curses, and consequences. Compared to other supernatural thrillers, this one is basically an emotional comedy with a dose of humor and the human instinct to save those whom we love even if it costs our lives. It doesn’t become scary but rather keeps its faith. The movie is funny but not farcical. It is also emotional without being overly dramatic.  One of the main characters is journalist protagonist Khurrana from a small town. His incidental supernatural experience leads to a series of events that is not in his capacity to grasp the enormity of it. In the first half, he is simply lovable and relatable but later on he becomes quite intense. Mandanna delivers an emotional performance that is also very down-to-earth. She has the fire as well as the delicate side of her nature and does not go for the usual stereotypical trope of horror comedy being over-the-top.  The continuing part is just an explosive work of art — it features fight, change of characters, and a breathtaking fight between Alok and Bhediya (Varun Dhawan). Special effects are of great quality and the confrontation between these two forces is signaling their underlying relationship which will definitely influence this cinematic universe storyline in the future. Such a moment of grandeur is the kind of moment in which you wish to applaud in a jam-packed hall, and subsequently, you are left with more questions than answers. How are these two characters related? I promise; the answer will be beyond your imagination.  On the subject of universe-building, the movie is full of Easter eggs and a few character recalls, but one highlights: the comeback of Sar Kata, the frightening character from Stree, who ominously appears, signaling the massive danger that lies ahead for the Maddock horror-verse. To be honest, the connection between Stree 2 and Thamma is quite strong, and by the time you get to the end, it’s only evident that it’s something huge that is on its way. The seeds of a mega-crossover have been dropped.  The acting, in general, is great. Paresh Rawal offers a great comic relief performance as the sarcastic and sharp-witted father while Nawazuddin Siddiqui dominates the movie with his intense and dark presence. The upward movement of his character feels like the dawn of something bigger and maybe a major factor in the future war of good vs. evil in this ever-expanding universe.  Following that is the comeback of Sathyaraj as Elvis, the idiosyncratic paranormal expert who got the nickname Hand of God. However, this time, he is not only here for the laughs — his arrival subtly changes the bigger picture. In a significant moment, Elvis points to a vital connection between Alok’s freshly changed Betaal and Bhediya, the one who was last seen grappling with Sar Kata in Stree 2. It’s a clever, low-key link that signals the coming events and the Maddock universe fans will instantly get the excitement of the bigger plot unfolding.  Moreover, the talked-about Nora Fatehi cameo is not only a glam reel but also an addition to the lore. Her unveiling provides a wonderful emotional connection to Stree and is a massive high point for long-time fans of the universe. Being a kind of fan service, it rewards attention and gives a totally different perspective to everything that we thought we knew about this world. Is she the one who opens the door to its secrets or something else?  Before the release, the buzz was mostly about item numbers and flashy visuals. However, Thamma, turn, defies the expectation. In the typical Maddock manner, every song in this movie has its function-character revelation, story advancement, or myth deepening. There are no unnecessary diversions, no hollow spectacles, only the narrative-driven songs that keep the emotional part of the story going. It is a very important revamp of the Bollywood horror formula and the result is great.  Director: Aditya Sarpotdar,  Cast: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Paresh Rawal, Sathyaraj, Fasial Malik, Geeta Aggarwal, Rachit Singh and others"},"img":{"url":"https://images.prismic.io/prad/aPddOLpReVYa3gmP_thamma.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-21T05:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=Mod_oXpftJA"}},"uid":"review-thamma---a-fiery-blockbuster-ride"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'తెలుసు కదా' రివ్యూ... ఎమోషనల్‌ ఎంటర్‌టైన్‌మెంట్‌"},"content":{"text":"డీజే టిల్లు సినిమా తర్వాత స్టార్‌ బాయ్‌గా ఒక్కసారిగా లైమ్‌ లైట్‌లోకి వచ్చిన సిద్దు జొన్నలగడ్డ ఆ తర్వాత బ్యాక్ టు బ్యాక్‌ సినిమాలతో ప్రేక్షకుల ముందుకు వచ్చాడు. టిల్లు స్క్వేర్‌ ఆకట్టుకుంది, కానీ ఇటీవల వచ్చిన జాక్ సినిమా మాత్రం నిరాశ పరిచింది. దాంతో సిద్దు తదుపరి సినిమా విషయంలో ఆడియన్స్‌తో పాటు అన్ని వర్గాల ప్రేక్షకుల్లో అంచనాలు ఉన్నాయి. విభిన్నమైన కాన్సెప్ట్‌తో తెలుసు కదా రూపొందినట్లు టీజర్‌, ట్రైలర్‌, ప్రమోషనల్‌ స్టఫ్‌ ను చూస్తే అర్థం అవుతుంది. ముఖ్యంగా ట్రైలర్‌ చూసిన తర్వాత కాస్త బోల్డ్‌ కంటెంట్‌ అనే అభిప్రాయం ఏర్పడింది. మరి సినిమా ఎలా ఉంది? సిద్దుకి మరో విజయం దక్కిందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : అనాథ అయిన వరుణ్‌ (సిద్దు జొన్నలగడ్డ) తనకంటూ ఒక ఫ్యామిలీ ఉండాలి, పిల్లలు ఉండాలని కలలు కంటూ ఉంటాడు. చాలా నిజాయితీగా ఉంటూ రాగ కుమార్‌(శ్రీనిధి శెట్టి)ని ప్రాణంగా ప్రేమిస్తాడు. కానీ ఆమె బ్రేకప్‌ చేసి వెళ్లి పోవడంతో పెళ్లి చేసుకుని ఫ్యామిలీ ఏర్పాటు చేసుకోవాలి నిర్ణయించుకుంటాడు. మ్యాట్రిమోనీ ద్వారా అంజలి శర్మ(రాశి ఖన్నా) తో వరుణ్‌ కి పరిచయం అవుతుంది. ఆ పరిచయం ప్రేమగా మారి, పెళ్లి చేసుకుంటారు.  వరుణ్‌, అంజలి పెళ్లి చేసుకున్న తర్వాత చాలా పెద్ద షాకింగ్‌ విషయం తెలుస్తుంది, ఆ వెంటనే బ్రేకప్‌ చెప్పి వెళ్లి పోయిన రాగ సైతం వరుణ్‌ జీవితంలోకి వచ్చేందుకు రెడీ అవుతుంది.  అప్పుడు వరుణ్‌ ఏం చేశాడు? ఇంతకు పెళ్లి తర్వాత వరుణ్‌, అంజలికి తెలిసిన షాకింగ్‌ విషయం ఏంటి? ఈ ట్రయాంగిల్‌ స్టోరీ చివరకు ఏమైంది? అనేది సినిమా చూసి తెలుసుకోండి.  నటీనటుల నటన : ఎప్పటిలాగే సిద్దు జొన్నలగడ్డ మొత్తం బాధ్యత తన భుజాల మీద వేసుకుని సినిమాను మోసుకు వెళ్లాడు. ఆయన డైలాగ్‌ డెలివరి, ఎమోషనల్‌ సీన్స్‌, సెంటిమెంట్‌ సీన్స్‌, రొమాంటిక్ సీన్స్ ఇలా ప్రతి ఒక్కదాంట్లోనూ ఆకట్టుకున్నాడు. హీరోయిన్స్‌తో ఆయన చేసిన సన్నివేశాల్లో హీరోయిన్స్‌ ను కంటే ఆయన్ను చూడాలి అనిపించే విధంగా ఉంది. మొత్తంగా సిద్దు జొన్నలగడ్డ తెలుసు కదా బాధ్యత మొత్తం తీసుకుని సక్సెస్‌ అయ్యాడు. ఆయన డైలాగ్‌ డెలివరీ గతంతో పోల్చితే కాస్త మాస్‌ ఎలిమెంట్స్ తగ్గిందని చెప్పాలి. అయినా కూడా బాగుంది. సిద్దు లుక్ పరంగానూ ఆకట్టుకున్నాడు.  హీరోయిన్‌ శ్రీనిధి శెట్టి లుక్స్‌ పరంగా ఆకట్టుకుంది. యాక్టింగ్‌తోనూ మెప్పించింది. లవ్‌ సీన్స్‌తో పాటు, కొన్ని సెంటిమెంట్‌ సీన్స్‌లో శ్రీనిధి ఆకట్టుకుంది. సిద్దుకు సరైన జోడీ అన్నట్లుగా నటించింది. రొమాంటిక్ సీన్స్ విషయంలో కాస్త ఇబ్బంది పడ్డట్లుగా అనిపించినా ఓవరాల్‌గా తన పాత్రకు న్యాయం చేసింది. హీరోయిన్‌ రాశి ఖన్నా సైతం తన పాత్రకు న్యాయం చేసింది. సిద్దు ను వివాహం చేసుకున్న తర్వాత కొన్ని షాకింగ్ సంఘటనలు ఎదుర్కోవాల్సి వస్తుంది. ఆ సమయంలో ఆమె నటన బాగుంది. చాలా సహజంగా ఆ సీన్స్‌లో ఎమోషన్‌ పండించింది. ఓవరాల్‌గా రాశి ఖన్నా సైతం అంజలి పాత్రకు ప్రాణం పోసినట్లుగా నటించి మెప్పించింది. ఇక వైవా హర్ష కామెడీ ఇంకాస్త మెరుగ్గా ఉండాల్సింది. తనకు వచ్చిన అవకాశంను సద్వినియోగం చేసుకున్నాడు.  టెక్నికల్‌ : ఈ సినిమాకి సంగీతాన్ని అందించిన తమన్‌ పూర్తి స్థాయిలో సంతృప్తి పరిచాడు. రెండు పాటలు చాలా బాగున్నాయి. సినిమా విడుదలకు ముందే అవి మంచి విజయాన్ని సొంతం చేసుకున్న విషయం తెల్సిందే. సినిమాలో ఆ పాటలు చాలా బాగున్నాయి. ఇక బ్యాక్‌ గ్రౌండ్‌ స్కోర్‌తోనూ సినిమా స్థాయిని పెంచాడు. ఓవరాల్‌గా తమన్‌ అందించిన సంగీతం తెలుసు కదా కి ప్రధాన ఆకర్షణగా నిలిచింది అనడంలో సందేహం లేదు.  సినిమాటోగ్రఫీ బాగుంది. సినిమాను గ్రాండ్‌ గా చూపించడంలో సినిమాటోగ్రఫీ పని చేసింది. దర్శకురాలు నీరజ కోన స్క్రీన్‌ ప్లే విషయంలో ఇంకాస్త వినోదాన్ని జోడించి ఉంటే బాగుండేది. సినిమా సీరియస్ నోడ్‌ లో సాగినట్లు అనిపిస్తుంది. ఎడిటింగ్‌లో చిన్న చిన్న లోపాలు మినహా అంతా బాగానే ఉంది. ఆకట్టుకునే విధంగా డైలాగ్స్ ఉన్నాయి. నిర్మాణాత్మక విలువలు బాగున్నాయి. సినిమాలో ఉన్న ప్రతి నటీనటుడు ఔట్‌ ఫిట్‌ పాత్రకు తగ్గట్లుగా బాగున్నాయి.  విశ్లేషణ : స్టార్‌ బాయ్‌ సిద్దు జొన్నలగడ్డ మరోసారి తన నటనతో మెప్పించాడు. కేవలం తాను మాత్రమే చేయగలను అన్నట్లుగా వరుణ్ పాత్రలో నటించి మెప్పించాడు. సినిమా ప్రారంభం అయినప్పటి నుంచి చివరి వరకు పాత్ర నుంచి బయటకు రాకుండా ఆకట్టుకున్నాడు. ట్రైలర్‌ చూసిన సమయంలో వరుణ్‌ పాత్ర అంటే సిద్దు జొన్నలగడ్డను నెగటివ్‌ షేడ్స్‌ లో చూస్తామా అనిపించింది.  కానీ సినిమాలో ఆయన పాత్ర ప్రతి కుర్రాడికి కనెక్ట్‌ అయ్యే విధంగా ఉంది. మంచి ఎమోషనల్‌ సీన్స్ ఉన్నాయి, అయితే ఎంటర్‌టైన్‌మెంట్‌, రెగ్యులర్‌ మాస్‌ ఎలిమెంట్స్‌, యాక్షన్‌ సీన్స్ కోరుకున్న వారు మాత్రం కాస్త నిరుత్సాహం వ్యక్తం చేస్తారు. పక్కా కమర్షియల్‌ మూవీ అన్నట్లుగా లేదు. ఎమోషనల్‌ లవ్‌ కమ్‌ రొమాంటిక్ సీన్స్‌ లో సినిమా సాగింది. అందుకే సినిమా స్లోగా సాగింది అనిపిస్తుంది. ఓవరాల్‌గా సినిమా చూడదగ్గట్లుగా ఉంది.  ప్లస్ పాయింట్స్ : సిద్దు జొన్నలగడ్డ, తమన్ సంగీతం, కొన్ని లవ్‌, రొమాంటిక్ సీన్స్‌  మైనస్ పాయింట్స్ : సెకండ్‌ హాఫ్‌ లో స్లో కథనం, రెగ్యులర్‌ కమర్షియల్‌ ఎలిమెంట్స్ లేకపోవడం, మెయిన్‌ లీడ్‌ కాకుండా ఇతర నటీనటులకు ప్రాధాన్యత లేదు  చివరగా.. ఈతరం యూత్‌ ఇష్టపడే రోమ్‌కామ్‌ మూవీ ఇది. జస్ట్‌ టైం పాస్‌కి చూడాలి అనుకుంటే తప్పకుండా వెళ్లవచ్చు.  బ్యానర్ : పీపుల్స్ మీడియా ఫ్యాక్టరీ  నిర్మాత : టీజీ విశ్వప్రసాద్‌, కృతి ప్రసాద్‌  దర్శకత్వం : నీరజ కోన  సంగీతం : తమన్‌  తారాగణం : సిద్దు జొన్నలగడ్డ, రాశి ఖన్నా, శ్రీనిధి శెట్టి, వైవా హర్ష తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aPIUlZ5xUNkB2FbH_TK.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2025-10-17T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=clB21Xnu_SU"}},"uid":"review-telusu-kada---emotional-entertainment"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'మిత్ర మండలి' రివ్యూ - నవ్వించలేక పోయిన కామెడీ"},"content":{"text":"ఈ మధ్య కాలంలో చిన్న సినిమాలకు మంచి స్పందన లభిస్తుంది, ఆ సినిమాల్లో కామెడీ ఉంటే ప్రేక్షకులు బ్రహ్మరథం పడుతున్నారు. అందుకే మిత్ర మండలి సినిమా గురించి మొదటి నుంచి ప్రముఖంగా చర్చ జరుగుతోంది. ముఖ్యంగా ఈ సినిమాను బన్నీ వాసు సమర్పించేందుకు ముందుకు రావడంతో ఖచ్చితంగా కంటెంట్‌ ఉన్న సినిమా అనే అభిప్రాయం వ్యక్తం అయింది. కనుక సినిమా చూడాలని చాలా మంది అనుకున్నారు. మరి సినిమా ఆ స్థాయిలో ఉందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : కులం అంటే ప్రాణం ఇవ్వడానికి అయినా, తీయడానికి అయినా రెడీ అన్నంతగా కుల పిచ్చి ఉన్న నారాయణ (వీటీవీ గణేష్‌) కూతురు స్వేఛ్చ (నిహారిక) ఇంటి నుంచి పారిపోతుంది. కులంలో పరువు పోతుందని, రాజకీయ జీవితం దెబ్బ తింటుందనే ఉద్దేశంతో కూతురు బయటకు వెళ్లిన విషయం రహస్యంగా ఉంచుతాడు. అయితే తన కూతురు వెతకడానికి ఎస్సై సాగర్‌(వెన్నెల కిషోర్‌) కి పని అప్పజెప్పుతాడు. అతడు స్వేచ్చ పారిపోవడానికి నలుగురు కుర్రాళ్లు కారణం అని అనుమానిస్తాడు.  ఆ నలుగురు కుర్రాళ్లు స్వేచ్చ వల్ల ఎలాంటి ఇబ్బందులు ఎదుర్కొన్నారు అనేది ఈ సినిమా కథ. ఇంతకు స్వేచ్చ ఎటు వెళ్లి పోయింది? చివరకు ఏమైంది? అనేది సినిమా చూసి తెలుసుకోవాల్సిందే.  నటీనటుల నటన : ఈ సినిమాలో నటీనటులు చాలా మందే ఉన్నారు. వీటీవీ గణేష్‌ తన నటనతో నవ్వు తెప్పించే ప్రయత్నం చేశాడు. వెన్నెల కిషోర్‌ తనదైన శైలిలో కామెడీ పండించే ప్రయత్నం చేశారు. కానీ ఆయనది ఇందులో ఓవర్‌ యాక్షన్‌ అనిపించింది. వెన్నెల కిషోర్‌ పాత్ర పెద్దగా ఆకట్టుకోలేదు.  ప్రియదర్శి పాత్ర మెయిన్‌ లీడ్‌లా అనిపించినా కథలో ఆయన ప్రాధాన్యత అంతగా లేదనే చెప్పాలి. ఇంతకు ముందు ఆయన చేసిన సినిమాలతో పోల్చితే ఈ సినిమాలో ఆయన పాత్ర నిరాశను కలిగించింది. పాత్రకు తగ్గట్లుగా నటించాడు.  నిహారిక ఎన్‌ ఎం ఈ సినిమాలో కీలకంగా ఉంది. అయితే ఆమె నటన నేచురాలిటీకి దూరంగా ఉంది అనిపించింది. ఇతర పాత్రల్లో నటించిన వారు వారి పాత్రల పరిధిలో నటించారు.  టెక్నికల్‌ : ఆర్‌ ఆర్ ధ్రువన్‌ అందించిన బ్యాక్ గ్రౌండ్‌ స్కోర్‌ ఏమాత్రం ఆకట్టుకోలేదు. ఒక పాట పర్వాలేదు, కొన్ని సీన్స్‌ లో బ్యాక్ గ్రౌండ్‌ స్కోర్‌ పేలవంగా ఉండటంతో బోర్‌ అనిపించింది. సినిమాటోగ్రఫీ పర్వాలేదు అన్నట్లుగా ఉంది. కొన్ని సీన్స్‌ సాగతీసినట్లుగా ఉన్నాయి. ఎడిటింగ్‌ విషయంలో చాలా లోపాలు ఉన్నాయి.  దర్శకుడు కథను కామెడీగా చెప్పే ప్రయత్నం చేశాడు. కానీ కామెడీ పండించడంలో విఫలం అయ్యాడు. నిర్మాణాత్మక విలువలు పర్వాలేదు అన్నట్లుగా ఉన్నాయి. మాటలు కొన్ని సీన్స్‌లో బాగున్నాయి. కొన్ని సీన్స్‌ లో పరమ రొటీన్‌గా ఉన్నాయి.  విశ్లేషణ : చిన్న సినిమాలకు మంచి ఆధరణ ఉంటుందని, కామెడీ సినిమాలతో వస్తే తప్పకుండా ఆకట్టుకుంటుందని భావించి ఇలాంటి సినిమాలు తీస్తున్నారు. కానీ కామెడీ సినిమాల పేరుతో ప్రేక్షకుల ముందుకు వచ్చి కామెడీ లేకుండా సినిమాలను చేయడం ఏంటని ఈ సినిమాను చూస్తే అనిపిస్తుంది.  ఒకటి రెండు సీన్స్‌ తప్ప ఎక్కడా ఆకట్టుకోలేక పోయారు. సినిమా స్టోరీ లైన్ బాగానే ఉంది. కానీ దాన్ని పూర్తి కథగా మార్చిన తీరు మాత్రం బాగాలేదు. ఓవరాల్‌గా సినిమా ఏమాత్రం ఆకట్టుకోలేదు. నటీనటుల నటన బాగాలేదు, కథ ఏమాత్రం బాగాలేదు, అయినా కూడా కామెడీతో నెట్టుకు వస్తారు అనుకుంటే అది కూడా లేదు. కామెడీ లేకుండా కామెడీ సినిమాను చూసినట్లుగా అనిపించింది.  ప్లస్‌ పాయింట్స్ : సత్య కామెడీ తప్ప ఏమీ లేదు  మైనస్ పాయింట్స్ : కథ, స్క్రీన్‌ ప్లే, కామెడీ ఆశించిన స్థాయి లో లేకపోవడం, సెకండ్‌ హాఫ్‌  చివరగా.. మిత్ర మండలిలో కామెడీ లోపించింది  బ్యానర్ : సప్త అశ్వ మీడియా వర్క్స్, వైరా ఎంటర్‌టైన్‌మెంట్స్  నిర్మాత : కళ్యాణ్ మంతిన, భాను ప్రతాప, బన్నీ వాసు  దర్శకత్వం : విజయేందర్‌  సంగీతం : ఆర్‌ ఆర్‌ ధ్రువన్‌  తారాగణం : ప్రియదర్శి, నిహారిక ఎన్‌ఎం, ప్రసాద్‌ బెహరా, వెన్నెల కిషోర్‌, సత్య, వీటీ గణేష్‌, విష్ణు ఓ ఐ, రాగ్‌ మయూర్‌ తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aPDW4J5xUNkB2C7l_MITHRAMANDALIREVIEW.JPG?auto=format,compress"},"datetime":"2025-10-16T09:28:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=hGXMm4Cx6Po"}},"uid":"review-mitramandali---comedy-less"}},{"node":{"tags":["politics"],"data":{"title":{"text":"'కాంతార : చాప్టర్ 1' రివ్యూ... మంచి విజువల్‌ వండర్‌ మూవీ"},"content":{"text":"చిన్న సినిమాగా రూపొంది పాన్‌ ఇండియా రేంజ్‌లో భారీ విజయాన్ని సొంతం చేసుకున్న 'కాంతార' సినిమాకు ప్రీక్వెల్‌గా ఈ సినిమాను రూపొందించారు. సాధారణంగా సీక్వెల్‌ అంటే ప్రేక్షకులు ఆసక్తి చూపిస్తారు. కానీ కాంతారకు ప్రీక్వెల్‌ అన్నా కూడా ఆ సినిమా క్రియేట్‌ చేసిన ఇంపాక్ట్‌ కారణంగా చాలా ఆసక్తిగా ఎదురు చూస్తున్నారు. ఎప్పుడెప్పుడు సినిమా వస్తుందా అంటూ అంతా ఆసక్తిగా ఎదురు చూస్తున్నారు. ఎట్టకేలకు నేడు ప్రేక్షకుల ముందుకు వచ్చింది. మొదటి పార్ట్‌ ను చిన్న బడ్జెట్‌తో తీస్తే ఈ సినిమాను భారీ బడ్జెట్‌తో నిర్మించారు. ఈ ప్రీక్వెల్‌ ప్రేక్షకులను ఆకట్టుకుందా అనేది ఈ రివ్యూలో చూద్దాం.  కథ : ఈ కథ మొత్తం కాంతార ప్రాంతం చుట్టూ తిరుగుతూ ఉంటుంది. మొదటి పార్ట్‌ ఎక్కడైతే ముగిసిందో అక్కడే ఈ ప్రీక్వెల్‌ను ప్రారంభించారు. పంజుర్లి జాతర తర్వాత మాయం అయిన తన తండ్రి గురించి తెలుసుకునేందుకు శివ ప్రయత్నిస్తున్న సమయంలో ఆ ప్రాంతం గురించి పెద్ద చరిత్ర తెలుస్తుంది. అదే ఈ కాంతార ఏ లెజెండ్‌ కథ. రాజశేఖర్‌ అనే రాజు పరిపాలిస్తున్న రాజ్యంలో కాంతార ప్రాంతం ఉంటుంది. అయితే ఆ ప్రాంతంలోకి రాజుకు, రాజు సైన్యంకు వెళ్లేందుకు అనుమతి ఉండదు. ఎవరైనా కాంతార ప్రాంతంకు వెళ్లాలి అనుకున్న, ఆ ప్రాంతాన్ని స్వాదీనం చేసుకోవాలి అనుకున్న చనిపోవడం జరుగుతుంది.  కాంతార ప్రాంతాన్ని బెర్మి(రిషబ్‌ శెట్టి) పరిరక్షిస్తూ ఉంటాడు. తన ప్రాంతంలో ఉండే ఖరీదైన సుగంధాలను రాజ్యంలో అమ్మి వ్యాపారం చేయాలి అనుకుంటాడు. ఆ క్రమంలో రాకుమారి కనకావతి(రుక్మిణి వసంత్‌)ని కలుస్తాడు. అంతా సాఫీగా సాగుతున్న సమయంలో యువరాజు కులశేఖర(గుల్షన్‌ దేవయ్య) కాంతార ప్రాంతాన్ని ఆక్రమించేందుకు ప్రయత్నాలు మొదలు పెడతాడు. ఆ తర్వాత ఏం జరుగుతుంది? కులశేఖర, బెర్మిల మధ్య జరిగే యుద్దం ఎలాంటిది? రాజకుమారి కనకావతి పాత్ర ఏంటి? అనే విషయాలు తెలుసుకునేందుకు సినిమా చూడాల్సిందే.  నటీనటుల నటన : సినిమాలో ఎంతో మంది నటీనటులు ఉంటారు. వారిలో చాలా మందికి కీలక పాత్రలు లభించాయి. అయితే బెర్మి పాత్రలో కనిపించిన రిషబ్‌ శెట్టి మొత్తం కథను తన బుజాలపై వేసుకుని నడిపించాడు అనిపించింది. ఆయన మొదటి పార్ట్‌లో అద్భుతంగా నటించాడు అంటూ విమర్శకుల ప్రశంసలు దక్కించుకున్నాడు. కనుక ఇప్పుడు అంతకు మించి అనిపించుకునేందుకు రిషబ్‌ ఎంతగా కష్టపడ్డాడో క్లీయర్‌గా వెండి తెరపై కనిపిస్తోంది. ఆయన యాక్షన్‌ సీన్స్ మొదలుకుని, కొన్ని రొమాంటిక్‌ సీన్స్‌, దైవత్వంతో కూడిన సీన్స్ ఇలా అన్నింటిలోనూ రిషబ్‌ శెట్టి నటనతో మెప్పించాడు. అద్భుతమైన నటనతో ముఖ్యంగా క్లైమాక్స్‌ సన్నివేశాల్లో రిషబ్‌ శెట్టి మరోసారి కాంతార వరల్డ్‌లోకి తీసుకు వెళ్లాడు.  హీరోయిన్‌గా నటించిన రుక్మిణి వసంత్‌ కు ఇంటర్వెల్‌కు ముందు వరకు పెద్దగా నటనకు స్కోప్‌ లేదు. కానీ సెకండ్‌ హాఫ్‌ లో ఆమె తన నట విశ్వరూపం చూపించే విధంగా నటించింది. తన పాత్రకు పూర్తి న్యాయం చేసింది. రాజు పాత్రలో నటించిన జయరామ్‌ ఆకట్టుకున్నాడు. హుందాగా చాలా సెన్సిబుల్‌ నటనతో మెప్పించాడు. ఇక ఆయన కొడుకు పాత్రలో గుల్షన్‌ దేవయ సృష్టించిన విద్వంసం అంతా ఇంతా కాదు. సాధారణంగానే ఆయన విలనిజం బాగుంటుంది అంటూ విమర్శకులు సైతం ప్రశంసిస్తూ ఉంటారు. అలాంటి పాత్రను అంతకు మించి అన్నట్లుగా పోషించి ఆకట్టుకున్నాడు. సినిమాలో నటించిన ఇతర నటీనటులు సైతం వారి పాత్రల పరిధిలో చక్కని నటనతో ఆకట్టుకున్నారు.  టెక్నికల్‌ : ఈ సినిమాలో కథ, స్క్రీన్‌ ప్లే కంటే టెక్నికల్‌ అంశాలకు ప్రధాన పీట వేసినట్లుగా ఉంది. ముఖ్యంగా సినిమాటోగ్రఫీ, నేపథ్య సంగీతం అద్భుతంగా ఉండటంతో సినిమా విజువల్‌ వండర్‌ గా మారింది. అంతే కాకుండా ఈ మధ్య కాలంలో వీఎఫ్‌ఎక్స్‌ విషయంలో చాలా సినిమాలు విమర్శలు ఎదుర్కొంటున్న విషయం తెల్సిందే. కానీ ఈ సినిమా మాత్రం అందుకు భిన్నం అన్నట్లుగా నిలిచింది.  సినిమాలో వీఎఫ్‌ఎక్స్‌ వర్క్‌ అద్భుతంగా ఉన్నాయి. సినిమాలో ఆవిష్కరించిన కొత్త లోకంను కళ్ల ముందు వీఎఫ్ఎక్స్‌ తో అద్భుతంగా తీసుకు వచ్చి పెట్టడంలో అన్ని డిపార్ట్‌మెంట్స్ సక్సెస్‌ అయ్యాయి. దర్శకుడు కథ విషయంలోనే ఇంకాస్త వర్కౌట్‌ చేయాల్సి ఉంది. స్క్రీన్‌ ప్లేతో పాటు కొన్ని చోట్ల డైలాగ్స్ విషయంలో జాగ్రత్తను తీసుకోవాల్సింది. ఎడిటింగ్‌ లో చిన్న చిన్న లోపాలు మినహా పెద్దగా చెప్పుకునే తప్పులు ఏమీ లేవు. సినిమాను భారీ బడ్జెట్‌తో అద్భుతమైన ప్రొడక్షన్‌ వాల్యూస్‌తో నిర్మించారు.  విశ్లేషణ : కాంతార ప్రీక్వెల్‌ అనగానే కేవలం కన్నడ ప్రేక్షకులు మాత్రమే కాకుండా మొత్తం పాన్‌ ఇండియా ప్రేక్షకులు ఊగిపోయే పరిస్థితి ఉంది. అందుకే దర్శకుడు రిషబ్‌ శెట్టి ఒకటి కాదు రెండు కాదు ఏకంగా మూడు ఏళ్ల పాటు కష్టపడి ఈ సినిమాను రూపొందించడంతో పాటు నటించాడు. నటుడిగా నూటికి నూరు శాతం సక్సెస్‌ అయిన రిషబ్‌ శెట్టి దర్శకుడిగా మాత్రం కాస్త వెనక పడ్డాడు అనిపించింది. ఎందుకంటే కథ ఎంపిక విషయంలో ఆయన చాలా ఎక్కువ రీసెర్చ్‌ చేసినట్లుగా అనిపించింది. విన్న కథలు, ఉన్న పుకార్లు అన్నింటిని ఆయన ఇక్కడ చెప్పేందుకు చాలా ప్రయత్నించాడు.  సినిమా కథలో పాత కథలు ఎక్కువ అయ్యాయి. అంతే కాకుండా రియాల్టీకి చాలా దూరంగా వెళ్లి పోయింది. మొదటి పార్ట్‌తో పోల్చితే సినిమా ప్రొడక్షన్‌ వాల్యూస్‌, ఇతర సాంకేతిక పరిజ్ఞానం నూరు శాతం మెరుగ్గా ఉంది అనడంలో ఎలాంటి సందేహం లేదు. కానీ సినిమా కథ విషయంలో మొదటి పార్ట్‌తో పోల్చితే చాలా వీక్‌గా ఉంది. స్ట్రాంగ్‌ స్టోరీ లైన్‌తో ఇలాంటి మేకింగ్‌ చేసి ఉంటే మరో లెవల్‌ అన్నట్లుగా ఉండేది. ఇప్పుడు మాత్రం విజువల్‌ వండర్‌గా అనిపించే విధంగా తీశారు. మొదటి కాంతారను మైండ్‌ లో పెట్టుకోకుండా ఈ సినిమాను చూస్తే తప్పకుండా ప్రేక్షకులు ఎంజాయ్‌ చేయవచ్చు.  ప్లస్‌ పాయింట్స్ : రిషబ్‌ శెట్టి, హీరోయిన్‌, వీఎఫ్‌ఎక్స్ వర్క్‌, యాక్షన్‌ సీన్స్‌, కాంతార ప్రాంతం విజువల్స్‌  మైనస్‌ : కథ, స్క్రీన్‌ ప్లే, ఫస్ట్‌ హాఫ్‌ లో కొన్ని సీన్స్‌, అనవసర కామెడీ, చాలా సీన్స్ ల్యాగ్‌, కొన్ని పాత్రలకు ప్రాధాన్యత లేకపోవడం  చివరగా... కాస్త బోర్‌ అనిపించినా ఫైనల్‌గా ప్రీ క్లైమాక్స్‌, క్లైమాక్స్‌తో ఫీల్‌ మారిపోతుంది.  బ్యానర్ : హంబులే ఫిల్మ్స్‌  నిర్మాత : విజయ్‌ కిరగందూర్‌  దర్శకత్వం : రిషబ్ శెట్టి  సంగీతం : అజనీష్ లోకనాథ్‌  తారాగణం : రిషబ్‌ శెట్టి, రుక్మిణి వసంత్‌, రాకేష్ పూజారి, జయరామ్‌, గుల్షన్‌ దేవయ్య తదితరులు"},"img":{"url":"https://images.prismic.io/prad/aN4-jZ5xUNkB1ZYP_kantarachapter1.JPG?auto=format,compress"},"datetime":"2025-10-02T08:20:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=axBF-4nNZ3s"}},"uid":"review-kantara-chapter-1....visual-wonder-movie"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}