{"data":{"all":{"edges":[{"node":{"tags":["Trending"],"data":{"third_party_url":null,"title":{"text":"WEF: Housing Crisis Hits Global Economy"},"content":{"text":"Housing costs across 21 countries frequently exceed affordable limits, which is leading to continuous wealth erosion and threatening financial stability, and this crisis is expected to pressure household budgets and retirement savings, particularly for younger generations facing demographic shifts, according to a report released by the World Economic Forum (WEF).  The housing affordability crisis is seen as a long-term challenge for global financial stability. The issue is not merely a temporary market cycle but a structural problem expected to persist until 2040. In 20 of the 21 countries studied, residents are paying more than the recommended 33 per cent of their monthly income toward housing, a threshold typically considered the limit for affordable living, the report states. In several high-growth economies, including India, Nigeria, and Colombia, the financial burden is particularly acute, with housing costs often consuming the entirety of an average individual's monthly earnings. The report notes a concerning trend where even in markets experiencing a decline in property prices relative to wages -- such as India, Brazil, and Indonesia, which have seen a drop in prices of over 15 per cent in the last ten years -- affordability has not improved. This suggests that simple price corrections in the real estate market are failing to translate into meaningful relief for the average household. The report states that new models for lifelong living are emerging to address the housing challenges affecting younger and older adults, and that intergenerational collaboration will be critical to preserve the stability of financial and social systems. It points to projects in Spain, the UK, and Hong Kong as examples of how quality, community and affordability can be put at the core of housing policy. The report suggests that without the adoption of new, intergenerational housing models, the current trajectory could continue to erode individual wealth. Future discussions in the real estate and financial sectors are likely to focus on policy interventions, innovative financing structures, and the potential for public-private partnerships to bridge the affordability gap. For the Indian market, tracking policy changes related to affordable housing initiatives and credit availability for first-time buyers will be important to see if these structural pressures can be mitigated. The crisis is further complicated by shifting demographic patterns. As the proportion of older adults increases in rapidly growing economies between 2025 and 2040, younger workers will face the difficult task of balancing housing payments, their own retirement contributions, and the costs associated with supporting multiple generations. This \"triple pressure\" on income is expected to have long-term consequences for wealth accumulation. Investors should monitor how these housing pressures influence consumer behaviour and broader economic stability. The WEF warns that high housing costs often force individuals into inadequate living conditions, which can lead to increased medical expenses and lower discretionary spending. Furthermore, there is a risk that persistent financial stress may drive younger adults toward higher-risk financial activities as they attempt to supplement stagnant incomes. The report identifies that in OECD countries, a rise in young adults living with parents has been observed since 2015, a trend that may intensify as housing affordability remains challenged."},"img":{"url":"https://images.prismic.io/prad/1e103688-0ed0-426c-a6fd-506cae74d3c7_realestategold.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-12T16:15:00+0000","embed":{"embed_url":null}},"uid":"wef-housing-crisis-hits-global-economy"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Jagan to Console Vizag Fishermen's Families"},"content":{"text":"Former Chief Minister and YSR Congress Party (YSRCP) President Y.S. Jagan Mohan Reddy will visit Visakhapatnam on July 14 to console the families of the six fishermen who went missing in the recent boat accident off the Visakhapatnam coast. YSRCP Visakhapatnam District President K.K. Raju announced on Sunday that Jagan Mohan Reddy will arrive at Visakhapatnam Airport at 10:30 a.m. and will directly visit the houses of the missing fishermen at Jabbarpet in Visakhapatnam South Assembly constituency. He will also meet Kari Chinna, the lone survivor of the accident, along with his family members. K.K. Raju criticised the state government for its failure to respond effectively to the tragedy. He said the accident occurred just eight nautical miles from the shore, yet it took nearly 20 hours for the rescue teams to reach the spot despite the availability of advanced technology. He blamed the lack of coordination among the Coast Guard, Navy, Marine Police, Fisheries Department and Revenue Department for the disappearance of the six fishermen. He also questioned the state government's decision to stop the rescue operation before the missing fishermen were traced. He expressed disappointment that Home Minister V. Anitha, who represents the united Visakhapatnam district, has not visited the victims. He also criticised the Chief Minister N. Chandrababu Naidu, Deputy Chief Minister Pawan Kalyan, IT Minister Nara Lokesh and Agriculture Minister K. Atchannaidu for remaining silent on the tragedy. He accused the state government of falsely claiming credit for rescuing Kari Chinna and alleged that Ministers distributed compensation cheques without listening to the concerns of the affected families. A mechanised fishing vessel, carrying seven fisherfolk, capsized just 10 nautical miles off the Gangavaram coast in Visakhapatnam on July 4. Six of the seven fishermen who went into the sea for the catch presumed to be dead. The fishermen had set off for fishing on July 1. The boat capsized while they were returning to the coast. One of them was rescued by the crew of a merchant vessel, and he was brought to the coast on July 6. The fishermen remained untraced after a four-day-long search and rescue operation by the Indian Navy and Coast Guard. The search operation was called off on July 8. The state government distributed an ex-gratia of Rs 10 lakh each to the families of the six fishermen."},"img":{"url":"https://images.prismic.io/prad%2F3beb45d3-c8a9-44d8-b72d-075d1e501c96_jagan+ahl.jpg?auto=format,compress&rect=0,44,1280,631&w=2028&h=1000"},"datetime":"2026-07-12T16:18:00+0000","embed":{"embed_url":null}},"uid":"jagan-to-console-vizag-fishermens-families"}},{"node":{"tags":["Trending"],"data":{"third_party_url":null,"title":{"text":"POCSO Accused Flees After Brutal Six-Murder Spree"},"content":{"text":"Telangana Police have intensified the hunt for a 35-year-old man who allegedly stabbed six people to death, including his wife, two young sons, and three members of the family that had filed a POCSO case against him, including the victim.  Twelve teams were on the lookout for B. Rajkumar, who committed the murders in two separate attacks at Daivalaguda in Shabad mandal of Rangareddy district on the night of July 10. Deputy Commissioner of Police Yogesh Gautam on Sunday dismissed rumours circulating on social media that the accused has been arrested. He said the special teams were making all the efforts to apprehend the accused. The massive manhunt involves technical experts, railway police, and human intelligence units. As the accused had switched off his phone around midnight on July 10, the police teams were relying on CCTV footage to find clues about his whereabouts. The police teams were scanning CCTV footage from bus stations and railway stations as it is suspected that he might have escaped to other states. They were focusing on the highways connecting to Karnataka and other neighbouring states. As part of the manhunt, police personnel thoroughly searched hotels and lodges on the Hyderabad-Bengaluru national highway. Future City police have announced a reward of Rs.2 lakh for anyone providing information leading to the arrest of the accused. Future City Police Commissioner Tarun Joshi also suspended Shabad police sub-inspector Ramesh, who was the investigating officer in the POCSO case. According to police, Rajkumar allegedly committed the murders between 11.30 p.m. and midnight at two locations about six kilometres apart before calling his father at around 11.50 p.m. and informing him of the killings. Rajkumar’s father went to the Shabad police station and informed the police about his son’s alleged confession. The accused killed the minor girl, her mother and maternal grandmother. He also murdered his wife Sarita and two sons, aged four and one-and-a-half years. According to police, Rajkumar allegedly used a knife to stab all six victims before slitting their throats.  The police investigation revealed that Rajkumar began the killings from a house on Kummariguda Road, Shabad, where the 17-year-old girl who had accused him in the POCSO case lived with her family. According to police, Rajkumar allegedly killed the girl’s mother Lakshmi and maternal grandmother Rukkama before taking the minor girl away. He murdered her in Daivalaguda village, about 6 km away. Preliminary investigations have ruled out the possibility of sexual assault prior to the murder.  Raj Kumar, with his parents, was the neighbour of the minor girl for many years until he moved away about six months ago with his wife and two sons. The accused was booked in May under Sections 11 and 12 of the Protection of Children from Sexual Offences (POCSO) Act after he allegedly stalked and sexually harassed the minor girl.  He was released on bail last month. Police suspect the killings were an act of revenge over the criminal case."},"img":{"url":"https://images.prismic.io/prad/e0e7a912-900f-473b-bd5a-c21fff8cf4ad_murder.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-12T16:24:00+0000","embed":{"embed_url":null}},"uid":"pocso-accused-flees-after-brutal-six-murder-spree"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Hyd Student's Mysterious Death in Finland"},"content":{"text":"What began as a desperate search filled with hope has ended in unimaginable heartbreak for a Hyderabad family. Eighteen-year-old Manideep Reddy Gujja, who went missing in Finland over two months ago, has been officially declared dead by Finland's National Bureau of Investigation (NBI). While Finnish authorities say there is no evidence of foul play, his grieving family refuses to believe that the tragedy was merely an accident and is demanding an independent investigation. Manideep, a student at Lappeenranta-Lahti University of Technology, disappeared on May 4, triggering an extensive search. On July 9, the family received the devastating news that an unidentified body recovered from the sea near the area where he was last seen had been identified as Manideep through fingerprint analysis and his Finnish identity card. Authorities also informed the family that his wallet, containing his mother's credit card and about ₹500 in Indian currency, had been recovered. The mystery surrounding his final days has only deepened the family's anguish. Just before he vanished, Manideep had called his mother requesting ₹6,000. Although the money was transferred immediately, it remained untouched. Investigators were also unable to trace his movements after he travelled nearly 100 kilometres away from his accommodation. While a forensic autopsy has been ordered to determine the exact cause of death, the family says too many questions remain unanswered. They have appealed to India's Ministry of External Affairs to intervene and ensure a thorough investigation, hoping the truth behind the young student's tragic death will finally come to light."},"img":{"url":"https://images.prismic.io/prad%2Ff26aef8f-eca6-406c-ba1a-75529bd5155e_suicide.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-07-12T16:32:00+0000","embed":{"embed_url":null}},"uid":"hyd-students-mysterious-death-in-finland"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"When Aamir broke little Rani's heart"},"content":{"text":"Did you know Rani Mukherji once had a fangirl moment with her 'Gulaam' co-star Aamir Khan? While speaking to veteran actress Simi Garewal during the show, 'Rendezvous with Simi Garewal', Rani recalled that once, while Aamir was shooting for his movie 'Love Love Love', co-starring Juhi Chawla, little Rani went up to him to get an autograph. However, Aamir simply took the book from her, signed it, and gave it back, leaving little Rani a little heartbroken. \"Qayamat Se Qayamat Tak had released and he was like every young girl's dream and I went up to him, very shy. I bunked school and I went and he was like really rude to me. He just took my book and he signed and he gave it to me. So my heart broke,\" Rani remembered. However, when Rani got the opportunity to work with Aamir in 'Ghulam', she told him what had happened, but Mr Perfectionist claimed that he is never rude to his admirers. \"Once we were shooting for 'Aati Ka Khandala' and I told Aamir. I said 'Aamir do you remember once you had given an autograph to this small little girl?' He's like 'When?' So I said during the time of 'Love, Love, Love. It was me. He said 'You're lying Rani. I'm never rude. I'm never rude to kids or I'm never rude to anybody who comes for an autograph.' I said 'you were rude to me'.\" To prove her point, Rani even got the autograph book from her home and showed it to Aamir."},"img":{"url":"https://images.prismic.io/prad/ccbf8712-63ed-4358-812d-7b69af8575c3_rani+mukarji.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-12T16:27:00+0000","embed":{"embed_url":null}},"uid":"when-aamir-broke-little-ranis-heart"}},{"node":{"tags":["politics","featured","two"],"data":{"third_party_url":null,"title":{"text":"CBN Visits Pawan at Hospital After Surgery"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu on Sunday visited Deputy Chief Minister Pawan Kalyan, who underwent surgery on his right shoulder at a hospital in Mumbai. The Chief Minister inquired about the health condition of the Jana Sena leader and wished him a full and speedy recovery. Pawan Kalyan underwent the surgery at Kokilaben Dhirubhai Ambani Hospital & Medical Research Institute on Saturday. State ministers Nadendla Manohar, P. Narayana, Agani Satyaprasad and MP Lingamaneni Ramesh also called on Pawan Kalyan. The actor-politician was accompanied by his wife, Anna Konidala. After meeting Pawan Kalyan, Chandrababu Naidu told the media that he was recovering well. \"He always helps people and is also a very big crowd puller. Whenever he goes among the people, he forgets about himself. So many people come. There is push and everything.., because of all this pressure, he had that problem. It was not recent one. For last so many days, he had been suffering from that problem. Finally, he came here and underwent surgery,” Chandrababu Naidu said. \"He is recovering very well now. We are confident that he will recover very fast. However, doctors are advising that he needs to rest for three weeks, followed by physiotherapy. He is having problem in the other shoulder, for which doctors are advising physiotherapy. After six months, they will evaluate and suggest further course of action,\" he added. Meanwhile, Kokilaben Dhirubhai Ambani Hospital & Medical Research Institute said in a health bulletin on Sunday that Pawan Kalyan was diagnosed with a right shoulder rotator cuff injury, comprising an extensive tear of the supraspinatus and infraspinatus tendon with an associated avulsion fracture of the greater tuberosity bone. He underwent successful arthroscopic repair of the injury. According to the health bulletin, the surgery was performed by Dr Dinshaw Pardiwala, director- Arthroscopy & Shoulder Service. The surgery was uneventful, and he is comfortable and recovering well. “Following a period of rest and recovery, Mr Pawan Kalyan will undergo a structured shoulder rehabilitation programme, with an expected full recovery of shoulder function over the next four months,” added the bulletin."},"img":{"url":"https://images.prismic.io/prad/EvcfmYPNGd3FL5IK_PawanCBN.png?auto=format,compress&rect=0,39,450,222&w=2028&h=1000"},"datetime":"2026-07-12T16:22:00+0000","embed":{"embed_url":null}},"uid":"cbn-visits-pawan-at-hospital-after-surgery"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Akhil's 'Lenin' Picks Up Pace at Box Office"},"content":{"text":"Akhil Akkineni appears to have found a winning formula with 'Lenin'. The rural action entertainer has witnessed impressive growth at the box office on its second day, boosting hopes of a strong opening weekend. After a decent start on Friday, the film registered a healthy jump on Saturday, driven by positive word of mouth and increased audience footfall. According to box office tracker, Lenin earned an estimated ₹8.15 crore India net on Day 2, improving on its opening-day collection of ₹7.15 crore. With this, the film's two-day India net collection stands at ₹15.30 crore, while its worldwide gross has reached an impressive ₹23.40 crore. The film grossed ₹17.60 crore in India and added ₹2.50 crore from overseas markets within two days. The Saturday jump was reflected in theatre occupancy as well. The film was screened in 2,099 shows on Day 2 compared to 2,028 shows on the opening day, with occupancy increasing from 50% to 57%. Trade circles are now closely watching Sunday's collections, which are expected to further strengthen the film's opening weekend numbers."},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-12T16:34:00+0000","embed":{"embed_url":null}},"uid":"akhils-lenin-picks-up-pace-at-box-office"}},{"node":{"tags":["featured","Trending"],"data":{"third_party_url":null,"title":{"text":"₹3.5 Cr Ferrari Crashes Into Apartment in Hyd"},"content":{"text":"A speeding Ferrari car crashed into the gate of an apartment building in Hyderabad’s Jubilee Hills area in the early hours of Sunday. There were no casualties, said officials.  The incident occurred on Road Number 5 in the upscale Jubilee Hills under the Film Nagar Police Station limits. The occupants abandoned the heavily damaged Ferrari Roma, said to be worth more than Rs 3.50 crore, and fled before police arrived at the scene. The gate of Fort View Apartments was completely damaged in the collision. The front portion of the luxury car was badly mangled. The man driving the vehicle escaped after the accident. Police suspect that the person at the wheel was under the influence of alcohol and driving the vehicle at a high speed and in a rash manner. Police registered a case and launched an investigation into the person who was driving the vehicle at the time of the accident. Police were examining the CCTV footage to ascertain if there were other persons in the vehicle. Police shifted the damaged Ferrari to the police station with the help of a towing vehicle."},"img":{"url":"https://images.prismic.io/prad/-6IQb3fYyfvRdM8h_caraccident.png?auto=format,compress&rect=11,0,424,209&w=2028&h=1000"},"datetime":"2026-07-12T10:45:00+0000","embed":{"embed_url":null}},"uid":"3.5-cr-ferrari-crashes-into-apartment-in-hyd"}},{"node":{"tags":["NRI"],"data":{"third_party_url":null,"title":{"text":"Hindu groups join WH faith dialogue"},"content":{"text":"Representatives of two prominent Hindu organisations in the United States participated in a White House Faith Office dialogue, joining faith leaders from across the country for discussions on issues affecting religious communities.  The event, hosted by the White House Faith Office, brought together representatives from diverse faith traditions for a briefing and dialogue on matters important to faith communities. According to posts shared by the participating organisations, Hindu Swayamsevak Sangh (HSS USA) and BAPS Public Affairs represented Hindu Americans at the gathering. \"HSS USA thanks the White House Faith Office for convening a dialogue on issues important to faith communities and for the opportunity to represent Hindu Americans,\" the organisation said in a statement. \"It was heartwarming to join in diverse faith traditions of prayer while sharing the same aspiration—the wellbeing of all Americans and the welfare of our nation,\" it added. BAPS Public Affairs also welcomed the engagement with the administration. \"BAPS joined faith leaders from across the country for a briefing hosted by the White House Faith Office on matters important to faith communities,\" it said. \"As a representative of many Hindu Americans nationwide, BAPS welcomed the opportunity to contribute to this important and ongoing dialogue.\" In a brief video message released after the meeting, White House Faith Office Director Jennifer Korn thanked participants. \"Hi, I'm Jenny Corn with the White House Faith Office and I'm here with Bindu (from HSS) and we just spent about two hours together talking about religious freedom and we're so grateful for all of you and God bless you and we welcome all faith here at the White House,\" Korn said. The White House Faith Office has described its mission as engaging religious communities and ensuring that people of faith have a voice on issues affecting them. A White House document marking the office's first anniversary says it was established to \"be a voice for people of faith and ensure faith is protected and respected in America.\" "},"img":{"url":"https://images.prismic.io/prad/8afc5116-d2cf-4eff-8d5c-2494b51cf860_wgite+house.jpg?auto=format,compress&rect=0,6,1600,789&w=2028&h=1000"},"datetime":"2026-07-12T10:53:00+0000","embed":{"embed_url":null}},"uid":"hindu-groups-join-wh-faith-dialogue"}},{"node":{"tags":["Entertainment","featured","one"],"data":{"third_party_url":null,"title":{"text":"S. Janaki passes away at 88"},"content":{"text":"Legendary singer and four-time National Award winner S Janaki, who has rendered over a whopping 48,000 songs in several Indian languages, passed away at a private hospital here on Saturday after suffering a cardiac arrest.   She was 88. The Apollo BGS Hospitals in Mysuru, where she was admitted on Saturday afternoon, issued a statement soon after her demise.  In its statement, the hospital said, \"Mrs. S. Janaki was admitted to Apollo BGS Hospitals, Mysuru, on 11 July 2026 at 12:49 PM. On admission, her condition was critical, and she was immediately evaluated and shifted to the Intensive Care Unit (ICU) for further management.\" The hospital informed that despite intensive medical care and continuous monitoring by a multidisciplinary team, the veteran singer suffered a cardiac arrest during the course of treatment.  \"Advanced cardiopulmonary resuscitation (CPR) was initiated immediately in accordance with standard medical protocols. Despite resuscitative efforts, she experienced multiple cardiac arrests and could not be revived. Mrs. S. Janaki was declared deceased at 7:30 PM on 11 July 2026.\" The iconic singer's granddaughter, Apsara Vydyula, in a post on Instagram shared the news of her grandmother's demise.  She wrote,\"Dear everyone, It is with profound sadness that I share the passing of my beloved grandmother and legendary singer, Smt. S. Janaki.\" Apsara further said, \"She left us peacefully, surrounded by the love of her family. While our hearts are heavy, we are also filled with gratitude for the extraordinary life she lived and the immeasurable joy she brought to millions through her timeless music.\" Pointing out that to the world, her grandmother was an iconic voice whose songs became part of countless memories, Apsara said,\"To us, she was a loving grandmother whose warmth, humility, kindness, and grace will remain with us forever.\" She ended the note, requesting privacy for the family during this difficult time.  She said, \"We kindly request that you respect our family’s privacy during this difficult time as we grieve and come to terms with this loss. Thank you for your love, prayers, and understanding - Apsara Vydyula.\" The news of Janaki amma's demise has plunged the Indian film industry in gloom.  S Janaki amma, who began her singing career at the young age of 19 by singing for the Tamil film Vidhiyin Vilayattu, emerged a star in no time. She sang an impressive 100 songs in six Indian languages within her first year of turning a professional singer.  The great singer was known as much for her sweet voice as she was for her versatality. She was probably the only singer who could alter her voice and sing both like a six-year old child or a sixty-year-old person.   Janaki amma, as she was lovingly called by scores of fans across the world, has won a phenomenal number of awards including four National Awards and 33 different state film awards. "},"img":{"url":"https://images.prismic.io/prad/8f69TeaCCU5GKXja_Janaki.png?auto=format,compress&rect=0,7,767,378&w=2028&h=1000"},"datetime":"2026-07-11T22:58:00+0000","embed":{"embed_url":null}},"uid":"s.-janaki-passes-away-at-88"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Pooja Bhatt's Health Scare Inside Bigg Boss?"},"content":{"text":"In a startling revelation, actress Pooja Bhatt has opened up about a life-altering health scare she encountered while participating in the reality show Bigg Boss. During a recent appearance on Cyrus Broacha's YouTube podcast, Bhatt recounted the unnerving moment she discovered a lump in her breast mere weeks into the competition. The discovery plunged her into a vortex of anxiety, prompting fears that it could be cancer—an alarming thought considering the show's isolating environment and the looming specter of her vulnerability. Bhatt detailed the incident as occurring in the second week of the show, just after she finished her bathroom duties. As she stepped into the shower, the unexpected lump sparked immediate concern. Initially attributing the anomaly to hormonal changes or insect bites, her unease grew when the lump did not subside after a week. By the time the third week commenced, Bhatt's anxiety had escalated to the realization that she could be facing a potentially serious health crisis. \"If it is cancer, I can't die in six weeks,\" she candidly expressed, highlighting the paradox of competing while grappling with such a personal fear. The show’s producers unexpectedly extended the duration of the season, which pushed Bhatt to confront her situation more decisively. Faced with a possible diagnosis of cancer and the prospect of remaining in the competition for an additional three weeks, the actress knew she had to act. With a blend of professionalism and trepidation, she addressed the show’s cameras, demanding medical assistance. This led to the swift intervention of a qualified doctor from Hinduja Hospital, who ordered an immediate mammography to assess the lump's nature. The revelation of Bhatt's health scare has resonated deeply with fans, many of whom have expressed admiration for her resilience and unyielding spirit during such a tumultuous period. Despite the emotional turmoil, she maintained her commitment to the series, showcasing a stark contrast between her public persona and private anxieties. This incident sheds light on the often unseen pressures faced by reality television participants, navigating personal challenges while under continuous scrutiny in the public eye."},"img":{"url":"https://images.prismic.io/prad/a0dcc908-b655-4aa9-a20b-ea04185033ac_pooja+bhatt.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-12T11:04:03+0000","embed":{"embed_url":null}},"uid":"pooja-bhatts-health-scare-inside-bigg-boss"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rajpal Yadav's Legal Woes Deepen"},"content":{"text":"In a significant legal development, actor Rajpal Yadav has been sentenced to three months in jail following a ruling by the Delhi High Court in a protracted cheque bounce case involving alleged non-payment of loans totaling approximately Rs 9 crore. The court's decision, which occurred on Friday, mandates that Yadav pay over Rs 1 crore to the complainants in each of the seven cases, with previous payments being factored into the total. This ruling revives a case that had seemingly entered a dormant phase, underscoring the complexities surrounding financial obligations in the film industry. The controversy traces back to Yadav's financial dealings with Murali Projects Pvt Ltd, from which he borrowed Rs 5 crore to fund his debut film, \"Ata Pata Laapata\" in 2010. The film suffered a disappointing box office performance, precipitating Yadav's inability to repay the loan and leading to legal actions under the Negotiable Instruments Act. Initially convicted in 2018, the conviction was upheld a year later as the debt escalated, raising the total claim against him to nearly Rs 9 crore. Yadav, who earlier this year surrendered to authorities, secured interim bail after depositing Rs 1.5 crore, indicating the ongoing legal battle’s financial toll. In a podcast interview, Yadav expressed his plight regarding the legal situation, emphasizing that the issue extends beyond mere financial incapacity. He articulated that the ramifications of his case have cost him approximately Rs 17 crore due to the film's mismanagement and its impact on his career. The actor's assertions reflect a broader narrative about the precarious nature of financial dealings in Bollywood, where artistic aspirations often collide with fiscal realities. His claim that a single investment gone awry has resulted in substantial losses highlights the inherent risks faced by filmmakers in a competitive industry. Despite the high stakes, the legal intricacies of Yadav’s case have garnered significant media attention, illuminating the precarious balance between celebrity status and financial accountability. The recent court ruling has brought renewed scrutiny to the actor's past financial decisions and their consequences, as he grapples with the repercussions not only in his professional life but also in public perception. With the legal proceedings now back in the spotlight, industry observers are keenly watching how this case unfolds and its potential implications for others within the entertainment sector."},"img":{"url":"https://images.prismic.io/prad/aYM3c90YXLCxVW7h_rajpalyadav.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-12T11:04:05+0000","embed":{"embed_url":null}},"uid":"rajpal-yadavs-legal-woes-deepen"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"T'gana horror: Man accused in POCSO case kills wife"},"content":{"text":"A shocking multiple murder case has rocked Telangana's Ranga Reddy district, where a 35-year-old man allegedly killed his wife and two young sons before targeting a teenage girl who had earlier filed a sexual harassment case against him, along with two of her family members.  Police have launched a massive search operation to trace the accused, who remains absconding. According to investigators, the accused, identified as Rajkumar, allegedly began the killing spree on Friday night by attacking his wife, 30-year-old Parvathi Saritha, and their two sons, aged four years and one year, at their residence in Shabad. Police said that after the murders, Rajkumar allegedly drove to the residence of a 17-year-old girl who had filed a complaint against him under the Protection of Children from Sexual Offences (POCSO) Act in May this year. Investigators believe he forcibly took the teenager in his car to a secluded location, where she was allegedly murdered. According to NDTV, the accused is also alleged to have killed the girl's 45-year-old mother and her 65-year-old maternal grandmother at their home. The teenager's 20-year-old sister, who is a person with disabilities, was present during the incident but was reportedly left unharmed. Senior police officials said Rajkumar later contacted his father over the phone and allegedly confessed to the killings before switching off his mobile phone. He also reportedly indicated that he intended to end his own life, though police said there is no confirmation of this claim. Multiple police teams have been formed to trace the accused, and officials said several leads are being pursued. Police said Rajkumar and Parvathi had a love marriage in 2018 and later settled in Shabad and Devalaguda. The couple had three children, though their eldest daughter had died during infancy. Investigators revealed that Rajkumar was arrested in May after the teenage girl accused him of stalking and sexually harassing her. According to police, he allegedly followed the girl from her coaching institute to her residence and repeatedly pressured her to accept his proposal. He later obtained anticipatory bail after the court noted that the offences invoked carried a punishment of less than seven years. Police also said the accused had a history of behavioural problems. Family members reportedly informed investigators that he had struggled with mental health issues, had developed a gambling habit, and was burdened with financial debts. Relatives who reached Rajkumar's residence after the incident claimed the two children appeared to have been killed while they were asleep, while signs of a violent struggle were visible in the room where Parvathi's body was found. They also stated that the doors were locked from inside and that the fan, air-conditioner and cooler had been left running. Forensic experts have examined all the crime scenes, and investigators are reconstructing the sequence of events while working to establish the precise motive behind the brutal killings. Further investigation is underway."},"img":{"url":"https://images.prismic.io/prad/4SX1Ch7FtrxPs5eC_TShorror.JPG?auto=format,compress"},"datetime":"2026-07-11T05:45:00+0000","embed":{"embed_url":null}},"uid":"tgana-horror-man-accused-in-pocso-case-kills-wife"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Courtroom drama was on Kajal’s radar for a long time"},"content":{"text":"Actress Kajal Aggarwal, who is gearing up for the release of her upcoming film ‘The India Story’, has shared that she wanted to do a courtroom film for a long time. The actress finally got a chance with regards to the same in her upcoming film. The actress essays the role of Advocate Archana, a lawyer who joins forces with an ordinary citizen seeking justice against powerful corporate interests accused of endangering lives. Through its courtroom drama and investigative narrative, the film aims to spark discussion about food safety, corporate accountability, and environmental concerns. She spoke with media during the promotions of the film in the city, and shared how ‘The India Story’ fulfilled her desire to be a part of a courtroom drama. She told, “So courtroom drama is something that has been on my radar for a very long time. I have been looking for a good, meaty and challenging courtroom drama. So that aspect of my desire was fulfilled through the course of this film. But yes, as an actor I think there was a lot of evolution. There was growth and there was maturity in my performance as well as. I feel I have grown up as an actor, and there were moments which felt very real, and which I did not really have to enact or I did not really have to Imagine myself in that spot. I was actually living that moment. The tears were natural, feelings were natural and emotional struggles were real”. “Dismay, success, loss, and grief, it all felt very real. So as an actor ,I feel that is something that is extremely challenging/ When you can forget that you are even a part of something you reach that stage of just being, and just co-existing in a particular scene. And not really being or putting an attempt to have a true existence”, she added. Meanwhile, ‘The India Story’ also stars Shreyas Talpade in the lead role. The film explores the issue of pesticide misuse, food adulteration, and their impact on public health. The film is scheduled for a theatrical release on July 24, 2026."},"img":{"url":"https://images.prismic.io/prad/19b57605-ff2f-4bc4-982b-8d9c5ebdd124_kajal+mosagaallu.JPG?auto=format,compress"},"datetime":"2026-07-11T08:44:00+0000","embed":{"embed_url":null}},"uid":"courtroom-drama-was-on-kajals-radar-for-a-long-tim"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Ananya enjoys Pitbull’s concerts "},"content":{"text":"Bollywood actress Ananya Panday, who was seen attending the 2026 Wimbledon Men's Singles Semi-Finals at Wimbledon, also shared a glimpse of her enjoying a gig by  Cuban-American rapper Pitbull. In her stories section, the Hindi film actress first shared a thread of glimpses from the tennis match and then a video from the fan pit at the Pitbull concert. In the clip, a sea of fans, including her, were seen grooving and singing the 2011 chartbuster \"Rain Over Me\". For the caption, Ananya simply wrote: “@Pitbull @ the park.” \"Rain Over Me\" is a song by Pitbull from his sixth studio album, Planet Pit. It features vocals from Puerto Rican-American singer Marc Anthony. Both artists also co-wrote it, alongside RedOne, Bilal \"The Chef\" Hajji, AJ Janussi and Rachid \"Rush\" Aziz. Talking about Pitbull, he began his career in the early 2000s as a reggaeton, Latin hip-hop, and crunk performer, and signed with TVT Records to release his debut album, M.I.A.M.I. Executive produced by Lil Jon, the album entered the Billboard 200 along with his second and third albums, El Mariel and The Boatlift. His fourth album, Pitbull Starring in Rebelution, yielded his mainstream breakthrough, spawning the singles \"I Know You Want Me (Calle Ocho)\" and \"Hotel Room Service\". Ananya first attended the Paris Haute Couture Week and then was seen at Wimbledon looking effortlessly. She was seen wearing a bright red poplin day dress for the match. On the acting front, Ananya has been facing back-to-back flops with Tu Meri Main Tera Main Tera Tu Meri and Chand Mera Dil. Chand Mera Dil, a romantic drama directed by Vivek Soni and co-written by Soni and Tushar Paranjape. The film also stars Lakshya. It follows two college lovers whose relationship is challenged as they enter adulthood and face new responsibilities, leading them to reconsider their idea of love."},"img":{"url":"https://images.prismic.io/prad/j8cWOl1y0zp54rX2_ananya.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-11T05:31:00+0000","embed":{"embed_url":null}},"uid":"ananya-enjoys-pitbulls-concerts-"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Legends Reunite at Wimbledon"},"content":{"text":"India batting legend Sachin Tendulkar penned a heartfelt message for Roger Federer after the two sporting icons reunited at Wimbledon.  Tendulkar wrote on X, \"Some rallies never end. Our friendship is one of them. Always a pleasure spending time with you, Roger. Until we meet again.\" It was another memorable visit to SW19 for the legendary batter as he was part of the list of elite guests who watched the proceedings from the hallowed Royal Box in Friday's semi-final tie where Germany's Alexander Zverev crushed Britain's Arthur Fery in straight sets to enter his maiden Wimbledon final. Also part of the high-profile gathering was India captain Shubman Gill who, for the first time in his life, got a chance to witness a Wimbledon tie from the Royal Box. He will also resume his cricketing commitments with India's ODI series against England later this month. However, it was Tendulkar's interaction with Lara which revived memories of one of cricket's greatest rivalries. While they were opponents once, both of them have turned out to be teammates for each other in exhibitions and charity matches. The skipper of India for the tour of England Gill also seemed to be in high spirits, taking time out from international cricket duties to soak in the atmosphere at the Centre Court. Apart from them, the list also featured Liverpool captain Virgil van Dijk and Leeds United chairman Paraag Marathe, who were a part of a star-studded list that included sportspersons from different walks of life. Talking of the match, Alexander Zverev continued his remarkable Grand Slam resurgence by ending British wildcard Arthur Fery's dream Wimbledon run with a commanding 7-6(0), 6-2, 6-4 victory on Friday, booking his maiden final at the All England Club and moving within one win of a second consecutive major title. The second seed delivered a strong performance on Centre Court, quieting the home crowd after overcoming a tough challenge in the opening set from 23-year-old Fery. Zverev, who won his first Grand Slam title at Roland Garros last month, has now reached his fifth major final and his first at Wimbledon. This victory extends his winning streak at Grand Slams to 13 matches."},"img":{"url":"https://images.prismic.io/prad/j5313wTSDiOmQNWO_reunion.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-11T05:42:00+0000","embed":{"embed_url":null}},"uid":"legends-reunite-at-wimbledon"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Apple Sues OpenAI"},"content":{"text":"Apple has sued the leading artificial intelligence (AI) firm OpenAI and its hardware chief for allegedly engaging in a coordinated campaign to steal information about upcoming products.  The iPhone maker alleged that OpenAI pushed Apple employees to divulge information, components, drawings and other materials related to upcoming products, according to multiple reports. In a suit filed in the Northern District of California, Apple alleged that Tang Tan, the chief hardware officer at OpenAI, encouraged employees to share information about Apple’s upcoming products in job interviews. He worked previously as Apple’s vice president of product design, leading development of the iPhone, smartwatch, AirPods and several other offerings in the company’s hardware engineering division. The suit also named a former iPhone hardware engineer, Chang Liu, saying he provided materials, said reports. It alleged that Liu developed hardware for OpenAI by illegally accessing dozens of Apple’s confidential hardware-related files, including voluminous, detailed information about unreleased products and engineering presentations, the lawsuit said. Apple alleged that OpenAI “actively coached” many employees on how to handle their exits so that access to secret files is not lost. OpenAI dismissed the allegations saying it has “no interest in other companies’ trade secrets and remains focused on building innovative technology that empowers people everywhere.” Both companies have worked in close collaboration in recent years, where OpenAI had supplied vital technology to the Apple Intelligence platform and Siri digital assistant. However, tensions grew in the past year, and was fuelled by OpenAI enlisting former Apple design visionary Jony Ive to help develop devices. Just a few months ahead of its initial public offering OpenAI has successfully lured around 400 Apple employees to its flock, according to the lawsuit. “At every level, from members of its technical staff to its chief hardware officer, and in coordination with business partners, OpenAI has been stealing Apple’s trade secrets and confidential information,” the tech giant said in the suit. Apple demanded OpenAI to destroy any proprietary materials and redesign upcoming products discarding copied technology."},"img":{"url":"https://images.prismic.io/prad/589177d8-24e8-4153-96e2-530c31559771_apple+inc.JPG?auto=format,compress"},"datetime":"2026-07-11T03:45:00+0000","embed":{"embed_url":null}},"uid":"apple-sues-openai"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Indian Tourists Die in Vietnam Boat Mishap"},"content":{"text":"A boat carrying Indian tourists capsized near Phu Quoc Island in Vietnam on Saturday. Local media reported that 15 people have been killed while 21 people who were rescued have been taken to various medical facilities.  The exact details of the incident are still unknown and the local authorities are conducting search and rescue operations, the Indian Embassy in Vietnam stated. “In a tragic incident, a boat carrying several Indian tourists has capsized near Phu Quoc Island in Vietnam a few hours ago. Exact details of the incident are being ascertained as search and rescue operations by local authorities are ongoing,” the Embassy of India in Hanoi wrote on X. In order to provide information and assistance to affected families, a Control Room at the Consulate General of India in Ho Chi Minh City has been set up. Another Control room has been established in Hanoi. According to VnExpress, the speedboat that capsized near Hon May Rut Ngoai island, Phu Quoc, was carrying 32 Indian tourists along with a flight attendant and four crew members. Citing information from the Phu Quoc Special Economic Zone authorities, VnExpress reported that the incident took place around 1 PM when a speedboat belonging to Ocean Pear Island Company unexpectedly malfunctioned and capsized. Several nearby tourist boats came to the rescue upon seeing the distressed vessel. An Thoi Port Border Guard Station said that 15 people died, including two women and 13 men. As many as 21 people who were rescued were taken to medical facilities for emergency treatment. Two vessels with 35 officers and soldiers were deployed by the Guard station for the search and rescue, and to coordinate with the navy and coast guard. May Rut Ngoai Island is famous for coral reef diving, and visitors usually take a boat or speedboat for about 20-40 minutes to reach the island."},"img":{"url":"https://images.prismic.io/prad/hIkgV33V2ZvMkGPg_boatmishap.JPG?auto=format%2Ccompress&rect=0%2C49%2C1422%2C701&w=2028&h=1000"},"datetime":"2026-07-11T10:04:00+0000","embed":{"embed_url":null}},"uid":"indian-tourists-die-in-vietnam-boat-mishap"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"అల్లు అర్జున్‌ రాజకీయ ఎంట్రీ కేవలం...!"},"content":{"text":"స్టైలిష్ స్టార్ అల్లు అర్జున్ త్వరలో కొత్త రాజకీయ పార్టీ ఏర్పాటు చేయబోతున్నాడు అంటూ గత కొన్ని రోజులుగా సోషల్ మీడియాలో పెద్ద ఎత్తున ప్రచారం జరుగుతుంది. తెలంగాణలో ఆయన రాజకీయ పార్టీ వచ్చే ఎన్నికల్లో కీలకంగా మారుతుందని, తమిళనాడులో విజయ్ ఏ స్థాయిలో విజయాన్ని సొంతం చేసుకున్నాడో అదే విధంగా తెలంగాణలో అల్లు అర్జున్ పార్టీ భారీ విజయాన్ని సొంతం చేసుకోబోతుంది అంటూ సోషల్ మీడియాలో కొందరు చేస్తున్న పోస్టులు చర్చనీయాంశమయ్యాయి. ఈ విషయమై ఇప్పటి వరకు అల్లు అర్జున్ నుండి ఎలాంటి స్పష్టత రాలేదు. అయితే బన్నీ టీమ్ మెంబర్స్ మాత్రం ఇవన్నీ కేవలం పుకార్లే అని కొట్టి పారేశారు.  సోషల్ మీడియా ఔత్సాహికులు కొందరు చేస్తున్న ప్రచారాన్ని పట్టించుకోనక్కర్లేదని, అల్లు అర్జున్ ప్రస్తుతం సినిమాల పై మాత్రమే దృష్టి పెట్టాడు అంటూ ఆయన సన్నిహితులు చెబుతున్నారు. పుష్ప 2 సినిమా విడుదల సమయంలో జరిగిన వివాదం కారణంగానే అల్లు అర్జున్ రాజకీయ పార్టీ పెట్టే ఆలోచన చేశాడు అంటూ జరుగుతున్న ప్రచారం విషయంలో ఎలాంటి నిజం లేదని ఆయన టీమ్ మెంబర్ చెప్పగానే చెబుతున్నారు. తెలంగాణలో అల్లు అర్జున్ కి ఉన్న ఫాలోయింగ్ నేపథ్యంలో పార్టీ పెడితే కచ్చితంగా మంచి స్పందన వస్తుందని విశ్లేషకులు మాట్లాడుకుంటున్నారని సోషల్ మీడియాలో ప్రచారం జరుగుతుంది. కానీ అల్లు అర్జున్ రాజకీయ పార్టీ పెట్టడం అనేది నిజం కాదు, అసలు ఆయనకు ఒక్క శాతం కూడా రాజకీయ పార్టీ పెట్టాలని ఆలోచన లేదు అనేది వాస్తవం. ఇదంతా కేవలం సోషల్ మీడియా ప్రచారం మాత్రమే.  ఆయన అభిమానులు కొందరు విజయ్ విజయం తర్వాత సోషల్ మీడియాలో ఇలాంటి ప్రచారానికి తెర లేపారు. ప్రస్తుతం అల్లు అర్జున్ ఉన్న ఫామ్ తో వరుసగా సినిమాలు చేసి అభిమానులను అలరించే ప్రయత్నం చేస్తున్నాడు. రాజకీయాల్లోకి ఇప్పటికిప్పుడు అల్లు అర్జున్ రావాల్సిన అవసరమేమీ లేదు. ఆంధ్రప్రదేశ్‌లో పవన్ కళ్యాణ్ కోసం ఉప ముఖ్యమంత్రిగా ఉన్న విషయాన్ని తెలిసిందే. మెగా ఫ్యామిలీ నుంచి ఇంకా రాజకీయ ఎంట్రీ గురించి చర్చ అనవసరం అనేది కొందరి భావన. భవిష్యత్తులో అల్లు అర్జున్ రాజకీయాల్లో అడుగు పెట్టాలి అనుకుంటే అప్పుడు ఏ రాష్ట్ర రాజకీయాల్లో అడుగుపెడతాడు అనేది చూడాలి. హీరోలు అంతా రాజకీయాల్లోకి అనుకోవడం కరెక్ట్ కాదు అనేది చాలా మంది అభిప్రాయం. అల్లు అర్జున్ ప్రస్తుతానికి రాజకీయాల్లో అడుగు పెడతాడు అనుకోవడం అవివేకం అవుతుంది. ఆయన నుంచి రావలసిన మంచి సినిమాలు చాలానే ఉన్నాయని, ఆయనను రాజకీయకుడిగా చూడాలనుకోవడం లేదని కొందరు అభిమానులు సోషల్ మీడియా ద్వారా మాట్లాడుకుంటున్నారు."},"img":{"url":"https://images.prismic.io/prad/Zs3eB0aF0TcGJbeG_AA.JPG?auto=format,compress"},"datetime":"2026-07-11T12:08:00+0000","embed":{"embed_url":null}},"uid":"allu-arjuns-political-entry-is-merely..."}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Matt Damon Eyes Shekhar Kapur"},"content":{"text":"Hollywood star Matt Damon, who is gearing up for the release of Christopher Nolan’s “The Odyssey”, has expressed his desire to work with acclaimed Indian filmmaker Shekhar Kapur.  The actor revealed that he almost collaborated with Kapur in 2002 but had to pass on the opportunity due to prior commitments to another film. Damon is in India with Nolan and Tom Holland for the promotions of their upcoming epic fantasy action film. During a press conference in Mumbai, the 55-year-old star was asked about collaborating with an Indian filmmaker. To which, the Hollywood star said that he wants to collaborate with National Award-winning filmmaker Shekhar Kapur. He went on to reveal that he did get an opportunity to star in his 2002 epic war drama “The Four Feathers” but couldn’t take up the film as he was already working on “The Bourne Identity.” The Four Feathers, directed by Shekhar Kapur, stars Heath Ledger, Wes Bentley, Djimon Hounsou and Kate Hudson. The film is set during the British Army's Gordon Relief Expedition in Sudan, well after the formation of Mahdiyya, it tells the story of a young man accused of cowardice. This film, with altered plot events, is the latest in a long line of cinematic adaptations of the 1902 novel The Four Feathers by A.E.W. Mason. Talking about The Bourne Identity, the action-thriller film directed by Doug Liman. Based on Robert Ludlum's 1980 novel of the same name, it is the first installment in the Bourne franchise, and stars Matt Damon, Franka Potente, Chris Cooper, Clive Owen, Brian Cox, and Adewale Akinnuoye-Agbaje. Meanwhile, The Odyssey is an adaptation of Homer's ancient Greek epic the Odyssey. The film stars Matt Damon as Odysseus, the Greek king of Ithaca, and chronicles his long and perilous journey home after the Trojan War and his encounters with mythical beings as he attempts to reunite with his wife, Penelope."},"img":{"url":"https://images.prismic.io/prad/M0avYgR4TBCfZHFx_mattsekhar.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-11T06:30:00+0000","embed":{"embed_url":null}},"uid":"matt-damon-eyes-shekhar-kapur"}},{"node":{"tags":["Editorial","featured","four"],"data":{"third_party_url":null,"title":{"text":"\"The Silencing Of Online Dissent?\""},"content":{"text":"\"When authority replaces communication with intimidation, it abandons the rational debate needed to justify its power, turning governance into a performance of fear” Recall the folklore about an arrogant king who developed an awkward, clumsy limp. Horrified that street performers and tavern-goers were mocking his ungraceful walk, the insecure ruler bypassed all common sense and issued a draconian decree banning the words \"leg\" and \"limp\" under threat of severe punishment. However, much to his chagrin, the clever citizens simply invented new slang and coded jokes to describe his walk. This rendered the king so paranoid that he eventually banned almost the entire language to enforce compliance. The latest decision of the TDP-led alliance government in Andhra Pradesh to crack down on social media dissent finds a perfect parallel in the draconian decree of the king in that folklore. If reports are to go by, the Andhra Pradesh Cabinet approved the formation of a dedicated State Task Force and Social Media Response Cell to crack down on online abuse, character assassination, and misinformation. While maintaining that it respects democratic dissent, the administration states it aims to stop deliberate digital defamation and cyberbullying. Much like the king in the folklore, the Andhra Pradesh government seems to have realized that fixing the actual \"limp\" in its governance is far too difficult. Instead, it has decided to institutionalize a modern-day royal guard to simply ban online criticism. Detractors have termed it a knee-jerk reaction to shield political egos from the ultimate weapon of free expression—the only recourse a disappointed public has to question the government’s shortcomings. The state has officially institutionalized this State Level Task Force under the ruse that the security architecture is purely a shield against \"cyberbullying\" and \"character assassination.” Critics suspect it functions more like a digital net designed to catch rogue smartphone users who commit the grave crime of asking uncomfortable questions online. Under the guise of maintaining law and order, the political strategy appears to aim at transforming vibrant digital town squares into quiet, echo chambers of polite applause. The million-dollar question is: Why is a visionary government, famed for its expertise in \"real-time governance,\" suddenly so wary of citizens using cheap smartphones to destroy months of expensive public relations campaigns? Is it worried that a single viral video or sharp meme questioning its alleged failures can instantly debunk official claims of progress? If yes, why is the government trying to mimic the king in the folklore instead of countering the narrative through its own communication strategies? The move to crack down on social media dissent suggests the government is steering clear of traditional communication strategies for a very simple reason: setting up a genuinely positive narrative is exhausting. Painting a picture of perfect governance is impossible when actual infrastructure failures tell a completely different story. The public feels a responsibility to share these breakdowns online, hoping the government will notice them and fix the problems. Furthermore, it appears that official press releases about \"steady progress\" simply cannot compete for views with a hilarious, fast-paced parody video. This is quite an irony for a government led by a visionary, CEO-styled Chief Minister and a deputy Chief minister with a heroic, \"Power Star\" reputation. Yet, instead of using that creative energy to fight a meme with another meme, which requires wit, the administration has decided that fighting a meme with a task force only requires a government signature. Perhaps the government feels that spending millions on a high-end PR agency to change hearts and minds would further burden a fiscally deficit state. When a swift legal threat can force a user to hit \"delete,\" why waste brainpower on counter-communication strategies? Exploring harsh methods to silence dissent is like flipping the game board when you realize you are losing. Moving forward, citizens should be careful what they post. Sharing an opinion on the government's broken electoral promises could soon require an official clearance certificate. Similarly, questioning a minister’s silence on a major law and order crisis could be flagged as a malicious attempt to damage their carefully built, powerful image. Ultimately, the new Social Media Response Cell wants to ensure that public perception is manufactured entirely inside official boardrooms, not in local WhatsApp groups. By choosing intimidation over conversation, the administration avoids the tiring chore of answering difficult questions. After all, just like the kingdom that fell into absolute silence under the limping king, a quiet internet is much easier to manage than an informed public. The administration wants the public to know that it welcomes all kinds of feedback—as long as that feedback is a compliment, typed in capital letters, and accompanied by a thank-you note. By setting up a \"Task Force\" to regulate (Read to silence) online criticism, this visionary government is accidentally making a major confession. It is admitting to the public that a few ordinary online voices and internet jokes actually have the power to terrify them."},"img":{"url":"https://images.prismic.io/prad/FDF3p8Nhf11ftFKW_APcabinet.JPG?auto=format,compress"},"datetime":"2026-07-11T06:45:00+0000","embed":{"embed_url":null}},"uid":"the-silencing-of-online-dissent"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Bhagyashri Borse breaks down"},"content":{"text":"Actress Bhagyashrii Borse on Saturday turned emotional and broke down at the success meet of her film 'Lenin' while whole heartedly thanking her fans for their constant motivation, which she said was what had made her stand on the stage of the success meet.  Participating in the success meet of the film, which featured Akhil Akkineni and her in the lead, Bhagyashri said, \"I am feeling very emotional today. So please forgive me, I am going to speak from my heart. I am going to talk in English. I want to start with talking about the person because of whom I am here today -- my director Murli Kishore sir.\" Addressing the director, she said, \"If you didn't give me Bharti, I wouldn't be getting this appreciation today. If you hadn't given me the space and if you hadn't put me up there as Bharti, I wouldn't have gotten the appreciation that I have gotten today. So thank you so much, I will always be grateful to you sir.\" She then thanked the film's hero, Akhil Akkineni. Bhagyashri said, \"Coming to Akhil, I have seen you work really hard and even though I may not know your journey of these past 10 years, I know what it might feel like when things don't work out. I have seen you work so hard right beside me, I have seen you put blood, sweat, tears. I have not seen you sit even for a second, making sure everything was going right. So I think you deserve so much love, I told you that on tenth, love will be coming and it's come. You have arrived Akhil. So I am very excited. I don't know what our next script is going to be but I can't wait for it. I can't wait to act beside you because you are a performer.\" After having thanked the other members of the Lenin team, Bhagyashrii finally thanked her fans, who had constantly stood by her and encouraged her. \"So, lastly I just want to say one thing, it's been a journey, it's been a journey of one-and-a-half years and every time that I have fallen, it's the messages of my fans, the reels, the constant motivation you guys have shown me. Because of which I am here today,\" she said as she broke down, unable to control her tears.  After regaining her composure, she continued, \"So, thank you so much. I just want to say one thing and that is Hyderabad is my Karmabhoomi and I wish that my last film is also here. So, thank you so much everybody. \" For the unaware, director Murali Kishor Abburu’s Telugu film ‘Lenin’, featuring actors Akhil Akkineni and Bhagyashri Borse in the lead, has now taken a strong opening in the theatres, with positive reports pouring in.  Actress Bhagyashri Borse plays the love interest of the titular character Lenin in the film. She plays a character called Bharathi in the action entertainer. The film has cinematography by Naveen Kumar and music by Thaman. Editing for the film is by Navin Nooli. "},"img":{"url":"https://images.prismic.io/prad/sUTIk07l4MSuebA3_bhagyasree.JPG?auto=format,compress"},"datetime":"2026-07-11T09:51:00+0000","embed":{"embed_url":null}},"uid":"bhagyashri-borse-breaks-down"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"ప్రతిపక్షాల నోరు నొక్కేందుకు రేవంత్‌ రెడ్డి కొత్త ప్లాన్‌!"},"content":{"text":"తెలంగాణ ముఖ్యమంత్రి రేవంత్ రెడ్డి ప్రతిపక్షాల దాడికి ఎప్పటికప్పుడు ఎదురు దాడి చేస్తూనే ఉంటారు. ప్రతిపక్షాల విమర్శలకు ఎప్పటికప్పుడు ప్రతివిమర్శలు చేస్తూ ముఖ్యమంత్రి రేవంత్ రెడ్డి పై చేయి సాధించేందుకు ప్రయత్నాలు చేస్తూనే ఉంటాడు. తాజాగా రేవంత్ రెడ్డి చేసిన వ్యాఖ్యలు రాజకీయ వర్గాల్లో చర్చనీయాంశమయ్యాయి. అధికారంలోకి వచ్చినప్పటి నుండి ప్రతిపక్ష పార్టీలు తమను పని చేయనివ్వడం లేదని, ఏ పని చేసినా కూడా విమర్శించడమే పనిగా పెట్టుకుంటున్నాయని ప్రజల ముందు, మీడియా ముందు తన ఆవేదన వ్యక్తం చేశాడు. ప్రతిపక్షాలు ప్రతి విషయాన్ని రాద్ధాంతం చేస్తున్నాయంటూ ప్రజల్లోకి తీసుకు వెళ్లడం కోసం రేవంత్ రెడ్డి ఇలా కొత్త ప్లాన్ వేసినట్లు రాజకీయ వర్గాల్లో చర్చ జరుగుతుంది.  ప్రజాస్వామ్య వ్యవస్థలో అధికారపక్షం తీసుకునే నిర్ణయాలను ప్రతిపక్ష పార్టీలు ప్రశ్నించడం సర్వసాధారణం, అయితే ప్రభుత్వం చేసే ప్రతి పనిని ప్రతిపక్ష పార్టీలు విమర్శించడం కరెక్ట్ కాదు అని కొందరి అభిప్రాయం. దాన్ని ఇప్పుడు రేవంత్ రెడ్డి బలంగా ఎత్తి చూపే ప్రయత్నం చేస్తున్నాడు. తాము చేసే ప్రతి ఒక్క అభివృద్ధి కార్యక్రమాన్ని ప్రతిపక్ష పార్టీలు విమర్శించడం ద్వారా ఆయా కార్యక్రమాలు ఆలస్యం అవుతున్నాయని, అభివృద్ధిని ప్రతిపక్ష పార్టీలు అడ్డుకుంటున్నాయని రేవంత్ రెడ్డి ఆరోపించాడు. ముఖ్యంగా బీఆర్ఎస్ నాయకులు ప్రతి ఒక్క అభివృద్ధి కార్యక్రమంపై నిప్పులు చెరుగుతూ విమర్శలు చేయడం సర్వసాధారణమైందని రేవంత్ రెడ్డి అసహనం వ్యక్తం చేశారు.  కాంగ్రెస్ ప్రభుత్వం చేపట్టే ప్రతి ఒక్క కార్యక్రమం సామాన్యులకు, రాష్ట్రానికి ఉపయోగదాయకంగా ఉంటుంది. కానీ ప్రతిపక్ష పార్టీలు అయిన బీఆర్‌ఎస్‌, బీజేపీ వాటిని వ్యతిరేకించడం ద్వారా అభివృద్ది కుంటు పడుతుందని రేవంత్‌ రెడ్డి అన్నాడు. ప్రభుత్వ నిర్ణయాలతో ఏదో జరుగుతుందని భయపెట్టి, రాష్ట్ర ఇమేజ్ డ్యామేజ్ అయ్యేలా చేస్తున్నారు. రాజకీయ అజెండా పెట్టుకొని పలు అభివృద్ధి కార్యక్రమాలను ప్రతిపక్ష పార్టీలు అడ్డుకోవడంతో ఆయా కార్యక్రమాలు నిలిచిపోతున్నాయని రేవంత్ రెడ్డి ఇటీవల ఒక కార్యక్రమంలో పేర్కొన్నారు. రేవంత్ రెడ్డి ఈ విషయాన్ని బలంగా ప్రజల్లోకి తీసుకువెళ్లి ప్రతిపక్ష పార్టీలపై వ్యతిరేకత పెరిగే విధంగా వ్యూహాత్మకంగా అడుగులు వేస్తున్నారని రాజకీయ విశ్లేషకులు అభిప్రాయం వ్యక్తం చేస్తున్నారు. రాబోయే ఎన్నికల్లో విజయమే లక్ష్యంగా మరోసారి ముఖ్యమంత్రిగా బాధ్యతలు తీసుకోవడం కోసం రేవంత్ రెడ్డి చేస్తున్న ప్రయత్నాలు ఎంత వరకు సక్సెస్ అవుతాయి అనేది చూడాలి."},"img":{"url":"https://images.prismic.io/prad/-V68kw4ONdHWuIx6_CMRR.JPG?auto=format%2Ccompress&rect=0%2C36%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-11T12:12:00+0000","embed":{"embed_url":null}},"uid":"revanth-reddys-new-plan-to-silence-the-opposition"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'Oh Sukumari' Movie Trailer"},"content":{"text":"'Oh Sukumari' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/ai5rjY1P9HI4UdQP_ohsukumari.JPG?auto=format,compress"},"datetime":"2026-07-10T12:45:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=TL0-kMdqt_s"}},"uid":"oh-sukumari-movie-trailer"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"When Samantha opened up about nepotism in Tollywood"},"content":{"text":"Rewinding the clock, let us look back at the time Southern beauty Samantha Ruth Prabhu shared her views about nepotism in Tollywood.   She said that it does not matter whether one is from a film family or from outside; they all have their own challenges to overcome. As Samantha made her debut appearance on 'Koffee With Karan,' she was asked by host and filmmaker Karan Johar, \"In the Telugu film industry, somebody's son always becomes a lead actor, somebody's nephew is always propped up by the family. They don't think it's a big deal at all because that's the order of the way. There were few actors, may be a Vijay Deverakonda that came from the outside and broke through. What do you have to say about that circumstance?\" Reacting to this, the 'Kushi' actress had said, \"Nepo kids, non-nepo kids, everyone comes with their own demons, and they have their own demons to face.\" When KJo asked Samantha, \"What about first-move advantage?\" she pointed out that star kids are under immense pressure as their every move is observed by the industry and viewers; however, being an outsider takes away some of that pressure. The 'Yashoda' actress went on to explain, \"And for me, when I entered the industry, if I failed, just my mom, dad, and my brothers would have known that I failed. But when a star kid fails, the whole country knows.\" Samantha concluded the conversation, saying that, in the end, it is all about being accepted by the audience. \"And the ball is always in the audience's court,\" she shared. Samantha made her acting debut in 2010 with the Telugu romantic entertainer 'Ye Maaya Chesave'.  After that, she went on to become a part of movies such as 'Dookudu (2011)', 'Seethamma Vakitlo Sirimalle Chettu (2012)', 'Attarintiki Daredi (2013)', 'Kaththi (2014)', 'Theri (2016)', '24 (2016)', 'Mersal (2017)', and Rangasthalam (2018). Samantha's last movie was 'Maa Inti Bangaaram'."},"img":{"url":"https://images.prismic.io/prad/a2c085e0-dc48-48b2-bd5a-0a6797cd88ca_samantha.JPG?auto=format,compress"},"datetime":"2026-07-10T11:25:00+0000","embed":{"embed_url":null}},"uid":"when-samantha-opened-up-about-nepotism-in-tollywoo"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Suma son Roshan's new film goes on floors!"},"content":{"text":"Director Vijay K Kamisetty's debut film, a high concept, sci-fi entertainer featuring actor Roshan Kanakala in the lead, went on the floors with a traditional pooja ceremony at the sacred Sri Venkateswara Swamy Temple in Kakatiya Hills on Friday.   Hero Nikhil sounded the clapboard for the muhurtham shot, while cinematographer KK Senthil Kumar switched on the camera. VI Anand formally handed over the script to the team and also directed the inaugural shot as a mark of his blessing to the project. Sources say that the brand-new high-concept sci-fi entertainer will star actors Roshan Kanakala and Gahazy in the lead roles.  Apart from the lead actors, the film will also feature actors Satya, Sudarsha, Ravi and Teja Nannimala among others.  For the unaware, Vijay K Kamisetty has worked closely with acclaimed filmmaker VI Anand for several years as his Chief Associate Director and dialogue writer. Sources say that Vijay has been an integral part of successful films such as 'Tiger', 'Ekkadiki Pothavu Chinnavada', 'Okka Kshanam' and 'Disco Raja'. He now steps into the director's shoes with this ambitious project, handling the screenplay, dialogues, and direction. The film is based on a story by VI Anand, whose imaginative storytelling and distinctive vision, sources claim, have redefined fantasy and science-fiction entertainment in Telugu cinema.  The film is to be bankrolled by Balaji Gutta and Koushik Reddy under the Gutta Productions banner in association with Kamalakar Film Corporation. Sources claim the project will look to blend fantasy, romance, comedy, mystery, and cutting-edge science fiction into one spectacular cinematic experience. The film, they say, will seek to transport audiences into an extraordinary universe filled with imagination, emotion, and breathtaking visuals. Designed as a complete theatrical entertainer, the makers assure that every twist will surprise and every emotion will leave a lasting impact. The film features an accomplished technical team. Sekhar Chandra is composing the music for this film, for which cinematography will be by Anvesh Varala. Well known editor Chota K Prasad will serve as the editor of this film while Brahma Kadali will serve as its Production Designer. Tharun Reddy is the Co-Producer, while VI Anand and Anusha Veluswamy are the Creative Producers, and Bandi Bhaskar and Shailendra Kumar are the Executive Producers. With pre-production progressing rapidly, sources say regular shooting is set to begin soon. "},"img":{"url":"https://images.prismic.io/prad/L0D_aOMLNM2A6v6M_roshanmovie.JPG?auto=format%2Ccompress&rect=0%2C27%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-10T06:30:00+0000","embed":{"embed_url":null}},"uid":"suma-son-roshans-new-film-goes-on-floors"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Encounter: When the meaning expands beyond a mere meeting"},"content":{"text":"Encounter – a word that originally meant a meeting or clash has, in India, become a euphemism for police shootings of suspects in a shift that was reignited after a recent West Bengal event which has reopened debates about rule of law, accountability, and political rhetoric.  The West Bengal government has now assigned the Criminal Investigation Department (CID) to probe the “encounter” killing of one of the four people accused in the alleged rape and murder of a 12-year-old girl at Baruipur in South 24 Parganas district and submit a report. This meaning of the word that comes in the sundry conversation in India can be considered unique. Some say the word assumed a new meaning in the late-1960s and acquired a unique place in the vocabulary by the mid-1970s. During the rise of Naxalism in West Bengal, violence and bloodshed made headlines every day, and the word entered the lexicon, even in Bangla. The news next day would say “…killed in encounter”, implying an exchange of fire with activists/criminals who could not be overpowered and were thus eliminated in self-defence. Such high‑profile encounters elsewhere in India, too, provoked cycles of public approval and legal scrutiny. In some states, celebrated encounters bolstered political careers; in others, later investigations exposed staged shootings and custodial abuses. Human‑rights groups have long warned that normalising the term risks eroding due process, alleging when “encounter” becomes a shorthand for desirable outcome, incentives shift away from investigation and trial toward immediate lethal resolution. In later days, police officer Daya Nayak earned the epithet of “encounter specialist” during his tenure. His “fearless crackdowns” on Mumbai’s underworld in the late 1990s and early 2000s have been reported widely, recorded in many books, and recounted on celluloid as well. He reportedly led around 86 police encounters against hardened criminals, including noted gangsters and terror elements, turning into one of the most formidable figures in the Mumbai Police. But his career was not without setbacks – he faced corruption allegations and a long suspension, but was later acquitted and reinstated. He went on to retire from service. Thus, the word which in ordinary English sense is neutral and broad, was expanded built on its intrinsic meaning. According to Wikipedia, “The term encounter killing came into popular use in India since the late 20th century following a very high frequency of such killings by police in cities including Mumbai, Chennai, Kolkata and Ghaziabad. Some of the killings have been controversial, and critics have alleged that the police created 'fake encounters' as opportunities to kill suspects.” The Cambridge dictionary website describes encounter as to meet someone unexpectedly, or, to experience something, especially something unpleasant. The Merriam-Webster does mention “a meeting between hostile factions or persons: A sudden often violent clash” among other definitions. The online Oxford Learners Dictionaries, among other listings, gives a definition – but adding in parentheses “(Indian English)” – calling it “an incident in which police shoot dead a suspected criminal”. Wikipedia says, “Encounter killings, often simply referred to as encounters, is a euphemism used in India and Pakistan to refer to extrajudicial killings by security forces. The officers typically described the incidents as a shootout situation, often allegedly starting when a criminal grabs for the gun of a police officer. The term encounter came into widespread use for such incidents in the late 20th century.” Adding later, “Sometimes police officers are also killed in such incidents, although relatively rarely.” Over time, media and official language began to use the term for incidents in which suspects died in police firing. The transformation from “meeting” to a shorthand for police killings is not merely lexical drift; it is social and political. From the later part of 20th century, episodes of armed confrontation between police and organised criminals or insurgents were often reported as “encounters”, as evident."},"img":{"url":"https://images.prismic.io/prad/874S3GTYX1ZEe_SN_encounter.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T06:30:00+0000","embed":{"embed_url":null}},"uid":"encounter-when-the-meaning-expands-beyond-a-mere-m"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Dulquer Salmaan's #DQ41 titled 'Sri Sri'"},"content":{"text":"The makers of director Ravi Nelakuditi's upcoming romantic entertainer, featuring Dulquer Salmaan in the lead, on Friday announced that the film had now been titled 'Sri Sri.  Taking to his social media timelines, actor Dulquer Salmaan wrote, \"Love will feel a little extra special with 'Sri Sri'. #DQ41 is #SriSri. #LoveWillSparkAgain. #SLVC10. Starring @dulQuer, @hegdepooja & @Dheekshiths Directed by @ravinelakuditi9 Music by @gvprakash Cinematography by #AnayOmGoswamy Editing by #KotagiriVenkateswaraRao. Production design by @artkolla.Produced by @sudhakarcheruk5 under @SLVCinemasOffl.\" It may be recalled that the makers of the film had welcomed well known Telugu actor Jagapathi Babu onboard the unit of the film in February this year. Taking to its X timeline to wish Jagapathi Babu a happy birthday, well known production house SLV Cinemas, which is producing the film, had said, \"Happy Birthday to the versatile @IamJagguBhai Garu. The world of DQ41 gets special with your addition. -Team #DQ41. #SLVC10 Starring @dulQuer, @hegdepooja, @meramyakrishnan, @Dheekshiths. Directed by @ravinelakuditi9. Music by @gvprakash. Cinematography by #AnayOmGoswamy. Editing by #KotagiriVenkateswaraRao. Production design by @artkolla. Produced by @sudhakarcheruk5 under @SLVCinemasOffl. Co-produced by @innamuri8888.\" The film, which went on floors in August last year, features Dulquer Salmaan and Pooja Hegde in the lead. The project was launched with a special pooja ceremony in Hyderabad last year. While Natural Star Nani had given the clap for the mahurat shot, Buchi Babu had switched on the camera. 'Dasara' director Srikanth Odela had also graced the mahurat ceremony. Treating the netizens to sneak peeks from the launch ceremony, Dulquer had said, \"The much awaited #DQ41 - a heartwarming contemporary love story - launched grandly with a pooja ceremony...Natural Star @nameisnani gave the clap & blockbuster directors @srikanthodela__ & @buchibabu_sana graced the event to bless the team.\" Backed by Sudhakar Cherukuri under the banner of SLV Cinemas, the music for the film is being provided by two-time National Award winner GV Prakash. Apart from Dulquer Salmaan, Pooja Hegde and Jagapathi Babu, the film will also feature Ramya Krishnan and Deekshith Shetty in pivotal roles. On the technical front, the film has Anay Goswamy as its cinematographer, and Avinash Kolla as the head of the production design. Touted to be a pan-India project, 'Sri Sri' will reach the audience in five languages."},"img":{"url":"https://images.prismic.io/prad/qB2YmsRjnwMPc36w_srisri.JPG?auto=format%2Ccompress&rect=0%2C7%2C448%2C221&w=2028&h=1000"},"datetime":"2026-07-10T08:24:00+0000","embed":{"embed_url":null}},"uid":"dulquer-salmaans-dq41-titled-sri-sri"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"CM Vijay Keeps His Promise"},"content":{"text":"Tamil Nadu Chief Minister C. Joseph Vijay on Friday handed over compassionate appointment orders to the members of families who lost their loved ones in the Karur stampede, describing the tragedy as an “unhealed wound” that continues to weigh heavily on his heart.  The stampede occurred on September 27 last year, on the eve of the Tamil Nadu Assembly election, during a TVK election campaign rally in Karur. Forty-one people were killed in the incident. A Central Bureau of Investigation (CBI) probe into the tragedy is currently underway. Following the incident, the Tamil Nadu government announced an ex gratia payment of Rs 10 lakh to each bereaved family, while the TVK extended an additional compensation of Rs 20 lakh. As part of the government’s rehabilitation measures, the Chief Minister visited Karur to distribute compassionate appointment orders to eligible family members of the victims. During a function held at the Atlas Arena, CM Vijay presented appointment orders to one member from each of the 32 affected families, with jobs offered as per the educational qualifications of the beneficiaries. The event coincided with proceedings before the Madurai Bench of the Madras High Court, where a petition challenging the government’s decision to provide permanent government jobs to the victims’ families came up for hearing. The court directed that the beneficiaries could, for the present, be offered temporary appointments. Addressing the gathering, an emotional Vijay said the pain caused by the Karur tragedy had never left him. “My heartfelt greetings to all my brothers and sisters of Karur who live in my heart. No matter how high a person rises in life, the wounds and pain in the heart can never be forgotten. I stand before you today after overcoming many hardships and emotional scars,” he said. “The Karur tragedy caused me immense mental anguish. I lost my brothers, my sisters and my innocent children in Karur. The incident remains an unhealed wound in my heart. They pinned the blame on me for the Karur incident, but I entered politics for the sake of the people, and I am determined to bring a permanent end to such tragedies,” the Chief Minister said. Launching a political attack on the Opposition, CM Vijay alleged that opposition members walked out of the Legislative Assembly when the term “party fund” was mentioned. He further claimed that corruption worth crores of rupees existed across government departments in the past, but asserted that people now believed bribery and corruption in government offices had significantly reduced under his administration. The Chief Minister also reiterated his government’s commitment to fulfilling its election promises. He announced that the promised scheme to present a gold ring on behalf of the maternal uncle to newborns on the birth anniversary of former Chief Minister C.N. Annadurai (Arignar Anna) would be implemented as pledged. The programme concluded with the distribution of appointment orders to beneficiaries, with the government stating that the initiative was aimed at providing long-term financial security to families devastated by one of the worst public tragedies in the state’s recent history."},"img":{"url":"https://images.prismic.io/prad/bfZ9ipLrs4bJqUwd_vijay.JPG?auto=format%2Ccompress&rect=0%2C2%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-10T08:45:00+0000","embed":{"embed_url":null}},"uid":"cm-vijay-keeps-his-promise"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Car crashes into house of actor Dharma"},"content":{"text":"A car crashed into the residence of Tollywood actor Dharma in Film Nagar in posh Jubilee Hills area here in the early hours of Friday. No one was injured in the incident, police said.  The vehicle, allegedly driven by intoxicated youths crashed into Dharma’s house past midnight after the driver lost control apparently due to over speeding. According to police, the car crashed into the gate and entered the premises before coming to a halt. A portion of the boundary wall came crashing under the impact of the collision. The vehicle was extensively damaged in the incident. On hearing the loud thud, the actor and his family members woke up. They lodged a complaint with the police. Police rushed to the spot and detained the youth, who was driving the vehicle, allegedly under the influence of alcohol. Jubilee Hills police registered a case and took up investigation. Meanwhile, in a bizarre incident, a drunk man stole a bus belonging to Telangana State Road Transport Corporation (TGSRTC). According to police, a man stole a hired bus of TGSRC from Jangaon bus stand and took it away. Venkanna, a resident of Palakurthi, drove the empty bus for about 21 km towards Suryapet. The bus came to an abrupt halt after hitting a cement block near the Singarajupally toll gate. The police have arrested the accused, who was under the influence of alcohol. According to police, Venkanna, a tractor driver, wanted to travel to Tirupati. He first visited a nearby railway station twice, but after learning that no trains were available at that time, he went to Jangaon bus stand, where he noticed an RTC-hired bus parked on the premises. He entered the bus and managed to start it using the vehicle's toolkit. He then drove the bus along the Suryapet route for about 21 kilometres. The theft came to light after the bus met with an accident near the Singarajupalli toll plaza. Venkanna reportedly hit the divider while attempting to reverse the bus. Toll plaza staff became suspicious when he repeatedly rammed the divider and was unable to reverse the vehicle properly. They informed the police, who detained Venkanna."},"img":{"url":"https://images.prismic.io/prad/2RqIUxatqd_YW-Am_dharmahome.JPG?auto=format,compress"},"datetime":"2026-07-10T07:32:00+0000","embed":{"embed_url":null}},"uid":"car-crashes-into-house-of-actor-dharma"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Courtroom drama was on Kajal’s radar for a long time"},"content":{"text":"Actress Kajal Aggarwal, who is gearing up for the release of her upcoming film ‘The India Story’, has shared that she wanted to do a courtroom film for a long time. The actress finally got a chance with regards to the same in her upcoming film. The actress essays the role of Advocate Archana, a lawyer who joins forces with an ordinary citizen seeking justice against powerful corporate interests accused of endangering lives. Through its courtroom drama and investigative narrative, the film aims to spark discussion about food safety, corporate accountability, and environmental concerns. She spoke with media during the promotions of the film in the city, and shared how ‘The India Story’ fulfilled her desire to be a part of a courtroom drama. She told, “So courtroom drama is something that has been on my radar for a very long time. I have been looking for a good, meaty and challenging courtroom drama. So that aspect of my desire was fulfilled through the course of this film. But yes, as an actor I think there was a lot of evolution. There was growth and there was maturity in my performance as well as. I feel I have grown up as an actor, and there were moments which felt very real, and which I did not really have to enact or I did not really have to Imagine myself in that spot. I was actually living that moment. The tears were natural, feelings were natural and emotional struggles were real”. “Dismay, success, loss, and grief, it all felt very real. So as an actor ,I feel that is something that is extremely challenging/ When you can forget that you are even a part of something you reach that stage of just being, and just co-existing in a particular scene. And not really being or putting an attempt to have a true existence”, she added. Meanwhile, ‘The India Story’ also stars Shreyas Talpade in the lead role. The film explores the issue of pesticide misuse, food adulteration, and their impact on public health. The film is scheduled for a theatrical release on July 24, 2026."},"img":{"url":"https://images.prismic.io/prad/19b57605-ff2f-4bc4-982b-8d9c5ebdd124_kajal+mosagaallu.JPG?auto=format,compress"},"datetime":"2026-07-11T08:44:00+0000","embed":{"embed_url":null}},"uid":"courtroom-drama-was-on-kajals-radar-for-a-long-tim"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"Jagan to Console Vizag Fishermen's Families"},"content":{"text":"Former Chief Minister and YSR Congress Party (YSRCP) President Y.S. Jagan Mohan Reddy will visit Visakhapatnam on July 14 to console the families of the six fishermen who went missing in the recent boat accident off the Visakhapatnam coast. YSRCP Visakhapatnam District President K.K. Raju announced on Sunday that Jagan Mohan Reddy will arrive at Visakhapatnam Airport at 10:30 a.m. and will directly visit the houses of the missing fishermen at Jabbarpet in Visakhapatnam South Assembly constituency. He will also meet Kari Chinna, the lone survivor of the accident, along with his family members. K.K. Raju criticised the state government for its failure to respond effectively to the tragedy. He said the accident occurred just eight nautical miles from the shore, yet it took nearly 20 hours for the rescue teams to reach the spot despite the availability of advanced technology. He blamed the lack of coordination among the Coast Guard, Navy, Marine Police, Fisheries Department and Revenue Department for the disappearance of the six fishermen. He also questioned the state government's decision to stop the rescue operation before the missing fishermen were traced. He expressed disappointment that Home Minister V. Anitha, who represents the united Visakhapatnam district, has not visited the victims. He also criticised the Chief Minister N. Chandrababu Naidu, Deputy Chief Minister Pawan Kalyan, IT Minister Nara Lokesh and Agriculture Minister K. Atchannaidu for remaining silent on the tragedy. He accused the state government of falsely claiming credit for rescuing Kari Chinna and alleged that Ministers distributed compensation cheques without listening to the concerns of the affected families. A mechanised fishing vessel, carrying seven fisherfolk, capsized just 10 nautical miles off the Gangavaram coast in Visakhapatnam on July 4. Six of the seven fishermen who went into the sea for the catch presumed to be dead. The fishermen had set off for fishing on July 1. The boat capsized while they were returning to the coast. One of them was rescued by the crew of a merchant vessel, and he was brought to the coast on July 6. The fishermen remained untraced after a four-day-long search and rescue operation by the Indian Navy and Coast Guard. The search operation was called off on July 8. The state government distributed an ex-gratia of Rs 10 lakh each to the families of the six fishermen."},"img":{"url":"https://images.prismic.io/prad%2F3beb45d3-c8a9-44d8-b72d-075d1e501c96_jagan+ahl.jpg?auto=format,compress&rect=0,44,1280,631&w=2028&h=1000"},"datetime":"2026-07-12T16:18:00+0000","embed":{"embed_url":null}},"uid":"jagan-to-console-vizag-fishermens-families"}},{"node":{"data":{"title":{"text":"CBN Visits Pawan at Hospital After Surgery"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu on Sunday visited Deputy Chief Minister Pawan Kalyan, who underwent surgery on his right shoulder at a hospital in Mumbai. The Chief Minister inquired about the health condition of the Jana Sena leader and wished him a full and speedy recovery. Pawan Kalyan underwent the surgery at Kokilaben Dhirubhai Ambani Hospital & Medical Research Institute on Saturday. State ministers Nadendla Manohar, P. Narayana, Agani Satyaprasad and MP Lingamaneni Ramesh also called on Pawan Kalyan. The actor-politician was accompanied by his wife, Anna Konidala. After meeting Pawan Kalyan, Chandrababu Naidu told the media that he was recovering well. \"He always helps people and is also a very big crowd puller. Whenever he goes among the people, he forgets about himself. So many people come. There is push and everything.., because of all this pressure, he had that problem. It was not recent one. For last so many days, he had been suffering from that problem. Finally, he came here and underwent surgery,” Chandrababu Naidu said. \"He is recovering very well now. We are confident that he will recover very fast. However, doctors are advising that he needs to rest for three weeks, followed by physiotherapy. He is having problem in the other shoulder, for which doctors are advising physiotherapy. After six months, they will evaluate and suggest further course of action,\" he added. Meanwhile, Kokilaben Dhirubhai Ambani Hospital & Medical Research Institute said in a health bulletin on Sunday that Pawan Kalyan was diagnosed with a right shoulder rotator cuff injury, comprising an extensive tear of the supraspinatus and infraspinatus tendon with an associated avulsion fracture of the greater tuberosity bone. He underwent successful arthroscopic repair of the injury. According to the health bulletin, the surgery was performed by Dr Dinshaw Pardiwala, director- Arthroscopy & Shoulder Service. The surgery was uneventful, and he is comfortable and recovering well. “Following a period of rest and recovery, Mr Pawan Kalyan will undergo a structured shoulder rehabilitation programme, with an expected full recovery of shoulder function over the next four months,” added the bulletin."},"img":{"url":"https://images.prismic.io/prad/EvcfmYPNGd3FL5IK_PawanCBN.png?auto=format,compress&rect=0,39,450,222&w=2028&h=1000"},"datetime":"2026-07-12T16:22:00+0000","embed":{"embed_url":null}},"uid":"cbn-visits-pawan-at-hospital-after-surgery"}},{"node":{"data":{"title":{"text":"T'gana horror: Man accused in POCSO case kills wife"},"content":{"text":"A shocking multiple murder case has rocked Telangana's Ranga Reddy district, where a 35-year-old man allegedly killed his wife and two young sons before targeting a teenage girl who had earlier filed a sexual harassment case against him, along with two of her family members.  Police have launched a massive search operation to trace the accused, who remains absconding. According to investigators, the accused, identified as Rajkumar, allegedly began the killing spree on Friday night by attacking his wife, 30-year-old Parvathi Saritha, and their two sons, aged four years and one year, at their residence in Shabad. Police said that after the murders, Rajkumar allegedly drove to the residence of a 17-year-old girl who had filed a complaint against him under the Protection of Children from Sexual Offences (POCSO) Act in May this year. Investigators believe he forcibly took the teenager in his car to a secluded location, where she was allegedly murdered. According to NDTV, the accused is also alleged to have killed the girl's 45-year-old mother and her 65-year-old maternal grandmother at their home. The teenager's 20-year-old sister, who is a person with disabilities, was present during the incident but was reportedly left unharmed. Senior police officials said Rajkumar later contacted his father over the phone and allegedly confessed to the killings before switching off his mobile phone. He also reportedly indicated that he intended to end his own life, though police said there is no confirmation of this claim. Multiple police teams have been formed to trace the accused, and officials said several leads are being pursued. Police said Rajkumar and Parvathi had a love marriage in 2018 and later settled in Shabad and Devalaguda. The couple had three children, though their eldest daughter had died during infancy. Investigators revealed that Rajkumar was arrested in May after the teenage girl accused him of stalking and sexually harassing her. According to police, he allegedly followed the girl from her coaching institute to her residence and repeatedly pressured her to accept his proposal. He later obtained anticipatory bail after the court noted that the offences invoked carried a punishment of less than seven years. Police also said the accused had a history of behavioural problems. Family members reportedly informed investigators that he had struggled with mental health issues, had developed a gambling habit, and was burdened with financial debts. Relatives who reached Rajkumar's residence after the incident claimed the two children appeared to have been killed while they were asleep, while signs of a violent struggle were visible in the room where Parvathi's body was found. They also stated that the doors were locked from inside and that the fan, air-conditioner and cooler had been left running. Forensic experts have examined all the crime scenes, and investigators are reconstructing the sequence of events while working to establish the precise motive behind the brutal killings. Further investigation is underway."},"img":{"url":"https://images.prismic.io/prad/4SX1Ch7FtrxPs5eC_TShorror.JPG?auto=format,compress"},"datetime":"2026-07-11T05:45:00+0000","embed":{"embed_url":null}},"uid":"tgana-horror-man-accused-in-pocso-case-kills-wife"}},{"node":{"data":{"title":{"text":"Legends Reunite at Wimbledon"},"content":{"text":"India batting legend Sachin Tendulkar penned a heartfelt message for Roger Federer after the two sporting icons reunited at Wimbledon.  Tendulkar wrote on X, \"Some rallies never end. Our friendship is one of them. Always a pleasure spending time with you, Roger. Until we meet again.\" It was another memorable visit to SW19 for the legendary batter as he was part of the list of elite guests who watched the proceedings from the hallowed Royal Box in Friday's semi-final tie where Germany's Alexander Zverev crushed Britain's Arthur Fery in straight sets to enter his maiden Wimbledon final. Also part of the high-profile gathering was India captain Shubman Gill who, for the first time in his life, got a chance to witness a Wimbledon tie from the Royal Box. He will also resume his cricketing commitments with India's ODI series against England later this month. However, it was Tendulkar's interaction with Lara which revived memories of one of cricket's greatest rivalries. While they were opponents once, both of them have turned out to be teammates for each other in exhibitions and charity matches. The skipper of India for the tour of England Gill also seemed to be in high spirits, taking time out from international cricket duties to soak in the atmosphere at the Centre Court. Apart from them, the list also featured Liverpool captain Virgil van Dijk and Leeds United chairman Paraag Marathe, who were a part of a star-studded list that included sportspersons from different walks of life. Talking of the match, Alexander Zverev continued his remarkable Grand Slam resurgence by ending British wildcard Arthur Fery's dream Wimbledon run with a commanding 7-6(0), 6-2, 6-4 victory on Friday, booking his maiden final at the All England Club and moving within one win of a second consecutive major title. The second seed delivered a strong performance on Centre Court, quieting the home crowd after overcoming a tough challenge in the opening set from 23-year-old Fery. Zverev, who won his first Grand Slam title at Roland Garros last month, has now reached his fifth major final and his first at Wimbledon. This victory extends his winning streak at Grand Slams to 13 matches."},"img":{"url":"https://images.prismic.io/prad/j5313wTSDiOmQNWO_reunion.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-11T05:42:00+0000","embed":{"embed_url":null}},"uid":"legends-reunite-at-wimbledon"}},{"node":{"data":{"title":{"text":"Apple Sues OpenAI"},"content":{"text":"Apple has sued the leading artificial intelligence (AI) firm OpenAI and its hardware chief for allegedly engaging in a coordinated campaign to steal information about upcoming products.  The iPhone maker alleged that OpenAI pushed Apple employees to divulge information, components, drawings and other materials related to upcoming products, according to multiple reports. In a suit filed in the Northern District of California, Apple alleged that Tang Tan, the chief hardware officer at OpenAI, encouraged employees to share information about Apple’s upcoming products in job interviews. He worked previously as Apple’s vice president of product design, leading development of the iPhone, smartwatch, AirPods and several other offerings in the company’s hardware engineering division. The suit also named a former iPhone hardware engineer, Chang Liu, saying he provided materials, said reports. It alleged that Liu developed hardware for OpenAI by illegally accessing dozens of Apple’s confidential hardware-related files, including voluminous, detailed information about unreleased products and engineering presentations, the lawsuit said. Apple alleged that OpenAI “actively coached” many employees on how to handle their exits so that access to secret files is not lost. OpenAI dismissed the allegations saying it has “no interest in other companies’ trade secrets and remains focused on building innovative technology that empowers people everywhere.” Both companies have worked in close collaboration in recent years, where OpenAI had supplied vital technology to the Apple Intelligence platform and Siri digital assistant. However, tensions grew in the past year, and was fuelled by OpenAI enlisting former Apple design visionary Jony Ive to help develop devices. Just a few months ahead of its initial public offering OpenAI has successfully lured around 400 Apple employees to its flock, according to the lawsuit. “At every level, from members of its technical staff to its chief hardware officer, and in coordination with business partners, OpenAI has been stealing Apple’s trade secrets and confidential information,” the tech giant said in the suit. Apple demanded OpenAI to destroy any proprietary materials and redesign upcoming products discarding copied technology."},"img":{"url":"https://images.prismic.io/prad/589177d8-24e8-4153-96e2-530c31559771_apple+inc.JPG?auto=format,compress"},"datetime":"2026-07-11T03:45:00+0000","embed":{"embed_url":null}},"uid":"apple-sues-openai"}},{"node":{"data":{"title":{"text":"Indian Tourists Die in Vietnam Boat Mishap"},"content":{"text":"A boat carrying Indian tourists capsized near Phu Quoc Island in Vietnam on Saturday. Local media reported that 15 people have been killed while 21 people who were rescued have been taken to various medical facilities.  The exact details of the incident are still unknown and the local authorities are conducting search and rescue operations, the Indian Embassy in Vietnam stated. “In a tragic incident, a boat carrying several Indian tourists has capsized near Phu Quoc Island in Vietnam a few hours ago. Exact details of the incident are being ascertained as search and rescue operations by local authorities are ongoing,” the Embassy of India in Hanoi wrote on X. In order to provide information and assistance to affected families, a Control Room at the Consulate General of India in Ho Chi Minh City has been set up. Another Control room has been established in Hanoi. According to VnExpress, the speedboat that capsized near Hon May Rut Ngoai island, Phu Quoc, was carrying 32 Indian tourists along with a flight attendant and four crew members. Citing information from the Phu Quoc Special Economic Zone authorities, VnExpress reported that the incident took place around 1 PM when a speedboat belonging to Ocean Pear Island Company unexpectedly malfunctioned and capsized. Several nearby tourist boats came to the rescue upon seeing the distressed vessel. An Thoi Port Border Guard Station said that 15 people died, including two women and 13 men. As many as 21 people who were rescued were taken to medical facilities for emergency treatment. Two vessels with 35 officers and soldiers were deployed by the Guard station for the search and rescue, and to coordinate with the navy and coast guard. May Rut Ngoai Island is famous for coral reef diving, and visitors usually take a boat or speedboat for about 20-40 minutes to reach the island."},"img":{"url":"https://images.prismic.io/prad/hIkgV33V2ZvMkGPg_boatmishap.JPG?auto=format%2Ccompress&rect=0%2C49%2C1422%2C701&w=2028&h=1000"},"datetime":"2026-07-11T10:04:00+0000","embed":{"embed_url":null}},"uid":"indian-tourists-die-in-vietnam-boat-mishap"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"When Aamir broke little Rani's heart"},"content":{"text":"Did you know Rani Mukherji once had a fangirl moment with her 'Gulaam' co-star Aamir Khan? While speaking to veteran actress Simi Garewal during the show, 'Rendezvous with Simi Garewal', Rani recalled that once, while Aamir was shooting for his movie 'Love Love Love', co-starring Juhi Chawla, little Rani went up to him to get an autograph. However, Aamir simply took the book from her, signed it, and gave it back, leaving little Rani a little heartbroken. \"Qayamat Se Qayamat Tak had released and he was like every young girl's dream and I went up to him, very shy. I bunked school and I went and he was like really rude to me. He just took my book and he signed and he gave it to me. So my heart broke,\" Rani remembered. However, when Rani got the opportunity to work with Aamir in 'Ghulam', she told him what had happened, but Mr Perfectionist claimed that he is never rude to his admirers. \"Once we were shooting for 'Aati Ka Khandala' and I told Aamir. I said 'Aamir do you remember once you had given an autograph to this small little girl?' He's like 'When?' So I said during the time of 'Love, Love, Love. It was me. He said 'You're lying Rani. I'm never rude. I'm never rude to kids or I'm never rude to anybody who comes for an autograph.' I said 'you were rude to me'.\" To prove her point, Rani even got the autograph book from her home and showed it to Aamir."},"img":{"url":"https://images.prismic.io/prad/ccbf8712-63ed-4358-812d-7b69af8575c3_rani+mukarji.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-12T16:27:00+0000","embed":{"embed_url":null}},"uid":"when-aamir-broke-little-ranis-heart"}},{"node":{"data":{"title":{"text":"Akhil's 'Lenin' Picks Up Pace at Box Office"},"content":{"text":"Akhil Akkineni appears to have found a winning formula with 'Lenin'. The rural action entertainer has witnessed impressive growth at the box office on its second day, boosting hopes of a strong opening weekend. After a decent start on Friday, the film registered a healthy jump on Saturday, driven by positive word of mouth and increased audience footfall. According to box office tracker, Lenin earned an estimated ₹8.15 crore India net on Day 2, improving on its opening-day collection of ₹7.15 crore. With this, the film's two-day India net collection stands at ₹15.30 crore, while its worldwide gross has reached an impressive ₹23.40 crore. The film grossed ₹17.60 crore in India and added ₹2.50 crore from overseas markets within two days. The Saturday jump was reflected in theatre occupancy as well. The film was screened in 2,099 shows on Day 2 compared to 2,028 shows on the opening day, with occupancy increasing from 50% to 57%. Trade circles are now closely watching Sunday's collections, which are expected to further strengthen the film's opening weekend numbers."},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-12T16:34:00+0000","embed":{"embed_url":null}},"uid":"akhils-lenin-picks-up-pace-at-box-office"}},{"node":{"data":{"title":{"text":"S. Janaki passes away at 88"},"content":{"text":"Legendary singer and four-time National Award winner S Janaki, who has rendered over a whopping 48,000 songs in several Indian languages, passed away at a private hospital here on Saturday after suffering a cardiac arrest.   She was 88. The Apollo BGS Hospitals in Mysuru, where she was admitted on Saturday afternoon, issued a statement soon after her demise.  In its statement, the hospital said, \"Mrs. S. Janaki was admitted to Apollo BGS Hospitals, Mysuru, on 11 July 2026 at 12:49 PM. On admission, her condition was critical, and she was immediately evaluated and shifted to the Intensive Care Unit (ICU) for further management.\" The hospital informed that despite intensive medical care and continuous monitoring by a multidisciplinary team, the veteran singer suffered a cardiac arrest during the course of treatment.  \"Advanced cardiopulmonary resuscitation (CPR) was initiated immediately in accordance with standard medical protocols. Despite resuscitative efforts, she experienced multiple cardiac arrests and could not be revived. Mrs. S. Janaki was declared deceased at 7:30 PM on 11 July 2026.\" The iconic singer's granddaughter, Apsara Vydyula, in a post on Instagram shared the news of her grandmother's demise.  She wrote,\"Dear everyone, It is with profound sadness that I share the passing of my beloved grandmother and legendary singer, Smt. S. Janaki.\" Apsara further said, \"She left us peacefully, surrounded by the love of her family. While our hearts are heavy, we are also filled with gratitude for the extraordinary life she lived and the immeasurable joy she brought to millions through her timeless music.\" Pointing out that to the world, her grandmother was an iconic voice whose songs became part of countless memories, Apsara said,\"To us, she was a loving grandmother whose warmth, humility, kindness, and grace will remain with us forever.\" She ended the note, requesting privacy for the family during this difficult time.  She said, \"We kindly request that you respect our family’s privacy during this difficult time as we grieve and come to terms with this loss. Thank you for your love, prayers, and understanding - Apsara Vydyula.\" The news of Janaki amma's demise has plunged the Indian film industry in gloom.  S Janaki amma, who began her singing career at the young age of 19 by singing for the Tamil film Vidhiyin Vilayattu, emerged a star in no time. She sang an impressive 100 songs in six Indian languages within her first year of turning a professional singer.  The great singer was known as much for her sweet voice as she was for her versatality. She was probably the only singer who could alter her voice and sing both like a six-year old child or a sixty-year-old person.   Janaki amma, as she was lovingly called by scores of fans across the world, has won a phenomenal number of awards including four National Awards and 33 different state film awards. "},"img":{"url":"https://images.prismic.io/prad/8f69TeaCCU5GKXja_Janaki.png?auto=format,compress&rect=0,7,767,378&w=2028&h=1000"},"datetime":"2026-07-11T22:58:00+0000","embed":{"embed_url":null}},"uid":"s.-janaki-passes-away-at-88"}},{"node":{"data":{"title":{"text":"Pooja Bhatt's Health Scare Inside Bigg Boss?"},"content":{"text":"In a startling revelation, actress Pooja Bhatt has opened up about a life-altering health scare she encountered while participating in the reality show Bigg Boss. During a recent appearance on Cyrus Broacha's YouTube podcast, Bhatt recounted the unnerving moment she discovered a lump in her breast mere weeks into the competition. The discovery plunged her into a vortex of anxiety, prompting fears that it could be cancer—an alarming thought considering the show's isolating environment and the looming specter of her vulnerability. Bhatt detailed the incident as occurring in the second week of the show, just after she finished her bathroom duties. As she stepped into the shower, the unexpected lump sparked immediate concern. Initially attributing the anomaly to hormonal changes or insect bites, her unease grew when the lump did not subside after a week. By the time the third week commenced, Bhatt's anxiety had escalated to the realization that she could be facing a potentially serious health crisis. \"If it is cancer, I can't die in six weeks,\" she candidly expressed, highlighting the paradox of competing while grappling with such a personal fear. The show’s producers unexpectedly extended the duration of the season, which pushed Bhatt to confront her situation more decisively. Faced with a possible diagnosis of cancer and the prospect of remaining in the competition for an additional three weeks, the actress knew she had to act. With a blend of professionalism and trepidation, she addressed the show’s cameras, demanding medical assistance. This led to the swift intervention of a qualified doctor from Hinduja Hospital, who ordered an immediate mammography to assess the lump's nature. The revelation of Bhatt's health scare has resonated deeply with fans, many of whom have expressed admiration for her resilience and unyielding spirit during such a tumultuous period. Despite the emotional turmoil, she maintained her commitment to the series, showcasing a stark contrast between her public persona and private anxieties. This incident sheds light on the often unseen pressures faced by reality television participants, navigating personal challenges while under continuous scrutiny in the public eye."},"img":{"url":"https://images.prismic.io/prad/a0dcc908-b655-4aa9-a20b-ea04185033ac_pooja+bhatt.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-12T11:04:03+0000","embed":{"embed_url":null}},"uid":"pooja-bhatts-health-scare-inside-bigg-boss"}},{"node":{"data":{"title":{"text":"Rajpal Yadav's Legal Woes Deepen"},"content":{"text":"In a significant legal development, actor Rajpal Yadav has been sentenced to three months in jail following a ruling by the Delhi High Court in a protracted cheque bounce case involving alleged non-payment of loans totaling approximately Rs 9 crore. The court's decision, which occurred on Friday, mandates that Yadav pay over Rs 1 crore to the complainants in each of the seven cases, with previous payments being factored into the total. This ruling revives a case that had seemingly entered a dormant phase, underscoring the complexities surrounding financial obligations in the film industry. The controversy traces back to Yadav's financial dealings with Murali Projects Pvt Ltd, from which he borrowed Rs 5 crore to fund his debut film, \"Ata Pata Laapata\" in 2010. The film suffered a disappointing box office performance, precipitating Yadav's inability to repay the loan and leading to legal actions under the Negotiable Instruments Act. Initially convicted in 2018, the conviction was upheld a year later as the debt escalated, raising the total claim against him to nearly Rs 9 crore. Yadav, who earlier this year surrendered to authorities, secured interim bail after depositing Rs 1.5 crore, indicating the ongoing legal battle’s financial toll. In a podcast interview, Yadav expressed his plight regarding the legal situation, emphasizing that the issue extends beyond mere financial incapacity. He articulated that the ramifications of his case have cost him approximately Rs 17 crore due to the film's mismanagement and its impact on his career. The actor's assertions reflect a broader narrative about the precarious nature of financial dealings in Bollywood, where artistic aspirations often collide with fiscal realities. His claim that a single investment gone awry has resulted in substantial losses highlights the inherent risks faced by filmmakers in a competitive industry. Despite the high stakes, the legal intricacies of Yadav’s case have garnered significant media attention, illuminating the precarious balance between celebrity status and financial accountability. The recent court ruling has brought renewed scrutiny to the actor's past financial decisions and their consequences, as he grapples with the repercussions not only in his professional life but also in public perception. With the legal proceedings now back in the spotlight, industry observers are keenly watching how this case unfolds and its potential implications for others within the entertainment sector."},"img":{"url":"https://images.prismic.io/prad/aYM3c90YXLCxVW7h_rajpalyadav.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-12T11:04:05+0000","embed":{"embed_url":null}},"uid":"rajpal-yadavs-legal-woes-deepen"}},{"node":{"data":{"title":{"text":"Courtroom drama was on Kajal’s radar for a long time"},"content":{"text":"Actress Kajal Aggarwal, who is gearing up for the release of her upcoming film ‘The India Story’, has shared that she wanted to do a courtroom film for a long time. The actress finally got a chance with regards to the same in her upcoming film. The actress essays the role of Advocate Archana, a lawyer who joins forces with an ordinary citizen seeking justice against powerful corporate interests accused of endangering lives. Through its courtroom drama and investigative narrative, the film aims to spark discussion about food safety, corporate accountability, and environmental concerns. She spoke with media during the promotions of the film in the city, and shared how ‘The India Story’ fulfilled her desire to be a part of a courtroom drama. She told, “So courtroom drama is something that has been on my radar for a very long time. I have been looking for a good, meaty and challenging courtroom drama. So that aspect of my desire was fulfilled through the course of this film. But yes, as an actor I think there was a lot of evolution. There was growth and there was maturity in my performance as well as. I feel I have grown up as an actor, and there were moments which felt very real, and which I did not really have to enact or I did not really have to Imagine myself in that spot. I was actually living that moment. The tears were natural, feelings were natural and emotional struggles were real”. “Dismay, success, loss, and grief, it all felt very real. So as an actor ,I feel that is something that is extremely challenging/ When you can forget that you are even a part of something you reach that stage of just being, and just co-existing in a particular scene. And not really being or putting an attempt to have a true existence”, she added. Meanwhile, ‘The India Story’ also stars Shreyas Talpade in the lead role. The film explores the issue of pesticide misuse, food adulteration, and their impact on public health. The film is scheduled for a theatrical release on July 24, 2026."},"img":{"url":"https://images.prismic.io/prad/19b57605-ff2f-4bc4-982b-8d9c5ebdd124_kajal+mosagaallu.JPG?auto=format,compress"},"datetime":"2026-07-11T08:44:00+0000","embed":{"embed_url":null}},"uid":"courtroom-drama-was-on-kajals-radar-for-a-long-tim"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"How Smoking Hurts Pregnancy!"},"content":{"text":"When planning to start a family, many couples focus on preparing for pregnancy by discussing nursery plans and choosing baby names. However, what often goes unnoticed is the detrimental impact of smoking on fertility and pregnancy. Cigarette smoke contains harmful chemicals that can damage reproductive cells in both men and women, making it harder to conceive and increasing the risk of pregnancy complications and poor outcomes for babies.  Dr. Vandana Bhatia, a Senior Fertility Specialist, emphasizes that smoking silently affects fertility, pregnancy, and the long-term development of the child. Both partners play a crucial role in protecting fertility as smoking can reduce sperm count, affect sperm movement, and damage egg quality, hormone levels, and ovarian reserve. Additionally, passive smoking also poses risks to fertility and pregnancy outcomes. Quitting smoking as a couple not only improves motivation and emotional support but also encourages healthier habits, leading to improved fertility and overall health.  The quality of eggs and sperm before conception significantly influences the health of the future child, making it essential for both parents to quit smoking before starting a family. Dr. Bhatia recommends practical steps for quitting smoking together, emphasizing that healthy choices are crucial in building a healthy family. Parenthood begins with the quiet promise of choosing health together, even before the first heartbeat is heard on an ultrasound."},"img":{"url":"https://images.prismic.io/prad/akDOG1bRV8_Qf8Cd_smokefertility.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T19:33:00+0000","embed":{"embed_url":null}},"uid":"how-smoking-hurts-pregnancy"}},{"node":{"data":{"title":{"text":"Even 1% Sleep Loss Could Heighten Dementia Risk"},"content":{"text":"A recent study published in JAMA Neurology has shed light on the potential link between minimal sleep loss and an increased risk of dementia. The research suggests that as little as a 1% reduction in deep sleep per year for individuals over 60 could translate to a 27% elevated risk of developing dementia. Deep sleep, also known as slow-wave sleep, plays a crucial role in the body's repair processes and the clearance of toxic proteins associated with dementia.  Associate Professor Matthew Pase from Monash University's Turner Institute for Brain and Mental Health emphasized the significance of deep sleep in supporting the aging brain and facilitating the removal of metabolic waste, including proteins linked to Alzheimer's disease. The study, which drew from the Framingham Heart Study, examined 346 participants over 60 years of age, tracking their sleep patterns and dementia development over a 17-year period. Even after adjusting for various factors, including age, genetic predisposition, and medication use, the findings consistently pointed to a 27% increased dementia risk for each percentage decrease in deep sleep annually.  It's important to note that the natural decline in deep sleep with age is gradual, peaking between 75 and 80 years old and then stabilizing. However, the cumulative effect of a 27% increase per percentage-point decrease underscores the long-term impact on dementia risk. While there's no straightforward solution to preserving deep sleep, maintaining consistent sleep schedules, avoiding alcohol before bedtime, creating a conducive sleep environment, and addressing conditions like sleep apnea can potentially support better sleep quality. Additionally, regular exercise has been linked to improved slow-wave sleep in older adults. Although these measures aren't a guarantee, the study highlights the importance of prioritizing deep sleep for brain health as individuals age."},"img":{"url":"https://images.prismic.io/prad/50a54145-f24c-4c83-80b9-e6d19ba52027_sleep.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T06:59:00+0000","embed":{"embed_url":null}},"uid":"even-1-sleep-loss-could-heighten-dementia-risk"}},{"node":{"data":{"title":{"text":"Is Your Soda Habit Causing Hair Loss?"},"content":{"text":"Are your beloved sodas harming your hair? While soft drinks have long been criticized for their impact on weight, diabetes, and heart health, a new concern has emerged regarding their potential effects on hair. The discussion gained traction after hair transplant surgeon Dr. Abhishek Pilani highlighted the issue on Raj Shamani's Figuring Out podcast.  According to Dr. Pilani, regular consumption of sugary cold drinks may create conditions within the body that are not conducive to healthy hair growth. While consuming one soda is unlikely to cause sudden hair loss, a study published in the journal Nutrients in 2023 found a link between higher consumption of sugar-sweetened beverages and male-pattern hair loss in young men. However, it's essential to note that the study established a correlation, not causation. The potential connection between soft drinks and hair health lies in the impact of high-sugar beverages on overall health.  Excessive sugar consumption can lead to repeated spikes in blood sugar and insulin levels, potentially contributing to inflammation and metabolic issues that affect the body, including hair growth. However, hair loss is rarely attributed to a single factor and is typically the result of various elements accumulating over time, including genetics, hormones, nutrition, lifestyle, and overall health. Healthy hair growth relies on a balanced intake of nutrients such as iron, protein, zinc, vitamin D, and B vitamins. While soft drinks don't directly deplete these nutrients, excessive consumption may lead to healthier options being replaced.  The concern lies in long-term habits rather than occasional consumption. The normal range of daily hair loss is between 50 and 100 strands, but concerns arise when lost hairs aren't adequately replaced. While soft drinks may not directly cause hair loss, their impact on overall health could potentially affect hair growth. Instead of fixating on individual cans of soda, experts emphasize the importance of considering overall lifestyle factors such as sleep, stress management, balanced nutrition, and reduced sugar intake. Ultimately, addressing concerns about hair health may begin with dietary and lifestyle adjustments."},"img":{"url":"https://images.prismic.io/prad/aDbfAydWJ-7kSniS_jucessoda.JPG?auto=format,compress"},"datetime":"2026-06-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"is-your-soda-habit-causing-hair-loss"}},{"node":{"data":{"title":{"text":"Recognizing the Early Signs of Ovarian Cancer"},"content":{"text":"Ovarian cancer is a significant concern for women in India, being the third most common cancer among them. However, many women with ovarian cancer often experience symptoms for several months before receiving a proper diagnosis. In India, a staggering 70 to 80 percent of ovarian cancer patients are diagnosed at advanced stages, mainly because the early signs are easily mistaken for other health issues. Oncologists have dubbed ovarian cancer as a 'silent disease' due to its subtle progression without clear, alarming symptoms.  Dr. Sampada Desai, a Consultant Gynaecological Cancer and Robotic Surgeon, emphasizes that ovarian cancer does not remain silent but instead 'whispers' through nonspecific symptoms such as upper abdominal discomfort, bloating, feeling full too early, and digestive problems, which are often mistaken for other conditions. Persistent bloating and extreme fullness even after consuming small portions of food, coupled with lower abdominal or pelvic pain, should prompt a visit to the doctor. Changes in menstrual patterns, irregular bleeding, or any bleeding post-menopause also warrant attention.  It is crucial for individuals experiencing these symptoms to keep a record for a month and consult a gynecologic oncologist if any symptoms persist for more than two weeks or occur frequently. Women with a family history of ovarian, breast, or colon cancer should be particularly vigilant, as they have a higher genetic predisposition to cancer. Early detection is key, as there are no routine screening tests for ovarian cancer. Clinical examination, ultrasonography, and blood tests may be part of the evaluation for potential ovarian cancer. Recognizing the subtle signs and listening to the 'whisper' of ovarian cancer may significantly aid in early detection and improved survival rates."},"img":{"url":"https://images.prismic.io/prad/aigpQAeQX7-eXEpI_overaincancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T18:42:00+0000","embed":{"embed_url":null}},"uid":"recognizing-the-early-signs-of-ovarian-cancer"}},{"node":{"data":{"title":{"text":"How Thyroid Health Affects Fertility"},"content":{"text":"For women trying to conceive, the road to pregnancy can be fraught with challenges. While the reasons for delayed conception may not always be obvious, thyroid health could be a significant factor. As the world marks World Thyroid Day on May 25, experts emphasize the often overlooked influence of hypothyroidism on reproductive health. Dr. Alimileti Jhansi Rani, a Fertility Specialist at Birla Fertility & IVF Hyderabad, stresses the critical role of the thyroid in reproductive health.  Research has shown that hypothyroidism can disrupt ovulation, menstruation, and hormonal regulation, leading to fertility struggles and potential complications during pregnancy. It's important to note that even 'normal' thyroid levels may not be ideal for conception, with specialists recommending optimized levels for fertility. Treatment and lifestyle changes, including medication, proper nutrition, stress management, and monitoring menstrual and ovulation patterns, can significantly improve the chances of conception.  Additionally, testing for thyroid antibodies can provide valuable insights, especially for women facing recurrent miscarriages or fertility challenges. Understanding the impact of thyroid health on fertility and seeking timely medical guidance can save valuable time for women struggling to conceive."},"img":{"url":"https://images.prismic.io/prad/1c687669-969a-426e-b643-acc2ccc20607_thyroid.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-25T06:30:00+0000","embed":{"embed_url":null}},"uid":"how-thyroid-health-affects-fertility"}},{"node":{"data":{"title":{"text":"Shortness of Breath? Take It Seriously"},"content":{"text":"Feeling winded when doing everyday tasks like climbing stairs may seem normal, but according to Dr. Rajesh Rajani, Consultant Interventional Cardiologist, it can be a red flag for an underlying heart problem. Many people dismiss breathlessness as a sign of aging or lack of fitness, but this could be dangerous thinking. The gradual decline in your ability to perform tasks without getting breathless may go unnoticed, leading to delayed diagnosis of potential heart issues.  Dr. Rajani warns that breathlessness should not be normalized, as it could indicate serious heart conditions such as blocked arteries, heart valve disease, irregular heart rhythms, or weakening of the heart muscles. Recognizing and evaluating these symptoms early can help identify underlying health risks and prevent more serious complications later. It's crucial not to make excuses for these symptoms and to seek medical advice if you experience increasing shortness of breath.  This article provides insights from Dr. Rajesh Rajani, shedding light on why breathlessness should not be ignored and how it can signify an underlying heart condition."},"img":{"url":"https://images.prismic.io/prad/agwbIKYofJOwHWqT_breath.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-18T18:56:00+0000","embed":{"embed_url":null}},"uid":"dont-ignore-it-when-shortness-of-breath-signals-a-serious-health-concern-mpcc9z9u"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Hyd Student's Mysterious Death in Finland"},"content":{"text":"What began as a desperate search filled with hope has ended in unimaginable heartbreak for a Hyderabad family. Eighteen-year-old Manideep Reddy Gujja, who went missing in Finland over two months ago, has been officially declared dead by Finland's National Bureau of Investigation (NBI). While Finnish authorities say there is no evidence of foul play, his grieving family refuses to believe that the tragedy was merely an accident and is demanding an independent investigation. Manideep, a student at Lappeenranta-Lahti University of Technology, disappeared on May 4, triggering an extensive search. On July 9, the family received the devastating news that an unidentified body recovered from the sea near the area where he was last seen had been identified as Manideep through fingerprint analysis and his Finnish identity card. Authorities also informed the family that his wallet, containing his mother's credit card and about ₹500 in Indian currency, had been recovered. The mystery surrounding his final days has only deepened the family's anguish. Just before he vanished, Manideep had called his mother requesting ₹6,000. Although the money was transferred immediately, it remained untouched. Investigators were also unable to trace his movements after he travelled nearly 100 kilometres away from his accommodation. While a forensic autopsy has been ordered to determine the exact cause of death, the family says too many questions remain unanswered. They have appealed to India's Ministry of External Affairs to intervene and ensure a thorough investigation, hoping the truth behind the young student's tragic death will finally come to light."},"img":{"url":"https://images.prismic.io/prad%2Ff26aef8f-eca6-406c-ba1a-75529bd5155e_suicide.jpg?auto=format,compress&rect=0,54,1200,592&w=2028&h=1000"},"datetime":"2026-07-12T16:32:00+0000","embed":{"embed_url":null}},"uid":"hyd-students-mysterious-death-in-finland"}},{"node":{"data":{"title":{"text":"Hindu groups join WH faith dialogue"},"content":{"text":"Representatives of two prominent Hindu organisations in the United States participated in a White House Faith Office dialogue, joining faith leaders from across the country for discussions on issues affecting religious communities.  The event, hosted by the White House Faith Office, brought together representatives from diverse faith traditions for a briefing and dialogue on matters important to faith communities. According to posts shared by the participating organisations, Hindu Swayamsevak Sangh (HSS USA) and BAPS Public Affairs represented Hindu Americans at the gathering. \"HSS USA thanks the White House Faith Office for convening a dialogue on issues important to faith communities and for the opportunity to represent Hindu Americans,\" the organisation said in a statement. \"It was heartwarming to join in diverse faith traditions of prayer while sharing the same aspiration—the wellbeing of all Americans and the welfare of our nation,\" it added. BAPS Public Affairs also welcomed the engagement with the administration. \"BAPS joined faith leaders from across the country for a briefing hosted by the White House Faith Office on matters important to faith communities,\" it said. \"As a representative of many Hindu Americans nationwide, BAPS welcomed the opportunity to contribute to this important and ongoing dialogue.\" In a brief video message released after the meeting, White House Faith Office Director Jennifer Korn thanked participants. \"Hi, I'm Jenny Corn with the White House Faith Office and I'm here with Bindu (from HSS) and we just spent about two hours together talking about religious freedom and we're so grateful for all of you and God bless you and we welcome all faith here at the White House,\" Korn said. The White House Faith Office has described its mission as engaging religious communities and ensuring that people of faith have a voice on issues affecting them. A White House document marking the office's first anniversary says it was established to \"be a voice for people of faith and ensure faith is protected and respected in America.\" "},"img":{"url":"https://images.prismic.io/prad/8afc5116-d2cf-4eff-8d5c-2494b51cf860_wgite+house.jpg?auto=format,compress&rect=0,6,1600,789&w=2028&h=1000"},"datetime":"2026-07-12T10:53:00+0000","embed":{"embed_url":null}},"uid":"hindu-groups-join-wh-faith-dialogue"}},{"node":{"data":{"title":{"text":"Telangana Techie’s Murder Plot Exposed"},"content":{"text":"A shocking murder case involving a Telangana software engineer has taken a dramatic turn in the United States, where police arrested a man nearly nine months after the death of his wife. The accused, 30-year-old Avinash Narne, allegedly strangled his wife, Rajitha Sabbineni, before attempting to stage the incident as a mysterious death. Investigators say the arrest came after months of painstaking forensic and digital investigation that uncovered crucial evidence linking him to the crime. The couple, both software professionals from Telangana, had been living in Washington after their marriage, which had lasted only six months. In October last year, Avinash called Bellevue police claiming that his wife had locked herself inside the bathroom and was not responding. When officers forced open the door, they found Rajitha lying lifeless on the floor. An autopsy later confirmed that she had died due to strangulation, leading authorities to register a homicide case. Although investigators initially suspected Avinash, the lack of concrete evidence allowed him to remain free while the investigation continued. Over the following months, detectives pieced together digital records, call logs, and other forensic evidence that ultimately pointed to Avinash as the prime suspect. According to investigators, he had been involved in an extramarital relationship with a woman in India even before his marriage, and the relationship reportedly continued afterward. Police believe this affair may have been the motive behind the killing. Officials also revealed that Avinash had contacted the woman multiple times on the day of the murder and even shared a photograph of his wife's body with her the following day. During questioning, he allegedly confessed to the crime, bringing a tragic case to a decisive conclusion after months of investigation."},"img":{"url":"https://images.prismic.io/prad/0M2P9OVRV_jQsTSD_TStechie.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-09T01:47:00+0000","embed":{"embed_url":null}},"uid":"telangana-techies-murder-plot-exposed"}},{"node":{"data":{"title":{"text":"US launches major H-1B fraud probe"},"content":{"text":"The Trump administration has launched its first major investigation into alleged fraud involving H-1B and PERM employment visas, with the US Labour Department's Inspector General saying investigators have already issued dozens of subpoenas as part of a sweeping probe into suspected labour trafficking and abuse of foreign worker programmes. Labour Department Inspector General Anthony D'Esposito said the investigation would be one of the most aggressive actions ever undertaken by an Inspector General's office against alleged foreign labour fraud. \"Without a doubt... we are gonna take an aggressive action, what we believe is probably the most aggressive action against foreign labour fraud by an Inspector General, this administration,\" D'Esposito told Fox News in an interview. \"We've already started to issue dozens of subpoenas.\" He said investigators would pursue every lead with support from the President Donald Trump administration and Vice President J.D. Vance's fraud task force. \"We are going to make sure that we track down every lead,\" D'Esposito said. He added that whistleblowers had raised concerns involving \"some of the biggest companies, like Cognizant,\" and said investigators would \"work side by side with the president and vice president's fraud task force\" as the inquiry moves forward. D'Esposito alleged that fraud involving foreign labour programmes is linked to wider criminal networks. \"This is another example where fraud is fueling violent crime,\" he said. \"Much of the visa and the human trafficking that we see when it comes to this foreign labour is tied to cartels, is tied to transnational gangs. And this is the work that we should be doing, not only to make America safe again, but to make America more affordable again.\" He also claimed that the alleged fraud extends beyond traditional labour-intensive industries. \"This is not just people working... in factories,\" D'Esposito said. \"These are people working in medical facilities, in doctors' offices that are actually putting people in harm's way. I mean, to the potential of causing death.\" He said investigators would examine cases involving factories, ports, hospitals and nursing facilities across the United States. The Inspector General said the probe is being coordinated with the Department of Justice and federal prosecutors. \"Fraudsters are gonna be hunted down. They are going to be investigated, they're going to be arrested, and they're going to be put behind bars,\" he said. D'Esposito also said the investigation is intended to ensure American workers are not displaced through abuse of employment-based visa programmes. He identified California, New York and Illinois among the states with the largest numbers of visa applicants. \"Our focus is we wanna make sure that we root out any fraud, waste and abuse in the visa programme to make sure that the American people... are not seeing their jobs taken away by foreigners or people who are gaming the system or financially benefiting from bringing these individuals into America and putting them into jobs that, quite frankly, they are not qualified to do,\" he said. The H-1B visa programme allows US employers to hire foreign professionals in speciality occupations requiring specialised knowledge. The programme is widely used by technology companies, consulting firms, healthcare providers, engineering companies and universities. Indian nationals have consistently accounted for the largest share of H-1B beneficiaries, making the programme particularly significant for India's information technology sector and skilled professionals seeking employment in the United States."},"img":{"url":"https://images.prismic.io/prad/aNFVfZ5xUNkB0-bC_H1Bvisa.JPG?auto=format,compress"},"datetime":"2026-07-08T16:29:00+0000","embed":{"embed_url":null}},"uid":"us-launches-major-h-1b-fraud-probe"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'Oh Sukumari' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/ai5rjY1P9HI4UdQP_ohsukumari.JPG?auto=format,compress"},"datetime":"2026-07-10T12:45:00+0000","third_party_url":null},"uid":"oh-sukumari-movie-trailer"}},{"node":{"data":{"title":{"text":"'Vadala' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/6ui925_N6cbCnzOH_vadala.JPG?auto=format,compress"},"datetime":"2026-07-09T07:25:00+0000","third_party_url":null},"uid":"vadala-movie-trailer"}},{"node":{"data":{"title":{"text":"GDN's first single 'The Rise of GDN'"},"img":{"url":"https://images.prismic.io/prad/AEjUZPKBSqUxpWvj_GDN.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-08T13:20:00+0000","third_party_url":null},"uid":"gdns-first-single-the-rise-of-gdn"}},{"node":{"data":{"title":{"text":"Toxic Movie: Tabaahi Song"},"img":{"url":"https://images.prismic.io/prad/-rJBIT1SVp9-szmD_tabaahi.JPG?auto=format,compress"},"datetime":"2026-07-08T06:30:00+0000","third_party_url":null},"uid":"toxic-movie-tabaahi-song"}},{"node":{"data":{"title":{"text":"Nag Speech at Lenin Grand Pre-Release"},"img":{"url":"https://images.prismic.io/prad/XvBh3TK3w8IcgRgr_nagspeech.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-05T18:30:00+0000","third_party_url":null},"uid":"nag-speech-at-lenin-grand-pre-release"}},{"node":{"data":{"title":{"text":"Why Is Europe Baking?"},"img":{"url":"https://images.prismic.io/prad/cbc7cbe8-ede0-4641-bc31-8ce61dd824e7_heat+wave.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-01T06:43:00+0000","third_party_url":null},"uid":"why-is-europe-baking"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"\"The Silencing Of Online Dissent?\""},"img":{"url":"https://images.prismic.io/prad/FDF3p8Nhf11ftFKW_APcabinet.JPG?auto=format,compress"},"datetime":"2026-07-11T06:45:00+0000","third_party_url":null},"uid":"the-silencing-of-online-dissent"}},{"node":{"data":{"title":{"text":"AP: Will CBN's Deputy Become His Liability?"},"img":{"url":"https://images.prismic.io/prad/GDqJuG6kix8wMYYd_cbnpk.JPG?auto=format,compress"},"datetime":"2026-07-09T06:45:00+0000","third_party_url":null},"uid":"ap-will-cbns-deputy-become-his-liability"}},{"node":{"data":{"title":{"text":"YSR's Legacy Remembered"},"img":{"url":"https://images.prismic.io/prad%2F57b23ca7-6747-4a7a-b48b-1e4dda04ed33_ysr+navodayum.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-08T06:36:00+0000","third_party_url":null},"uid":"ysrs-legacy-remembered"}},{"node":{"data":{"title":{"text":"Ayodhya's Kryptonite: Will Faith Defeat Propaganda?"},"img":{"url":"https://images.prismic.io/prad/wdAYM4uXFGvMyyah_ramtemple.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-08T09:05:00+0000","third_party_url":null},"uid":"ayodhyas-kryptonite-will-faith-defeat-propaganda"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aj-3gFbRV8_Qf7se_anasuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-23T11:53:49+0000","data":{"title":{"text":"Priya Prakash Varrier New Glam Stills"},"content":{"text":"Priya Prakash Varrier is an Indian actress who predominantly works in Malayalam films. Her wink in the film Oru Adaar Love went viral, making her the most searched-for personality through Google in India in 2018."},"img":{"url":"https://images.prismic.io/prad/aNJDd55xUNkB1AGF_priyapvarrier2028.JPG?auto=format,compress"}},"uid":"priya-prakash-varrier-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-09-20T17:01:37+0000","data":{"title":{"text":"Disha Patani Glam Stills"},"content":{"text":"Disha Patani is an Indian actress who primarily work in Hindi films. Patani began her acting career with the Telugu film Loafer, and had her first Hindi film release with the biopic M.S. Dhoni: The Untold Story, for which she won the IIFA Award for Star Debut of the Year"},"img":{"url":"https://images.prismic.io/prad/aM7X1J5xUNkB07Ue_disha2028.JPG?auto=format,compress"}},"uid":"disha-patani-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-08-27T16:52:16+0000","data":{"title":{"text":"Raai Laxmi Hot Bikini Stills"},"content":{"text":"Lakshmi Rai, professionally credited as Raai Laxmi is an Indian actress and model who predominantly works in Tamil, Malayalam, Telugu, Kannada and Hindi languages."},"img":{"url":"https://images.prismic.io/prad/aK8262GNHVfTOYIc_raailakshmi2028.JPG?auto=format,compress"}},"uid":"raai-laxmi-hot-bikini-stills"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"S. Janaki passes away at 88"},"content":{"text":"Legendary singer and four-time National Award winner S Janaki, who has rendered over a whopping 48,000 songs in several Indian languages, passed away at a private hospital here on Saturday after suffering a cardiac arrest.   She was 88. The Apollo BGS Hospitals in Mysuru, where she was admitted on Saturday afternoon, issued a statement soon after her demise.  In its statement, the hospital said, \"Mrs. S. Janaki was admitted to Apollo BGS Hospitals, Mysuru, on 11 July 2026 at 12:49 PM. On admission, her condition was critical, and she was immediately evaluated and shifted to the Intensive Care Unit (ICU) for further management.\" The hospital informed that despite intensive medical care and continuous monitoring by a multidisciplinary team, the veteran singer suffered a cardiac arrest during the course of treatment.  \"Advanced cardiopulmonary resuscitation (CPR) was initiated immediately in accordance with standard medical protocols. Despite resuscitative efforts, she experienced multiple cardiac arrests and could not be revived. Mrs. S. Janaki was declared deceased at 7:30 PM on 11 July 2026.\" The iconic singer's granddaughter, Apsara Vydyula, in a post on Instagram shared the news of her grandmother's demise.  She wrote,\"Dear everyone, It is with profound sadness that I share the passing of my beloved grandmother and legendary singer, Smt. S. Janaki.\" Apsara further said, \"She left us peacefully, surrounded by the love of her family. While our hearts are heavy, we are also filled with gratitude for the extraordinary life she lived and the immeasurable joy she brought to millions through her timeless music.\" Pointing out that to the world, her grandmother was an iconic voice whose songs became part of countless memories, Apsara said,\"To us, she was a loving grandmother whose warmth, humility, kindness, and grace will remain with us forever.\" She ended the note, requesting privacy for the family during this difficult time.  She said, \"We kindly request that you respect our family’s privacy during this difficult time as we grieve and come to terms with this loss. Thank you for your love, prayers, and understanding - Apsara Vydyula.\" The news of Janaki amma's demise has plunged the Indian film industry in gloom.  S Janaki amma, who began her singing career at the young age of 19 by singing for the Tamil film Vidhiyin Vilayattu, emerged a star in no time. She sang an impressive 100 songs in six Indian languages within her first year of turning a professional singer.  The great singer was known as much for her sweet voice as she was for her versatality. She was probably the only singer who could alter her voice and sing both like a six-year old child or a sixty-year-old person.   Janaki amma, as she was lovingly called by scores of fans across the world, has won a phenomenal number of awards including four National Awards and 33 different state film awards. "},"img":{"url":"https://images.prismic.io/prad/8f69TeaCCU5GKXja_Janaki.png?auto=format,compress&rect=0,7,767,378&w=2028&h=1000"},"datetime":"2026-07-11T22:58:00+0000","embed":{"embed_url":null}},"uid":"s.-janaki-passes-away-at-88"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Courtroom drama was on Kajal’s radar for a long time"},"content":{"text":"Actress Kajal Aggarwal, who is gearing up for the release of her upcoming film ‘The India Story’, has shared that she wanted to do a courtroom film for a long time. The actress finally got a chance with regards to the same in her upcoming film. The actress essays the role of Advocate Archana, a lawyer who joins forces with an ordinary citizen seeking justice against powerful corporate interests accused of endangering lives. Through its courtroom drama and investigative narrative, the film aims to spark discussion about food safety, corporate accountability, and environmental concerns. She spoke with media during the promotions of the film in the city, and shared how ‘The India Story’ fulfilled her desire to be a part of a courtroom drama. She told, “So courtroom drama is something that has been on my radar for a very long time. I have been looking for a good, meaty and challenging courtroom drama. So that aspect of my desire was fulfilled through the course of this film. But yes, as an actor I think there was a lot of evolution. There was growth and there was maturity in my performance as well as. I feel I have grown up as an actor, and there were moments which felt very real, and which I did not really have to enact or I did not really have to Imagine myself in that spot. I was actually living that moment. The tears were natural, feelings were natural and emotional struggles were real”. “Dismay, success, loss, and grief, it all felt very real. So as an actor ,I feel that is something that is extremely challenging/ When you can forget that you are even a part of something you reach that stage of just being, and just co-existing in a particular scene. And not really being or putting an attempt to have a true existence”, she added. Meanwhile, ‘The India Story’ also stars Shreyas Talpade in the lead role. The film explores the issue of pesticide misuse, food adulteration, and their impact on public health. The film is scheduled for a theatrical release on July 24, 2026."},"img":{"url":"https://images.prismic.io/prad/19b57605-ff2f-4bc4-982b-8d9c5ebdd124_kajal+mosagaallu.JPG?auto=format,compress"},"datetime":"2026-07-11T08:44:00+0000","embed":{"embed_url":null}},"uid":"courtroom-drama-was-on-kajals-radar-for-a-long-tim"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Akhil's 'Lenin' Picks Up Pace at Box Office"},"content":{"text":"Akhil Akkineni appears to have found a winning formula with 'Lenin'. The rural action entertainer has witnessed impressive growth at the box office on its second day, boosting hopes of a strong opening weekend. After a decent start on Friday, the film registered a healthy jump on Saturday, driven by positive word of mouth and increased audience footfall. According to box office tracker, Lenin earned an estimated ₹8.15 crore India net on Day 2, improving on its opening-day collection of ₹7.15 crore. With this, the film's two-day India net collection stands at ₹15.30 crore, while its worldwide gross has reached an impressive ₹23.40 crore. The film grossed ₹17.60 crore in India and added ₹2.50 crore from overseas markets within two days. The Saturday jump was reflected in theatre occupancy as well. The film was screened in 2,099 shows on Day 2 compared to 2,028 shows on the opening day, with occupancy increasing from 50% to 57%. Trade circles are now closely watching Sunday's collections, which are expected to further strengthen the film's opening weekend numbers."},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-12T16:34:00+0000","embed":{"embed_url":null}},"uid":"akhils-lenin-picks-up-pace-at-box-office"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"\"The Silencing Of Online Dissent?\""},"content":{"text":"\"When authority replaces communication with intimidation, it abandons the rational debate needed to justify its power, turning governance into a performance of fear” Recall the folklore about an arrogant king who developed an awkward, clumsy limp. Horrified that street performers and tavern-goers were mocking his ungraceful walk, the insecure ruler bypassed all common sense and issued a draconian decree banning the words \"leg\" and \"limp\" under threat of severe punishment. However, much to his chagrin, the clever citizens simply invented new slang and coded jokes to describe his walk. This rendered the king so paranoid that he eventually banned almost the entire language to enforce compliance. The latest decision of the TDP-led alliance government in Andhra Pradesh to crack down on social media dissent finds a perfect parallel in the draconian decree of the king in that folklore. If reports are to go by, the Andhra Pradesh Cabinet approved the formation of a dedicated State Task Force and Social Media Response Cell to crack down on online abuse, character assassination, and misinformation. While maintaining that it respects democratic dissent, the administration states it aims to stop deliberate digital defamation and cyberbullying. Much like the king in the folklore, the Andhra Pradesh government seems to have realized that fixing the actual \"limp\" in its governance is far too difficult. Instead, it has decided to institutionalize a modern-day royal guard to simply ban online criticism. Detractors have termed it a knee-jerk reaction to shield political egos from the ultimate weapon of free expression—the only recourse a disappointed public has to question the government’s shortcomings. The state has officially institutionalized this State Level Task Force under the ruse that the security architecture is purely a shield against \"cyberbullying\" and \"character assassination.” Critics suspect it functions more like a digital net designed to catch rogue smartphone users who commit the grave crime of asking uncomfortable questions online. Under the guise of maintaining law and order, the political strategy appears to aim at transforming vibrant digital town squares into quiet, echo chambers of polite applause. The million-dollar question is: Why is a visionary government, famed for its expertise in \"real-time governance,\" suddenly so wary of citizens using cheap smartphones to destroy months of expensive public relations campaigns? Is it worried that a single viral video or sharp meme questioning its alleged failures can instantly debunk official claims of progress? If yes, why is the government trying to mimic the king in the folklore instead of countering the narrative through its own communication strategies? The move to crack down on social media dissent suggests the government is steering clear of traditional communication strategies for a very simple reason: setting up a genuinely positive narrative is exhausting. Painting a picture of perfect governance is impossible when actual infrastructure failures tell a completely different story. The public feels a responsibility to share these breakdowns online, hoping the government will notice them and fix the problems. Furthermore, it appears that official press releases about \"steady progress\" simply cannot compete for views with a hilarious, fast-paced parody video. This is quite an irony for a government led by a visionary, CEO-styled Chief Minister and a deputy Chief minister with a heroic, \"Power Star\" reputation. Yet, instead of using that creative energy to fight a meme with another meme, which requires wit, the administration has decided that fighting a meme with a task force only requires a government signature. Perhaps the government feels that spending millions on a high-end PR agency to change hearts and minds would further burden a fiscally deficit state. When a swift legal threat can force a user to hit \"delete,\" why waste brainpower on counter-communication strategies? Exploring harsh methods to silence dissent is like flipping the game board when you realize you are losing. Moving forward, citizens should be careful what they post. Sharing an opinion on the government's broken electoral promises could soon require an official clearance certificate. Similarly, questioning a minister’s silence on a major law and order crisis could be flagged as a malicious attempt to damage their carefully built, powerful image. Ultimately, the new Social Media Response Cell wants to ensure that public perception is manufactured entirely inside official boardrooms, not in local WhatsApp groups. By choosing intimidation over conversation, the administration avoids the tiring chore of answering difficult questions. After all, just like the kingdom that fell into absolute silence under the limping king, a quiet internet is much easier to manage than an informed public. The administration wants the public to know that it welcomes all kinds of feedback—as long as that feedback is a compliment, typed in capital letters, and accompanied by a thank-you note. By setting up a \"Task Force\" to regulate (Read to silence) online criticism, this visionary government is accidentally making a major confession. It is admitting to the public that a few ordinary online voices and internet jokes actually have the power to terrify them."},"img":{"url":"https://images.prismic.io/prad/FDF3p8Nhf11ftFKW_APcabinet.JPG?auto=format,compress"},"datetime":"2026-07-11T06:45:00+0000","embed":{"embed_url":null}},"uid":"the-silencing-of-online-dissent"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'O’Romeo'"},"content":{"text":"Inspired by true events, Sajid Nadiadwala's O'Romeo encompasses layered elements of emotions, story and characters that are thoughtfully crafted. Starring Shahid Kapoor, Triptii Dimri, Avinash Tiwary, Nana Patekar, Farida Jalal, followed by Disha Patani, Tamannaah Bhatia & Vikrant Massey in a special appearances O'Romeo is a visual treat. Vishal Bhardwaj's direction is seamlessly balanced between the mass and class appeal. His sharp attention to even the minute details truly yet again proves his eye for nuanced filmmaking. The jaw dropping action sequences performed by Shahid Kapoor, Avinash Tiwary is arresting and even Triptii Dimri impresses with her action skills making the hype and high anticipation around the film all worth it. The performances by each actor is refined, outstanding and in one word perfect.Shahid Kapoor as Ustara is mind boggling and O'Romeo surely stands as one of his finest roles. Triptii Dimri as Afshan has the innocence yet when required the zeal and fire for revenge. Avinash Tiwary as Jalal is unexpected and unrecognisable. The head tattoo adds to his menacing look and the ruthless character that he plays on screen. The chemistry between Shahid and Triptii feels fresh, intensely passionate and yet they never make you feel this is the first time they are sharing screen space together. Audiences are in for a visual treat with Farida Jalal's fiery dialogues and Nana Patekar's raw and unfiltered dialogue delivery and magnetic screen presence. The humour of the film is something that is strategically placed and doesn't disrupt the emotional intensity. Vishal Bhardwaj can never go wrong when it comes to music. Each music track is immensely soul stirring and melody that you will connect to. The dance numbers be it Aashiqon ki colony, paan ki dukaan has an unmatched energy and makes you want to shake a leg. What grabs your attention is also what a phenomenal dancer Shahid and Disha are and how beautifully they have been brought together in the popular tracks of the movie. Sajid Nadiadwala adds another impressive visionary movie to his legacy with O'Romeo after some of the most inspiring and milestone movies like Chhichhore, 83,Tamasha, Chandu Champion and more."},"img":{"url":"https://images.prismic.io/prad/aY7_mFWLo0XkEfK7_ORomeo.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-02-13T06:15:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=2M4hKmuBzUU"}},"uid":"review-oromeo"}},{"node":{"tags":["politics"],"data":{"title":{"text":"Review: 'Anaganaga Oka Raju'"},"content":{"text":"Naveen Polishetty, who gained immense popularity overnight as a hero with the film Jathi Ratnalu, has been making films slowly and steadily without much fanfare. His film with Anushka, Miss Shetty Mr. Polishetty, was considered decent, but some felt it wasn't a film befitting Naveen's image. Naveen started this film with his own script. Even though the director changed, he took the lead in carrying the film forward. From the beginning of the film's production, they have been conducting promotions in a way that raised expectations. Let's see how the film is in this review.  Story: Raju (Naveen Polishetty), who belongs to a zamindar family, lives a respectable life in the village by invoking his ancestors' name, even though he has lost all his properties. Although he is a zamindar's heir in name, Raju faces financial difficulties. Even though he has lost all his fields and properties, he continues to be called a zamindar in the village by mentioning his grandfather's name. He thinks that to solve all his problems, he needs to marry a very wealthy girl. He looks at many prospective matches for this purpose. Finally, he meets Charulata (Meenakshi Chaudhary). Upon learning that she is the daughter of the very wealthy Bhupathi Raju (Rao Ramesh), he undertakes \"Operation Charulata\" to make her fall in love with him.  Charulata falls for his plan, and Raju and Charu get married in a grand ceremony. After the marriage, Raju learns some shocking things, and his situation becomes even worse than before the wedding. How does Raju get out of these circumstances? Does Raju manage to overcome his financial problems as he had hoped? What he does in response to that is the film's plot.  Actors' Performance: It's evident from watching the film that Naveen Polishetty carried the entire burden of the movie on his shoulders. Naveen impressed with his comedic timing. He captivated with his signature mannerisms and also impressed with his dialogues and dance. He also attracted everyone's attention by performing an action sequence. There is no doubt that Naveen's comedic timing is the main attraction of the film. He dominated the entire film with his acting and comedy. Even though the entire film revolved around Naveen, he acted with balance and restraint without going overboard anywhere.  The heroine, Meenakshi Chaudhary, looks very beautiful. She has already earned good marks in terms of her looks. Although she seemed to overact in one or two places, her overall performance was impressive. Rao Ramesh impressed in his limited role. The actors in other roles performed adequately. However, none of them got the scope to deliver a great performance.  Technical Aspects: The director tried to make the story completely entertaining. In that process, the comedy scenes he wrote were somewhat funny. However, every scene felt like something seen before, like something that had made people laugh before. The writing was particularly poor in the second half. It is known that Naveen is one of the writers of this film. It doesn't seem like he gave much importance to other characters except for his own.  There is nothing much to say about the music. While one song was somewhat decent, overall, the songs and background score were not great. The cinematography is good; the beauty of the village was captured well. There are many complaints regarding the editing. The second half, in particular, needed significant trimming. The production values ​​are in line with the story.  Analysis: The fact that Naveen Polishetty is releasing his film knowing that there are big films releasing for Sankranthi suggests he had a lot of confidence in his movie. His statements before the film's release also generated interest. He conducted promotional activities in a way that attracted everyone's attention. However, his complete control over the script and the lack of importance given to any character other than his own resulted in the entire film revolving around Naveen. Despite this, the first half felt decent and progressed with comedy.  However, despite a major problem in the second half, it's unclear why he's contesting in elections and making various attempts to win them. Only Naveen knows why a person from one village is contesting elections in another village. The entire second half proceeded illogically, like magic. While logic isn't always necessary for such entertainment films, assuming that the audience will accept and believe anything shown to them can backfire. That's what happened here. The illogical scenes and screenplay became excessive. The villain had no importance whatsoever; everyone stood before the hero like sheep. The audience won't stand for that. Therefore, it remains to be seen how well the audience will receive the king's entertainment.  Plus points: Naveen Polishetty Some comedy scenes First half.  Minus points: Second half Illogical scenes Routine climax Music  Conclusion... This entertainment is not enough for the Sankranthi competition, Raju.  Banner: Sithara Entertainments  Producers: Naga Vamsi, Sai Soujanya  Director: Mari  Music: Mickey J. Meyer  Cast: Naveen Polishetty, Meenakshi Chaudhary, Rao Ramesh, Tharak Ponnappa and others"},"img":{"url":"https://images.prismic.io/prad/aWdkoQIvOtkhBfM4_AnaganagaOkaRaju.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-01-14T07:42:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=GSGVbEZHgSQ"}},"uid":"review-anaganaga-oka-raju"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}