{"data":{"all":{"edges":[{"node":{"tags":["Entertainment","featured","one"],"data":{"third_party_url":null,"title":{"text":"Sneha Set for ‘Kaaka’ With Chiru?"},"content":{"text":"Megastar Chiranjeevi and mass director Bobby Kolli’s highly anticipated film ‘Kaaka’ continues to generate buzz in Tollywood, with expectations growing steadily around the project. The promotional material and glimpses released so far have already caught the attention of movie lovers, adding to the curiosity surrounding the film. Now, an interesting casting buzz has reportedly emerged from film circles, with senior actress Sneha said to be in consideration for a key role alongside Chiranjeevi. Sneha, who has enjoyed a strong connect with Telugu audiences through her performances and on-screen charm, could reportedly reunite with the Megastar for this much-awaited project. While details about her character and the nature of her association with Chiranjeevi are yet to be officially revealed, the possibility has triggered considerable interest among fans. If the reports turn out to be true, her presence could add another familiar and experienced face to the film’s ensemble. Directed by Bobby Kolli, ‘Kaaka’ is being mounted as a prestigious project with Chiranjeevi in the lead. The film has been attracting attention for its combination of the Megastar’s mass appeal and Bobby’s commercial filmmaking style. However, the makers are yet to officially confirm Sneha’s casting, so the latest reports should be treated as speculation until an announcement is made."},"img":{"url":"https://images.prismic.io/prad/FXRcXum-iyo1ElPm_chirusneha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-17T11:49:00+0000","embed":{"embed_url":null}},"uid":"sneha-set-for-kaaka-with-chiru"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"‘Varanasi’ Trailer: Rajamouli’s Secret Plan?"},"content":{"text":"Superstar Mahesh Babu and SS Rajamouli’s much-awaited ‘Varanasi’ continues to dominate the spotlight, with the ambitious project being positioned as a pan-world cinematic spectacle. Every update surrounding the film has been generating significant interest among moviegoers, while the already-released glimpse has further intensified curiosity. The latest reports suggest that Mahesh Babu has wrapped up his portions of the shoot, with the overall production said to be nearing completion at around 90 per cent. With the remaining portions reportedly being finished, the team is expected to gradually shift its attention towards the extensive post-production and VFX work required for the film. At the same time, the makers are reportedly exploring an unconventional promotional strategy for ‘Varanasi’. Rajamouli has already been associated with large-scale promotional campaigns, including international events, media interactions and special interviews designed to take the film beyond the usual Indian-market publicity circuit. Now, industry buzz suggests that the filmmaker may be considering an even more secretive approach for the final phase of promotions. According to these reports, the team is contemplating releasing the film without a conventional theatrical trailer, allowing the movie itself to remain the biggest reveal. The speculation is closely linked to Mahesh Babu’s character, Rama, whose appearance and portions of the role are reportedly being kept under wraps. The concern within the team is said to be that a full-fledged trailer could reveal key visuals, character details or major moments much earlier than intended. By avoiding a traditional trailer, the makers could potentially preserve the surprise factor and give audiences their first complete theatrical glimpse of Mahesh as Rama on the big screen. However, this reported strategy has not been officially confirmed by Rajamouli or the production team, and fans will have to wait for an official announcement regarding the film’s final promotional plans."},"img":{"url":"https://images.prismic.io/prad/aXyUQwIvOtkhCHTT_varanasi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-17T13:56:00+0000","embed":{"embed_url":null}},"uid":"varanasi-trailer-rajamoulis-secret-plan"}},{"node":{"tags":[],"data":{"third_party_url":null,"title":{"text":"Tata Sons Backs Chandrasekaran for 5 More Years"},"content":{"text":"Tata Sons on Thursday announced that N. Chandrasekaran will be reappointed as Chairman for a further five-year term, reversing his earlier decision not to seek an extension and setting the stage for a potential showdown with Tata Trusts, the majority shareholder of the group holding company.  Chandrasekaran had said last month that he would not seek reappointment when his current term ends in February, after the Tata Sons board could not reach a resolution on extending his tenure. However, in a statement issued on Thursday, Tata Sons said Chandrasekaran had agreed to the board's request to reconsider his decision and would continue as the Chairman for another five years after the expiry of his current term. \"The Board received from Tata Trusts their unanimous resolution dated July 28, 2025 expressing their appreciation of the Chairman of Tata Sons, N. Chandrasekaran (Chandra), for his stewardship of the Group from 2017 onwards. In recognition of these efforts, the Tata Trusts resolved that he be re-appointed as Executive Chairman for a further term of five years upon the expiry of his current term,\" it said in its official statement. \"At the meeting of the Board on September 17, 2026, Chandra acceded to the Board’s request to re-consider his decision. The Board thereafter resolved by a majority vote to re-appoint him as Executive Chairman for a further term of five years upon the expiry of his current tenure,\" it added. The development has triggered uncertainty within the Tata Group as earlier in the day, Noel Tata, Chairman of Tata Trusts, which holds a 66 per cent stake in Tata Sons, described the reappointment as \"illegal\". Meanwhile, investors reacted sharply to the announcement, with shares of several listed Tata Group companies witnessing strong buying interest during Thursday's trading session. Tata Group stocks rallied by up to 14 per cent on Thursday afternoon following the announcement of Chandrasekaran's fresh five-year term and the board's move towards the much-awaited initial public offering (IPO) of Tata Sons."},"img":{"url":"https://images.prismic.io/prad/Z69K75bqstJ9-o04_chandrasekharan.JPG?auto=format,compress"},"datetime":"2026-09-17T12:30:00+0000","embed":{"embed_url":null}},"uid":"tata-sons-backs-chandrasekaran-for-5-more-years"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"BRS Ready for KCR, RR Family Assets Probe"},"content":{"text":"BRS Working President, K.T. Rama Rao, on Thursday said that they were prepared for a comprehensive enquiry by a sitting High Court or Supreme Court judge into the family assets of both BRS chief K. Chandrasekhar Rao and Chief Minister A. Revanth Reddy, dating back to their birth.  He stated that Chief Minister Revanth Reddy should accept this challenge and immediately agree to a probe by a sitting judge. K.T. Rama Rao was reacting to the Chief Minister’s announcement made in the Assembly on Wednesday that an enquiry would be conducted into the landholding of K. Chandrasekhar Rao and his family. The BRS leader was talking to the media after hoisting the National Flag at Telangana Bhavan on National Integration Day, marking Hyderabad State’s integration with the Indian Union. K.T. Rama Rao expressed full faith in the judiciary and demanded an enquiry by a sitting judge, rather than 'SITs' or special teams that CM Reddy's government might constitute. He declared they were fully prepared to face any legal consequence if even an iota of wrongdoing was established on their part. K.T. Rama Rao alleged that his father KCR inherited substantial property long before he entered public life. Terming KCR’s life history as “an open book”, K.T. Rama Rao said he was born in 1954 in a landlord family. “Our house in Chintamadaka was almost two acres. Our forefathers had owned hundreds of acres,” he said. He claimed that the family property was earlier located in Konapur and that part of the property was acquired for an irrigation project in the 1930s. With the compensation running into lakhs of rupees, KCR’s father used the compensation to acquire land in Chintamadaka, where the family subsequently settled. K.T. Rama Rao questioned whether the family’s present landholding represented an increase or reduction in wealth compared with its ancestral holdings. “Now, after 72 years, he has only 67 acres. Is that a reduction of wealth or an increase of wealth?” he asked. He pointed out that Revanth Reddy, who had previously repeatedly talked about a \"1,000-acre farmhouse,\" personally admitted in the Assembly yesterday that the extent was 67 acres. He remarked that if the remaining 933 acres could be located, they would willingly hand it over to the government. K.T. Rama Rao demanded that CM Reddy apologise to KCR for what he called false propaganda and mudslinging. He observed that those occupying high constitutional offices must conduct themselves with dignity, rather than turning the Assembly into an arena for falsehoods and fabrications that demean the very office of the Chief Minister. K.T. Rama Rao asserted that the state government’s 420 electoral guarantees have proven entirely bogus following 1,000 days of administrative paralysis and governance failure. He alleged that the BRS legislature party was undemocratically suspended from the House precisely because the treasury benches feared being held accountable on key assurances. Accusing the Chief Minister of colluding with the BJP to unilaterally orchestrate legislative proceedings in the absence of the principal opposition, K.T. Rama Rao dared the regime to extend the Monsoon Session by a month and revoke the suspensions. \"Instead of grandstanding that the opposition lacks the courage to look him in the eye, let him extend the session; we will not merely look you in the eye, we will grab you by the collar on behalf of the people of Telangana on the promised Rs 2,500 under the Mahalakshmi scheme, the Rs 4,000 pensions, uninterrupted power, irrigation, Rythu Bandhu, and the unceremonious cancellation of Rythu Bima,\" he declared. Rama Rao termed the Chief Minister’s two-and-a-half-hour Assembly monologue a monumental display of ignorance, devoid of head or tail. He claimed that previous propaganda spun by Reddy—such as alleging that the previous administration built 150 bedrooms and golden bathrooms at Pragathi Bhavan, or dug secret tunnels beneath the Integrated Secretariat to unearth treasure troves—stood completely exposed."},"img":{"url":"https://images.prismic.io/prad/87ca82fa-966e-4867-9389-9fcac5657f00_RRKCR.JPG?auto=format,compress"},"datetime":"2026-09-17T14:12:00+0000","embed":{"embed_url":null}},"uid":"brs-ready-for-kcr-rr-family-assets-probe"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Aamir’s Remarkable ‘Lalkaara’ Avatar"},"content":{"text":"In an exciting development in Bollywood, Aamir Khan is embarking on a significant physical transformation as he prepares for his reunion with acclaimed director Ashutosh Gowariker in the upcoming sports drama 'Lalkaara.' This film marks their first collaboration since the groundbreaking 'Lagaan,' which not only showcased Khan's exceptional talent but also left an indelible mark on Indian cinema. As Khan gears up for this new role, the stakes are high; he is set to portray a character who is a decade younger than his actual age, demanding a rigorous commitment to his weight-loss journey. According to exclusive reports from Filmfare, Khan's current weight-loss program is an integral part of his preparation for the role. Sources close to the actor reveal that he is determined to achieve the physicality required to convincingly embody a 25-year-old athlete. Known for his unparalleled dedication to his craft, Khan's transformation is both a personal and professional undertaking. His history of dramatic physical changes for roles, such as in 'Dangal' and 'Ghajini,' further exemplifies his willingness to push the boundaries of his performance and is indicative of the depth he brings to his work. 'Lalkaara,' which is being penned by the talented duo of Piyush Gupta and Neeraj Singh, is set against the backdrop of Indian cricket. The narrative promises to explore intricate themes of rivalry, friendship, and patriotism, while also delving into the profound human experiences surrounding the Partition of India. By choosing cricket as its centerpiece, the film not only aims to capture the spirit of the sport but also reflects on the sociocultural impact it has had on Indian society, making this project not just entertaining but also deeply resonant for audiences. The anticipation surrounding the reunion of Khan and Gowariker is palpable, especially considering the monumental success of 'Lagaan,' which earned an Oscar nomination and remains a landmark film in Indian cinema. As Khan dedicates himself to this transformation, the cinematic community watches closely, curious about how 'Lalkaara' will unfold. The project has all the ingredients of another ambitious collaboration, with its focus on a rich narrative coupled with the intense physical preparation Khan is undergoing, bolstering expectations for what could become a significant addition to both their filmographies."},"img":{"url":"https://images.prismic.io/prad/gRv0BEBDHtxZH0M0_aamirkhan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-17T17:40:00+0000","embed":{"embed_url":null}},"uid":"aamirs-remarkable-lalkaara-avatar"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Mom-to-Be Samantha Starts Shooting"},"content":{"text":"Actress Samantha Ruth Prabhu, who is expecting her first child, has started shooting for the much-awaited culinary reality show “Celebrity MasterChef Tamil.” A source close to the development revealed  that the ‘Oo Antava’ actress has travelled to Chennai to kick-start the shoot. While further details about the show and Samantha’s role are awaited, fans are looking forward to watching the actress take on this new challenge. Samantha, who is reportedly in her seventh month of pregnancy, has continued to work during this special phase of her life. Talking about the show, Samantha had earlier shared her excitement about the new venture and said that food has a unique way of bringing people closer. The ‘Yashoda’ actress also said she was looking forward to watching some of the popular faces from the Tamil film industry step into the kitchen. The actress said, “I’m incredibly excited to finally share this with everyone. Celebrity MasterChef Tamil is unlike anything I’ve done before, and that’s exactly what made it impossible to say no. Food has a wonderful way of bringing people together, creating memories, and revealing a side of you that the cameras don’t usually get to see.” “What I’m most excited about is watching some of our favourite Tamil celebrities’ step into the kitchen, take risks, make mistakes, surprise themselves, and compete with a lot more passion than you’d expect!” I wish I could tell you who’s cooking, but where’s the fun in that? I can’t wait for everyone to experience what we’re cooking up with Sony Vizha,” she added. Produced by Banijay Asia, “Celebrity MasterChef Tamil” will follow the format of the internationally popular MasterChef franchise while adding a distinct local touch. The show will feature well-known personalities from the Tamil film industry competing in the kitchen. The culinary reality show is expected to premiere soon on Sony VIZHA and Sony LIV. Meanwhile, Samantha is preparing to embrace motherhood as she awaits the arrival of her first child with filmmaker husband Raj Nidimoru."},"img":{"url":"https://images.prismic.io/prad/0XkZ5k7OClC2kfkw_sam.JPG?auto=format%2Ccompress&rect=0%2C17%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-17T10:32:00+0000","embed":{"embed_url":null}},"uid":"mom-to-be-samantha-starts-shooting"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Prithvi Shaw Call Off Engagement"},"content":{"text":"Indian cricketer Prithvi Shaw and his fiancee Akriti Agarwal have decided to part ways, around six months after announcing their engagement, with Agarwal confirming the separation in a statement on social media on Thursday.  Agarwal, a social media personality and actress, said the decision was mutual and came after the couple realised their future goals and circumstances differed. She also asked people to respect their privacy and refrain from speculation about the reasons for their decision. “With a heavy heart, I would like to share that my fiancé and I have decided to part ways due to different goals and circumstances for our future. As much as we love and care for each other, we’ve come to accept that our paths are not meant to be together. With our responsibilities and the circumstances we are currently facing, we have mutually decided to go our separate ways,” Agarwal wrote on Instagram. “I genuinely wish nothing but the best, peace, and happiness for both of us as we move forward. I kindly request everyone to respect our privacy during this difficult time and refrain from speculating or making assumptions about the reasons behind our decision. Thank you for understanding and respecting our space,” she added. Shaw and Agarwal announced their engagement on March 8, with the India batter sharing a series of romantic pictures from the occasion. In one photograph, Shaw could be seen going down on one knee to propose to Agarwal, while another showed the couple displaying their engagement rings. “From sixes on the field to a lifetime of hits off it. She’s my perfect innings!\" Shaw had captioned the post. The engagement came at a pivotal point in Shaw’s career, as he sought to rebuild his standing in domestic and franchise cricket. The right-handed batter, who made his India debut in 2018 with a century on his first Test against the West Indies, was bought by Delhi Capitals for Rs 75 lakh in the accelerated round of the IPL 2026 auction. However, Shaw did not play a single match in the 2026 IPL season. Shaw joined the Delhi Capitals for ₹75 lakh during the IPL 2026 auction after going unsold in the initial rounds. His domestic career has also faced setbacks, with the batter released by Mumbai’s Ranji Trophy squad in October 2024. The 26-year-old has since continued to play domestic cricket for Maharashtra. Shaw has also removed his engagement photographs from his Instagram profile following the announcement."},"img":{"url":"https://images.prismic.io/prad/iomGskoAioeePjP6_pruthvishahengagement.JPG?auto=format%2Ccompress&rect=0%2C27%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-17T09:30:00+0000","embed":{"embed_url":null}},"uid":"prithvi-shaw-call-off-engagement"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Goodachari 2' Targets Feb 5?"},"content":{"text":"If sources in the industry are to be believed, director  Vinay Kumar Sirigineedi's spy action thriller 'Goodachari 2' (G2), featuring actors Adivi Sesh and Wamiqa Gabbi in the lead, will hit screens on February 5 next year.  The film is the sequel to the blockbuster spy thriller 'Goodachari'. Vinay Kumar Sirigineedi, who is making his directorial debut with this film, is also producing it and is looking to build on the success of the first part.  Sources say that the film, which has been awaiting a release date for quite some time now, will finally hit screens on February 5 next year and add that the makers are looking to redefine the spy thriller genre in Indian cinema with this film. This time around, Wamiqa Gabbi will be seen making an entry as Agent 116. Bollywood star Emraan Hashmi too will be seen essaying a powerful role in this movie, which will also feature actors Murali Sharma, Supriya Yarlagadda, and Madhu Shalini in pivotal roles. Sources have claimed that Emraan Hashmi will be seen sharing screen space alongside Adivi Sesh in the pan-India film and that he will portray a role that will be seen as a parallel lead. More significantly, they claim that he will not be portraying a negative role. The film is being produced by T.G. Vishwa Prasad and Abhishek Agarwal under the banners of People Media Factory, Abhishek Agarwal Arts and AK Entertainments. It is to be released pan India in Telugu, Hindi, Tamil, Kannada and Malayalam. For the unaware, actor Adivi Sesh, who plays the lead in the spy action thriller, had penned a belated birthday post last year for his 'Goodachari 2' co-star Wamiqa Gabbi. Taking to his X timeline to pen the birthday greeting a day after the actress had celebrated her birthday, Adivi Sesh had said, \"Many many happy returns of the day dear @iWamiqaGabbi!! You’re a fantastic co-star and you’ve given so many layers of gravitas to your role. Happy Birthday to our Talented, Beautiful and Professional Lead Actress of #G2 #Goodachari2.\" Interestingly, he put out a post script, that read, \"p.s. forgive me for the late wishes\" with a folded hands image next to it. For the unaware, Adivi Sesh, apart from playing the lead in the film, has also scripted it. While the blockbuster film 'Goodachari' was directed by Sashi Kiran Tikka, the upcoming film has been directed by Vinay Kumar Sirigineedi. The 2018 Telugu film 'Goodachari' featured Sobhita Dhulipala, Jagapathi Babu, and Prakash Raj in pivotal roles."},"img":{"url":"https://images.prismic.io/prad/iWYJU3T4IpBLW_Zq_G2.JPG?auto=format%2Ccompress&rect=0%2C4%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-17T04:57:00+0000","embed":{"embed_url":null}},"uid":"goodachari-2-targets-feb-5"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"​Trump ties $5,000 payout to Republican victory"},"content":{"text":"President Donald Trump promised a $5,000 payment to every adult in America if Republicans win both chambers of Congress in November, linking his proposed “Trump dividend” to tariff revenue as he campaigned in North Carolina. Speaking in support of Republican Senate candidate Michael Whatley, Trump said the payment would go to Democrats and Republicans alike. He did not outline eligibility rules, a payment timetable or the legislative mechanism for delivering the money. “And remember, if the Republicans win the House and Senate, I will issue what we will all call, from now on, the Trump dividend to every adult in America,” he said. “We'll get $5,000, and you'll get it.” Trump argued that revenue from tariffs would allow his administration to fund the payments. He offered no detailed revenue figures or estimate of the programme’s total cost in the remarks. “Tariffs have made us rich,” he said. Returning to the pledge later, Trump made the electoral condition explicit: “If we win, we're gonna get you $5,000.” The payment proposal formed part of a broader appeal for voters to support Republican candidates on November 3. Trump urged supporters to treat the congressional elections as though he were personally seeking office. “But in this election, I'm asking you to pretend I'm on the ballot just one more time,” he said. He warned that a Democratic victory would threaten his administration’s tax and border policies. Those warnings were campaign assertions; the transcript did not include a Democratic response. Trump also promised to make permanent the tax provisions he described as removing taxes on tips, overtime and Social Security. He did not explain the scope of the proposed changes or how Congress would enact them. “We're gonna make it permanent. We're gonna put it in law,” he said. His legislative promises extended to healthcare, immigration and election rules. He proposed directing money now paid to large health insurers to individuals so they could purchase their own coverage. He provided no financing or implementation details. He also called for mandatory voter identification and proof of citizenship, an end to cashless bail and legislation preventing future presidents from opening the border to illegal immigration. Whatley’s contest against Democrat Roy Cooper was a central focus of the speech. Trump praised Whatley’s work leading the Republican Party and portrayed the Senate race as consequential for his agenda. “One vote could do it. You gotta get him in,” Trump said. Whatley, joining Trump onstage, said his campaign focused on household finances, public safety and military strength. “And I'm excited about running for Senate because I want every North Carolina family to make more money, to keep more money,” Whatley said. Trump also defended his economic record and pressed for lower borrowing costs. “Interest rates in the United States should be 1 per cent or less because we are the best credit in the world by far with all that money pouring in,” he said."},"img":{"url":"https://images.prismic.io/prad%2F7cb00454-6a64-4018-b7a5-3cf2469d09ac_trump.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-17T06:17:00+0000","embed":{"embed_url":null}},"uid":"trump-ties-5000-payout-to-republican-victory"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Aakasamlo Oka Tara' on Nov 20"},"content":{"text":"The makers of  director Pavan Sadineni's upcoming film  'Aakasamlo Oka Tara', featuring actors Dulquer Salmaan and Satvika Veeravalli in the lead, on Thursday announced that the film would hit screens world over on November 20 this year.  Swapna Cinemas, the production house producing the film, took to its social media timelines to make the announcement.  It wrote, \"The journey to the stars begins. #AakasamLoOkaTara / #AOTMovie - 20th November 2026 in theatres. Come along… there’s a beautiful world waiting for you. #AOTonNOV20th @dulQuer @pavansadineni @GeethaArts @SwapnaC.\" It may be recalled that the makers had marked the birthday of actor Dulquer Salmaan earlier this year by releasing a new poster of the actor from the film and announcing that he played a character called Krishna in the film.   It may be recalled that the makers the film had some months ago introduced Satvika Veeravalli as the lead of the film. The film, which is being produced by Sandeep Gunnam and Ramya Gunnam under the Light Box Media banner, is being presented by well known production houses Geetha Arts and Swapna Cinema. Geetha Arts, which is one of the firms presenting the film, had taken to its Instagram page to share the introduction video of the actress. It wrote, \"She carries a dream bigger than the sky…. Introducing Satvika Veeravalli - The dreamer who gives wings to #AakasamLoOkaTara #AOTMovie.\" The introduction video begins with a child, pointing to the sky and asking \"How do I go to space?\" Viewers are then given a glimpse of the heroine.The introduction video shows Satvika Veeravalli as a youngster from the rural parts who is dissuaded from pursuing her dream of going to space. We hear a man's voice saying, \"Coming from a village that has no roads, you harbour plans of going to space? First, you show us if you can cross the borders of the village. Then, we'll see.\" It is evident that the film will revolve around the character that Satvika Veeravalli plays and that she is actually the protagonist. The film is about a girl from a remote rural region realising her dream of becoming an astronaut and going to space. The film boasts of a fantastic technical team. It has two-time National Award winner G V Prakash Kumar scoring music for it. Cinematography for the film is by one of the best in business, Sujith Sarang. The film has editing by National Award winning editor K L Praveen."},"img":{"url":"https://images.prismic.io/prad/aY7wIlWLo0XkEe5z_AkasamloOkatara.JPG?auto=format,compress"},"datetime":"2026-09-17T06:30:00+0000","embed":{"embed_url":null}},"uid":"aakasamlo-oka-tara-on-nov-20"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Telangana HC Orders SIT Probe Into HCA"},"content":{"text":"In a significant judicial intervention during the IPL season, the Telangana High Court has mandated the establishment of a Special Investigation Team (SIT) to scrutinize allegations of financial mismanagement and administrative irregularities within the Hyderabad Cricket Association (HCA). Justice Nagesh Bheemapaka, while addressing a petition from Ch Sanjeev Reddy, president of the Safilguda Cricket Club, instructed the state's crime branch to appoint a senior officer to lead the investigation. This order comes in the wake of alarming financial discrepancies totalling ₹2.68 crore uncovered in an audit, raising serious questions about the association's governance and operational integrity. The court's ruling underscores the growing concerns regarding the HCA's financial oversight, particularly as a separate report by a committee led by retired Justice L. Nageswara Rao revealed that the association's accounts have remained unfinalized since 2017. This prolonged inaction has not only hampered the HCA's operational capabilities but has also resulted in the Board of Control for Cricket in India (BCCI) withholding essential funding. The current turmoil is compounded by several ongoing probes, including an Anti-Corruption Bureau (ACB) investigation and inquiries by the Enforcement Directorate into alleged money laundering activities, highlighting a culture of opacity that has pervaded the association. Justice Bheemapaka's detailed 45-page order painted a stark picture of the internal strife and systemic failures plaguing the HCA, emphasizing that such mismanagement severely tarnishes the reputation of cricket in Hyderabad. The judge noted the detrimental effects of these failures on aspiring cricketers who rely on a well-functioning association for their development and opportunities. He expressed exasperation with the HCA’s leadership, characterizing their actions as antithetical to the principles of sportsmanship and governance, further necessitating judicial oversight to restore order and accountability. Further complicating matters, the SIT will have the authority to review previously submitted reports from retired judicial figures, enhancing the thoroughness of the investigation. To ensure oversight during this tumultuous period, Justice Naveen Rao, a former acting Chief Justice of the Telangana High Court, has been appointed to monitor HCA's activities until the investigation concludes, earning an honorarium of ₹5 lakh. The ongoing strife within the HCA has not only raised eyebrows within legal circles but also among cricketing communities, as it sets a precedent for accountability and governance in sports administration within the region."},"img":{"url":"https://images.prismic.io/prad/1edd8cca-f1e2-449e-a97a-e51673b132d6_HCA.JPG?auto=format,compress"},"datetime":"2026-09-16T20:27:00+0000","embed":{"embed_url":null}},"uid":"telangana-hc-orders-sit-probe-into-hca"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ranabaali's shooting wrapped up!"},"content":{"text":"The makers of director Rahul Sankrityan's eagerly awaited period film, 'Ranabaali', featuring actors Vijay Deverakonda and Rashmika Mandanna in the lead, have now announced that shooting for the film had been wrapped up.  Taking to his X timeline to share a video clip of his unit, director Rahul Sankrityan wrote, \"And thats a wrap to the 130 days of madness with my relentless and restless army. @RanabaaliFilm @MythriOfficial @TheDeverakonda @iamRashmika.\" It may be recalled that the makers had, only a day ago, announced that the Back Ground Music (BGM) for the first half of the film had already been completed and that the film would be ready, well ahead of its release date of October 16 this year. Two days ago, director Rahul Sankrityan had disclosed that he had given Rashmika Mandanna's character in the film his mother's name. Taking to his X timeline to announce the news that the actress had completed shooting for her portions in the film, director Rahul Sankrityan had said, \"While writing #Ranabaali, I found myself walking down memory lanes for every little detail of its world.And when I sat down to write my female protagonist, I began with something deeply personal, I gave her my mother’s name. Jayamma.\" The writer and director of the film had gone on to add, \"Through every emotion she goes through, I took utmost care to make sure she remains a woman who could inspire the women of today, even though she belongs to another time.\" Stating that the unit \"adorned her world with beautiful silks and cottons, zari and vintage colours, antique gold and all the warmth of a time gone by\", the director said and went on to describe Rashmika's character in the film. \"She is the love in Ranabaali’s heart. The spirit in his soul. The grit in his spine. And the sweetness in his madness,\" he had explained. \"Then came @iamRashmika. She didn’t just make Jayamma real. She made her eternal for all of us. You all will witness this on 16th October. We will always love you. And now, we already miss you, Jayamma. That’s a wrap on that intoxicating smile. #Ranabaali #Jayamma @MythriOfficial @RanabaaliFilm @TheDeverakonda,\" he wrote. For the unaware, Vijay Deverakonda essays the role of Ranabaali, while Rashmika Mandanna plays his wife Jayamma in the film. Arnold Vosloo, best known for his work in 'The Mummy', plays the antagonist Sir Theodore Hector. 'Ranabaali' is being produced on a grand scale by Naveen Yerneni and Y. Ravi Shankar, with T-Series presenting the film. The movie is set against a British-era backdrop and is being made as a period action drama. Set in the 19th century, the film is based on real historical events that took place between 1854 and 1878, and is being mounted as a massive pan-India project. Sources claim 'Ranabaali' is inspired by real incidents from the 1850s that never found space in mainstream history books. They say it will be based on real incidents in the time period of 1850-1900 and that the film will look to showcase incidents that the British misrepresented in history. Sources have also pointed out that Ranabaali will not be a biopic, and not a textbook retelling but will be a cinematic reconstruction of an era built from multiple real accounts, oral histories, and suppressed records. After 'Geetha Govindam' and 'Dear Comrade', 'Ranabaali' will be the third film in which Rashmika Mandanna and Vijay Deverakonda will be seen appearing together as a pair."},"img":{"url":"https://images.prismic.io/prad/rFVyjls9rRW9ckfv_ranabaali.JPG?auto=format%2Ccompress&rect=0%2C26%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-17T04:24:00+0000","embed":{"embed_url":null}},"uid":"ranabaalis-shooting-wrapped-up"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Bigg Boss Telugu 10 Drama Peaks"},"content":{"text":"As Bigg Boss Telugu 10 progresses into its second week, the atmosphere within the house has thickened with tension and intrigue. The latest episode, airing tonight at 9:30 PM on Star Maa and Jio Hotstar, will reveal the fate of eleven contestants who have been nominated for elimination following a grueling and competitive task. Hosted by the charismatic Nagarjuna Akkineni, the show has captivated audiences with its blend of drama, strategy, and interpersonal conflicts, ever since its grand premiere introduced a diverse group of sixteen contestants, including six commoners eager to claim their spot in the spotlight. The dynamics among the housemates have taken a significant turn, particularly highlighted by the frequent clashes between Thrigun and Rohith, which have emerged as a focal point of the show's narrative. Meanwhile, contestants like Debjani and Varshini have gained admiration from viewers for their strategic gameplay and endearing personalities. However, the stakes have been raised dramatically with the unexpected elimination of Charan Mahadev and Chaitra Rai during the first week—a decision made by the remaining contestants that caught many fans off guard, further fueling speculation about alliances and rivalries within the house. This week's nomination task saw a rigorous competition in which contestants battled for the power to choose who would face elimination. The resulting roster of nominees includes some of the show's most talked-about personalities: Thrigun, Shalini, Mukesh, Srishti, Rohith, Ram Prasad, Debjani Modak, Varshini, Sudheer, Krishnudu, and Jhansi. Each of these contestants has displayed unique strategies and social dynamics, leaving viewers curious about which ones will secure enough support from the audience to survive another week. As the audience prepares to engage in the voting process via Jio Hotstar—where subscribers can save their favorites by selecting from the nominated contestants—Bigg Boss Telugu 10 continues to stir public interest and debate. The voting lines will open immediately following the nominations reveal, inviting fans to play an active role in determining the fate of their preferred contestants, further intensifying the ongoing drama inside the house. With alliances forming and tensions mounting, the next episode promises to deliver yet another exhilarating chapter in this season's saga."},"img":{"url":"https://images.prismic.io/prad/G87kqIXZRDM4l2dk_BB10.JPG?auto=format,compress&rect=0,67,1920,947&w=2028&h=1000"},"datetime":"2026-09-17T09:33:00+0000","embed":{"embed_url":null}},"uid":"bigg-boss-telugu-10-drama-peaks"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Modi’s 25-Year CM-PM Run"},"content":{"text":"Union Home Minister Amit Shah on Thursday said that no political leader in independent India has completed 25 years tenure, serving as the head of state government and the Union government, while highlighting Prime Minister Narendra Modi’s political journey during an event in Vadnagar, his birthplace.  Addressing the launch of the 'Seva Sankalp Abhiyan' at Sharmishtha Lake, Shah said the campaign is being organised to take the message of PM Modi’s 25 years in public life to people across the country. A Vadnagar-to-Varanasi service yatra was also flagged off as part of the programme, linking PM Modi’s birthplace with his parliamentary constituency and political “karmabhoomi”. The campaign is being held from September 17 to October 7 to mark PM Modi’s birthday and his 25 years in public life. “Since the country became independent till today, no politician has made a record of serving for 25 years as the head of a state and as the head of the country,” Shah said. He described PM Modi as the “only leader” to have continuously received electoral mandates and public support through this period. Shah said the significance of the 25-year milestone would be marked on October 7, when PM Modi would complete 25 years since first becoming chief minister of Gujarat and subsequently serving as prime minister. He said the BJP and its National Democratic Alliance (NDA) partners had decided to take the occasion to people across the country. The Home Minister said the Vadnagar-Varanasi journey would carry the message of PM Modi’s 25 years of work through villages across seven states. According to Shah, about 300 bikers would travel from Vadnagar and another 300 from Varanasi, taking the total number of riders to 600. \"The journey would connect Hatkeshwar Mahadev in Vadnagar with Kashi Vishwanath in Varanasi,\" he noted. Shah said the campaign is not merely intended to mark a birthday but to introduce PM Modi’s life and public career to younger generations. He also sought to contrast the situation he said prevailed before PM Modi became prime minister with the political and economic conditions he attributed to the subsequent period. Referring to his own travels across the country between 2010 and 2013, Shah said there had been “deep disappointment” among people, with corruption cases being reported, concerns over internal security and questions over external security. “When Modi ji became prime minister in 2014, and in 2026, 140 crore Indians are moving forward with enthusiasm, resolve and hope that by 2047 India will be foremost in the world,” he said, describing the change in public confidence as a major achievement. Shah said that when PM Modi entered the Union government, there was “policy paralysis”, which he claimed was replaced by clearer policies. He linked this to India’s subsequent economic growth and said the country had moved from what he termed the “Fragile Five” to becoming the world’s fastest-growing major economy. He listed the Goods and Services Tax, the Jan Dhan-Aadhaar-Mobile system and direct benefit transfers among the measures introduced under PM Modi’s government. He also referred to banking reforms, foreign direct investment and production-linked incentives, saying these had contributed to manufacturing growth. Shah cited infrastructure expansion as another area of change, pointing to roads, railways, airports, ports and digital infrastructure. \"The number of airports had increased from 75 to 150 and referred to PM Gati Shakti as an effort to coordinate infrastructure projects through technology and time-bound implementation,\" he said. He also mentioned Digital India and Startup India, saying they had opened opportunities for young people, while improved connectivity in border areas had contributed to national security. On national security and law, Shah cited the abrogation of Article 370, the abolition of triple talaq, the introduction of the Citizenship Amendment Act and the new criminal codes. He also referred to the government’s stated objective of making 'India free of Naxalism', peace agreements in the North-East, and military operations including the surgical strikes, air strikes and Operation Sindoor. Shah said women had received greater opportunities in the armed forces, police, science, start-ups, drones and sports. He also referred to Eklavya schools, PM Janman and Vibrant Villages in the context of tribal welfare. He mentioned the construction of the new Parliament building and installation of the Sengol as measures he said had strengthened \"national consciousness\". He also referred to Chandrayaan, Aditya-L1 and the naming of the Shiv Shakti Point, along with One Rank One Pension and the creation of the Chief of Defence Staff. Turning to PM Modi’s years as Gujarat chief minister, Shah cited the state’s 24-hour electricity supply to villages, agricultural development, the Vanbandhu Kalyan Yojana and Sagarkhedu development scheme, industrial development, Vibrant Gujarat and initiatives in education. He said providing round-the-clock electricity had effects beyond household convenience. “This is not only a question of convenience. As soon as electricity arrived, business arrived. As soon as electricity arrived, education arrived. As soon as electricity arrived, health arrived. As soon as electricity arrived, infrastructure arrived,” he said. Shah said the Vanbandhu and Sagarkhedu schemes had been intended to make development “sarvasparshi” and “sarvasamaveshi” by extending it to tribal communities and villages along the coast. \"The Gujarat model subsequently formed the basis of the political mandate PM Modi received in 2014,\" he added."},"img":{"url":"https://images.prismic.io/prad%2F614c489e-6240-4a48-bb7a-da9eea74c874_7.+modi+padayatra.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-17T08:13:00+0000","embed":{"embed_url":null}},"uid":"modis-25-year-cm-pm-run"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Tirumala to Become Global Spiritual Hub"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu announced on Wednesday that Tirumala will be developed as a global model of spirituality.  He said the focus would be on enhancing the experience of pilgrims while integrating environmental conservation, spirituality, service and modern technology.  Stating that Tirumala has 89.5 per cent green cover, he stressed the need to protect it. The Chief Minister inaugurated several development initiatives in Tirumala on Wednesday, including the Pilgrims’ Experience Centre at Vaikuntam Queue Complex-I, the modernised SV Museum and 32 electric buses provided by Reliance Foundation and Bharat Biotech. The Pilgrims’ Experience Centre offers devotees an opportunity to virtually experience the daily rituals and pujas performed for Lord Venkateswara and view various locations in Tirumala using 3D technology.  The Chief Minister personally experienced the virtual darshan facility through six DVR-based virtual reality systems. He also reopened the renovated SV Museum. The TTD has redesigned the museum to present the glory of Lord Venkateswara, the history of Tirumala, mythological narratives and the divine wedding of Lord Venkateswara in a manner that is easy for devotees to understand.  The museum was developed by the TCS Trust at a cost of Rs 104 crore. Replicas of ornaments offered to Lord Venkateswara by various rulers, including Sri Krishnadevaraya, historical artefacts from different periods, and 3D models of crowns and ornaments used to adorn the deity have been displayed. The Chief Minister viewed an AI-generated video presentation on the divine wedding on a panoramic screen. He also took keen interest in the musical instruments used by musicians of earlier times in the service and praise of the Lord. Later, the Chief Minister flagged off 32 electric buses provided by Reliance Foundation and Bharat Biotech for pilgrims travelling in Tirumala. Along with Reliance E-Mobility CEO Nitin Seth, Bharat Biotech Managing Director Suchitra Ella, Minister Anam Ramanarayana Reddy, TTD Chairman B.R. Naidu and TTD members, the Chief Minister travelled by an electric bus from Narayana Giri Circle to the SV Museum. The Chief Minister said the TTD had decided to provide insurance coverage to every pilgrim visiting Tirumala. An Aadhaar-based online insurance facility would be implemented in association with LIC, he said. Under the scheme, if a pilgrim unfortunately dies in Tirumala, financial assistance of Rs 2 lakh would be provided, he added. The Chief Minister said the government is planning to construct 5,000 Sri Venkateswara temples across the State through the Srivani Trust. He said requests had also been received for construction of Sri Venkateswara temples in countries such as Mauritius and New Zealand, and the government was examining the proposal. He said an action plan was being prepared to utilise the services of Srivari Sevaks in the education and healthcare sectors as well."},"img":{"url":"https://images.prismic.io/prad%2F440133af-702e-4c27-8cae-054335f96053_tirumala+prasad.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-16T18:38:00+0000","embed":{"embed_url":null}},"uid":"tirumala-to-become-global-spiritual-hub"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Film Board Gets Star-Studded Faces"},"content":{"text":"In a significant shakeup of the Central Board of Film Certification (CBFC), the Indian government has appointed a diverse array of prominent figures from the entertainment industry, including actors Pankaj Tripathi, Preity Zinta, and Suniel Shetty. Announced on September 17, 2026, this reconstitution comes after a six-year hiatus since the previous panel's term expired, marking a pivotal moment in the board's governance as it seeks to redefine its role in the rapidly evolving cinematic landscape. The new chairperson, Shashi Shekhar Vempati, leads an 18-member panel that includes Grammy-winning musician Ricky Kej, acclaimed filmmaker Priyadarshan, and renowned film critic Vinod Anupam, among others. The reformation of the CBFC occurs against the backdrop of recent legislative changes outlined in the Cinematograph (Certification) Rules, 2024, mandating quarterly meetings for the board to enhance its operational efficiency. The urgency for this reconstitution was underscored by the board's prolonged inactivity, which had fueled debates in Parliament regarding the implications of extended tenures. The newly established panel, which will now serve for three years or until otherwise directed, retains only two members from the previous board, theatre director Waman Kendre and RSS pracharak Ramesh Patange, signaling a shift in both personnel and potential ideological direction. Historically, the CBFC has faced scrutiny for its certification process, often caught in the crosshairs of artistic expression and governmental oversight. The last board, which included figures like Vidya Balan and Vivek Agnihotri, extended its tenure due to procedural allowances, leading to questions about accountability and transparency. With the new appointments, the inclusion of members with connections to the ruling Bharatiya Janata Party (BJP) and the wider Sangh Parivar raises eyebrows about the potential influence of politics on film certification practices. Roopali Ganguly's recent political alignment with the BJP and Hans Raj Hans's prior representation in Parliament exemplify this trend, suggesting that the board may navigate not just artistic expression but also the currents of political expectation. The reconstituted board features not only established actors but also a host of individuals recognized for their contributions to various film industries. From the celebrated Bengali cinema icon Prosenjit Chatterjee to Supriya Yarlagadda, a prominent Telugu producer, the new panel boasts a wealth of experience across linguistic and cultural domains. As the CBFC embarks on this new chapter, its mandate to certify films for public exhibition in India underscores a critical balancing act between supporting creative endeavors and adhering to regulatory standards—a challenge that will undoubtedly shape the future of Indian cinema in the coming years."},"img":{"url":"https://images.prismic.io/prad/CxQUKXXahwbdRMkD_CBFC.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-17T09:29:00+0000","embed":{"embed_url":null}},"uid":"film-board-gets-star-studded-faces"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Water Crisis: Hyd Sees Record Tanker Demand"},"content":{"text":"Hyderabad is grappling with an unprecedented water crisis, as evidenced by a staggering record of 15,200 tanker bookings in a single day this past Saturday. This alarming figure underscores the severity of the city’s dwindling groundwater resources, driven further by a complete absence of summer rainfall in May. The volume of tanker requests has surpassed the previous high of 12,000, signaling an urgent need for action amidst an ongoing water shortage that now affects a substantial portion of the population, equating to approximately one tanker for every 90 households. The Hyderabad Metropolitan Water Supply and Sewerage Board (HMWSSB) has reported a sharp increase in water tanker demand over the last several days, consistently hovering around 15,000 bookings daily. In May alone, residents consumed over 310,000 water tankers, prompting the board to expand its operational capacity. This expansion includes increasing filling stations from 86 to 96 and operational tankers from 1,135 to 1,250 in an effort to meet the surging demand. However, with monsoon rains yet to materialize, the pressure on the HMWSSB to ensure timely delivery remains critical, particularly as more than half of the bookings are concentrated in western Hyderabad’s densely populated areas. The current crisis is not merely a symptom of rising demand but also reflects the long-term challenges facing Hyderabad's water management systems. Critically low groundwater levels, exacerbated by an unseasonably dry May, have left many neighborhoods scrambling to secure adequate supplies. Areas such as Kukatpally, Durgam Cheruvu, and Banjara Hills have reported significant delays in tanker deliveries, with some residents waiting up to five days for their booked services. This situation highlights the inadequacies in infrastructure and planning that have led to widespread distress among citizens who rely on these deliveries for their daily needs. Residents have expressed mounting frustration over the delays, with many resorting to hiring private tankers at premium prices to meet their urgent needs. VK Jayaraj, a Banjara Hills resident, articulated the plight many are facing, stating, \"I had booked a tanker on May 26, but received it only on May 31 after nearly six days. We were forced to hire a private tanker at a higher cost.\" Officials from HMWSSB acknowledge the operational challenges, revealing that while they strive to deliver 95% of tankers within 24 hours, logistical issues arise when customers are unresponsive or cancel bookings after receiving supplies. The convergence of these factors paints a grim picture for Hyderabad as residents navigate what has become a dire water crisis."},"img":{"url":"https://images.prismic.io/prad/BfqV-a_agtn6YY4l_watertanker.JPG?auto=format,compress"},"datetime":"2026-09-16T20:56:00+0000","embed":{"embed_url":null}},"uid":"water-crisis-hyd-sees-record-tanker-demand"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"6 students drown during Ganesh idol immersion in T'gana "},"content":{"text":"Six students drowned in a lake during the immersion of Ganesh idol in Telangana’s Sangareddy district on Wednesday, police said. The tragic incident occurred in Peddakanjerla village under Patancheru Police Station of Cyberabad Commissionerate. The youth aged between 17 and 22 years accidentally fell into Neredu Cheruvu and drowned while immersing Ganesh idol. Locals pulled out the youth and shifted them to a hospital, but doctors declared them brought dead. The deceased have been identified as Narasimha (21), Teja (17), Sidhartha (17), Ganesh (18), Sumanth Reddy (17) and Uday Kiran (22). Chief Minister A. Revanth Reddy has expressed deep shock over the death of six students who had gone for the Vinayaka immersion. He conveyed his heartfelt condolences to the families of the deceased and directed the district administration to provide support to the affected families. He also instructed officials to take appropriate precautions during the Ganesh immersion. Minister for Women and Child Welfare, Seethakka, expressed deep shock over the incident. She expressed her anguish over the tragic loss of six young lives during the festive season. She conveyed her heartfelt condolences to the bereaved families and assured them that the government would stand by them during this difficult time. To gather full details regarding the incident, Minister Seethakka spoke with the Sangareddy District Collector over the phone and inquired about the situation. She sought information on the circumstances leading to the accident, the relief operations undertaken, and the assistance being provided to the affected families. The minister also spoke with the Secretary of the Women and Child Welfare Department, Shruti Ojha, to obtain details about the incident. She directed officials to coordinate efforts in providing necessary assistance to the affected families and implementing measures to ensure children's safety. Minister Seethakka advised officials to remain extra vigilant regarding the safety of children. She specifically ordered that adequate precautions be taken to prevent children from approaching dangerous water bodies in areas where immersion ceremonies take place and directed the strict implementation of necessary safety measures."},"img":{"url":"https://images.prismic.io/prad/37e36519-397f-4f79-ad33-bfee1213b21e_Ganesh+Immersion+%284%29.JPG?auto=format%2Ccompress&rect=0%2C278%2C1600%2C789&w=2028&h=1000"},"datetime":"2026-09-16T15:24:00+0000","embed":{"embed_url":null}},"uid":"6-students-drown-during-ganesh-idol-immersion-in-t"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ajith’s ‘Dare Devil’ Begins in November"},"content":{"text":"Director Adhik Ravichandran, who is directing actor Ajith Kumar's upcoming Tamil film titled 'Dare Devil', on Wednesday announced that shooting for the film will commence from November 2 this year.  Taking to his X timeline to share the update on the film, a day before his birthday on Thursday, the young director, who is known to be a fan of actor Ajith Kumar, wrote, \"My Sir’s Advance Birthday Gift to me. Yes, we are rolling the dice from November 2. #AK sir’s #DareDevil. #Shalini mam @Braveheartsprod @anirudhofficial sir @SureshChandraa sir @AbinandhanR @editorvijay @supremesundar #Subbhunaarayan @itsanuvardhan @kayoas13 @valentino_suren @AMBANINSK.\" The director also shared a brand new poster of the film on the occasion that confirmed that Ajith Kumar would be playing the character of Dare Devil in the film. The new poster featured Ajith Kumar seated on a chair, sporting a serious look and having dice in his hand.  Interestingly, the film is being produced by Ajith Kumar's wife Shalini Ajith Kumar under the banner of Brave Hearts Production. 'Dare Devil', which is being eagerly awaited by Ajith's fans, boasts of a sound technical team. The film will have music by one of India's top music directors Anirudh Ravichander. Cinematography for the film is to be handled by Adhik Ravichandran's trusted cameraman Abhinandan Ramanujam, who had also been the Director of Photography for the director's earlier film with Ajith Kumar, 'Good Bad Ugly'. Similarly, editing for this film too is to be handled by Vijay Velukutty, who had also served as the editor in Adhik Ravichandran's 'Good Bad Ugly'. Stunts for 'Dare Devil' are to be choreographed by well known stunt choreographer Supreme Sundar. Dances in the film are to be choreographed by the immensely popular Kalyan Master.  The responsibility of designing costumes for the film has been entrusted to Anu Vardhan while sound design will be handled by Suren."},"img":{"url":"https://images.prismic.io/prad/HOCnl1EW78VNZUSO_ajithdoordie.JPG?auto=format%2Ccompress&rect=0%2C147%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-16T16:20:00+0000","embed":{"embed_url":null}},"uid":"ajiths-dare-devil-begins-in-november"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Jagan vs Naidu Over ‘FBI’ Tag"},"content":{"text":"YSR Congress Party president YS Jagan Mohan Reddy on Wednesday slammed Andhra Pradesh Chief Minister N. Chandrababu Naidu over the state police posing as the Federal Bureau of Investigation (FBI) of the United States.  “Under Chandrababu Naidu Garu, Red Book Governance goes global; now featuring the Andhra Pradesh Police posing as the FBI! Fake identity, real threat to democracy,” posted the former Chief Minister on X. “Mr Chandrababu Naidu Garu, is this policing, or state-sponsored deception aimed at politically motivated harassment? Your police force identifying themselves as the US Federal Bureau of Investigation while seeking the removal of posts from X is the most deplorable act that tarnishes the reputation of our state and country,” the YSRCP chief wrote. He said X has confirmed that the takedown request originated from an official Andhra Pradesh Police email address, not the FBI’s. “Yet the officer names ‘FBI’ as the sender organisation. Who ordered this takedown request? Why was the FBI’s identity misused? Was it a deliberate attempt to mislead X and silence voices questioning your government on 1. Unfulfilled Super Six and Super Seven promises 2. DSC Scam 3. Amaravati looting 4. State Debt, Governance failures & harassment,” asked YS Jagan. “The police uniform is meant to protect the law, not to enforce your political censorship. Dragging the name of a foreign investigating agency into a political takedown operation has disgraced Andhra Pradesh and severely damaged the credibility of its police force. The energy spent trying to muzzle critics should instead be directed to fulfil Super Six and Super Seven promises: Support farmers during these tough drought times, create real jobs, drive development, and address what actually matters to the people of Andhra Pradesh,” the former CM said. “Social media makes it impossible to hide behind curated narratives. If this government is confident in its record, it should answer criticism with performance and transparency and not with censorship and harassment,” he added."},"img":{"url":"https://images.prismic.io/prad%2Ff2d009ae-9d6a-4fa0-9f8c-798b77393d30_jaganbabu.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-16T15:00:00+0000","embed":{"embed_url":null}},"uid":"jagan-vs-naidu-over-fbi-tag"}},{"node":{"tags":["Health"],"data":{"third_party_url":null,"title":{"text":"Heart Crisis Grips Young India"},"content":{"text":"A disturbing trend is emerging in India, where cardiovascular disease is no longer an affliction of the elderly but a growing concern among younger populations. Recent statistics indicate that cardiovascular diseases accounted for nearly 29% of all recorded deaths in India between 2017 and 2019. This alarming statistic highlights a shifting paradigm, with the National Health Profile revealing that non-communicable diseases, including heart disease, diabetes, and chronic respiratory illnesses, collectively account for a staggering 63% of the nation's mortality rates. As the nation grapples with this health crisis, the underlying risk factors that contribute to heart disease are becoming increasingly prevalent among young adults, often unnoticed until it is too late. The escalating incidence of heart disease in India’s youth can be traced to a confluence of modern lifestyle choices, including prolonged sedentary behavior, poor dietary habits, irregular sleep patterns, and chronic stress. Dr. Deepak Krishnamurthy, a leading cardiologist, articulates that the traditional risk factors such as hypertension and high cholesterol are now manifesting in younger demographics, exacerbated by genetic predispositions and environmental stressors. Moreover, the omnipresence of technology has led to an increase in screen time, which not only promotes a sedentary lifestyle but also disrupts sleep cycles. The result is a perfect storm wherein young Indians find themselves at greater risk for developing heart-related ailments much earlier in life. Historically, heart disease was often associated with the aging population, attributed to years of cumulative risk factors. However, the current landscape paints a different picture, one where the interplay of lifestyle choices has catalyzed a shift towards earlier onset of cardiovascular issues. The National Programme for Prevention and Control of Non-Communicable Diseases reports an alarming 9.36 crore people receiving treatment for hypertension and diabetes—critical precursors to heart disease. As the healthcare system grapples with these numbers, the need for comprehensive awareness and early intervention becomes paramount. Dr. Krishnamurthy emphasizes that conditions leading to heart problems develop insidiously and often go unnoticed until significant damage has occurred, particularly among the young. As for actionable steps, Dr. Krishnamurthy advocates for a proactive approach among young adults in their 20s and 30s. He suggests that individuals should eliminate tobacco use, incorporate regular physical activity into their routines, and adopt heart-healthy dietary practices while keeping an eye on their waistlines. Moreover, he underscores the importance of regular monitoring of vital health indicators such as blood pressure and cholesterol levels. This holistic understanding of cardiovascular health is crucial for young Indians, who must learn to recognize the silent threats posed by modern lifestyles and take charge of their health before it spirals out of control."},"img":{"url":"https://images.prismic.io/prad/pJ-dW9a56Zc9ur7D_heartdiseas.JPG?auto=format%2Ccompress&rect=0%2C0%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-16T11:05:00+0000","embed":{"embed_url":null}},"uid":"heart-crisis-grips-young-india"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Sridevi property: SC issues notice to Boney, Janhvi, Khushi"},"content":{"text":"The Supreme Court on Wednesday issued notice to film producer Boney Kapoor and his daughters Janhvi Kapoor and Khushi Kapoor on a plea seeking to revive a property dispute involving a 2.70-acre parcel of land in Chennai purchased by late actress Sridevi and her family.  A Bench of Justices K.V. Viswanathan and Arun Pillai issued notice on the petition filed by M.C. Sivakami and her brother M.C. Natarajan, who have claimed a share in the disputed property, and directed the parties to maintain status quo till the next date of hearing.  The Justice Viswanathan-led Bench also indicated that the parties should explore an amicable resolution through mediation and said that a retired High Court judge would be appointed as mediator.  The matter has been posted for December 18 to consider the progress of the mediation.  The petitioners have challenged the April 20 order of the Madras High Court, which allowed a revision petition filed by Boney Kapoor, Janhvi Kapoor and Khushi Kapoor and rejected the civil suit instituted by Sivakami and others.  The High Court had held that the suit seeking to challenge the 1988 sale transactions was barred by limitation and that the plaintiffs had not established a legally sustainable claim on the basis of the pleadings.  The dispute concerns 2.70 acres of land in Survey No.1/1B at Sholinganallur in Chennai.  According to the pleadings recorded by the Madras High Court, the plaintiffs claimed to be legal heirs of late M.C. Chandrasekaran and sought partition of the property into five equal shares, claiming a 1/5th share. They had also sought declarations that the sale deeds dated April 19, 1988, executed in favour of Rajeshwari, Sreelatha and Sridevi, as well as subsequent transactions concerning the property, were null and void.  Before the Supreme Court, the petitioners' counsel submitted that the High Court had gone into questions concerning the claimants' legal-heir status and the validity of Chandrasekaran's alleged second marriage while deciding whether the plaint itself was liable to be rejected.  Appearing for the Kapoor family, senior advocate Abhishek Manu Singhvi argued that the sale transaction dates back to April 19, 1988, while the present suit was instituted only in 2025.  The senior counsel contended that the petitioners had attained majority in 1995 and 1999, while the present suit was instituted only in 2025, and argued that the claim was barred by limitation. During the hearing, the Supreme Court also sought clarification on whether M.C. Chandrasekaran had a 1/5th share in the property and whether there was any dispute regarding the petitioners being his children.  The litigation has its roots in a suit filed before the Additional District Judge at Chengalpattu. The trial court had initially declined to reject the plaint under Order VII Rule 11 of the Code of Civil Procedure (CPC), holding that the averments in the plaint had to be considered at that stage and that disputed questions could be examined during trial.  The Madras High Court subsequently overturned that order on April 20, 2026. A single-judge Bench of Justice T.V. Thamilselvi held that the plaintiffs' claim that they came to know about the disputed transaction only in 2023 did not sustain on the material placed before the court and concluded that the suit challenging the 1988 transactions was barred by limitation.  The High Court ordered rejection of the plaint. The Madras High Court order also recorded that the plaintiffs had earlier instituted another suit in 2007 claiming a 1/5th share in family properties, which had been dismissed."},"img":{"url":"https://images.prismic.io/prad%2Fb76de7d6-cff9-4251-b467-c470426229f6_sridevi+statue.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-16T14:42:00+0000","embed":{"embed_url":null}},"uid":"sridevi-property-sc-issues-notice-to-boney-janhvi-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'The Paradise': ‘A’ Cert, 2h 49m Runtime!"},"content":{"text":"If sources in the industry are to be believed, the Central Board of Film Certification (CBFC) has now cleared Telugu star Nani's eagerly awaited upcoming action entertainer, 'The Paradise', for release with an 'A' certificate. Sources in the know claim that the film, which has been cleared by the censor board, has a run time of two hours and 49 minutes. The film, directed by Srikanth Odela, has triggered huge expectations among fans and film buffs. Nani, who plays the lead the film, had recently confessed that the film was the most tiring of his career. During an interaction with the media ahead of the film's release on September 24, Nani had said, \"The Paradise is the most tiring film of my career, both physically and mentally. If there has been a film for which I have worked very hard in these 18 years of my film career, it is 'The Paradise'.\" The actor also set the record straight with regard to media reports that had claimed that the film had underwater sequences. He said, \"There are various news reports about the movie on social media. There is no underwater sequence in it. There is also no fight with a 1000 people as is being claimed. This is a genuine story and there are a lot of action blocks. There are scenes that will give audiences a good high. The audience will feel the emotion in the violence.\" Director Srikanth Odela, who took a few questions on the occasion, had said, “The Paradise may have been delayed a little, but every update from the film has created a blast. The glimpse, teaser and songs have all received a superb response. There is a lot of excitement and curiosity among audiences about what The Paradise is all about. This is a revolutionary, emotional film. It is a story about a mother and son, and also about a marginalized community. Kaloji has a line that goes, ‘We own our birth, we own our death, but our entire life belongs to the nation.’ This is a story of a people who fought for their country. However, when these people realise they have no place in their own country, they fight back without knowing what else to do. That is the story of 'The Paradise'.\""},"img":{"url":"https://images.prismic.io/prad/tZJv_PHnDW-jL-cr_TheParadise.JPG?auto=format,compress"},"datetime":"2026-09-16T12:15:00+0000","embed":{"embed_url":null}},"uid":"the-paradise-a-cert-2h-49m-runtime"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Revanth Targets KCR’s Farmhouse"},"content":{"text":"Telangana Chief Minister A. Revanth Reddy on Thursday ordered a probe into the BRS president and former Chief Minister K. Chandrasekhar Rao’s landholding, including his farmhouse at Erravalli in Siddipet district. The Chief Minister announced in the State Legislative Assembly that the inquiry will be conducted within a month. He said the inquiry will be conducted to find out if the farmhouse of K. Chandrasekhar Rao (KCR) is spread over 700 acres or not. He questioned why KCR did not reveal that out of 700 acres, 388 acres are government land. “I am directing the Revenue Department, Collector, to immediately issue notice to KCR to verify the extent of land he purchased, the land available now, and who has control of about 388 acres of government land,” he said  The Chief Minister was speaking in the Assembly on the issue of Section 22A of the Registration Act, 1908, amid controversy over thousands of acres of private properties being categorised as public land under 22A. CM Revanth Reddy announced that the government would reclaim 388 acres of government land in KCR’s farmhouse and distribute the same among 800 Dalit families. He asked ministers Damodar Raja Narasimha, G. Vivek Venkatswamy and Ponguleti Srinivas Reddy to resolve the matter within 30 days. “If the issue is not resolved within 30 days, I will take action against the Revenue officials and ministers,” he said. Alleging that the KCR family holds 439 acres of land, far in excess of the legal ceiling, he demanded that the Leader of Opposition explain how he mobilised these lands. CM Revanth Reddy alleged that the KCR family owns 439.30 acres of land in 31 villages across nine districts. Giving a break-up of these landholdings, he said the family of the former Chief Minister and his wife own 67.13 acres in Siddipet. KCR’s son K. T. Rama Rao and his family have 123 acres; KCR’s nephew and former minister T. Harish Rao and his family own 30.16 acres; KCR’s daughter Kavitha and her husband own 37.26 acres; KCR’s another nephew and former MP Jognipalli Santhosh Rao and his family own 79 acres. Other relatives Naveen Rao and Kondal Rao together own 101.14 acres. The Chief Minister also provided details of the lands acquired by BRS leaders, including former ministers and MLAs. The Chief Minister alleged that the KCR family was involved in a land scam of Rs one lakh crore under the guise of the Dharani portal under the BRS government. He announced that a Special Inquiry Team (SET) will be constituted to conduct an investigation.  Revanth Reddy said all the facts relating to irregularities during BRS rule will be tabled in the House in the presence of BRS members.  Last week, all BRS MLAs were suspended from the Assembly for the rest of the session for allegedly disrupting the proceedings. Stating that Dharani Part-I irregularities have come to light, he said soon Dharani-II irregularities will be exposed.  The Chief Minister said irregularities relating to Telangana Industrial Infrastructure Corporation (TGIIC) lands will be exposed during the budget session. He announced the formation of high-power officers’ committee to resolve the 22-A issue. Guidelines will be framed within a week to resolve the issue."},"img":{"url":"https://images.prismic.io/prad/aUQ2XnNYClf9oaGE_RRKCR.JPG?auto=format,compress&rect=0,2,2020,996&w=2028&h=1000"},"datetime":"2026-09-16T13:00:00+0000","embed":{"embed_url":null}},"uid":"revanth-targets-kcrs-farmhouse"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Salman performs aarti incorrectly for Ganpati"},"content":{"text":"Bollywood superstar Salman Khan was seen participating in the Ganpati Visarjan celebrations with his family on Tuesday night.  It was here when his sister Arpita Khan Sharma noticed that he was seemingly rotating the aarti thali in the wrong direction and promptly corrected him. In a video, Salman can be seen holding the aarti thali as he performs the ritual amid the Ganpati celebrations. As he rotates the thali, Arpita, who is standing nearby, appears to notice the direction and immediately steps in to guide her brother. Arpita can be seen gesturing to Salman to change the direction of the thali and asking him to continue the aarti the right way. Salman realising his mistake, immediately follows her instructions, making the moment endearing. For the celebration, Salman was dressed casually in a black T-shirt paired with a black head covering and a sleeveless grey jacket. Arpita, meanwhile, was seen wearing a traditional green and black embroidered ethnic outfit with floral detailing. The siblings were surrounded by family members, friends and guests as they took part in the Ganpati festivities. For the uninitiated, Salman has regularly participated in Ganpati celebrations, including aarti and visarjan, over the years. His family continues the tradition at home where Salman’s entire family celebrates the occasion. Salma Khan, Salman’s mother, was born Sushila Charak in a Maharashtrian Hindu family, while his father Salim Khan is Muslim. The family has over the years been known for celebrating festivals across religious traditions."},"img":{"url":"https://images.prismic.io/prad/3cajSvSiTxaJz-Kl_salamanaarti.JPG?auto=format%2Ccompress&rect=0%2C99%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-16T01:54:00+0000","embed":{"embed_url":null}},"uid":"salman-performs-aarti-incorrectly-for-ganpati"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"2 AP Women Die, Foul Play Suspected"},"content":{"text":"Two young women were killed and their male friends injured when a car in which they were travelling rammed into a roadside hotel in Andhra Pradesh’s Anantapur district, but the families of the deceased have alleged that the youth killed them and made it look like an accident.  The incident occurred near Rotarypuram in the Bukkarayasamudram mandal of the district on Tuesday morning. The deceased were identified as Haritha (20) and Navanitha (20). Harita was a third-year nursing student at a college in Anantapur, while Navanitha was working as a nurse at a private hospital. They were friends for the last two years. According to police, the young women were friends with Kumar, who was working in the hospital where Navaniha was employed as a nurse, and an insurance company agent, Sridhar Reddy, who was a regular visitor to the hospital. All four friends left in a car on Monday night. After visiting Korrapadu, SRIT College and other areas, they left for Anantapur around 4 a.m. on Tuesday. Sridhar Reddy, who was driving the car, apparently lost control and rammed the vehicle into a roadside hotel near Rotarypuram, where a bridge was under construction.  According to police, Haritha, who was seated in the rear, died on the spot. Injured Navanitha, Sridhar Reddy and Kumar were shifted to a hospital, where Navanitha succumbed while undergoing treatment. The families of the deceased women alleged that the youth took them in the car after luring them with sweet talk, murdered them and made it look like an accident. They expressed their suspicions as the youth survived with simple injuries.  Haritha’s mother, Salamma, said she had already warned her to be cautious about the youth and not to trust them. Navanitha’s mother, Vijaya, alleged that the youth had taken her daughter by misleading her and demanded stringent punishment. Police said they have registered a case on the complaint of the families of the deceased and taken up the investigation. A police officer said they were analysing the CCTV footage. The post-mortem examination report is likely to be key in ascertaining the cause of the deaths."},"img":{"url":"https://images.prismic.io/prad/e7bfd63c-d78c-4268-979e-450aac768d29_dubai+accident.JPG?auto=format,compress"},"datetime":"2026-09-16T05:55:00+0000","embed":{"embed_url":null}},"uid":"2-ap-women-die-foul-play-suspected"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Aditi Rao Hydari shines at Cannes 2026"},"content":{"text":"Aditi Rao Hydari has made an indelible impression at the Cannes Film Festival 2026, showcasing a masterclass in sartorial elegance that deftly marries traditional Indian artistry with contemporary style. As the star of the night, her bespoke saree by JADE not only captured the essence of classic Indian couture but also stood as a bold statement against the backdrop of a festival known for its avant-garde fashion. Hydari's entrance on May 16, as a representative of L'Oréal Paris, marked the beginning of a fashion journey that would both celebrate her heritage and elevate the global conversation about cultural representation in style. Her first appearance at the festival featured a breezy daytime look that reflected the laid-back chic of the French Riviera. Styled by the talented Sanam Ratansi, Hydari wore a striped halter-neck maxi dress from The IQ Collection, embodying the spirit of summer and effortlessly blending into the Mediterranean landscape. The ensemble was complemented by oversized sunglasses from Maison Éclat and leather accents from French brand Sessùn, reinforcing a narrative of understated luxury. The actress's beauty regimen was equally effortless, with a sun-kissed glow curated by makeup artist Coralie Pucci, and hair styled by Clotilde Laisne in soft beach waves—creating an overall aesthetic that was both relaxed and refined. However, it was her second appearance, clad in a stunning bespoke saree, that truly captured the attention of fashion connoisseurs and social media influencers alike. Designed by the duo Monica and Karishma from JADE, the saree featured a sheer champagne-gold drape accentuated with delicate gold leaf and intricate sequin embroidery, allowing it to glimmer under the Riviera sun. This ensemble not only highlighted Hydari's graceful silhouette but also signified a revival of Indian textile tradition in a modern context. The addition of a structured metallic gold blouse featuring a sweetheart neckline offered a contemporary twist, merging the realms of classic and modern fashion seamlessly. In a festival filled with ostentatious gowns and experimental couture, Aditi Rao Hydari's choice to don a traditional saree stands out as a powerful tribute to her cultural roots. The thoughtful pairing of timeless craftsmanship with contemporary styling reflects an emerging trend where global platforms are increasingly embracing cultural authenticity. Her playful yet poignant social media commentary—“Wearing a saree… the traditional way. Revolutionary, I know”—underlines a growing recognition of the saree's relevance in a modern wardrobe, challenging the perception that Indian attire is merely traditional, instead positioning it as a viable option for global fashion narratives."},"img":{"url":"https://images.prismic.io/prad/EIqIJhQARKhHke5x_aditiraohydari.JPG?auto=format%2Ccompress&rect=0%2C0%2C620%2C306&w=2028&h=1000"},"datetime":"2026-09-16T05:03:00+0000","embed":{"embed_url":null}},"uid":"aditi-rao-hydari-shines-at-cannes-2026"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Iran war cost US $38 billion!!"},"content":{"text":"The US military campaign against Iran cost the Pentagon about $38 billion through July and could consume another $2 billion to $3 billion each month, according to the Congressional Budget Office.  The nonpartisan agency also warned that the conflict has depleted critical missile-defence stocks, increased energy prices and added to inflation across the American economy. The CBO examined operational, logistical and economic costs associated with Operation Epic Fury, which began on February 28. The initial phase lasted until a ceasefire took effect on April 8. President Donald Trump declared the ceasefire over on July 10 after attacks on tankers passing through the Strait of Hormuz. The $38 billion estimate includes $21.7 billion to replace missiles and other munitions. It also covers $10.4 billion in additional flying hours, $2.7 billion in higher military fuel costs, $1.9 billion for equipment lost in battle and $1.5 billion in other operational expenses. Replacing expended munitions was the largest single expense. The total included $13.1 billion for missile-defence interceptors and $7.3 billion for land-attack cruise missiles. The estimate does not include the cost of repairing or rebuilding US military facilities damaged by Iranian attacks. It also excludes diplomatic operations, foreign assistance and the long-term cost of medical care and disability compensation for injured service members and veterans. CBO said the Pentagon did not provide the information it requested. The agency relied instead on government databases and publicly available reports, leaving its findings subject to “considerable uncertainty”. The report warned that the United States may have used between one-half and two-thirds of its missile-defence interceptor inventory since June 2025. “Although DoD does not reveal the number of munitions it has on hand, a comparison of the reported expenditures of missile defense interceptors with the total numbers that DoD has purchased to date indicates that the United States has probably used between one-half and two-thirds of its inventory of those munitions since June 2025,” CBO said. Rebuilding the stocks could take at least five years, even if the Pentagon accelerates procurement. “The shortfall would become especially problematic if a conflict arose with an opponent whose arsenal included large numbers of ballistic and cruise missiles,” the report said. CBO specifically identified China as possessing an arsenal that could play a major role in any military conflict involving Taiwan. The conflict has also disrupted oil and natural gas shipments through the Strait of Hormuz and shipping through the Red Sea. CBO said the resulting increase in energy costs added 2.3 percentage points to the annualised inflation rate during the second quarter of 2026. The agency projected that inflation in the first quarter of 2027 would be 0.5 percentage points higher than it had forecast before the war. Higher inflation is also expected to push up interest rates on US Treasury securities. Defence Secretary Pete Hegseth told Congress in July that operations against Iran would cost $37.5 billion through September. The White House has requested $87.6 billion in supplemental funding, including $67.1 billion for the Pentagon. CBO said about $42.3 billion of the Pentagon request appeared directly related to the conflict. "},"img":{"url":"https://images.prismic.io/prad/aCL3pydWJ-7kR_PT_war.JPG?auto=format,compress"},"datetime":"2026-09-16T00:30:00+0000","embed":{"embed_url":null}},"uid":"iran-war-cost-us-38-billion"}},{"node":{"tags":["Health"],"data":{"third_party_url":null,"title":{"text":"A Fight for Life at 85"},"content":{"text":"At 85 years old, Mrs. Lakshmi (name changed) faced what many in her age group would consider insurmountable challenges: two tumors and a life-threatening blockage in her colon. Rather than embracing the tranquility that often accompanies advanced age, she found herself in the emergency room, grappling with severe abdominal pain and a severe inability to pass stool. The diagnosis revealed a critical blockage in the sigmoid colon due to a tumor, a condition that posed immediate threats to her life. The medical team, acutely aware of her complex health history—including hypertension, diabetes, and a previous stroke—understood the urgency of the situation, necessitating careful decision-making regarding her treatment options. The initial intervention involved a minimally invasive procedure where doctors placed a colonic stent to alleviate her discomfort. While this temporary solution offered some relief to Mrs. Lakshmi and her anxious family, it soon became clear that a more comprehensive approach was required. Further examinations unveiled a second tumor in her esophagus, complicating an already dire diagnosis. Dr. K Hemanth Kumar, a leading Consultant in Surgical Gastroenterology at Manipal Hospital, emphasized the urgency of the case. The existence of two malignancies in a patient of advanced age, coupled with multiple underlying health conditions, demanded a meticulous and strategic response from her medical team. The critical nature of Mrs. Lakshmi's situation highlighted broader issues in geriatric care, particularly concerning complex cancer diagnoses. As the medical community increasingly confronts aging populations, the intersection of age and multi-morbidity raises significant ethical and logistical challenges. In Mrs. Lakshmi's case, the stent was a temporary fix, with the potential for serious complications looming should a definitive treatment not be pursued. The family was faced with a heart-wrenching decision: proceed with high-risk surgery or risk further deterioration of her health. Ultimately, they chose the path of hope, opting for a pioneering robotic surgical approach that addressed both tumors in one procedure. Utilizing the advanced Da Vinci Xi robotic system, Dr. Hemanth and his team executed a complex operation that not only targeted the colon cancer but also the esophageal tumor, representing a significant advancement in addressing dual malignancies. Remarkably, Mrs. Lakshmi recovered without needing an intensive care unit stay, a testament to both her resilience and the proficiency of her healthcare providers. Just one week post-operation, she was discharged, marking a poignant moment for both her and her family. Three months later, Mrs. Lakshmi continues to thrive, undergoing further treatment as part of her recovery journey, signaling not just survival but a remarkable testament to the human spirit in the face of daunting medical challenges."},"img":{"url":"https://images.prismic.io/prad/W5S8nG7lRQSGgKv2_mediclelife.JPG?auto=format%2Ccompress&rect=0%2C44%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-15T23:40:00+0000","embed":{"embed_url":null}},"uid":"a-fight-for-life-at-85"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Historic Win for Trans Tamil Immigrant"},"content":{"text":"In a groundbreaking shift for political representation in the United Kingdom, Q Manivannan, a trans Tamil immigrant and doctoral student, has claimed a seat in the Scottish Parliament, igniting fervent discussions about immigration, identity, and the evolving landscape of elected office. Securing a position with the Scottish Greens, Manivannan's election not only reflects a personal triumph but also serves as a pivotal moment for underrepresented communities, challenging preconceived notions about who can partake in the political process. Born in Tamil Nadu, India, Manivannan arrived in Scotland on a student visa four years ago to pursue studies in international relations. Their victory on May 9, alongside the Scottish Green Party, underscores the complexities surrounding the eligibility of foreign nationals in UK elections—particularly those from Commonwealth nations. Current regulations permit individuals on short-term visas to stand for election, a provision that has drawn scrutiny from anti-immigration advocates who argue for stricter controls over political representation. The election of Manivannan, who identifies as non-binary and uses they/them pronouns, has prompted a wave of criticism from figures like Robert Jenrick, a former Tory minister, who expressed concern over the implications of allowing individuals on student visas to hold such significant political positions. This backlash highlights a broader societal debate regarding immigration and representation, as organizations such as Migration Watch call for a reevaluation of the rights afforded to Commonwealth citizens within UK political structures. Amidst this discourse, the Scottish Greens have positioned themselves as champions of inclusivity, emphasizing the need for a comprehensive overhaul of the UK's immigration policies to create a more welcoming environment for those seeking to make a difference. As Manivannan embarks on their parliamentary journey, they represent not only a voice for marginalized groups but also a testament to the potential for change within a political system that often feels impenetrable. Their campaign, which centered on themes of diversity, inclusion, and a “politics of care,” resonated with voters eager for a shift from traditional political narratives. Support from the Scottish Greens, who have pledged assistance for Manivannan’s visa renewal process, reflects a commitment to fostering a political environment that embraces all backgrounds, advocating for a future where the barriers of entry are dismantled rather than upheld."},"img":{"url":"https://images.prismic.io/prad/2XZTrOto0NjcvnKj_trans.JPG?auto=format%2Ccompress&rect=0%2C22%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-16T06:30:00+0000","embed":{"embed_url":null}},"uid":"historic-win-for-trans-tamil-immigrant"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Aamir’s Remarkable ‘Lalkaara’ Avatar"},"content":{"text":"In an exciting development in Bollywood, Aamir Khan is embarking on a significant physical transformation as he prepares for his reunion with acclaimed director Ashutosh Gowariker in the upcoming sports drama 'Lalkaara.' This film marks their first collaboration since the groundbreaking 'Lagaan,' which not only showcased Khan's exceptional talent but also left an indelible mark on Indian cinema. As Khan gears up for this new role, the stakes are high; he is set to portray a character who is a decade younger than his actual age, demanding a rigorous commitment to his weight-loss journey. According to exclusive reports from Filmfare, Khan's current weight-loss program is an integral part of his preparation for the role. Sources close to the actor reveal that he is determined to achieve the physicality required to convincingly embody a 25-year-old athlete. Known for his unparalleled dedication to his craft, Khan's transformation is both a personal and professional undertaking. His history of dramatic physical changes for roles, such as in 'Dangal' and 'Ghajini,' further exemplifies his willingness to push the boundaries of his performance and is indicative of the depth he brings to his work. 'Lalkaara,' which is being penned by the talented duo of Piyush Gupta and Neeraj Singh, is set against the backdrop of Indian cricket. The narrative promises to explore intricate themes of rivalry, friendship, and patriotism, while also delving into the profound human experiences surrounding the Partition of India. By choosing cricket as its centerpiece, the film not only aims to capture the spirit of the sport but also reflects on the sociocultural impact it has had on Indian society, making this project not just entertaining but also deeply resonant for audiences. The anticipation surrounding the reunion of Khan and Gowariker is palpable, especially considering the monumental success of 'Lagaan,' which earned an Oscar nomination and remains a landmark film in Indian cinema. As Khan dedicates himself to this transformation, the cinematic community watches closely, curious about how 'Lalkaara' will unfold. The project has all the ingredients of another ambitious collaboration, with its focus on a rich narrative coupled with the intense physical preparation Khan is undergoing, bolstering expectations for what could become a significant addition to both their filmographies."},"img":{"url":"https://images.prismic.io/prad/gRv0BEBDHtxZH0M0_aamirkhan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-17T17:40:00+0000","embed":{"embed_url":null}},"uid":"aamirs-remarkable-lalkaara-avatar"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"BRS Ready for KCR, RR Family Assets Probe"},"content":{"text":"BRS Working President, K.T. Rama Rao, on Thursday said that they were prepared for a comprehensive enquiry by a sitting High Court or Supreme Court judge into the family assets of both BRS chief K. Chandrasekhar Rao and Chief Minister A. Revanth Reddy, dating back to their birth.  He stated that Chief Minister Revanth Reddy should accept this challenge and immediately agree to a probe by a sitting judge. K.T. Rama Rao was reacting to the Chief Minister’s announcement made in the Assembly on Wednesday that an enquiry would be conducted into the landholding of K. Chandrasekhar Rao and his family. The BRS leader was talking to the media after hoisting the National Flag at Telangana Bhavan on National Integration Day, marking Hyderabad State’s integration with the Indian Union. K.T. Rama Rao expressed full faith in the judiciary and demanded an enquiry by a sitting judge, rather than 'SITs' or special teams that CM Reddy's government might constitute. He declared they were fully prepared to face any legal consequence if even an iota of wrongdoing was established on their part. K.T. Rama Rao alleged that his father KCR inherited substantial property long before he entered public life. Terming KCR’s life history as “an open book”, K.T. Rama Rao said he was born in 1954 in a landlord family. “Our house in Chintamadaka was almost two acres. Our forefathers had owned hundreds of acres,” he said. He claimed that the family property was earlier located in Konapur and that part of the property was acquired for an irrigation project in the 1930s. With the compensation running into lakhs of rupees, KCR’s father used the compensation to acquire land in Chintamadaka, where the family subsequently settled. K.T. Rama Rao questioned whether the family’s present landholding represented an increase or reduction in wealth compared with its ancestral holdings. “Now, after 72 years, he has only 67 acres. Is that a reduction of wealth or an increase of wealth?” he asked. He pointed out that Revanth Reddy, who had previously repeatedly talked about a \"1,000-acre farmhouse,\" personally admitted in the Assembly yesterday that the extent was 67 acres. He remarked that if the remaining 933 acres could be located, they would willingly hand it over to the government. K.T. Rama Rao demanded that CM Reddy apologise to KCR for what he called false propaganda and mudslinging. He observed that those occupying high constitutional offices must conduct themselves with dignity, rather than turning the Assembly into an arena for falsehoods and fabrications that demean the very office of the Chief Minister. K.T. Rama Rao asserted that the state government’s 420 electoral guarantees have proven entirely bogus following 1,000 days of administrative paralysis and governance failure. He alleged that the BRS legislature party was undemocratically suspended from the House precisely because the treasury benches feared being held accountable on key assurances. Accusing the Chief Minister of colluding with the BJP to unilaterally orchestrate legislative proceedings in the absence of the principal opposition, K.T. Rama Rao dared the regime to extend the Monsoon Session by a month and revoke the suspensions. \"Instead of grandstanding that the opposition lacks the courage to look him in the eye, let him extend the session; we will not merely look you in the eye, we will grab you by the collar on behalf of the people of Telangana on the promised Rs 2,500 under the Mahalakshmi scheme, the Rs 4,000 pensions, uninterrupted power, irrigation, Rythu Bandhu, and the unceremonious cancellation of Rythu Bima,\" he declared. Rama Rao termed the Chief Minister’s two-and-a-half-hour Assembly monologue a monumental display of ignorance, devoid of head or tail. He claimed that previous propaganda spun by Reddy—such as alleging that the previous administration built 150 bedrooms and golden bathrooms at Pragathi Bhavan, or dug secret tunnels beneath the Integrated Secretariat to unearth treasure troves—stood completely exposed."},"img":{"url":"https://images.prismic.io/prad/87ca82fa-966e-4867-9389-9fcac5657f00_RRKCR.JPG?auto=format,compress"},"datetime":"2026-09-17T14:12:00+0000","embed":{"embed_url":null}},"uid":"brs-ready-for-kcr-rr-family-assets-probe"}},{"node":{"data":{"title":{"text":"Prithvi Shaw Call Off Engagement"},"content":{"text":"Indian cricketer Prithvi Shaw and his fiancee Akriti Agarwal have decided to part ways, around six months after announcing their engagement, with Agarwal confirming the separation in a statement on social media on Thursday.  Agarwal, a social media personality and actress, said the decision was mutual and came after the couple realised their future goals and circumstances differed. She also asked people to respect their privacy and refrain from speculation about the reasons for their decision. “With a heavy heart, I would like to share that my fiancé and I have decided to part ways due to different goals and circumstances for our future. As much as we love and care for each other, we’ve come to accept that our paths are not meant to be together. With our responsibilities and the circumstances we are currently facing, we have mutually decided to go our separate ways,” Agarwal wrote on Instagram. “I genuinely wish nothing but the best, peace, and happiness for both of us as we move forward. I kindly request everyone to respect our privacy during this difficult time and refrain from speculating or making assumptions about the reasons behind our decision. Thank you for understanding and respecting our space,” she added. Shaw and Agarwal announced their engagement on March 8, with the India batter sharing a series of romantic pictures from the occasion. In one photograph, Shaw could be seen going down on one knee to propose to Agarwal, while another showed the couple displaying their engagement rings. “From sixes on the field to a lifetime of hits off it. She’s my perfect innings!\" Shaw had captioned the post. The engagement came at a pivotal point in Shaw’s career, as he sought to rebuild his standing in domestic and franchise cricket. The right-handed batter, who made his India debut in 2018 with a century on his first Test against the West Indies, was bought by Delhi Capitals for Rs 75 lakh in the accelerated round of the IPL 2026 auction. However, Shaw did not play a single match in the 2026 IPL season. Shaw joined the Delhi Capitals for ₹75 lakh during the IPL 2026 auction after going unsold in the initial rounds. His domestic career has also faced setbacks, with the batter released by Mumbai’s Ranji Trophy squad in October 2024. The 26-year-old has since continued to play domestic cricket for Maharashtra. Shaw has also removed his engagement photographs from his Instagram profile following the announcement."},"img":{"url":"https://images.prismic.io/prad/iomGskoAioeePjP6_pruthvishahengagement.JPG?auto=format%2Ccompress&rect=0%2C27%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-17T09:30:00+0000","embed":{"embed_url":null}},"uid":"prithvi-shaw-call-off-engagement"}},{"node":{"data":{"title":{"text":"​Trump ties $5,000 payout to Republican victory"},"content":{"text":"President Donald Trump promised a $5,000 payment to every adult in America if Republicans win both chambers of Congress in November, linking his proposed “Trump dividend” to tariff revenue as he campaigned in North Carolina. Speaking in support of Republican Senate candidate Michael Whatley, Trump said the payment would go to Democrats and Republicans alike. He did not outline eligibility rules, a payment timetable or the legislative mechanism for delivering the money. “And remember, if the Republicans win the House and Senate, I will issue what we will all call, from now on, the Trump dividend to every adult in America,” he said. “We'll get $5,000, and you'll get it.” Trump argued that revenue from tariffs would allow his administration to fund the payments. He offered no detailed revenue figures or estimate of the programme’s total cost in the remarks. “Tariffs have made us rich,” he said. Returning to the pledge later, Trump made the electoral condition explicit: “If we win, we're gonna get you $5,000.” The payment proposal formed part of a broader appeal for voters to support Republican candidates on November 3. Trump urged supporters to treat the congressional elections as though he were personally seeking office. “But in this election, I'm asking you to pretend I'm on the ballot just one more time,” he said. He warned that a Democratic victory would threaten his administration’s tax and border policies. Those warnings were campaign assertions; the transcript did not include a Democratic response. Trump also promised to make permanent the tax provisions he described as removing taxes on tips, overtime and Social Security. He did not explain the scope of the proposed changes or how Congress would enact them. “We're gonna make it permanent. We're gonna put it in law,” he said. His legislative promises extended to healthcare, immigration and election rules. He proposed directing money now paid to large health insurers to individuals so they could purchase their own coverage. He provided no financing or implementation details. He also called for mandatory voter identification and proof of citizenship, an end to cashless bail and legislation preventing future presidents from opening the border to illegal immigration. Whatley’s contest against Democrat Roy Cooper was a central focus of the speech. Trump praised Whatley’s work leading the Republican Party and portrayed the Senate race as consequential for his agenda. “One vote could do it. You gotta get him in,” Trump said. Whatley, joining Trump onstage, said his campaign focused on household finances, public safety and military strength. “And I'm excited about running for Senate because I want every North Carolina family to make more money, to keep more money,” Whatley said. Trump also defended his economic record and pressed for lower borrowing costs. “Interest rates in the United States should be 1 per cent or less because we are the best credit in the world by far with all that money pouring in,” he said."},"img":{"url":"https://images.prismic.io/prad%2F7cb00454-6a64-4018-b7a5-3cf2469d09ac_trump.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-17T06:17:00+0000","embed":{"embed_url":null}},"uid":"trump-ties-5000-payout-to-republican-victory"}},{"node":{"data":{"title":{"text":"Telangana HC Orders SIT Probe Into HCA"},"content":{"text":"In a significant judicial intervention during the IPL season, the Telangana High Court has mandated the establishment of a Special Investigation Team (SIT) to scrutinize allegations of financial mismanagement and administrative irregularities within the Hyderabad Cricket Association (HCA). Justice Nagesh Bheemapaka, while addressing a petition from Ch Sanjeev Reddy, president of the Safilguda Cricket Club, instructed the state's crime branch to appoint a senior officer to lead the investigation. This order comes in the wake of alarming financial discrepancies totalling ₹2.68 crore uncovered in an audit, raising serious questions about the association's governance and operational integrity. The court's ruling underscores the growing concerns regarding the HCA's financial oversight, particularly as a separate report by a committee led by retired Justice L. Nageswara Rao revealed that the association's accounts have remained unfinalized since 2017. This prolonged inaction has not only hampered the HCA's operational capabilities but has also resulted in the Board of Control for Cricket in India (BCCI) withholding essential funding. The current turmoil is compounded by several ongoing probes, including an Anti-Corruption Bureau (ACB) investigation and inquiries by the Enforcement Directorate into alleged money laundering activities, highlighting a culture of opacity that has pervaded the association. Justice Bheemapaka's detailed 45-page order painted a stark picture of the internal strife and systemic failures plaguing the HCA, emphasizing that such mismanagement severely tarnishes the reputation of cricket in Hyderabad. The judge noted the detrimental effects of these failures on aspiring cricketers who rely on a well-functioning association for their development and opportunities. He expressed exasperation with the HCA’s leadership, characterizing their actions as antithetical to the principles of sportsmanship and governance, further necessitating judicial oversight to restore order and accountability. Further complicating matters, the SIT will have the authority to review previously submitted reports from retired judicial figures, enhancing the thoroughness of the investigation. To ensure oversight during this tumultuous period, Justice Naveen Rao, a former acting Chief Justice of the Telangana High Court, has been appointed to monitor HCA's activities until the investigation concludes, earning an honorarium of ₹5 lakh. The ongoing strife within the HCA has not only raised eyebrows within legal circles but also among cricketing communities, as it sets a precedent for accountability and governance in sports administration within the region."},"img":{"url":"https://images.prismic.io/prad/1edd8cca-f1e2-449e-a97a-e51673b132d6_HCA.JPG?auto=format,compress"},"datetime":"2026-09-16T20:27:00+0000","embed":{"embed_url":null}},"uid":"telangana-hc-orders-sit-probe-into-hca"}},{"node":{"data":{"title":{"text":"Modi’s 25-Year CM-PM Run"},"content":{"text":"Union Home Minister Amit Shah on Thursday said that no political leader in independent India has completed 25 years tenure, serving as the head of state government and the Union government, while highlighting Prime Minister Narendra Modi’s political journey during an event in Vadnagar, his birthplace.  Addressing the launch of the 'Seva Sankalp Abhiyan' at Sharmishtha Lake, Shah said the campaign is being organised to take the message of PM Modi’s 25 years in public life to people across the country. A Vadnagar-to-Varanasi service yatra was also flagged off as part of the programme, linking PM Modi’s birthplace with his parliamentary constituency and political “karmabhoomi”. The campaign is being held from September 17 to October 7 to mark PM Modi’s birthday and his 25 years in public life. “Since the country became independent till today, no politician has made a record of serving for 25 years as the head of a state and as the head of the country,” Shah said. He described PM Modi as the “only leader” to have continuously received electoral mandates and public support through this period. Shah said the significance of the 25-year milestone would be marked on October 7, when PM Modi would complete 25 years since first becoming chief minister of Gujarat and subsequently serving as prime minister. He said the BJP and its National Democratic Alliance (NDA) partners had decided to take the occasion to people across the country. The Home Minister said the Vadnagar-Varanasi journey would carry the message of PM Modi’s 25 years of work through villages across seven states. According to Shah, about 300 bikers would travel from Vadnagar and another 300 from Varanasi, taking the total number of riders to 600. \"The journey would connect Hatkeshwar Mahadev in Vadnagar with Kashi Vishwanath in Varanasi,\" he noted. Shah said the campaign is not merely intended to mark a birthday but to introduce PM Modi’s life and public career to younger generations. He also sought to contrast the situation he said prevailed before PM Modi became prime minister with the political and economic conditions he attributed to the subsequent period. Referring to his own travels across the country between 2010 and 2013, Shah said there had been “deep disappointment” among people, with corruption cases being reported, concerns over internal security and questions over external security. “When Modi ji became prime minister in 2014, and in 2026, 140 crore Indians are moving forward with enthusiasm, resolve and hope that by 2047 India will be foremost in the world,” he said, describing the change in public confidence as a major achievement. Shah said that when PM Modi entered the Union government, there was “policy paralysis”, which he claimed was replaced by clearer policies. He linked this to India’s subsequent economic growth and said the country had moved from what he termed the “Fragile Five” to becoming the world’s fastest-growing major economy. He listed the Goods and Services Tax, the Jan Dhan-Aadhaar-Mobile system and direct benefit transfers among the measures introduced under PM Modi’s government. He also referred to banking reforms, foreign direct investment and production-linked incentives, saying these had contributed to manufacturing growth. Shah cited infrastructure expansion as another area of change, pointing to roads, railways, airports, ports and digital infrastructure. \"The number of airports had increased from 75 to 150 and referred to PM Gati Shakti as an effort to coordinate infrastructure projects through technology and time-bound implementation,\" he said. He also mentioned Digital India and Startup India, saying they had opened opportunities for young people, while improved connectivity in border areas had contributed to national security. On national security and law, Shah cited the abrogation of Article 370, the abolition of triple talaq, the introduction of the Citizenship Amendment Act and the new criminal codes. He also referred to the government’s stated objective of making 'India free of Naxalism', peace agreements in the North-East, and military operations including the surgical strikes, air strikes and Operation Sindoor. Shah said women had received greater opportunities in the armed forces, police, science, start-ups, drones and sports. He also referred to Eklavya schools, PM Janman and Vibrant Villages in the context of tribal welfare. He mentioned the construction of the new Parliament building and installation of the Sengol as measures he said had strengthened \"national consciousness\". He also referred to Chandrayaan, Aditya-L1 and the naming of the Shiv Shakti Point, along with One Rank One Pension and the creation of the Chief of Defence Staff. Turning to PM Modi’s years as Gujarat chief minister, Shah cited the state’s 24-hour electricity supply to villages, agricultural development, the Vanbandhu Kalyan Yojana and Sagarkhedu development scheme, industrial development, Vibrant Gujarat and initiatives in education. He said providing round-the-clock electricity had effects beyond household convenience. “This is not only a question of convenience. As soon as electricity arrived, business arrived. As soon as electricity arrived, education arrived. As soon as electricity arrived, health arrived. As soon as electricity arrived, infrastructure arrived,” he said. Shah said the Vanbandhu and Sagarkhedu schemes had been intended to make development “sarvasparshi” and “sarvasamaveshi” by extending it to tribal communities and villages along the coast. \"The Gujarat model subsequently formed the basis of the political mandate PM Modi received in 2014,\" he added."},"img":{"url":"https://images.prismic.io/prad%2F614c489e-6240-4a48-bb7a-da9eea74c874_7.+modi+padayatra.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-17T08:13:00+0000","embed":{"embed_url":null}},"uid":"modis-25-year-cm-pm-run"}},{"node":{"data":{"title":{"text":"Tirumala to Become Global Spiritual Hub"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu announced on Wednesday that Tirumala will be developed as a global model of spirituality.  He said the focus would be on enhancing the experience of pilgrims while integrating environmental conservation, spirituality, service and modern technology.  Stating that Tirumala has 89.5 per cent green cover, he stressed the need to protect it. The Chief Minister inaugurated several development initiatives in Tirumala on Wednesday, including the Pilgrims’ Experience Centre at Vaikuntam Queue Complex-I, the modernised SV Museum and 32 electric buses provided by Reliance Foundation and Bharat Biotech. The Pilgrims’ Experience Centre offers devotees an opportunity to virtually experience the daily rituals and pujas performed for Lord Venkateswara and view various locations in Tirumala using 3D technology.  The Chief Minister personally experienced the virtual darshan facility through six DVR-based virtual reality systems. He also reopened the renovated SV Museum. The TTD has redesigned the museum to present the glory of Lord Venkateswara, the history of Tirumala, mythological narratives and the divine wedding of Lord Venkateswara in a manner that is easy for devotees to understand.  The museum was developed by the TCS Trust at a cost of Rs 104 crore. Replicas of ornaments offered to Lord Venkateswara by various rulers, including Sri Krishnadevaraya, historical artefacts from different periods, and 3D models of crowns and ornaments used to adorn the deity have been displayed. The Chief Minister viewed an AI-generated video presentation on the divine wedding on a panoramic screen. He also took keen interest in the musical instruments used by musicians of earlier times in the service and praise of the Lord. Later, the Chief Minister flagged off 32 electric buses provided by Reliance Foundation and Bharat Biotech for pilgrims travelling in Tirumala. Along with Reliance E-Mobility CEO Nitin Seth, Bharat Biotech Managing Director Suchitra Ella, Minister Anam Ramanarayana Reddy, TTD Chairman B.R. Naidu and TTD members, the Chief Minister travelled by an electric bus from Narayana Giri Circle to the SV Museum. The Chief Minister said the TTD had decided to provide insurance coverage to every pilgrim visiting Tirumala. An Aadhaar-based online insurance facility would be implemented in association with LIC, he said. Under the scheme, if a pilgrim unfortunately dies in Tirumala, financial assistance of Rs 2 lakh would be provided, he added. The Chief Minister said the government is planning to construct 5,000 Sri Venkateswara temples across the State through the Srivani Trust. He said requests had also been received for construction of Sri Venkateswara temples in countries such as Mauritius and New Zealand, and the government was examining the proposal. He said an action plan was being prepared to utilise the services of Srivari Sevaks in the education and healthcare sectors as well."},"img":{"url":"https://images.prismic.io/prad%2F440133af-702e-4c27-8cae-054335f96053_tirumala+prasad.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-16T18:38:00+0000","embed":{"embed_url":null}},"uid":"tirumala-to-become-global-spiritual-hub"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Sneha Set for ‘Kaaka’ With Chiru?"},"content":{"text":"Megastar Chiranjeevi and mass director Bobby Kolli’s highly anticipated film ‘Kaaka’ continues to generate buzz in Tollywood, with expectations growing steadily around the project. The promotional material and glimpses released so far have already caught the attention of movie lovers, adding to the curiosity surrounding the film. Now, an interesting casting buzz has reportedly emerged from film circles, with senior actress Sneha said to be in consideration for a key role alongside Chiranjeevi. Sneha, who has enjoyed a strong connect with Telugu audiences through her performances and on-screen charm, could reportedly reunite with the Megastar for this much-awaited project. While details about her character and the nature of her association with Chiranjeevi are yet to be officially revealed, the possibility has triggered considerable interest among fans. If the reports turn out to be true, her presence could add another familiar and experienced face to the film’s ensemble. Directed by Bobby Kolli, ‘Kaaka’ is being mounted as a prestigious project with Chiranjeevi in the lead. The film has been attracting attention for its combination of the Megastar’s mass appeal and Bobby’s commercial filmmaking style. However, the makers are yet to officially confirm Sneha’s casting, so the latest reports should be treated as speculation until an announcement is made."},"img":{"url":"https://images.prismic.io/prad/FXRcXum-iyo1ElPm_chirusneha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-17T11:49:00+0000","embed":{"embed_url":null}},"uid":"sneha-set-for-kaaka-with-chiru"}},{"node":{"data":{"title":{"text":"‘Varanasi’ Trailer: Rajamouli’s Secret Plan?"},"content":{"text":"Superstar Mahesh Babu and SS Rajamouli’s much-awaited ‘Varanasi’ continues to dominate the spotlight, with the ambitious project being positioned as a pan-world cinematic spectacle. Every update surrounding the film has been generating significant interest among moviegoers, while the already-released glimpse has further intensified curiosity. The latest reports suggest that Mahesh Babu has wrapped up his portions of the shoot, with the overall production said to be nearing completion at around 90 per cent. With the remaining portions reportedly being finished, the team is expected to gradually shift its attention towards the extensive post-production and VFX work required for the film. At the same time, the makers are reportedly exploring an unconventional promotional strategy for ‘Varanasi’. Rajamouli has already been associated with large-scale promotional campaigns, including international events, media interactions and special interviews designed to take the film beyond the usual Indian-market publicity circuit. Now, industry buzz suggests that the filmmaker may be considering an even more secretive approach for the final phase of promotions. According to these reports, the team is contemplating releasing the film without a conventional theatrical trailer, allowing the movie itself to remain the biggest reveal. The speculation is closely linked to Mahesh Babu’s character, Rama, whose appearance and portions of the role are reportedly being kept under wraps. The concern within the team is said to be that a full-fledged trailer could reveal key visuals, character details or major moments much earlier than intended. By avoiding a traditional trailer, the makers could potentially preserve the surprise factor and give audiences their first complete theatrical glimpse of Mahesh as Rama on the big screen. However, this reported strategy has not been officially confirmed by Rajamouli or the production team, and fans will have to wait for an official announcement regarding the film’s final promotional plans."},"img":{"url":"https://images.prismic.io/prad/aXyUQwIvOtkhCHTT_varanasi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-17T13:56:00+0000","embed":{"embed_url":null}},"uid":"varanasi-trailer-rajamoulis-secret-plan"}},{"node":{"data":{"title":{"text":"Aamir’s Remarkable ‘Lalkaara’ Avatar"},"content":{"text":"In an exciting development in Bollywood, Aamir Khan is embarking on a significant physical transformation as he prepares for his reunion with acclaimed director Ashutosh Gowariker in the upcoming sports drama 'Lalkaara.' This film marks their first collaboration since the groundbreaking 'Lagaan,' which not only showcased Khan's exceptional talent but also left an indelible mark on Indian cinema. As Khan gears up for this new role, the stakes are high; he is set to portray a character who is a decade younger than his actual age, demanding a rigorous commitment to his weight-loss journey. According to exclusive reports from Filmfare, Khan's current weight-loss program is an integral part of his preparation for the role. Sources close to the actor reveal that he is determined to achieve the physicality required to convincingly embody a 25-year-old athlete. Known for his unparalleled dedication to his craft, Khan's transformation is both a personal and professional undertaking. His history of dramatic physical changes for roles, such as in 'Dangal' and 'Ghajini,' further exemplifies his willingness to push the boundaries of his performance and is indicative of the depth he brings to his work. 'Lalkaara,' which is being penned by the talented duo of Piyush Gupta and Neeraj Singh, is set against the backdrop of Indian cricket. The narrative promises to explore intricate themes of rivalry, friendship, and patriotism, while also delving into the profound human experiences surrounding the Partition of India. By choosing cricket as its centerpiece, the film not only aims to capture the spirit of the sport but also reflects on the sociocultural impact it has had on Indian society, making this project not just entertaining but also deeply resonant for audiences. The anticipation surrounding the reunion of Khan and Gowariker is palpable, especially considering the monumental success of 'Lagaan,' which earned an Oscar nomination and remains a landmark film in Indian cinema. As Khan dedicates himself to this transformation, the cinematic community watches closely, curious about how 'Lalkaara' will unfold. The project has all the ingredients of another ambitious collaboration, with its focus on a rich narrative coupled with the intense physical preparation Khan is undergoing, bolstering expectations for what could become a significant addition to both their filmographies."},"img":{"url":"https://images.prismic.io/prad/gRv0BEBDHtxZH0M0_aamirkhan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-17T17:40:00+0000","embed":{"embed_url":null}},"uid":"aamirs-remarkable-lalkaara-avatar"}},{"node":{"data":{"title":{"text":"Mom-to-Be Samantha Starts Shooting"},"content":{"text":"Actress Samantha Ruth Prabhu, who is expecting her first child, has started shooting for the much-awaited culinary reality show “Celebrity MasterChef Tamil.” A source close to the development revealed  that the ‘Oo Antava’ actress has travelled to Chennai to kick-start the shoot. While further details about the show and Samantha’s role are awaited, fans are looking forward to watching the actress take on this new challenge. Samantha, who is reportedly in her seventh month of pregnancy, has continued to work during this special phase of her life. Talking about the show, Samantha had earlier shared her excitement about the new venture and said that food has a unique way of bringing people closer. The ‘Yashoda’ actress also said she was looking forward to watching some of the popular faces from the Tamil film industry step into the kitchen. The actress said, “I’m incredibly excited to finally share this with everyone. Celebrity MasterChef Tamil is unlike anything I’ve done before, and that’s exactly what made it impossible to say no. Food has a wonderful way of bringing people together, creating memories, and revealing a side of you that the cameras don’t usually get to see.” “What I’m most excited about is watching some of our favourite Tamil celebrities’ step into the kitchen, take risks, make mistakes, surprise themselves, and compete with a lot more passion than you’d expect!” I wish I could tell you who’s cooking, but where’s the fun in that? I can’t wait for everyone to experience what we’re cooking up with Sony Vizha,” she added. Produced by Banijay Asia, “Celebrity MasterChef Tamil” will follow the format of the internationally popular MasterChef franchise while adding a distinct local touch. The show will feature well-known personalities from the Tamil film industry competing in the kitchen. The culinary reality show is expected to premiere soon on Sony VIZHA and Sony LIV. Meanwhile, Samantha is preparing to embrace motherhood as she awaits the arrival of her first child with filmmaker husband Raj Nidimoru."},"img":{"url":"https://images.prismic.io/prad/0XkZ5k7OClC2kfkw_sam.JPG?auto=format%2Ccompress&rect=0%2C17%2C449%2C221&w=2028&h=1000"},"datetime":"2026-09-17T10:32:00+0000","embed":{"embed_url":null}},"uid":"mom-to-be-samantha-starts-shooting"}},{"node":{"data":{"title":{"text":"'Goodachari 2' Targets Feb 5?"},"content":{"text":"If sources in the industry are to be believed, director  Vinay Kumar Sirigineedi's spy action thriller 'Goodachari 2' (G2), featuring actors Adivi Sesh and Wamiqa Gabbi in the lead, will hit screens on February 5 next year.  The film is the sequel to the blockbuster spy thriller 'Goodachari'. Vinay Kumar Sirigineedi, who is making his directorial debut with this film, is also producing it and is looking to build on the success of the first part.  Sources say that the film, which has been awaiting a release date for quite some time now, will finally hit screens on February 5 next year and add that the makers are looking to redefine the spy thriller genre in Indian cinema with this film. This time around, Wamiqa Gabbi will be seen making an entry as Agent 116. Bollywood star Emraan Hashmi too will be seen essaying a powerful role in this movie, which will also feature actors Murali Sharma, Supriya Yarlagadda, and Madhu Shalini in pivotal roles. Sources have claimed that Emraan Hashmi will be seen sharing screen space alongside Adivi Sesh in the pan-India film and that he will portray a role that will be seen as a parallel lead. More significantly, they claim that he will not be portraying a negative role. The film is being produced by T.G. Vishwa Prasad and Abhishek Agarwal under the banners of People Media Factory, Abhishek Agarwal Arts and AK Entertainments. It is to be released pan India in Telugu, Hindi, Tamil, Kannada and Malayalam. For the unaware, actor Adivi Sesh, who plays the lead in the spy action thriller, had penned a belated birthday post last year for his 'Goodachari 2' co-star Wamiqa Gabbi. Taking to his X timeline to pen the birthday greeting a day after the actress had celebrated her birthday, Adivi Sesh had said, \"Many many happy returns of the day dear @iWamiqaGabbi!! You’re a fantastic co-star and you’ve given so many layers of gravitas to your role. Happy Birthday to our Talented, Beautiful and Professional Lead Actress of #G2 #Goodachari2.\" Interestingly, he put out a post script, that read, \"p.s. forgive me for the late wishes\" with a folded hands image next to it. For the unaware, Adivi Sesh, apart from playing the lead in the film, has also scripted it. While the blockbuster film 'Goodachari' was directed by Sashi Kiran Tikka, the upcoming film has been directed by Vinay Kumar Sirigineedi. The 2018 Telugu film 'Goodachari' featured Sobhita Dhulipala, Jagapathi Babu, and Prakash Raj in pivotal roles."},"img":{"url":"https://images.prismic.io/prad/iWYJU3T4IpBLW_Zq_G2.JPG?auto=format%2Ccompress&rect=0%2C4%2C450%2C222&w=2028&h=1000"},"datetime":"2026-09-17T04:57:00+0000","embed":{"embed_url":null}},"uid":"goodachari-2-targets-feb-5"}},{"node":{"data":{"title":{"text":"'Aakasamlo Oka Tara' on Nov 20"},"content":{"text":"The makers of  director Pavan Sadineni's upcoming film  'Aakasamlo Oka Tara', featuring actors Dulquer Salmaan and Satvika Veeravalli in the lead, on Thursday announced that the film would hit screens world over on November 20 this year.  Swapna Cinemas, the production house producing the film, took to its social media timelines to make the announcement.  It wrote, \"The journey to the stars begins. #AakasamLoOkaTara / #AOTMovie - 20th November 2026 in theatres. Come along… there’s a beautiful world waiting for you. #AOTonNOV20th @dulQuer @pavansadineni @GeethaArts @SwapnaC.\" It may be recalled that the makers had marked the birthday of actor Dulquer Salmaan earlier this year by releasing a new poster of the actor from the film and announcing that he played a character called Krishna in the film.   It may be recalled that the makers the film had some months ago introduced Satvika Veeravalli as the lead of the film. The film, which is being produced by Sandeep Gunnam and Ramya Gunnam under the Light Box Media banner, is being presented by well known production houses Geetha Arts and Swapna Cinema. Geetha Arts, which is one of the firms presenting the film, had taken to its Instagram page to share the introduction video of the actress. It wrote, \"She carries a dream bigger than the sky…. Introducing Satvika Veeravalli - The dreamer who gives wings to #AakasamLoOkaTara #AOTMovie.\" The introduction video begins with a child, pointing to the sky and asking \"How do I go to space?\" Viewers are then given a glimpse of the heroine.The introduction video shows Satvika Veeravalli as a youngster from the rural parts who is dissuaded from pursuing her dream of going to space. We hear a man's voice saying, \"Coming from a village that has no roads, you harbour plans of going to space? First, you show us if you can cross the borders of the village. Then, we'll see.\" It is evident that the film will revolve around the character that Satvika Veeravalli plays and that she is actually the protagonist. The film is about a girl from a remote rural region realising her dream of becoming an astronaut and going to space. The film boasts of a fantastic technical team. It has two-time National Award winner G V Prakash Kumar scoring music for it. Cinematography for the film is by one of the best in business, Sujith Sarang. The film has editing by National Award winning editor K L Praveen."},"img":{"url":"https://images.prismic.io/prad/aY7wIlWLo0XkEe5z_AkasamloOkatara.JPG?auto=format,compress"},"datetime":"2026-09-17T06:30:00+0000","embed":{"embed_url":null}},"uid":"aakasamlo-oka-tara-on-nov-20"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Heart Crisis Grips Young India"},"content":{"text":"A disturbing trend is emerging in India, where cardiovascular disease is no longer an affliction of the elderly but a growing concern among younger populations. Recent statistics indicate that cardiovascular diseases accounted for nearly 29% of all recorded deaths in India between 2017 and 2019. This alarming statistic highlights a shifting paradigm, with the National Health Profile revealing that non-communicable diseases, including heart disease, diabetes, and chronic respiratory illnesses, collectively account for a staggering 63% of the nation's mortality rates. As the nation grapples with this health crisis, the underlying risk factors that contribute to heart disease are becoming increasingly prevalent among young adults, often unnoticed until it is too late. The escalating incidence of heart disease in India’s youth can be traced to a confluence of modern lifestyle choices, including prolonged sedentary behavior, poor dietary habits, irregular sleep patterns, and chronic stress. Dr. Deepak Krishnamurthy, a leading cardiologist, articulates that the traditional risk factors such as hypertension and high cholesterol are now manifesting in younger demographics, exacerbated by genetic predispositions and environmental stressors. Moreover, the omnipresence of technology has led to an increase in screen time, which not only promotes a sedentary lifestyle but also disrupts sleep cycles. The result is a perfect storm wherein young Indians find themselves at greater risk for developing heart-related ailments much earlier in life. Historically, heart disease was often associated with the aging population, attributed to years of cumulative risk factors. However, the current landscape paints a different picture, one where the interplay of lifestyle choices has catalyzed a shift towards earlier onset of cardiovascular issues. The National Programme for Prevention and Control of Non-Communicable Diseases reports an alarming 9.36 crore people receiving treatment for hypertension and diabetes—critical precursors to heart disease. As the healthcare system grapples with these numbers, the need for comprehensive awareness and early intervention becomes paramount. Dr. Krishnamurthy emphasizes that conditions leading to heart problems develop insidiously and often go unnoticed until significant damage has occurred, particularly among the young. As for actionable steps, Dr. Krishnamurthy advocates for a proactive approach among young adults in their 20s and 30s. He suggests that individuals should eliminate tobacco use, incorporate regular physical activity into their routines, and adopt heart-healthy dietary practices while keeping an eye on their waistlines. Moreover, he underscores the importance of regular monitoring of vital health indicators such as blood pressure and cholesterol levels. This holistic understanding of cardiovascular health is crucial for young Indians, who must learn to recognize the silent threats posed by modern lifestyles and take charge of their health before it spirals out of control."},"img":{"url":"https://images.prismic.io/prad/pJ-dW9a56Zc9ur7D_heartdiseas.JPG?auto=format%2Ccompress&rect=0%2C0%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-16T11:05:00+0000","embed":{"embed_url":null}},"uid":"heart-crisis-grips-young-india"}},{"node":{"data":{"title":{"text":"A Fight for Life at 85"},"content":{"text":"At 85 years old, Mrs. Lakshmi (name changed) faced what many in her age group would consider insurmountable challenges: two tumors and a life-threatening blockage in her colon. Rather than embracing the tranquility that often accompanies advanced age, she found herself in the emergency room, grappling with severe abdominal pain and a severe inability to pass stool. The diagnosis revealed a critical blockage in the sigmoid colon due to a tumor, a condition that posed immediate threats to her life. The medical team, acutely aware of her complex health history—including hypertension, diabetes, and a previous stroke—understood the urgency of the situation, necessitating careful decision-making regarding her treatment options. The initial intervention involved a minimally invasive procedure where doctors placed a colonic stent to alleviate her discomfort. While this temporary solution offered some relief to Mrs. Lakshmi and her anxious family, it soon became clear that a more comprehensive approach was required. Further examinations unveiled a second tumor in her esophagus, complicating an already dire diagnosis. Dr. K Hemanth Kumar, a leading Consultant in Surgical Gastroenterology at Manipal Hospital, emphasized the urgency of the case. The existence of two malignancies in a patient of advanced age, coupled with multiple underlying health conditions, demanded a meticulous and strategic response from her medical team. The critical nature of Mrs. Lakshmi's situation highlighted broader issues in geriatric care, particularly concerning complex cancer diagnoses. As the medical community increasingly confronts aging populations, the intersection of age and multi-morbidity raises significant ethical and logistical challenges. In Mrs. Lakshmi's case, the stent was a temporary fix, with the potential for serious complications looming should a definitive treatment not be pursued. The family was faced with a heart-wrenching decision: proceed with high-risk surgery or risk further deterioration of her health. Ultimately, they chose the path of hope, opting for a pioneering robotic surgical approach that addressed both tumors in one procedure. Utilizing the advanced Da Vinci Xi robotic system, Dr. Hemanth and his team executed a complex operation that not only targeted the colon cancer but also the esophageal tumor, representing a significant advancement in addressing dual malignancies. Remarkably, Mrs. Lakshmi recovered without needing an intensive care unit stay, a testament to both her resilience and the proficiency of her healthcare providers. Just one week post-operation, she was discharged, marking a poignant moment for both her and her family. Three months later, Mrs. Lakshmi continues to thrive, undergoing further treatment as part of her recovery journey, signaling not just survival but a remarkable testament to the human spirit in the face of daunting medical challenges."},"img":{"url":"https://images.prismic.io/prad/W5S8nG7lRQSGgKv2_mediclelife.JPG?auto=format%2Ccompress&rect=0%2C44%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-15T23:40:00+0000","embed":{"embed_url":null}},"uid":"a-fight-for-life-at-85"}},{"node":{"data":{"title":{"text":"Scorching Heat: The Unseen Toll on Teen Mental Health"},"content":{"text":"As global temperatures soar, a troubling new study reveals that extreme heat is not merely an environmental concern but a significant threat to the mental health of adolescents. Research indicates that for every 1°C rise in daily temperature, the risk of adverse mental health outcomes in teenagers escalates by nearly 1%. While this statistic may seem modest at first glance, it becomes alarming when considering the frequency of heatwaves in recent summers, underscoring the urgent need to address this evolving crisis. The comprehensive review analyzed data from 23 studies worldwide, pinpointing children and teenagers aged five to eighteen as the most vulnerable demographic. On particularly hot days, this group experiences a 1.5% increase in the likelihood of poor mental health outcomes; however, during actual heatwaves, this figure skyrockets to an astonishing 25%. Such stark differences highlight the psychological ramifications of sustained heat exposure, which extends beyond mere discomfort to include serious implications such as increased anxiety, depression, and even suicide attempts. Experts, including co-author Jacqueline Stephens from Flinders University, emphasize that the intersection of climate change and mental health cannot be ignored. The patterns of rising temperatures and more frequent heat events are not restricted to a single region; they are a global phenomenon with widespread repercussions. Adolescents are particularly susceptible during this pivotal developmental stage, where their routines—schooling, recreation, and social interactions—are disrupted by extreme weather conditions, causing significant emotional distress. Moreover, researchers note that the physical impact of heat, such as sleep disruption, compounds mental health challenges. Poor sleep exacerbates mood regulation, while family stress during heatwaves creates a ripple effect that permeates households. Although the findings point to population-level trends rather than individual predictions, they call for a re-evaluation of how public health strategies address heat-related issues. Current responses prioritize physical safety measures like hydration and cooling centers but overlook the critical need for mental health support tailored to young people. This oversight underscores the need for a more holistic approach to climate adaptation strategies that incorporate mental health services as integral components of public health initiatives."},"img":{"url":"https://images.prismic.io/prad/CJ8ZpPonvzZKyB1t_mentalhealth.JPG?auto=format,compress"},"datetime":"2026-08-11T10:28:00+0000","embed":{"embed_url":null}},"uid":"scorching-heat-the-unseen-toll-on-teen-mental-heal"}},{"node":{"data":{"title":{"text":"The Distinction Between Brain Tumors and Brain Cancer"},"content":{"text":"The phrases 'brain tumor' and 'brain cancer' often evoke a visceral reaction among the public, conjuring images of gravely serious health threats. However, contrary to common perception, these terms describe distinct medical conditions that warrant different approaches to diagnosis and treatment. A brain tumor is simply an abnormal growth of cells in or around the brain, which can be classified as benign or malignant. While all brain cancers are tumors, not all tumors exhibit cancerous characteristics; this critical distinction can influence a patient's treatment plan and overall prognosis. The medical community underscores the importance of understanding these differences. Brain tumors, irrespective of their benign or malignant status, can lead to severe health consequences because of the brain’s confined environment within the skull. This means that even non-cancerous tumors can exert pressure on vital neurological functions, leading to symptoms such as persistent headaches, seizures, and cognitive deficits. Dr. Praveen Gupta, a prominent neurologist, emphasizes that benign tumors, while non-cancerous, can still necessitate significant medical intervention depending on their size and location. The implications of this are crucial for anyone facing a diagnosis related to brain health. Historically, the classification of brain tumors has evolved as medical science has advanced. The National Cancer Institute and other leading neurological institutions categorize these tumors into myriad types, each demanding tailored treatment strategies. For instance, malignant tumors possess the aggressive ability to invade surrounding brain tissue, often requiring complex interventions that may include surgery, radiation, and chemotherapy. Understanding whether a growth is benign or malignant is not just a matter of terminology; it directly impacts the urgency and nature of the interventions required. Symptoms often overlap between benign and malignant tumors, complicating self-diagnosis and reinforcing the necessity for professional evaluation. Medical imaging techniques such as MRI and CT scans, along with biopsies, are essential to ascertain the nature of the tumor. Experts caution against relying on symptomatology alone, as the presence of alarming symptoms could mask a benign condition, while milder manifestations could signify a malignant threat. As such, timely medical evaluation is paramount, as early detection can significantly enhance treatment effectiveness and patient quality of life."},"img":{"url":"https://images.prismic.io/prad/f6803c8c-7220-433e-b58f-ef269a3ecf79_brain+stroke.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T10:10:00+0000","embed":{"embed_url":null}},"uid":"the-distinction-between-brain-tumors-and-brain-can"}},{"node":{"data":{"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}},{"node":{"data":{"title":{"text":"How Smoking Hurts Pregnancy!"},"content":{"text":"When planning to start a family, many couples focus on preparing for pregnancy by discussing nursery plans and choosing baby names. However, what often goes unnoticed is the detrimental impact of smoking on fertility and pregnancy. Cigarette smoke contains harmful chemicals that can damage reproductive cells in both men and women, making it harder to conceive and increasing the risk of pregnancy complications and poor outcomes for babies.  Dr. Vandana Bhatia, a Senior Fertility Specialist, emphasizes that smoking silently affects fertility, pregnancy, and the long-term development of the child. Both partners play a crucial role in protecting fertility as smoking can reduce sperm count, affect sperm movement, and damage egg quality, hormone levels, and ovarian reserve. Additionally, passive smoking also poses risks to fertility and pregnancy outcomes. Quitting smoking as a couple not only improves motivation and emotional support but also encourages healthier habits, leading to improved fertility and overall health.  The quality of eggs and sperm before conception significantly influences the health of the future child, making it essential for both parents to quit smoking before starting a family. Dr. Bhatia recommends practical steps for quitting smoking together, emphasizing that healthy choices are crucial in building a healthy family. Parenthood begins with the quiet promise of choosing health together, even before the first heartbeat is heard on an ultrasound."},"img":{"url":"https://images.prismic.io/prad/akDOG1bRV8_Qf8Cd_smokefertility.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T19:33:00+0000","embed":{"embed_url":null}},"uid":"how-smoking-hurts-pregnancy"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Historic Win for Trans Tamil Immigrant"},"content":{"text":"In a groundbreaking shift for political representation in the United Kingdom, Q Manivannan, a trans Tamil immigrant and doctoral student, has claimed a seat in the Scottish Parliament, igniting fervent discussions about immigration, identity, and the evolving landscape of elected office. Securing a position with the Scottish Greens, Manivannan's election not only reflects a personal triumph but also serves as a pivotal moment for underrepresented communities, challenging preconceived notions about who can partake in the political process. Born in Tamil Nadu, India, Manivannan arrived in Scotland on a student visa four years ago to pursue studies in international relations. Their victory on May 9, alongside the Scottish Green Party, underscores the complexities surrounding the eligibility of foreign nationals in UK elections—particularly those from Commonwealth nations. Current regulations permit individuals on short-term visas to stand for election, a provision that has drawn scrutiny from anti-immigration advocates who argue for stricter controls over political representation. The election of Manivannan, who identifies as non-binary and uses they/them pronouns, has prompted a wave of criticism from figures like Robert Jenrick, a former Tory minister, who expressed concern over the implications of allowing individuals on student visas to hold such significant political positions. This backlash highlights a broader societal debate regarding immigration and representation, as organizations such as Migration Watch call for a reevaluation of the rights afforded to Commonwealth citizens within UK political structures. Amidst this discourse, the Scottish Greens have positioned themselves as champions of inclusivity, emphasizing the need for a comprehensive overhaul of the UK's immigration policies to create a more welcoming environment for those seeking to make a difference. As Manivannan embarks on their parliamentary journey, they represent not only a voice for marginalized groups but also a testament to the potential for change within a political system that often feels impenetrable. Their campaign, which centered on themes of diversity, inclusion, and a “politics of care,” resonated with voters eager for a shift from traditional political narratives. Support from the Scottish Greens, who have pledged assistance for Manivannan’s visa renewal process, reflects a commitment to fostering a political environment that embraces all backgrounds, advocating for a future where the barriers of entry are dismantled rather than upheld."},"img":{"url":"https://images.prismic.io/prad/2XZTrOto0NjcvnKj_trans.JPG?auto=format%2Ccompress&rect=0%2C22%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-16T06:30:00+0000","embed":{"embed_url":null}},"uid":"historic-win-for-trans-tamil-immigrant"}},{"node":{"data":{"title":{"text":"Indian American lawmakers slam DHS 'Mr Singh' post"},"content":{"text":"Five Indian American lawmakers have urged President Donald Trump to act over a deleted Department of Homeland Security post depicting a man called “Mr. Singh”, warning that it could encourage racial profiling and hostility towards Sikh and South Asian Americans. Representatives Raja Krishnamoorthi, Shri Thanedar, Suhas Subramanyam, Pramila Jayapal and Ami Bera, all Democrats, raised their concerns in a September 15 letter to Trump. They accused the agency of using Sikh identity to portray a dangerous and unwanted foreigner while promoting immigration enforcement. According to the letter, the post depicted a brown, bearded man identified as “Mr. Singh”. It told him to “get off our roads” and warned him to “self-deport or find out”. The lawmakers said the name Singh was closely associated with Sikh identity. Its use in this context was degrading, they argued. “We write to express grave concern about the increasingly open racial and xenophobic hostility directed at South Asian Americans, particularly Sikh Americans, and about the ways federal rhetoric surrounding immigration and visa policy can reinforce the idea that these communities are suspect, disposable, or less American,” they wrote. The letter also questioned how DHS promoted a new Immigration and Customs Enforcement tipline. The lawmakers said the agency had formally described it as a mechanism for reporting suspected commercial driving licence fraud. Its social media messaging, however, urged people to report “illegal aliens on American roads”, they said. Paired with the depiction of “Mr. Singh”, that language could encourage people to treat perceived ethnicity, religion or foreignness as grounds for suspicion, the lawmakers warned. They said the campaign created a risk of racial profiling affecting Sikh, South Asian and other nonwhite drivers, including US citizens. The supplied material did not include a response from DHS or the White House to the letter. The lawmakers cited findings from Stop AAPI Hate to support their concerns. Anti-South Asian slurs in online spaces monitored by the organisation increased 109 per cent between January 2023 and December 2025, according to the letter. South Asians were the targets of 71 per cent of anti-Asian online threats of violence identified between August 2024 and December 2025 in those spaces, it said. The letter also cited a nationally representative survey in which 48 per cent of South Asian adults reported experiencing a hate act because of their race, ethnicity or nationality in 2025. The lawmakers asked Trump to direct federal agencies, particularly DHS, to publicly acknowledge the harm they said the post had caused. They sought enforceable standards prohibiting agency communications that use racial, ethnic, religious or national-origin stereotypes. They also urged Trump to make clear that immigration enforcement must never be used to stigmatise South Asian communities. “South Asian Americans are not abstractions in an immigration debate, nor are they convenient symbols of foreignness. They belong in the communities they have helped build. For millions, this is their country and their home. There should be no room for such hate in our country,” they wrote. The letter placed the dispute against a wider backdrop of hostility in Frisco, Texas. It cited references to an “Indian takeover”, “invaders” and “anchor babies” at city council meetings, and a mayoral candidate describing South Asian immigrants as “rats”. It also recalled a June incident in which a demonstrator tore an Indian flag outside City Hall. Sikh articles of faith, including turbans and unshorn hair, can make religious identity immediately visible. The letter noted that Sikh Americans have repeatedly faced harassment, discrimination and violence from people who perceive them as foreign or threatening."},"img":{"url":"https://images.prismic.io/prad/64397a7f-8833-4b4f-8c1a-6623a8df29f4_homeland+security.JPG?auto=format,compress"},"datetime":"2026-09-15T15:35:00+0000","embed":{"embed_url":null}},"uid":"indian-american-lawmakers-slam-dhs-mr-singh-post"}},{"node":{"data":{"title":{"text":"NYC Subway Tragedy Kills Indian Woman"},"content":{"text":"An Indian-origin woman heroically dove onto a city subway track to save a friend who had fallen, but tragically, both were killed by an oncoming train that could not stop in time, according to police.  The tragedy, caught on an eerie video, happened early Sunday morning (local time) at a Manhattan station in the city's metro system when both friends were waiting for a train, according to police. Navam Kaul ended up on the track, and Malaika Chitre tried futilely to save him, police said. Authorities said on Monday that detectives from the New York Police Department were investigating the incident. The train operator told supervisors that after spotting them on the track, there was no time to stop the train to save them, the New York Post reported, quoting sources. Kaul and Chitre, who grew up in nearby towns in New Jersey, had both graduated in 2024 from Rutgers University. Rajnikant Pipalia, who told the Post his son was a friend of Kaul, said that Kaul's family immigrated from Nepal. Kaul and Chitre \"grew up in the same world\" and were part of the \"same South Asian group hanging out together, enjoying the same festivals,\" Pipalia told the Post. The newspaper said that Chitre's family \"lambasted\" media reports on the incident. Some of them aired sensational speculations about them and the tragedy without factual basis. Chitre was pursuing a doctorate in pharmacy studies at Temple University while working as a quality operations specialist at Acadia Pharmaceuticals, according to her LinkedIn profile. Kaul, who had a business degree, was a data analyst with Bloomberg, a financial services and news company, his LinkedIn profile said."},"img":{"url":"https://images.prismic.io/prad/1LCOhOPMXT-bZtfr_indianwoman.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-15T05:30:00+0000","embed":{"embed_url":null}},"uid":"nyc-subway-tragedy-kills-indian-woman"}},{"node":{"data":{"title":{"text":"US Birthright Fight Alarms Visa Families"},"content":{"text":"The citizenship rights of US-born children of temporary visa holders came under renewed scrutiny as Republican lawmakers advocated restrictions and Democrats said the 14th Amendment guaranteed citizenship at birth. During a House Judiciary subcommittee hearing on birthright citizenship, Republicans urged Congress to act after the Supreme Court overturned President Donald Trump’s executive order. Democrats argued that the court had settled the constitutional question. Republican subcommittee chairman Chip Roy said Congress should define the phrase “subject to the jurisdiction thereof” in the amendment. “It is up to Congress to define, subject to the jurisdiction thereof, to put a stop to birth tourism and to uphold the integrity of what it means to be an American citizen,” Roy said. Arguing that the amendment was not intended to grant automatic citizenship to children born to undocumented immigrants or temporary visitors, Roy said the Supreme Court had wrongly relied on its 1898 Wong Kim Ark decision. That case involved the US-born child of immigrants who were legally and permanently domiciled in the country, Roy said. Rosemary Jenks, co-founder and policy director of the Immigration Accountability Project, told the panel that the ruling did not prevent lawmakers from acting. “The Supreme Court’s decision in Barbara overturned an executive order. It did not strip Congress of its constitutional plenary power over immigration and naturalisation,” Jenks said. She urged Congress to amend the Immigration and Nationality Act to establish exceptions for children born to undocumented immigrants and temporary residents. Jenks proposed rules affecting non-immigrant visa holders seeking welfare benefits on behalf of their US-born children. She said such parents should be required to designate a US citizen or lawful permanent resident to receive the benefits for the child. “American citizenship is a precious commodity,” Jenks said. “Our government must zealously protect US citizenship and ensure it is only granted to aliens we have legally invited to permanently join our American community.” Kansas Attorney General Kris Kobach asserted that Congress retained the authority to act. He said the Supreme Court had ruled against a broad executive order but had not declared every possible statute on the question unconstitutional. Kobach said a narrower law dealing with birth tourism could produce a different result before the court. Democrats strongly disputed those arguments. Representative Mary Gay Scanlon, the subcommittee’s ranking Democrat, said children born in the United States to undocumented immigrants and visa holders were protected by the amendment. “The American children of undocumented immigrants and the American children of visa holders are persons born here in America,” Scanlon said. She said they were subject to US law from birth and had “an undeniable constitutional claim to the rights, duties and protections of that reciprocal relationship.”"},"img":{"url":"https://images.prismic.io/prad/782c884d-488e-4f90-a168-fd9d1ecf247c_US+citizenship.JPG?auto=format,compress"},"datetime":"2026-09-10T02:40:00+0000","embed":{"embed_url":null}},"uid":"us-birthright-fight-alarms-visa-families"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'Aadarsha Kutumbam' Teaser"},"img":{"url":"https://images.prismic.io/prad/gkb2nU868yFr0w0z_AK47reaser.JPG?auto=format%2Ccompress&rect=12%2C0%2C608%2C300&w=2028&h=1000"},"datetime":"2026-09-12T18:57:00+0000","third_party_url":null},"uid":"aadarsha-kutumbam-teaser"}},{"node":{"data":{"title":{"text":"'418' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/xu83qXtMn9WviRqh_418trailer.JPG?auto=format,compress&rect=0,42,1200,592&w=2028&h=1000"},"datetime":"2026-09-12T05:57:00+0000","third_party_url":null},"uid":"418-movie-trailer"}},{"node":{"data":{"title":{"text":"'Ranabaali' Movie Teaser"},"img":{"url":"https://images.prismic.io/prad/Ie1YNzDZSUJRO4VN_ranabalireaser.JPG?auto=format%2Ccompress&rect=54%2C0%2C728%2C359&w=2028&h=1000"},"datetime":"2026-09-09T12:37:00+0000","third_party_url":null},"uid":"ranabaali-movie-teaser"}},{"node":{"data":{"title":{"text":"'BRS MLAs misbehaved with women colleagues',"},"img":{"url":"https://images.prismic.io/prad/ddh8QRYxjg_mRk0p_BRSMLASpushed.JPG?auto=format%2Ccompress&rect=0%2C108%2C1600%2C789&w=2028&h=1000"},"datetime":"2026-09-09T06:37:00+0000","third_party_url":null},"uid":"brs-mlas-misbehaved-with-women-colleagues"}},{"node":{"data":{"title":{"text":"The Paradise: 'Yeshanagula Katta Meeda' Song"},"img":{"url":"https://images.prismic.io/prad/6e1Re5QxT_20hJqe_paradiseyeshakulasong.JPG?auto=format%2Ccompress&rect=0%2C12%2C870%2C429&w=2028&h=1000"},"datetime":"2026-08-30T06:30:00+0000","third_party_url":null},"uid":"the-paradise-yeshanagula-katta-meeda-song"}},{"node":{"data":{"title":{"text":"'Mahendragiri Varahi' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/Fw4Thm7zri3IDsEk_MGVH.JPG?auto=format%2Ccompress&rect=0%2C0%2C1500%2C740&w=2028&h=1000"},"datetime":"2026-08-29T00:31:00+0000","third_party_url":null},"uid":"mahendragiri-varahi-movie-trailer"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"UPI Transactions: There Is Nothing Called 'Free Lunch'"},"img":{"url":"https://images.prismic.io/prad/IWNC-LYO9T7IQfVm_scan.JPG?auto=format%2Ccompress&rect=0%2C7%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-09-16T07:30:00+0000","third_party_url":null},"uid":"upi-transactions-there-is-nothing-called-free-lunc"}},{"node":{"data":{"title":{"text":"AI Technology: The New Era Avatar Of Frankenstein?"},"img":{"url":"https://images.prismic.io/prad/xufYZuR1rBUNRB-6_AItech.JPG?auto=format,compress"},"datetime":"2026-09-14T07:35:00+0000","third_party_url":null},"uid":"ai-technology-the-new-era-avatar-of-frankenstein"}},{"node":{"data":{"title":{"text":"BRICS Summit: Game Of Elite Proximity"},"img":{"url":"https://images.prismic.io/prad/a06W_uqJMewyEQT3_modiputinxingpin.JPG?auto=format,compress"},"datetime":"2026-09-13T06:32:00+0000","third_party_url":null},"uid":"brics-summit-game-of-elite-proximity"}},{"node":{"data":{"title":{"text":"Politics Of Purification By Stained Minds"},"img":{"url":"https://images.prismic.io/prad/JhrtkcVl-B6_Y50g_purificationroad.JPG?auto=format,compress"},"datetime":"2026-09-12T06:35:00+0000","third_party_url":null},"uid":"politics-of-purification-by-stained-minds"}}]},"gallery":{"edges":[{"node":{"tags":["gallery","featured","four"],"last_publication_date":"2026-09-17T17:59:15+0000","data":{"title":{"text":"Anasuya Bharadwaj New Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. 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Rajput then made her Hindi film debut with Veerey Ki Wedding."},"img":{"url":"https://images.prismic.io/prad/6rmeRJW-0U0Yxkno_payal2028.JPG?auto=format,compress"}},"uid":"payal-rajput-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-08-12T08:19:18+0000","data":{"title":{"text":"Mouni Roy Glam Stills"},"content":{"text":"Mouni Roy is an Indian actress who primarily works in Hindi television and films. 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She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/J5KjgIk60wE63lRg_shraddhadas.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-20T16:44:06+0000","data":{"title":{"text":"Rakul Looks Radiant In Yellow Saree"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. Singh is a recipient of several accolades including a SIIMA Award, in addition to four nominations at the Filmfare Awards South. 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Jaiswal had her breakthrough with the Telugu period drama Kanche, for which she was awarded the Filmfare Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/HTcjp1FBdNZf7hDK_pragya2028.JPG?auto=format,compress"}},"uid":"pragya-jaiswal-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Sneha Set for ‘Kaaka’ With Chiru?"},"content":{"text":"Megastar Chiranjeevi and mass director Bobby Kolli’s highly anticipated film ‘Kaaka’ continues to generate buzz in Tollywood, with expectations growing steadily around the project. The promotional material and glimpses released so far have already caught the attention of movie lovers, adding to the curiosity surrounding the film. Now, an interesting casting buzz has reportedly emerged from film circles, with senior actress Sneha said to be in consideration for a key role alongside Chiranjeevi. Sneha, who has enjoyed a strong connect with Telugu audiences through her performances and on-screen charm, could reportedly reunite with the Megastar for this much-awaited project. While details about her character and the nature of her association with Chiranjeevi are yet to be officially revealed, the possibility has triggered considerable interest among fans. If the reports turn out to be true, her presence could add another familiar and experienced face to the film’s ensemble. Directed by Bobby Kolli, ‘Kaaka’ is being mounted as a prestigious project with Chiranjeevi in the lead. The film has been attracting attention for its combination of the Megastar’s mass appeal and Bobby’s commercial filmmaking style. However, the makers are yet to officially confirm Sneha’s casting, so the latest reports should be treated as speculation until an announcement is made."},"img":{"url":"https://images.prismic.io/prad/FXRcXum-iyo1ElPm_chirusneha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-17T11:49:00+0000","embed":{"embed_url":null}},"uid":"sneha-set-for-kaaka-with-chiru"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"‘Varanasi’ Trailer: Rajamouli’s Secret Plan?"},"content":{"text":"Superstar Mahesh Babu and SS Rajamouli’s much-awaited ‘Varanasi’ continues to dominate the spotlight, with the ambitious project being positioned as a pan-world cinematic spectacle. Every update surrounding the film has been generating significant interest among moviegoers, while the already-released glimpse has further intensified curiosity. The latest reports suggest that Mahesh Babu has wrapped up his portions of the shoot, with the overall production said to be nearing completion at around 90 per cent. With the remaining portions reportedly being finished, the team is expected to gradually shift its attention towards the extensive post-production and VFX work required for the film. At the same time, the makers are reportedly exploring an unconventional promotional strategy for ‘Varanasi’. Rajamouli has already been associated with large-scale promotional campaigns, including international events, media interactions and special interviews designed to take the film beyond the usual Indian-market publicity circuit. Now, industry buzz suggests that the filmmaker may be considering an even more secretive approach for the final phase of promotions. According to these reports, the team is contemplating releasing the film without a conventional theatrical trailer, allowing the movie itself to remain the biggest reveal. The speculation is closely linked to Mahesh Babu’s character, Rama, whose appearance and portions of the role are reportedly being kept under wraps. The concern within the team is said to be that a full-fledged trailer could reveal key visuals, character details or major moments much earlier than intended. By avoiding a traditional trailer, the makers could potentially preserve the surprise factor and give audiences their first complete theatrical glimpse of Mahesh as Rama on the big screen. However, this reported strategy has not been officially confirmed by Rajamouli or the production team, and fans will have to wait for an official announcement regarding the film’s final promotional plans."},"img":{"url":"https://images.prismic.io/prad/aXyUQwIvOtkhCHTT_varanasi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-17T13:56:00+0000","embed":{"embed_url":null}},"uid":"varanasi-trailer-rajamoulis-secret-plan"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Aamir’s Remarkable ‘Lalkaara’ Avatar"},"content":{"text":"In an exciting development in Bollywood, Aamir Khan is embarking on a significant physical transformation as he prepares for his reunion with acclaimed director Ashutosh Gowariker in the upcoming sports drama 'Lalkaara.' This film marks their first collaboration since the groundbreaking 'Lagaan,' which not only showcased Khan's exceptional talent but also left an indelible mark on Indian cinema. As Khan gears up for this new role, the stakes are high; he is set to portray a character who is a decade younger than his actual age, demanding a rigorous commitment to his weight-loss journey. According to exclusive reports from Filmfare, Khan's current weight-loss program is an integral part of his preparation for the role. Sources close to the actor reveal that he is determined to achieve the physicality required to convincingly embody a 25-year-old athlete. Known for his unparalleled dedication to his craft, Khan's transformation is both a personal and professional undertaking. His history of dramatic physical changes for roles, such as in 'Dangal' and 'Ghajini,' further exemplifies his willingness to push the boundaries of his performance and is indicative of the depth he brings to his work. 'Lalkaara,' which is being penned by the talented duo of Piyush Gupta and Neeraj Singh, is set against the backdrop of Indian cricket. The narrative promises to explore intricate themes of rivalry, friendship, and patriotism, while also delving into the profound human experiences surrounding the Partition of India. By choosing cricket as its centerpiece, the film not only aims to capture the spirit of the sport but also reflects on the sociocultural impact it has had on Indian society, making this project not just entertaining but also deeply resonant for audiences. The anticipation surrounding the reunion of Khan and Gowariker is palpable, especially considering the monumental success of 'Lagaan,' which earned an Oscar nomination and remains a landmark film in Indian cinema. As Khan dedicates himself to this transformation, the cinematic community watches closely, curious about how 'Lalkaara' will unfold. The project has all the ingredients of another ambitious collaboration, with its focus on a rich narrative coupled with the intense physical preparation Khan is undergoing, bolstering expectations for what could become a significant addition to both their filmographies."},"img":{"url":"https://images.prismic.io/prad/gRv0BEBDHtxZH0M0_aamirkhan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-17T17:40:00+0000","embed":{"embed_url":null}},"uid":"aamirs-remarkable-lalkaara-avatar"}}]},"four":{"edges":[]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Epic'"},"content":{"text":"The combination of Anand Deverakonda and Vaishnavi Chaitanya, who previously delivered a successful outing with Baby, naturally raised expectations around Epic. With the duo returning together, there was considerable curiosity about whether the film could recreate the magic of their earlier collaboration. Unfortunately, while Epic has its share of entertaining moments, it ultimately struggles to live up to the expectations created by its lead pair. Story: Aditya (Anand Deverakonda), the younger son of Chandrasekhar (Shivaji), a government school teacher, is a carefree youngster with little interest in academics but a deep fascination for cinema. Dreaming of becoming a filmmaker, he keeps trying to find his way into the world of movies. However, pressure from his parents eventually forces him to travel to the UK to pursue his education. An innocent, soft-spoken and inexperienced young man, Aditya enters a completely unfamiliar world in the UK. Soon after arriving, he meets Kadali (Vaishnavi Chaitanya), and the encounter gradually brings a significant change in his personality and outlook. Meanwhile, Aditya's family is dealing with its own set of problems back home. Whether Aditya manages to achieve his ambitions, how his relationship with Kadali develops and where his journey eventually takes him form the crux of the story. Performances: Anand Deverakonda once again fits comfortably into the role of an innocent and somewhat naïve youngster. Much like his performance in Baby, he brings a certain vulnerability to the character, though the actor gets an opportunity to display a slightly different shade of the role as the story progresses into the second half. His appearance, body language and dialogue delivery work well for the character. Anand is particularly effective in emotional and romantic sequences, showing noticeable improvement and confidence as a performer. His familiar mannerisms and body language may also remind audiences of his brother Vijay Deverakonda, which could work in favour of his fan base. Overall, Epic gives Anand another opportunity to showcase his acting abilities. Vaishnavi Chaitanya, who delivered a strong performance in Baby, does not get a character with comparable depth here. While she has a few scenes that allow her to demonstrate her acting skills, much of the role remains fairly limited. She gets some glamorous moments and contributes effectively whenever the screenplay gives her room, but the character itself does not offer enough scope for a standout performance. Shivaji is convincing as the middle-class government school teacher and once again settles naturally into the character. The supporting cast performs adequately within the limitations of their respective roles. Technical: Director Aditya Hasan chooses a premise that feels contemporary and relevant to the mindset of the current generation. However, the execution is considerably more conventional. The comedy provides some relief and prevents the screenplay from becoming completely monotonous, but several sequences feel familiar and reminiscent of situations seen in other films. The screenplay could have benefited from greater freshness and stronger character development. The first half works relatively better, largely because of its comic portions, while the second half loses momentum and becomes slower. Hesham Abdul Wahab's music is another weak link. Although a couple of songs are passable, the overall album fails to make a lasting impression. The background score, particularly during emotional sequences, could have played a much stronger role in elevating the impact of the scenes. The cinematography is adequate, though the film could have made better use of the picturesque UK locations. Production values are solid and contribute to the film's overall visual presentation. Analysis: A successful pairing can certainly create initial buzz, but a familiar combination alone cannot guarantee a successful film. What truly works is when a popular combination is backed by strong and engaging content. In Epic, the film's premise appears tailored to the sensibilities of the current generation, but the execution does not consistently match its potential. The director succeeds in extracting some entertaining moments from the comedy and emotional portions. The first half benefits from its humour, while the emotional scenes in the latter portion provide a few engaging moments. However, the romantic track lacks the impact required to make the central relationship truly memorable. The film also needed a sharper screenplay and a more compelling second half to rise above its routine elements. While it may not satisfy viewers expecting another Baby-like outing from Anand Deverakonda and Vaishnavi Chaitanya, Epic can still work as a light, one-time entertainer for those looking for a casual watch. Positives: Comedy First half Anand Deverakonda Vaishnavi Chaitanya Negatives: Slow narration Routine story and screenplay Music Second half Verdict: Epic has enough comedy and a few engaging moments to make it a passable time-pass entertainer, but its routine romantic track, slow narration and underwhelming second half keep it from becoming the memorable film its lead combination promised. Banner: Sithara Entertainments Producer: Suryadevara Naga Vamsi Director: Aditya Hasan Music: Hesham Abdul Wahab Cast: Anand Deverakonda, Vaishnavi Chaitanya, Shivaji, Vasuki, Kalyan Shankar and others"},"img":{"url":"https://images.prismic.io/prad/i5tpcCyZXxZGstkc_EPICreview.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-11T08:51:00+0000","embed":{"embed_url":null}},"uid":"review-epic"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Haiwaan'"},"content":{"text":"Haiwaan builds its strongest moments around two accomplished actors standing on opposite sides of a conflict. Directed by Priyadarshan, the psychological action crime thriller brings Akshay Kumar and Saif Ali Khan together after 18 years, and their reunion is easily one of the film’s biggest strengths. At its core, the film is a tense game of cat and mouse between a dangerous antagonist and a visually impaired man who must rely on instinct, intelligence and resilience to survive. Akshay Kumar is the first major talking point, delivering what could easily be described as one of his darkest and most menacing performances to date. As Parshuram, he does not play the villain in the conventional, loud Bollywood manner. Instead, there is an unsettling calmness to his performance. Akshay gives Parshuram a sense of conviction and unpredictability that makes it difficult to anticipate his next move. His body language, controlled expressions and measured intensity establish the character as genuinely dangerous. There is a quiet menace running through the performance, making Parshuram one of Akshay’s standout negative roles. Saif Ali Khan is equally compelling as Shyam, a visually impaired man who finds himself caught in an increasingly dangerous situation. What stands out about Saif’s performance is the restraint. He does not exaggerate the character’s blindness or turn it into a theatrical device. Instead, Shyam’s vulnerability exists alongside his intelligence, determination and heightened instincts. Saif allows us to understand the challenges Shyam faces without ever making him seem helpless. His performance becomes particularly effective in the confrontational scenes with Akshay. That brings us to the film’s biggest hook — the Akshay Kumar and Saif Ali Khan face-off. Their scenes provide some of Haiwaan’s most thrilling moments because the conflict is not merely physical; there is a strong psychological element to their encounters. Parshuram has physical menace, confidence and an apparent ability to control situations, while Shyam has to depend on instinct, intelligence and resilience. The contrast creates genuine tension. Their standoff gives Haiwaan its dramatic pulse and keeps the audience invested in their battle. A major surprise comes from Paahal Chaudhary, who emerges as one of the film’s biggest revelations. The young actor delivers an outstanding and remarkably assured performance. Paahal brings vulnerability and sincerity to the role without allowing the character to become merely a plot device. Her presence adds emotional stakes to the thriller and makes the audience more invested in what happens to the characters. She holds her own impressively alongside an established cast and becomes an important emotional centre of the story. The supporting cast adds further weight to the narrative. Saiyami Kher, Shriya Pilgaonkar and Boman Irani bring sincerity and conviction to their respective roles, while Sharib Hashmi is effective as the police officer and fits naturally into the investigative world of the film. The return of veteran actor Asrani is particularly heartwarming. He delivers another memorable performance, and his final on-screen appearance gives his presence an added emotional significance. Priyadarshan demonstrates once again why he remains such a dependable filmmaker when it comes to commercial storytelling. With Haiwaan marking his 98th film, he understands how to balance emotion, drama, suspense and mainstream entertainment without allowing one element to overpower the others. At 2 hours and 44 minutes, the film is certainly long, but it rarely feels as though the material is being unnecessarily stretched. The performances, confrontations and steady progression of the thriller keep the narrative moving. The background score deserves special mention for the role it plays in sustaining that momentum. The BGM consistently keeps the tension alive and gives the film the atmospheric quality required of a thriller. It works particularly well during confrontational sequences, adding anticipation without overpowering the performances. The soundscape works hand-in-hand with Priyadarshan’s direction and ensures that the film retains its thriller pulse. Pritam’s music is also integrated thoughtfully into the narrative. Mere Hero Hai Woh adds an emotional dimension, while Rangiyaara works particularly well during the travel portions. The songs complement the mood and allow the film to breathe while remaining connected to the narrative. They never feel completely disconnected from the storytelling. The fact that Haiwaan is adapted from Priyadarshan’s Malayalam thriller Oppam will naturally be known to audiences familiar with the original. However, the Hindi adaptation brings its own treatment, staging and commercial flavour to the material. The performances give the story fresh energy, while Priyadarshan’s direction ensures that it remains accessible as a Hindi theatrical thriller. Mohanlal’s special appearance, reprising his presence from the original, is also a welcome touch for fans of Oppam and provides a meaningful connection between the two films. The film also benefits from a clear central conflict. The screenplay does not bury the emotional stakes under unnecessary complications, allowing the audience to understand what is at risk while the suspense builds naturally. What makes the performances stand out is the contrast in their approaches. Akshay creates danger through stillness and unpredictability, while Saif creates tension through observation and restraint. That difference gives their scenes texture and prevents the conflict from becoming a routine hero-versus-villain battle. The audience is constantly waiting for the next move, which is where the film finds its strongest rhythm. For a film carrying the weight of a star reunion, Haiwaan also avoids becoming solely about that reunion. Akshay and Saif are undoubtedly the centre of attention, but the surrounding characters and emotional stakes are given enough room to matter. Haiwaan works because its strongest elements come together effectively. Akshay’s Parshuram provides the menace, Saif’s Shyam supplies the emotional and human core, and Paahal Chaudhary adds an unexpected layer of vulnerability. The supporting performances strengthen the world around them, while Priyadarshan keeps the suspense alive. The gripping background score further enhances the atmosphere, and the music sits naturally within the narrative. Haiwaan is a theatrical thriller that gets its most important ingredients right. Akshay Kumar gets one of his most compelling negative roles, Saif Ali Khan brings depth and restraint to a challenging character, and Paahal Chaudhary proves to be a genuine revelation. But it is the Akshay-Saif confrontation that remains the film’s beating heart.  Priyadarshan’s assured direction keeps the tension intact and successfully balances suspense, emotion, drama and mainstream entertainment. Haiwaan may draw from familiar material, but its performances, atmosphere and execution give it enough conviction to work as a satisfying big-screen experience. Director – Priyadarshan, Cast:  Saif Ali Khan, Akshay Kumar, Boman Irani, Shriya Pilgaonkar, Saiyami Kher, Mohanlal, Asrani, Sharib Hashmi And Others"},"img":{"url":"https://images.prismic.io/prad/pcf8OeUE1gPChq-9_HaiwaanJ.JPG?auto=format%2Ccompress&rect=0%2C42%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-09-11T05:04:00+0000","embed":{"embed_url":null}},"uid":"review-haiwaan"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Sardar 2’ "},"content":{"text":"Karthi has built a strong following across both Tamil and Telugu audiences, and the success of Sardar naturally created considerable anticipation for its sequel. With Sardar 2, director P. S. Mithran attempts to expand the franchise into a larger and more intense espionage-action space. The film carries forward the narrative from the first instalment while introducing a new threat and a fresh mission. On paper, the ingredients suggest a potentially engaging spy thriller. However, the execution falls short of the expectations created by its predecessor, with an uneven screenplay and excessive padding preventing the film from achieving the impact it aims for. Story: The sequel picks up from where Sardar left off. After reports emerge that Sardar, played by Karthi, has been shot dead in China, the focus shifts to his son Vijay, also portrayed by Karthi, who works as a RAW agent. Vijay does not enjoy much support from his superiors, but that does not stop him from taking matters into his own hands. He launches an unauthorised operation to rescue Walrus, played by Achyuth Kumar.  Although Vijay fails to save him, the mission leaves him with crucial information about a dangerous operation known as ‘DO’. His investigation leads him towards Black Dagger, played by S. J. Suryah, and a larger conspiracy that threatens the country. The mystery surrounding Black Dagger, his motives and the purpose of Operation DO forms the central conflict.  While the premise has the potential for a gripping espionage drama, the narrative takes too long to build momentum and struggles to maintain suspense. Performences: Karthi remains the film’s biggest asset. The actor handles the two contrasting shades of his characters with confidence, bringing gravitas to Sardar while giving Vijay a more youthful and jovial personality. The difference between the two roles allows Karthi to display considerable range, and his energetic performance keeps several sequences watchable even when the writing falters.  S. J. Suryah once again proves effective as a villain, bringing an unsettling intensity to Black Dagger and making some of his scenes genuinely menacing.  Malavika Mohanan has limited scope but makes an impression in the portions available to her, while Ashika Ranganath gets only a few opportunities to showcase her acting abilities.  Yogi Babu provides comic relief, though some of the humour feels artificially inserted into the otherwise serious narrative. c oy-e remaining cast members are adequate within their respective roles. Technical: The film does not consistently live up to its big-budget positioning. The background score is particularly disappointing, with similar musical patterns repeatedly used during the action sequences. At several points, the music becomes excessively loud and threatens to overpower the scenes instead of complementing them. The cinematography fares better, with certain sequences gaining visual appeal from the camera work.  The production design and overall scale are reasonably impressive, but these positives are undermined by the film’s editing. Several portions feel unnecessarily prolonged, particularly during the first half, and a tighter cut could have significantly improved the pacing. The second half makes a more determined attempt to generate intrigue and urgency, but the screenplay never quite develops the momentum required for a satisfying payoff. Analysis: The fundamental problem with Sardar 2 is that it arrives as the follow-up to a successful film. A sequel is expected not merely to continue the story but to raise the stakes and offer audiences something more compelling than what they have already seen. Here, the connection to the first film is maintained while the new storyline remains accessible even to those unfamiliar with the earlier instalment. Yet the basic espionage framework feels familiar, and the film needed sharper writing and more inventive storytelling to make its premise stand out. Instead, the slow stretches, forced comedy and inconsistent screenplay repeatedly take the edge off the narrative. Ultimately, Sardar 2 has a capable lead, an interesting central idea and a few effective performances, but it lacks the tight writing and controlled execution required for a high-impact spy thriller. Karthi’s dual-role performance is undoubtedly a plus, and the core storyline offers enough material for an engaging franchise film. However, the sequel never fully capitalises on those strengths. For audiences expecting a more powerful follow-up to Sardar, the film is likely to feel like a missed opportunity. Positives:  Karthi’s dual performance Basic storyline S. J. Suryah’s villainous act Negatives:  Slow first half Forced comedy Weak background score Uneven editing Inconsistent screenplay Final Verdict:  Sardar 2 has the scale, star power and premise of a promising spy-action franchise, but its lacklustre screenplay and uneven execution keep it from matching the impact of the original. Banner: Prince Pictures, IVY Entertainment Producers: S. Lakshman Kumar, Ishan Saksena Director: P. S. Mithran Music: Sam C. S. Cast: Karthi, Malavika Mohanan, S. J. Suryah, Ashika Ranganath, Yogi Babu and others "},"img":{"url":"https://images.prismic.io/prad/YJ_CQhIc2-axaebY_SARDARReview2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-09-10T07:32:00+0000","embed":{"embed_url":null}},"uid":"review-sardar-2-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Toxic'"},"content":{"text":"After delivering the massive success of KGF, Yash took considerable time before announcing his next project. He reportedly heard several scripts and met numerous filmmakers before finally joining hands with Geetu Mohandas for Toxic: A Fairy Tale for Grown-Ups. The collaboration itself raised eyebrows, with many wondering how Mohandas’ filmmaking sensibilities would blend with Yash’s larger-than-life action image. The result is an ambitious gangster action drama that aims for the scale and intensity of KGF, but struggles to match its emotional impact. Story: Set against the backdrop of Goa in 1947, the film revolves around a powerful drug and underworld network led by Salvador, a feared gang lord. Raya (Yash) and Ganga (Nayanthara), who are siblings, are among his most trusted associates. Ganga dreams of seeing her younger brother rise to the top of Goa’s drug empire. Raya’s life takes an unexpected turn when he falls in love with Salvador’s daughter, Rebecca (Tara Sutaria), and marries her. This eventually helps him become the head of the drug syndicate, fulfilling Ganga’s long-standing ambition. However, Raya later develops feelings for Nadia (Kiara Advani), a circus performer. Their relationship leads to Nadia’s pregnancy and creates a devastating conflict after Rebecca discovers the affair. Overcome by the situation, Rebecca takes her own life. The central conflict then revolves around Salvador’s reaction and Ganga’s desperate attempts to protect her brother from his wrath. Performances: Yash delivers a convincing performance as Raya and carries much of the film on his shoulders. However, the screenplay is so heavily centred on his character that several supporting roles fail to make a lasting impact. Some of his action sequences also feel exaggerated, with the hero overpowering villains almost effortlessly. While his emotional moments work reasonably well, the action lacks the grounded quality needed to make the violence feel convincing. Nayanthara gets a powerful character as Ganga, but the writing does not provide her with enough substantial scenes. She makes an impression whenever she appears, despite having limited material. Kiara Advani, unfortunately, has little scope to demonstrate her acting abilities, with her character largely confined to glamour and romance. Tara Sutaria fares better, delivering a natural performance in several emotional sequences. The remaining cast members are adequate within the limitations of their respective roles. Technical: Geetu Mohandas deserves credit for attempting a dark and ambitious gangster drama, but the execution falls short of the potential of the premise. The screenplay repeatedly relies on elaborate action sequences, seemingly assuming that Yash’s screen presence and large-scale set pieces alone will sustain the film. Considerably more attention is given to the protagonist than to the development of the supporting characters. The dubbing is another noticeable weakness, occasionally giving the film the feel of a dubbed production rather than a seamless multilingual project. The cinematography is impressive and succeeds in creating the required visual scale. However, the background score does not leave a strong impact. Ravi Basrur’s music fails to live up to expectations, while the songs struggle to connect because of their placement within the romantic portions. Editing is one of the film’s major drawbacks, particularly in the second half, where several sequences feel unnecessarily stretched. The production values, however, remain impressive and contribute to the film’s grand visual presentation. Analysis: The biggest challenge for Toxic was always going to be the enormous expectations surrounding Yash after KGF. Audiences naturally expected another high-octane action spectacle, and the film clearly attempts to recreate that larger-than-life formula. But KGF worked not merely because of its action; its emotional core gave the spectacle considerable weight. Toxic struggles in that department. The film repeatedly prioritises action, violence and glamour while failing to build sufficiently strong emotional connections with its characters. The result is a movie that looks ambitious but often feels emotionally hollow. The excessive romantic and adult-oriented content may also alienate a significant section of family audiences. Instead of complementing the gangster narrative, several such sequences feel unnecessarily provocative and distract from the core story. The film appears determined to push its mature tone, but the approach does not always feel organic to the narrative. Ultimately, Toxic showcases Yash’s immense screen presence and delivers a few visually striking action sequences, but it falls short of replicating the emotional resonance that made KGF such a phenomenon. The attempt to create another massive Yash action vehicle is evident, yet the absence of a compelling emotional backbone prevents the film from reaching its full potential. Plus Points: Yash’s performance Tara Sutaria’s natural acting A few well-executed action sequences Grand production values Impressive cinematography Minus Points: Weak story and screenplay Limited depth for supporting characters Excessive romance and adult content Over-the-top action in places Underwhelming music and background score Slow and stretched second half Dubbing issues Verdict: Toxic sets out to deliver another KGF-style action extravaganza but misses the emotional ingredient that made Yash’s previous blockbuster so effective. Despite its scale, star power and flashes of impressive action, the film struggles to create a satisfying overall impact. Final Take: Another KGF was attempted, but the emotion is missing. Banner: KVN Productions Producer: Venkat K. Narayana Director: Geethu Mohandas Music: Ravi Basrur Cast: Yash, Kiara Advani, Nayanthara, Huma Qureshi, Tara Sutaria, Rukmini Vasanth, Sudev and others"},"img":{"url":"https://images.prismic.io/prad/E2UJr6qTDfzc_kvt_TOXIC.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-26T07:45:00+0000","embed":{"embed_url":null}},"uid":"review-toxic"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Irumudi'"},"content":{"text":"It has been a long time since Mass Maharaja Ravi Teja scored a hit. At a time when his fans were also giving up hope on Ravi Teja, expectations have increased hugely on the film directed by Shiva Nirvana, who is known as a sensible director. A positive buzz has been created for Ravi Teja's film like never before and huge advance bookings have been registered. Let's see how this film is in this review. Story: Trinath (Ravi Teja) is a devotee of Ayyappa. He wears an Ayyappa garland every year. Trinath, who is very devoted when he wears a garland, cannot stop drinking when he does not have one. No matter how much he drinks, he takes good care of his wife Kaveri (Priya Bhavani Shankar) and daughter Manikantha (Baby Nakshatra), leads a happy life with them, and works in the banana plantation. Trinath, who lives in a village, loves his daughter. He takes care of every girl in the village and is the first to come to his aid if any danger comes to them. At such a time, a girl studying in high school is murdered. What changes does Trinath's life bring about with that murder? Why does Trinath swear to his daughter that he will stop drinking? What else does Trinath do for his daughter is the story of the film. Actors' Performance: Everyone who acted in the film acted very well. Ravi Teja, as always, acted with full energy and impressed. Especially in the action scenes and sentimental scenes with his daughter, Ravi Teja acted very well. Ravi Teja appeared for the first time in Ayyappa Mala. As expected, Ravi Teja impressed in the devotional scenes as well. Overall, he carried the film on his shoulders and carried it forward, impressing everyone including the fans. Heroine Priya Bhavani Shankar acted as if she had a good future. She was seen in a de-glamor look in this film. Still, she impressed in terms of looks. Apart from that, she impressed with her acting. In recent times, we have been seeing the level of importance given to the acting of heroines. It has been proven once again that heroines will create dust if they get roles that have potential for acting. There is no doubt that Baby Nakshatra has given life to the film. Ajay Ghosh and Sai Kumar impressed with their roles. Technical: Music director GV Prakash Kumar impressed with the background score. The theater was rocked by the song Mallepula Pallaki. However, it must be said that the credit does not go to GV Prakash. The other songs are mediocre. The more GV lifts the film with the background score, the more it lifts it. Director Shiva Nirvana's writing is good. Some dialogues are touching, while some scenes are like the best of Ravi Teja's career. Overall, the director has succeeded in all respects. There are no major mistakes in editing. It would have been even better if some scenes in the second half had been cut to three or four minutes. The cinematography is good. The beauty of the village has been shown well. There is no compromise in the structural values. Analysis: Director Shiva Nirvana has conveyed the point he wanted to convey with devotion and sentiments. The director has shown the injustice being done to girls in the current society well. Apart from that, there is no doubt that he has made a good decision in choosing Ravi Teja for this film and taking Ayyappa Mala as the backdrop. Ravi Teja has never done such roles in the past. That is why there is a concern about how he will be seen in this film, how the character will be, and how the film will be. After watching the film, it feels like we are seeing Trinath instead of Ravi Teja. The director has taken us into the film in a very short time. This film can be called a movie with good sentiment and devotion along with entertainment. Ravi Teja's films have been criticized for a long time in the industry. There is no doubt that this film is the answer to all of them. It went like an all-round movie. Plus points: Ravi Teja, Other Actors' Performances, Mallepula Pallaki Song, Action Sequences Minus points: Some Emotional Scenes Final Verdict:  Ravi Teja tied 'Irumudi' to Ayyappa and scored a hit Banner: Mythri Movie Makers Producer: Naveen Yerneni, Y Ravi Shankar Director: Shiva Nirvana Music: G.V. Prakash Kumar Cast: Ravi Teja, Priya Bhavani Shankar, Sai Kumar, Baby Nakshatra, Ajay Ghosh and others"},"img":{"url":"https://images.prismic.io/prad/HcTr2KkaiWO37ssK_irumudi.jpg?auto=format,compress"},"datetime":"2026-08-21T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-irumudi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Awarapan 2'"},"content":{"text":"Some characters become so closely associated with an actor that bringing them back after nearly two decades is a risky proposition. Shivam Pandit is one such character for Emraan Hashmi. Awarapan 2 takes that risk and, for the most part, understands why the 2007 film became a cult favourite. Directed by Nitin Kakkar, the film picks up the emotional thread of the original rather than simply recreating it. Shivam is still carrying the memory of Aaliyah when he comes across an abandoned infant girl at her grave. He takes her to an orphanage, quietly pays for her care and names her Aaliyah. When a couple later adopts the girl, Shivam convinces himself that giving her a family is the right thing to do. He soon discovers that they are connected to an international child-trafficking syndicate, and when Interpol tells him that Aaliyah has been abducted, the man who had walked away from the criminal world has no choice but to return. That premise gives Awarapan 2 a natural reason to bring Shivam back rather than forcing a reunion for nostalgia's sake. Interpol wants his help in taking down the syndicate, but Shivam's motivation is much more personal. His guilt over Aaliyah and his inability to protect her pull him back into the world he desperately wanted to leave behind. This is where the sequel expands the franchise. The first Awarapan was raw, intimate and deeply rooted in Shivam's personal transformation. The new film moves from that compact moral awakening into a larger crime thriller involving trafficking, organised crime, revenge and sacrifice. The scale is bigger, the action is more prominent and the storytelling is designed for a theatrical audience, but the emotional core remains Shivam's search for redemption. The narrative has moved from 2007 to 2026, and this genuinely feels like the next chapter rather than a film simply borrowing the name of a beloved original. A major part of that evolution comes from Vishesh Bhatt. As the co-producer of Awarapan and now the writer-producer behind Awarapan 2, Bhatt's vision of turning Awarapan into a franchise is central to the film. This isn't just a sequel made because the first film developed a cult following. There is a clear attempt to build the next chapter of Shivam Pandit's story while retaining the emotional and musical DNA of Vishesh Films. Bhatt's creative direction gives the film its larger ambition, with Kakkar and the entire team following that lead. The collaboration between Emraan Hashmi and Vishesh Films remains one of the film's strongest forces. Emraan, unsurprisingly, is the film's biggest strength, but the supporting characters deserve attention. Disha Patani plays Zara, a woman who becomes an unintentional victim of the criminal world surrounding her family. Her brother Zorawar, played by Puran Gabbi, is involved in the drug trade, and the film uses their relationship to show how crime can trap people who never chose that life. Patani gets a stronger dramatic focus and brings a vulnerability that gives Zara's portions emotional weight. Gabbi is one of the film's discoveries, bringing an unpredictability that makes Zorawar stand out without turning him into a standard gangster caricature. Shabana Azmi as Nafisa brings the expected gravitas, while Suvinder Vicky as Jaideep, Vijayant Kohli as Mehmood, Atul Kumar as Samarth and Aniruddh Rawal as Sikandar add further layers to the criminal and investigative world around Shivam. The music is where Awarapan 2 makes perhaps its most important connection with the original. Mithoon, Amaal Mallik and Jeet Gannguli carry forward the musical identity of the franchise, with lyrics by Sayeed Quadri and Rashmi Virag. The returning favourites \"Tera Mera Rishta\" and \"Toh Phir Aao\" have been reimagined by Mithoon, while \"Yeh Awarapan\", sung by Arijit Singh, adds another emotional layer. But the soundtrack is not simply a collection of songs designed to trigger nostalgia. The music is integral to the story. It carries Shivam's emotional state, builds the atmosphere and becomes part of the film's narrative language. This is also a soundtrack that deserves to be experienced in a theatre, where the sound design, scale of the compositions and visuals create a different audio-visual experience. The film also makes its marketing campaign look smarter once the story unfolds. Some of what has been shown and teased begins to make sense only after watching it, and there are elements of the narrative better experienced without knowing too much beforehand. Awarapan 2 is not merely selling the return of Emraan Hashmi or the nostalgia of its music. It is attempting to make audiences curious about what happened to Shivam and where his story goes next. The big-screen presentation adds to that appeal. Awarapan 2 succeeds because it respects where the franchise came from without pretending that cinema hasn't changed since 2007. It is bigger, more ambitious and more conventional as a thriller than the original, but it retains the grief, rage, sacrifice and search for redemption that made Shivam Pandit memorable. Vishesh Bhatt's franchise vision, Vishesh Films' creative identity, Nitin Kakkar's direction, Bilal Siddiqui's writing and Emraan Hashmi's return all work toward the same goal: taking Shivam's story forward rather than simply repeating it. Disha Patani gets a meaningful role, Puran Gabbi emerges as a genuine discovery, the supporting cast adds weight and the music remains an essential part of the experience. It may not have the same bleak intimacy as Awarapan, but that isn't what this film is trying to be. This is the 2026 chapter of Shivam Pandit's journey much bigger, louder and still carrying the same old wound. Director: Nitin Kakkar,  Cast: Emraan Hashmi, Disha Patani, Shabana Azmi, Puran Gabbi, Suvinder Vicky and others"},"img":{"url":"https://images.prismic.io/prad/nH0_7NckLLpkJ8vL_awarapan2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T04:07:00+0000","embed":{"embed_url":null}},"uid":"review-awarapan-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishwanath and Sons'"},"content":{"text":"Despite being a Tamil hero, Surya is a hero who has a good craze in Telugu. Telugu audiences have raised their expectations as soon as he says that he is working with a Telugu director. The film Surya, which was made in a Telugu production company and directed by a Telugu director, was promoted as a Telugu film. Let's see how this film, which has huge expectations among the audience, is doing in this review. Story: Sanjay Vishwanath (Surya) is a big businessman. Sanjay, who has everything, is not interested in marriage. But his mother (Radhika) insists on marriage and having a family. Sanjay becomes a father to a baby boy through surrogacy for his mother. While he is happy with Babu, unexpected developments take place. Babu develops serious health problems. Babu needs bone marrow. Then Sanjay goes to Maddy (Mamita Baiju), who is in the US. She has to give the bone marrow to Babu. 22-year-old Maddy, who came for Babu, falls in love with 42-year-old Sanjay. Where did that love lead? Who is Maddy really? You have to watch the movie to know these things. Performance: There is no need to mention the performance of the hero Surya. Millionaire Sanjay Vishwanath impressed in the role. Surya scored 100 out of 100 marks in showing that modesty. Surya impressed in a role that shows love while appearing serious in some scenes. Overall, there is no doubt that Sanjay Vishwanath brought the character to life. Fans enjoyed the shades of Surya's character. Surya impressed with his 40+ age look. Maddy's role is very crucial in the movie. The entire first half is based on that character. Mamita Baiju appeared in the role of an orphan with no one. Generally, any heroine would look good in the role of a naughty girl. But Mamita in the role of Maddy made me laugh, cry, and get angry. She was the main attraction of the film. It seemed that Maddy's role would have been better in the second half as well. Radhika impressed in the role of Sanjay's mother. She seemed to have transformed into a small child and acted. The other actors acted and impressed within the scope of their roles. Technical: It seemed that the music director focused more on the background score than on the songs. It must be said that his hard work was rewarded. Because the background score came out well. It led some scenes in an impressive way. Let's talk about cinematography. Generally, it is easy to show the beauty of the village, but to bring a rich family look, cinematography has more work. That work is good. It would have been better if the director had worked more on the second half. The structural values ​​are good. Editing needs to be improved in the second half. Plus points: Mamita Baiju Surya Entertainment Some sentimental scenes Minus points: Second half Fights Analysis: Director Venky seems to have come up with a mature story once again. However, this time, the addition of a love story made it a youthful entertainer. Especially in the first half, the scenes with the heroine should definitely make the audience fall in love. The scenes between the hero and heroine make you laugh on one side and cry on the other. Although the second half seemed to be a bit sentimental, it ended on a positive note. There is no doubt that if the first half was as entertaining as the second half, it would have been even better if it had been more entertaining along with sentiment. Overall, this film can be watched for the heroine Mamita Baiju and for the sentimental scenes. Finally... The first half is fun, the second half is balanced with emotion. Banner: Sitara Entertainments Producer: Suryadevara Nagavamsi Director: Venky Atluri Music: G.V. Prakash Kumar Cast: Surya, Mamita Baiju, Radhika Sarath Kumar, Raveena Tandon, Nassar, Sudha and others"},"img":{"url":"https://images.prismic.io/prad/ahgA9bK9tuLqENie_vishwanathandsons.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T07:46:00+0000","embed":{"embed_url":null}},"uid":"review-vishwanath-and-sons"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Korean Kanakaraju'"},"content":{"text":"Mega hero Varun Tej, who has been greeting the audience with a series of films, has once again come to the Telugu audience with a different concept. This time, he has come to the audience with a Korean ghost concept like never before. He has attracted everyone's attention by coming to the audience with a ghost concept.  A large-scale publicity program was organized before the release. With that, a huge buzz was created. Let's see if the movie lives up to that buzz in the review. Story: Kanakaraju (Varun Tej) from Penukonda area leads a smooth life. He falls in love with Chaitra (Rithika), who works for Kia car companies. An angry Kanakaraju has a fight with a local rowdy gang. At that time, in the wake of unforeseen developments, the ashes of a person from Korea arrive in India. They reach Penugonda. The soul of the deceased Korean man enters Kanakaraju's body. Why did that soul enter Kanakaraju's body and what happens next is the rest of the story. Actors' performance: Varun Tej seems to have done 100 percent justice to the character of Kanakaraju. There is no doubt that he acted as if the angry Kanakaraju was really in front of us, and there is no doubt that the way he spoke in Korean when the Korean soul entered him took Varun's acting to another level. Varun, who maintained a good physique to match the character, also impressed with his comedy timing. It is no exaggeration to say that Varun has never done this level of comedy before. Varun impressed with his acting in the action scenes, but he could not do much with his dance. Heroine Rithika impressed with her cute looks. However, despite the importance of her role in the story, she did not get much opportunity to appear in the screenplay. The scenes with Satya were good, but Satya's dominance is clearly visible in it. Rithika impressed in two or three scenes along with her cute beauty display.  Comedian Satya appeared on the screen more than the second hero. At the same time, he impressed with his comedy. Overall, Satya's comedy was the main attraction in the film. Those who played the rest of the characters did not seem to care. Technical: The songs provided by music director Thaman seemed mediocre, but the background score was good here and there. Thaman impressed in some horror scenes. Overall, it must be said that Thaman's work is not up to his level. It would have been better if the songs were two or three good. The cinematography seems to be okay. It seemed like the focus on action scenes was reduced in order to show Korean beauties. The heroine was shown as cute. More care should have been taken in the matter of hero elevation. It would have been better if director Gandhi had rewritten the story and given a different treatment to the screenplay. The production values ​​are good. There is a possibility of trimming some of the second-off scenes. Analysis: The main attraction of the movie is the concept. It seems that director Gandhi has not been completely successful in carrying out that concept with a proper screenplay. However, he has brought the movie to a close with comedy. It is commendable that the director has chosen Satya for that role with full faith. The comedy has the potential to make the movie closer to the family audience. Since there have been no movies with the concept of a Korean ghost movie so far, this movie is sure to feel new. Director Gandhi has a reputation for making different movies.. This movie is a continuation of that. Varun Tej has fully fulfilled the responsibility assigned to him. It would have been better if he had thought better about the screenplay and worked out the horror scenes. The graphics seem poor. It seems like it was made using AI technology. Plus points: Concept, Hero heroine, True comedy Minus points: Routine horror, Graphics, Korean language. Finally... A routine horror drama that will please mega fans Banner: UV Creations Director: Merlapaka Gandhi Producer: Vamsi, Pramod Music: Thaman Cast: Varun Tej, Rithika Nayak, Satya and others"},"img":{"url":"https://images.prismic.io/prad/Ui6FbufwpUs86SxR_KoreanKanakaraju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-07T06:59:00+0000","embed":{"embed_url":null}},"uid":"review-korean-kanakaraju"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Chennai Love Story'"},"content":{"text":"Small films are having a good time in Tollywood. The makers have been repeatedly saying that they are bringing this film to the audience as a content-oriented film, in the wake of the huge success of making content-oriented films. The makers who gave a super hit film like Baby have brought this film to the audience. Let's see how this film, which was released today, is like in the review. Story: Niv (Sri Gauri), who wanted to fall in love and get married, is unexpectedly cheated by her boyfriend Ajay (Trigun). He leaves her by saying that he loves another girl before the wedding. With that, Nivi turns into a lady Devadasu and becomes addicted to drinking. At that time, her friends take her to Chennai and try to change her a little. But her behavior does not change. That's when Steven Shankar (Kiran Abbavaram) steps into Chennai to show his mettle as a director. Friends help Shankar, an orphan, and allow him to stay in their room. The room is close to Nivi. At first, Shankar's words used to irritate Nivi. Slowly, she gets closer to him. Love blossoms between the two. But amidst unpredictable developments, their love runs into a problem. What is that problem and will the two meet again is the plot. Acting: Kiran Abbavaram impressed with his good acting, like in the past, he impressed with his looks as if he was the boy next door. Playing the role of an innocent person is not an easy thing. But Kiran Abbavaram played the role very easily. Kiran Abbavaram showed well in this role what an innocent person who steps into Chennai with an effort to impress the director would be like. There is no doubt that this heroine Gowry Priya  is the most crucial role in the story. She has done complete justice to her role. Siri Hanumanthu has once again impressed with her acting in a good role. She is likely to get more good roles in the future. Those who played other roles impressed within the scope of their roles. Technical: When the director thought that the story was being handled well, he tried to say something new by saying Atma Paramatma in the second half. It must be said that it failed. In terms of screenplay, the second half failed. The music was impressive, especially the background score was impressive. Manisharma once again showed his magic. Cinematography is good. There is no doubt that cinematography has definitely been useful in showing the beauty of Chennai. The dialogues are good. There are some flaws in the editing, and there is still work to be done in the second half. The structural values ​​are according to the story. Plus points: Hero, heroine acting, Manisharma's background score First off Minus points: Second half, Routine screenplay. Analysis: Producer Sai Rajesh has been making comments in several media conferences and interviews that this film is definitely a baby range cult love story, but it doesn't seem like it has any scenes. While you think that the first half of the film will be smooth and interesting, he made the second half boring by adding unnecessary elements. If the same love story had been continued simply, the second half would definitely have been a good talk. Hero Kiran Abbavaram impressed with his good performance. The audience will definitely appreciate him, and heroine Gauri also did full justice to her role. Gauri impressed in the role of a drunkard and Lady Devadasu, but it must be said that the screen did not match their performance. Overall, Chennai Love Story turned out to be an average love story. Finally... It makes feel like going all the way to Chennai for this love story Banner: Mass Movie Makers Producer: SKN, Sai Rajesh Director: Ravi Namburu Music: Mani Sharma Cast: Kiran Abbavaram, Gowri Priya, Siri and others"},"img":{"url":"https://images.prismic.io/prad/0yN9tZHPaAuq2hyg_CLS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T08:01:00+0000","embed":{"embed_url":null}},"uid":"review-chennai-love-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Jana Nayakudu' "},"content":{"text":"Expectations have increased among all sections of the audience on the film Jana Nayaku, which was advertised as the last film of Tamil superstar Vijay. Although it was not officially announced that it is a remake of the film Bhagwant Kesari, which came in the combo of Balakrishna and Anil Ravipudi, the makers have been unofficially saying it.  This film, which was delayed a lot due to Tamil Nadu politics, made a royal entry without any problems as Vijay became the CM of Tamil Nadu. And how is this film? Will the audience like this story again in Telugu? Let's see in this review. Story: Vetri Kondan's (Vijay) mother dies in jail. Out of humanity, the jailer releases Vetri Kondan on parole and sends him out to see his mother for the last time. When Vetri is sent out, the jailer gets into a big problem. Vetri Kondan learns that the jailer who helped him is in trouble, and goes to his house. In the wake of unexpected developments, the jailer dies. His only daughter, Viji (Mamita Baiju), becomes an orphan.  The jailer who helped him looks after his daughter and wants to make her an army officer. But Viji says she will not join the army out of fear. Why does Vetri want to send Viji to the army? Will Viji finally join the army? What difficulties will Vetri face in doing so? This is the story. Performance: There is no need to mention anything special about Superstar Vijay's performance. Just as Balakrishna adapted to the role in Bhagwant Kesari, there is no doubt that Vijay also adapted to the role of Vetri. The screenplay was such that the entire story of the film was carried on his shoulders. Even so, Vijay acted well in every scene without giving up. There is no doubt that he impressed with his comedy timing. His fans will enjoy the action scenes to the fullest. Now that he is the CM, he has tried to show Vijay in that angle as well, which is a feast for the eyes of the fans. Since this is Vijay's last film, it seems that he gave his best. Pooja Hegde, who played the heroine, does not have much screen presence. It must be said that Pooja Hegde's screen presence is less than what Kajal Aggarwal's role was in the original Telugu version. Mamita Baiju played the role of Viji, played by Srileela in Telugu and got good marks. It seemed that Mamita did Viji's role even better than Srileela. Along with impressive looks, the two heroines gave good expressions to suit their roles. However, Pooja Hegde's role did not get priority. Mamita impressed as much as she did. Bobby Deol impressed in terms of looks. It would have been better if he had been shown as a stronger and better villain. Since the villain role was not given priority in the story, Bobby Deol's performance became like water poured on ashes. Technical: Director H Vinod tried to make the Telugu story as it is and add Tamil flavor to the screenplay. He made the story without making many changes in the first half. However, when it came to the second half, he made many changes. The entire screenplay changed as if it was a new story. Vijay's character also left the audience in a bit of a quandary. There is nothing much to say about the music. Anirudh, as usual, gave a good background score to Vijay's film. But since the songs did not have much scope, Anirudh's work did not come out much.  The cinematography is good. The cinematography is definitely good in elevating the action scenes. There are errors in the editing. Some scenes in the second half, especially the villain scenes, could have been trimmed. It would have been better if the heroine scenes that are not part of the story were also trimmed a bit. The production values ​​are good. The story was produced with added weight without detracting from it. Plus points: Vijay, Some Action Scenes, Mamita Baiju Minus points: Story, screenplay, Being a familiar story, Second half, Villain role. Analysis: The film Jana Nayakkudu, which was supposed to be released early this year, did not see its release due to censor problems due to Tamil Nadu politics. Officials said that permission could not be given for the release of the film in the wake of the assembly elections. With Vijay becoming the CM, the film Jana Nayakkudu came plowing ahead without any problems and shook the Tamil box office. This movie has been seen in Telugu before. Even though it is known that this is a remake of Balakrishna Bhagwant Kesari, many enthusiasts booked in advance and watched the movie. The movie got a good opening in Telugu states.  It is undeniable that Jana Nayakkudu could not satisfy the Telugu audience completely. Tamil audience will think aha.. oh my for Vijay Elevations. Moreover, they will like it because it is a new story, but Telugu people do not have much to like about this movie, even though the second half seems to have changed a bit, it felt like it was forced. The political elements were not set in the story at all. There is action but no emotion. The magic is missing in the screenplay. Overall, Jana Nayakkudu does not have anything new that the Telugu audience will like much. Finally... A Tamil mass leader who cannot please Telugu people. Banner: KVN Productions Producer: Venkat K. Narayan Director: H Vinod Music: Anirudh Cast: Vijay, Pooja Hegde, Mamita Baiju, Sunil, Bobby Deol and others"},"img":{"url":"https://images.prismic.io/prad/8WXmx3hoavnPTLpj_jananayakudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-23T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-jana-nayakudu-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}