{"data":{"all":{"edges":[{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Nara Rohith Joins AK47"},"content":{"text":"The makers of director Trivikram's eagerly awaited entertainer, 'Aadarsha Kutumbam House No: 47 - AK 47', featuring one of Telugu cinema's top stars Venkatesh in the lead, on Saturday disclosed that actor Nara Rohith had come onboard the unit of the film, even as they wished him a happy birthday.  Production house Haarika & Haasine Creations, which is producing the film, took to its X timeline to wish the actor on his birthday. It wrote, \"Here's wishing the dynamic #NaraRohith garu a very Happy Birthday!– Team #AadarshaKutumbam. We're excited to have you on board for #AK47 and looking forward to an exciting journey! #HBDNaraRohith #AK47OnOCT2nd #Venky77 VenkateshXTrivikram.\"  The makers also shared a poster of Nara Rohith from the film on the occasion. The poster shared gave the impression that the actor plays a cop in the upcoming film.  It may be recalled that the makers had released the title of the film in December last year. The title poster released by the makers had showed Venkatesh standing in the middle of the road, with a smile on his face. He was seen holding a leather bag in his left hand with his right hand raised. The makers have already disclosed that the film will hit screens on October 2 this year.  It may be recalled that while the film's inaugural pooja had taken place in August this year, shooting for the film will officially begin only on Wednesday. The film, which was being tentatively referred to as #Venky77 initially, has triggered huge expectations as actor Venkatesh, whose most recent release 'Sankranthiki Vasthunam' was a blockbuster, has joined hands with one of his favourite directors Trivikram. This is the first time that Trivikram is directing a film featuring actor Venkatesh in the lead. Although Trivikram has not directed a film with Venkatesh prior to this project, he has worked as a writer with actor Venkatesh. In fact, Trivikram had penned the story and dialogues for the superhit film 'Nuvvu Naaku Nachav', which was directed by K Vijaya Bhaskar and which featured Venkatesh and Aarthi Agarwal in the lead. The film also marked Aarthi Agarwal's debut in Telugu cinema."},"img":{"url":"https://images.prismic.io/prad/a5O2HMMfEl--H31D_adarshakutumbam.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T10:20:00+0000","embed":{"embed_url":null}},"uid":"nara-rohith-joins-ak47"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Sonakshi: ‘I am an artist bro, but Gen Z is the art’"},"content":{"text":"Bollywood actress Sonakshi Sinha, has nothing but praise for Gen Z. On Saturday, the actress took to her Instagram, and shared a Reel in which she heaped praise on Gen Z for mounting a sturdy student movement culminating into the resignation of Dharmendra Pradhan as the Union Minister of Education. She said in the video, “You have no idea what you have done today. I am an artist bro, but Gen Z is the art. I know I have taken you to so many places. But what is this? We get married, get tired, nothing happens. For that. Never again”. “Salute. Salute. Look at me now. I want to be you. I want to be Gen Z. What the hell is that? Salute”, she added. Dharmendra Pradhan resigned on Saturday, after weeks of massive student protests and consistent people’s movement in the heart of the national capital. The students sought his resignation over exam irregularities, particularly the NEET-UG paper leak. His resignation comes after the brutal crackdown by Delhi Police against protestors at Jantar Mantar on July 20. He has been replaced by Pralhad Joshi as the Union Education Minister. The brutal assault on the protestors on July 20 by the cops flared up the entire nation, and angry citizens poured in huge numbers to support the students at Jantar Mantar. The protests also spread from Delhi to first the metro cities, and eventually small towns. The protests intensified after Sonam Wangchuk was forcibly removed by Delhi Police from the protest site at Jantar Mantar in the early hours of July 18 after completing 21 days of an indefinite hunger strike. Authorities shifted him to a hospital, citing his deteriorating health, medical advice and compliance with a Delhi High Court order. Sonam Wangchuk has been on a hunger strike demanding the resignation of Union Education Minister Dharmendra Pradhan over alleged irregularities in competitive exams."},"img":{"url":"https://images.prismic.io/prad/0e2ebb48-9c78-4450-9b14-899c1a770ad7_sonakshi+Sinha.JPG?auto=format,compress"},"datetime":"2026-07-25T15:11:00+0000","embed":{"embed_url":null}},"uid":"sonakshi-i-am-an-artist-bro-but-gen-z-is-the-art"}},{"node":{"tags":["politics","featured","four"],"data":{"third_party_url":null,"title":{"text":"CJP calls off protest"},"content":{"text":"The Cockroach Janata Party (CJP) on Saturday called off its protest at Delhi's Jantar Mantar after the Centre accepted its key demands following Union Education Minister Dharmendra Pradhan's resignation.  The decision was announced at a joint press conference in New Delhi following the third round of talks between Union Health Minister JP Nadda, Union Minister Jitendra Singh, and CJP representatives Saurav Das and Ashutosh Ranka, during which the Centre agreed to the protesters' key demands. Addressing the media, Nadda said the government had agreed to withdraw all police cases filed against protesting students, provide written confirmation of the FIR withdrawals, and ensure the highest possible compensation for families of students who died in incidents linked to the alleged paper leak controversy. CJP leaders urged protesters to end the agitation, saying the government's assurances addressed all the demands raised during the protest. Education Minister Dharmendra Pradhan has already resigned, which was one of the key demands of CJP. Speaking on behalf of the Cockroach Janata Party, Saurav Das urged the students to withdraw their protest and return home. He said the government had accepted all the demands raised by the agitators, and there was no further reason to continue the sit-in at Jantar Mantar. The protest, which had drawn attention for several days, centred on issues arising from alleged paper leaks and the subsequent action taken against students who raised their voices. Protesters had demanded not only the quashing of cases filed against them but also adequate financial support for families of those who died in connection with the controversy. Nadda said that the written assurance on FIR withdrawals would be issued shortly, and compensation mechanisms would be worked out to provide the highest feasible relief. Nadda emphasised that the government was committed to addressing the concerns of the student community. He noted that the decision to accept the three demands reflected a willingness to resolve the matter through dialogue rather than prolonged confrontation. Das, in his remarks, appealed for calm and requested students to accept the government’s assurances in “good faith” and disperse peacefully. With the formal acceptance of the demands now on record, organisers and party representatives expressed hope that the agitation would conclude without further escalation. Students present at the venue were expected to discuss the development among themselves before deciding on the next course of action."},"img":{"url":"https://images.prismic.io/prad/jGeXStqE2s8YhXta_cjpcalloff.JPG?auto=format,compress"},"datetime":"2026-07-25T13:21:00+0000","embed":{"embed_url":null}},"uid":"cjp-calls-off-protest"}},{"node":{"tags":["Videos"],"data":{"third_party_url":null,"title":{"text":"'The Wedding Song' from 'Vishwanath & Sons' "},"content":{"text":"'The Wedding Song' from 'Vishwanath & Sons' "},"img":{"url":"https://images.prismic.io/prad/kvN3GVIcR4-CjlQj_vishwanathandsons.JPG?auto=format%2Ccompress&rect=0%2C74%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-25T13:08:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=03l6ZqS9MLE"}},"uid":"the-wedding-song-from-vishwanath--sons-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Adah: A Hit Changes Perception"},"content":{"text":"Actress Adah Sharma says after she tasted success with the hit film  “The Kerala Story,” it helped in opening doors to bigger and more challenging opportunities.  Contrary to the belief that actresses often face lack of well-written roles after starring in a hit project, Adah shared that the film helped her bag a diverse range of complex characters. Asked if she experienced a lack of well-written roles after a hit film, Adah told IANS: “I actually experienced that once you have a hit, then more people trust you with bigger stuff.” After The Kerala Story, Adah revealed that the doors opened in a big way. She explained: “I'm getting the kind of roles every actor dreams of characters that are challenging, unpredictable and completely different from one another.” The actress shot to fame with her work in the blockbuster “The Kerala Story.” The film tells the story of Shalini, a former nursing student from Kerala, who later becomes the wife of a terrorist, testifying to her life story and her journey from being a naive girl to another victim of terrorism. Adah is all set to step into the world of Marathi cinema with the upcoming film titled Gajra, which is based on true events. The upcoming film directed by Shreyas Jadhav will hit the screens next year in 2027. The 34-year-old actress is best known for her work in the Vidyut Jammwal-starrer “Commando” franchise. Adah had made her acting debut with the 2008 Hindi horror film, 1920. She was then seen in films such as Hasee Toh Phasee, Heart Attack, S/O Satyamurthy and Kshanam. She was recently seen in the Manoj Bajpayee-starrer Governor directed by Chinmay D. Mandlekar. The film is inspired by the events surrounding the 1990 Indian economic crisis featuring the institutional framework between the Reserve Bank of India (RBI) and the Government of India (GoI)."},"img":{"url":"https://images.prismic.io/prad%2Fc841995a-a2ea-4444-8c0e-408b70c66969_adah+sharma.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-25T05:15:00+0000","embed":{"embed_url":null}},"uid":"adah-a-hit-changes-perception"}},{"node":{"tags":["Entertainment","featured","three"],"data":{"third_party_url":null,"title":{"text":"Finally, Sobhita Cooked!"},"content":{"text":"Actor Naga Chaitanya and actress wife Sobhita Dhulipala served fans a wholesome dose of fun couple banter on social media on Friday night.  The doting husband jokingly revealed that his wife had cooked dinner for him nearly two years after their marriage. Taking to his social media account, Chaitanya shared a picture of Sobhita standing at the dining table holding two plates of food, dressed in a comfortable pink oversized T-shirt. Sharing the candid moment, Chaitanya wrote, \"Wifey cooks dinner for me close to 2 years after getting married ... I possibly did something right today.\" Sobhita was quick to respond to the playful jab in the comments section, asking, \"Are you trolling me or praising me.\" For the uninitiated, Naga Chaitanya and Sobhita Dhulipala tied the knot in an intimate ceremony on December 4, 2024, in a traditional Telugu wedding ceremony in Hyderabad, that was attended by family members and close friends. After dating for a few years, the couple confirmed their relationship with an engagement announcement before exchanging vows. For the uninitiated, Naga Chaitanya was earlier married to actress Samantha Ruth Prabhu. The couple tied the knot in Goa in October 2017 after dating for a few years. They announced their separation in October 2021. Chaitanya later married Sobhita Dhulipala, while Samantha married filmmaker Raj Nidimoru in 2025. Talking about Naga Chaitanya, he is the son of Telugu superstar Nagarjuna Akkineni and Lakshmi Daggubati."},"img":{"url":"https://images.prismic.io/prad/sMZR_qjUa7DLaOwN_sobitha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T03:25:00+0000","embed":{"embed_url":null}},"uid":"finally-sobhita-cooked"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Horror Alert: 'Kapaali'"},"content":{"text":"The makers of director Raam Ganni's eagerly awaited psychological horror thriller, featuring actors Rohith Nara and Hansika Motwani in the lead, have now announced the title of the film as 'Kapaali'. To mark Rohith Nara's birthday, the makers unveiled the film's title along with its striking first-look poster.  Sources close to the unit say that 'Kapaali' means the one who wears a skull. The first-look poster perfectly reflects the essence of the title. Taking to its Instagram page to announce the title of the film, production house Sapta Aswa Media Works wrote, \"A journey into the UNKOWN begins here… @rohithnara #RN21 is titled as #KAPAALI. Wishing a Very Happy Birthday to #RohitNara. Written & Directed by @raam_ganni. Presented by @vijaykrishnalingamaneni. Produced by @kalyan.manthina @bhanukiranpratapa under @saptaaswamediaworks.\" Sources add that the psychological horror thriller is set against a police backdrop. The film is being produced by Kalyana Chakravarthy Manthina and Bhanu Kiran Pratapa under the banner of Sapta Aswa Media Works, with Vijay Krishna Lingamaneni presenting it.  Rohith Nara sports an intense and determined expression as he gazes upward, suggesting that his character is confronting an unseen force. His thick beard and haunting eyes immediately command attention. Adding to the eerie mood are twisted tree branches rising like a crown from his head. Behind him, mysterious ancient symbols form a circular pattern, reinforcing the film's occult and mythological undertones. The tagline, \"A Journey Into The Unknown,\" perfectly complements the unsettling visual. In the foreground stands a terrifying female figure with glowing red eyes, hinting at a powerful supernatural presence. Beside her are police officers, including one carrying a rifle, while a police transport vehicle is positioned atop a glowing ritual circle, suggesting that law enforcement becomes entangled in a terrifying paranormal mystery. Overall, the first-look poster makes an arresting impression and instantly piques curiosity."},"img":{"url":"https://images.prismic.io/prad/21-P6Tnoh_2gajj0_kapaali.JPG?auto=format,compress"},"datetime":"2026-07-25T03:45:00+0000","embed":{"embed_url":null}},"uid":"horror-alert-kapaali"}},{"node":{"tags":["Entertainment","featured","one"],"data":{"third_party_url":null,"title":{"text":"Akhil's Birth Shock!"},"content":{"text":"Fresh from the massive success of Lenin, Akhil Akkineni has been winning hearts not only with his performance on screen but also with his candid and humorous interviews. The rural action entertainer, directed by Murali Kishor Abburu, has become the biggest blockbuster of Akhil's career, earning praise for its gripping storyline, intense action, and emotional depth. Backed by Annapurna Studios and Sithara Entertainments, the film also features Bhagyashri Borse in a key role, while Thaman's powerful music played a significant part in its success. As part of the film's promotional journey, Akhil has been opening up about several memorable moments from his personal life, delighting fans with stories they had never heard before. One such story revolved around the unexpected twist surrounding his birth. Akhil revealed that when his mother Amala was pregnant, the family had undergone a prenatal scan in the United States. According to the doctors at the time, the baby was expected to be a girl. Naturally, the news filled the family with excitement, especially Nagarjuna, who was eagerly looking forward to welcoming a daughter into the family. The excitement went a step further, with the family finalizing the name \"Nikhita\" well before the delivery and preparing everything for the arrival of a baby girl. Everyone was convinced that a little princess was about to join the Akkineni household. But destiny had a different plan. On the day of the delivery, the doctors surprised everyone by announcing the birth of a baby boy instead. Laughing while recalling the incident, Akhil joked that Nagarjuna must have been completely stunned after expecting a daughter for months. With his trademark comic timing, he humorously imagined his father's reaction, saying he probably wondered how a boy had suddenly arrived when everyone had been waiting for a girl. His light-hearted storytelling instantly became a hit online, with the interview clip going viral across social media. Fans flooded the internet with funny reactions and memes imagining Nagarjuna's expression, making Akhil's amusing childhood revelation one of the most talked-about moments alongside the blockbuster success of Lenin."},"img":{"url":"https://images.prismic.io/prad/R1btI0oebx4m6bpx_akhil.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T06:05:00+0000","embed":{"embed_url":null}},"uid":"akhils-birth-shock"}},{"node":{"tags":["Entertainment","featured","two"],"data":{"third_party_url":null,"title":{"text":"Salman: 'Joe darr gaya vo mar gaya’ "},"content":{"text":"Superstar Salman Khan shared a fresh set of intense workout pictures on his social media account along with a bold message.  Days after becoming the centre of online discussions and trolls over his recent public appearances, Salman Khan took to his social media account and posted two shirtless pictures from a gym. The pictures show Salman flaunting his muscular physique after a workout, and flaunting his abs. Captioning the post, Salman wrote, \"Salman Khan darrrrr Gaya.... Hmmmm Joe darr gaya vo mar gaya..\" The post seemingly comes amid widespread chatter on social media, where the actor had become the subject of many memes following his recent public outings. For the uninitiated, Salman Khan recently had attended an SRA event in Mumbai where he went on to spark chatter on social media over his unusual appearance and body frame. Fans expressed concern over his health and a few even called him looking like legendary actor Dharmendra during his old aged days. Salman, infact a few days ago, yet again made headlines by talking about the on going protests in Delhi followed by Mumbai. In a post on his social media account, he urged protesting students to return home, writing, \"The students are at top priority, educationally n security-wise, so they need not worry and have their parents worried for them. The Honorable Prime Minister has tweeted, and I am sure that he will take strict action against all those people who are responsible for this leak. So students, plz go back to your parents n homes.\" Addressing activist Sonam Wangchuk who had been fasting for over 20 days in support of the protest, he added, \"Sonam, it's done, bro. Don't extend this. Keep the spirit for another day if there be a need, which I doubt, n eat something. If u want, will send u food from home.” On the professional front, Salman will next feature in 'Maatrubhoomi: May War Rest In Peace', based on the 2020 Galwan Valley clash."},"img":{"url":"https://images.prismic.io/prad/RAaUCMs-xHp4RjZB_salman.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T02:30:00+0000","embed":{"embed_url":null}},"uid":"salman-joe-darr-gaya-vo-mar-gaya-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Jyotika backs NEET protests"},"content":{"text":"Actor Jyotika has thrown her weight behind the nationwide protests against the National Eligibility-cum-Entrance Test (NEET), extending solidarity to students demanding reforms in the medical entrance examination system and calling for the resignation of Union Education Minister Dharmendra Pradhan.  The actor voiced her support through a post on Instagram as demonstrations against NEET continued in several parts of the country. Student organisations, youth groups and political activists have intensified their campaign in recent days, alleging serious irregularities in the conduct of the examination and demanding greater accountability from the Union government. The protests gathered momentum following the ‘Sansad Chalo’ march held in New Delhi earlier this week. Thousands of students and supporters of the Cockroach Janata Party (CJP) participated in the march towards Parliament, demanding a transparent investigation into the alleged question paper leak and other examination-related controversies.  The protest witnessed heavy police deployment, and several demonstrators, including opposition leaders, were detained while attempting to reach Parliament. The police action has since drawn criticism from political leaders, education activists and members of the film fraternity.  In Tamil Nadu, where opposition to NEET has remained strong for several years, student unions and various organisations have continued to stage demonstrations, reiterating their demand for the scrapping of the examination. The movement has also received support from several public figures who have expressed concern over the impact of the examination on students.  In her social media post, Jyotika appealed directly to the Union Education Minister, writing, “Dharmendra Pradhan, step down; resign. I stand with the students and the future of our nation, committed to a democratic India and educational reform.” She also praised the younger generation for raising its voice on issues concerning education and democratic values.  “To the Gen-Z generation—uninhibited and transparent—we are proud of you,” she wrote. The actor further acknowledged the role played by the Cockroach Janata Party (CJP) in mobilising the protests, stating that the movement had highlighted the strength of collective action.  Jyotika also mentioned education reform activist Sonam Wangchuk and CJP leaders Abhijit Dipke and Saurav Das, describing them as inspiring role models for young people. “As mothers, we wish to raise our children to be like you. Thank you, CJP, for making us fearless,” she wrote.  Her statement adds to the growing chorus of voices from politicians, actors, educationists and civil society groups who are demanding reforms to the NEET examination system and greater transparency in its administration. "},"img":{"url":"https://images.prismic.io/prad/2x2gmUF5CgMA9WbP_jyothika.JPG?auto=format,compress"},"datetime":"2026-07-25T07:55:00+0000","embed":{"embed_url":null}},"uid":"jyotika-backs-neet-protests"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Dharmendra Pradhan resigns as Education Minister"},"content":{"text":"Dharmendra Pradhan on Saturday tendered his resignation as the Union Education Minister amid the paper leak protests across the nation.  Submitting his resignation, Pradhan reaffirmed his commitment to youth and education while thanking Prime Minister Narendra Modi for support, framing it as a response to protect exam integrity and students' future. This comes amid the nationwide protests demanding strict action against the paper leaks and exam irregularities, and Education Minister Pradhan's resignation citing accountability.  In his letter, Pradhan said, \"For over four decades, I have dedicated myself to the cause of students, teachers, and educational reform. I have always believed that a robust, inclusive, and visionary education system forms the cornerstone of a strong nation.\" \"I deeply respect the aspirations, sentiments, and legitimate expectations of the country's youth. Realising the dreams of India's young generation has been a moral commitment in our political and social lives. I express my gratitude to the Honourable Prime Minister for the opportunity to serve the nation under his visionary leadership,\" he said. He said that as soon as the irregularities regarding the NEET-UG examination came to light, the government, taking immediate cognisance of the matter, handed the investigation over to the CBI, cancelled the exam, and announced a date for a re-examination. Additionally, he said that a decision was made to conduct this exam in CBT (Computer-Based Test) mode starting next year. \"Throughout this period, our primary priority was to ensure the smooth conduct of the examination for over 20 lakh students. We worked towards this using a 'whole-of-government' approach, in which state governments -- and particularly district administrations -- played a crucial role alongside the Government of India. With the cooperation of students and parents, the examination was successfully concluded on June 21, 2026,\" Pradhan said. \"From day one, I took responsibility for the situation and never turned away from it. I was determined not to let the potential of any meritorious student be ruined by the 'exam mafia' and to ensure that no student faced injustice,\" he added. He said that during the re-examination results, \"individuals holding responsible positions attempted to create obstacles and mislead students\", an act, he said, caused him \"deep distress\". \"I have always held unwavering faith in the strength of our democracy and deeply respected the aspirations, dreams, and expectations of the youth. They are not merely India's future; they are the torchbearers, builders, and architects of a new and developed India. I am pained by the events of the past ten days. This is not a matter of personal prestige for me,\" he added. \"Considering the situation at Jantar Mantar and across the country -- to prevent anti-national forces from exploiting it, preserving national unity, ensuring that not a single Indian student's future gets entangled in legal complexities, and allowing our children to devote their time to studies and focus on building their careers -- I have submitted my resignation to the Honourable Prime Minister,\" Pradhan said. He expressed heartfelt gratitude to the Prime Minister for his \"guidance, trust, and constant support\" and to the Council of Ministers.  \"Service to the nation is the highest priority of my life; I shall remain forever dedicated to it. With the blessings of Lord Jagannath, I will continue to dedicate myself in every possible way to fulfilling the aspirations of Mother India, the people of Odisha, and the youth of the country in the future as well,\" he added."},"img":{"url":"https://images.prismic.io/prad/FcTxQOdOHnlmrUTk_DharmendraPradhan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T09:25:00+0000","embed":{"embed_url":null}},"uid":"dharmendra-pradhan-resigns-as-education-minister"}},{"node":{"tags":["Health"],"data":{"third_party_url":null,"title":{"text":"The Distinction Between Brain Tumors and Brain Cancer"},"content":{"text":"The phrases 'brain tumor' and 'brain cancer' often evoke a visceral reaction among the public, conjuring images of gravely serious health threats. However, contrary to common perception, these terms describe distinct medical conditions that warrant different approaches to diagnosis and treatment. A brain tumor is simply an abnormal growth of cells in or around the brain, which can be classified as benign or malignant. While all brain cancers are tumors, not all tumors exhibit cancerous characteristics; this critical distinction can influence a patient's treatment plan and overall prognosis. The medical community underscores the importance of understanding these differences. Brain tumors, irrespective of their benign or malignant status, can lead to severe health consequences because of the brain’s confined environment within the skull. This means that even non-cancerous tumors can exert pressure on vital neurological functions, leading to symptoms such as persistent headaches, seizures, and cognitive deficits. Dr. Praveen Gupta, a prominent neurologist, emphasizes that benign tumors, while non-cancerous, can still necessitate significant medical intervention depending on their size and location. The implications of this are crucial for anyone facing a diagnosis related to brain health. Historically, the classification of brain tumors has evolved as medical science has advanced. The National Cancer Institute and other leading neurological institutions categorize these tumors into myriad types, each demanding tailored treatment strategies. For instance, malignant tumors possess the aggressive ability to invade surrounding brain tissue, often requiring complex interventions that may include surgery, radiation, and chemotherapy. Understanding whether a growth is benign or malignant is not just a matter of terminology; it directly impacts the urgency and nature of the interventions required. Symptoms often overlap between benign and malignant tumors, complicating self-diagnosis and reinforcing the necessity for professional evaluation. Medical imaging techniques such as MRI and CT scans, along with biopsies, are essential to ascertain the nature of the tumor. Experts caution against relying on symptomatology alone, as the presence of alarming symptoms could mask a benign condition, while milder manifestations could signify a malignant threat. As such, timely medical evaluation is paramount, as early detection can significantly enhance treatment effectiveness and patient quality of life."},"img":{"url":"https://images.prismic.io/prad/f6803c8c-7220-433e-b58f-ef269a3ecf79_brain+stroke.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T10:10:00+0000","embed":{"embed_url":null}},"uid":"the-distinction-between-brain-tumors-and-brain-can"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Rishab Shetty: The Cultural Titan Transforming Indian Cinema"},"content":{"text":"Rishab Shetty, an unparalleled talent in the Indian film industry, stands at the forefront of a cinematic revolution, celebrated not just for his artistic prowess but also as a beacon of Indian culture. As he marks another birthday, the magnitude of his accomplishments is impossible to overlook. With the Kantara franchise surpassing a staggering ₹1500 crores at the global box office, Shetty has not only solidified his status as a pan-Indian superstar but has also become synonymous with the rich tapestry of Indian storytelling. His work transcends entertainment; it encapsulates the essence of India's varied traditions, resonating with audiences well beyond its borders. At the core of Shetty's success is his unique ability to intertwine commercial viability with deep-rooted cultural narratives. As the writer, director, and lead actor of the Kantara series, he has masterfully crafted tales that celebrate India's folklore, spirituality, and heritage. These narratives, while distinctly regional, possess a universal appeal that has captivated global audiences, proving that authenticity can indeed achieve remarkable international acclaim. Shetty's films invite viewers to immerse themselves in the cultural nuances that shape Indian society, thereby elevating the global conversation around Indian cinema. The evolution of Rishab Shetty's career is a testament to a new wave of filmmakers who seek to redefine the parameters of Indian cinema. His National Award win underscores his artistic mastery and dedication to cinema that not only entertains but also provokes thought and discussion. In an industry often criticized for its formulaic approaches, Shetty's commitment to sincerity in storytelling serves as an inspiration for aspiring filmmakers. By consistently challenging the status quo, he illustrates how narratives steeped in cultural authenticity can achieve unprecedented commercial success, setting a benchmark for his contemporaries. As an artist who fully immerses himself in every facet of filmmaking, Shetty brings a meticulous attention to detail that enhances the viewer's experience. His dedication is evident in the immersive worlds he creates, where every element serves a purpose in amplifying the narrative. This commitment to craftsmanship has not only garnered him accolades but has also positioned him as a role model for a generation of storytellers. As he continues to break barriers and expand the horizons of Indian cinema, Rishab Shetty stands as a towering figure who embodies the spirit of India's cultural heritage on the global stage."},"img":{"url":"https://images.prismic.io/prad/aNKHup5xUNkB1A33_rishab.JPG?auto=format,compress"},"datetime":"2026-07-24T15:30:00+0000","embed":{"embed_url":null}},"uid":"rishab-shetty-the-cultural-titan-transforming-indi"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Why Govinda Protected Karisma?"},"content":{"text":"Govinda and Karisma Kapoor remain one of Bollywood's most loved on-screen pairs. The duo has delivered several blockbuster films together. The ‘Bade Miyan Chote Miyan’ actor once revealed that he was deeply protective of Karisma during their shoots. Govinda shared that he often found himself focusing more on looking after her than working. Recalling their time together, Govinda, during his appearance on the popular talk show 'Jeena Isi Ka Naam Hai,' praised Karisma for her dedication and discipline. He said she came from a respected family, upheld its values, and earned success through sheer hard work. The ‘Partner’ actor also described her as one of the sincerest actresses he had worked with. Govinda said, “I always used to say about Lolo that she is very simple and innocent. She would come straight to the shoot, just like the heroines of the 1940s. Her family had such an imprint on my mind. Throughout, more than working, I kept on protecting Lolo. Always, I kept on protecting her.” Karisma added, “He was always so protective about me. And I want to tell you all something — I have been such a big fan of his ever since I was in school. I used to watch Street Dancer, all those songs, Khudgarz, and everything.” The actress went on to narrate an incident when she took Govinda’s autograph. “And then I read in the newspaper myself. I must have been very young, like 12-13 years old. That there is a show, Govinda Night. And I went and told my mother and father... ...I have to go for this show. I have to go. No matter what, get the ticket. I have to go. It was the greatest moment when I went for the show. And then I went and met him backstage. And I took his autograph also.” Govinda also shared a memory from the shoot of ‘Raja Babu,' recalling a scene where Karisma had to stand on top of a water tank. He said the height made her extremely nervous, and she became so frightened that she delivered her dialogue in different tones. Notably, Govinda and Karisma Kapoor were one of Bollywood’s most loved on-screen pairs in the 1990s. They shared the screen in popular movies like “Raja Babu,” “Coolie No. 1,” “Hero No. 1,” “Haseena Maan Jaayegi,” and “Saajan Chale Sasural,” among others."},"img":{"url":"https://images.prismic.io/prad/QFXngeVAExE-MbeL_govindakarishma.JPG?auto=format%2Ccompress&rect=0%2C59%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-24T07:52:00+0000","embed":{"embed_url":null}},"uid":"why-govinda-protected-karisma"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Anandhi's 'Jana Nayagan' Heartbreak"},"content":{"text":"Actress Anandhi, who has acted in several television serials and films, has now expressed disappointment over her scene with actor and Tamil Nadu Chief Minister C Joseph Vijay having been edited out in the actor's last film 'Jana Nayagan', which hit screens on Thursday.  Taking to her Instagram page to put out a video post, the actress said in Tamil,\"Actually, I act in several films and a lot of it is edited away. However, I have never been sad or regretted it. But, I feel bad that the scene I had acted in 'Jana Nayagan' got edited. That is because 'Jana Nayagan' was the first film I committed to during my comeback. I was waiting for one-and-a-half years for the release of this film. That too, a combination with sir (Vijay).\" Anandhi went on to disclose that she had got into acting to act with Vijay, who also happens to be the present Tamil Nadu Chief Minister.  \"The reason I got into acting itself was because I wanted to act with sir. It was my dream. The film is super. Everyone come and watch. There is women empowerment,\" she said in a dejected tone.  She went on to add, \"If he acts again, I could try and act with him. But this is his last film. I actually went very happily to the theatre, expecting to watch my scene with Thalapathy Vijay. But did not expect this. Feel so unlucky.\" For the unaware, director H Vinoth's 'Jana Nayagan' had triggered huge interest as it was supposed to be Vijay's last film as an actor before he turned a full-time politician. It was originally scheduled for release for the festival of Pongal in January this year. However, its release had to be postponed after the film, which was sent to the Censor Board for clearance, was referred to a Revising Committee under Rule 24 of the Cinematograph (Certification) Rules. The Censor Board only recently cleared the film, which was submitted to it for clearance in December last year. 'Jana Nayagan', which hit screens on Thursday, boasts a powerful ensemble cast featuring Vijay, Bobby Deol, Pooja Hegde, Mamitha Baiju, Prakash Raj, and Gautham Vasudev Menon."},"img":{"url":"https://images.prismic.io/prad/gZ8T5DZE-A8_1LCq_anandhi.JPG?auto=format%2Ccompress&rect=0%2C13%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-24T09:51:00+0000","embed":{"embed_url":null}},"uid":"anandhis-jana-nayagan-heartbreak"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Flipkart Eyes Food Delivery Sector In India!"},"content":{"text":"In a bold strategic move, Walmart-owned Flipkart is gearing up to penetrate India's burgeoning online food delivery market, aiming to initiate a pilot program within the upcoming 30 days. This development signifies Flipkart's intent to diversify its offerings in a sector currently dominated by established giants Zomato and Swiggy. Kalyan Krishnamurthy, CEO of Flipkart Group, confirmed the initiative during an interview, emphasizing that the pilot will serve as a valuable learning phase to evaluate potential for a larger national rollout.  Krishnamurthy articulated that food delivery represents another vital customer use case within Flipkart's expansive e-commerce ecosystem. He detailed that the pilot phase will allow the company to gather insights and refine its approach before making decisions about scaling operations. This admission comes in the wake of Flipkart's ongoing efforts to innovate and adapt within the competitive landscape of digital commerce, which is increasingly characterized by rapid shifts in consumer preferences and delivery expectations.  The timing of Flipkart's foray into food delivery is notable, given the sector's projected growth from an estimated $9 billion in FY25 to $25 billion by FY30, fueled by improving affordability and heightened consumer adoption. While the market is currently led by Zomato and Swiggy, the landscape is changing with the emergence of new players like Rapido's Ownly and platforms operating under the government-backed Open Network for Digital Commerce (ONDC). Additionally, the popularity of 10-minute food delivery models, exemplified by innovations from Swiggy and Blinkit, underscores the evolving dynamics within this sector.  Krishnamurthy's comments also reflect a broader competitive strategy, dismissing notions that the food delivery market has reached saturation. He contended that companies with robust value propositions and disciplined execution strategies retain the potential to disrupt incumbents. Flipkart’s focus on customer value over precise timing highlights its commitment to carving out a significant presence in this fast-evolving market, as the company continues to bolster its capabilities in quick commerce through Flipkart Minutes, which currently operates over 800 dark stores across the country. Flipkart's foray into food delivery could herald a transformative chapter in its growth narrative."},"img":{"url":"https://images.prismic.io/prad%2F8ade675a-dfa2-4bce-9f99-5e1dd5d400b0_flipcart.jpg?auto=format%2Ccompress&rect=0%2C3%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-24T10:06:00+0000","embed":{"embed_url":null}},"uid":"flipkart-eyes-food-delivery-sector-in-india"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"CBN: Children have now become source of income"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu said on Friday that children were once considered a burden, but now they have become a source of income. He said that mothers with more children are receiving larger amounts in their bank accounts under the ‘Thalliki vandanam’ scheme. He was speaking at the Mega Parent-Teacher Meeting at a government high school in Rampachodavaram in Polavaram district.  Under the ‘Thalliki vandanam’ scheme, the government is depositing Rs 15,000 in the bank account of every mother for every school-going child. There is no bar on the number of children. The Chief Minister said every year the government was depositing Rs 10,120 crore for 67 lakh children. He claimed that despite facing financial constraints, the government is making sure that the benefits of this scheme reach everyone. The Chief Minister stated that the coalition government has brought changes in the government education system.  He claimed that at a time when there is a trend of moving from government to private schools, 1.10 lakh students have actually shifted from private to government schools. He said that this demonstrates the true strength of government schools. Chandrababu Naidu also praised the performance of his son Nara Lokesh as the education minister. He stated that seeing the changes in the education system, he was glad that Lokesh assumed this role. Chandrababu Naidu told the gathering that the government was committed to providing quality education to children and was bringing major industries to the state so that they do not have to go elsewhere for employment. “Students should study with passion rather than viewing it as a burden. We are fostering development that will create jobs in major industries for those who dedicate themselves to their studies for five years.” He believes that children in tribal areas are like gems in the rough and if given opportunities, they can create wonders. He said President Droupadi Murmu is a source of pride for the nation and an inspiration to all. He reiterated that he, Prime Minister Modi and Deputy Chief Minister Pawan Kalyan were working towards their pledge to develop the state. Naidu claimed that the previous government of the YSR Congress Party incurred a debt of Rs 10 lakh crore, borrowing at 14% interest and mortgaging government assets. “We are redeeming government assets that had been mortgaged and taking measures to reduce the interest burden,” he said. He admitted that it is taking some time to put the state’s financial situation back on track. “While rectifying the financial situation, we are simultaneously balancing welfare and development. Development generates wealth, which in turn enables the implementation of welfare measures.” Referring to the YSR Congress Party’s allegation of irregularities in recruitment of teachers through Mega DSC (District Selection Committee), he said attempts were being made to tarnish the image of the Mega DSC recruitment drive. He said some people were acting in a manner that hurts the sentiments of the newly recruited teachers. He stated that both parents must share the responsibility for their children. If both parents take responsibility for their children, their future will be bright. He said fathers, along with mothers, should also attend parent-teacher meetings. Chief Minister Chandrababu launched the \"Drugs Vaddu Bro\" (Say no to drugs) handbook prepared by the School Education Department. He also unveiled the web portal of donors for schools.  The Chief Minister and Minister Lokesh interacted with children, parents, teachers and had lunch with the students."},"img":{"url":"https://images.prismic.io/prad/bCmKfp9XtNar1P8y_cbn.JPG?auto=format%2Ccompress&rect=0%2C51%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-24T12:02:00+0000","embed":{"embed_url":null}},"uid":"cbn-children-have-now-become-source-of-income"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Man screaming 'Allahu Akbar' stabs 2 in NY "},"content":{"text":"A man, screaming “Allahu Akbar”, stabbed a Jewish man and another near a synagogue as fears of anti-Semitism and terrorism mount, according to police.  The Jewish man, Moshe Yezhak Grunhaus, had left the Jewish Centre on Thursday afternoon when he was stabbed with a screwdriver, according to officials. A rabbi said Grunhaus was attacked after he had attended services for a Jewish day of mourning for the destruction of ancient temples in Jerusalem. The other victim, who was of East Asian descent identified as Chok Sung and was stabbed with a knife nearby. The attacks took place near Central Park, a major New York attraction. Police Commissioner Jessica Tisch identified the alleged assailant as 51-year-old Raul Morales and said police were evaluating whether it is a hate crime. \"According to victim and witness statements, Morales yelled ‘Allahu Akbar’ during both attacks”, she said. The victims are in a hospital and are expected to survive, she said. A picture released by Manhattan Shomrim, a Jewish safety patrol, showed the alleged assailant as a tall, gaunt man with a closely shaved head wearing a camouflage-type T-shirt. Mayor Zohair Mamdani acknowledged that “the perpetrator yelled ‘Allahu Akbar’ during both attacks” but added in his post on X that the police department’s “initial investigation suggests that mental health may have been a factor”. “These hateful and despicable attacks have no place in our city”, he added. City Council Speaker Julie Menin said in her post on X, “The fear in the Jewish community is real. Every New Yorker deserves to feel safe in their neighbourhood, regardless of their faith or identity”. A Jewish organisation linked the incident and other anti-Semitic attacks to Mamdani’s rhetoric against Israel. The United Jewish Appeal-Federation of New York noted, \"These attacks came soon after Mayor Mamdani once again used his official platform to viciously attack Israel, the only Jewish state”. “We cannot ignore the dangerous climate created when elected leaders relentlessly portray Israel -- and, by extension, the many Jewish New Yorkers who feel a deep connection to it -- as uniquely evil and illegitimate”, it added. According to the police department, there were 152 confirmed hate crimes this year against Jews in the city till May, and during that month alone there was a 70 per cent spike in the anti-Semitic attacks compared to the previous year. According to police, Morales was caught after he barricaded himself inside a nearby public housing flat. Tisch commended “the bravery of a good Samaritan” who led police to the hideout of the alleged perpetrator. In recent times, the city has seen at least two serious terrorist attacks. In what authorities had called an Islamic State-inspired attack, two men shouted “Allahu Akbar” as they tried to bomb a protest by an anti-Islamist group outside Mamdani’s official residence in March. On Monday, a man set a fire outside an immigration enforcement office in the city and fired shots from an air rifle. "},"img":{"url":"https://images.prismic.io/prad/Z4jc_JbqstJ99hcE_stab.JPG?auto=format,compress"},"datetime":"2026-07-24T06:32:00+0000","embed":{"embed_url":null}},"uid":"man-screaming-allahu-akbar-stabs-2-in-ny-"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Pooja Hegde's Fate at Crossroad!"},"content":{"text":"Pooja Hegde, once regarded as one of the busiest leading ladies in Telugu cinema, is now navigating a challenging phase in her career. After enjoying a dream run alongside several top stars, the actress has seen momentum slow following a string of underperforming films. Big-budget releases such as Radhe Shyam, Acharya, Beast, Kisi Ka Bhai Kisi Ki Jaan, and most recently Jana Nayagan failed to meet box-office expectations, leading to growing speculation that her market value has taken a hit. While the setbacks have affected her film journey, industry observers believe the actress still has the potential to bounce back with the right project. Reports suggest that filmmakers are now becoming more selective while casting Pooja, with discussions around remuneration and the limited impact of some of her recent roles. In a few films, her screen presence was reportedly reduced during the editing process, sparking conversations about the kind of characters being offered to her. Despite these challenges in cinema, Pooja continues to enjoy immense popularity outside the big screen. Her social media presence remains strong, with millions of followers engaging with her fashion shoots, travel updates, and brand collaborations. She continues to be a preferred face for several premium lifestyle and fashion endorsements. Meanwhile, there is fresh buzz that Pooja Hegde could make her return to mainstream Telugu cinema with a new project opposite Mass Maharaja Ravi Teja. Though the makers are yet to make an official announcement, industry circles claim the film may begin production in August. If the collaboration materializes, it could offer the actress a valuable opportunity to revive her career in Tollywood. Fans are hopeful that a solid commercial entertainer will help Pooja regain the winning momentum that once made her one of the industry's most sought-after heroines."},"img":{"url":"https://images.prismic.io/prad/ZzM4Sa8jQArT0vob_poojahegde.JPG?auto=format,compress"},"datetime":"2026-07-24T11:30:00+0000","embed":{"embed_url":null}},"uid":"pooja-hegdes-fate-at-crossroad"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Srinivasa Mangapuram' cleared for release"},"content":{"text":"The Central Board of Film Certification (CBFC) has now cleared director Ajay Bhupathi's eagerly awaited upcoming film 'Srinivasa Mangapuram', featuring Mahesh Babu's nephew Jaya Krishna Ghattamaneni in the lead, for release with an U/A certificate.   The news of the Censor Board clearing the film for release comes in the wake of the announcement that the film is to hit screens worldwide on July 30 this year. Taking to its social media timelines, Chandamama Kathalu Pictures, which is one of the production houses producing this film, announced, \"The Intense Love Story of the Season is CENSORED with U/A. #SrinivasaMangapuram GRAND RELEASE IN THEATRES ON JULY 30th. An @dirajaybhupathi Film.\"  Starring opposite Jaya Krishna Ghattamaneni is Rasha Thadani, the daughter of Bollywood star Raveena Tandon, who makes her Telugu cinema debut with this film. The film is set in the temple town of Tirupati and revolves around the characters of Vasu Babu and Manga- friends who turn lovers and live life with infectious joy until an unexpected conflict disrupts their paradise. Refusing to leave the town without Manga, Vasu Babu chooses to fight for his love, no matter the cost. Sources claim that Ajay Bhupathi, known for his intense and uncompromising storytelling, has presented a youthful love story enriched with impactful action and dramatic highs. The film has triggered huge interest among fans and film buffs for a number of reasons. The film has been directed by Ajay Bhupathi, who earned critical acclaim for his raw and immersive storytelling in the superhit films 'RX 100' and 'Mangalavaram'. The fact that Ajay Bhupathi is helming this film has got a number of fans interested in it. The film also marks the big-screen debut of Jaya Krishna Ghattamaneni, who carries forward the legacy of Superstars Krishna and Mahesh Babu. That apart, well known actor and producer Mohan Babu will be seen playing a character called Venkatappaya Naidu in the film. He plays the antagonist in the film. Presented by noted producer Ashwini Dutt and produced by P. Kiran under the banner of Chandamama Kathalu, the film is being mounted with strong creative vision and high production values. The film boasts an impressive technical team. Two-time National Award winner G. V. Prakash Kumar is composing the music for the film. The film has cinematography by Jayakrishna Gummadi and editing by Madhav Kumar Gullapalli. Production design for the film has been overseen by Sahi Suresh while the action sequences in the film have been choreographed by Real Sathish."},"img":{"url":"https://images.prismic.io/prad/aeC_SZ1ZCF7ETPku_srinivasmangapuramteaser.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T05:29:00+0000","embed":{"embed_url":null}},"uid":"srinivasa-mangapuram-cleared-for-release"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"'Varanasi' Cleared for Rajamouli"},"content":{"text":"The title hurdle for director S.S. Rajamouli's ambitious film starring Mahesh Babu has finally been resolved. After weeks of speculation over the title 'Varanasi', the issue has been settled amicably, clearing the way for the filmmaker to officially use the name. The title had previously been registered by director C.H. Subba Reddy, leading to uncertainty over whether Rajamouli's much-awaited globe-trotting adventure would need a different title. Subba Reddy, who had registered 'Varanasi' with the Film Chamber in 2023 for his own planned project inspired by Sanatana Dharma, made a remarkable gesture by voluntarily handing over the title. Despite earlier announcing his own film under the same name, he chose not to stand in the way of Rajamouli's prestigious venture. In the presence of industry representatives, including Producers Council Secretary Prasanna Kumar and former Directors Association President Veera Shankar, he formally informed producer K.L. Narayana that the title was being transferred without seeking any financial compensation. Speaking about his decision, Subba Reddy said 'Varanasi' was an emotional title for him rather than a commercial asset. He emphasized that he never viewed film titles as business opportunities and did not accept even a single rupee for the transfer. Calling it an honor that the title would now be associated with Mahesh Babu and Rajamouli's landmark film, he wished the team success. Industry members praised the gesture as a rare example of goodwill and cooperation, hoping it would inspire similar resolutions in future title disputes. According to reports, Mahesh Babu will reportedly play Rudra, while Prithviraj Sukumaran is expected to portray the powerful character Kumbha in the epic film."},"img":{"url":"https://images.prismic.io/prad/aXyUQwIvOtkhCHTT_varanasi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T06:24:00+0000","embed":{"embed_url":null}},"uid":"varanasi-cleared-for-rajamouli"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Risk That Revived Samson"},"content":{"text":"Leaving Rajasthan Royals after 11 seasons was a ‘huge risk,’ but India wicketkeeper-batter Sanju Samson believes the move to Chennai Super Kings allowed him to discover \"a new energy\" and start completely fresh in his IPL career.  Samson spent 11 years with RR and captained them for five seasons, before moving to CSK through a high-profile trade ahead of IPL 2026. “Leaving Rajasthan Royals was a huge risk. Once you convey your feelings to the franchise, there is no going back. You could end up in a team you don't want to go to or even in the auction with no certainty. There were two reasons behind this decision. “First, I was sure that 2025 would be my last season with RR. I had long conversations with my family and my wife. They kept asking me if it was an impulsive decision or if I was really sure. We discussed it for two or three weeks, and then we decided it was time. I was convinced it was the right call. “Second, I am a confident person. I believe I can stand on my own. I am always ready to start from zero. Many people told me that my batting style might not suit the slow Chepauk wicket. Those thoughts did cross my mind. But then I told myself, 'You are 30 years old. Go out and find a way.' This IPL season, I went in with a lot of energy, thinking I had to achieve something. I discovered a new energy there, and it was working very well for me,” Samson said on JioStar's 'Superstars.’ His initiation at CSK, however, began on a tough note, with low scores in his first three outings amidst team defeats after becoming Player of the Tournament in India’s 2026 Men’s T20 World Cup triumph. Samson highlighted how the franchise's calm environment helped him navigate the slump. “In T20 cricket, failure is common. In this format, you tend to fail more than you succeed. So, when you are going through a rough patch, you need people around you who understand that failure is part of the game. When I joined CSK, I failed in my first three games. We lost all three, and I didn't score runs. “I had just come off playing in the World Cup final, but I wasn't able to carry that form into the IPL. In that situation, no matter how experienced you are, you know that the coach expects more, the captain expects more, and Mahi bhai is watching you. So I went to the nets, worked on my game, and stayed in my zone. “I was more mature this time around and I knew what I had to do. But what really stood out was that the response from the team management and my teammates didn't change even one per cent. When I failed three matches in a row, their faith in me never wavered. That meant a lot to me.” It was a succinct piece of advice from Dhoni that ultimately settled his nerves, clearing the way for a turnaround century against Delhi Capitals in the next match. “I still remember, Mahi bhai met me after the first three matches when we went for practice. I usually sit right behind him, facing him. So, we sat down, and he looked at me and asked if I was fine. I said, 'Bhaiya, I am fine.' “Then I kept saying 'but' and 'yes' without even realising it. Then he told me, 'Don't get into but. Just focus on doing what you do best. Everything will be alright.' It was very subtle, but a huge lesson for me. He was telling me that everything is okay. Just because I was failing didn't mean I had to change my batting style, look like I was stressed, or practice for three extra hours. “At that moment, I felt I really had to perform for them. Then I told Stephen Fleming, 'Don't worry, we'll be fine in the next game.' And in the next game, I scored a hundred against Delhi Capitals. From there, the momentum came back.” Having captained RR for five years, Samson explained why he didn't seek the leadership role upon joining CSK. “I really started enjoying captaincy at RR. It's a different skill, and I was getting better at it every year. By the fourth year of captaincy, I had a clear idea of what it takes to lead a side in IPL and T20s. I was enjoying it completely. “But more than that, I wanted to enjoy cricket more. If the environment changes and doesn't suit you anymore, it's okay to move on. Captaincy is not something you should ask for. It's something that should be given to you because people believe you are the right person. Even at RR, I never asked for it. “Manoj Badale sir, the owner of RR told me I was the next captain, and I said I was ready. I captained for five seasons and after that, I was confident enough to leave that role, start fresh, and enjoy my cricket again. But it was important to have the right people around me. Ruturaj was someone I knew I would enjoy playing under. I was ready to play under his captaincy and that was one of the thoughts that guided my decision of not demanding for captaincy after joining CSK.” Addressing his perspective on national selection and individual milestones, Samson reiterated that he prefers focusing on his own processes rather than chasing accolades or pushing for spots. “I had already proven what I am in the IPL and I feel that if the Indian team needs me, I don't need to score big runs and win the Orange Cap. “There have been many instances where I was very close to getting selected in the World Cup team and someone else was picked. But I am not the kind of character who will tell my leaders, 'Bhaiya, please select me, I will play.' I am always like, 'I am here. If you want me, call me.' I will keep doing my training, I will keep doing my processes. “But when you feel that you need Sanju the most, that is the only time when my best will also come out. That is what happened in CSK as well, and in the World Cup too this time. It's always best to be where you are comfortable, instead of moving out of it, I feel,” he concluded."},"img":{"url":"https://images.prismic.io/prad/aa6LL1xvIZEnjdaX_samson.JPG?auto=format,compress"},"datetime":"2026-07-24T09:08:00+0000","embed":{"embed_url":null}},"uid":"risk-that-revived-samson"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Sonam Wangchuk ends hunger strike"},"content":{"text":"Activist Sonam Wangchuk on Friday ended his 26‑day hunger strike in the presence of Union Ministers J.P. Nadda and Jitendra Singh, doctors, family members and supporters.  Wangchuk, who had been fasting to press for Ladakh’s autonomy and environmental safeguards, expressed gratitude as he broke his fast. “So with that being fulfilled, I am grateful, and I’ll be happy to break my fast. Thank you,” he said, before sipping liquid offered by medical staff and accepting a ceremonial scarf. He acknowledged the presence of leaders from the Apex Body of Ladakh and the Kargil Democratic Alliance (KDA), thanking them for travelling from Ladakh to support him. Family members blessed him as he sat upright with assistance, while doctors confirmed his condition was stable. In a post on his X handle, Wangchuk said: “Just now in the presence of Union Ministers JP Nadda & Dr. Jitendra Singh and the senior leaders of Apex Body of Leh Ladakh I finally broke my fast after 26 days. Earlier 65 members of parliament from different political parties had visited or signed letters urging me to break the fast. This was done after a long negotiation on various conditions and in view of possible violence in the country. I will explain the conditions in detail in a separate video very soon. Meanwhile I urge you all to stay very vigilant about not allowing violence of any kind anywhere.” The activist also thanked his family, describing them as a source of strength and support throughout the prolonged fast. The conclusion of the fast followed weeks of appeals from political leaders and civil society groups, with concerns mounting over Wangchuk’s health and the potential for unrest. Earlier, Prime Minister Narendra Modi had said that the Central government has prepared a comprehensive draft Bill to introduce stricter provisions and stringent punishments for paper leak cases. The proposal will be discussed in the Union Cabinet meeting on Friday and is expected to be introduced and passed in the ongoing session of Parliament next week. Taking to his official X account, PM Modi in a video message said: \"More strict actions against paper leaks to come in tomorrow’s Cabinet!\" Addressing the deep distress caused by paper leaks to students and their families, the Prime Minister said on Thursday that the Union government has taken multiple measures over the past two-and-a-half months, leading to the arrest and imprisonment of those responsible. \"I am aware that paper leaks cause immense distress to students and their parents,\" he added. Highlighting the Union government's priority to safeguard the future of examinees, PM Modi on his X account said that all resources were mobilised to conduct examinations without delay for nearly 22 lakh (2.2 million) students. \"The results were declared just five days ago on July 19, and we are receiving news of the joy felt by successful students across the country,\" he added. The Prime Minister emphasised that the Union government will not rest on its laurels."},"img":{"url":"https://images.prismic.io/prad/TCK-V-BGSZB7x5oJ_sonamwangchuk.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-23T20:48:00+0000","embed":{"embed_url":null}},"uid":"sonam-wangchuk-ends-hunger-strike"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Yash: ‘Right intent’ was the driving force behind ‘Ramayana’ "},"content":{"text":"Star Yash, who is representing Ramayana at San Diego Comic-Con, has spoken about the effort that went into bringing the epic to the big screen and said it was the “right intent” that was the driving force behind the film. “I think intent is the most important thing. You have the right intent and right team. When we have started with the right intent, everything will fall in place,” Yash said in a statement. He added: I think this story itself has got so much of aspects where we have started with the right intent and we started figuring out so many aspects of life while making this film. And technically, yes, it was demanding.” “Like make-up to looks, there were so many challenges. But I think eventually, when you are trying to tell a story, that’s why we all are here. We love stories, and we give it all to bring that story most authentically.” “I think we have been able to do that in a quite good manner, is what I believe.” Yash will be seen as demon king Ravana in Nitesh Tiwari’s upcoming two-part epic “Ramayana.” The ambitious adaptation features Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, and Rakul Preet Singh as Surpanakha. The film is planned as a two-part release, with the first installment arriving during Diwali 2026, followed by the second part scheduled for Diwali 2027. The grand trailer launch of ‘Ramayana’ took place in Delhi on July 18. The star-studded event was attended by Ranbir Kapoor, Sai Pallavi, Ravi Dubey, director Nitesh Tiwari, producer Namit Malhotra, Kunal Kapoor, Rakul Preet Singh, Vivek Oberoi, Arun Govil, Ajinkya Deo, Shobhna, sitar maestro Rishab Rikhiram Sharma, Swami Ramdev, Ashwiny Iyer Tiwari, Karan Johar, Apoorva Mehta, among others. Up next, Yash will be seen in Toxic: A Fairy Tale for Grown-Ups, which is set to release in theatres on August 26."},"img":{"url":"https://images.prismic.io/prad/Z7mTaJ7c43Q3gGHK_yash.JPG?auto=format,compress"},"datetime":"2026-07-24T04:06:00+0000","embed":{"embed_url":null}},"uid":"yash-right-intent-was-the-driving-force-behind-ram"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"Hyd cops foil bid by Youth Cong to disrupt BRS protest"},"content":{"text":"Police in Hyderabad foiled an alleged attempt by Youth Congress activists to disrupt a protest by the youth wing of the Bharat Rashtra Samithi (BRS) at Indira Park over the NEET paper leak issue. The Youth Congress has accused the BRS of showing fake sympathy for the students and youths protesting in Delhi and asked why they were silent on the issue till now.  Police detained Youth Congress workers as they gathered at MLA Quarters in Adarsh Nagar to march towards Indira Park. BRSV, the student wing of BRS, is holding a massive protest at Indira Park in solidarity against the “brutal crackdown” on students and youth in Delhi who are protesting at Jantar Mantar over the NEET paper leak and seeking the resignation of Union Education Minister Dharmendra Pradhan. BRS Working President K.T. Rama Rao will be participating in the protest against the Delhi Police's crackdown on the students. However, the Youth Congress workers tried to take out a rally to Indira Park as it alleged that BRS leaders were \"shedding crocodile tears\" over the \"police brutalities\" on students in Delhi. The protestors were raising slogans against Prime Minister Narendra Modi and leaders of the BRS. The Youth Congress workers were led by former MP and Congress leader Anjan Kumar Yadav, who alleged that BRS leader K.T. Rama Rao has no right to stage such a protest. He said that BRS, during its 10-year rule, had banned protests at Dharna Chowk, Indira Park but it was now using the same venue for a protest. Yadav also alleged that BRS was showing fake sympathy for the students and youth protesting in Delhi. He wanted to know why K.T. Rama Rao, who had remained silent over the protests by students for the past 28 days, suddenly started expressing sympathy for them. The former MP alleged that BRS and BJP were the two sides of the same coin. He said students suffered during BRS rule due to irregularities in intermediate examinations. Police denied permission to Youth Congress for the rally and stopped the protestors from crossing the gates of MLA Quarters. As the protestors tried to force their way, police detained them and shifted them to a police station. Anjan Kumar Yadav and other Congress leaders were among those detained."},"img":{"url":"https://images.prismic.io/prad/lFdx8mr4HAT4clKZ_congarrest.JPG?auto=format%2Ccompress&rect=0%2C34%2C268%2C132&w=2028&h=1000"},"datetime":"2026-07-24T07:43:00+0000","embed":{"embed_url":null}},"uid":"hyd-cops-foil-bid-by-youth-cong-to-disrupt-brs-pro"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":" Ranbir made ‘great sacrifices’ to play Lord Rama"},"content":{"text":"Yash has heaped praise on his “Ramayana” co-star Ranbir Kapoor, saying the latter made \"great sacrifices\" and worked with complete dedication to portray Lord Rama.  Yash, Ranbir and filmmaker Nitesh Tiwary were at a panel for the film at the San Diego Comic Con on Thursday. A video of the south star is doing the rounds on X, formerly called Twitter, where he shared that the role of Lord Rama is one of immense responsibility. He went on to promise that the world will witness \"a beautiful Rama\". Yash said: “I think that's the most important thing I would like to add. Nobody in this world can come and say, ‘I have the virtue to play Lord Rama.’ That's how we see it. Just the fact that he says, ‘I can't do it,’ speaks volumes.” Yash, who is also a producer for the upcoming film “Ramayana”, said it’s not easy to play Lord Rama. “He's a fabulous actor. I'm telling you guys, it's not easy to play Lord Rama, and the way he has really worked for it... Huge respect to him because he's a fantastic actor. A big actor. You guys will witness a beautiful Rama, with great intent and great sacrifice. He has done this with complete dedication. I should really be telling you guys that.” Yash will be seen as demon king Ravana in Nitesh Tiwari’s upcoming two-part epic “Ramayana.” The ambitious adaptation features Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, and Rakul Preet Singh as Surpanakha. The film is planned as a two-part release, with the first installment arriving during Diwali 2026, followed by the second part scheduled for Diwali 2027. The grand trailer launch of ‘Ramayana’ took place in Delhi on July 18. However, the trailer launch for the world has been pushed as the makers have said that the decision comes after a major international development for the film. The star-studded event was attended by Ranbir Kapoor, Sai Pallavi, Ravi Dubey, director Nitesh Tiwari, producer Namit Malhotra, Kunal Kapoor, Rakul Preet Singh, Vivek Oberoi, Arun Govil, Ajinkya Deo, Shobhna, sitar maestro Rishab Rikhiram Sharma, Swami Ramdev, Ashwiny Iyer Tiwari, Karan Johar, Apoorva Mehta, among others."},"img":{"url":"https://images.prismic.io/prad/ZysGJ68jQArT0PkR_ramayana1copy.JPG?auto=format,compress"},"datetime":"2026-07-24T05:02:00+0000","embed":{"embed_url":null}},"uid":"-ranbir-made-great-sacrifices-to-play-lord-rama"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Meera Chopra Targets CJP Protester"},"content":{"text":"Actress Meera Chopra has expressed her disappointment over a CJP protester allegedly using abusive language against Prime Minister Narendra Modi. On Thursday, Priyanka Chopra’s cousin took to X (formerly Twitter) and reshared a video showing a female protester allegedly using abusive language on a microphone. The user who originally shared the video claimed that the protester was a NEET rank holder. Sharing this video, Meera questioned the behavior and wrote, “Is this the youth of today? Ya neet ki student? Plz batao kaun sa youth hai ye??? Meera Chopra, who was part of the feature film jury, had earlier extended her support to the students amid the ongoing protest. She urged authorities to listen to their concerns, calling them the future of the country. However, she also cautioned against political parties using students’ issues for their own agendas, saying that a child’s future should not become a political weapon. “Listen to the students. They are not just protesters — they are the future of this country. Their genuine concerns must be heard, understood, and addressed. But we must also recognize those trying to use their shoulders to fire their political guns. Whether it is #CJP or #AAP, no political party should be allowed to hijack the students’ struggle for its own agenda. A child’s future is not a political weapon. Let the students be heard—but don’t let politicians or wannabe politicians use them.” Several Bollywood celebrities have voiced their opinions amid the ongoing CJP protest. Many stars like Salman Khan, Alia Bhatt, Naseeruddin Shah, Sonakshi Sinha, and Diljit Dosanjh, among others, have expressed support for students and urged that their concerns be heard through peaceful dialogue. The protest at Jantar Mantar began earlier this month, with students highlighting concerns over alleged discrepancies in competitive examinations, including the NEET paper leak issue. They called for reforms in the education system and sought the resignation of Union Education Minister Dharmendra Pradhan."},"img":{"url":"https://images.prismic.io/prad/c2ddf10b-2acc-4570-895c-7d837e2fde3c_meera+chopra.JPG?auto=format,compress"},"datetime":"2026-07-23T10:32:00+0000","embed":{"embed_url":null}},"uid":"meera-chopra-targets-cjp-protester"}},{"node":{"tags":["Entertainment"],"data":{"third_party_url":null,"title":{"text":"Paid to Protest? Actress Claims"},"content":{"text":"Actress Akansha Puri, who predominantly works in television, has levelled grave allegations of money being offered to members of her fraternity in lieu of being a part of the ongoing protests. On Thursday, the actress spoke with media, and said that she wants people to support the “right thing”, and rise up from “marketing”. She told, “I just want people to support the right thing. Don't make this a part of marketing. Don't earn money for this. And don't burn your own bread. Support the right thing. Support the right people. What can I say more openly? I think all the people who are with me, actors, content creators, they all know that a lot of people, a lot of parties are approaching us to make this a part of marketing, get seen, go to the rally”. “I don't want to be a part of this garbage. I don't want to be a part of this garbage. I want to support the right thing. And for that, whether I am standing there or not, it doesn't matter. Whenever someone is in need, I am with them. I felt very bad because they are the future of India. They are students. And to do this with them, to see this, when I saw the visuals, they were very disturbing. So I want, please, they are saying a small thing. They have heard their words. They have to be supported”, she added. The protests intensified after Sonam Wangchuk was forcibly removed by Delhi Police from the protest site at Jantar Mantar in the early hours of July 18 after completing 21 days of an indefinite hunger strike. Authorities shifted him to a hospital, citing his deteriorating health, medical advice and compliance with a Delhi High Court order. Sonam Wangchuk has been on a hunger strike demanding the resignation of Union Education Minister Dharmendra Pradhan over alleged irregularities in competitive exams."},"img":{"url":"https://images.prismic.io/prad/rJw0wMqDl8OCL8Hn_aakaanksha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-23T15:20:00+0000","embed":{"embed_url":null}},"uid":"paid-to-protest-actress-claims"}},{"node":{"tags":["politics"],"data":{"third_party_url":null,"title":{"text":"KTR serves legal notice on CM RR"},"content":{"text":"Bharat Rashtra Samithi (BRS) working president K.T. Rama Rao on Thursday said he has served a legal notice on Telangana Chief Minister, demanding that he tender an unconditional public apology within 48 hours for falsely branding Globe Arena as his 'benami' company and making several other baseless allegations.  K.T. Rama Rao strongly condemned the Chief Minister for making what he described as false, malicious and defamatory allegations linking him to the company. K.T. Rama Rao said the legal notice was issued after the Chief Minister made a series of \"irresponsible\" statements before the media without producing a shred of evidence. He asserted that he has no ownership, financial, proprietary or any other relationship whatsoever with Globe Arena Technologies and challenged the Chief Minister to substantiate his allegations with credible evidence. \"The Chief Minister has been asked to prove his allegations within 48 hours. If he fails to do so, he must tender an unconditional public apology. Otherwise, he will face appropriate civil and criminal legal proceedings, including a defamation suit for the irreparable damage caused to my reputation,\" K.T. Rama Rao said. Refuting the allegations, K.T. Rama Rao said the claims that Globe Arena is his 'benami' company, that he facilitated CBSE examination contracts for the firm, or that he had any financial interest in the company are completely false, fabricated and politically motivated. He said it was highly irresponsible for a Chief Minister holding the highest constitutional office in the State to level such serious allegations without any factual basis. Questioning the Chief Minister's credibility, he asked, \"If Globe Arena is really my benami company, why did the Congress Government itself enter into agreements with that company? Your own government signed contracts with the firm, and today you are claiming that it is my benami company. Does the Chief Minister have any sense of responsibility before making such allegations?\" He also accused Revanth Reddy of deliberately trying to divert public attention from the real issue concerning irregularities in national examinations. \"The responsibility for the NEET examination irregularities lies squarely with the Central Government. Students across the country are demanding the resignation of Union Education Minister Dharmendra Pradhan. Yet, the Chief Minister, who should be questioning the Centre, does not even dare to utter the name of Prime Minister Narendra Modi. Instead of protesting before Raj Bhavan or questioning the BJP-led Central Government, he staged a political drama in Kodangal,\" K.T. Rama Rao remarked. Alleging a covert understanding between the Congress and the BJP, K.T. Rama Rao said the Chief Minister was afraid to question Prime Minister Modi because of his political compulsions. \"Revanth Reddy is with the Congress during the day and with the BJP at night. He fears reopening of old cases and is compromising with the Centre to secure benefits through AMRUT and other contracts. That is also why the Centre has remained silent despite our repeated complaints on corruption in Singareni,\" K.T. Rama Rao alleged. Responding to Congress leaders' demand for an investigation, K.T. Rama Rao said he was prepared to face any probe. \"Whether it is the CID, CBI, SIT or any other investigating agency, I am ready to cooperate fully. Let the truth come before the people. At the same time, is the government prepared to order a SIT or CID enquiry into the allegations involving Revanth Reddy's family, the Srujan Reddy issue, the Singareni scam and the AMRUT contracts?\" he asked. He also threw an open challenge to the Chief Minister for a live lie detector test. \"Seat both of us side by side before the people and conduct a live lie detector test. I have absolutely no connection with Globe Arena. Let the truth also come out regarding the allegations surrounding Singareni, the AMRUT contracts and other corruption charges. Let the people decide who is speaking the truth,\" he challenged. He demanded that Chief Minister Reddy immediately withdraw his statements, issue an unconditional public apology within the stipulated 48-hour period, and refrain from repeating such defamatory allegations in future. Failing this, K.T. Rama Rao said he would proceed with civil and criminal legal action, including filing a defamation suit seeking appropriate damages, to protect his reputation and uphold the rule of law."},"img":{"url":"https://images.prismic.io/prad/Zgfmjst2UUcvBSj2_RRKTR.JPG?auto=format,compress"},"datetime":"2026-07-23T12:30:00+0000","embed":{"embed_url":null}},"uid":"ktr-serves-legal-notice-on-cm-rr"}},{"node":{"tags":["Editorial"],"data":{"third_party_url":null,"title":{"text":"When The Aura Cracks, The Allies Pivot"},"content":{"text":"“In politics, never underestimate both your enemy and your ally. Confidence is essential in politics, but arrogance is dangerous because it tempts leaders into believing they already know what will happen, or how a political maneuvering will end, as a tactical success does not automatically become strategic victory, and destroying opposition is not the same as destroying its will or capacity to continue fighting” In other words, in modern politics, taking your own public relations too seriously is a fatal mistake. Believing that a short-term tactical victory guarantees long-term dominance leads to dangerous overconfidence. A ruling party can easily fracture opposition factions through political engineering, but destroying the public's actual will to resist is far more difficult. When leadership becomes arrogant, it assumes it controls the political narrative, only for citizens and coalition allies to pivot and rewrite the final outcome. This political reality played out clearly during the recent student march to Parliament in New Delhi. For years, the ruling party relied on the slogan \"Modi hai toh mumkin hai\" to market the Prime Minister as a leader who could deliver the impossible. This hyper-polished branding elevated him above normal politics, presenting him as a uniquely capable, almost non-biological figure immune to typical political risks. However, the mass student protests disrupted this carefully crafted image. The highly visible public pushback shattered his and his administration's aura of absolute control, serving as a direct reality check for him and his cabinet that assumed it was insulated from public pressure. Both he and his administration quickly realized that while they can use state leverage to neutralize rival parties, they cannot easily suppress an entire dissatisfied youth demographic. The friction on the streets shows that the administration is losing ground with the very youth cohort that previously fueled its political momentum. More importantly, this shift has made key regional coalition allies highly anxious about their own electoral survival. If voter anger translates directly into polling data, these regional allies risk losing their seats alongside the ruling party. The realization that the Supreme Leader’s electoral coattails no longer guarantee safety, appears to have triggered frantic damage control, confirming that the centralized, \"56” chested strongman\" political brand is facing real structural strain. The hitherto invincible leadership now finds itself trapped in a political deadlock. While the supreme leader desperately needs a major cabinet reshuffle to reset the narrative, he cannot act independently; instead, whispers within the corridors of power suggest he is forced to negotiate structural changes while awaiting final clearance from the RSS leadership. Precisely at this low point, while the government is bogged down managing parliamentary numbers and treating student policy protests as systemic national security threats, a highly coordinated digital campaign has surfaced on social media, a purported move by one of his loyal allies from south. A viral 15-slide presentation titled \"Why India Needs a Naidu-Style Prime Minister\" began trending heavily among tech influencers and policy analysts. The presentation, adapted from a World Bank report and updated with modern corporate terminology, advocates for an analytical, CEO-style leader to run the country. The underlying message is a direct critique of the current regime, suggesting that the nation requires pragmatic, technology-driven governance rather than centralized, personality-driven leadership. Whether Chandrababu Naidu is directly coordinating this digital campaign remains unclear. Publicly, he maintains the posture of a loyal, disciplined coalition partner, consistently backing the central government's economic goals. However, a leader does not survive forty years in Indian politics without reading shifting political winds. Rather than attacking the central leadership directly, he appears to be deploying a strategy of \"Strategic Contrast.\" While New Delhi appears paralyzed by policy friction and internal negotiations, he appears to be positioning himself as a stable alternative. While his IT cell machine drives this viral campaign, he appears blissfully unaware, actively hosting global business forums, launching high-tech computing centers in Amaravati, and campaigns on metrics like technology-driven wealth creation (Sampada Sristi). Simultaneously, he has kept his own regional youth base engaged with local economic incentives, insulating his state from the unrest seen elsewhere. This strategic positioning achieves two key political goals without triggering an open conflict within the alliance. First, it serves as a subtle reminder to the BJP that if their central leadership continues to decline, he has the nationwide corporate backing and political standing to step in. Second, it shifts his public profile from a regional leader dependent on central funding to a capable, national administrator whom corporate lobbies would readily support if the central alliance fractures. This implicit challenge explains why the central government has actively tried to engineer splits in other regional parties not just to secure majorities for crucial parliamentary bills, but to build a buffer against the growing leverage of allies like CBN, who develops apprehensions about declining aura of the supreme leader. Ultimately, the digital campaign for a tech-centric leadership model functions as a highly effective political diversion. It shifts public attention away from active street protests and redirects it toward a vision of orderly, corporate efficiency. CBN can remain a partner on paper, but if the central leadership falters under its own systemic pressures, he can successfully position himself as the most viable alternative."},"img":{"url":"https://images.prismic.io/prad/2Bh7-xqk9NviBsNl_alliespivot.JPG?auto=format,compress"},"datetime":"2026-07-23T11:45:00+0000","embed":{"embed_url":null}},"uid":"when-the-aura-cracks-the-allies-pivot"}}]},"featured":{"edges":[{"node":{"data":{"title":{"text":"Finally, Sobhita Cooked!"},"content":{"text":"Actor Naga Chaitanya and actress wife Sobhita Dhulipala served fans a wholesome dose of fun couple banter on social media on Friday night.  The doting husband jokingly revealed that his wife had cooked dinner for him nearly two years after their marriage. Taking to his social media account, Chaitanya shared a picture of Sobhita standing at the dining table holding two plates of food, dressed in a comfortable pink oversized T-shirt. Sharing the candid moment, Chaitanya wrote, \"Wifey cooks dinner for me close to 2 years after getting married ... I possibly did something right today.\" Sobhita was quick to respond to the playful jab in the comments section, asking, \"Are you trolling me or praising me.\" For the uninitiated, Naga Chaitanya and Sobhita Dhulipala tied the knot in an intimate ceremony on December 4, 2024, in a traditional Telugu wedding ceremony in Hyderabad, that was attended by family members and close friends. After dating for a few years, the couple confirmed their relationship with an engagement announcement before exchanging vows. For the uninitiated, Naga Chaitanya was earlier married to actress Samantha Ruth Prabhu. The couple tied the knot in Goa in October 2017 after dating for a few years. They announced their separation in October 2021. Chaitanya later married Sobhita Dhulipala, while Samantha married filmmaker Raj Nidimoru in 2025. Talking about Naga Chaitanya, he is the son of Telugu superstar Nagarjuna Akkineni and Lakshmi Daggubati."},"img":{"url":"https://images.prismic.io/prad/sMZR_qjUa7DLaOwN_sobitha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T03:25:00+0000","embed":{"embed_url":null}},"uid":"finally-sobhita-cooked"}}]},"politics":{"edges":[{"node":{"data":{"title":{"text":"CJP calls off protest"},"content":{"text":"The Cockroach Janata Party (CJP) on Saturday called off its protest at Delhi's Jantar Mantar after the Centre accepted its key demands following Union Education Minister Dharmendra Pradhan's resignation.  The decision was announced at a joint press conference in New Delhi following the third round of talks between Union Health Minister JP Nadda, Union Minister Jitendra Singh, and CJP representatives Saurav Das and Ashutosh Ranka, during which the Centre agreed to the protesters' key demands. Addressing the media, Nadda said the government had agreed to withdraw all police cases filed against protesting students, provide written confirmation of the FIR withdrawals, and ensure the highest possible compensation for families of students who died in incidents linked to the alleged paper leak controversy. CJP leaders urged protesters to end the agitation, saying the government's assurances addressed all the demands raised during the protest. Education Minister Dharmendra Pradhan has already resigned, which was one of the key demands of CJP. Speaking on behalf of the Cockroach Janata Party, Saurav Das urged the students to withdraw their protest and return home. He said the government had accepted all the demands raised by the agitators, and there was no further reason to continue the sit-in at Jantar Mantar. The protest, which had drawn attention for several days, centred on issues arising from alleged paper leaks and the subsequent action taken against students who raised their voices. Protesters had demanded not only the quashing of cases filed against them but also adequate financial support for families of those who died in connection with the controversy. Nadda said that the written assurance on FIR withdrawals would be issued shortly, and compensation mechanisms would be worked out to provide the highest feasible relief. Nadda emphasised that the government was committed to addressing the concerns of the student community. He noted that the decision to accept the three demands reflected a willingness to resolve the matter through dialogue rather than prolonged confrontation. Das, in his remarks, appealed for calm and requested students to accept the government’s assurances in “good faith” and disperse peacefully. With the formal acceptance of the demands now on record, organisers and party representatives expressed hope that the agitation would conclude without further escalation. Students present at the venue were expected to discuss the development among themselves before deciding on the next course of action."},"img":{"url":"https://images.prismic.io/prad/jGeXStqE2s8YhXta_cjpcalloff.JPG?auto=format,compress"},"datetime":"2026-07-25T13:21:00+0000","embed":{"embed_url":null}},"uid":"cjp-calls-off-protest"}},{"node":{"data":{"title":{"text":"Dharmendra Pradhan resigns as Education Minister"},"content":{"text":"Dharmendra Pradhan on Saturday tendered his resignation as the Union Education Minister amid the paper leak protests across the nation.  Submitting his resignation, Pradhan reaffirmed his commitment to youth and education while thanking Prime Minister Narendra Modi for support, framing it as a response to protect exam integrity and students' future. This comes amid the nationwide protests demanding strict action against the paper leaks and exam irregularities, and Education Minister Pradhan's resignation citing accountability.  In his letter, Pradhan said, \"For over four decades, I have dedicated myself to the cause of students, teachers, and educational reform. I have always believed that a robust, inclusive, and visionary education system forms the cornerstone of a strong nation.\" \"I deeply respect the aspirations, sentiments, and legitimate expectations of the country's youth. Realising the dreams of India's young generation has been a moral commitment in our political and social lives. I express my gratitude to the Honourable Prime Minister for the opportunity to serve the nation under his visionary leadership,\" he said. He said that as soon as the irregularities regarding the NEET-UG examination came to light, the government, taking immediate cognisance of the matter, handed the investigation over to the CBI, cancelled the exam, and announced a date for a re-examination. Additionally, he said that a decision was made to conduct this exam in CBT (Computer-Based Test) mode starting next year. \"Throughout this period, our primary priority was to ensure the smooth conduct of the examination for over 20 lakh students. We worked towards this using a 'whole-of-government' approach, in which state governments -- and particularly district administrations -- played a crucial role alongside the Government of India. With the cooperation of students and parents, the examination was successfully concluded on June 21, 2026,\" Pradhan said. \"From day one, I took responsibility for the situation and never turned away from it. I was determined not to let the potential of any meritorious student be ruined by the 'exam mafia' and to ensure that no student faced injustice,\" he added. He said that during the re-examination results, \"individuals holding responsible positions attempted to create obstacles and mislead students\", an act, he said, caused him \"deep distress\". \"I have always held unwavering faith in the strength of our democracy and deeply respected the aspirations, dreams, and expectations of the youth. They are not merely India's future; they are the torchbearers, builders, and architects of a new and developed India. I am pained by the events of the past ten days. This is not a matter of personal prestige for me,\" he added. \"Considering the situation at Jantar Mantar and across the country -- to prevent anti-national forces from exploiting it, preserving national unity, ensuring that not a single Indian student's future gets entangled in legal complexities, and allowing our children to devote their time to studies and focus on building their careers -- I have submitted my resignation to the Honourable Prime Minister,\" Pradhan said. He expressed heartfelt gratitude to the Prime Minister for his \"guidance, trust, and constant support\" and to the Council of Ministers.  \"Service to the nation is the highest priority of my life; I shall remain forever dedicated to it. With the blessings of Lord Jagannath, I will continue to dedicate myself in every possible way to fulfilling the aspirations of Mother India, the people of Odisha, and the youth of the country in the future as well,\" he added."},"img":{"url":"https://images.prismic.io/prad/FcTxQOdOHnlmrUTk_DharmendraPradhan.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T09:25:00+0000","embed":{"embed_url":null}},"uid":"dharmendra-pradhan-resigns-as-education-minister"}},{"node":{"data":{"title":{"text":"Flipkart Eyes Food Delivery Sector In India!"},"content":{"text":"In a bold strategic move, Walmart-owned Flipkart is gearing up to penetrate India's burgeoning online food delivery market, aiming to initiate a pilot program within the upcoming 30 days. This development signifies Flipkart's intent to diversify its offerings in a sector currently dominated by established giants Zomato and Swiggy. Kalyan Krishnamurthy, CEO of Flipkart Group, confirmed the initiative during an interview, emphasizing that the pilot will serve as a valuable learning phase to evaluate potential for a larger national rollout.  Krishnamurthy articulated that food delivery represents another vital customer use case within Flipkart's expansive e-commerce ecosystem. He detailed that the pilot phase will allow the company to gather insights and refine its approach before making decisions about scaling operations. This admission comes in the wake of Flipkart's ongoing efforts to innovate and adapt within the competitive landscape of digital commerce, which is increasingly characterized by rapid shifts in consumer preferences and delivery expectations.  The timing of Flipkart's foray into food delivery is notable, given the sector's projected growth from an estimated $9 billion in FY25 to $25 billion by FY30, fueled by improving affordability and heightened consumer adoption. While the market is currently led by Zomato and Swiggy, the landscape is changing with the emergence of new players like Rapido's Ownly and platforms operating under the government-backed Open Network for Digital Commerce (ONDC). Additionally, the popularity of 10-minute food delivery models, exemplified by innovations from Swiggy and Blinkit, underscores the evolving dynamics within this sector.  Krishnamurthy's comments also reflect a broader competitive strategy, dismissing notions that the food delivery market has reached saturation. He contended that companies with robust value propositions and disciplined execution strategies retain the potential to disrupt incumbents. Flipkart’s focus on customer value over precise timing highlights its commitment to carving out a significant presence in this fast-evolving market, as the company continues to bolster its capabilities in quick commerce through Flipkart Minutes, which currently operates over 800 dark stores across the country. Flipkart's foray into food delivery could herald a transformative chapter in its growth narrative."},"img":{"url":"https://images.prismic.io/prad%2F8ade675a-dfa2-4bce-9f99-5e1dd5d400b0_flipcart.jpg?auto=format%2Ccompress&rect=0%2C3%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-24T10:06:00+0000","embed":{"embed_url":null}},"uid":"flipkart-eyes-food-delivery-sector-in-india"}},{"node":{"data":{"title":{"text":"CBN: Children have now become source of income"},"content":{"text":"Andhra Pradesh Chief Minister N. Chandrababu Naidu said on Friday that children were once considered a burden, but now they have become a source of income. He said that mothers with more children are receiving larger amounts in their bank accounts under the ‘Thalliki vandanam’ scheme. He was speaking at the Mega Parent-Teacher Meeting at a government high school in Rampachodavaram in Polavaram district.  Under the ‘Thalliki vandanam’ scheme, the government is depositing Rs 15,000 in the bank account of every mother for every school-going child. There is no bar on the number of children. The Chief Minister said every year the government was depositing Rs 10,120 crore for 67 lakh children. He claimed that despite facing financial constraints, the government is making sure that the benefits of this scheme reach everyone. The Chief Minister stated that the coalition government has brought changes in the government education system.  He claimed that at a time when there is a trend of moving from government to private schools, 1.10 lakh students have actually shifted from private to government schools. He said that this demonstrates the true strength of government schools. Chandrababu Naidu also praised the performance of his son Nara Lokesh as the education minister. He stated that seeing the changes in the education system, he was glad that Lokesh assumed this role. Chandrababu Naidu told the gathering that the government was committed to providing quality education to children and was bringing major industries to the state so that they do not have to go elsewhere for employment. “Students should study with passion rather than viewing it as a burden. We are fostering development that will create jobs in major industries for those who dedicate themselves to their studies for five years.” He believes that children in tribal areas are like gems in the rough and if given opportunities, they can create wonders. He said President Droupadi Murmu is a source of pride for the nation and an inspiration to all. He reiterated that he, Prime Minister Modi and Deputy Chief Minister Pawan Kalyan were working towards their pledge to develop the state. Naidu claimed that the previous government of the YSR Congress Party incurred a debt of Rs 10 lakh crore, borrowing at 14% interest and mortgaging government assets. “We are redeeming government assets that had been mortgaged and taking measures to reduce the interest burden,” he said. He admitted that it is taking some time to put the state’s financial situation back on track. “While rectifying the financial situation, we are simultaneously balancing welfare and development. Development generates wealth, which in turn enables the implementation of welfare measures.” Referring to the YSR Congress Party’s allegation of irregularities in recruitment of teachers through Mega DSC (District Selection Committee), he said attempts were being made to tarnish the image of the Mega DSC recruitment drive. He said some people were acting in a manner that hurts the sentiments of the newly recruited teachers. He stated that both parents must share the responsibility for their children. If both parents take responsibility for their children, their future will be bright. He said fathers, along with mothers, should also attend parent-teacher meetings. Chief Minister Chandrababu launched the \"Drugs Vaddu Bro\" (Say no to drugs) handbook prepared by the School Education Department. He also unveiled the web portal of donors for schools.  The Chief Minister and Minister Lokesh interacted with children, parents, teachers and had lunch with the students."},"img":{"url":"https://images.prismic.io/prad/bCmKfp9XtNar1P8y_cbn.JPG?auto=format%2Ccompress&rect=0%2C51%2C450%2C222&w=2028&h=1000"},"datetime":"2026-07-24T12:02:00+0000","embed":{"embed_url":null}},"uid":"cbn-children-have-now-become-source-of-income"}},{"node":{"data":{"title":{"text":"Man screaming 'Allahu Akbar' stabs 2 in NY "},"content":{"text":"A man, screaming “Allahu Akbar”, stabbed a Jewish man and another near a synagogue as fears of anti-Semitism and terrorism mount, according to police.  The Jewish man, Moshe Yezhak Grunhaus, had left the Jewish Centre on Thursday afternoon when he was stabbed with a screwdriver, according to officials. A rabbi said Grunhaus was attacked after he had attended services for a Jewish day of mourning for the destruction of ancient temples in Jerusalem. The other victim, who was of East Asian descent identified as Chok Sung and was stabbed with a knife nearby. The attacks took place near Central Park, a major New York attraction. Police Commissioner Jessica Tisch identified the alleged assailant as 51-year-old Raul Morales and said police were evaluating whether it is a hate crime. \"According to victim and witness statements, Morales yelled ‘Allahu Akbar’ during both attacks”, she said. The victims are in a hospital and are expected to survive, she said. A picture released by Manhattan Shomrim, a Jewish safety patrol, showed the alleged assailant as a tall, gaunt man with a closely shaved head wearing a camouflage-type T-shirt. Mayor Zohair Mamdani acknowledged that “the perpetrator yelled ‘Allahu Akbar’ during both attacks” but added in his post on X that the police department’s “initial investigation suggests that mental health may have been a factor”. “These hateful and despicable attacks have no place in our city”, he added. City Council Speaker Julie Menin said in her post on X, “The fear in the Jewish community is real. Every New Yorker deserves to feel safe in their neighbourhood, regardless of their faith or identity”. A Jewish organisation linked the incident and other anti-Semitic attacks to Mamdani’s rhetoric against Israel. The United Jewish Appeal-Federation of New York noted, \"These attacks came soon after Mayor Mamdani once again used his official platform to viciously attack Israel, the only Jewish state”. “We cannot ignore the dangerous climate created when elected leaders relentlessly portray Israel -- and, by extension, the many Jewish New Yorkers who feel a deep connection to it -- as uniquely evil and illegitimate”, it added. According to the police department, there were 152 confirmed hate crimes this year against Jews in the city till May, and during that month alone there was a 70 per cent spike in the anti-Semitic attacks compared to the previous year. According to police, Morales was caught after he barricaded himself inside a nearby public housing flat. Tisch commended “the bravery of a good Samaritan” who led police to the hideout of the alleged perpetrator. In recent times, the city has seen at least two serious terrorist attacks. In what authorities had called an Islamic State-inspired attack, two men shouted “Allahu Akbar” as they tried to bomb a protest by an anti-Islamist group outside Mamdani’s official residence in March. On Monday, a man set a fire outside an immigration enforcement office in the city and fired shots from an air rifle. "},"img":{"url":"https://images.prismic.io/prad/Z4jc_JbqstJ99hcE_stab.JPG?auto=format,compress"},"datetime":"2026-07-24T06:32:00+0000","embed":{"embed_url":null}},"uid":"man-screaming-allahu-akbar-stabs-2-in-ny-"}},{"node":{"data":{"title":{"text":"Risk That Revived Samson"},"content":{"text":"Leaving Rajasthan Royals after 11 seasons was a ‘huge risk,’ but India wicketkeeper-batter Sanju Samson believes the move to Chennai Super Kings allowed him to discover \"a new energy\" and start completely fresh in his IPL career.  Samson spent 11 years with RR and captained them for five seasons, before moving to CSK through a high-profile trade ahead of IPL 2026. “Leaving Rajasthan Royals was a huge risk. Once you convey your feelings to the franchise, there is no going back. You could end up in a team you don't want to go to or even in the auction with no certainty. There were two reasons behind this decision. “First, I was sure that 2025 would be my last season with RR. I had long conversations with my family and my wife. They kept asking me if it was an impulsive decision or if I was really sure. We discussed it for two or three weeks, and then we decided it was time. I was convinced it was the right call. “Second, I am a confident person. I believe I can stand on my own. I am always ready to start from zero. Many people told me that my batting style might not suit the slow Chepauk wicket. Those thoughts did cross my mind. But then I told myself, 'You are 30 years old. Go out and find a way.' This IPL season, I went in with a lot of energy, thinking I had to achieve something. I discovered a new energy there, and it was working very well for me,” Samson said on JioStar's 'Superstars.’ His initiation at CSK, however, began on a tough note, with low scores in his first three outings amidst team defeats after becoming Player of the Tournament in India’s 2026 Men’s T20 World Cup triumph. Samson highlighted how the franchise's calm environment helped him navigate the slump. “In T20 cricket, failure is common. In this format, you tend to fail more than you succeed. So, when you are going through a rough patch, you need people around you who understand that failure is part of the game. When I joined CSK, I failed in my first three games. We lost all three, and I didn't score runs. “I had just come off playing in the World Cup final, but I wasn't able to carry that form into the IPL. In that situation, no matter how experienced you are, you know that the coach expects more, the captain expects more, and Mahi bhai is watching you. So I went to the nets, worked on my game, and stayed in my zone. “I was more mature this time around and I knew what I had to do. But what really stood out was that the response from the team management and my teammates didn't change even one per cent. When I failed three matches in a row, their faith in me never wavered. That meant a lot to me.” It was a succinct piece of advice from Dhoni that ultimately settled his nerves, clearing the way for a turnaround century against Delhi Capitals in the next match. “I still remember, Mahi bhai met me after the first three matches when we went for practice. I usually sit right behind him, facing him. So, we sat down, and he looked at me and asked if I was fine. I said, 'Bhaiya, I am fine.' “Then I kept saying 'but' and 'yes' without even realising it. Then he told me, 'Don't get into but. Just focus on doing what you do best. Everything will be alright.' It was very subtle, but a huge lesson for me. He was telling me that everything is okay. Just because I was failing didn't mean I had to change my batting style, look like I was stressed, or practice for three extra hours. “At that moment, I felt I really had to perform for them. Then I told Stephen Fleming, 'Don't worry, we'll be fine in the next game.' And in the next game, I scored a hundred against Delhi Capitals. From there, the momentum came back.” Having captained RR for five years, Samson explained why he didn't seek the leadership role upon joining CSK. “I really started enjoying captaincy at RR. It's a different skill, and I was getting better at it every year. By the fourth year of captaincy, I had a clear idea of what it takes to lead a side in IPL and T20s. I was enjoying it completely. “But more than that, I wanted to enjoy cricket more. If the environment changes and doesn't suit you anymore, it's okay to move on. Captaincy is not something you should ask for. It's something that should be given to you because people believe you are the right person. Even at RR, I never asked for it. “Manoj Badale sir, the owner of RR told me I was the next captain, and I said I was ready. I captained for five seasons and after that, I was confident enough to leave that role, start fresh, and enjoy my cricket again. But it was important to have the right people around me. Ruturaj was someone I knew I would enjoy playing under. I was ready to play under his captaincy and that was one of the thoughts that guided my decision of not demanding for captaincy after joining CSK.” Addressing his perspective on national selection and individual milestones, Samson reiterated that he prefers focusing on his own processes rather than chasing accolades or pushing for spots. “I had already proven what I am in the IPL and I feel that if the Indian team needs me, I don't need to score big runs and win the Orange Cap. “There have been many instances where I was very close to getting selected in the World Cup team and someone else was picked. But I am not the kind of character who will tell my leaders, 'Bhaiya, please select me, I will play.' I am always like, 'I am here. If you want me, call me.' I will keep doing my training, I will keep doing my processes. “But when you feel that you need Sanju the most, that is the only time when my best will also come out. That is what happened in CSK as well, and in the World Cup too this time. It's always best to be where you are comfortable, instead of moving out of it, I feel,” he concluded."},"img":{"url":"https://images.prismic.io/prad/aa6LL1xvIZEnjdaX_samson.JPG?auto=format,compress"},"datetime":"2026-07-24T09:08:00+0000","embed":{"embed_url":null}},"uid":"risk-that-revived-samson"}}]},"entertainment":{"edges":[{"node":{"data":{"title":{"text":"Nara Rohith Joins AK47"},"content":{"text":"The makers of director Trivikram's eagerly awaited entertainer, 'Aadarsha Kutumbam House No: 47 - AK 47', featuring one of Telugu cinema's top stars Venkatesh in the lead, on Saturday disclosed that actor Nara Rohith had come onboard the unit of the film, even as they wished him a happy birthday.  Production house Haarika & Haasine Creations, which is producing the film, took to its X timeline to wish the actor on his birthday. It wrote, \"Here's wishing the dynamic #NaraRohith garu a very Happy Birthday!– Team #AadarshaKutumbam. We're excited to have you on board for #AK47 and looking forward to an exciting journey! #HBDNaraRohith #AK47OnOCT2nd #Venky77 VenkateshXTrivikram.\"  The makers also shared a poster of Nara Rohith from the film on the occasion. The poster shared gave the impression that the actor plays a cop in the upcoming film.  It may be recalled that the makers had released the title of the film in December last year. The title poster released by the makers had showed Venkatesh standing in the middle of the road, with a smile on his face. He was seen holding a leather bag in his left hand with his right hand raised. The makers have already disclosed that the film will hit screens on October 2 this year.  It may be recalled that while the film's inaugural pooja had taken place in August this year, shooting for the film will officially begin only on Wednesday. The film, which was being tentatively referred to as #Venky77 initially, has triggered huge expectations as actor Venkatesh, whose most recent release 'Sankranthiki Vasthunam' was a blockbuster, has joined hands with one of his favourite directors Trivikram. This is the first time that Trivikram is directing a film featuring actor Venkatesh in the lead. Although Trivikram has not directed a film with Venkatesh prior to this project, he has worked as a writer with actor Venkatesh. In fact, Trivikram had penned the story and dialogues for the superhit film 'Nuvvu Naaku Nachav', which was directed by K Vijaya Bhaskar and which featured Venkatesh and Aarthi Agarwal in the lead. The film also marked Aarthi Agarwal's debut in Telugu cinema."},"img":{"url":"https://images.prismic.io/prad/a5O2HMMfEl--H31D_adarshakutumbam.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T10:20:00+0000","embed":{"embed_url":null}},"uid":"nara-rohith-joins-ak47"}},{"node":{"data":{"title":{"text":"Sonakshi: ‘I am an artist bro, but Gen Z is the art’"},"content":{"text":"Bollywood actress Sonakshi Sinha, has nothing but praise for Gen Z. On Saturday, the actress took to her Instagram, and shared a Reel in which she heaped praise on Gen Z for mounting a sturdy student movement culminating into the resignation of Dharmendra Pradhan as the Union Minister of Education. She said in the video, “You have no idea what you have done today. I am an artist bro, but Gen Z is the art. I know I have taken you to so many places. But what is this? We get married, get tired, nothing happens. For that. Never again”. “Salute. Salute. Look at me now. I want to be you. I want to be Gen Z. What the hell is that? Salute”, she added. Dharmendra Pradhan resigned on Saturday, after weeks of massive student protests and consistent people’s movement in the heart of the national capital. The students sought his resignation over exam irregularities, particularly the NEET-UG paper leak. His resignation comes after the brutal crackdown by Delhi Police against protestors at Jantar Mantar on July 20. He has been replaced by Pralhad Joshi as the Union Education Minister. The brutal assault on the protestors on July 20 by the cops flared up the entire nation, and angry citizens poured in huge numbers to support the students at Jantar Mantar. The protests also spread from Delhi to first the metro cities, and eventually small towns. The protests intensified after Sonam Wangchuk was forcibly removed by Delhi Police from the protest site at Jantar Mantar in the early hours of July 18 after completing 21 days of an indefinite hunger strike. Authorities shifted him to a hospital, citing his deteriorating health, medical advice and compliance with a Delhi High Court order. Sonam Wangchuk has been on a hunger strike demanding the resignation of Union Education Minister Dharmendra Pradhan over alleged irregularities in competitive exams."},"img":{"url":"https://images.prismic.io/prad/0e2ebb48-9c78-4450-9b14-899c1a770ad7_sonakshi+Sinha.JPG?auto=format,compress"},"datetime":"2026-07-25T15:11:00+0000","embed":{"embed_url":null}},"uid":"sonakshi-i-am-an-artist-bro-but-gen-z-is-the-art"}},{"node":{"data":{"title":{"text":"Adah: A Hit Changes Perception"},"content":{"text":"Actress Adah Sharma says after she tasted success with the hit film  “The Kerala Story,” it helped in opening doors to bigger and more challenging opportunities.  Contrary to the belief that actresses often face lack of well-written roles after starring in a hit project, Adah shared that the film helped her bag a diverse range of complex characters. Asked if she experienced a lack of well-written roles after a hit film, Adah told IANS: “I actually experienced that once you have a hit, then more people trust you with bigger stuff.” After The Kerala Story, Adah revealed that the doors opened in a big way. She explained: “I'm getting the kind of roles every actor dreams of characters that are challenging, unpredictable and completely different from one another.” The actress shot to fame with her work in the blockbuster “The Kerala Story.” The film tells the story of Shalini, a former nursing student from Kerala, who later becomes the wife of a terrorist, testifying to her life story and her journey from being a naive girl to another victim of terrorism. Adah is all set to step into the world of Marathi cinema with the upcoming film titled Gajra, which is based on true events. The upcoming film directed by Shreyas Jadhav will hit the screens next year in 2027. The 34-year-old actress is best known for her work in the Vidyut Jammwal-starrer “Commando” franchise. Adah had made her acting debut with the 2008 Hindi horror film, 1920. She was then seen in films such as Hasee Toh Phasee, Heart Attack, S/O Satyamurthy and Kshanam. She was recently seen in the Manoj Bajpayee-starrer Governor directed by Chinmay D. Mandlekar. The film is inspired by the events surrounding the 1990 Indian economic crisis featuring the institutional framework between the Reserve Bank of India (RBI) and the Government of India (GoI)."},"img":{"url":"https://images.prismic.io/prad%2Fc841995a-a2ea-4444-8c0e-408b70c66969_adah+sharma.jpg?auto=format%2Ccompress&rect=0%2C0%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-25T05:15:00+0000","embed":{"embed_url":null}},"uid":"adah-a-hit-changes-perception"}},{"node":{"data":{"title":{"text":"Finally, Sobhita Cooked!"},"content":{"text":"Actor Naga Chaitanya and actress wife Sobhita Dhulipala served fans a wholesome dose of fun couple banter on social media on Friday night.  The doting husband jokingly revealed that his wife had cooked dinner for him nearly two years after their marriage. Taking to his social media account, Chaitanya shared a picture of Sobhita standing at the dining table holding two plates of food, dressed in a comfortable pink oversized T-shirt. Sharing the candid moment, Chaitanya wrote, \"Wifey cooks dinner for me close to 2 years after getting married ... I possibly did something right today.\" Sobhita was quick to respond to the playful jab in the comments section, asking, \"Are you trolling me or praising me.\" For the uninitiated, Naga Chaitanya and Sobhita Dhulipala tied the knot in an intimate ceremony on December 4, 2024, in a traditional Telugu wedding ceremony in Hyderabad, that was attended by family members and close friends. After dating for a few years, the couple confirmed their relationship with an engagement announcement before exchanging vows. For the uninitiated, Naga Chaitanya was earlier married to actress Samantha Ruth Prabhu. The couple tied the knot in Goa in October 2017 after dating for a few years. They announced their separation in October 2021. Chaitanya later married Sobhita Dhulipala, while Samantha married filmmaker Raj Nidimoru in 2025. Talking about Naga Chaitanya, he is the son of Telugu superstar Nagarjuna Akkineni and Lakshmi Daggubati."},"img":{"url":"https://images.prismic.io/prad/sMZR_qjUa7DLaOwN_sobitha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T03:25:00+0000","embed":{"embed_url":null}},"uid":"finally-sobhita-cooked"}},{"node":{"data":{"title":{"text":"Horror Alert: 'Kapaali'"},"content":{"text":"The makers of director Raam Ganni's eagerly awaited psychological horror thriller, featuring actors Rohith Nara and Hansika Motwani in the lead, have now announced the title of the film as 'Kapaali'. To mark Rohith Nara's birthday, the makers unveiled the film's title along with its striking first-look poster.  Sources close to the unit say that 'Kapaali' means the one who wears a skull. The first-look poster perfectly reflects the essence of the title. Taking to its Instagram page to announce the title of the film, production house Sapta Aswa Media Works wrote, \"A journey into the UNKOWN begins here… @rohithnara #RN21 is titled as #KAPAALI. Wishing a Very Happy Birthday to #RohitNara. Written & Directed by @raam_ganni. Presented by @vijaykrishnalingamaneni. Produced by @kalyan.manthina @bhanukiranpratapa under @saptaaswamediaworks.\" Sources add that the psychological horror thriller is set against a police backdrop. The film is being produced by Kalyana Chakravarthy Manthina and Bhanu Kiran Pratapa under the banner of Sapta Aswa Media Works, with Vijay Krishna Lingamaneni presenting it.  Rohith Nara sports an intense and determined expression as he gazes upward, suggesting that his character is confronting an unseen force. His thick beard and haunting eyes immediately command attention. Adding to the eerie mood are twisted tree branches rising like a crown from his head. Behind him, mysterious ancient symbols form a circular pattern, reinforcing the film's occult and mythological undertones. The tagline, \"A Journey Into The Unknown,\" perfectly complements the unsettling visual. In the foreground stands a terrifying female figure with glowing red eyes, hinting at a powerful supernatural presence. Beside her are police officers, including one carrying a rifle, while a police transport vehicle is positioned atop a glowing ritual circle, suggesting that law enforcement becomes entangled in a terrifying paranormal mystery. Overall, the first-look poster makes an arresting impression and instantly piques curiosity."},"img":{"url":"https://images.prismic.io/prad/21-P6Tnoh_2gajj0_kapaali.JPG?auto=format,compress"},"datetime":"2026-07-25T03:45:00+0000","embed":{"embed_url":null}},"uid":"horror-alert-kapaali"}},{"node":{"data":{"title":{"text":"Akhil's Birth Shock!"},"content":{"text":"Fresh from the massive success of Lenin, Akhil Akkineni has been winning hearts not only with his performance on screen but also with his candid and humorous interviews. The rural action entertainer, directed by Murali Kishor Abburu, has become the biggest blockbuster of Akhil's career, earning praise for its gripping storyline, intense action, and emotional depth. Backed by Annapurna Studios and Sithara Entertainments, the film also features Bhagyashri Borse in a key role, while Thaman's powerful music played a significant part in its success. As part of the film's promotional journey, Akhil has been opening up about several memorable moments from his personal life, delighting fans with stories they had never heard before. One such story revolved around the unexpected twist surrounding his birth. Akhil revealed that when his mother Amala was pregnant, the family had undergone a prenatal scan in the United States. According to the doctors at the time, the baby was expected to be a girl. Naturally, the news filled the family with excitement, especially Nagarjuna, who was eagerly looking forward to welcoming a daughter into the family. The excitement went a step further, with the family finalizing the name \"Nikhita\" well before the delivery and preparing everything for the arrival of a baby girl. Everyone was convinced that a little princess was about to join the Akkineni household. But destiny had a different plan. On the day of the delivery, the doctors surprised everyone by announcing the birth of a baby boy instead. Laughing while recalling the incident, Akhil joked that Nagarjuna must have been completely stunned after expecting a daughter for months. With his trademark comic timing, he humorously imagined his father's reaction, saying he probably wondered how a boy had suddenly arrived when everyone had been waiting for a girl. His light-hearted storytelling instantly became a hit online, with the interview clip going viral across social media. Fans flooded the internet with funny reactions and memes imagining Nagarjuna's expression, making Akhil's amusing childhood revelation one of the most talked-about moments alongside the blockbuster success of Lenin."},"img":{"url":"https://images.prismic.io/prad/R1btI0oebx4m6bpx_akhil.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T06:05:00+0000","embed":{"embed_url":null}},"uid":"akhils-birth-shock"}}]},"tech":{"edges":[]},"fashion":{"edges":[]},"business":{"edges":[]},"health":{"edges":[{"node":{"data":{"title":{"text":"The Distinction Between Brain Tumors and Brain Cancer"},"content":{"text":"The phrases 'brain tumor' and 'brain cancer' often evoke a visceral reaction among the public, conjuring images of gravely serious health threats. However, contrary to common perception, these terms describe distinct medical conditions that warrant different approaches to diagnosis and treatment. A brain tumor is simply an abnormal growth of cells in or around the brain, which can be classified as benign or malignant. While all brain cancers are tumors, not all tumors exhibit cancerous characteristics; this critical distinction can influence a patient's treatment plan and overall prognosis. The medical community underscores the importance of understanding these differences. Brain tumors, irrespective of their benign or malignant status, can lead to severe health consequences because of the brain’s confined environment within the skull. This means that even non-cancerous tumors can exert pressure on vital neurological functions, leading to symptoms such as persistent headaches, seizures, and cognitive deficits. Dr. Praveen Gupta, a prominent neurologist, emphasizes that benign tumors, while non-cancerous, can still necessitate significant medical intervention depending on their size and location. The implications of this are crucial for anyone facing a diagnosis related to brain health. Historically, the classification of brain tumors has evolved as medical science has advanced. The National Cancer Institute and other leading neurological institutions categorize these tumors into myriad types, each demanding tailored treatment strategies. For instance, malignant tumors possess the aggressive ability to invade surrounding brain tissue, often requiring complex interventions that may include surgery, radiation, and chemotherapy. Understanding whether a growth is benign or malignant is not just a matter of terminology; it directly impacts the urgency and nature of the interventions required. Symptoms often overlap between benign and malignant tumors, complicating self-diagnosis and reinforcing the necessity for professional evaluation. Medical imaging techniques such as MRI and CT scans, along with biopsies, are essential to ascertain the nature of the tumor. Experts caution against relying on symptomatology alone, as the presence of alarming symptoms could mask a benign condition, while milder manifestations could signify a malignant threat. As such, timely medical evaluation is paramount, as early detection can significantly enhance treatment effectiveness and patient quality of life."},"img":{"url":"https://images.prismic.io/prad/f6803c8c-7220-433e-b58f-ef269a3ecf79_brain+stroke.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T10:10:00+0000","embed":{"embed_url":null}},"uid":"the-distinction-between-brain-tumors-and-brain-can"}},{"node":{"data":{"title":{"text":"Heatwaves, Sleepless Nights"},"content":{"text":"As the world grapples with the escalating repercussions of climate change, a less visible yet profoundly affecting consequence is emerging: significant sleep loss. Current research indicates that individuals in India are losing nearly four nights of sleep annually due to rising nighttime temperatures driven by climate change. Specifically, average citizens are suffering an estimated sleep deprivation of 56 hours each year, a disturbing trend that has doubled since the 1970s. This phenomenon is particularly acute in Southern India and Southeast Asia, where soaring nighttime temperatures have rendered restful sleep increasingly elusive. A recent study conducted by Climate Central, a respected US-based climate science organization, sheds light on the quantifiable impact of climate change on human sleep patterns. The analysis reveals that from 2020 to 2025, global average losses in sleep reached nearly 56 hours, with over six hours directly attributed to climate change rather than seasonal fluctuations. This groundbreaking research merges existing studies on heat and sleep with empirical temperature data, highlighting the stark reality that warmer nights are profoundly undermining the quality of rest for millions. With findings spanning 1,338 cities worldwide, the analysis indicates a troubling acceleration in sleep loss, particularly in urban areas where heat islands intensify nighttime temperatures. Regions most adversely affected include cities in the Middle East, where residents in Saudi Arabia, Oman, and the UAE report losing between 55 and 87 hours of sleep each year, with 12 to 16 hours attributable to climate change alone. In contrast, the United States presents a slightly milder scenario, with average sleep losses around 36 hours annually, though climate-related losses have nearly tripled since the early 1970s. States such as Arizona and California are notably suffering from extreme heat, exacerbating the public health crisis stemming from sleep deprivation. In comparison, Indian citizens, particularly in the warmer southern states, face staggering sleep losses of between 78 to 91 hours, with a significant portion directly linked to anthropogenic climate factors. The implications of this widespread sleep deficiency are deeply troubling, extending beyond mere fatigue. Research consistently correlates poor sleep with numerous health issues, including impaired mood, cognitive decline, and increased susceptibility to cardiovascular and immune system disorders. As the burden of sleep loss accumulates, it becomes increasingly detrimental to individuals already struggling to achieve restorative sleep. While air conditioning may mitigate some impacts, access remains inequitable, with only about 35% of households equipped with cooling systems as of 2021, disproportionately affecting lower-income populations. Consequently, the underreported consequences of climate-induced sleep deprivation reflect a critical challenge that demands urgent attention from policymakers and health advocates alike."},"img":{"url":"https://images.prismic.io/prad%2F37239656-628a-4814-9f5d-a1f31a14cfd0_sleep.jpg?auto=format%2Ccompress&rect=0%2C108%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-17T17:03:00+0000","embed":{"embed_url":null}},"uid":"heatwaves-sleepless-nights"}},{"node":{"data":{"title":{"text":"How Smoking Hurts Pregnancy!"},"content":{"text":"When planning to start a family, many couples focus on preparing for pregnancy by discussing nursery plans and choosing baby names. However, what often goes unnoticed is the detrimental impact of smoking on fertility and pregnancy. Cigarette smoke contains harmful chemicals that can damage reproductive cells in both men and women, making it harder to conceive and increasing the risk of pregnancy complications and poor outcomes for babies.  Dr. Vandana Bhatia, a Senior Fertility Specialist, emphasizes that smoking silently affects fertility, pregnancy, and the long-term development of the child. Both partners play a crucial role in protecting fertility as smoking can reduce sperm count, affect sperm movement, and damage egg quality, hormone levels, and ovarian reserve. Additionally, passive smoking also poses risks to fertility and pregnancy outcomes. Quitting smoking as a couple not only improves motivation and emotional support but also encourages healthier habits, leading to improved fertility and overall health.  The quality of eggs and sperm before conception significantly influences the health of the future child, making it essential for both parents to quit smoking before starting a family. Dr. Bhatia recommends practical steps for quitting smoking together, emphasizing that healthy choices are crucial in building a healthy family. Parenthood begins with the quiet promise of choosing health together, even before the first heartbeat is heard on an ultrasound."},"img":{"url":"https://images.prismic.io/prad/akDOG1bRV8_Qf8Cd_smokefertility.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-27T19:33:00+0000","embed":{"embed_url":null}},"uid":"how-smoking-hurts-pregnancy"}},{"node":{"data":{"title":{"text":"Even 1% Sleep Loss Could Heighten Dementia Risk"},"content":{"text":"A recent study published in JAMA Neurology has shed light on the potential link between minimal sleep loss and an increased risk of dementia. The research suggests that as little as a 1% reduction in deep sleep per year for individuals over 60 could translate to a 27% elevated risk of developing dementia. Deep sleep, also known as slow-wave sleep, plays a crucial role in the body's repair processes and the clearance of toxic proteins associated with dementia.  Associate Professor Matthew Pase from Monash University's Turner Institute for Brain and Mental Health emphasized the significance of deep sleep in supporting the aging brain and facilitating the removal of metabolic waste, including proteins linked to Alzheimer's disease. The study, which drew from the Framingham Heart Study, examined 346 participants over 60 years of age, tracking their sleep patterns and dementia development over a 17-year period. Even after adjusting for various factors, including age, genetic predisposition, and medication use, the findings consistently pointed to a 27% increased dementia risk for each percentage decrease in deep sleep annually.  It's important to note that the natural decline in deep sleep with age is gradual, peaking between 75 and 80 years old and then stabilizing. However, the cumulative effect of a 27% increase per percentage-point decrease underscores the long-term impact on dementia risk. While there's no straightforward solution to preserving deep sleep, maintaining consistent sleep schedules, avoiding alcohol before bedtime, creating a conducive sleep environment, and addressing conditions like sleep apnea can potentially support better sleep quality. Additionally, regular exercise has been linked to improved slow-wave sleep in older adults. Although these measures aren't a guarantee, the study highlights the importance of prioritizing deep sleep for brain health as individuals age."},"img":{"url":"https://images.prismic.io/prad/50a54145-f24c-4c83-80b9-e6d19ba52027_sleep.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T06:59:00+0000","embed":{"embed_url":null}},"uid":"even-1-sleep-loss-could-heighten-dementia-risk"}},{"node":{"data":{"title":{"text":"Is Your Soda Habit Causing Hair Loss?"},"content":{"text":"Are your beloved sodas harming your hair? While soft drinks have long been criticized for their impact on weight, diabetes, and heart health, a new concern has emerged regarding their potential effects on hair. The discussion gained traction after hair transplant surgeon Dr. Abhishek Pilani highlighted the issue on Raj Shamani's Figuring Out podcast.  According to Dr. Pilani, regular consumption of sugary cold drinks may create conditions within the body that are not conducive to healthy hair growth. While consuming one soda is unlikely to cause sudden hair loss, a study published in the journal Nutrients in 2023 found a link between higher consumption of sugar-sweetened beverages and male-pattern hair loss in young men. However, it's essential to note that the study established a correlation, not causation. The potential connection between soft drinks and hair health lies in the impact of high-sugar beverages on overall health.  Excessive sugar consumption can lead to repeated spikes in blood sugar and insulin levels, potentially contributing to inflammation and metabolic issues that affect the body, including hair growth. However, hair loss is rarely attributed to a single factor and is typically the result of various elements accumulating over time, including genetics, hormones, nutrition, lifestyle, and overall health. Healthy hair growth relies on a balanced intake of nutrients such as iron, protein, zinc, vitamin D, and B vitamins. While soft drinks don't directly deplete these nutrients, excessive consumption may lead to healthier options being replaced.  The concern lies in long-term habits rather than occasional consumption. The normal range of daily hair loss is between 50 and 100 strands, but concerns arise when lost hairs aren't adequately replaced. While soft drinks may not directly cause hair loss, their impact on overall health could potentially affect hair growth. Instead of fixating on individual cans of soda, experts emphasize the importance of considering overall lifestyle factors such as sleep, stress management, balanced nutrition, and reduced sugar intake. Ultimately, addressing concerns about hair health may begin with dietary and lifestyle adjustments."},"img":{"url":"https://images.prismic.io/prad/aDbfAydWJ-7kSniS_jucessoda.JPG?auto=format,compress"},"datetime":"2026-06-11T18:30:00+0000","embed":{"embed_url":null}},"uid":"is-your-soda-habit-causing-hair-loss"}},{"node":{"data":{"title":{"text":"Recognizing the Early Signs of Ovarian Cancer"},"content":{"text":"Ovarian cancer is a significant concern for women in India, being the third most common cancer among them. However, many women with ovarian cancer often experience symptoms for several months before receiving a proper diagnosis. In India, a staggering 70 to 80 percent of ovarian cancer patients are diagnosed at advanced stages, mainly because the early signs are easily mistaken for other health issues. Oncologists have dubbed ovarian cancer as a 'silent disease' due to its subtle progression without clear, alarming symptoms.  Dr. Sampada Desai, a Consultant Gynaecological Cancer and Robotic Surgeon, emphasizes that ovarian cancer does not remain silent but instead 'whispers' through nonspecific symptoms such as upper abdominal discomfort, bloating, feeling full too early, and digestive problems, which are often mistaken for other conditions. Persistent bloating and extreme fullness even after consuming small portions of food, coupled with lower abdominal or pelvic pain, should prompt a visit to the doctor. Changes in menstrual patterns, irregular bleeding, or any bleeding post-menopause also warrant attention.  It is crucial for individuals experiencing these symptoms to keep a record for a month and consult a gynecologic oncologist if any symptoms persist for more than two weeks or occur frequently. Women with a family history of ovarian, breast, or colon cancer should be particularly vigilant, as they have a higher genetic predisposition to cancer. Early detection is key, as there are no routine screening tests for ovarian cancer. Clinical examination, ultrasonography, and blood tests may be part of the evaluation for potential ovarian cancer. Recognizing the subtle signs and listening to the 'whisper' of ovarian cancer may significantly aid in early detection and improved survival rates."},"img":{"url":"https://images.prismic.io/prad/aigpQAeQX7-eXEpI_overaincancer.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-08T18:42:00+0000","embed":{"embed_url":null}},"uid":"recognizing-the-early-signs-of-ovarian-cancer"}}]},"nri":{"edges":[{"node":{"data":{"title":{"text":"Gujarati-speaking US doctor wins key Arizona primary"},"content":{"text":"Emergency physician and former Arizona state legislator Dr Amish Shah has won the Democratic nomination for Arizona's First Congressional District, setting up a closely watched November contest in one of the most competitive US House races. In a statement after his primary victory, Shah described the result as \"a grassroots victory\" and pledged to reach beyond his party as he begins the general election campaign. \"I have always prided myself on being a hardworking, grassroots candidate. Our victory in this primary was a grassroots victory where Arizona voters made their voices heard,\" Shah said. \"Now, it's my job to earn the support of every voter in this district -- including Democrats who voted for another candidate, Independents frustrated with our political system, and Republicans disappointed with the state of the country.\" Shah sharply criticised Washington's political establishment, saying Congress had failed ordinary Americans. \"The status quo in Washington, DC is not working for Arizonans. From rising costs to a reckless war in Iran to the largest cuts to our nation's healthcare system in American history, corrupt and self-interested politicians in Congress are making life harder for people, not easier,\" he said. \"We need leaders in Congress who are focused on the needs of the people they represent instead of picking partisan fights and lining their own pockets.\" The emergency physician said his experience in medicine and public office had prepared him for Congress. \"I've spent my career serving the people of this district in both the ER and the State House, and I look forward to winning in November and serving them in Congress,\" he said. Shah, an emergency medicine doctor, previously served in the Arizona House of Representatives, where his campaign says he worked with both political parties and had more bills signed into law than any Arizona Democrat during the past decade. Shah won three consecutive elections to the Arizona House in 2018, 2020 and 2022. During his five years in the legislature, he focused on increasing teacher pay, supporting small businesses, and improving public health and safety. His congressional campaign is centred on lowering costs for families, improving healthcare, banning members of Congress from trading stocks, protecting Social Security, Medicare and Medicaid, and defending abortion rights. The campaign also highlights Shah's work as an emergency room physician, where he has advocated lowering healthcare costs and tackling high prescription drug prices, including insulin. Shah has already represented parts of Arizona's First Congressional District in Maricopa County as a state representative. His campaign describes him as an independent voice who has worked across party lines while defending abortion and voting rights. The Arizona First Congressional District has emerged as one of the Democrats' strongest opportunities to gain a Republican-held House seat. Shah's campaign has characterised it as one of the party's top pickup opportunities nationally. Beyond politics, Shah speaks conversational Spanish and is fluent in Gujarati, a distinction likely to resonate with many Indian-American voters. He also enjoys basketball, flying small aircraft and adventure travel. His campaign biography notes that he has three adopted cats named Hillary, Miss Meowerson and Cousin Oliver. Shah will face Republican nominee Jay Feely, a former National Football League kicker. The GOP nominee is being supported by President Donald Trump. The contest is expected to draw national attention because of the district's competitiveness and its potential impact on the battle for control of the US House of Representatives. "},"img":{"url":"https://images.prismic.io/prad/ARJ-bWr4xGoYDGDt_AmishShah.JPG?auto=format,compress"},"datetime":"2026-07-23T07:40:00+0000","embed":{"embed_url":null}},"uid":"gujarati-speaking-us-doctor-wins-key-arizona-prima"}},{"node":{"data":{"title":{"text":"Jordan Strike: Indian-Origin Soldier Feared Dead"},"content":{"text":"An Indian-descent US soldier, Angela Rampersad, is feared killed during an Iranian attack on a base in Jordan, according to the Pentagon.  The 25-year-old Army sergeant “is believed to have been killed in action on July 17, 2026, during an enemy attack at Muwaffaq Salti Air Base, Jordan”, the Department of War said. “The incident is under investigation”, it said. She was previously listed as missing and her \"status was updated to a Duty Status – Whereabouts Unknown and is believed to be deceased”, the statement said. Rampersad is from the Indian community of immigrants from Guyana, and her father was identified by a local Democratic Party leader as Basdeo Rampersad.  The Pentagon said she is from Ozone Park neighbourhood of Queens borough of New York City, which has a large community of Indian-descent Guyanese.  The Democratic Party leader, Pesach Osina, hailed her as “truly a gift to everyone who knew her”, and said she “wanted to serve, protect others, and do her duty with courage and humility”.  Osina, who is the Democratic Party nominee for the State Assembly constituency her family lives in, said on X that since the tragedy he has \"remained close” to the sergeant’s father Basdeo Rampersad and her family, including her mother, Carol Acevedo. President Donald Trump has vowed to avenge the attack on her and the other US Army personnel confirmed killed in the Friday attack. He said on Wednesday that Iran is \"going to pay a big price\" for the attack. Earlier he wrote on Truth Social, \"Every time Iran kills an American Soldier they will pay for that killing many times over\". If her death is confirmed, she would be the fourth US Army personnel killed in the attack on the base as the US-Iran conflict that flared up anew last month when the tenuous peace under the memorandum of understanding between the two countries was broken. So far 18 US military personnel have been confirmed killed since the conflict broke out in February after Israel and the US began air attacks on Iranian leadership. Rampersad, who is with the10th Army Air & Missile Defense Command, Ansbach in Germany, was on duty in Jordan when Iran rained drones on the Muwaffaq Salti Air Base. "},"img":{"url":"https://images.prismic.io/prad/AdXzRgPkVSXYR_Yw_indusarmy.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-22T14:42:00+0000","embed":{"embed_url":null}},"uid":"jordan-strike-indian-origin-soldier-feared-dead"}},{"node":{"data":{"title":{"text":"US student visa rule may disrupt degrees"},"content":{"text":"A new four-year limit on F-1 and J-1 visas could push international students out of the United States midway through their degrees or research, an Indian diaspora policy group has warned. The Foundation for India and Indian Diaspora Studies (FIIDS) urged elected officials and US Citizenship and Immigration Services (USCIS) to halt the immediate implementation of the Department of Homeland Security rule. According to FIIDS, the measure was finalised on July 16-17 and is set to take effect in mid-September. The organisation said the rule ends the decades-old “duration of status” policy and imposes a maximum stay of four years. It also counts Optional Practical Training and STEM OPT towards that limit. The rule cuts the grace period after completion of studies from 60 days to 30 days and requires students to obtain USCIS approval through Form I-539 for any extension, FIIDS said. “This is a self-inflicted wound on US competitiveness,” said Khanderao Kand, chief of policy and strategy at FIIDS. “A 4-year cap misaligns with how modern degrees actually work—median time to a bachelor’s is about 52 months and to a PhD about 5.7 years—while USCIS is already sitting on more than 11 million cases with roughly year-long processing times.” “Students will be forced out mid-program or mid-research, labs will lose critical talent, and America will hand its innovation pipeline to competitors,” he said. FIIDS said many research-intensive programmes, particularly doctoral courses and medical training, routinely extend beyond four years. J-1 research scholars and physicians also often require between five and seven years to complete their programmes, it said. Uncertainty surrounding extensions could disrupt laboratories, delay graduations and destabilise faculty recruitment plans tied to international talent, the group warned. “Delay implementation, protect students, and safeguard U.S. research and innovation,” Kand said. “If the goal is integrity, do it without blowing up degree pathways that power American labs and startups.” In a statement, FIIDS called on Congress to restore duration-of-status protection for F-1 and J-1 visa holders. It also proposed statutory exemptions for graduate and STEM programmes whose median completion periods exceed 48 months, subject to a 64-month limit with automatic extensions. The group asked USCIS and the Department of Homeland Security to provide administrative relief before the rule takes effect. Its proposals include automatic extensions for students in good standing, exclusion of OPT and STEM OPT from the four-year calculation, faster processing of Form I-539 applications and restoration of the 60-day grace period. FIIDS said new international enrolments fell 17 per cent in autumn 2025, the steepest drop since the pandemic. It estimated that the decline resulted in more than $1.1 billion in lost revenue and nearly 23,000 fewer jobs."},"img":{"url":"https://images.prismic.io/prad%2Fc8ca36a7-3775-4d07-91ef-ef2592306a21_visa.jpg?auto=format%2Ccompress&rect=0%2C54%2C1200%2C592&w=2028&h=1000"},"datetime":"2026-07-20T05:54:00+0000","embed":{"embed_url":null}},"uid":"us-student-visa-rule-may-disrupt-degrees"}},{"node":{"data":{"title":{"text":"Hyd man stabbed multiple times in US mall"},"content":{"text":"In an alleged hate crime, a man from Hyderabad was stabbed multiple times in a shopping mall in the United States.  According to information reaching the family of Syed Sohailuddin, he is in critical condition after being stabbed by a man in Valley Fair Mall in West Valley City, Utah. The assailant reportedly asked the victim if he was a Muslim before stabbing him more than 15 times.  Sohailuddin, 37, was running a kiosk in the shopping mall for the last two-and-a-half years.   Some bystanders overpowered the assailant and took his knife before police arrived. He was identified as Peter Michael Larsen, 48. He allegedly told police he targeted the Muslim victim and intended to kill him.  The incident occurred on July 13. Disturbing visuals of the attack were widely circulated on social media.  The victim has been admitted to a hospital in West Valley City and is reported to be in a critical condition. The family of Sohailuddin, a resident of the Toli Chowki area here, has appealed to the government to immediately intervene in the matter. They have requested Minister for External Affairs S. Jaishankar to take up the issue with the US authorities and arrange visas for them to travel to the US.  Sohailuddin’s wife, Amreen Firdouse, fainted on learning about the attack. The couple has two children, aged five and three years. His sister-in-law, Asma Firdouse, requested the External Affairs Minister to take up the issue with US authorities and issue an emergency visa to at least two family members. Majlis Bachao Tehreek (MBT) spokesman Amjed Ullah Khan called on the family members of Sohailuddin. He wrote to EAM Jaishankar to direct the Indian embassy in Washington, D.C., to immediately reach out to Syed Sohailuddin, coordinate with the concerned authorities and extend all necessary consular assistance and support to the injured Indian national and his family. Khan has also requested the minister to take up the matter with the Embassy of the United States in New Delhi and the US Consulate in Hyderabad for the issuance of emergency humanitarian visas to the close family members of the victim."},"img":{"url":"https://images.prismic.io/prad/wPHBStc_L1UQSWwk_syedsohaluddin.JPG?auto=format,compress"},"datetime":"2026-07-16T09:05:00+0000","embed":{"embed_url":null}},"uid":"hyd-man-stabbed-multiple-times-in-us-mall"}}]},"videos":{"edges":[{"node":{"data":{"title":{"text":"'The Wedding Song' from 'Vishwanath & Sons' "},"img":{"url":"https://images.prismic.io/prad/kvN3GVIcR4-CjlQj_vishwanathandsons.JPG?auto=format%2Ccompress&rect=0%2C74%2C449%2C221&w=2028&h=1000"},"datetime":"2026-07-25T13:08:00+0000","third_party_url":null},"uid":"the-wedding-song-from-vishwanath--sons-"}},{"node":{"data":{"title":{"text":"'Ramba Oorvasi Menaka's first single out"},"img":{"url":"https://images.prismic.io/prad/9cHNdbf0nqCZFpF7_naakantimeedakunuke.JPG?auto=format,compress"},"datetime":"2026-07-22T11:25:00+0000","third_party_url":null},"uid":"ramba-oorvasi-menakas-first-single-out"}},{"node":{"data":{"title":{"text":"Korean Kanakaraju Teaser"},"img":{"url":"https://images.prismic.io/prad/aW4Y_AIvOtkhBtEC_koreankanakaraju.JPG?auto=format,compress"},"datetime":"2026-07-13T14:15:00+0000","third_party_url":null},"uid":"korean-kanakaraju-teaser"}},{"node":{"data":{"title":{"text":"'Oh Sukumari' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/ai5rjY1P9HI4UdQP_ohsukumari.JPG?auto=format,compress"},"datetime":"2026-07-10T12:45:00+0000","third_party_url":null},"uid":"oh-sukumari-movie-trailer"}},{"node":{"data":{"title":{"text":"'Vadala' Movie Trailer"},"img":{"url":"https://images.prismic.io/prad/6ui925_N6cbCnzOH_vadala.JPG?auto=format,compress"},"datetime":"2026-07-09T07:25:00+0000","third_party_url":null},"uid":"vadala-movie-trailer"}},{"node":{"data":{"title":{"text":"GDN's first single 'The Rise of GDN'"},"img":{"url":"https://images.prismic.io/prad/AEjUZPKBSqUxpWvj_GDN.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-08T13:20:00+0000","third_party_url":null},"uid":"gdns-first-single-the-rise-of-gdn"}}]},"editorial":{"edges":[{"node":{"data":{"title":{"text":"When The Aura Cracks, The Allies Pivot"},"img":{"url":"https://images.prismic.io/prad/2Bh7-xqk9NviBsNl_alliespivot.JPG?auto=format,compress"},"datetime":"2026-07-23T11:45:00+0000","third_party_url":null},"uid":"when-the-aura-cracks-the-allies-pivot"}},{"node":{"data":{"title":{"text":"The New India Want's To Ask Questions....But..."},"img":{"url":"https://images.prismic.io/prad/ahLICrK9tuLqEGaZ_CockroackJantaParty.png?auto=format%2Ccompress&rect=0%2C52%2C756%2C373&w=2028&h=1000"},"datetime":"2026-07-20T07:06:00+0000","third_party_url":null},"uid":"the-new-india-wants-to-ask-questions....but..."}},{"node":{"data":{"title":{"text":"Innovation or agitation? The choice before India's youth"},"img":{"url":"https://images.prismic.io/prad/oH2RRUmyMqI8_yRD_innoagi.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-19T07:09:00+0000","third_party_url":null},"uid":"innovation-or-agitation-the-choice-before-indias-y"}},{"node":{"data":{"title":{"text":"Electoral Reform or Democratic Erosion?"},"img":{"url":"https://images.prismic.io/prad/6nWpO0pZlCoOL-vQ_SIR.JPG?auto=format,compress"},"datetime":"2026-07-17T06:37:00+0000","third_party_url":null},"uid":"electoral-reform-or-democratic-erosion"}}]},"gallery":{"edges":[{"node":{"tags":["gallery"],"last_publication_date":"2026-07-21T16:54:06+0000","data":{"title":{"text":"Shraddha Das Spicy Pics"},"content":{"text":"Shraddha Das is an Indian actress and model who predominantly appears in Telugu, Hindi, Bengali, and Kannada language films. She made her acting debut in the 2008 Telugu film Siddu from Sikakulam, and since then has worked across six different film industries throughout her career."},"img":{"url":"https://images.prismic.io/prad/J5KjgIk60wE63lRg_shraddhadas.JPG?auto=format,compress"}},"uid":"shraddha-das-spicy-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-20T16:44:06+0000","data":{"title":{"text":"Rakul Looks Radiant In Yellow Saree"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. Singh is a recipient of several accolades including a SIIMA Award, in addition to four nominations at the Filmfare Awards South. Singh started her career as a model and made her acting debut with the Kannada film Gilli"},"img":{"url":"https://images.prismic.io/prad/_eGbGvnqa1VVLLAH_rps2028.JPG?auto=format,compress"}},"uid":"rakul-looks-radiant-in-yellow-saree"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-07-17T12:42:16+0000","data":{"title":{"text":"Pragya Jaiswal Spicy Stills"},"content":{"text":"Pragya Jaiswal is an Indian actress and model who predominantly works in Telugu films. She made her acting debut in 2014 with the Tamil-language film Virattu in 2014. Jaiswal had her breakthrough with the Telugu period drama Kanche, for which she was awarded the Filmfare Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/HTcjp1FBdNZf7hDK_pragya2028.JPG?auto=format,compress"}},"uid":"pragya-jaiswal-spicy-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Aakankshaa Glam Stills"},"content":{"text":"Aakankshaa Glam Stills"},"img":{"url":"https://images.prismic.io/prad/aj-0fFbRV8_Qf7sW_aakankshaa.JPG?auto=format,compress"}},"uid":"aakankshaa-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-06-27T18:04:47+0000","data":{"title":{"text":"Anasuya Bharadwaj Saree Pics"},"content":{"text":"Anasuya Bharadwaj is an Indian television presenter and actress who works in Telugu films and television. She has received two SIIMA Awards, an IIFA Utsavam Award and a Filmfare Award South for her performances in Kshanam and Rangasthalam."},"img":{"url":"https://images.prismic.io/prad/aj-3gFbRV8_Qf7se_anasuya2028.JPG?auto=format,compress"}},"uid":"anasuya-bharadwaj-saree-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-05-02T12:20:57+0000","data":{"title":{"text":"Kajal Aggarwal Stunning Stills"},"content":{"text":"Kajal A Kitchlu, known professionally as Kajal Aggarwal, is an Indian actress who predominantly works in Telugu, Tamil and Hindi films. Aggarwal is considered one of the highest paid actresses of South Indian cinema. She is a recipient of three SIIMA Awards and a Filmfare Award."},"img":{"url":"https://images.prismic.io/prad/afXrHcBOoF08xjQk_kajal2028.JPG?auto=format,compress"}},"uid":"kajal-aggarwal-stunning-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-14T10:45:57+0000","data":{"title":{"text":"Janhvi Kapoor Radiant Look Stills "},"content":{"text":"Janhvi Kapoor is an Indian actress who works predominantly in Hindi films. Born to film actress Sridevi and producer Boney Kapoor, she made her acting debut in 2018 with the romantic drama Dhadak, which was a commercial success."},"img":{"url":"https://images.prismic.io/prad/ad3-7Z1ZCF7ETKag_janhvi2028.JPG?auto=format,compress"}},"uid":"janhvi-kapoor-radiant-look-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-04-02T15:03:07+0000","data":{"title":{"text":"Nabha Natesh Glam Pics"},"content":{"text":"Nabha Natesh is an Indian actress and model who primarily appears in Telugu films. She made her debut with Kannada film Vajrakaya and later in Telugu with Nannu Dochukunduvate. She had her breakthrough with iSmart Shankar in 2019 due to which she is popularly referred as \"Ismart Beauty\" in the media."},"img":{"url":"https://images.prismic.io/prad/ac6Er5GXnQHGZNWp_nabha2028.JPG?auto=format,compress"}},"uid":"nabha-natesh-glam-pics"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T11:03:07+0000","data":{"title":{"text":"Nidhhi Agerwal Royal Blue Sari Stills"},"content":{"text":"Nidhhi Agerwal is an Indian actress who primarily works in Telugu and Tamil films. After participating in Miss Diva Universe 2014, Agerwal made her acting debut with the Hindi film Munna Michael, for which she received Zee Cine Award for Best Female Debut."},"img":{"url":"https://images.prismic.io/prad/ackGR5GXnQHGZEvS_nidhhi2028.jpg?auto=format,compress"}},"uid":"nidhhi-agerwal-royal-blue-sari-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-29T07:22:02+0000","data":{"title":{"text":"Rakul New Glam Stills"},"content":{"text":"Rakul Preet Singh is an Indian actress who predominantly works in Telugu, Hindi and Tamil films. She has won a South Indian International Movie Award, in addition to four nominations at the Filmfare Awards South. Singh made her acting debut with the Kannada film Gilli."},"img":{"url":"https://images.prismic.io/prad/acjShZGXnQHGZErj_RPS2028.jpg?auto=format,compress"}},"uid":"rakul-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-17T09:44:26+0000","data":{"title":{"text":"Rashi Khanna New Glam Stills"},"content":{"text":"Rashii Khanna (born 30 November 1990) is an Indian actress and playback singer who predominantly works in Telugu and Tamil film industries. She made her acting debut in a supporting role with the Hindi film Madras Cafe (2013) and subsequently made her debut as female lead with Telugu film Oohalu Gusagusalade (2014), in Tamil with Imaikkaa Nodigal (2018) and Malayalam with Villain (2017)."},"img":{"url":"https://images.prismic.io/prad/abkhxbbci2UF6Gme_rashikhanna.JPG?auto=format,compress"}},"uid":"rashi-khanna-new-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-12T18:30:32+0000","data":{"title":{"text":"Meenakshi Chaudhary Red Bold Stills"},"content":{"text":"Meenakshi Chaudhary is an Indian actress and beauty pageant titleholder who works predominantly in Telugu and Tamil films. She represented the state of Haryana at the Femina Miss India 2018 pageant, where she was crowned as Femina Miss India Grand International 2018."},"img":{"url":"https://images.prismic.io/prad/abMFmVxvIZEnjoQC_meenakshi2028.JPG?auto=format,compress"}},"uid":"meenakshi-chaudhary-red-bold-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-10T18:35:00+0000","data":{"title":{"text":"Shruti Haasan Glam Stills"},"content":{"text":"Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She is the recipient of various accolades, including two Filmfare Award South and seven South Indian International Movie Awards. Haasan has appeared in Forbes India's Celebrity 100 list of 2015 and 2016."},"img":{"url":"https://images.prismic.io/prad/aa__a1xvIZEnjhl8_shruthi2028.JPG?auto=format,compress"}},"uid":"shruti-haasan-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-03-03T18:03:05+0000","data":{"title":{"text":"Bhagyashri Borse New Stills"},"content":{"text":"Bhagyashri Borse is an Indian actress who appears primarily in South films. After doing cameo appearances in Hindi films Yaariyan 2 and Chandu Champion, she made her lead debut in South with the Telugu film Mr. Bachchan for which she has won the SIIMA Award for Best Female Debut – Telugu."},"img":{"url":"https://images.prismic.io/prad/aachiFxvIZEnjSV9_bhagya2028.JPG?auto=format,compress"}},"uid":"bhagyashri-borse-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-27T11:14:55+0000","data":{"title":{"text":"ViRosh Wedding Stills"},"content":{"text":"ViRosh Wedding Stills"},"img":{"url":"https://images.prismic.io/prad/aaF4t8FoBIGEg6zW_virosh.JPG?auto=format,compress"}},"uid":"virosh-wedding-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-21T12:37:04+0000","data":{"title":{"text":"Niharika Konidela New Stills"},"content":{"text":"Niharika Konidela is an Indian actress and producer who predominantly works in Telugu films. She made her debut with the film Oka Manasu. She produces films and web series under her banner. "},"img":{"url":"https://images.prismic.io/prad/aZmdKsFoBIGEgndO_niharika2028.JPG?auto=format,compress"}},"uid":"niharika-konidela-new-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-02-01T18:21:28+0000","data":{"title":{"text":"Rashmi Gautam Red Hot Sills"},"content":{"text":"Rashmi Gautam is an Indian actress and television presenter who appears in Telugu-language films and TV. She hosts the Telugu television comedy show Extra Jabardasth and is a conceptual team leader in reality dance show Dhee."},"img":{"url":"https://images.prismic.io/prad/aX-WA90YXLCxVPdl_rashmi2028.JPG?auto=format,compress"}},"uid":"rashmi-gautam-red-hot-sills"}},{"node":{"tags":["gallery"],"last_publication_date":"2026-01-29T19:41:55+0000","data":{"title":{"text":"Rithu Chowdary Glam Stills"},"content":{"text":"Rithu Chowdary is an Indian actress and anchor known for her work in Telugu television and films. She began her career as an anchor on Star Maa Music and gained popularity through reality shows like Pelli Choopulu (2018). She debuted in Telugu TV with the serial Gorintaku (2019) and later appeared in Suryavamsam and Inti Guttu. Her film debut was in Mouname Ishtam (2019), followed by a role in Uppena (2021). Rithu is also a regular on comedy shows like Jabardasth and Sridevi Drama Company, known for her comedic timing and charm. In 2021, she launched her YouTube channel, Rithu Chowdhary, with over 70,000 subscribers. She participated in Bigg Boss Telugu Season 8 (2024)."},"img":{"url":"https://images.prismic.io/prad/aXu3QAIvOtkhCGJU_rithuchoudhary.JPG?auto=format,compress"}},"uid":"rithu-chowdary-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-16T17:05:55+0000","data":{"title":{"text":"Shriya Saran Glam Stills"},"content":{"text":"Shriya Saran Bhatnagar is an Indian actress who primarily works in Telugu, Tamil, and Hindi films. Although Saran aspired to become a well-known dancer, she became an actress and made her film debut with the Telugu film Ishtam. Saran had her first commercial success with Santosham."},"img":{"url":"https://images.prismic.io/prad/aUGQvnNYClf9oSUB_shriya2028.jpg?auto=format,compress"}},"uid":"shriya-saran-glam-stills"}},{"node":{"tags":["gallery"],"last_publication_date":"2025-12-06T17:46:28+0000","data":{"title":{"text":"Guess This Heroine"},"content":{"text":"guess this heroine"},"img":{"url":"https://images.prismic.io/prad/aTLHu3NYClf9n2n7_gs1.JPG?auto=format,compress"}},"uid":"guess-this-heroine"}}]},"one":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Akhil's Birth Shock!"},"content":{"text":"Fresh from the massive success of Lenin, Akhil Akkineni has been winning hearts not only with his performance on screen but also with his candid and humorous interviews. The rural action entertainer, directed by Murali Kishor Abburu, has become the biggest blockbuster of Akhil's career, earning praise for its gripping storyline, intense action, and emotional depth. Backed by Annapurna Studios and Sithara Entertainments, the film also features Bhagyashri Borse in a key role, while Thaman's powerful music played a significant part in its success. As part of the film's promotional journey, Akhil has been opening up about several memorable moments from his personal life, delighting fans with stories they had never heard before. One such story revolved around the unexpected twist surrounding his birth. Akhil revealed that when his mother Amala was pregnant, the family had undergone a prenatal scan in the United States. According to the doctors at the time, the baby was expected to be a girl. Naturally, the news filled the family with excitement, especially Nagarjuna, who was eagerly looking forward to welcoming a daughter into the family. The excitement went a step further, with the family finalizing the name \"Nikhita\" well before the delivery and preparing everything for the arrival of a baby girl. Everyone was convinced that a little princess was about to join the Akkineni household. But destiny had a different plan. On the day of the delivery, the doctors surprised everyone by announcing the birth of a baby boy instead. Laughing while recalling the incident, Akhil joked that Nagarjuna must have been completely stunned after expecting a daughter for months. With his trademark comic timing, he humorously imagined his father's reaction, saying he probably wondered how a boy had suddenly arrived when everyone had been waiting for a girl. His light-hearted storytelling instantly became a hit online, with the interview clip going viral across social media. Fans flooded the internet with funny reactions and memes imagining Nagarjuna's expression, making Akhil's amusing childhood revelation one of the most talked-about moments alongside the blockbuster success of Lenin."},"img":{"url":"https://images.prismic.io/prad/R1btI0oebx4m6bpx_akhil.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T06:05:00+0000","embed":{"embed_url":null}},"uid":"akhils-birth-shock"}}]},"two":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Salman: 'Joe darr gaya vo mar gaya’ "},"content":{"text":"Superstar Salman Khan shared a fresh set of intense workout pictures on his social media account along with a bold message.  Days after becoming the centre of online discussions and trolls over his recent public appearances, Salman Khan took to his social media account and posted two shirtless pictures from a gym. The pictures show Salman flaunting his muscular physique after a workout, and flaunting his abs. Captioning the post, Salman wrote, \"Salman Khan darrrrr Gaya.... Hmmmm Joe darr gaya vo mar gaya..\" The post seemingly comes amid widespread chatter on social media, where the actor had become the subject of many memes following his recent public outings. For the uninitiated, Salman Khan recently had attended an SRA event in Mumbai where he went on to spark chatter on social media over his unusual appearance and body frame. Fans expressed concern over his health and a few even called him looking like legendary actor Dharmendra during his old aged days. Salman, infact a few days ago, yet again made headlines by talking about the on going protests in Delhi followed by Mumbai. In a post on his social media account, he urged protesting students to return home, writing, \"The students are at top priority, educationally n security-wise, so they need not worry and have their parents worried for them. The Honorable Prime Minister has tweeted, and I am sure that he will take strict action against all those people who are responsible for this leak. So students, plz go back to your parents n homes.\" Addressing activist Sonam Wangchuk who had been fasting for over 20 days in support of the protest, he added, \"Sonam, it's done, bro. Don't extend this. Keep the spirit for another day if there be a need, which I doubt, n eat something. If u want, will send u food from home.” On the professional front, Salman will next feature in 'Maatrubhoomi: May War Rest In Peace', based on the 2020 Galwan Valley clash."},"img":{"url":"https://images.prismic.io/prad/RAaUCMs-xHp4RjZB_salman.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T02:30:00+0000","embed":{"embed_url":null}},"uid":"salman-joe-darr-gaya-vo-mar-gaya-"}}]},"three":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"Finally, Sobhita Cooked!"},"content":{"text":"Actor Naga Chaitanya and actress wife Sobhita Dhulipala served fans a wholesome dose of fun couple banter on social media on Friday night.  The doting husband jokingly revealed that his wife had cooked dinner for him nearly two years after their marriage. Taking to his social media account, Chaitanya shared a picture of Sobhita standing at the dining table holding two plates of food, dressed in a comfortable pink oversized T-shirt. Sharing the candid moment, Chaitanya wrote, \"Wifey cooks dinner for me close to 2 years after getting married ... I possibly did something right today.\" Sobhita was quick to respond to the playful jab in the comments section, asking, \"Are you trolling me or praising me.\" For the uninitiated, Naga Chaitanya and Sobhita Dhulipala tied the knot in an intimate ceremony on December 4, 2024, in a traditional Telugu wedding ceremony in Hyderabad, that was attended by family members and close friends. After dating for a few years, the couple confirmed their relationship with an engagement announcement before exchanging vows. For the uninitiated, Naga Chaitanya was earlier married to actress Samantha Ruth Prabhu. The couple tied the knot in Goa in October 2017 after dating for a few years. They announced their separation in October 2021. Chaitanya later married Sobhita Dhulipala, while Samantha married filmmaker Raj Nidimoru in 2025. Talking about Naga Chaitanya, he is the son of Telugu superstar Nagarjuna Akkineni and Lakshmi Daggubati."},"img":{"url":"https://images.prismic.io/prad/sMZR_qjUa7DLaOwN_sobitha.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-25T03:25:00+0000","embed":{"embed_url":null}},"uid":"finally-sobhita-cooked"}}]},"four":{"edges":[{"node":{"data":{"third_party_url":null,"title":{"text":"CJP calls off protest"},"content":{"text":"The Cockroach Janata Party (CJP) on Saturday called off its protest at Delhi's Jantar Mantar after the Centre accepted its key demands following Union Education Minister Dharmendra Pradhan's resignation.  The decision was announced at a joint press conference in New Delhi following the third round of talks between Union Health Minister JP Nadda, Union Minister Jitendra Singh, and CJP representatives Saurav Das and Ashutosh Ranka, during which the Centre agreed to the protesters' key demands. Addressing the media, Nadda said the government had agreed to withdraw all police cases filed against protesting students, provide written confirmation of the FIR withdrawals, and ensure the highest possible compensation for families of students who died in incidents linked to the alleged paper leak controversy. CJP leaders urged protesters to end the agitation, saying the government's assurances addressed all the demands raised during the protest. Education Minister Dharmendra Pradhan has already resigned, which was one of the key demands of CJP. Speaking on behalf of the Cockroach Janata Party, Saurav Das urged the students to withdraw their protest and return home. He said the government had accepted all the demands raised by the agitators, and there was no further reason to continue the sit-in at Jantar Mantar. The protest, which had drawn attention for several days, centred on issues arising from alleged paper leaks and the subsequent action taken against students who raised their voices. Protesters had demanded not only the quashing of cases filed against them but also adequate financial support for families of those who died in connection with the controversy. Nadda said that the written assurance on FIR withdrawals would be issued shortly, and compensation mechanisms would be worked out to provide the highest feasible relief. Nadda emphasised that the government was committed to addressing the concerns of the student community. He noted that the decision to accept the three demands reflected a willingness to resolve the matter through dialogue rather than prolonged confrontation. Das, in his remarks, appealed for calm and requested students to accept the government’s assurances in “good faith” and disperse peacefully. With the formal acceptance of the demands now on record, organisers and party representatives expressed hope that the agitation would conclude without further escalation. Students present at the venue were expected to discuss the development among themselves before deciding on the next course of action."},"img":{"url":"https://images.prismic.io/prad/jGeXStqE2s8YhXta_cjpcalloff.JPG?auto=format,compress"},"datetime":"2026-07-25T13:21:00+0000","embed":{"embed_url":null}},"uid":"cjp-calls-off-protest"}}]},"five":{"edges":[]},"review":{"edges":[{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Chennai Love Story'"},"content":{"text":"Small films are having a good time in Tollywood. The makers have been repeatedly saying that they are bringing this film to the audience as a content-oriented film, in the wake of the huge success of making content-oriented films. The makers who gave a super hit film like Baby have brought this film to the audience. Let's see how this film, which was released today, is like in the review. Story: Niv (Sri Gauri), who wanted to fall in love and get married, is unexpectedly cheated by her boyfriend Ajay (Trigun). He leaves her by saying that he loves another girl before the wedding. With that, Nivi turns into a lady Devadasu and becomes addicted to drinking. At that time, her friends take her to Chennai and try to change her a little. But her behavior does not change. That's when Steven Shankar (Kiran Abbavaram) steps into Chennai to show his mettle as a director. Friends help Shankar, an orphan, and allow him to stay in their room. The room is close to Nivi. At first, Shankar's words used to irritate Nivi. Slowly, she gets closer to him. Love blossoms between the two. But amidst unpredictable developments, their love runs into a problem. What is that problem and will the two meet again is the plot. Acting: Kiran Abbavaram impressed with his good acting, like in the past, he impressed with his looks as if he was the boy next door. Playing the role of an innocent person is not an easy thing. But Kiran Abbavaram played the role very easily. Kiran Abbavaram showed well in this role what an innocent person who steps into Chennai with an effort to impress the director would be like. There is no doubt that this heroine Gowry Priya  is the most crucial role in the story. She has done complete justice to her role. Siri Hanumanthu has once again impressed with her acting in a good role. She is likely to get more good roles in the future. Those who played other roles impressed within the scope of their roles. Technical: When the director thought that the story was being handled well, he tried to say something new by saying Atma Paramatma in the second half. It must be said that it failed. In terms of screenplay, the second half failed. The music was impressive, especially the background score was impressive. Manisharma once again showed his magic. Cinematography is good. There is no doubt that cinematography has definitely been useful in showing the beauty of Chennai. The dialogues are good. There are some flaws in the editing, and there is still work to be done in the second half. The structural values ​​are according to the story. Plus points: Hero, heroine acting, Manisharma's background score First off Minus points: Second half, Routine screenplay. Analysis: Producer Sai Rajesh has been making comments in several media conferences and interviews that this film is definitely a baby range cult love story, but it doesn't seem like it has any scenes. While you think that the first half of the film will be smooth and interesting, he made the second half boring by adding unnecessary elements. If the same love story had been continued simply, the second half would definitely have been a good talk. Hero Kiran Abbavaram impressed with his good performance. The audience will definitely appreciate him, and heroine Gauri also did full justice to her role. Gauri impressed in the role of a drunkard and Lady Devadasu, but it must be said that the screen did not match their performance. Overall, Chennai Love Story turned out to be an average love story. Finally... It makes feel like going all the way to Chennai for this love story Banner: Mass Movie Makers Producer: SKN, Sai Rajesh Director: Ravi Namburu Music: Mani Sharma Cast: Kiran Abbavaram, Gowri Priya, Siri and others"},"img":{"url":"https://images.prismic.io/prad/0yN9tZHPaAuq2hyg_CLS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-24T08:01:00+0000","embed":{"embed_url":null}},"uid":"review-chennai-love-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Jana Nayakudu' "},"content":{"text":"Expectations have increased among all sections of the audience on the film Jana Nayaku, which was advertised as the last film of Tamil superstar Vijay. Although it was not officially announced that it is a remake of the film Bhagwant Kesari, which came in the combo of Balakrishna and Anil Ravipudi, the makers have been unofficially saying it.  This film, which was delayed a lot due to Tamil Nadu politics, made a royal entry without any problems as Vijay became the CM of Tamil Nadu. And how is this film? Will the audience like this story again in Telugu? Let's see in this review. Story: Vetri Kondan's (Vijay) mother dies in jail. Out of humanity, the jailer releases Vetri Kondan on parole and sends him out to see his mother for the last time. When Vetri is sent out, the jailer gets into a big problem. Vetri Kondan learns that the jailer who helped him is in trouble, and goes to his house. In the wake of unexpected developments, the jailer dies. His only daughter, Viji (Mamita Baiju), becomes an orphan.  The jailer who helped him looks after his daughter and wants to make her an army officer. But Viji says she will not join the army out of fear. Why does Vetri want to send Viji to the army? Will Viji finally join the army? What difficulties will Vetri face in doing so? This is the story. Performance: There is no need to mention anything special about Superstar Vijay's performance. Just as Balakrishna adapted to the role in Bhagwant Kesari, there is no doubt that Vijay also adapted to the role of Vetri. The screenplay was such that the entire story of the film was carried on his shoulders. Even so, Vijay acted well in every scene without giving up. There is no doubt that he impressed with his comedy timing. His fans will enjoy the action scenes to the fullest. Now that he is the CM, he has tried to show Vijay in that angle as well, which is a feast for the eyes of the fans. Since this is Vijay's last film, it seems that he gave his best. Pooja Hegde, who played the heroine, does not have much screen presence. It must be said that Pooja Hegde's screen presence is less than what Kajal Aggarwal's role was in the original Telugu version. Mamita Baiju played the role of Viji, played by Srileela in Telugu and got good marks. It seemed that Mamita did Viji's role even better than Srileela. Along with impressive looks, the two heroines gave good expressions to suit their roles. However, Pooja Hegde's role did not get priority. Mamita impressed as much as she did. Bobby Deol impressed in terms of looks. It would have been better if he had been shown as a stronger and better villain. Since the villain role was not given priority in the story, Bobby Deol's performance became like water poured on ashes. Technical: Director H Vinod tried to make the Telugu story as it is and add Tamil flavor to the screenplay. He made the story without making many changes in the first half. However, when it came to the second half, he made many changes. The entire screenplay changed as if it was a new story. Vijay's character also left the audience in a bit of a quandary. There is nothing much to say about the music. Anirudh, as usual, gave a good background score to Vijay's film. But since the songs did not have much scope, Anirudh's work did not come out much.  The cinematography is good. The cinematography is definitely good in elevating the action scenes. There are errors in the editing. Some scenes in the second half, especially the villain scenes, could have been trimmed. It would have been better if the heroine scenes that are not part of the story were also trimmed a bit. The production values ​​are good. The story was produced with added weight without detracting from it. Plus points: Vijay, Some Action Scenes, Mamita Baiju Minus points: Story, screenplay, Being a familiar story, Second half, Villain role. Analysis: The film Jana Nayakkudu, which was supposed to be released early this year, did not see its release due to censor problems due to Tamil Nadu politics. Officials said that permission could not be given for the release of the film in the wake of the assembly elections. With Vijay becoming the CM, the film Jana Nayakkudu came plowing ahead without any problems and shook the Tamil box office. This movie has been seen in Telugu before. Even though it is known that this is a remake of Balakrishna Bhagwant Kesari, many enthusiasts booked in advance and watched the movie. The movie got a good opening in Telugu states.  It is undeniable that Jana Nayakkudu could not satisfy the Telugu audience completely. Tamil audience will think aha.. oh my for Vijay Elevations. Moreover, they will like it because it is a new story, but Telugu people do not have much to like about this movie, even though the second half seems to have changed a bit, it felt like it was forced. The political elements were not set in the story at all. There is action but no emotion. The magic is missing in the screenplay. Overall, Jana Nayakkudu does not have anything new that the Telugu audience will like much. Finally... A Tamil mass leader who cannot please Telugu people. Banner: KVN Productions Producer: Venkat K. Narayan Director: H Vinod Music: Anirudh Cast: Vijay, Pooja Hegde, Mamita Baiju, Sunil, Bobby Deol and others"},"img":{"url":"https://images.prismic.io/prad/8WXmx3hoavnPTLpj_jananayakudu.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-23T08:18:00+0000","embed":{"embed_url":null}},"uid":"review-jana-nayakudu-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Dhamaal 4'"},"content":{"text":"STORY: Over the years, the Dhamaal franchise has carved out a unique, bulletproof space in Bollywood, one built entirely on unapologetic, leave-your-brain-at-home comedy. Director Indra Kumar returns to this signature comfort zone scaling up the adventure with itns fourth installment. This time, the chaos revolves around a massive 100-year-old hidden treasure belonging to the legendary Shaitaan Singh. The key to its location is locked away in the faulty memory of Prithvi (Upendra Limaye). When the secret slips out, it triggers a wild, breathless race to a mysterious island marked by a giant \"M.\" Every character is out to outsmart the other to reach the khazana first, paving the way for endless confusion, wrong clues, and frantic chases. SITUATIONAL COMEDY: Chaos at Its Peak What makes Dhamaal 4 work so effectively is its reliance on situational comedy. The film throws a massive ensemble of eccentric, greedy, and hilariously unlucky individuals into bizarre environments, from wild jungle disasters to unexpected pirate encounters. The script doesn’t ask you to look for logic; instead, it invites you to surrender to the sheer ridiculousness of the situations. The first half is exceptionally fast-paced, packed with clever nods to older films in the franchise that will keep longtime fans chuckling. ENSEMBLE PERFORMANCES: The Ultimate Laughter Brigade The true strength of the film lies in its stellar ensemble cast, where Ajay Devgn leads the pack with absolute swagger alongside Sanjay Mishra, whose iconic comic timing results in sharp laugh-out-loud moments. The heartbeat of the franchise, Arshad Warsi and Jaaved Jaaferi, return with their signature electric chemistry, beautifully joined by Sanjeeda Shaikh who adds great charm to their chaotic dynamic. Riteish Deshmukh delivers a thoroughly entertaining performance with his desi flavor alongside Anjali Anand, who plays his wife Paro with a hilarious domestic touch. Stealing scenes effortlessly, Ravi Kishan brings a fresh wave of comedy as the quirky pirate leader Adhoora. Finally, Upendra Limaye is fantastic as the main catalyst of the plot with his high-energy performance, while Esha Gupta brings a wonderful charm and flair to the screen. DIRECTION, SCREENPLAY, AND MUSIC Indra Kumar proves yet again that he is a master at delivering high-energy situational comedies. The engaging screenplay keeps the audience hooked with a constant stream of rapid-fire jokes and entertaining jungle and island survival sequences. On the technical side, the massive scale of the film looks stunning on the big screen, making it a true theatrical spectacle. The music seamlessly fits this energetic narrative, with tracks like Chatni and Qeher keeping the mood light, and celebratory throughout. THE VERDICT: The Perfect Family Entertainer Dhamaal 4 is a fun-filled joyride that is tailor-made for the big screen. It effortlessly delivers on its promise of pure, non-stop entertainment from start to finish. It stands out as an excellent, wholesome entertainer that will easily appeal to all age groups, from grandparents to little kids, who will absolutely love the comedy and thrilling pirate adventures. If you are looking to share a hearty laugh with your entire family this weekend, Dhamaal 4 is a highly recommended watch! Director: Indra Kumar Cast: Ajay Devgn, Arshd Warsi, Riteish Deshmukh, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Esha Gupta and Sanjeeda Shaikh"},"img":{"url":"https://images.prismic.io/prad/51qvs_NXLgg3Shrm_dhamaal3.JPG?auto=format,compress"},"datetime":"2026-07-10T04:00:00+0000","embed":{"embed_url":null}},"uid":"review-dhamaal-4"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Lenin'"},"content":{"text":"Years have passed since Akhil made his debut as a hero from the Akkineni family, yet he has not managed to achieve commercial success. Consequently, fans' confidence in him has been waning. At this juncture, Akhil has worked hard on the movie 'Lenin' with great hope. Let us see how the movie fares in this review. Story: The story unfolds in a remote village in Andhra Pradesh. Lenin (Akhil) arrives as an orphan in a village named Sriramapuram. A woman, who is the village head, takes him under her wing and raises him just like her own son. Her son, Vasanth, and Lenin become best friends. While Vasanth pursues his studies and becomes a doctor, Lenin stays back in the village and becomes an integral part of everyone's lives. It has become a tradition for the village's prestigious 18-day festival to be conducted under Lenin's supervision every year. During one such festival, Lenin sees Bharati (Bhagyashree) and falls in love with her. This romance marks a turning point in the entire story. Due to unforeseen circumstances, Vasanth is compelled to marry Bharathi. Meanwhile, Lenin ends up in prison. The story revolves around why Lenin went to jail and whether Vasanth actually marries Bharathi. Performances: As has been noted from the start, it is evident on screen that Akhil has put in a great deal of effort for this film. There is no doubt that this is a distinctively different role compared to the characters he has played previously. Furthermore, he successfully molded himself to fit the character, displaying impressive range and variations in his acting. He also adopted a fresh style of dialogue delivery for this movie. Visually, he is impressive, and in the action sequences, he comes across as a high-voltage action hero; he delivers exactly what fans desire. Beyond the action, he also impresses in the romantic scenes. The heroine, Bhagyashree, charms the audience with her beauty—something she has done in several previous films. However, in this movie, she also impresses with her acting prowess where the script demands it. She certainly leaves a mark on the role assigned to her, though one cannot help but feel that her character could have been written with more depth.  The supporting cast also delivers impressive performances within the scope of their roles; Eswari Rao, Pramod, and Brahmaji, in particular, stand out with their acting.  Technical: The director needed to work a bit more on the story, though he did try to make an impact with the screenplay. He succeeded in engaging the audience during the opening 10–15 minutes, effectively building suspense and sparking curiosity about what would unfold next. However, the dialogues could have been sharper. Thaman delivered a decent musical score, as always; however, there were certain scenes where one felt he could have done more with the background music. The cinematography is impressive—crucial for a film set against a village backdrop. There are minor flaws in the editing, but the production values ​​are good. Plus points: Akhil Akkineni, Jathara (fair) scenes The plot twist Minus points: Some dragged-out scenes Background score Story and screenplay Analysis: There is no doubt that the film lived up to the high expectations of Akkineni fans. However, it remains to be seen how well the general audience will receive it. Akhil had stated from the beginning that he worked very hard for this film, and that effort is clearly visible on screen. The director aimed to present something fresh;...yet, the film would have been even better with more work on the story and a tighter screenplay. It must be noted that there was a lack of sufficient commercial elements to appeal to all sections of the audience, not just the fans. The music also felt a bit underwhelming. Akhil fulfilled his role with 100% commitment; however, the director failed to craft a strong screenplay for the supporting characters, leaving them with little scope to showcase their true acting potential. Overall, this village-based drama manages to engage the audience and appeals to fans. Final verdict: Akhil Akkineni impresses the fans Banner: Sithara Entertainments, Manam Enterprises Producers: Suryadevara Naga Vamsi, Akkineni Nagarjuna Director: Murali Kishore Music: Thaman Cast: Akhil, Bhagyashree, Eeshwari Rao, Pramod, Brahmaji, and others"},"img":{"url":"https://images.prismic.io/prad/SNyf-1iLls6NrA-j_lenin.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-07-10T07:34:00+0000","embed":{"embed_url":null}},"uid":"review-lenin"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Rao Bahadur'"},"content":{"text":"Satyadev has carved a unique niche for himself as an actor by choosing diverse films. Meanwhile, director Venkatesh Maha has already earned a strong reputation for delivering distinctive movies. Expectations soared when a superstar like Mahesh Babu stepped forward to present this collaboration between the two. Let us see in this review whether the film lives up to those expectations. Story: Bhuvanam Ramappa Rao Bahadur (Satyadev), a man of royal lineage, grapples with severe mental turmoil in his old age. He harbors suspicions regarding his younger son, Kusumappa—who passed away in childhood—doubting whether the boy was truly his biological son. Driven by this doubt, he clings to life for years despite suffering from cancer. Ramappa’s wife, Renuka, is also confined to a single room. The story unfolds by exploring the reasons behind Ramappa’s condition and Renuka’s confinement, as well as how it was ultimately confirmed that Kusumappa was indeed Ramappa’s son. Performances: A notable aspect of the film is that, apart from Satyadev, the entire cast consists of newcomers. It is commendable that Satyadev committed to such a role; not every actor could pull off a character like this. He delivered a brilliant performance, nailing the makeover, expressions, and body language. Satyadev truly embodied the persona of a scion of the Rao Bahadur lineage. He impressed everyone with a look that perfectly captured the persona of an elderly king. Furthermore, Satyadev deserves full marks for his acting and dialogue delivery. Generally, young heroes are reluctant to take on such roles, but Satyadev put in immense effort to breathe life into this character. It was revealed that the makeup process took four hours; seeing the 'Ramappa' character on screen, one feels that the actual time spent on makeup might have been even longer. Deepa Thomas, playing the female lead, impressed with her distinctive look. There is a growing opinion that she might secure good opportunities in Tollywood in the future. Vikas Muppala also impressed with his acting, and the supporting cast performed well within the scope of their roles. Venkatesh Maha, appearing in a guest role, also made a strong impression. Technical: Director Venkatesh Maha presented a completely fresh concept to the audience. However, the narrative pacing felt somewhat tedious. The first half moved slowly. While he attempted to pick up the pace in the second half, the twists introduced towards the end felt unintentionally funny. He failed in the attempt to blend humor into what otherwise seemed like a serious story. Some of the dialogues were good. The cinematography was impressive; it effectively brought the atmosphere of the 1960s and 1990s to life. The music was also decent. The songs failed to impress, but the background score was certainly impressive. The production values ​​are good; it is truly commendable that such a significant budget was allocated for an experimental story like this. There are flaws in the editing; some scenes in the first half should have been trimmed. Overall, the film would have benefited from a runtime reduction of 20 to 25 minutes. Analysis: Director Venkatesh attempted an experiment by utilizing a talented actor like Satyadev. Satyadev deserves praise for agreeing to be part of this experimental project. The story revolves around the consequences arising from a suspicion harbored by an elderly man. In an era where films generally achieve commercial success only with compelling storylines and narratives, Director Venkatesh brought this film to the audience without worrying about how such an experiment would be received. He attempted to drive the film using screenplay wizardry. Although the story itself is simple, his execution deserves appreciation. However, the inclusion of more thrilling elements would have improved the film; the first half, in particular, is somewhat underwhelming. The climax manages to generate interest, though the final twist lacks a sense of realism. Ultimately, instead of leaving the audience with the impression of having watched a serious film, the movie ends up feeling more like a comedy.  Plus Points: Satyadev Background music, cinematography Second half, climax Minus Points: Boring first half Illogical scenes Climax twist Verdict: 'Rao Bahadur' is for those looking to watch a thriller rather than a regular commercial movie. Banner: Sree Chakras Entertainments, Mahayana Motion Pictures Producers: Anurag Reddy, Sharath Chandra, Chinta Gopalakrishna Reddy, Eswaran Vijayaraghavan Directior: Venkatesh Maha Music: Smaran Sai Cast: Satyadev, Deepa Thomas, Vikas Muppala, Bala Parasar, Kunal Kaushik, and others"},"img":{"url":"https://images.prismic.io/prad/ruDZrQh1uyTKyATR_RaoBahadur.JPG?auto=format,compress"},"datetime":"2026-07-03T09:26:00+0000","embed":{"embed_url":null}},"uid":"review-rao-bahadur"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Nagabandham' "},"content":{"text":"South makers have done wonders once again. At a time when audiences are craving larger-than-life cinematic experiences rooted in Indian culture and mythology, Nagabandham arrives as an ambitious spectacle that blends mystery, mythology, fantasy and adventure into an engrossing big-screen entertainer. Foremost credit goes to the producers Nishitha Nagireddy and Kishore Annapureddy, the duo under the banners of NIK Studios and Abhishek Pictures, have given the film the scale, craft and budget it demands. The budget, the scale and the vision of the film is at par in comparison with some of the biggies. Mounted on a lavish scale, the film starts on a very intriguing note and right from the first frame it captures you into the world, the drama. As it progresses it continues to impresses with its visual ambition, the character introduction, immersive world-building and sincere storytelling, making it one of the most ambitious pan-India releases of the year. Without wasting any single time the film sticks to the subject. The unfolding of mysterious universe where ancient secrets, divine legends and hidden treasures shape the narrative. Rather than rushing through its mythology, the film gradually builds intrigue around the ancients and what 'Nagabandham' is. This measured approach keeps the audience invested while continuously expanding the film's rich cinematic universe. The film begins with the impresive introduction of Rishabh Sawhney who is olayiytge main antagonist in the film and then transports us to the drama that is very interesting. Director Abhishek Nama deserves appreciation for attempting a genre that demands conviction and imagination. His vision remains consistent throughout, balancing mythology with fantasy while ensuring the emotional core never gets lost beneath the visual grandeur. The screenplay unfolds like an adventure, introducing fresh mysteries at regular intervals and maintaining curiosity until the very end. Visuals are Nagabandham's undoubtedly the biggest strengths. Every frame reflects meticulous craftsmanship, from magnificent temple architecture and ancient kingdoms to breathtaking action sequences and mystical landscapes. The production values are first-rate, while the VFX complement the storytelling without overwhelming it. The film consistently feels designed for the biggest screens. Virat Karrna, who is essaying the main protoganist delivers a confident performance, carrying the narrative with sincerity and intensity. Nabha Natesh lends grace and emotional depth to her character, while Rishabh Sawhney leaves a strong impression with his commanding screen presence in the character of the main antagonist. Mahesh Manjrekar stands out in a pivotal role of saint ,adding gravitas whenever he appears. Daksha Nagarkar and the supporting cast contribute effectively, making the expansive world feel believable. The action choreography especially the Interval block and CLIMAX deserves special mention. Instead of relying solely on spectacle, the action sequences are integrated into the mythology, making every confrontation feel purposeful. Several moments involving serpents, ancient rituals and large-scale battles generate genuine goosebumps and showcase the makers' ambition. Technically, Nagabandham is polished across departments. The cinematography captures both the grandeur and mysticism beautifully, while the background score elevates the emotional and adventurous moments. The editing keeps the narrative engaging despite the film's expansive scale, and the sound design enhances the theatrical experience. One of the film's biggest achievements is how it respects Indian mythology while presenting it through an entertaining fantasy-adventure lens. Rather than merely recreating familiar legends, it creates its own mythology-inspired universe that feels fresh and cinematic. If there is one area where the film occasionally slows down, it is during portions dedicated to explaining the mythology, which may slightly affect the pace. However, the narrative quickly regains momentum with compelling twists, visually stunning sequences and emotionally satisfying payoffs. With Nagabandham, South filmmakers once again demonstrate why they continue to lead the way in creating ambitious, pan-India cinematic spectacles. The film combines mythology, fantasy, adventure and emotion into an entertaining package that is tailor-made for the theatrical experience. For audiences looking for a grand visual adventure filled with mystery, ancient legends, spectacular action and impressive world-building, Nagabandham is a rewarding watch. Banner: NIK Studios, Abhishek Pictures Producer: Nishitha Nagireddy, Kishore Annapureddy Director: Abhishek Nama Cast: John Vijay, Nabha Natesh, Iswarya Menon, Mahesh Manjrekar and others"},"img":{"url":"https://images.prismic.io/prad/S_t-IVjB2yqa78-Q_nagabandham.JPG?auto=format,compress"},"datetime":"2026-07-02T16:30:00+0000","embed":{"embed_url":null}},"uid":"review-nagabandham-"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Welcome To The Jungle'"},"content":{"text":"There was a time when Bollywood regularly produced big, unapologetic comedy entertainers that families could watch together. Films weren't trying to preach, surprise audiences with complicated twists or leave behind social messages. They existed for one simple reason—to make people laugh. Welcome To The Jungle embraces exactly that philosophy, and that's what makes it work. Director Ahmed Khan doesn't try to reinvent the Welcome franchise. Instead, he understands its DNA and amplifies it. The laughs are bigger, the cast is bigger, the scale is grander and the madness is turned up several notches. The result is a film that knows exactly what it wants to be—and rarely loses sight of it. The story itself is delightfully ridiculous. A billionaire comes up with an absurd plan to convert his black money into losses by deliberately producing a flop film. To execute this bizarre mission, he assembles a film full of struggling stars, forgotten heroes and eccentric personalities. Among them are Yeda Anna (Suniel Shetty), the brother of Anna from the Welcome universe, and Romeo (Arshad Warsi), Majnu's equally eccentric brother. Just when the production begins, an Income Tax raid wipes out the financier's money, forcing the crew to abandon the expensive setup and continue the shoot in a remote village with real people—while the actors remain blissfully convinced that everything happening around them is part of the script. From there, the film spirals into complete comic chaos involving mistaken identities, fake heroics, terrorists, villagers and nonstop confusion. If there is one actor who reminds audiences why he has ruled Bollywood comedy for decades, it is Akshay Kumar. This is comfortably one of his strongest comic performances in recent years. His expressions, dialogue delivery, body language and effortless timing hold the enormous ensemble together without trying to dominate it. He lets the humour breathe and trusts the situations to generate laughs. Suniel Shetty is undoubtedly one of the film's biggest surprises. His Yeda Anna is wonderfully eccentric and consistently entertaining, delivering several laugh-out-loud moments. Arshad Warsi slips into the franchise's familiar madness with ease, while Lara Dutta, as the Army trainer preparing the clueless actors, adds another enjoyable layer to the comedy. The supporting cast is where the film truly shines. Veterans like Paresh Rawal, Johnny Lever and Rajpal Yadav prove once again why they remain among Hindi cinema's finest comic performers. But the film's biggest scene-stealers are undoubtedly Farida Jalal and Kiran Kumar. Every single time they appear on screen, the theatre erupts in laughter. Farida Jalal's delightfully confused character, speaking in her own hilarious gibberish language, becomes one of the film's biggest highlights. Kiran Kumar matches her brilliantly with his exaggerated, heavily Urdu-laced dialogues delivered with complete conviction. Their chemistry, impeccable comic timing and effortless performances produce some of the loudest laughs in the film. There's another emotional layer that longtime Bollywood lovers will instantly appreciate. Watching Akshay Kumar reunite with Suniel Shetty and Raveena Tandon brings back memories of an era when entertainers were built around fun rather than formulas. Thankfully, these reunions never feel forced. They blend naturally into the narrative while allowing the film to create its own identity instead of living entirely on nostalgia. Managing such a massive ensemble is never easy, yet Ahmed Khan deserves credit for ensuring almost every actor gets at least one memorable moment. Despite featuring dozens of familiar faces, the screenplay rarely feels overcrowded. The humour constantly shifts between situational comedy, visual gags, witty one-liners, misunderstandings and complete comic mayhem, ensuring the energy rarely drops. The adventure angle also gives the franchise a refreshing twist. Instead of repeating the exact template of the earlier films, Welcome To The Jungle expands its canvas with larger action set pieces and a more adventurous narrative while still retaining the flavour that fans associate with the franchise. Visually, the film looks colourful and vibrant. The production design suits the exaggerated world perfectly, while the songs arrive naturally without disturbing the pace. The background score effectively enhances both the comic situations and the action sequences. What deserves appreciation is that the film never pretends to be more intelligent than it is. It doesn't chase awards, social commentary or emotional manipulation. It simply focuses on entertaining its audience for over two hours—and judging by the laughter echoing through the auditorium, it succeeds. Welcome To The Jungle is designed for the big-screen experience. Many jokes become funnier because they are enjoyed collectively. The whistles, applause and laughter inside a packed theatre become an extension of the film itself. That's something no OTT platform can replicate. Directed by Ahmed Khan, the film boasts one of the biggest ensemble casts in recent Hindi cinema, featuring Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali. Presented by A.A. Nadiadwala, Cape of Good Films and Star Studios in association with Seeta Films and Rakesh Dang, the film is a Base Industries Group production produced by Rakesh Dang and Vedant Vikaas Baali, and produced by Firoz A. Nadiadwala. If your expectation is meaningful cinema, look elsewhere. But if you simply want to laugh, switch off your brain and enjoy a grand Bollywood entertainer with your family, Welcome To The Jungle delivers exactly what it promises. Sometimes, that's more than enough. Director : Ahmed Khan, Producer : Firoz A Nadiadwala Cast : Akshay Kumar, Suniel Shetty, Arshad Warsi and others"},"img":{"url":"https://images.prismic.io/prad/aj1hFVbRV8_Qf44R_welcometothejungle.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-25T15:45:00+0000","embed":{"embed_url":null}},"uid":"review-welcome-to-the-jungle"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Cocktail 2'"},"content":{"text":"Some relationships don’t end because people stop loving each other. They end because love alone isn’t always enough. Backed by Maddock Films and producer Dinesh Vijan, a banner known for delivering some of the most memorable entertainers and relationship dramas in recent years, Cocktail 2 is yet another winner. Directed by Homi Adajania, the film explores modern relationships with warmth, maturity and emotional honesty, resulting in a story that feels both deeply personal and universally relatable. While the original film thrived on youthful chaos, Cocktail 2 takes a more mature route. It examines what happens when comfort begins to replace excitement, when commitment feels heavier than romance, and when life forces people to question whether the relationship they’ve built is still the one they truly want. The Story: Kunal (Shahid Kapoor) and Diya (Rashmika Mandanna) have been together for years. What started as a college romance has survived distance, changing priorities and the challenges of adulthood. Their relationship is comfortable, familiar and seemingly stable, but beneath the surface, cracks have begun to appear. Diya finds herself grappling with expectations around marriage and commitment, while Kunal continues holding on to a version of their relationship that may no longer exist. Their lives take an unexpected turn during a trip to Sicily, where they meet Ally (Kriti Sanon), a free spirited woman who lives entirely on her own terms. As the three grow closer, the film gradually unfolds into something far more complex than a traditional love triangle. Friendships blur into emotional attachments, loyalties are tested and difficult questions emerge about love, compatibility and personal happiness. What makes the narrative work is that it never reduces its characters to heroes or villains. Everyone is flawed, everyone makes mistakes and that honesty gives the film its emotional weight. Performances: Shahid Kapoor delivers one of his most mature performances in recent years. Kunal is a character filled with contradictions and Shahid captures every shade beautifully. Whether he’s expressing quiet heartbreak, frustration or vulnerability, he keeps the audience invested throughout. Rashmika Mandanna brings warmth and authenticity to Diya. Many of her moments feel incredibly relatable, particularly when she navigates the pressures placed on women regarding relationships and life choices. She handles both the lighter and emotionally intense scenes with confidence and restraint. Kriti Sanon is exceptional as Ally. What initially appears to be a carefree and impulsive character slowly reveals surprising emotional depth. Kriti balances Ally’s charm, unpredictability and vulnerability effortlessly, creating one of the film’s most memorable performances. Together, the trio share terrific chemistry. Their interactions feel natural and lived-in, making every friendship, confrontation and emotional conflict feel genuine. Kriti and Rashmika also share some thoroughly entertaining moments, adding another engaging layer to the film’s relationship dynamics. Writing, Dialogues and Relationships: One of the film’s biggest strengths is its writing. The relationships feel layered and believable, with conversations that reflect how people actually communicate rather than how movie characters are expected to speak. The dialogues are sharp, mature and emotionally effective. Several confrontations land with impact because they come from a place of truth rather than melodrama. The film consistently keeps you invested in its characters and the choices they make, while balancing romance, friendship and self-discovery with remarkable ease. Music and Visuals: Pritam’s music blends seamlessly into the storytelling, elevating both the emotional and romantic moments. The songs never interrupt the narrative and instead become a natural extension of it. Visually, the film is stunning. Sicily provides a breathtaking backdrop, with every frame looking postcard worthy without ever feeling excessive. The cinematography, fashion and overall production design add tremendous richness to the viewing experience, making the film as beautiful to look at as it is emotionally engaging. What Could Have Worked Better: A few emotional stretches in the latter half could have been slightly more concise. The Verdict: Cocktail 2 is a beautifully crafted film about love, friendship, self discovery and the difficult choices that come with growing up. It doesn’t offer easy answers and that’s precisely what makes it work. Produced by Maddock Films and Luv Films, backed by outstanding performances from Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, thoughtful writing, gorgeous visuals and strong emotional payoffs, the film delivers a deeply satisfying experience. A heartfelt, visually stunning and emotionally resonant drama that reminds us that sometimes the hardest part of love isn’t finding it, it’s understanding what to do with it once you have it. The result is a relationship drama that stays with you long after the credits roll. Banner: Maddock Films and Luv Films Producer: Dinesh Vijan Director: Homi Adajania Music: Pritam Cast: Shahid Kapoor, Rashmika Mandanna, Kriti Sanon and others"},"img":{"url":"https://images.prismic.io/prad/ah7YRgeQX7-eWjSA_cocktail2.JPG?auto=format,compress"},"datetime":"2026-06-19T04:48:00+0000","embed":{"embed_url":null}},"uid":"review-cocktail-2"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Maa Inti Bangaram'"},"content":{"text":"At a time when it was widely assumed Samantha had limited her career to Bollywood, all eyes are on this Telugu film she has undertaken. It is well known that Samantha has previously worked under Nandini Reddy's direction; their collaboration naturally generates positive buzz. Furthermore, expectations have soared because the film is produced by Raj Nidimoru. Let us see in this review whether the movie lives up to those expectations. Story: Swarna (Samantha), who entered into a love marriage with Anirudh (Diganth Manchale), steps into her in-laws' home after a long time due to certain circumstances. She struggles to fit into the joint family environment. Despite the difficulties, she makes earnest efforts to bond with the family members and win their approval. Swarna carries a past—a flashback—associated with her love marriage. This flashback becomes the source of emerging problems within her in-laws' household.  What are these problems? What exactly is Swarna's flashback? To find out what Swarna did at her in-laws' house, one simply has to watch the movie. Performances: Samantha’s acting needs no special introduction. The action sequences she performed in this film are impressive; seeing her execute action scenes while dressed in a traditional saree felt fresh and novel. She delivered a performance that felt distinct—and even better—than her work in previous films. Beyond action, she also showcased her acting prowess in emotional and dramatic scenes. It is evident that she poured her experience into the role, truly doing justice to the character of Swarna. Her appearance seemed slightly different compared to the past, but that change suited the character perfectly.  Overall, Samantha succeeded in fully justifying the role she chose. The supporting cast performed well within the scope of their roles; Gulshan Devaiah, in particular, stood out, and his portrayal of the villain was impressive. Gautami had limited screen time but made a good impression within that scope. Sreemukhi also impressed with a different look. Technical: Director Nandini Reddy has once again presented a unique concept to the audience, and her direction is impressive. The storytelling and screenplay could have benefited from a bit more detail. Some of the dialogues are excellent, particularly those in the emotional scenes, which are truly touching. The music is decent; one or two songs have already gained popularity among the audience, though there isn't much else to highlight regarding the soundtrack beyond those tracks.  However, the background score was impressive. The cinematography was good; Om Prakash’s work made the action scenes appear quite realistic, ensuring the film remained engaging. The cinematography also deserves praise for how it presented Samantha’s look. The production values ​​align well with the story. Apart from minor editing flaws, everything else was solid. Analysis: The mere mention of a Samantha film generates audience interest comparable to that of movies starring big male stars. Director Nandini Reddy lived up to this expectation by weaving the story around a massive flashback sequence, much like those seen in big-star films. However, there are some illogical scenes. More care could have been taken with the dramatic elements; specifically, the portrayal of the new daughter-in-law's conduct in her in-laws' home didn't feel quite right.  Additionally, there were some issues in seamlessly connecting the flashback episode to the present-day narrative. An effort was made to deliver good entertainment. Overall, the film appeals to the average viewer, particularly family audiences. If one overlooks a few illogical scenes, the movie is enjoyable. It is a must-watch for Samantha’s fans and serves as a good \"time-pass\" movie for general audiences. Plus Points: Samantha, Flashback scenes, Action sequences.  Minus Points: Some illogical scenes, Boring moments here and there, Lack of mass elements. Verdict: A film that Samantha's fans will appreciate Banner: Tralala Moving Pictures Producers: Samantha, Raj Nidimoru, Himank Reddy Duvvuru Director: B.V. Nandini Reddy Music: Santhosh Narayanan Cast: Samantha, Sreemukhi, Gulshan Devaiah, Diganth Manchale, Gautami, Srinivas Gavireddy, and others"},"img":{"url":"https://images.prismic.io/prad/ajUbm41P9HI4UuRN_MIB.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-19T07:36:00+0000","embed":{"embed_url":null}},"uid":"review-maa-inti-bangaram"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Hai Jawani Toh Ishq Hona Hai'"},"content":{"text":"Some films are designed to make you think. Others are designed to make you laugh till your cheeks hurt. Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, proudly belongs to the latter category. Loaded with misunderstandings, larger-than-life characters, romance, family drama and non-stop comedy, the film embraces the classic Bollywood entertainer template and delivers exactly what it promises. Written by David Dhawan with screenplay by Yunus Sajawal and dialogues by Farhad Samji, the film thrives on its energetic storytelling and unapologetically chaotic humour. The Story: At the heart of the film is Jass, a lovable and impulsive man whose life takes an unexpected turn when personal relationships, family expectations and a series of unfortunate circumstances collide at the same time. Without revealing too much, the story follows Jass as he finds himself caught in an increasingly complicated situation involving his estranged wife Baani and Preet, a woman who unexpectedly enters his life. What begins as a relationship drama soon snowballs into a full-fledged comedy of errors, leading to a chain of misunderstandings, secrets and hilarious situations. The narrative constantly throws Jass from one problem into another, ensuring there is never a dull moment. While the premise is outrageous, the film fully commits to its madness, making the ride entertaining from start to finish. Performances: Varun Dhawan is in his element as Jass. His comic timing, boundless energy and natural screen presence carry the film effortlessly. He understands the rhythm of David Dhawan's brand of comedy and delivers a performance that is both charming and consistently entertaining. Mrunal Thakur brings warmth and emotional depth to Baani, ensuring that the character remains relatable amidst the chaos unfolding around her. She balances the film's emotional moments effectively and shares a comfortable chemistry with Varun. Pooja Hegde lights up the screen as Preet. Confident, glamorous and full of spark, she adds freshness to the narrative and keeps the momentum alive whenever she appears. Among the supporting cast, Maniesh Paul is a scene stealer, delivering several laugh-out-loud moments with effortless ease. Jimmy Sheirgill, Chunky Pandey, Kubbra Sait, Rakesh Bedi and Mouni Roy contribute well to the ensemble, each adding their own flavour to the madness. Dialogues and Humour: Farhad Samji's dialogues play a major role in keeping the entertainment quotient high. The punchlines land well, the situational comedy works and several one-liners are likely to draw applause from audiences in packed theatres. The film embraces old-school Bollywood comedy while updating it for contemporary viewers, creating a blend that feels familiar yet accessible. Music and Technical Aspects: The music complements the film's upbeat tone, while the vibrant visuals and colourful production design add to its festive appeal. David Dhawan keeps the pace brisk for most parts, ensuring the narrative rarely loses momentum. What Could Have Worked Better: Some comedic stretches feel slightly overextended and a few situations require audiences to completely suspend disbelief. However, these are minor concerns in a film that is more interested in entertaining than being realistic. Final Word: Hai Jawani Toh Ishq Hona Hai is a quintessential David Dhawan entertainer that embraces confusion, comedy and chaos with complete conviction. Powered by Varun Dhawan's infectious energy, solid support from Mrunal Thakur and Pooja Hegde, and plenty of laugh-out-loud moments, the film delivers a thoroughly enjoyable big-screen experience. If you're looking for logic, this may not be your destination. If you're looking for laughter, fun and a dose of classic Bollywood masala, this film delivers in abundance."},"img":{"url":"https://images.prismic.io/prad/aiKZMAeQX7-eW1yO_HaiJawaniTohIshqHonaHai.jpg?auto=format,compress"},"datetime":"2026-06-05T03:39:00+0000","embed":{"embed_url":null}},"uid":"review-hai-jawani-toh-ishq-hona-hai"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Peddi'"},"content":{"text":"Buchi Babu grabbed everyone's attention with his debut film, 'Uppena'. Having grossed over 100 crores with his very first movie, he caught the eye of several star heroes. Even NTR expressed interest in working with him. A project with NTR was confirmed; however, for various reasons, it never materialized.  Buchi Babu subsequently spent the last two years collaborating closely with Ram Charan to bring this film to life. Given the massive hype surrounding it, let's see how the movie actually turned out in this review. Story: The story of 'Peddi' revolves around the journey of a 'sports laborer'—a man named Peddi (Ram Charan)—who is driven by an unwavering determination to showcase the existence of his village to the world. Hailing from a village that doesn't even have a name, Peddi earns his livelihood as a sports laborer. While he has built a good reputation as a cricketer, he eventually comes to believe that true recognition for his village can be achieved not through cricket, but through wrestling. However, recognition for the village does not come through wrestling either. So, how did the entire world eventually come to talk about this nameless village—exactly as 'Peddi' had wished? What daring feat did 'Peddi' undertake to make that happen? That forms the crux of the story.  Performances: Ram Charan’s performance is magnificent. Throughout the entire first half of the film, he captivates the audience in his role as a cricketer. He appears to execute spectacular shots, just like a professional cricketer would; indeed, one feels as though they are watching a genuine cricketer in Ram Charan. It is often said that Ram Charan naturally excels in emotional scenes, and there is absolutely no doubt that he truly lived the emotional moments leading up to the interval and during the film's climax. Furthermore, he elevated the musical numbers to extraordinary heights through his dancing—going above and beyond what was expected. Ram Charan showcases his absolute best dancing skills in this movie. He also impresses equally in both the action sequences and the sports-centric scenes. As for the female lead, Janhvi Kapoor—while she is credited as the heroine, she has very little scope to perform and is not an integral part of the core narrative. Moreover, her screen presence is shockingly brief. Janhvi Kapoor practically disappears entirely during the second half of the film. However, it must be noted that she did manage to grab some attention in the first half by flaunting her physique.  Jagapathi Babu, who appears in the first half, delivers a captivating performance in his emotional scenes. Meanwhile, Kannada superstar Shivarajkumar impresses in his role as a wrestling mentor; his mere look alone wins over half the audience, and his acting prowess requires no special mention. Finally, it must be stated that none of the other supporting characters were given any significant prominence. Technical: The film's music has been a prominent topic of discussion right from the very beginning. Director Buchi Babu made a deliberate and specific choice to enlist A.R. Rahman as the music director for the film. Consequently, everyone anticipated that 'Peddi' would capture the audience's attention primarily through its musical elements. True to expectations, the songs proved to be a resounding success. Furthermore, the background score was equally impressive; with the exception of one or two isolated moments, Rahman's background music was captivating throughout the rest of the film. The cinematography also earns high marks. A commendable effort was made to authentically depict the atmosphere and conditions of the 1990s era. The camera work was particularly effective in a few sequences—most notably during the sports scenes. The first half of the film felt somewhat dragged out, suggesting that the editing could have been tighter. The production values, however, were excellent. Director Buchi Babu selected a compelling core concept; yet, it felt as though he was unable to craft a screenplay that did full justice to that premise. Some of the dialogues were well-written. Analysis: Buchi Babu has garnered a strong reputation as a director who managed to achieve a ₹100-crore box office collection with his very first film. Moreover, since the outset, there has been considerable buzz suggesting that he is in no way inferior to his mentor, Sukumar. Reports have surfaced claiming that this particular story—which was originally penned with NTR in mind—was ultimately filmed with Ram Charan. Leaving aside the veracity of those reports, it appears that Ram Charan gave his approval to the project based solely on the strength of the story's core premise. However, watching the film makes it evident that a compelling premise alone is not sufficient to carry an entire movie. The narrative centers on the protagonist participating in three distinct sports to showcase the existence and identity of his hometown to the world. Given this premise, it was imperative that the portrayal of these specific sports be significantly elevated and given greater prominence within the film. Apart from cricket, no other sport was given significant prominence.  The first half dragged on in a boring manner. The second half was somewhat passable, barring a few emotional scenes. It must be said that Director Buchi Babu failed to effectively showcase the sports elements—which are absolutely crucial to the screenplay. With the exception of a few sequences, the majority of the film feels tedious. However, there is no doubt that this serves as a delightful treat for Ram Charan's fans. Viewed from a fan's perspective, the film earns high marks; yet, it must be acknowledged that for a regular moviegoer, it may not quite hit the mark. Plus Points: Ram Charan A few sports sequences The songs Minus Points: The slow pacing of the first half The screenplay The heroine's role The lack of prominence given to the villains Conclusion... The 'Peddi' games are boring. Banners: Vriddhi Cinemas, Mythri Movie Makers Producers: Venkata Satish Kilaru, Ishan Saxena Direction: Buchi Babu Music: A.R. Rahman Cast: Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu, Boman Irani, Upendra, Satya, Chammak Chandra, and others"},"img":{"url":"https://images.prismic.io/prad/aiCF9AeQX7-eWrDe_peddi.jpg?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T19:52:00+0000","embed":{"embed_url":null}},"uid":"review-peddi"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Made in India – A Titan Story"},"content":{"text":"Rarely does a series manage to be both inspiring and cinematically gripping—but Made in India – A Titan Story achieves exactly that, and does it with remarkable finesse. The Story: Where Vision Meets Legacy   At its core, the series is a tribute to belief—the kind that builds institutions. It traces the journey of Xerxes Desai, a man driven by vision, and the unwavering faith J.R.D. Tata placed in him. What unfolds is not just the story of Titan Watches, but of an idea that refused to stay small. It is about ambition, risk, and the quiet power of trust that turns dreams into legacy. Performances That Stay With You   Jim Sarbh delivers one of his most layered performances to date. His portrayal of Xerxes Desai is controlled yet deeply emotional, capturing the vulnerability and determination of a man chasing something bigger than himself. Naseeruddin Shah, as J.R.D. Tata, is understated brilliance. Even with limited screen time, his presence defines the emotional spine of the series—commanding, graceful, and quietly powerful. The ensemble cast adds richness to the narrative. Each character feels lived-in and purposeful—whether it’s Namita Dubey’s sincerity, Lakshveer Saran’s emotional weight, or Kaveri Seth’s authenticity. Supporting performances from Vaibhav Tatwawadi, Paresh Ganatra, Ashwath Bhatt, Viraf Patel, Joy Sengupta, and Prateeksha Lonkar create a world that feels real and immersive. Craft, Scale, and Storytelling :  Director Robbie Grewal handles the material with precision and maturity, allowing the story to breathe while maintaining a steady narrative grip. The storytelling never feels rushed, yet never loses momentum. The writing by Karan Vyas is sharp and confident, with dialogues that feel organic yet impactful. Visually, the show carries a cinematic scale—elegant production design, carefully chosen locations, and a background score that subtly amplifies the emotional beats. The integration of classic music adds texture without overwhelming the narrative. Final Word: Backing a story like this requires both courage and conviction, and Almighty Motion Picture deserves credit for bringing it to life. Co-produced with T-Series Films, Made in India – A Titan Story is not just a series—it’s an experience that fills you with immense pride for India and reminds you of the power of vision, perseverance, and nation-building. Patriotism naturally seeps in as the story unfolds. It’s one of a kind story that inspires, engages, and stays with you long after it ends."},"img":{"url":"https://images.prismic.io/prad/ah_UIAeQX7-eWo7C_madeinindia.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-06-03T05:14:00+0000","embed":{"embed_url":null}},"uid":"review-made-in-india--a-titan-story"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Drishyam 3'"},"content":{"text":"This film serves as a sequel to 'Drishyam 1' (released in 2013) and 'Drishyam 2' (released in 2021). With the 'Drishyam' franchise, Jeethu Joseph garnered a nationwide fan base. Consequently, whenever a new 'Drishyam 3' installment is announced, it immediately sparks immense curiosity among audiences.  Venkatesh had previously remade the first two 'Drishyam' films, bringing them to the Telugu audience. However, for this third installment, Mohanlal himself has presented the film directly to the Telugu audience today. Despite being a dubbed film, the expectations and interest among the Telugu audience are exceptionally high. Let's see in this review whether the film lives up to those expectations. Story: George (Mohanlal) produces a feature film titled 'Drishyam', based on the actual events that unfolded in his own life. The movie receives a positive reception and garners massive box-office collections. Meanwhile, discussions regarding Varun's murder resurface once again. As the topic of Varun's murder gains traction on social media, George begins looking for suitable alliances to arrange the marriage of his eldest daughter, Anu.  In this sequence of events, Varun's father, Prabhakar (Siddique), devises a plan to reopen the Varun murder case and execute an arrest precisely on the day of Anu's wedding. However, George cleverly manages to evade capture. Nevertheless, George and his family members find themselves in deep trouble due to another plan orchestrated by Prabhakar.  What are these troubles? And how does George manage to protect his family from them? That forms the crux of the film's story. Performances: Just as he impressed audiences with his nuanced and understated acting in the first two installments, Mohanlal once again delivers a captivating performance in this film as a responsible and devoted father. In particular, the anguish he portrays in certain scenes makes him feel truly like a real-life father. There is absolutely no doubt that Mohanlal has delivered a stellar performance as an average father who constantly worries about the future of his two daughters—never going overboard, yet never holding back. There isn't much to say regarding Meena's role, as she was given very little scope to showcase her acting prowess. However, she was impressive in terms of her appearance in the role of a mother, and she performed aptly in accordance with the demands of a character who is a mother to two children. The actresses who played George's daughters were also impressive; their characters have been a continuous presence since the very first installment. Much like in the first two films, their acting and on-screen presence were captivating in this installment as well. However, it must be noted that in this particular film, their screen time and scope for acting were significantly limited. As for the actors playing the supporting roles, their performances were decent and adequate for their respective characters.  Technical: Music director Anil Johnson does not appear to have put in much effort. He relied heavily on the background score used in the first installment. During suspense sequences, the music felt formulaic and uninspired; it should have been composed in a manner that heightened the intrigue.  There are significant flaws in the editing; specifically, many scenes in the first half felt dragged out. Despite the first half being relatively short in duration, it still came across as boring. It appears that director Jeethu Joseph focused more on the protagonist's character and on maintaining the suspense than on the narrative itself this time around.  The production values, as always, remained modest and aligned with the requirements of the story. Analysis: For audiences who have previously watched both installments of the 'Drushyam' franchise in Telugu, watching the dubbed version this time around might feel somewhat unfamiliar. In other words, viewers accustomed to seeing Venkatesh and the other actors in those roles across the first two films may feel slightly disoriented upon seeing Mohanlal and the Malayalam cast. Many scenes also retain a distinct \"Malayalam flavor,\" placing the film quite far removed from a typical Telugu cultural context.  Consequently, it may not be particularly easy for Telugu audiences to fully connect with the story. Nevertheless, for those who enjoyed the previous two installments of the 'Drushyam' franchise, this film is worth a one-time watch. The first half unfolded very slowly and failed to effectively draw the audience into the narrative. Conversely, the second half felt rushed, as if hurrying to reach the climax. Some of the suspense sequences felt forced and shoehorned into the plot.  However, one or two of the twists introduced within the story were engaging. However, on the whole, it must be admitted that the film failed to captivate audiences in the way its predecessors did. Towards the end, a hint was dropped suggesting the possibility of a 'Drishyam 4'. It remains to be seen when that installment will arrive and what form it will take. Plus Points: Mohanlal's performance, The twists in the plot, The main storyline. Minus Points: Slow-paced screenplay in the first half, Editing, Lack of prominence given to characters other than George. Conclusion: This Malayalam 'Drishyam' sequel feels somewhat forced Banner: Aashirvad Cinemas Producer: Antony Perumbavoor Direction: Jeethu Joseph Music: Anil Johnson Cast: Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sharath, Shanthi Mayadevi, and others"},"img":{"url":"https://images.prismic.io/prad/ag7UpaYofJOwHelj_Drushyam3.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-21T09:20:00+0000","embed":{"embed_url":null}},"uid":"review-drishyam-3"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Aakhri Sawal'"},"content":{"text":"There are films that entertain, there are films that provoke, and then there are films like Aakhri Sawal that arrive like a storm and force an entire nation to confront the questions it has avoided for decades. Directed by Abhijeet Mohan Warang and Produced by Nikhil Nanda, this hard-hitting political drama is not designed to comfort the audience. It is designed to challenge them, disturb them, and leave them thinking long after the credits roll. At a time when mainstream cinema often plays safe, Aakhri Sawal chooses courage. The film openly touches upon some of the nation’s most controversial and emotionally charged subjects — from the demolition of the Babri Masjid to the assassination of Mahatma Gandhi — and raises questions that generations have debated but never fully answered. What makes the film even more shocking is the unapologetic honesty with which these conversations are presented. The narrative dares to ask whether organizations like the RSS had deeper involvement in these historic events, and the way the film lays out its perspective and facts leaves the audience stunned. There are moments where the sheer boldness of the writing genuinely makes your jaw drop. Sanjay Dutt delivers what can easily be called one of the most intense performances of his career. This is not the larger-than-life Sanjay Dutt audiences are used to seeing. This is a restrained, wounded, fearless performer carrying the weight of history, anger, and truth in his eyes. Every dialogue lands with impact, and every silent moment speaks even louder. His performance elevates the film from being just politically relevant to emotionally unforgettable. The biggest surprise package, however, is Namashi Chakraborty. He emerges as the soul of the film and proves that he is far more than what audiences expected. His sincerity, emotional depth, and screen presence add an unpredictable energy to the narrative. Several scenes involving him leave a lasting impact and showcase an actor ready for much bigger recognition. One of the strongest aspects of Aakhri Sawal is its newsroom debate sequences. These portions are written with remarkable intensity and intelligence, constantly keeping the audience intrigued. The confrontations feel raw and real, almost like watching a nation argue with itself on screen. Some sequences are so emotionally charged and haunting that they genuinely stir your soul. Visually, the film maintains tension throughout. Every frame carries weight and purpose, ensuring that the audience remains invested till the very end. The storytelling never loses grip despite dealing with layered political and historical themes. Instead of becoming preachy, the film remains emotionally engaging and deeply human. The supporting cast including Amit Sadh, Sameera Reddy, Neetu Chandra and Tridha Choudhury deliver some of their most impactful performances ever, adding further strength to the film’s emotionally heavy narrative. Producer Nikhil Nanda deserves appreciation for backing a subject this fearless and uncompromising. Aakhri Sawal does not feel like just another film. It feels like a conversation India was never prepared to have openly. Bold, unsettling, emotional, and brutally honest, the film succeeds in doing what very few political dramas achieve it makes the audience uncomfortable while also keeping them completely engaged. This is courageous cinema in its purest form."},"img":{"url":"https://images.prismic.io/prad/agbLRqYofJOwHQ43_aakhrisawal.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-05-15T06:29:00+0000","embed":{"embed_url":null}},"uid":"review-aakhri-sawal"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: Daadi Ki Shaadi"},"content":{"text":"The film revolves around Kapil, who is navigating an arranged marriage setup when he meets Sadia Khateeb, his prospective match. Just when things begin to settle into a traditional roka, the situation takes an unexpected turn, Sadia’s daadi announces her own decision to get married, completely shifting the emotional and social dynamics of the family. The story moves to Shimla, where the daadi (Neetu Kapoor) lives alone. Her two sons and daughter rush to Shimla after reading online about her decision to remarry at this age, especially as her phone is switched off, leaving them worried and unable to reach her. Caught in the middle of this chaos is Kapil, who is deeply in love with Sadia Khateeb. Even after his own roka is called off under the belief that his union cannot continue if the daadi is remarrying, he chooses to stay connected to Sadia. He eventually joins the family’s chaotic mission, though with a very different intent: to stop the daadi’s wedding and salvage his own love story in the process. What unfolds is a mix of emotional clashes, comedic misunderstandings, and generational conflict, eventually building towards a surprisingly heartfelt resolution that touches upon family, acceptance, and letting go. Performances: Neetu Kapoor is the undeniable anchor of the film, delivering a graceful yet fearless performance as the daadi. She brings warmth, dignity, and emotional unpredictability, making her character both endearing and impactful. Kapil Sharma balances humour and emotion with ease. His performance feels natural, especially as his character transitions from a hopeful groom to someone emotionally entangled in a much larger family conflict. Sadia Khateeb lends quiet strength to her role, portraying confusion, affection, and emotional restraint with sincerity. She remains the emotional bridge between the chaotic family dynamics. The supporting cast, playing the daadi’s children, effectively drives the central conflict, bringing in frustration, humour, and generational resistance that fuels the narrative. Direction and Writing: The film stands out for its emotional clarity and grounded storytelling, leaning into relatable family dynamics and human reactions. The writing is on point and effective, allowing situations to unfold naturally rather than forcefully. Ashish R Mohan’s direction is confident and patient, often letting silence, reactions, and awkward family exchanges carry as much weight as dialogue. This gives the film its authenticity and emotional depth. Music and Visuals: The music complements the narrative without overwhelming it, subtly enhancing emotional and light-hearted moments. Visually, the film maintains a warm, accessible tone, making the world feel familiar and lived-in. Verdict: A heartfelt, well-crafted family entertainer that blends generational conflict, humour, and emotion into a cohesive experience. It works because of its sincerity and its ability to find humour within emotional chaos. Final Word: Warm, chaotic, and deeply human, this is family cinema done right."},"img":{"url":"https://images.prismic.io/prad/af2G8qYofJOwG-KX_KapilDaadiKiShaadi.png?auto=format%2Ccompress&rect=0%2C0%2C874%2C431&w=2028&h=1000"},"datetime":"2026-05-08T05:59:00+0000","embed":{"embed_url":null}},"uid":"daadi-ki-shaadi-movie-review"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Raja Shivaji'"},"content":{"text":"Riteish Deshmukh returns to direction with Raja Shivaji, and the ambition here is immediately evident. Taking on the roles of actor, writer, and director, he reshapes the familiar historical biopic into something more reflective and immersive. Told through a chapter-based narrative in a bilingual format, the film unfolds less like a conventional drama and more like a carefully written manuscript, measured, deliberate, and emotionally layered. What stands out most is the film’s clear intent: this is not a story of war, but of a warrior. There are no overwhelming, large-scale battle sequences designed purely for spectacle. Instead, the narrative chooses to focus on the making of Shivaji Maharaj, his thoughts, his influences, and the journey that shaped him into a leader. This approach gives the film a quieter strength, allowing it to connect on a more personal level. A significant portion of the film is devoted to Shivaji’s early years and coming-of-age. It thoughtfully explores the lesser-known aspects of his upbringing, placing strong emphasis on the role of his mother, Jijabai. Her presence becomes the emotional anchor of the story, illustrating how values, vision, and resilience were instilled in him long before he became a legendary figure. The focus on family and formative relationships adds richness, making his evolution feel deeply human rather than mythic. At the center, Riteish Deshmukh delivers a restrained and composed performance. His portrayal avoids excessive grandeur, instead leaning into stillness and quiet intensity. As a filmmaker, he shows notable control allowing moments to breathe and trusting the material rather than overdramatizing it. Genelia Deshmukh’s involvement is felt in the film’s emotional texture. There’s a softness in how relationships are handled, a sensitivity that balances the larger historical canvas. This is especially evident in the film’s quieter passages, where personal moments are given as much importance as political developments. Young Rahyl Deshmukh brings a natural charm to the role of the young Shivaji, capturing innocence and curiosity in a way that makes the early chapters particularly engaging and heartfelt. Among the supporting cast, Vidya Balan as Badi Begam leaves a strong impression with a performance marked by subtlety and intelligence. She brings both emotional depth and political nuance without resorting to overt dramatics. Sanjay Dutt’s Afzal Khan is equally compelling - his portrayal carries an underlying tension, defined by cunning, cruelty, and a quiet, looming menace that makes him deeply unsettling.   Fardeen Khan’s Shah Jahan is defined by restraint. Much of his presence is built around observation and waiting particularly in moments linked to the completion of the Taj Mahal giving the character a composed, watchful quality rather than overt authority. Abhishek Bachchan, as Sambhaji, delivers one of the film’s more emotionally layered performances, reflecting the burden of legacy with quiet internal conflict. A brief but impactful cameo by Salman Khan as Jiva Mahala adds emotional weight. The moment resonates not because of scale, but because of the personal loyalty it represents. The supporting ensemble including Bhagyashree as Jijabai, Sachin Khedekar, Mahesh Manjrekar, Boman Irani, Jitendra Joshi, and Amole Gupte ensures that the world feels complete and intentional. Each character contributes meaningfully to the narrative’s emotional and political fabric. Visually, Santosh Sivan’s cinematography lends the film a grounded grandeur. The landscapes feel authentic, and even the action is staged with clarity rather than chaos. Ajay–Atul’s music further elevates the experience, maintaining an emotional rhythm that complements the storytelling without overwhelming it. The blend of Marathi and Hindi elements adds cultural authenticity. Backed by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under Mumbai Film Company, the film maintains a fine balance between scale and discipline. Its ambition is evident, but it never loses control of its narrative focus. While Raja Shivaji is designed as a Pan-India film, it carries a special resonance for audiences in Mumbai and Maharashtra. Releasing around Maharashtra Day, it feels like more than just a cinematic event, it comes across as a heartfelt cultural tribute.  More than a tale of war, it stands as a lesson in leadership, resilience, and pride, one that deserves to be known and felt by every Indian. Director: Riteish Deshmukh,   Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amole Gupte, Genelia Deshmukh and others"},"img":{"url":"https://images.prismic.io/prad/afRcDsBOoF08xh7T_rajashivaji.JPG?auto=format,compress"},"datetime":"2026-05-01T06:54:00+0000","embed":{"embed_url":null}},"uid":"review-raja-shivaji"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Decoit'"},"content":{"text":"Known for consistently choosing unique scripts and achieving back-to-back successes in his career, Adivi Sesh took a brief hiatus before making this film. Initially, Shruti Haasan was selected as the female lead; however, she stepped down due to various reasons. Subsequently, Mrunal Thakur was cast as the heroine. With Mrunal's inclusion, expectations surrounding the film soared even higher. Let's see in this review to what extent the film managed to live up to those expectations. Story:  Haridas (Adivi Sesh) and Saraswathi (Mrunal Thakur)—a couple who fell in love and got married—end up separating amidst a series of unexpected circumstances. Haridas lands in prison in connection with a murder case. It is due to Saraswathi that Haridas finds himself incarcerated for the murder. Consequently, he resolves to exact revenge upon her. After escaping from prison, Haridas hatches a plan to flee to Dubai.To facilitate this, he requires a certain amount of money. In the process of trying to acquire those funds, he crosses paths with Saraswathi—only to discover that she has since remarried.  While her husband suffers from a severe illness, Saraswathi faces immense hardships while raising their child. At this critical juncture, what steps does Haridas—who is intent on exacting revenge upon Saraswathi—take? Furthermore, why did Haridas and Saraswathi—who had fallen deeply in love and married—eventually part ways? And how did Haridas become entangled in a murder case? To uncover the answers to these questions, one must watch the film. Performances: It is a well-known fact that Adivi Sesh has repeatedly proven his mettle as an actor. Once again, he has impressed audiences with his performance. Rather than merely acting in the role of Haridas, one could say he truly lived the character; such was the caliber of Adivi Sesh's performance. He earns high praise, particularly for his work in several emotional and action sequences. He also captivated viewers with a look that perfectly suited the demands of the role. Additionally, Adivi Sesh impressed with his acting in the romantic scenes. Overall, although his character in this film is quite distinct from his previous roles, he adapted to it seamlessly and delivered a compelling performance. Mrunal Thakur’s character holds immense significance within the film's narrative. However, in terms of the screenplay, her role did not receive as much prominence as it deserved. It must be noted that there were no specific scenes that truly challenged her to deliver a tour-de-force performance. Mrunal’s acting in the romantic scenes was engaging, while her performance in some of the emotional sequences was merely passable.  Atul Kulkarni did complete justice to his role. As for Anurag Kashyap, he made a strong impression within the limited screen time he was allotted; however, his character certainly warranted greater prominence. The actors who played the supporting roles delivered decent performances. Technical: Director Shaniel Deo chose a unique premise for the story. However, it must be said that he failed to flesh it out into a cohesive narrative. He drove the plot forward using routine sequences; in particular, several scenes felt like rehashes of moments seen in countless other films. There is nothing particularly noteworthy to mention regarding the screenplay either.  As for the music provided by Bheems, there is little to discuss; only one song felt somewhat passable. Bheems failed to impress even with the background score. Although it felt adequate in a scene or two, the music ultimately proved to be a detriment to the film as a whole.  The cinematography was good in certain sequences—specifically, some shots effectively conveyed the sense of being transported back in time. The production values ​​were commendable. Analysis: Compared to Adivi Sesh's previous films, this movie stands out as a distinctly different kind of project. However, the outcome of this film implicitly suggests that if Adivi Sesh were to attempt a movie within a conventional, formulaic format, his dedicated fan base would likely reject it.  The director steered the film using a stereotypical story and narrative structure. Despite Adivi Sesh's undeniable talent, the lack of a strong grip on the screenplay rendered the entire effort futile—much like pouring precious perfume into the ashes. Rumors had already surfaced during the filming stage regarding creative differences over certain scenes.  It appears that, this time around, Adivi Sesh's judgment may have faltered. Mrunal Thakur did justice to her role; however, she should have been given a bit more prominence. The director ought to have exercised greater care regarding the screenplay. Plus Points: Adivi Sesh Cinematography Anurag Kashyap Minus Points: The Heroine's Role Music Story and Screenplay In Conclusion: A story and screenplay that fail to impress. Banner: Annapurna Studios, SS Creations Direction: Shaniyel Deo Producers: Supriya Yarlagadda, Sunil Narang Music: Bheems Ceciroleo Cast: Adivi Sesh, Mrunal Thakur, Atul Kulkarni, Vaibhav, Anurag Kashyap, and others"},"img":{"url":"https://images.prismic.io/prad/adjfdp1ZCF7ETENe_dacoit.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-10T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-decoit"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Biker'"},"content":{"text":"It is a well-known fact that the summer season is crucial for Tollywood. This summer was originally scheduled to kick off with a major release starring Ram Charan; however, due to various reasons, that film was postponed. Stepping in to fill that void, Sharwanand has arrived before the audience today with his film, 'Biker.'  The filmmakers have consistently asserted that—until now—no full-fledged bike racing movie has ever graced the Indian screen, making this the very first of its kind. Having assured the public that the film would captivate audiences, let us see in this review whether 'Biker' lives up to those claims. Story: Vikas Narayan—known as Vicky (Sharwanand)—is a top-tier motocross racer who suddenly decides to quit the sport. While fully immersed in leading a family life, Vicky unexpectedly finds his interest and passion for racing reignited due to unforeseen circumstances. Consequently, he returns to his father and mentor, Sunil Narayan (Rajasekhar).  What events unfold during this reunion? Furthermore, what is the true nature of the bond shared between this father-son duo—Sunil and Vicky? The film's premise revolves around why Vicky gives up racing, only to return to the sport many years later. Although the storyline itself is quite simple, the film is driven primarily by its screenplay. Performances: Regardless of the film or the nature of the role, we consistently see Sharwanand impressing audiences with his acting prowess. In this latest outing, he once again poured his heart and soul into the character of Vicky. Sharwanand appears in two distinct age groups within the film, and he delivers a convincing performance tailored perfectly to each phase of the character's life.  Furthermore, Sharwanand earns high marks once again for his execution of both emotional and romantic scenes. As a biker, he makes a sincere effort to impress through his body language. His romantic scenes with the female lead are engaging. Overall, Sharwanand delivers a commendable performance as a biker. Rajasekhar makes a return to the silver screen after a long hiatus. He is cast in the role of Sharwanand's father—a character that, despite being a paternal figure, is accorded significant importance within the narrative. Rajasekhar effectively conveys the emotional depth of the role, bringing the character to life with great conviction. Rajasekhar's acting requires no special mention; he has once again proven his mettle as a performer.  Regarding the female lead, while her character holds significance within the story's plot, it must be noted that she does not receive the expected level of prominence in the actual screenplay. Nevertheless, she delivers a decent performance within the scope provided to her. There is not much to specifically discuss regarding the performances of the other supporting cast members.  Technical: Director Abhilash should have chosen a stronger storyline. It appears he intended to carry the film solely through his direction and screenplay. He really should have put more effort into refining the story itself. Such a thin storyline demands a robust screenplay; however, the director did not fully succeed in that regard either. There are flaws in the editing.  Some of the bike racing sequences occasionally feel tedious. While the film might appeal to racing enthusiasts, regular audiences are likely to wear expressions of exasperation, thinking, \"That's enough—please make it stop!\"  The cinematography is commendable; the camera work in certain racing sequences is particularly impressive. As for the music, there is nothing particularly noteworthy to mention, though it must be acknowledged that the music director did manage to succeed with the background score in a few isolated moments. The production values ​​are good. Analysis: It would have been more effective had the director first provided the audience with a foundational understanding of bike racing before immersing them in the narrative. As it stands, the film is truly engaging only for those who already possess prior knowledge of racing. Specifically, racing aficionados are the ones who will likely watch and enjoy this movie.  However, the average commercial audience is bound to be left bewildered—staring blankly and wondering, \"What exactly is this?\" While the audience may connect with a few of the emotional scenes scattered throughout the film, that connection often feels abruptly severed almost immediately. Overall, the director failed to craft a film that would truly resonate with the audience or leave a lasting impression on their hearts.  The director steered the film as if its sole purpose were to showcase bike racing. It remains unclear whether he simply forgot that a movie requires a blend of various elements, or if he naively assumed that the presence of emotion and racing sequences alone would suffice to bring everything else together. However, it must be stated that the average moviegoer is unlikely to enjoy 'Biker'.  Sharwanand put in a tremendous amount of effort. It was a wise decision to cast Rajasekhar in this role; the combination of these two actors held the potential to create something truly spectacular. Unfortunately, the director failed to effectively utilize their talents to deliver a hit film. Apart from those with a specific passion for bike racing, regular family audiences will find it difficult to connect with this movie. It is simply not possible to carry an entire film on the strength of just a few emotional scenes. Plus Points: Sharwanand Rajasekhar A few racing sequences Minus Points: Story and Screenplay Slow pacing in the first half Some racing sequences felt tedious Certain scenes were overly melodramatic Conclusion: While Sharwanand was impressive in his portrayal of a biker, the film ultimately failed to appeal to family audiences. Banner: UV Creations Producers: Vamsi, Pramod Direction: Abhilash Reddy Music: Ghibran Cast: Sharwanand, Rajasekhar, Malavika Nair, Atul Kulkarni, and others"},"img":{"url":"https://images.prismic.io/prad/ac96upGXnQHGZPjo_biker.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-04-03T06:31:00+0000","embed":{"embed_url":null}},"uid":"review-biker---for-those-who-love-racing"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Ustaad Bhagat Singh'"},"content":{"text":"Everyone is well aware of the massive success achieved by Gabbar Singh—a film released many years ago, starring Pawan Kalyan as the lead and directed by Harish Shankar. Consequently, expectations for this film have soared to great heights. In this review, let us see whether Director Harish Shankar has managed to live up to those expectations. Story: A teacher (K.S. Ravikumar), who dedicates himself to supporting the education of tribal children, notices a particular young boy in the region who stands out as truly special. The teacher adopts the boy, raises him, and molds him into a police officer.  That officer is Ustaad Bhagat Singh (Pawan Kalyan)—a man who not only accomplishes whatever he sets his mind to but also stands at the forefront whenever and wherever corruption or injustice rears its head.  The story revolves around how Ustaad Bhagat Singh thwarts the schemes of an individual who seeks to seize power by assassinating the state's Chief Minister. Simply put, this is the story of a powerful police officer. Performances: There is no need to speak separately about Pawan Kalyan's performance; it speaks for itself. There is absolutely no doubt that he does complete justice to any role assigned to him. Pawan Kalyan has done full justice to the character of Ustaad Bhagat Singh as well. Delivering a powerful performance in a commanding role, he captivated the audience without ever compromising on his signature style of entertainment.  Furthermore, his impeccable comedic timing earned him the appreciation of his fans. Pawan Kalyan was equally impressive in the romantic sequences. He also delighted the audience by showcasing a few dance moves in the musical numbers.  Overall, Pawan Kalyan delivered a captivating performance that truly defined the concept of a \"one-man show.\" Typically, heroines do not play a very significant role in Pawan Kalyan's films; this trend continued in this movie as well. The character played by the lead actress, Sreeleela, lacked substantial importance. Nevertheless, she delivered a decent performance within the limited scope of her role. The other heroine, Raashi Khanna, was confined to a single song sequence. She did not feel integral to the plot; in fact, her absence from the film would not have made any significant difference to the narrative.  The supporting cast members performed adequately within the confines of their respective roles. Technical: It appeared that Director Harish Shankar focused his attention entirely on the screenplay and Pawan Kalyan's character, rather than on the core storyline itself. Several of his dialogues were crafted to deliver a definite \"kick\" to the fans. Moreover, the director clearly understood exactly how the fans wished to see Pawan Kalyan portrayed on screen, and he presented him in the film accordingly.  The director succeeded in crafting dialogues that perfectly complemented Pawan Kalyan's distinct body language. The screenplay was passable. The direction falls short, the storyline is weak, and the cinematography is merely passable.  The music provided by Devi Sri Prasad is decent, to a certain extent. The fact that the songs did not turn out to be blockbusters is a drawback; however, the background score provided by Thaman stands out as a major highlight of the film. The production values ​​are commendable, though there are occasional flaws in the editing. Analysis: Whenever a Pawan Kalyan film is announced, it captures the attention not only of his fans but of audiences from all walks of life. Speculations abound—regarding the kind of story he might choose or whether the film will live up to the stature he currently commands—and expectations inevitably soar. There is absolutely no doubt that meeting such high expectations is a monumental challenge for any director.  In this film, Director Harish Shankar presents Pawan Kalyan in a simple, straightforward manner—devoid of heavy-handed social messages or overly dramatic, \"powerful\" dialogues—while crafting his lines in a way that specifically appeals to his fan base. It has been proven once again that Harish Shankar possesses a keen understanding of exactly what fans expect from a Pawan Kalyan film. Director Harish Shankar knew that if Pawan Kalyan delivered the kind of high-energy entertainment reminiscent of Gabbar Singh, his fans would undoubtedly embrace it wholeheartedly. Consequently, he devised a strategy to focus exclusively on showcasing Pawan Kalyan's persona and delivering pure entertainment, without getting bogged down in the intricacies of the plot or other narrative elements.  While his approach certainly resonates with the fans, the general audience may be left feeling that something more is missing. Ultimately, the film feels as though it was crafted exclusively for the enjoyment of Pawan Kalyan's devoted fan base. Pawan Kalyan's previous film, OG, also felt as though it was made specifically for his fans. Once again, this movie appears to have been crafted solely to satisfy Pawan Kalyan's fan base. General audiences may choose to wait until the film becomes available on OTT platforms. Plus Points: Pawan Kalyan, Comedy Select scenes Minus Points: Story and Screenplay Roles of the Heroines Roles of the Villains Verdict: For Pawan Kalyan's fans..."},"img":{"url":"https://images.prismic.io/prad/abuyNrbci2UF6P_u_UBS.JPG?auto=format,compress&rect=0,0,2028,1000&w=2028&h=1000"},"datetime":"2026-03-19T07:22:00+0000","embed":{"embed_url":null}},"uid":"review-ustaad-bhagat-singh---treat-for-fans-only"}},{"node":{"tags":["Entertainment"],"data":{"title":{"text":"Review: 'Vishnu Vinyasam' - Routine Entertainer"},"content":{"text":"This film, starring Sree Vishnu, who has acquired a special image by choosing different films, did not have much publicity from the beginning. But there was a bit of a rush during the release. The hype for this film increased in the wake of the publicity that two films starring Sree Vishnu were coming out at the same time. So how is this film? Let's see in this review whether the matter in this film is up to the increased hype. Story: Vishnu (Sree Vishnu) is a junior lecturer at Ongole Pragathi Junior College. He believes in Vastu a lot and pays a lot of attention to horoscopes. He believes a little too much in numerology. Manisha (Nayan Sarika) enters Vishnu's life. Manisha loves Vishnu at first sight. Manisha has a problem. Because of that problem, no one comes forward to marry her. But Manisha loves Vishnu without telling him about it.  After both of them fall deeply in love, Manisha tells Vishnu the real thing. Will Vishnu then say okay to marry Manisha? What is that problem that Manisha has so far? You have to watch the movie to know. Actors' performance: Sree Vishnu has been impressing in recent times as he has made a name for himself in comedy roles. He has already earned the reputation of playing confusing roles. Moreover, as expected, since this is a confusing role in this film, Srivishnu impressed. He acted in an impressive manner and impressed. His expressions make you laugh. Apart from that, he acted in a memorable way in his role.  The heroine Nayan Sarika impressed with her beauty. Even though she was mostly seen in a saree, she sparkled with beauty here and there. Along with her impressive beauty, she impressed with her acting. Her acting in some scenes was good. Especially in some scenes, her acting was the main attraction of the film.  The actors who played other roles impressed within the scope of their roles. Technical: Although the subject taken by director Yadunath Maruthirao is very routine, he impressed with the entertainment he handled. More care should have been taken in the screenplay. It seemed that some scenes were jumped. There are errors in editing. Especially some scenes are like front, back... back, front. That makes it confusing at times.  There is nothing much to say about the music. But in some scenes of the film, it seems that the background score is not important. The production values ​​are good. The cinematography is not important. Analysis: It seems that hero Srivishnu has accepted this film after seeing the support that entertainment films have been getting in recent times. The story is very routine. Recently, too, a film came out in which the hero had three beliefs. If you watch this film within a few months of its release, it has been proven once again that if this subject is handled with comedy, the audience will support it.  The director has handled this film in a completely entertaining way. But there are some errors in the screenplay. There is some confusion in the placement of scenes. The first half came out very well. After the entertaining first half, it must be said that the second half has decreased a bit. The director succeeded in revealing the twist. However, even though there is another twist in the climax, it did not work out well. Overall, the movie is a good entertainer, but you have to enjoy the magic without logic. Plus points: Sree Vishnu, Nayan Sarika Comedy, Satya, other comedians Minus points: Some scenes without logic, Some scenes in the second half, Music, editing. Finally.. It would be good if you enjoy the entertainment without looking at whether there is no logic or not. Banner: Sree Subrahmanyeshwara Cinemas Producer: Sumanth Naidu Director: Yadunath Maruthi Rao Music: Rathan Cast: Sree Vishnu, Nayan Sarika, Satya, Murali Sharma, Brahmaji and others"},"img":{"url":"https://images.prismic.io/prad/aaFsmMFoBIGEg6rI_vishnuvinyasam.JPG?auto=format,compress"},"datetime":"2026-02-27T09:30:00+0000","embed":{"embed_url":"https://www.youtube.com/watch?v=QkkMjnbLZHw"}},"uid":"review-vishnu-vinyasam---routine-entertainer"}}]}},"pageContext":{"isCreatedByStatefulCreatePages":true}}