{"data":{"all":{"edges":[{"node":{"tags":["Entertainment","featured","four"],"data":{"third_party_url":null,"title":{"text":"Veteran Actress Shavukaru Janaki Passes Away"},"content":{"text":"The Indian film industry is mourning the loss of veteran actress Shavukaru Janaki, who passed away at the age of 94 in Chennai. The acclaimed actress had been undergoing treatment at Kauvery Hospital after suffering from age-related complications and health issues. She breathed her last at 1:59 PM on Friday while receiving treatment in the ICU. Nadigar Sangam president Nassar officially confirmed the news. Her mortal remains have been kept at Saint Mary’s Road in Teynampet, Chennai, allowing family, friends, colleagues and fans to pay their final respects. Janaki began her remarkable acting journey with the 1950 Telugu film Shavukaru, directed by L. V. Prasad. The film’s title became permanently associated with her name, earning her the identity Shavukaru Janaki. She went on to build an impressive career across Telugu, Tamil, Kannada and Malayalam cinema, making her Tamil debut with Valayapathi in 1952 and later appearing in Devakannika and School Master. She also featured alongside Dr. Rajkumar in the 1959 Kannada film Mahishasura Mardhini. Beyond cinema, Janaki explored television and appeared in several memorable serials, with Varoodhini Parinayam being her final Telugu TV outing. Her last film appearances came in Biskoth (2020) and Nandini Reddy’s Anni Manchi Sakunamule (2023). Recognising her immense contribution to Indian cinema, the Government of India honoured her with the Padma Shri in 2022."},"img":{"url":"https://images.prismic.io/prad/QsoDVZC2beLWtZiX_janaki.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-21T10:33:00+0000","embed":{"embed_url":null}},"uid":"veteran-actress-shavukaru-janaki-passes-away"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Police Defend No Arrest of Jana Sena MP’s Son"},"content":{"text":"Under public criticism for not arresting Jana Sena MP Lingamaneni Ramesh’s son for allegedly crushing a young woman to death under his luxury car, Cyberabad Police on Friday said that it is incorrect and unwarranted to allege that the police refrained from arresting the accused under any extraneous influence.  The decision not to arrest was based on the legal requirements governing arrest, the circumstances of the case, and the material available during the investigation at that stage, the police said in a statement. Cyberabad Police on Thursday revealed that they booked Lingamaneni Sanjush (21) for causing the death of a young woman in an accident while driving a car allegedly in a rash and negligent manner four days ago. Bharathi Mukhi (26), a sales executive at a Lifestyle store in Inorbit Mall in the IT corridor of Madhapur, Hyderabad, was killed after being run over by an Aston Martin car while crossing the road opposite the mall on August 16. A case under Section 106(1) of the Bharatiya Nyaya Sanhita was registered at Madhapur Police Station, and the case is presently under investigation, said Deputy Commissioner of Police (DCP) Ritiraj. Immediately after the registration of the case, the driver of the offending vehicle was apprehended and subjected to preliminary tests for alcohol and drugs. The results of the tests were negative. His blood samples were thereafter collected and forwarded to the Forensic Science Laboratory for scientific examination. The vehicle was seized and sent for Motor Vehicle Inspector (MVI) inspection. The MVI report is awaited and will form part of the investigation, the DCP said. “Having regard to the facts and circumstances then available, the appropriate penal provision, namely Section 106(1) BNS, carrying a maximum punishment of five years, was invoked. Since the alleged offence is punishable with imprisonment of less than seven years, the Investigating Police Officer was required to consider the necessity of arrest in accordance with Section 35 of the BNSS and the principles laid down by the Hon’ble Supreme Court in Arnesh Kumar v. State of Bihar,” explained the officer. “On an objective assessment of the material then available, no circumstances warranting the arrest of the accused were found to exist. Consequently, notice under Section 35 BNSS was issued to the accused, requiring his appearance and cooperation with the investigation,” the officer said. She stated that the course adopted by the Investigating Officer was in accordance with the statutory mandate and the law laid down by the Supreme Court regarding arrest in offences punishable with imprisonment up to seven years. The investigation is still in progress. The MVI report and other relevant evidence will be collected and examined, and further action, including the necessity of arrest if warranted by the material subsequently collected, will be taken strictly in accordance with law, the DCP added."},"img":{"url":"https://images.prismic.io/prad/l6vDEnO-_7R0Q94z_JSPson.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-21T14:30:00+0000","embed":{"embed_url":null}},"uid":"police-defend-no-arrest-of-jana-sena-mps-son"}},{"node":{"tags":["politics","featured","two"],"data":{"third_party_url":null,"title":{"text":"New record: 1 acre fetches 264 cr in Hyd"},"content":{"text":"Setting a new record in Hyderabad's real estate market, an acre of government land was auctioned for a whopping Rs 264 crore on Friday, surpassing the earlier record of Rs 237 crore.  The Telangana Industrial Infrastructure Corporation (TGIIC) created a new record in its e-auction of 5.25 acres of prime multi-use land in Raidurg in the heart of the Information Technology corridor. It generated Rs 1,386 crore from the auction of the prime multi-use land.  According to the TGIIC, 5.25 acres were auctioned against a reserve price of Rs 175 crore per acre, achieving a final realisation of Rs 264 crore per acre — a 50.9 per cent premium over the reserve price.  Officials said the result underscores Hyderabad's emergence as one of India's most dynamic real estate markets and confirms Telangana's strategic approach to infrastructure-led growth. This outcome reflects the intensifying competition among premier developers and the market's increasingly bullish outlook on Hyderabad's strategic corridors, confirming Telangana's position as a high-growth destination for institutional real estate capital, the TGIIC said. The result also marks a sharp escalation in Raidurg land values. The TGIIC's earlier auction fetched Rs 237 crore per acre in May. This underscored the sustained intensity of investor demand for the corridor's premium plots. The auction was conducted through the MSTC e-Auction platform with JLL serving as exclusive transaction advisor, ensuring transparency and enabling competitive participation from leading national developers. \"The successful outcome of the Plot P1 auction speaks volumes about the confidence and conviction that the developer community places in Telangana's future. What we're witnessing is not just strong pricing, but a clear endorsement of the state's development philosophy—one rooted in transparency, infrastructure excellence, and creating genuine value for all stakeholders,\" TGIIC's Vice Chairman & Managing Director K. Shashanka said. The quality of participation and the competitive spirit displayed throughout the auction reflect a market that recognises Hyderabad's transformation into a truly world-class business destination, he added. He stated that these results position Hyderabad decisively among India's premier investment destinations."},"img":{"url":"https://images.prismic.io/prad/dO3suLO2hl6u7c55_hydrealestate.JPG?auto=format%2Ccompress&rect=0%2C4%2C400%2C197&w=2028&h=1000"},"datetime":"2026-08-21T13:36:00+0000","embed":{"embed_url":null}},"uid":"new-record-1-acre-fetches-264-cr-in-hyd"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"Jailer 2's first single 'Ala Bolelo' out"},"content":{"text":"Jailer 2's first single 'Ala Bolelo' out"},"img":{"url":"https://images.prismic.io/prad/2sHyUz864qMC477e_alaboleojailersing.JPG?auto=format%2Ccompress&rect=0%2C83%2C450%2C222&w=2028&h=1000"},"datetime":"2026-08-21T13:54:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=CZgzzsTCylo"}},"uid":"jailer-2s-first-single-ala-bolelo-out"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Irumudi' Packs a Punch on Day One"},"content":{"text":"In a remarkable showcase of talent and storytelling, Ravi Teja's latest film, 'Irumudi' has made a significant impact at the box office on its opening day. This action drama, which follows the poignant journey of a father and daughter united by love and spiritual transformation during the Ayyappa Deeksha pilgrimage, has not only captivated audiences but also garnered critical acclaim. Having previously charmed viewers with his performance in 'Bhartha Mahasayulaku Wignyapthi', Teja's return to the silver screen has been met with eager anticipation and enthusiasm from his fanbase. According to reports from Sacnilk, [Irumudi[ achieved an impressive occupancy rate of 66.69% during its morning shows, outpacing the 40% occupancy of 'Tiger Nageswara Rao' on its respective release day. This surge in audience turnout is indicative of the film's strong word-of-mouth and marketing efforts, which have effectively built its profile leading up to the premiere. By 1 PM on its first day, [Irumudi[ had already collected ₹2.69 crore, positioning itself favorably against the opening day revenues of its competitors in the action-drama genre. The narrative of 'Irumudi' is not just a tale of familial bonds; it intertwines themes of spirituality and personal growth, resonating deeply with audiences. Director Shiva Nirvana has remarked on the unique challenges and rewards of collaborating with Teja, stating, \"Ravi Teja sir has been extraordinary to work with. I aimed to present him in a space that audiences haven’t experienced from him before while maintaining the energy they adore. His character navigates complex emotional layers, and he embraced every aspect of this role with complete commitment.\" This insight into the creative process highlights the film's ambition to push boundaries while retaining the essence of Teja's appeal. As 'Irumudi' continues to make waves in theaters, its initial success raises questions about its long-term performance against other major releases. Observers note that while it has made a strong debut, it will need to sustain momentum to surpass the ₹6.55 crore achieved by 'Tiger Nageswara Rao' on its opening day. With favorable reviews and audience engagement, 'Irumudi' is poised to become a significant player in the current cinematic landscape, reflecting the dynamic nature of the Indian film industry and its ever-evolving audience tastes."},"img":{"url":"https://images.prismic.io/prad/ah_5YAeQX7-eWphq_irumudi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-21T16:42:00+0000","embed":{"embed_url":null}},"uid":"irumudi-packs-a-punch-on-day-one"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Surgeon’s Prabhas Post Sparks Buzz"},"content":{"text":"Pan-India star Prabhas has sparked concern among fans after a social media post by a noted orthopedic surgeon drew attention to the actor’s health. With reports suggesting that Prabhas has suffered injuries during the demanding shoots of upcoming projects such as Spirit and Fauji, the doctor’s post quickly became a talking point online. Fans have since been eager to know more about the actor’s current condition and wellbeing. Dr KJ Reddy, a prominent orthopedic surgeon at Apollo Hospitals in Hyderabad, shared a photograph with Prabhas on Instagram, accompanied by a thoughtful message about success and the sacrifices behind it. Known for his expertise in knee and hip conditions as well as sports injury management, the doctor described meeting Prabhas as an inspiring experience. His remarks about the unseen personal sacrifices behind a successful career added to the curiosity surrounding the actor’s health. Dr Reddy also indicated that he is involved in looking after Prabhas’ health and praised the actor’s humility despite his massive achievements. He noted that while some people inspire others through their success, others leave a lasting impression through their modest nature. According to the surgeon, Prabhas remains grounded and maintains a remarkably positive outlook, qualities that make the superstar stand out beyond his on-screen achievements."},"img":{"url":"https://images.prismic.io/prad/aTMhfXNYClf9n3w9_prabhasbaahu.JPG?auto=format,compress"},"datetime":"2026-08-21T11:25:00+0000","embed":{"embed_url":null}},"uid":"surgeons-prabhas-post-sparks-buzz"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"USCIS changes key Green Card form"},"content":{"text":"The US Citizenship and Immigration Services will introduce a revised application form for permanent residence next month, warning that older editions submitted after the change takes effect will be rejected. The new edition of Form I-485, Application to Register Permanent Residence or Adjust Status, will be published on September 18, USCIS said in an official notification. Form I-485 is used by eligible applicants already present in the United States to seek lawful permanent resident status, commonly known as a Green Card. The change is expected to be closely watched by Indian nationals pursuing employment- and family-based permanent residence, including applicants who have waited years for an immigrant visa number to become available. USCIS said the revised form carries an edition date of September 18, 2026, and will replace the edition dated January 20, 2025. The agency has provided applicants and immigration lawyers with a preview of the new form and its accompanying instructions. It stressed that there will be no grace period during which both editions will be accepted. Applicants must therefore determine which edition to use according to the date on which their application is postmarked or submitted electronically. USCIS will continue accepting the January 20, 2025, edition when it is postmarked or electronically submitted before September 18. However, the agency will reject that edition if it is postmarked or electronically submitted on or after September 18. Conversely, applicants should not submit the new edition before the effective date. USCIS will accept the September 18, 2026, edition only when it is postmarked or electronically filed on or after that date. The narrow transition makes the filing date particularly important for applicants and their lawyers. Using the wrong edition could result in rejection of the application before USCIS considers its merits. The revised Form I-485 has been prepared to align the adjustment-of-status process with the recently announced final rule concerning the public-charge ground of inadmissibility, USCIS said. The public-charge provision is used to assess whether an applicant is likely to become primarily dependent on the government for subsistence. Its application has changed under successive US administrations and has frequently become a contested element of immigration policy. USCIS did not announce a separate change in the filing date or fee in the notification. It directed applicants to consult the Form I-485 webpage for the preview edition and detailed instructions. Indian professionals constitute a significant portion of the employment-based immigration system, particularly in technology, medicine, engineering and other specialised fields. Many experience prolonged waits for permanent residence because annual immigrant visa limits include per-country ceilings. Applicants filing Form I-485 may also seek related employment and travel authorisation while their permanent residence cases remain pending. "},"img":{"url":"https://images.prismic.io/prad/9706436b-2277-4f44-ba60-6cc43c85127f_USCIS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-21T04:53:00+0000","embed":{"embed_url":null}},"uid":"uscis-changes-key-green-card-form"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Kiara: ‘Toxic’ a ‘peculiar alchemy’"},"content":{"text":"Actress Kiara Advani described her upcoming film ‘Toxic’ as more than just a fairy tale and shared that the creative vision and talent from across the board came together to create what the film’s director calls a “peculiar alchemy.” Kiara took to Instagram, where she shared a BTS video from the making of the film and wrote: “A fairy tale isn’t just what this film is. It’s also what making it was. One string of thought, talent from everywhere, each doing right by their craft, avalanching into TOXIC. “Peculiar Alchemy,” as our Director calls it.” Kiara on August 18 had spoken about her experience of working on ‘Toxic: A Fairy Tale for Grown-Ups ’ and shared that the film pushed her out of her comfort zone and taught her to embrace the unfamiliar and discover new skills along the way. For the caption, she wrote: “Films have a beautiful way of making us step into worlds we’ve never known, sometimes quite literally. Every new character, every new set, every crazy challenge teaches you something you didn’t know you were capable of.”  Kiara added: “This one taught me to be comfortable with the unfamiliar, to stay curious, to keep learning and to find joy in the adventure of it all. Because growth, for me, has always been about saying yes to the things that scare you a little… and loving the journey that follows.” Toxic: A Fairy Tale for Grown-Ups is a gangster film. It stars Yash in a dual role, alongside Kiara, Nayanthara, Huma Qureshi, Tara Sutaria and Rukmini Vasanth.  Toxic: A Fairy Tale for Grown-Ups explores the life of Raya, a violent gangster and playboy who rose to power in the underworld crime before his eventual downfall. Years later, he has to face his biological son Rumi / Ticket, who prepared his revenge on Raya, after the latter abandoned him and his wife."},"img":{"url":"https://images.prismic.io/prad/c4qg_lf1QadKsNjr_kairaadvani.JPG?auto=format,compress"},"datetime":"2026-08-21T07:14:00+0000","embed":{"embed_url":null}},"uid":"kiara-toxic-a-peculiar-alchemy"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Toxic' gets off to a strong start as advance bookings open "},"content":{"text":"The makers of director Geetu Mohandas's much awaited pan Indian film, 'Toxic: A Fairy Tale for Grown-Ups', featuring actor Yash in the lead, on Friday announced the opening of the film's advance bookings, much to the delight of eagerly waiting fans and film buffs.  Rocking Star Yash took to his X timeline to announce the opening of advance bookings. He wrote, \"A fairy tale isn't just what this film is. It's also what making it was. One string of thought, talent from everywhere, each doing right by their craft, avalanching into TOXIC. \"Peculiar Alchemy,\" as our Director calls it. Five days to go. Book now.\" Sources in the industry claimed that advance bookings were now officially open and that the film had gotten off to a very strong start, reflecting the immense anticipation surrounding it. The early response further underlined the audience pull surrounding Yash and the curiosity around a world that is entirely new to the big screen, they claimed. To mark the opening of bookings, the makers unveiled a special video featuring Rocking Star Yash, director Geetu Mohandas and the film’s ensemble cast. Through a collection of candid moments and reflections, actors Nayanthara, Kiara Advani, Tara Sutaria, Rukmini Vasanth, Huma Qureshi, Akshay Oberoi and Sudev Nair shared what made Toxic a special film for them. From the film’s distinctive world to Geetu Mohandas’s unconventional approach, the cast’s words offered a glimpse into the belief and excitement surrounding the film ahead of its theatrical release. The announcement further built anticipation to see Yash back on the big screen following the phenomenal success of the 'KGF' franchise. For the unaware, 'KGF: Chapter 2' had gone on to emerge as a global box-office phenomenon, grossing over ₹1,200 crore worldwide, cementing Yash’s stature as one of Indian cinema’s biggest stars.  With 'Toxic', the actor returns with a film that has already generated significant anticipation for its scale, distinctive world and ambitious cinematic vision. 'Toxic: A Fairy Tale for Grown-Ups' is slated to hit screens worldwide on August 26 this year. Shot simultaneously in Kannada and English, the film will also be released in Hindi, Telugu, Tamil and Malayalam, taking its world to audiences across languages."},"img":{"url":"https://images.prismic.io/prad/C68meqHgwMXfdC2G_toxic.JPG?auto=format,compress"},"datetime":"2026-08-21T06:30:00+0000","embed":{"embed_url":null}},"uid":"toxic-gets-off-to-a-strong-start-as-advance-bookin"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Preity Zinta embraces a ‘brand new’ ‘Vibe’"},"content":{"text":"Actress Preity Zinta offered a glimpse of her new “Vibe”, sharing a picture as she took a moment to soak in the experience ahead for her upcoming film of the same name.  Preity shared a selfie of herself on Instagram, where she is seen sporting chunky sunglasses paired with a black oversized T-shirt. In the image, the actress is seen looking at the lens as she posed for a photograph.  “A moment to hold, a moment to reflect, a moment to take in life, as I dive into a brand new Vibe. Ting !” she wrote as the caption.  Vibe also stars Kunal Kemmu. The upcoming high-stakes action-comedy film is produced by Kunal Kemmu and Chirag Nihalani under the banner of Drongo Films. \"Vibe\" is expected to reach the audience on September 18 this year. The project marks the first venture for the production studio. The film is written and directed by Kunal Kemmu. Joining these two, Sparsh Shrivastava will play a crucial role in the movie, along with debutant Vanshika Dhir. \"Vibe\" focuses on two inseparable friends whose ordinary lives suddenly turn into an unpredictable, high-energy adventure that pushes their survival instincts and friendship to the limit. “Batwara 1947” is a period drama film co-written and directed by Rajkumar Santoshi, and produced by Aamir Khan under the banner of Aamir Khan Productions. Set in Lahore against the backdrop of the 1947 Partition of British India and the division of Punjab.  The film stars Sunny Deol, Preity Zinta, Shabana Azmi, Karan Deol, Ali Fazal, Abhimanyu Singh, Khushi Hajare, Kanikka Kapur, Waseem Rajput, and Isha Sandhir. The film is based on Asghar Wajahat's drama Jis Lahore Nai Vekhya, O Jamya E Nai. It was Zinta's comeback film after an eight-year hiatus."},"img":{"url":"https://images.prismic.io/prad/y7cWkOe72rKMmSuX_preityzinta.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-21T04:42:00+0000","embed":{"embed_url":null}},"uid":"preity-zinta-embraces-a-brand-new-vibe"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Surekha’s Ex-OSD Faces Murder Bid Case"},"content":{"text":"An attempt to murder case has been registered against former OSD to Telangana’s Forest and Endowments Minister Konda Surekha, who is currently in the eye of a storm in the ruling Congress party following her daughter’s allegations against Chief Minister A. Revanth Reddy.  On a complaint by a real estate businessman, a zero FIR was registered against N. Sumanth and five others at Medipally Police Station of Malkajgiri Police Commissionerate on Thursday.  Later, the case was transferred to Jubilee Hills Police Station of Hyderabad Commissionerate. Gongidi Harikrishna, a resident of Boduppal, lodged a complaint. He alleged that he was assaulted with iron rods and sticks and threatened with dire consequences.  The case was registered against former OSD Sumanth, Ramu, Prashanth, Arun Kumar Reddy, Karthik and Mahender Reddy under Section 109 of the Bharatiya Nyaya Sanhita (BNS). The complainant said he was assaulted by Sumanth and others on July 30. Harikrishna stated that Sumanth asked him to meet at Ramu’s office. Sumanth questioned him about collecting money using his name. When he denied the allegation, Sumanth allegedly abused him and hit him with an iron rod. On Sumanth’s direction, others also joined the assault. The complainant claimed that he sustained a fracture to his left hand, bleeding injuries and other injuries and that he underwent surgery on August 10. The case has come to light amid the ongoing row in the ruling Congress party following outbursts of Konda Surekha’s daughter Sushmita against CM Revanth Reddy.  At her mother’s birthday celebrations in Warangal district two days ago, Sushmita declared that she would contest from Parkala Assembly constituency in the next elections even if she was denied a party ticket. She also made allegations of corruption against the Chief Minister’s family. Taking serious note of the allegations, the disciplinary committee of Telangana Pradesh Congress Committee (TPCC) issued a show-cause notice to the minister. Surekha, in her reply to the notice, clarified that her daughter expressed her personal views. The minister also stated that she can’t be held accountable for statements and actions of her daughter. This is the second time the minister has landed in a row over her daughter’s utterances.  Sushmita had also targeted the Chief Minister last year. She had made certain allegations against the Chief Minister after the police reached the minister’s residence in Hyderabad, searching for the minister’s sacked OSD N. Sumanth on allegations of extortion. There were allegations that Sumanth threatened an officer of a cement company with a gun for extortion. Sushmita had refused to allow the police team into the house, asking them to produce the arrest warrant.  She had alleged that Sumanth was booked to target her parents. She made serious allegations against Chief Minister Revanth Reddy, advisor Vem Narender Reddy and Revenue Minister P. Srinivas Reddy. She alleged that her parents were being targeted as they belong to the backward caste."},"img":{"url":"https://images.prismic.io/prad/4SxGGYhjHCaFuIB6_surekhaOSD.jpg?auto=format,compress"},"datetime":"2026-08-21T05:53:00+0000","embed":{"embed_url":null}},"uid":"surekhas-ex-osd-faces-murder-bid-case"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"ED Raids MP Avinash Reddy premises"},"content":{"text":"The Enforcement Directorate on Friday conducted searches at multiple locations, including the premises linked to YSR Congress Party MP Y.S. Avinash Reddy in Hyderabad and YSR Kadapa district of Andhra Pradesh, in connection with the money laundering probe arising out of the murder of his uncle and former state Minister Y.S. Vivekananda Reddy.  The ED officials began the searches in the morning at two locations in Hyderabad and four in Kadapa district. The searches were on at the premises of the Kadapa MP Avinash Reddy, his father Y.S. Bhaskar Reddy and other accused in the murder case. A team of ED officials was conducting searches at the MP’s residence in Kokapet, Hyderabad. Another team went to his residence in Pulivendula town in Kadapa district but found the premises locked. The searches were also underway at premises linked to other accused Sunil Yadav, Devireddy Shivashankar Reddy and Yerra Gangireddy. The Central agency began a money laundering probe on the basis of the case registered by the Central Bureau of Investigation (CBI) and the chargesheets filed by it. It was in August last year that the ED registered an Enforcement Case Information Report (ECIR). The agency is probing the financial transactions before the murder. There are allegations that Rs 4 crore were paid to kill Vivekananda Reddy. The ED officials are trying to track the movement of funds and investigate the allegations of money laundering. Vivekananda Reddy, brother of former Chief Minister Y.S. Rajasekhara Reddy (YSR), and uncle of former Chief Minister and YSRCP president Jagan Mohan Reddy, was murdered at his residence in Pulivendula on March 15, 2019, weeks before the elections. The 68-year-old former state minister and former MP was alone at his house when unidentified persons barged in and killed him. The CBI took over the investigation into the case in 2020 at the direction of the Andhra Pradesh High Court while hearing a petition by Vivekananda Reddy's daughter, Sunitha Reddy, who raised suspicion about some relatives. Expediting the probe into the case, the CBI in 2023 arrested Avinash Reddy's father, Y.S. Bhaskar Reddy and their follower, Uday Kumar Reddy. It filed the first chargesheet in the case in 2021 and supplementary chargesheets in 2022 and 2023. The CBI claimed that both Avinash and Bhaskar Reddy conspired to eliminate Vivekananda Reddy because he was against fielding Avinash Reddy from the Kadapa Lok Sabha seat and wanted Jagan Mohan Reddy to instead field his mother Vijayamma or sister Sharmila. However, the father-son duo denied the allegation. Avinash Reddy was granted anticipatory bail by the Telangana High Court on May 31, 2023. In August, 2025, the CBI informed the Supreme Court that it had completed the investigation in the case. The Supreme Court in March 2026 dismissed a petition by Vivekananda Reddy’s daughter, Sunitha, seeking further probe by the CBI and challenging the grant of anticipatory bail to Avinash Reddy as well as bail to other accused."},"img":{"url":"https://images.prismic.io/prad/a7efe7c3-0e87-4bef-b6bc-81a84b64ce3b_avinash+reddy.JPG?auto=format,compress"},"datetime":"2026-08-21T04:20:00+0000","embed":{"embed_url":null}},"uid":"ed-raids-mp-avinash-reddy-premises"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Jana Sena MP’s Son Case Allegedly Suppressed!"},"content":{"text":"The YSR Congress Party on Friday alleged that the case relating to the June 16 incident in Hyderabad, in which a young man died after being run over by a car driven by Jana Sena MP Lingamaneni Ramesh’s son, was suppressed because of ‘hotline politics’ between Telangana Chief Minister A. Revanth Reddy and Andhra Pradesh CM Chandrababu Naidu.  YSRCP national spokesperson Karthik Yellapragada said that the hotline politics between Telangana's Congress government and Naidu's government is very clear.  He said that the FIR was registered on Lingamaneni Ramesh's son five days ago. “It has been five days since the case was registered. Until now, the news has been suppressed, and no one gave any statements, no one discussed it, and they just kept quiet just because of the fact that the hotline between Mr Revanth Reddy and Mr Naidu has been very clear,” he said. While demanding justice in the case, the YSRCP spokesman compared the incident involving the son of Jana Sena MP with a similar case involving the son of YSRCP leader and former Minister Seediri Appalaraju.  He alleged that both Appalaraju and his son were sent to jail because of political vendetta while the case involving Jana Sena MP’s son was suppressed.  Cyberabad Police on Thursday announced they have booked Lingamaneni Sanjush for causing the death of a young woman in an accident while driving a car allegedly in a rash and negligent manner four days ago. Bharathi Mukhi (26), a sales executive at a store in a Mall in the IT corridor of Madhapur, was killed after being run over by an Aston Martin while crossing the road opposite the mall on August 16. She sustained a severe bleeding head injury in the accident and was immediately rushed to Apollo Hospital in Jubilee Hills. However, upon examination, doctors declared her dead. During the investigation, the police identified the driver of the car at the time of the accident as Lingamaneni Sanjush (21). “He was taken into custody the same day, and both 'drunk and drive' and drug tests were conducted. Blood samples were also collected and sent to the Forensic Science Laboratory (FSL) for analysis,” police said. A case for causing death by a rash or negligent act has been booked against Sanjush under section 106(1) of the Bharatiya Nyaya Sanhita (BNS) at Madhapur Police Station. Lingamaneni Ramesh is a Rajya Sabha member from Andhra Pradesh. He belongs to the Jana Sena Party, headed by Andhra Pradesh Deputy Chief Minister Pawan Kalyan."},"img":{"url":"https://images.prismic.io/prad/TxNlbPh8cW3RvO6E_jspmpsoncarcrash.jpg?auto=format,compress"},"datetime":"2026-08-21T06:58:00+0000","embed":{"embed_url":null}},"uid":"jana-sena-mps-son-case-allegedly-suppressed"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Centre Blocks Revanth Reddy’s US Tour"},"content":{"text":"Telangana Chief Minister A. Revanth Reddy has cancelled his visit to the United States after the Ministry of External Affairs denied permission, the CMO said on Friday.  The Chief Minister, who had left for London late on Wednesday night on a 10-day visit to the United Kingdom and the US, will return to India after his engagements in the UK The official delegation led by the Chief Minister was scheduled to leave for the US on August 23. According to the Chief Minister’s Office (CMO), the official TelanganaRising delegation led by Chief Minister Revanth Reddy has been forced to cancel their visit to the US after the Ministry of External Affairs has denied permission, saying, “…clearence from political angle is denied”. The state government has sought Central permission for the trip to the UK and USA, as per policy and protocol, but only the UK trip was approved. The Centre informed the state government of its refusal of permission after the official delegation reached the UK, the CMO said. Responding to the Central decision, Chief Minister Revanth Reddy said, “The only purpose of the visit was to, as part of the New Education Policy of Centre, bring the world’s best institutions to India, to Telangana, to Hyderabad. They would have been an answer to our youth’s aspirations to get education, skills, and training from the best Ivy Leagues and top global institutions.” “I have always believed we should all think beyond politics and elections when it comes to nation building and future of the youth,” he said.  While expressing shock at the “political denial” for a visit to further TelanganaRising and Education, and contribute to Viksit Bharat, CM Revanth Reddy has decided to comply with the Central decision and return to India from London, taking a flight back to Hyderabad, instead of proceeding to Boston, US. CM Reddy has instructed the officials to go ahead with the US trip and conclude all MoUs and partnership agreements.  “We will make Hyderabad a global knowledge hub. The creation of Universities from Osmania to HCU to JNTU et al made Hyderabad a hub for the best Human Resources. A single school, Hyderabad Public School, has shown how we can lead the world, producing some of the greatest tech leaders. The start of IIT, ISB, IIIT, and Nalsar helped Hyderabad attract top corporations and their GCCs. Now, we will make Hyderabad the home for the world’s greatest education and skills institutions to power our 21st century journey,” he said. CM Revanth Reddy will continue, as per the scheduled programme, his visits to and interactions with Oxford, Cambridge, London School of Economics, the London Business School, University of London, among others. He will also be meeting with top sports institutions and skilling leadership in the UK, and try to formalise partnerships with Telangana. “My resolve and endeavour to make Hyderabad one of the top global cities, where any common Indian can get education and a certificate from Harvard and Oxford, or an MIT and LBS or LSE, is because while most leaders want to send their children abroad, I want to bring the world’s best to India,” he added."},"img":{"url":"https://images.prismic.io/prad/5442654d-ea3f-4e57-86e4-db5e00e99e2c_RR.JPG?auto=format,compress"},"datetime":"2026-08-21T05:32:00+0000","embed":{"embed_url":null}},"uid":"centre-blocks-revanth-reddys-us-tour"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Why Sunita withdrew divorce petition?"},"content":{"text":"The controversy around Govinda’s marriage seems to be getting murkier after Rakhi Sawant in public had a conversation with the star’s wife Sunita Ahuja, who revealed that she withdrew the divorce petition from Govinda as he was planning to marry Komal Rani Swarnkar. The conversation came after Sunita withdrew her divorce petition and then made a shocking claim about Govinda and Komal Rani Swarnkar.  Rakhi, who was speaking to paparazzi in Mumbai. Rakhi put the call on speaker, letting out Sunita’s side of the story. “Main theek hun beta tu kaisi hai. Mere support main tum sabko bolna chahiye; tumko sab maloom hai. Haan tujhe bolna chaahiye… Tune dekha nahi jo use airport pe legaya… Main itne din se chup thi na… Usko meri jagah dega.” “(I’m fine, beta. How are you? You all should speak up in my support; you know everything. Yes, you should say something… Didn’t you see who took him to the airport? I had been quiet all these days, you know. He will give her my place.)” In the conversation, Sunita shared that she decided to withdraw her divorce case because Govinda and Komal were reportedly planning to get married.  “Maine kal divorce case wapas le liya kyunki woh shaadi karne ke plan me the woh log,” Sunita said. “(I withdrew the divorce case yesterday because they were planning to get married.)” Rakhi shared that she gives her full support to Sunita and said: “That’s good. Like I said, you did the right thing by withdrawing the case”. She then asked Sunita to protect her financial interests and added: “Aap ₹200 crore par dhyaan do. Sab chhodo. Doosri-teesri koi aa gayi na, sab hadap legi. Aap pehle apne naam sab kuch kar lo please, meherbaani.” “(Just focus on the ₹200 crore. Forget everything else. If some other woman comes along, she’ll snatch it all up. Please, do me a favor and get everything transferred to your name first.)”"},"img":{"url":"https://images.prismic.io/prad/aKmiAmGNHVfTOOQK_govindasunitgha.JPG?auto=format,compress"},"datetime":"2026-08-21T07:45:00+0000","embed":{"embed_url":null}},"uid":"why-sunita-withdrew-divorce-petition"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Toxic' English Trailer Sparks Buzz"},"content":{"text":"The latest English trailer for Yash-starrer Toxic: A Fairy Tale for Grown-Ups has created a strong buzz online, with viewers praising its intense presentation and international appeal. The new promo appears to offer a fresh glimpse into the film’s dark and stylish world, packed with larger-than-life visuals, action and a mysterious atmosphere. The trailer has quickly caught the attention of audiences who are eager to see how the much-awaited project shapes up. A section of netizens has gone a step further, claiming that the English version feels more impactful than the Hindi trailer. Comments comparing the two versions have surfaced across social media, with many appreciating the English promo’s editing, background score and overall presentation. The phrase “global mayhem” has also been used by fans to describe the scale and energy showcased in the new footage, reflecting the expectations surrounding Yash’s next big-screen outing. Directed by Geetu Mohandas, Toxic is being positioned as an ambitious action drama with a distinctive visual identity. Yash’s rugged screen presence and the film’s international-style treatment have already generated considerable curiosity among moviegoers. With every new glimpse adding to the anticipation, the latest English trailer has further strengthened the feeling that Toxic is aiming for a worldwide cinematic impact."},"img":{"url":"https://images.prismic.io/prad/Z96sD3dAxsiBvw46_toxic.JPG?auto=format,compress"},"datetime":"2026-08-20T10:48:00+0000","embed":{"embed_url":null}},"uid":"toxic-english-trailer-sparks-buzz"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"6-year-old dies after teacher slaps him at Vizag school"},"content":{"text":"A six‑year‑old student of a private school in Visakhapatnam died after being slapped by his teacher for not doing his homework on Thursday. Pranay Tej, a UKG student, collapsed after being slapped and died before he could be taken to hospital. The incident occurred at Little Garden School in the One Town area of the coastal city. CCTV captured the shocking incident, and the clip went viral on social media, triggering public outrage. The child was seen standing in a queue in front of the teacher, who was checking homework. The teacher pulled him closer as he cried and begged her not to beat him. She adjusted his uniform and then slapped him. The boy collapsed onto the teacher. According to officials, the teacher alerted other staff, who tried to administer CPR. Later, the school staff rushed him to a nearby hospital, but doctors declared him dead on arrival. The boy is suspected to have suffered cardiac arrest out of panic. However, officials said the cause of death would be known only after a thorough investigation. The child’s body was shifted to King George Hospital (KGH) for post‑mortem examination. His family members gathered at KGH and staged a protest, demanding justice. Education Minister Nara Lokesh posted on X that it was heartbreaking that six‑year‑old Pranay Tej lost his life due to a teacher beating him. He said he would take legal action against the culprit and the school management. “I convey my deepest condolences to Pranay Tej’s parents. Stay strong. The loss you have suffered is irreplaceable. Our government will stand by you in every possible way,” he wrote. The boy’s parents blamed the teacher for his death, saying he was healthy and active when he left for school in the morning. They said the family had gone on pilgrimage to Tirupati last week and, since they returned only on Wednesday, he could not complete his homework. The family alleged that the school management did not even inform them about the incident. Terming it murder, they demanded stringent action against the teacher and the school management."},"img":{"url":"https://images.prismic.io/prad/aIx3qaTt2nPbZorY_slapped.JPG?auto=format,compress"},"datetime":"2026-08-20T14:26:00+0000","embed":{"embed_url":null}},"uid":"6-year-old-dies-after-teacher-slaps-him-at-vizag-school"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Speeding Crash Puts Jana Sena MP’s Son in Trouble"},"content":{"text":"Cyberabad Police have booked Jana Sena MP Lingamaneni Ramesh’s son, Lingamaneni Sanjush, for causing the death of a young woman in an accident while allegedly driving a car in a rash and negligent manner four days ago. Bharathi Mukhi (26), a sales executive at a Lifestyle store in Inorbit Mall in the IT corridor of Madhapur, was killed after being run over by an Aston Martin while crossing the road opposite the mall on August 16. Bharathi and her colleague, Pooja Ashok (26), had gone to the vicinity of ITC Kohinoor around 3 p.m. for lunch. While they were returning towards Inorbit Mall and crossing the road opposite the mall, a car (bearing registration number TG‑09‑G‑0666) approached at high speed and hit Bharathi, said K.V. Subba Rao, Station House Officer, Madhapur Police Station. She sustained a severe bleeding head injury and was immediately rushed to Apollo Hospital in Jubilee Hills. However, doctors declared her dead upon examination. During the investigation, police identified the driver of the car at the time of the accident as Lingamaneni Sanjush (21), son of Lingamaneni Ramesh. Pooja, who was accompanying Bharathi, informed the store manager where she was employed. After the store manager filed a complaint, police registered a First Information Report (FIR) and identified Sanjush. According to police, Sanjush is a businessman and resides in Hitech City, Madhapur. “He was taken into custody the same day, and both ‘drunk and drive’ and drug tests were conducted. Blood samples were also collected and sent to the Forensic Science Laboratory (FSL) for analysis,” the SHO said. A case for causing death by a rash or negligent act has been booked against Sanjush under Section 106(1) of the Bharatiya Nyaya Sanhita (BNS) at Madhapur Police Station. Police have seized the vehicle involved in the accident. The investigation is currently underway, focusing on gathering the post‑mortem examination (PME) report and other evidence, the official said. Lingamaneni Ramesh is a Rajya Sabha member from Andhra Pradesh. He belongs to the Jana Sena Party, headed by Andhra Pradesh Deputy Chief Minister Pawan Kalyan."},"img":{"url":"https://images.prismic.io/prad/INPNtxQkbXsRo-mD_JSPMPSon.JPG?auto=format,compress"},"datetime":"2026-08-20T15:30:00+0000","embed":{"embed_url":null}},"uid":"speeding-crash-puts-jana-sena-mps-son-in-trouble"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"New Faces Fail to Rise in Bollywood"},"content":{"text":"Recent insights from Ormax Media's Stars India Loves report illuminate a pressing issue within Bollywood: as its iconic stars age, the industry struggles to cultivate a new generation of superstars. Data reveals that the average age of the top five male actors has escalated from 47 in 2019 to 54 by 2025, signaling an alarming stagnation at the pinnacle of Hindi cinema. This trend raises significant concerns, particularly as the demographic driving 57% of box office revenue—the 15 to 30 age group—craves fresh talent and relatable figures to connect with on screen. Currently, the illustrious lineup of Bollywood’s male stars remains largely unchanged, with Shah Rukh Khan, Salman Khan, Akshay Kumar, Hrithik Roshan, and Ranbir Kapoor dominating the scene. This continuity, while indicative of their enduring appeal, starkly highlights the absence of emerging talent capable of attaining similar heights. The stagnant nature of stardom in the industry poses a critical challenge; if the next generation of actors fails to emerge and resonate with young audiences, Bollywood risks creating a vacuum that could hinder its growth and relevance in an ever-evolving entertainment landscape. The report also emphasizes a concerning trend regarding genre appeal. Ormax notes that romantic films, romcoms, and coming-of-age stories are struggling to garner interest, not due to a lack of audience affinity but rather because the industry lacks a roster of youthful stars who can make these genres feel vibrant and aspirational. The successful rejuvenation of Bollywood relies on its capacity to maintain a dynamic ecosystem where both established stars and rising talents coexist, ensuring creative diversity and sustained engagement with viewers. In this context, Ormax's findings call for strategic intervention in the star-making process. The industry must prioritize not just visibility and fleeting promotional tactics but a systematic approach to nurturing talent through robust scripts, well-defined character arcs, and thoughtful career planning. Failing to adapt to the demands of contemporary audiences and the shifting cultural landscape may ultimately jeopardize the future of Hindi cinema as it grapples with this stark generational divide."},"img":{"url":"https://images.prismic.io/prad/nTkD9nei_iGU-xra_bollywood.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-20T14:54:00+0000","embed":{"embed_url":null}},"uid":"new-faces-fail-to-rise-in-bollywood"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Rajiv Gandhi: Architect of modern India"},"content":{"text":"Telangana Chief Minister, A. Revanth Reddy, and state Congress President Mahesh Kumar Goud, on Thursday paid rich tributes to former Prime Minister, Bharat Ratna Rajiv Gandhi on the occasion of his birth anniversary. The Chief Minister called late Rajiv Gandhi the architect of modern India.  “Sadbhavana Diwas, celebrated with the message of promoting peace, brotherhood, religious harmony, and unity in the country, will stand as a great source of inspiration for all people,” CM Revanth Reddy said. “Taking Rajiv Gandhi's ideals as a guiding light with the spirit of ‘Unity is our strength – Harmony is our progress,’ let us all contribute our part to building a strong India infused with peace, brotherhood, and equality,” the Chief Minister stated. Telangana Pradesh Congress Committee (TPCC) chief, Mahesh Kumar, also paid heartfelt tributes to late Rajiv Gandhi, terming him a visionary leader of modern India. The state Congress chief said that Rajiv Gandhi dreamt of a young, progressive and technologically-empowered India. “His commitment to empowering youth and strengthening democracy remains an inspiration. Rajiv Gandhi Ji played a historic role in bringing technology and telecommunications closer to the people,” said Mahesh Kumar Goud. “He believed that India’s greatest strength lies in its youth. His vision laid the foundation for many of the technological advancements India proudly leads today. His dedication to national unity, peace and progress continues to inspire generations. We remember his service to the nation with deep respect and gratitude. Let us carry forward his vision of a modern, inclusive and progressive India. Remembering Rajiv Gandhi Ji with great respect and affection,” the TPCC chief posted on ‘X’. “A visionary leader who heralded the technological and information revolution in India, former Prime Minister, 'Bharat Ratna' recipient, the late Shri Rajiv Gandhi ji's birth anniversary ('Sadbhavana Day') is an occasion to offer our profound tribute to that great soul,” reads a post from Telangana Congress’ ‘X’ handle. State minister for Transport and Backward Classes Welfare, Ponnam Prabhakar also paid his tributes, calling Rajiv Gandhi a visionary leader. He stated that the former Prime Minister laid the foundation for the IT sector in the country and attracted massive foreign investments."},"img":{"url":"https://images.prismic.io/prad/9ac04148-ffe0-4b24-9723-9d02ec16eecd_rajiv+gandhi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-20T06:31:00+0000","embed":{"embed_url":null}},"uid":"rajiv-gandhi-architect-of-modern-india"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"2.5 Lakh Festive Jobs Expected In India"},"content":{"text":"Festive hiring in India is expected to grow 15-20 per cent in the second half of 2026, generating around 2-2.5 lakh seasonal and gig opportunities across e-commerce, quick commerce, retail, logistics, hospitality, travel and consumer services, a report said on Thursday.  The data compiled by NLB Services said the key shift this year is not merely the increase in hiring but the way companies are preparing for the seasonal surge. Businesses are increasingly moving away from last-minute, volume-driven recruitment towards structured workforce planning, with employers beginning preparations nearly 12-14 weeks before the festive peak. Varun Sachdeva, SVP and APAC Head, NLB Services, said the festive season was becoming a real-time stress test for India's workforce and pointed to a fundamental shift in employer behaviour. “The festive season is becoming a real-time stress test for India's workforce-and the results are pointing to a fundamental shift. Employers are hiring earlier, looking beyond traditional talent hubs and increasingly relying on technology-enabled, flexible and ready-to-deploy talent,\" he stated. \"What was once a short-term response to seasonal demand is becoming a strategic opportunity to access new talent pools, assess capabilities at scale and create pathways to longer-term employment. The real impact of festive hiring, therefore, may extend well beyond the festive season itself,\" Sachdeva mentioned. management, field operations and hospitality will continue to account for a large share of hiring, demand is also rising for dark-store inventory controllers, returns and refunds specialists, customer-resolution executives, marketplace operations professionals, fraud and transaction-support personnel, catalogue management executives and order-management specialists. The changing hiring pattern reflects the increasing role of technology in India's consumption economy. Roles that were traditionally viewed as purely operational are becoming more dependent on digital platforms, data, automation and real-time decision-making. Festive hiring is also becoming increasingly distributed beyond major metropolitan centres. Tier-II and Tier-III cities are expected to account for around 45 per cent of total festive hiring demand, with recruitment in these markets projected to grow 25-30 per cent. Cities including Jaipur, Lucknow, Indore, Surat, Nagpur, Bhubaneswar, Coimbatore, Chandigarh and Kochi are expected to see stronger demand as e-commerce, quick commerce, organised retail and regional fulfilment networks expand."},"img":{"url":"https://images.prismic.io/prad/RhBmk6RMVPhOhNRN_hiring.JPG?auto=format%2Ccompress&rect=0%2C0%2C449%2C221&w=2028&h=1000"},"datetime":"2026-08-20T07:38:00+0000","embed":{"embed_url":null}},"uid":"2.5-lakh-festive-jobs-expected-in-india"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"BRS Trains Guns on  Ponguleti"},"content":{"text":"BRS Deputy Leader in Telangana Legislative Assembly, T. Harish Rao has demanded removal of Revenue Minister Ponguleti Srinivas Reddy over alleged extortion and arbitrary freezing of private properties under Section 22A in Telangana, while stating that these allegations require independent verification.  In a letter to Leader of Opposition in Lok Sabha, Rahul Gandhi, Harish Rao also sought an independent judicial and anti-corruption investigation. The Bharat Rashtra Samithi (BRS) leader drew the attention of the top Congress leader to the alleged misuse of the Revenue and Registration machinery and the arbitrary inclusion or private properties under Section 22A of the Registration Act, 1908. The allegations concern the functioning of the Revenue Department under Srinivas Reddy and raise serious questions about the failure of Chief Minister A. Revanth Reddy to exercise effective oversight, wrote the former minister. Harish Rao mentioned that Section 22A is intended to prohibit registration of legally prohibited properties. It cannot be used to create artificial title disputes, freeze bona fide private properties or paralyse legitimate transactions of citizens. “During revenue-record updates and the transition to Bhu Bharati, thousands of private properties, HMDA/GHMC-approved layouts and private patta lands with long-standing titles have reportedly been classified as government or ceiling-surplus land or otherwise brought under the prohibited-properties regime,” alleged the BRS leader in the letter. He stated that the reported impact in Hyderabad, Medchal Malkajgiri, Ranga Reddy and Sangareddy including established areas such as Jubilee Hills, Banjara Hills and Nizampet is particularly concerning. There are allegations that properties regularised decades ago under the Urban Land Ceiling (ULC) framework are being re-tagged or subjected to fresh claims, creating an artificial cloud over settled titles and severely affecting their marketability. Harish Rao also alleged in the letter that Section 22A restrictions were being used for illegal collections, with genuine property owners allegedly forced to approach intermediaries for de-notification or registration clearance and demands allegedly reaching up to 30 per cent of market value. Stating that these allegations require independent verification, the BRS leader called for finding answers to questions like who is responsible for adding and removing properties, who benefits from such additions and subsequent de-notifications, what is the complete administrative chain of responsibility, are intermediaries facilitating these transactions and are politically connected persons or private syndicates involved. “These questions cannot be answered by press statements or routine review meetings. If the allegations are false, an independent enquiry will establish that; if true, those responsible must face the law,” reads the letter."},"img":{"url":"https://images.prismic.io/prad/sraQPQfMaSks_N86_ponguleti.JPG?auto=format,compress"},"datetime":"2026-08-20T08:35:00+0000","embed":{"embed_url":null}},"uid":"brs-trains-guns-on--ponguleti"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Shamna’s Dream 'Jailer 2' Entry"},"content":{"text":"Well known actress Shamna Kasim has now said that she was overwhelmed with happiness and gratitude for having been a part of director Nelson Dilipkumar's eagerly awaited action entertainer 'Jailer 2', featuring Superstar Rajinikanth in the lead. Taking to her Instagram page to pen the post of gratitude, the actress wrote, \"I am truly overwhelmed with happiness and gratitude to be a part of the prestigious film Jailer 2!\" She went on to add, \"My heartfelt thanks to Superstar Rajinikanth Sir, Nelson Dilipkumar Sir, Anirudh Ravichander Sir, Jani Master, and the entire Jailer 2 team for giving me this incredible opportunity. I thank God for turning this unforgettable dream into reality. Feeling truly honoured, grateful, and blessed! #Jailer2 #SuperstarRajinikanth #NelsonDilipkumar #Anirudh #sunpictures.\" The actress put out the post, soon after the makers released the promo for 'Ala Bolelo', the first single from the film. Interestingly, actress Shamna Kasim features in the first single of the film. For the unaware, the film is slated to hit screens worldwide on October 15 this year. Taking to its social media timelines, Sun Pictures, the production house producing the film, had recently announced, \"Alappara Kelappurom! #Jailer2 storms into theatres worldwide on October 15 #Jailer2FromOct15.\""},"img":{"url":"https://images.prismic.io/prad/nuqFq5k9yElzorbQ_shama.JPG?auto=format%2Ccompress&rect=0%2C89%2C1280%2C631&w=2028&h=1000"},"datetime":"2026-08-20T04:32:00+0000","embed":{"embed_url":null}},"uid":"shamnas-dream-jailer-2-entry"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Former Congress MP Sajjan Kumar dies"},"content":{"text":"Former Congress MP, Sajjan Kumar, who was serving life imprisonment in connection with cases arising from the 1984 anti-Sikh riots, died on Thursday at a Delhi hospital. He was 80.  Kumar, lodged in Tihar Jail, was taken to Safdarjung Hospital after his health deteriorated. Doctors declared him brought dead on arrival. The former Congress leader had been convicted for his role in the killings of five people during violence in Delhi's Palam Colony on November 1 and 2, 1984, following the assassination of then Prime Minister Indira Gandhi. On December 17, 2018, the Delhi High Court overturned a trial court's 2013 verdict acquitting Kumar in the case. He was subsequently convicted and sentenced to life imprisonment. The case related to the murder of five Sikh men in Raj Nagar Part-I, Palam Colony, as well as the burning of a gurdwara during the widespread violence. The High Court held Kumar guilty of criminal conspiracy and abetment and directed that he remain in prison for the remainder of his natural life. In its judgment, the court had described the 1984 anti-Sikh violence as \"crimes against humanity\". Kumar's challenge to his conviction and sentence remains pending before the Supreme Court. Earlier this year, in January, a Delhi court acquitted Kumar in two separate cases concerning allegations that he had incited violence in the Janakpuri and Vikaspuri areas during the 1984 riots. However, the acquittals did not result in his release, as Kumar continued to serve life sentences in other cases connected with the violence. In February 2025, the Rouse Avenue Court handed Kumar another life sentence in the Saraswati Vihar case. He was convicted for his involvement in a mob attack in which a father and son, Jaswant Singh and Tarundeep Singh, were allegedly burned alive. The prosecution had sought the death penalty for Kumar. However, the court awarded him life imprisonment, considering factors including his advanced age and health condition."},"img":{"url":"https://images.prismic.io/prad/aXIC6gIvOtkhBz3f_sajjam.JPG?auto=format,compress"},"datetime":"2026-08-20T08:32:00+0000","embed":{"embed_url":null}},"uid":"former-congress-mp-sajjan-kumar-dies"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Jagan Throws Open CBI Challenge to CBN!"},"content":{"text":"Former Andhra Pradesh Chief Minister YS Jagan Mohan Reddy has stepped up his attack on the ruling TDP government, challenging Chief Minister N. Chandrababu Naidu to agree to a CBI probe into both the Group-1 recruitment controversy and the 2025 DSC examination. Jagan said he was ready to face an investigation into allegations linked to Group-1 recruitment during his tenure and questioned whether Chandrababu had the same confidence when it came to the DSC issue. The political face-off comes as YSRCP continues its protests, alleging irregularities in the recruitment process. Responding to the government’s allegations in the Assembly that Group-1 examinations conducted during his tenure were compromised, Jagan claimed that a SIT appointed by Chandrababu’s government had already found no wrongdoing. He maintained that the recruitment process was conducted according to procedure and that there were no irregularities in evaluation. Jagan also pointed out that the Group-1 notification had been issued during Chandrababu’s earlier tenure, while the preliminary examination was completed before the YSRCP government took charge. He alleged that despite the SIT findings, the issue was being repeatedly used for political attacks. Jagan further accused the government of making politically motivated allegations, particularly over recruitment under the sports quota, and demanded that the facts be independently investigated. He said he had written to the Prime Minister seeking a CBI probe into the alleged DSC irregularities and challenged Chandrababu to seek investigations into both controversies simultaneously. Jagan argued that those who had done nothing wrong should have no hesitation in welcoming an impartial investigation, turning the recruitment row into another major political confrontation between the YSRCP and TDP."},"img":{"url":"https://images.prismic.io/prad/epJKOFcIry169Vv3_jagancbn.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-20T07:42:00+0000","embed":{"embed_url":null}},"uid":"jagan-throws-open-cbi-challenge-to-cbn"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rashmika’s Puppy-Eyes Dig at Vijay"},"content":{"text":"Actress Rashmika Mandanna had a playful request for her husband and actor Vijay Deverakonda after he shared a candid picture from a relaxing afternoon at home.  Vijay had taken to his social media account on Wednesday night to share a picture of himself lying between his parents, Govardhan Rao and Madhavi Deverakonda, as they appeared to enjoy a laid-back afternoon nap together. Sharing the picture, Vijay wrote, “Rains Canceled shoots - You get an afternoon nap in your favourite spot as a kid” and added, “Recovery - 1000%,” further giving picture credit to Rashmika. Rashmika, who is married to Vijay, was quick to leave a comment on the post. Referring to the picture, she wrote, “Did you give me the credit just because you didn’t want to see my puppy eyes back home?” She added, “Also now while we are at it.. can you give me credit for all the other photos that I’ve taken over the years also.?,” she wrote. The actress continued her playful banter, adding, “I should show my loves how amazing my photography skills really are noool!! just saying! (sic)” Vijay and Rashmika are touted as one of the very adorable couples of the entertainment industry. The couple who has worked together in Geetha Govindam and Dear Comrade, got married on February 26, 2026, in an intimate ceremony in Udaipur. The couple had announced their wedding date through a joint wedding invitation. Their relationship had become a subject of public interest for quite a few years before they got engaged in October 2025. On the work front, Rashmika has been juggling many projects. She was last seen in Shahid Kapoor, Kriti Sanon starrer Cocktail 2. The actress is also part of Allu Arjun and director Atlee’s upcoming film Raaka. She is also set to reunite with Vijay on screen in Ranabaali, which marks their first film together after their marriage."},"img":{"url":"https://images.prismic.io/prad/aaBZFMFoBIGEg3VB_vdkrashmika.JPG?auto=format,compress"},"datetime":"2026-08-20T02:00:00+0000","embed":{"embed_url":null}},"uid":"rashmikas-puppy-eyes-dig-at-vijay"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Konda daughter outburst against Revanth Reddy"},"content":{"text":"Telangana’s Endowment and Forest Minister, Konda Surekha, was left red faced after the Congress party issued her a show cause notice over the outbursts of her daughter Sushmita against Chief Minister A. Revanth Reddy.  Telangana Pradesh Congress Committee (TPCC) chief, Mahesh Kumar Goud, said on Thursday that the disciplinary committee has sought an explanation from Surekha. He told media persons in Nizamabad that after receiving a reply from Surekha, the party will take a decision. The State Congress chief made it clear that disciplinary action will be inevitable against anyone who speaks against the party in public. Goud condemned the remarks made by Sushmita on Wednesday at her mother’s birthday celebrations at Prakala in Warangal district. Sushmita criticised the Chief Minister for appealing to people at a recent public meeting to re-elect Revuri Prakash Reddy from Prakala Assembly constituency. Sushmita, who hopes to get elected to the Prakala Assembly constituency, declared that no one can stop her from winning the Prakala seat in the next elections. She also threw a challenge to Prakash Reddy to resign and face her in the bye-election and remarked that even if the Chief Minister campaigns in support of Prakash Reddy, she would win. Sushmita claimed that it was because of the support of her father Konda Murali and mother Konda Surekha that Revanth Reddy had become the president of State Congress and accused him of going back on his promise to her father to make him a MLC. Stating that Prakala is their political stronghold, she declared that if she was denied a ticket, she would contest as an independent candidate. Sushmita also made allegations of corruption against Chief Minister Revanth’s family. She alleged that a shell company of his brother was allotted government land valued at Rs.200 crore. Minister Surekha’s daughter also accused the Chief Minister of showing his love for those who came from the Telugu Desam Party (TDP). Sushmita had also targeted the Chief Minister last year, triggering a storm in the ruling party. Konda Surekha had apologised to Revanth Reddy in October for her daughter’s outbursts. Sushmita had made allegations against the Chief Minister after the police had reached Konda Surekha’s residence in Hyderabad, searching for the minister’s sacked OSD N. Sumanth on the allegations of extortion. There were allegations that Sumanth threatened an officer of a cement company with a gun for extortion. Sushmita, had refused to allow the police team into their house, asking them to produce the arrest warrant. She alleged that Sumanth was booked to target her parents. She made serious allegations against Chief Minister Reddy, advisor Vem Narender Reddy and Revenue Minister P. Srinivas Reddy. She alleged that her parents were being targeted as they belong to the backward caste."},"img":{"url":"https://images.prismic.io/prad/Ziv9mN3JpQ5PTNnj_kondasurekha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-20T06:57:00+0000","embed":{"embed_url":null}},"uid":"konda-daughter-outburst-against-revanth-reddy"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Brahmanandam’s Brother Longs for ‘Anna’"},"content":{"text":"A deeply emotional account about veteran comedian Brahmanandam’s elder brother, Sri Vadan, has surfaced, highlighting the loneliness that can come with old age. He reportedly spoke about how much he misses the simple affection of hearing his younger brother call him “Anna” and ask how he is doing. Despite being family, the distance between the two brothers appears to have left him longing for even a brief conversation. Sri Vadan revealed that their family once had six siblings, but four of them have passed away, leaving only the two brothers. Today, he says, he is the one left alone in his village. According to him, Brahmanandam recently visited their native place but left without stopping to speak to him or even exchange a few words. That moment, he says, made him feel particularly lonely. He added that he still quietly hopes Brahmanandam will call him someday and simply ask, “Anna, how are you?” For him, such a small gesture would carry immense emotional value. He also expressed the sentiment that when someone accomplished or respected takes the time to acknowledge those around them, it can bring immense happiness to them. His words offer a poignant reminder that beyond fame and success, a few moments of affection from family can mean the most."},"img":{"url":"https://images.prismic.io/prad/7lwozTudW9DHfJ8x_brahmibro.JPG?auto=format,compress"},"datetime":"2026-08-20T05:52:00+0000","embed":{"embed_url":null}},"uid":"brahmanandams-brother-longs-for-anna"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Jagan Sounds Poll Battle Cry"},"content":{"text":"YSR Congress Party president and former Chief Minister Y. S. Jagan Mohan Reddy on Wednesday asked the party cadres to gear up for the ensuing local body elections in Andhra Pradesh. He affirmed that the party should work with the aim of a massive victory, with the coalition government failing on all fronts, all sections of people feeling cheated, and the law and order situation was deteriorating drastically.  Addressing local body leaders and key activists from Rajahmundry Rural Assembly constituency at the party’s central office at Tadepalli, he said the party should prepare for the upcoming local body elections and work with victory as the sole objective. There is strong public resentment against the ‘backstabbing’ by the coalition government, and no section of society is happy under Chandrababu Naidu’s rule, he said. YS Jagan stated that the coalition would try to misuse the police to prevent this public anger from being reflected in the local body elections, but YSRCP leaders and cadre must be ready to face every challenge and fight with determination. The former CM claimed that YSRCP enjoys strong public support and will certainly win if leaders and workers remain connected with the people. He asked the cadre to work continuously among the public and prepare for the electoral battle at the grassroots level. He alleged law and order in the State has deteriorated drastically, with sand, soil and liquor mafias operating freely.  Jagan said systems have collapsed to such an extent that even police personnel are being caught while transporting ganja. To divert public attention from such incidents, conspiracies are being created, he said. Referring to the Rajahmundry incident, YS Jagan said post-graduate medical student Dr Priyanka was brutally killed by repeatedly ramming her with a car, yet attempts were made to suppress the case and prevent it from coming out. He said the police and ruling party leaders were working hand in glove in such a dangerous manner. YS Jagan said Chief Minister Chandrababu Naidu betrayed every section of the people of Andhra Pradesh. He said not a single promise made before the elections has been fulfilled. Students, farmers, women, elderly people, employees, traders, and every other section are deeply unhappy, he said, adding that severe anti-incumbency sentiment has built up against the coalition government in just two years. YS Jagan claimed public support for YSRCP is increasing day by day. People are comparing the five years of YSRCP governance with the present coalition government’s rule, and this discussion is taking place in every household, he said. He said his padayatra will begin in another year and elections will follow the year after that. Whenever elections are held, victory will belong to YSRCP, he asserted.  The YSRCP chief asked party leaders, local representatives and activists to remain constantly among the people, stand by them on every issue, and work with full commitment to ensure victory in the local body elections."},"img":{"url":"https://images.prismic.io/prad/le7oxQ5O2Pf4HEqX_jagan.JPG?auto=format%2Ccompress&rect=0%2C37%2C449%2C221&w=2028&h=1000"},"datetime":"2026-08-19T14:41:00+0000","embed":{"embed_url":null}},"uid":"jagan-sounds-poll-battle-cry"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'January 12 Vidudala’ For Venky, Kalyan Ram"},"content":{"text":"The makers of director Anil Ravipudi's eagerly awaited entertainer, featuring actors Venkatesh and Nandamuri Kalyan Ram in the lead, on Wednesday announced the title of the film as 'January 12 Vidudala', much to the delight of fans and film buffs.  The makers announced the title of the film, which was until now being referred to as #VenkyAnil5 / #NKRAR2, through an entertaining video clip. Shine Screens, the production house producing the film, took to its social media timelines to announce the title announcement video. It wrote, \"#January12Vidudala Grand Release worldwide for SANKRANTHI on JANUARY 12th 2027.\" The title announcement video begins on a nostalgic note, paying tribute to legendary filmmaker EVV Satyanarayana with a hilarious reference to popular comedy sequence from Appula Appa Rao. EVV remains one of the biggest inspirations for Anil Ravipudi, and the filmmaker has once again showcased his admiration for the veteran director in his own unique style. The tribute seamlessly leads into the title reveal, setting the comic tone for what follows. The video features Venkatesh, Kalyan Ram, Keerthy Suresh and Krithi Shetty approaching Anil Ravipudi and asking him about the title of their film. Without any hesitation, the director replies, “January 12 Vidudala.” The actors, however, are left confused and quickly clarify that they are asking for the title, not the release date. What follows is a hilarious exchange filled with confusion and witty banter, before he finally reveals that January 12 Vidudala is indeed the official title of the movie. It may be recalled that only a few days ago, the makers had released the first look of actor Venkatesh as Lt. Colonel Venkat Reddy in the film. The first look was revealed on the occasion of the star completing 40 glorious years in the film industry. The poster showed Venkatesh in an Indian Army camouflage uniform, sporting sunglasses and a scarf, standing beside a rugged SUV. His composed stance and intense styling establish the image of a strict military officer. The poster identified Venkatesh as Lt. Colonel Venkat Reddy, serving in the Indian Army and specialising in counter-terrorism and hostage negotiation. The Army insignia and crossed-swords emblem in the backdrop reinforced the military setting. The combination of Venkatesh and Kalyan Ram is expected to be a major attraction, as their contrasting personalities and lively camaraderie are set to bring an exciting dimension to Anil Ravipudi’s trademark brand of entertainment. Produced by Sahu Garapati under the Shine Screens banner, the film is being presented by Suresh Productions Archana, and Zee Studios. Sources say that work on the much-awaited film was progressing at a brisk pace and that the prestigious project was shaping up as a grand-scale entertainer. Keerthy Suresh stars opposite Venkatesh in the film, while Krithi Shetty is paired with Kalyan Ram. The film brings together an accomplished technical team, with GV Prakash Kumar composing its music, Sameer Reddy handling cinematography, Tammiraju taking care of the editing, and AS Prakash designing the production. S Krishna serves as the executive producer."},"img":{"url":"https://images.prismic.io/prad/uWsuZVC4TYYW4t_l_jan12vididala.JPG?auto=format%2Ccompress&rect=0%2C31%2C450%2C222&w=2028&h=1000"},"datetime":"2026-08-19T14:25:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=jYMykbnR_wc"}},"uid":"january-12-vidudala-for-venky-kalyan-ram"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Surgeon’s Prabhas Post Sparks Buzz"},"content":{"text":"Pan-India star Prabhas has sparked concern among fans after a social media post by a noted orthopedic surgeon drew attention to the actor’s health. With reports suggesting that Prabhas has suffered injuries during the demanding shoots of upcoming projects such as Spirit and Fauji, the doctor’s post quickly became a talking point online. Fans have since been eager to know more about the actor’s current condition and wellbeing. Dr KJ Reddy, a prominent orthopedic surgeon at Apollo Hospitals in Hyderabad, shared a photograph with Prabhas on Instagram, accompanied by a thoughtful message about success and the sacrifices behind it. Known for his expertise in knee and hip conditions as well as sports injury management, the doctor described meeting Prabhas as an inspiring experience. His remarks about the unseen personal sacrifices behind a successful career added to the curiosity surrounding the actor’s health. Dr Reddy also indicated that he is involved in looking after Prabhas’ health and praised the actor’s humility despite his massive achievements. He noted that while some people inspire others through their success, others leave a lasting impression through their modest nature. According to the surgeon, Prabhas remains grounded and maintains a remarkably positive outlook, qualities that make the superstar stand out beyond his on-screen achievements."},"img":{"url":"https://images.prismic.io/prad/aTMhfXNYClf9n3w9_prabhasbaahu.JPG?auto=format,compress"},"datetime":"2026-08-21T11:25:00+0000","embed":{"embed_url":null}},"uid":"surgeons-prabhas-post-sparks-buzz"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Police Defend No Arrest of Jana Sena MP’s Son"},"content":{"text":"Under public criticism for not arresting Jana Sena MP Lingamaneni Ramesh’s son for allegedly crushing a young woman to death under his luxury car, Cyberabad Police on Friday said that it is incorrect and unwarranted to allege that the police refrained from arresting the accused under any extraneous influence.  The decision not to arrest was based on the legal requirements governing arrest, the circumstances of the case, and the material available during the investigation at that stage, the police said in a statement. Cyberabad Police on Thursday revealed that they booked Lingamaneni Sanjush (21) for causing the death of a young woman in an accident while driving a car allegedly in a rash and negligent manner four days ago. Bharathi Mukhi (26), a sales executive at a Lifestyle store in Inorbit Mall in the IT corridor of Madhapur, Hyderabad, was killed after being run over by an Aston Martin car while crossing the road opposite the mall on August 16. A case under Section 106(1) of the Bharatiya Nyaya Sanhita was registered at Madhapur Police Station, and the case is presently under investigation, said Deputy Commissioner of Police (DCP) Ritiraj. Immediately after the registration of the case, the driver of the offending vehicle was apprehended and subjected to preliminary tests for alcohol and drugs. The results of the tests were negative. His blood samples were thereafter collected and forwarded to the Forensic Science Laboratory for scientific examination. The vehicle was seized and sent for Motor Vehicle Inspector (MVI) inspection. The MVI report is awaited and will form part of the investigation, the DCP said. “Having regard to the facts and circumstances then available, the appropriate penal provision, namely Section 106(1) BNS, carrying a maximum punishment of five years, was invoked. Since the alleged offence is punishable with imprisonment of less than seven years, the Investigating Police Officer was required to consider the necessity of arrest in accordance with Section 35 of the BNSS and the principles laid down by the Hon’ble Supreme Court in Arnesh Kumar v. State of Bihar,” explained the officer. “On an objective assessment of the material then available, no circumstances warranting the arrest of the accused were found to exist. Consequently, notice under Section 35 BNSS was issued to the accused, requiring his appearance and cooperation with the investigation,” the officer said. She stated that the course adopted by the Investigating Officer was in accordance with the statutory mandate and the law laid down by the Supreme Court regarding arrest in offences punishable with imprisonment up to seven years. The investigation is still in progress. The MVI report and other relevant evidence will be collected and examined, and further action, including the necessity of arrest if warranted by the material subsequently collected, will be taken strictly in accordance with law, the DCP added."},"img":{"url":"https://images.prismic.io/prad/l6vDEnO-_7R0Q94z_JSPson.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-21T14:30:00+0000","embed":{"embed_url":null}},"uid":"police-defend-no-arrest-of-jana-sena-mps-son"}},{"node":{"data":{"title":{"text":"New record: 1 acre fetches 264 cr in Hyd"},"content":{"text":"Setting a new record in Hyderabad's real estate market, an acre of government land was auctioned for a whopping Rs 264 crore on Friday, surpassing the earlier record of Rs 237 crore.  The Telangana Industrial Infrastructure Corporation (TGIIC) created a new record in its e-auction of 5.25 acres of prime multi-use land in Raidurg in the heart of the Information Technology corridor. It generated Rs 1,386 crore from the auction of the prime multi-use land.  According to the TGIIC, 5.25 acres were auctioned against a reserve price of Rs 175 crore per acre, achieving a final realisation of Rs 264 crore per acre — a 50.9 per cent premium over the reserve price.  Officials said the result underscores Hyderabad's emergence as one of India's most dynamic real estate markets and confirms Telangana's strategic approach to infrastructure-led growth. This outcome reflects the intensifying competition among premier developers and the market's increasingly bullish outlook on Hyderabad's strategic corridors, confirming Telangana's position as a high-growth destination for institutional real estate capital, the TGIIC said. The result also marks a sharp escalation in Raidurg land values. The TGIIC's earlier auction fetched Rs 237 crore per acre in May. This underscored the sustained intensity of investor demand for the corridor's premium plots. The auction was conducted through the MSTC e-Auction platform with JLL serving as exclusive transaction advisor, ensuring transparency and enabling competitive participation from leading national developers. \"The successful outcome of the Plot P1 auction speaks volumes about the confidence and conviction that the developer community places in Telangana's future. What we're witnessing is not just strong pricing, but a clear endorsement of the state's development philosophy—one rooted in transparency, infrastructure excellence, and creating genuine value for all stakeholders,\" TGIIC's Vice Chairman & Managing Director K. Shashanka said. The quality of participation and the competitive spirit displayed throughout the auction reflect a market that recognises Hyderabad's transformation into a truly world-class business destination, he added. He stated that these results position Hyderabad decisively among India's premier investment destinations."},"img":{"url":"https://images.prismic.io/prad/dO3suLO2hl6u7c55_hydrealestate.JPG?auto=format%2Ccompress&rect=0%2C4%2C400%2C197&w=2028&h=1000"},"datetime":"2026-08-21T13:36:00+0000","embed":{"embed_url":null}},"uid":"new-record-1-acre-fetches-264-cr-in-hyd"}},{"node":{"data":{"title":{"text":"USCIS changes key Green Card form"},"content":{"text":"The US Citizenship and Immigration Services will introduce a revised application form for permanent residence next month, warning that older editions submitted after the change takes effect will be rejected. The new edition of Form I-485, Application to Register Permanent Residence or Adjust Status, will be published on September 18, USCIS said in an official notification. Form I-485 is used by eligible applicants already present in the United States to seek lawful permanent resident status, commonly known as a Green Card. The change is expected to be closely watched by Indian nationals pursuing employment- and family-based permanent residence, including applicants who have waited years for an immigrant visa number to become available. USCIS said the revised form carries an edition date of September 18, 2026, and will replace the edition dated January 20, 2025. The agency has provided applicants and immigration lawyers with a preview of the new form and its accompanying instructions. It stressed that there will be no grace period during which both editions will be accepted. Applicants must therefore determine which edition to use according to the date on which their application is postmarked or submitted electronically. USCIS will continue accepting the January 20, 2025, edition when it is postmarked or electronically submitted before September 18. However, the agency will reject that edition if it is postmarked or electronically submitted on or after September 18. Conversely, applicants should not submit the new edition before the effective date. USCIS will accept the September 18, 2026, edition only when it is postmarked or electronically filed on or after that date. The narrow transition makes the filing date particularly important for applicants and their lawyers. Using the wrong edition could result in rejection of the application before USCIS considers its merits. The revised Form I-485 has been prepared to align the adjustment-of-status process with the recently announced final rule concerning the public-charge ground of inadmissibility, USCIS said. The public-charge provision is used to assess whether an applicant is likely to become primarily dependent on the government for subsistence. Its application has changed under successive US administrations and has frequently become a contested element of immigration policy. USCIS did not announce a separate change in the filing date or fee in the notification. It directed applicants to consult the Form I-485 webpage for the preview edition and detailed instructions. Indian professionals constitute a significant portion of the employment-based immigration system, particularly in technology, medicine, engineering and other specialised fields. Many experience prolonged waits for permanent residence because annual immigrant visa limits include per-country ceilings. Applicants filing Form I-485 may also seek related employment and travel authorisation while their permanent residence cases remain pending. "},"img":{"url":"https://images.prismic.io/prad/9706436b-2277-4f44-ba60-6cc43c85127f_USCIS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-21T04:53:00+0000","embed":{"embed_url":null}},"uid":"uscis-changes-key-green-card-form"}},{"node":{"data":{"title":{"text":"Surekha’s Ex-OSD Faces Murder Bid Case"},"content":{"text":"An attempt to murder case has been registered against former OSD to Telangana’s Forest and Endowments Minister Konda Surekha, who is currently in the eye of a storm in the ruling Congress party following her daughter’s allegations against Chief Minister A. Revanth Reddy.  On a complaint by a real estate businessman, a zero FIR was registered against N. Sumanth and five others at Medipally Police Station of Malkajgiri Police Commissionerate on Thursday.  Later, the case was transferred to Jubilee Hills Police Station of Hyderabad Commissionerate. Gongidi Harikrishna, a resident of Boduppal, lodged a complaint. He alleged that he was assaulted with iron rods and sticks and threatened with dire consequences.  The case was registered against former OSD Sumanth, Ramu, Prashanth, Arun Kumar Reddy, Karthik and Mahender Reddy under Section 109 of the Bharatiya Nyaya Sanhita (BNS). The complainant said he was assaulted by Sumanth and others on July 30. Harikrishna stated that Sumanth asked him to meet at Ramu’s office. Sumanth questioned him about collecting money using his name. When he denied the allegation, Sumanth allegedly abused him and hit him with an iron rod. On Sumanth’s direction, others also joined the assault. The complainant claimed that he sustained a fracture to his left hand, bleeding injuries and other injuries and that he underwent surgery on August 10. The case has come to light amid the ongoing row in the ruling Congress party following outbursts of Konda Surekha’s daughter Sushmita against CM Revanth Reddy.  At her mother’s birthday celebrations in Warangal district two days ago, Sushmita declared that she would contest from Parkala Assembly constituency in the next elections even if she was denied a party ticket. She also made allegations of corruption against the Chief Minister’s family. Taking serious note of the allegations, the disciplinary committee of Telangana Pradesh Congress Committee (TPCC) issued a show-cause notice to the minister. Surekha, in her reply to the notice, clarified that her daughter expressed her personal views. The minister also stated that she can’t be held accountable for statements and actions of her daughter. This is the second time the minister has landed in a row over her daughter’s utterances.  Sushmita had also targeted the Chief Minister last year. She had made certain allegations against the Chief Minister after the police reached the minister’s residence in Hyderabad, searching for the minister’s sacked OSD N. Sumanth on allegations of extortion. There were allegations that Sumanth threatened an officer of a cement company with a gun for extortion. Sushmita had refused to allow the police team into the house, asking them to produce the arrest warrant.  She had alleged that Sumanth was booked to target her parents. She made serious allegations against Chief Minister Revanth Reddy, advisor Vem Narender Reddy and Revenue Minister P. Srinivas Reddy. She alleged that her parents were being targeted as they belong to the backward caste."},"img":{"url":"https://images.prismic.io/prad/4SxGGYhjHCaFuIB6_surekhaOSD.jpg?auto=format,compress"},"datetime":"2026-08-21T05:53:00+0000","embed":{"embed_url":null}},"uid":"surekhas-ex-osd-faces-murder-bid-case"}},{"node":{"data":{"title":{"text":"ED Raids MP Avinash Reddy premises"},"content":{"text":"The Enforcement Directorate on Friday conducted searches at multiple locations, including the premises linked to YSR Congress Party MP Y.S. Avinash Reddy in Hyderabad and YSR Kadapa district of Andhra Pradesh, in connection with the money laundering probe arising out of the murder of his uncle and former state Minister Y.S. Vivekananda Reddy.  The ED officials began the searches in the morning at two locations in Hyderabad and four in Kadapa district. The searches were on at the premises of the Kadapa MP Avinash Reddy, his father Y.S. Bhaskar Reddy and other accused in the murder case. A team of ED officials was conducting searches at the MP’s residence in Kokapet, Hyderabad. Another team went to his residence in Pulivendula town in Kadapa district but found the premises locked. The searches were also underway at premises linked to other accused Sunil Yadav, Devireddy Shivashankar Reddy and Yerra Gangireddy. The Central agency began a money laundering probe on the basis of the case registered by the Central Bureau of Investigation (CBI) and the chargesheets filed by it. It was in August last year that the ED registered an Enforcement Case Information Report (ECIR). The agency is probing the financial transactions before the murder. There are allegations that Rs 4 crore were paid to kill Vivekananda Reddy. The ED officials are trying to track the movement of funds and investigate the allegations of money laundering. Vivekananda Reddy, brother of former Chief Minister Y.S. Rajasekhara Reddy (YSR), and uncle of former Chief Minister and YSRCP president Jagan Mohan Reddy, was murdered at his residence in Pulivendula on March 15, 2019, weeks before the elections. The 68-year-old former state minister and former MP was alone at his house when unidentified persons barged in and killed him. The CBI took over the investigation into the case in 2020 at the direction of the Andhra Pradesh High Court while hearing a petition by Vivekananda Reddy's daughter, Sunitha Reddy, who raised suspicion about some relatives. Expediting the probe into the case, the CBI in 2023 arrested Avinash Reddy's father, Y.S. Bhaskar Reddy and their follower, Uday Kumar Reddy. It filed the first chargesheet in the case in 2021 and supplementary chargesheets in 2022 and 2023. The CBI claimed that both Avinash and Bhaskar Reddy conspired to eliminate Vivekananda Reddy because he was against fielding Avinash Reddy from the Kadapa Lok Sabha seat and wanted Jagan Mohan Reddy to instead field his mother Vijayamma or sister Sharmila. However, the father-son duo denied the allegation. Avinash Reddy was granted anticipatory bail by the Telangana High Court on May 31, 2023. In August, 2025, the CBI informed the Supreme Court that it had completed the investigation in the case. The Supreme Court in March 2026 dismissed a petition by Vivekananda Reddy’s daughter, Sunitha, seeking further probe by the CBI and challenging the grant of anticipatory bail to Avinash Reddy as well as bail to other accused."},"img":{"url":"https://images.prismic.io/prad/a7efe7c3-0e87-4bef-b6bc-81a84b64ce3b_avinash+reddy.JPG?auto=format,compress"},"datetime":"2026-08-21T04:20:00+0000","embed":{"embed_url":null}},"uid":"ed-raids-mp-avinash-reddy-premises"}},{"node":{"data":{"title":{"text":"Jana Sena MP’s Son Case Allegedly Suppressed!"},"content":{"text":"The YSR Congress Party on Friday alleged that the case relating to the June 16 incident in Hyderabad, in which a young man died after being run over by a car driven by Jana Sena MP Lingamaneni Ramesh’s son, was suppressed because of ‘hotline politics’ between Telangana Chief Minister A. Revanth Reddy and Andhra Pradesh CM Chandrababu Naidu.  YSRCP national spokesperson Karthik Yellapragada said that the hotline politics between Telangana's Congress government and Naidu's government is very clear.  He said that the FIR was registered on Lingamaneni Ramesh's son five days ago. “It has been five days since the case was registered. Until now, the news has been suppressed, and no one gave any statements, no one discussed it, and they just kept quiet just because of the fact that the hotline between Mr Revanth Reddy and Mr Naidu has been very clear,” he said. While demanding justice in the case, the YSRCP spokesman compared the incident involving the son of Jana Sena MP with a similar case involving the son of YSRCP leader and former Minister Seediri Appalaraju.  He alleged that both Appalaraju and his son were sent to jail because of political vendetta while the case involving Jana Sena MP’s son was suppressed.  Cyberabad Police on Thursday announced they have booked Lingamaneni Sanjush for causing the death of a young woman in an accident while driving a car allegedly in a rash and negligent manner four days ago. Bharathi Mukhi (26), a sales executive at a store in a Mall in the IT corridor of Madhapur, was killed after being run over by an Aston Martin while crossing the road opposite the mall on August 16. She sustained a severe bleeding head injury in the accident and was immediately rushed to Apollo Hospital in Jubilee Hills. However, upon examination, doctors declared her dead. During the investigation, the police identified the driver of the car at the time of the accident as Lingamaneni Sanjush (21). “He was taken into custody the same day, and both 'drunk and drive' and drug tests were conducted. Blood samples were also collected and sent to the Forensic Science Laboratory (FSL) for analysis,” police said. A case for causing death by a rash or negligent act has been booked against Sanjush under section 106(1) of the Bharatiya Nyaya Sanhita (BNS) at Madhapur Police Station. Lingamaneni Ramesh is a Rajya Sabha member from Andhra Pradesh. He belongs to the Jana Sena Party, headed by Andhra Pradesh Deputy Chief Minister Pawan Kalyan."},"img":{"url":"https://images.prismic.io/prad/TxNlbPh8cW3RvO6E_jspmpsoncarcrash.jpg?auto=format,compress"},"datetime":"2026-08-21T06:58:00+0000","embed":{"embed_url":null}},"uid":"jana-sena-mps-son-case-allegedly-suppressed"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Veteran Actress Shavukaru Janaki Passes Away"},"content":{"text":"The Indian film industry is mourning the loss of veteran actress Shavukaru Janaki, who passed away at the age of 94 in Chennai. The acclaimed actress had been undergoing treatment at Kauvery Hospital after suffering from age-related complications and health issues. She breathed her last at 1:59 PM on Friday while receiving treatment in the ICU. Nadigar Sangam president Nassar officially confirmed the news. Her mortal remains have been kept at Saint Mary’s Road in Teynampet, Chennai, allowing family, friends, colleagues and fans to pay their final respects. Janaki began her remarkable acting journey with the 1950 Telugu film Shavukaru, directed by L. V. Prasad. The film’s title became permanently associated with her name, earning her the identity Shavukaru Janaki. She went on to build an impressive career across Telugu, Tamil, Kannada and Malayalam cinema, making her Tamil debut with Valayapathi in 1952 and later appearing in Devakannika and School Master. She also featured alongside Dr. Rajkumar in the 1959 Kannada film Mahishasura Mardhini. Beyond cinema, Janaki explored television and appeared in several memorable serials, with Varoodhini Parinayam being her final Telugu TV outing. Her last film appearances came in Biskoth (2020) and Nandini Reddy’s Anni Manchi Sakunamule (2023). Recognising her immense contribution to Indian cinema, the Government of India honoured her with the Padma Shri in 2022."},"img":{"url":"https://images.prismic.io/prad/QsoDVZC2beLWtZiX_janaki.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-21T10:33:00+0000","embed":{"embed_url":null}},"uid":"veteran-actress-shavukaru-janaki-passes-away"}},{"node":{"data":{"title":{"text":"'Irumudi' Packs a Punch on Day One"},"content":{"text":"In a remarkable showcase of talent and storytelling, Ravi Teja's latest film, 'Irumudi' has made a significant impact at the box office on its opening day. This action drama, which follows the poignant journey of a father and daughter united by love and spiritual transformation during the Ayyappa Deeksha pilgrimage, has not only captivated audiences but also garnered critical acclaim. Having previously charmed viewers with his performance in 'Bhartha Mahasayulaku Wignyapthi', Teja's return to the silver screen has been met with eager anticipation and enthusiasm from his fanbase. According to reports from Sacnilk, [Irumudi[ achieved an impressive occupancy rate of 66.69% during its morning shows, outpacing the 40% occupancy of 'Tiger Nageswara Rao' on its respective release day. This surge in audience turnout is indicative of the film's strong word-of-mouth and marketing efforts, which have effectively built its profile leading up to the premiere. By 1 PM on its first day, [Irumudi[ had already collected ₹2.69 crore, positioning itself favorably against the opening day revenues of its competitors in the action-drama genre. The narrative of 'Irumudi' is not just a tale of familial bonds; it intertwines themes of spirituality and personal growth, resonating deeply with audiences. Director Shiva Nirvana has remarked on the unique challenges and rewards of collaborating with Teja, stating, \"Ravi Teja sir has been extraordinary to work with. I aimed to present him in a space that audiences haven’t experienced from him before while maintaining the energy they adore. His character navigates complex emotional layers, and he embraced every aspect of this role with complete commitment.\" This insight into the creative process highlights the film's ambition to push boundaries while retaining the essence of Teja's appeal. As 'Irumudi' continues to make waves in theaters, its initial success raises questions about its long-term performance against other major releases. Observers note that while it has made a strong debut, it will need to sustain momentum to surpass the ₹6.55 crore achieved by 'Tiger Nageswara Rao' on its opening day. With favorable reviews and audience engagement, 'Irumudi' is poised to become a significant player in the current cinematic landscape, reflecting the dynamic nature of the Indian film industry and its ever-evolving audience tastes."},"img":{"url":"https://images.prismic.io/prad/ah_5YAeQX7-eWphq_irumudi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-21T16:42:00+0000","embed":{"embed_url":null}},"uid":"irumudi-packs-a-punch-on-day-one"}},{"node":{"data":{"title":{"text":"Surgeon’s Prabhas Post Sparks Buzz"},"content":{"text":"Pan-India star Prabhas has sparked concern among fans after a social media post by a noted orthopedic surgeon drew attention to the actor’s health. With reports suggesting that Prabhas has suffered injuries during the demanding shoots of upcoming projects such as Spirit and Fauji, the doctor’s post quickly became a talking point online. Fans have since been eager to know more about the actor’s current condition and wellbeing. Dr KJ Reddy, a prominent orthopedic surgeon at Apollo Hospitals in Hyderabad, shared a photograph with Prabhas on Instagram, accompanied by a thoughtful message about success and the sacrifices behind it. Known for his expertise in knee and hip conditions as well as sports injury management, the doctor described meeting Prabhas as an inspiring experience. His remarks about the unseen personal sacrifices behind a successful career added to the curiosity surrounding the actor’s health. Dr Reddy also indicated that he is involved in looking after Prabhas’ health and praised the actor’s humility despite his massive achievements. He noted that while some people inspire others through their success, others leave a lasting impression through their modest nature. According to the surgeon, Prabhas remains grounded and maintains a remarkably positive outlook, qualities that make the superstar stand out beyond his on-screen achievements."},"img":{"url":"https://images.prismic.io/prad/aTMhfXNYClf9n3w9_prabhasbaahu.JPG?auto=format,compress"},"datetime":"2026-08-21T11:25:00+0000","embed":{"embed_url":null}},"uid":"surgeons-prabhas-post-sparks-buzz"}},{"node":{"data":{"title":{"text":"Kiara: ‘Toxic’ a ‘peculiar alchemy’"},"content":{"text":"Actress Kiara Advani described her upcoming film ‘Toxic’ as more than just a fairy tale and shared that the creative vision and talent from across the board came together to create what the film’s director calls a “peculiar alchemy.” Kiara took to Instagram, where she shared a BTS video from the making of the film and wrote: “A fairy tale isn’t just what this film is. It’s also what making it was. One string of thought, talent from everywhere, each doing right by their craft, avalanching into TOXIC. “Peculiar Alchemy,” as our Director calls it.” Kiara on August 18 had spoken about her experience of working on ‘Toxic: A Fairy Tale for Grown-Ups ’ and shared that the film pushed her out of her comfort zone and taught her to embrace the unfamiliar and discover new skills along the way. For the caption, she wrote: “Films have a beautiful way of making us step into worlds we’ve never known, sometimes quite literally. Every new character, every new set, every crazy challenge teaches you something you didn’t know you were capable of.”  Kiara added: “This one taught me to be comfortable with the unfamiliar, to stay curious, to keep learning and to find joy in the adventure of it all. Because growth, for me, has always been about saying yes to the things that scare you a little… and loving the journey that follows.” Toxic: A Fairy Tale for Grown-Ups is a gangster film. It stars Yash in a dual role, alongside Kiara, Nayanthara, Huma Qureshi, Tara Sutaria and Rukmini Vasanth.  Toxic: A Fairy Tale for Grown-Ups explores the life of Raya, a violent gangster and playboy who rose to power in the underworld crime before his eventual downfall. Years later, he has to face his biological son Rumi / Ticket, who prepared his revenge on Raya, after the latter abandoned him and his wife."},"img":{"url":"https://images.prismic.io/prad/c4qg_lf1QadKsNjr_kairaadvani.JPG?auto=format,compress"},"datetime":"2026-08-21T07:14:00+0000","embed":{"embed_url":null}},"uid":"kiara-toxic-a-peculiar-alchemy"}},{"node":{"data":{"title":{"text":"'Toxic' gets off to a strong start as advance bookings open "},"content":{"text":"The makers of director Geetu Mohandas's much awaited pan Indian film, 'Toxic: A Fairy Tale for Grown-Ups', featuring actor Yash in the lead, on Friday announced the opening of the film's advance bookings, much to the delight of eagerly waiting fans and film buffs.  Rocking Star Yash took to his X timeline to announce the opening of advance bookings. He wrote, \"A fairy tale isn't just what this film is. It's also what making it was. One string of thought, talent from everywhere, each doing right by their craft, avalanching into TOXIC. \"Peculiar Alchemy,\" as our Director calls it. Five days to go. Book now.\" Sources in the industry claimed that advance bookings were now officially open and that the film had gotten off to a very strong start, reflecting the immense anticipation surrounding it. The early response further underlined the audience pull surrounding Yash and the curiosity around a world that is entirely new to the big screen, they claimed. To mark the opening of bookings, the makers unveiled a special video featuring Rocking Star Yash, director Geetu Mohandas and the film’s ensemble cast. Through a collection of candid moments and reflections, actors Nayanthara, Kiara Advani, Tara Sutaria, Rukmini Vasanth, Huma Qureshi, Akshay Oberoi and Sudev Nair shared what made Toxic a special film for them. From the film’s distinctive world to Geetu Mohandas’s unconventional approach, the cast’s words offered a glimpse into the belief and excitement surrounding the film ahead of its theatrical release. The announcement further built anticipation to see Yash back on the big screen following the phenomenal success of the 'KGF' franchise. For the unaware, 'KGF: Chapter 2' had gone on to emerge as a global box-office phenomenon, grossing over ₹1,200 crore worldwide, cementing Yash’s stature as one of Indian cinema’s biggest stars.  With 'Toxic', the actor returns with a film that has already generated significant anticipation for its scale, distinctive world and ambitious cinematic vision. 'Toxic: A Fairy Tale for Grown-Ups' is slated to hit screens worldwide on August 26 this year. Shot simultaneously in Kannada and English, the film will also be released in Hindi, Telugu, Tamil and Malayalam, taking its world to audiences across languages."},"img":{"url":"https://images.prismic.io/prad/C68meqHgwMXfdC2G_toxic.JPG?auto=format,compress"},"datetime":"2026-08-21T06:30:00+0000","embed":{"embed_url":null}},"uid":"toxic-gets-off-to-a-strong-start-as-advance-bookin"}},{"node":{"data":{"title":{"text":"Preity Zinta embraces a ‘brand new’ ‘Vibe’"},"content":{"text":"Actress Preity Zinta offered a glimpse of her new “Vibe”, sharing a picture as she took a moment to soak in the experience ahead for her upcoming film of the same name.  Preity shared a selfie of herself on Instagram, where she is seen sporting chunky sunglasses paired with a black oversized T-shirt. In the image, the actress is seen looking at the lens as she posed for a photograph.  “A moment to hold, a moment to reflect, a moment to take in life, as I dive into a brand new Vibe. Ting !” she wrote as the caption.  Vibe also stars Kunal Kemmu. The upcoming high-stakes action-comedy film is produced by Kunal Kemmu and Chirag Nihalani under the banner of Drongo Films. \"Vibe\" is expected to reach the audience on September 18 this year. The project marks the first venture for the production studio. The film is written and directed by Kunal Kemmu. Joining these two, Sparsh Shrivastava will play a crucial role in the movie, along with debutant Vanshika Dhir. \"Vibe\" focuses on two inseparable friends whose ordinary lives suddenly turn into an unpredictable, high-energy adventure that pushes their survival instincts and friendship to the limit. “Batwara 1947” is a period drama film co-written and directed by Rajkumar Santoshi, and produced by Aamir Khan under the banner of Aamir Khan Productions. Set in Lahore against the backdrop of the 1947 Partition of British India and the division of Punjab.  The film stars Sunny Deol, Preity Zinta, Shabana Azmi, Karan Deol, Ali Fazal, Abhimanyu Singh, Khushi Hajare, Kanikka Kapur, Waseem Rajput, and Isha Sandhir. The film is based on Asghar Wajahat's drama Jis Lahore Nai Vekhya, O Jamya E Nai. It was Zinta's comeback film after an eight-year hiatus."},"img":{"url":"https://images.prismic.io/prad/y7cWkOe72rKMmSuX_preityzinta.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-21T04:42:00+0000","embed":{"embed_url":null}},"uid":"preity-zinta-embraces-a-brand-new-vibe"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"Scorching Heat: The Unseen Toll on Teen Mental Health"},"content":{"text":"As global temperatures soar, a troubling new study reveals that extreme heat is not merely an environmental concern but a significant threat to the mental health of adolescents. Research indicates that for every 1°C rise in daily temperature, the risk of adverse mental health outcomes in teenagers escalates by nearly 1%. While this statistic may seem modest at first glance, it becomes alarming when considering the frequency of heatwaves in recent summers, underscoring the urgent need to address this evolving crisis. The comprehensive review analyzed data from 23 studies worldwide, pinpointing children and teenagers aged five to eighteen as the most vulnerable demographic. On particularly hot days, this group experiences a 1.5% increase in the likelihood of poor mental health outcomes; however, during actual heatwaves, this figure skyrockets to an astonishing 25%. Such stark differences highlight the psychological ramifications of sustained heat exposure, which extends beyond mere discomfort to include serious implications such as increased anxiety, depression, and even suicide attempts. Experts, including co-author Jacqueline Stephens from Flinders University, emphasize that the intersection of climate change and mental health cannot be ignored. The patterns of rising temperatures and more frequent heat events are not restricted to a single region; they are a global phenomenon with widespread repercussions. Adolescents are particularly susceptible during this pivotal developmental stage, where their routines—schooling, recreation, and social interactions—are disrupted by extreme weather conditions, causing significant emotional distress. Moreover, researchers note that the physical impact of heat, such as sleep disruption, compounds mental health challenges. Poor sleep exacerbates mood regulation, while family stress during heatwaves creates a ripple effect that permeates households. Although the findings point to population-level trends rather than individual predictions, they call for a re-evaluation of how public health strategies address heat-related issues. Current responses prioritize physical safety measures like hydration and cooling centers but overlook the critical need for mental health support tailored to young people. This oversight underscores the need for a more holistic approach to climate adaptation strategies that incorporate mental health services as integral components of public health initiatives."},"img":{"url":"https://images.prismic.io/prad/CJ8ZpPonvzZKyB1t_mentalhealth.JPG?auto=format,compress"},"datetime":"2026-08-11T10:28:00+0000","embed":{"embed_url":null}},"uid":"scorching-heat-the-unseen-toll-on-teen-mental-heal"}},{"node":{"data":{"title":{"text":"The Distinction Between Brain Tumors and Brain Cancer"},"content":{"text":"The phrases 'brain tumor' and 'brain cancer' often evoke a visceral reaction among the public, conjuring images of gravely serious health threats. However, contrary to common perception, these terms describe distinct medical conditions that warrant different approaches to diagnosis and treatment. A brain tumor is simply an abnormal growth of cells in or around the brain, which can be classified as benign or malignant. While all brain cancers are tumors, not all tumors exhibit cancerous characteristics; this critical distinction can influence a patient's treatment plan and overall prognosis. The medical community underscores the importance of understanding these differences. Brain tumors, irrespective of their benign or malignant status, can lead to severe health consequences because of the brain’s confined environment within the skull. This means that even non-cancerous tumors can exert pressure on vital neurological functions, leading to symptoms such as persistent headaches, seizures, and cognitive deficits. Dr. Praveen Gupta, a prominent neurologist, emphasizes that benign tumors, while non-cancerous, can still necessitate significant medical intervention depending on their size and location. The implications of this are crucial for anyone facing a diagnosis related to brain health. Historically, the classification of brain tumors has evolved as medical science has advanced. The National Cancer Institute and other leading neurological institutions categorize these tumors into myriad types, each demanding tailored treatment strategies. For instance, malignant tumors possess the aggressive ability to invade surrounding brain tissue, often requiring complex interventions that may include surgery, radiation, and chemotherapy. Understanding whether a growth is benign or malignant is not just a matter of terminology; it directly impacts the urgency and nature of the interventions required. Symptoms often overlap between benign and malignant tumors, complicating self-diagnosis and reinforcing the necessity for professional evaluation. Medical imaging techniques such as MRI and CT scans, along with biopsies, are essential to ascertain the nature of the tumor. Experts caution against relying on symptomatology alone, as the presence of alarming symptoms could mask a benign condition, while milder manifestations could signify a malignant threat. As such, timely medical evaluation is paramount, as early detection can significantly enhance treatment effectiveness and patient quality of life."},"img":{"url":"https://images.prismic.io/prad/f6803c8c-7220-433e-b58f-ef269a3ecf79_brain+stroke.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T10:10:00+0000","embed":{"embed_url":null}},"uid":"the-distinction-between-brain-tumors-and-brain-can"}},{"node":{"data":{"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}},{"node":{"data":{"title":{"text":"How Smoking Hurts Pregnancy!"},"content":{"text":"When planning to start a family, many couples focus on preparing for pregnancy by discussing nursery plans and choosing baby names. However, what often goes unnoticed is the detrimental impact of smoking on fertility and pregnancy. Cigarette smoke contains harmful chemicals that can damage reproductive cells in both men and women, making it harder to conceive and increasing the risk of pregnancy complications and poor outcomes for babies.  Dr. Vandana Bhatia, a Senior Fertility Specialist, emphasizes that smoking silently affects fertility, pregnancy, and the long-term development of the child. Both partners play a crucial role in protecting fertility as smoking can reduce sperm count, affect sperm movement, and damage egg quality, hormone levels, and ovarian reserve. Additionally, passive smoking also poses risks to fertility and pregnancy outcomes. Quitting smoking as a couple not only improves motivation and emotional support but also encourages healthier habits, leading to improved fertility and overall health.  The quality of eggs and sperm before conception significantly influences the health of the future child, making it essential for both parents to quit smoking before starting a family. Dr. Bhatia recommends practical steps for quitting smoking together, emphasizing that healthy choices are crucial in building a healthy family. Parenthood begins with the quiet promise of choosing health together, even before the first heartbeat is heard on an ultrasound."},"img":{"url":"https://images.prismic.io/prad/akDOG1bRV8_Qf8Cd_smokefertility.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T19:33:00+0000","embed":{"embed_url":null}},"uid":"how-smoking-hurts-pregnancy"}},{"node":{"data":{"title":{"text":"Even 1% Sleep Loss Could Heighten Dementia Risk"},"content":{"text":"A recent study published in JAMA Neurology has shed light on the potential link between minimal sleep loss and an increased risk of dementia. The research suggests that as little as a 1% reduction in deep sleep per year for individuals over 60 could translate to a 27% elevated risk of developing dementia. Deep sleep, also known as slow-wave sleep, plays a crucial role in the body's repair processes and the clearance of toxic proteins associated with dementia.  Associate Professor Matthew Pase from Monash University's Turner Institute for Brain and Mental Health emphasized the significance of deep sleep in supporting the aging brain and facilitating the removal of metabolic waste, including proteins linked to Alzheimer's disease. The study, which drew from the Framingham Heart Study, examined 346 participants over 60 years of age, tracking their sleep patterns and dementia development over a 17-year period. Even after adjusting for various factors, including age, genetic predisposition, and medication use, the findings consistently pointed to a 27% increased dementia risk for each percentage decrease in deep sleep annually.  It's important to note that the natural decline in deep sleep with age is gradual, peaking between 75 and 80 years old and then stabilizing. However, the cumulative effect of a 27% increase per percentage-point decrease underscores the long-term impact on dementia risk. While there's no straightforward solution to preserving deep sleep, maintaining consistent sleep schedules, avoiding alcohol before bedtime, creating a conducive sleep environment, and addressing conditions like sleep apnea can potentially support better sleep quality. Additionally, regular exercise has been linked to improved slow-wave sleep in older adults. Although these measures aren't a guarantee, the study highlights the importance of prioritizing deep sleep for brain health as individuals age."},"img":{"url":"https://images.prismic.io/prad/50a54145-f24c-4c83-80b9-e6d19ba52027_sleep.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T06:59:00+0000","embed":{"embed_url":null}},"uid":"even-1-sleep-loss-could-heighten-dementia-risk"}},{"node":{"data":{"title":{"text":"Is Your Soda Habit Causing Hair Loss?"},"content":{"text":"Are your beloved sodas harming your hair? While soft drinks have long been criticized for their impact on weight, diabetes, and heart health, a new concern has emerged regarding their potential effects on hair. The discussion gained traction after hair transplant surgeon Dr. Abhishek Pilani highlighted the issue on Raj Shamani's Figuring Out podcast.  According to Dr. Pilani, regular consumption of sugary cold drinks may create conditions within the body that are not conducive to healthy hair growth. While consuming one soda is unlikely to cause sudden hair loss, a study published in the journal Nutrients in 2023 found a link between higher consumption of sugar-sweetened beverages and male-pattern hair loss in young men. However, it's essential to note that the study established a correlation, not causation. The potential connection between soft drinks and hair health lies in the impact of high-sugar beverages on overall health.  Excessive sugar consumption can lead to repeated spikes in blood sugar and insulin levels, potentially contributing to inflammation and metabolic issues that affect the body, including hair growth. However, hair loss is rarely attributed to a single factor and is typically the result of various elements accumulating over time, including genetics, hormones, nutrition, lifestyle, and overall health. Healthy hair growth relies on a balanced intake of nutrients such as iron, protein, zinc, vitamin D, and B vitamins. While soft drinks don't directly deplete these nutrients, excessive consumption may lead to healthier options being replaced.  The concern lies in long-term habits rather than occasional consumption. The normal range of daily hair loss is between 50 and 100 strands, but concerns arise when lost hairs aren't adequately replaced. While soft drinks may not directly cause hair loss, their impact on overall health could potentially affect hair growth. Instead of fixating on individual cans of soda, experts emphasize the importance of considering overall lifestyle factors such as sleep, stress management, balanced nutrition, and reduced sugar intake. Ultimately, addressing concerns about hair health may begin with dietary and lifestyle adjustments."},"img":{"url":"https://images.prismic.io/prad/aDbfAydWJ-7kSniS_jucessoda.JPG?auto=format,compress"},"datetime":"2026-06-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"is-your-soda-habit-causing-hair-loss"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"New US green card rule may hit Indians"},"content":{"text":"Thousands of Indians seeking US green cards could face wider scrutiny of their finances and use of public benefits under new immigration guidance taking effect on September 18. US Citizenship and Immigration Services said officers may consider housing assistance, food stamps, college financial aid and other means-tested benefits when deciding whether an applicant is likely to become a public charge. The guidance follows the Department of Homeland Security’s decision to rescind the 2022 Biden-era public charge regulations. The final rule was announced on July 16 and published in the Federal Register on July 20. It will apply to Forms I-485 seeking permanent residence or adjustment of status that are postmarked or electronically submitted on or after September 18. Applications submitted from December 23, 2022, through September 17, 2026, will continue to be decided under the 2022 regulations and related guidance. The change could affect Indians seeking permanent residence through family and employment categories. It does not apply to people who already hold green cards or US citizenship. Most family-sponsored applicants will be subject to the public charge assessment. They include spouses, children and parents of US citizens, as well as spouses and children of lawful permanent residents. Adult children and siblings of US citizens, fiancé(e)s of citizens, and widows or widowers of citizens are also covered. Employment-based categories subject to the assessment include priority workers, professionals holding advanced degrees, people of exceptional ability, skilled workers, investors and religious workers. Foreign medical school graduates, international broadcasters and certain current or former US government employees abroad are also listed among those subject to the provision. Congress has exempted several humanitarian and special immigration categories. These include refugees, asylees, applicants for Temporary Protected Status, victims of human trafficking and qualifying criminal activity, and certain self-petitioners under the Violence Against Women Act. Special immigrant juveniles, certain Afghan and Iraqi nationals who worked for the US government, Cuban Adjustment Act applicants and some surviving relatives of military personnel are among the other exempt groups. USCIS officers must consider five statutory factors: the applicant’s age, health, family status, assets and financial position, and education and skills. They may also consider Form I-864, an affidavit through which a sponsor agrees to use personal financial resources to support the immigrant. For benefits received before September 18, USCIS will consider only public cash assistance for income maintenance and government-funded long-term institutional care. For means-tested benefits received on or after that date, officers may consider any such benefits, including housing and food assistance. The agency said officers must examine all relevant evidence and decide applications individually under the totality of the circumstances. Receiving a covered benefit will not by itself lead to rejection. No single factor, apart from the absence of a sufficient affidavit of support when one is required, can alone establish that an applicant is likely to become a public charge. An applicant found inadmissible solely on public charge grounds may be invited to post a cash or surety bond. The amount will be based on the government assistance the person could potentially receive over the next five years. Applicants may submit Form I-945 for a public charge bond only after USCIS issues a Notice of Intent to Deny containing an invitation to post one. The agency will not accept unsolicited bonds. About 66,800 India-born immigrants obtained US green cards in fiscal 2024, accounting for 4.9 per cent of the 1.36 million people granted lawful permanent residence that year, according to Department of Homeland Security data. About 61 per cent of the Indian recipients secured permanent residence through adjustment of status while already living in the United States."},"img":{"url":"https://images.prismic.io/prad/91d05705-c80f-4b7c-9364-539789be74b1_US+Green+Card.JPG?auto=format%2Ccompress&rect=0%2C16%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-08-19T06:30:00+0000","embed":{"embed_url":null}},"uid":"new-us-green-card-rule-may-hit-indians"}},{"node":{"data":{"title":{"text":"Indian-American Pia Wins Florida Primary"},"content":{"text":"Indian-American educator Pia Dandiya has won the Democratic primary for Florida’s 22nd Congressional District, setting up a closely watched November contest that could determine control of the US House of Representatives. Dandiya defeated attorney Kaysia Earley with 61.3 per cent of the vote in Tuesday’s primary. She will face Republican businessman and Marine veteran Casey Askar in the November 3 general election. Askar secured the Republican nomination with 24 per cent of the vote in a crowded seven-candidate field. Cryptocurrency entrepreneur Michael Carbonara received 20.6 per cent, while university administrator Belinda Keiser finished with 20.2 per cent. “I am so thrilled and honoured to be your Democratic nominee for US Congress here in my home state of Florida,” Dandiya said in her victory speech. “To the voters, to the volunteers, and to everyone who’s believed in our campaign for months, a truly heartfelt thank you,” she said. Dandiya said the campaign would now begin “the next chapter of our fight to stand up for working families and to write a new chapter of what it means to be a public servant in Florida.” If elected, Dandiya would become the first South Asian American to represent Florida in the US Congress. Born and raised in Palm Beach County to parents from India, Dandiya is a first-generation American. She began her career as a teacher and later founded a high school in Harlem at the age of 28, becoming one of the youngest high school principals in the country. Every graduate of the school earned admission to college, according to her campaign, despite 86 per cent of the students coming from low-income households. Dandiya later served as a White House Fellow with the Domestic Policy Council and the Department of Education. She subsequently led public-sector initiatives at Apple involving education, healthcare and state government. The Democratic National Committee congratulated Dandiya and identified the district as a potential opportunity for the party to gain a House seat. “As an educator and longtime leader in her community, Pia has dedicated herself to expanding opportunity and fighting for working families,” DNC Chair Ken Martin said. “She is ready to fight in Congress to lower the costs of groceries, healthcare, and housing for South Florida families. The DNC is ready to help elect Pia, flip this seat, and take back the House majority in November,” Martin said. Dandiya is running on a platform that includes reducing household costs, supporting universal pre-kindergarten, strengthening public schools, expanding vocational training and protecting Social Security, Medicare and reproductive rights. The newly redrawn district covers parts of Broward, Palm Beach, Hendry and Collier counties. It became an open seat after Democratic Representative Lois Frankel decided to seek election from the neighbouring 23rd District. The Cook Political Report and Sabato’s Crystal Ball rate the district as leaning Republican. Donald Trump carried its new boundaries with about 54.6 per cent of the vote in 2024, while Joe Biden won the same territory with 51 per cent four years earlier. Both national parties have placed the seat on their lists of priority contests."},"img":{"url":"https://images.prismic.io/prad/mp92EmvPBQusKBeb_pia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-19T02:42:00+0000","embed":{"embed_url":null}},"uid":"indian-american-pia-wins-florida-primary"}},{"node":{"data":{"title":{"text":"'H-1B fee may drive American jobs abroad'"},"content":{"text":"Indian American Congressman Raja Krishnamoorthi has warned that a $100,000 fee on new H-1B visas could force US companies to move work abroad, hurting the country’s ability to attract skilled professionals and compete globally. “You can either onshore the talent or offshore the work,” Krishnamoorthi said in an episode of the “Spill the Tea” interview series. “These companies are not going to just sit by and not do the work,” the Illinois Democrat said. Krishnamoorthi said during a discussion about barriers to legal immigration, including the $100,000 fee. The interviewer noted that Indian nationals received 71 per cent of all H-1B visas in fiscal year 2024 and asked how the policy would affect Indian Americans and US competitiveness. “I mean, it adversely affects both, right? Because, our competitiveness depends on attracting the very best talent on earth. Whether it's people from India or China or Sweden. It doesn't matter,” Krishnamoorthi said. He described the fee as a tax on workers who fill highly specialised technical positions in the US economy. “And so when you put this, what I, I call it a tax, $100,000 tax on this group of people who, by the way, fill some of the most kind of exquisite techno - technical roles in our economy and have, and, and many of whom have gone on to incubate companies, you know, employing hundreds of thousands of people, you're basically pushing these people away in the first instance, and then probably getting people here to rethink whether they should stay,” he said. Krishnamoorthi said the approach could increasingly persuade companies to transfer work to other countries. “And now, you know, that kind of, attitude means that I fear that increasingly companies here are gonna offshore the work,” he said. The congressman called for changes to the legal immigration system and an end to policies that could weaken the US economy. “And so that's why, especially in this really competitive economic landscape, we've got to fix our legal immigration system and we've got to stop, you know, these own goals, so to speak, on H1B and, you know, other legal pathways that people have used to enrich our economy,” he said. Krishnamoorthi also blamed President Donald Trump for what he described as a normalisation of hostility towards minority communities. Asked what was driving a rise in anti-Asian and anti-Indian sentiment, he replied: “It rhymes with Donald Trump.” He said Trump had played on fears of people seen as outside the mainstream and blamed them for the economic difficulties faced by others. “And I think that that has now metastasized over 10 years into almost like a normalization of hate,” he said. The H-1B programme allows US employers to hire foreign professionals for speciality occupations requiring specialised knowledge. Technology and consulting companies have traditionally been among its largest users. Krishnamoorthi has represented Illinois’ 8th Congressional District since 2017. He holds a mechanical engineering degree from Princeton University and a law degree from Harvard Law School. "},"img":{"url":"https://images.prismic.io/prad/aT_qZHNYClf9oL9c_rajakrishnamoorthi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T04:53:00+0000","embed":{"embed_url":null}},"uid":"h-1b-fee-may-drive-american-jobs-abroad"}},{"node":{"data":{"title":{"text":"Indian teen murders mother, brother in US home"},"content":{"text":"A 17-year-old Indian-American boy in Acton, a town about 40 kilometres northwest of Boston, has been charged with murdering his mother and younger brother after investigators said he had used the Internet and ChatGPT to search for ideas or fantasies about killing his family.  Arjun Aravind, an Indian-origin teenager, faces two counts of murder in the deaths of his mother, Sudha Venkatesan, 45, and his brother, Siddharth Aravind, 14, the Middlesex District Attorney’s Office said. He has also been charged with two counts each of assault and battery on a household or family member and assault and battery. Other charges include theft of a motor vehicle and use of a vehicle without authority. Police went to the family’s home on Martha Lane shortly after 6.37 p.m. on Tuesday. Arjun’s father had called after being unable to reach his family. A tutor who was expected at the house had also been unable to contact anyone inside. The father had last spoken with his wife early that morning before leaving for work. Siddharth was last seen around noon. Officers found Siddharth on the first floor and Venkatesan in the finished basement. Both had suffered visible trauma. Arjun was missing from the home. His mother’s green 2014 Honda Accord was also gone. Police alerted other law enforcement agencies and asked the public to look for the teenager and the vehicle. Residents were warned not to approach him. Early Wednesday, police in Wayland responded to an unrelated alarm in a parking lot on Andrew Avenue. Officers found the missing car with Arjun inside. He was taken into custody without incident. “The subsequent investigation indicates that Arjun had recently been demonstrating concerning behaviour, including using the Internet and ChatGPT, to make searches for theoretical ideas or fantasies regarding killing his family,” the district attorney’s office said. Prosecutors alleged that Arjun fatally assaulted his mother and brother inside their home before fleeing in his mother’s car. Authorities have not said what weapon or weapons may have been used. That part of the investigation remains active. The precise cause and manner of the two deaths are also awaiting a determination by the chief medical examiner. Arjun was arraigned in Lowell Juvenile Court on Wednesday on the motor vehicle-related charges. Prosecutors said the murder and related assault charges would probably be brought in Concord District Court because the Juvenile Court does not have jurisdiction over murder charges. The investigation is being conducted by the Middlesex District Attorney’s Office, Acton Police and the Massachusetts State Police detective unit assigned to the prosecutor’s office. Police departments from eight nearby communities also assisted. Acton is a suburban community in Middlesex County, Massachusetts, and forms part of the Greater Boston region. The town is served by the Acton-Boxborough Regional School District. Massachusetts law provides for an accused person aged 14 or older to be prosecuted as an adult when charged with murder. Other charges involving a juvenile may remain within the state’s juvenile court system."},"img":{"url":"https://images.prismic.io/prad/WHJobWcRy5vjwpee_usindianteen.JPG?auto=format,compress"},"datetime":"2026-08-13T03:33:00+0000","embed":{"embed_url":null}},"uid":"indian-teen-murders-mother-brother-in-us-home"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"Jailer 2's first single 'Ala Bolelo' out"},"img":{"url":"https://images.prismic.io/prad/2sHyUz864qMC477e_alaboleojailersing.JPG?auto=format%2Ccompress&rect=0%2C83%2C450%2C222&w=2028&h=1000"},"datetime":"2026-08-21T13:54:00+0000","third_party_url":null},"uid":"jailer-2s-first-single-ala-bolelo-out"}},{"node":{"data":{"title":{"text":"Chiru @ Bandla Ganesh Daughter Wedding"},"img":{"url":"https://images.prismic.io/prad/bcgSROuy3Huxk6pf_Chiru.png?auto=format,compress&rect=0,20,603,297&w=2028&h=1000"},"datetime":"2026-08-16T21:16:00+0000","third_party_url":null},"uid":"chiru--bandla-ganesh-daughter-wedding"}},{"node":{"data":{"title":{"text":"'Irumudi' Trailer"},"img":{"url":"https://images.prismic.io/prad/aXdDtQIvOtkhB7gE_irumudi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-12T13:20:00+0000","third_party_url":null},"uid":"irumudi-trailer"}},{"node":{"data":{"title":{"text":"'Ramba Oorvasi Menaka' Teaser"},"img":{"url":"https://images.prismic.io/prad/VeMmBqBTJ_EOw7XS_rambhavoorvashimenaka.JPG?auto=format,compress"},"datetime":"2026-08-11T18:30:00+0000","third_party_url":null},"uid":"ramba-oorvasi-menaka-teaser"}},{"node":{"data":{"title":{"text":"'Toxic' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/C68meqHgwMXfdC2G_toxic.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-08T18:22:00+0000","third_party_url":null},"uid":"toxic-movie-trailer"}},{"node":{"data":{"title":{"text":"Vishwanath and Sons Trailer"},"img":{"url":"https://images.prismic.io/prad/ahgA9bK9tuLqENie_vishwanathandsons.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-07T12:27:00+0000","third_party_url":null},"uid":"vishwanath-and-sons-trailer"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"The BJP's Rejig: The Insulation Policy"},"img":{"url":"https://images.prismic.io/prad/evT-f8cirRdEjvY6_BJPinsu.JPG?auto=format,compress"},"datetime":"2026-08-19T05:22:00+0000","third_party_url":null},"uid":"the-bjps-rejig-the-insulation-policy"}},{"node":{"data":{"title":{"text":"T-Congress: Will Varuna Yagam Turn Into Ashwamedha Yagam?"},"img":{"url":"https://images.prismic.io/prad/X0AsBoOJ8Yr2l0Hs_VarunaYagam.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-12T07:42:00+0000","third_party_url":null},"uid":"t-congress-will-varuna-yagam-turn-into-ashwamedha-"}},{"node":{"data":{"title":{"text":"RSS: Deploying The Script Of Obsolete Playbook?"},"img":{"url":"https://images.prismic.io/prad/x5IBIdVo1uCMDqU6_modirss.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-11T06:46:00+0000","third_party_url":null},"uid":"rss-deploying-the-script-of-obsolete-playbook"}},{"node":{"data":{"title":{"text":"Sovereign Silence: From Mann ki Baat to Reel ki Baat"},"img":{"url":"https://images.prismic.io/prad/oGJ7J9iDUVC0cCvo_modishah.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-10T06:30:00+0000","third_party_url":null},"uid":"sovereign-silence-from-mann-ki-baat-to-reel-ki-baa"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-08-12T08:19:18+0000","data":{"title":{"text":"Mouni Roy Glam Stills"},"content":{"text":"Mouni Roy is an Indian actress who primarily works in Hindi television and films. 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Later, she played the lead character in Keralotsavam 2009 and got noticed for her character in Penpattanam (2010)."},"img":{"url":"https://images.prismic.io/prad/EKRVCL6edvfOM1nL_vp2028.JPG?auto=format,compress"}},"uid":"vishnu-priya-latest-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-21T16:54:06+0000","data":{"title":{"text":"Shraddha Das Spicy Pics"},"content":{"text":"Shraddha Das is an Indian actress and model who predominantly appears in Telugu, Hindi, Bengali, and Kannada language films. She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/J5KjgIk60wE63lRg_shraddhadas.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-20T16:44:06+0000","data":{"title":{"text":"Rakul Looks Radiant In Yellow Saree"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. Singh is a recipient of several accolades including a SIIMA Award, in addition to four nominations at the Filmfare Awards South. 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"},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"The BJP's Rejig: The Insulation Policy"},"content":{"text":"“The ultimate weakness of an all-powerful leadership is its own fake image. As long as people believe the show of its being invincible, it would have total control. But the moment a single, undeniable truth exposes the reality behind the show, the psychological spell over the public breaks instantly.” This aphorism encapsulates the fragile nature of theatrical power, which disintegrates the moment its underlying reality is exposed. Today, this dynamic is vividly playing out in the BJP’s sweeping organizational restructuring. This reshuffle is a calculated move by the leadership to recalibrate its strategy just as its facade of absolute political charisma begins to fracture. The leadership’s sudden pivot toward RSS backing is an exercise in pure political expediency, a calculated, pre-election insurance policy masked as ideological renewal. For audiences of Game of Thrones, the maneuver mirrors Queen Rhaenyra’s realization that her royal lineage alone could not secure victory, prompting her to enlist commoners to ride her idle dragons. Similarly, as the central charisma of the BJP's top leadership faces diminishing returns, the party has launched an organizational overhaul. This is no routine administrative exercise; it is a deliberate political reset engineered to reactivate its core ideological machinery. By integrating RSS loyalists, veteran stalwarts, and emerging women leaders into pivotal roles, the BJP is aggressively re-establishing its structural links with the broader Sangh ecosystem. This alignment is born of strategic necessity rather than sudden gratitude for traditional cadres. It serves as an admission that when personal popularity fails to neutralize the opposition, the ruling dispensation must weaponize the institutional muscle of its grassroots allies. Rhaenyra’s true objective, however, was less about expanding military capability and more about constructing a human shield for her own reputation. If the lowborn riders triumphed, the crown claimed the glory; if they perished, the monarchy remained insulated from failure. The BJP's current restructuring operates on this exact asymmetrical formula: success ascends, while failure is contained below. By dispersing responsibility to RSS affiliates and new office-bearers, the top leadership establishes a structural buffer to absorb electoral shocks. If the party triumphs in upcoming contests, the political capital will be monopolized by the top. Should it falter, the narrative will swiftly pivot, offloading the blame entirely onto organizational coordination, state-level leadership, and flawed candidate selection. To cement this institutional insulation, a cabinet reshuffle appears imminent. This secondary reset will project the illusion of a refreshed political generation while granting the central leadership maximum flexibility to reassign accountability during the next phase, preserving absolute control at the apex. Yet, this internal re-engineering demands an effective external diversion. When damaging scrutiny began surfacing over the management of the Ayodhya Ram Mandir funds, the political apparatus engineered a swift redirection. The subsequent escalation of the CJP protests successfully funneled public discourse into an emotionally charged arena of ideological polarization. Whether this was an orchestrated sleight-of-hand or a fortuitous coincidence, the outcome was identical: public attention shifted from financial auditing to a familiar \"BJP versus Opposition\" binary, purchasing the leadership the necessary breathing room to fortify its defensive chessboard. The upcoming Uttar Pradesh assembly elections represent the definitive crucible where this myth of invincibility faces its ultimate stress test. A decisive victory in UP would instantly replenish the leadership's political capital and reinforce the perception of an unstoppable electoral machine. Conversely, a defeat would trigger a profound narrative crisis, transforming a localized organizational failure into a direct challenge to leadership credibility. There is a strict temporal limit to how long such psychological defenses can endure. Coalition partners, regional powerbrokers, and corporate stakeholders do not align with pure ideology; they align with the trajectory of power. A major setback in Uttar Pradesh would shatter the illusion of centralized political inevitability, inducing a cold-blooded recalibration among allies toward the opposition. The coming months will determine whether this insurance policy can restore the leadership’s aura of invincibility, or if the structural fissures will widen beyond repair. When the illusion of power finally dissolves, it is never the courtiers who dictate the verdict, but the electorate."},"img":{"url":"https://images.prismic.io/prad/evT-f8cirRdEjvY6_BJPinsu.JPG?auto=format,compress"},"datetime":"2026-08-19T05:22:00+0000","embed":{"embed_url":null}},"uid":"the-bjps-rejig-the-insulation-policy"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"New record: 1 acre fetches 264 cr in Hyd"},"content":{"text":"Setting a new record in Hyderabad's real estate market, an acre of government land was auctioned for a whopping Rs 264 crore on Friday, surpassing the earlier record of Rs 237 crore.  The Telangana Industrial Infrastructure Corporation (TGIIC) created a new record in its e-auction of 5.25 acres of prime multi-use land in Raidurg in the heart of the Information Technology corridor. It generated Rs 1,386 crore from the auction of the prime multi-use land.  According to the TGIIC, 5.25 acres were auctioned against a reserve price of Rs 175 crore per acre, achieving a final realisation of Rs 264 crore per acre — a 50.9 per cent premium over the reserve price.  Officials said the result underscores Hyderabad's emergence as one of India's most dynamic real estate markets and confirms Telangana's strategic approach to infrastructure-led growth. This outcome reflects the intensifying competition among premier developers and the market's increasingly bullish outlook on Hyderabad's strategic corridors, confirming Telangana's position as a high-growth destination for institutional real estate capital, the TGIIC said. The result also marks a sharp escalation in Raidurg land values. The TGIIC's earlier auction fetched Rs 237 crore per acre in May. This underscored the sustained intensity of investor demand for the corridor's premium plots. The auction was conducted through the MSTC e-Auction platform with JLL serving as exclusive transaction advisor, ensuring transparency and enabling competitive participation from leading national developers. \"The successful outcome of the Plot P1 auction speaks volumes about the confidence and conviction that the developer community places in Telangana's future. What we're witnessing is not just strong pricing, but a clear endorsement of the state's development philosophy—one rooted in transparency, infrastructure excellence, and creating genuine value for all stakeholders,\" TGIIC's Vice Chairman & Managing Director K. Shashanka said. The quality of participation and the competitive spirit displayed throughout the auction reflect a market that recognises Hyderabad's transformation into a truly world-class business destination, he added. He stated that these results position Hyderabad decisively among India's premier investment destinations."},"img":{"url":"https://images.prismic.io/prad/dO3suLO2hl6u7c55_hydrealestate.JPG?auto=format%2Ccompress&rect=0%2C4%2C400%2C197&w=2028&h=1000"},"datetime":"2026-08-21T13:36:00+0000","embed":{"embed_url":null}},"uid":"new-record-1-acre-fetches-264-cr-in-hyd"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Surgeon’s Prabhas Post Sparks Buzz"},"content":{"text":"Pan-India star Prabhas has sparked concern among fans after a social media post by a noted orthopedic surgeon drew attention to the actor’s health. With reports suggesting that Prabhas has suffered injuries during the demanding shoots of upcoming projects such as Spirit and Fauji, the doctor’s post quickly became a talking point online. Fans have since been eager to know more about the actor’s current condition and wellbeing. Dr KJ Reddy, a prominent orthopedic surgeon at Apollo Hospitals in Hyderabad, shared a photograph with Prabhas on Instagram, accompanied by a thoughtful message about success and the sacrifices behind it. Known for his expertise in knee and hip conditions as well as sports injury management, the doctor described meeting Prabhas as an inspiring experience. His remarks about the unseen personal sacrifices behind a successful career added to the curiosity surrounding the actor’s health. Dr Reddy also indicated that he is involved in looking after Prabhas’ health and praised the actor’s humility despite his massive achievements. He noted that while some people inspire others through their success, others leave a lasting impression through their modest nature. According to the surgeon, Prabhas remains grounded and maintains a remarkably positive outlook, qualities that make the superstar stand out beyond his on-screen achievements."},"img":{"url":"https://images.prismic.io/prad/aTMhfXNYClf9n3w9_prabhasbaahu.JPG?auto=format,compress"},"datetime":"2026-08-21T11:25:00+0000","embed":{"embed_url":null}},"uid":"surgeons-prabhas-post-sparks-buzz"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Veteran Actress Shavukaru Janaki Passes Away"},"content":{"text":"The Indian film industry is mourning the loss of veteran actress Shavukaru Janaki, who passed away at the age of 94 in Chennai. The acclaimed actress had been undergoing treatment at Kauvery Hospital after suffering from age-related complications and health issues. She breathed her last at 1:59 PM on Friday while receiving treatment in the ICU. Nadigar Sangam president Nassar officially confirmed the news. Her mortal remains have been kept at Saint Mary’s Road in Teynampet, Chennai, allowing family, friends, colleagues and fans to pay their final respects. Janaki began her remarkable acting journey with the 1950 Telugu film Shavukaru, directed by L. V. Prasad. The film’s title became permanently associated with her name, earning her the identity Shavukaru Janaki. She went on to build an impressive career across Telugu, Tamil, Kannada and Malayalam cinema, making her Tamil debut with Valayapathi in 1952 and later appearing in Devakannika and School Master. She also featured alongside Dr. Rajkumar in the 1959 Kannada film Mahishasura Mardhini. Beyond cinema, Janaki explored television and appeared in several memorable serials, with Varoodhini Parinayam being her final Telugu TV outing. Her last film appearances came in Biskoth (2020) and Nandini Reddy’s Anni Manchi Sakunamule (2023). Recognising her immense contribution to Indian cinema, the Government of India honoured her with the Padma Shri in 2022."},"img":{"url":"https://images.prismic.io/prad/QsoDVZC2beLWtZiX_janaki.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-21T10:33:00+0000","embed":{"embed_url":null}},"uid":"veteran-actress-shavukaru-janaki-passes-away"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment","featured","one"],"data":{"title":{"text":"Review: 'Irumudi'"},"content":{"text":"It has been a long time since Mass Maharaja Ravi Teja scored a hit. At a time when his fans were also giving up hope on Ravi Teja, expectations have increased hugely on the film directed by Shiva Nirvana, who is known as a sensible director. A positive buzz has been created for Ravi Teja's film like never before and huge advance bookings have been registered. Let's see how this film is in this review. Story: Trinath (Ravi Teja) is a devotee of Ayyappa. He wears an Ayyappa garland every year. Trinath, who is very devoted when he wears a garland, cannot stop drinking when he does not have one. No matter how much he drinks, he takes good care of his wife Kaveri (Priya Bhavani Shankar) and daughter Manikantha (Baby Nakshatra), leads a happy life with them, and works in the banana plantation. Trinath, who lives in a village, loves his daughter. He takes care of every girl in the village and is the first to come to his aid if any danger comes to them. At such a time, a girl studying in high school is murdered. What changes does Trinath's life bring about with that murder? Why does Trinath swear to his daughter that he will stop drinking? What else does Trinath do for his daughter is the story of the film. Actors' Performance: Everyone who acted in the film acted very well. Ravi Teja, as always, acted with full energy and impressed. Especially in the action scenes and sentimental scenes with his daughter, Ravi Teja acted very well. Ravi Teja appeared for the first time in Ayyappa Mala. As expected, Ravi Teja impressed in the devotional scenes as well. Overall, he carried the film on his shoulders and carried it forward, impressing everyone including the fans. Heroine Priya Bhavani Shankar acted as if she had a good future. She was seen in a de-glamor look in this film. Still, she impressed in terms of looks. Apart from that, she impressed with her acting. In recent times, we have been seeing the level of importance given to the acting of heroines. It has been proven once again that heroines will create dust if they get roles that have potential for acting. There is no doubt that Baby Nakshatra has given life to the film. Ajay Ghosh and Sai Kumar impressed with their roles. Technical: Music director GV Prakash Kumar impressed with the background score. The theater was rocked by the song Mallepula Pallaki. However, it must be said that the credit does not go to GV Prakash. The other songs are mediocre. The more GV lifts the film with the background score, the more it lifts it. Director Shiva Nirvana's writing is good. Some dialogues are touching, while some scenes are like the best of Ravi Teja's career. Overall, the director has succeeded in all respects. There are no major mistakes in editing. It would have been even better if some scenes in the second half had been cut to three or four minutes. The cinematography is good. The beauty of the village has been shown well. There is no compromise in the structural values. Analysis: Director Shiva Nirvana has conveyed the point he wanted to convey with devotion and sentiments. The director has shown the injustice being done to girls in the current society well. Apart from that, there is no doubt that he has made a good decision in choosing Ravi Teja for this film and taking Ayyappa Mala as the backdrop. Ravi Teja has never done such roles in the past. That is why there is a concern about how he will be seen in this film, how the character will be, and how the film will be. After watching the film, it feels like we are seeing Trinath instead of Ravi Teja. The director has taken us into the film in a very short time. This film can be called a movie with good sentiment and devotion along with entertainment. Ravi Teja's films have been criticized for a long time in the industry. There is no doubt that this film is the answer to all of them. It went like an all-round movie. Plus points: Ravi Teja, Other Actors' Performances, Mallepula Pallaki Song, Action Sequences Minus points: Some Emotional Scenes Final Verdict:  Ravi Teja tied 'Irumudi' to Ayyappa and scored a hit Banner: Mythri Movie Makers Producer: Naveen Yerneni, Y Ravi Shankar Director: Shiva Nirvana Music: G.V. Prakash Kumar Cast: Ravi Teja, Priya Bhavani Shankar, Sai Kumar, Baby Nakshatra, Ajay Ghosh and others"},"img":{"url":"https://images.prismic.io/prad/HcTr2KkaiWO37ssK_irumudi.jpg?auto=format,compress"},"datetime":"2026-08-21T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-irumudi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Awarapan 2'"},"content":{"text":"Some characters become so closely associated with an actor that bringing them back after nearly two decades is a risky proposition. Shivam Pandit is one such character for Emraan Hashmi. Awarapan 2 takes that risk and, for the most part, understands why the 2007 film became a cult favourite. Directed by Nitin Kakkar, the film picks up the emotional thread of the original rather than simply recreating it. Shivam is still carrying the memory of Aaliyah when he comes across an abandoned infant girl at her grave. He takes her to an orphanage, quietly pays for her care and names her Aaliyah. When a couple later adopts the girl, Shivam convinces himself that giving her a family is the right thing to do. He soon discovers that they are connected to an international child-trafficking syndicate, and when Interpol tells him that Aaliyah has been abducted, the man who had walked away from the criminal world has no choice but to return. That premise gives Awarapan 2 a natural reason to bring Shivam back rather than forcing a reunion for nostalgia's sake. Interpol wants his help in taking down the syndicate, but Shivam's motivation is much more personal. His guilt over Aaliyah and his inability to protect her pull him back into the world he desperately wanted to leave behind. This is where the sequel expands the franchise. The first Awarapan was raw, intimate and deeply rooted in Shivam's personal transformation. The new film moves from that compact moral awakening into a larger crime thriller involving trafficking, organised crime, revenge and sacrifice. The scale is bigger, the action is more prominent and the storytelling is designed for a theatrical audience, but the emotional core remains Shivam's search for redemption. The narrative has moved from 2007 to 2026, and this genuinely feels like the next chapter rather than a film simply borrowing the name of a beloved original. A major part of that evolution comes from Vishesh Bhatt. As the co-producer of Awarapan and now the writer-producer behind Awarapan 2, Bhatt's vision of turning Awarapan into a franchise is central to the film. This isn't just a sequel made because the first film developed a cult following. There is a clear attempt to build the next chapter of Shivam Pandit's story while retaining the emotional and musical DNA of Vishesh Films. Bhatt's creative direction gives the film its larger ambition, with Kakkar and the entire team following that lead. The collaboration between Emraan Hashmi and Vishesh Films remains one of the film's strongest forces. Emraan, unsurprisingly, is the film's biggest strength, but the supporting characters deserve attention. Disha Patani plays Zara, a woman who becomes an unintentional victim of the criminal world surrounding her family. Her brother Zorawar, played by Puran Gabbi, is involved in the drug trade, and the film uses their relationship to show how crime can trap people who never chose that life. Patani gets a stronger dramatic focus and brings a vulnerability that gives Zara's portions emotional weight. Gabbi is one of the film's discoveries, bringing an unpredictability that makes Zorawar stand out without turning him into a standard gangster caricature. Shabana Azmi as Nafisa brings the expected gravitas, while Suvinder Vicky as Jaideep, Vijayant Kohli as Mehmood, Atul Kumar as Samarth and Aniruddh Rawal as Sikandar add further layers to the criminal and investigative world around Shivam. The music is where Awarapan 2 makes perhaps its most important connection with the original. Mithoon, Amaal Mallik and Jeet Gannguli carry forward the musical identity of the franchise, with lyrics by Sayeed Quadri and Rashmi Virag. The returning favourites \"Tera Mera Rishta\" and \"Toh Phir Aao\" have been reimagined by Mithoon, while \"Yeh Awarapan\", sung by Arijit Singh, adds another emotional layer. But the soundtrack is not simply a collection of songs designed to trigger nostalgia. The music is integral to the story. It carries Shivam's emotional state, builds the atmosphere and becomes part of the film's narrative language. This is also a soundtrack that deserves to be experienced in a theatre, where the sound design, scale of the compositions and visuals create a different audio-visual experience. The film also makes its marketing campaign look smarter once the story unfolds. Some of what has been shown and teased begins to make sense only after watching it, and there are elements of the narrative better experienced without knowing too much beforehand. Awarapan 2 is not merely selling the return of Emraan Hashmi or the nostalgia of its music. It is attempting to make audiences curious about what happened to Shivam and where his story goes next. The big-screen presentation adds to that appeal. Awarapan 2 succeeds because it respects where the franchise came from without pretending that cinema hasn't changed since 2007. It is bigger, more ambitious and more conventional as a thriller than the original, but it retains the grief, rage, sacrifice and search for redemption that made Shivam Pandit memorable. Vishesh Bhatt's franchise vision, Vishesh Films' creative identity, Nitin Kakkar's direction, Bilal Siddiqui's writing and Emraan Hashmi's return all work toward the same goal: taking Shivam's story forward rather than simply repeating it. Disha Patani gets a meaningful role, Puran Gabbi emerges as a genuine discovery, the supporting cast adds weight and the music remains an essential part of the experience. It may not have the same bleak intimacy as Awarapan, but that isn't what this film is trying to be. This is the 2026 chapter of Shivam Pandit's journey much bigger, louder and still carrying the same old wound. Director: Nitin Kakkar,  Cast: Emraan Hashmi, Disha Patani, Shabana Azmi, Puran Gabbi, Suvinder Vicky and others"},"img":{"url":"https://images.prismic.io/prad/nH0_7NckLLpkJ8vL_awarapan2.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T04:07:00+0000","embed":{"embed_url":null}},"uid":"review-awarapan-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishwanath and Sons'"},"content":{"text":"Despite being a Tamil hero, Surya is a hero who has a good craze in Telugu. Telugu audiences have raised their expectations as soon as he says that he is working with a Telugu director. The film Surya, which was made in a Telugu production company and directed by a Telugu director, was promoted as a Telugu film. Let's see how this film, which has huge expectations among the audience, is doing in this review. Story: Sanjay Vishwanath (Surya) is a big businessman. Sanjay, who has everything, is not interested in marriage. But his mother (Radhika) insists on marriage and having a family. Sanjay becomes a father to a baby boy through surrogacy for his mother. While he is happy with Babu, unexpected developments take place. Babu develops serious health problems. Babu needs bone marrow. Then Sanjay goes to Maddy (Mamita Baiju), who is in the US. She has to give the bone marrow to Babu. 22-year-old Maddy, who came for Babu, falls in love with 42-year-old Sanjay. Where did that love lead? Who is Maddy really? You have to watch the movie to know these things. Performance: There is no need to mention the performance of the hero Surya. Millionaire Sanjay Vishwanath impressed in the role. Surya scored 100 out of 100 marks in showing that modesty. Surya impressed in a role that shows love while appearing serious in some scenes. Overall, there is no doubt that Sanjay Vishwanath brought the character to life. Fans enjoyed the shades of Surya's character. Surya impressed with his 40+ age look. Maddy's role is very crucial in the movie. The entire first half is based on that character. Mamita Baiju appeared in the role of an orphan with no one. Generally, any heroine would look good in the role of a naughty girl. But Mamita in the role of Maddy made me laugh, cry, and get angry. She was the main attraction of the film. It seemed that Maddy's role would have been better in the second half as well. Radhika impressed in the role of Sanjay's mother. She seemed to have transformed into a small child and acted. The other actors acted and impressed within the scope of their roles. Technical: It seemed that the music director focused more on the background score than on the songs. It must be said that his hard work was rewarded. Because the background score came out well. It led some scenes in an impressive way. Let's talk about cinematography. Generally, it is easy to show the beauty of the village, but to bring a rich family look, cinematography has more work. That work is good. It would have been better if the director had worked more on the second half. The structural values ​​are good. Editing needs to be improved in the second half. Plus points: Mamita Baiju Surya Entertainment Some sentimental scenes Minus points: Second half Fights Analysis: Director Venky seems to have come up with a mature story once again. However, this time, the addition of a love story made it a youthful entertainer. Especially in the first half, the scenes with the heroine should definitely make the audience fall in love. The scenes between the hero and heroine make you laugh on one side and cry on the other. Although the second half seemed to be a bit sentimental, it ended on a positive note. There is no doubt that if the first half was as entertaining as the second half, it would have been even better if it had been more entertaining along with sentiment. Overall, this film can be watched for the heroine Mamita Baiju and for the sentimental scenes. Finally... The first half is fun, the second half is balanced with emotion. Banner: Sitara Entertainments Producer: Suryadevara Nagavamsi Director: Venky Atluri Music: G.V. Prakash Kumar Cast: Surya, Mamita Baiju, Radhika Sarath Kumar, Raveena Tandon, Nassar, Sudha and others"},"img":{"url":"https://images.prismic.io/prad/ahgA9bK9tuLqENie_vishwanathandsons.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-14T07:46:00+0000","embed":{"embed_url":null}},"uid":"review-vishwanath-and-sons"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Korean Kanakaraju'"},"content":{"text":"Mega hero Varun Tej, who has been greeting the audience with a series of films, has once again come to the Telugu audience with a different concept. This time, he has come to the audience with a Korean ghost concept like never before. He has attracted everyone's attention by coming to the audience with a ghost concept.  A large-scale publicity program was organized before the release. With that, a huge buzz was created. Let's see if the movie lives up to that buzz in the review. Story: Kanakaraju (Varun Tej) from Penukonda area leads a smooth life. He falls in love with Chaitra (Rithika), who works for Kia car companies. An angry Kanakaraju has a fight with a local rowdy gang. At that time, in the wake of unforeseen developments, the ashes of a person from Korea arrive in India. They reach Penugonda. The soul of the deceased Korean man enters Kanakaraju's body. Why did that soul enter Kanakaraju's body and what happens next is the rest of the story. Actors' performance: Varun Tej seems to have done 100 percent justice to the character of Kanakaraju. There is no doubt that he acted as if the angry Kanakaraju was really in front of us, and there is no doubt that the way he spoke in Korean when the Korean soul entered him took Varun's acting to another level. Varun, who maintained a good physique to match the character, also impressed with his comedy timing. It is no exaggeration to say that Varun has never done this level of comedy before. Varun impressed with his acting in the action scenes, but he could not do much with his dance. Heroine Rithika impressed with her cute looks. However, despite the importance of her role in the story, she did not get much opportunity to appear in the screenplay. The scenes with Satya were good, but Satya's dominance is clearly visible in it. Rithika impressed in two or three scenes along with her cute beauty display.  Comedian Satya appeared on the screen more than the second hero. At the same time, he impressed with his comedy. Overall, Satya's comedy was the main attraction in the film. Those who played the rest of the characters did not seem to care. Technical: The songs provided by music director Thaman seemed mediocre, but the background score was good here and there. Thaman impressed in some horror scenes. Overall, it must be said that Thaman's work is not up to his level. It would have been better if the songs were two or three good. The cinematography seems to be okay. It seemed like the focus on action scenes was reduced in order to show Korean beauties. The heroine was shown as cute. More care should have been taken in the matter of hero elevation. It would have been better if director Gandhi had rewritten the story and given a different treatment to the screenplay. The production values ​​are good. There is a possibility of trimming some of the second-off scenes. Analysis: The main attraction of the movie is the concept. It seems that director Gandhi has not been completely successful in carrying out that concept with a proper screenplay. However, he has brought the movie to a close with comedy. It is commendable that the director has chosen Satya for that role with full faith. The comedy has the potential to make the movie closer to the family audience. Since there have been no movies with the concept of a Korean ghost movie so far, this movie is sure to feel new. Director Gandhi has a reputation for making different movies.. This movie is a continuation of that. Varun Tej has fully fulfilled the responsibility assigned to him. It would have been better if he had thought better about the screenplay and worked out the horror scenes. The graphics seem poor. It seems like it was made using AI technology. Plus points: Concept, Hero heroine, True comedy Minus points: Routine horror, Graphics, Korean language. Finally... A routine horror drama that will please mega fans Banner: UV Creations Director: Merlapaka Gandhi Producer: Vamsi, Pramod Music: Thaman Cast: Varun Tej, Rithika Nayak, Satya and others"},"img":{"url":"https://images.prismic.io/prad/Ui6FbufwpUs86SxR_KoreanKanakaraju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-08-07T06:59:00+0000","embed":{"embed_url":null}},"uid":"review-korean-kanakaraju"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Chennai Love Story'"},"content":{"text":"Small films are having a good time in Tollywood. The makers have been repeatedly saying that they are bringing this film to the audience as a content-oriented film, in the wake of the huge success of making content-oriented films. The makers who gave a super hit film like Baby have brought this film to the audience. Let's see how this film, which was released today, is like in the review. Story: Niv (Sri Gauri), who wanted to fall in love and get married, is unexpectedly cheated by her boyfriend Ajay (Trigun). He leaves her by saying that he loves another girl before the wedding. With that, Nivi turns into a lady Devadasu and becomes addicted to drinking. At that time, her friends take her to Chennai and try to change her a little. But her behavior does not change. That's when Steven Shankar (Kiran Abbavaram) steps into Chennai to show his mettle as a director. Friends help Shankar, an orphan, and allow him to stay in their room. The room is close to Nivi. At first, Shankar's words used to irritate Nivi. Slowly, she gets closer to him. Love blossoms between the two. But amidst unpredictable developments, their love runs into a problem. What is that problem and will the two meet again is the plot. Acting: Kiran Abbavaram impressed with his good acting, like in the past, he impressed with his looks as if he was the boy next door. Playing the role of an innocent person is not an easy thing. But Kiran Abbavaram played the role very easily. Kiran Abbavaram showed well in this role what an innocent person who steps into Chennai with an effort to impress the director would be like. There is no doubt that this heroine Gowry Priya  is the most crucial role in the story. She has done complete justice to her role. Siri Hanumanthu has once again impressed with her acting in a good role. She is likely to get more good roles in the future. Those who played other roles impressed within the scope of their roles. Technical: When the director thought that the story was being handled well, he tried to say something new by saying Atma Paramatma in the second half. It must be said that it failed. In terms of screenplay, the second half failed. The music was impressive, especially the background score was impressive. Manisharma once again showed his magic. Cinematography is good. There is no doubt that cinematography has definitely been useful in showing the beauty of Chennai. The dialogues are good. There are some flaws in the editing, and there is still work to be done in the second half. The structural values ​​are according to the story. Plus points: Hero, heroine acting, Manisharma's background score First off Minus points: Second half, Routine screenplay. Analysis: Producer Sai Rajesh has been making comments in several media conferences and interviews that this film is definitely a baby range cult love story, but it doesn't seem like it has any scenes. While you think that the first half of the film will be smooth and interesting, he made the second half boring by adding unnecessary elements. If the same love story had been continued simply, the second half would definitely have been a good talk. Hero Kiran Abbavaram impressed with his good performance. The audience will definitely appreciate him, and heroine Gauri also did full justice to her role. Gauri impressed in the role of a drunkard and Lady Devadasu, but it must be said that the screen did not match their performance. Overall, Chennai Love Story turned out to be an average love story. Finally... It makes feel like going all the way to Chennai for this love story Banner: Mass Movie Makers Producer: SKN, Sai Rajesh Director: Ravi Namburu Music: Mani Sharma Cast: Kiran Abbavaram, Gowri Priya, Siri and others"},"img":{"url":"https://images.prismic.io/prad/0yN9tZHPaAuq2hyg_CLS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T08:01:00+0000","embed":{"embed_url":null}},"uid":"review-chennai-love-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Jana Nayakudu' "},"content":{"text":"Expectations have increased among all sections of the audience on the film Jana Nayaku, which was advertised as the last film of Tamil superstar Vijay. Although it was not officially announced that it is a remake of the film Bhagwant Kesari, which came in the combo of Balakrishna and Anil Ravipudi, the makers have been unofficially saying it.  This film, which was delayed a lot due to Tamil Nadu politics, made a royal entry without any problems as Vijay became the CM of Tamil Nadu. And how is this film? Will the audience like this story again in Telugu? Let's see in this review. Story: Vetri Kondan's (Vijay) mother dies in jail. Out of humanity, the jailer releases Vetri Kondan on parole and sends him out to see his mother for the last time. When Vetri is sent out, the jailer gets into a big problem. Vetri Kondan learns that the jailer who helped him is in trouble, and goes to his house. In the wake of unexpected developments, the jailer dies. His only daughter, Viji (Mamita Baiju), becomes an orphan.  The jailer who helped him looks after his daughter and wants to make her an army officer. But Viji says she will not join the army out of fear. Why does Vetri want to send Viji to the army? Will Viji finally join the army? What difficulties will Vetri face in doing so? This is the story. Performance: There is no need to mention anything special about Superstar Vijay's performance. Just as Balakrishna adapted to the role in Bhagwant Kesari, there is no doubt that Vijay also adapted to the role of Vetri. The screenplay was such that the entire story of the film was carried on his shoulders. Even so, Vijay acted well in every scene without giving up. There is no doubt that he impressed with his comedy timing. His fans will enjoy the action scenes to the fullest. Now that he is the CM, he has tried to show Vijay in that angle as well, which is a feast for the eyes of the fans. Since this is Vijay's last film, it seems that he gave his best. Pooja Hegde, who played the heroine, does not have much screen presence. It must be said that Pooja Hegde's screen presence is less than what Kajal Aggarwal's role was in the original Telugu version. Mamita Baiju played the role of Viji, played by Srileela in Telugu and got good marks. It seemed that Mamita did Viji's role even better than Srileela. Along with impressive looks, the two heroines gave good expressions to suit their roles. However, Pooja Hegde's role did not get priority. Mamita impressed as much as she did. Bobby Deol impressed in terms of looks. It would have been better if he had been shown as a stronger and better villain. Since the villain role was not given priority in the story, Bobby Deol's performance became like water poured on ashes. Technical: Director H Vinod tried to make the Telugu story as it is and add Tamil flavor to the screenplay. He made the story without making many changes in the first half. However, when it came to the second half, he made many changes. The entire screenplay changed as if it was a new story. Vijay's character also left the audience in a bit of a quandary. There is nothing much to say about the music. Anirudh, as usual, gave a good background score to Vijay's film. But since the songs did not have much scope, Anirudh's work did not come out much.  The cinematography is good. The cinematography is definitely good in elevating the action scenes. There are errors in the editing. Some scenes in the second half, especially the villain scenes, could have been trimmed. It would have been better if the heroine scenes that are not part of the story were also trimmed a bit. The production values ​​are good. The story was produced with added weight without detracting from it. Plus points: Vijay, Some Action Scenes, Mamita Baiju Minus points: Story, screenplay, Being a familiar story, Second half, Villain role. Analysis: The film Jana Nayakkudu, which was supposed to be released early this year, did not see its release due to censor problems due to Tamil Nadu politics. Officials said that permission could not be given for the release of the film in the wake of the assembly elections. With Vijay becoming the CM, the film Jana Nayakkudu came plowing ahead without any problems and shook the Tamil box office. This movie has been seen in Telugu before. Even though it is known that this is a remake of Balakrishna Bhagwant Kesari, many enthusiasts booked in advance and watched the movie. The movie got a good opening in Telugu states.  It is undeniable that Jana Nayakkudu could not satisfy the Telugu audience completely. Tamil audience will think aha.. oh my for Vijay Elevations. Moreover, they will like it because it is a new story, but Telugu people do not have much to like about this movie, even though the second half seems to have changed a bit, it felt like it was forced. The political elements were not set in the story at all. There is action but no emotion. The magic is missing in the screenplay. Overall, Jana Nayakkudu does not have anything new that the Telugu audience will like much. Finally... A Tamil mass leader who cannot please Telugu people. Banner: KVN Productions Producer: Venkat K. Narayan Director: H Vinod Music: Anirudh Cast: Vijay, Pooja Hegde, Mamita Baiju, Sunil, Bobby Deol and others"},"img":{"url":"https://images.prismic.io/prad/8WXmx3hoavnPTLpj_jananayakudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-23T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-jana-nayakudu-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}