{"data":{"all":{"edges":[{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Pregnancy Chic: Sam Stuns in 39,000 Jumpsuit "},"content":{"text":"Samantha Ruth Prabhu recently captivated onlookers during a public appearance in Mumbai, showcasing both her burgeoning baby bump and an exquisite black jumpsuit that has ignited conversations across social media. The actress, who stepped out from her Bandra residence, exuded a radiant pregnancy glow that complemented her choice of attire, leading to a viral surge of admiration and curiosity among fans and fashion enthusiasts alike. The striking black jumpsuit, known as the 'midnight veil' design from the homegrown label Aroka, retails for an impressive Rs 39,000. Tailored from fluid Japanese crepe, the strapless piece boasts a structured bodice that defines the silhouette, paired with relaxed trousers that allow for a comfortable yet elegant fit. Notably, the ensemble is accented by a sheer chiffon scarf, bordered with delicate lace, which can be styled in multiple ways, enhancing the garment's versatility and appeal. Samantha's personal life has also been a topic of significant interest, especially following her announcement regarding her impending motherhood with filmmaker Raj Nidimoru. During a recent success event for her film 'Maa Inti Bangaaram', she expressed her excitement about taking a short maternity leave, sharing how the journey of pregnancy has imbued her with newfound strength and purpose. The couple, having tied the knot in a uniquely intimate ceremony rooted in the Bhuta Shuddhi Vivaha tradition, exemplifies a deep personal and professional partnership that resonates within their creative collaborations. Professionally, Samantha continues to navigate a busy schedule as she balances her roles in the entertainment industry. Her collaborations with Raj Nidimoru have garnered acclaim, beginning with 'The Family Man' Season 2, and most recently in 'Maa Inti Bangaaram', which has seen success in both theatrical and OTT formats. While she remains engaged with projects spanning from Hyderabad to Mumbai, details about her next venture post-maternity leave remain closely guarded, leaving fans eagerly anticipating her upcoming roles and creative pursuits."},"img":{"url":"https://images.prismic.io/prad/Z_VYfIypflshQSjS_sam.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T10:29:00+0000","embed":{"embed_url":null}},"uid":"pregnancy-chic-sam-stuns-in-39000-jumpsuit-"}},{"node":{"tags":["Entertainment","featured","four"],"data":{"third_party_url":null,"title":{"text":"Dev Anand’s son Suneil Anand passes away in UK"},"content":{"text":"Actor Suneil Anand, the son of late actor Dev Anand, passed away at the age of 70 in the UK. He suffered a heart attack in London while travelling from the US to India, with a stopover in the UK. He was rushed to a hospital after a cardiac arrest. Following an initial evaluation, doctors decided to carry out a stent procedure. However, before the surgery could be performed, he suffered another heart attack. Despite repeated efforts by the medical team to revive him, he passed away. He died at the same hospital where his father, Dev Anand, had breathed his last years ago. Suneil Anand made his acting debut with the 1984 film Anand Aur Anand, directed by Dev Anand. He also appeared in films including Car Thief, Main Tere Liye and Master. However, unlike his father, he did not establish a long-lasting career in Bollywood and gradually stepped away from the spotlight, choosing to lead a private life. Despite his brief acting career, he remained closely associated with the Anand family's cinematic legacy. Dev Anand was one of the most charismatic and influential stars in the history of Hindi cinema. He was known for his effortless charm, distinctive dialogue delivery and youthful screen presence, and emerged as a leading superstar during the 1950s and 1960s. He co-founded Navketan Films, a banner that produced several landmark movies and introduced fresh talent to the industry. His stylish persona, trademark nodding gait and fashionable image inspired generations of fans and actors alike. The actor was honoured with the Padma Bhushan and the Dadasaheb Phalke Award."},"img":{"url":"https://images.prismic.io/prad/_Y4z15lw--wTT_rZ_sunielanand.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T13:58:00+0000","embed":{"embed_url":null}},"uid":"dev-anands-son-suneil-anand-passes-away-in-uk"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Hiring Row Rocks Andhra"},"content":{"text":"The YSR Congress Party on Tuesday held protests across Andhra Pradesh against the irregularities in the Mega DSC-2025 for recruitment of teachers.  Large-scale protests were organised simultaneously across the state under the party's student and youth wings. Demonstrations were held in Vijayawada, Nellore, Tirupati, Nandyal, and several other districts, while police prevented a proposed rally in Narasannapeta, leading to a tense situation. The opposition party is demanding the resignation of Education Minister Nara Lokesh, holding him morally responsible for the alleged Mega DSC (District Selection Committee) irregularities. Protesters also sought a CBI investigation into the DSC recruitment process, alleging question paper leaks, irregular sports quota appointments, and denial of opportunities to deserving candidates. According to the party, the protests also highlighted the NEET paper leak controversy, pending fee reimbursement dues running into thousands of crores, and the coalition government's failure to fulfil its promise of unemployment allowance. In Vijayawada, a massive rally organised by the YSRCP youth and student wings proceeded from Sambamurthy Nagar to Dharna Chowk, led by NTR District President Devineni Avinash, former minister Vellampalli Srinivas, former MLA Malladi Vishnu, and students wing state Working President Ravichandra. In Nellore, hundreds of students and youth marched from the Dr B.R. Ambedkar statue to Gandhi Bomma Centre, demanding Lokesh's resignation and justice for unemployed youth. The protest was led by former minister Kakani Govardhan Reddy and MLC Parvathareddy Chandrasekhar Reddy. In Tirupati, former minister R.K. Roja addressed protesters, demanding Lokesh's resignation and a CBI inquiry into the alleged DSC irregularities. She alleged that the recruitment process was marred by paper leaks and irregular Sports Quota appointments. Stating that Rs. 7,000 crore in fee reimbursement dues remain pending, she also criticised the government's failure to provide the promised unemployment allowance. She said the party's agitation would continue until accountability is fixed. In Nandyal, YSRCP leaders, students and unemployed youth staged a protest rally demanding Lokesh's resignation over the alleged Mega DSC irregularities. The demonstrators condemned the reported question paper leak and raised objections over irregularities in Sports Quota recruitment. The protest was attended by Katasani Ram Bhupal Reddy, Rami Reddy, and MLC Isaq Basha. Meanwhile, Narasannapeta witnessed tense scenes after police blocked a proposed YSRCP student-youth rally. Hundreds of students and youth from four mandals gathered under the leadership of Dr Dharmana Krishna Chaitanya and were preparing to leave in a convoy of nearly 50 vehicles when a heavy police contingent prevented the rally from proceeding. Dr Chaitanya demanded written reasons for the restrictions, while police cited prohibitory orders on large public rallies. YSRCP leaders condemned the police action as an attempt to suppress democratic protests"},"img":{"url":"https://images.prismic.io/prad/F2_WsQXkBErWOlex_ycpprotest.JPG?auto=format%2Ccompress&rect=0%2C179%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-28T11:25:00+0000","embed":{"embed_url":null}},"uid":"hiring-row-rocks-andhra"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Nirav Extradition Gets Green Light"},"content":{"text":"The Ministry of External Affairs (MEA) on Tuesday reiterated that fugitive diamond merchant Nirav Modi will be extradited from the United Kingdom (UK) to India once all the legal proceedings are concluded.  \"As far as Nirav Modi is concerned, as we have informed you earlier, certain judicial proceedings are currently underway in the UK. Once those legal proceedings are concluded, the process of his extradition will move forward,\" MEA spokesperson Randhir Jaiswal said while addressing media queries at a bi-weekly media briefing in New Delhi on Tuesday. \"We are closely following those legal proceedings. The Government of India's position remains firm that all fugitive offenders should be brought back to India and made to face the judicial process here,\" he added. In March, the High Court of Justice, King’s Bench Division in London, rejected Nirav Modi’s petition seeking to reopen proceedings against his extradition order to India. The case was argued by the Crown Prosecution Service advocate, assisted by a dedicated team from the Central Bureau of Investigation, which included investigating officers who had travelled to London to support the hearing. The application to reopen the case was filed on the basis of the Bhandari judgment, a ruling delivered by a UK High Court in the case of defence middleman Sanjay Bhandari. Nirav Modi is wanted in India in connection with the Punjab National Bank fraud case, which involved the alleged use of fraudulent guarantees issued in the name of the state-run lender to obtain overseas loans. He had left India in January 2018, shortly before the CBI initiated its probe into the scam. Following his arrest in the United Kingdom in 2019, British courts had approved his extradition to India. The courts, while considering the case, had accepted assurances regarding his treatment in India and found no legal impediments to his extradition, subsequently dismissing his earlier appeals."},"img":{"url":"https://images.prismic.io/prad%2F1d42df13-fe4d-4049-9185-9aa55a5988fc_nirav+modi.jpg?auto=format%2Ccompress&rect=0%2C14%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-28T12:57:00+0000","embed":{"embed_url":null}},"uid":"nirav-extradition-gets-green-light"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Trainee IPS Held in $exual Harassment Case"},"content":{"text":"Hyderabad Police on Tuesday took IPS officer M. Uday Krishna Reddy into custody in a case relating to allegations of sexually harassing a woman batchmate at Sardar Vallabhbhai Patel National Police Academy. Police shifted the accused to Attapur Police Station, where the complaint was filed on July 19. Uday Krishna Reddy could not be traced when the police went to serve the notices at the two addresses he had given during the investigation. His mobile was also switched off. Police had formed four teams to trace him. However, the accused trainee officer denied that he was absconding.  He clarified that he had gone to his native village, Ullapalem in Andhra Pradesh’s Prakasam district, to visit his grandmother after she fell ill following the allegations levelled against him. Uday Krishna Reddy had told a media channel earlier in the day that he was going to Hyderabad and would cooperate with the investigating officers.  Reiterating that the allegations against him were false, he expressed confidence that he would prove his innocence.  Last week, he had approached the High Court seeking orders to quash the First Information Report (FIR). He said that the FIR was registered against him based on false allegations. A 30-year-old woman trainee officer alleged that Reddy harassed her between June 23 and July 10 while they were undergoing training at the academy. She accused him of sending abusive messages, subjecting her to criminal intimidation, recording her private video and sending it to her husband. She also alleged that he took her mobile phone to his room, forced her to disclose its password and blackmailed her into revealing personal messages. Based on her complaint, Attapur police registered a case under Sections 74 (criminal force against a woman), 75 (sexual harassment), 77 (voyeurism), 78 (stalking), 79 (insulting the modesty of a woman), 127(2) (wrongful confinement), 115(2) (voluntarily causing hurt) and 351(2) (criminal intimidation) of the Bharatiya Nyaya Sanhita, along with Sections 66E (violation of privacy) and 67A (transmission of sexually explicit material in electronic form) of the IT Act. Reddy had allegedly attempted suicide at a relative’s house in Hyderabad on July 21. He was admitted to a private hospital. The body samples sent for examination tested negative for poison and drugs, and indicated only an overdose of alcohol. He was suspected to have lost consciousness due to excessive alcohol consumption. Reddy claimed in a purported handwritten suicide note that he and the woman trainee officer had been in a relationship for a year. He named four persons, including the woman and her husband, holding them responsible for his decision to end his life. He claimed they had been in a relationship since June 2025 and continued to be physically and emotionally involved even after her marriage. Denying allegations of force and coercion, Reddy also claimed that he has evidence in the form of photographs and videos to prove that their relationship was consensual."},"img":{"url":"https://images.prismic.io/prad/GXIh8ZC_pxkvk6NX_IPSTrainee.JPG?auto=format%2Ccompress&rect=0%2C37%2C400%2C197&w=2028&h=1000"},"datetime":"2026-07-28T15:18:00+0000","embed":{"embed_url":null}},"uid":"trainee-ips-held-in-exual-harassment-case"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"RR: Govt stands firmly behind HYDRAA"},"content":{"text":"Telangana Chief Minister A. Revanth Reddy said on Tuesday that the state government stands firmly behind the Hyderabad Disaster Response and Asset Protection Agency (HYDRAA). A day after the Telangana High Court directed the Chief Secretary to immediately replace HYDRAA Commissioner A.V. Ranganath for repeatedly flouting court orders, the Chief Minister told reporters in New Delhi that he had not yet examined the court order in detail. Stating that the government will review the order, Revanth Reddy made it clear that the government has the highest respect for the judiciary. He termed HYDRAA as the greatest reform by his government and stated that the agency will be strengthened further. Revanth Reddy alleged that some people were making false propaganda against HYDRAA. He said encroachers had filed false cases against the agency and produced fake documents to mislead the court. He made it clear that HYDRAA will continue its duty to remove encroachments on water bodies and government lands. On Monday, the High Court asked Chief Secretary Sanjay Jaju to identify a suitable officer to replace Ranganath as the head of HYDRAA. The direction was given in a contempt case relating to a 40-acre parcel of land at Lothkunta involving a private construction company. The single-judge bench noted that as many as 63 contempt cases were reportedly pending against the HYDRAA Commissioner during his one-and-a-half-year tenure. A private construction company had filed the contempt case relating to the land at Lothkunta, accusing HYDRAA officials of entering the property and fencing it despite subsisting judicial restraint orders. The High Court had ordered Ranganath to tender an apology through a written affidavit by Monday. Ranganath, an Indian Police Service (IPS) official, has been heading HYDRAA since the agency was formed two years ago by the state government. During the last two years, HYDRAA claims to have saved 3,315 acres of government land worth Rs 1.5 lakh crore and restored several water bodies. The agency said it reclaimed and protected lakes, nalas, parks, government lands, and blue-green resources. Following the court order, Ranganath listed the works undertaken by HYDRAA during the last two years. He remarked that contempt petitions were filed against him by land grabbers."},"img":{"url":"https://images.prismic.io/prad/aRC33rpReVYa4ROx_RR.JPG?auto=format,compress"},"datetime":"2026-07-28T15:03:00+0000","embed":{"embed_url":null}},"uid":"rr-govt-stands-firmly-behind-hydraa"}},{"node":{"tags":["Entertainment","featured","one"],"data":{"third_party_url":null,"title":{"text":"Suriya and Mamitha Baiju's age gap ignites debate"},"content":{"text":"As anticipation builds for Suriya's upcoming film, Vishwanath and Sons, the focus has shifted to the creative decisions made by director Venky Atluri, particularly regarding the significant age difference between the lead actors. Set to hit theaters on August 14, this romantic drama has elicited a wave of curiosity and debate, with Atluri addressing these concerns head-on in a recent interview. His remarks illuminated the rationale behind the 20-year age gap, emphasizing not only its psychological implications but also the story's nuanced demands. Initially considering an 18-year gap, Atluri and his team ultimately settled on the more impactful 20 years, a decision they felt would resonate more strongly with audiences. \"The difference between 18 and 20 matters more than one might think,\" Atluri explained, asserting that the choice was ultimately made at Suriya's behest. The director's candidness sheds light on the creative process and the intention behind the casting, revealing a thoughtful consideration for audience perception that transcends superficial norms in storytelling. The casting decision has not been without its critics, as the film's announcement prompted a flood of online commentary questioning the appropriateness of such an age disparity. Venky Atluri, however, welcomed this scrutiny, perceiving it as an opportunity to engage audiences and stimulate discussion. \"I knew people would eventually understand the reasoning when the story unfolded,\" he remarked, indicating that the narrative would provide the necessary context to justify the unconventional pairing. The director's confidence reflects a shift in filmmaking, wherein deeper storytelling takes precedence over traditional casting choices. Vishwanath and Sons promises to explore the complexities of love through a fresh lens, moving beyond the confines of conventional narratives that often dominate the genre. Atluri's ambition to tell diverse love stories is exemplified by the film's ensemble cast, which includes notable names such as Radikaa Sarathkumar and Raveena Tandon, contributing to a rich tapestry of characters and perspectives. As the release date approaches, the film's ability to challenge societal norms surrounding age and romance remains a focal point of interest, indicating a potentially transformative moment for Tamil cinema."},"img":{"url":"https://images.prismic.io/prad/nxnhKtY7QEP_LOTB_suryamumitha.JPG?auto=format,compress"},"datetime":"2026-07-28T12:28:00+0000","embed":{"embed_url":null}},"uid":"suriya-and-mamitha-baijus-age-gap-ignites-debate"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Dulquer plays Krishna in 'Aakasamlo Oka Tara'"},"content":{"text":"The makers of  director Pavan Sadineni's upcoming film  'Aakasamlo Oka Tara', featuring actors Dulquer Salmaan and Satvika Veeravalli in the lead, on Tuesday marked the birthday of actor Dulquer Salmaan by releasing a new poster of the actor from the film and announcing that he played a character called Krishna in the film.    The makers also intend to release the first single from the film, 'Chitti Chitti Cheema', later in the day to mark the occasion.  Taking to its social media timelines, production house Swapna Cinemas wrote, \"Today we celebrate the smile, the warmth and the magic that is @dulQuer. Team #AakasamLoOkaTara / #AOTMovie wishes our Krishna a very Happy Birthday. #AOTFirstSingle out Today. #ChittiChittiCheema #KuttiKuttiPoove #MittaiMazhai #SanSanHawaP. #HBDDulquerSalmaan.\" It may be recalled that the makers the film had some months ago introduced Satvika Veeravalli as the lead of the film. The film, which is being produced by Sandeep Gunnam and Ramya Gunnam under the Light Box Media banner, is being presented by well known production houses Geetha Arts and Swapna Cinema. Geetha Arts, which is one of the firms presenting the film, had taken to its Instagram page to share the introduction video of the actress. It wrote, \"She carries a dream bigger than the sky…. Introducing Satvika Veeravalli - The dreamer who gives wings to #AakasamLoOkaTara #AOTMovie.\" The introduction video begins with a child, pointing to the sky and asking \"How do I go to space?\" Viewers are then given a glimpse of the heroine.The introduction video shows Satvika Veeravalli as a youngster from the rural parts who is dissuaded from pursuing her dream of going to space. We hear a man's voice saying, \"Coming from a village that has no roads, you harbour plans of going to space? First, you show us if you can cross the borders of the village. Then, we'll see.\" It is evident that the film will revolve around the character that Satvika Veeravalli plays and that she is actually the protagonist. The film is about a girl from a remote rural region realising her dream of becoming an astronaut and going to space. The film boasts of a fantastic technical team. It has two-time National Award winner G V Prakash Kumar scoring music for it. Cinematography for the film is by one of the best in business, Sujith Sarang. The film has editing by National Award winning editor K L Praveen. The heroine introduction video also disclosed the fact that the film was scheduled to hit screens this year."},"img":{"url":"https://images.prismic.io/prad/O6AdXhQmi7pGWqZy_aot.JPG?auto=format%2Ccompress&rect=0%2C49%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-28T06:51:00+0000","embed":{"embed_url":null}},"uid":"dulquer-plays-krishna-in-aakasamlo-oka-tara"}},{"node":{"tags":["Trending"],"data":{"third_party_url":null,"title":{"text":"77 pc Indian companies see AI reshaping workspaces"},"content":{"text":"Indian companies score above global peers on AI readiness but only 19 per cent have started changing office space and operations to reflect that, with a 58‑point gap between recognition and execution, a report said.  The report from JLL said 77 per cent of Indian business leaders recognise AI will need changes implemented in the workspace. \"AI will add jobs, not cut them, according to India’s business leaders, but a shortage of skills, not money, is now the biggest hurdle to change,\" the report said. Nearly 58 per cent respondents expect workforce growth over the next three to five years and 62 per cent said AI will make human roles more valuable rather than replace them. The survey of over 2,200 CEOs, CFOs and real estate heads across 21 countries found \"Indian companies are ahead of the rest of the world in putting AI to use in how they plan and run their offices\". India scored higher than the global average on all eight AI-related measures tracked. “For the first time in 15 years of tracking this data, 46 per cent of Indian companies cite skills shortage as their primary barrier versus only 35 per cent citing budget, capability now outweighs cost,\" said Ajit Kumar - Managing Director, Work Dynamics Accounts, West Asia, JLL. Kumar mentioned the skills gap as a positive inflection point, because skills can be developed internally and sourced externally far more readily than waiting for capital allocation cycles. \"The companies that reframe this as a skills development challenge rather than a budget constraint—and invest in the 50 per cent who are prioritizing AI support and infrastructure—will define India's workplace transformation over the next decade,\" he added. Nearly 56 per cent of India firms track AI trends against 46 per cent globally and 45 per cent Indian companies run staff training and change programmes against the global average of 36 per cent. \"Nearly one in five Indian companies (19 per cent) say they have reached the most advanced stage of using AI in their real estate operations, against 15 per cent globally. Counting those still scaling up, 47 per cent are actively rolling out AI, against 42 per cent worldwide,\" the report said."},"img":{"url":"https://images.prismic.io/prad/agxCXqYofJOwHXH3_AIWP.JPG?auto=format,compress"},"datetime":"2026-07-28T07:38:00+0000","embed":{"embed_url":null}},"uid":"77-pc-indian-companies-see-ai-reshaping-workspaces"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Shilpa Slams False Attribution"},"content":{"text":"Bollywood actress Shilpa Shetty has refuted viral statements on reservation falsely being attributed to her and has tagged them as \"completely fabricated\" and \"malicious garbage.\"  Shilpa took to X, formerly called Twitter, where she clarified that the claims are fake and appealed to the public to avoid falling for such false news. “I am shocked to see fake statements on reservation falsely attached to my name. This is completely fabricated, malicious garbage. Do not fall for this fake news!” she tweeted. A screenshot of an Instagram story is doing the rounds, which claimed that Shilpa shared on caste-based reservation. However, many claimed that it was fake. The fake viral post circulating in her name read: “Don’t touch reservation. Let general category doctors treat only general category patients and let everyone else treat only patients from their own caste. Do this for a few years and people will start asking to end caste-based reservation themselves. You can’t get skill through reservation.\" The fake post began circulating on social media soon after calls to scrap or review the reservation system gained traction online, with several general category aspirants discussing the issue. Talking about the actress, Shilpa was last seen in KD: The Devil, a Kannada-language action thriller film written and directed by Prem. The film stars Dhruva Sarja, Sanjay Dutt, Shilpa Shetty, V. Ravichandran, Ramesh Aravind, Reeshma Nanaiah, Jisshu Sengupta and Nora Fatehi. The music was composed by Arjun Janya, while the cinematography and editing were handled by William David and Sanketh Achar, respectively She is currently seen as a host of the show Maa Hai Na, a reality cooking series. In the show, celebrity contestants compete in pairs, each pairing a public figure with a parent or adult child, in cooking challenges and comedy segments."},"img":{"url":"https://images.prismic.io/prad/1faa25f6-a1ec-455a-b55a-c0bcc51dc56e_shilpa+shetty.JPG?auto=format,compress"},"datetime":"2026-07-28T06:25:00+0000","embed":{"embed_url":null}},"uid":"shilpa-slams-false-attribution"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Why Tiger Shroff’s mother sends hearts to Disha"},"content":{"text":"Tiger Shroff’s mother Ayesha Shroff showered love on actress Disha Patani’s latest vacation post. Taking to Instagram, the ‘Baaghi’ actress shared a couple of her photos. The images featured Disha striking various poses and offering a glimpse into her vacation moments. She also shared glimpses of the culinary treats she enjoyed, including delicious desserts ranging from a strawberry cake to cupcakes. The ‘M.S. Dhoni: The Untold Story’ actress also posted pictures of herself posing against the backdrop of stunning landscapes. Reacting to her post, Tiger Shroff’s mother, Ayesha Shroff, dropped several red heart emojis to her post. Earlier, on Disha Patani’s birthday, the actress received a special wish from Tiger Shroff’s mother, Ayesha, who shared a heartfelt note for her on social media. Expressing her love and affection for Disha, Ayesha spoke about their bond and promised that they would continue to embark on many more journeys together in the future.  “Happpppppiest birthday Deeeeshu!!! God bless you!! @dishapatani,” wrote Tiger’s mother. Responding to the birthday wish, Disha wrote, “Awww love you my aunty, i miss us travelling.” Replying to her, Ayesha said, “@dishapatani let’s do a lot of that this year!!” Interestingly, Disha Patani shares a warm and close bond with Tiger Shroff’s mother, Ayesha Shroff, and sister, Krishna Shroff. For the uninitiated, Disha and Tiger were linked in a much-discussed rumoured relationship for several years before reportedly parting ways in 2022. During that period, they were frequently spotted together at events, holidays and family gatherings. Despite widespread speculation, both actors consistently described each other as “good friends” and never publicly confirmed their relationship. Even after their reported breakup, Disha Patani continued to maintain a cordial and affectionate bond with Tiger Shroff’s mother, Ayesha Shroff, and sister, Krishna Shroff."},"img":{"url":"https://images.prismic.io/prad/wihph2oFwX7wdpzG_tigermotherdisha.JPG?auto=format,compress"},"datetime":"2026-07-28T07:54:00+0000","embed":{"embed_url":null}},"uid":"why-tiger-shroffs-mother-sends-hearts-to-disha"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Tom Cruise Daughter Legally Erases Dad's Last Name"},"content":{"text":"Hollywood action icon Tom Cruise and actress Katie Holmes’ daughter Suri has legally dropped her father’s last name. The 20-year-old legally changed her last name to Noelle from Cruise, according to the voter registration records obtained people.com. Suri currently attends Carnegie Mellon University in Pittsburgh, Pennsylvania, and registered to vote in Allegheny County, Pennsylvania during her freshman year in October 2024. Her registration reads Suri Noelle. Noelle is also Holmes’ middle name. Cruise and Holmes welcomed Suri in April 2006, married in November 2006, and divorced in 2012. Months before Suri registered to vote as Suri Noelle, she used the name for her high school graduation in June 2024. That same weekend, Cruise was seen attending Taylor Swift’s Eras tour at London’s Wembley Stadium. Two months later, in celebration of her daughter’s accomplishment, Holmes made rare comments about Suri while speaking to Town & Country. “I’m proud of my daughter. Of course, I will miss the close proximity, but I’m really proud of her and I’m happy,” she said. “I remember being this age, this time of beginnings. It’s exciting to learn about yourself, and I loved that time, so it makes me happy to think about it like that.” Then in December 2024, Holmes publicly addressed comments about Suri’s relationship with Cruise, denying the reports that she inherited a trust fund from her father. On the work front, Cruise is gearing up for the release of Digger Tom Cruise to star as ‘most powerful man in the world’ in 2026 film ‘Digger’ by Alejandro González Inarritu. The film is to release on October 2, 2026. It will have the superstar play the ‘most powerful man in the world’. The actor stars as Digger Rockwell. While the exact plot is still under wraps, Warner Bros. provided a logline describing Cruise’s character as “the most powerful man in the world” who “embarks on a frantic mission to prove that he is humanity’s savior before the disaster he’s unleashed destroys everything.” The cast also includes Sandra Hüller, John Goodman, Michael Stuhlbarg, Jesse Plemons, Sophie Wilde, Riz Ahmed and Emma D’Arcy. “Digger” is Cruise’s first film since signing a deal to develop and produce theatrical films with Warner Bros. Meanwhile, Holmes was recently seen in Happy Hours, a romantic dramedy film written and directed by Holmes. It stars Holmes, Joshua Jackson, Mary-Louise Parker, Joe Tippett, and Constance Wu. The film premiered at the Tribeca Festival on June 6, 2026."},"img":{"url":"https://images.prismic.io/prad/4yvvFM8L1i9JKeFJ_cruicedaughter.JPG?auto=format,compress"},"datetime":"2026-07-28T05:25:00+0000","embed":{"embed_url":null}},"uid":"daughter-legally-erases-tom-cruise-last-name-"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'KJQ - King, Jackie, Queen' Trailer"},"content":{"text":"'KJQ - King, Jackie, Queen' Trailer"},"img":{"url":"https://images.prismic.io/prad/x-J8ulo-Gfmznj-u_KJQW.JPG?auto=format,compress"},"datetime":"2026-07-28T06:59:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2fKeLvwm_dw"}},"uid":"kjq---king-jackie-queen-trailer"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Aadarsha Kutumbam House No  47' Unveils Srinidhi intro"},"content":{"text":"'Aadarsha Kutumbam House No  47' Unveils Srinidhi intro"},"img":{"url":"https://images.prismic.io/prad/EYlrjTpUqh4W1Pxq_srinidhishetty.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T07:11:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=ifYGGj58IOI"}},"uid":"aadarsha-kutumbam-house-no--47-unveils-srinidhi-in"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Dimple Hayathi begins training in Kuchipudi again!"},"content":{"text":"Actress Dimple Hayathi, who is a well-trained Kuchipudi dancer, has now announced that she has re-started her training in the dance form.  Taking to her Instagram page to make the announcement, Dimple Hayathi, who posted pictures of herself training in the dance form, wrote, \"My happy place. Touching back to my roots. Kuchipudi is not just an art form, it’s a meditation that aligns your body mind and soul.\" She went on to add, \"I’m happy to learn through @madhurimanarla garu my guru and have been able to transform through the journey. Have always performed various programs since my childhood but never put it out, I have always been intact to my roots... Post being an actress, it’s been quite a while that I could get back to where I belong and today, using such a platform to share with you guys. Much love (sic).\" The actress, who is fast emerging as one of the leading actresses in the Telugu film industry, thanks in no small measure to her dancing skills, will next be seen playing one of the female leads in director Sampath Nandi's explosive action drama, 'Bhogi', featuring actor Sharwanand in the lead. It may be recalled that only recently, the makers released the first look of the actress as Mandaram in the film, much to the delight of fans and film buffs. Taking to their social media timelines to release the look of Dimple Hayathi as Mandaram, the makers had said, \"Introducing M A N D A R A M. Beauty the world desired... A soul it never understood.\" The poster featured Dimple in a bold and stunning avatar, draped in a fiery red saree. She was seen seated gracefully yet intensely, holding a traditional palm-leaf hand fan. Her styling, along with the rustic background featuring an antique brass box and traditional elements, perfectly captured the authentic 1960s period setting. Her expression was sharp and unapologetic, hinting at a very strong personality. Sources close to the unit had told that Mandaram would be a bold and powerful character who would simply not care for the world. \"She carries a highly flammable attitude that matches the intense, red-hot vibe of her poster. She brings a unique fire to the film, standing strong in the storm of Bhogi,\" a source had said. For the unaware, the makers have also disclosed that actress Anupama Parameswaran, who plays the other female lead in the film, plays a character called Kandula Sulochana Rani in the film. Sharwanand plays a character called Ganga in the eagerly awaited action thriller. Set in the early 1960s, 'Bhogi' is a pulsating period action drama unfolding in a fictional village along the borders of Telangana and Maharashtra."},"img":{"url":"https://images.prismic.io/prad/tf0GoBPWvnHZTGOW_dimp-le.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T05:23:00+0000","embed":{"embed_url":null}},"uid":"dimple-hayathi-begins-training-in-kuchipudi-again"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Pawan's wife: \"Please call me Anna Konidala!\""},"content":{"text":"Anna Konidala, the wife of Telugu star and Andhra Pradesh Deputy Chief Minister Pawan Kalyan, has now requested everyone to address her as Anna Konidala and not Anna Lezhneva. Taking to her Instagram page to pen a post about her name, even as she gears up to welcome her next birthday, Anna Konidala wrote, \"A name is such a personal thing. With my birthday coming up soon, I felt like it’s finally the right moment to write this. I’ve been meaning to do it ever since I started this Instagram account. I wrote it, deleted it… came back to it again. And I just couldn’t find the right way to say it.\" She went on to say, \"Most people first got to know me as Anna Lezhneva, because that’s the name that was everywhere when news about our marriage came out. The funny thing is, our marriage certificate is actually the last official document where that surname appears. On that day, I took my husband’s surname and became Anna Konidala. So if you’ve read this far, I just have one small request. Please call me Anna Konidala.\" Stating that that was her name, she said, \"It’s the one I feel like myself with. Thank you for understanding. It really means a lot to me.\" She concluded the post with a note on the picture she had shared. She said, \"P.S. The photo was taken during our very first trip to Saint Petersburg, Russia, together.\""},"img":{"url":"https://images.prismic.io/prad/UKCasL5OjSm2y-TZ_pkanna.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T05:36:00+0000","embed":{"embed_url":null}},"uid":"pawans-wife-please-call-me-anna-konidala"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Anil Ravipudi: Tollywood's Hit Factory"},"content":{"text":"Anil Ravipudi has firmly established himself as one of Telugu cinema's most dependable commercial filmmakers, delivering one box-office success after another. Known for blending clean family entertainment with humor and mass appeal, he has built an impressive track record that continues to attract audiences across all age groups. From his directorial debut to his latest release, the filmmaker has consistently proven his ability to transform simple stories into blockbuster entertainers, making him one of the industry's most sought-after directors. The director is now busy helming a high-profile multi-starrer featuring Venkatesh and Kalyan Ram in the lead roles, with Keerthy Suresh and Krithi Shetty playing the female leads. Backed by a major production collaboration, the film is progressing at a brisk pace and is being planned for a grand Sankranti release next year. With its star-studded cast and Anil's successful commercial formula, the project has already generated significant excitement among trade circles and movie lovers alike. Anil Ravipudi's growing demand goes far beyond his string of hits. Industry reports suggest that several leading production houses are lining up to secure his dates for future projects, with multiple big-banner collaborations reportedly in discussion. Producers are said to value his disciplined filmmaking style, ability to complete shoots on schedule, and knack for keeping budgets under control while still delivering crowd-pleasing entertainers. In an era where production costs continue to rise, these qualities have made Anil one of the most trusted directors in Tollywood, strengthening his position as the industry's current \"success machine.\""},"img":{"url":"https://images.prismic.io/prad/aYxtd90YXLCxVrje_anilravipudi.JPG?auto=format,compress"},"datetime":"2026-07-28T07:30:00+0000","embed":{"embed_url":null}},"uid":"anil-ravipudi-tollywoods-hit-factory"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"US bill revives green card pathway for H-1B visa holders"},"content":{"text":"A senior Democratic senator has renewed a push to give millions of long-term US residents, including H-1B visa holders, a pathway to permanent residency as President Donald Trump intensifies immigration enforcement.  Senator Alex Padilla of California said his proposal would modernise an immigration provision that has not been updated since 1986. It could benefit more than eight million people, according to material released by his office. The Renewing Immigration Provisions of the Immigration Act of 1929 would allow immigrants to apply for lawful permanent resident status if they had lived continuously in the United States for at least seven years before applying. Applicants would also need to have no criminal record and meet all other existing green card eligibility requirements. The measure would cover Dreamers, Temporary Protected Status holders, essential workers and children of long-term visa holders. It could also help highly skilled workers, including H-1B visa holders who have waited years for employment-based green cards. The proposal could carry particular significance for Indian professionals. Indians account for a large share of H-1B visa holders and often face lengthy waits for permanent residency because of employment-based green card limits. “A year ago, I introduced this bill to push back against the Trump Administration’s cruel treatment of hardworking immigrants,” Padilla said. “Since then, President Trump’s campaign of fear has only escalated, with families living under constant uncertainty despite having built their lives in this country,” he said. “Congress cannot continue to ignore millions of long-term residents who contribute to our economy and communities every day. It’s past time to modernize our immigration laws and create a fair pathway to lawful permanent residency.” The bill would amend Section 249 of the Immigration and Nationality Act, known as the Registry. That provision gives the Homeland Security secretary discretion to grant permanent residency to certain people who have lived in the country since a specified date and meet other requirements. The current eligibility cutoff is January 1, 1972. Padilla’s legislation would replace that fixed date with a rolling requirement of seven years. The change would take effect 60 days after enactment. Senate Democratic Whip Dick Durbin is co-leading the measure. Fourteen other senators have signed on as co-sponsors. Representative Zoe Lofgren of California is leading companion legislation in the House. More than 30 labour, immigration and civil rights organisations have endorsed the bill. They include the AFL-CIO, Service Employees International Union, UNITE HERE, United Farm Workers and the National Immigration Law Center. Congress first established the Registry in 1929 and has updated it four times. Its most recent revision came during the Reagan administration in 1986. Only 305 people adjusted their status through the provision between 2015 and 2019, according to Padilla’s office. The proposal faces an uncertain path in Congress amid deep partisan divisions over immigration. Padilla, the ranking Democrat on the Senate Judiciary Immigration Subcommittee, has also introduced measures covering immigrant essential workers and children brought legally to the United States as dependants of work-visa holders."},"img":{"url":"https://images.prismic.io/prad/6a5229b9-ba41-4fbf-926a-a933bd8f60b1_SU+Greencard.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T01:28:00+0000","embed":{"embed_url":null}},"uid":"us-bill-revives-green-card-pathway-for-h-1b-visa-h"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Irumudi' Ready for Aug 21"},"content":{"text":"Seeking to indirectly put an end to rumours doing the rounds on social media that director Shiva Nirvana's upcoming film, 'Irumudi', featuring actor Ravi Teja in the lead, might miss its release date on August 21, the film's makers have now released a new poster from the film, reiterating the fact that the film will hit screens as scheduled on August 21. Taking to its social media timelines to release the new poster, Mythri Movie Makers, the production house producing the film, wrote, \"#IRUMUDI in cinemas from August 21st, 2026. The most heartwarming father-daughter story unfolds on the big screen in 25 days. #IRUMUDI / #IRUMUDIKATTU. Starring MASS MAHARAJA @RaviTeja_offl. A @ShivaNirvana film. A @gvprakash musical.\"  For the unaware, Ravi Teja, who is betting big on this film, had begun dubbing for his portions in the film a week ago. In fact, the makers had unveiled a dubbing studio video featuring the actor delivering the powerful dialogue, \"I've only one daughter, and her name is Manamma.\" The video also featured Baby Nakshathra and director Shiva Nirvana. Sources then had claimed that the shoot was in its final leg, with only three days of filming left. They had also informed that post-production was progressing simultaneously, to ensure that the film remained on schedule for its grand theatrical release on August 21. Music director GV Prakash Kumar, who has composed a soulful and diverse soundtrack, has also commenced the re-recording work. The film has triggered huge interest in fans and film buffs ever since the makers released a glimpse video last month. The glimpse video that was released showed Ravi Teja lovingly taking care of his daughter in the film. The child, it is evident, is in a very happy space with her father. However, the glimpse video hints at something tragic happening. Ravi Teja is then seen turning violent. He turns an alcoholic. When his daughter urges him to quit alcohol, he becomes an Ayyappa devotee and wears the sacred mala to take back control of his life and kick the dreaded habit.   The film happens to be Ravi Teja's 77th film and was therefore being tentatively referred to as #RT77 until it was titled 'Irumudi'. The title 'Irumudi' carries deep spiritual significance, as it symbolizes a devotee’s sacred offering and surrender to Lord Ayyappa."},"img":{"url":"https://images.prismic.io/prad/zG5UMU9LvRJcWxGB_irumudi.JPG?auto=format,compress"},"datetime":"2026-07-28T05:15:00+0000","embed":{"embed_url":null}},"uid":"irumudi-ready-for-aug-21"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Telangana Woman Dies in US Crash"},"content":{"text":"A tragic road accident in the United States has claimed the life of a woman from Telangana, leaving her family and hometown in deep mourning. The victim, Deepa Reddy (44), hailed from Akuthotapalli village in Amangal mandal of Rangareddy district. She had been living in New Jersey for several years along with her husband, Ramakrishna Reddy, after the couple moved to the US to pursue careers as software engineers. The sudden tragedy has sent shockwaves through both the local community in Telangana and the Indian diaspora in the United States. According to preliminary reports, the accident occurred at a traffic signal in New Jersey. Deepa Reddy and her husband were travelling in their car when they stopped at a red light. Moments later, another vehicle reportedly rammed into their car with great force. The impact was so severe that Deepa Reddy suffered fatal injuries and died at the scene, while authorities immediately launched an investigation into the circumstances surrounding the crash. The heartbreaking news has devastated her family members and relatives back in Telangana, who were informed of the incident soon after the accident. Friends and well-wishers described Deepa as a dedicated professional who had built a successful life abroad while maintaining close ties with her native village. Messages of condolence have been pouring in as the family struggles to come to terms with the unexpected loss. Efforts are now underway to complete the required legal formalities in the United States before repatriating Deepa Reddy's mortal remains to India. Family members are coordinating with officials and the Indian community in New Jersey to facilitate the process. The incident has once again highlighted the unpredictable nature of road accidents, reminding everyone of the importance of road safety while leaving a grieving family to cope with an irreplaceable loss."},"img":{"url":"https://images.prismic.io/prad/UW3rZZwdBj5yzKCh_accident.JPG?auto=format,compress"},"datetime":"2026-07-28T09:00:00+0000","embed":{"embed_url":null}},"uid":"telangana-woman-dies-in-us-crash"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Jr NTR Faces Recovery Break"},"content":{"text":"Tollywood star Jr NTR has suffered a shoulder injury, prompting doctors to advise him to stay away from strenuous activities for the next six to eight weeks. The actor reportedly sustained the injury unexpectedly on Monday evening and was taken to a hospital for medical evaluation.  After a thorough examination, specialists recommended complete rest to ensure a full recovery, reassuring that the injury is being closely monitored and treated. The development has naturally raised concerns among fans, especially as the actor is currently occupied with one of the biggest projects of his career. The update was officially shared by Jr NTR's team through a social media statement, which urged fans not to panic and assured them that the actor is receiving proper medical care. The statement also promised regular updates on his health while thanking fans for their overwhelming support and concern. With Jr NTR currently working on director Prashanth Neel's much-awaited action entertainer 'Dragon' (NTR31), the focus is now on his recovery, with well-wishers hoping the star returns to the sets only after making a complete recovery."},"img":{"url":"https://images.prismic.io/prad/vTXPV9-1ku608pfb_jrntr.JPG?auto=format,compress"},"datetime":"2026-07-27T15:44:00+0000","embed":{"embed_url":null}},"uid":"jr-ntr-faces-recovery-break"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"T'gana decides to issue Family Register Certificates"},"content":{"text":"The Telangana government has decided to constitute the Telangana Family Register and to introduce a facility for the issue of a Family Register Certificate through the MeeSeva platform.  This has been done to ensure uniformity in the verification of family particulars and to provide a readily accessible record. The Revenue Department has issued orders to this effect. According to the Government Order (GO), the decision has been taken after carefully examining the difficulties experienced by the citizens in producing an authenticated and reliable record of their family composition for availing various government services. The state-wide Telangana Family Register will be maintained in electronic form and it will contain details like family register identification number (ration card number), name of the head of the family, name of each member of the family, relationship of each member to the head of the family, age, date of birth, gender, Aadhaar number of each member, and present address of the family. A new citizen service styled ‘Telangana Family Register Certificate’ will be introduced in the MeeSeva platform. Any citizen may apply for a copy of the Family Register, pertaining to his/her family, through any MeeSeva Centre, through the MeeSeva online portal/mobile application, on payment of the prescribed charges. According to the GO, the service shall be delivered within a timeline of two working days from the date of the receipt of the application. AIMIM President and Hyderabad MP Asaduddin Owaisi has welcomed the decision of the Telangana government to issue Family Register Certificate through the MeeSeva platform. According to him, Rs 62 will be the service charge for issuing the certificate. Owaisi posted on X that he had made a representation to the government along with Faheem Qureshi, Vice Chairman and President of Telangana Minorities Residential Educational Institutions Society (TMREIS). “The certificate is one of the 12 acceptable documents under the Special Intensive Revision. It will benefit many poor & undocumented people if they receive notice. I hope this facility is used by the people. I thank the state government for its timely decision,” said Owaisi."},"img":{"url":"https://images.prismic.io/prad/3hZ9l-2wi9H0JaUX_FRC.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-27T14:27:00+0000","embed":{"embed_url":null}},"uid":"tgana-decides-to-issue-family-register-certificate"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"RGV Wants Education Scrapped"},"content":{"text":"Filmmaker Ram Gopal Varma has once again gone extreme with his opinion, this time on the raging issue of education. On Monday, the filmmaker took to his X, formerly Twitter, and penned a long note ridiculing the prevalent system and concept of education. He wrote, “EDUCATION SHOULD BE KILLED Memorise. Write . Pass. Get degree. Get job. This was the formula paper thrust upon us , but now it is high time to tear it up A medical student burns five years of his time doing MBBS, two years post graduation, then two or three more for specialisation , totalling 10 years to learn what the A I in his pocket already knows . The doctor conducts tests , sees data and makes diagnosis from his accumulated knowledge to suggest treatment Now A I is doing all that with far more precision and unimaginably faster without fatigue or preoccupation Geoffrey Hinton, the man who built the foundations of modern AI , is shouting from roof tops that A I will do everything far better All experts agree that AI will keep take over what doctors are currently doing in the next 1 or 2 years”. He asked why exactly are students still preparing for NEET or joining medical courses when diagnosis is algorithmic and surgery is robotic. He shared, “The human doctor slowly starts becoming a middleman for which he doesn’t need to do a course for 10 years. Teachers still say, ‘It’s in the syllabus’. Parents still say, ‘Everyone else is doing it’. The youngster who dares to ask ‘Why am I memorising what my phone already knows?’ is treated like a radical instead of the only sane person”. “This is not about demeaning parents or teachers.They either do not know or living in denial When the conventional education system is already in the mortuary why are we refusing to bury it? Everyone needs to buckle up and kill the education system in its present form , before young peoples futures are killed by the elderly ignorants The only hope is to steer them super fast towards A I and throw everything else into the dustbin”, he added. RGV comments come amidst the ongoing issue of NEET-UG 2026 paper leak following which the Union Minister of Education, Dharmendra Pradhan had to resign. The political satire movement Cockroach Janta Party laid siege on Jantar Mantar demanding the resignation of Pradhan. After his resignation, CJP called off the strike. However, as per new reports the police have started rounding up protestors after the strike was called off. CJP has termed this move as a breach of trust on government’s part, and has said that they will be forced to call for the strikes once again if the existing charges against protestors are not dropped."},"img":{"url":"https://images.prismic.io/prad%2F337e0fb8-337d-4f39-8ea2-09736499c342_rgv.jpg?auto=format%2Ccompress&rect=0%2C4%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-27T13:36:00+0000","embed":{"embed_url":null}},"uid":"rgv-wants-education-scrapped"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rakul Preet is back at gym after injury"},"content":{"text":"Actress Rakul Preet Singh is back to the grind, and isn’t afraid to chase a new version of herself. On Monday, the actress took to her Instagram, and shared a series of pictures from her gym session. The actress entered her gym after an injury, and shared that the injury taught her that healing is a process that takes time, and it can’t be rushed. She also penned a long note in the caption, as she reflected on the aftermath of the injury, and how she is looking at a new beginning. She wrote, “Every journey has a chapter that no one plans for. Mine came in the form of an injury. One moment I was focused on becoming stronger every day, and the next I was forced to stop completely. It wasn’t just the pain that was difficult, it was the silence that came with stepping away from something that had become such a big part of my life. The gym wasn’t only a place where I trained my body. It was where I built discipline, cleared my mind, and reminded myself every day that growth comes from consistency. The hardest part wasn’t watching my progress pause. It was learning to accept that healing couldn’t be rushed. Every day I wanted to get back, but my body kept reminding me that recovery has its own timeline. There were moments of frustration, moments of doubt, and moments when I wondered how much I would lose. But slowly I realized that sometimes life isn’t trying to stop you. Sometimes it’s preparing you to come back with a different perspective”. The actress shared that recovery taught her lessons that no workout ever could. It taught her patience when she wanted results. She shared, “It taught me gratitude for movements I once took for granted. It reminded me that strength isn’t always loud. Sometimes strength is choosing to rest when your mind wants to push harder. Sometimes strength is believing in yourself even when you can’t see immediate progress. As the days passed, I stopped focusing on everything I had lost and started appreciating everything I still had. The goal changed from lifting heavier weights to simply becoming healthy again. Every small improvement became a victory”. Every step forward, no matter how small, reminded me that progress never truly disappears. It just looks different during different phases of life. Today, walking back into the gym feels like returning home after a long journey. Everything looks familiar, yet I know I’m not the same person who walked out year and half ago. I’m carrying new experiences, new lessons, and a new appreciation for every opportunity to train again. This isn’t about picking up where I left off. It’s about beginning again with a stronger mindset. I’m not chasing the version of myself that existed before the injury. That chapter is over”, she added."},"img":{"url":"https://images.prismic.io/prad/IANJZ44Ukmo-gVpg_rajul.JPG?auto=format%2Ccompress&rect=0%2C23%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-27T12:42:00+0000","embed":{"embed_url":null}},"uid":"rakul-preet-is-back-at-gym-after-injury"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Suresh Gopi's Election Row Reaches SC"},"content":{"text":"Union Minister and BJP MP Suresh Gopi has moved the Supreme Court challenging the Kerala High Court's refusal to dismiss, at the threshold, an election petition questioning his victory from the Thrissur Lok Sabha constituency in the 2024 general elections.  A Bench of Justices PS Narasimha and Alok Aradhe on Monday adjourned the matter to August 31 after taking up Gopi's special leave petition (SLP) challenging the April 1 judgment of the Kerala High Court. Gopi has challenged the Kerala High Court's decision rejecting his preliminary objections to the maintainability of the election petition and directing that the matter proceed to trial on the allegations of corrupt electoral practices. In an order passed on April 1, a single-judge Bench of Justice Kauser Edappagath rejected Gopi's plea seeking dismissal of the election petition at the threshold, holding that the challenge to its maintainability could not be sustained. \"The upshot of the findings is that the challenge to the maintainability of the election petition raised on all grounds must fail. Hence the preliminary objections raised by the respondent (Suresh Gopi) are overruled. Election petition is not liable to be dismissed in limine,\" the Kerala High Court had said. However, the High Court struck off one allegation relating to the distribution of shade umbrellas to vendors in a vegetable market while directing that the remaining allegations be tried on merits. \"The corrupt practices alleged with regard to the distribution of shade umbrellas to the vendors at the vegetable market mentioned in para 16 of the election petition are struck off. The respondent (Gopi) shall face trial for the other corrupt practices alleged in the petition,\" the High Court had ordered. The election petition was filed by Binoy A.S., district president of the All India Youth Federation (AIYF) in Thrissur, seeking to have Gopi's election declared void under the provisions of the Representation of the People Act. Binoy alleged that Gopi indulged in multiple corrupt electoral practices during the 2024 Lok Sabha campaign, including appealing to voters on religious grounds by using religious imagery and invoking religious sentiments in campaign material. The petition referred to flex boards allegedly depicting Gopi alongside images of Lord Krishna, Radha and the Ram Temple, besides campaign speeches by BJP leaders that allegedly urged voters to cast their ballots on religious considerations. It further alleged that promises of monetary and other benefits were made to voters during the Model Code of Conduct period and that several such instances were publicised through social media platforms, including a Facebook page linked to BJP Thrissur. Gopi registered a historic victory from the Thrissur Lok Sabha constituency in the 2024 general elections, opening the BJP's account in Kerala. He won the seat by a margin of more than 70,000 votes and currently serves as Minister of State for Petroleum and Natural Gas. On May 26, while entertaining Gopi's SLP, the Supreme Court had issued notice on the plea, returnable on July 27. On Monday, the matter was deferred for further consideration and is now likely to be listed on August 31."},"img":{"url":"https://images.prismic.io/prad/aczqbpGXnQHGZKRg_sureshgopoi.JPG?auto=format,compress"},"datetime":"2026-07-27T12:11:00+0000","embed":{"embed_url":null}},"uid":"suresh-gopis-election-row-reaches-sc"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"HC Removes HYDRAA Commissioner Ranganath"},"content":{"text":"Telangana High Court on Monday directed the Chief Secretary to immediately replace Hyderabad Disaster Response and Asset Protection Agency (HYDRAA) Commissioner, A.V. Ranganath for repeatedly flouting court orders.  Justice Anil Kumar Jukanti asked Chief Secretary Sanjay Jaju to identify a suitable officer to replace Ranganath as the head of HYDRAA. The High Court gave the direction on a contempt case relating to a 40-acre parcel of land at Lothkunta involving a private construction company. The judge took note of the fact that as many as 63 contempt cases are reportedly pending against the HYDRAA Commissioner before the High Court during his one-and-a-half-year tenure. The court observed that it was inappropriate for a secretary-level official to commit contempt of court. A private construction company had filed the contempt case relating to the land at Lothkunta. It accused the HYDRAA officials of entering the property and fencing it despite subsisting judicial restraint orders. The High Court had ordered Ranganath to tender an apology through a written affidavit by Monday. However, the counsel representing HYDRAA informed the court that a petition would be filed shortly instead. The court took serious objection to this submission, pointing out that time had been granted until Monday specifically to file the affidavit, following the intervention of the Advocate General. It also voiced concern that the HYDRAA Commissioner had repeatedly failed to comply with judicial directions and undertakings given before the Court, despite earlier warnings. Justice Anil Kumar observed that while HYDRAA's mission to protect public assets is commendable, its powers must be exercised with restraint and in strict accordance with the rule of law. Expressing strong displeasure over the functioning of the Commissioner, he asked Chief Secretary to find a suitable officer to head the agency in place of the present Commissioner. During the last hearing, the High Court had said that they will have to bring in the Army to ensure that Ranganath operates legally. The judge had remarked that if required, he could direct the Army to take HYDRAA Commissioner into custody and lodge him in Army barracks for repeatedly violating court orders. He had directed the High Court’s Registrar General, its senior administrative officer, to contact the Army’s senior-most Brigadier posted with the Bison Division and arrange for 10 Army personnel to be deployed at the disputed site. Advocate General Sudarshan Reddy had then submitted to the court on Ranganath’s behalf that he will follow court orders. The Advocate General had also told the court that a detailed affidavit would be filed. At this point, the court had directed that the HYDRAA Commissioner should tender an apology through the affidavit. Ranganth, an Indian Police Service (IPS) official, has been heading HYDRAA since the agency was formed two years ago by the state government. During the last two years, HYDRAA claims to have saved 3,315 acres of government land worth a whopping Rs.1.5 lakh crore and restored several water bodies. The agency said that it reclaimed and protected lakes, nalas, parks, government lands, and blue-green resources. The functioning of HYDRAA has come under criticism from opposition parties, who accused the agency of bulldozing the houses of poor on government land."},"img":{"url":"https://images.prismic.io/prad/Zvr4XbVsGrYSwK57_HYDRAA.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-27T11:45:00+0000","embed":{"embed_url":null}},"uid":"hc-removes-hydraa-commissioner-ranganath"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"RC Undergoes Successful Wrist Surgery"},"content":{"text":"In a significant health update, renowned Tollywood actor Ram Charan has successfully undergone surgery for a right wrist injury at Ganga Hospital in Coimbatore. The popular star, known for his roles in blockbuster films, faced this challenging situation while diligently filming for his upcoming project, 'Peddi.' His professional commitment did not waver as he completed his shooting schedule prior to the surgery, demonstrating his dedication to his craft even in the face of adversity. The surgical procedure was expertly performed by Dr. S. Rajasekaran, the Chairman of Ganga Hospital, who is a prominent figure in orthopedic surgery with a reputation that extends far beyond Indian borders. Joining him was Dr. Alejandro Badia, a highly regarded wrist surgeon based in the United States, whose involvement underscores the complexity of the operation. Together with Dr. Praveen Bharadwaj and a skilled team of specialists, they navigated the intricacies of the surgery, which was deemed critical for Ram Charan's recovery and future performance. This wrist injury is not just a minor setback in Ram Charan's career but rather a striking example of the physical demands placed on actors in the film industry. The injury reportedly worsened during a high-intensity shoot, reflecting the rigorous nature of modern filmmaking. Ram Charan’s professionalism shone through as he maintained his shooting schedule, illustrating the relentless drive often observed in leading film personalities who balance their health with the demands of their profession. Post-surgery, reports from his medical team indicate that Ram Charan is on the path to recovery, with the actor set to engage in a structured rehabilitation program before returning to his work commitments. His family, including his parents Chiranjeevi and Surekha, along with his wife Upasana, have been by his side throughout the ordeal, expressing profound gratitude to fans for their prayers and support during this challenging time. This incident highlights not only the vulnerabilities that come with physical performance but also the strong foundations of familial and fan support that sustain public figures during their most trying times."},"img":{"url":"https://images.prismic.io/prad/Z-QaLHdAxsiBv70K_RC16.JPG?auto=format,compress"},"datetime":"2026-07-27T09:30:00+0000","embed":{"embed_url":null}},"uid":"rc-undergoes-successful-wrist-surgery"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Anirudh thanks Vijay for ‘unlimited trust’"},"content":{"text":"Music composer Anirudh Ravichander shared a note for Tamil Nadu CM Vijay and expressed gratitude for the trust and memories they built while working together on Jana Nayagan and the other movies they have collaborated.  Jana Nayagan marks the fifth collaboration between Ravichander and Vijay after films such as Leo, Beast, Master and Kaththi. Taking to X, formerly called Twitter, Anirudh Ravichander shared a picture with Vijay from a song shoot from the film. “It has been a thoroughly amazing and emotional journey with you through JanaNayagan, Leo, Beast, Master and Kaththi Thank you @actorvijay sir for the unlimited trust and memories that I will cherish forever. The music lives on,” he wrote as the caption. Jana Nayagan also stars Bobby Deol, Pooja Hegde and Mamitha Baiju in the lead role alongside Nassar, Prakash Raj, Gautham Vasudev Menon, Narain, and Priyamani. The film is a remake of the 2023 Telugu film Bhagavanth Kesari. It marked Vijay's final film appearance before entering politics and was the first of his films to be released after he assumed office as the Chief Minister of Tamil Nadu. The film follows a former IPS police officer who raises the daughter of a deceased friend and encourages her to overcome childhood trauma and pursue a career in the Indian Army. Talking about Anirudh Ravichander, his debut song \"Why This Kolaveri Di\", composed for the 2012 film 3, went viral across the globe and has achieved over 590 million views on YouTube. He was signed by A.R. Murugadoss to compose music for Kaththi starring Vijay & Samantha. In 2016, he featured with Diplo on the remix of Major Lazer's hit single \"Cold Water\". Ravichander primarily in Tamil cinema. He has been feted with ten SIIMA Awards, six Edison Awards and five Vijay awards."},"img":{"url":"https://images.prismic.io/prad/ECkk46D2akEuXK_U_anirudhvijay.JPG?auto=format%2Ccompress&rect=0%2C13%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-27T04:42:00+0000","embed":{"embed_url":null}},"uid":"anirudh-thanks-vijay-for-unlimited-trust"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Yash Turns Airport Into Fan Zone"},"content":{"text":"Kannada superstar Yash seems to have proven why he enjoys a massive fan following.  This time around on Monday early morning, he made sure to make his fans smile by obliging time selfies and pictures for a long time as he returned to Mumbai airport. The actor was seen walking towards his luxury car post arriving at Mumbai airport,when a group of fans approached him, requesting selfies and pictures. Instead of hurrying away, Yash gladly obliged. He was seen spending some extra time with them, patiently posing for individual pictures and ensuring everyone got their moment with him before finally leaving the airport  Dressed in an all-black outfit comprising a loose black shirt and matching trousers, Yash added black sunglasses to his look and looked stylish. On the work front, Yash is gearing up for one of the biggest films of his career, Nitesh Tiwari's mythological epic 'Ramayana'."},"img":{"url":"https://images.prismic.io/prad/DHu_CUkpo4TwubCW_yash.JPG?auto=format%2Ccompress&rect=0%2C184%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-27T02:32:00+0000","embed":{"embed_url":null}},"uid":"yash-turns-airport-into-fan-zone"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"New Man, New Chapter for Malaika?"},"content":{"text":"Bollywood star Malaika Arora has once again become the center of attention, with fresh rumors about her love life dominating entertainment circles. Known for her timeless style and fitness, the actress has continued to stay in the spotlight long after her breakup with actor Arjun Kapoor. Now, gossip surrounding a possible new relationship has reignited public curiosity, with reports linking her to businessman Harsh Mehta. The speculation intensified after Malaika and Harsh Mehta were reportedly seen attending several of the same high-profile events. While the two have not been photographed posing together, fans and paparazzi noticed their presence at multiple public appearances, including music events, airports, and a recent private gathering in Mumbai's Bandra. Malaika attended the party with her son Arhaan Khan, while Harsh was also said to be among the invited guests. Their repeated appearances at the same venues have fueled widespread discussion on social media. Even with the growing chatter, there has been no official confirmation from either Malaika or Harsh Mehta regarding the nature of their relationship. Sources suggest they prefer to keep their personal lives away from the spotlight, but constant media attention has only added to the speculation. For now, the reports remain unverified, and whether the two are simply friends or romantically involved is something only time—or an official statement—will reveal."},"img":{"url":"https://images.prismic.io/prad/aHPZyEMqNJQqH0jb_malaika.JPG?auto=format,compress"},"datetime":"2026-07-27T06:02:00+0000","embed":{"embed_url":null}},"uid":"new-man-new-chapter-for-malaika"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Pregnancy Chic: Sam Stuns in 39,000 Jumpsuit "},"content":{"text":"Samantha Ruth Prabhu recently captivated onlookers during a public appearance in Mumbai, showcasing both her burgeoning baby bump and an exquisite black jumpsuit that has ignited conversations across social media. The actress, who stepped out from her Bandra residence, exuded a radiant pregnancy glow that complemented her choice of attire, leading to a viral surge of admiration and curiosity among fans and fashion enthusiasts alike. The striking black jumpsuit, known as the 'midnight veil' design from the homegrown label Aroka, retails for an impressive Rs 39,000. Tailored from fluid Japanese crepe, the strapless piece boasts a structured bodice that defines the silhouette, paired with relaxed trousers that allow for a comfortable yet elegant fit. Notably, the ensemble is accented by a sheer chiffon scarf, bordered with delicate lace, which can be styled in multiple ways, enhancing the garment's versatility and appeal. Samantha's personal life has also been a topic of significant interest, especially following her announcement regarding her impending motherhood with filmmaker Raj Nidimoru. During a recent success event for her film 'Maa Inti Bangaaram', she expressed her excitement about taking a short maternity leave, sharing how the journey of pregnancy has imbued her with newfound strength and purpose. The couple, having tied the knot in a uniquely intimate ceremony rooted in the Bhuta Shuddhi Vivaha tradition, exemplifies a deep personal and professional partnership that resonates within their creative collaborations. Professionally, Samantha continues to navigate a busy schedule as she balances her roles in the entertainment industry. Her collaborations with Raj Nidimoru have garnered acclaim, beginning with 'The Family Man' Season 2, and most recently in 'Maa Inti Bangaaram', which has seen success in both theatrical and OTT formats. While she remains engaged with projects spanning from Hyderabad to Mumbai, details about her next venture post-maternity leave remain closely guarded, leaving fans eagerly anticipating her upcoming roles and creative pursuits."},"img":{"url":"https://images.prismic.io/prad/Z_VYfIypflshQSjS_sam.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T10:29:00+0000","embed":{"embed_url":null}},"uid":"pregnancy-chic-sam-stuns-in-39000-jumpsuit-"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Hiring Row Rocks Andhra"},"content":{"text":"The YSR Congress Party on Tuesday held protests across Andhra Pradesh against the irregularities in the Mega DSC-2025 for recruitment of teachers.  Large-scale protests were organised simultaneously across the state under the party's student and youth wings. Demonstrations were held in Vijayawada, Nellore, Tirupati, Nandyal, and several other districts, while police prevented a proposed rally in Narasannapeta, leading to a tense situation. The opposition party is demanding the resignation of Education Minister Nara Lokesh, holding him morally responsible for the alleged Mega DSC (District Selection Committee) irregularities. Protesters also sought a CBI investigation into the DSC recruitment process, alleging question paper leaks, irregular sports quota appointments, and denial of opportunities to deserving candidates. According to the party, the protests also highlighted the NEET paper leak controversy, pending fee reimbursement dues running into thousands of crores, and the coalition government's failure to fulfil its promise of unemployment allowance. In Vijayawada, a massive rally organised by the YSRCP youth and student wings proceeded from Sambamurthy Nagar to Dharna Chowk, led by NTR District President Devineni Avinash, former minister Vellampalli Srinivas, former MLA Malladi Vishnu, and students wing state Working President Ravichandra. In Nellore, hundreds of students and youth marched from the Dr B.R. Ambedkar statue to Gandhi Bomma Centre, demanding Lokesh's resignation and justice for unemployed youth. The protest was led by former minister Kakani Govardhan Reddy and MLC Parvathareddy Chandrasekhar Reddy. In Tirupati, former minister R.K. Roja addressed protesters, demanding Lokesh's resignation and a CBI inquiry into the alleged DSC irregularities. She alleged that the recruitment process was marred by paper leaks and irregular Sports Quota appointments. Stating that Rs. 7,000 crore in fee reimbursement dues remain pending, she also criticised the government's failure to provide the promised unemployment allowance. She said the party's agitation would continue until accountability is fixed. In Nandyal, YSRCP leaders, students and unemployed youth staged a protest rally demanding Lokesh's resignation over the alleged Mega DSC irregularities. The demonstrators condemned the reported question paper leak and raised objections over irregularities in Sports Quota recruitment. The protest was attended by Katasani Ram Bhupal Reddy, Rami Reddy, and MLC Isaq Basha. Meanwhile, Narasannapeta witnessed tense scenes after police blocked a proposed YSRCP student-youth rally. Hundreds of students and youth from four mandals gathered under the leadership of Dr Dharmana Krishna Chaitanya and were preparing to leave in a convoy of nearly 50 vehicles when a heavy police contingent prevented the rally from proceeding. Dr Chaitanya demanded written reasons for the restrictions, while police cited prohibitory orders on large public rallies. YSRCP leaders condemned the police action as an attempt to suppress democratic protests"},"img":{"url":"https://images.prismic.io/prad/F2_WsQXkBErWOlex_ycpprotest.JPG?auto=format%2Ccompress&rect=0%2C179%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-28T11:25:00+0000","embed":{"embed_url":null}},"uid":"hiring-row-rocks-andhra"}},{"node":{"data":{"title":{"text":"Nirav Extradition Gets Green Light"},"content":{"text":"The Ministry of External Affairs (MEA) on Tuesday reiterated that fugitive diamond merchant Nirav Modi will be extradited from the United Kingdom (UK) to India once all the legal proceedings are concluded.  \"As far as Nirav Modi is concerned, as we have informed you earlier, certain judicial proceedings are currently underway in the UK. Once those legal proceedings are concluded, the process of his extradition will move forward,\" MEA spokesperson Randhir Jaiswal said while addressing media queries at a bi-weekly media briefing in New Delhi on Tuesday. \"We are closely following those legal proceedings. The Government of India's position remains firm that all fugitive offenders should be brought back to India and made to face the judicial process here,\" he added. In March, the High Court of Justice, King’s Bench Division in London, rejected Nirav Modi’s petition seeking to reopen proceedings against his extradition order to India. The case was argued by the Crown Prosecution Service advocate, assisted by a dedicated team from the Central Bureau of Investigation, which included investigating officers who had travelled to London to support the hearing. The application to reopen the case was filed on the basis of the Bhandari judgment, a ruling delivered by a UK High Court in the case of defence middleman Sanjay Bhandari. Nirav Modi is wanted in India in connection with the Punjab National Bank fraud case, which involved the alleged use of fraudulent guarantees issued in the name of the state-run lender to obtain overseas loans. He had left India in January 2018, shortly before the CBI initiated its probe into the scam. Following his arrest in the United Kingdom in 2019, British courts had approved his extradition to India. The courts, while considering the case, had accepted assurances regarding his treatment in India and found no legal impediments to his extradition, subsequently dismissing his earlier appeals."},"img":{"url":"https://images.prismic.io/prad%2F1d42df13-fe4d-4049-9185-9aa55a5988fc_nirav+modi.jpg?auto=format%2Ccompress&rect=0%2C14%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-28T12:57:00+0000","embed":{"embed_url":null}},"uid":"nirav-extradition-gets-green-light"}},{"node":{"data":{"title":{"text":"Trainee IPS Held in $exual Harassment Case"},"content":{"text":"Hyderabad Police on Tuesday took IPS officer M. Uday Krishna Reddy into custody in a case relating to allegations of sexually harassing a woman batchmate at Sardar Vallabhbhai Patel National Police Academy. Police shifted the accused to Attapur Police Station, where the complaint was filed on July 19. Uday Krishna Reddy could not be traced when the police went to serve the notices at the two addresses he had given during the investigation. His mobile was also switched off. Police had formed four teams to trace him. However, the accused trainee officer denied that he was absconding.  He clarified that he had gone to his native village, Ullapalem in Andhra Pradesh’s Prakasam district, to visit his grandmother after she fell ill following the allegations levelled against him. Uday Krishna Reddy had told a media channel earlier in the day that he was going to Hyderabad and would cooperate with the investigating officers.  Reiterating that the allegations against him were false, he expressed confidence that he would prove his innocence.  Last week, he had approached the High Court seeking orders to quash the First Information Report (FIR). He said that the FIR was registered against him based on false allegations. A 30-year-old woman trainee officer alleged that Reddy harassed her between June 23 and July 10 while they were undergoing training at the academy. She accused him of sending abusive messages, subjecting her to criminal intimidation, recording her private video and sending it to her husband. She also alleged that he took her mobile phone to his room, forced her to disclose its password and blackmailed her into revealing personal messages. Based on her complaint, Attapur police registered a case under Sections 74 (criminal force against a woman), 75 (sexual harassment), 77 (voyeurism), 78 (stalking), 79 (insulting the modesty of a woman), 127(2) (wrongful confinement), 115(2) (voluntarily causing hurt) and 351(2) (criminal intimidation) of the Bharatiya Nyaya Sanhita, along with Sections 66E (violation of privacy) and 67A (transmission of sexually explicit material in electronic form) of the IT Act. Reddy had allegedly attempted suicide at a relative’s house in Hyderabad on July 21. He was admitted to a private hospital. The body samples sent for examination tested negative for poison and drugs, and indicated only an overdose of alcohol. He was suspected to have lost consciousness due to excessive alcohol consumption. Reddy claimed in a purported handwritten suicide note that he and the woman trainee officer had been in a relationship for a year. He named four persons, including the woman and her husband, holding them responsible for his decision to end his life. He claimed they had been in a relationship since June 2025 and continued to be physically and emotionally involved even after her marriage. Denying allegations of force and coercion, Reddy also claimed that he has evidence in the form of photographs and videos to prove that their relationship was consensual."},"img":{"url":"https://images.prismic.io/prad/GXIh8ZC_pxkvk6NX_IPSTrainee.JPG?auto=format%2Ccompress&rect=0%2C37%2C400%2C197&w=2028&h=1000"},"datetime":"2026-07-28T15:18:00+0000","embed":{"embed_url":null}},"uid":"trainee-ips-held-in-exual-harassment-case"}},{"node":{"data":{"title":{"text":"RR: Govt stands firmly behind HYDRAA"},"content":{"text":"Telangana Chief Minister A. Revanth Reddy said on Tuesday that the state government stands firmly behind the Hyderabad Disaster Response and Asset Protection Agency (HYDRAA). A day after the Telangana High Court directed the Chief Secretary to immediately replace HYDRAA Commissioner A.V. Ranganath for repeatedly flouting court orders, the Chief Minister told reporters in New Delhi that he had not yet examined the court order in detail. Stating that the government will review the order, Revanth Reddy made it clear that the government has the highest respect for the judiciary. He termed HYDRAA as the greatest reform by his government and stated that the agency will be strengthened further. Revanth Reddy alleged that some people were making false propaganda against HYDRAA. He said encroachers had filed false cases against the agency and produced fake documents to mislead the court. He made it clear that HYDRAA will continue its duty to remove encroachments on water bodies and government lands. On Monday, the High Court asked Chief Secretary Sanjay Jaju to identify a suitable officer to replace Ranganath as the head of HYDRAA. The direction was given in a contempt case relating to a 40-acre parcel of land at Lothkunta involving a private construction company. The single-judge bench noted that as many as 63 contempt cases were reportedly pending against the HYDRAA Commissioner during his one-and-a-half-year tenure. A private construction company had filed the contempt case relating to the land at Lothkunta, accusing HYDRAA officials of entering the property and fencing it despite subsisting judicial restraint orders. The High Court had ordered Ranganath to tender an apology through a written affidavit by Monday. Ranganath, an Indian Police Service (IPS) official, has been heading HYDRAA since the agency was formed two years ago by the state government. During the last two years, HYDRAA claims to have saved 3,315 acres of government land worth Rs 1.5 lakh crore and restored several water bodies. The agency said it reclaimed and protected lakes, nalas, parks, government lands, and blue-green resources. Following the court order, Ranganath listed the works undertaken by HYDRAA during the last two years. He remarked that contempt petitions were filed against him by land grabbers."},"img":{"url":"https://images.prismic.io/prad/aRC33rpReVYa4ROx_RR.JPG?auto=format,compress"},"datetime":"2026-07-28T15:03:00+0000","embed":{"embed_url":null}},"uid":"rr-govt-stands-firmly-behind-hydraa"}},{"node":{"data":{"title":{"text":"Pawan's wife: \"Please call me Anna Konidala!\""},"content":{"text":"Anna Konidala, the wife of Telugu star and Andhra Pradesh Deputy Chief Minister Pawan Kalyan, has now requested everyone to address her as Anna Konidala and not Anna Lezhneva. Taking to her Instagram page to pen a post about her name, even as she gears up to welcome her next birthday, Anna Konidala wrote, \"A name is such a personal thing. With my birthday coming up soon, I felt like it’s finally the right moment to write this. I’ve been meaning to do it ever since I started this Instagram account. I wrote it, deleted it… came back to it again. And I just couldn’t find the right way to say it.\" She went on to say, \"Most people first got to know me as Anna Lezhneva, because that’s the name that was everywhere when news about our marriage came out. The funny thing is, our marriage certificate is actually the last official document where that surname appears. On that day, I took my husband’s surname and became Anna Konidala. So if you’ve read this far, I just have one small request. Please call me Anna Konidala.\" Stating that that was her name, she said, \"It’s the one I feel like myself with. Thank you for understanding. It really means a lot to me.\" She concluded the post with a note on the picture she had shared. She said, \"P.S. The photo was taken during our very first trip to Saint Petersburg, Russia, together.\""},"img":{"url":"https://images.prismic.io/prad/UKCasL5OjSm2y-TZ_pkanna.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T05:36:00+0000","embed":{"embed_url":null}},"uid":"pawans-wife-please-call-me-anna-konidala"}},{"node":{"data":{"title":{"text":"T'gana decides to issue Family Register Certificates"},"content":{"text":"The Telangana government has decided to constitute the Telangana Family Register and to introduce a facility for the issue of a Family Register Certificate through the MeeSeva platform.  This has been done to ensure uniformity in the verification of family particulars and to provide a readily accessible record. The Revenue Department has issued orders to this effect. According to the Government Order (GO), the decision has been taken after carefully examining the difficulties experienced by the citizens in producing an authenticated and reliable record of their family composition for availing various government services. The state-wide Telangana Family Register will be maintained in electronic form and it will contain details like family register identification number (ration card number), name of the head of the family, name of each member of the family, relationship of each member to the head of the family, age, date of birth, gender, Aadhaar number of each member, and present address of the family. A new citizen service styled ‘Telangana Family Register Certificate’ will be introduced in the MeeSeva platform. Any citizen may apply for a copy of the Family Register, pertaining to his/her family, through any MeeSeva Centre, through the MeeSeva online portal/mobile application, on payment of the prescribed charges. According to the GO, the service shall be delivered within a timeline of two working days from the date of the receipt of the application. AIMIM President and Hyderabad MP Asaduddin Owaisi has welcomed the decision of the Telangana government to issue Family Register Certificate through the MeeSeva platform. According to him, Rs 62 will be the service charge for issuing the certificate. Owaisi posted on X that he had made a representation to the government along with Faheem Qureshi, Vice Chairman and President of Telangana Minorities Residential Educational Institutions Society (TMREIS). “The certificate is one of the 12 acceptable documents under the Special Intensive Revision. It will benefit many poor & undocumented people if they receive notice. I hope this facility is used by the people. I thank the state government for its timely decision,” said Owaisi."},"img":{"url":"https://images.prismic.io/prad/3hZ9l-2wi9H0JaUX_FRC.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-27T14:27:00+0000","embed":{"embed_url":null}},"uid":"tgana-decides-to-issue-family-register-certificate"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Pregnancy Chic: Sam Stuns in 39,000 Jumpsuit "},"content":{"text":"Samantha Ruth Prabhu recently captivated onlookers during a public appearance in Mumbai, showcasing both her burgeoning baby bump and an exquisite black jumpsuit that has ignited conversations across social media. The actress, who stepped out from her Bandra residence, exuded a radiant pregnancy glow that complemented her choice of attire, leading to a viral surge of admiration and curiosity among fans and fashion enthusiasts alike. The striking black jumpsuit, known as the 'midnight veil' design from the homegrown label Aroka, retails for an impressive Rs 39,000. Tailored from fluid Japanese crepe, the strapless piece boasts a structured bodice that defines the silhouette, paired with relaxed trousers that allow for a comfortable yet elegant fit. Notably, the ensemble is accented by a sheer chiffon scarf, bordered with delicate lace, which can be styled in multiple ways, enhancing the garment's versatility and appeal. Samantha's personal life has also been a topic of significant interest, especially following her announcement regarding her impending motherhood with filmmaker Raj Nidimoru. During a recent success event for her film 'Maa Inti Bangaaram', she expressed her excitement about taking a short maternity leave, sharing how the journey of pregnancy has imbued her with newfound strength and purpose. The couple, having tied the knot in a uniquely intimate ceremony rooted in the Bhuta Shuddhi Vivaha tradition, exemplifies a deep personal and professional partnership that resonates within their creative collaborations. Professionally, Samantha continues to navigate a busy schedule as she balances her roles in the entertainment industry. Her collaborations with Raj Nidimoru have garnered acclaim, beginning with 'The Family Man' Season 2, and most recently in 'Maa Inti Bangaaram', which has seen success in both theatrical and OTT formats. While she remains engaged with projects spanning from Hyderabad to Mumbai, details about her next venture post-maternity leave remain closely guarded, leaving fans eagerly anticipating her upcoming roles and creative pursuits."},"img":{"url":"https://images.prismic.io/prad/Z_VYfIypflshQSjS_sam.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T10:29:00+0000","embed":{"embed_url":null}},"uid":"pregnancy-chic-sam-stuns-in-39000-jumpsuit-"}},{"node":{"data":{"title":{"text":"Dev Anand’s son Suneil Anand passes away in UK"},"content":{"text":"Actor Suneil Anand, the son of late actor Dev Anand, passed away at the age of 70 in the UK. He suffered a heart attack in London while travelling from the US to India, with a stopover in the UK. He was rushed to a hospital after a cardiac arrest. Following an initial evaluation, doctors decided to carry out a stent procedure. However, before the surgery could be performed, he suffered another heart attack. Despite repeated efforts by the medical team to revive him, he passed away. He died at the same hospital where his father, Dev Anand, had breathed his last years ago. Suneil Anand made his acting debut with the 1984 film Anand Aur Anand, directed by Dev Anand. He also appeared in films including Car Thief, Main Tere Liye and Master. However, unlike his father, he did not establish a long-lasting career in Bollywood and gradually stepped away from the spotlight, choosing to lead a private life. Despite his brief acting career, he remained closely associated with the Anand family's cinematic legacy. Dev Anand was one of the most charismatic and influential stars in the history of Hindi cinema. He was known for his effortless charm, distinctive dialogue delivery and youthful screen presence, and emerged as a leading superstar during the 1950s and 1960s. He co-founded Navketan Films, a banner that produced several landmark movies and introduced fresh talent to the industry. His stylish persona, trademark nodding gait and fashionable image inspired generations of fans and actors alike. The actor was honoured with the Padma Bhushan and the Dadasaheb Phalke Award."},"img":{"url":"https://images.prismic.io/prad/_Y4z15lw--wTT_rZ_sunielanand.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T13:58:00+0000","embed":{"embed_url":null}},"uid":"dev-anands-son-suneil-anand-passes-away-in-uk"}},{"node":{"data":{"title":{"text":"Suriya and Mamitha Baiju's age gap ignites debate"},"content":{"text":"As anticipation builds for Suriya's upcoming film, Vishwanath and Sons, the focus has shifted to the creative decisions made by director Venky Atluri, particularly regarding the significant age difference between the lead actors. Set to hit theaters on August 14, this romantic drama has elicited a wave of curiosity and debate, with Atluri addressing these concerns head-on in a recent interview. His remarks illuminated the rationale behind the 20-year age gap, emphasizing not only its psychological implications but also the story's nuanced demands. Initially considering an 18-year gap, Atluri and his team ultimately settled on the more impactful 20 years, a decision they felt would resonate more strongly with audiences. \"The difference between 18 and 20 matters more than one might think,\" Atluri explained, asserting that the choice was ultimately made at Suriya's behest. The director's candidness sheds light on the creative process and the intention behind the casting, revealing a thoughtful consideration for audience perception that transcends superficial norms in storytelling. The casting decision has not been without its critics, as the film's announcement prompted a flood of online commentary questioning the appropriateness of such an age disparity. Venky Atluri, however, welcomed this scrutiny, perceiving it as an opportunity to engage audiences and stimulate discussion. \"I knew people would eventually understand the reasoning when the story unfolded,\" he remarked, indicating that the narrative would provide the necessary context to justify the unconventional pairing. The director's confidence reflects a shift in filmmaking, wherein deeper storytelling takes precedence over traditional casting choices. Vishwanath and Sons promises to explore the complexities of love through a fresh lens, moving beyond the confines of conventional narratives that often dominate the genre. Atluri's ambition to tell diverse love stories is exemplified by the film's ensemble cast, which includes notable names such as Radikaa Sarathkumar and Raveena Tandon, contributing to a rich tapestry of characters and perspectives. As the release date approaches, the film's ability to challenge societal norms surrounding age and romance remains a focal point of interest, indicating a potentially transformative moment for Tamil cinema."},"img":{"url":"https://images.prismic.io/prad/nxnhKtY7QEP_LOTB_suryamumitha.JPG?auto=format,compress"},"datetime":"2026-07-28T12:28:00+0000","embed":{"embed_url":null}},"uid":"suriya-and-mamitha-baijus-age-gap-ignites-debate"}},{"node":{"data":{"title":{"text":"Dulquer plays Krishna in 'Aakasamlo Oka Tara'"},"content":{"text":"The makers of  director Pavan Sadineni's upcoming film  'Aakasamlo Oka Tara', featuring actors Dulquer Salmaan and Satvika Veeravalli in the lead, on Tuesday marked the birthday of actor Dulquer Salmaan by releasing a new poster of the actor from the film and announcing that he played a character called Krishna in the film.    The makers also intend to release the first single from the film, 'Chitti Chitti Cheema', later in the day to mark the occasion.  Taking to its social media timelines, production house Swapna Cinemas wrote, \"Today we celebrate the smile, the warmth and the magic that is @dulQuer. Team #AakasamLoOkaTara / #AOTMovie wishes our Krishna a very Happy Birthday. #AOTFirstSingle out Today. #ChittiChittiCheema #KuttiKuttiPoove #MittaiMazhai #SanSanHawaP. #HBDDulquerSalmaan.\" It may be recalled that the makers the film had some months ago introduced Satvika Veeravalli as the lead of the film. The film, which is being produced by Sandeep Gunnam and Ramya Gunnam under the Light Box Media banner, is being presented by well known production houses Geetha Arts and Swapna Cinema. Geetha Arts, which is one of the firms presenting the film, had taken to its Instagram page to share the introduction video of the actress. It wrote, \"She carries a dream bigger than the sky…. Introducing Satvika Veeravalli - The dreamer who gives wings to #AakasamLoOkaTara #AOTMovie.\" The introduction video begins with a child, pointing to the sky and asking \"How do I go to space?\" Viewers are then given a glimpse of the heroine.The introduction video shows Satvika Veeravalli as a youngster from the rural parts who is dissuaded from pursuing her dream of going to space. We hear a man's voice saying, \"Coming from a village that has no roads, you harbour plans of going to space? First, you show us if you can cross the borders of the village. Then, we'll see.\" It is evident that the film will revolve around the character that Satvika Veeravalli plays and that she is actually the protagonist. The film is about a girl from a remote rural region realising her dream of becoming an astronaut and going to space. The film boasts of a fantastic technical team. It has two-time National Award winner G V Prakash Kumar scoring music for it. Cinematography for the film is by one of the best in business, Sujith Sarang. The film has editing by National Award winning editor K L Praveen. The heroine introduction video also disclosed the fact that the film was scheduled to hit screens this year."},"img":{"url":"https://images.prismic.io/prad/O6AdXhQmi7pGWqZy_aot.JPG?auto=format%2Ccompress&rect=0%2C49%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-28T06:51:00+0000","embed":{"embed_url":null}},"uid":"dulquer-plays-krishna-in-aakasamlo-oka-tara"}},{"node":{"data":{"title":{"text":"Shilpa Slams False Attribution"},"content":{"text":"Bollywood actress Shilpa Shetty has refuted viral statements on reservation falsely being attributed to her and has tagged them as \"completely fabricated\" and \"malicious garbage.\"  Shilpa took to X, formerly called Twitter, where she clarified that the claims are fake and appealed to the public to avoid falling for such false news. “I am shocked to see fake statements on reservation falsely attached to my name. This is completely fabricated, malicious garbage. Do not fall for this fake news!” she tweeted. A screenshot of an Instagram story is doing the rounds, which claimed that Shilpa shared on caste-based reservation. However, many claimed that it was fake. The fake viral post circulating in her name read: “Don’t touch reservation. Let general category doctors treat only general category patients and let everyone else treat only patients from their own caste. Do this for a few years and people will start asking to end caste-based reservation themselves. You can’t get skill through reservation.\" The fake post began circulating on social media soon after calls to scrap or review the reservation system gained traction online, with several general category aspirants discussing the issue. Talking about the actress, Shilpa was last seen in KD: The Devil, a Kannada-language action thriller film written and directed by Prem. The film stars Dhruva Sarja, Sanjay Dutt, Shilpa Shetty, V. Ravichandran, Ramesh Aravind, Reeshma Nanaiah, Jisshu Sengupta and Nora Fatehi. The music was composed by Arjun Janya, while the cinematography and editing were handled by William David and Sanketh Achar, respectively She is currently seen as a host of the show Maa Hai Na, a reality cooking series. In the show, celebrity contestants compete in pairs, each pairing a public figure with a parent or adult child, in cooking challenges and comedy segments."},"img":{"url":"https://images.prismic.io/prad/1faa25f6-a1ec-455a-b55a-c0bcc51dc56e_shilpa+shetty.JPG?auto=format,compress"},"datetime":"2026-07-28T06:25:00+0000","embed":{"embed_url":null}},"uid":"shilpa-slams-false-attribution"}},{"node":{"data":{"title":{"text":"Why Tiger Shroff’s mother sends hearts to Disha"},"content":{"text":"Tiger Shroff’s mother Ayesha Shroff showered love on actress Disha Patani’s latest vacation post. Taking to Instagram, the ‘Baaghi’ actress shared a couple of her photos. The images featured Disha striking various poses and offering a glimpse into her vacation moments. She also shared glimpses of the culinary treats she enjoyed, including delicious desserts ranging from a strawberry cake to cupcakes. The ‘M.S. Dhoni: The Untold Story’ actress also posted pictures of herself posing against the backdrop of stunning landscapes. Reacting to her post, Tiger Shroff’s mother, Ayesha Shroff, dropped several red heart emojis to her post. Earlier, on Disha Patani’s birthday, the actress received a special wish from Tiger Shroff’s mother, Ayesha, who shared a heartfelt note for her on social media. Expressing her love and affection for Disha, Ayesha spoke about their bond and promised that they would continue to embark on many more journeys together in the future.  “Happpppppiest birthday Deeeeshu!!! God bless you!! @dishapatani,” wrote Tiger’s mother. Responding to the birthday wish, Disha wrote, “Awww love you my aunty, i miss us travelling.” Replying to her, Ayesha said, “@dishapatani let’s do a lot of that this year!!” Interestingly, Disha Patani shares a warm and close bond with Tiger Shroff’s mother, Ayesha Shroff, and sister, Krishna Shroff. For the uninitiated, Disha and Tiger were linked in a much-discussed rumoured relationship for several years before reportedly parting ways in 2022. During that period, they were frequently spotted together at events, holidays and family gatherings. Despite widespread speculation, both actors consistently described each other as “good friends” and never publicly confirmed their relationship. Even after their reported breakup, Disha Patani continued to maintain a cordial and affectionate bond with Tiger Shroff’s mother, Ayesha Shroff, and sister, Krishna Shroff."},"img":{"url":"https://images.prismic.io/prad/wihph2oFwX7wdpzG_tigermotherdisha.JPG?auto=format,compress"},"datetime":"2026-07-28T07:54:00+0000","embed":{"embed_url":null}},"uid":"why-tiger-shroffs-mother-sends-hearts-to-disha"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"The Distinction Between Brain Tumors and Brain Cancer"},"content":{"text":"The phrases 'brain tumor' and 'brain cancer' often evoke a visceral reaction among the public, conjuring images of gravely serious health threats. However, contrary to common perception, these terms describe distinct medical conditions that warrant different approaches to diagnosis and treatment. A brain tumor is simply an abnormal growth of cells in or around the brain, which can be classified as benign or malignant. While all brain cancers are tumors, not all tumors exhibit cancerous characteristics; this critical distinction can influence a patient's treatment plan and overall prognosis. The medical community underscores the importance of understanding these differences. Brain tumors, irrespective of their benign or malignant status, can lead to severe health consequences because of the brain’s confined environment within the skull. This means that even non-cancerous tumors can exert pressure on vital neurological functions, leading to symptoms such as persistent headaches, seizures, and cognitive deficits. Dr. Praveen Gupta, a prominent neurologist, emphasizes that benign tumors, while non-cancerous, can still necessitate significant medical intervention depending on their size and location. The implications of this are crucial for anyone facing a diagnosis related to brain health. Historically, the classification of brain tumors has evolved as medical science has advanced. The National Cancer Institute and other leading neurological institutions categorize these tumors into myriad types, each demanding tailored treatment strategies. For instance, malignant tumors possess the aggressive ability to invade surrounding brain tissue, often requiring complex interventions that may include surgery, radiation, and chemotherapy. Understanding whether a growth is benign or malignant is not just a matter of terminology; it directly impacts the urgency and nature of the interventions required. Symptoms often overlap between benign and malignant tumors, complicating self-diagnosis and reinforcing the necessity for professional evaluation. Medical imaging techniques such as MRI and CT scans, along with biopsies, are essential to ascertain the nature of the tumor. Experts caution against relying on symptomatology alone, as the presence of alarming symptoms could mask a benign condition, while milder manifestations could signify a malignant threat. As such, timely medical evaluation is paramount, as early detection can significantly enhance treatment effectiveness and patient quality of life."},"img":{"url":"https://images.prismic.io/prad/f6803c8c-7220-433e-b58f-ef269a3ecf79_brain+stroke.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T10:10:00+0000","embed":{"embed_url":null}},"uid":"the-distinction-between-brain-tumors-and-brain-can"}},{"node":{"data":{"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}},{"node":{"data":{"title":{"text":"How Smoking Hurts Pregnancy!"},"content":{"text":"When planning to start a family, many couples focus on preparing for pregnancy by discussing nursery plans and choosing baby names. However, what often goes unnoticed is the detrimental impact of smoking on fertility and pregnancy. Cigarette smoke contains harmful chemicals that can damage reproductive cells in both men and women, making it harder to conceive and increasing the risk of pregnancy complications and poor outcomes for babies.  Dr. Vandana Bhatia, a Senior Fertility Specialist, emphasizes that smoking silently affects fertility, pregnancy, and the long-term development of the child. Both partners play a crucial role in protecting fertility as smoking can reduce sperm count, affect sperm movement, and damage egg quality, hormone levels, and ovarian reserve. Additionally, passive smoking also poses risks to fertility and pregnancy outcomes. Quitting smoking as a couple not only improves motivation and emotional support but also encourages healthier habits, leading to improved fertility and overall health.  The quality of eggs and sperm before conception significantly influences the health of the future child, making it essential for both parents to quit smoking before starting a family. Dr. Bhatia recommends practical steps for quitting smoking together, emphasizing that healthy choices are crucial in building a healthy family. Parenthood begins with the quiet promise of choosing health together, even before the first heartbeat is heard on an ultrasound."},"img":{"url":"https://images.prismic.io/prad/akDOG1bRV8_Qf8Cd_smokefertility.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T19:33:00+0000","embed":{"embed_url":null}},"uid":"how-smoking-hurts-pregnancy"}},{"node":{"data":{"title":{"text":"Even 1% Sleep Loss Could Heighten Dementia Risk"},"content":{"text":"A recent study published in JAMA Neurology has shed light on the potential link between minimal sleep loss and an increased risk of dementia. The research suggests that as little as a 1% reduction in deep sleep per year for individuals over 60 could translate to a 27% elevated risk of developing dementia. Deep sleep, also known as slow-wave sleep, plays a crucial role in the body's repair processes and the clearance of toxic proteins associated with dementia.  Associate Professor Matthew Pase from Monash University's Turner Institute for Brain and Mental Health emphasized the significance of deep sleep in supporting the aging brain and facilitating the removal of metabolic waste, including proteins linked to Alzheimer's disease. The study, which drew from the Framingham Heart Study, examined 346 participants over 60 years of age, tracking their sleep patterns and dementia development over a 17-year period. Even after adjusting for various factors, including age, genetic predisposition, and medication use, the findings consistently pointed to a 27% increased dementia risk for each percentage decrease in deep sleep annually.  It's important to note that the natural decline in deep sleep with age is gradual, peaking between 75 and 80 years old and then stabilizing. However, the cumulative effect of a 27% increase per percentage-point decrease underscores the long-term impact on dementia risk. While there's no straightforward solution to preserving deep sleep, maintaining consistent sleep schedules, avoiding alcohol before bedtime, creating a conducive sleep environment, and addressing conditions like sleep apnea can potentially support better sleep quality. Additionally, regular exercise has been linked to improved slow-wave sleep in older adults. Although these measures aren't a guarantee, the study highlights the importance of prioritizing deep sleep for brain health as individuals age."},"img":{"url":"https://images.prismic.io/prad/50a54145-f24c-4c83-80b9-e6d19ba52027_sleep.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T06:59:00+0000","embed":{"embed_url":null}},"uid":"even-1-sleep-loss-could-heighten-dementia-risk"}},{"node":{"data":{"title":{"text":"Is Your Soda Habit Causing Hair Loss?"},"content":{"text":"Are your beloved sodas harming your hair? While soft drinks have long been criticized for their impact on weight, diabetes, and heart health, a new concern has emerged regarding their potential effects on hair. The discussion gained traction after hair transplant surgeon Dr. Abhishek Pilani highlighted the issue on Raj Shamani's Figuring Out podcast.  According to Dr. Pilani, regular consumption of sugary cold drinks may create conditions within the body that are not conducive to healthy hair growth. While consuming one soda is unlikely to cause sudden hair loss, a study published in the journal Nutrients in 2023 found a link between higher consumption of sugar-sweetened beverages and male-pattern hair loss in young men. However, it's essential to note that the study established a correlation, not causation. The potential connection between soft drinks and hair health lies in the impact of high-sugar beverages on overall health.  Excessive sugar consumption can lead to repeated spikes in blood sugar and insulin levels, potentially contributing to inflammation and metabolic issues that affect the body, including hair growth. However, hair loss is rarely attributed to a single factor and is typically the result of various elements accumulating over time, including genetics, hormones, nutrition, lifestyle, and overall health. Healthy hair growth relies on a balanced intake of nutrients such as iron, protein, zinc, vitamin D, and B vitamins. While soft drinks don't directly deplete these nutrients, excessive consumption may lead to healthier options being replaced.  The concern lies in long-term habits rather than occasional consumption. The normal range of daily hair loss is between 50 and 100 strands, but concerns arise when lost hairs aren't adequately replaced. While soft drinks may not directly cause hair loss, their impact on overall health could potentially affect hair growth. Instead of fixating on individual cans of soda, experts emphasize the importance of considering overall lifestyle factors such as sleep, stress management, balanced nutrition, and reduced sugar intake. Ultimately, addressing concerns about hair health may begin with dietary and lifestyle adjustments."},"img":{"url":"https://images.prismic.io/prad/aDbfAydWJ-7kSniS_jucessoda.JPG?auto=format,compress"},"datetime":"2026-06-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"is-your-soda-habit-causing-hair-loss"}},{"node":{"data":{"title":{"text":"Recognizing the Early Signs of Ovarian Cancer"},"content":{"text":"Ovarian cancer is a significant concern for women in India, being the third most common cancer among them. However, many women with ovarian cancer often experience symptoms for several months before receiving a proper diagnosis. In India, a staggering 70 to 80 percent of ovarian cancer patients are diagnosed at advanced stages, mainly because the early signs are easily mistaken for other health issues. Oncologists have dubbed ovarian cancer as a 'silent disease' due to its subtle progression without clear, alarming symptoms.  Dr. Sampada Desai, a Consultant Gynaecological Cancer and Robotic Surgeon, emphasizes that ovarian cancer does not remain silent but instead 'whispers' through nonspecific symptoms such as upper abdominal discomfort, bloating, feeling full too early, and digestive problems, which are often mistaken for other conditions. Persistent bloating and extreme fullness even after consuming small portions of food, coupled with lower abdominal or pelvic pain, should prompt a visit to the doctor. Changes in menstrual patterns, irregular bleeding, or any bleeding post-menopause also warrant attention.  It is crucial for individuals experiencing these symptoms to keep a record for a month and consult a gynecologic oncologist if any symptoms persist for more than two weeks or occur frequently. Women with a family history of ovarian, breast, or colon cancer should be particularly vigilant, as they have a higher genetic predisposition to cancer. Early detection is key, as there are no routine screening tests for ovarian cancer. Clinical examination, ultrasonography, and blood tests may be part of the evaluation for potential ovarian cancer. Recognizing the subtle signs and listening to the 'whisper' of ovarian cancer may significantly aid in early detection and improved survival rates."},"img":{"url":"https://images.prismic.io/prad/aigpQAeQX7-eXEpI_overaincancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T18:42:00+0000","embed":{"embed_url":null}},"uid":"recognizing-the-early-signs-of-ovarian-cancer"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"US bill revives green card pathway for H-1B visa holders"},"content":{"text":"A senior Democratic senator has renewed a push to give millions of long-term US residents, including H-1B visa holders, a pathway to permanent residency as President Donald Trump intensifies immigration enforcement.  Senator Alex Padilla of California said his proposal would modernise an immigration provision that has not been updated since 1986. It could benefit more than eight million people, according to material released by his office. The Renewing Immigration Provisions of the Immigration Act of 1929 would allow immigrants to apply for lawful permanent resident status if they had lived continuously in the United States for at least seven years before applying. Applicants would also need to have no criminal record and meet all other existing green card eligibility requirements. The measure would cover Dreamers, Temporary Protected Status holders, essential workers and children of long-term visa holders. It could also help highly skilled workers, including H-1B visa holders who have waited years for employment-based green cards. The proposal could carry particular significance for Indian professionals. Indians account for a large share of H-1B visa holders and often face lengthy waits for permanent residency because of employment-based green card limits. “A year ago, I introduced this bill to push back against the Trump Administration’s cruel treatment of hardworking immigrants,” Padilla said. “Since then, President Trump’s campaign of fear has only escalated, with families living under constant uncertainty despite having built their lives in this country,” he said. “Congress cannot continue to ignore millions of long-term residents who contribute to our economy and communities every day. It’s past time to modernize our immigration laws and create a fair pathway to lawful permanent residency.” The bill would amend Section 249 of the Immigration and Nationality Act, known as the Registry. That provision gives the Homeland Security secretary discretion to grant permanent residency to certain people who have lived in the country since a specified date and meet other requirements. The current eligibility cutoff is January 1, 1972. Padilla’s legislation would replace that fixed date with a rolling requirement of seven years. The change would take effect 60 days after enactment. Senate Democratic Whip Dick Durbin is co-leading the measure. Fourteen other senators have signed on as co-sponsors. Representative Zoe Lofgren of California is leading companion legislation in the House. More than 30 labour, immigration and civil rights organisations have endorsed the bill. They include the AFL-CIO, Service Employees International Union, UNITE HERE, United Farm Workers and the National Immigration Law Center. Congress first established the Registry in 1929 and has updated it four times. Its most recent revision came during the Reagan administration in 1986. Only 305 people adjusted their status through the provision between 2015 and 2019, according to Padilla’s office. The proposal faces an uncertain path in Congress amid deep partisan divisions over immigration. Padilla, the ranking Democrat on the Senate Judiciary Immigration Subcommittee, has also introduced measures covering immigrant essential workers and children brought legally to the United States as dependants of work-visa holders."},"img":{"url":"https://images.prismic.io/prad/6a5229b9-ba41-4fbf-926a-a933bd8f60b1_SU+Greencard.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T01:28:00+0000","embed":{"embed_url":null}},"uid":"us-bill-revives-green-card-pathway-for-h-1b-visa-h"}},{"node":{"data":{"title":{"text":"Telangana Woman Dies in US Crash"},"content":{"text":"A tragic road accident in the United States has claimed the life of a woman from Telangana, leaving her family and hometown in deep mourning. The victim, Deepa Reddy (44), hailed from Akuthotapalli village in Amangal mandal of Rangareddy district. She had been living in New Jersey for several years along with her husband, Ramakrishna Reddy, after the couple moved to the US to pursue careers as software engineers. The sudden tragedy has sent shockwaves through both the local community in Telangana and the Indian diaspora in the United States. According to preliminary reports, the accident occurred at a traffic signal in New Jersey. Deepa Reddy and her husband were travelling in their car when they stopped at a red light. Moments later, another vehicle reportedly rammed into their car with great force. The impact was so severe that Deepa Reddy suffered fatal injuries and died at the scene, while authorities immediately launched an investigation into the circumstances surrounding the crash. The heartbreaking news has devastated her family members and relatives back in Telangana, who were informed of the incident soon after the accident. Friends and well-wishers described Deepa as a dedicated professional who had built a successful life abroad while maintaining close ties with her native village. Messages of condolence have been pouring in as the family struggles to come to terms with the unexpected loss. Efforts are now underway to complete the required legal formalities in the United States before repatriating Deepa Reddy's mortal remains to India. Family members are coordinating with officials and the Indian community in New Jersey to facilitate the process. The incident has once again highlighted the unpredictable nature of road accidents, reminding everyone of the importance of road safety while leaving a grieving family to cope with an irreplaceable loss."},"img":{"url":"https://images.prismic.io/prad/UW3rZZwdBj5yzKCh_accident.JPG?auto=format,compress"},"datetime":"2026-07-28T09:00:00+0000","embed":{"embed_url":null}},"uid":"telangana-woman-dies-in-us-crash"}},{"node":{"data":{"title":{"text":"Gujarati-speaking US doctor wins key Arizona primary"},"content":{"text":"Emergency physician and former Arizona state legislator Dr Amish Shah has won the Democratic nomination for Arizona's First Congressional District, setting up a closely watched November contest in one of the most competitive US House races. In a statement after his primary victory, Shah described the result as \"a grassroots victory\" and pledged to reach beyond his party as he begins the general election campaign. \"I have always prided myself on being a hardworking, grassroots candidate. Our victory in this primary was a grassroots victory where Arizona voters made their voices heard,\" Shah said. \"Now, it's my job to earn the support of every voter in this district -- including Democrats who voted for another candidate, Independents frustrated with our political system, and Republicans disappointed with the state of the country.\" Shah sharply criticised Washington's political establishment, saying Congress had failed ordinary Americans. \"The status quo in Washington, DC is not working for Arizonans. From rising costs to a reckless war in Iran to the largest cuts to our nation's healthcare system in American history, corrupt and self-interested politicians in Congress are making life harder for people, not easier,\" he said. \"We need leaders in Congress who are focused on the needs of the people they represent instead of picking partisan fights and lining their own pockets.\" The emergency physician said his experience in medicine and public office had prepared him for Congress. \"I've spent my career serving the people of this district in both the ER and the State House, and I look forward to winning in November and serving them in Congress,\" he said. Shah, an emergency medicine doctor, previously served in the Arizona House of Representatives, where his campaign says he worked with both political parties and had more bills signed into law than any Arizona Democrat during the past decade. Shah won three consecutive elections to the Arizona House in 2018, 2020 and 2022. During his five years in the legislature, he focused on increasing teacher pay, supporting small businesses, and improving public health and safety. His congressional campaign is centred on lowering costs for families, improving healthcare, banning members of Congress from trading stocks, protecting Social Security, Medicare and Medicaid, and defending abortion rights. The campaign also highlights Shah's work as an emergency room physician, where he has advocated lowering healthcare costs and tackling high prescription drug prices, including insulin. Shah has already represented parts of Arizona's First Congressional District in Maricopa County as a state representative. His campaign describes him as an independent voice who has worked across party lines while defending abortion and voting rights. The Arizona First Congressional District has emerged as one of the Democrats' strongest opportunities to gain a Republican-held House seat. Shah's campaign has characterised it as one of the party's top pickup opportunities nationally. Beyond politics, Shah speaks conversational Spanish and is fluent in Gujarati, a distinction likely to resonate with many Indian-American voters. He also enjoys basketball, flying small aircraft and adventure travel. His campaign biography notes that he has three adopted cats named Hillary, Miss Meowerson and Cousin Oliver. Shah will face Republican nominee Jay Feely, a former National Football League kicker. The GOP nominee is being supported by President Donald Trump. The contest is expected to draw national attention because of the district's competitiveness and its potential impact on the battle for control of the US House of Representatives. "},"img":{"url":"https://images.prismic.io/prad/ARJ-bWr4xGoYDGDt_AmishShah.JPG?auto=format,compress"},"datetime":"2026-07-23T07:40:00+0000","embed":{"embed_url":null}},"uid":"gujarati-speaking-us-doctor-wins-key-arizona-prima"}},{"node":{"data":{"title":{"text":"Jordan Strike: Indian-Origin Soldier Feared Dead"},"content":{"text":"An Indian-descent US soldier, Angela Rampersad, is feared killed during an Iranian attack on a base in Jordan, according to the Pentagon.  The 25-year-old Army sergeant “is believed to have been killed in action on July 17, 2026, during an enemy attack at Muwaffaq Salti Air Base, Jordan”, the Department of War said. “The incident is under investigation”, it said. She was previously listed as missing and her \"status was updated to a Duty Status – Whereabouts Unknown and is believed to be deceased”, the statement said. Rampersad is from the Indian community of immigrants from Guyana, and her father was identified by a local Democratic Party leader as Basdeo Rampersad.  The Pentagon said she is from Ozone Park neighbourhood of Queens borough of New York City, which has a large community of Indian-descent Guyanese.  The Democratic Party leader, Pesach Osina, hailed her as “truly a gift to everyone who knew her”, and said she “wanted to serve, protect others, and do her duty with courage and humility”.  Osina, who is the Democratic Party nominee for the State Assembly constituency her family lives in, said on X that since the tragedy he has \"remained close” to the sergeant’s father Basdeo Rampersad and her family, including her mother, Carol Acevedo. President Donald Trump has vowed to avenge the attack on her and the other US Army personnel confirmed killed in the Friday attack. He said on Wednesday that Iran is \"going to pay a big price\" for the attack. Earlier he wrote on Truth Social, \"Every time Iran kills an American Soldier they will pay for that killing many times over\". If her death is confirmed, she would be the fourth US Army personnel killed in the attack on the base as the US-Iran conflict that flared up anew last month when the tenuous peace under the memorandum of understanding between the two countries was broken. So far 18 US military personnel have been confirmed killed since the conflict broke out in February after Israel and the US began air attacks on Iranian leadership. Rampersad, who is with the10th Army Air & Missile Defense Command, Ansbach in Germany, was on duty in Jordan when Iran rained drones on the Muwaffaq Salti Air Base. "},"img":{"url":"https://images.prismic.io/prad/AdXzRgPkVSXYR_Yw_indusarmy.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T14:42:00+0000","embed":{"embed_url":null}},"uid":"jordan-strike-indian-origin-soldier-feared-dead"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'KJQ - King, Jackie, Queen' Trailer"},"img":{"url":"https://images.prismic.io/prad/x-J8ulo-Gfmznj-u_KJQW.JPG?auto=format,compress"},"datetime":"2026-07-28T06:59:00+0000","third_party_url":null},"uid":"kjq---king-jackie-queen-trailer"}},{"node":{"data":{"title":{"text":"'Aadarsha Kutumbam House No  47' Unveils Srinidhi intro"},"img":{"url":"https://images.prismic.io/prad/EYlrjTpUqh4W1Pxq_srinidhishetty.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T07:11:00+0000","third_party_url":null},"uid":"aadarsha-kutumbam-house-no--47-unveils-srinidhi-in"}},{"node":{"data":{"title":{"text":"'The Wedding Song' from 'Vishwanath & Sons' "},"img":{"url":"https://images.prismic.io/prad/kvN3GVIcR4-CjlQj_vishwanathandsons.JPG?auto=format%2Ccompress&rect=0%2C74%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-25T13:08:00+0000","third_party_url":null},"uid":"the-wedding-song-from-vishwanath--sons-"}},{"node":{"data":{"title":{"text":"'Ramba Oorvasi Menaka's first single out"},"img":{"url":"https://images.prismic.io/prad/9cHNdbf0nqCZFpF7_naakantimeedakunuke.JPG?auto=format,compress"},"datetime":"2026-07-22T11:25:00+0000","third_party_url":null},"uid":"ramba-oorvasi-menakas-first-single-out"}},{"node":{"data":{"title":{"text":"Korean Kanakaraju Teaser"},"img":{"url":"https://images.prismic.io/prad/aW4Y_AIvOtkhBtEC_koreankanakaraju.JPG?auto=format,compress"},"datetime":"2026-07-13T14:15:00+0000","third_party_url":null},"uid":"korean-kanakaraju-teaser"}},{"node":{"data":{"title":{"text":"'Oh Sukumari' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/ai5rjY1P9HI4UdQP_ohsukumari.JPG?auto=format,compress"},"datetime":"2026-07-10T12:45:00+0000","third_party_url":null},"uid":"oh-sukumari-movie-trailer"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"The Disobedient Force The Authoritative To Obey"},"img":{"url":"https://images.prismic.io/prad/XWhk2jZyG6d74tb9_diobedient.JPG?auto=format,compress"},"datetime":"2026-07-26T18:55:00+0000","third_party_url":null},"uid":"the-disobedient-force-the-authoritative-to-obey"}},{"node":{"data":{"title":{"text":"Why did it take a street protest to force action?  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She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/J5KjgIk60wE63lRg_shraddhadas.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-20T16:44:06+0000","data":{"title":{"text":"Rakul Looks Radiant In Yellow Saree"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. Singh is a recipient of several accolades including a SIIMA Award, in addition to four nominations at the Filmfare Awards South. Singh started her career as a model and made her acting debut with the Kannada film Gilli"},"img":{"url":"https://images.prismic.io/prad/_eGbGvnqa1VVLLAH_rps2028.JPG?auto=format,compress"}},"uid":"rakul-looks-radiant-in-yellow-saree"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-17T12:42:16+0000","data":{"title":{"text":"Pragya Jaiswal Spicy Stills"},"content":{"text":"Pragya Jaiswal is an Indian actress and model who predominantly works in Telugu films. She made her acting debut in 2014 with the Tamil-language film Virattu in 2014. Jaiswal had her breakthrough with the Telugu period drama Kanche, for which she was awarded the Filmfare Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/HTcjp1FBdNZf7hDK_pragya2028.JPG?auto=format,compress"}},"uid":"pragya-jaiswal-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aj-3gFbRV8_Qf7se_anasuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Suriya and Mamitha Baiju's age gap ignites debate"},"content":{"text":"As anticipation builds for Suriya's upcoming film, Vishwanath and Sons, the focus has shifted to the creative decisions made by director Venky Atluri, particularly regarding the significant age difference between the lead actors. Set to hit theaters on August 14, this romantic drama has elicited a wave of curiosity and debate, with Atluri addressing these concerns head-on in a recent interview. His remarks illuminated the rationale behind the 20-year age gap, emphasizing not only its psychological implications but also the story's nuanced demands. Initially considering an 18-year gap, Atluri and his team ultimately settled on the more impactful 20 years, a decision they felt would resonate more strongly with audiences. \"The difference between 18 and 20 matters more than one might think,\" Atluri explained, asserting that the choice was ultimately made at Suriya's behest. The director's candidness sheds light on the creative process and the intention behind the casting, revealing a thoughtful consideration for audience perception that transcends superficial norms in storytelling. The casting decision has not been without its critics, as the film's announcement prompted a flood of online commentary questioning the appropriateness of such an age disparity. Venky Atluri, however, welcomed this scrutiny, perceiving it as an opportunity to engage audiences and stimulate discussion. \"I knew people would eventually understand the reasoning when the story unfolded,\" he remarked, indicating that the narrative would provide the necessary context to justify the unconventional pairing. The director's confidence reflects a shift in filmmaking, wherein deeper storytelling takes precedence over traditional casting choices. Vishwanath and Sons promises to explore the complexities of love through a fresh lens, moving beyond the confines of conventional narratives that often dominate the genre. Atluri's ambition to tell diverse love stories is exemplified by the film's ensemble cast, which includes notable names such as Radikaa Sarathkumar and Raveena Tandon, contributing to a rich tapestry of characters and perspectives. As the release date approaches, the film's ability to challenge societal norms surrounding age and romance remains a focal point of interest, indicating a potentially transformative moment for Tamil cinema."},"img":{"url":"https://images.prismic.io/prad/nxnhKtY7QEP_LOTB_suryamumitha.JPG?auto=format,compress"},"datetime":"2026-07-28T12:28:00+0000","embed":{"embed_url":null}},"uid":"suriya-and-mamitha-baijus-age-gap-ignites-debate"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Anil Ravipudi: Tollywood's Hit Factory"},"content":{"text":"Anil Ravipudi has firmly established himself as one of Telugu cinema's most dependable commercial filmmakers, delivering one box-office success after another. Known for blending clean family entertainment with humor and mass appeal, he has built an impressive track record that continues to attract audiences across all age groups. From his directorial debut to his latest release, the filmmaker has consistently proven his ability to transform simple stories into blockbuster entertainers, making him one of the industry's most sought-after directors. The director is now busy helming a high-profile multi-starrer featuring Venkatesh and Kalyan Ram in the lead roles, with Keerthy Suresh and Krithi Shetty playing the female leads. Backed by a major production collaboration, the film is progressing at a brisk pace and is being planned for a grand Sankranti release next year. With its star-studded cast and Anil's successful commercial formula, the project has already generated significant excitement among trade circles and movie lovers alike. Anil Ravipudi's growing demand goes far beyond his string of hits. Industry reports suggest that several leading production houses are lining up to secure his dates for future projects, with multiple big-banner collaborations reportedly in discussion. Producers are said to value his disciplined filmmaking style, ability to complete shoots on schedule, and knack for keeping budgets under control while still delivering crowd-pleasing entertainers. In an era where production costs continue to rise, these qualities have made Anil one of the most trusted directors in Tollywood, strengthening his position as the industry's current \"success machine.\""},"img":{"url":"https://images.prismic.io/prad/aYxtd90YXLCxVrje_anilravipudi.JPG?auto=format,compress"},"datetime":"2026-07-28T07:30:00+0000","embed":{"embed_url":null}},"uid":"anil-ravipudi-tollywoods-hit-factory"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Pregnancy Chic: Sam Stuns in 39,000 Jumpsuit "},"content":{"text":"Samantha Ruth Prabhu recently captivated onlookers during a public appearance in Mumbai, showcasing both her burgeoning baby bump and an exquisite black jumpsuit that has ignited conversations across social media. The actress, who stepped out from her Bandra residence, exuded a radiant pregnancy glow that complemented her choice of attire, leading to a viral surge of admiration and curiosity among fans and fashion enthusiasts alike. The striking black jumpsuit, known as the 'midnight veil' design from the homegrown label Aroka, retails for an impressive Rs 39,000. Tailored from fluid Japanese crepe, the strapless piece boasts a structured bodice that defines the silhouette, paired with relaxed trousers that allow for a comfortable yet elegant fit. Notably, the ensemble is accented by a sheer chiffon scarf, bordered with delicate lace, which can be styled in multiple ways, enhancing the garment's versatility and appeal. Samantha's personal life has also been a topic of significant interest, especially following her announcement regarding her impending motherhood with filmmaker Raj Nidimoru. During a recent success event for her film 'Maa Inti Bangaaram', she expressed her excitement about taking a short maternity leave, sharing how the journey of pregnancy has imbued her with newfound strength and purpose. The couple, having tied the knot in a uniquely intimate ceremony rooted in the Bhuta Shuddhi Vivaha tradition, exemplifies a deep personal and professional partnership that resonates within their creative collaborations. Professionally, Samantha continues to navigate a busy schedule as she balances her roles in the entertainment industry. Her collaborations with Raj Nidimoru have garnered acclaim, beginning with 'The Family Man' Season 2, and most recently in 'Maa Inti Bangaaram', which has seen success in both theatrical and OTT formats. While she remains engaged with projects spanning from Hyderabad to Mumbai, details about her next venture post-maternity leave remain closely guarded, leaving fans eagerly anticipating her upcoming roles and creative pursuits."},"img":{"url":"https://images.prismic.io/prad/Z_VYfIypflshQSjS_sam.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T10:29:00+0000","embed":{"embed_url":null}},"uid":"pregnancy-chic-sam-stuns-in-39000-jumpsuit-"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Dev Anand’s son Suneil Anand passes away in UK"},"content":{"text":"Actor Suneil Anand, the son of late actor Dev Anand, passed away at the age of 70 in the UK. He suffered a heart attack in London while travelling from the US to India, with a stopover in the UK. He was rushed to a hospital after a cardiac arrest. Following an initial evaluation, doctors decided to carry out a stent procedure. However, before the surgery could be performed, he suffered another heart attack. Despite repeated efforts by the medical team to revive him, he passed away. He died at the same hospital where his father, Dev Anand, had breathed his last years ago. Suneil Anand made his acting debut with the 1984 film Anand Aur Anand, directed by Dev Anand. He also appeared in films including Car Thief, Main Tere Liye and Master. However, unlike his father, he did not establish a long-lasting career in Bollywood and gradually stepped away from the spotlight, choosing to lead a private life. Despite his brief acting career, he remained closely associated with the Anand family's cinematic legacy. Dev Anand was one of the most charismatic and influential stars in the history of Hindi cinema. He was known for his effortless charm, distinctive dialogue delivery and youthful screen presence, and emerged as a leading superstar during the 1950s and 1960s. He co-founded Navketan Films, a banner that produced several landmark movies and introduced fresh talent to the industry. His stylish persona, trademark nodding gait and fashionable image inspired generations of fans and actors alike. The actor was honoured with the Padma Bhushan and the Dadasaheb Phalke Award."},"img":{"url":"https://images.prismic.io/prad/_Y4z15lw--wTT_rZ_sunielanand.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-28T13:58:00+0000","embed":{"embed_url":null}},"uid":"dev-anands-son-suneil-anand-passes-away-in-uk"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Chennai Love Story'"},"content":{"text":"Small films are having a good time in Tollywood. The makers have been repeatedly saying that they are bringing this film to the audience as a content-oriented film, in the wake of the huge success of making content-oriented films. The makers who gave a super hit film like Baby have brought this film to the audience. Let's see how this film, which was released today, is like in the review. Story: Niv (Sri Gauri), who wanted to fall in love and get married, is unexpectedly cheated by her boyfriend Ajay (Trigun). He leaves her by saying that he loves another girl before the wedding. With that, Nivi turns into a lady Devadasu and becomes addicted to drinking. At that time, her friends take her to Chennai and try to change her a little. But her behavior does not change. That's when Steven Shankar (Kiran Abbavaram) steps into Chennai to show his mettle as a director. Friends help Shankar, an orphan, and allow him to stay in their room. The room is close to Nivi. At first, Shankar's words used to irritate Nivi. Slowly, she gets closer to him. Love blossoms between the two. But amidst unpredictable developments, their love runs into a problem. What is that problem and will the two meet again is the plot. Acting: Kiran Abbavaram impressed with his good acting, like in the past, he impressed with his looks as if he was the boy next door. Playing the role of an innocent person is not an easy thing. But Kiran Abbavaram played the role very easily. Kiran Abbavaram showed well in this role what an innocent person who steps into Chennai with an effort to impress the director would be like. There is no doubt that this heroine Gowry Priya  is the most crucial role in the story. She has done complete justice to her role. Siri Hanumanthu has once again impressed with her acting in a good role. She is likely to get more good roles in the future. Those who played other roles impressed within the scope of their roles. Technical: When the director thought that the story was being handled well, he tried to say something new by saying Atma Paramatma in the second half. It must be said that it failed. In terms of screenplay, the second half failed. The music was impressive, especially the background score was impressive. Manisharma once again showed his magic. Cinematography is good. There is no doubt that cinematography has definitely been useful in showing the beauty of Chennai. The dialogues are good. There are some flaws in the editing, and there is still work to be done in the second half. The structural values ​​are according to the story. Plus points: Hero, heroine acting, Manisharma's background score First off Minus points: Second half, Routine screenplay. Analysis: Producer Sai Rajesh has been making comments in several media conferences and interviews that this film is definitely a baby range cult love story, but it doesn't seem like it has any scenes. While you think that the first half of the film will be smooth and interesting, he made the second half boring by adding unnecessary elements. If the same love story had been continued simply, the second half would definitely have been a good talk. Hero Kiran Abbavaram impressed with his good performance. The audience will definitely appreciate him, and heroine Gauri also did full justice to her role. Gauri impressed in the role of a drunkard and Lady Devadasu, but it must be said that the screen did not match their performance. Overall, Chennai Love Story turned out to be an average love story. Finally... It makes feel like going all the way to Chennai for this love story Banner: Mass Movie Makers Producer: SKN, Sai Rajesh Director: Ravi Namburu Music: Mani Sharma Cast: Kiran Abbavaram, Gowri Priya, Siri and others"},"img":{"url":"https://images.prismic.io/prad/0yN9tZHPaAuq2hyg_CLS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T08:01:00+0000","embed":{"embed_url":null}},"uid":"review-chennai-love-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Jana Nayakudu' "},"content":{"text":"Expectations have increased among all sections of the audience on the film Jana Nayaku, which was advertised as the last film of Tamil superstar Vijay. Although it was not officially announced that it is a remake of the film Bhagwant Kesari, which came in the combo of Balakrishna and Anil Ravipudi, the makers have been unofficially saying it.  This film, which was delayed a lot due to Tamil Nadu politics, made a royal entry without any problems as Vijay became the CM of Tamil Nadu. And how is this film? Will the audience like this story again in Telugu? Let's see in this review. Story: Vetri Kondan's (Vijay) mother dies in jail. Out of humanity, the jailer releases Vetri Kondan on parole and sends him out to see his mother for the last time. When Vetri is sent out, the jailer gets into a big problem. Vetri Kondan learns that the jailer who helped him is in trouble, and goes to his house. In the wake of unexpected developments, the jailer dies. His only daughter, Viji (Mamita Baiju), becomes an orphan.  The jailer who helped him looks after his daughter and wants to make her an army officer. But Viji says she will not join the army out of fear. Why does Vetri want to send Viji to the army? Will Viji finally join the army? What difficulties will Vetri face in doing so? This is the story. Performance: There is no need to mention anything special about Superstar Vijay's performance. Just as Balakrishna adapted to the role in Bhagwant Kesari, there is no doubt that Vijay also adapted to the role of Vetri. The screenplay was such that the entire story of the film was carried on his shoulders. Even so, Vijay acted well in every scene without giving up. There is no doubt that he impressed with his comedy timing. His fans will enjoy the action scenes to the fullest. Now that he is the CM, he has tried to show Vijay in that angle as well, which is a feast for the eyes of the fans. Since this is Vijay's last film, it seems that he gave his best. Pooja Hegde, who played the heroine, does not have much screen presence. It must be said that Pooja Hegde's screen presence is less than what Kajal Aggarwal's role was in the original Telugu version. Mamita Baiju played the role of Viji, played by Srileela in Telugu and got good marks. It seemed that Mamita did Viji's role even better than Srileela. Along with impressive looks, the two heroines gave good expressions to suit their roles. However, Pooja Hegde's role did not get priority. Mamita impressed as much as she did. Bobby Deol impressed in terms of looks. It would have been better if he had been shown as a stronger and better villain. Since the villain role was not given priority in the story, Bobby Deol's performance became like water poured on ashes. Technical: Director H Vinod tried to make the Telugu story as it is and add Tamil flavor to the screenplay. He made the story without making many changes in the first half. However, when it came to the second half, he made many changes. The entire screenplay changed as if it was a new story. Vijay's character also left the audience in a bit of a quandary. There is nothing much to say about the music. Anirudh, as usual, gave a good background score to Vijay's film. But since the songs did not have much scope, Anirudh's work did not come out much.  The cinematography is good. The cinematography is definitely good in elevating the action scenes. There are errors in the editing. Some scenes in the second half, especially the villain scenes, could have been trimmed. It would have been better if the heroine scenes that are not part of the story were also trimmed a bit. The production values ​​are good. The story was produced with added weight without detracting from it. Plus points: Vijay, Some Action Scenes, Mamita Baiju Minus points: Story, screenplay, Being a familiar story, Second half, Villain role. Analysis: The film Jana Nayakkudu, which was supposed to be released early this year, did not see its release due to censor problems due to Tamil Nadu politics. Officials said that permission could not be given for the release of the film in the wake of the assembly elections. With Vijay becoming the CM, the film Jana Nayakkudu came plowing ahead without any problems and shook the Tamil box office. This movie has been seen in Telugu before. Even though it is known that this is a remake of Balakrishna Bhagwant Kesari, many enthusiasts booked in advance and watched the movie. The movie got a good opening in Telugu states.  It is undeniable that Jana Nayakkudu could not satisfy the Telugu audience completely. Tamil audience will think aha.. oh my for Vijay Elevations. Moreover, they will like it because it is a new story, but Telugu people do not have much to like about this movie, even though the second half seems to have changed a bit, it felt like it was forced. The political elements were not set in the story at all. There is action but no emotion. The magic is missing in the screenplay. Overall, Jana Nayakkudu does not have anything new that the Telugu audience will like much. Finally... A Tamil mass leader who cannot please Telugu people. Banner: KVN Productions Producer: Venkat K. Narayan Director: H Vinod Music: Anirudh Cast: Vijay, Pooja Hegde, Mamita Baiju, Sunil, Bobby Deol and others"},"img":{"url":"https://images.prismic.io/prad/8WXmx3hoavnPTLpj_jananayakudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-23T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-jana-nayakudu-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}